Podcasts about hi hat

Heute wird's funky and groovy, denn der Bassist SeBASStian Nöcker und Drummer Leo Imhäuser sind zu Gast im Trommel Talk. Zusammen bilden sie das rhythmische Rückgrat von Funky Times, eine junge Band, die über Social Media mehr als von sich hat hören lassen. Wenn du sie nicht kennst, dann - naja, dann bist du evtl. so alt wie ich und hast von dem Buzz um Funky Times auf Instagram nichts mitbekommen. Von dem Buzz haben allerdings Künstler wie Dirty Loops oder Candy Dulfer Wind bekommen und haben zusammen mit Funky Times funky times gehabt. Grund genug für mich, zu einem Konzert der Band zu gehen und danach zu beschließen: Die müssen hier in den Trommel Talk. Gedacht, gesagt, getan und so spreche ich mit den beiden über das Verhältnis von Bass und Schlagzeug, über Rhythmus am Bass, den Groove der Hihat, wie es zu Funky Times kam und warum die Liebe und Hingabe zum Instrument wichtiger ist als jede einzelne Übeeinheit. Ich wünsche viel Spaß bei dieser Episode des Trommel Talk Podcasts. Mehr zu Funky Times findest du hier: https://funkytimesmusic.com/ Und auf Instagram: https://www.instagram.com/funkytimes_official/?hl=de Sebastian ist hier zu finden: https://sebastian-noecker.de/ Natürlich auch auf Insta: https://www.instagram.com/sebastian.bassplayer/?hl=de Leo hier: https://leo-imhaeuser.com/home Und auf Insta hier: https://www.instagram.com/leoimhaeuser/?hl=de Der Song, der im Podcast erwähnt wird gibt es sogar hier auf YouTube: https://youtu.be/7mIm-QPGmck?feature=shared Ich freu mich tierisch, wenn du auf der Seite von Einfach Schlagzeug mal unter https://einfachschlagzeug.de/ oder bei Instagram vorbeischaust: https://www.instagram.com/krafftfelix/?hl=de Kapitelmarken 0:00:09 - Start mit Leo 0:19:11 - Und Sebastian? 0:24:45 - Schnellfragerunde 0:26:25 - Vom Song zum Bass zum Schlagzeug 0:35:32 -  Bass und Groove 1:00:45 - Was man braucht 1:04:06 - Ohne Konventionen

15e et dernière émission de la 59e session...Cette semaine, on se la joue en trio! En musique: Bill Evans Trio sur l'album San Francisco, 1975  (Hi Hat, 2020); Antonio Faraò sur l'album Tributes  (Criss Cross, 2024); Luther Allison sur l'abum I Owe It All to You  (Posi-Tone, 2024); John Zorn sur l'album Ballades  (Tzadik, 2024); Ståhls Trio sur l'album Brain Drain  (Indépendant, 2024); Dan Weiss sur l'album Even Odds  (Cygnus, 2024); Silvan Schmid, Tom Wheatley, Eddie Prevost sur l'album The Wandering One  (Matchless, 2024)...

Episode Summary: In this episode, Jessica's story begins with her humble & late start in New York City at 19, where she discovered her passion for dance and forged meaningful connections within the dance community. Despite initially navigating the industry without an agent, Jessica's talent and perseverance led her to work with esteemed choreographers like Tina Landon and Hi Hat, paving the way for her growth as a dancer. As Jessica reflects on her career trajectory, she emphasizes the pivotal role in the movie ´´Honey´´ as Jessica Alba's dance double and courage in navigating the industry's challenges.  She shares memorable moments dancing in two Super Bowls with Janet Jackson & Beyonce, The Greatest Showman, In the Heights. Amidst the glitz and glamour, Jessica emphasizes the significance of kindness, professionalism, and trust in maintaining longevity in the industry. As the conversation delves into Jessica's transition from dancer to choreographer and educator, she offers insights into the responsibilities and qualities sought in dancers.Her journey from young dancer to choreographer, educator, and mother underscores the multifaceted nature of success in the industry, inspiring listeners to pursue their artistic ambitions with determination and authenticity. Show Notes: 00:03 - Dance career development with industry professionals. 05:24 - Career growth in the entertainment industry. 09:22 - The importance of unity and standing up for what's right in the entertainment industry. 14:37 - Film and dance experiences with memorable moments. 19:46 - Career and life changes as an artist and dancer. 25:13 - Challenges and rewards of a career in the entertainment industry. 29:27 - The importance of professionalism and trust in the entertainment industry. 37:40 - Being a choreographer, responsibilities, and qualities sought in dancers. 41:36 - Navigating the New York dance industry, with tips on classes and studios. 47:35 - Artistic inspiration and responsibility. 53:34 - Longevity and success in the dance industry  Biography: Jessica Castro is an internationally acclaimed dancer and choreographer whose formal training began in New York City at the prestigious Alvin Ailey American Dance program. She has graced stages all across the world including Superbowl Halftime Shows with Janet Jackson and Beyoncé, The World Cup in Africa, and appearing on film in the blockbuster hit “The Greatest Showman”. Jessica has built a successful career as both a dancer and choreographer working with the likes of Jonas Brothers, Alicia Keys, Doja Cat, Rosalia, Ciara, Jennifer Hudson, Janet Jackson, Jennifer Lopez, Ricky Martin, Pharell, The Black Eyed Peas, Rihanna, Mariah Carey, Kelly Rowland, Will Smith and Mary J Blige. From her work on the Jonas Brothers' “What A Man Gotta Do” video to their subsequent Grammy's Performance, to working on CBS's new dance show, “Come Dance with Me”, and the Netflix romantic comedy, “Christmas With You”. Whether it's film, TV, music videos, live performances, tours or artist development. Some of Jessica's most recent TV credits include Law & Order Organized Crime, Harlem on Amazon Prime, Step-Up Series, and The Best Man: Final Chapters on Peacock. Additionally, she has worked on a number of beauty and commercial campaigns which include M.A.C. Cosmetics “Powder Kiss” and “Love Me” campaigns as well as commercials for Kohl's and Nine West starring Ciara. Jessica also served as assistant choreographer for the Netflix series, “The Get Down”. Recently, Jessica was chosen as one of three contributing choreographers by the 50th annual Dance on Camera festival presented by Dance Films association and Film at Lincoln Center for “Women of The Ghetto” in collaboration with Wonderland Magazine. Connect on Social Media: https://www.instagram.com/iliajessicacastro https://www.facebook.com/jessica.castro.7140 

Für viele ist er der beste Schlagzeuger aller Zeiten, der GOAT des Drumming: Buddy Rich. Egal, ob das stimmt, fest steht, dass Buddy Rich einer der technisch herausragendsten Schlagzeuger ist und ein Ausnahmemusiker seiner Zeit. Legendär sind seine diversen Drum Battles und ikonisch das "impossible Drum Solo". Wahnwitzig seine spielerischen Tricks, wenn er einen Wirbel auf der Snare spielt und Betonungen mit der rechten Hand anfängt und man langsam merkt: Warte, der spielt den Wirbel allein mit der linken Hand... Die Soli sind aber nicht nur hörenswert, immer wieder steckt viel Witz und Freude im Spiel, da verschwindet schon mal der Stick in der HiHat oder dem Animal von der Muppet Show wird gezeigt, wo die Bass Drum hängt.... Allein das wäre Grund genug, sich einmal das Spiel von Buddy Rich genauer anzusehen und zu analysieren. Und das kann kaum jemand besser als Flo Fochs. Als Mann für alle Fragen rund um Spieltechnik, Haltung und Ergonomie am Drumset ist er der Experte für den Trommel Talk, wenn es darum geht, Buddy Rich zu dekodieren. Und so viel sei verraten, es ist durchaus verwunderlich, dass Buddy Rich bei seinen Voraussetzungen überhaupt zu solchen Spitzenleistungen fähig war... Die Videoclips, die wir zur Grundlage unserer Analyse genommen haben findet ihr hier: 1. Das Impossible Drum Solo  von Buddy Rich: https://youtu.be/9esWG6A6g-k?feature=shared 2. Das Wolf Trap Solo: https://youtu.be/0d68-iSWyx8?feature=shared Drei legendäre Drum Battle mit Buddy Rich 1. Gene Krupa: https://youtu.be/BZ5B7yqDYbA?feature=shared 2. Jerry Lewis: https://youtu.be/xkdzo9dYLcA?feature=shared 3. The Animal: https://youtu.be/VJh9W3Gcpmo?feature=shared Die Greyson Nekrutman Caravan Version im Stil von Buddy Rich: https://youtu.be/AwPCbmTXsiA?feature=shared Mehr zu Flo Fochs hier: https://florianfochs.de/ Wenn ihr Fragen, Anregungen oder Kritik zur neuen Serie habt, schreibt am besten an: felix@einfachschlagzeug.de Außerdem freu ich mich, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Kapitelmarker: 00:09 - Start 05:04 - Wer ist Buddy Rich? 13:22 - Die Analyse 15:01 - 1: Kompakt 25:23 - 2: Moving with Tension 35:53 - 3: Magic Fingers 48:02 - Der GOAT? 1:01:10 - Frag den Flo

The Minneapolis and St. Paul public school districts are in $100 million deficits. That means cuts and layoffs could be ahead. We spoke with St. Paul's superintendent.Our chief meteorologist has waited all winter to talk about snow! How many inches are we in for?A Minnesota Book Award nominee shares the emotional side of the climate crisis, especially when it comes to parenthood.It's Homeless Day on the Hill at the Capitol and the results of a new study on homelessness in Minnesota were released. We talked with an advocate who is using his lived experience to influence homelessness policy in the state.Plus, we celebrate the opening of cult-classic Gordy's Hi-Hat.

Today's guest is @iamgerranReese dancer, choreographer, educator galore. I've known Gerran now for almost 15 years (!) through lots of different dance education spaces - and I'm so excited I was finally able to get him on the pod. Gerran is super inspirational in so many ways and we chat about:The differences between regular weekly classes and more program based trainingknowing yourself, your strengths/weaknesses, defining your own version of success in dance. How to research and pay close attention to what inspires you before you start your career. Hi! I am Gerran Reese, I have been teaching dance throughout the world for the past fifteen years and consider this my true passion & purpose. I grew up in Portland, Oregon where I trained in all styles of dance including Ballet, Jazz, Hip-Hop, and African.I am currently faculty at The Movement Lifestyle,  TMilly Studio, The Brea Space,  Monsters of Hip-Hop Convention (A list), AMDA (BFA Program for Performing Arts,) The Nexxt Move Dance Convention. I have taught internationally at LAX (Paris, France) Studio 68 (London,) SDA Camp (Poland) Base Studios (London), and Brent Street (Sydney).I have worked for artists such as Beyonce, Britney Spears, Kelly Rowland, T-Boz, Daniel Bedingfield, Carmit, Estelle, Muse, Amei, Rochelle Jordan, Kona Rose, Two-feet, and many more. I have worked with top choreographers such as Kevin Maher, Brian Friedman, Tessandra Chavez, Travis Payne, Tabitha & Napoleon, Derrell Bullock, Hi-Hat, Andye J, Tony Testa, and many more.Credits include: Disney's – Black is King, Monsters of Hip Hop Show Cast 2014, The Jefferson Dancers, and The NBA Blazer Hip-Hop Squad. I have done commercial campaign work for Reebok, Puma, and Nike. As well as dancing for television programs such as X-Factor, America's Got Talent, The View, Dancing With the Stars, The TV-Land Awards, The Emmy Gala, and The Grammy's.I would describe my teaching style as an engaging and authentic experience that helps you specifically discover how to become the best artist and dancer you can be. I want you to feel your transformation from the time you walk into class to the time you walk out. Dance is truly a journey, moreover, an individual journey. Art is limitless!Hey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? Book a free 1:1 Career Call. You can also help support the podcast! Subscribe and receive exclusive member benefits --> Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

(Released May 2019) Did Papa Jo Jones invent the Hi-Hat with the help of a plumber? Find out in this episode! Jaz takes us from the beginnings of drumming in Africa through the advent of the modern drum set as we know it today. The amount of different cultures drumming styles that blended together leading up to "double drumming" goes much deeper than I ever thought. Dr. Jaz Sawyer is a drummer and educator based out of Los Angelas. He has a long history in the music industry and has an enormous knowledge about drumming. Check him out at www.jazsawyer.com **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee

(Released May 2019) Did Papa Jo Jones invent the Hi-Hat with the help of a plumber? Find out in this episode! Jaz takes us from the beginnings of drumming in Africa through the advent of the modern drum set as we know it today. The amount of different cultures drumming styles that blended together leading up to "double drumming" goes much deeper than I ever thought. Dr. Jaz Sawyer is a drummer and educator based out of Los Angelas. He has a long history in the music industry and has an enormous knowledge about drumming. Check him out at www.jazsawyer.com **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee

Jared Austin aka Tim Staadler has been in Buisness for over 28 years as a DJ & Music Producer. As Event-Organiser, Club-Owner and Studio Proprietor he has accumulated extensive experience both in North German and also International Locations. Through more than 20 years working with Vinyl an individual and open experimental Style of his own has developed emphasizing Hi-Hat doubling a)nd Bass Fusions. The Permanently pulsating sound with Custom Touch beckons to the dancefloor irresistably. _____________________________________________________________________________________________________________ The Houseeingang crew from Hamburg brings house beats to the bar. House all night long - from groovy to playful, always a bit technoid and with a good portion of fonk.

In diesem Blog steckt ganz viel Arbeit drin. Ich habe alle besprochenen Songs im YouTube-Universum gefunden und für diesen Blog aufbereitet. Genug der Zeilen, schaut und hört rein. https://weekly52.de/weekly/329 . Die Musiker und der Schlagzeuger bitte auf die Bühne! Schlagzeuger sind eine seltsame Spezies. Von anderen Musikern selten als Musiker ernstgenommen, hauen sie doch nur rhythmisch auf Dinge. Allerdings sind sie weit mehr als das. Drummer bilden mit dem Bassisten zusammen die Rhythmusgruppe, das Fundament der ganzen Band. Ohne Drums fehlt den anderen Musikern das Gerüst. Ralle spielt seit Jahrzehnten Schlagzeug. Wir plaudern über sein erstes Drum-Set, unsere musikalischen Idole und besondere Schlüsselmomente. Wir bringen schräge Drummer-Witze und werden von Lea mitten im Podcast gecrashed. Freut euch auf zahlreiche Videos und Anekdoten vom Bandleader und Drummer Ralf Scherer. (00:00) Dumme Drummer-Witze (03:30) Phil Collins: In the Air Tonight (06:00) Das erste Schlagzeug zum 13. Geburtstag (12:30) Schlüssel-Song "Kayleigh" von Marillion (14:30) Trio - Da da da und andere Stehdrummer*Innen (17:00) Schlagzeug (autodidaktisch) lernen (20:00) Eins Zwo Drei Vier ... Drummer als Gerüst der Band (24:00) Don Henley von den Eagles singt "Hotel California" (26:00) Besondere Drummer*Innen und Drum-Solos (32:00) Die alten und die Mainstream-Genesis (33:30) Podcast Crasherin Leas Zahnstocher-Witz (37:00) Genesis Abacab-Tour 1981 Westfalenhalle Dortmund (43:00) Bestes Drum-Solo von Jon Bonham (45:00) Drums, Sounds und Parameter (53:00) Drum fills mit Snare, Bass, Hi-Hat und Tom Tom (57:00) Jeder Live-Auftritt ist anders (1:01:00) Besonderheiten der Roland E-Drums (1:06:00) Umbau vom Akustik- zum E-Drum-Set (1:14:00) Weibliche Drummerinnen: Warpaint, Bangles, Corrs, Haim (1:18:00) Team weekly52 Treffen in Kempen (1:19:00) Meet & Street in Nürnberg und Ralle in Madrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47126Ob4k3h3hyr5r5wxobfpw24wfLcg7s5np7f

The Recording Artist for Hi Hat Records were featured at a Trail-In Dance to the Anaheim National Square Dance Convention in 1976.  This album is the highlights from that dance. Featured callers are Bob Wickers, Bill Stone, Lee Schmidt, Dave Hoffman, Dick Waibel, and Ernie Kinney. Keep this podcast going by making a contribution using the button below. MAKE A DONATION

Hoe werden Amsterdamse festivals zo'n succes? Waarom wil de wethouder cultuur vernieuwing in het festivallandschap? En is dat wel realistisch? In Amsterdam wereldstad, een podcast van Het Parool, bespreken we een Amsterdams fenomeen en geven we antwoord op de vraag: hoe zit dat eigenlijk? Reageren of vragen? podcast@parool.nlPresentatie: Lorianne van GelderTe gast: Daniel van Drunen (Chasing the Hihat) en Jesper Roele (Het Parool)Productie en montage: Verena VerhoevenEindredactie: Josien WolthuizenMuziek: Rinkie BartelsArtwork: Sjoukje Bierma Meer lezen? Evenementenbeleid in Amsterdam gaat op de schop: meer ruimte voor nieuwe festivals en diverser aanbod Amsterdam wil nieuwe festivals, maar is dat met alle regels en hoge kosten wel realistisch? Vergunning ijsbaan Museumplein maand na opening gepubliceerd: ‘Wij moeten dat echt anders doen' Gemeente geeft dubbele signalen af over niet tijdig publiceren festivalvergunningen See omnystudio.com/listener for privacy information.

Buddy Weaver, host of this podcast is producer of Blue Star, Hi Hat, and Rawhide Music labels.  Some of the most popular music in modern western square dancing.  This feature has eight of Buddy's favorites, each cut using calls from the SSD - Social Square Dance program.   This is an excellent resource for dancers without a caller and for callers researching material for smooth SSD dancing. The singing calls used are available from buddyweavermusic.com "That's Amore" - BS 2565 "Tie A Yellow Ribbon" - HH 5272 "Save Me" - RWH 1207 "Blue Moon With Heartache" - HH 5350 "Route Sixty-Six" - BS 2609 "Then I Kissed Her" - RWH 1103 "Don't Stop In My World" - RWH 1094 "It's A Small World" - RWH 1233 Keep this podcast going by making a contribution using the button below. MAKE A DONATION

Volker „IDR“ Gebhardt ist Mixing- & Mastering-Engineer. An wie vielen Songs er in seiner Karriere gearbeitet hat, ist schwer zu sagen. Auf Genius habe ich die Songs versucht zu zählen, an den Volker mitgewirkt hat. Ich hab nur die Songs gezählt, die über 10.000 mal aufgerufen wurden und alleine davon hat Volker mehr als 600 Songs gemixt und gemastert. Im Interview sprechen wir darüber, wie er Audio-Engineer wurde, was der Unterschied zwischen mixen und mastern ist, wie Volker Songs mischt und wie wichtig zwischenmenschliche Beziehungen in dem Beruf als Tontechniker sind. Außerdem geht's um den Karrierestart und arbeiten mit Haftbefehl, Azad, Bushido oder Shindy. [Werbung] Wenn ihr selbst Alben veröffentlicht wollt, könnt ihr das über unseren Sponsor TuneCore. Mit TuneCore könnt ihr als Independent Artist eure Musik auf alle wichtigen Plattformen bringen. Von Spotify über Apple & Amazon bis TikTok und damit Geld verdienen. Dabei behaltet ihr 100% der Streaming-Einnahmen und auch die kompletten Rechte an eurer Musik. Ab 15€ im Jahr könnt ihr unbegrenzt Musik releasen. Wenn ihr euch über diesen Link einen TuneCore-Account erstellt, bekommt ihr 20% Rabatt auf die Preismodelle Breakout Artist und den Professional Plan: https://tunecoretalent.pxf.io/thematakt Podcast-Tipp: Gründerin & Geschäftsfrau Julia Gröschel war bei ThemaTakt schon zu Gast. Sie hat mittlerweile ihren eigenen Podcast gestartet. Der heißt Hip Hop Lebt der 360 Grad Kultur Podcast und auch dort geht's um's HipHop-Business. Hip Hop Lebt findet ihr überall wo's Podcasts gibt: https://open.spotify.com/show/5EGzEGQvle9neILEtbzXMb?si=4315416fcca04812 Buchtipp: Bob Katz - Mastering Audio: https://amzn.to/3WFRfgC [Werbung Ende] ThemaTakt via PayPal unterstützen: https://www.paypal.me/thematakt ThemaTakt bei Steady unterstützen: https://steadyhq.com/de/thematakt ThemaTakt bei Patreon unterstützen: https://www.patreon.com/join/thematakt ThemaTakt-NEWSLETTER: https://www.thematakt.de/newsletter/ Fragen beim Mixen: - Wo will das Team hin? - Wie ist der Song angelegt? - Ist es eine Pop-Single? - Soll sie ins Radio? Volkers Mixing-Prozess: - Drums (Kick, Snare, Hihat, Bass) - Weitere Instrumente - Stimme zum Schluss Kapitel: 00:00 Start 02:50 Was bedeutet das Kürzel "IDR"? 03:43 Volker Gebhardts Weg zum Audio Engineer 11:10 Wie hat Volker Mastern gelernt? 14:34 Wie wichtig es ist, Vertrauen zwischen Artist und Producer aufzubauen 19:09 ZIel: Menschen mit Musik zu emotionalisieren 20:40 Durch Musik Selbstreflexion vergessen 21:27 Wie lange dauert der Mixing-Prozess? Arbeitsweise 25:47 1 Song pro Tag im Album-Mix 28:18 Strategien beim Song-Mixen 32:41 Unterschied Mix & Master 36:39 Wichtig: Emotionaler Abstand zur eigenen Song-Demo-Version gewinnen 39:41 Wie weit im voraus muss ich meinen Song zum Mixen abgeben? 41:49 Volkers Mixing-Prozess: Drums - weitere Instrumente - Stimme 45:05 Welche Werkzeuge gibt es beim Mixing? 45:57 Was ist ein Kompressor? 50:03 Buchtipp: Bob Katz - Mastering Audio 50:53 Kernkompetenz: Guter Umgang mit Artists Genannte Namen & Begriffe: KRS-One Shuko Masta Ace Method Man & Redman Azad Warheit Bazzazian M3 Manuellsen Michael Jackson Public Enemy Guru Haftbefehl Bushido Shindy Vincent Weiss Rodney Gentleman T.O.K.

Claudio is an LA based singer-songwriter/poet whose artistry blends the acoustic storytelling style of James Taylor or Jim Croce with the soulful vocal stylings of John Legend or Eddie Kendrick. Originally from Kenosha, Wisconsin, Claudio relocated to Los Angeles in Spring 2018. Since then, he has kept busy touring the country 4 times while steadily releasing new music. Less than a year after arriving in Los Angeles, Claudio released his deeply conceptual debut album, “A Boy From Somewhere.” He also partnered with frequent collaborator Curtis Crump Jr. on a Christmas album titled, “Merry Little Christmas.” Claudio also released an EP, “Stuck In Somnia,” and nearly a dozen singles. He has headlined venues across the country including The Hotel Café, The Moroccan Lounge, The Hi-Hat, and The Duplex. Claudio is currently working on his second full length album, “Still Here,” which is set to be released in January 2023.

Anniina Valtonen on nainen joka osaa ennustaa, nimittäin säätä.  Mutta hän on myös rohkea unelmien seuraaja joka omaa aurinkoisen ihailtavan asenteen. Anniina on intohimoinen meteorologi joka rakastaa sitä mitä tekee.  Tässä jaksossa kuulet millaista on olla meteorologi mutta lisäksi me puhutaan Anniinan kanssa unelmista, rohkeudesta, muiden mielipiteistä, haaveilun tärkeydestä ja siitä, miten unelmien toteuttamiseksi on oltava valmis käärimään hihat, kunnolla. Anniinalla on paljon tärkeää asiaa. Säästä, mutta myös niin monesta muusta.Tuu mukaan kuulolle! 

Es liegt immer mehr Trend die Hände nicht mehr über Kreuz zu spielen. Sondern entweder steht die HiHat rechts oder man spielt sie mit links. Welche Vorteile das mit sich bringt erörtere ich in dieser Folge.

This episode features the current sound of modern western square dancing with some of today's top recording artist/callers.  The calls used are from the SSD program, making this a useful resource for dancers who don't have a caller and for callers looking for material. All of the musical accompaniment used is available from buddyweavermusic.com "BLINDING LIGHTS"  "CHATTANOOGA CHOO-CHOO" "RAMBLIN' MAN" "I GOT THE MUSIC IN ME" "WHY DON'T YOU SPEND THE NIGHT" "ONE LESS DAY" "WE DANCE THE NIGHT AWAY"

Jazz, one of America's great art forms, has a decorated history in Boston. Charlie Parker performed here in the early '50s. Clubs from the Hi-Hat to Savoy Café lined the streets. And Miles Davis resuscitated his career here in 1981, playing a string of sold-out shows. Sue Auclair helped coordinate Davis' return. She described the moment she broke the news to Eric Jackson, who spearheaded decades of radio programming at GBH: "I said, 'You're not gonna believe this but Miles is coming to Boston.' I told him the details, he cut the music midstream — which no one ever does — and he announces this. ... We sold the thing out four nights." But the prevalence of jazz in Boston is not what it once was. From a change in culture to a lack of clubs and gentrification, Auclair and other Under the Radar guests discussed the past, present and future of jazz in Boston. Tessil Collins, host of the Jazz Gallery at GBH, laments today's lack of dedicated jazz venues. "When you look at these places, though, you're talking about playing jazz at a restaurant ... you're having a meal, people are talking, and there's a band over here in the corner doing background music," he said. "It's unfortunate that we have to settle for that." Gentrification and "nightclub apartheid" has impacted the scene as well, says George "Chip" Greenidge Jr., founder and director of the nonprofit Greatest MINDS. "12 years ago [I told a Boston Globe editor], 'Boston has this feeling where it's called nightclub apartheid.' ... You know, people of color are usually relegated on the Monday, Tuesday and Wednesday nights, and Friday, Saturday, Sundays will be given to, pretty much, white people," he said. "... So, we do have to talk about gentrification, we do have to talk about space and place and where people feel comfortable." Greenidge said there used to be more affordable entertainment options. Now, he says, there are few places to just "sit and enjoy yourself." GUESTS Sue Auclair, longtime jazz promoter and president of Sue Auclair Promotions, a Boston-based PR and marketing firm servicing the arts, entertainment and media industries Tessil Collins, host of The Jazz Gallery & managing producer of Jazz 24/7 online Radio at GBH George “Chip” Greenidge Jr., founder and director of the Greatest MINDS, a nonprofit that works with young students and professionals to become civic leaders

Rolling Stone have a list of the greatest drummers and we have ours from the '80s to discuss this week; names like Alex Van Halen, Tommy Lee, Stewart Copeland and more. Join host Lyndsey Parker (Yahoo Music Entertainment Editor) as she welcomes legendary drummers Chad Smith (Red Hot Chili Peppers) and Kenny Aronoff into the first part of a two part discussion on the best and the most underrated drummers of the '80s decade. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welche Drums Sounds verwendet Klaas? Wann ist das tunen von Kicks wichtig? Wofür nutzt Klaas die Shaperbox? Wie erzeugt Klaas aus eine Hi-Hat mit einem Rauschgenerator? In dieser Folge erzählt uns Klaas seine Geheimtipps mit denen er Hits wie Infinity produziert hat. Hier bekommst du mein Buch EDM KOMPONIEREN: https://amzn.to/3R4p9su Ein podlabel Partner: www.podlabel.de

Synth Hats & Cymbals UHUB | 13 January 2023 | 190.78 MB 100 synthetic Hi-Hat and Cymbal sequences. INFO/DEMO/BUY: https://mage.si/Mvczd Synth Hats And Cymbals WAV ♪ Download ♪

Guest Interview: Tyrell Washington/DANCE HERO: Nancy Anderson/Topics: Travis teaching in Atlanta with Good For The Arts, Michael Mario Good, TriCities High, SW Arts Center, Mayor Khalid, Stacy creative producing on AGT ALL STARS, Madonna, Beyoncé, Destiny's Child, COYOTE UGLY, J2K, Shanice, Travis and Stacy on working with Matthew Perry and Neve Campbell for THREE TO TANGO, Eric Heimbold, GAP Commercial directed by Matthew Rolston, shout out to Tyrell Latrina, MEET THE WASHINGTONS, Frank Gatson, Jr., LaVelle Smith, Jr., HiHat, Missy Elliott, Flii Stylz, Falynne Lewing, I Coach Dance, David Boakes, Remembering MJ Staff and Willie Williams Show! Remaining a Student of your craft, Finding Inspiration, Sending Thank you notes! How much can you learn from virtual classes?See omnystudio.com/listener for privacy information.

Guest Interview: Tyrell Washington/DANCE HERO: Nancy Anderson/Topics: Travis teaching in Atlanta with Good For The Arts, Michael Mario Good, TriCities High, SW Arts Center, Mayor Khalid, Stacy creative producing on AGT ALL STARS, Madonna, Beyoncé, Destiny's Child, COYOTE UGLY, J2K, Shanice, Travis and Stacy on working with Matthew Perry and Neve Campbell for THREE TO TANGO, Eric Heimbold, GAP Commercial directed by Matthew Rolston, shout out to Tyrell Latrina, MEET THE WASHINGTONS, Frank Gatson, Jr., LaVelle Smith, Jr., HiHat, Missy Elliott, Flii Stylz, Falynne Lewing, I Coach Dance, David Boakes, Remembering MJ Staff and Willie Williams Show! Remaining a Student of your craft, Finding Inspiration, Sending Thank you notes! How much can you learn from virtual classes?See omnystudio.com/listener for privacy information.

This podcast advocates for the newest Modern Western Square Dance program - SSD or Social Square Dancing.  Proving to be a dancer favorite as an excellent way to get dancers back on the floor without classes.  SSD promotes dancer success and the opportunity for non-dancers to join into square dancing faster. Today's episode features new singing calls from buddyweavermusic.com. Excellent for home use, when you don't have a caller, or for callers to use as a learning resource. Here are the singing calls use in this episode: "I Wanna Sing" on Hi Hat 5361 "Is It Still Over" on Rawhide 1258 "Against The Grain" on Rawhide 1264 "One Less Day" on Blue Star 2636 "Singing In The Rain" on Female Edition Blue Star 509 "When Irish Eyes Are Smiling" on Blue Star 2529 "Why Don't You Spend The Night" on Hi Hat 5365 "Rambling Fever" on Rawhide 1268 Learn more about SSD here Please take a moment to subscribe to American Square Dance publication (or purchase a gift subscription) - americansquaredance.com  

Í þessum síðasta þætti KISS ARMY ICELAND PODCAST (the touring band) sem er númer 75 í röðinni tökum við fyrir KISS ALIVE! síðan 1975. Platan sem breytti öllu fyrir Gene, Paul, Ace og Peter. Þátturinn sem tekinn var upp ALIVE með gesti í sal laugardagskvöldið 8.október 2022 er með örlítið breyttu sniði í þetta skiptið þar sem við fengum til okkar gesti í settið ásamt óvæntu atriði. Við þökkum öllum sem komu kærlega fyrir ánægjulega kvöldstund, og við þökkum ykkur öllum fyrir hlustunina. Þetta hlaðvarp hefur gefið okkur mikið og við munum sakna þess að hittast ekki á vikulegum fundum okkar og negla saman þátt. Við þökkum einnig fyrir fjölda áskoranna sem okkur barst þar sem okkur var réttilega bent á að okkar menn hafa nú sjálfir hætt við að hætta. Við setjum allt í nefnd og leggjumst nú undir feld, það er ekkert víst að þetta sé aaaalveg attbú. En hvað sem gerist er vikulegum þáttum lokið að sinni, the tour is over. Hosted on Acast. See acast.com/privacy for more information.

Ken is shocked to learn how much Lauren pays for a haircut and listeners weigh in on the debate. Plus, Gordy's Hi-Hat just announced their closing date for the season, and Ken breaks down why he thinks a viral Bigfoot video from Minnesota is a hoax.

In dieser Episode ist Engineer Waldemar Vogel (Max Giesinger, Chilly Gonzales) zu Gast. Er erklärt uns, was Frequenz-Kollisionen sind, an welchen Stellen sie im Mix Sinn machen können und wo man sie einschränken sollte. Außerdem dokumentiert er, mit welchen Tools und Tricks er arbeitet, um Kollisionen der unterschiedlichen Signale im Frequenzgang entgegenzuwirken, um mehr Klarheit im Mix zu schaffen. Viel Spaß beim Hören! ➡️ (00:00:00) - Waldemar Vogel ➡️ (00:14:14) - Was sind Frequenz-Kollisionen? ➡️ (00:17:18) - Umgang mit Frequenz-Kollisionen ➡️ (00:20:05) - Wie erkenne ich Frequenz-Kollisionen? ➡️ (00:25:04) - Kick & Bass ➡️ (00:34:18) - Pads & Gitarre ➡️ (00:44:22) - Vocals, Keyboards & Gitarren ➡️ (00:53:06) - Lead & Backing Vocals ➡️ (00:57:08) - Shaker & HiHat ➡️ (01:03:35) - Frequenz-Kollisionen schon im Arrangement vermeiden ➡️ (01:07:57) - Automatische Frequenz-Korrekturen ➡️ (01:17:44) - Typfragen ➡️ (01:19:58) - No Gos im Studio ➡️ (01:24:14) - Referenztrack-Empfehlungen

This episode features the talents of some great MWSD callers singing "cowboy songs".  No dancing this episode, instead callers Ernie Kinney, Bronc Wise, and Tom Perry - the Hi Hat Pioneers - are featured. These callers performed live at many square dance specials and festivals.  This was their second album released in 1985.  Originally thought to be lost, a cassette was recently discovered and presented here. Please take a moment to make a gift to offset our production costs.  Every contribution helps and is appreciated. MAKE A DONATION

Patter calling is unique to modern western square dancing.  Extemporaneous, rhythmic, and harmonious this episode offers a compilation of callers who recorded for the Blue Star, Hi Hat, and related record labels. Here is part two of tracks offering SSD, Mainstream, or Plus.  Some calls may need research in order to dance these tracks. Callers on this podcast are: Johnnie Wykoff, Al Brundage, Dick Houlton, Dave Taylor, Tommy Cavanaugh, and Lee Kopman. Please subscribe to American Square Dance publication - click here      

Patreon: https://www.patreon.com/nullphiinfinity Bandcamp:  https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicideSonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★

Patter calling is unique to modern western square dancing.  Extemporaneous, rhythmic, and harmonious this episode offers a compilation of callers who recorded for the Blue Star, Hi Hat, and related record labels. Here is an excellent resource for callers and dancers alike.  Some tracks are SSD, Mainstream, or Plus.  Some calls may need research in order to dance these tracks. Callers on this podcast are: Marshall Flippo, Jerry Helt, Ernie Kinney, Nate Bliss, Harold Bausch, and Frank Lane. Please subscribe to American Square Dance publication - click here      

Vai allo spartito: https://www.drumstart.com/prodotto/maneskin-zitti-e-buoni/

Sally è una delle pietre miliari della discografia di Vasco Rossi. Un brano che racchiude allo stesso tempo un testo meraviglioso un arrangiamento dai mille colori e un sound assolutamente unico. All'interno di questo brano si racchiudono molti aspetti ritmici e tecnici che sono interessanti per noi batteristi. Uno su tutti è il rapporto tra Charleston e cassa, i quali si alternano e coordinano in un dialogo molto interessante che va a sottolineare i cambi armonici e melodici degli strumenti come il pianoforte la chitarra e la voce. In questo video andiamo ad analizzare come approcciare allo studio di Charleston e cassa al fine di rendere fluido questo tipo di groove che caratterizza un brano che è assolutamente un capolavoro.

Enjoy this episode, we encourage you to also play things you hate! You can contact us through one of the social links on our Patreon page: https://www.patreon.com/EATthePodcast Our Bandcamp page is: electroacoustictrio.bandcamp.com. Here you can buy or listen to the recorded music from this podcast episode.

Unique to the MWSD activity is square dance callers, singing in professional produced recordings.  This episode features the final album of the Hi Hat Pioneers with callers Ernie Kinney, Tom Perry, Wayne McDonald, and now Buddy Weaver has joined the group.  There is a cameo appearance by Deborah Carroll-Jones.  Recorded in the late 1990s on the ELK label. Please take a moment to make a gift to offset our production costs.  Every contribution helps and is appreciated. MAKE A DONATION

This podcast advocates for the newest Modern Western Square Dance program - SSD or Social Square Dancing.  Proving to be a dancer favorite as an excellent way to get dancers back on the floor without classes.  SSD promotes dancer success and the opportunity for non-dancers to join into square dancing faster. Today's episode features a live dance called in December 2021 at the graduation of an SSD  class in San Diego, California.  Here is all the excitement of a live dance. All musical accompaniment is available from buddyweavermusic.com "All I Want To Do Hoedown" on Blue Star 583 "Amie" on Blue Star 2593 "Pride Of The Province" on Hi Hat 1028 "Walk In The Room" on Blue Star 2626 "Rock Island Ride" on Blue Star (not yet released) "That's Amore" on Blue Star 2565 "Cripple Cricket" on Blue Star 591 "Iko Shake" on Blue Star 2575 Please take a moment to make a gift to offset our production costs.  Every contribution helps and is appreciated. MAKE A DONATION

In the debut of Backstage at the hi hat, co-hosts Tom and Theron discuss the origins of the podcast name, talk about the historic jazz entertainment district in downtown Akron, and reflect on the life of legendary jazz pianist Chick Corea. In Akron, jazz legends like Cab Calloway, Duke Ellington, Louis Armstrong, Count Basie, Tommy Dorsey, Ella Fitzgerald and Ray Charles would perform at the Palace Theater before heading to Howard Street, where fans waited at clubs such as the hi hat, the Green Turtle, and the Cosmopolitan. Backstage at the hi hat is a nod to that history and will look to capture the type of conversations that occurred at those historic clubs, The podcast will feature interviews with musicians, book authors and other newsmakers as we explore the rich and diverse genre of jazz music. Learn more about Theron Brown at his website. Learn more about the Akron Symphony at its website. Learn more about the life and music of Chick Corea at his website.

The origins of the Hi-Hat pedal have long been debated, and Rob Cook introduces us to a new theory that a gentleman named Skip Retherford was the inventor in the 1922. This pre-dates Papa Jo Jones, who is widely thought to be the earliest user of the Hi-Hat. Rob shares this great story with us and how he got involved after Zildjian decided he was the best man to handle this information. Find out what happened to Skip's invention and learn everything else you could want to know about the Hi-Hat in this episode! Rob Cook is the founder of the Chicago Drum Show and runs www.rebeats.com . He is a wealth of information and publishes a number of great books that can be found on the Rebeats website. You can also hear him on previous episode of Drum history about the history of Leedy Drums. Here are the images of Rob's article about the hi-hat in Drum Magazine. http://rebeats.com/images/drum_magazine/hi-hat-part1-large.jpg http://rebeats.com/images/drum_magazine/hi-hat-part2-large.jpg Thanks for listening! - Follow Drum History on Facebook and Instagram for daily drumming videos! @drumhistory_podcast and if you are interested in supporting the show, visit www.patreon.com/drumhistorypodcast for more information - Please give us a rating and a review if you like the show. I love getting feedback from everyone and hearing how you like the show, get in touch and let me know what you want to learn about next!

Publisher is copyright owner. Final track from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track seven from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track six from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track five from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track four from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track three from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track two from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Publisher is copyright owner. Track one from the Buddy Weaver singing call album released in 1993. Provided compliments of buddyweavermusic.com

Did Papa Jo Jones invent the Hi-Hat with the help of a plumber? Find out in this episode! Jaz takes us from the beginnings of drumming in Africa through the advent of the modern drum set as we know it today. The amount of different cultures drumming styles that blended together leading up to "double drumming" goes much deeper than I ever thought. Dr. Jaz Sawyer is a drummer and educator based out of Los Angelas. He has a long history in the music industry and has an enormous knowledge about drumming. Check him out at www.jazsawyer.com - Follow me on Facebook and Instagram for daily drumming videos and posts that correspond with the episodes! @drumhistory_podcast - Please give me a rating and a review if you like the show. I love getting feedback from everyone and hearing how you like the show, get in touch and let me know what you want to learn about next!

Publisher is copyright owner. Track eleven from the 1976 Hi Hat Records Staff Trails-In Dance held in Stanton, CA. Patter called by Ernie Kinney. Hoedown is available as Rawhide Music 1589 Provided compliments of buddyweavermusic.com

David Whitworth - Bethel Music Hey Worship Drummer Fam! I'm so excited to share with you the conversation I had with David Whitworth (Bethel). One of the questions we get asked a lot is, "How do you get that Bethel snare sound?" Then the follow up question is usually something like, "It sounds sooo good! Is it sampled?" Well, today I am pleased to say that we have answers to all, or at least most, of your questions. We received just about 70 questions from our insta fam and in this episode we attempt to tackle them head-on. Grab a coffee and hang on, this is gonna be a great one! "I love playing drums because I can encounter the Lord while doing something I love."  SHOW NOTES In this Episode (Timestamps) 02:30 - From Texas To Kansas City 04:20 - IHOP 12:00 - The Fight Conference 16:00 - Section Leading at Bethel 19:00 - Gear Rundown 21:41 - Drum Tuning/Snare Tuning 27:30 - Sleigh bells on Hi Hat stand 28:40 - Truth Custom Drums 29:45 - #worshipdrummer Fails 32:10 - Ableton + Spontaneous Worship 34:48 - Ableton Rig Rundown 36:45 - Balancing Marriage and Ministry 38:45 - In-ear mix 40:00 - Fostering community among musicians at Bethel 41:30 - Drum Samples 43:50 - Playing Live vs Studio 45:30 - What drumming stuff are you challenged with lately? 50:15 - AUX/Double Drums 55:10 - Practical advice to prepare your heart 57:00 - Follow on social @davidwhitworth "My identity is not me being a drummer, it's me being a son." MUSIC GEAR TOUR KIT: Truth Custom Kit Vintage Mahogany wood 13x9 rack tom 24x18 kick 16x16 floor 4x8 Brass snare (with 42 strands) DRUMHEADS Snare: remo powerstroke 4 clear dot Thin Evans tone ring Toms: remo vintage coated CYMBALS Istanbul Agop 24" Traditional Dark Crash Istanbul Agop 22" Traditional Dark Crash (Left side) Istanbul Agop 24" signature series Joey Waronker Ride Istanbul Agop 16” 30th Anniversary Hi Hats HARDWARE DW 9000 Hi Hat stand DW 9000 Kick Pedal DW 6000 cymbal stands ELECTRONICS (Tracks are through Ableton) Motu Ultralite MK4 Novation midi-controller Boss DB-90 Metronome IN-EARS JH Audio JH16 DRUMSTICKS Promark 5B natural wood