Podcasts about poor boys

The R4 crew tips a cap to our fallen heroes on Memorial Day by discussing one of the great protest bands of the Vietnam era - Creedence Clearwater Revival.  Here we break down their 1969 release Willy and the Poor Boys.  Thank you to all who have, are, and will serve.  Rock On!Theme song "Trance" by The Steepwater Band.  Used by permission.  Follow them @steepwaterband.Website: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

CHECK OUT KERRYN'S NEW SPECIAL ON OFTV https://of.tv/c/kerryn-feehan GREAT HANG PODCAST https://www.youtube.com/@UCrtlspMsaodarO1fLuPj_TA MYKA'S CRACKED SET https://www.youtube.com/watch?v=vknrfO6kc9s&t=48s FOLLOW THE SHOW: Instagram: https://www.instagram.com/onlyfeehans/ Patreon: https://www.patreon.com/OnlyFeehans Apple: https://podcasts.apple.com/us/podcast/onlyfeehans/id1538154933 Spotify: https://open.spotify.com/show/5ojWPy3lzm1P18ePxAjGFB?si=a9ca6d6a493e474f YouTube: https://www.youtube.com/@onlyfeehans FOLLOW KERRYN: Instagram: https://www.instagram.com/kerrynfeehan/ Twitter: https://twitter.com/FeehanKerryn YouTube: https://www.youtube.com/@onlyfeehans Producer & Editor: Tim McLaughlin https://www.instagram.com/hot_comic69/ https://www.youtube.com/@GreatHangPodcast  

5/04/25 - The title of tonight's message is "A Poor Boys Market" - Isaiah 55:1-3 - Pastor James Eakins

At the end of every year, Kevin does a solo episode celebrating top releases of that year… but there are lots of albums that don't get picked and they stay sadly on the bloody scribed scroll. This week we resurrect some of the lost souls from the past 4 years. Those left for dead may now rise!What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or grouping of tunes from the broad spectrum of rock, punk, and metal. This week we look back on the last 4 years of rock n' punk n' metal. Hopefully, you get turned onto something new!Songs this week include:Night - “Shadow Gold” from High Tides – Distant Skies (2020)False Heads - “Wrap Up” from It's All There But You're Dreaming (2020)Mordred - “Smash Goes The Bottle” from The Dark Parade (2021)Slammin' Gladys - “Light Up” from Two (2021)StarGazer - “Can You Conceive It” from Life Will Never Be The Same (2022)The Poor - “Payback's A Bitch” from Payback's A Bitch - single (2022)Haken - “Lovebite” from Fauna (2023)Creeper - “Cry To Heaven” from Sanguivore (2023)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Bonus Content! In Episode 165 we took a stroll by the Green River with Creedence Clearwater Revival. Now we're back to dive into their THIRD album from 1969 (and fourth overall), Willy And The Poor Boys! James struggled to choose between the two but is standing by Green River... Will this very similar record with a scrapped concept win us over? How do hits like Down On The Corner and the juggernaut Fortunate Son stack up to what we've already heard? Connor's done some math and presents a convincing case to support his hypothesis. Will we burn an Effigy for Green River or will we leave Feelin' Blue? Find out!Listen to Spin It Episode 165 wherever you get your podcasts!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro1:56 About Willy And The Poor Boys5:28 How Does It Compare To Green River?13:29 Conclusions Hosted on Acast. See acast.com/privacy for more information.

https://www.virginradio.it/audio/long-playing-stories/1370121/long-playing-stories-creedence-clearwater-revival-willy-and-the-poor-boys.htmlhttps://www.virginradio.it/audio/long-playing-stories/1370121/long-playing-stories-creedence-clearwater-revival-willy-and-the-poor-boys.htmlFri, 07 Jun 2024 15:52:09 +0200Virgin RadioVirgin Radiono0

Some folks are born with silver spoon in hand, and some folks are co-hosts on the best podcast about Creedence Clearwater Revival and the 193rd greatest album of all time, Willy and the Poor Boys.    But before we get to the album we give you a little treat from Big Daddy when we discuss employment qualifications at the Mustang Ranch, agave distillate subscriptions, and the best movies from 1994. Then we head to the store to buy some travel souvenirs and condoms, and it's all business, like changing a tire.        Then at (1:04:00) we take a trip down on the corner to discuss CCR's swamp rock album from 1969, nice. We discuss concept albums, Lead Belly, and get up and down on a list.    Next week's episode is Bad, but at least it's the best Michael Jackson podcast.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Philippe Robin nous raconte les histoires des reprises les plus insolites de la musique. Du lundi au vendredi à 7h30.

Wrapping up our visit to Rhode Island , we meet a Creedence Clearwater cover band. Kelly and The Poor Boys covering CCR classics Born On The Bayou, Fortunate Son and Long As I Can See The Light

The hope state of Rhode island presents us with these guests this week:Singer , songwriter and philosopher ( also film maker) Cole Davidson on Monday.Irish folk music on Tuesday with Mary Pierce and Women FolkWednesday the duo of Two Showed Up.Tequila Jim joins us on Thursday.Friday we wrap things up with with Credence Clearwater Revival cover band called Kelly and the Poor Boys.

Sintonía: "The Git Back" - Joe Guitar Morris"Daniel Webster And The Devil" - Big Daddy; "Southern Love" - Ronnie Hawkins & The Hawks; "She´s Gone Too Long" - Roy Brown and His Mighty-Mighty Men; "I´d Think It Over" - Sam Fletcher; "I´m Cuttin Out" - Ivory Joe Hunter; "It´s A Sad Thing" - The Sims Twins; "Black Gal" - Roy Gaines; "Motherless Child" (feat. Lou Rawls) - The Pilgrim Travellers; "A Hard Row To Hoe" - Otis Lee; "Go Ahead On" - Jack Grayson And The So And So´s; "Move It (Move On)" - Landy McNeil; "Weep No More" - Maylon Humphries and The Tri-Seniors; "65 Bars" - Louis Jordan; "It Ain´t No Use" - Lou Johnson; Bonus track: "Washboard" - The Poor BoysTodas las músicas extraídas de la recopilación (1xLP) "A Hard Row To Hoe Volume 1: Dark & Moody Rhythm and Blues Popcorn-Style" (Stag-O-Lee Records, 2019)Escuchar audio

Johnny Cash was a prolific hitmaker in the mid 50's to early 60's.  In the late 60's  he released a couple of live albums which had crossover appeal:  "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin."  By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time.Cash had left his original label, Sun Records, back in 1958.  However, he had left an extensive catalogue of songs with Sam Phillips at Sun.  Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958.  This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively.  Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003.While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres.  It is also a special memory for Wayne, as he listened to this  8-track as he traveled with his father out of California to Alabama.Wayne takes us through this greatest hits album for today's podcast. Home of the BluesThe inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee.  The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians. Hey PorterThis is Cash's first recorded song.  The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train.  Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect.I Walk the LineJohnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States.  The lyrics reflect temptations and the need to be accountable for your actions.  The frequent key changes make this song distinctive.Get RhythmThis was the B-side to "I Walk the Line."  It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart.   ENTERTAINMENT TRACK:Main theme from the television series “Fat Albert”The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969.  STAFF PICKS:Birthday by Underground SunshineRob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin.  The band had been around for a few years, but this cover helped them attain greater success.  Their cover made it to number 26 on the Billboard Hot 100.  Down on the Corner by Credence Clearwater RevivalLynch's staff pick is one of the best known songs by CCR.  The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change.  It went to number 3 on the Billboard Hot 100 by the end of 1969.  I Can't Get Next to You by The Temptations Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations.  This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label. I'm Tired by Savoy BrownWayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel.  Three members of this group out of London would go on to form Foghat.  The group's name came from American Blues label Savoy Records - a name that had an elegant sound.  "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy." INSTRUMENTAL TRACK:Treat by SantanaSantana would produce a number of excellent instrumental hits during his decades in the rock scene, and this one is from his debut album. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Podcast about Bill wymans band.

Wrestling fanatics, get ready to hot tag into a deep-dive conversation with the charismatic Matt Thrash. If you've ever wondered how the SoCal Wrestling League sprang from a band of disgruntled wrestlers, Matt's got the insider scoop. Not only that, he's opening up about his own initiation into the wrestling world and the inception of his brainchild, Retro Rental Reviews, which emerged from a shared love for movies and games between him and Mark. Podcasting can be a rollercoaster ride, but it's one that we, The Poor Boys, have gallantly embraced. Through the highs and lows, we've discovered the importance of authenticity, navigated the challenges of reaching our independent audience, and learned how to leverage podcast collaborations for mutual growth. But the real triumph? Crafting a special community for our podcast listeners, where they can share their unique stories and feel connected to something bigger.Our shared love for wrestling takes us into the lives of wrestling veterans like Ric Flair and the Rock and Roll Express, shedding light on their post-career struggles. From the difficulty of separating one's wrestling persona from real life to the rampant use of drugs in the industry, it's a sobering revelation. But we're not all about the grind. Expect a healthy dose of nostalgia as we revisit the golden era of wrestling in the 90s, pay homage to popular factions like the New World Order, and even engage in lively discussions about 80s cult classic films and upcoming video games. So, lace up your boots and step into the ring with us for an episode filled with wrestling, movies, games, and much more!Copper johns beard It won't be long until your beard thanks you for buying Copper JohnsDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show and hope you enjoy My social media links:Instagram:Steven Gervais (@steveng123456) • Instagram photos and videosTikTok:Steven Gervais (@sgandfriendspodcast) | TikTokFacebook group: Steven Gervais and Friends Podcast | FacebookYouTube Channel: Steven Gervais and Friends Podcast - YouTubeDeluxe Edition Network website: The Deluxe Edition NetworkGoodpods:Profile (goodpods.com)my website: Steven Gervais and Friend's Podcast (www.stevengervaisandfriendspodcast.com)Copper Johns beard: https://lddy.no/1gh13use SGANDFRIENDSPODCAST12 at check out for a 10 % discount on your purchase https://www.buzzsprout.com/1983118/support

En el presente episodio analizaremos nuestro actual sistema de salud y el negocio que subyace detrás de todo ello. ¿La salud es un negocio? Es tal vez una de las preguntas que debemos formularnos. BlackRock o Vanguard son poderosos fondos de inversión, y accionistas mayoritarios de compañías farmacéuticas como Pfizer, además de empresas tan potentes como Microsoft, Amazon, Apple o Coca-cola. BlackRock posee un patrimonio estimado de 10 billones de dólares, el equivalente al Producto Interior Bruto de España, Alemania, Francia e Italia juntas. Contaremos con el testimonio, a través de cámara oculta, de un empleado de BlackRock, quien afirma cómo se pueden comprar voluntades y políticos a golpe de talonario. Analizaremos las regalías que las compañías farmacéuticas otorgan a médicos y sanitarios, siendo apartados quienes no participan de ello. También el negocio que subyace bajo tratamientos como la quimioterapia, la cual posee una ínfima tasa de éxito frente a otro tipo de terapias y se viene aplicando desde 1940. ¿Cómo es posible que infinidad de aspectos, tales como la tecnología, hayan avanzado enormemente y sin embargo se siga utilizando una terapia con terribles efectos secundarios? Contaremos también con una valiosa entrevista al Doctor Ryke Hamer, precursor de la Nueva Medicina Germánica y con la visión de diferentes Doctores alternativos en el tratamiento de enfermedades. Escucharemos a Andreas Kalcker, quien promueve el uso de dióxido de cloro (CDS), como alternativa eficaz para el tratamiento de distintas enfermedades, oxigenando las células del cuerpo, al igual que la terapia marina ya contemplada en el anterior episodio. También escucharemos a uno de los mayores expertos en virología del mundo, el Doctor Stefan Lanka, quien mediante sentencia de la Corte Suprema en el juicio al virus del sarampión logró exponer la inexistencia de demostración científica real que pueda respaldar dicho virus y eficacia alguna de su correspondiente vacuna. NOTA ACLARATORIA: Este episodio no trata de fomentar el uso de ningún tratamiento médico o indicar qué se debe o no hacer, tan solo exponer información para que cada cual pueda sacar sus propias conclusiones e indagar en torno a ello antes de poder tomar sus propias decisiones. BLACKROCK Y VANGUARD – 16 billones de dólares detrás de las vacunas: https://expansion.mx/mercados/2021/03/08/blackrock-y-vanguard-16-billones-de-dolares-detras-de-las-vacunas ¿FRANK SUÁREZ, ASESINATO O SUICIDIO?: https://www.eltiempo.com/cultura/gente/frank-suarez-asesinato-suicidio-esto-es-lo-que-paso-con-el-guru-del-sobrepeso-569921 CANAL DE FRANK SÚAREZ – MetabolismoTV: https://www.youtube.com/@MetabolismoTV LA NUEVA MEDICINA DEL DOCTOR HAMER: https://www.geosalud.com/medicinanatural/medicina_hammer.htm ENTREVISTA EN TELEVISIÓN ESPAÑOLA AL DOCTOR HAMER (1994): https://www.youtube.com/watch?v=99y74QqpzUc EL ORIGEN DE LA ENFERMEDAD – Entrevista con el Doctor Hamer (1995): https://www.youtube.com/watch?v=k4Cpm2oEKvk OTTO WARBURG – Fisiólogo alemán y premio Nobel en fisiología: https://www.osjera.com.ar/post/notas-de-interes/un-secreto-bien-guardado ERNESTO PRIETO GRATACÓS – Canal Oficial: https://www.youtube.com/@ErnestoPrietoGratacos TODO LO QUE DEBES SABER SOBRE EL CÁNCER – Doctor Efren Cabrera Rivera: https://www.youtube.com/watch?v=EVfHNbOdhtc CÓMO SE PREPARA EL DIÓXIDO DE CLORO: https://www.youtube.com/watch?v=g9umUo-WOtI LA EXISTENCIA DEL VIRUS DEL SARAMPIÓN NUNCA SE HA DEMOSTRADO: https://awakingproject.com/la-existencia-del-virus-del-sarampion-nunca-se-ha-demostrado/ TARJETA ROJA AL CORONAVIRUS – Stefan Lanka: https://hermanosbarea.tv/video/tarjeta-roja-al-coronavirus-stefan-lanka/ ESTAFADORES CIENTÍFICOS – Stefan Lanka: https://hermanosbarea.tv/video/estafadores-cientificos-stefan-lanka/ CRIMINAL - Documentos confidenciales de la UE revelan miles de muertes por la inyección Pfizer-BioNTech: https://tierrapura.org/2023/06/26/criminal-documentos-confidenciales-de-la-ue-revelan-miles-de-muertes-por-la-inyeccion-pfizer-biontech/ BIBLIOGRAFÍA: GEERD HAMER, R. (1986). La génesis del cáncer. MÚSICA DEL EPISODIO: BON JOVI – Bad Medicine (Álbum: New Jersey – 1988) ABBA – Money, money, money (B.S.O. Mamma mía! – 1986) CREEDENCE CLEARWATER REVIVAL – Fortunate Son (Álbum: Willy and the Poor Boys – 1969) ALPHAVILLE – Forever Young (Álbum: Forever Young – 1984) GOO GOO DOLLS – Iris (Álbum: B.S.O. City of Angels – 1998) GUNS N´ ROSES – November Rain (Álbum: Use Your Ilusion I – 1991) JEFFERSON AIRPLANE – White Rabbit (Álbum: Surrealistic Pillow – 1967) JEFFERSON AIRPLANE – Somebody to Love (Álbum: Surrealistic Pillow – 1967) CARMEN – L´amour est un oiseau rebelle (Elina Garanca – 2010) SOUND GARDEN – Black Hole Sun (Álbum: Superunknow – 1994) LUDWIG VAN BEETHOVEN – Für Elisa (1810) LUDWIG VAN BEETHOVEN – Moonlight Sonata (1801) FRÉDÉRIC CHOPIN – Nocturne op.9 No. 2 (1830 – 1833) ANTONIO VIVALDI – Storm (1723) ANTONIO VIVALDI – El Verano (1723) CONTACTO: eliniciado@yahoo.com Este programa no tiene ánimo de lucro ni será monetizado, por el contrario el único afán es la máxima difusión de cuestiones que nos atañen a todos.

Desgajamos el álbum “R&B Guitar Crushers” una colección de doce cartuchos marcados por guitarras sucias y rompedoras extraídas de las valijas más crudas del rhythm n’ blues de los años 50 y primeros 60. Añadimos a la marmita los volúmenes 5 y 6 de la colección “Blacked!” (Sleazy Records), una serie de EPs que rinde tributo a grandes leyendas negras del rocknroll a través de jugosas versiones de bandas blancas, en esta ocasión recordando el legado de Larry Williams y Willie Dixon. Playlis (Todas las canciones de "R&B Guitar crushers" salvo donde indicado); (sintonía) FLOYD DIXON “Let’s go smitty” JAMES COTTON “Hold me in your arms” JOE GUITAR MORRIS “The git back (part 1)” OTIS RUSH “All your love (I miss lovin’)” THE POOR BOYS “Wash board” THE NIGHT RIDERS “Pretty plaid skirt (and long black sox)” KING CHARLES and HIS ORCHESTRA “Bop cat stomp” WILD JIMMY SPRUILL “Scratch n’ twist” TARHEEL SLIM “Wildcat tamer” SONNY THOMPSON “Loco limbo” OHIO UNTOUCHABLES “Forgive me Darling” MAC REBENNACK “Storm warning” THE ESCORTS “Dizzy Miss Mizzy” (Blacked Vol. 6) LOS APSON “Calor” (Blacked Vol. 6) THE GANTS “Bad boy” (Blacked Vol. 6) MICKEY GILLEY “My babe” (Blacked Vol. 5) REX “Mellow down easy” (Blacked Vol. 5) THE SOUL AGENTS “The seventh son” (Blacked Vol. 5) Escuchar audio

This week on Classic Vinyl Podcast, Justin and Tyler review Creedence Clearwater Revival's fourth studio album from November of 1969. The last of three album recorded by CCR in 1969, this features classic hits like Down on the Corner, Cotton Fields, Fortunate Son and The Midnight Special. As one of biggest bands of the 1960s, CCR is still as relevant as ever today. We highly suggest you give this album a listen. Classic Vinyl Podcast Website https://classicvinlylpodcast.podbean.com/ Support our podcast and by us a beer https://www.buymeacoffee.com/classicvinylpod

It's 1985, and after a whirlwind prior year the three remaining former Beatles are laying relatively low in their respective corners of the globe. Unable to accept the shortfall of his first solo cinematic debut, Paul McCartney is back in the studio - specifically his newly-minted Hog Hill Mill Studio - doing the one thing that always helps him in times of trouble: making new music. Sessions for his as-yet-untitled new LP feature co-written songs with rocker Eric Stewart and production from mid-80s producer dujour Hugh Padgham. Striking out for a contemporary sound, Macca sought to lose himself in a band environment once more - blending into a group of musicians who can generate excitement in a room...AND understand who's the boss. While Paul plonked away, Ringo Starr was himself BACK on the screen co-starring in Willie and the Poor Boys - a collection of artifacts which featured Bill Wyman's super-group project of the same name. All in all a fairly relaxed start to what would become yet another monumental year in music history... Hosted on Acast. See acast.com/privacy for more information.

Oh yeah it's just the poor boys this week as in... no Rich man! But never fear podfans Hemmo and LB will keep you entertained and deliver you're weekly dose of podcast nonsense chitchat. Listen closely for talkings about: Taco II, online husks, first fish, hot sauce on the jolly robbo, fusion foodings, work woes, muggin us off, time for subs, gesture phones, eggmmo, dual sneezes, pornoise, the turdway tunnel, viking invasion, punisher parents and 3D houses New show every week! www.VHBBB.com

Lenny Lashley has been writing and performing great music since the mid 90's. His band Darkbuster, was one of Boston's best punk bands and then he took it further with Lenny and The Piss Poor Boys and Lenny Lashley's Gang Of One. He also spent several years playing guitar and touring with punk heroes The Street Dogs. From his early Darkbuster days, the story behind the song, "I Hate The Unseen", winning the WBCN Rock N Roll Rumble in 2000, the formation of the Piss Poor Boys, his six years with The Street Dogs, and his third new solo record coming in November 2022, we cover all the bases in our interview. The icing on the cake was the unreleased track that he played live in the studio. Music The Charms "So Pretty"(theme song) Lenny Lashley "Hate Anyone"(unreleased track live at Voice Motel" Lenny Lashley's Gang Of One "Bomb" Recorded by Mike Nash at Voice Motel on October 1, 2022 This podcast was supported by Baby Loves Tacos, Pittsburgh PA. and Spectacle, Boston MA. #Darkbuster #TheStreetDogs #LennyLashley --- Support this podcast: https://anchor.fm/blowingsmoketr/support

Nuevo episodio de este coleccionable de versiones de grandes clásicos del pop y el rocknroll. Playlist; (sintonía) L84 “Shakin’ all over” (Johnny Kidd and The Pirates) THE CHORDS “Hold on I’m coming” (Sam and Dave) IMPERIAL STATE ELECTRIC “That’s where it’s at” (Sims Twins, Sam Cooke) THE NOMADS “I don’t need no doctor” (Nick Ashford, Ray Charles) THE MAHARAJAS “For your love” (The Yardbirds) TOM PETTY and THE HEARTBREAKERS “Don’t bring me down” (The Animals) SOUTHERN CULTURE ON THE SKIDS “Happy Jack” (The Who) WILLIE and THE POOR BOYS “She never can tell” (Chuck Berry) ROY LONEY “Return to sender” (Elvis) GO TO BLAZES “Yesterday’s numbers” (The Flamin Groovies) THE COAL PORTERS “Ohio” (Crosby, Still, Nash and Young) THE BELLFURIES “When my little girl is smiling” (The Drifters) YOUNG FRESH FELLOWS “I wonder what she’s doing tonight” (Boyce and Hart) THE ACT-UP’S “Baby’s on fire” (Brian Eno) Escuchar audio

Comedian Jenny Johnson howls along to the raspy wailing blues rock of Creedence Clearwater Revival and their 1969 album Willy and the Poor Boys. Follow Jenny on Instagram: https://www.instagram.com/jennyjohnsonhi5/ Follow Jenny on Twitter: https://twitter.com/JennyJohnsonHi5 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com

The day the music died was in 1959, Don McLean chronicled it in his 1971 classic “American Pie”. Buddy Holly, The Big Bopper and Richie Valens were headed to a concert at the Moorhead Armory, they never made it. Despite the tragedy of the plane crash, the show had to go on.  Local bands Terry Lee and the Poor Boys, along with Bobby Vee, national star, Dion, and others took on the job of performing for a full house, despite the circumstances. Terry Lee, whose real name is Bobby Becker tells the story of being a performer that evening from his perspective on today's show.Sponsored by Minnesota Propane Association (https://discoverpropanemn.com/)

The day the music died was in 1959, Don McLean chronicled it in his 1971 classic “American Pie”. Buddy Holly, The Big Bopper and Richie Valens were headed to a concert at the Moorhead Armory, they never made it. Despite the tragedy of the plane crash, the show had to go on.  Local bands Terry Lee and the Poor Boys, along with Bobby Vee, national star, Dion, and others took on the job of performing for a full house, despite the circumstances. Terry Lee, whose real name is Bobby Becker tells the story of being a performer that evening from his perspective on today's show.Sponsored by Minnesota Propane Association (https://discoverpropanemn.com/)

Hola, hola, yo soy Antonio Giménez y esto es… NADA MÁS QUE MÚSICA. Muy buenas tardes Señoras y Señores, sean uds. bienvenidos a su programa favorito NADA MÁS QUE MÚSICA. Y aunque en este momento hablo solo por mí, y creo que muchos de vosotros estaréis conmigo, hoy vamos a recordar a la que posiblemente fuera la mejor banda de rock norteamericana de la historia. Y por si no la habéis reconocido todavía, estamos hablando de Creedence Clearwater Revival. Con esta contundencia… empezamos. Creedence Clearwater Revival, o la Creedence o CCR, que de todas formas se les ha llamado, fue un grupo estadounidense de Rock, Blues y Soul que fue muy popular en las decadas de 1960 1970. Hohn Fogerty, Doug Clifford y Stu Cook, todos ellos nacidos en 1945, se conocieron en la escuela de secundaria en El Cerrito, un condado de Contra Costa, en California, y comenzaron a tocar con el nombre de The Blue Velvets. Al trío se unió Tom Fogerty, hermano mayor de John como refuerzo en algunas grabaciones y directos. Durante este primer periodo de la banda se definieron los roles de cada uno de sus componentes. Stu Cook cambió en piano por el bajo, Tom pasó a ser guitarra rítmica y Doug siguió con la batería. Por su parte, John Fogerty comenzó a componer nuevo material y pasó a ser la voz principal y guitarra solista. Como recordarían más tarde, “Todos podíamos cantar pero John tenía un toque especial”. Y es verdad, su voz es marca Creedence. Escuchamos Bad Moon Rising Como pasa siempre, todo o casi todo se fue al traste cuando John Fogerty y Doug Cliford tuvieron que incorporarse al servicio militar. Pero bueno, todo se acaba y en 1967, a su vuelta un productor avispado les ofreció grabar un disco con la única condición de que el grupo debería cambiar de nombre. Acordaron volver al día siguiente con diez propuestas cada uno y Creedence Clearwater Revival fue la que se llevó el gato al agua. Creedence por el apodo de una amigo de Tom, Clear Water (agua limpia) sacado de un spot publicitario de cerveza y Revival del renovado compromiso de los cuatro miembros de la banda. Con este renovado entusiasmo y con buenas perspectivas de futuro los cuatro miembros dejaron sus trabajos y confeccionaron un duro calendario de ensayos y bolos por los clubs de la zona. El álbum en cuestión fue Creedence Clearwater Revival y realmente tuvo una gran acogida de crítica y público. La promoción del álbum fue también bien recibida, con el lanzamiento del sencillo Suzie Q (un éxito de finales de los años 50, original de Dale Hawkins) en numerosas cadenas de radio del área de la bahía de San Francisco, así como la cadena WLS de Chicago. Los aficionados al blues valoraron muy positivamente la versión y la hicieron llegar a lo más alto. De esta forma, Suzie Q se convirtió en el primer sencillo del grupo en entrar en el Top 40, alcanzando el puesto 11 y convirtiéndose en el único éxito del grupo no compuesto por John Fogerty. Suzie Q. Mientras seguían con la promoción del álbum con conciertos en directo, el grupo ya estaba trabajando en su segundo álbum, Bayou County, en los estudios RCA de Los Angeles. Se publicó en enero de 1969 y fue el primero de una larga lista de éxitos que se prolongó durante tres años. Las canciones de este disco eran básicamente el repertorio de sus conciertos y mostraba una evolución hacia sonidos más simples y directos. El sencillo Proud Mary, que ya hemos escuchado, se convirtió en una de las canciones más versionadas del grupo, con más de 100 grabaciones entre las que se incluye el éxito de 1941 de Ike y Tina Turner. La cara B del sencillo es Born on the bayou. Sobre la canción, su autor John Fogerty, decía: “Va sobre un infancia mítica y sobre un tiempo lleno de calor. La visualice en el pantano donde, por supuesto, nunca había vivido. Era tarde cuando escribía, tratando de ser un escritor puro, sin la guitarra en la mano, visualizando y mirando las paredes desnudas de mi apartamento. Los apartamentos pequeños tienen unas estupendas paredes desnudas, especialmente cuando no puedes permitirte poner nada en ellas.” Born on the bayou. El tercer álbum de Creedence Clearwater Revival, Green River, fue publicado en agosto y rápidamente certificado como disco de oro junto al sencillo Green River, que también llegó al puesto nº 2. Pero es que la cara B del sencillo, Commotion, no se quedó atrás y fue otro éxito de la banda. Creedence continuó ofreciendo conciertos, entre los que se incluyeron el Atlanta Pop Festival y el Festival de Woodstock. Que, por cierto, su participación en éste último fue bastante accidentada. Su actuación no fue incluido finalmente en el video del festival ni en su banda sonora debido a que el propio Fogerty consideró que el concierto no fue medianamente decente. La banda se quejaba de que tuvieron que salir al escenario a las tres y media de la madrugada. El grupo anterior se había extralimitado en su tiempo realizando varias jams y cuando la Creedence llegó al escenario, gran parte del público ya había abandonado el recinto. Vamos a escuchar este sencillo Green River, esta es su cara A Y esta es su cara B, Conmotion. A pesar del chasco de Woodstock, la Creedence siguieron ocupados grabando su cuarto álbum, Wily and the Poor Boys, que finalmente fue publicado en noviembre de 1969. Dos de sus cortes, Down on the Corner y Fortunate Son llegaron a los puestos 3 y 4 respectivamente a finales de año. También en este disco incluyeron alguna versión como Cotton Fields. Pero el éxito de Down on the Corner fue el detonante que consolidó finalmente a la Creedence a finales de 1969. En menos de un año había grabado tres discos y cuatro singles de éxito. Down on the Corner. Travellin’Band es un sencillo que la banda publicó en 1970. Las semejanzas entre Travellin’Band y el tema de Little Richard, “Good Golly, Miss Molly”, provocaron una demanda que finalmente fue desestimada. Pero…, durante el pleito, el sencillo había alcanzado el segundo puesto en las listas de Billboard. También es año, concretamente el 31 de enero de 1970, el grupo grabó el concierto ofrecido en el Coliseum de Oakland, California, posteriormente emitido como especial de televisión y publicado como álbum. En abril de 1970, Creedence estaba preparada para comenzar una gira europea. Para estrenar en los conciertos, Fogerty escribió varios temas relacionados con los problemas de violencia que sufría Estados Unidos en la época. El sencillo, compuesto, grabado y publicado en apenas una semana, alcanzó el puesto 4, asegurando una respuesta entusiasta para la gira por parte del público europeo y un éxito comercial tanto en Estados Unidos como en el resto del mundo. Travellin’Band, la canción de la discordia. Cuando terminó su gira por Europa, la banda volvió a los estudios de grabación en San Francisco para grabar el álbum Cosmo’s Factory. El título surgió como una broma sobre las comodidades del local de ensayo y su estilo de trabajo a lo largo de los años. Además, el apodo del batería Doug Clifford era Cosmo, debido a su afición a los temas ecologistas y astronómicos. En el disco se incluían, entre otras, Travelin’Band, que acabamos de oir y Up Around the Bend, una canción que comienza con un tremendo riff de guitarra agudo tocado por John Fogerty. En la letra de la canción, Fogerty nos habla de una reunión "alrededor una curva" en la carretera y nos invita a reunirnos con él. Otra canción que armó cierto revuelo fue Ramble Tamble. En ella describía una semblanza de la vida en Estados Unidos, un país lleno de policías en las esquinas y actores en la Casa Blanca. Este disco, Cosmo’s Factory fue publicado en julio de 1970. Por esos días, las inquietudes musicales de John Fogerty se habían refinado y empezó a utilizar instrumentos con más tesitura que su planteamiento de guitarra, bajo y batería. Así que en este trabajo podemos reconocer teclados diversos, saxos, armonías vocales sofisticadas, y como no, el folclórico dobro. Cosmo's Factor es el álbum más vendido de Creedence Clearwater. Nada más llegar a la calle su aupó al primer puesto dela Billboard 200. No está mal. Las sesiones de grabación de Cosmo's Factory fueron el inicio de las tensiones entre los cuatro miembros del grupo, debido a la tensión de las giras y al calendario de grabaciones que se intercalaba entre los conciertos. John había tomado literalmente el control del grupo en los asuntos comerciales y artísticos. La situación comenzó a exasperar al resto, que, como no, querían tener una mayor representación en el trabajo del grupo. John se resistió, porque pensaba que un régimen democrático dentro del grupo acabaría con el éxito de Creedence Clearwater Revival. Otras interpretaciones aluden a la decisión de John en un concierto en Nebraska de no interpretar bises en los conciertos. En fin, fuera como fuese, esto es otra historia. Historia con la seguiremos la próxima semana. Nos despedimos de la Creedence, por el momento, hasta la próxima entrega con otro de su éxitos. Lodi y la Creedence Clearwater Revival Por hoy nada más, nos vemos, nos oímos nuevamente aquí dentro de quince días, en Sienteloconoido.caster.fm. Hasta entonces… ¡¡¡Buenas Vibraciones”.

In today's episode:Trump dominates Joe Biden in the final debate in every imaginable wayKristen Welker does a splendid job as moderatorJoe Biden lies about cages and declares that we used to have a good relationship with HitlerJoe Biden says he didn't get anything done in his career because he wasn't presidentJoe Biden is for and against fracking and comes out against oilJoe Biden quotes Trump as saying "stand down and stand ready", making the EXACT mistake which led very ignorant people to believe Trump never condemned the Proud Boys (aka "Poor Boys" according to Biden) who aren't even white supremacists and have not been responsible for the violence and rioting that BLM/Antifa didSupport the show (https://www.ko-fi.com/imyourmoderator) See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/be-reasonable-with-your-moderator-chris-paul.

Harland Alexander's distinct brand of lo-fi indie pop music metabolizes friendship, family, love, tree-planting, childhood trauma, the comical absurdity of everyday life, and unites them into healing art. His live performances seek to create an environment where everyone feels comfortable in their own skin and safe to exist within their deepest truths. He wants the audience to leave feeling free to explore the depths of their beings free of guilt and shame. His shows are fun, self-loving, playful, life celebrating experiences.  After obtaining a certificate in Recording Arts from NSCC, Harley has been engineering and producing music in Halifax for the past decade. During this time he has worked alongside artists such as Charlotte Day Wilson (as well as The Wayo), Walrus, Billie Dre and the Poor Boys, Robert Loveless, Kurt Inder, Campbell Woods and Adrian Teacher - either headlining shows and touring, recording and producing, or making music together. He has been touring across Canada's East Coast - notably Halifax Pop Xplosion and the Canadian Space Program Celebration hosted by Bill Nye - as well as in the US. His new album just released August 15, go check it out at the link below! LINKS https://www.harleyalexandermusic.com/ https://harleyalexander.bandcamp.com/album/im-feeling-things https://www.instagram.com/harleyyalexander/ Streamable on Bandcamp & Spotify

The cage matches continue, and the victors party like it's the last office holiday party in 2019 - which means, they party politely and dignified in hopes of another year off of the Human Resources Radar.This time around we have Debbie Harry and Fiona Apple duking it out over a scrabble board, while in the second round we grease up John Fogerty and Tom Petty for some good old fashioned Greco-Roman wrestling (Elven shows, ABBA knee high gold boots, and capes not included - some assembly required).Again, we want to thank each and every one of you for coming back to our little soiree, we greatly appreciate you and would love to hear from you on our Twitter feed (@_mshenanigan) - and yes, it is not beneath us to beg. Peace, Love, and Coffee,Cory, Scott, and DaveLinks:Blondie - Parallel LinesFiona Apple - When the Pawn...Tom Petty and the Heartbreakers - Damn the TorpedoesClearwater Creedence Revival - Willy and the Poor BoysArticle cited about Blondie: "Blondie - 'Parallel Lines': Why It Mattered"Music used for the "Kanye Report" - "Just Breaking" by David Fesliyan Music used for "Willy and the Poor Boys" defense - "Silly Chicken" by David FesliyanDavid Fesliyan's site(And yes, we have been licensed to use these songs.)Music in opening are "30 Seconds Ago" by Art Nelson and performed live by October; piano bit - "Touch Me There" by Cory ChaseThis show (and especially the Tom Petty segment) is dedicated to the incredible memory of Jordan Byron Kinley - he was not here for a long time, but he was here for a good time.Support the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

This week, the guys are finish up 'Merica Month by talking a little Gump, a little draft, and Steve going to Canada! AS ALWAYS: Theme song created by Jair Driesenga. Follow him @brotherjair on Instagram, Facebook, Bandcamp, and Youtube. The logo for the pod was created by Grand Rapids area comedian Carl Sobel. Follow Brandon's comedy: TikTok/Twitter/Instagram: @brandonalberda Facebook: Brandon Alberda Comic Follow us on social media: Facebook: The Notes McGotes Podcast Instagram/Twitter: @NotesMcGotesPod Email: TheNotesMcGotesPodcast@gmail.com Our podcast is sponsored by: anchor.fm Leave us a voice message: https://anchor.fm/thenotesmcgotespodcast/message --- Send in a voice message: https://anchor.fm/thenotesmcgotespodcast/message

Travis talks with Joe Balog. His career fishing big smallmouth tournaments started in about 1992. Just out of high school, he won the first-ever Bassmaster Federation Regional event held on Lake Erie.He has won several hundred thousand dollars fishing Erie and St. Clair. He won a BASS Open on Erie, and 4 or 5 BFL events, along with dozens of other tournaments. His real contribution to the world of smallmouth fishing was his big water ingenuity and product advancement. Joe was a research and development staffer for Johnson Outdoors for 20 years. They used him to test all their big water stuff - He was the first to use Side Imaging on Lake Ere, they tested the performance and strength of their chargers and Talon mounts on his boat, and he helped design and test the Ultrex trolling motor - the entire idea of that motor was from himself and Koby Krieger.In addition, He was the originator of the first goby fishing lure - ever. The Poor Boys goby was his design, and sold millions of baits. It's likely the best selling goby lure ever.Today, he still works for a few brands that way - Mercury, Aqua-Vu, St. Croix rods and others.  This is a great interview if you are looking at becoming a better smallmouth angler!Follow Joe Balog on Instagram https://www.instagram.com/mpromojoe/Follow Joe Balog on Facebook https://www.facebook.com/Joebalog.PROMO/videos/?ref=page_internalNEW VIDEOS UPLOADED WEEKLY and the WORLD FAMOUS LIVE STREAM with Co Host Epic EricFollow us on Instagram @SmallmouthCrush Click this link to follow!https://www.instagram.com/smallmouthcrush/Follow The Bass Lab Tackle Freak Himself Epic Eric @epicericoffical Click this link to follow! https://www.instagram.com/epicericofficial/WOW CHECK THIS OUT!! Special LIVE Show every month for Patreons!  Join my Patreon to get access to a special live show once a month!https://www.patreon.com/smallmouthcrushAre you interested in booking a One on One session with SmallmouthCrush?  Now you can set up a personal Online meeting to talk anything fishing related.  Do you want to talk about how to search for fish on your body of water or perhaps you have a tournament coming up on a specific body of water that you want to break down.  This is the place to get all your questions answered!https://bit.ly/CRUSHOneOnOneClick here to SUBSCRIBE to my channel:http://bit.ly/SmallmouthCrushYouTubeChannelHow to Support this Channel:#1 Sharing these videos to your social media platform is the BEST way to support the channel.#2 Purchase tackle through this link!  THIS IS THE REEL SHOT LINK!https://bit.ly/2YtVLRLSMALLMOUTHCRUSH#3 If you love this channel and the content consider helping support this work by donating to my PayPal Account here!https://paypal.me/TravisManson?locale.x=en_USOr my Venmo Account Here!https://account.venmo.com/u/TravisMansonSmallmouthCrushFollow me on Social Media: FACEBOOK and INSTAGRAM ➢ Link https://www.facebook.com/SmallmouthCrush➢ Link https://www.instagram.com/smallmouthcrush/Want to fish with me?Travis Manson's Guide Service➢ Link www.travismanson.comMY GEAR! My Boat Dealer https://www.bowersmarine.com/My Nitro Boat https://www.nitro.com/My Mercury Engine https://www.mercurymarine.com/en/us/My Power Poles https://www.power-pole.com/My Charging System https://www.power-pole.com/chargeGajo Baits https://www.gajobaits.com/Get your MONSTERBASS BOX  https://monsterbass.com/ USE CODE TRAVIS10

It’s another solo mini-sode with Mike at the helm and this time around, the topic at hand is Jimmy Page’s rendition of Frédéric Chopin’s “Prelude in E Minor, O. 28, N. 4.” This unusual piece - which Page included on his offbeat soundtrack for Charles Bronson’s Death Wish II - became a staple in Page’s live sets from ’83 through ’88, including his appearances at the ARMS concert series, the numbers he contributed to the Willie and the Poor Boys project, his years with The Firm, and his Outrider tour. This episode covers some of the more noteworthy performances of "Prelude," many of which were performed by Page on his Fender Brown B-Bender Telecaster. Also up for discussion are some notes on the life and work of Chopin and a look at how The Firm used a piece from Gustav Holst’s “The Planets” to introduce their live shows during their first tour. Included in the show are samples of work by Chopin and Holst. Related, recommended, and required resources for this episode: “A Brief History of Fredric Chopin” A short biographical sketch for the YouTube pianoTV “The Guitar Show” featuring Jimmy Page A clip from 1985 in which Jimmy shows off some of his guitars, including his B-Bender “Prelude” by Jimmy Page Performed at the 1983 ARMS show in London “These Arms of Mine” by Willie and the Poor Boys The official video featuring Jimmy Page playing his B-Bender

Cherielynn is most well known as a Car Builder on the A-Team on the hit show Overhaulin', with Chip Foose. She’s helped build over 70 plus cars and appeared on over 75 episodes on that amazing show. She brings all of the car fab skills to the table, welding, fabricating, wiring and gauge restoration. She has also appeared as a fabricator and builder on shows such as Rock my RV with Brett Michaels, Detroit muscle and All Girls Factory Five build on the Power Block. She now makes appearances at car shows large and small including hosting and appearing on the official video for the NSRA, Street Rod Louisville Nationals. She also is the proud owner of a company that specializes in Hydraulic clutch pedal kits, Malwood USA.Cherielynn has worked along side some of the most well known builders in the industry in the Orange County and LA areas including BS Industries with Bodie Stroud, Circle City Hotrods, Cambra's Rod Shop, Poor Boys, Curtis Seed Equipment with Mike Curtis, North Hollywood Speedometer, Redline Gauge Works, to name a few. And believe it or not, she has added to her extensive resume and it now includes Iowa State Representative!

"It Came Out Of The Sky" en una de las diéz canciones que conforman el disco "Willy and the Poor Boys" de la reconocidísima banda Creedence ClearWater Revival de 1969. En está cápsula musical te contamos que hay detrás de la letra "It Came Out Of The Sky" y el misterioso objeto que un día "Cayó del Cielo" No te pierdas nuestra próxima Cápsula de Rock Stellar. Te esperamos!!! Puedes ingresar directamente al canal "Alerta OvNi 2012" entrando en éste enlace: https://zello.page/jL9QGBEzY1HBptZ76

I’m joined today by Jas Kadar. Jas is the co-founder of Poor Boys, a local independent restaurant that pays homage to the famous New Orleans Po Boy sandwich. What’s unique about Jas is how he pays as much attention to the experience that his customers have when they go to his restaurant as he does to the food that he serves.   And be sure to listen to the end, where Jas shares with us his thoughts on team building and being a business that is actively involved in the community.  So whether you’re interested in knowing more about Louisiana food or would like to know more about what it takes to run a successful independent business - then I hope you enjoy this episode of the Inside Kingston™ Podcast.   ~ LINKS & RESOURCES ~ Poor Boys - Website & Instagram   ~ YOUR HOST ~  Hi, I'm Amyr Rocha-Lima. I’m a partner at Holland Hahn & Wills, a financial planning and wealth management firm based here in Kingston. As an active member of our business community, I want to help other businesses get their story out there and see them succeed and flourish.   ~ HELP US SPREAD THE WORD ~ If you know someone who should be a guest on our show, and has a great story worth sharing, please feel free to get in touch. I would also love it if you would give us a review and a 5-star rating. We work hard to bring on some great guests, and getting a review from you is one way to help the podcast rate well, so others can find and enjoy the show.

Cory is joined with Rocky Bowick for another look from the Canopy. On this episode we discuss Election 2020, Florida man gets scalped by a backyard zoo leopard, Sega is losing some weight, Poor Boys get stabbed up in DC, and more!   Video: https://youtu.be/S6XJgdqGj3A   From The Canopy http://www.twitter.com/FromCanopy FromTheCanopyPod@gmail.com   Cory http://www.twitter.com/monkeyblood http://www.instagram.com/monkeyblood   From The Canopy Merch: https://www.teepublic.com/user/monkeyblood   Available on iTunes https://itunes.apple.com/us/podcast/from-the-canopy/id1245386496?mt=2 Stitcher, Podbean   Google Play   Search "From The Canopy" on Google  

CityBillyHowl'sRockin' Halloween(Haunting Rhythm)With some of the spookiest Psychobilly & Rockabilly(And Whatever the Alley Cat drags in)Featuring thrills and chills by : Astro Zombies (Dijon)Carlos & The Bandidos (London)Contessa & The Squires (Firenza)Cold Blue Rebels (Los Angeles)Demented Are Go (Cardiff)Donna Dunne (Dublin)EightBomb (Llubjana)Frantic Flintstones (Berlin)Gamblers Mark (Los Angeles)Hasil Adkins (West Virginia)Hillbilly Moon Explosion (Zürich)Imelda May (Dublin)Klingonz (Dublin)Koffin Kats (Detroit)Las Pistolas (London)Lobos Negros (Talavera de la Reina)Messer Chups (St.Petersburg)Mike Fern & The Del Rays (Los Angeles)Misfits (New Jersey)Rebel Cats (Mexico City)Reverend Horton Heat (Dallas)Rockabilly Mafia (Berlin)Ronnie Dawson (Dallas)Spellbound (Bray)Star Mountain Dreamers (El Paso)Tabaltix (Healdsburg)Taggy Tones (Copenhagen)Terry Lee & The Poor Boys (Fargo)The Alphabet Bombers (D.C.)The Chrome Daddies (Sydney)The Coffin Shakers (Karlstad)The Cramps (New York)The Epileptic Hillbillys (Sheffield)The Howling Wolfmen (Dresden)The Jiants (Indiana)The Legendary Raw Deal (London)The Nevrotix (Gothenburg)The Meteors (London)The Phantom Cowboys (Norwich)The Ricochets (London)The Sharks (Bath)The Spectres (Seattle)Tigermen (Antwerp)Wulfsblood (Buffalo)1.) Ghost of the '50z - EightBomb [Customized]2.) Ghost Train - Carlos & The Bandidos [No Country for Old Bandidos]3.) People Are Strange - Spellbound [Stir It Up]4.) Halloween Dance - Reverend Horton Heat [Halloween Hootenanny]5.) Hello Mrs. Darkness - Reverend Horton Heat [Space Heater]6.) Mad Man - The Legendary Raw Deal [Outlaw Man]7.) The Friendly Undertaker - Jim Nesbitt [1965 Single]8.) Monster Jamboree - Contessa & The Squires [Horrorama]9.) Elvira (Yours Cruelly) - Gamblers Mark [The Cho Incident]10.) Mad Daddy - The Cramps [1979 Demo]11.) Thirteen - The Legendary Raw Deal [Outlaw Man]12.) Runnin' from the Law - Donna Dunne [The King Of Rock'N'Roll]13.) High Heeled Devil - EightBomb [High Heeled Devil]14.) Witchcraft - The Ricochets [On Target]15.) Tormented And Gone Bad - Klingonz [Flange]16.) I Flipped My Lid - The Chrome Daddies [Chrome Daddies]17.) Hombre Lobo Adolescente - Rebel Cats [Rebel Cats]18.) Pagan - The Rock-A-Teens [Woo Hoo]19.) This Song - Star Mountain Dreamers [Rhythm, Feelin' & Phrasin']20.) She's Fallen In Love With The Monster Man - The Sharks [Infamy]21.) Dracula's Daughter - The Sharks [Dredged from the Deep]22.) Night Of The Living Ted - Hillbilly Moon Explosion [Buy Beg Or Steal]23.) Wolfgirl - Contessa & The Squires [Horrorama]24.) Werewolf Stomp - The Nevrotix [Alive]25.) Bang Bang - Astro Zombies [Burgundy Livers]26.) Shadows On The Wall - The Alphabet Bombers [Wreckless] 27.) The Ballad of Frankenstein's Monster - Koffin Kats [From Our Hands To Yours] 28.) Monster Mash - Bobby Pickett & The Crypt-Kickers [1962 Single]29.) Alabama Monster Man - The Epileptic Hillbillys [Take 2]30.) Transylvanian Girl - The Phantom Cowboys [Down and Out at The Club Cruella]31.) Love In A Coffin - Tigermen [Tigermen]32.) My Little Sue - Terry Lee & The Poor Boys [1959 Single] 33.) Bloodsuckin' Cowboy - The Spectres [Blood Sweat & Nitro] 34.) Daddy's Goin' Crazy - The Spectres [Blood Sweat & Nitro] 35.) Pumpkin King - Cold Blue Rebels [Blood, Guts'N'Rock & Roll]36.) Zombie Love - Cold Blue Rebels [Blood, Guts'N'Rock & Roll]37.) Obsesión en el Muelle - Lobos Negros [Lobo Rock]38.) Skulls - Misfits [Walk Among Us]39.) American Nightmare - Misfits [Legacy of Brutality]40.) Tornado - The Jiants [1959 Single]41.) Skeletons Dance - The Howling Wolfmen [Asylum Rock]42.) I Gotta Know - Frantic Flintstones [The E.P. Collection]43.) Shadow Crypt - Demented Are Go [Kicked Out of Hell]44.) Rob The Bank - Tabaltix [Sex, Pugs & Rock'N'Roll]45.) Party Mad - Reverend Horton Heat [Revival]46.) Spooky Boots - Reverend Horton Heat [Rev] 47.) A-Bomb Bop - Mike Fern & The Del Rays [1959 Single]48.) Voodoo Man - Messer Chups [Bermuda 66]49.) Halloween - The Coffin Shakers [Halloween E.P.] 50.) Vampires Don't Cry - The Coffin Shakers [We Are The Undead] 51.) Hills Have Eyes - The Meteors [Only The Meteors Are Pure Psychobilly]52.) Locked Away - Spellbound [Mystical Madness]53.) 20 Flight Rock - Spellbound [Mystical Madness]54.) Return Of Eddie Sin - Las Pistolas [Deadly Combination]55.) Insane - Taggy Tones [100% Rockabilly Vol. 2]56.) Monster Bop - Taggy Tones [Lost In The Desert]57.) Bedrock - Frantic Flintstones [Bedrock!]58.) Haunted House - Hasil Adkins [The Wild Man]59.) Angel Baby - Wulfsblood [Wulfsblood]60.) Halloween - Misfits [Legacy of Brutality]61.) Zombie Girl - Imelda May [Tribal]62.) Return Of The Vampire - The Coffin Shakers [The Coffin Shakers]63.) Rockin' In The Graveyard - Rockabilly Mafia [Rockin' In The Graveyard]64.) Vampira - Bobby Bare [All-American Boy]65.) Rockin' In the Cemetery - Ronnie Dawson [Rockinitis]66.) Blood On Your Hands - Spellbound [Eleven Deadly Sins] Psychobilly & RockabillyKeep A' Howlin'

Biden Claims He Never Took What From Who? Presidential Debate Recap.  Todays show sponsored by the "Poor Boys." Truth Has Arrived!

No quadro "Conversa de Botequim" de hoje, eu e o Biofá falamos sobre a curta e coesa discografia do Creedence Clearwater Revival. Discografia Creedence Clearwater Revival: Creedence Clearwater Revival (1968) Bayou Country (1969) Green River (1969) Willy and the Poor Boys (1969) Cosmo's Factory (1970) Pendulum (1970) Mardi Gras (1972) Se inscreva no canal Alta Fidelidade - http://bit.ly/1EhEIER Curta a nossa página no Facebook - https://www.facebook.com/canalaltafidelidade Nos siga no Twitter também! http://www.twitter.com/altafidelidade0

In today's episode: Trump dominates Joe Biden in the final debate in every imaginable way Kristen Welker does a splendid job as moderator Joe Biden lies about cages and declares that we used to have a good relationship with Hitler Joe Biden says he didn't get anything done in his career because he wasn't president Joe Biden is for and against fracking and comes out against oil Joe Biden quotes Trump as saying "stand down and stand ready", making the EXACT mistake which led very ignorant people to believe Trump never condemned the Proud Boys (aka "Poor Boys" according to Biden) who aren't even white supremacists and have not been responsible for the violence and rioting that BLM/Antifa did

Cherielynn Westrich is most well known as a Car Builder on the A-Team for the hit show Overhaulin' with Chip Foose. Her most recent builds were on season 10, shooting with the crew in Jan 2020. She first appeared on the show in season 3. She helped build over 75 cars and appeared in over 75 episodes. Doing welding, fabricating, wiring, gauge restoration, bodywork etc... Cherielynn has also appeared as a fabricator and builder on shows such as Rock my RV with Brett Michaels and Detroit muscle, All Girls Factory Five build on power block. She now makes appearances at car shows large and small including hosting and appearing on the official video for the NSRA Street Rod Louisville Nationals for the last several years and Australia's Motor-Ex, two years in a row. She owned and built cars at a one man operation in Orange California called Mavin Associated where she restored and built Muscle cars and hot rods. Cherielynn has worked alongside some of the most well known builders in the industry and for many well known shops around the Orange County / and LA area including BS Industries with Bodie Stroud, Circle City Hot Rods, Cambra's Rod Shop, Poor Boys, Curtis Speed Equipment with Mike Curtis from American Hotrod, North Hollywood Speedometer, Redline Gauge works, and many more. AT PRESENT: Cherielynn is the Owner of MalWood USA, Hydraulic Underdash systems. If you are looking to convert your ride to a hydraulic clutch system or upgrade your current hydraulics you will find the top of the line with MALWOOD USA. WE ARE PROUDLY MADE IN THE USA AND ASSEMBLED IN IOWA. We make the best hydraulic under dash systems on the market. MalWood’s hydraulic clutch pedal kit converts your existing manual clutch pedal or Automatic pedals into a hydraulics system with an easy bolt in install. Our master cylinder is part of our pedal assembly with nothing to adjust bolt in and you're ready to go. Unlike other complicated units with separate master cylinder install and location and cumbersome linkages, ours saves time, with no modifications or adjustments. https://www.malwoodusa.com On Facebook: https://www.facebook.com/MALWOODUSADOTCOM --- Support this podcast: https://anchor.fm/mike-linner/support

Pour le début de la troisième saison du Collimateur, le podcast a le plaisir et l'honneur de recevoir la ministre des Armées, Florence Parly. Après avoir évoqué avec Alexandre Jubelin son parcours et sa prise de fonctions en juin 2017 (2:00), ils discutent de ce que représente le fait d’être une femme dans un univers militaire très majoritairement masculin (12:10). Ils abordent ensuite la difficile construction d’une Europe de la Défense (23:15), puis les difficultés posées par les aléas de la relation avec les Etats-Unis (34:40). Ils discutent enfin des enjeux et de la philosophie des interventions militaires extérieures pour la France (42:30), et des problématiques de recrutement et fidélisation des carrières militaires (55:00). Extraits audio : - Creedence Clearwater Revival, "Fortunate Son", sur l'album "Willy and the Poor Boys" (1969) - Dire Straits, "Brothers in Arms", sur l'album du même nom (1985)

Discussing #70-68 of the top 100 albums of the 1960s from https://besteveralbums.com. This episode covers the following albums: Creedence Clearwater Revival - Willy and the Poor Boys (17:43), James Brown - Live at the Apollo (50:07), and The Mothers of Invention - We're Only In It For The Money (1:22:30). --- Send in a voice message: https://anchor.fm/combingthestacks/message

The West Wing of the Music Museum is dedicated to the collective world of Country Music. This episode celebrates that jukebox in the corner of the down home joint on Main St. of “Small Town U.S.A.” You either grew up in a small town or wish you did. The best memories come from a town with nothing but good down-home people, churches, and cheap beer. Sure, there isn't much to do, but give us a dirt road, and we'll be perfectly content. There are a few things that only people who grew up in a small town will understand. These songs sum up small-town life and the first loves, the beer, and the memories that come with it. - - - - Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com ----- You’ll hear: 1) Small Town Saturday Night by Hal Ketchum 2) Heartland by George Strait 3) Living Legend by The Highwaymen (Nelson/Cash/Jennings/Kristofferson) 4) Just Someone I Used To Know by Dolly Parton & Porter Wagoner 5) What The Cowgirls Do by Vince Gill 6) Boot Scootin' Boogie by Brooks & Dunn 7) The Lord Knows I'm Drinking by Cal Smith 8) Longhaired Redneck by David Allan Coe 9) Love At The Five & Dime by Kathy Mattea And Don Williams 10) High Fashion Queen by The Flying Burrito Brothers 11) She's Actin' Single (I'm Drinkin' Doubles) by Gary Stewart 12) Ooh Las Vegas by Gram Parsons & The Fallen Angels 13) Chantilly Lace by Jerry Lee Lewis 14) White Line by Emmylou Harris (w/ Dolly Parton & Linda Ronstadt, backing vocals) 15) I'm The Only Hell (Mama Ever Raised) by Johnny Paycheck 16) Daydreams About Night Things by Ronnie Milsap 17) Charleston Railroad Tavern by Bobby Bare 18) I Don't Care (Just As Long As You Love Me) by Buck Owens 19) Somewhere Between by Suzy Bogguss (w/ Wendy Waldman, backing vocals) 20) City Of New Orleans by Willie Nelson 21) Thanks A Lot by Ernest Tubb 22) Louisiana Saturday Night by Jimmy C. Newman 23) Tennessee Flat-Top Box by Johnny Cash 24) Misery Loves Company by Porter Wagoner 25) Blue Moon Of Kentucky by Patsy Cline 26) She And I by Alabama 27) Drinkin' Days by Slaid Cleaves 28) There's A Tear In My Beer by Hank Williams, Jr. & Hank Williams, Sr. 29) Easy To Love (Hard To Hold) by Marty Stuart 30) Don't Come Home a Drinkin' (with Lovin' on Your Mind) by Loretta Lynn 31) Bobbie Sue by The Oak Ridge Boys 32) 1982 by Randy Travis 33) Beer For My Horses by Toby Keith & Willie Nelson 34) Life's Highway by Steve Wariner 35) Oh Lonesome Me by The Kentucky Headhunters 36) Never Be You by Rosanne Cash 37) Gone (That'll Be Me) by Dwight Yoakam 38) The Shake by Neal McCoy 39) I Don't Look Good Naked Anymore by The Snake Oil Willie Band 40) Revenue Man (White Lightning) by Willie & The Poor Boys

Quinto disco de estudio de la banda de San Francisco con el carismático John Fogerty al frente. Una obra que cumple 50 años y con la que Creedence Clearwater Revival consiguen la perfección en todos los sentidos. Y eso que venían de hacer 4 discos de altísimo nivel ("CCR", "Bayou Country", "Green River" y "Willy and the Poor Boys").

The Poor Boys play a news headline guessing game. We had a mini movies with Matt, and Celia Gary talks about her time as a musician and creative. @celiasmusic on Instagram Celia Gary on Youtube Email us at poorvariety@gmail.com @poorvariety on Instagram and Twitter THANK.

The Poor Boys play a game. Someone wins. Featuring the song "OFFICIAL UNCANNY VALLEY" by Dudley E. LaBauve III, AKA Doctor Crane Reach him here: https://soundcloud.com/user-658772103

Rory and the Poor Boys link up for spooky story time, but things devolve fairly quickly. There's a whole multiverse to consider, damn it!

This edition of The Bunker Podcast comes from our label artist Leisure Muffin, who has been holding things down in New Orleans for a few years now. It's essentially an all improvised live set! Check his release for our label, the very first thing he put out: https://thebunkerny.bandcamp.com/album/the-bunker-new-york-001 artist statement: "Performed live for the Mystery Zone party at Poor Boys in NOLA. The first 42 minutes of this are completely improvised live, meaning that there were no stored sequences or pre-recorded audio. Just a small 6u eurorack modular, a DSI Tempest with a couple kits to choose from, and an iPad to handle sync, simple looping, and mixing. I've been playing all of my free form sets like this (minus the Tempest) for a while now, but I hadn't played for an actual dance floor in probably more than a year. I had just flown back from New York where I played one of those free sets at Wonderville in Brooklyn (go check it out on my bandcamp!), and had about 3 days to get this together. I had cheerfully assumed that I could just toss the Tempest in there, crank it up, and practice for a few days, but that wasn't the case. It took me the whole 3 days to sort out how to technically integrate the Tempest into the iPad setup so I got maybe an hour of practice with everything working on the day of the event. I showed up at the event more nervous than I've ever been at a gig, but somehow managed to reasonably pull it off. I did eventually chicken out and play some sequences I had in the Tempest from ages ago. Those start at around the 42 min mark."

Mike is BACK this week with Kate and Kara in tow and they sat down to talk about the prevalence of schooling in comics.Continue readingEpisode 216 | Devastating One-Liners to Poor Boys

In this one you can listen to the Poor Boys listen to things. Sounds exciting right? Play along as they identify sounds, check out a new song by Milo the Great, and listen to a riveting story from our friend Rory. "Sorry to Bother You" by Milo the Great

Maybe the best band of all time. But only maybe.Closing track: “Who’ll Stop the Rain” from Cosmo’s Factory (1970)And check out our episode playlists on Spotify! https://open.spotify.com/user/motherpuncherincMike’s Picks:Willy and the Poor Boys (1969) — Best Album, Personal FavoriteMardi Gras (1972) — Worst AlbumAlex’s Picks:Cosmo’s Factory (1970) — Best AlbumPendulum (1970) — Personal FavoriteMardi Gras (1972) — Worst AlbumAlbums discussed this episode…Creedence Clearwater Revival (1968)Bayou Country (1969)Green River (1969)Willy and the Poor Boys (1969)Cosmo’s Factory (1970)Pendulum (1970)Mardi Gras (1972)Follow Mike on Instagram @popejesseventura and Alex @motherpuncher

In 1969 alone, Creedence Clearwater Revival released three of the greatest rock albums in history. The third, and arguably the best, was Willy and the Poor Boys. Landmark hits like "Down on the Corner" and " Fortunate Son" have cemented its place on pretty much every list of the best albums ever, deservedly so. This month we bring back one of our favorite guests ever, CCR bassist and Rock and Roll Hall of Famer Stu Cook (ep100) to discuss the making of the album, his favorite moments, and the dynamic in the band at the time with songwriter John Fogerty. And don't forget to catch Creedence Clearwater Revisited on tour this summer   !http://creedence-revisited.com

Gnarly Charley Ager is one of the biggest mysteries in skiing.  He came up from no-where to set the ski world on fire with his loose, sometimes scary style and switch landings that were way ahead of his time.  As fast as Charley’s career evolved, it disappeared in the same speed.  Charley walked away from skiing and into some personal issues and injury that we discuss on the podcast.  The good news is, this story has a happy ending and Charley Ager is alive.  Charley Ager Show Notes: 2:00:  Charley is a mystery coming from White Rock with a hint of Vegas and gold mining 6:00:  Getting into skiing, school, and taking a year off 11:00:  Whistler, couch surfing, and snowboarding 17:00:  Evo:  The best online experience in action sports with retail to back it up RESQWATER (enter the code resqwatertpm for a 20% discount on a 12 pack) 18:45:  Back to Whistler for season 2 in his truck, life hacks in whistler, and focusing on skiing 28:00:  Rex Thomas, Atomic and Jeff Thomas 38:00: Spy Optic:  Get 20% off on their site Spyoptic.com using the code TPM20 The 10 Barrel Brewery:  My favorite is 'Out of Office' Pilsner 39:30:  K2 and Poor Boys 45:30:  Charley falls off the radar, Alcohol, Cocaine and Gambling 52:00:  The Accident 57:00:  Inappropriate Questions

Super giovani e talentuosi i Poor Boys, ragazzi blues da Reggio Emilia

In the third episode of our series on the Catholic subculture, we seek to find out just what happened to the world of American Catholicism that led to such drastic change over the course of a single decade. Using the medium of music, we'll explore how protest movements, the suburbs, and this one, small encyclical led to our current situation as modern day Catholics. Music for today's episode: "Exceeding" Words and music by Shaun Garrison. © 2015 Shaun Garrison. As recorded on Exceeding All rights reserved. Used by permission. "The Pill" Loretta Lynn. Produced by Owen Bradley © 1975 As recorded Back to the Country. All rights reserved. Used according to Fair Use regulations "Change is Gonna Come" Sam Cooke Produced by Hugo and Luigi © 1964 As recorded Ain't That Good News. All rights reserved. Used according to Fair Use regulations "Fortunate Son" Creedence Clearwater Revival Words and music by John Fogerty © 1969 As recorded Willy and the Poor Boys. All rights reserved. Used according to Fair Use regulations --- Support this podcast: https://anchor.fm/mystery-manners/support

Releasing three albums in one calendar year is impressive for any band, but for Creedence Clearwater Revival, it was even more so since they only had one songwriter in John Fogerty. Their busiest year ever came to an end with the release of "Willy and the Poor Boys" on this date, November 2, 1969. Allan looks back in today's Classic Rock Calendar... Image: Steve Soyland/959thefox.com

TIMMY'S ORGANISM "Wall Of Grey" Survival of the Fiendish Burger Records (2018) LP/CD/CS - http://burgerrecords.11spot.com/timmy... Timmy’s Organism – 2018 Tour Dates 10/12 Chicago IL.@Thalia Hall* 10/13 Cleve OH.@Beachland Ballroom* 10/16 Buffalo NY.@Mohawk 10/17 NYC @Warsaw* 10/18 Detroit @Marble Bar 10/19 Milwaukee @Cactus Club 10/20 Minneapp MN.@Moon Palace Books 10/21 Fargo ND @Sidestreet 10/23 Missoula MT.@the Union Bar 10/24 Seattle WA.@Funhouse 10/25 Portland OR.@the Liquor Store 10/26 San Francisco CA.@Vacation Vintage 10/27 Los Angelas CA. @Hi Hat 10/29 Phoenix AZ. @Lunch Box 10/30 El Paso TX. @Monarch 10/31 Austin TX. @Hotel Vegas~ 11/1 New Orleans LA. @Poor Boys~ 11/2 Atlanta GA. @the Earl~ 11/3 Memphis TN. @Bar DKDC~ 11/4 Nashville TN. @Cobra Lounge~ 11/5 Louisvile KY. @Kaiju 11/6 Columbus OH. @Ace of cups * w/ Oh Sees ~ w/ John Wesley Coleman III So this is the new album by Timmy Vulgar’s band Timmy’s Organism, so named because it’s a beast. Vulgar (guitar/vocals) made it in six months in spring 2018 with Jeff Giant (bass) and Blake “Bovver” Hill (drums), two guys who’ve been the beating about-to-burst heart of the Organism for about three albums now, including one for Third Man and one for In The Red. “I’ve been on almost every single underground garage punk label there is,” says T.V. proudly, and now he’s the fresh meat on Burger. But when you hear a Timmy Vulgar record, you will know it’s a Timmy Vulgar record and nobody else’s record, and Survival of the Fiendish is an extremely Timmy Vulgar record. Even more Vulgar! It’s as Vulgar as Vulgar gets. Sure, make connections: “Guzzle Gasoline” is like Raw Power-ed freak rock; “God of Comedy” is like Destroy All Monsters on a solo Roky nightmare trip; “Bitter Pill” is like one of those Cleveland 197X tearjerkers—Rocket From The Tombs, Dead Boys, ain’t it fun?—about losing your mind to and “Wall Of Grey” is post-apocalypse proto-punk just like Chrome and Mick Farren knew would come true. It’s been almost twenty years and Timmy Vulgar is still the king of hard-to-make (and harder to fake) rock ‘n’ freak ‘n’ roll made from black light and white heat. He’s been covered in bloodstains, killed by death, ripped from the crypt and sent back from the grave. He worked long and hard to get you this music. He went out into the dark and brought back fire. That’s what must be done to survive.

TIMMY'S ORGANISM "Guzzle Gasoline" Survival of the Fiendish Burger Records (2018) WATCH THE VIDEO: https://www.youtube.com/watch?v=zZZTqi64TFI LP/CD/CS - http://burgerrecords.11spot.com/timmy-s-organism-survival-of-the-fienndish.html Timmy’s Organism – 2018 Tour Dates 10/12 Chicago IL.@Thalia Hall* 10/13 Cleve OH.@Beachland Ballroom* 10/16 Buffalo NY.@Mohawk 10/17 NYC @Warsaw* 10/18 Detroit @Marble Bar 10/19 Milwaukee @Cactus Club 10/20 Minneapp MN.@Moon Palace Books 10/21 Fargo ND @Sidestreet 10/23 Missoula MT.@the Union Bar 10/24 Seattle WA.@Funhouse 10/25 Portland OR.@the Liquor Store 10/26 San Francisco CA.@Vacation Vintage 10/27 Los Angelas CA. @Hi Hat 10/29 Phoenix AZ. @Lunch Box 10/30 El Paso TX. @Monarch 10/31 Austin TX. @Hotel Vegas~ 11/1 New Orleans LA. @Poor Boys~ 11/2 Atlanta GA. @the Earl~ 11/3 Memphis TN. @Bar DKDC~ 11/4 Nashville TN. @Cobra Lounge~ 11/5 Louisvile KY. @Kaiju 11/6 Columbus OH. @Ace of cups * w/ Oh Sees ~ w/ John Wesley Coleman III So this is the new album by Timmy Vulgar’s band Timmy’s Organism, so named because it’s a beast. Vulgar (guitar/vocals) made it in six months in spring 2018 with Jeff Giant (bass) and Blake “Bovver” Hill (drums), two guys who’ve been the beating about-to-burst heart of the Organism for about three albums now, including one for Third Man and one for In The Red. “I’ve been on almost every single underground garage punk label there is,” says T.V. proudly, and now he’s the fresh meat on Burger. But when you hear a Timmy Vulgar record, you will know it’s a Timmy Vulgar record and nobody else’s record, and Survival of the Fiendish is an extremely Timmy Vulgar record. Even more Vulgar! It’s as Vulgar as Vulgar gets. Sure, make connections: “Guzzle Gasoline” is like Raw Power-ed freak rock; “God of Comedy” is like Destroy All Monsters on a solo Roky nightmare trip; “Bitter Pill” is like one of those Cleveland 197X tearjerkers—Rocket From The Tombs, Dead Boys, ain’t it fun?—about losing your mind to and “Wall Of Grey” is post-apocalypse proto-punk just like Chrome and Mick Farren knew would come true. It’s been almost twenty years and Timmy Vulgar is still the king of hard-to-make (and harder to fake) rock ‘n’ freak ‘n’ roll made from black light and white heat. He’s been covered in bloodstains, killed by death, ripped from the crypt and sent back from the grave. He worked long and hard to get you this music. He went out into the dark and brought back fire. That’s what must be done to survive.

On episode 16 of the AyeCast podcast, I go in on some Creedence Clearwater Revival. Specifically, I play their final record of 1969 "Willy and the Poor Boys". I also talk about how I have re-accepted CCR back into my life, how they are iconic for being actual Americans, and how John Fogerty is an asshole. Also: I am looking for small businesses to partner with in order to grow my audience: so, if you own, run, manage, or work at a bar/restaurant/small business/shop I am willing to advertise for you!!

Musician Adam Weiner (lowcutconnie.com) joins Bill and Brian to discuss Creedence Clearwater Revival's Willy and the Poor Boys. Adam talks about the ubiquity of CCR and how it led him to discover some other great music. Then Bill, Brian, and Adam discuss Philly accents, Flannery O'Conner and the Southern Gothic, how a song's overuse can affect how we listen to it, who sung it better (CCR or the Beach Boys?), Lead Belly and his influence on this album, the influence of Chuck Berry and Roy Orbison, Barack Obama's official playlist, and more as we make our way through the album track by track! Low Cut Connie's Dirty Pictures (part 1) available for pre-order now! https://www.hellomerch.com/collections/low-cut-connie/products/dirty-pictures-part-1-cd

in this episode we feature a compelling interview with Rich Dawson of Rich and the Poor Boys. They are one of Canada's Hottest Blues Acts and they are from the Niagara area! We will also be bringing our listeners up to speed on the magnificent Springtime blossoms. Dont miss it!

Man Man - "Hurly Burly" Boats - "O Telescope" Old Time Religion - "Daemon Meeting: Old & Weird - "Minstrel" The Sadies - "The Very Ending" The Sadies - "Another Tomorrow Again" SIRR - "Sultans of Suburbia" Cousins - "Die" Nouvelle Vague - "Heart of Glass" Heaven For Real - "You Are The One With The Iron Heart Device" Blonde Redhead - "Misery Is A Butterfly" Brazilian Girls - "Corner Store" Yeah Yeah Yeahs - "Gold Lion" Billie Dre and the Poor Boys - "Bye Baby, Bye June" Pale Eyes - "Figure/Ground" The Winter Coats - "A Violent Little Band" The Flaming Lips - "Try To Explain" Deerhunter - "T.H.M." The Motorleague - "Every Man Needs A Cape Breton" Esther Grey - "The Hairy Ballerina" Zeus - "Are You Gonna Waste My Time?"

Man Man - "Hurly Burly" Boats - "O Telescope" Old Time Religion - "Daemon Meeting: Old & Weird - "Minstrel" The Sadies - "The Very Ending" The Sadies - "Another Tomorrow Again" SIRR - "Sultans of Suburbia" Cousins - "Die" Nouvelle Vague - "Heart of Glass" Heaven For Real - "You Are The One With The Iron Heart Device" Blonde Redhead - "Misery Is A Butterfly" Brazilian Girls - "Corner Store" Yeah Yeah Yeahs - "Gold Lion" Billie Dre and the Poor Boys - "Bye Baby, Bye June" Pale Eyes - "Figure/Ground" The Winter Coats - "A Violent Little Band" The Flaming Lips - "Try To Explain" Deerhunter - "T.H.M." The Motorleague - "Every Man Needs A Cape Breton" Esther Grey - "The Hairy Ballerina" Zeus - "Are You Gonna Waste My Time?"

Billie Dre and The Poor Boys - "Weed Lean" Galaxius Mons - "Soundtrack Superdove" Chairs - "Three In The Morning/Breathe Underwater" DIANA - "Born Again" The Albertans - "Casa Aqua" Pat LePoidevin - "Hayden Lake, ID" Ashley Condon - "Sea And Land" B.A. Johnston - "I Don't Wanna Live In Windsor" B.A. Johnston - "Too Dumb To Live" B.A. Johnston - "Luke Skywalker Is A Whiney Baby" B.A. Johnston - "The Dishwasher Stands Alone" Howl - "Warriors" Howl - "Blackout" Howl - "Joe PunkRock" The Mark Inside - "Balloons" HSY - "Milk Chug" HSY - "Slimeball" Monomyth - "Coastal" Boats - "Sad Legs" Miesha & The Spanks - "Please Don't Blow" Sultans of String - "Emerald Swing" Pale Eyes - "Waves & Radiation" Adam Mowery - "Local Bands" Adam Mowery - "Come Around"

Billie Dre and The Poor Boys - "Weed Lean" Galaxius Mons - "Soundtrack Superdove" Chairs - "Three In The Morning/Breathe Underwater" DIANA - "Born Again" The Albertans - "Casa Aqua" Pat LePoidevin - "Hayden Lake, ID" Ashley Condon - "Sea And Land" B.A. Johnston - "I Don't Wanna Live In Windsor" B.A. Johnston - "Too Dumb To Live" B.A. Johnston - "Luke Skywalker Is A Whiney Baby" B.A. Johnston - "The Dishwasher Stands Alone" Howl - "Warriors" Howl - "Blackout" Howl - "Joe PunkRock" The Mark Inside - "Balloons" HSY - "Milk Chug" HSY - "Slimeball" Monomyth - "Coastal" Boats - "Sad Legs" Miesha & The Spanks - "Please Don't Blow" Sultans of String - "Emerald Swing" Pale Eyes - "Waves & Radiation" Adam Mowery - "Local Bands" Adam Mowery - "Come Around"

Felipe y Diego nos traen "Willie and The Poor Boys" de Creedence Clearwater Revival. El álbum con en el que John Fogerty y los suyos ponían el broche de oro al año 1969, con temas como "Fortunate Son"