Podcast appearances and mentions of Steve Lillywhite

This week on the Rockonteurs podcast, Gary and Guy quiz each other on great songs that were denied a No.1 and we welcome back our dear friend, the legendary record producer Steve Lillywhite to the show. Steve has worked with some of the biggest and best artists on the planet - and produced the nation's favourite Christmas song ‘Fairytale of New York'.In this special end of season episode, Steve talks about the song, the recording in summer 1987, the new live version he has mixed recorded at the Glasgow Barrowland in Dec 1987 and its enduring legacy. The new EP is out now and you can find out more here: http://thepogues.lnk.to/FONYZoetropeInstagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

I'll bet you don't have 8 Grammy's. Very few people do. Our guest this week is one of the chosen few. Producer Kevin Killen has been one of the best in his field since first coming up under the tutelage of Steve Lillywhite on U2's War album. From there the list of collaborators includes David Byrne, Elvis Costello, Los Lobos, Howard Jones, Lindsey Buckingham, Kate Bush, Shawn Colvin, Tori Amos, Mr. Mister and many more. One year he won Grammys for working with David Bowie, Shakira and Yo-Yo Ma. Talk about diversity! We're so fortunate he gave us some of his time this week!  The Hustle Podcast | creating podcasts | Patreon

Producer Mark Wallis began his career as the assistant to Steve Lillywhite on U2's War album. How about THAT being the first thing on your resume?! This launched a great career working some of the best pop acts of the era. He produced the Go-Between's perfect album 16 Lovers Lane, the debuts from the Primitives and the Silencers, and music from artists like Paul Kelly, the Mighty Lemon Drops, the Wildhearts, Icicle Works and more. He also engineered the Smiths' "How Soon is Now" and tells that story. He was a total sport for taking my nerdy questions. Enjoy!  Mark Wallis | Music Producer, Engineer & Mixer The Hustle Podcast | creating podcasts | Patreon

A Very Opinionated Look At URGH! A MUSIC WAR--CHAPTER THIRTY-SEVEN: An interview with JC CARROLL of The Members Pt. 1This week, we bring you Part 1 of our conversation with URGH performer JC CARROLL from UK band THE MEMBERS, who has had one of the most incredible lives (as you will soon hear!). We discuss JC's first live concert: T REX, honoring your past by playing classic songs that people still want to hear, JC meeting Graham Parker in a bar and making 4-track recordings in their bedroom together, hanging out at The Roxy and London's incredible small punk scene at the time, singer/hustler Nicky Tesco and his amazing stage presence, recording in Eddy Grant's recording studio and being produced by Steve Lillywhite, punk bands being on major labels, playing LA, SF and NY for the first time, how confusing their MTV hit “Working Girl” was compared to their URGH performance, the Copeland brothers' fingerprints being all over URGH, Jerry Dammers, why they chose "Offshore Banking Business" for the film instead of other punkier singles, Dr. Feelgood, how they played their URGH concert with Pere Ubu & Magazine, working with Larry Wallis of Pink Fairies, how JC feels that URGH is an essential film culturally, how their single "The Sound Of The Suburbs" sold over 250,000 copies and why they never made any money off it.So get ready for yet another jaw-dropping URGH interview available only on A VERY OPINIONATED LOOK AT URGH! A MUSIC WAR! Pt. 2 with JC Carroll is up next!If you enjoyed this episode, please consider supporting the show over at patreon.com/revolutionspermovie and get over 190 Revolutions Per Movies episodes, including the exclusive weekly bonus episodes and series such as A Very Opinionated Look At Urgh A Music War! Plus, get the 7" flexidisc, stickers, and other physical goods sent to you as well. We're completely independent so this is the best way to support the show. Thank you!THE MEMBERS:https://www.themembers.co.uk/REVOLUTIONS PER MOVIE:patreon.com/revolutionspermovie Hosted on Acast. See acast.com/privacy for more information.

When you think of rock ‘n' roll hotspots, Princeton, New Jersey probably doesn't make the list. But according to Sharing in the Groove, maybe it should.This episode dives into the surprising and sprawling history of the jam band movement through the lens of this compelling oral history. What you'll hear in this episode:How the jam band scene exploded in the late ‘80s and ‘90s—from Princeton to Athens (Widespread Panic), Vermont (Phish), and Charlottesville (Dave Matthews Band).Why the culture of taping live shows was both a gift and a headache for bands and labels alike.How record companies struggled to understand, and market bands that didn't move units but packed venues.What happened when Jerry Garcia died and how it shifted the jam band ecosystem almost overnight.Candid memories and quotes from Trey Anastasio, John Popper, Derek Trucks, Steve Lillywhite, Dave Matthews, Karl Denson, John Medeski, and more.*This episode is sponsored by the Outlaw Music Festival 10th Anniversary Merchandise. Want to win some of that great Outlaw merchandise? Just send me an email at the address below and I will enter you in to win. Three lucky Rock Talk Studio winners will get a chance at some great gear. Check out the 10th Anniversary swag here-Outlaw Music Festival Support the showemail Big Rick at:info@rocktalkstudio.com

Send us a textOn this episode, we discuss one of the most heralded debut albums of the early 1990's: The La's by the La's. Heavily influenced by the 1960s British Invasion bands, The La's is full of bright, jangly, melodic guitar pop, earworms all. The single “There She Goes” has become a classic, and is possibly one of the most perfectly constructed pop songs ever recorded. The album's history, however, is one of the most tortured in the annals of rock and roll.  The band's leader, Lee Mavers became known for his uncompromising perfectionism in search of the perfect sound. He obsessed over everything: from the perfect placement of the microphones, to the required vintage feel of instruments and tape machines (even claiming that cleaning the 1960's era dust off them significantly affected their sound). As a result of Mavers' never-ending dissatisfaction with the inability to replicate the sound in his head, it took over three years to complete the album, 12 separate studio sessions, 7 producers, and several lineup changes along the way. The band actually walked out during the final recording session, leaving the album to be completed by the producer, Steve Lillywhite. Predictably, the band publicly disowned the album after its release and even discouraged people from buying it. Despite all of that, the album became a critically acclaimed and extremely influential pop classic, and in the decades since its release, is considered one of the finest albums released in the 1990's.  Visit us at www.tappingvinyl.com.

I chatted to Steve Lillywhite CBE who is a British Music Producer about his career working in the music industry as a music producer. He told me about when he worked with u2 on their singles and albums and how he got to work with other bands like The Rolling stones. I also told him about why I started my Podcast!

Welcome back to Transmissions with Jason Woodbury. This week, Steve Lillywhite, a producer who's had as pivotal a role in shaping your host's musical taste as anyone. In this conversation, Lillywhite opens up about working with artists like Dave Matthews Band, U2, Phish, XTC, The La's, Marshall Crenshaw, The Killers, and more. From The Joshua Tree to Billy Breathes, from Before These Crowded Streets to Field Day, Lillywhite speaks about it all, the influence of dub, his production approach, and more. Lillywhite is somebody we've wanted to have on this show very long time, and we were excited to ring him up. Big thanks to Grayson Haver Currin, the incredible critic and writer you are no doubt familiar with, for helping connect us to Steve. You can read a full transcript of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Stream a playlist of bumper music featured on Transmissions, as well as selections from our guests. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. 

Born March 15, 1955, in Egham, Surrey, England, Steve Lillywhite, is a distinguished British record producer whose career began in 1972 as a tape operator for PolyGram.Over the decades, he has been credited on over 500 records, collaborating with a diverse range of artists including U2, The Rolling Stones, Peter Gabriel, Talking Heads, and Dave Matthews Band.Please use this link to watch the interview on youtube.https://www.youtube.com/watch?v=EV-Cb8M2dvwLillywhite's innovative production techniques have significantly influenced the sound of modern rock and pop music. Notably, he co-developed the gated reverb drum sound with Peter Gabriel and engineer Hugh Padgham during the recording of Gabriel's third solo album in 1980, a technique that became a hallmark of 1980s music.His work has earned him six Grammy Awards, including Producer of the Year in 2006, and in 2012, he was appointed Commander of the Order of the British Empire (CBE) for his contributions to music.As of recent years, Lillywhite has been residing in Indonesia.Join this channel to get access to perks:https://www.youtube.com/channel/UC5S9xw1B-ppDXVkAuvRRQtg/join#SteveLillywhite#MusicProducer#LegendaryProducer#IconicProducer#RecordProducerBand/Artist Related Hashtags#U2Producer#PeterGabrielProducer#TheRollingStonesProducer#MorrisseyProducer#SimpleMindsProducer#TalkingHeadsProducerGenre and Era-Specific Hashtags#NewWaveMusic#RockProducer#AlternativeRock#PostPunk#80sMusic#90sMusicAlbum and Production Style Hashtags#ClassicAlbums#BigSoundProducer#WallOfSound#InnovativeProducer#GrammyWinner#MusicProductionEngagement and Inspiration#BehindTheMusic#ProducerLife#StudioMagic#MusicMakers#InspiringSound Hosted on Acast. See acast.com/privacy for more information.

Este 22 de Noviembre "Atomic Bomb" cumple exactos 20 años, y esa fue sin lugar a dudas la última época de oro de U2, en que consiguieron la "relevancia" tan buscada por Bono y compañía: éxito comercial y musical, premios de la industria, gira agotada, éxitos radiales, etc. Es por eso que este disco también tiene una Edición 20 Aniversario recién lanzada: porque marcó época… y quizás el final de algo. Pepo, Bea y Allan conversan sobre todo lo que rodeó a "La Bomba" hace 20 años. Lo que llevó al disco, lo que sucedió con el disco y lo que pasó con la gira y después de la misma. Hacemos un repaso de lo que era U2 antes de HTDAAB y lo que fue después de HTDAAB. Y para ello pasamos por muchos temas relevantes y otros no tanto, como: Robbie Williams, Pink Floyd The Best of 90-00, Steve Lillywhite y Rick Rubin La historia de Mercy El doble slash // El Super Bowl, los Oscars y el iPod U2 El pelo de Bono El fin del Vertigo Tour y Pinochet El Festival de Viña Windows In The Skies, Claudio Arrau y Elton John El libro U2 by U2 y una chilena ¿Qué es lo que recuerdan más de la época de HTDAAB? ¿Fueron más fans que nunca en ese momento? ¿Fue un gran momento musical o fue sólo "hype"? Déjanos tu comentario! ***** Ahora tenemos un PATREON donde pueden encontrar capítulos por adelantado y material exclusivo: patreon.com/u2chile Recuerden suscribirse al Podcast y darnos Like, 5 Estrellas y todas esas cosas que nos ayudan a llegar a más gente. Sígannos en: Facebook.com/U2Chile.net Como @u2chile en Instagram, Twitter, Youtube, TikTok, Threads y Bluesky Buena onda!

In this all new expanded Boy episode released in tandem with our new U2 Origin Story episode, we pick up the story after U2 pulls off the big rouse at their now legendary gig at the National Stadium in Dublin that gets them signed to Island Records. We go over why they turn from Joy Division producer Martin Hannett and pivot to Steve Lillywhite to produce Boy. We cover Lillywhite's crucial contributions to the Boy sessions and go through all the tracks. We cover the controversy over the album artwork and themes of the record and the seminal moments of the band's first world tour. From the outside, everything appears copacetic, but inside, pressure from the Shalom Group starts to splinter the Lypton Village and the three Christians of U2 try and reconcile rock and roll and their faith.

Produced, Arranged and performed by Pehr Flühr Music & Lyrics; Jem Finer / Shane Patrick Lysaght Macgowan Original producer; Steve Lillywhite

Deep Cuts: Lost & Found celebrates its 50th episode with a theme show featuring favorite record producers. Tune in for creative collaborations from the likes of Steve Lillywhite, Paul Hardiman and Steve Albini (together with Simple Minds, The The, Lloyd Cole & The Commotions, The Wedding Present and more). Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer/Engineer/Mixer Danton Supple has been at the forefront of big music by big artists since he first broke into the business in the 80s. U2, Coldplay, Pet Shop Boys, Morrissey and more are prominently on his CV. In this conversation we cover all of those as well as Elbow, Doves, Starsailor (which included Phil Spector's last project), Spandau Ballet and his work with past guests Clive Langer, Steve Lillywhite, Trevor Horn, Julian Mendelsohn and tons more. His stories are gold and almost as great as his talents. Enjoy!  www.dantonsupple.com  www.patreon.com/thehustlepod

The Hoff is happy, Pavo, Stonehenge, some classic Ralph bits, Eddie Pence at Club 33, Twin Talk, Andy Dick, we love Steve Lillywhite and TWINS!!!!

The Hoff is happy, Pavo, Stonehenge, some classic Ralph bits, Eddie Pence at Club 33, Twin Talk, Andy Dick, we love Steve Lillywhite and TWINS!!!!

Gary Kemp and Guy Pratt continue their UK tour this week with Nick Mason's Saucerful of Secrets – but found time to spend even more time together to record a special episode where they chat about working with some of the best producers in the industry. It's a fascinating insight into the behind-the-scenes recording process for bands like Pink Floyd and Spandau Ballet and the most amazing story about Michael Jackson that you have to hear to believe!Plus, we dive into the Rockonteurs archive to listen to some of those producers whose names are as big as the artists they work with. We hear from Steve Lillywhite, Bob Ezrin, Hugh Padgham and Trevor Horn in a ‘Best of the Producers' episode. Instagram: @rockonteurs @guyprattofficial @garyjkemp @saucerfulofsecretsofficial @trevorhornmusic @sillywhite @bobezrin @hughpadghamofficial @gimmesugarproductions YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced by @thisBenJones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

Gary Kemp and Guy Pratt continue their UK tour this week with Nick Mason's Saucerful of Secrets – but found time to spend even more time together to record a special episode where they chat about working with some of the best producers in the industry. It's a fascinating insight into the behind-the-scenes recording process for bands like Pink Floyd and Spandau Ballet and the most amazing story about Michael Jackson that you have to hear to believe!Plus, we dive into the Rockonteurs archive to listen to some of those producers whose names are as big as the artists they work with. We hear from Steve Lillywhite, Bob Ezrin, Hugh Padgham and Trevor Horn in a ‘Best of the Producers' episode. Instagram: @rockonteurs @guyprattofficial @garyjkemp @saucerfulofsecretsofficial @trevorhornmusic @sillywhite @bobezrin @hughpadghamofficial @gimmesugarproductions YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced by @thisBenJones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

What's your most loved and least favorite song on the La's self-titled debut album?! Jim follows up our 1990 Matthew Sweet episode with....a 1990 classic from his beloved Liverpool. A ton of fun talking about our favorite one album wonders. One pandemic day, Adam's roommate Mike Dalke confessed that he tour managed Straightjacket Fits on the La's lone US tour in 1991. Makes him a perfect expert witness/guest ranker along with 91X's Mike Halloran who does our first guest closing credits in a very long while. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite Liverpudlian sweet shoppe. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:The Beatles, Cast, Elvis Costello, Mike Dalke, Doledrum, Dolgernon, England, Everton, eyeball, Failure, Feelin', Freedom Song, Mike Halloran, Herman's Hermits, I Can't Sleep, I Feel Fine, I.O.U., jangle pop, the Kinks, the La's, Liberty Ship, Steve Lillywhite, Liverpool, Looking Glass, Lee Mavers, Neil Mavers, Oasis, John Power, Redd Kross, Rolling Stones, self-titled debut album, skiffle, So I Married An Axe Murderer, Son of a Gun, Straightjacket Fits, Barry Sutton, There She Goes, there she goes again, Timeless Melody, Eddie Vedder, Way Out, we hate our own record, Wibling Rivalry, 1990. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

En MetalProgPop Cast nos juntamos 4 amigos para hablar y discutir sobre música. Guido Vilariño (el Rey Tut) es el fanático del Metal, Angel Appiani es el fanático del Rock Progresivo, Gonzalo Ares (El Colo, El Colorado, ex-Bombi) es el fanático del Pop, y Santi Grillo es el fanático del podcast. Nosotros la pasamos muy bien, y esperamos que Uds también. En el día de hoy analizamos.... eter Gabriel es el tercer álbum homónimo y de estudio del cantautor británico Peter Gabriel. Fue lanzado en mayo de 1980 y fue producido por Steve Lillywhite. Es considerado por algunos críticos como el mejor álbum del artista.5​  El álbum es conocido comúnmente como Peter Gabriel III, Melt (Derretir) o Peter Gabriel 3ː Melt en referencia a su cubierta, en donde sale una foto de Gabriel retocada. En este disco toca la batería en varias canciones, el excompañero de la banda Genesis, Phil Collins. 

U2 had finished up the wildly successful Elevation Tour with their iconic performance at the Super Bowl and had resoundingly risen to Bono's throw down issued on the eve of the release of All That You Can't Leave Behind; they really had reclaimed the title of biggest band in the world. Bono said, "Wow, if we could bottle this, what mad elixir would it be?" So, the band decamps in a basement in Monte Carlo to start work on a pure rock and roll album. But it doesn't quite go as planned as they end up finishing an entire album with Sex Pistols & Roxy Music producer Chris Thomas that Adam and Larry veto. They then turn to Steve Lillywhite and come away with How to Dismantle An Atomic Bomb. Tune in for our Part 1 on the backstory, making of and discussion of the first half of this front loaded record.

These days, guitarist Nigel Bennett is as much an entrepreneur as he is a punk rocker. I'll explain. Nigel's career began in the 70s when he was hired to join The Members who were mixing punk, pop and reggae in unique ways. They're probably best remembered by their 1982 hit "Working Girl". The band didn't last long and Nigel bummed around until he was hired by the Vibrators in 1990, where he remains today. During the pandemic, the rest of the Vibrators called it quits, leaving Nigel to carry on and now he's remarried, moved to the states, and is wholly focused on building the Vibrators back up. He still puts out new music and tours mixing songs from his entire history. It's a fascinating story we don't hear that often. There are also stories involving Iggy Pop, Steve Lillywhite and more. Enjoy!  www.vibratorsv2.com www.patreon.com/thehustlepod

In Part 2 of our interview with Steve Lillywhite, we wanted to explore some topics that may not have been as widely discussed as some of the ones we touched on in Part 1. Not only do we take a deeper dive into the last DMB record he has produced, Away From the World (2012), we also venture into the Phish waters and have Steve reminisce on his time producing Billy Breathes (1996) as well as their post-breakup comeback album Joy (2009). Incredibly insightful and unabashedly honest, Steve delivers some epic recollections and opinions that will certainly leave you yearning for more.  Our time with Lillywhite concludes with an absolute can't miss "Rapid Fire" segment where we learn who would be sitting at Steve's dream dinner table, what project he is most proud of, and the band he'd most want to work with next. His answer shocked us! We cannot thank Steve enough for all of the fantastic music he has helped bring to our and millions of others' ears, for taking the time to speak with us and being so gracious throughout, and finally we really want to emphasive how wonderful he was to us. Thank you, Steve! 

It was an absolute honor having DMB & music industry legend Steve Lillywhite join us live from "The Lillipad" for Convos on the Corner! This has truly been years in the making and because he has been a part of many interviews in his career, we wanted to make this one as fresh and unique as possible.  In Part 1, we dive into how Steve got his start in music, what he's up to these days, and touch on some of the other bands he has worked with including The Rolling Stones, Phish, Peter Gabriel, Talking Heads, and of course U2 who he recently joined in Vegas to help prepare for their residency at The Sphere. We also discussed his incredible work with DMB on UTTAD, Crash, BTCS and the Lillywhite Sessions. Oh, and we actually had Steve listen to infamous MacHead and give us his reaction to hearing it again after all of these years, what it needed to have in order to have made the album, and the story behind its "lyrics". We hope you enjoy this enlightening convo with Steve - and be sure to come back next week for Part 2 where we discuss his works with Phish, the current band he'd want to produce, and an extended discussion about his potential final DMB record, Away From the World. 

On UAWIL, we regularly talk about albums and bands that are big on one side of the Atlantic but for some reason never have great success on the other side of the pond. One glaring example is Simple Minds who have dozens of hits and many gold & platinum albums in the UK, Europe and around the world but never had huge success in the US. Most US fans know Don't You Forget About Me from The Breakfast Club soundtrack as it went to #1 in the US in early 1985. But because that song wasn't on a Simple Minds album until the 90s and because prior to that they received little to no airplay in the US, many fans see them as a one hit wonder and don't realize the extraordinary career Simple Minds have had with over 60 million records sold worldwide. As it turns 40 on February 6, 1984, Sparkle in the Rain was a bit of a transition from the techno pop band of New Gold Dream 81/82/83/84 to a band that were going places. Simple MInds were playing bigger venues, becoming friendly (and competitive) with U2 and wanted to make a bigger sound. They enlisted Steve Lillywhite (after he produced U2's War) to lead them to more radio-friendly, stadium enhancing tunes. In the end, it's a bit of a mixed bag with takes on fame (Up On The Catwalk), war (East at Easter), rebellion (The Kick Inside of Me) and UK chart climbers like Waterfront and Speed Your Love to Me. Vocalist Jim Kerr delivers an amazing performance but sometimes the lyrics are a bit opaque. Charlie Burchill is a brilliant guitarist but you can't always make out what he's doing as Mick MacNeil's keyboards play a prominent role. The addition of Mel Gaynor from London gave them a big boost and the album hit #1 in New Zealand and the UK where it went platinum. But still, the US had limited knowledge of the band until the Breakfast Club hit a year later. So we go track x track to try to understand why the US didn't pick up on this one and if that had something to do with why they never became huge there like they did in Europe. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10% off 250,000 items! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On UAWIL, we regularly talk about albums and bands that are big on one side of the Atlantic but for some reason never have great success on the other side of the pond. One glaring example is Simple Minds who have dozens of hits and many gold & platinum albums in the UK, Europe and around the world but never had huge success in the US. Most US fans know Don't You Forget About Me from The Breakfast Club soundtrack as it went to #1 in the US in early 1985. But because that song wasn't on a Simple Minds album until the 90s and because prior to that they received little to no airplay in the US, many fans see them as a one hit wonder and don't realize the extraordinary career Simple Minds have had with over 60 million records sold worldwide. As it turns 40 on February 6, 1984, Sparkle in the Rain was a bit of a transition from the techno pop band of New Gold Dream 81/82/83/84 to a band that were going places. Simple MInds were playing bigger venues, becoming friendly (and competitive) with U2 and wanted to make a bigger sound. They enlisted Steve Lillywhite (after he produced U2's War) to lead them to more radio-friendly, stadium enhancing tunes. In the end, it's a bit of a mixed bag with takes on fame (Up On The Catwalk), war (East at Easter), rebellion (The Kick Inside of Me) and UK chart climbers like Waterfront and Speed Your Love to Me. Vocalist Jim Kerr delivers an amazing performance but sometimes the lyrics are a bit opaque. Charlie Burchill is a brilliant guitarist but you can't always make out what he's doing as Mick MacNeil's keyboards play a prominent role. The addition of Mel Gaynor from London gave them a big boost and the album hit #1 in New Zealand and the UK where it went platinum. But still, the US had limited knowledge of the band until the Breakfast Club hit a year later. So we go track x track to try to understand why the US didn't pick up on this one and if that had something to do with why they never became huge there like they did in Europe. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10% off 250,000 items! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Merry Month of Debts-cember!Part 3 - Your Holiday Bonus  - In this, our first-ever Holiday Bonus episode, we proudly present our long-overdue appreciation of one of the most underappreciated British singer/songwriters of all time - the late, great Kirsty MacColl.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This week on Rockonteurs we welcome a producer who is as well-known as many of the incredible artists he has worked with. The name Steve Lillywhite is synonymous with some of the best albums, best artists, and best tracks. From XTC, Siouxsie, Talking Heads, Simple Minds, The Stones, The Pogues, Kirsty MacColl, Peter Gabriel, Joan Armatrading and U2. Steve has an unrivalled CV and has 6 Grammy Awards and has a CBE.He joins Gary Kemp and Guy Pratt to chat about his career in an interview that was recorded before the passing of Shane MacGowan.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

This week on Rockonteurs we welcome a producer who is as well-known as many of the incredible artists he has worked with. The name Steve Lillywhite is synonymous with some of the best albums, best artists, and best tracks. From XTC, Siouxsie, Talking Heads, Simple Minds, The Stones, The Pogues, Kirsty MacColl, Peter Gabriel, Joan Armatrading and U2. Steve has an unrivalled CV and has 6 Grammy Awards and has a CBE.He joins Gary Kemp and Guy Pratt to chat about his career in an interview that was recorded before the passing of Shane MacGowan.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

No matter how good a band or artist is, a producer can make or break them. A good producer can elevate mediocre material, and a bad producer can turn great songs into sludge. This week we're talking about some of the GREAT producers, those geniuses who work magic in the studio. We mention Eddie Kramer, Giorgio Moroder, Steven Wilson, Bob Ezrin, Brian Eno, Daniel Lanois, Trevor Horn, Quincy Jones, Nile Rodgers, Martin Birch, Steve Lillywhite, and a plethora of others. And Stephanie Seymour shares her experiences of her band The Aquanettas working with different producers.  We know we couldn't possibly cover all the great producers, and we will likely do a Part 2 at some point (and a Part 3 -- listen to find out!). Did we miss someone that you find significant? Let us know! Drop us a line at modernmusicology1@gmail.com or leave a comment wherever you find our episode and let us know! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: The Spirit of Rush: http://www.reverbnation.com/thespiritofrush4  Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com  R. Alan Siler: www.kozmiccreative.com  Anthony Williams: https://watchers4d.podbean.com/ 

We're pulling the trigger on the man, Morrissey. Maladjusted, released in 1997.Blender Loves MeBlenderstyle Hosts: Casey, Matt, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to the albumYouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_mWS66p7YVjJVwur4Y6SHosfH1qcVHrhmgSpotify: https://open.spotify.com/album/7ADkbjCu7brKPFXTLAqCmfApple Music: https://music.apple.com/us/album/maladjusted/1444105402Morrissey, Maladjusted, Indie Rock, Album Review, Alma Matters, Ambitious Outsiders, Trouble Loves Me, Papa Jack, Ammunition, Wide to Receive, Roy's Keen, He Cried, Sorrow Will Come in the End, Satan Rejected My Soul, The Smiths, Steve Lillywhite, Alain Whyte, Boz Boorer, Jonny Bridgwood, Spencer Cobrin, 90s music, Morrissey Reaction, Morrisey, Morissey, Morisey, Blenderstyle, Bakersfield#morrissey #maladjusted #albumreview #morrisseyreaction #90smusic 0:00 Intro0:26 Album Review13:44 Casey's Rating15:57 Matt's Rating18:10 Nathan's Rating18:49 Outro

Steve Lillywhite, CBE is a legendary English five-time Grammy Award winning record producer. Since he began his career in 1977, Lillywhite has collaborated with a variety of musicians including U2, The Killers, The Rolling Stones, Dave Matthews Band, Peter Gabriel, Talking Heads, Morrissey, The Pogues, David Byrne, XTC, Siouxsie and the Banshees, Simple Minds, The Psychedelic Furs, Beady Eye, Phish, The Counting Crows & Thirty Seconds To Mars. He has won numerous awards including the Producer of The Year Grammy & Commander of the Order of The British Empire (CBE) in 2012 for his contributions to music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat welcomes Marshall Crenshaw (3rd Timer) back to the show to discuss his recently re-issued album "Field Day."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Brains, Tom Gray, Steve Lillywhite, and me.

U2, Bono, Chris Thomas, Steve Lillywhite, Nellee Hooper, and you.

Marshall Crenshaw is a master of smart, instantly indelible guitar-pop-rock songs, starting with his outstanding 1982 self-titled debut album (“Someday, Someway,” “Cynical Girl,” “Mary Anne”…) and continuing with Field Day (“Whenever You're on My Mind”) and beyond. He grew up in the Detroit area, played John Lennon in productions of Beatlemania but always saw himself as a solo artist, not a band member. What about the first album's sound did he want to fix on the new remaster? Does he think Steve Lillywhite's booming production of Field Day gets a bad rap? Does he regret how the business side came to affect his creative work? How has he enjoyed guesting in the Smithereens? Will he ever record another album? This conversation will be more than your favorite waste of time.

Drummer, producer and author Chris Frantz from The Talking Heads spoke to Jon about the upcoming VersoFest in Westport this Thursday 03/30!  Other topics included; a behind the scenes look at working with legendary Rolling Stones producer Steve Lillywhite (7:20), an announcement about the re-release of Stop Making Sense (12:19), and a revealing conversation about which jam band legend has terrible body odor (15:51).

It's hard to believe it's been 40 years since U2 released War in early 1983. Though U2 had been gaining ground on their first two albums Boy and October, it was War that set them on the path to superstardom. Buoyed by the big hits New Years Day and Sunday Bloody Sunday, U2 had really found their footing with the help of producer Steve Lillywhite. The Edge was creating amazing melodies and textures through his guitar and piano, Adam Clayton and Larry Mullen, Jr. were honing themselves into a foundational and funky rhythm section while Bono was really finding his voice as a singer and songwriter. Though singing about war, love, inequality and things you don't always hear about on pop/rock records, U2 came across as earnest and steadfast in their beliefs. Thanks to MTV, the boys broke out big in American and sold more than 6 million copies. The 100+ date tour saw them go from playing clubs to playing arenas and some huge festivals. Though U2 would go on to have even bigger selling records, we always look back to this one as the real start of the juggernaut that win the hearts of American and the world. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10% off all orders! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's hard to believe it's been 40 years since U2 released War in early 1983. Though U2 had been gaining ground on their first two albums Boy and October, it was War that set them on the path to superstardom. Buoyed by the big hits New Years Day and Sunday Bloody Sunday, U2 had really found their footing with the help of producer Steve Lillywhite. The Edge was creating amazing melodies and textures through his guitar and piano, Adam Clayton and Larry Mullen, Jr. were honing themselves into a foundational and funky rhythm section while Bono was really finding his voice as a singer and songwriter. Though singing about war, love, inequality and things you don't always hear about on pop/rock records, U2 came across as earnest and steadfast in their beliefs. Thanks to MTV, the boys broke out big in American and sold more than 6 million copies. The 100+ date tour saw them go from playing clubs to playing arenas and some huge festivals. Though U2 would go on to have even bigger selling records, we always look back to this one as the real start of the juggernaut that win the hearts of American and the world. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10% off all orders! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this weeks episode, we dig into the second album by the Psychedelic Furs, Talk, Talk, Talk.  Starting as so many other young UK bands did in mid-1970s, the Psychedelic Furs got inspired after seeing the Sex Pistols. They met with almost immediate success, and were talked about n the same breadth as U2 as the next big thing. They even shared the same produce - famed British producer, Steve Lillywhite, who helped them refine their sound on their first two albums. While Talk, Talk, Talk was not their most successful album, it is widely adored by their fans and the press as the best expression of their post-punk, guitar-centric wall of sound. 

In the second part of our conversation with the great Steve Lillywhite, we get into his work with Aretha Franklin, the Chameleons, Crowded House, The La's, Thompson Twins, Talking Heads, XTC, U2, Ultravox, and the Psychedelic Furs. And there's more ballbusting and strong opinions. Steve's the best!  https://www.patreon.com/thehustlepod

It finally happened! When Jon started this podcast seven years ago, at or near the top of his dream guest wishlist was producer Steve Lillywhite, one of his absolute favorites. Steve was so cool and generous with his time that we're releasing this in two parts. In part one we get straight into it discussing Steve's work with Travis, Morrissey, the Killers, Marshall Crenshaw, Big Country, Simple Minds, U2, Peter Gabriel, the Pogues, the Rolling Stones and Johnny Thunders. There are also side conversations on the late, great Kirsty MacColl, the famous gated drum sound Steve had a hand in creating and much more. Stay tuned for part 2 which is equally as good and will be out later this week. It's a dream come true, enjoy! www.patreon.com/thehustlepod

Matt Norlander, basketball writer and analyst for CBS Sports and host of the Records & Riffs podcast, is this episode's guest, and he introduces Al to Pearl Jam's fifth album, Yield.  Matt talks about his fandom for Pearl Jam in general and his love for this particular album, commenting in detail on nearly every track. He also delves into his viral moment involving a Guster sticker and what's coming up for him, both at CBS Sports and on Records & Riffs.This was not a great episode for Al in terms of correctly citing song titles. He referred to "Elderly Woman Behind the Counter in a Small Town" from Vs., as "Elderly Lady," and "Red Dot" from Yield as "Red Bar."Be sure to follow Matt on Twitter and Instagram at @mattnorlander, and to check out his website, mattnorlander.com. Also find the archive of episodes for Records and Riffs at https://podcasts.apple.com/us/podcast/records-riffs/id1038311526?mt=2.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Al launched You, Me and An Album: The Newsletter earlier this year. You can subscribe for free to get Al's monthly posts, but paid subscriptions give you access to weekly posts and much more. Please consider trying a paid subscription as it also helps to support this podcast! https://youmealbum.substack.com/Finally, You, Me and An Album now has a YouTube channel! If you missed the recent livestream episode with Rebecca Clay Cole, Mariana Timony, Ellen Adair and Eric Gilde, you can replay it there...https://www.youtube.com/channel/UCbABgYqn4lMrG4NE3dqniIw.1:24 Matt joins the show2:22 Matt talks about interviewing Steve Lillywhite for his music podcast5:46 Matt explains why he picked Yield8:37 1998 was a great music year for Matt10:39 Why is Yield Matt's favorite Pearl Jam album?19:00 Al references albums that were the first ones he loved from certain bands19:32 Al appreciates the elements that make Yield different from previous Pearl Jam albums22:31 Matt thinks the band's collaborative approach on Yield produced great results25:38 Matt singles out his favorite songwriter in Pearl JamDiscussion of specific tracks27:52 No Way/Faithful31:50 Wishlist and an appreciation of Jack Irons34:22 Given to Fly36:28 Brain of J./Do the Evolution38:33 Red Dot/Push Me, Pull Me42:15 Matt surmises which other albums Yield's tracks could have been placed on43:45 MFC45:57 Low Light47:42 Matt admires Brendan O'Brien's production on Yield48:44 Matt's closing thoughts on the album52:04 Matt talks about his current work at CBS Sports and with Records & Riffs56:29 Matt talks about the viral moment he had with his Guster laptop sticker

Steve Lillywhite is one of the most accomplished and acclaimed record producers on the planet, and I was beyond thrilled to have this conversation with him. Steve and I chat about how he got started in the business; he shares some incredible and revealing details about his experiences working with artists like Dave Matthews Band, U2, Simple Minds, and Peter Gabriel, and we take a deeper dive into our shared history with addiction and recovery.  You don't want to miss this one! --- Support this podcast: https://anchor.fm/ted-marotta/support

Chapters00:00 - Introduction00:48 - A Tape Op At Manor Studios02:25 - A Typical Day At The Manor03:45 - The Engineers And The Bands06:01 - Tape Editing07:56 - Switching To Digital09:18 - From House Engineer To Freelance09:42 - Hugh Padgham and Steve Lillywhite12:24 - Early Sampling13:03 - Using An SSL Desk17:45 - Scritti Politti Cupid and Psyche18:25 - Synchronising MIDI and Tape22:24 - Getting The Scritti Sound23:48 - Working With UB4028:01 - The Age Of Chance 28:15 - From Tape To Digital To HD Recording29:09 - Working With Slave Reels30:48 - The Change To Digital Tape31:58 - Preferred Recording Medium33:02 - Engineering Apollo 44034:31 - Recording A Jazz Quartet35:59 - Using Logic and Plug-insHoward Gray BiogHoward started out in the early 80s as a teenage razor-sharp tape operator at The Manor - Virgin Records' quintessential getting it together in the country recording facility, before graduating to house engineer at one of the first Solid State Logic console equipped studios, west London's legendary Townhouse. Sessions there included Kate Bush, Phil Collins, XTC, OMD, PIL, The Stranglers, Japan, Rip Rig & Panic, Van Morrison and ABC. He worked on countless classic 80's records with producers like Mick Glossop, John Leckie, Hugh Padgham, Steve Lillywhite, Adrian Sherwood and Trevor Horn, engineering albums such as Simple Minds' Sparkle in the Rain, and the paradigm shifting Cupid & Psyche for Scritti Politti.His first production credits with UB40 (Red Red Wine) led to more, including The Cure, Terence Trent D'Arby, Danny Wilson, Manic Street Preachers, Age Of Chance, Screaming Blue Messiahs, Pete Wylie, Tom Jones and Art Brut - at the controls in seminal London studios Air, Trident, Roundhouse, Sarm, Metropolis, Eden, Strongroom, as well as New York, Paris, Tokyo, Munich, Oslo, Baltimore and more.Witness to the dawn of digital and early adopter of the Sequential Circuits Studio 440, the possibilities of sampling led Howard in the early 90s to form dance/rock/dub combo Apollo 440, prolific producers and remixers of, amongst others, U2, Scritti and Shabba Ranks, Jean-Michel Jarre, James, Hotei, Puretone and Jeff Beck from their Camden Town ‘Apollo Control' base. The group delivered three albums for Sony Records, numerous top 40 singles, including international hit Stop The Rock, film themes Lost in Space and Charlie's Angels. He still regularly directs their live performance/Dub sound system at European festivals from FOH. Mixer of The Anfield Rap, co-writer and producer of Pass and Move (it's the Liverpool Groove), and now nearing 500 credits on Discogs. His recent projects include Jazz LPs and Baroque Opera.James Gardner BiogJames Gardner is a composer, synthesizer programmer, researcher, and broadcaster based in Tāmaki Makaurau (Auckland). Born in Liverpool, James played and programmed synthesizers in London during the 1980s, and in 1990 co-founded the band/remix team Apollo 440. Following encouragement from Michael Finnissy, he left the group in 1993 to concentrate on notated composition. Moving to Aotearoa/New Zealand in 1994, he established the contemporary music ensemble 175 East, which he directed until 2010.As well as composing, he has written and presented many programmes for RNZ Concert including features on Frank Zappa, Morton Feldman, John Barry's James Bond soundtracks, and These Hopeful Machines – a six-part series on electronic music. https://www.rnz.co.nz/concert/programmes/hopefulmachinesAs a teacher, Gardner has lectured on music and music technology at the University of Auckland, Unitec Institute of Technology and the University of Canterbury, Christchurch, where he is an Adjunct Senior Fellow. His primary research topic is the synthesizer company EMS, and the electronic music studio of Peter Zinovieff.Website: https://www.gardnercomposer.com/Twitter: @JEGcomposer

School is back in session! Season 2 of Rock & Roll High School is coming your way soon and is packed full of candid conversations with more legendary musical guests. Be sure to follow us on your favorite platform so you never miss an episode! lnk.to/rrhspodcast #rockschoolpod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.