Podcasts about War Music

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In his new book, Instrument of War: Music and the Making of the America's Soldiers (University of Chicago Press, 2024), David Suisman shows that the US military has deep and multilayered investment in music. It employs thousands of musicians, whose music creates communal norms and identities. Music also helps soldiers to grapple with the realities of combat, while serving as a weapon in its own right, at places like Guantánamo Bay. Suisman calls music "a lubricant in the gears of the American war machine," and he ably shows how its elemental qualities have been used and transformed, much as the military itself has, by technology and by changing understandings of the self.  Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war's emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Episode Synopsis: Is sound simply vibrations in the air that are picked up by the ear, or is frequency a multi-dimensional source of power used to, not only create the universe, but also to empower the war we are fighting today? We talk about this and much more, including: What is the origin of music? In what ways has the frequencies of music been used for spiritual warfare? How can humans learn to live as the transdimentional beings they are? How can we use frequency and portals to wage war against the forces of darkness? What are threshhold covenents, and how do celestial beings use them? Original Air Date November 6th, 2024 Special Guest Dr. Laura Sanger Show Hosts Jason Spears & Christopher Dean Our Patreon Consider joining our Patreon Squad and becoming a Tier Operator to help support the show and get access to exclusive content like: Links and Resources Studio Notes A monthly Zoom call with Jason and Christopher  And More… ORP Apparel Merch Store Connect With Us LetsTalk@ORPpodcast.com Facebook Instagram

Fall is in the air, which means the time has come for us to close out our study of the Iliad. From book 16 to the end in book 24, the poem engages in what remains one of the most enduring subtle studies of rage, war, grief, and even PTSD that the human mind has ever produced. It shows us the roots of all tragedy in our own lives and throughout history, leaving the stage set for a new adventure in the Odyssey. Which we'll pick up next week! Pre-order my new book, Light of the Mind, Light of the World: https://a.co/d/2QccOfM Subscribe to my joint Substack with Andrew Klavan (no relation): https://thenewjerusalem.substack.com Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Alice Oswald, Memorial: https://a.co/d/dcToGpW Christopher Logue, War Music: https://a.co/d/fF2eVnb Jonathan Shay, Achilles in Vietnam: https://a.co/d/3Jo7LpD Books of Titans: https://podcasts.apple.com/us/podcast/books-of-titans-podcast/id1237365806

Homecoming night does not go as planned, causing division among the team. Tyson receives a summons from A.E.G.I.S. Roleplay Radio is an improvised narrative-based TTRPG podcast. This arc was run by Michael Yang, using the Masks: A New Generation system. WorldAnvil: ⁠https://www.worldanvil.com/w/roleplay-radio3A-strixhaven-roleplayradio⁠ Discord Server: ⁠https://discord.gg/DfgN9D2fKb⁠ MUSIC CREDITS: “Varsity Knights!” by LJY https://www.youtube.com/@ljydoesmusic “The War” Music by Rinesh Scorings from Pixabay "Outfoxing the Fox" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “Hip Hop – Straight Up Music by AntipodeanWriter from Pixabay “Big Iron” by Pecan Pie Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/pecan-pie/big-iron License code: WMSH22O25JIVDI5Q “Minutes” by Jacob Sapp from Pixabay “Fantasy – pagan medieval cinematic epic war battle” by SoundGalleryByDmitryTaras from Pixabay "Dangerous" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Drive Breakbeat” by Rockot from Pixabay “Trouble is Brewing” by David Fesliyan “Snow White's Wrath” Music by Charles Spencer from Pixabay "Exciting Trailer" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Mischief” Music by AlexiAction from Pixabay “Where the Brave May Live forever” by OB-LIX from Pixabay The Best Detective by samuel Lee from Pixabay Mysterious Story (Holiday) by Oleksii Holubiev from Pixabay “Weird Neighbors” by Locran Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/locran/weird-neighbors License code: KQGB49GBGBMT3G1B “Stalker” Music by AlexisOrtizSofield from Pixabay “The Lights of the Village” by Geoff Harvey from Pixabay "Thief in the Night" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “This is Jazz”  by Oleg Kyrylkovv from Pixabay “Scary Spooky Creepy Horror Ambient Dark Piano Cinematic” Music by SoundGalleryByDmitryTaras from Pixabay “Little Fishes” by Geoff Harvey from Pixabay Funny Kids by Grand_Project from Pixabay Snake Dance from Pixabay Old Car Lofi Cinematic Music from Pixabay “A Legend” Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/ian-aisling/a-legend License code: ORKG5FJXLRUD5IJG “Tunnel” by Danijel Zimbo Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/danijel-zambo/tunnel License code: DS0YILZDOBAFAIQS "On the Ground" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Sad Soul” by AlexGrohl from Pixabay “Synthetic Deception” by Gioele Fazzeri from Pixabay "Ancient Rite" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Interstellar Space” by Aleksey Chistilin from Pixabay “Desolate World” by DSTechnician from Pixabay Desolation Music by SergeQuadrado from Pixabay “Under Pressure” by Michael Kobrin Music by 21039285 from Pixabay "Phantom from Space" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Track: Wrong Answer Music by https://www.fiftysounds.com

On today's show, the legend of Keith Moon continues, Bing Crosby signals the end of a war, & Led Zeppelin breaks a record. ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

The Varsity Knights are back! It's Homecoming & emotions are running high. But dating & drama aren't the only dangers that await on the dance floor… Roleplay Radio is an improvised narrative-based TTRPG podcast. This arc was run by Michael Yang, using the Masks: A New Generation system. WorldAnvil: ⁠https://www.worldanvil.com/w/roleplay-radio3A-strixhaven-roleplayradio⁠ Discord Server: ⁠https://discord.gg/DfgN9D2fKb⁠ MUSIC CREDITS: “Adventure Time” by Jonas Rogel from Pixabay “Varsity Knights!” Orchestral Version by LJY https://www.youtube.com/@ljydoesmusic "Nonstop" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “Avengers 2 Trailer IDEA” by DigitalMindProject from Pixabay "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Mysterious Story (Holiday) by Oleksii Holubiev from Pixabay "Eternal Terminal" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/   “Big Iron” by Pecan Pie Music from #Uppbeat License code: WMSH22O25JIVDI5Q “Fantasy – pagan medieval cinematic epic war battle” Music by SoundGalleryByDmitryTaras from Pixabay “Rage” Music by Gvidon from Pixabay "On the Ground" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/   “Neighborhood Oddities” by Matt Stewart-Evans Music from #Uppbeat License code: 1YAH0G0OCDNDAZCQ   "Bittersweet" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/   “That is my Comedy” Music by Paolo Argento from Pixabay Funny Kids by Grand_Project from Pixabay “Inquisitive Orchestra” Music by Musictown from Pixabay “Mysterious Walking (Comedy)” by Oleksii Holubiev from Pixabay “Weird Neighbors” by Locran Music from #Uppbeat License code: KQGB49GBGBMT3G1B "Vicious" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “Melancholy” Music by Defekt_Maschine from Pixabay "Ethernight Club" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “This is Jazz”  by Oleg Kyrylkovv from Pixabay “Upbeat Quirky Background Jazz” by Oleg Kyrylkovv from Pixabay “Sneaking in the Warehouse” Music by brolefilmer from Pixabay   “We Dance”. By Soundroll Music from #Uppbeat License code: F5DOFVWXWH0YPLIU “Multiplayer Quest” Music from #Uppbeat License code: NSP8T0ZOUPQDMVV0 "Thief in the Night" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Impressions” Music by prazkhanal from Pixabay “Comedy Big Bang Jazz” Music by Yevhen Onoychenko from Pixabay “Funky Main”  by Grand_Project from Pixabay Townsong by Alexander Nakarada Keep on Supposing by Orchestral Version by LJY https://www.youtube.com/@ljydoesmusic "Ancient Rite" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Tunnel” by Danijel Zimbo Music from #Uppbeat License code: DS0YILZDOBAFAIQS “Drama Tension” Music by Musictown from Pixabay "Chase" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ “The War” Music by Rinesh Scorings from Pixabay "Outfoxing the Fox" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/   “Hip Hop – Straight Up Music by AntipodeanWriter from Pixabay   “Varsity Knights!” by LJY https://www.youtube.com/@ljydoesmusic Track: Wrong Answer Music by https://www.fiftysounds.com

In a special guest episode, author and screenwriter Bill Carter joins Joe and Alex to discuss his new movie "Kiss the future" - a powerful story about the siege of Sarajevo, U2, and Joe and Bill discuss their shared connection to Bosnia - including Joe's powerful experience there. Bill shares the inside story behind the film. What role does art play in a violent conflict - and what can all of us learn about it? Watch at AMC: https://www.amctheatres.com/movies/kiss-the-future-76053 Pre-order Bill's book, "Fools Rush In": https://amzn.to/3UGUm95 Learn more about your ad choices. Visit megaphone.fm/adchoices

Fain the Broker arrives at the underground ruins to meddle with the F Squad's affairs, resulting in a frenzied confrontation... Roleplay Radio is an improvised narrative-based TTRPG podcast. Our Main Campaign is set in Strixhaven, a magical university full of mystery, intrigue, and academic mishaps. It is based on the 5e module ‘Strixhaven: A Curriculum of Chaos'. Roleplay Radio is unofficial Fan Content permitted under the Fan Content Policy. Not approved/endorsed by Wizards. Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC.   Roleplay Radio's WorldAnvil: https://www.worldanvil.com/w/roleplay-radio3A-strixhaven-roleplayradio   Roleplay Radio's Discord Server: https://discord.gg/DfgN9D2fKb   MUSIC CREDITS: Project Strixhaven by Tyler Rubin   “Data Analysis” Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/benjamin-botkin/data-analysis License code: CRENXO0XCQORNEKV “Midnight Coven” Music by Geoff Harvey from Pixabay “Movie Score A” Music by Denita Smith from Pixabay "Morgana Rides " Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Dark Haunts” Music by Timothy Kulig from Pixabay Dark Ambient Music for Reading by Music Y https://www.youtube.com/watch?v=lATJR6DG23k “An Alien Presence” Music by geoffharvey from Pixabay   “Mystery Girl (BGM)” Music by MondayHopes from Pixabay “Impervious” Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/dorian-pinto/impervious License code: RPKG2BH3S7PQYDSN “Ermos” Music by Tell Costa from Pixabay “Dance with Fate” Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/alex-besss/dance-with-fate License code: KJ4K06Q1KJRGTSM5 "Hot Pursuit" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/   "Clenched Teeth" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/   "Evil March" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “Around Us” Music by Akira | アキラ from Pixabay   "Mistake the Getaway" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ “The War” Music by Rinesh Scorings from Pixabay “Distorted Doom” by David Fesliyan from fesliyanstudios.com   "Failing Defense" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/   “Apparition'a Aria” Music by Denis Maksimov from Pixabay   "Prelude and Action" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/   “Trouble is Brewing” by David Fesliyan “Chasing Victory” Music by Daddysmusic form pixabay   “Bloody Haunting Night” Music by Gioele Fazzeri from Pixabay   “Without God” Music by AntipodeanWriter from Pixabay “Superhero Showdown” by David Fesliyan “Horror Show” Music by Oleksii Holubiev from Pixabay Track: Wrong Answer Music by https://www.fiftysounds.com

On this episode of the It Just Works! First-time guest Mason joins the podcast Ryan to talk about how long they've known each other his party for his Vasectomy and just catching up. Be sure to follow him on Twitch as he begins his journey streaming.Inzanemaze - TwitchAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Recorded at We Have Ways Fest 2023, Al Murray sits down with music journalist David Hepworth for a chat about 1940s pop music, the spirit of the nation, and the BBC. A Goalhanger Production Produced by Joey McCarthy Exec Producer: Tony Pastor Twitter: #WeHaveWays @WeHaveWaysPod Website: wehavewayspod.com Members' Club: patreon.com/wehaveways Email: wehavewayspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this special Trench Chat, we meet historian, re-enactor and professional musician Beverley Palin, and discover the story of two original WW1 instruments she has restored and now plays, and discuss the importance of music to the generation of the Great War. Support the show

Episode 191 - Obelit “Obie” Yadgar is an Assyrian-American radio personality from Glendale, Wisconsin. He was born in Baghdad, Iraq. Raised in Tehran, he moved to the United States in 1957. He was drafted into the US Army's 4th Infantry Division, serving as a combat correspondent in Vietnam in 1967 and 1968. In this episode we talk about his time in Vietnam, his connection to music and the radio, the loss of his mom and wife, and the art of shaving.

Svyatoslav Vakarchuk is a Ukrainian rock star, the leader of the rock band Okean Elzy, and one of Ukraine's most popular modern musicians. He is also a civic activist, and formerly a politician, who founded the political party Holos (“Voice”). Volodymyr Yermolenko, a Ukrainian philosopher and UkraineWorld's chief editor, speaks to Vakarchuk about Ukrainian culture, the country's fight for freedom, music on the frontline, Ukraine's difference from Russia, and the deep roots of the Ukrainian resistance. Explaining Ukraine is a podcast by UkraineWorld.org, a website in English about Ukraine, brought to you by Internews Ukraine. Support us at patreon.com/ukraineworld. Support our humanitarian trips to the frontline areas: Paypal - ukraine.resisting@gmail.com

Benzaiten is one of Japan's most complex and popular syncretic deities who has long ago been conflated and associated with other divinities from the Hindu, Buddhist, and Japanese pantheons. Her many forms range from a two-armed beauty playing music to an eight-armed martial deity holding weapons and a divine representation of the supreme Shinto sun goddess, Amaterasu. Benzaiten is also an agricultural deity invoked for rain and harvests. This patronage earns her a place as one of the shichifukujin (‘Seven Gods of Fortune'). Read more in History made Beautiful blog.

Warning: This episode does cover the subject of suicide. If you need help please use these links:UK https://www.samaritans.org/how-we-can-help/contact-samaritan/Rest of the World  https://findahelpline.com/i/iaspDean Reed was an American actor, singer and songwriter, director, and Socialist who became a huge star in Latin America and the Eastern Bloc.Neil Jacobs is a guitarist who first met Dean Reed briefly while renting accommodation from Will Roberts, who directed the documentary of Dean Reed called “American Rebel”.Neil served on the US Cultural Delegation to the Moscow World Youth Festival in 1985 and unlike most of the participants,  he was assigned by the Soviets. I did not go through any of the screening processes that the American Delegation had undergone, and therefore has a unique perspective on the event. It was at this event he began his friendship with Dean Reed.Additionally, he traveled with Dean Reed extensively both in the US and in the Eastern Bloc from 1985 -1986 and was one of the last people to see him before his death.Listen to our other Dean Reed episodes herehttps://coldwarconversations.com/episode97/https://coldwarconversations.com/episode98/The battle to preserve Cold War history is ongoing and your support can provide me with the ammunition to continue to keep this podcast on the air. Via a simple monthly donation, you'll become part of our community and get a sought-after CWC coaster as a thank you and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/If a monthly contribution is not your cup of tea, We also welcome one-off donations via the same link.Photos and videos relating to this episode https://coldwarconversations.com/episode274/Neil Jacobs web site https://www.neiljacobs.com/ Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/Support the showSupport the project! https://coldwarconversations.com/donate/ Follow us on Twitter here https://twitter.com/ColdWarPodFacebook https://www.facebook.com/groups/coldwarpod/Instagram https://www.instagram.com/coldwarconversations/Youtube https://youtube.com/@ColdWarConversations

Boris discovers a strange corner of the war in Ukraine - ultranationalist Yugoslav war music rewritten for both Ukrainian and Russian forces and supporters. TENE looks at some terrible songs familiar to them from way back in Episode 39, and reviews these new dreadful takes on already awful songs. Subscribe to  patreon.org/tenepod and twitter.com/tenepod.  

Delta Force Veteran Brad Thomas runs through photos from the frontlines, remembers military brothers who paid the ultimate price, talked about finding peace on the battlefield and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the Unsung Heroes of WWII, August Agboola Browne, the Nigerian stowaway who became a Polish war hero, and the first west african to record a jazz album. Josephine Baker, the first black woman to star in a motion picture who became a French spy and wrote nazi troop movements in invisible ink on her sheet music, "Mad Jack" Churchill the British soldier and  POW who charged into battle playing the bagpipe and throwing grenades. We also speak about a Japanese soldier who did not believe the war was over for nearly 30years after it ended and terrorized a small village in the Philippines until 1974.     

What do a french burlesque dancer, A Nigerian Jazz musician, and a Scotts bagpiper have in common? They all became heroes of WWII!  This weeks episode - we celebrate the unsung heroes of the Second World War - follow us from Lagos, to France, to Warsaw, to London, and back!    And its TMT's birthday! 

Episode 31: Stephen Davidson/Pride & Predator IMDp is an improvised interview podcast. Every week Martina Minnow interviews a director about their upcoming film, except the film doesn't exist and they create it together through their conversation. Also joining Martina each week are our resident improvisers who create cutaway scenes and clips from the films discussed. However... until she introduces them, only Martina knows the guests name and the name of their movie. The  guest and team are kept in the dark until we press record.    Today's Special Guest:  Stephen Davidson (Theodore Nightingale) has performed and taught improv all over the world, and is the author of two books about improv: Play Like an Ally, and Improvising Gender. He teaches regularly online and in person, and has an 8 week Inclusion in Improv course co-taught with Monica Gaga available for download and self study. Find him at:  impromiscuous.com  https://www.facebook.com/stephendavidsonimprov https://www.instagram.com/stephendavidsonimprov/   The IMDp Team: @improvmoviepod Sabrina Luisi (Martina Minnow) is in Hoopla House team Michelle, acapella improvised musical group Acaprov, improvised musical narrative group Multiverse and long form team Buffet. Sabrina is also an actor and writer in immersive online murder mystery group, Play Dead London. She loves Eastenders, refrigerated Curly Wurlys, and has three accents she uses on rotation in improv shows.  Twitter: @sabrinaluisi                      Instagram: @sabrina.luisi Vicky Hawley (Resident Improviser) is an improviser, comedian and storyteller who regularly performs with groups including Chortle Award winning Jericho Comedy, Edinburgh sellout Bumper Blyton, and internationally touring improv musical Multiverse. Vicky is also a professional DM, the host of D&D liveplay podcast Vicky's World, and a regular player on Sasha Ellen's Character Building Experience.  Twitter: @vichawley                        Instagram: @vic.hawley Rory Vieyra (Resident Improviser) is an improviser and Actor who regularly performs with Music Box Improv, Acaprov and The Inflatables in London and abroad. He also teaches improv with Hoopla Impro and performs in immersive Murder Mystery group Play Dead London. He loves Cinnamon Buns, Dolly Parton and Ancient Greece. He know his impressions are bad but refuses to stop. Instagram & Facebook: @roryvieyra Steve Tanner (Producer/Editor) is Director of 4Foot1Films. He creates and edits video content for theatre productions and regularly collaborates with Hoopla Impro to edit their sketches. He runs filmmaking workshop Make A Movie Club for kids and is also an actor and writer with immersive online murder mystery group, Play Dead London. Instagram @4foot1films   Theme Music by Matt Brown & Jonny Griffiths Episode Artwork by Marty Sears    "Baroque", "Space Trailer", "Wedding Day", "Wedding Music", & "War Music" by Stan Babich THE RIGHT MUSIC FOR YOUR VIDEO  Music Link ://www.patreon.com/no_copyrightmusic   "Autumn Leaves", & "Green Fields" by Scott Holmes Music Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)

Left unfinished at his death in 2011, the poet worked on his version of the Illiad for over 40 years. As a new audio book of Christopher Logue reading War Music is released, Shahidha Bari and her guests, the writers Marina Warner and Tariq Ali, and Logue's widow, the historian Rosemary Hill, examine the work. Rosemary Hill describes Logue as writing "poems to be read to jazz accompaniment, to be set to music and to be printed on posters. He wanted poetry to be part of everybody's life." In War Music he used anachronistic imagery to link this classical war to more modern examples. In the Second World War Logue served briefly in the Black Watch, before spending sixteen months in a military prison and later becoming a member of CND. The British Library has acquired the archive of Christopher Logue, which includes 22 boxes of private papers, along with 53 files of drafts, working materials and correspondence relating to War Music, and annotated printed books and an event in December marks this. In the programme you will hear Christopher Logue – War Music The original recording read by the Author Recorded December 1995, Sound Development Studios, London Produced and directed by Liane Aukin Mastered by Simon Heyworth (P) & © 2021 Laurence Aston and Rosemary Hill Clips from War Music are not to be reproduced in any way without prior permission of the copyright holders. This programme also includes a clip from a programme Christopher Logue made on 'Minor Poets' for the Third Programme in 1957, and a clip of Christopher Logue reading part of his poem Lecture on Man at the International Poetry Incarnation at the Royal Albert Hall in 1965. Producer Luke Mulhall

This episode of Songstory  takes a historical snapshot of the tumultuous decade of the Vietnam War and uses music to help tell the story. 1960s music is already a lay down misère as being some of the best folk, rock, and popular music of all time, but there is a sub-genre from the 60s, known as Vietnam War music. It's a vast catalogue of songs that includes, songs protesting the war, songs supporting the war, songs about the war, songs popular at the time of the war, and finally, songs most requested at the time by frontline soldiers.

In this hybrid between the first and second arc, TENE crew ventures into to the world Yugoslav war music of the 1990s so loved by the edgy memelords of the more smooth-brained corners of the internet. DJ Boris gets on the 1s and 2s and subjects Rey and Fritz to some of the “hits” of the genre while trying to figure out what is so appealing about Ustaša cock rock and genocidal carnival music. This is The Empire Never Ended, the Antifascist Amerikanski-Balkan podcast about (neo) fascist terror, the (deep) state and the alienation, nihilism and desperation produced by the capitalist system. And how to get rid of all that. Something like that... Subscribe to our Patreon for weekly premium episodes! And check out our social media for updates and whatnot: Twitter + Facebook + Instagram + YouTube

S3 BONUS EPISODE: War Music Volume 2 Recently, The Scuttlebutt episode, "War Music" lit up the charts and quickly became our most talked about episode of the series thus far. This is in no small part thanks to participants, Vietnam vet, Donn Nemchick (Navy), Post 9/11 vet, Ryan Ahl (Army), and non-vet/"music dork," Kevin Koch. So excited were we by the outpouring of comments that we felt it deserved a "bonus track." Join us this week as we get the band back together and read viewers' responses to our conversation on the music from the Vietnam era. Haven't seen the original episode? Click Here. For our YouTube channel featuring the music of the era: Click Here. For a super cut of the episode (and to check out Ellie's TikTok skills): Click Here.  For our audio listeners: head to veteransbreakfastclub.org/scuttlebutt to watch the video version of this week's episode and read more.

We were joined by musician Roger Waters and author Gabor Maté to discuss Israel's war on Gaza, the Palestinian resistance struggle, the psychology of Zionism, the music industry, and a variety of other political and cultural issues.

Marcus, " malam ini kami terkejut mendengar kabar bahwa kami harus mundur dari All England....." [Kompas.com, Jumat, 19/03/2021]. Backsound music : War Music & overwatch by Evan King --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cecep-zafar/message Support this podcast: https://anchor.fm/cecep-zafar/support

BE PREPARED! That's the theme of this episode!VIV: Cheryl Crook - Celma Hyuk Hosted on Acast. See acast.com/privacy for more information.

What makes a First World War film popular?  In the last episode the team looked at 'obscure' movies, this time they look at those First World War films that are deemed to be 'popular'. Along the way discussing themes of nationalism, pan-euopreanism and the creation of tropes. References: All Quiet On The Western Front (1930) La Grande Illusion (1937) Paths of Glory (1957) Oh! What a lovely War (1969) Gallipoli (1981) The long, long trail, BBC Home Service (1961) The Great War, BBC (1964) Emma Hanna, Sounds of War: Music in the British Armed Forces during the Great War (2020) Erich Maria Remarque, All Quiet On The Western Front (1928)

NYC activist John Acosta came out this summer to fight alongside his chosen family. But when they disagreed on how to make change, things started to fall apart. 

Our guest Music Artist & Battle Rapper "Uptown 157" talks about his music career, new and future projects. Our guest also gives his thoughts on the history of war throughout world history.Main Topic: History Of War- 36:10War- in the popular sense, a conflict between political groups involving hostilities of considerable duration and magnitude. In the usage of social science, certain qualifications are added. Sociologists usually apply the term to such conflicts only if they are initiated and conducted in accordance with socially recognized forms. They treat war as an institution recognized in custom or in law. Military writers usually confine the term to hostilities in which the contending groups are sufficiently equal in power to render the outcome uncertain for a time. Armed conflicts of powerful states with isolated and powerless peoples are usually called pacifications, military expeditions, or explorations; with small states, they are called interventions or reprisals; and with internal groups, rebellions or insurrections. Such incidents, if the resistance is sufficiently strong or protracted, may achieve a magnitude that entitles them to the name “war.”

Special Guest: CasDoc sits down with old friend Cas via zoom from Tha Studio of Life or Death to talk Life, His Military Journey, The Electric Strawberry 25th ID, tales of our grandfathers, the great outdoors, War Films and Music, Robert Duvall, Veteran Non Profit programs, CBD, Space/the Ocean, Immortal Jelly Fish and much more. You won't want to miss this one!!! Join us Freaks and Geeks on this epic exchange of respect and life tales. Also Be sure to Subscribe and Rate to the podcast on whatever podcast platform you enjoy the podcast on. Please follow Tha Dr on Instagram @tha512footdr and the official podcast instagram @thadrsorderspodcast.Thank you to our sponsor: Greenbelt Botanicals CBD Dispensary of Austin Texas, https://greenbeltbotanicals.comUse Promo Code FOOTDR15 when checking out at Greenbeltbotanicals.com to receive 15% off your purchase. And thank you to YOU the Freaks and Geeks!!!

Christopher Logue (1926-2011) This is my second reading from ‘War Music'. In the first, Patroculus has begged Achilles for the loan of his armour. When Achilles reluctantly agrees, he insists that no matter how successful Patroculus is he must not chase the Trojans to their city. Apollo, the Mouse God, is present and on the Trojan's side. After a day of staggering success, Patroculus ignores the interdiction and chases the Trojans to the walls of their city. This extract begins as he tries to scale the walls of Troy.

Christopher Logue (1926-2011) A fine poet in his own work, Logue's most lasting achievement should be his ‘account' of Homer's Iliad. He didn't called his work a translation. In 1959 he was asked to translate a section of the Iliad for a radio performance. In his memoire, ‘Prince Charming' (p.221), he relates that when he pointed out he knew no Greek, he was told:. ‘Read translations by those who did. Follow the story. A translator must know one language well. Preferably his own.' It is an unusual piece of advice, and not one usually given to translators. The results, however, were spectacular, appearing as separate books, until in 2016 they were collected and published as ‘War Music; an account of Homer's Iliad'. I would describe it as one of the great narrative achievements in English Poetry. Although neither finished nor pedantically ‘accurate', it makes Homer attractive. However, as an introduction to Homer its one drawback is that it makes the standard translations of the Iliad seem very dull.

Dave and I talk to our man in Belgrade about Serbian, Croatian and Bosnian songs from the 90s..

At the end of February 2020, just weeks before the novel coronavirus would bring the touring world to a standstill, Refused tour through the midwest in support of their 2019 album War Music. While in West Michigan, vocalist Dennis Lyxzén sat down with Inside Music host James Shotwell to discuss the state of the world and Refused’s place within it. Dennis told James of the lessons he’s learned from his time in music, as well as the things that inspire the band in the present. He spoke of the responsibility he feels, both towards fans and himself, to continue moving forward rather than looking back. You can stream that conversation below.

Dennis Lyxzen, singer of legendary hardcore/punk band Refused, is the guest on this episode of the BREWtally Speaking Podcast!! Dennis joins us for an intimate chat on the back of the bands bus on a stop on their headlining tour to talk about their latest album, War Music, and how fans seem to respond more positively to it versus their last record, Electra. Dennis discusses the pressures and unreleastic expectations of following up their landmark album, The Shape of Punk to Come, and if the band thrives on tense recording situations to make better music. Dennis also talks about the backlash Refused endured when they announced their reunion show at Cochella, and what that singular show afford the band, and how it parallels the flack Rage Against The Machine is going through for the same thing and more. Intro Music: "Blood Red" by Refused "Pretty Lights" by Heartsick Show Sponsors: Rockabilia (www.rockabillia.com) Podcorn (www.podcorn.com) The Bean Bastard (www.thebeanbastard) On Point Pomade (www.onpointpomade) USE OUR CODE BSP15 AND GET 15% OFF YOUR TOTAL ORDER!! Links: Facebook: www.facebook.com/refusedband www.facebook.com/rockabilliacom www.facebook.com/onpointpomade www.facebook.com/thebeanbastard www.facebook.com/brewspeakpod Instagram: @refused, @dennislyxzen, @rockabilliacom, @onpointpomade, @thebeanbastard, @brewspeakpod, @jbeatty616 Twitter: @refused, @lyxzenofficial, @onpointpomade, @brewspeakpod, @discussmetaldan, @jbeatty616 Website: www.refusedofficial.com Patreon: www.patreon.com/brewspeakpod Email: Brewtallyspeaking@gmail.com RATE/REVIEW/SUBSCRIBE!!!

Music influences our daily lives; join Indigo Radio for a conversation around anti-war music and its influence in the US. From the Vietnam War to recent threats against Iran, ordinary people have resisted the US government's draft, perpetual war, and the maiming of innocent lives here and abroad.

Refused are one of the worlds most respected and influential punk/hardcore bands with everyone from Anthrax to Dillenger Escape PLan to Paramore citing then as having a huge influence on their respective careers. While obviously a source of pride for the band themselves, frontman Dennis Lyxzen also admits that you have to take such compliments with a grain of salt and move on otherwise risk becoming a victim of your own self-importance."You can't really think about it in that way", he said almost dismissively. "It's incredibly flattering and humbling that all these people and different bands are saying that they really like Refused. It's awesome to carry with you in some weird way but on the other hand when you create you're always moving forward and thinking what's the next thing? You can't let your mind be bogged down by stuff like that. Most of the times it can be distracting but its also pretty awesome (laughs). When I was a young kid my favourite band was Anthrax and the first time I met Scott Ian he said 'can I take a photo with you?. I love Refused'! My mind was going that's not right. That's not how we should do this, it should be the opposite so things like that... it's amazing to be a part of that journey but you can't really let it affect you too much".After flirting with comeback album Freedom in 2015 Refused are back in all their anarchistic glory with War Music which will be released through Spinefarm/Search and Destroy on October 18."It's a very tight, focussed, aggressive and violent record", noted Lyxzen. "We wanted to create a record that had that... you want your music and your art to reflect the times you live in. I think we succeeded with that which is what we wanted both lyrically and musically. The artwork, everything has this almost violent tone to it. It is aggressive but it's also very catchy. One of our things with the band is we can take something that can be quite violent and aggressive but at the same time we have choruses that you wanna sing along to".On past released Refused have become almost renowned for throwing curveballs musically, but with War Music Lyxzen says the curveball is more the fact one isn't thrown rather than is."It's a bit more tight and straight-up than some of our previous records which in itself might be a bit of a curveball", he laughed. "When people think about our band they think 'oh they're that band who is gonna throw something really experimental into the mix' and just to do that because it's expected would be a bit predictable so maybe its actually unpredictable that it is a more straight forward record. It's a very disciplined record and almost the longer the album goes the more intense it gets. The last two songs are some of the most intense songs we've ever written".After forming in 1991 and releasing two records - This Just Might Be... the Truth (1994) and Songs To Fan the Flames of Discontent (1996) - that were more in the realm of hardcore, Refused divided fans and critics alike with The Shape Of Punk To Come in 1998. It was an ambitious record that strayed outside of conventional hardcore parameters, incorporating electronics and jazz with more ambient undertones.It was a period in the bands history that produced their darkest days before ultimately becoming not just a turning point in their premature demise but also strangely a key point in their eventual return."At the time - especially with Songs to Fan the Flames - we had an idea about the core value of our band. When we made Shape I think what happened was that when we toured the States we were very much a band of the scene and we went to America and nobody liked our band. The people that liked our music hated our politics and the people that liked our politics hated our music so we came home from that tour and we wrote shit for The Shape of Punk to Come almost as a protest to everything. We didn't want to be defined by other people's narrow expectations of what we were supposed to be any more so we wrote Shape as a reply to that. We incorporated all these different elements because also at that time and point we were all moving in different directions. When you're a young person you move quickly and when we were doing Shape it was one of those things where if we had have tried to record it a year later it would have been impossible. We managed to keep it together for that period of time and that recording and that's why that record is all over the place but in a good way".Despite being a punk/hardcore band at heart, Lyxzen admits the criticism at the time did hurt the band and may have even played a part in their 1998 breakup."Yeah, yeah, of course it hurt", he nodded. "It was weird because we put our heart and soul into this record and we thought it was a cool record. We didn't think it was groundbreaking but we thought it had some killer tracks on it and was a great record. We came out and started touring and people didn't care. It was one of the things where we definitely felt that Shape of Punk was the start of our decline as a band (laughs) and we toured that record for eight months and then broke up and when we broke up we broke up saying that was kind of a failure on our attempt. A lot of the people that were really adamant and hardcore fans didn't like Shape and that does hurt. Three months after we broke up Shape of Punk to Come is the record that everybody talks about and then they're showing the 'New Noise' video on MTV and you're like, what happened? (laughs). It's weird. It's been a weird journey. It's funny to think about... during the rock history you see those documentaries about bands and their rise and how they found success and we have this weird success story with Refused where no-one in the band was a part of it (laughs)".

Cette semaine, on fait la critique de l'album War Music du groupe Refused. Découverte de la semaine : I'm Glad You're Gone du groupe Boudaries. Patreon : https://www.patreon.com/dubruitamesoreilles Facebook : https://www.facebook.com/dubruitamesoreilles Instagram : @dubruitamesoreilles Twitter : @DBMO_balado Tous nos épisodes sont disponibles sur iTunes, Google Play, RZO, BaladoQuebec et Spotify. Bonne écoute!

Christopher Logue (1926-2011) Logue's reputation rests securely on his version of Homer. ‘War Music' may be one of the best narrative poems of the twentieth and twenty first centuries. But his ‘Selected poems' show he was equally skilled with shorter, non-narrative forms. The Selected contains two versions of well known poems by Franciose Villon (?1431-?1463). They are very much versions rather than strict translations. The French original for this one goes by different names: Ballade des pendus, Epitaphe Villon or Frères humains. The most arresting images in Logue's poem are not in the original, nor is the ‘argument' the poem offers. If you're interested in seeing what Logue did with that original, the French text and a literal translation can be found here: https://en.wikipedia.org/wiki/Ballade_des_pendus This poem is taken from Christopher Logue, Selected Poems Faber 2019.

Refused will always be hailed as one of the most unique, influential forces in the post-hardcore and modern punk scene. But does “War Machine,” their second album since reforming in 2012, live up to the Swedish punk outfit’s legacy?  That’s what Matt and Zach debate in Epic Footnote Productions’ “2 Minutes to Review,” a podcast that’s part album review and part competition. In each episode, both hosts are given two minutes each to review a newly released album, a recent reissue, or a record they’re revisiting after years of going unlistened. Whoever gives the longest review in under two minutes wins.

Nordmark Pod får besök av medlemmarna ur albumaktuella bandet Refused, David Sandström samt Kristofer Steen!Det samtalas om och att;War Music, ett förlorat barn, 6000 år, en styrka, vansinnig process, reda ut vad vi är för band, meka med motorn, viktigt att inte visa respekt, som en tecknad film, dum i huvudet, bandets essens, peta i gamla sår, fingret i pannan, bergodalbana, långa turnéer, bli det där bandet, Dennis korsband, precision/energi, tukta sig, vi sprang rakt in i väggen, 6 veckor på golv i ett hare krishnatempel, fallfrukt, låt för låt, politiken o musiken och ett parallellt universum...Mäktigt! See acast.com/privacy for privacy and opt-out information.

Dessutom: Public Service het fråga hos Moderaterna och albumaktuella Sarah Klang gästar studion med "den andra svåra skivan". På torsdagen svarade Svenska Akademien på kritiken mot Peter Handke som Nobelpristagare i litteratur 2019 i ett mail till Kulturnytt i P1. Mattias Berg kommenterar i samtal med Lisa Wall i P1 Kultur. Public Service har på senare tid seglat upp som en het fråga inom svensk politik. Idag inleds Moderaternas partistämma där partiets tyngsta distrikt  Stockholms lagt en motion om att helt och hållet avveckla Sveriges Radio, Sveriges Television och Utbildningsradion. Samtal med Ekots politiska kommentator Fredrik Furtenbach. Artisten Sarah Klang  och hennes röst! slog igenom på allvar så sent som förra året. Nu är hon aktuell med uppföljaren till debuten, albumet Creamy Blue. Sarah Klang är gäst i dagens P1 Kultur. Hemma hos hardcorelegendarer  bandet Refused släpper sitt nya album War Music imorgon fredag. P1 Kultur har besökt sångaren Dennis Lyxzén hemma i Umeå. Programledare: Lisa Wall Producent: Eskil Larsson

Join Radults host Brenton as he chats with Dennis Lyxzen, front-man for the legendary Swedish hardcore band Refused. One of the most unique and influential bands of the modern era, Refused have had an enormous influence on the shape of modern punk and hardcore, thanks in large part to their iconic album The Shape of Punk to Come. As the voice and most instantly recognizable member of Refused, Dennis has become an icon in the world of punk and hardcore and it was a genuine thrill for Brenton get the chance to spend fifteen minutes talking to him in the lead up to the release of Refused's new album War Music. Episode topics include: The inspiration behind War Music, the current state of the world, fan reaction to Refused's 2012 return, the mixed response to their 2015 album Freedom and what they learned from making the record that helped them when writing War Music, the ongoing legacy of The Shape of Punk to Come, the importance of punk rock in 2019 and of course, his very own tips for being a Radult!Note: This episode comes to you as a Radults Bite. A short form version of the Radults podcast that is published outside of our usual schedule to take the edge off your hunger for more! If you're not feeling satisfied and you haven't already,check out all of the full length episodes NOW! Refused's new album War Music drops Friday 18 October. To purchase/stream head here:  http://caroline.lnk.to/Rev001Pregame by checking out the video for the incendiary track "Economy of Death" here. https://www.youtube.com/watch?v=6GsHM3mkqZ4Radults on Instagram/Facebook: @radults | Radults on Twitter: @radultspodcast

This week we chat with Refused drummer David Sandström. We discuss the band's new album, War Music, the emotional energy needed to write the record, the years of Refused's inactivity and if he had any clue the band could ever experience a second life, being very obscure in the States during their original run, the legacy and lasting power of The Shape of Punk to Come, and how War Music is his proudest moment as a musician. David also talks about what it's like to be in a band that is a voice on the far left, the shrinking of the middle class in our current economy, and how he's able to ignore artists' personal beliefs and focus on the art itself. Petar, Brandon, and Sylvia attempt to make a Halloween bit, discuss the reveal that Edsel Dope is Xer0 from the reunited Static- X and Dope's subsequent denial, and we speculate on why people are so curious to find out who the masked tribute singer is. Songs: Refused “Blood Red” and “Economy of Death”

Dennis Lyxzén (Refused). With a new album for 2019, War Music, due for release via Spinefarm on October 18, Dennis shares his thought in the album and the recent state of politics.

In December, Washington Post columnist Dana Milbank wrote an essay about foreign policy in the Trump era titled: "It's official. We lost the Cold War." He talks to us about his analysis, and about the latest developments from Hanoi to Washington, DC. Then, Stacy Parker tells us about a music festival coming to our community. Finally, a former FDA official tells us how that agency can help fight the opioid crisis.

Robert E Lee once said, "I don't think we could have an army without music". One in every forty-one soldiers was a member of a band during the early years of the war. It was a giant touring concert!

Zion Cast War music, worship, prayer - Let your heart cry out to the LORD - Lift up your heads, O ye gates, and be ye lift up, ye everlasting doors, and the King of Glory shall come in! Musician: Wlasmith Dieujuste

Rick Garland of O'Be Joyfull Historical Tours and Entertainment shares his knowledge of Civil War music.  Information about Rick and his tours at: http://www.obejoyfull.com/ Photo Credit: https://www.loc.gov/item/2012646972/ This episode was proudly produced by Radioheart Media. 

Michael Berkeley talks to the food writer, artist and journalist Elisabeth Luard about her favourite music and the memories it conjures up of the joys and tragedies of family life. The winner of the Guild of Food Writers Award for Lifetime Achievement, she has written more than twenty cookbooks, including European Peasant Cookery, Flavours of Andalucía, and A Cook's Year in a Welsh Farmhouse. And her compelling series of memoirs documents the joys and appalling tragedy she's experienced as a mother; the delight she found in living abroad with her young children; and the ups and downs of her long marriage. The latest is Squirrel Pie: Adventures in Food Across the Globe. Elisabeth tells Michael about her childhood growing up in embassies in South America and her return to school in England and a very special choir master. She chooses flamenco music that reminds her of her life in rural pre-tourism Andalucia bringing up her four young children. We hear Elisabeth's friend Christopher Logue reading from his poem War Music, and music by Mozart and Beethoven - and we hear a song which was special to Elisabeth's daughter Francesca, who died in her twenties. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

This week we talk with historian and Civil War music expert Dr. Christian McWhirter.  Christian is a research historian at the Abraham Lincoln Presidential Library and Museum and author of Battle Hymns:  The Power and Popularity of Music in The Civil War.

Joining Charles Adrian for the 119th Second-Hand Book Factory is journalist and writer-in-progress Roland Lloyd Parry. They talk Icelandic sagas, things not getting easier with age and 50,000 soldiers asleep like spoons. Episode image is a detail from the cover of War Music by Christopher Logue, published in 2001 by Faber and Faber. More information, including book listings at http://www.pageonepodcast.com/

Christopher Shaw is an assistant professor of theatre practice at the USC School of Dramatic Arts in acting and directing. Shaw has worked professionally in theatre, film and TV in N.Y. and L.A., as well as at numerous renowned regional theatres. Recent work includes originating the role of Tchaikovsky in the world premier of Tommy Smith’s Fugue with the award winning Echo Theater Company in Los Angeles, and as a director: Escape From Happiness (USC BFA 2016), Nora (CSULB MFA 2017), How to Disappear Completely and Never be Found (CSUF BFA 2016), The Riot Club (CSUF BFA 2015) and Farragut North (CSUF BFA 2014) Other acting credits include numerous productions of Marvin’s Room at Minetta Lane Theatre in NYC, The Kennedy Center and Seattle Rep., The Nancy Keystone and Critical Mass production of Apollo at The Kirk Douglas Theatre and Portland Center Stage, War Music at Geffen Playhouse, the original Echo Theater Company production of War Music (Ovation Award for Best Ensemble and Best Play), The 39 Steps at Ensemble Theatre Santa Barbara, Blackbird at Cal Rep, The Time of Your Life, and Happy End (Best Ensemble and Revival awards) at Pacific Resident Theatre, Walking the Dead at Circle Rep (NYC), Painted Rain at Playwrights Horizons (NYC), Romeo and Juliet at The NY Public, three seasons at the Eugene O’Neill Theatre Center and productions at The Long Wharf, Baltimore Center Stage, and Rogue Machine. Film and TV include the CBS mini series Bella Mafia with James Marsden and Vanessa Redgrave, the WB feature Dogfight with River Phoenix and Lili Taylor.

Landon Hawkins performs excerpts from Christopher Logue's War Music, and we hear an excerpt from a composition by Knee Play.

Next time you find yourself humming the melody to John Brown's Body in line at the grocery store - make sure to think over what Christian says about Civil War music...it's more than just the backdrop to the shooting. --- Send in a voice message: https://anchor.fm/the-rogue-historian/message Support this podcast: https://anchor.fm/the-rogue-historian/support

Andromeda История Andromeda началась с того, что в 1999 году гитарист Йохан Рейнгольдс притащил демку "Welcome To Forever" на лейбл War Music. Фирма отнеслась к его творению с большой заинтересованностью, и той же осенью Йохан в компании с Томасом Лейоном (ударные), Мартином Хедином (клавишные) и Гертом Дауном (бас) приступил к наработке материала для полноценного альбома. В марте 2000-го команда вместе с продюсером Даниэлем Бергстрандом собралась в студии Dug-Out, а поскольку на тот момент постоянного вокалиста в Andromeda не было, то на сессии пригласили Лоренса Макрори из "Darkane". Всего спустя месяц альбом прошел стадию микширования, однако в силу некоторых причин (отчасти связанных с передислокацией на Century Media) выход диска затянулся до февраля 2001 года. "Extension Of The Wish" привел в восторг поклонников Dream Theater - это была солидная прог-металлическая программа с техничной работой ударника, повышенным содержанием клавиш, и гитарными поливами в духе Мальмстина. Промо-турне ограничилось территорией Швеции, но осенью Andromeda выступили на голландском фестивале Progpower. Кстати, у микрофона на постоянной основе теперь находился Дэвид Фремберг, и из-за этого было решено перезаписать дебютник с его вокалом. Пробный вариант переделки выпустила французская фирма NTS, и потому первым делом группа совершила вояж именно в эту страну, где ей пришлось выступать вместе с Evergrey. По окончании тур-де-франс закипела работа над вторым альбомом, причем в качестве продюсера выступил сам Мартин. Последний факт, видимо, стал одной из причин того, что клавиш стало поменьше, но вместе с тем в музыке Andromeda появились и другие изменения. Повышенное внимание уделялось вокалу, а композиции стали сложнее и атмосфернее. Герт уже не принимал участие в сессиях "II=I", и его партии взял на себя Рейнгольдс. Новый бас-гитарист нашелся несколько позже, и на сопутствующих гастролях эту должность примерил на себя Фабиан Густавссон. В 2004-м с помощью Century Media состоялась мировая премьера "Final Extension", а шведские музыканты тем временем ваяли третью полнометражку (любопытно, что Лейон к тому времени уже параллельно трудился в A.C.T.). На "Chimera", продюсированием которого опять занимался Хедин, группа сбросила темп, а также упростила структуру песен, что приблизило ее к хард-року. Впрочем, фанаты Andromeda лояльно отнеслись ко всем новшествам, тем более что коллектив продолжал придерживаться прогрессивных корней. "Химера" прошла успешную концертную обкатку в Швеции и Турции, а в 2007-м команда решила запечатлеть свою живую деятельность на DVD "Playing Off The Board". Если "Chimera" вышла на Massacre Records, то следующий лонгплей был реализован с помощью Nightmare Records. "The Immunity Zone" характеризовался повышенной тяжестью риффов и мрачной атмосферой, но при этом звучал энергично и интеллигентно. Альбом вновь вернул шведов к влиянию Dream Theater, что в полной мере проявилось на завершающем программу эпике "Veil Of Illumination". А последователь четвёртого полноформатника вышел и вовсе на Inner Wound Recordings. Релиз "Manifest Tyranny" состоялся 25 ноября 2011 года. Состав на сегодняшний день : Johan Reinholdz - guitar (also in Nonexist, Opus Atlantica, Skyfire) David Fremberg - vocals (also in Bloom) Thomas Lejon - drums (also in A.C.T, ex-Embraced, ex-Ominous) Martin Hedin - keyboards Linus "Mr. Gul" Abrahamson - bass А "на территории" Владислава ГлебОвича - итальянская группа DELIRIUM со своим первым альбомом "DOLCE ACQUA" , который вышел 1971-м году..........

This is a music video from Scarlot Harlot's TV series 'Whore in The Gulf,' during the first Gulf war. In response to the networks' censorship and the nationalistic zeal, Leigh produced weekly coverage the Bay Area anti-war movement during the Gulf War. In the series San Francisco protesters discussed world peace, the growth of fascism in America, and activism in the nineties. Peace-positive propaganda, CNN...revised and improved. SUNREICH, SUNSETUP, a music video featuring Scarlot Harlot and Barbara Bush plays to the tune of Sunrise, Sunset from Fiddler on a Roof. Note to Harry Belafonte fans: Harry happened to be seated next to Barbara Bush at an event, however he was a dedicated humanitarian and no war monger. This was an inadvertent reference! Screened at AMERICAN FILM INSTITUTE 'S NATIONAL VIDEO FESTIVAL, FILM ARTS FESTIVAL (S.F.), WOW CAFE (N.Y.) (Music video is 4.30. Series is 30 min. /4 episodes-1991)