Podcasts about apocalypses

Episode #99: The Apocalypses of Mary!

By Wilson Hunter

Blaine, Adam, and Donovan reunite after a couple of weeks away from the microphones. First, Blaine welcomes listeners and discusses how listeners can now join The Alabama Take site (0:02). Adam and Donovan rave about The Alabama Take's newsletter (1:33) before Blaine points to Adam's talents and how not only is he booming but how listeners can find him beyond the podcast (3:36). Then the podcast gets into the TV and streaming, sort of: to begin with no spoilers, Adam explains why the film 'Sinners' could be a topic for next week as well as why people need to watch it (4:53). They also discuss '100 Foot Wave' and its return to HBO (8:36), 'The Studio' on Apple TV+ (13:45), and 'The Last of Us' and its new season in the non-spoiler section (17:53). In the spoiler section, the three hosts discuss details on 'The Studio' (20:13) and how it isn't just 'Curb Your Enthusiasm' as well as how 'The Last of Us' nearly had them bailing on the show (36:15). For more from the podcast, visit The Alabama Take website and become a member for free!Sign up for the newsletter mentioned in the episode by clicking on the link here.

People have been claiming the world was about to end for thousands of years, and (so far) they've all been wrong. On this episode, Nathan and Lee look at some examples of these belief systems, as well as the social conditions that make them more likely, and the impact they have on the people who believe them (which is rarely beneficial or healthy, and often involves getting set on fire)

For New Year's week, Jimmy Akin is answering more weird questions posed by Cy Kellett, including whether Just War doctrine applies to a zombie apocalypse; does a transplanted organ transfer baptismal graces; do Time Lords go to heaven; and more! The post Just War Zombie Apocalypses? (and more Weird Questions) appeared first on StarQuest Media.

For New Year's week, Jimmy Akin is answering more weird questions posed by Cy Kellett, including whether Just War doctrine applies to a zombie apocalypse; does a transplanted organ transfer baptismal graces; do Time Lords go to heaven; and more!

From Slate Money: South Korea and France are the latest governments to fall apart. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the public conversation around the failures of the US healthcare system that was sparked by the shocking murder of UnitedHealthcare CEO Brian Thompson. Then, South Korea and France follow Germany in having a governmental meltdown. What's going on with all of this political chaos? And finally, the hosts discuss a piece in The Ringer about why headlights are just way too bright and what, if anything, is being done about it.This episode originally aired on December 7th. Podcast production by Jessamine Molli and Cheyna Roth. Hosted on Acast. See acast.com/privacy for more information.

This week: South Korea and France are the latest governments to fall apart. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the public conversation around the failures of the US healthcare system that was sparked by the shocking murder of UnitedHealthcare CEO Brian Thompson.Then, South Korea and France follow Germany in having a governmental meltdown. What's going on with all of this political chaos? And finally, the hosts discuss a piece in The Ringer about why headlights are just way too bright and what, if anything, is being done about it.  In the Slate Plus episode: The conclusion on Felix and Emily's year long bet about ETFs and Bitcoin.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: South Korea and France are the latest governments to fall apart. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the public conversation around the failures of the US healthcare system that was sparked by the shocking murder of UnitedHealthcare CEO Brian Thompson.Then, South Korea and France follow Germany in having a governmental meltdown. What's going on with all of this political chaos? And finally, the hosts discuss a piece in The Ringer about why headlights are just way too bright and what, if anything, is being done about it.  In the Slate Plus episode: The conclusion on Felix and Emily's year long bet about ETFs and Bitcoin.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: South Korea and France are the latest governments to fall apart. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the public conversation around the failures of the US healthcare system that was sparked by the shocking murder of UnitedHealthcare CEO Brian Thompson.Then, South Korea and France follow Germany in having a governmental meltdown. What's going on with all of this political chaos? And finally, the hosts discuss a piece in The Ringer about why headlights are just way too bright and what, if anything, is being done about it.  In the Slate Plus episode: The conclusion on Felix and Emily's year long bet about ETFs and Bitcoin.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: South Korea and France are the latest governments to fall apart. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the public conversation around the failures of the US healthcare system that was sparked by the shocking murder of UnitedHealthcare CEO Brian Thompson.Then, South Korea and France follow Germany in having a governmental meltdown. What's going on with all of this political chaos? And finally, the hosts discuss a piece in The Ringer about why headlights are just way too bright and what, if anything, is being done about it.  In the Slate Plus episode: The conclusion on Felix and Emily's year long bet about ETFs and Bitcoin.  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vicar Zach preaches on this first Sunday in the season of Advent (we celebrate a six-week Advent at Holy Spirit). Join us for worship every week at 8:00, 9:30, and 11:00 am or live-streaming on our website at 9:30 am.

Episode #89: Opening up the Apocalypses of Peter and Paul!

The world is ending. Again. So many ways for Earth to die as reality begins to fall apart faster and faster. Ten Apocalypses is a melancholic semi-anthology within an overall story arc, told in a mix of full cast, monologues and reportage. Deadly fungi, an asteroid on an impossible course, cosmic aliens, botanical body horror, killer drones, nuclear war… Everything, everywhere, everywhen is ending. Link: https://www.citeogpodcasts.com/ten-apocalypses RSS Feed: https://feeds.captivate.fm/ten-apocalypses/

Qu'est-ce qui a motivé l'écriture de nos évangiles que l'on date, généralement, entre 70 et 90 de notre ère ? Existait-il des œuvres plus anciennes sur lesquelles nos écrivains hagiographes se seraient appuyés ?NOTES  ·        Commentaires des quatre évangiles·        BIBLIOGRAPHIE | ILLUSRATIONS·        Plateformes d'écoute | Réseaux Sociaux | @Contact | Infolettre | RSS  ·        Épisode enregistré en Vendée (85, France), 11/2024. Image de couverture : Saint Marc évangéliste, Jan Lievens, 1626 - source : Wikimédia Commons. Génériques : Erwan Marchand (D.R.). «Au Large Biblique» est un podcast conçu et animé par François Bessonnet, bibliste. Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)Soutenez le podcast avec Tipeee  ou Ko-fi  CHAPITRES 00:00 Générique et présentation 02:30 (1) Des agissements 05:00 (2) Apocalypses et évangiles 08:45 (3) Témoins oculaires 13:15 (4) Sources écrites 16:45 (5) Un récit ordonné 20:45 (6) Des réécritures 22:45 (7) Conclusion 23:50 Générique de fin

We're a little bit all over the place in this week's CIB, with apocalypses to ponder in Atlanta, North Carolina, Israel, the voting booth, and the movie theater. Listen, if you must! Has something we said, or failed to say, made you FEEL something? You can tell us all about it by joining the conversation on our Substack or you can send us an email here. Enjoy!Show RundownOpen — Atlanta is definitely not at the beginning of a zombie apocalypse4:15 — Reading Elon's tweets, for some reason16:43 — Hurricane Helene25:49 — Israel expanding its fight against Hezbollah in Lebanon30:54 — Quick election update and a look at a Trump ad43:08 — Did the medicalizing of obesity hurt more than it helped, and how this relates to Rob Gronkowski58:15 — The Billboard Hot 100 Game1:08:19 — Wrap-up! Abe on Francis Ford Coppola's MegalopolisRelevant Linkage can be found by visiting https://brainiron.substack.com/, where, if you would like to support this and the other podcasting and blogging endeavors of the Brain Iron dot com media empire, you can also become a paying subscriber.The opening and closing themes of Cast Iron Balls were composed by Marc Gillig. For more from Marc, go to tetramermusic.com.The background music for Jimmy Carter's Presidential Lock of the Week is "Bama Country" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Why do we fantasize about the apocalypse? Today we explore the connections between mindfulness, the veil between worlds, and the longing for apocalypse. Support the show on Patreon to gain access to the entire back catalog of Patreon-Exclusive Bonus Show episodes! Join the discussion on Discord! Music from https://filmmusic.io: Frost Waltz by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3781-frost-waltz License: http://creativecommons.org/licenses/by/4.0/ Arcadia by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3377-arcadia License: http://creativecommons.org/licenses/by/4.0/

- SKOR North's Phil Mackey recaps the Gophers opening night loss to UNC that was filled with mishaps and blunders, and chats about how he is no longer emotionally attached to bad losses like the one he saw last night.- KSTP's Chris Egert is live from the fair and talks about the lovely Channel 5 fans that have been visiting the booth and shares about some of the top local headlines before a long weekend!- Bob Sansevere is out at the state fair trying cheese curd tacos and rips the Gophers for their loss to UNC. His biggest demand is that PJ Fleck wears a hat?- Tim Lammers shares his review of the new serial killer thriller called Strange Darling which is told in a fractured narrative. It's set for a BIG response on the Lamma-meter! Tim's tip is to avoid spoilers as much as possible.- Kristyn Burtt talks about how people can now stream The Fall Guy on Peacock for those who didn't get out to the theaters originally to watch the film. The crew chats about how some old sitcoms from the 1900s have held up over the years and people of all generations enjoy them. Plus some other headlines from the entertainment world!Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

- SKOR North's Phil Mackey recaps the Gophers opening night loss to UNC that was filled with mishaps and blunders, and chats about how he is no longer emotionally attached to bad losses like the one he saw last night. - KSTP's Chris Egert is live from the fair and talks about the lovely Channel 5 fans that have been visiting the booth and shares about some of the top local headlines before a long weekend! - Bob Sansevere is out at the state fair trying cheese curd tacos and rips the Gophers for their loss to UNC. His biggest demand is that PJ Fleck wears a hat? - Tim Lammers shares his review of the new serial killer thriller called Strange Darling which is told in a fractured narrative. It's set for a BIG response on the Lamma-meter! Tim's tip is to avoid spoilers as much as possible. - Kristyn Burtt talks about how people can now stream The Fall Guy on Peacock for those who didn't get out to the theaters originally to watch the film. The crew chats about how some old sitcoms from the 1900s have held up over the years and people of all generations enjoy them. Plus some other headlines from the entertainment world! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the full 2 hour interviews with THC+ Sign-Up Options: Subscribe via our website and get the Plus show on your usual podcast apps. Subscribe via Patreon, including the full Plus archive, a dedicated RSS feed, Spotify, & payment through Paypal. Subscribe via check, cash, money order, or crypto with the information at the bottom of […] The post Jay Dreamerz | Plasma Apocalypses Of The Fractalverse & Our Cartoonified History appeared first on The Higherside Chats.

This month we're talking about our favorite end times, along with what we've liked lately and the recent movie news! Join the conversation and our discord at http://www.patreon.com/ReactionShots CW: We briefly touch on the sorts of violence that take place in some of these stories, particularly against women.

Navigating Life, Death, and Society: From Apocalyptic Visions to Generational Healing This episode intertwines discussions on profound societal and personal issues, ranging from the environmental impact of disposable diapers and burial practices, to perspectives on the afterlife and body preservation. It explores the lifelong effects of religious beliefs on attitudes towards death, societal obsessions with permanence, and personal anecdotes revealing varied stances on death and the afterlife. The narrative also delves into confronting societal normativities around sexuality, gender, and relationships, discussing the rise of online sex work and the speculated future of sexual health resources amidst COVID-19. Furthermore, it addresses the cultural shift towards acknowledging life's natural cycles and speculative survival strategies in a post-apocalyptic society. The podcast also covers deeply personal and societal issues such as generational wounds, the role of religion in perpetuating rape culture, and the reevaluation of religious narratives through the lens of modern understandings of consent and autonomy. The discussions encapsulate a mix of personal journeys, societal observations, and speculative discussions on navigating life, death, intimacy, and the challenges of global crises and cultural shifts. 00:00 The Environmental and Cultural Impact of Disposable Diapers 00:18 Reflections on Death, Religion, and Family Traditions 01:41 Introducing 'Vibing the Apocalypse' Podcast 04:12 Exploring Personal Growth and Sexual Healing 05:10 Navigating the Apocalypse: Friendships, Beliefs, and Survival 12:50 Deconstructing Religion and Embracing New Beginnings 32:27 The Intersection of Birth, Death, and Sexuality in the Apocalypse 41:05 Generational Shifts in Identity and Relationships 42:11 Exploring Tribal Connections and Polycules 43:36 Navigating the Apocalypse: Sexuality, Health, and Society 45:27 The Impact of COVID on Sexual Health and Relationships 49:35 Revisiting Traditional Birth and Family Planning 51:18 Addressing the Aging Population and Leadership Dynamics 56:20 Sex Work and Isolation in the Apocalypse 01:07:56 Religion, Culture, and the Controversial Aspects of Sexuality 01:19:45 Concluding Thoughts and Future Projects #PodcastLife #CulturalConversations #ApocalypseNow #SexualityAndSociety #ReligiousDebate #TraumaInformed #CulturalShift #SocietalImpact

Django, Jeff, and Roman are joined by Jeremy and Ralph for a false start before jumping into the action of last week's comic books. Apocalypses, Roman saying Roxxon in his strange manner, fantasy, sci-fi, spoofs - we got it all! So just hit play, and join in on the craziness.0:05:27 - Well Welcome Wellmer!0:09:16 - Blow Away #10:11:37 - Roxxon Presents: Thor #10:16:10 - Dudley Datson and the Forever Machine #10:24:00 - Helen of Wyndhorn #20:28:00 - Spectacular Spider-Men #20:30:59 - Superman #13 AKA "The Sneaky #2"0:38:45 - Sam & Twitch: Case Files #20:42:02 - Avengers: Twilight #50:52:42 - Cobra Commander #40:54:56 - Batman: Offworld #4SPOILERS! Tread carefully dear listener, because we're going to talk about what happened in these books. So definitely pause this, read your comics, and come back. We'll still be here!And an enormous thank you, as always, to Andrew Carlson for editing this mess into something listenable.Subscribe to us on Apple, Spotify or wherever you like to get your podcasts.Email us at jeff@thecomicsplace.com! We love hearing from you and there's a good chance we will read it on air!Cover art by Jamal IgleVisit us at The Comics Place next time you're in Bellingham, Washington!

What did the koi do to you?

6 am    Bryan did not hit a bobcat this morning. Master may have a rain delay as Tiger Woods makes his return. D-Day approaching 80th anniversary. morning montage.  A woman kills her own family...because of the eclipse. Bodycam footage of an off duty cop having an has 6th sense to save abducted child from mother. // Tiger Woods talks about making his comeback at the masters. Bryan asks why Legos are making a comeback as someone steals over $300,000 worth of Legos.  2 professors at Berkley university are under fire as they confront pro-Palestine protestors in their own home. // Pro-palistine activist plans on pressing charges on Berkley professors after being asked to leave their own home.  Bryan talks about the Arizona abortion law. 

How should we approach end-times prophecies? What is the Day of the LORD? If we are unsure of our salvation, what can we do? In this post-eclipse episode, Pastor Jeff and Jordan discuss Peter's exhortation to believers about the things to come.   —   This episode of The Beyond Sunday Podcast expands upon the sermon “The Apostle Peter | 2 Peter 3:1–18” in “Decided,” our 2023–24 sermon series reexamining the basics of following Christ. Submit a question: bit.ly/BeyondSundayQuestions

Welcome back to the End Times Countdown!It's time... It's time to discuss and discover the greatest Prophecy that's ever been recorded. For years we've been impressed and amazed by the prophecies of men and mystics while ignoring the most accurate and truest prophecy of all time. All because it seemed too hard to understand and too tedious to interpret. But if there was ever a time when we should hear, understand, and do the things written in this prophecy it's NOW! Join Pastor Matt for this first introductory episode into the Book of Revelation - and get ready to be blessed! kingdomgen22@gmail.com 

GOD Provides / JESUS SavesHelpPatreonhttps://account.venmo.com/u/MilitoMinistryPodI'm Humbled by Your Support, Thanks and Have a Blessed DayServant MilitoTops Tracker 3 Vidhttps://open.spotify.com/show/2dplnhAcxQCn4VM16YtnZf?si=j0ZS8RQRRiaCUem15GhwNQLeatherman Signal https://www.youtube.com/watch?v=3nqhxgB2GL8

Summary The host discusses his childhood apocalyptic beliefs growing up in a Mormon polygamist compound and the structure of the apocalypse according to his religious teachings. He explores the concept of apocalyptic mythology and how it has been present in various cultures throughout history. The host also delves into the idea of cycles of history and how civilizations go through periods of growth, expansion, collapse, and rebirth. He explains the role of simulation and mythic frameworks in shaping our understanding of the world. The four phases of an apocalypse are discussed, including the breakage, fallout, stillness, and rebuilding. The host emphasizes the opportunity for change and rebuilding in the current global apocalypse, particularly in terms of working with the environment and creating abundance for everyone. In this episode, the host explores the concept of apocalypse and its impact on society. They discuss the need for serious conversations about adapting to a changing world and rebuilding in a new way. The host shares personal experiences of surviving apocalyptic events and emphasizes the possibility of creating a better future. Takeaways Apocalyptic beliefs and mythologies have been present in various cultures throughout history. Apocalypses can be seen as cycles of history, with civilizations going through periods of growth, expansion, collapse, and rebirth. Our understanding of the world is shaped by both physical reality and the mythic frameworks we operate in. Apocalypses have four phases: breakage, fallout, stillness, and rebuilding. The current global apocalypse presents an opportunity for change and rebuilding, particularly in terms of working with the environment and creating abundance for everyone. Apocalyptic events can serve as catalysts for change and growth. It is important to have serious conversations about adapting to a changing world. Personal apocalypses can lead to personal transformation and growth. We have the opportunity to rebuild and create a new world. Chapters 00:00Childhood Apocalyptic Beliefs 17:05Apocalyptic Mythology 21:12Cycles of History 27:37Simulation and Mythic Frameworks 31:29The Four Phases of an Apocalypse 44:10Opportunity for Change and Rebuilding 49:02Working with the Environment and Creating Abundance 02:00The Concept of Apocalypse 10:00The Impact of Apocalyptic Events 20:00Adapting to a Changing World 30:00The Role of Personal Apocalypse 40:00Rebuilding and Creating a New World 50:00Conclusion and Invitation to the Next Episode

Summary In this episode, The Fresh King Benjamin shares his personal journey from growing up in a Mormon polygamist compound to leaving the LDS Church and finding freedom. He discusses the concept of the apocalypse and the breaking of the old world, as well as his role as a prophet of Mormonism. The host also explores his experiences of discovering the falsehood of Mormonism and rebuilding his life. He shares his exploration of the wicked world and the transformative experience of attending Burning Man. In this episode, the host shares a profound experience he had at Burning Man, where he reflects on the cycles of history and the burning down of societies. He emphasizes the need for societal change and the opportunity to build something new that is more caring and inclusive. The host also discusses the severity of the climate apocalypse and the choices we have as a global community. The podcast aims to explore the meaning of the apocalypse and how to navigate various aspects of life during these apocalyptic times. Takeaways The host shares his personal journey of leaving a Mormon polygamist compound and the LDS Church, highlighting the process of deconstructing his beliefs and rebuilding his life. The concept of the apocalypse is discussed, emphasizing the breaking of the old world and the opportunity for rebuilding and creating a new world. The host explores the falsehood of Mormonism and the harm caused by the manipulation and control within the religion. The transformative experience of attending Burning Man is highlighted, showcasing the freedom and creativity found in the exploration of the wicked world. Apocalypses are part of the cycles of history, where societies build and then break down. The current burning down of society presents an opportunity to build something new that is more caring and inclusive. The severity of the climate apocalypse requires acknowledging our global community and taking care of all humans. The podcast aims to explore the meaning of the apocalypse and how to navigate relationships, finance, art, religion, government, and politics during these apocalyptic times. Chapters 00:00 Introduction to Practically Magic 02:23 The Apocalypse and the Breaking of the Old World 05:14 Growing Up in a Mormon Polygamist Compound 09:12 The Split in Mormonism and the AUB 13:01 Becoming a Prophet of Mormonism 14:45 Discovering the Falsehood of Mormonism 22:31 Leaving the LDS Church and Rebuilding Life 35:14 Exploring the Wicked World and Finding Freedom 44:16 The Transformational Experience of Burning Man 48:10 The Revelation at Burning Man 49:08 Apocalypses as Cycles of History 50:07 The Need for Societal Change 51:06 Opportunity to Build Something New 53:30 The Severity of the Climate Apocalypse 55:23 Choices in the Global Apocalypse 56:48 Exploring the Apocalypse 57:44 Sharing the Beauty of the World 58:11 Next Steps and Future Episodes

Another mail bag episode where I field calls on a variety of topics. Calls from The Powerful Silencer of the Alamo, Joe (Hindsightless), Hobbs (Random Screed), Daniel (Bandit's Keep), Joe (Raven God Games), Karl (The GMologist Presents), MW (The Worlds of MW Lewis), Dekahedron Joe (The Dekahedron RPG Podcast), Arlen (Live From Pellam's Wasteland) Top RPGs for 2023 https://podcasters.spotify.com/pod/show/rich-fraser/episodes/CN230-Best-RPG-books-of-2023-e2dbapm Holmes & Clark RPG https://onthetabletop.blog/2023/05/28/holmes-clark/ DaveCon 2024 https://www.davecon.net/ Cutthroats & Thieves Kickstarter https://www.kickstarter.com/projects/angrydwarfgames/cut-throats-and-thieves-introductory-set Review on Ten Foot Pole of Hobb's Module https://tenfootpole.org/ironspike/?p=8924 The Worlds of MW Lewis on Apocalypse https://open.spotify.com/episode/08Tex4OfgFx794Z7nXrRcJ Dekahedron RPG Podcast http://www.dekahedron.com/ Sign up now for the BSerCon 3 online convention next month! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tabletop.events/conventions/bser-con-3-online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (sadly not in 3D) Ways to contact me: Google Voice Number for US callers: (540) 445-1145 Speakpipe for international callers: ⁠⁠⁠⁠⁠https://www.speakpipe.com/NerdsRPGVarietyCast ⁠⁠⁠⁠⁠ The podcast's email at nerdsrpgvarietycast 'at' gmail 'dot' com Find me on a variety of discords including the Audio Dungeon Discord. Invite for the Audio Dungeon Discord ⁠⁠⁠⁠⁠⁠https://discord.gg/j5H8hGr⁠⁠⁠⁠⁠ PLAY web forum ⁠⁠⁠⁠⁠http://www.dekahedron.com/boards/index.php⁠⁠⁠⁠⁠ Home page for this show ⁠⁠⁠⁠⁠https://nerdsrpgvarietycast.carrd.co/⁠⁠⁠⁠⁠ Home page for Cerebrevore, the TTRPG panel discussion podcast ⁠⁠⁠⁠⁠https://cerebrevore.carrd.co/⁠⁠⁠⁠⁠ Proud member of the Grog-talk Empire having been bestowed the title of The Governor Most Radiant Grandeur Baron The Belligerent Hero of The Valley. ⁠⁠⁠⁠⁠⁠https://www.grogcon.com/podcast/⁠⁠⁠⁠⁠⁠ Ray Otus did the coffee cup  art for this show, you can find his blog at ⁠⁠⁠⁠⁠https://rayotus.carrd.co/⁠⁠⁠⁠⁠ TJ provides music for my show. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jason376/message

Join co-hosts Annie Liontas and Lito Velázquez in conversation with LitFriends Lucy Corin & Deb Olin Unferth about their travels in the Sahara, ancient chickens, disappointments, true love, and why great books are so necessary. Our next episode will feature Melissa Febos & Donika Kelly, out December 22, 2023.   Links Libsyn Blog www.annieliontas.com www.litovelazquez.com https://www.lucycorin.com https://debolinunferth.com LitFriends LinkTree LitFriends Insta LitFriends Facebook   Transcript Annie Lito (00:00.118) Welcome to Lit Friends! Hey Lit Friends!   Lito: Welcome to the show.    Annie: Today we're speaking with Lucy Corin and Deb Olin Unferth, great writers, thinkers, and LitFriend besties.    Lito:  About chickens, the Sahara, and bad reviews.    Annie: So grab your bestie   Annie & Lito: And get ready to get lit!   Lito: You know those like stones that you can get when you're on like a trip to like Tennessee somewhere or something, they're like worry stones? Like people used to like worry them with their thumb or something whenever they had a problem and it would like supposedly calm you down. Well, it's not quite the same thing, but I love how Deb describes her and Lucy's relationship is like, “worry a problem with me.” Like let's, let's cut this gem from all the angles and really like rub it down to its essential context and meaning and understanding. And I think essentially that's what like writers, great writers, offer the world. They've worked through a problem and they have answers. There's not one answer, there's not a resolution to it, but the answers that lead to better, more better questions.    Annie: Yeah, and there's something so special about them because they're, worry tends to be something we do in isolation, almost kind of worrying ourselves into the ground.   Lito: Right. Annie: But they're doing it together in collaboration.    Lito: It's a collaborative worry. Yes, I love that.    Annie: A less lonely worrying.    Lito: It's a less lonely place to think through these things. And the intimacy between them is so special. The way I think they just weave in and out of their lives with each other, even though they're far away from each other.   I think there's a romantic notion that you're tuned into about Lucy and Deb's trip to the desert. Do you want to say something about that? There's a metaphor in it that you really love, right?    Annie: (1:52) Yeah. Well, so I remember when we first talked about doing this podcast and invited them, we were at a bar at AWP, the writer's conference. And they were like, oh, this is perfect. We just went to the Sahara together. And I was like, what? You writers just decided to take a trip together through the desert? And they said, yeah, it was perfect. And they have adorable photos, which we of course are going to share with the world. Um, but it felt like such a, I mean, the fact that they would go on that kind of adventure together and didn't really plan ahead, I think it was just Deb saying, I really want to go to the desert. And Lucy saying, sure, let's go. Which feels very much a kind of metonym of their friendship in some ways.    Lito: Absolutely.    Annie: (2:42) Yeah. That they wandered these spaces together. They come back to art, right? Art is a way for them to recreate themselves and recreate their friendship. And they're doing such different things on the page.    Lito:  Oh yeah, no, they're very different writers but they do share a curiosity that's unique I think in their friendship, then unique to them.    Annie: Yeah and a kind of rigorousness and a love for the word.    Lito: (3:10) Oh and a love for thinking and reading the world in every capacity.    Annie: Tell me about your friendship with Lucy because you're quite close.   Lito: I was at UC Davis before it was an MFA program. It was just a Master's. After undergrad, I went to the master's program because I wasn't sure if I wanted to be an academic or do the studio option and get an MFA. I loved how Lucy and the other professors there, Pam Houston, Yiyun Li, showed us the different ways to be a writer. They couldn't be more different, the three of them. And, I particularly was drawn to Lucy because of her sense of art and play and how those things interact.    Lito: (03:59) And here was someone that was extremely cerebral, extremely intelligent, thinking through every aspect of existence. And yet it was all done through the idea of play and experimentation, but not experimentation in that sort of like negative way that we think of experimentation, which is to say writing that doesn't work, but experimentation in the sense of innovation. And. Lucy brought out my sense of play. I got it right away, what she was going for, that there is an intellectual pleasure to the work of reading and writing that people in the world respond to, but don't often articulate. Lucy's able to articulate it, and I admire her forever for that.    Lito: (4:52) And perhaps I'm not speaking about our friendship, but it comes from a place of deep admiration for the work that she does and the way she approaches life. You have a special relationship with Deb. I would love to hear more about that.    Annie: (5:04) Yeah, I think I've been fangirling over Deb for years. Deb is such a special person. I mean, she's incredibly innovative and has this agility on the page, like almost no other writer I know. Also quite playful, but I love most her humanity. Deb is a vegan who, in Barn 8, brings such life to chickens in a way that we as humans rarely consider. There's an amazing scene which she's like with a chicken 2000 years into the future. Also, I know Deb through my work with Pen City, her writing workshop with incarcerated writers at the Connally Unit, a maximum security penitentiary in Southern Texas.   Lito: How does that work? Is it all by letter or do you go there?    Annie: (5:58) Well, the primary program, you know, the workshop that Deb teaches is on site, and it's certified. So students are getting, the incarcerated writers, are getting now college credit because it's an accredited program. So Deb will be on site and work with them directly. And those of us who volunteer as mentors, the program has evolved a little bit since then, (06:22) but it's kind of a pen pal situation. So I had a chance to work with a number of writers, some who had been there for years and years. And a lot of folks are writing auto-fiction or fiction that's deeply inspired by the places they've lived and their experiences. It's such a special program, it's such a special experience. And what I saw from Deb was just this absolute fierceness. You know, like Deb can appear to be fragile in some ways (06:53.216), and it's her humanity, but actually there's this solid steel core to Deb, and it's about fortitude and a kind of moral alignment that says, we need to do better.    Lito: We have this weird connotation with the word fragile that it's somehow bad, but actually, what it means is that someone's vulnerable. And to me, there is no greater superpower than vulnerability, especially with art, and especially in artwork that is like what she does at the penitentiary. But, can I ask a question?    Annie:  Sure.   Lito: Why is it so special working with incarcerated folks?    Annie: (7:27) Oh, that's a great question. I mean, we need its own podcast to answer it.   Lito: Of course, but just sort of the...    Annie:  I think my personal experience with it is that so many incarcerated writers have been disenfranchised on all levels of identity and experience. Voting rights, decent food, accommodations, mental health, physical, you know, physical well-being. And we can't solve all those problems necessarily, at least all at once, and it's an up, it's a constant battle. But nothing to me offers or recognizes a person's humanity like saying, "tell us your story. Tell us what's on your mind. We are here to hear you and listen."  And those stories and they do come out, you know, there have been other programs that have done this kind of work, they get out in the world and there's, we're bridging this gap of people we have almost entirely forgotten out of absolute choice.  (8:27) And Deb is doing that work, really, I mean she's been doing that work for a long time and finally got some recognition for it, but Deb does it because she's committed.   Lito: That is really powerful. Tell us your story. Tell us your story, Lit Fam. Tell us your story. Find us in all your social media @LitFriendsPodcast or email us at LitFriendsPodcast@gmail.com   Annie: We will read all your stories. We'll be right back with Lucy and   Deb.   Lito: (09:00) And now, our interview with Lucy Corrin and Deb. Lucy Corin is the author of two short story collections, 100 Apocalypses and Other Apocalypses and The Entire Predicament, and two novels, Everyday Psychokillers and The Swank Hotel. In addition to winning the Rome Prize, Lucy was awarded a fellowship in literature from the NEA. She is a 2023 Guggenheim Fellow and a professor of English in the MFA program at UC Davis.    Annie:  Deb Olin-Unferth is the author of six books, including Barn 8, and her memoir, Revolution: The Year I Fell in Love and Went to Join the War, which was a finalist for the National Book Critics Circle Award. Deb is an associate professor in creative writing at the University of Texas at Austin. She founded and runs Pen City Writers, a two-year creative writing certificate program at Connally, a maximum security prison in southern Texas. For this work, she was awarded the 2017 Texas Governor's Criminal Justice Service Award.   Lito: (09:58) Annie and I thought this up a year ago, and we were talking about what is special about literary friendships and how writing gets made, not as we all think, totally solitary in our rooms alone, but we have conversations, at least I think this way. They're part of long conversations with our friends, our literary friends and living and dead, and you know, all times, in all times of history.   But the idea here is that we get to talk to our literary friends and people we admire and writers who are close friends with each other and friendships in which literature plays a large role.   Annie: (10:37) Yeah, and I'll just add that when we first floated the idea of this podcast, you know, your names came up immediately. We're so in awe of you as people and practitioners and literary citizens, and we love your literary friendship. I mean, I really hold it dear as one of the best that I know of personally.    Lucy, I think of you as, you know, this craftsperson of invention who's always trying to undo what's been done and who's such an amazing mentor to emerging writers. And Deb, you know, I'm always returning to your work to see the world in a new way, to see something I might have missed. And I just, I'm so moved by your generosity in your work and in your life's work with Penn City and elsewhere, which I'm sure we'll have a chance to talk more about.   Annie: (11:30) But I think I recall the first day I realized how close the two of you were when Deb told me that you all were taking a trip to the Sahara. And I was like, oh, of course, like, of course, they're going to have desert adventures together. Like, this makes so much sense. So I hope we'll, you know, we'll talk more about that too.    Annie (11:53) But we're so grateful to have you here and to have you in our lives. And we're going to ask you some questions to get to know a little bit more about you.    Deb:  Sounds great.    Lucy: Thanks.    Deb: It's great to be here. It's really great to see everybody.    Lito: Thank you so much for being here. Deb, will you tell us about Lucy?   Deb: (12:16) I mean, Lucy's just one of my very favorite people. And I feel like our friendship just started really slowly and just kind of grew over a period of many years. And some of the things that I love about Lucy is she is, well, of course, she's a brilliant genius writer. Like, I mean, no one writes weird like Lucy writes weird and no one writes like more emotionally, and more inventively and some of her books are some of my favorite books that have ever been written. Especially her last two books I think have just been such just major literary accomplishments and I just hold them so dear.    (13:05) And as a friend some things that I really love about her is that she will worry a problem with me that's just bugging me about like literary culture or about writing or about, you know, just it could be anything about aesthetics at all. And then she'll literally talk to me about it for like five or six days straight without stopping. Like we'll just constantly, dinner after dinner, like, you know, if we're on a trip together, just like all day, like I'll wake up in the morning and I'll be like, here's another piece of that pie. And then she'll say, oh, and I was thinking, and then we'll like go off and work and then we'll come back at lunch and be like, "and furthermore," you know? And by the end, I remember at one point we were doing this and she said, this is a very interesting essay you're writing. And of course, like it wasn't an essay at all, but it was just like a way of thinking about the way that we were talking.   (14:06) And then she is hilarious and delightful and just like so warm. I don't know, I just love her to pieces. She's just one of my favorite people in the whole world. I could say more, but I'll stop right there for a minute.    Annie: Lucy, tell us about Deb.    Lucy: (14:24) Yeah, I mean, Deb, I mean, the first thing, I mean, the first thing you'll notice is that Deb is sort of effortlessly enthusiastic about the things that she cares about. And that's at the core of the way that she moves through the world and the way that she encounters people and the way that she encounters books.   (14:44) I'm more reserved, so I'll just preface what I'm going to say by saying that like, my tone might not betray my true enthusiasms, but I'll try to list some of the things that I think are special and extraordinary about my friend Deb.   One is that there's this conversation that never stops between the way that she's thinking about her own work and the way that she's thinking about the state of the world and the way that she's thinking about the very specific encounters that she's having in daily life. And so like moving through a conversation with Deb or moving through a period of time with Deb in the world, those things are always in flux and in conversation. So it's a really wonderful mind space to be in, to be in her presence.   (15:35) The other thing is that she's like the most truly ethical person that I am close to and in the sense that like she thinks really hard about every move she makes.   The comparison I would make is like you know Deb is like at the core like, the first thing you might notice about Deb's work is that she's a stylist, that she works sentence by sentence and that she always does. But then the other thing she does is that she's always thinking hard about the world and the work, that it never stays purely a love of the sentence. The love of the sentence is part of the love of trying to understand the relationship between words and the world.    (16:15) And, and they're both an ethics. I think it's an ethics of aesthetics and an ethics of trying to be alive in as decent way as you can manage. And so those things feed into the friendship where she's one of the people who I know will tell me what she really thinks about something because we can have a baseline of trust where then you can talk about things that are either dangerous or you might have different ideas about things or you may have conflict.    (16:47) But because of my sense of who she is as a person, and also who she is with me, we can have challenging conversations about what's right about how to behave and what's right about how to write. And that also means that when the other parts of friendship, which are just like outside of literature, but always connected, which, you know, about your own, you know, your other friendships, your, the rest of your life, your job, your family, things like that, that you wanna talk about with your friends. Yeah, I don't know anybody better to sort through those things than Deb.    And it's in part because we're writers, and you can't separate out the questions that you're having about the other parts of your life from who you're trying to be as a writer. And that's always built into the conversation.   Annie: (17:40) I knew we asked you here for a reason.   Lito: We'll be right back.    Lito (17:58) Back to the show.    Annie: I'm hearing you, you know, you're both, you're sort of really seeing one another, which is really lovely. You know, you're, Deb, you're talking about Lucy wearing a problem with you, which I think conveys a kind of strength and... Of course, like I'm quite familiar with Deb's like strong moral anchors. I think we all are and truly respect, but I'm just wondering, what do you most admire about your friend? What do you think they give to the world in light of this portrait that you've given us?   Deb: (18:28) Lucy is a very careful thinker, and she's incredibly fair. And I've just seen her act, just behave that way and write that way for so many years and it just the quality of it always surprises me.  Like I mean, there was a writer, most recently there was a writer who's been cancelled, who we have spent an enormous amount of time talking about and trying to figure out just exactly what was going on there. And I felt like Lucy had insights into what had happened and what it was like on his end and what about his culture could have influenced what happened. Just all of these things that were.   (19:36.202) It was so insightful and I felt like there's no way that I could have moved that moved forward that many steps in my understanding of what had happened. And in my own like how I was going to approach what had happened. Like there's no way I could have done that without that just constant just really careful thought and really fair thought. Just like trying to deeply understand. Like Lucy has an emotional intelligence that is just completely unparalleled. That's one thing I really love about her.    Another thing is that she's like up for anything. Like when I asked her to go to the Sahara with me, I mean, she said yes in like, it was like not even 12 seconds. It was like 3 seconds, I think, that she was like, yeah.   Annie: You need a friend who is just gonna go to the Sahara.    Lucy: Deb, I don't even know if you actually invited me. The way I remember it is that you said something like, Lucy, no one will go to the Sahara with me. And I said, I would go to the Sahara with you.   Lito: That is lovely.   Lucy: (20:53) It's in Africa, right?    Lito:  Was there something specific about the Sahara that you need to go over for?   Deb:  Yeah, I mean, there was. It's a book I'm still working on, hopefully finishing soon. But it's mostly it's like...I just always wanted to go to the Sahara. My whole life, I wanted to go to Morocco, I wanted to go to the Sahara, I wanted to be surrounded by just sand and one line. You look in 360 degrees and you just see one line. I just wanted to see what that was like so badly, stripping everything out, coming down to just that one element of blue and beige. I just wanted that so much. And I wanted to know that it just went on and on and on and on.   (21:48) Yeah, and you know, people talk a big talk, but most people would not go. And so at one point I was just kind of rallying, asking everyone. And then Lucy happened to be in town and I just mentioned to her that this is happening. And then she said, yeah, and then we went for like a long time. Like we went to Morocco for like over three weeks. Like we went for like a month.    Lucy:  A month.    Deb: Yeah, crazy. But she's always like that. Like whatever I want to do, she's just up for it. I mean, and she called me up and she's like, hey, we want to come to Austin and like, go to this place that's two hours from Austin where you can see five million bats, right? Five million bats? Or was it more? Was it like 20 million?    Lucy:  That's right.    Deb: It was like 20 million bats and a lot of them are baby bats. It's like mama bats and baby bats.     Lucy: Yeah, like it's more when there's the babies.   Deb: (22:46) And yeah, and you were like, I want to come with them as the babies. Yeah, we like went and she just like came and Andrea came, and it was just absolutely beautiful.    Lucy: Well, you were just right for that adventure. I knew you would want to see some bats.    Lucy: Well, I could I could say a couple of more things about what Deb gives the world.    Annie: Sure. Love it.    Lucy: So some of the things that Deb gives the world and though when I listen to you talking about me, I realized why these things are so important to me, is that you have a very steady sense of who you are and a kind of confidence in your instincts. That I know that some of the ways that I worry things through are really productive and some of them are just an ability to see why I could be wrong all the time, and that can stymie me.    (23:48) And one of the things that I love about you and the model that you provide for me in my life is an ability to understand what your truth is and not be afraid to hold onto it while you're thinking about other people's perspectives, that you're able to really tell the difference between the way that other people think about things and the way that you do.   And it doesn't mean that you don't rethink things, you constantly are, but when you have a conviction, you don't have a problem with having a conviction. And I admire it enormously. And I think it allows you to have a kind of openness to the world and an openness to people who are various and different and will challenge you and will show you new things because you have that sense that you're not gonna lose yourself in the wind.    Deb: Mmm. That's really nice.   Lito: I am in awe of everything you've said about each other. And it makes me think about how you first met each other. Can you tell us that story? And why did you keep coming back? What was the person like when you first met? And why did you keep coming back to each other? Do you want to tell Lucy?     Lucy: Yeah, I'll start and you can add what I'm missing and... (25:06) tell a different origin story if you want. But I think that what we might've come to for our origin story is that it was one of the, one of the early &Now Festivals. And the &Now Festival is really great.   Lito: Could you say what that is? Yeah, say a little bit about what that is.   Luch: Oh, it's a literary conference that was started to focus on small press and more innovative—is the term that they used at the time anyhow—innovative writing as a kind of response to the market-driven culture of AWP and to try to get people who are working more experimentally or more like on the edge of literary culture less mainstream and give them a place to come together and have conversations about writing and share their work.   So it was one of the early ones of those. But I think it was, I think we figured out that there were like, yeah, there were three women. It was me, you, and Shelley Jackson. But it was, there were not that many women at this conference at the time. And we were, and I think we were noting, noting our solidarity. Yeah. And that, that's what. That's like some of the first images.   But I knew we were like aware of each other because in some ways we have tended to be up for the same jobs—Deb gets them—up for the same prizes—Deb gets them first, I'll get them later. And so I see her as somebody who's traveling through the literary world in ways that are... I mean, we're very different writers, but as people... You know what I mean? But I still... We still actually...come from a lot of the same literary roots. And so it makes sense that there's something of each other in the work that makes us appeal to overlapping parts of the literary world.   Deb: Yeah, I definitely think that there was in our origins, not only do we come from the same sort of influences, and just things that we admired and stuff, but I also feel like (27:28.018) a lot of our early work would have appealed more easily to the exact same people. As we've gotten older, our work isn't quite as similar. We're a little more different than we used to be. But there's still enough there that, you know, you can see a lot of the same people admiring or liking it.   But I was remembering that first time that we met, you playing pool. And we were, so we were like at a bar and you were like, and you were playing pool, and you had like just had a book out with FSG, I think, or something. I don't know if I even had—   Lucy: FC2. Very different.   Deb: FC2. That's right. FC2. And the FC2 editor was there. And I don't think I even had a book out. I don't remember what year this was. But I don't think I had any kind of book out. All I had was I had nothing, you know. And I was just so in awe of FC2 and the editor there, and you there, and like you could play pool, and I can't play pool at all. And it was just, it was—   Annie: Lucy's so cool. Yeah, she was cool. She was cool. And Shelly Jackson was cool. And it was like all the cool people were there and I got to be there, and it was great.   And then, yeah, and then I think how it continued, I don't know how it continued, we just kind of kept running into each other and just slowly it built up into a really deep friendship. Like at some point you would come through town and stay with me.   (29:25.782) And we moved, we both moved around a lot. So for a while there, so we kind of kept running into each other in different places. We've never lived in the same place.   Lucy: No, never.   Lito: How have you managed that then? Is it always phone or is it texting, phone calls?   Lucy: Well, we'll go through a spate of  texting.   Deb: Yeah, we do both. I think I like to talk on the phone.   Lucy: Yeah, I will talk on the phone for Deb.   Annie: The mark of a true friendship.   Lito: (30:01) Time for a break.   Annie Lito (30:12.43) We're talking with Lucy Corin and Deb Olin Unferth.   Lito: How has literature shaped your friendship then? Despite being cool. What kind of books, movies, art do you love to discuss? You can name names. What do you love talking about?   Deb: Well, I remember the moment with Donald Barthelme.   Lucy: That was what I was gonna say.   Deb: No, you go ahead.   Lucy: Well, why don't?   Deb: Oh, okay, you can tell it.   Lucy: I mean, I'll tell part and then you can tell part. It's not that elaborate, but we were, one of the things that Deb and I do is find a pretty place, rent a space, and go work together. And one time we were doing that in Mendocino and Deb was in the late stages of drafting Barn 8 and really thinking about the ancient chickens and the chickens in an ancient space. And we went for a walk in one of those very ferny forests, and Deb was thinking about the chickens and among the giant ferns. And I don't know how it happened, but Deb said something with a rhythm. And we both said to each other the exact line from Donald Barthelme's "The School" that has that rhythm.   (31:34) Is that how you remember it though? You have to tell me if that's how you remember it.   Deb: That's exactly how I remember it. Yeah. And then we like said a few more lines. Like we knew even...    Lito: You remember the line now?   Lucy: I mean, I don't... You do. If you said it, I could do it. I'm just... I was thinking before this, I'm like, oh God, I should go look up the line because I'm not going to get it right, like under pressure. It was just in the moment. It came so naturally.   Deb: It was one of those lines that goes... (32:03) Da da da-da da, da da da-da-da. There's a little parenthetical, it's not really in parentheses in the story, but it might be a little dash mark. But it has, it's something like, "I told them that they should not be afraid, although I am often afraid." I think it was that one.   Deb: I am often afraid. Yeah. And then it was like, we just both remembered a whole bunch of lines like from the end, because the ending of that story is so amazing. And it's, so the fact that we had both unconsciously memorized it and could just like.   And it was something about just like walking under those giant trees and having this weekend together. And like we're like marching along, like calling out lines from Donald Barthelme. And it just felt really like pure and deep.   Annie: It's I mean, I can't imagine anything sounding more like true love than spontaneously reciting a line in unison from Barthelme. And, you know, you both are talking about how your work really converged at the start and that there are some new divergences and I think of you both as so distinct you know on and off the page. There's like the ferociousness of the pros and an eye towards cultural criticism and I always think of you as writing ahead of your time. So I'm just wondering how would you describe your lit friends work to someone, and is there something even after all this time that surprises you about their writing or their voice?   Lucy: I mean, what surprised me recently about Deb's voice is its elasticity. I came to love the work through the short stories and the micros. And those have such a distinct, wry kind of distance. They sort of float a little separate from the world, and they float a little separate from the page.   (34:10) And they have a kind of, they have a very distinct attitude and tone, even if the pieces are different from each other, like as a unit. And that's just really different than the voice that you get in a book like Barn 8 that moves through a lot of different narrators, but that also has just a softer relationship with the world. Like it's a little more blends with the world as you know, it doesn't stay as distant. And I didn't know that until later.   Vacation is also really stark and sort of like has that distinctiveness from the world. And so watching Deb move into, you know, in some ways like just more realistic, more realistic writing that's still voice-centered and that still is music centered was a recent surprising thing for me.   But I'm also really excited about what I've read in the book that in the new book because I think that new book is sort of the pieces that the bits that I've read from it are they're marking a territory that's sort of right down the middle of the aesthetic poles that Deb's work has already hit I mean the other thing is that you know Deb does all the genres. All of the prose genres. Every book sort of is taking on it is taking on a genre And the next one is doing that too, but with content in a way that others have been taking on new genres and form. And so...    Lito: I love that. And I like that it's related to the music of the pros and sound. I feel like musicians do that a lot, right? There's some musicians that every album is a new genre or totally different sound. And then there's artists who do the same thing over and over again. We love both those things. Sorry, so Deb...   Deb: So I love how complicated Lucy can get with just an image or an idea. I just feel like no one can do it the way that she can do it. And my like her last in her last book, which I love so much, we're just brought through all these different places and each one is sort of (36:31.29) dragging behind it, everything that came before, so that you can just feel all of this like, pressure of like the past and of the situations and like even like a word will resonate. Like you'll bring like, there's like a word on maybe page like 82 that you encountered on like page 20 that like the word meant so much on page 20 that it like really, you can really feel its power when it comes on page 80.   And you feel the constant like shifting of meaning and just like the way that the prose is bringing so much more and like it's like reinterpreting that word again and again and again, just like the deeper that you go, like whatever the word is be it you know house or home or stair or um you know sex, whatever it is, it's like constantly shifting. (37:40.952) And that's just part of like who Lucy is, is this like worrying of a problem or worrying of a word and like carrying it forward. And so yeah, so like in that last book, it just was such a big accomplishment. And I felt like it was like her best work yet.   Lucy: So I will say, try and say something a little bit more specific, then. (38:09) Like I guess in the sort of 10 stories that I teach as often as possible in part because I get bored so easily that I need to teach stories that I can return to that often and still feel like I'm reading something that is new to me is the title story from Wait Till You See Me Dance and that story is a really amazing combination of methodical in its execution, which sounds really dull.   But what it does is sort of toss one ball in the air and then toss another ball in the air and then toss another ball in the air. And then, you know, the balls move, but you know, the balls are brightly colored and they're handled by a master juggler. So it's methodical, but it's joyful and hilarious. And then, and then, and you don't   And the other thing is that Deb's narrators are wicked and like they're wicked in the way that like… They are, they're willing to do and say the things that you secretly wish somebody would do and say. That's the same way that like, you know, in the great existential novels, you love and also worry about the protagonists, right? They're troubled, but their trouble allows them to speak truthfully because they can't help it. Or they can't help it when they're in the space of the short story. It's that like, you know, the stories are able to access—a story like this one and like many of Deb's—are able to access that really special space of narrator, of narration, where you get to speak, you get to speak in a whisper.   Annie: You get to speak in a whisper. That's beautiful, Lucy. You get to speak in a whisper.   Lito: We'll be right back.   Lito: (40:15) Welcome back.   Annie: I'm wondering about what this means, you know, how this crosses over to your own personal lives, right? Because of course, literary friendships, we're thinking about the work all of the time. But we're also, you know, when I think of my literary friendship with Lito, I think of him as like a compatriot and somebody who's really carrying me through the world sometimes. I'm wondering if there was for either of you, a hard time that you went through personally, professionally, you know, whether it's about publishing or just getting words on the page or something, you know, um, you know, family related or whatever, where you, um, you know, what it meant to have a literary friend nearby at that time.   Lucy: I mean that's the heart of it.   Deb: Yeah, I mean for sure.   Lucy: One happened last week and I'm sort of still in the middle of it where you know my literary mentor is aging and struggling and so that's painful for me and who gets that? Deb gets that.   The other one, the other big one for me was that the release of my last novel was really complicated. And it brought up a lot of, it intersected with a lot of the things going on in my family that are challenging and a lot of things that are going on in the literary world that are challenging. There were parts of that release that were really satisfying and joyful, and there were parts of it that were just devastatingly painful for me.   And, you know, Deb really helped me find my way through that. And it was a lot, like it was a lot of emotional contact and a lot of thinking through things really hard and a lot of being like, "wait, why do we do this? But remember, why do we do this?" And Deb was the person who could say, "no, you're a novelist." Like things that like I was doubting, Deb could tell me. And the other thing is that I would come closer to being able to believe those things because she could tell them to me.   Annie: Lucy, can you talk a little more about that? Like what did that? (42:27.126) What did that look like, right? Like you talked about resistance to phone calls, and you're not in the same place.   Lucy: It was phone. Right, it would be phone or it would be Zoom or it would be texting. And then, you know, when we would see each other that would be, we would reflect on those times in person even though that wasn't those immediate moments of support and coaching and, you know, wisdom.   Annie:  And that requires a kind of vulnerability, I think, that is hard to do in this industry, right? And I'm just wondering if that was new for you or if that was special to this friendship, right? Or like what allowed for that kind of openness on your part to be able to connect with Deb in that way?   Lucy: I mean, I think I was just really lucky that we've had, like even though we have really, I think, only noticed that we were close since that Morocco trip. Like that was a little bit of a leap of faith. Like, "oh my gosh, how well do I know this person and we're gonna travel together in like circumstances, and do we really know each other this way?" But the combination of the years that we've known each other in more of a warm acquaintance, occasional, great conversation kind of way towards being somebody that you, that you trust and believe and that you have that stuff built in.   And, you know, that over the years you've seen the choices that they've made in the literary world, the choices they've made in their career, when they, you know, everything from, you know, supporting, you know, being a small, being small press identified and championing certain kinds of books over other kinds of books. And like those, just like watching a person make choices for art that you think are in line with the writer that, watching her make choices in art that are in line with the writer that I wanna be in the world makes it so that when you come to something that is frightening, that's the kind of person you wanna talk to because she's done that thinking.   Deb: Yeah, I mean, I feel like there are like so many things that I could say about that. Like one thing is that the kind of time that I spend with Lucy is really different from the kind of time that I spend with most people. Like most people, (44:51) they come to town and I have dinner with them. Or I go to like AWP or whatever and we go out for dinner. Or maybe I spend like one night at their house like with their partner and kid or something, you know. But Lucy and I, we get together and we spend like four days or something all alone, just the two of us, you know, or a month or whatever. And we don't spend a ton of time with other people. And so there's, but then we also do that, but just like not very much.   And so there is something that just creates, like that's a really good mode for me. It's a, that's like the way that I make really deep friendships that are kind of like forever-people in my life. And I've always been like that. And so, but not a lot of people are willing to sort of do that with me. Like, I have so many acquaintances, I've got like a million, I feel like I could have dinner with someone just about any night, as long as it's only like once every few months or something, you know, but I don't have people who are willing to be this close to me, like spend that kind of time with me one-on-one. And the fact is like, they're not that many people that I really feel like doing that with.   And you know, every time Lucy and I do one of these, I just come away feeling like I thought about some really important things and I talked about some really important things and I saw some beautiful things because Lucy always makes sure that we're somewhere where we can see a lot of beauty. And so that just means so much to me. And it's like, and so for me it creates like a space where, Yeah, I can be honest and vulnerable, and I can also tell her, if I can tell her things that I don't tell other people, or I can be really honest with her if I feel like, if I'm giving her advice about something, I can just be honest about it. And so it's really, really nice.   (47:07) I mean, the other thing is like, we're so similar. Like we've made so many similar life choices. And we've talked about that. Lucy and I have talked about that. Like, you know, we both chose not to have kids. We live pretty, like we're both like kind of loners, even though we have partners. Like I think our partners are more like, they just kind of would, they would prefer that we.   I don't know, I shouldn't probably say anything, but I know that Matt would prefer if I was not quite as much of a loner as I am. Yeah, so I look at Lucy and I see the kind of person that I am, the kind of person I wanna be, so if I have a question, I mean, it happens.   Lucy mentioned a couple of things. I have... You know, she's had some pretty major, major things. I have like little things that happen all the time, and they just like bring me to tears.   Like there was this one moment during the pandemic when I was like driving across the country by myself. I was like in Marfa, and I was trying to get to California and I had like a toilet in the back seat. Remember when we were all doing that kind of thing?   Lucy: It was really amazing.   Deb: It was so crazy.   Lucy: But Deb, not everybody had a toilet in their back seat.   Annie: I know. I need that now.   Deb: It still comes in handy.   Annie: I'm sure.   Deb: (48:43) And I was in, and yeah, Lucy is amazing. She'll talk to me on the phone, but Lucy will do because I love to talk on the phone and I love to Zoom. Lucy does not. So she'll tell me in advance, okay, I will talk to you, but it's gonna be for like 20 minutes or I'm gonna have to get off like pretty soon.   But she Zoomed with me and Marfa and I just didn't realize how upset I was about this one rejection that I'd gotten. And it was a really small rejection, I don't know why it bothered me so much, but I just like started crying and like I was like way out in like so many miles from any so many hours from anyone I knew and you know the world was going to shit, and I'd gotten this like tiny rejection from a magazine like a little like I had it was the page was it was like a piece that was like a page long or something, and Lucy just like knew exactly why I I was so upset, and just was able to talk to me about what that meant to me. And just refocus me to like, "look, you don't have to write those. You don't have to be that writer. You don't have to do that." And it was so freeing to know that I didn't always have to be, I don't even know how to describe it, but it was meant a lot. And things like that happen all the time.   Annie: (50:15.265) That's such a wonderful model of mutual support.   Lucy: We'll be right back.   Annie: Hi Lit Fam. We hope you're enjoying our conversation with Lucy Corin and Deb Olin Unferth, and their love for the word, the world, and each other. If you love what we're doing here at LitFriends, please take a moment now  to follow, subscribe, rate, and review our podcasts on Apple Podcasts, Spotify, or wherever you listen to podcasts. Just a few minutes of your time will help us so much to continue to bring you great conversations like this week after week.  Thank you for listening. Back to a conversation with Lucy Corin and Deb Olin Unferth.     Annie: I'm also aware that we're working in an industry that's a zero-sum construct. And, you know, Lucy, you were sort of joking earlier about... Deb winning all of the awards that you later got. But I am curious, like, what about competition between literary friends when we're living in a world with basically shrinking resources?   Lucy: I feel competition, but I don't really feel it with my literary friends. Does that make sense? Like, I'll feel it with my idea of somebody that I don't really know except for their literary profile, right? But when someone like Deb gets something, it makes the world seem right and true, right? And so that's not hard to bear, right? That's just a sign of a good thing in a world that you're afraid isn't so good.   Deb: I guess I feel like if Lucy gets something, then that raises the chances that I'm gonna get something. I'm gonna get the same thing. Because if we're kind of in the same, like we both published with Grey Wolf, we both have the same editor, so we've multiple times that we've been on these trips, we've both been working on books that were supposed to come out with Graywolf with Ethan. (52:16.3) You know, so I feel like if Lucy gets something, then the chances go up.   Like there was just, something just happened recently where Lucy was telling me that she had a little, like a column coming out with The Believer. And I was like, "oh my God, I didn't even know that they were back." I'm like, "man, I really wanna be in The Believer. Like, I can't believe like, you know, they're back and I'm not in them. I gotta be in it. I said that to Lucy on the phone. And then, like the very next day, Rita wrote me and said, "Hey, do you want to write something?"   And so I wrote to Lucy immediately. I was like, did you write to Rita? And she was like, "no, I really didn't." So it's like, we're in the same— Did you, Lucy?   Lucy: No, I didn't! Rita did that all by herself.   Lito: You put it out into the universe, Deb.   Annie: Lucy did it. Hot cut, Lucy did it!   Deb:  So we're like, we're like in the same, I feel a lot of the time like we're kind of in the same lane and so that really helps because like, I do have writer friends who are not in the same lane as me and maybe. Like I'm not as close, but maybe that would be, but if I was as close, maybe that would cause me more confusion. Like I would be like, you know, "geez, how can I get that too? Or it's hopeless, I'll never get that, you know? So I just don't do that thing," or something. So that's really comforting.   Lito: What are your obsessions?   Lucy: Well, I mean-   Lito: How do they show up on the page?   Lucy: I feel like it's so obvious with Deb that like, you know, Deb got obsessed with chickens, and there was a whole bunch of stuff about chickens. First there was a really smart, brilliant Harper's essay where she learned her stuff. And then there was the novel where she, you know, imagined out the chickens (54:19) to touch on everything, right?   Annie: Then there was a chicken a thousand years in advance.   Lucy: Right, and then there's a beautiful chicken art in the house, and there's, you know. And I'm sure that she's gotten way more chicken gifts than she knows what to do with. But then the Sahara, like, you know, she was obsessed with the Sahara and you'll see it in the next book. It's gonna be— It's not gonna be in a literal way, right? But it'll be like, you'll feel the sand, you'll feel that landscape.   So I don't know, like I feel like the obsessions show up in the books. I mean, are there, I mean, this is a question like, Deb, do you think you have obsessions that don't show up in your work? We both have really cute little black dogs.   Deb: (55:07) Oh, not really. I mean, but I do get obsessed. Like I just get so, so like obsessed in an unhealthy way. And then I just have to wait it out. I just have to like wait until I'm not obsessed anymore. And it's like an ongoing just I'm like, OK, here it comes. It's like sleeping over me. Like how many years of my life is going to be are going to be gone as a result of this?   So I'm always like so relieved when I'm not in that space. Like Lucy's obsession comes down to that, with her language, that she's like exploring one idea, like she'll take an idea and she like worries that over the course of a whole book and that she'll just it's like almost like a cubist approach. She'll be like approaching it from so many different standpoints. And that is like, I mean, Lucy is so smart and the way that she does that is just so genius. And so I feel like that's the thing that really keeps drawing me to her obsessions, that keeps bringing me back to that page to read her work again and again. And yeah, and that's how she is in person too.   Lito: Why do you write? What does it do for the world, if anything?   Lucy: (56:37) I know I had a little tiny throat clear, but I think it was because I'm still trying to figure it out because I feel like the answer is different in this world order than it was in earlier world orders. Like when I first answered those questions for myself when I was deciding to make these big life choices and say, "you know, fuck everything except for writing," like I was answering, I was answering that question a different way than I would now, but I don't quite have it to spit out right now, except that I do think it has something to do with a place where the world can be saved. Like, writing now is a place of respite from the rest of the world where you can still have all of these things that I always assumed were widely valued, that feel more and more narrowly valued. And so I write to be able to have that in my life and to be able to connect with the other people who share those kinds of values that are about careful thinking, that are about the glory of the imagination, that are about the sanctity of people having made things.   Annie: Lucy, I need that on my wall. I just need to hear that every day.   Deb: I mean, I feel like if I can think about it in terms of my reading life, that like art changes my mind all the time. Like that's the thing that teaches me. Like I remember when I was a kid, and I lived right near the Art Institute of Chicago, and I remember going in, and they had the Jacob Lawrence immigration panels, migration panels up there that was like a traveling exhibition. And I had none of that information. I did not know about the Great Migration. I just didn't know any of that. So I just remember walking from panel to panel and reading and studying it, (58:47.952) reading it and studying it and just like getting like just getting just it was like a It was such a revelation and I just learned so much and like changed my mind about so many things just in that moment that it was like I'll never forget that.   And I feel like I, I totally agree with Lucy that the reasons that I write now and the reasons that I read now are very different than they were like before, say 2015, or something. But that, that maybe it has its roots in that sort of Jacob Lawrence moment where, you know, just I read these things and it's, I like, I love sinking deep into books that are really changing my mind and like teaching me about the world in ways that I never could have imagined, and I love that so much and I… I don't know if I have that to offer, but I really try hard, you know. Like I tried that with the chicken book. I'm kind of trying that, I hope, in this book that I'm trying to finish and— ha finish!—that I'm trying to get through. And so I think that that's why I think that art is so important.   I don't know if that's truly why I write though. I feel like why I write is that I've always written, and it's like I love it so much. Like I just, sometimes I hate it, sometimes I hate it for like a whole year or whatever, but it's just, it's so much a core of who I am. (01:00:39) And I just, I can't imagine my life any other way. It's just it's just absolutely urgent to me.   Annie: Yeah, urgent. Yeah. I think we all feel that in some way.   Annie:(01:01:04.374) Thank you both for talking to us a little bit about your friendship and getting to know a little bit more about how you started and where you're at now. We're going to move into the lightning round.   Lito: Ooooo Lightning round.   Annie: (01:01:16) Deb, who were you in seventh grade? Who was I in seventh grade? In one sentence, oh my God, the pressure is on. I was unpopular and looked, my hair was exactly the same as it is now. And I wore very similar clothes.   Lucy: (01:01:44) I was a peer counselor, and so I was like the Don who held everybody's secrets.   Lito: Beautiful. Lucy.   Lucy: It saved me. Otherwise, I wouldn't have had a place in that world.   Annie: Makes so much sense.   Lito: Wow. Who or what broke your heart first, deepest?   Lucy: I mean, I would just say my mom.   Deb: I guess, then I have to say my dad.   Annie: Okay, which book is a good lit friend to you?   Deb: Can I say two? The Autobiography of Alice B. Toklas by Gertrude Stein and The Known World by Edward P. Jones.   Annie: Excellent.   Lucy: My go-to is White Noise. Still. Sorry.   Lito: No need to apologize.   Lucy: Yep.   Annie Lito (01:02:27) Who would you want to be lit friends with from any point in history?   Lucy: For me it's Jane Bowles.   Deb: Oh, whoa. Good one. She would be maybe a little difficult. I was gonna say Gertrude Stein, then I was like, actually, she'd be a little difficult.   Lucy: What a jerk!   Deb: I think Zora Neale Hurston would be fun.   Lucy: Well, yeah, of course. For sure.   Annie: We were gonna ask who your lit frenemy from any time might be, but maybe you've already said.   Lucy: Oh, right. I accidentally said my lit frenemy instead of my lit friend.   Annie: Yeah.   Lucy: Mm-hmm.   Deb: (01:03:08) A frenemy from any time?   Annie: Any time. Yeah, it doesn't have to be Jonathan Franzen. I feel like most people will just be like Jonathan Franzen. But it could be any time in history.   Deb: I mean, if you're gonna go that route, then it would probably be, um, like...   Lito: Kierkegaard.   Deb: I don't know, maybe Nietzsche? If you're gonna go that route, if you're gonna go like, like existential philosophers.   Annie: (01:03:34) That's great.   Lito: That could be a podcast too.   Annie: Just like epic frenemy. The most epic frenemy.   Lito: (01:03:35)  Well, that's our show.   Annie & Lito: Thanks for listening.   Annie: We'll be back next week with our guests Melissa Febos and Donika Kelly.    Lito: Find us on all your socials @LitFriendspodcasts   Annie: And tell us about an adventure you've had with your Lit bestie. I'm Annie Liontas.   Lito: And I'm Lito Velazquez.   Annie: Thanks to our production squad. Our show was edited by Justin Hamilton.   Lito: Our logo was designed by Sam Schlenker.   Annie: Lisette Saldaña is our Marketing Director.   Lito: Our theme song was written and produced by Roberto Moresca.   Annie: And special thanks to our show producer Toula Nuñez.   Lito: This was Lit Friends, Episode 2.

CLR Show 1871. Air Date December 5, 2023. The Trumpian message and world vision has been self-consciously apocalyptic, with minor variations to suit more secular audiences.  Essentially, it states that without me the end times begin. And it is a message that has worked, somehow compelling MAGA types and Evangelicals alike to act against their own historical beliefs in the interest of preventing their own fantasized destruction. Of late, democrats have begun to explore the use of apocalyptic imagery as a means of inspiring the more quiescent elements within their base. The difference, of course, is that our apocalypse would be real under Trump 2. Donald has already assured that. Maybe it's time we began to respond and react in our own self-interest.    

On this episode, you'll learn...

On this episode of The Moth podcast, we're reairing a treasured episode from our archives. It's all about different types of apocalypses. And just a reminder -- if you'd like to listen to our 25 year library of Moth stories, check out our story archive at the moth dot org, just click the stories banner. Also, The Moth's spinoff podcast Grown is up for a Signal award. If you haven't listened to Grown before, check it out, it's filled with stories all about growing up, and if you have listened, we'd love for you to vote for it for the Signal Awards. Just go to vote.signalaward.com and vote for Grown in the categories of Best Co-Host Team and Best Emerging Podcast. Hosted by: Dan Kennedy Storytellers: Om Choudhary learns that even in dire times it's still not the end of the world. Annabelle Gurwitch tries to usher in a new era of change — the Age of Aquarius.

Is Seattle a good place to survive a Zombie Apocalypes? And apparently the Rats Of Unusual size are real!

The brothers are back to ramble on about sauce. When your kid questions your cooking what do you do? Why is the Grimace shake a thing? Are we old for not using social media? Who is still drinking milk with meals? Who is the chef you want in the apocalypses? How do you teach your kid to be a '“well actually” person? Did Blockbuster bring families together? Wade's can now did standup and they allowed him to wander? What is the best worst bogo gift you have ever gotten? Email us stuff at punandgame@gmail.com Merch:https://teespring.com/stores/punandgamePromo Code: WGAF for free shippingYouTube:https://www.youtube.com/channel/UCDUpI3McVZBegI28on8uwOATwitter:@PunandGameInstagram:@WadeTaylor_WGAF@PunandGame

EPISODE 1655: In this KEEN ON show, Andrew talks to Rion Amilcar Scott, the author of THE WORLD DOESN'T REQUIRE YOU, about the role of Black Twitter in representing and addressing American injustice Rion Amilcar Scott is the author of the story collection, The World Doesn't Require You (Norton/Liveright, August 2019). His debut story collection, Insurrections (University Press of Kentucky, 2016), was awarded the 2017 PEN/Bingham Prize for Debut Fiction and the 2017 Hillsdale Award from the Fellowship of Southern Writers. His work has been published in journals such as The New Yorker, The Kenyon Review, Crab Orchard Review, and The Rumpus, among others. One of his stories was listed as a notable in Best American Stories 2018 and one of his essays was listed as a notable in Best American Essays 2015. He was raised in Silver Spring, Maryland and earned an MFA from George Mason University where he won the Mary Roberts Rinehart award, a Completion Fellowship and an Alumni Exemplar Award. He has received fellowships from Bread Loaf Writing Conference, Kimbilio and the Colgate Writing Conference as well as a 2019 Maryland Individual Artist Award. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's pretty scary to think that, at any given moment, humanity is only an asteroid impact or nuclear launch away from total annihilation. But despite the universe's best attempts to snuff us, humanity has managed to emerge from the rubble a surprising number of times. Let's explore 8 apocalypses humanity somehow survived.Our Sponsors:* Check out HelloFresh and use my code 50beamazed for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week Ken welcomes author (Wool), showrunner (Silo on Apple Plus) and all around interesting guy Hugh Howey to the show. Ken and Hugh discuss post apocalyptic fiction, the oldest stories in the world, how America loves and Apocalypses, 70s dystopia, Ken's wish fulfillment theory, society's collapse, the evolution of the stories of the unknown, sailing, human stories, fear of God, authoritarianism, fascism, Russ vs Hobbs, rebirth is painful, Dawn of the Dead, blogs, digital journals, how people are the same, how politics actually isn't as violent as it has been in the past, the theory that sci-fi isn't a pure genre, the Alien movies, character vs plot, the 80s pre-pocalypse, Nuclear War, the Cold War, Lucifer's Hammer, Watchmen, how the HBO series adaptation of Watchmen is a better version of the story than the actual movie, Alan Moore, comic books, outliving your creators, McFarlane's Spider-Man, how Batman is DC's most Marvelish character, Daredevil, not being overpowered, gods, Hawkeye, allowing creators to be in charge, Suicide Squad, James Gunn, telling a complete story, planning the right story and right number of episodes, Chuck, Doctor Who, mourning TV shows, working with a writing partner, brainstorming, fan fiction, self publishing, Amazon, Drops of God, Evil, streaming vs networks, Cartoons and Kung Fu Theater, GI Joe, Adventure Time and how a good story is a good story. 

This episode Charlie and Karlie break down their plans in case of a zombie outbreak. You too can be invited to our Medieval Times community as long as you listen to this whole episode!

Erik McLaren host of Religious Wars, a history podcast about conflicts in faith. He has also worked as a journalist for media outlets like VICE, the Torontoist, TechVIBES, and HERB where he covered everything from... Source

Are aliens and the Catholic faith mutually exclusive? Guest Daniel O'Connor joins us to shed light on this fascinating interplay, examining why extraterrestrial beings cannot exist due to the principles and teachings of Catholicism. Daniel's in-depth understanding, stemming from his forthcoming book on the subject, illuminates how the Catholic Catechism asserts that only humans can know and love God. We journey further down the rabbit hole, venturing into areas that link AI, deception, and potential apocalyptic scenarios. Unravel the patterns of the unholy alliance between Lucifer and the elite, and explore how our perceptions may be manipulated by artificial intelligence. We also take a hard look at world events that seem to align with an agenda transcending the Catholic Church and the chilling link between AI and paganism. In our final stretch, we delve into the aftermath of the chastisements on the Church's core, the protection the remnant will have during the reign of the Antichrist, and the significance of amassing treasures in Heaven. It's an eye-opening discourse on aliens, AI, and the Catholic perspective that you won't want to miss.********************************************************https://www.avoidingbabylon.comLocals Community:  https://avoidingbabylon.locals.comStore:  https://avoiding-babylon.sellfy.store/RSS Feed for Podcast Apps: https://feeds.buzzsprout.com/1987412.rssSpiritusTV:  https://spiritustv.com/@avoidingbabylonRumble: https://rumble.com/c/c-1626455Odysee:  https://odysee.com/@AvoidingBabylonBuzzsprout - Let's get your podcast launched! Start for FREE Support the showCheck out our new store!

There's a lot of people out there claiming that humanity was once far more advanced than we ever thought. Surely you've heard of Ancient Aliens, but that's not the only theory out there. From the crustal displacement theorists such as Charles Hapgood to the Ancient Apocalypse narrative of Graham Hancock, people are fascinated by the possibility of a lost chapter of human history. So what is the evidence for such a thing? Aidan Mattis is joined by Dr. Benjamin Olshin to discuss. Welcome back to The Lore Lodge… Cited: Eric Cline, 1177 BC: The Year the World Collapsed Subscribe on Patreon to support The Lore Lodge for just $1 per month! https://patreon.com/thelorelodge Get our new signature coffee blend at https://tablowroastingco.com/products/the-lore-lodge-mt-pocono-perk Shop our online retail store, find other content, and buy our partners' products at https://linktr.ee/theaidanmattis Discord: https://discord.gg/233tjGj46z Shop at Target and support The Lore Lodge at https://goto.target.com/lorelodge Shop sustainable products at https://www.gaiaindustrees.com/ using code "LORE" Join this channel to get access to perks: https://www.youtube.com/channel/UCctfIbo24UITlmfJbednOqA/join

You have to every once in a while, right? Maybe not in the way our titular character did it but in your own.. special... safe.. and consensual way. Hey weirdos! Welcome to another FANTASTIC episode of Keep It Weird; the podcast for all things strange and unusual, apocalyptic and dystopian, creepy, kooky and all things BUCKWILD. This week Lauren tells us the story of a man in Australia who is looking for dead bodies in all the wrong places for an ART INSTALLATION of all things. She also takes us to a spooky train track in Arkansas that has been haunted by a bouncing light for over fifty years. Ashley is bringing us a kidnapping where not all was as it seems... but the kidnappers motives aren't surprising to the gals at all. And we're ending the show with THE END OF THE WORLD AS WE KNOW IT kind of. Apocalypses happen all the time-- this particular apocalypse took place in Serbia in 1908 and we all it the Tunguska Event. To this day no one knows what caused it... or if it could happen again. Check out some links below if you'd like to read more on the stories featured in this episode. Follow us on social media @keepitweirdcast and check out our Patreon at www.patreon.com/keepitweirdpodcast to find ways that you can help out the show and get bonus episodes! Dead Body Art https://au.news.yahoo.com/artist-defends-newspaper-ad-asking-for-dead-body-not-a-gimmick-065708147.html  https://www.bbc.com/news/world-australia-64898393 The Kidnapping of Julian Buchwald & Carolynne Watson  https://medium.com/obscure-horror/teen-and-her-boyfriend-were-abducted-by-a-satanic-cult-and-left-in-the-woods-or-were-they-cfc77fc50a2f Gurdon Ghost Light https://www.tripsavvy.com/gurdon-light-2211874  http://aboutlittlerock.com/the-mystery-behind-the-gurdon-ghost-light/  Tunguska Event https://earthsky.org/space/what-is-the-tunguska-explosion/  https://www.britannica.com/event/Tunguska-event  

We're calling from the pasttttt OoohhOOhhhhHHHOOOO! This episode was recorded pretty far in advance, but that hasn't stopped us from talking about those dang phones and Greece's post-apocalyptic past! Plus, extensive Breath of the Wild speculation, and some robo-Indigo cameos!Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://www.redbubble.com/people/ospyoutube/shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_ ★ Support this podcast on Patreon ★

Welcome to Season 3 Episode 1 of the Southern Demonology Podcast! Wondering where your elusive host JJ has been? Curious about paranormal anime? Or simply want to know how the new movie Mean Spirited was? Tune in for all of that and more!In this episode, JJ reviews three paranormal-related anime that are simply awesome (plus one bonus) in addition to throwing in a review of the recently released horror movie Mean Spirited. He may also pay a little homage to Junji Ito, the master of horror manga, along the way.If you want to check out some of the guest interviews JJ conducted during his sabbatical, click the links below!The Black Magic Drunkard's Walk on Trailer Trash Terrors:https://podcasts.apple.com/us/podcast/the-black-magic-drunkards-walk/id1617866378?i=1000599475268Mr Beelzebubba Renounces Evil and Learns about Japan on Trailer Trash Terrors:https://podcasts.apple.com/us/podcast/mr-beelzebubba-renounces-evil-and-learns-about-japan/id1617866378?i=1000593358469Southern Demonology Interview: Ghost Stories Ep 2 on Undercover Witch Podcast:https://podcasts.apple.com/us/podcast/southern-demonology-interview-ghost-stories-ep-2-m/id1531830316?i=1000599335678Get access to all of Southern Demonology's links including website, Discord server, and more at https://linktr.ee/southerndemonology Get bonus content on PatreonSupport this show http://supporter.acast.com/southerndemonology. Hosted on Acast. See acast.com/privacy for more information.

In this podcast, Josh Wigler (@roundhoward) and LaTonya Starks (@lkstarks) kick off their coverage where they will be comparing The Last of Us against Station Eleven. The post The Last of Us vs Station Eleven: A Tale of Two Apocalypses appeared first on PostShowRecaps.com.

On today's episode…Switzerland's ​head of the Department of Energy suggested as part of a three part plan that Swiss residents should turn off their computer when not using it, turn off their lights when not in a room, and start having group showers (00:41:20). Watch Full Podcasts on Spotify and YouTube + Get Bonus Podcasts via Anchor and Patreon NEW “CREAM OF THE CROP” & “CUP OF COFFEE IN THE BIG TIME” MERCH IS OUT AT STORE.HARDFACTOR.COM ****HOLIDAYS SWEATERS NOW AVAILABLE**** ☕ Cup of Coffee in the Big Time ☕ (00:10:01) - Moscow Idaho Update (00:13:45) - Oregon Football Punch (00:18:46) - Thanksgiving Horrors Scene (00:20:54) - Soft Corner Furniture store layoffs