Podcasts about b street

Area law-enforcement agencies have reported the following recent activity: Editor's Note: All individuals arrested and charged are presumed innocent until proven guilty in a court of law beyond a reasonable doubt. Floresville police •July 20, Jasmine N. Reyes, 23, of San Antonio was arrested in the 900 block of B Street by officers responding to a verbal disturbance call; marijuana was located on the property and she was charged with possession of less than 28 grams of a controlled substance in Penalty Group 3, possession of less than 2 ounces of marijuana, tampering with or fabricating physical evidence, and possession...Article Link

Thank you to the folks at Sustain (https://sustainoss.org/) for providing the hosting account for CHAOSSCast! CHAOSScast – Episode 86 In this episode of CHAOSScast, co-hosts Alice Sowerby and Dawn Foster welcome guests Aida Mehonic, Malvika Sharan, and Kirstie Whittaker from The Alan Turing Institute. The discussion begins with delving into the Institute's strategic vision, focused on using data science and AI to address global challenges in environment, health, and security. They examine the role of open source contributions in enhancing the ethical, accessible, and impactful uses of AI. The episode highlights various projects, such as The Turing Way, and the importance of community building, inclusive research practices, and the ethical considerations of AI. They also discuss the integration of CHAOSS metrics in their work and explore future projects and initiatives at The Alan Turing Institute. Press download now to hear more! [00:02:58] Kirstie gives an overview of The Turing Institute's strategic vision and explains the three missions. [00:06:22] Aida talks about the importance of communicating with organizations to align on a shared mission and the impact and value of money of publicly funded projects. [00:08:38] Malvika brings in the stakeholders ensuring that users, communities, and patients have a say in AI development and empowering educators to incorporate AI, also she talks about working across different projects like Data Science Without Borders and BridgeAI, to accelerate AI's impact on health and SME's. [00:11:02] The conversation switches to embracing ethical AI usage and encouraging others to do the same. Kirstie details the ethical components of AI using the SAFE-D approach: Safety and sustainability, Accountability, Fairness and non-discrimination, Explainability and transparency, and Data quality, integrity, protection, and privacy. [00:17:17] Malvika talks about the importance of considering the societal impact of research at The Turing Institute, she highlights the differences between the EU AI Act and the open source community approach and emphasizes that users should know their rights regarding data collection and sharing. [00:19:49] Aida tells us about a case study on A/B street, an open source street planning tool. They partnered up with Bristol City Council and used this tool to facilitate community involvement in urban planning decisions. [00:23:52] Aida mentions having conversation she's been in has focused on at Turing on democratizing technology to reach a broader set of end users. [00:24:14] Dawn loves Turing's collaborative approach and acknowledges the challenges in making AI and data science intuitive for everyone. [00:24:54] Kirstie discusses the difficulty of meaningful stakeholder engagement. She talks about the importance of being willing to pivot project goals based on community feedback. [00:26:51] Alice brings up CHAOSS metrics and inquires how they fit into The Turing Institute's work. Malvika explains that CHAOSS metrics is one of the only metrics that help them for understanding equity, diversity, and inclusion (EDI) in community health. [00:31:00] Dawn highlights the need to combine quantitative metrics with qualitative research. Kirstie shares that data scientists often don't see their work as part of open source or community led projects. Aida comments on using CHAOSS metrics to justify the impact of open source research funded by taxpayer money. [00:36:05] Dawn asks about the future focus areas for The Turing Institute. Kirstie mentions the BridgeAI Initiative to support SMEs in the UK in leveraging data and the expansion of The Turing Way Practitioner Hub to support experts in organizations and foster global knowledge exchange. [00:38:28] Aida shares her excitement about a potential incubator at Turing focused on pathways to impact for research. Malvika shares her excitement for professionalization and recognition of various data science roles. Value Adds (Picks) of the week: [00:40:54] Dawn's pick is GitHub's GraphQL API. [00:41:21] Malvika's pick is celebrating 5 years of The Turing Way. [00:41:53] Aida's pick is the incubator she talked about earlier. [00:42:26] Kirstie's pick is the Organizational Mycology team: Dan Sholler, Beth Duckles, and Jonah Duckles. [00:43:30] Alice's pick is listening to some podcasts about nuclear semiotics. Panelists: Alice Sowerby Dawn Foster Guests: Aida Mehonic Malvika Sharan Kirstie Whitaker Links: CHAOSS (https://chaoss.community/) CHAOSS Project X/Twitter (https://twitter.com/chaossproj?lang=en) CHAOSScast Podcast (https://podcast.chaoss.community/) podcast@chaoss.community (mailto:podcast@chaoss.community) Georg Link Website (https://georg.link/) Dawn Foster X/Twitter (https://twitter.com/geekygirldawn?lang=en) Alice Sowerby Website (https://www.rosmarin.co.uk/) Aida Mehonic LinkedIn (https://www.linkedin.com/in/aida-mehonic-5264613/?originalSubdomain=uk) Dr. Aida Mehonic-The Alan Turing Institute (https://www.turing.ac.uk/people/business-team/aida-mehonic) Malvika Sharan LinkedIn (https://www.linkedin.com/in/malvikasharan/?originalSubdomain=uk) Dr. Malvika Sharan-The Alan Turing Institute (https://www.turing.ac.uk/people/researchers/malvika-sharan) Kirstie Whitaker LinkedIn (https://www.linkedin.com/in/kirstiewhitaker/?originalSubdomain=uk) Dr. Kirstie Whitaker-The Alan Turing Institute (https://www.turing.ac.uk/people/researchers/kirstie-whitaker) The Alan Turing Institute (https://www.turing.ac.uk/) The Turing Way (https://www.turing.ac.uk/research/research-projects/turing-way) Launch of the Data Science Without Borders Project (https://codata.org/launch-of-the-data-science-without-borders-project/) BridgeAI (https://iuk.ktn-uk.org/programme/bridge) ‘Using AI in the public sector: New comprehensive guidance'-The Alan Turing Institute (https://www.turing.ac.uk/news/using-ai-public-sector-new-comprehensive-guidance) AI Ethics and Governance in Practice-The Alan Turing Institute (https://www.turing.ac.uk/research/research-projects/ai-ethics-and-governance-practice) Operationalising the SAFE-D principles for Open Source AI-Open Source Initiative (https://opensource.org/deepdive/webinars/operationalising-the-safe-d-principles-for-open-source-ai/) A/B Street (https://a-b-street.github.io/docs/) ‘Street smart: putting neighbourhood design in the hands of Bristol residents'-The Alan Turing Institute (https://www.turing.ac.uk/blog/street-smart-putting-neighbourhood-design-hands-bristol-residents) The Turing Way Practitioners Hub (https://www.turing.ac.uk/turing-way-practitioners-hub) GraphQL API-GitHub (https://docs.github.com/en/graphql) Organizational Mycology (https://orgmycology.com/about/) American Hysteria Podcast-Talking to the Future: Nuclear Semiotics (https://podcasts.apple.com/us/podcast/talking-to-the-future-nuclear-semiotics/id1441348407?i=1000655384185) 99% Invisible Podcast: Ten Thousand Years Episode 114 (https://99percentinvisible.org/episode/ten-thousand-years/) Special Guests: Aida Mehonic, Kirstie Whitaker, and Malvika Sharan.

150 Years Ago (February 1874) Ingersoll Lockwood, the 6-foot-4 former U.S. consul to the Kingdom of Hanover [which became part of Germany in 1871] and the nephew of Cold Spring resident Nicholas Smith, spoke at the Baptist Church about women's faces, both ancient and modern, to benefit the Sunday School. William Garrison, who represented Philipstown on the county Board of Supervisors, proposed that the town be split so it would have two representatives. He noted that, with six supervisors, the votes were often ties, and that Philipstown had a third of the county population but only a sixth of the vote. The pastor of the Baptist church, the Rev. Benjamin Bowen, wrote a long letter to The Cold Spring Recorder in which he offered to pay the salary of the highest-paid teacher in Philipstown for one year if anyone could show him in the Bible a mention of infant baptism (which Baptists do not practice), or where someone had received communion before being baptized, or any documentation of infant baptism before the middle of the third century. While Charles Warren was delivering milk, someone stole $10 [about $250 today] from the cash box on his wagon. Alfred Little painted advertising "business charts" at the post office and railroad station with notices for 13 local merchants and mechanics. While walking on the railroad track at Constitution Island, Arthur Naylor of B Street saw a fox walk out of the woods. He drew his revolver and fired; the trophy was on display at Mosier's oyster and fish store on Market Street. Bernard Daley of Kemble Avenue lost a pig when it was struck by the No. 7 express train. Bystanders with buckets filled at a nearby municipal pump managed to contain a fire at Mrs. McArthur's newsstand on Main Street. S.B. Truesdell was circulating a petition to ask the state to extend the ban on shooting robins from Aug. 1 to Oct. 1, to allow the birds more time to mature. The Recorder reported that, after a snowball fight in Nelsonville got out of hand, a boy complained to his father. The father confronted the first boy he encountered, which resulted in a lawsuit. A farm dog belonging to B.A. Yonmans that followed the horses to church was found dead the next day in the churchyard. It was supposed he had been poisoned. The Recorder reported that 8,100 men, 1,375 boys, 581 horses and 41 steam engines were employed along the river securing the ice crop. One crew managed to get 2,700 cakes into an ice house in a single day. Thomas Avery and William West of Cold Spring, who had announced they would embark on the manufacture of paper bags in the village, were dissuaded by the high rents and instead leased a structure in Fishkill that was built to order. The Wappingers Chronicle claimed that it was common to see men walking in Cold Spring stop suddenly, place their hands on their knees and groan. In response, The Recorder noted that "Cold Spring whiskey is stronger than that to which some visitors are accustomed." The county school commissioner condemned the District 8 schoolhouse and estimated it would cost $800 [$20,000] to build a new one. William Bennett of Nelsonville lost several toes after a 500-pound casting fell on his foot. Members of the Ladies Aid Society and the Presbyterian Church held a masquerade with cakes and coffee at the West Street home of William Coleman. 125 Years Ago (February 1899) At 10 p.m. on a Wednesday, young men walking the tracks from Garrison came upon four teenagers, ages 13 to 15, crying from hunger and cold. One of the boys told Officer McCaffrey that they had been playing at the freight yard near their homes at 32nd Street and Seventh Avenue in New York City when they climbed aboard a freight car for a ride to Spuyten Duyvil. But the train was going too fast for them to jump off and they had to wait until it stopped at a switch near Garrison. The Recorder noted that a bill had been introduced in the state Legislature to allow women to vote in villages and towns concerning matters of tax...

Virginia City, NV rose as the center for silver mining with the discovery of the Comstock Lode in 1859 & became the nation's 1st industrial city. It was a bustling city that had cultural institutions like the opera & famous residents like Mark Twain. The Washoe Club opened its doors on B Street in the Reynolds Building on June 1, 1875. It was a luxurious space filled with giant plate glass windows & bronze statuettes & was nicknamed “The Millionaire's Club” because it was where the rich & newly rich would drink, play games, & visit with prostitutes. Less than 5 months after opening, a fire burned through downtown, destroying a good amount of Virginia City, including the Washoe Club. It didn't take long though for the club to find a new space – the trustee board for the club settled on a 3-story building on C street that even had a saloon on the bottom floor.The local mines began to diminish, Virginia City's population dwindled & the Washoe Club eventually closed in 1897. Because of the cities history with cave-ins, gunfights & greedy claim jumpers, it is no surprise that the Old Washoe Club is considered to be one of the most haunted locations in the West. Bar stools move on their own, the saloon doors will mysteriously swing open for ladies that are entering, & numerous shadow figures have been spotted on the upper floors. There are several spirits that are seen & felt in the Old Washoe Club & there is one spirit who has an affinity for alcohol. If you let a full shot of Bourbon linger too long at the bar, it will mysteriously be drained, & the staff will leave a full shot before leaving at night & it will be empty in the morning.Who or what still lingers at the Old Washoe Club? Join us on episode 170 to hear more about this haunted location! Sources: thewashoeclubmuseum.com, travelchannel.com/shows/ghost-adventures/articles/washoe-clubs-haunted-history, travelnevada.com/museums/the-washoe-club-haunted-museum/, atlasobscura.com/places/the-washoe-club-haunted-museum-saloon, hauntedus.com/nevada/old-washoe-club/, paranormallegacy.com/the-history-of-washoe-club-virginia-city-nv/, onlyinyourstate.com/nevada/haunted-and-historic-place-nv/

Mayor: Riverfront 'takes a beating storm after storm' "The past few days have been really hard on everyone," especially highway and facilities workers, Mayor Kathleen Foley said at the Wednesday (Jan. 10) meeting of the Cold Spring Village Board. "We barely recovered from the last rainstorm then got pelted with snow and more rain." Foley said a crew of two was able to handle the weekend snow, working through the night on Jan. 6. The flooding later in the week caused more trouble, although "the village fared better than expected," Foley said, with damage limited to the lower village and Cedar Street at the east end. Cold Spring, she said, has learned from recent storms, including torrential rains in July, and was better prepared. "The preventive measures we took, [such as] catch basin clearing, extensive sandbagging and proactive pumping," helped minimize damage on Cedar Street, she said. "It was amazing; a wall of water came down through the Nelsonville Woods." The riverfront experienced extensive flooding once again. "Fighting flooding at the waterfront is super difficult because we're working with river rise and the tides," Foley said, adding that the riverfront "takes a beating storm after storm." Multiple basements flooded and a large amount of debris washed in from the river, keeping crews busy through Tuesday night and into Wednesday afternoon. With workers needing rest, the village closed streets west of Lunn Terrace. Cleanup resumed Thursday morning and the lower village was expected to reopen to traffic by the evening. "We are actively living with climate collapse," Foley said. "We have to talk about it openly, particularly as New York State is considering connecting our fragile waterfront to the Fjord Trail." She called for "honest and serious conversations about our infrastructure needs at the waterfront and whether trail development makes sense in that part of the village." Foley said the village board needs to discuss capital project planning and prioritizing while "figuring out how we're going to find ways to pay for these very big projects." In other business … The Jan. 24 board workshop will be a public information session on the residential parking permit program, which is about to be implemented. Trustee Eliza Starbuck described it as "a slow roll-out" that will give residents time to apply for and receive permits. She said application forms are available at coldspringny.gov and will be mailed to residents who qualify next week. Parking restrictions will apply Friday through Sunday and on holidays. Enforcement won't begin until March. Village Accountant Michelle Ascolillo Micelle reported that, seven months into the fiscal year, expenses in the general fund are projected to exceed revenues by about $12,000. She noted that, in the last quarterly report, the gap was $43,000. Ascolillo said the shortfall would ease when the hotel occupancy tax, metered parking and short-term rental fees were implemented. Expenditures over budget to date include increased highway department costs because of flooding; engineering services; and general attorney's fees, expenses she said can be offset by using the fund balance. Jennifer Zwarich, chair of the Tree Advisory Board, announced that the village won a $40,000 grant from the Anahata Foundation that will pay for 24 new trees, the pruning of the youngest and oldest trees on village properties and a demonstration project for root-friendly sidewalk redesign and street tree planting. The advisory board is also overseeing removal, pruning and maintenance of trees on a village-owned lot at B Street and Mountain Avenue. Cold Spring Police Department Officer-in-Charge Larry Burke warned residents to be wary of tax-season phone scams from people who claim to represent the IRS or a bank and ask for personal and financial information. Burke said he was notified in December by M&T Bank of an unusually large cash withdrawal. It turned out to be a scam in which a resident received a ca...

Nucor Steel looks to women and recovery program graduates to help fill 800 job openings. A new disc golf course transforms an old flood plain in Ceredo. And the Charleston Coliseum and Convention center sets new venue records--#YesWV!...on today's daily304. #1 – From METRO NEWS – Nucor Steel West Virginia Vice President and General Manager John Farris says he has no doubt the large steelmaker will be able to fill the 800 permanent jobs that will be created with the completion of the $3 billion sheet steel plant to be under construction soon in Mason County. Farris said one of the goals is to target more women for employment. “We're currently putting together an RFQ (Request for Qualifications) to have on-site child care,” Farris said on MetroNews “Talkline.” “At the premise of that is we want to encourage more women to choose steelmaking as a career and obviously that's (on-site child care) going to appeal to families at large.” Farris said Nucor has also been engaged with the state's Jobs and Hope program that helps those coming out of substance use disorder get jobs along with ongoing talks with Marshall Addictive Medicine for second chance employment. Jobs will be posted on Nucor's website, www.nucor.com/westvirginia. Read more: https://wvmetronews.com/2023/10/25/nucor-employment-goals-include-hiring-more-women-and-working-with-recovery-programs/   #2 – From WCHS-TV –  A new outdoor recreation option is now available in Wayne County thanks to a major land reclamation project in the form of an 18-hole disc golf course. The new track – located at 1597 B Street – is an anomaly in the Mountain State as the landscape is relatively flat, but heavily wooded fairways and sheer length provide ample challenge for advanced disc golfers. The Wayside Disc Golf Course was designed by West Virginia Disc Golf Hall of Famers Johnny Sias and Phil Bryant. The land remained unused for years as part of a flood plain of the Ohio River, but local officials and volunteers saw value in the property. Ceredo Mayor Paul Billups expects the course to make an economic impact as players stop at restaurants, gas stations and area businesses. He said Ceredo's newest addition also pairs well with the town's ballfield and pickleball courts, giving residents and visitors another option for recreation and physical activity. Read more: https://wchstv.com/news/local/land-reclamation-project-brings-new-disc-golf-course-to-ceredo-west-virginia-johnny-sias-phil-bryant-paul-billups-wayside-economic-impact-armco-ashland-rotary-huntington-barboursville-park   #3 – From WSAZ-TV–  The Charleston Coliseum and Convention Center Complex has hosted more than 650 unique events, welcomed more than one million visitors, and sold over $27.1 million in tickets since January 2021. Mayor Amy Shuler Goodwin joined the Charleston Convention and Visitors Bureau and the Charleston Coliseum and Convention Center Board to make the announcement. Earlier this month the complex hosted three sold-out shows and one at 90 percent capacity in the span of one week, resulting in new venue records being set. “Two and a half years ago we decided to change the way we operate the Charleston Coliseum and Convention Center Complex. Through our continued partnership with OVG360 we have seen more big-name concerts, comedy shows, family events and – more folks packing the Coliseum and Convention Center and the Municipal Auditorium,” Mayor Amy Shuler Goodwin said.  “Now, more than ever, it is imperative we invest in our future, so that we can continue to capitalize on the energy, excitement, and positive forward momentum.” The average annual food and beverage earnings have also doubled as compared to pre-pandemic data. Read more: https://www.wsaz.com/2023/10/26/charleston-coliseum-welcomes-more-than-1-million-visitors-since-jan-2021/   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

Our host Allen Woody sits down with Jake Newell, Founder and CEO of Newell Development, and Matt Miller, Founder and Visual Artist at Matt Miller Studios, for an insightful conversation about the marriage of art and development throughout Bentonville. Hear about some of Newell's favorite projects so far, like B Street and The Howard, and learn about what inspires Miller's artwork in those spaces.

Shoutout to Florida's own B-Street for coming on my show for an interview! B-Street talked about his newest single Different Type Of Sin, his label MMB Multi Millionaire Boys, and playing pro-basketball as well as his time at Sam Houston. He got into the importance of educating about having good credit, why artists should invest in real estate, and considering a partnership if it is the right situation. B-Street also discussed being related to Sevyn Streeter, his upcoming album, and his goal of wanting to hit the lotto. Stay tuned! B-Street's music is available on all platforms, including YouTube: https://www.youtube.com/channel/UCRMKAo0CLRrjipbmhkzkBSg and Apple Music: https://music.apple.com/us/artist/b-street/569073221. Follow B-Street on Instagram: @superstreeter and Twitter: @bstreetmmb Shoutout to Lnyce for connecting us! Follow Lnyce on Instagram and Twitter: @lnyce Follow me on Instagram and Twitter: @thereelmax Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. B-Street on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=-JhC4hPddnE. 

Area law-enforcement agencies have reported the following recent activity: Floresville police •June 7, Sarah E. Rivas, 33, of Floresville was arrested at a convenience store in the 900 block of 10th Street and charged with fraudulent transfer of a motor vehicle valued at less than ,000. •June 9, Valerio J. Yanes, 50, of Floresville was arrested in the 400 block of B Street and charged with assault causing bodily injury in family violence. •June 11, Armando G. Cruz, 47, of Floresville was arrested in the 600 block of Fourth Street and charged with failure to maintain financial responsibility, driving while...Article Link

Area law-enforcement agencies have reported the following recent activity: Floresville police •April 24, Colby C. Bedwell, 37, of Jourdanton was arrested at the intersection of Seventh and Standish streets on an out-of-county warrant. •April 24, Christopher W. Perez, 35, of Floresville was arrested in the 1300 block of B Street and charged with public intoxication. •April 30, John Closna, 28, of San Antonio was arrested in the 900 block of Railroad Street and charged with assault of a family or household member with a previous conviction. •April 30, Joseph R. Closna, 35, of Floresville was arrested at his residence in...Article Link

Matt, James & Cassius. Herlinda Heras visits Ghost Town Brewing in Oakland, plus we have three other guests on Brew Ha Ha with Harry Duke and Herlinda Heras today. Matt Inlow from Flagship Taproom, Cassius Camus from Battle of the Brews and James Holt, owner of Civilization Brewing are also in the studio. The Battle of the Brews is Saturday April 1, from 1 to 5 pm. It is the 26th annual beer event hosted by the Active 20-30 of Santa Rosa. In addition to a fund raising event it is a BJCP Judged beer event. It has also evolved into a barbeque competition. It is held at the Sonoma County Fairgrounds. In the Grace Pavillion Building there will be 65 different breweries and a large stage with a succession of bands. There will be food and drink galore, too. Flagship Taproom Matt Inlow from Flagship Taproom will also be at Battle of the Brews. This will be the brewery's third time there. At the Flagship Taproom they have a great menu, and since the Battle of the Brews needs 500 servings of an item, they chose their rosemary smoked pork tenderloin sandwich, for the competition. Picture smoked pork tenderloin, with freshly made aioli sauce, melted brie and arugula all on a soft brioche bun. They have a wood-fired smoker for tri-tip, chicken thighs and pork ribs. There are three locations of Flagship Taproom. A group of friends opened the first one opened in Cotati in 2016. There are  20 rotating beer taps and they do barbeque. They also like events, so they have trivia nights, tap takeovers, comedy shows, with indoor and outdoor events. They are also in downtown Santa Rosa, at 446 B Street. Then at the end of April 2022 they opened a location on the Windsor Town Green. They are at 1001 McClelland Drive. Ghost Town Brewing Herlinda Heras calls in from Oakland where she is visiting Ghost Town Brewing. It is near the Oakland Coliseum where the A's play. Ghost Town has been around for about 10 years but became famous during the pandemic after they started canning their beer. Herlinda will be a judge at the Battle of the Brews. Herlinda has been a beer judge at several international competitions and it is fun for her to be judging in her own backyard for once. The next beer they taste is called Super Lemon Haze. Their different hazy beers are named after different bud strains, like Pineapple Express and Moon Rocks. It's a simple beer with great aroma and fruity flavor from 100% Citra hops. It is always a top seller. Civilization Brewing Civilization Brewing is located at 490 Mendocino Ave. at the corner of Ross St. (where the old Local Barrel used to be). They have decorated it with a lot of "weird stuff" from junk shops and antique dealers. They have arcade games and big statues, and an old cathode ray tv tube for playing the really old video games. The last beer is the Peach Rhubarb Sour.

California Hall of Fame 2022 class. Sac City Unified's fentanyl warning. New majority women Sacramento City Council. Peter Petty's “Hepcat's Holla'Daze Swingin' Yuletide Revue” returns to The Sofia, Home of B Street Theatre.    California Hall of Fame Amanda Meeker, Executive Director of the California Museum, joins us to discuss the latest class of California Hall of Fame. This year's inductees include actor and singer-songwriter Lynda Carter, ice skater Peggy Fleming, and soccer player Megan Rapinoe. Meeker also shares details of the museum's latest exhibits. SCUSD fentanyl warning Zach Didier was a 17-year-old senior at Rocklin's Whitney High School with dreams of attending UCLA. Although Zach was accepted, he would never step foot on campus. The teen's life was tragically cut short by Fentanyl poisoning just days after Christmas in 2020. Zach was just one of the more than 10,000 Californians who died from drug-related overdoses from October 2020 to September 2021, with Fentanyl accounting for more than half of those deaths, according to the state. Since then, the opioid crisis has only worsened. In Sacramento County alone, over 800 people were hospitalized for opioid overdoses in 2021 and claimed the lives of 174 others. In October, we spoke with the Sacramento City Unified School District about its plans to distribute a potentially life-saving drug to prevent poisoning and overdoses on all of its campuses. CapRadio Sacramento Education Reporter Srishti Prabha joined us to provide an update on that effort and how Zach Didier's family and others are sharing their stories.  Sacramento's majority women city council For the first time in 30 years, Sacramento has a women-majority city council. Three of whom are new faces and will be sworn in Tuesday night. CapRadio Sacramento Government Reporter Kristin Lam joins us with an introduction to the new face of the city council as well as a refresher on what these “hyper-local” elected officials do.   Hepcat's Holla'Daze Holiday music and gatherings are a highly anticipated tradition for some, while others may be done hearing the same songs and may dread the return of holiday parties. If the latter is you, there is a scintillating party in Sacramento to shake up the holiday season. Hepcat's Holla'Daze Swingin Yuletide Revue is making a roaring return this weekend at The Sofia, Home of B Street in Sacramento. It's a holiday tradition like no other, with music that promises to transport you back to the height of the "Swing Era." At the center of it all is Band leader and Master of Ceremonies Peter Petty, along with his Jazz orchestra the "Mercenaries of Merry." The ringleader of this swingin' Christmas celebration joined Insight to provide a preview of the celebration.

An individual is in custody, after leading law-enforcement personnel from multiple agencies through Floresville. The driver of a brown passenger vehicle reportedly damaged other vehicles and didn't stop after the collisions on Business Loop 181 shortly after 5 p.m. Tuesday. Officers pursued the vehicle through Floresville, ultimately cornering the suspect in the 1400 block of B Street. Look for more on this incident in the Dec. 14 Wilson County News.Article Link

Execution of a narcotics search warrant Oct. 7 led to the arrest of two Floresville residents on drug and child-endangerment charges three days later. Wilson County Sheriff's Office investigators and deputies executed the warrant at a residence in the 1800 block of B Street in Floresville. Law-enforcement officers from the San Patricio County Sheriff's Office and the Floresville Police Department assisted. Investigators had been watching the location for some time, according to Wilson County Chief Deputy Clint Garza. “This warrant was the result of a criminal investigation conducted by the Wilson County Sheriff's Office Narcotics and Criminal Interdiction Unit,” he...Article Link

Colorado Springs Police asking for help identifying several vehicles after a deadly crash, body discovered near B Street, your weather and more.

Colorado Springs Police asking for help identifying several vehicles after a deadly crash, body discovered near B Street, your weather and more.

Floresville police arrested two individuals with warrants Sept. 8, after a high-speed chase that started and ended near the city's downtown area. According to Floresville police Detective Sgt. Gilbert Rodriguez, an officer responding to a report of a disturbance in the 900 block of B Street around 7:30 p.m. noticed a red Ford Expedition sport-utility vehicle speeding away from the location. Although the officer was initially unable to stop the Expedition, he recognized the vehicle as being driven by John Alfaro, 24, of Floresville, who had warrants for his arrest on felony charges. Alfaro, ignoring stop signs and driving at...Article Link

A high-speed chase continues in the Floresville vicinity with multiple law-enforcement agencies pursuing a suspect with a number of felony warrants. The chase began before 8 p.m. after a Floresville police officer responding to a reported disturbance in the 900 block of B Street in Floresville noticed a car speeding up 10th Street (U.S. 181), ignoring stop signs. The driver, identified as John Alfaro, and his passenger continued onto F.M. 536, with Poth police and Wilson County sheriff's deputies joining Floresville police in the chase.Article Link

In this episode Forest chats to Dustin about A/B Street.

You are at Lake Como, stop #50 on our Belmar Treasure Trail. Three neighboring towns, Belmar, Lake Como, and Spring Lake, share ownership and oversight of the lake. Belmar only has a small portion of the lakefront, less than 20% of the actual shoreline. If you continue up to B Street, that is the transition from Belmar to Lake Como's portion of the lake. Spring Lake's portion starts at its Ocean Avenue border by the brick arches. Many millennia ago, this lake, like Silver Lake and others up and down the coast, were all connected as part of an ancient bay. Today, the lake hosts a number of anadromous fish – that means species that can live in both fresh water and salt water. The lake is also home to dozens of mute swans. Indigenous to Asia, a few pairs of these beautiful swans were introduced to Belmar in the early 1900's. These Belmar Swans gained a national reputation as the first flock bred in America, and the New York Zoological Garden was among several places that requested and were given a pair of breeders by the borough.

Incidents On B Street by Paul W. Fairman

Tune in as we interview one of Utah's Finest Brewers, Jacquie King. Jacquie wears many hats including a head turning brewer at Roosters Brewing Co. “B-Street” and Co-Chair of the Utah Chapter of Pink Boots Society. Whether a lager or seltzer, Jacquie creates the perfect environment for a well crafted beer full of passion and … Continue reading "Ep. 112: Jacquie King – A Brewing Legend!" The post Ep. 112: Jacquie King – A Brewing Legend! appeared first on Tastemasters.

Floresville Planning & Zoning Commission Meeting: Regular meeting, Feb. 2, 6-6:40 p.m. Actions: •Approved final platting of 25.67 acres for the Lodi Grove Planned Unit Development on C.R. 330 east of U.S. 181 •Approved re-platting 0.725 acres at 1413 C St. to accommodate a double-wide manufactured home •Approved platting 6.68 acres of land out of 8.78 acres in the 1900 block of B Street to build custom homes on three lots owned by Sandra L. and David L. Strozier. In attendance: Commission Chairman Philip Vipond, Vice Chairman Teddi Harllee, and members Rhonda Bell, Ray Lamberth and Cristal Startz; Floresville City...Article Link

A/B Street is an open-source transportation planning platform. The underlying data layer is OpenStreetMap. Ed speaks with project creator Dustin Carlino to learn what A/B Street is, how it has evolved, why, after several years, he almost ended the project, and how it is now moving forward again. Show notes on the Geomob website, where you can also learn more about Geomob events and sign up for our monthly newsletter.

Finger Lakes Region Autocross co-chair Nick Pasternack joins Upstate NY Autocross host Mark Mangicaro for a discussion of the perennially controversial topic of changes to SCCA PAX and classing. Much of the conversation centers on the proposed 2022 changes to street classing – especially as it relates to moves in B Street and F Street. We also discuss the importance of affordability, pace parity, class theming, and much more.We strongly encourage SCCA members who are interested in having their opinions hear on these proposed changes to contact the Solo Event Board via their website: soloeventsboard.com by filling out the on-line form. 

Diane Smith (center) cuts the ribbon Nov. 9, officially declaring her new business, Stash House Fabrics & Quilting, is open for business! Stash House is located at the corner of B Street and U.S. 181 10th Street) in Floresville.Article Link

•D Street from Fourth Street to Second Street; Wednesday, Oct. 6, starting at 2 p.m., through Sunday, Oct. 10, at midnight •Third Street from D Street to B Street; Friday, Oct. 8, 7 a.m., through Sunday, Oct. 10, at 7 a.m. •C Street from Fourth Street to Second Street; Friday, Oct. 8, 2 p.m., through Sunday, Oct. 10, at noon •C Street and Fourth Street intersection; Saturday, Oct. 9, from 9 a.m. to 2 p.m. •Second Street from B Street to C Street, C Street from Second Street to Third Street; Friday, Oct. 8, starting at 3 p.m. for the...Article Link

We learn how the FDA approval process works, following the full approval of the Pfizer vaccine. An employment legal expert explains the challenges employers may face mandating vaccinations. We break down the CDC's new recommendation for pregnant and breastfeeding women to get vaccinated, and the B Street Theater tells us about its upcoming full season since the pandemic shuttered its operation. Today's Guests Meharry Medical College Associate Professor Dr. Donald J. Alcendor explains on how the FDA approval process works and when we might see more COVID vaccines with a full approval President of Shaw Law Group and expert in employment law Jennifer Shaw explains the potential employment legal challenges as companies weigh whether to mandate employee COVID-19 vaccinations UC Davis Health Maternal-Fetal Medicine Physician Dr. Veronique Tache discusses the CDC's new recommendation that pregnant and breastfeeding women get vaccinated against COVID-19 Executive producer Jerry Montoya talks about the upcoming full season for the B-Street Theater since the pandemic shuttered its full operation  

The city of Floresville will seek at least 0,000 from the U.S. Department of Agriculture (USDA) to continue a water system improvements project. City Council members approved securing the additional funding at a special May 6 meeting. The project includes replacement of the Plaza Well on U.S. 181, as well as rehabilitation of the B Street and Hospital wells and interconnection with the Oak Hills Water Supply Corp. The USDA approved a .465 million loan for the project in 2019, but since then, the project's cost has increased by an estimated 0,000. “This is based on the increased costs of...Article Link

Members of the public can offer input Thursday, March 11, during a special meeting of the Floresville Independent School District board of trustees. The board will meet Thursday at 6 p.m. in the Floresville Middle School Cafeteria on B Street, solely to “consider and take possible action regarding the modification or elimination of the Texas Education Agency's mask related requirements.” Public comment is included in the meeting agenda. reader@wcn-online.comArticle Link

Arianna is an amatuer boxer fighting out of B Street boxing gym in San Mateo California.  Arianna is a college graduate and two sport athlete. Today we spoke about training during this pandemic, how after college she got into boxing, and much more. Follow Arianna on instagram @cundogari her trainers @eddie.croft @fastfreddysilva and the boxing gyms page @bstreetboxing

1. Creedence Clearwater Revival ~ It Came Outta The Sky 2. Chris Stapleton ~ Tennessee Whiskey 3. The Pogues ~ Honky Tonk Women 4. (Sandy) Alex G ~ In My Arms 5. John Moreland ~ Learning How To Tell Myself The Truth 6. Jackson 5 ~ ABC 7. Nadia Reid ~ High & Lonely 8. Of Montreal ~ 20th Century Schizofriendic Revengoid-man 9. Father John Misty ~ Chateau Lobby #4 10. Isobel Campbell ~ Hey World 11. James Hunter Six ~ I Can Change Your Mind 12. Love ~ Young & Able (Good & Evil) 13. The Chills ~ Don’t Even Know Her Name 14. Box Tops ~ The Letter 15. Honey Harper ~ The Day It Rained Forever 16. Barrence Whitfield And The Savages ~ Blackjack 17. Jesus And Mary Chain ~ Just Like Honey

BBoy Ace, a west coast pioneer in Hip Hop, sits down to discuss his origins, work ethic, and thoughts on the culture of hip hop and breakin'. Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoiseListen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoysA broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form.----more----[Music]this episode of noise of the broke boysis brought to you by outside have youdeveloped a fear of the Sun because youstay inside all day commenting onYouTube videos or maybe you've developedan addiction to posting about howawesome your life is on social mediabetween your day job as an overpricedthrift store clothes model and sidehustle selling your new rap mixtape talkto your doctor to see if outside isright for you five out of five peoplethat have tried going outside have seenpositive results ranging from but notlimited to talking to actual peoplefeeling Sun on their skin moving theirbodies and not caring about the latestcelebrity gossip happiness is justaround the corner and through a doortalk to your doctor about going outsidesome participants going outsidesufferance of your injuries and evendeath from but not limited to hit by buscoronavirus being eaten by wolvesthe Californio them from tencel arekilling and kidnapped by terrace and nowonto the show[Music]in today's episode I talked to the WestCoast pioneer innovator and franklylegendary b-boy and hip-hop figure myfriend and influence b-boy ace pleaseenjoy the episode hello everybodywelcome to the show today I have the manthe myth the legend the teacher thepioneer the father the fiance futurehusband and b-boy he's been dancingsince the beginning of time so very longtime 91 yeah how long since 1991 1991well man you know what's interesting isthat I was talking to someone recentlywas that breaking kind of started aroundlike mid 70s right is that about whatyou think yeah that's that's at leastwhat I've heard so you've been breakingfor probably more than half of thelifetime of hip-hop that's like reallycrazy to even think of that it's such ayoung dance such a young culture that ina hundred years when it's still aroundpeople are gonna look back and go likewhat was happening in the beginningbecause it was like there's so muchfluctuation in and that this era righthere is like really what helped kind ofdefine it to be whatever it ends upbecoming well the thing that'sinteresting to me now is because there'sbeen absent flows to where it starts topstarts stops but from 91 on it's beenconsistent mhm it's been going there'sthere's been no stop yeah so it's gainedas MoMA as much momentum as there's everbeen and it's been a consistent thing sosince this time that that I began youknow and there were some started youknow who it was going a littlebefore I started but it's you know manyhave stopped but the whole thing is keptgoing so that that's a beautiful part ofpop that yeah yeah yeahfor me you know I got started I had nointerest in dance I didn't startoriginally as a b-boy interesting Ioriginally started as a house dancerWest Coast Oh a West Coast house yeahwhich is different from the house thathouse now yeah yeah that that is knownit's like a mixture of New Jack with alot more yeah upper body movement I seeso you know there was there was New Jackand like that was fun mm-hmmbut for me I didn't really have aninterest in doing that my brother was areally good at New Jack he was littleyeah and he tried to show me and Icouldn't do it like a lot like you knowlike I struggled even with somethingthat was less complicated okay but Ididn't have an interest in it so I waslike I'm cool on it yeah no big dealI want no part of it then the person whoended up being my teacher I and crazilyyou know it's crazy to say but to thisday one of the greatest dancers I'veever seenAaron L Coloma Oh from Palm Springs okayhe was a house dancer yeah he used topop when he was little and he went intoNew Jack and then he went into house andsuper talented and he saw my brother whowas really good at New Jack and hewanted to teach little kids to be to begreat house dancers yeah yeah yeah sohis intent was to teach my brother andso that's how I met him and I broughthim to my house to teach my brother yeahand while he was waiting for my brotherhe was just moving and that was thecraziest thing I ever saw yeah life likeit was literally like poetry in motionhmm I was tripping how old are you atthat time oka hot 16 some along thoselines I believe I was a sophomore inhigh school okay second half and I sawhim move and I just couldn't believethat somebody can move like that yeahlike I had never really seen anythinglike that and seeing it in person is acompletely different experience hmmso I was bugged out and I just kind ofknew that that's what I wanted to dothat's cool yeah it was it was harassedhim I literally harassed him for acouple weeks thank you to teach meWow and he wouldn't because he told mehe said do you understand like you can'tdo new jackand that's like basic arithmetic yeahhouse is far more complicated so it'skind of like doing pre-algebra yeah yeahhe's like you want to jump steps youwant to go straight to precalculus yeahalgebra whatever it is without evenknowing basic arrhythmia don't even knowhow a plus sign yeah you can't even justmake your lower body coordinate muchless upper body and lower bodysynchronized beautiful movements okaybut I was undeterred okay it was I sawit and from there like I just knew I hadto have it okay and so I just kept afterit yep I kept bugging him and finallyone day all right all rightI'm gonna teach you one step you'regonna learn that step and then you cometo me with that step and I'm gonna teachyou another step and I was like dealokay deal that's a good deal yeahbut I had to work for that one step yeahyeah and but he but he realized I wasnot going to stop mm-hm andfrom there it was a rap I I was 24/7with itwake up move act is practicing try andtrying to coordinate this uncoordinatedbody of mine yeahdirt at school during nutrition duringlunch after school at practice at hishouse before bed it was crazy I was amaniacyeah I was a maniac but I wanted to be Iwanted to move like he moved and I knewI was far off I was I was not you know Iwas realistic about where I was at himwhere he was at but I wanted to getthereyes quick as possible so I was 24/7 withit soothing yeah to the point where heliterally had to pull me aside at somepoint and tell me that you know yourmother your mother misses you yeah yeahyeah yeah love that love yourdetermination but you gotta sleepsometimes the guys are getting a littlea little annoyed that you'd never stopyeah and I was hurt I was hurt yeah likeI literally avoided didn't see him for awhile taking different routes to classreally yeah yeah yeah and literally wasthat like after a week we cross pathsand he kind of cut me off and was like aman like where you been like and he'slike don't take it that way you knowlike we're not saying stop you know theguys you know just just take a couplebreathe you know like breathe for ya youknow but yeah it's so that began my longjourney at the beginning I was gettingpretty good at house you know after agood little whileand then we went up to an event calledFilipino weekend up in Delano just pastBakersfieldyeah and that's you know the the groupwe were with was boys and style bis andso we were going up there and you knowwe were going to meet with the rest ofthe group and we're under the assumptionthat a group the soul brothers which isfamous house moved from LA we're gonnabe there and you know wanted to battlethem yeah yeah and they end up never endup showing up our cuz one of the crewmembers cousins from San Jose a groupcalled dangerous image came down andlike they were gonna be with us yeah andthey were a choreography group okaythat also braked because San Jose wasbig into braking amount of time and weall got bored and somehow it ended upbeing a battle between dangerous imageoh and you guys and B is okay except forthey braked him we didn't so you knowthey were they were really good yeah andthat the main guy from their group was awalks guy mm-hmmthis guy Alan hmm and he did walks evenhe was really good he notmerry-go-rounds and all that but he hadreally good walks yeah yeah hence theinspiration yeah when we started thevery next day we stopped Houston and webe started breaking is that quick it wasan instant like - it was like watchingmagic you know like really that thepower precision grace of you knowhigh-level break-in yeah it was like wowlike okay that that that is you know itwas inspiringso yeah we you knowwe started break-in Aaron L was breakingbut he was popping uh and you know andhe used to do that back in the days andsince he was such a good dancer and socoordinated he picked up like oh he wasan amazing popper like amazing but yeahthat that became our road and since ourmain inspiration from the opposition wasa walks guy mmm bis became a walks yeahwe we did spins we did you know all thespins but we care deeply about walksyeah that's that's kind of crazy becauselike definitely you guys like it it'slike walks and for people who don't knowwalks it's like the float how do youexplain yeah well that that you're onyour hands you're walking on your handslegs are off the ground and you're kindof going in let's ignore loading yeahit's like a pocket of air is underneathyour body and you're just walking aroundon your hands and there's so manyvariations of it but yeah yeah and youguys innovated those moves which iscrazy that like I guess before you evenbreak you saw someone else like kind ofwell I mean there were guys in the pastyou know like we didn't really know himtoo much except for when we startedbreak-in since there were no examples ofbreaking like we saw it in personmm-hmm and then when we wanted to startlearning we're you know just a fewbreak-in yeah you know beat Street likethose were our only examples of breakinbecause there was no YouTube there wasno footage it was what you saw in personother than those couple movies that wereon some VHS tapes you know and of coursethere were guys you know in B Street andbreak-in that that did you know somehigh-level walks you know there's buckfor of course oh you know here is hisTurtles he's super fast you know amazingbut not not a lot of and then of coursein break-inthere's handyman you know amazing youknow his amazing walks but that thoseare only a couple variations that wereshown on tape not the rest we were justgoing and figuring it out yeah and youknow hearing from some of the oh geezfor master movements you know giving usideas on things that they had done orseen or heard about you know so theywere kind of just giving us some inputtry this oh there's a walk like this allthere's you know but they couldn't do itthey were already done but that leasewere given us the ideas and kind of aframework of what you know just somethings to try and work on uh-huh andfrom there we were just working at ityou know like determined to get good atthat no yeah you know and then of courseit ended up leading you know afterseveral years to higher level walks I meand my brother were teaching the guysfrom 101 up in Pasadena and you knowthose were guys like brick Rand dabstones which at the time his name wasthere because you know they used to tagso okay and did you ever do it I wasnever in attacking oak I just straightinto Jane into dancing yeah I wentstraight from like sports into danceyeah you know but yeah you know so thoseguys you know we we taught those guysand then had the scene was just you knowgetting a little yeah so what inspired Iguess your creativity within that danceI mean I guess obviously going fromhousing to to breaking and I mean Iimagine a lot of a lot of that hadinfluenced your style I mean becausehousingor at least the housing from back thenwas very kind of kind of jumpy and rightwell yes I believe LOI well very flowybut you know and there was differentstyles in in house you know it was notsame movements there were guys that hada very rigid hard-hitting style therewas others they had flowing there therewas a lot of popping elements oh yeah init so so even in in the West Coast housethere there was a lot of different looksyeah you know that that kind ofdifferentiated each you know dancers ownparticular persona yeah you know and theway they moved so you know when westarted moving into break-in we were itwas mainly power based mm-hm we did somestyle but from what we had seen becauseour experience was very little and therewas no footage there was not a lot ofdifferentiation in style so I kind of wekind of did it just to say we had stylejust to kind of check that box but it itwasn't at least for myself I was nothighly inspired to do style because Ifelt like it was in a box from what Iwhat I had seen the experience it wasn'tuntil the tapes of storm and them thatkind of made their way over here thatlike the realization that oh you can doso much with it it's it really is justlike house yeah like it really is youknow style is really as far as your mindyour creativity your persona yeah yeahlike yeah levels personality silly sillythingsyeah that end up looking dope you knowlike there was just that thatrealization that oh like there's nolimits there's no like yeah like it'sdance just at different levels and yeaha different way but it's still dancejust just like house so from their styleit you know I was all about that youknow like it it became a very fun and anever-ending puzzle that to this day Iwork on yeah yeah it is a puzzle I meanwhat drove me to breaking actually issomething similar is that it there wasno limit you can come come into it andjust kind of have fun with it dowhatever you want make it work you knowreally like if you had a dumb idea tosee to try to make something work justroll around on the ground see make tryto make it work you know some of themost amazing steps that happen are byaccident definitely you know just fromthe attempt of something new you youprovide yourself with an opportunity todo something that you know maybe itworks and that's amazingor it doesn't work out but it turns outto be a better step yeah because it wassomething that your body justautomatically had that on a DNA levelyeah that you were not aware of you knowwith your own consciousness but on amore subatomic level yeah your bodyalready had it yeah in tow and was justready for you just for you to give itthe opportunity yeah I'm completelyconvinced that every move in braking wasfrom someone just falling down and goingoh let me try to control that and do thesame thing though but you know and justmake it look cool you know well wellyeah I mean it it you know it's aconstant thing to where you're trying tolike expand or go into neutral unchartedterritory yeah you know when we firststarted like you know for me the thingthat keeps me coming back is I know I'llnever have this bad boy figure it outyou know but it's so fun just becauseI'm I'm always searching for things likesomeNo you know like like as if I was abrand-new b-boy who it was firststepping onto the floor for the firsttime and I have that same thoughtprocess and what I love is the guys youknow Rob and Cujo and all the other guysyou know that that run in our circlehave a similar mind frame yeah of playmm-hmm you know like what we do is veryserious but we play like children youknow like it's it's something thatbrings joy that's something that we youknow approached like the first timewe're not afraid to give each otherinput or to to move in a weird positionyou know just because yeah there'ssomething exhilarating about about thatjust playing around and just planningyou know something pull one actuallytold me is that the reason he likes theword b-boy rather than somethingdifferent like be men or the adult orwhatever is that really you have yourown adult responsibilities but when youcome to break you are letting your innerchild to come out to play and that's whythe word b-boy or b-girl is moreappropriate than something like a B manor B woman just because you're lettingyour child come out and have fun and I Ithink anybody who is I don't want to saydoing it properly because not to demeananyone else but at least for myself tome that's doing it right yeah it isallowing yourself to be freeand I think when you you knowparticularly associate with childrenthere's a freedom that they have that asadults we lose many at least many loseon various levels they they lose theirfreedom they lose their they have thesepreconceived notions that oh well I'm anadult now yeah and so I need to respondthis way or I need to give thisI need to do you know and that's not thecase that you know you could absolutelybe a responsible person a caringindividual that handles all the variousresponsibilities of your day-to-day butstill be that child to still carry yourinner child in various parts of yourlife I mean I still I still watch animeand cartoons oh yeahto this day yeah yeah you know it's it'sa you know it's funny I had this thingwith my yeah I'd said the other day wewere watching something it had to dowith you know fairy tales type stuff inand for a second she seemeddisinterested I said okay you know let'sturn this off I'll watch this later andshe's like oh no don't be like thatshe's like it's just you know I'm not achild I didn't want I said well why doyou you know like why why do you have tolose your imagination just because we'rea certain age why why do you have togive up your imagination why do you haveto give these things up like we handleall the things we need to handle youknow like they're not hurting you thatthere is there is nothing wrong withhaving an imagination and creativity andholding on to that that childlike partyyourself and and I think it helps usconnect and you know even with our ownchildren you know why like I think ourchildren are more connected to us andlove us all the more because weunderstand them just you know on somelevel just a little bit different thanmaybe a Parenthood isn't holding on to apart there yeah their inner child yeahthis is like a subject that's prettydear to me because you know my mothershe's an artist and she's you know shewas working with a lot of people thatwere you know under they had a lot ofproblems drug abuse all sorts of stufflike that so she was running thisprogram where she would teach them artkind of as a therapy and they werefinding that when these people reallyhadn'tdone anything creative in their life fora long time and once they started doingthat creative these creative things itstarted like sparking up a change intheir life for the better so that theywere more willing to get their lifetogether and so it was like somethingthat they were just lacking as a humanin their life and so it made me reallythink that or believe that creativity isjust like this fundamental thing thatthat humans need and I mean and I thinkit's deeply connected with like play youknow this is our way we play well I meanlike of course people and is one thingyou know being able to play laughtermm-hmmyou know of course the scientificstudies you know yeah yeah how laughterand being able to tap into things thatbring us joy mm-hmm you know life ishard before you know particularly foradults a lot of responsibilities to beable to take a moment for yourself to beable to put all of that on pause and tobe able to let go of everything in tapinto something that is that fulfills youthat brings you fulfillment brings you ajoy you know and different people findit in different ways you know andcertainly you know dance does that forusbut yeah it's a it's an important thingto be able to find things that bring youmeaning that bring you joy that thatallow you to play and create you know inone form or fashion mm you know whenpeople talk about me and dance and youknow like I guess I still look fairlyyoung you know I'm 45 now but you knowmost that speak with me think I'm muchyounger and it's just because I thinkit's because I allow myself I make somefor myself you know there there's adifferent side different purpose whetherit be taking care of myself you knowdance has done a lot for me you know theway I take care of myself the way I eatsleep the way I you know take time forexercise stretching and and that's allfor my dance yeah you know so for medance has been you know a true blessingjust because I would have to find themotivations you know to somehow pull anddo those things on my own but you know Iwould have to generate it somewhere elsebecause for me my motivation for doingall of those things has to do with myperformance as a dancer and you knowit's funny I was talking about storm asyou know motivation one of the things Iliked is I'd seen him on many occasionsbut never spoke with them because he wasalways surrounded by so many people somany other dancers they had admirationfor him yeah because of course it'sdeserved but I never wanted to meet himin that way because even though I haveall the admiration in the world for howhe influenced me I don't think any oneis better than me I don't think I'mbetter than anyone else but I don'tthink anyone else is better than memm-hmmyou know we're humans yeah you know thatinspire each other but I didn't want himto see me that wayto where everyone's like tugging at hiscoattails yeah so so even though I hadopportunities I never spoke with him andthen one of the times at one of the freesaw sessions I had seen him with theguys from soul control with which arelike my little brothers Charles and Cujoand they were sitting and just talkingwith them and I was like amazing yeahbecause those are my guys and I couldjust sit down and talk uh-huh you knowand I got they introduced me to him andI had the opportunity tobe able to let him know that I reallyappreciated what he had done for mehelping me I inspired me and helped meto understand yeah that that it reallywas like dance you know and made stylefun about a week later he was up northfor an event up that way and Charles wasgoing up there to hang out with them andand kind of take care of him show himaround drives him and had invited me tocome I went up there and so from there Igot to be around him more and just talkyou know and with and humanized walkedwell yeah yeah not not just about dancejust about whatever oh yeah and you knowlike I think one of the things heappreciates is when people just treathim like a normal personyeah yeah like you know he understandsthat that he's had impact but he heknows he's a normal guy too you know andwants to have stimulating conversationwith people who who treat him just likeany other person and we had that youknow and to this day we do I was talkingwith him the other day and we'rechopping up over some other stuff youknow but we were able to build on thatand then when we finally danced togetherlike we we hadn't you know we just hungout and talked hmm philosophies onwhether it be life b-boying to dance theway we saw it and we saw things verymuch the same and then it wasn't untilthe very end of the weekend that we wereover at mega man's house and it was Ithink his lady's birthday and we were inall in the living room big wood flooryou know okay and we started off lockingand we were having fun that way and thenI said oh now I feel like breakingand we we started breaking he went outthe guys were going out he went out andthen there was a time I was gonna go Iwas gonna go out and I went out and Ithink he like he just wasn't he didn'tthink that I could I guess dance on thelevel I was dancing huhso I got up and he was about to go outand he kind of had like a uh like andthen he pushed somebody else out andthey went out instead and then it's likeand then he ran something through hismind and then of course right after thatperson finished she went out anddestroyed it yeah but me and him musthave went like 20-something around ohwowyeah like we were just having funYelp plane and and I didn't know it atthe time you know cuz I was just havingfun exchanging and it ended up becominga thing where a lot of the guys werewatching and meet me and storm wereexchanging to you know just playingand I remember Gerald rest in peace youknow one of our other Gerald caster lowhe had come in and said yo Charles wantsto go like like you know we're waitingon you guys and I was like oh storm wegot to go and storm had told generallike yo tell Charles we'll be out in alittle while and then he looked at mesaid yo ace let's keep goingand then we just kept going for or awhile longer and when we left you knowhe was like really happy you know I meanI knew I was happy but he was havinghe's like yo ace like I haven't dancedlike that in like I can't even tell youhow long you know and I was like get outof here bro like you know like you're ina different country like every week youknow surrounded by amazing dancersuh-huhno no no you know it's different youknow like people either are in likelooking like look at me like too high orthey're trying too hard to impress meyou know like instead like just six hesaid me and you we were just kind ofhaving a conversation you know and andthat's the whole thing about dance danceis a conversation you know like likehe's like you were doing somethingthat's giving me ideas and I was goingout and doing something then you weregetting ideas and he like he said youknow that that I haven't had that in areally long time yeah you know wheresomebody just had a conversation with meyou know and he said like for me thatthat just blew my mind and like I saidyou know we well we're kind of I don'tknow to me kind of like kindred spiritslike you know like we see things a lot alot the same way and you know I feelblessed that I have people like Robynpuja you know like we're all kind of inthat you know like I try to surroundmyself with people that are like-mindedyou know that you have thatopen-mindedness and and if they don't Itry to cultivate it yeah yeah you knowand help them to understand that becauseat least for myself that's where I foundthe real joy in dance is in the exchangein the conversation in being open-mindedto new ways of moving and takingsomething and flipping it yeah you knowon its side on its back on its headwhatever it might be you know cuzthere's no one way of looking at thisthing like you know and the beautifulpart is we will never have this thingfigured out and it's what keeps mecoming back yeah because when I come outto a dance floor when I go to a practicethere's an exhilaration that I have noidea what's gonna happen today yeah yeahand that's amazing uh-huh you know Ilike I gave up the preconceived notionoh this is what I'm gonna do this I havea few ideas like oh I want to try thistoday on that I just give it up becauseI found that when I go out withpreconceived notions that oh I'm gonnado this this this and this you think toomuchthat's what it becomes well I mean inthe end like we talked about thatsubatomic level how you go in and you'regonna do this move and it doesn't workout and sometimes it works out betteryeah because your body on a subatomiclevel new nope we're doing this yeahwhen you try to work against your bodywhen you work you know like your body'sgonna win and you could just come outall kinds of ugly you like you know likeat some level you have to give in towherever your body's at on that day likeoh I'm will work on this if it if yourbody says nope we're doing this insteadyou got you like you're best offtrusting because in the end your yourDNA knows better yeah for me like whatI've always done is and what I've beentrying to do a lot more is like when Itrain I'll train you know differentsequences of movements that I think workwell together but when I actually danceyou know perform or battle or whatever Itry to just not think of anything I justtry to focus on music try to focus onwhoever I'm battling or whatever I'mperforming at just focus on the momentand just let my body do whatever it'sgonna do because I've spent all the timein practice working through differentcombinations that I think makes sensethat I trust that my body's gonna knowwhen to do that or when not to do thatso if I just focus more on music andjust let let it happen it just feelsmore natural to me it probably looksmore natural to and then hopefully thosecombinations I have been practicing maketheir way out in some form and you knowI'm happy with that too so it soundslike that's maybe like what you do aswell yeah I mean I have ideas you knowlike I think it's it's it's at least formyself good to go out like okay I wantthese things to come out at some pointin time you know yeah like anda lot of the muscle memory will kick inyeah it is moving yeah you know ifyou've put together certain combinationsand certain movements you know they'regonna come together at some pointthey're gonna execute just becauseyou've done these different things butof course there's a spontaneity to ourdance and you know working in with musicand all that you know and of course Ifeel that music is important I feel likeI think there's some people that thatplay too hard to the music to where theystart to kind of lose themselves thatand when you hit him you know and and toeach their ownyeah every single beat you knowsometimes when people work every singlebeat then they they kind of lose I guessa certain moment like for me like I'm inthe flow of the music the way I dance Istay in the flow in the pocket of themusic and then I accent different partsthat I want really to stick out or standout and being in that wave the rest justgoing and flowing through the rest ofthe music you know and there are somepeople who are amazing hidden everyevery single beat for me I I see a lotof hit or miss with that though toosometimes it's a super amazing momentthat's etched in the history of timethat's enough well there's others thatit was like I kind of lost the messageoh yeah like they're trying too hard todo every single thing and it's like okayI don't they stay in the story you'reactually trying to portray now yeahbecause I mean at least for me I feellike when we're you know when I go outand the dancers that I seem to gravitatea little bit to a a little bit morethey're they're moving and they'retelling some sort of story you knowto make you know beginning a middle andan end you know and just for me the onesthat every single be every single timelike I said there there are somespectacular moments you know some roundsthat will always be remembered but thenthere's also some times that you areleft walking away soon I didn't reallyget what they were trying to tell me youknow just me you know that just the wayyou know I see it so so it's definitelya catch-22 and it's a difficult thing topull off and only a certain few arereally at least to me that that I'veseen that really pull that off and makeme say oh wow okay they're like thatthat they pull it off more times thannot yet they have a higher ratio youknow higher percentage of being able topull it off what what is one of the Iguess highlight moments that you've seenI guess in all your history of the dancewhat's something that stands out I meanobviously your story with battling stormis probably a highlight but what aboutother things maybe something that youmay be a battling with we were we weresharing you know yeah it was aconversation yeah of course that was ahot like you know like I've just had youknow with the moments there's there'sjust so many you know I mean just nojust sharin in the community seeing allthe different generations of dancers youknow come through and give their givetheir party inspire in their way andthen being able on our end to be able topartake in and share with them like asyou know whatever practice that I'm ator event if I see something that I feelcan be helpful to another dancer youknow I'll usually make my way over andjust kind of throw it out theresay you know like this is take it orleave it you know you don't youcertainly don't need to use this butthis is this is something that I seethat I think can help your dance but youknow like like I hope you don't takethat you know the wrong way yeahbecause we've always been a firmbeliever you know me and the guys havealways been firm believers in in helpingbring bring the next dancers or evenveterans like it doesn't matter likeI've had guys that have come to meyou know so many like you know and sayhey you know I know people look at uslike legends you know but like we wewant to grow to like you know what likedoesn't mean that that we don't want tolearn yeah you know and I knew what thatkind of meant like that they werelooking for help and for me like I'llhelp anybody who has a decent heart youknow so I my response has always beenlike well yeah of course like if we'renot learning and growing what are wedoing here you know like anyone whothinks they have this dance figured outyeah they're out of their mindyeah and they've stopped growing yeahyou know that that that's two things cuzthe moment you think you have anythingfigured out growth is done like there isno more growth the moment you think youhave it figured out you're wrong youdon't have it figured yeah because it'san endless thing but if for those whoare you know lucid or out of their mindenough to think that they do havefigured out and oh I'm on this level sothe growth is done like it you stop soso anyone who who has ever like a like Isaid I offer it up you know to to anyonejust really I'll walk over you know andoffer it up so if somebody were to askme you know in many who are consideredlegends of coursemany you know they've been my studentsyou know and others that have made theirlegend status on their own but just arestill on the path of growth if they'veever had a question or wanted to learnsomething I'm all for it you knowbecause yeah like we don'tlet's keep growing let's keep doing ityou know feel free to ask me anytimelike I love it you know it'sever-changing thing I mean hip-hop Iguess if you look at it throughout itshistory every couple years it's adifferent thing and so if you're not Iguess you know evolving with it you'realso you know you're losing yourself alittle bit you know kinda you know asfar as ever evolving it on some levelit's fads - oh yeah you know on somelevel things come and go so you knowit's cool to pay attention and to keepgrowing but if it's something that thatcalls to you - cuz in the end you stillhave to be true to who you are as anartist yeah so there's a lot of thingsthat I see that like look great but Idon't feel they're for meso I continue to grow in the ways thatmove me you know because if we'reconstantly worrying about what somebodyelse is doing and what's in right nowthen we're never really gonna findourselves you know like we're nevergonna find who we are as a dancer and tocontinue to build us like to buildyourself as an artist so but if so youknow it's good to pay attention becauseif you see something that says wow likeyes I want to use that and incorporatethat into my dance because I think thatthat will take what I want to do and youknow change you know take my art where Iwant it to goyou know like we talked about at one ofthe last practices a vision a vision foryour dance you know you may not be ableto do everything that you want to do butI think any any great artists has hadsome sort of vision for what they wantto do like some grand scheme like Ohlike that's kind of crazy you know andyou may not be able to do it now but ifyou have when you have that vision youknow you kind of start doing differentmovements and different exercises andstretches and whatever else whateverelse it might be to kind of work towardsthat goal you know to work towards thatvision you know and then of coursethere's a whole lot of play that comesalong that that will change your visionaround but but I feel like you know allthe great artists have to have some somesort of vision you know even if itchanges along the way you know to have avision and to work towards a vision youknow and not be to be cognizant ofwhat's around you but not consumed towhere you have to do what they do toknow like okay you know that's dope andI recognize that's dope but that's notyou know I'm gonna continue to do what Ido and take the parts that I really wantthat I feel will take me towards myvision yeah yeah the thing that me andVince do a lot is we'll see what otherpeople are doing you know what the fadreally is and rather than try to do thatwe'll go okay if someone does thatagainst me in a battle like what am Igonna do well ya know I mean I know youcan respond to it well especially ifyou're looking for battles you know theresponses to to questions you know oryeah to be able to respond and kind ofyou know in a battle you knowthis is what is generally out there yeahthis is gonna come and you have aresponse you know those are just goodbattle tactics to be able to have aresponse within what you did well yeahwhat I do yeah you know but but youalready have answers to the questionexactly you know so yeah those are thoseare things that are very important andthen of course like you said you knowand then things like battles and stufflike that that's a that's a wholedifferent you know it's its own elementand conversation and being able to Imean of course you have to do what youdo but be able to like even the way wepackage what we do you know ourmovements and and the packaging anddelivery of what we do can be the energyin which we do what we do it's verydifferent yeah you know like yeah youknow it but I think one of the importantthings is that it comes from a genuineplace you see a lot of actors you knowin the scene to where yeah it's that'snot really who they are it's not agenuine part of their dance actor I'venever heard someone say that but that'swhat it is yeah it's acting you know andthe ones who like are best at what theydo I think more times than not things docome from a genuine place yeah that'swhy it receives more credit like thennot because people can fill somethinggenuine behind their movements and atleast for the ones to me that that standout and over time like they still likenot just when in a jam and not just whenin an event but being admired being ableto be understood as a pioneer of whatthey do and to be like to drawinspiration from otherto where because they just see somethingthat is more genuine in in in theirmovements than the typical person whoexecutes things and wins that Jamthere's a lot of people who win gemsthat are not maybe and never really beremembered you know I'm sure there's somany people you know when you look backyou're like who won this gem who on thatJam and not remember them whereasthere's people like Rob Silla or a Cujoyeah that have lost more gems than theother one and you remember there but butthey will when when their name is talkedabout people know and are like wow likethat guy is amazing I'm glad you broughtthat up because I have the same thoughtabout it is because there's so manybattles I remember vividly because youknow either I was there I saw footageand I was like this is a crazy amazingbattle and I can't remember who won youknow that battle or who won the jam oranything about it other than the battleand who was in it I could tell youexactly what each person is wearing orwhatever in the battle but I'm like Ihave no idea if they even won the gym Idon't even know where the jam was youknow what I mean yeah and I could careless to be honest but that battle therewas crazy and it's cemented in my brainas like one of the coolest things I'veever seen you know and so it just goesto show you that the jam is not thedefining thing it's and the win andwinning a jam is not the defining thingit's it's like the moments that you'recreating the moments that you create theway you inspire and an hour inspire byothers and the way you inspire otherswith dancing from a genuine place youknow just yeah though though manydancers have come to me over the yearsand said oh what do you think I shouldwork on and what would you recommend forthis you know Ana's like okay you knowwe'll onewhat is your end goal are you looking towin a jam or are you looking to beremembered mmmyou know because those are twocompletely different things yeah yeahyou know and then I usually bring up theanalogy of things like Cujo and Rob andstuff like that you know and that thatwhen people bring up their name they'realways like people now automaticallyknow who they are yeah you know andthey're inspired and think like wow likeyeah he dances like nobody's businesslike I don't even know how he came upwith that you know whereas there's manyothers that that are amazingthey you know they are they execute youknow mm-hmm well maybe they just haven'tfound their Oh something that makes thatstands out but solely yeah it's wherethis belongs to this person like nonobody dances like this guy you knowwhen somebody tells me like Oh ace youknow like I don't know I don't think Idance like okay I suppose maybe becauseI don't think too much about my owndance I just enjoy the process always inprocess and you know and I just there'sa just a genuine joy in dance but whensomebody comes to me and says oh manlike yeah like when you dance like Iknow it's you like nobody dances likeyou I mean like you bring that brings mea joy and satisfaction because that's myend goal I don't know if I'm if I'mdoing it you know and on to what levelyou know but for me I want the freedomof being me I want you know when I danceI'm trying to just find me all the timeyeah you know and and it's a continualthing because we're ever-changing we'reever-growing you know like the me ofninety-one should not be the me of nowmm-hmmyou know I should be a different me soeven even when I go out and dance todayI'm searching for my truth today who ami today you know and just being open toif that'sdifferent you know I think for the mostpart it's going to there's gonna be afeel of who you are but but new aspectsof yourself yeah you know and I don'tknow for me that that's what II thought about creativity as an artistit's not to just hold on to you know tofind yourself but doesn't mean you haveto be the you of three years ago or lastweek or you know like that person wasamazing at that time love it cherish itand move on move on because you can'tever recreate those moments thosemoments were wonderful at that time butif you're stuck there you know it'snever gonna be the same you know you cando the same combination it's never gonnabe exactly the way it was at that momentin time on that day and you know andyeah I had to learn that a long time agotoo you know I had this some differentamazing moments you know that that justcame about and I tried to recreate themand worse worse sessions ever justbecause that moment had passed you knowand the moment I came to the realizationthat you gotta let go you know andunderstand that that was a beautifulmoment at that time but that is overyeah and and trust like we talked abouton a DNA level that whatever your bodyis telling you and wherever you're at atthat point in timetrust it go with it as long as you feelyou're notimitating or copying somebody else youyou're kind of finding your way andfinding your truth for that day that'swhere the beauty lies kind of embracingthe view of right now and moving with itof course because I know buddy's justgonna change and being a completelydifferent person but you can finddefinitely new elements of yourself youknow if you're open to it and for methat that's what makes you knowbeing an artist so much fun it isfinding these new parts of yourself likeevery single day yeah yeah so if youwere to go back in time to the 91version of you and tell that version ofyou I guess some advice what would youdo what would that be oh god you know II'm not really sure about what I wouldtell myself back then because I'veenjoyed the process the whole way youannounced observe you know like you meanobserve myself of old or observe you nowgoing back in time to see the 91 versionof you would you say anything or no oryou just observe or just well you knowit that's a double-edged sword toobecause yeah it might change well youknow like for me I've enjoyed thejourney yeah the journey is fun it's allabout you know like it's all about thejourney like you know the beauty oftoday like I've had so many amazingmoments throughout my life but I thinkit's because I understand that I'm onlygiven today I don't like iived at thispoint just because I woke up everysingle morning and said well I stilllove it so I'm gonna do it like that'sitI've never in my wildest dreams wouldhave imagined that going on near 30years that I'm still you know 45 yearsold still busting still still breakingyou know stay still dance in period at45 you know when I was a teenager youknow 16 year old you know a 16 year oldkid started we thought somebody who youknow busted for nine years was like whoaat that he's so gee like that's coollike nine years yeah like in here yeahmore than tripled that yeah you know and[Music]yeah like that's it's just crazy to eventhink that that we would still be denserand andlevel like you know that that's you knowone of the things that me and storm weretalking about the other daywas the the joy of dancing still at highlevel having high expectations forourselves and saying I never ever wantold man props like I'm sorry I dancebecause when I dance you know like I dothe things I do I take pride in my dancelike I love the process but make nomistake about it when I'm on a dancefloor with other dancers I want them tounderstand that I'm a bad man yeah thatthat when I do things that I do thingsthat that they can't do even youngeryeah like you know doing walks clotheslike you know certain Power Movecombinations that I can do it 45 that itthat some of the younger cats can docats don't do walks like me and Cujoyeah yeah yeah they just don't it's it'snot the same the the west coastmerry-go-rounds Deadman's all thedifferent high level sky turtlescarousels whatever you want to call themlike all the different variations wewalk around that we glide around a roomwith our body fully extended we're nothopping in one place you know and I knowa lot of people they don't know theydon't understand you know and on somelevel yeah it's weird and arrogant butthe walks that are out there are on anelementary level in comparison to theway that me and Cujo dueled is like ohit's a lost art I think I mean a lot ofit absolutely it absolutely is andpeople will never understand it untiluntil they try it when they when theystart down the journey of doing it theway me and Cujo do it they understandthere they have a what that hell momentlife you knowone of the homies gastro fromGuadalajara he was down here in LosAngeles dude is so strong super superstrong has amazing walks the wayeveryone else does him mmmhoppy well you know no problem knock itout the box I started taking him undermy wingyou know Cujo was trying to show himselfand then he started showing up andwanting to practice with me in Seoul Itook him under my wing and started toteach him the way me and Cujo did do andlike I said can do it the way everyoneelse does it like nobody's business andhis can hold his body straight out likenobody's business very strong butlearning how to do it the right way theway we do it West Coast walks hestruggled struggled struggled struggledand he was like I'm so tired brothank god this is so hard bro like youknow like month you know good monthworking with him regularly strugglingyeah and finally he started to get it atthe end but this was like like a regularthing that I was working with himimparting my knowledge telling him don'tput your hand here and get your hipsover here faster do this you know alongwith all of his already previousknowledge and he struggled with it andhe's starting to finally get it at theend but then he had to go back toGuadalajara and I told him practicepractice practicebecause high level walks is not likeregular moves yeah like if I were toassociate it regular like most movesthat you get it it's like once you getit you get it it's kind of like aone-night stand with high-level walksthat's a marriage you're in a long-termcommitment you better keep at it becauseshe will get up and walk and leaveshe will leave you and I told him thisabout six months you know to a year likebetween there went to vacation you knowwhen on vacation in Mexico was downthere and got a lotta met up with himand his crew and he told me I'm so sorrybroI lost him like I didn't I didn't listento you I didn't practice them andthey're gone and so I told him okay youknow I'm gonna teach you again like youknow and we'll work at it this timestick with it I have to see his accountto see where he's at but it just showsit just it's an example of how just howdifficult high-level walks are the wayCujo and I do them really are and I takea lot of pride in that and I can stillmean Cujo both can do all of our walksyou know different combinations thatwe've done from the past we can still dothem at a high level in our 40s yeah andfor me I take a lot of you know like themoment I I can't dance the way I want todancethen maybe maybe I'm gonna stop I don'tknow like I haven't gotten at that pointyet yeah you know but but I don't wantold man props you know I don't wantsomebody to say oh man you should haveseen ace back in the days like oh likeyou can't you can't tell can't see youcan't see it now you know but he used tobe really good yeah you know the thingthat brings me most joy is when a dancerwho doesn't even know me comes over tome and says hey yeah like hey what'syour name like where are you from likedude you're really good and then when Itell them who I am and a little bit ofmy history for them to have that youknow more like like I love that you knowbecause those props from a really gooddancer you mean more oh I mean you knowmore times than not it's a really gooddancer you know somebody I say all thatguy's pretty good you know and then theymake their way over and reciprocate thatsame love and admiration saying hey whoare you like you know when you walk overto somebody that you just don't evenknow and say I kind of have to know whoyou are like I think highly enough ofyour dance that I want to know who youare and then you know then to find thehistory later you know like and then ofcourse the admiration is much deeperonce they find out like well you're thisperson you're a kudos teacher you'rethis person's teacher you're four howold are you yeah all 45 what you knowlike like for me that is yeah there's asatisfaction and enjoy because just asan artist I want whoever it is it givesme respect or respects what I do I wantit to be from a genuine place like ifit's not there I don't want it becausethen that will feed by motivation towork harder to get back to where I needto be yeah like you know and there's youknow like I understand there's good playpeople come from good places whenthey're being nice but there's alsosomething that handicaps the otherperson whether it be kids or girls orwhatever it might bemm-hmm the reason why we've got into thepeople who have gotten good it's becausethere's there's a need of wanting to beappreciated to be recognized to bevalidated by others that they admire youknow there's a hunger you know not tosay people don't fulfill their own cupby like you know being an artist butthey're I firmly believe that you knowand I think that that we all want to berecognized by others we admire you knowwe want to be validated and for thatperson say that dude is good you knowlike III really you know like what thatfor the person I admire admires what Ido yeah Wow like okay that's you knowand that feeds our hunger that feeds ourflame you know so whatever it is Ialways want it to come from a genuineplace you know and like I say meansstorm we're laughing about that likedude like I call it quits you know likeif I can't do what I do and and feelgood about my dance when I step on adance floor like I don't want anyonegiving me pity props I don't wantsomebody saying oh that was you knowpretty good good job don't do it walkawayyeah like oh you still got it yeah likeit's not that you still got it it's likeit never left it was always here and itgot better so that's that's what you'regoing foralways I'm looking to grow I'm lookingto be a factor I'm looking to inspireyou know myself and others you know likeand I think a lot of really greatartists have this about themselves tothat they are their own biggest criticyeah you know like yeah I know I like wetalked about having a vision you knowlike I know what I want to do and I youknow it's something that that's been adouble-edged sword because I've alwaysbeen hard on myself to I could dosomething incredible and it didn't workout the way I wanted to and I kind ofwalked away like walked out of thecircle like it wasn't amazing you knowwe're where others are like you knoweven pump you spoke about popo used totell me to he had to kind of help mewith that too yeah where he's like dudewhat are you doing like you didsomething amazing and you walked awaywith your head down like he's like don'tthat like you know play you know whetherwhat it would like nobody else knew thatyou messed up like in your own head youmight have messed up yeah but nobodyelse knew that I was like I'll tell youthat right now nobody else knew that theonly way they knew it is you walked awaywith youso that was you know that was somethingthat I'm good you break very preciselyto and so like I can imagine where youmeant to put your foot exactly in thisspot but you missed it by an inch andyou're like oh I messed up but literallyno one can tell that you didn't put itan inch backwards where it was supposedto be and you missed it so you'd get upand go like oh crap I messed that up andthen they're like I don't know that wascrazy disappointed and that's you knowthat that's kind of been my you know myblessing and my curse because becauseI'm always out there searching for myown perfection it it pushes me I striveyou know I've worked I've always been aworker like I said I had two left feetyou know people will see me they're likewhat what do you mean you know but thatwas terrible mm-hmm I was terrible Iworked for everything that I had I'veI've had to break down use trained usemy mind you know more than the averagedancer because I had to like I've alwayshad to break down yeah an understandingof a step a combination of power movebody positioning like where I should beat a certain point in time so when I'mable to t like one I could a teacherit's helped me to really be a goodteacher to others because I myself couldnot do without having a full grasp orunderstanding you understand theintricacies of making them move yeah andI you know I think you can make moveswork but I think for me where it's beena blessing too is you know I've beenable to continue to grow and find moreefficient ways of doing things because Ijust because I can do something doesn'tmean I feel like that's the only way andthat there's not a better way I'm alwayssearching to see if there's a better wayI'm always questioning myself like yeahI feel it this way but I'm open to thepossibilities that I can do it better orthat there is a better way you knowbecause where I where I did something atthat point in time yeah it was effectiveyou know but yeah there's more you knowand we found a bunch of new ways whetherit be power moves or style of saying youknow what if you put your foot downfaster here you put this knee down youknow like and then we tried we're likeyeah that does work like dope and thenjust a whole new range of possibilitiescome in constantly you know so yeah it'samazing man I love it well I think withthat being said we could probably inthis show we've been going for an hourand 15 minutes already kind of timeflies by right yeah well yeah man Iappreciate you having me on you knowlike just being able to speak about allthe possibilities and the culture andour artistry mm-hmm you know cuz cuzthat's what we are you know I I alwaysappreciate the opportunities for to justconversate ya know it's important tokind of spread the ideas that we allhave and just put it out into the worldand see what other people have to sayabout it and just you know I guess theZulu nation each one teach one is it'simportant it's important in hip-hop todo that well yeah it's it's going to youknow like we're only a moment in time weare just a piece of of all of this so ifwe keep it to ourselves where does allthat knowledge go after after we're doneafter we leave you know like like I saidwe're only promised today so even withsomebody who has good intentions ohmaybe later I'll get around to it youknow like they're not promised that timeso you know yeah being able to sharewith each other is a vital part of anysociety yeah and as we said this dancehip hop is still in its infancy in a wayand that it you know there's so muchhistory that's you know beyond us soit's good to get these ideas out now andjust because you know we don't knowwhere the scenes gonna go from here andI mean it's it's it's exciting to seewhat is in store for the future anddefinitely yeah so well thank you forcoming on do you have any last-minuteshoutouts or anything you want to say orany plugs or anything which oh well justyou know the guys you know my brotherswhether it be master movements soulcontrol you know my my variousinspirations around the world you knowmy teacher airnow Coloma you know likeforgiving me just an opportunity youknow and even when he sees me now youknow he says and you were like the lastperson I ever would have thought wouldhave made hey you know yeah an impactbut look II look at you after all theseyears you know but but nobody canmeasure your heart your desire your playyour you know and many of the greatdancers I see around the world startedwith similar themes to where it was hardfor them at the beginning but nobody canmeasure their heart so you know if youhave a want for something do it for youyou know in the end always do it for youand have fun doing it the whole waythrough don't let anyone tell you whatyou can ordo I had that from the very beginningand many others have also we can dowhatever we put our mind to and I won'thave fun along the way here to herealright thanks you guys for listening[Music][Music]you 

A conversation with: Maureen Orey, Ed. D, CPLPCEO, Workplace Learning and Performance Group (aka. WLP Group)A message about building resilience, biomimicry and what we can learn from nature about how to stay afloat - especially in challenging times.Highlights from this conversation● A life of Tenacity, Resilience and Grit● Surviving the challenges of 2009 economic crisis● 90 Days away from foreclosure● Pivoting and shifting mindset from fear to taking proactive actions everyday● Creating new habits during this new normal● The foundational concept of Resilience● Story of the DUCK● What parents can do to stay afloat and involve the children● The Stay Afloat Model for Resilience ○ Connection ○ Develop new skills ○ Applying the new skills ○ Grit, Tenacity and Perseverance ○ Taking Care of Yourself ○ Follow your instinctsFollow/Contact Maureen:www.wlpgroup.com, Twitter @trainingleaderlinkedin.com/in/maureenoreyhttps://www.facebook.com/maureen.orey, https://www.facebook.com/stayafloatresilience/https://www.facebook.com/WLPGroup/https://www.instagram.com/maureenorey/600 B Street, Suite 300, San Diego, CA 92101619-475-8397

Works of art that look better in the dark.  Dave Moore and Joe Koncilla from Koncilja And Koncilja law firm shedding some light on a local landmark.  As Joe explains how he got the bright idea for Neon Alley and how decades later he keeps it shining. Joe calls it "the greatest assembly of neon art west of Time Square and east of the Las Vegas Strip."  Joe & Dave will illuminate Pueblo's past as they share a few stories behind some of the signs. You can check it out near the intersection of Union Avenue and B Street in downtown Pueblo or at puebloneonalley.com. Host: Dave Moore Guest: Joe Koncilla Editor: Carly Moore Music: J.B. Skelton

Founded in 1995 on Ogden's Historic 25th Street, Roosters Brewing is one of the oldest breweries in the state. Our visit, however, took us to the newest jewel in the Roosters crown — the B Street Brewery. It's a beautiful 30-barrel production brewery and taproom that opened in December 2018. We open the show talking briefly with Colton Layton, Roosters Brewery Engineer. But he only had a few minutes before he needed to head downstairs to oversee the latest canning run of Patio Pilsner. From there, we dive into the past, the present, and the future with Roosters Head Brewer (Ogden) Jacquie King. We talk about the legacy of Roosters Brewing in Ogden and how it helped to revitalize Historic 25th Street We discuss Jacquie's role as head brewer and how she is a well-respected advocate for the Utah craft beer community And we chat about a few events Roosters has planned to celebrate Women’s History Month For an accompanying article, please visit UtahBeerNews.com. Enjoy the episode! Episode 16 | March 8, 2019

Sean Keith interviews Benton County Judge, Barry Moehring, in this week's Inside Look At Legal. They discuss plans for the new B Street parking garage and Benton County Courts Facility. See plans for the Benton County Courts Facility here: https://bentoncountyar.gov/Media/Publication/Committees/Meeting/Meeting_2019117_0600%20PM_JP%20Committee_3_Misc.pdf

In this episode Evan Campbell (from Ep. 3) and I have fun with a play on 12 days of Christmas. We decided on 3 topics to list off 12 things: favorite NBA players to watch right now, favorite Christmas traditions/Holiday foods, and NCAA Division 1 coaches that we think can make the jump to the NBA and be competitive at that level. In this part 2, we talked about the 12 college coaches that we think can make the jump to the NBA and we covered the other half of our favorite Christmas traditions. If you have not listened to part 1, I encourage you to check it out. I hope you enjoy this episode! My links: www.instagram.com/itsenzoforshort/ For business inquiries (regarding sponsors etc.): enzosison@gmail.com Song: Pythan by Rhomar Jessy and Enzo Gran ft. Killawatts www.2lin.cc/RACE2BURFMIXTAPE --- Support this podcast: https://anchor.fm/b-street/support

Merry early Christmas! We are back from the break! In this episode Evan Campbell (from Ep. 3) and I have fun with a play on 12 days of Christmas. We decided on 3 topics to list off 12 things: favorite NBA players to watch right now, favorite Christmas traditions/Holiday foods, and NCAA Division 1 coaches that we think can make the jump to the NBA and be competitive at that level. In this part 1, we talked about our favorite players to watch and we covered half of our favorite Christmas traditions. For part 2 tune in to the next episode. I hope you enjoy this episode! My links: www.instagram.com/itsenzoforshort/ For business inquiries (regarding sponsors etc.): enzosison@gmail.com Song: Pythan by Rhomar Jessy and Enzo Gran ft. Killawatts http://www.2lin.cc/RACE2BURFMIXTAPE --- Support this podcast: https://anchor.fm/b-street/support

Finally! The first episode of B-Street! In this episode I explain why I started B-Street and the idea behind it. I also tell a little bit about myself and my journey to this very moment. For business inquiries: enzosison@gmail.com https://www.instagram.com/itsenzoforshort/ Song: Pythan by Rhomar Jessy and Enzo Gran ft. Killawatts --- Support this podcast: https://anchor.fm/b-street/support

Jeremy Foley is your SCCA Autocross B Street National Champion. This was an entertaining and enlightening podcast with Jeremy. After listening to this I bet you will be working on your plan for yourself as well finding a way to test, test and test some more......  I know I am! He covers a lot from … Continue reading "Jeremy Foley is your SCCA Autocross B Street National Champion"

Bäckängspodden 3 – 2018

This is the trailer for B-Street!!! I will be releasing an episode once a week every Friday night. Be sure to subscribe, rate, comment and tune in every week. You can also follow me on instagram @itsenzoforshort. Thanks for listening and tune in to my first episode! --- Support this podcast: https://anchor.fm/b-street/support

Dags igen! Ny podd.

Nytt år, nytt avsnitt.

Avsnitt 9.

ENJOY THIS EPISODE: Brian Hissong gives us the 411 or should we say 104 on B Street, a pub-style restaurant offering classic American foods. Brian, Co-Owner of Greencastle, Pennsylvania’s delicacy, dishes about the history of the building and his American dream of entering the food business. Starting off as a hotel, Brian remodeled the building...

Bäckängspodden 8

Vi pratar om iv-val, rosudelning och förintelsens minnesdag.