Podcasts about Britannicus

Captīvus reductus Georgius Glezmann, quem Talibānī ab annō bis millēsimō vīcēsimō secundō vinculīs tenēbant, est līberātus atque in Americam reductus. Talibānī dīxērunt sē captīvum dīmīsisse nōn, ut aliquis Afghanus sibi trāderētur, sed ut signum bonae voluntātis Americānīs magistrātibus offerrent. Senātōrēs Eurōpaeī corruptī Pūblicus accūsātor Belgicus nūntiāvit quīnque hominēs reōs esse corruptiōnis, cum Huawei societas Sinica magna dōna senātōribus ab annō bis millēsimō vīcēsimō prīmō dare ferrētur. Inter eōs, quōrum scriptōria ā magistrātibus excussa sunt, numerātur Adam Mouchtar, quī ōlim sociātus erat cum Ēvā Kailī, annō bis millēsimō vīcēsimō secundō dōnōrum ab Qatarēnsibus acceptōrum accūsātā. Eō annō magistrātūs Americānī interdixērunt nē quis Americānus commercium cum Huawei habēret, ut quae societās cum speculātōribus Sinicīs coniunctior esset quam ut digna fidē vidērētur. Reclāmātur per Eurōpam Orientālem Multae cīvitātēs Eurōpaeae, quae ōlim in Ūniōnem Sovieticam ascītae vel cum illā foedere iunctae erant, nunc in factiōnēs dīviduntur. In Georgiā ab Octōbrī mēnse, in Rōmāniā Serbiāque ā Novembrī, et nuperrimē in Hungāriā reclāmātur. In Rōmāniā, in magistrātūs, qui metuunt nē speculātōrēs Russicī comitia populāria mēnse Māiō habenda subvertant, populārēs in Russōs prōniōrēs reclāmant; contrā in Georgiā reclāmātur in magistrātūs quī Russīs favent, cum populus in Ūniōnem Eurōpaeam ascīscī velle videātur. Hungāria autem et Slovacia habent magistrātūs quī secundum voluntātem populī Russīs nōn adversantur neque cupiunt ab Ūniōne Eurōpaeā Russīs īnfestā dēscīscere. Trēs reī terrōris in Teslam īnferendī Trēs hominēs, ūnus in Oregōniā cīvitāte, alter in Colōrātō, tertius in Carōlīnā Merīdiōnālī comprehēnsus, reī sunt terrōris in Teslam societatem īnferendī. Omnēs pyrobolīs Molotoviānīs armātī impetūs fēcērunt vel in ipsa ēlectrica vehicula, vel in tabernās ubi vehicula vēneunt, vel in statiōnēs ubi vehicula vī ēlectricā potius quam petroleō replentur. Imamoglu vinculīs tenētur Ekrem İmamoğlu, Cōnstanīnopolitānae urbis praefectus quī etiam mox nōminandus erat candidātus Recep Tayyip Erdoğan oppōnendus, comprehēnsus est et vinculīs tenētur; ambiguitur autem an sit crīmine accūsandus. Multī igitur reclāmant in magistrātūs, quippe quī magis salūtem factiōnis tuērī quam iustitiam retinēre videantur. Bellum cīvīle in Sudāniā Mīlitēs magistrātibus Sudāniēnsium fidēlēs palātium ā dēscīscentibus recēpērunt, quamquam in prōvinciīs occidentālibus Auxiliāriī Vēlōcēs, quī contrā exercitum magistrātūsque bellum cīvīle gerunt, adeō pollent ut dīvīsiō Sudāniae in partēs duās imminēre videātur. Trāmen Arāguae Adeōdatus Cabellus, Venetiolānōrum minister rēbus interiōribus praepositus, negavit ullōs Ventiolānōs in Salvtōriam ab Americānīs dēportātōs in numerō latrōnum sub nōmine “Trāminis Arāguae” coniūrātōrum esse habendōs; dīxit autem ipsam societātem esse annō bis millēsimō vīcēsimō tertiō excīsam.  Quod male congruit cum sententiā magistrātuum Chilēnsium, quī, cum cognōscerent mortem Ronaldī Ojedae, mīlitis dissidentis quī tyrannidem Ventiōlānam fūgisset, didicērunt Adeōdatum Cabellum ipsum ministrum imperāsse Hectorī Rusthenfordō Guerrērō Flōrēsō, dūcī Trāminis Arāguae, ut Ronaldus Ojeda dē mediō tollerētur.  Magistrātūs Americānī quinquiēns centēna mīlia dollarōrum prōmittunt eī, quīcumque Guerrērum Flōrēsum reddiderit in dīciōnem Americānōrum. Heathrow clausus Āeroportus Britannicus, Heathrow nōmine, quī in Eurōpaeā regiōne est maximus, clausus est, cum vī ēlectricā prīvātus esset. Adhuc incertum est, quā negligentiā ullus magnus āeroportus, nēdum inter tōtīus mundī principlālēs numerandus, potuerit vī ēlectricā prīvārī.

La compagnie « Les Epis Noirs » vous propose un spectacle déjanté, « Britannicus Musical Circus ». Cette troupe est pleine d'inventivité et de dynamisme. Théâtre, musique et chant se mélangent. La dérision n'empêche pas l'émotion. Néron et Britannicus sont amoureux de la même femme, Junie. Leur rivalité est au coeur de l'intrigue. Les alexandrins sont respectés mais chantés et détournés. Le spectateur est emporté dans un délire foisonnant. « Britannicus Musical Circus », c'est jusqu'au 9 février Rendez-vous au Théâtre le Lucernaire, 53 rue Notre Dame des Champs dans le 6ème, métro Notre-Dame-des-Champs ou Vavin. Crédit photo : @ Olivier Brajon

The Ancient Greeks believed they existed before the dawn of time, yet they're a mystery to most, so, for this week's Bonus Episode we're exploring the long and complex history of Nymphs!Part of the "Three Ravens Bestiary" series, we start off discussing the roles Nymphs played in the Greco-Roman pantheon, including how they were classified and eventually used, in Imperial projects, to present local and regional gods of pagan cultures, such as the Celts and Britons, as less powerful than the Olympians. This then sees us look at examples of some ancient genius loci from across England, including those found in shrines at Hadrian's Wall, where some local deities defied the odds and survived well into Christianization, later becoming recognised as Saints. From there we head in two directions - firstly, forward, via Chaucer, Marvell and Shakespeare, into a place where Nymphs and Faeries got a little bit muddled up in the British mindset. After that, we journey back to the start, exploring how writers like Hesiod, Homer, and many others, developed and contributed to the collective idea of 'Nymph Lore' - the roles Nymphs played in city foundation, how they were worshiped, and what 'Nympholepsy' - Nymph Madness - was, and why some people sought it out! Via discussions of the 18th century invention of the idea of 'Nymphomania' - in contrast with other misogynistic (and anti-British) ideas such as Tacitus' characterisation of the Roman Witch Empress Messalina, the vengeful Iceni Queen Boudica, and figures like Britannicus, we wash up in the present day - a time when being called a "nymph" seems to have nothing to do with nature spirits, and much more to do with systems of power and control...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

durée : 01:45:00 - Les Nuits de France Culture - par : Philippe Garbit - "Lectures a une voix", une lecture de l'intégralité de "Britannicus", de Racine par Jean Marchat, Sociétaire de la Comédie Française (1ère diffusion : 13/09/1956 Chaîne Nationale). - réalisation : Virginie Mourthé

Symon Wilde joined Racing Pulse with an update on the stable's runners for the week at Warrnambool including Britannicus in the Brierly. See omnystudio.com/listener for privacy information.

8-III-2024. TRANSLATIONES a Luis Pesquera SUNT. DE BELLO ISRAËLIANO-HAMASIANO ANNI DOMINI BIS MILESIMO VICESIMO TERTIO ET QUARTO. ‘NATIONES UNITAE (anglice ‘U-eN’)’ ‘DICIT’ ‘Israelem’ ‘captos palaestinenes’ ‘ABUSUM ESSE’ - {De syntaxe: infinitivi orationem secundariam completivam ATTENDE}. /// ‘COPIAE ad Israelem Defendendum (anglice I-De-eF)’ ‘longiorem cuniculum’ ‘in Gazae septentrione’ ‘DESTRUIT’ - {De morphologia: adiectivum in gradum comparativum ATTENDE}. /// ‘De pacis colloquiis pro Gaza hac hebdomada’: ‘Iosephus BIDEN, praeses Civitatum Foederatarum,’ ‘DICIT’ ‘armistitium’ ‘in Hamas manibus’ ‘ESSE’ - {De syntaxe: infinitivi orationem secundariam completivam ATTENDE}. Postridie, ‘HAMAS’ ‘EXIGET:’ ‘primum armistitium et postea negotium’. Deinde, ‘Pacis COLLOQUIA’ ‘REFRENANTUR’. /// ‘BIDEN’ ‘portum proprium’ ‘ad Gazam auxiliandum’ ‘AEDIFICAT’ - {De morphologia: constructionem cum gerundio ATTENDE}. /// ‘Viginti septem CAPTI a Gaza’ ‘in cellario Copiarum ad Israelem Defendendum (anglice ‘I-De-eF’)’ ‘PERIERUNT’ - {De morphologia: constructionem cum gerundio ATTENDE}. /// ‘In Gaza,’ ‘DESTRUCTIO’ ‘irrevocabilis’ ‘EST’. IN ORBE TERRARUM. ‘AURUM et NUMMUS ELECTRONICUS (anglice ‘Bitcoin’)’ ‘in summo pretio’ ‘SUNT’. IN CIVITATIBUS FOEDERATAE AMERICAE. ‘TRUMP’ ‘VINCIT’ et ‘ad nominationem’ ‘APPROPINQUATUR’. /// ‘NUMMUS ELECTRONICUS, Bitcoin appellatur’, ‘SUBLIMATUR’ - {Ex lexico nostro: vox ‘Bitcoin’ ‘nummus electronicus’ vel ‘nummus virtualis’ ‘DICI POTEST’}. /// ‘TRUMP, qui candidatum republicanum nominaturus est,’ et ‘BIDEN, praeses Civitatum Foederatarum,’ ‘in super die Martis’ (anglice ‘super Tuesday’) ‘VINCUNT’ - {De morphologia: orationem perifrasticam activam ATTENDE}. /// Deinde, ‘Nikki HALEY, anterior gubernatrix et anterior legata Nationibus Unitis,’ ‘competitionem republicanam’ ‘pro nominatione’ ‘EXIT’. /// ‘BIDEN’ ‘in Oratione ad Nationem’ ‘LUCRANTUR’ ut ‘Trump BATTUAT’, ‘agendam suam SUBVENIAT’, ‘et laborem suum PLAUDAT’ - {De syntaxe: orationes secundarias finales ATTENDE}. IN BRITANNIÁRUM REGNO. ‘Ieremias HUNT, cancellarius Britannicus,’ ‘suffraggia’ ‘tributorum diminutione’ ‘CONQUIRIT’. IN CANÁDA. ‘In Ottaviae CAEDE’, ‘matrem, quattuor filios et maritum’ ‘a puero’ ‘NECANTUR’. IN GERMANIA. ‘De assultu ad Tesla’. ‘Sinistris EXTREMISTRAE’ ‘assultum contra Tesla’ ‘ADDICUNTUR’. /// ‘De migrationis conventu’. ‘FACTIO POPULARIS EUROPAEA’ ‘applicare Ruandae exemplar’ ‘ad migrationis politicam’ ‘VULT’. /// Sed ‘Ursula DE LEYEN’ ‘a Ruandae exemplari’ ‘AMOVETUR’. IN FRANCIA. ‘Habitationum DISCRIMEN’ ‘ad Europam totam’ ‘ADVENIT’. /// ‘Macron INCEPTIONES solitariae’ ‘gentibus’ ‘CONFUNDUNT’. /// ‘Ce-A-Ce, praecipuus Francicus index bursarius,’ ‘ad cifram maximam historicam’ ‘ADVENIT’. IN POLONIA. ‘AGRICOLAE iratae’ ‘Unionis Europaeae politicis climaticis’ ‘in Varsovia’ ‘PROTESTANTUR’. IN DUBAI. ‘DUBAI’ ‘ad argentarias externas’ ‘cum viginti centesimis’ ‘quotannis TAXABIT’. IN SINAE. ‘Quartus decimus CONGRESSUS NATIONALIS POPULI’ ‘in Sinis’ ‘TENETUR’. ‘XI JINPING, secretarius generalis Factionis Communistae Sinensis et praeses Rei Publicae Popularis Sinarum,’ ‘necessitas promovendi’ ‘qualitatem laborem’ ‘CORROBORAT’ - {De morphologia: constructionem cum gerundio in caso genitivo ATTENDE}. /// ‘Sinarum impendium in defensione’ ‘septem punctum duos centesimas’ ‘AUGMENTABITT’. IN COREA MERIDIONALI. ‘Coreae Meridionalis Productus Domesticus Generalis (breviter ‘Pe-De-Ge’)’ ‘duos punctum sex centesimas’ ‘AUGMENTABIT’. IN NIGERIA. ‘COETUS criminialis’ ‘circa ducentos octoginta discipulos’ ‘a Kaduna scholis’ ‘ABRIPIUNT’. IN UCRÁINA. ‘Vladimirus ZELENS’KYJ’, praeses Ucrainae,’ ‘a morte’ ‘AVERTIT’ quia ‘missile’ ‘centum et quinquaginta metris’ ‘CADIT’- {De syntaxe: orationem secundariam causalem cum verbo in modo indicativo et cum coniuctione ‘quia’ ATTENDE} /// ‘Vladimiurs ZELENS’KYJ’ ‘in Turcia’ ‘EST’ ut ‘cum recep Tayyip Erdogan, Turciae primus minister,’ ‘de Ucrainae bello et de navegatione in Ponto Euxino (vel Mare Nigro)’ ‘FABULETUR’ - {De syntaxe: orationem secundariam finalem cum verbo in modo subiunctivo et cum coniuctione ‘ut’ ATTENDE}. IN SUECIA. ‘SUECIA’ ‘ad Consociationem ex pacto Atlantico Septentrionale (litteris compendiariis ‘eN-A-Te-O’)’ ‘iam PERTINET’. IN RUSSIA. ‘Yulia NAVALNAYA, Alexii Navalnyj vidua’ ‘ad manifestandum’ ‘contra Putin’ ‘in comitiis proximis’ ‘VOCAT’. /// TRANSLATIO proxima ab Alissa Souza EST. Moscua aliam navem bellicam amittit. Haec navis bellica modernissima in Mare Nigro ab aeroplanis non gubernatis ucrainiensibus victima fuit. IN ARABIAE SINU. ‘In Arabiae Sinu,’ ‘primus ASSULTUS mortalis’ ‘contra Liberiae navem onerariam’ ‘ab houthi’ ‘FUIT’. /// Et postea, ‘PYROBOLI’ ‘contra houthi’ ‘in Yemen’ ‘CONICIUNT’. IN IRANIA. ‘IRANIA’ ‘ad cifra maxima a mortibus destinatis’ ‘in anno’ ‘ADVENIT’. IN HAITIA. ‘STATUS extraordinarios’ ‘in Haitia’ ‘EST’. /// ‘Haitiae portus principalis’ ‘CLAUSUS EST’. IN PERUVIA. ‘Albertus OTÁROLA, Peruviae primus minister,’ ‘post corruptionis accusationes’ ‘ABDICAT’. IN HISPANIA. ‘SÁNCHEZ’ ‘amnestiam’ ‘Puigdemont’ ‘DAT’. IN VENETIOLA. ‘Comitia’ ‘in Venetiola’ ‘inter diem vicesimum primum mensis Martii et diem vicesimum quintum mensis Martii’ ‘ERUNT’. IN PERUVIA. ‘Peruviae CONGRESSUS’ ‘legislaturam bicameralem’ ‘APPROBAT’. /// Postridie, ‘CONGRESSUS’ ‘ad Agnetem Tello et ad Aldo Vásquez’ ‘per annorum decem proximorum’ ‘INTERDICIT’ - {sententiam ‘per annorum decem proximorum’ ATTENDE} IN MEXICO. TRANSLATIONES a Casandra Freire SUNT. /// Solum centesima candidatorum securitatem postulat. /// Securitatem delegant illorum candidatorum in pericula incidunt. /// Educatores urbis Ayotzinapae cum autocineto Commissionis Federationis Electricitatis (id est Ce-Fe-E) ianuam Palatii nationalis perruperunt, deinde iis poenas cum gasio dedunt. /// Exportationem autocinetorum viginti duo punctum sex centesimae amplificat cum novo maximo aucto februariis. IN BRASILIA. TRANSLATIO proxima ab Alissa Souza EST. /// Febris dengue ad gradum epidemicum pervenit. São Paulo emergentiam declarat. IN ARGENTINA. ‘In Argentina,’ ‘contra Fernandez’ ‘cautionum privatae scandalum’ ‘SUNT’.

Recorded live on December 21st, 2023   Two people making music on the fly… Bugs In The Basement creates improvised musical journeys from an array of vintage and handmade instruments to modern technologies. Recorded live from our basement studio in the Pacific Northwest, each week we experiment in the process of making exploratory music and soundscapes. Unmixed, unedited and unapologetic. www.bugsinthebasement.com

durée : 01:04:59 - Les Nuits de France Culture - par : Albane Penaranda - En 1973, le comédien François Périer joue les animateurs de radio et reçoit des personnalités du monde des arts et du spectacle. Dans ce deuxième entretien, ses invités sont l'écrivain Jean Anouilh, l'actrice Francine Bergé, l'éditeur Raymond Lévy et le graveur Charles Sorlier. - invités : Jean Anouilh; Francine Bergé Comédienne; Charles Sorlier graveur; Raymond Lévy écrivain et éditeur résistant

Francis Ducharme a entamé, au début des années 2000, un parcours riche d'expériences où il exploite à la fois ses talents de comédien et de danseur. Il a pris part à de nombreuses productions au cours des dix dernières années, notamment, Cinq visages pour Camille Brunelle, On ne badine pas avec l'amour, Bonjour, là, bonjour, Toccate et fugue, L'Idiot. En 2019, il brille dans la pièce Britannicus, mis en scène par Florent Siaud (TNM). Son interprétation de Néron lui a valu le prix du meilleur interprète masculin remis par l'Association québécoise des critiques de théâtre. Il était récemment de la distribution de Corps titan, présenté au Théâtre d'Aujourd'hui. La carrière cinématographique de Francis a débuté en 2003 avec le long métrage Elles étaient cinq de Ghislaine Côté. L'année suivante, il a incarné Paul dans C.R.A.Z.Y. de Jean-Marc Vallée. On l'a ensuite vu dans La Capture (Carole Laure), Grande Ourse – La Clé des possibles (Patrice Sauvé), Les Signes vitaux (Sophie Deraspe), Corbo (Mathieu Denis). En 2015, il personnifie Joe Lebel dans le film Chasse-Galerie de Jean-Philippe Duval et récemment dans Dis-moi pourquoi ces choses sont si belles de Lyne Charlebois. À la télévision, il a entre autres joué Une autre histoire, Avant le crash 2, Les mecs, Victor Lessard, Mon ex à moi II et Belle-baie. Francis a une exceptionnelle carrière de danseur qui lui a fait parcourir le monde. Il a pris part aux spectacles Babel (Sidi Larbi Cherkaoui, Damien Jalet), Les Jolies Choses et Affadissement du merveilleux (Catherine Gaudet), Danse mutante et Animal triste (Mélanie Demers) et Cosmic Love (Clara Furey). Son premier solo de danse intitulé « Mains moites » sera présenté à l'Agora de la danse les 6, 7 et 8 septembre 2023 à 19 h et le 9 septembre 2023 à 16 h. Supplémentaires le 13 et 14 septembre à 19h00. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Symon has a nice team of horses heading to Bendigo today and his jumpers are off to Sandown on Sunday including Brierly winner Britannicus in the Australian Steeplechase

A recent graduate from LAMDA, Ned Costello has been making quite the impact on the theatre scene. Since his debut understudying Nero in the Lyric Hammersmith's production of Britannicus last year, Ned has gained a reputation for playing being one of few young actors truly able to capture the essence of a theatrical villain. He's currently preparing to open the Park Theatre's highly anticipated revival of Philip Ridley's Leaves of Glass where he will play the central character of Steven. After a period of playing to large houses like the Lyric Hammersmith and Nottingham Playhouse, this will also mark a return for Ned performing in an intimate studio space with the play arriving at Park Theatre's PARK90 auditorium. In their first major interview, Ned Costello opens up about the past year - stepping onto the Lyric Hammersmith stage last minute to play the legendary Roman Emperor Nero and then playing opposite Olivier Award winners Adrian Scarborough and Sophie Thompson in The Clothes They Stoop Up In. His debut has excited audiences and his peers as anticipation grows around Leaves of Glass. Throughout our interview, he shares his unwavering enthusiasm for the industry that he's joined. After finishing a Politics and International Relations degree at University of Bristol, his transition to acting was perhaps not unexpected after spending some time with NYMT - he even shares he was mentored by West End leading lady Alex Young! When we ask him if he'd be interested in returning to musicals, he immediately sprites up - expressing his love for Standing at the Sky's Edge and Cabaret which have opened to huge acclaim. Nevertheless, Ned Costello remains one of the most exciting new actors to emerge onto the stage and we look forward to Leaves of Glass and anything he does next.Leaves of Glass plays at Park Theatre on 11 May - 3 June and tickets are available now.

Daf Yummy épisode 668. Ketoubot 82 : Britannicus. Frères ennemis. La révolution du mariage. by Myriam Ackermann Sommer

Solo Théâtre : « Britannicus » de Racine (public) • Interprété par Les Livreurs • www.leslivreurs.com •

Lindy Davies has worked as a Director, Actress, Actor Trainer and Performance Consultant, winning awards and nominations for performance, direction and inspirational leadership. Her contributions to our cultural heritage and stages are remarkable and many. Lindy Davies was a founding member of La Mama in Melbourne; a company that forged a new wave of theatre writing and performance in Australian theatre.Her work as an actress includes film and theatre. She was awarded the A.F.I as Best Supporting Actress for the film Malcolm. And on stages has mesmerised in Scenes from an Execution (Belvoir), The Seagull, Who’s Afraid of Virginia Woolf? and Wild Honey (SATC), Upside Down at the Bottom of the World, World is Made of Glass, Buried Child (Playbox); and with Rex Cramphorn's Actor's Development Stream: Antony and Cleopatra, Britannicus, Hamlet, Not Suitable for Adults and Every Good Boy Deserves Favour.Lindy Davies has worked extensively as a performance consultant in film in Toronto, Vancouver, New York, London and Sydney. She conducted Performance workshops for actors, writers and directors at the Canadian Film Centre from 2010 - 2019.Lindy worked with Julie Christie on Robert Redford’s The Company You Keep and Catherine Hardwicke’s Red Riding Hood. Previously she worked with Julie on Stephen Poliakoff’s Glorious '39 and Sarah Polley’s Away From Her for which Julie won a National Board of Review Award, a Critics’ Circle Award, a Screen Actor's Guild Award and a Golden Globe Award for Best Actress. Julie Christie was also nominated for an Academy Award for this performance.Lindy's work as a Director includes productions in Europe and Australia. For the National Theatre of Slovenia: Scenes From an Execution and The Changeling. Old Times at the Moscow Maly Theatre. At Wyndham's Theatre in London’s West End: Old Times (with Julie Christie, Leigh Lawson and Dame Harriet Walter) and Hedda Gabler at Chichester Festival Theatre (with Dame Harriet Walter, Nicholas Le Prevost and Phyllida Law). At the Sydney Theatre Company she has directed Three Days of Rain, A Month in the Country and Old Times. With Bell Shakespeare; As You Like It and at Belvoir Street; Scenes from an Execution.Lindy has also been involved in Actor Training for thirty years. She was Head of the School of Drama at the former Victorian College of the Arts from 1995 to 2007 and also held the position of Head of Acting at the Victorian College of the Arts from 1979 to1982.She is presently writing a book on her Approach to Performance: The Intuitive Actor... a path to Autonomy.The STAGES podcast is available from Apple podcasts, Whooshkaa and Spotify. Also from where you find your favourite podcasts. www.stagespodcast.com.au

This is where the story becomes really weird. Nero, up until now the golden child, suddenly becomes a cold murderer with the murder of Britannicus. The post Nero #7 – Salacious Stories appeared first on Life Of The Caesars.

După ce Lucius Domitius Ahenobarbus, fiul Agrippinei Minor, este adoptat de Claudius, e doar o problemă de când, nu dacă Claudius și fiul lui, Britannicus, vor dispărea din peisaj. Cu o evoluție care ne amintește de mama Cenușăresei, dar cu mai multă eficiență, Agrippina construiește un împărat din Domitius, adoptat sub numele de Nero Claudius Caesar Drusus Germanicus. Ni se pare fantastic cât de mult se călărește valul de popularitate al lui Germanicus; un adevărat populares, Nero ia fața fratelui său vitreg, și, probabil, și viața.

This is where the story becomes really weird. Nero, up until now the golden child, suddenly becomes a cold murderer with the murder of Britannicus. The post Nero #6 – ARMenia appeared first on Life Of The Caesars.

Episode numéro 7 du podcast 3eACTE qui traitera de "Britannicus" de Jean Racine. Bonne écoute !!

Jean-Luc Brassard souligne le 40e anniversaire de l'expédition d'André Laperrière de Gatineau à Kuujjuaq; le capitaine Raymond Jourdain commente la réouverture de la voie maritime du Saint-Laurent; la DreCaroline Quach-Thanh discute des vaccins contre la COVID-19; Evelyne Ferron présente des civilisations antiques et leur rapport avec l'eau; Elisabeth Vallet analyse la vague migratoire aux États-Unis; Sylvie Drapeau et Florent Siaud présentent leur pièce Britannicus au balcon; et Jim Corcoran souligne le Mois de la poésie.

This is where the story becomes really weird. Nero, up until now the golden child, suddenly becomes a cold murderer with the murder of Britannicus. The post Nero #5 – Fight Club appeared first on Life Of The Caesars.

This is where the story becomes really weird. Nero, up until now the golden child, suddenly becomes a cold murderer with the murder of Britannicus. The post Nero #4 – Nero The Murderer appeared first on Life Of The Caesars.

durée : 01:28:41 - Dominique Blanc, comédienne - par : Priscille Lafitte - Dominique Blanc déroule sa partition personnelle, de Mozart à Janacek. Elle commente les rôles qu’elle a incarnés sur scène - Agrippine dans Britannicus, Suzanne dans le Mariage de Figaro -, pour lesquels elle est allée puiser son inspiration dans les opéras de Haendel et de Mozart. - réalisé par : Marie Grout

Diplômé de l'École nationale de théâtre, Etienne Boucher se lance rapidement dans un rythme effréné de créations dès sa sortie de l'institution en 1999. S'intéressant au théâtre, mais s'immisçant au côté de la danse, de la comédie musicale, de l'opéra et du cirque, sachant interagir avec les univers dramatiques et chorégraphiques rencontrés, réinventant constamment sa syntaxe lumineuse, le concepteur crée, dès ses tous débuts, des propositions remarquées. L'unicité de son travail n'échappe pas à la vigilance de ses pairs et de la critique, voire à celle des jeunes qui, à deux reprises, lui décernent le prix du public étudiant du Théâtre Denise-Pelletier pour les éclairages (L'homme de la Mancha), 2004-2005; Britannicus, 2005-2006). De même, il récolte une ribambelle de nominations à la soirée des Masques. Et en 2007 il accomplit un doublé, l'Académie québécoise du théâtre lui décerne le Masque de la conception des éclairages pour Du vent entre les dents mis en scène de Martin Faucher (Théâtre d'Aujourd'hui, 2007) ainsi que pour la Dame aux Camélias, mise en scène de Robert Bellefeuille (TNM, 2006). Une importante collaboration s’amorce en 2003 avec le metteur en scène Robert Lepage où émerge des projets de théâtre, d’opéra et de ballet. Tous des projets qui l’amèneront à travailler à l’international. Dès le début il met en lumière La Celestina qui sera présenté en tournée en Espagne. The Rake’s Progress sera sa première incursion à l’opéra. Production qui fera le tour du monde en passant par le Covent Garden de Londres et la Scala de Milan.Son plus important projet sera sans contesté la conception des éclairages de la tétralogie de Wagner Der Ring des Nibelungen au Metropolitan Opera de New York. Un gigantesque projet qui s’étalonne sur presque 6 ans de travail. En 2011 avec la présentation du premier épisode de la Tétralogie de Wagner L’Or du Rhin et Totem (Cirque du Soleil) observés par le magazine LDI, on lui décerne le Redden Awards for Excellence in Lighting. Le metteur en scène de Québec lui confiera la conception des éclairages de Frame by Frame avec The National Ballet of Canada soit une première aventure dans le domaine du ballet pour les deux complices. Le ballet sur l’artiste visuel Norman McLaren lui méritera le Dora Mavor Moore Awards 2019 pour sa conception lumineuse.Crédit photo: Alexandre BoucherSoutenez ce podcast http://supporter.acast.com/lueur. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Graham is best known for his role playing Nigel Pargetter in the BBC radio series The Archers from 1983 until January 2011. After his character's death in 2011, Seed played himself as the villain in a Radio 4 pantomime who plans to bring down Radio 4 by releasing the Pips, but ultimately falls to his death whilst retrieving a banner, paralleling his Archers character. In addition to The Archers, Seed has appeared in the well-known "Is it on the Trolley?" sketch, alongside Victoria Wood (its author) and Duncan Preston in Wood's As Seen on TV series, the TV soap operas Brookside (1995–97, as Dick Thornton), Coronation Street (1981, as a solicitor) and Crossroads (1985–88, as Charlie Mycroft).His other roles include the adult Britannicus, son of the emperor Claudius in the BBC adaptation of Robert Graves' I, Claudius (1976), Harrop in William Boyd's Channel 4 Film Good and Bad at Games (1983) and Jorkins in the first episode 'Et in Arcadia ego' of the  Granada Television television adaptation of Brideshead Revisited (1981). He also appeared in the Richard Attenborough's 1982 period biographical film Gandhi (1982), ATV's Edward the Seventh (1975), Bergerac (1981), C.A.B. (1986) Midsomer Murders (2009) and Wild Target (2010).

durée : 01:45:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Lectures a une voix", une lecture de l’intégralité de "Britannicus", de Racine par Jean Marchat, Sociétaire de la Comédie Française (1ère diffusion : 13/09/1956 Chaîne Nationale). - réalisation : Virginie Mourthé

durée : 00:05:47 - Coulisses - par : Patricia Martin - La culture se déconfine elle aussi. Depuis lundi, les artistes ont pu reprendre le chemin des répétitions. Comme cela a été le cas aux Tréteaux de France à Aubervilliers.

This week we're go all the way back to the blood-soaked streets of the Roman Empire to tell the tale of lamentable lady Locusta - the world's first serial killer - and her employer Agrippina The Younger. Learn how they used feathers, mushrooms and hot wine to bring one of history's most notorious emperors to power, and prepare to be horrified and puzzled at how Locusta eventually met her end...This week's secret ingredient is....a feather!Sources include History.com, Wiki, Kings and Generals (YouTube), Naked History but all are based on the writings of Tacitus, Suetonius, Cassius Dio and other historians from the time. The episode image is "Locusta testing in Nero's presence the poison prepared for Britannicus", painting by Joseph-Noël Sylvestre, 1876. View the full image on Wiki or our Facebook posts! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

durée : 01:45:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Lectures a une voix", une lecture de l’intégralité de "Britannicus", de Racine par Jean Marchat, Sociétaire de la Comédie Française (1ère diffusion : 13/09/1956 Chaîne Nationale). - réalisation : Virginie Mourthé

durée : 01:45:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Lectures a une voix", une lecture de l’intégralité de "Britannicus", de Racine par Jean Marchat, Sociétaire de la Comédie Française (1ère diffusion : 13/09/1956 Chaîne Nationale). - réalisation : Virginie Mourthé

On questionne le mythe de la grande noirceur avec Francis Denis. On revient sur la pièce Britannicus de Racine avec Marie-Jeanne Fontaine. On parle de psychologie catholique avec Mathieu Hart. ♫♫♫ Laurence Castera - Au bout de la route Joep Beving - Henosis Big Thief - OFOF --- Send in a voice message: https://anchor.fm/onpdm/message

Regard sur le monde:Charlotte Simonart, journaliste à Nairobi ; Comprendre la chasse aux Roms en France avec Liliana Hristache ; Chronique municipale avec Marc-André Carignan:Remaniement au Conseil exécutif ; Fin des opérations de la Ligue canadienne de hockey féminin avec D. Sauvageau ; Chronique politique avec Sébastien Bovet: ; Entrevue avec Manon Massé:QS contre l'interditction des signes religieux ; Économie avec René Vézina:Hausse des tarifs d'Hydro Québec ; Chronique techno de Matthieu Dugal:Nobel d'informatique, et après? ; Duo Marie Grégoire et François Cardinal ; Entrevue avec Sylvie Drapeau:La pièce Britannicus au TNM ; Chronique de Josée Blanchette:La sexualité dans l'Église

L'actualité culturelle à New York avec Emmanuel Kattan. Faits divers avec Steve Gagnon; Vos cheveux phosphorescents. L’Antiquité pour les nuls avec Pierre-Luc Brisson; Les nouvelles découvertes scientifiques sur la destruction de Pompéi. Daphné B. et Kevin Lambert ont lu King Kong Théorie, de Virginie Despentes. Isabelle Richer et Jean-Philippe Cipriani; La folle enquête de Stieg Larsson, de Jan Stocklassa (aux origines de Millenium). Florent Siaud et Francis Ducharme pour la pièce Britannicus. Pourquoi j’écris? Les réponses de Sylvie Drapeau qui publie La terre, dernier opus de la tétralogie.

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"actors in this drama" [SECO]  Basil Rathbone and Nigel Bruce. Their names are forever linked, just as Sherlock Holmes and Dr. Watson are. And it is their remarkable seven-year collaboration that we discuss in this episode.   You've seen their likenesses in still photos. You've probably heard their voices in audio recordings. And you've had a chance to see their films from the late 1930s and early 1940s, whether in the theater, as a Saturday afternoon matinee on television, public TV pledge drive, or perhaps on a DVD or on YouTube.   The point is this: regardless of your level of fondness or distaste for this pairing, they remain iconic and inextricably linked to their portrayals of the world's greatest detective and his medical companion. Yes, it was Nigel Bruce's version of Dr. Watson that was called boobus Britannicus, but it seemed to fit with the times and with the air of the series.    We take you on a journey from their initial outing in The Hound of the Baskervilles and The Adventures of Sherlock Holmes in 1939 at 20th Century Fox, to their radio drama collaboration under Edith Meiser and later Anthony Boucher, and through the 12-film series under the Universal banner. Audio clips from the films and the radio show are included as we All of these portrayals left a permanent mark on their careers as well as on the world of Sherlock Holmes.     And please consider joining our . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services.     Sponsors This episode includes our two longtime sponsors, plus a new addition. Please support our sponsors by visiting their sites:  by Michael McClure. You should buy it. We're deadly serious. , publishers of  by Inspector Lestrade himself, Dennis Hoey.  , which has been published since the same year as the last of Rathbone/Bruce films.   Would you care to become a sponsor? You can find .     Links  (Amazon) on radio Our , son of Dennis Hoey. Rathbone's autobiography , daughter of Nigel Bruce, by Nicholas Utechin for the , concerning Bruce's unpublished autobiography Games, Gossip and Greasepaint.      Many more links, articles and images are available in our Flipboard magazine at  , as well as on the  on Google+ (with over 4,200 members), as well as through our accounts on  , , and .     Please , , ,  or  and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).

Kurz vor seinem 14. Geburtstag starb Britannicus, der Sohn des Kaisers Claudius, während des Abendessens. Was ist wirklich passiert an diesem 11. Februar 55 n. Chr.? Autor: Rainer Tautenhahn

11.02.0055: Britannicus, der Sohn des Kaisers Claudius, stirbt kurz vor seinem 14.Geburtstag während des Abendessens. Wahrscheinlich wurde er auf Geheiß seines Stiefbruders Nero und dessen Mutter Agrippina vergiftet. Beweise gab es nicht, denn der Leichnam wurde umgehend verbrannt ...

Dale Morris interviews Glynn Bedington and Rich Carillo, stars of the new Compass Theatre production, Britannicus, then speaks to New Village Arts Executive Artistic Director Kristianne Kurner and Associate AD, Joshua Everett Johnson, about the theatre's eighth season and the current show, Fool for Love.

11.02.0055 Britannicus gestorben: Britannicus, der Sohn des Kaisers Claudius, stirbt kurz vor seinem 14. Geburtstag während des Abendessens. Wahrscheinlich wurde er auf Geheiß seines Stiefbruders Nero und dessen Mutter Agrippina vergiftet. Beweise gab es nicht, denn der Leichnam wurde umgehend verbrannt ...

asset title: Episode 15: The Holiday Special Continued filename: ra_15.mp3 track number: 15/22 time: 10:35 size: 8.68 MB bitrate: 112 kbps Holiday magic has allowed us to resume the remote broadcast we began in Episode 14. You may remember that, in the beginning of our Radio Arlecchino Holiday Special, Eric had been invited to join our commedia friends as they celebrated the season backstage before opening a new show. As they shared reminiscences of holidays past, we reviewed the grammar points we've encountered so far. So now we can continue to enjoy the warm fuzzy feelings, as we continue to review our grammar. Let's listen in before something else happens!Dialog: ItalianA First ThanksgivingArlecchino: A me, a me, a me il pandoro di Verona!Arlecchina: E mentre assaporate il pandoro ecco un altro ricordo di cibo ... Ricordate la professoressa Pease? Mi ha mandato questo biglietto ...Arlecchino: Indimenticabile! Cosa racconta?Arlecchina: Il suo primo Thanksgiving in America. Sentite, ragazzi: Antonella Pease: Per il Thanksgiving quell'anno ero a Austin dove studiavo all'Università del Texas ...Avendo affittato un piccolo appartamento, ho invitato alcuni amici per la festa e loro mi hanno portato un enorme tacchino.In Italia non abbiamo la festa del Ringraziamento e io non avevo mai visto un tacchino così grosso e non sapevo come cucinarlo. Alla fine ho tagliato il petto del bestione a fettine e le ho saltate in padella con burro olio e vino.Immaginate la sorpresa dei miei amici!Colombina: Nuova tradizione texana: tacchino al burro olio e vino!Dialog: EnglishArlecchino: I'm all about pandoro from Verona!Arlecchina: And while you're tasting the pandoro here's another food memory ... You remember professor Pease? She sent me this card ...Arlecchino: Unforgettable! What does she have to tell us?Arlecchina: About her first Thanksgving in America. Listen, guys: Antonella Pease: For Thanksgiving that year I was in Austin where I was studying at the University of Texas.Having rented a small apartment, I invited some friends for the holiday and they brought me an enormous turkey.In Italy we don't have the Day of Thanksgiving and I had never seen such a huge turkey and I didn't know how to cook it. In the end I cut up the breast of the beast into little slices and tossed it in a pan with butter, oil and wine.Imagine my friends' surprise!Colombina: A new Texas tradition! Turkey with butter oil and wine!Dialog: ItalianA Terrible Christmas SecretPantalone: Qui c'è un altro biglietto ... Colombina! Questo è indirizzato a te ...Colombina: È da Adria!Everybody: Adria!Colombina: Come ci divertivamo una volta a tramare complotti con sua sorella ... Ora scrive: 'Che Babbo Natale non esisteva me l'ha detto mia sorella una sera in bagno, dove andavamo spesso insieme a raccontarci segreti.'Adria: Che Babbo Natale non esisteva me l'ha detto mia sorella una sera in bagno, dove andavamo spesso insieme a raccontarci segreti. La storia di Babbo Natale per me era sempre stata piuttosto problematica perché dovevo difenderne l'esistenza con gli altri bambini, che mi prendevano in giro perché a loro i regali li portava Gesù Bambino. La delusione più grande è stata capire che Babbo Natale non si nascondeva sul balcone il giorno prima della vigilia di Natale--questo non me l'aveva raccontato nessuno, era una cosa che mi ero inventata io e di cui ero convintissima.Arlecchino: Ma chi gliel'ha detto alla sorella che Babbo Natale non esiste?!Arlecchina: Pensi che sia vero?Arlecchino: È assurdo!Dottore: Falsitas mentitur!Colombina: Dev'essere uno scherzo!Arlecchino: Babbo Natale esiste! È sempre esistito!Arlecchina: Ci credo anch'io!Pantalone: Calma, calma, ragazzi! In questa Compagnia, Babbo Natale esiste!Arlecchino: Evviva Babbo Natale!Everybody: Evviva! Evviva!Dialog: EnglishPantalone: Here's another card ... Colombina! This one is addressed to you ...Colombina: It's from Adria!Everybody: Adria!Colombina: What fun we used to have hatching plots with her sister ... Now she writes:'That Father Christmas didn't exist was something my sister told me one evening in the bathroom, where we often went to tell each other secrets ...' Adria: That Father Christmas didn't exist was something my sister told me one evening in the bathroom where we often went to tell each other secrets. The Father Christmas business had always been rather problematic for me because I had to defend his existence to the other children, who made fun of me because it was the Child Jesus who brought them their gifts. The greatest disappointment was to figure out that Father Christmas didn't hide on the balcony during the day before Christmas Eve -- nobody had ever told me this, it was something I had made up myself and of which I was thoroughly convinced.Arlecchino: Now who told her sister that Father Christmas doesn't exist?!Arlecchina: Do you think it's true?Arlecchino: It's absurd!Dottore: Falsitas mentitur!Colombina: It must be a joke!Arlecchino: Father Christmas exists! He has always existed!Arlecchina: I believe it too!Pantalone: Calm down, everybody! In this Company, Father Christmas exists!Arlecchino: Love Live Father Christmas!Everybody: Evviva! Evviva!Dialog: ItalianA Shocking EpiphanyPantalone: Coraggio, ragazzi! Avanti, sentiamo un altro biglietto! Dottore, ne ha un altro da leggerci?Dottore: Bigliettum habeo. Cinzia scripsit!Everybody: Cinzia!Pantalone: Avanti, che cosa Le racconta?Dottore: Allora. 'Tanti saluti a tutti ... et caetera, come mi mancate, et caetera ... Ecco! 'Avevo sette anni quando ...'Pantalone: Quando ....?Dottore: 'Avevo sette anni quando scoprii ...'Arlecchina: Quando scoprì ...?Cinzia: Avevo sette anni quando scoprii che la Befana non esiste. Era la notte del 5 gennaio e non riuscivo a dormire: cosa mi avrebbe portato la Befana? Dolci o carbone? Ero preoccupata perché ero stata un po' cattivella. Mi giravo e rigiravo nel letto quando sentii dei rumori. Mi alzai di scatto e in punta di piedi andai in sala da pranzo. La porta era accostata; mi feci coraggio e guardai dentro. C'era mia madre che riempiva di carbone di zucchero le calze che avevamo appeso la sera prima ...Arlecchino: Questo è il colmo! Altro che cattivella!Colombina: No! No! Non ci credo!Dottore: Pereat quivis anti Befanam!Arlecchina: Ma non è vero! Non può essere vero!Pantalone: Non piangere, Colombina! Certo che non è vero! Colleghi! Amici! Ragazzi! Calma! In questa Compagnia, la Befana esiste!Arlecchino: Evviva la Befana!Dialog: EnglishPantalone: Take heart, fellows! Now then, let's hear another card! Dottore, have you got another one to read to us?Dottore: Bigliettum habeo. Cinzia scripsit!Everybody: Cinzia!Pantalone: Go on, what does she have to say?Dottore: Well. 'Greetings to every one ... etc, how I miss you, etc ...' Here we are! 'I was seven years old when ...'Pantalone: When ....?Dottore: 'I was seven years old when I discovered ...'Arlecchina: When she discovered ...?Cinzia: I was seven when I found out that La Befana does not exist. It was the night of January 5 and I couldn't sleep: what would La Befana bring me? Sweets orcoal? I was worried because I had been a bit naughty. I was tossing andturning in my bed when I heard some noises. I sprang out of bed and tiptoed to the living room. The door was ajar; I gathered all my courage and looked inside. There was my mother stuffing sugar coal into the socks we had hung the night before ...Arlecchino: Now this beats everything! A bit naughty indeed!Colombina: No! No! I don't believe it!Dottore: Pereat quivis anti Befanam!Arlecchina: But it isn't true! It can't be true!Pantalone: Don't cry, Colombina! Of course it isn't true! Colleagues! Friends! Now, fellows, calm down! In this Company, the Befana exists!Arlecchino: Long live the Befana!Dialog: ItalianReally Ancient Holiday MemoriesArlecchino: Chi è che gratta? Chi è? È Babbo Natale?Ah, sei tu! E tu chi sei? La Befana?Davvero?! E perché non lo avete detto subito?Ragazzi! Guardate chi si è fatto vivo!Arlecchina: Giulio Cesare!Julius Caesar the Cat: Ave!Arlecchina: Sei venuto anche tu!Julius Caesar the Cat: Venni!Arlecchina: Hai visto che ci siamo tutti?Julius Caesar the Cat: Vidi!Arlecchina: E .... e ... e hai ...Julius Caesar the Cat: Sì, sì, perché no?: Vinsi!Colombina: Nerone!Nero the Cat: Presente -- ma non colpevole! Felici Saturnali a tutti! Cosa fate?Colombina: Stiamo leggendo i biglietti che ci hanno mandato gli amici! Tanti bei ricordi ...Arlecchino: Non tutti sono stati belli, però ...Dialog: EnglishArlecchino: Who's scratching? Who is it? Is it Father Christmas?Ah, it's you! And who are you? The Befana?Really?! Why didn't you say so right away?Hey everybody! Look who showed up!Arlecchina: Julius Caesar!Julius Caesar the Cat: Ave!Arlecchina: You came too!Julius Caesar the Cat: I came!Arlecchina: Did you see that we're all here?Julius Caesar the Cat: I saw!Arlecchina: And ... and ... did you ...?Julius Caesar the Cat: Yes, yes -- why not?: I conquered!Colombina: Nero!Nero the Cat: Present -- but not guilty! Happy Saturnalia to everyone! What are you doing?Colombina: We're reading cards that our friends have sent us! So many lovely memories ...Arlecchino: They haven't all been lovely though ...Dialog: ItalianA Boy's Best FriendPantalone: Nerone, vedi! Qui c'è uno anche per te!Nero the Cat: Per me? Ma chi lo sapeva che sarei stato qui? Mi faccia vedere ...Colombina: Da chi è?Nero the Cat: Oh! Mamma!Dottore: Optima amica pueris mater est!Colombina: Che cosa ti racconta Agrippina?Nero the Cat: 'Caro figlio ... So quanto ti sono sempre piaciute queste feste di fine anno ... Ricordi quei Saturnali quando ti elessero Princeps?' Il Princeps era il re dei Saturnali, poteva mandare tutti a fare qualsiasi cosa volesse, e quell'anno fui io! Mammina continua: Agrippina: 'Al banchetto quella sera chiamasti Britannico, il tuo rivale e nemico--quanti anni avevate? Quattordici? Quindici? Ah, cose da ragazzi ... Gli ordinasti di alzarsi, di venire al centro e di cantare. Tu sapevi quanto male cantava Britannico ... Ma la sua canzone suscitò la simpatia di tutti e tu lo uccidesti dopo ... Fu con il veleno, non è vero, come tentasti con me? Ah, quelli erano altri tempi ... Felici Saturnali, mio caro.'Nero the Cat: M-m-m-mamma!Colombina: Coraggio, Nerone! Tieni, bevi!Arlecchina: Cesare, non so se avremo un biglietto qui anche per te ...Julius Caesar the Cat: Fui console e dittatore ... principe dei Saturnali, mai ...Pantalone: Attenzione! Qui c'è proprio un papiro indirizzato a Cesare!Julius Caesar the Cat: Pro di immortales! Cleopatra!Everybody: Cosa dice?Julius Caesar the Cat: Ma lo sapete che i geroglifici di questa donna sono illegibili ... Proviamo ... 'Aggiù ... Buone feste! Cleopatra: Ho una nostalgia pazzesca di quella festa di Iside quando noi due ci nascondemmo nel palazzo durante le interminabili sfilate ... quando arrivarono al tempio della dea i sacerdoti ci cercarono invano e pensarono che fossimo saliti in cielo con Osiride. Magari fosse stato così. Invece tutto finì male per noi. E ti dico un'altra cosa ... non ti preoccupare più del fatto che non imparasti mai a camminare all'egiziana. Io sono greca. Tanti auguri, mio Cesare!Arlecchino: Evviva Cleopatra!Stage Manager: Tutti ai propri posti! Il sipario si alzerà tra cinque minuti! Tutti ai propri posti! Pantalone: Andiamo, ragazzi! Lo spettacolo!Amici, romani, concittadini ... alle poltrone e sul palcoscenico!Cesare, Nerone, entrate da questa parte ... così ci saranno più dei soliti quattro gatti ...Dialog: EnglishPantalone: Nero, look! There's one for you here as well!Nero the Cat: For me? But who knew that I was going to be here? Let me see ...Colombina: Who's it from?Nero the Cat: Oh! Mommy!Dottore: Optima amica pueris mater est!Colombina: What does Agrippina have to say?Nero the Cat: 'Dear son ... I know how much you have always loved these year-end holidays ... Do you remember those Saturnalia when they elected you Princeps?' The Princeps was the king of Saturnalia, he could command anyone to do whatever he wanted, and that year it was me! Mommy goes on ... Agrippina: At the banquet that evening you called on Britannicus, your rival and enemy--how old were you? Fourteen? Fifteen? Ah, the things little boys do ... You ordered him to come to the center and sing. You knew how poorly Britannicus sang .... But his song aroused everyone's sympathy and you killed him later on ... It was with poison, wasn't it, the way you tried with me? Ah, those were the days ... Happy Saturnalia, my dear.Nero the Cat: M-m-m-mamma!Colombina: Take heart, Nero! Here, have a drink!Arlecchina: Caesar, I don't know if we have a card here for you too ...Julius Caesar the Cat: I was consul and dictator ... Prince of Saturnalia, never ...Pantalone: Attention! Why there's a papyrus here addressed to Caesar!Julius Caesar the Cat: Pro di immortales! Cleopatra!Everybody: What does she say?Julius Caesar the Cat: Now you know that woman's hieroglyphics are illegible ... We'll give it a go ...'Aggiù ... Happy Holidays!'Cleopatra: I'm madly homesick for that Feast of Isis when the two of us hid in the palace during those endless processions ... When the arrived at the temple of the goddess the priest looked for us in vain and thought we had ascended to heaven with Osiris. If only it had been so ... Instead everything turned out wrong for us. And I'll tell you something else ... Don't worry anymore about the fact that you never learned to walk like an Egyption. I'm Greek! Best wishes, my Caesar!Arlecchino: Long live Cleopatra!Stage Manager: Places, everyone! Curtain going up in five minutes! Places!Pantalone: Let's go, fellows! It's showtime!Friends, Romans, countrymen ... to your seats and onto the stage!Caesar, Nero, go in this way ... now we'll have more than the usual 'four cats' ...