Podcast appearances and mentions of Henry Smith

This week, Pastor Will dives into the parable of the Rich Man and Lazarus. This passage calls us to question whether or not we see as Jesus would have us see. How do we understand our connection to others? Can we see ourselves as blessed when others around us suffer?“GIVE THANKS” -- CCLI Song # 20285  |  Henry Smith  |  ©1978 Integrity's Hosanna! Music (Admin. by Capitol CMG Publishing (Integrity Music, David C Cook))  |  For use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.com  |  CCLI License # 2544867"GO NOW IN PEACE" –  Words by Nancy Price and Don Besig -- Music by Don Besig -- Copyright (c) 1988 by Harold Flammer Music, a Division of Shawnee Press, Inc. -- International Copyright Secured   All Rights Reserved

Is it time to completely tear down the education system and start over if we truly want creativity to thrive in our schools?   In the first debrief episode of Season 11, hosts Cyndi Burnett and Matthew Worwood take a reflective dive into insights from their most recent three guests on the Fueling Creativity in Education Podcast. The discussion begins with Dr. Henry Smith from Johns Hopkins University, who explored the intersection of creativity and education policy, notably discussing the controversial topic of school vouchers and advocating for a revolutionary approach to education reform—“tearing down the house” to build a truly creative system from the ground up. Cyndi and Matt examine both the promise and concerns of vouchers, especially their impact on equity, and tease an upcoming episode on micro-schools that further expands the conversation. The hosts then turn to classroom creativity with Emily Jamison, an elementary teacher known for fostering a family-like atmosphere and utilizing clever, agency-giving feedback strategies to empower students. They reflect on the importance of playful, positive feedback—even down to students choosing the color of their feedback pen—and discuss how creating a safe, supportive environment nurtures creative expression at any grade level. Wrapping up, Cyndi and Matt share their takeaways from an interview with renowned creativity researcher Dr. Keith Sawyer, unpacking ideas from his latest book, "Learning to See." They discuss the importance of perspective in creativity, the value of “studio talk” for reflection and creative growth, and creative exercises—like photographic challenges—that can deepen both student engagement and teacher understanding. The episode closes with personal stories, anticipatory teasers for future guests, and a fun nod to trying new things—even learning to “shuffle” on YouTube!   Be sure to subscribe on your favorite platform and sign up for our Extra Fuel newsletter for more resources and inspiration. Visit FuelingCreativityPodcast.com for more information or email us at questions@fuelingcreativitypodcast.com.

Right Thinking with Steve Coplon | Guest: Henry SmithThis week's show is called "A Smashing Success" with guest Henry Smith. Tune in and hear Steve interview Henry, a young, budding entrepreneur, and know why Steve firmly believes that the future is safe with rising stars like Henry securing the future. You will be captivated when you hear what Henry is doing with his life and how he got there.In "A Smashing Success," Steve Copelan interviews Henry Smith, a 21-year-old entrepreneur and founder of the burger restaurant Smashers. Henry shares his journey from experimenting with burger recipes during the COVID-19 pandemic to launching a successful food truck and restaurant.The discussion emphasizes financial literacy for youth, highlighting Henry's plans to incorporate educational initiatives into his business. They also explore themes of work ethic, mentorship, and community service, advocating for the skills and potential of younger generations. The episode concludes with an optimistic outlook on the impact of young leaders like Henry.https://www.talknetworkradio.com/hosts/right-thinking

Robin Wright sits down with Drew Barrymore to talk about her new series, 'The Girlfriend'. Plus she shares the sweet and surprising way she met her boyfriend Henry Smith. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Stay ahead of September 2025 Patch Tuesday. Automox experts Ryan Braunstein, Henry Smith, and Seth Hoyt break down three high-impact items you need to act on now: Hyper-V privilege escalation, XAML/Phone Link elevation paths, and an NTFS remote code execution.You'll get:Clear patch priorities and timing.Likely attack paths and real-world detection tips.Hardening moves: WDAC/AppLocker, least privilege, Phone Link controls, and removing Hyper-V where it's not needed.How to use the Automox console to group at-risk devices, push updates, disable features, and verify compliance.Subscribe, share with your team, and tighten your local attack surface today.

What can the challenges of the public schooling system teach us about re-prioritizing creativity in education? Season 11 of Fueling Creativity in Education launches with Dr. Henry M. Smith, EdD, former U.S. Assistant Secretary of Education under President Clinton. Co-hosts Matthew Worwood and Cyndi Burnett dive into the realities of America's public schooling system—its entrenched challenges, how those challenges influence what we prioritize in classrooms, and the consequences for creative teaching and teaching creativity. Together, they consider why creativity so often feels absent from the system itself and explore whether alternative models, such as school vouchers and independent schools, might offer more fertile ground for innovation. At the same time, they grapple with the tough equity questions these alternatives raise, asking how educators and policymakers can support creativity without widening existing gaps. Be sure to subscribe on your favorite platform and sign up for our Extra Fuel newsletter for more resources and inspiration. Visit FuelingCreativityPodcast.com for more information or email us at questions@fuelingcreativitypodcast.com.

Nat Fyfe has announced his retirement, hear why the team believes he is a modern day great. Roosy is shocked the AFL have closed an investigation into inappropriate contact between Henry Smith and Nick Blakey. Plus, the AFL has snared rapper Snoop Dogg for the Grand Final, is Roosy a fan?

AFL Round 21 - Washed Up  Highest & Lowest player approval ratings Who is Henry Smith? Seriously....who is he?  The Pies aren't really cooked everyone....calm down  Adelaide are proper good Sometimes premiership windows are short  All thanks to: The Inverloch Esplanade Hotel Wonthaggi Toyota www.invyespy.com.au www.wonthaggitoyota.com.au  

In this episode of Hands-On IT, host Landon Miles is joined by Automox Security Engineer Henry Smith for a deep dive into prompt engineering and how it's transforming the way IT and security teams work with AI.From crafting high-quality prompts to auditing and hardening code using large language models like Claude and ChatGPT, Landon and Henry share real-world insights, practical strategies, and lessons learned from implementing AI in secure development workflows.They also explore:Why context is king when prompting AISecurity implications of AI-generated codeTips for optimizing token usage and context windowsHow Automox engineers are experimenting safely with AIWhether you're a developer, security professional, or IT leader, this episode offers actionable advice and forward-thinking perspectives on integrating AI into your workflow.

In this episode of Autonomous IT, Live!, Landon Miles hosts leads a three-part discussion focused on spring cleaning your IT systems, workflows, and personal well-being. You'll hear candid, practical insights from IT professionals tackling burnout, technical debt, and infrastructure hygiene head-on.This live show originally aired April 16, 2025  

In this episode, host Bogan sits down with her father to explore the inspiring and motivating journey of his early life. The conversation takes a nostalgic turn as they delve into the challenges faced when the family lost everything, forcing him to take on responsibility at a young age. He shares the story of his first job selling newspapers, highlighting the lessons learned about entrepreneurship and trust when he discovered a friend was stealing from him. This candid discussion offers valuable insights into resilience, accountability, and the formative experiences that shaped his character. Tune in for an engaging look at how early hardships can lead to personal growth and determination.

Passage: 5 When he realizes his guilt in any of these and confesses the sin he has committed, 6 he shall bring to the Lord as his compensation for the sin that he has committed, a female from the flock, a lamb or a goat, for a sin offering. And the priest shall make atonement for him for his sin. 7 But if he cannot afford a lamb, then he shall bring to the Lord as his compensation for the sin that he has committed two turtledoves or two pigeons, one for a sin offering and the other for a burnt offering. 8 He shall bring them to the priest, who shall offer first the one for the sin offering. 11 But if he cannot afford two turtledoves or two pigeons, then he shall bring as his offering for the sin that he has committed a tenth of an ephah of fine flour for a sin offering. (Leviticus 5:5-11) Song: Lamb of God by Andi Rozier, Jason Ingram, and Meredith Andrews Lyrics: You came from heaven's throne Acquainted with our sorrow To trade the debt we owe Your suff'ring for our freedom The Lamb of God in my place Your blood poured out my sin erased It was my death You died I am raised to life Hallelujah the Lamb of God My name upon Your heart My shame upon Your shoulders The pow'r of sin undone The cross for my salvation There is no greater love There is no greater love The Savior lifted up There is no greater love Prayer: O Lord, let not your law be a cursing to our consciences, but rather give us grace under this extreme and heavy burden of sin, to be fully persuaded, that you by your death have taken away all our sins, and fulfilled the law for us, and by this means have delivered us from the curse of the law and paid our ransom; and then we, being thus fully persuaded, may have quiet and settled hearts, and a free conscience, and glad desiring wills to forsake this wicked world. Amen. — Henry Smith

In this episode of Yachting USA, host Rick Thomas welcomes Henry Smith of Cecil Wright & Partners — one of the industry's leading yacht brokerage firms with offices in Monaco and London. Henry shares his compelling journey from his early days on the water to becoming a top-tier yacht broker, offering rare insight into the evolution of luxury yacht brokerage at the highest level. This episode dives deep into: -Henry's transformation from soldier to superyacht broker -The keys to building a successful brokerage — from specialization in Feadship yachts to strategic recession resilience -The value of collaboration between brokers and how off-market deals are shaping the future of yacht sales -Why 3D scanning technology is revolutionizing how yachts are marketed and sold -The increasing influence of social media and cryptocurrency in high-value yacht transactions -Charter market insights, Queen Service, and what sets Cecil Wright apart in the ultra-luxury space Whether you're an aspiring broker, seasoned professional, or just curious about the business behind the world's most beautiful yachts, this conversation is packed with knowledge, trends, and expert perspective.

Passage: 7 And the Lord said to Moses, “Go down, for your people, whom you brought up out of the land of Egypt, have corrupted themselves. 8 They have turned aside quickly out of the way that I commanded them. They have made for themselves a golden calf and have worshiped it and sacrificed to it and said, ‘These are your gods, O Israel, who brought you up out of the land of Egypt!'” 9 And the Lord said to Moses, “I have seen this people, and behold, it is a stiff-necked people. 10 Now therefore let me alone, that my wrath may burn hot against them and I may consume them, in order that I may make a great nation of you.” 11 But Moses implored the Lord his God and said, “O Lord, why does your wrath burn hot against your people, whom you have brought out of the land of Egypt with great power and with a mighty hand? 12 Why should the Egyptians say, ‘With evil intent did he bring them out, to kill them in the mountains and to consume them from the face of the earth'? Turn from your burning anger and relent from this disaster against your people. 13 Remember Abraham, Isaac, and Israel, your servants, to whom you swore by your own self, and said to them, ‘I will multiply your offspring as the stars of heaven, and all this land that I have promised I will give to your offspring, and they shall inherit it forever.'” 14 And the Lord relented from the disaster that he had spoken of bringing on his people. (Exodus 32:7-14) Song: I Need Thee Every Hour by Annie Sherwood Hawks and Robert Lowry Lyrics: I need Thee every hour Most gracious Lord No tender voice like Thine Can peace afford I need Thee O I need Thee Every hour I need Thee O bless me now my Savior I come to Thee I need Thee every hour Stay Thou near by Temptations lose their pow'r When Thou art nigh I need Thee every hour In joy or pain Come quickly and abide Or life is vain I need Thee every hour Most Holy One O make me Thine indeed Thou blessed Son Prayer: “O Lord, let not your law be a cursing to our consciences, but rather give us grace under this extreme and heavy burden of sin, to be fully persuaded, that you by your death have taken away all our sins, and fulfilled the law for us, and by this means have delivered us from the curse of the law and paid our ransom; and then we, being thus fully persuaded, may have quiet and settled hearts, and a free conscience, and glad desiring wills to forsake this wicked world. Amen.” — Henry Smith

Special Teams Coordinator Chris Horton, Offensive Coordinator Todd Monken, Defensive Coordinator Zach Orr, RB Derrick Henry, and ILB Roquan Smith speak with the media.See omnystudio.com/listener for privacy information.

 Listen to Passengers Journal Volume 1 Issue 3 in its entirety. This issue features work from  Mariah Grant,  C.W. Emerson, C. Henry Smith, Nils Blondon , Nardine Taleb , and many more.Many thanks to our Audio team, our contributors, and our editors and readers for making this listening experience possible. This Audio Issue represents the hard work and dedication of more than fifty volunteers. Edited, mastered, produced, and compiled by John E. Brady.  Passengers Literary Press, Inc. is a 501(c)(3) nonprofit organization. All staff donate their time and effort. If you'd like to support our mission to publish art that is necessary rather than desired, please consider donating at the link below. Support the show

Petter and James discuss volume 7 of the A Bride's Story manga. ▪ Follow us on YouTube ▶ https://www.youtube.com/UmamiManga ▪ Follow us on Twitter ▶ https://twitter.com/UmamiManga ▪ Follow us on Instagram ▶ https://www.instagram.com/umami_manga ▪ Join our Discord ▶ https://discord.gg/ZGKzchBkJJ Timestamps for discussions: ▪ Intro - 00:00 ▪ Anis - 05:45 ▪ Henry Smith - 21:45 ▪ Other characters - 26:52 ▪ Outro - 31:50

This week, Pastor Dan and Pastor Henry Smith discuss sermon illustrations, talk about Pastoring at Centro Cristiano de Guayaquil, and delve deeper into the first part of our "Life on Mission" series.To watch this week's sermon, check it out on our Facebook page www.facebook.com/cometoconnect or head over to cometoconnect.com/most-recent-sermon

Pastor & Missionary to Ecuador, Henry Smith, details the call of God on his life, how God is moving in the slums in Ecuador and your choice to follow God's mission and receive inheritance with Christ.

Pam Henry Smith was a fourth grade teacher who assigned her students a creative writing project. Their assignment was to write and create their own story. The story wasn't written in one day. Rather the assignment took months to complete. Students would work on their story in class each day. Pam watched as students began […] The post MEET MACK by Pam Henry Smith appeared first on WebTalkRadio.net.

QB Lamar Jackson, RB Derrick Henry, ILB Roquan Smith, and Head Coach John Harbaugh speak with the media.See omnystudio.com/listener for privacy information.

Missionary and Ministry Partner Henry Smith is with us to share about his work in Ecuador. Henry and Ivonne are a wonderful couple with three grown children. They serve the city of Guayaquil and are very successful servants of the Lord.Crossroads has been supporting them for years and this is the first time they have been with us in over a decade.Listen to the great things they are doing to spread the Gospel to the nation of Ecuador as well as what it means for us to be "missionaries" where we are as the beloved of God.

Petter and James discuss volume 5 of the A Bride's Story manga. ▪ Follow us on YouTube ▶ https://www.youtube.com/UmamiManga ▪ Follow us on Twitter ▶ https://twitter.com/UmamiManga ▪ Follow us on Instagram ▶ https://www.instagram.com/umami_manga ▪ Join our Discord ▶ https://discord.gg/ZGKzchBkJJ Timestamps for discussions: ▪ Intro - 00:00 ▪ Laila & Leily - 02:50 ▪ Sarmaan & Farsami - 11:29 ▪ Henry Smith - 18:00 ▪ Amir - 22:31 ▪ Karluk - 31:30 ▪ Other characters - 36:18 ▪ Outro - 44:19

What exactly is a SpaceTeam Captain? What got you interested in making your own video games? Have you worked with any big companies? How is working for yourself different than with a large company? Why do you think most games should be free? What is the hardest part about working as an indie game developer? All these questions and so much more will be answered by programmer and spaceteam Captain Henry Smith. You can visit https://www.patreon.com/hengineer to learn more about his work.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-tiberius-show--3352195/support.

RB Derrick Henry, ILB Roquan Smith, LT Ronnie Stanley, and HC John Harbaugh speak with the media after mandatory minicamp on Tuesday.See omnystudio.com/listener for privacy information.

Henry Smith on how global CEOs are navigating the sanctions landscape. In recent decades, multinational companies have pursued market opportunities around the world, creating complex supply chains and financial structures in the process. But what was once a world of expanding opportunity is increasingly a world of encroaching risks. With sanctions and export controls imposed on a growing list of countries, including major economies like Iran and Russia, multinational companies have had to scale back or even exit markets. Now, CEOs are wondering where sanctions might hit next and how they can shield their businesses from emerging risks.Henry is a partner at Control Risks, where he leads the company's business intelligence and due diligence practice in EMEA. Henry advises global companies on how to adjust acquisition and growth strategies in the face of a changing sanctions landscape.The Sanctions Age is hosted by Esfandyar Batmanghelidj. The show is produced by Spiritland Productions and is supported by a grant from the Hollings Center for International Dialogue. To receive an email when new episodes are released, access episode transcripts, and read Esfandyar's notes on each episode, sign-up for the The Sanctions Age newsletter on Substack: https://www.thesanctionsage.com/

Conservative MPs Stephen Hammond and Henry Smith, both of whom have decided not to run for their seats again at the general election, reflect on why they have called it quits on the Commons, and offer some advice for candidates vying to replace them. Presented by Alain Tolhurst, produced by Nick Hilton for Podot, edited by Laura Silver

Petter and James discuss volume 4 of the A Bride's Story manga. ▪ Follow us on YouTube ▶ https://www.youtube.com/UmamiManga ▪ Follow us on Twitter ▶ https://twitter.com/UmamiManga ▪ Follow us on Instagram ▶ https://www.instagram.com/umami_manga ▪ Join our Discord ▶ https://discord.gg/ZGKzchBkJJ Timestamps for discussions: ▪ Intro - 00:00 ▪ Laila & Leily - 02:48 ▪ Henry Smith - 21:13 ▪ Pariya - 25:38 ▪ Amir - 29:35 ▪ Other characters - 34:17 ▪ Outro - 38:38

Petter and James discuss volume 3 of the A Bride's Story manga. ▪ Follow us on YouTube ▶ https://www.youtube.com/UmamiManga ▪ Follow us on Twitter ▶ https://twitter.com/UmamiManga ▪ Follow us on Instagram ▶ https://www.instagram.com/umami_manga ▪ Join our Discord ▶ https://discord.gg/ZGKzchBkJJ Timestamps for discussions: ▪ Intro - 00:00 ▪ Henry Smith - 02:11 ▪ Talas - 15:18 ▪ Ali - 26:08 ▪ Pariya - 29:30 ▪ Other characters - 34:52 ▪ Outro - 38:54

As the 100th MP announces they are leaving the Commons at the election, Matt continues his series of interviews finding out what they've learned and why they're going.Conservative MP Henry Smith talks about his disillusionment with the Conservative Party, abuse on social media, and why he's not going to persuade his children to follow him into politics.Plus: Columnists Rachel Sylvester and Libby Purves discuss the role Britain should play in the latest escalation in the Middle East, why employment law disputes drag on too long, and whether political adverts could be making their way onto a streaming service near you.The Exit Interview (21:45) Hosted on Acast. See acast.com/privacy for more information.

Julia Hartley-Brewer talks to Tory MP Henry Smith about Rwanda, Woke Nike as well as WASPI Hosted on Acast. See acast.com/privacy for more information.

In 1968, a peaceful civil rights protest turned deadly in Orangeburg, South Carolina. Known as the Orangeburg Massacre, it became known as one of the most violent events of the civil rights movement, but details aren't widely known. Host Nat Cardona is again joined by subject matter expert Dr. William Heine to discuss how peaceful protestors were met with violence, what happened to the victims, and who was- or wasn't- held responsible for the bloodshed. The two also discuss how the victims are remembered today. Listen to Episode 1 of the Orangeburg Massacre Read more here and here and here. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome to Late Edition Crime Beat Chronicles. I'm your host Nat Cardona. In the last episode, we discuss the climate leading into the 1968 Orangeburg Massacre in Orangeburg, South Carolina. If you haven't listened to that episode, please go back and listen. There's a link in the show notes to help make it easier for you to find. In this week's episode, I'm again joined by Dr. William Heine. He's a former history professor at South Carolina State University. We discuss in detail how the peaceful protest by students was met with violence from law enforcement. We also go into who was or wasn't held responsible for the deaths of three students and the wounding of more than 20 others. And with that, let's get to it. So you have this pressure cooker of tensions for the handful of years nights before the actual event happens. What's the tipping point? What's the the other shoe that drops to turn from. You know, a lot of tension to violence. What were the what was the thing that happened that night? That's that's that's it. There was nothing. I mean, they were they're they're fronted each other and went back and forth or time. As I mentioned, there was a bonfire that was was put out. People continued to throw things at one point and officer of the highway patrol, a man named Shelly, got it. Looked like he'd been shot almost literally between the eyes. He went down at least semi-conscious for a period of time, bleeding profusely, and it appeared as if he had been been shot from the direction of the students. As it turned out, he had not been shot. He'd been hit with a heavy piece of timber. It had opened a wound on his forehead. They took him off after the hospital and at least another 10 minutes or more elapsed after Shelly was hit with the with the timber. A lot of people were at the time and sense under the mistaken impression, well surely got hit and then the highway patrolman opened fire. It didn't happen. It did not happen that way. They opened fire with no announcement that they were going to fire. Nobody said lock and load or know you have one minute or and 80 seconds to retreat or we're going to open fire. It wasn't announced. They just simply started shooting. Not all the highway patrolman shot. There were 66 of them aligned along the embankment and kind of curled around at right angles toward an unoccupied house next next door to the campus there. Some opened fire, some did not. Most of the students were hit in the back as they turned to run from the shotgun blast and more than 30 were were hit and three were killed and at least 28 were injured, some superficially, some very seriously. Note that there was no ready, aim, fire. It was just a spontaneous opening of a fire. The later it was, it was determined that apparently one of the highway patrol officers had fired a warning shot into the air with his sidearm and others not realizing that opened fire. You're hearing a a weapon go off. That's been about the best determination of how the highway patrolman came to open fire that night, roughly 10:30, 10:45 on February eight. Okay. So you have a bunch of these young people wounded. Three young men ultimately are massacred or killed. Can you talk a little bit about those three young men, if you don't mind? Well, two of them were college students. One was a high school student and they were there as much out of curiosity as a determination that they're going to be involved in protests. Henry Smith was probably the most active of the students. He wanted to be there. He did consider himself an activist. He was upset with conditions in the community and on the campus. And there's no question of his involvement, his determination to be a part of this. And the other college student was a freshman football player named Samuel Hammond from Fort Lauderdale, Florida. It was there are of interest and curiosity. He was there with several other football players and athletes as well. He was shot and died shortly after that. Then there was Delano Middleton, who was the high school student. His mother worked on the campus and he kind of came up to see what was happening on the front of the campus. And he was ahead and fatally injured as well that night. He was he was local. He was from the Orangeburg area and Smith was from Marion, now probably 100 miles. He came from a poor family over there. And as I mentioned, Samuel Hammond was an athlete from Fort Lauderdale, although his parents, his father was from are down the road from Orangeburg and Bamberg, South Carolina. And so but they had connections and roots to the local area as well. Okay. Unfortunately, they're killed and other people are wounded. And then what? Like what is the what does that rest of the night like what happens pretty much immediately after? Well, it was chaos initially on the campus. I mean, there was fear, one, that this was just a prelude to an invasion by law enforcement that were going to head head on and through the campus and maybe continue shooting or occupy the campus. No one knew what was going on. There was a absence of communication of any time. They were taking wounded students out the back side of the campus and going to the to the hospital by a back route. The college infirmary was filled with bleeding students of was great fear, anger, trepidation about what? What, what, what's next. I hear and it took a number of hours for this to settle down in the meantime, that the accounts that were out through the media were, well, incomplete and false as it turned out as well. Associated Press tape sent out an account that there had been an exchange of gunfire on the campus with students shooting at highway patrolman and patrolman shooting back. And that was absolutely incorrect. And it was it was never a corrected by AP either. So the headlines, such as they were that appeared the next day, was that there had been an exchange of gunfire and the governor and the local authorities were pretty well convinced that they'd saved Orangeburg from some kind of massive black nationalist uprising. And as regrettable as it was that students got shot, that this was necessary to protect the community, protect the lives and property of people in Orangeburg. And the governor maintained that and continued to maintain that as the days and weeks and then months and even years went by. After that, he was convinced that he'd acted properly and that he had helped to preserve the security and preserve what threatened to become a much worse situation from exploding into that. And that is, to a large extent our the conventional story that was heard in the aftermath of the massacre, except for the black press that did cover the black newspapers at the time, the Baltimore Afro-American, the Pittsburgh Courier and our Defender, Jet magazine. I mean, they covered it, But as far as most people in the black community were concerned, that was just cold blooded murder by armed highway patrolman, all white who shot into a crowd of black young men protesting on their own campus unarmed at the time. So there are two versions that prevailed for many days, weeks and months, even years to the present day about what actually happened that night in 1968. Sure. We needed to take a quick break, so don't go too far. Just so listeners understand, there were out of the 70 or so patrolmen, nine were charged with shooting at protesters, but ultimately none were convicted of anything, totally just wiped clean. No one held accountable for the murders or the shootings. Anything, correct? That is correct. The U.S. Department of Justice tried to indict the nine highway patrolman who did admit shooting into the crowd of students. A federal grand jury in Columbia in the fall of 1968 refused to indict them on felony charges and the Department of Justice and ended them on misdemeanor charges, criminal information. And they went on trial the following spring of 1969 in federal court in Florence, South Carolina. And a jury of ten white people and two black people found them not guilty and that they felt their lives were in danger and therefore they were justified in shooting into this crowd of students, even if the students weren't armed with weapons. And so the nine Howard patrolmen were indeed acquitted. And then a year after that, Cleveland Sellers was brought to the bar of justice in Orangeburg, and he was charged with an assortment of charges, including inciting a riot. There. As it turned out, most of the charges were abandoned and he was finally convicted, not for what happened on the night of February, but on the night of February six at the bowling alley of inciting the crowd down there. And he was sentenced to a year in state prison in the Bradford River Federal Byrd River State Correctional Institution. He served nine months. He was released early on our good behavior. So he's the only one who was penalized for the events surrounding the Orangeburg Massacre in 1968. And I should point out that he was one of the people shot and wounded that night as while he was hit in the upper arm by a shotgun pellets there. So he had to face the indignity of going to jail and being shot as well. I'm really, really hoping to still hear back from him, to hear just his retelling of everything that happened. But thanks for laying out all out. So, yeah, ultimately, he's the only one who's punished for anything that had happened that night. And at the end of the day, no justice was served for the three young men that were killed. And, you know, here we are today. It's going on. What if we're 55, 56 years later? Like, how did we get here to where this major event that actually was so integral to the civil rights movement and so violence on top of it? How did we get to the point where this is just a blip on the radar in history, especially in terms with this? Do you have any input on that? Well, the circumstances under which it happened in in 1968 was not well covered at that time. And 1968 was a very tumultuous year in American history. At the time of the year of the massacre in early February, the Tet Offensive was breaking out in Vietnam. The Vietnam War absorbed the attention of many, many Americans and the media shortly before that, and in January, an American naval vessel, the Pueblo, had been captured by North Korea and its crew taken hostage. And then only weeks after the massacre, the sitting president, Lyndon Johnson, announced that he would not be running for reelection in 1968. And days after that, Dr. Martin Luther King Jr was shot in Memphis, Tennessee. And then a couple of months after that, Robert Kennedy was shot after the Democratic primary in California, shot in Los Angeles, and he died a day or so later. And the the the massacre got lost in this series of events. And to that, it happens in a small rural town in South Carolina. And then most importantly, there was a group of black students and it simply did not draw the attention or the coverage of most people, especially most white people. It did, as I mentioned, draw the coverage of the black press and black students at other HBCU, other historically black colleges, universities, North Carolina, and to Morehouse, Howard in Washington DC. But it was largely overlooked and there was no story in Time magazine. There was a short story in Newsweek at the time, the media, in terms of television, I gave that very, very little attention. And what little attention it did give, it disappeared a very quickly. So most people never even heard of it. It didn't get into most of the history books. And two years later, when the shootings occurred in at Kent State, it just exploded across the front pages of newspapers and on all of the major networks, CBS and NBC and ABC at that time. And so virtually everyone in the aftermath of Kent State knew about the shootings of the four students at Kent who were all white and hardly anyone had heard of the students who had been shot at South Carolina State who were black, which and thank you for bringing that up, because with your affiliation with the College, for my understanding, student organizations have done a pretty good job of remembering what had happened there. I understand that there are their statues of the three young men on campus, or is that just sort now that's on campus. There's a memorial plaza there the year after the massacre in 1969, a small granite marker was placed there with the names of the three young men. And then 30 plus years after that, and there were bronze tablets established around that granite marker with the names of the 28 young men who were wounded there. And then three years ago or so, a a brick monument was created, built there, and then two years ago, there were busts of the three young men placed within that brick and lighted monument, the bust and Smith and Delano Middleton and Samuel Hammond are there. So there is a monument on campus that has expanded over the years. Okay. That's good to know. Thank you for clarifying all that. One of the last things here is, you know, we can't we can't change the past in how it was covered and portrayed and how no justice was done and all of that. But what would your, you know, the take away? You would hope for our listeners to get out of this or for people to learn from this? Do you have anything that you'd like to kind of part with? Well, you would hope that people would learn that you don't have law enforcement shoot into a crowd of unarmed people. But the fact of the matter is they did it and do it again and then shot into a crowd of protesting, protesting students at Kent State in May of 1970. And unfortunately, too often our law enforcement officers have taken it upon themselves to not only enforce the law, but apparently act as a jury and convict and punish those who they see protesting, demonstrating, are breaking the law in front of them. So that's one lesson that has regrettably not been learned very much, if at all, in the years and decades since then. The other regret as far as I'm concerned, and many other people were involved with the massacre and those who survived it, I there was never any formal investigation of what happened and why it happened. There was a presidential commission formed after they can say, killings on campus violence. Richard Nixon appointed the former governor of Pennsylvania, William Scranton, and they did a thorough investigation of what happened at Kent State, what happened at Jackson State that pretty much ignored Orangeburg to try to get at the problems that led to the shootings at Jackson State and Kent State in May of 1970. There's been other state investigations of of racially involved incidents everywhere from Tulsa, Oklahoma, in 1923 to Rosewood, Florida, in 1922. More recent developments, but there was never a state or federal investigation of what happened in Orangeburg. And our effort to try to get into the underlying factors that contributed to this to try to bring some increased clarity. I don't know that would bring closure to this. It might it might help it might assist in that. But it has never happened. And I in terms of the foreseeable future, it doesn't look like it's going to happen, but it does. But in theory, it could still happen. That would be the. certainly. Okay. It's never too late. No, I mean, they investigated Tulsa almost 100 years after it happened. And Rosewood right, as well. Tulsa was 1921 and Rosewood was 1923. And state of Florida and state of Oklahoma did investigate those appointed people. They set aside relatively small amounts of money on this and then tried to undertake a thorough examination of the events that had occurred many decades before. Now we're more than a half century since Orangeburg. There's still no investigation, and there seems to be little inclination on the part of the political leaders to undertake such an investigation, even though it would be of of modest cost. The attitude seems to be, well, we don't need to bring that up again. I don't don't let us put the scab on that wound again. Let's just let it let it go. We can move on. And I will live in a better, happier future without digging into the past and stirring up the animosity and hard feelings once again. So we don't need no, we don't need an investigation like that and quit harping on it and quit suggesting that we do. And in fact, it's about time you stopped having those ceremonies in February 8th to commemorate this. That only inflames people in the community and people get upset with this and would rather not. It happened, I should say that I helping with that has been the local newspaper, the The Times and Democrat. They have done a lot in recent years to try to bring about some some healing and some effort to recognize what happened in the community as a serious, serious tragedy and loss of life and the injuries that occurred. And they've tried to bring people together in terms of healing with efforts to try to bring community leaders together, to agree, at least not to be so emotionally invested in this, that they that they have a hard time even speaking with each other. So The Times and Democratic Kathy Hughes and Lee Harder have have helped a lot there. Is there anything that you would like to add before we parted ways? You know, I would I would repeat the what I've almost repeated over the years ad nauseum now about the need for an investigation. We're losing people. In the past year, two of the young men who were wounded in 1968 have have died since the fall of 1922. And that's regrettable. But as the cliche goes, better late than never. So I would I repeat, a call for an investigation won't answer all the questions. It won't satisfy everyone. But I think it will help bring about an understanding of one of the most traumatic events that occurred in South Carolina in the 20th century. So on that note, I would would close and that's a great note to close on. I really appreciate your time this was honestly a way more information than I actually expected. So huge. I really, really appreciate it. Thank you so much. And that's where we'll end the show for today. If you're interested in more details of how the victims of the massacre are being memorialized, please check out the articles linked in our show notes. And don't forget to hit that subscribe button so you don't miss what's coming next on Crime Chronicles. Thanks for listening.  

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

Henry Smith got a chance to have a conversation with the late Dr. Kevin Anderson about the iDINO project and the finding of soft tissue in dinosaur bones that are supposed to be completly fossilized and mineralized. The research is still continuing to produce interesting results that challenge the evolutionary paradigm that says that dinosaurs lived and died millions of years ago. Dinosaur Soft Tissue - Is Genesis History clip iDINO Project Tribute to Dr. Kevin Anderson Mary Schweitzer on 60 Minutes - full segment

Porch Swing Orchestra is an art project that pairs music recorded outside with images made on-site. Performed and recorded at home and away, solo and with others. Our orchestra is comprised of birds, guitars, artists, poets, and passing cars that spontaneously create ephemeral symphonic chance-inspired compositions. The original site and hub for all things PSO can be found at porchswingorchestra.orgThis week's pod features an interview with Henry Smith who was the co-creator of the latest PSO piece, no.222. Henry came over on a rare rainy day in September and brought his soft touch to nylon six-string to make much goodness. We have a wide-ranging conversation about his musical upbringing, high school battle of the bands, the semiotics of album covers, wood type, and much more. VAST IS THE SEA A series of PSO-curated events at Co-Lab Projects in Austin TexasTickets: https://withfriends.co/event/17182339/vast_is_the_seaJanuary 20 - Performances and Opening Reception8pm Anthony Francis and Xavier Gilmore9pm Barry Stone / Porch Swing Orchestra10-11pm ReceptionJanuary 27 - Performances7pm Mark Menjivar8pm Ania SofkoFebruary 17 - Performances7pm Ariana Gomez8pm Gavin Watts / The ReformersFebruary 24 - Performances7pm Jessica Mallios8pm Thomas Hooper / SklossThis project is supported in part by grants from the Cultural Arts Division of the City of Austin Economic Development Department, Texas Commission on the Arts, the National Endowment for the Arts, and H-E-B.Henry Smith's show at the VAC featuring the Rob Roy Kelly Wood Type CollectionJanuary 26th - February 10, 2024UT Visual Art Center, Fieldworks GalleryOpening Reception: Friday, January 26th, 5-8 pmJay Ryan's Poster Work: https://thebirdmachine.comEinstein's Brain, Henry's Dad's band: Henry's website: https://henrysmith.work/ Get full access to Porch Swing Orchestra at porchswingorchestra.substack.com/subscribe

Moments That Rock doesn't get much better than moments with Led Zeppelin and The Yardbirds! Henry Smith joins us to share stories of how he first got the job back in the 60's with The Yardbirds and following Jimmy Page into his 'new' Yardbirds which went on to become Led Zeppelin. And this is just Part 1 .... Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Thanksgiving Day, November 23, 2023 Here are a special few moments of prayer, scripture, song, and worship. Singing “Give Thanks” by Henry Smith and a song I wrote with Stephanie Osorio, “Grateful.” Reading Psalm 100 and praying the Collect of the Day. Closing out with a benediction from Philippians 3:1-6. Thankful for you all! If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for giving to support this ministry. You can go here to find out more. Join our Facebook group here! Photo by Olivia Ward. Thanksgiving Day - Almighty and gracious Father, we give you thanks for the fruits of the earth in their season and for the labors of those who harvest them. Make us, we pray, faithful stewards of your great bounty, for the provision of our necessities and the relief of all who are in need, to the glory of your Name; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message

Bryan Windle and Henry Smith discuss places and discoveries related to the life of Abraham from the book of Genesis. And Bryan discovers something that he should probably add to his list.    Top 10 Discoveries Related to Abraham - BibleArchaeologyReport.com Where God Came Down with Joel Kramer - Digging for Truth TV

Thank you for giving to support this ministry. You can go here to find out more. **No podcasts the week of Thanksgiving here in the US—November 20-25, 2023. Have a wonderful holiday, I'm thankful for all of you!** It's Friday of Ordinary Time, Proper 27 in the Church Calendar. November 17, 2023 Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Give Thanks” by Henry Smith with a prayer of confession. We'll read Psalm 88 followed by the Gloria Patri. Our Scripture lesson is Revelation 19:11-16. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day followed by a time of spontaneous, prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization.  Join our Facebook group here! Art: North Star by Kay Sasser Jacoby Proper 27 - O God, whose blessed Son came into the world that he might destroy the works of the devil and make us children of God and heirs of eternal life: Grant that, having this hope, we may purify ourselves as he is pure; that, when he comes again with power and great glory, we may be made like him in his eternal and glorious kingdom; where he lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message

Being thankful becomes our anchor into the very heart of God, the giver of every good gift. Written in the 70's by Henry Smith, Give Thanks was covered by Don Moen, Hosanna Music, Mylon LeFevre & Friends among others. Read the lyrics: https://www.newreleasetoday.com/albumdetail.php?album_id=3422We are part of the New Release Today (NRT) Podcast Network. To find more Christian music related podcasts, go to NewReleaseToday.com and tell 'em Mixtape Theology sent ya!Our new book, Mixtape Theology: 90s Christian Edition, is available now at Amazon or Barnes & Noble. Come hang out with us and fellow mixtape theologians on Facebook, Instagram and Twitter @MixtapeTheology or by visiting linktr.ee/mixtapetheology.Come check out 90s Christian swag at our merch store at mixtapetheology.comWe are part of the NRT (New Release Today) podcast network. Find more Christian music related podcasts at newreleasetoday.com

Did Adam really live to be 930 Years Old? How about Noah? Was he really 950? Why do the ancient texts that are available to us give divergent numbers for the genealogies in both Genesis 5 and Genesis 11? Could the numbers have been deliberately changed to cover something up? And if they are different, what would that do to our understanding of the Genesis text?    What can we learn from the Genesis Genealogies? Join Eric Hovind and his guest, Henry Smith to find out! Watch this Podcast on Video at https://creationtoday.org/on-demand-classes/genealogies-of-genesis/  Join Eric LIVE each Wednesday at 12 Noon CT for conversations with Experts. You can support this podcast by becoming a Creation Today Partner at CreationToday.org/Partner

Nate Loper joins Henry Smith to discuss the long historical timeline of the relationship between Egypt and Israel, starting with Abraham and going all the way into the early church period.    Egyptology articles - BibleArchaeology.org

Recorded by S*an D. Henry Smith for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 12, 2023. www.poets.org

Controversial topic alert! Henry Smith has been working on ABR's Genesis 5 & 11 Chronology Project, which has a main goal of determining if Genesis 5 and 11, and other directly relevant biblical texts, can result in a calculable chronology of human history from Adam to Abraham. But in studying the source material in different Biblical manuscripts, these numbers in the Genesis 5 & 11 genealogies don't match between the Masoretic Text, the Septuagint and the Samaritan Pentateuch. So then the question becomes, who changed these texts? and why? Which then leads to controversial theories like the ones Henry Smith discusses on this episode.    Genesis 5 & 11 Project articles MT, SP, or LXX? Deciphering a Textual and Chronological Conundrum in Genesis 5

Why is the Bible composed of the current 66 books instead of others? Why are there so many translations? And what is canon anyway? Henry Smith talks with Dr John Meade about these questions and his book that he co-authored with Dr. Peter Gurry called Scribes & Scripture: The Amazing Story of How We Got the Bible.   Scribes & Scripture - buy link

Watch their film, Lunar New Year here Hosted on Acast. See acast.com/privacy for more information.

Should there be a ban on the importation of the body parts of wild animals, like lion pelts, elephant tusks or zebra hides into Britain? That's a question currently being considered by British lawmakers. Cases like Cecil the Lion - killed by an American dentist in Zimbabwe - have raised concern about the practice worldwide – and the image of white foreigners killing African wildlife disturbs many people. But the leaders of some African countries argue that trophy hunting can be GOOD for the environment. Botswana's environment minister Philda Nani Kereng has been leading a delegation of officials from southern Africa to plead with lawmakers not to pass the law, or at least to make some amendments to it. Botswana has a population of 150,000 elephants, the largest anywhere in the world. So what are the arguments surrounding trophy hunting? PRESENTER: Alan @kasujja GUESTS: Philda Nani Kereng, Botswana's Environment Minister. Polson Majaga, a member of Botswana's parliament representing a community heavily reliant on proceeds from trophy hunting. Henry Smith, the British MP sponsoring the bill.

Bryan Windle joins Henry Smith to discuss his list of the top ten archaeological finds relating to the New Testament.    Top Ten Discoveries Relating to the New Testament - Bible Archaeology Report

Henry Smith, Scott Lanser, and archeologist Dr. Scott Stripling have a round table discussion on ABR's most important artifiact ever found, an ancient curse tablet found on Mt Ebal in an altar that dates back to the time of Joshua. They talk about the Biblical context, wet sifting technology, analysis of the proto-alphabetic writing on the inside of the tablet, and how that writing on the inside is now the oldest Hebrew text ever found in Israel, and its implications.    You are Cursed by the God YHW - Heritage Science Journal article Joshua's Altar on Mt Ebal - DFT TV Scott Stripling on Centerpoint -  Mt Ebal tablet find announcement