Podcasts about chuo

Ripoti mpya ya Chuo cha Monash imeonesha matukio ya unyanyasaji dhidi yawa Islamu wa Australia, yali ongezeka zaidi ya mara mbili kati ya Januari 2023 na Novemba 2024.

Hii leo jaridani tunakuletea mad akwa kina inayotupeleka nchini Tanzania ambapo Chuo cha ulinzi wa amani kwa kushirikiana na wataalamu kutoka ‘UNITA' na Idara ya Umoja wa Mataifa ya Operesheni za Ulinzi waliandaa mpango wa ufundishaji kuhusu ulinzi wa amani, Brigedia Jenerali George Itang'are ambaye Mkuu wa chuo hicho anaelezaIkiwa leo ndio siku ambayo Israeli ilitaka shirika la Umoja wa Mataifa la kuhudumia wakimbizi wa kipalestina, UNRWA liwe limefunga shughuli zake Ukanda wa Gaza, Msemaji wa UNRWA Julie Touma amenukuliwa akisema hadi sasa hawajapokea mawasiliano yoyote rasmi ya jinsi ya kutekeleza sheria ya Bunge la Israeli, Knesset inayotaka waondoke.Mfuko wa Umoja wa Mataifa wa usaidizi wa dharura, CERF umetenga dola milioni 17 kufanikisha operesheni za kiutu nchini  Jamhuri ya Kidemokrasia ya Congo, DRC ambako mapigano makali huko Kivu kaskazini na Kivu Kusini yameacha mamia ya maelfu ya wakimbizi wakiwa na mahitaji makubwa ya kibinadamu.Na viongozi wa Jumuiya ya Afrika Mashariki, jana Januari 29 walikuwa na kikao cha dharura cha 24 kujadili hali ya usalama mashariki mwa DRC ambapo wametaka pande kinzani kuacha uhasama, kuruhusu usambazaji wa misaada ya kiutu na kuzingatia sitisho la mapigano bila masharti.Na katika kujifunza lugha ya Kiswahili leo fursa ni yake mtaalam wetu Onni Sigalla, Mhariri mwandamizi wa Baraza la Kiswahili la Taifa nchini Tanzania, BAKITA anafafanua maana ya neno “MAADHURA”Mwenyeji wako ni Anold Kayanda karibu!  

Katika Jarida la Habari la Umoja wa Mataifa hii leo Assumpta Massoi anakuletea-Katibu Mkuu wa Umoja wa Matafa Antonio Guterres  awapongeza walinda amani wa kikosi cha mpito nchini Lebanon UNIFIL kwa kujitolea kuhakikisha amani nchini humo-Baada ya kutangazwa muafaka wa usitishaji mapigano baina ya Israel na Hamas , raia wa Gaza wanasemaje? Utasikia hisia zao za furaha na majonzi-Makala leo inatupeleka Ghana kukutana na Angela Tabiri, mwanahisabati bora duniani na pia Mtafiti na Mhadhiri katika Chuo cha African Institute for Mathematical Sciences (AIMS) kilichoko Accra-Na mashinani tutaelekea nchini Uganda kusikia kuhusu mradi wa UNESCO unaowapatia wanafunzi stadi za teknolojia na ubunifu

 Ikiwa Umoja wa Mataifa unaunga mkono masomo ya Sayansi, Teknolojia na Hisabati, au STEM, Angela Tabiri ni mwanahisabati bora duniani, Mtafiti na Mhadhiri kutoka Chuo cha African Institute for Mathematical Sciences (AIMS) kilichoko Accra nchini Ghana Magharibi mwa bara la Afrika, amekuwa akitoa mchango katika kuhakikisha wasichana nchini humo wanapata elimu ya hisabati kupitia taasisi yake ya FemAfricMaths. Kwa kufanya hivyo anatimiza lengo namba 4 ya Malengo endelevu ya Umoja Mataifa(SDGs) linalohimiza elimu bora kwa wote na lile namba 5 linalozungumzia usawa wa kijinsia. Kutoka mjini Mwanza kaskazini magharibi mwa Tanzania, Sabrina Moshi wa redio washirika Saut Fm amefanya mahojiano na mtaalamu huyo. Angela anaanza kwa kueleza namna alivyokuwa na ndoto hadi kuanzisha FemAfricMaths ili kuwasaidia wasichana barani Afrika.

Send us a textBen and Daphna sit down with Dr. John Chuo and Dr. Abeer Azzuqa to discuss the CHNC Digital Health Focus Group and its impact on neonatal care. They share insights into using telemedicine across the NICU journey—from prenatal care to post-discharge monitoring—and explore the future of digital health. With advances in remote monitoring and clinical decision tools, Dr. Chuo and Dr. Azzuqa explain how digital health can support care continuity, reduce hospital stays, and improve access to specialized neonatal expertise.As always, feel free to send us questions, comments, or suggestions to our email: nicupodcast@gmail.com. You can also contact the show through Instagram or Twitter, @nicupodcast. Or contact Ben and Daphna directly via their Twitter profiles: @drnicu and @doctordaphnamd. The papers discussed in today's episode are listed and timestamped on the webpage linked below. Enjoy!

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana na leo anamzungumzia mfalme Daud. L'articolo Fahamu mafundisho ya mfalme Daudi kipindi cha Utawalawake. proviene da Radio Maria.

Happy Sake Day! Here is a list of events that are happening this month in Japan and around the world. Outside Japan (Sake Day Events) On October 1st in Melbourne, Australia. Tamura Sake Bar is celebrating World Sake Day 2024 from 6 to 9PM. https://www.tamurasakebar.com/ On October 4th from 4 to 10 pm, World Sake Day NYC 2024 will be happening at The W Loft Rooftop (240 Kent Ave, Williamsburg Brooklyn, NY)https://www.upstairsnyc.org/world-sake-day-nyc-2024 On October 5th from noon to 4 pm, the Queen City Sake Festival is happening in Denver Colorado. It will be held at Finn's Manor and 2 sake samurai will be attending.https://www.eventbrite.com/e/queen-city-sake-festival-tickets-1003066237117?aff=oddtdtcreatorAlso on October 5th in Long Beach the 2nd Annual LB Sake Day will be held from 1 to 4pm at Rancho Los Cerritos. https://aftontickets.com/lbsakeday Also on October 5th in Southern California, is the 8th Annual San Diego Sake Festival from 2 to 6 pm at Julep Venue.https://sandiegosakeclub.com/sake-festival Tuesday, October 1, 2024 AomoriA Toast with Local Sake from Around Japan & The Aomori Preliminary Round of the National Sake Tasting Competition5:00 pm - 6:00 pm (Reception: 4:30 pm - 5:00 pm): Preliminary Round of the National Sake Tasting Competition5:30 pm - 8:00 pm: A Taste of Local Sake from Around JapanLocationsA Taste of Local Sake from Around Japan: Machiniwa, 21-1 Mikkamachi, Hachinohe, Aomori PrefecturePreliminary Round of the National Sake Tasting Competition: Tsurutamachi Toyomeikan, 184-1 Hayase, Tsuruta, Kitatsugaru-gun, Aomori PrefectureOfficial Website: https://aomori-sake.or.jp/event KagawaThe 16th Sanuki Sake PR Mission3:00 pm - 4:45 pm: Preliminary Round of the National Sake Tasting Competition5:00 pm - 7:05 pm: A Toast with Sanuki Sake!LocationsKagawa Preliminary Round of the National Sake Tasting Competition: Marugamemachi Letts Hall Culture RoomA Toast with Sanuki Sake!: Dome Square in front of Takamatsu Marugamemachi Shopping Street, 1-1 Marugamemachi, Takamatsu, Kagawa Prefecture1-1 Marugamemachi, Takamatsu, Kagawa Prefecture 4F Takamatsu Marugamemachi Ichibangai East Bldg.Official Website: https://sanuki-sake.com/ EhimeNationwide Sake Toast & Horoyoi Festa 2024Reception: Starting at 6:00 pmToast: Starting at 7:00 pmLocationsYasuragi Hiroba, Shiroyama ParkHorinouchi, Matsuyama, Ehime PrefectureOfficial Website: https://www.ehime-syuzou.com/ KochiA Toast with Tosa Sake! Make Friends In Person and Online!6:30 pm - 8:00 pm (Reception starting at 6:00 pm)LocationsThe Crown Palais New Hankyu Kochi, 4-2-50 Honmachi, Kochi City, Kochi PrefectureOfficial Website: https://www.kbiz.or.jp/kumiai/sake/ NaraNara Sake: A Toast at World Heritage SitesTuesday, October 1, 2024 Toast from 5:00 pmSunday, October 13 12:00 - 5:00 pm*Sake will be served from 2:00 pmLocationOctober 1: Rooftop of Nara Park Bus Terminal, 76 Noboriojicho, Nara City, Nara PrefectureOctober 13: Kinpusen-ji Temple, Yoshinoyama, Yoshinocho, Yoshino-gun, Nara PrefectureOfficial Website: https://yamato-umazake.com/ Friday, October 4 to Sunday, October 6th, 2024 Kochi56th Tosa Hashiken All-Japan ChampionshipFriday, October 4, 1:00 pm - 4:00 pmLocationThe Crown Palais New Hankyu Kochi4-2-50 Honmachi, Kochi City, Kochi PrefectureOfficial Website: https://www.kbiz.or.jp/kumiai/sake/ ChibaChiba Sake Festival 2024Friday, October 4Part 1: 2:30 pm - 4:30 pm　(Reception: 2:15 pm)Part 2: 5:30 pm - 7:30 pm　(Reception: 5:15 pm)LocationTokyo Bay Makuhari Hall, 2-3 Hibino, Mihama-ku, Chiba City, Chiba PrefectureOfficial Website: https://chiba-sake.jp/ ItamiNationwide Sake Toast 2024 in Itami, the birthplace of sakeSaturday, October 5, 1:00 pm - 5:00 pm(Canceled in the case of inclement weather)LocationShirayuki Brewery Village Choujugura Parking Lot, 3-4-15 Chuo, Itami, Hyogo PrefectureOfficial Website: http://itamisake-kma.jp/ TokushimaA Toast with Awa Sake! 2024: The 24th Evening of Tokushima Sake and Snacks ...

Sanaa ya ushairi inawavutia zaidi watu wanaotamani kujua utamu na upekee wa lugha adhimu ya Kiswahili, Chuo kikuu cha Dar es salaam kimewatambua na kuwapa fursa vijana waliosomea fani ya sanaa, kubobea katika kughani Mashairi. Ungana na Steven Mumbi katika Makala ya Nyumba ya Sanaa akizungumza na Msanii Michael James maarufu Michael. 

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana na leo anamzungumzia mfalme Daudi.  L'articolo Fahamu namna ya kukataa Propaganda za kijinsia. proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, akielezea maisha ya Mfalme Daudi. L'articolo Wakristo waaswa kuyaiga yale mema alio yaishi Mfalme Daudi? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, akielezea maisha ya Mfalme Daudi. L'articolo Je, Mfalme Daudi alikuwa nani katika maandiko Matakatifu? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana na leo anaendelea  kumzungumzia mfalme Daudi.  L'articolo Mfahamu mfalme Daudi Utendaji wake kipindi cha utawala wake. proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana na leo anamzungumzia mfalme Daudi.  L'articolo Mfahamu Mfalme Daudi mema alioyafanya katika Utawala wake. proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana.  L'articolo Je, wafahamu hatua za Kusamehe? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana. L'articolo Je, nisamehe mara ngapi? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, ikiwa ni muendelezo wa mada ya kukoseana na kusamehana.  L'articolo Fahamu faida zinazo patikana ndani ya kusamehe walio kukosea. proviene da Radio Maria.

Karibu katika kipindi cha Ujumbe wa Biblia, Mwezeshaji ni Padre Titus Amigu, Mtaalamu wa Maandiko Matakatifu kutoka Chuo cha Mtakatifu Augustino (SAUT), akiendelea na mada ya kukoseana na kusameheana akijikita katika kipengele cha Mwanadamu kujikosea mwenyewe. L'articolo Je, ni kwa namna gani Mwanadamu hujikosea mwenyewe? proviene da Radio Maria.

Karibu katika kipindi cha Ujumbe wa Biblia, Mwezeshaji ni Padre Titus Amigu, Mtaalamu wa Maandiko Matakatifu kutoka Chuo cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza akiwa anazungumzia Maisha ya Mtakatifu Yohane Mbatizaji na wito wa toba kwa Wadhambi. L'articolo Je, ujumbe wa toba kwa Wadhambi ni upi? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu  kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT),  Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, akiendelea na kumtazama nabii wa Agano jipya Yohane Mbatizaji katika kipengele cha toba.  L'articolo Je, wafahamu maana ya mwito wa toba. proviene da Radio Maria.

Kalibu ungane nami Judith Francis katika kipindi cha Ujumbe wa Bibilia na Padre Titus Amigu, kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza, akiendelea kufundisha namna gani Mwanadamu anajikosea mwenyewe. L'articolo Kwa namna gani Mwanadamu huwa anajikosea mwenyewe? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu  kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT),  Jimbo Kuu la Mwanza,  katika kipindi cha Ujumbe wa Bibilia, akiendelea kumuelezea Nabii Yohane Mbatizaji.  L'articolo Mfahamu Mtakatifu Yohana Mbatizaji Maisha yake na Utume wake. proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu  kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza, katika kipindi cha Ujumbe wa Bibilia, akiendelea kufundisha kukoseana na kusamehana.   L'articolo Kwa namna gani Watu wanavyokoseana? proviene da Radio Maria.

Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu  kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza, katika kipindi cha Ujumbe wa Bibilia, akiendelea kutufundisha juu ya  Sakramenti ya Upadrisho.   L'articolo Fahamu namna ya Nabii anavyo takiwa kufanya kazi katika majukumu yake. proviene da Radio Maria.

 –  Karibu uungane na Padre Titus Amigu, Mtalaamu wa Maandiko Matakatifu  kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza, katika kipindi cha Ujumbe wa Bibilia, anaendelea na  mada juu  Sakramenti ya Upadre katika kipengele kidogo  Watu waliokuwa wanafanya kazi ya Unabii. L'articolo Fahamu juu ya Manabii wa Uongo na Waukweli. proviene da Radio Maria.

Ito-koku and Na-koku were the next two countries on the path of the Wei envoys noted in the Gishiwajinden.  They likely refer to the areas known today as Itoshima and Fukuoka, so what do we know about these places in the Yayoi period, and how is it that by the 3rd century Yamato seemed to have taken the foremost position on the archipelago and not one of these other countries, where wet paddy rice agriculture and other continental technologies first arrived in the archipelago. For more see our podcast blog post at: https://sengokudaimyo.com/podcast/itoandna Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Gishiwajinden Part Five: Ito-koku and Na-koku This episode we are finishing up our Gishiwajinden Tour, focusing on our journey to Ito-koku and Na-koku, or modern day Itoshima and Fukuoka. We'll talk about what we know from the records of these two areas in the Yayoi and early Kofun periods, and then look at some of the later history, with the development of the Dazaifu, the build up of Hakata and Fukuoka, and more.  A key thread through all of this will be our discussion about why it was Yamato, and not these early states, who eventually became paramount.  If this is where things like wet paddy rice agriculture started, and they had such close ties to the continent, including sending a mission to the Han dynasty, why did the political center shift over to Yamato, instead?  It is certainly something to wonder about, and without anything written down by the elites of Na and Ito we can only really guess based on what we see in the histories and the archaeological record. We ended our tour in Na for a reason: while the Gishiwajinden—the Japanese section of the Wei Chronicles—describes the trip from the continent all the way to Yamatai, the locations beyond Na are largely conjecture.  Did ancient travelers continue from Na along the Japan Sea coast up to Izumo and then travel down somewhere between Izumo and Tsuruga to the Nara Basin?  Or did they travel the Inland Sea Route, with its calmer waters but greater susceptibility to pirates that could hide amongst the various islands and coves?  Or was Yamatai on the island of Kyushu, and perhaps the name just happens to sound similar to the Yamato of Nara?  Unfortunately, the Wei Chronicles have more than a few problems with accuracy, including problems with directions, meaning that at most we have some confidence in the locations out to “Na”, but beyond that it gets more complicated.  And even “Na” has some questions, but we'll get to that later. Unlike the other points on our journey, we didn't stay overnight at “Ito-koku”, , and we only briefly stayed at Na—modern Fukuoka, but I'll still try to give an account of what was going on in both places, and drawing on some past visits to the area to fill in the gaps for you.   Both the Na and Ito sites are believed to be in the modern Fukuoka prefecture, in Itoshima and Fukuoka cities.  Fukuoka prefecture itself actually spans all the way up to the Shimonoseki straits and includes the old territory of Tsukushi—Chikuzen and Chikugo—as well as the westernmost part of Buzen, the “closer” part of the old land of “Toyo” on the Seto Inland Sea side of Kyushu.  When it comes to locating the country of Ito-koku, we have lots of clues from current place names.  The modern Itoshima peninsula, which, in old records, was known as the country of Ito, and was later divided into the districts of Ito and Shima.  Shima district, at the end of the peninsula, may have once been an island—or nearly so.  It is thought that there was a waterway between the two areas, stretching from Funakoshi bay in the south to Imazu Bay, in the north, in Fukuoka proper.  Over time this area was filled in with deposits from the local rivers, making it perfect for the Yayoi style wet rice paddy agriculture that was the hallmark of the growth in that period.  And indeed there are certainly plenty of Yayoi and Kofun era ruins in the area, especially in eastern reaches of the modern city of Itoshima, which reside in the valley that backs up to Mt. Raizan.  There you can find the Ito-koku History Museum, which tells much of the story of Ito. The Weizhi, or the Wei Chronicles, note that Ito-koku had roughly a thousand households, with various officials under their own Queen, making it one of the few Wa countries that the Chroniclers specifically noted as being a “kingdom”, though still under the nominal hegemony of the queen of Yamatai or Yamateg.  If you continue eastward along the coast from Itoshima, you next hit Nishi-ku, the Western Ward, of modern Fukuoka city, which now continues to sprawl around Hakata Bay.  Nishi-ku itself used to also be known as “Ito”, though spelled slightly differently, and you can still find Ito Shrine in the area. So was this part of Ito-koku also? It's very possible.   Na-koku, or the country of Na, was probably on the eastern edge of modern Fukuoka, perhaps around the area known as Hakata down to modern Kasuga.  Much like in Karatsu, this area features some of the earliest rice fields ever found in Japan – in this case, in the Itazuke neighborhood, just south of Fukuoka airport.  The land here is mostly flat, alluvial plains, formed by the rivers that empty out into Hakata Bay, another great area for early rice agriculture. Locating the country of Na is interesting for several reasons.  For one, unlike all of the other Wei Chronicles sites we've mentioned, there is no clear surviving placename that obviously matches up between “Na” and the local area.  It is a short enough name that it may simply be difficult to distinguish which “Na” is meant, though there is a “Naka” district in Kasuga that may show some promise.  There certainly is evidence for a sizeable settlement, but that's much more tenuous than the placenames for other areas, which remained largely in use in some form up to the modern day, it would seem. The name “Na” shows up in more than just the Weizhi, and it is also mentiond in the Houhan-shu, or the Record of the Later Han, a work compiled later than the Weizhi, but using older records from the Late Han dynasty period.  There it is asserted that the country of Na was one of the 99 some-odd countries of Wa, and they sent an embassy to the Later Han court, where they received a gold seal made out to the “King of Na of Wa”.  We talked about this in Episode 10: The Islands of the Immortals: That seal, made of gold, was seemingly found in the Edo period—1784, to be precise.  A farmer claimed to have found it on Shika island, in Hakata Bay, which is quite prominent, and connected to the mainland with a periodically-submerged causeway.  The description of the find—in a box made up of stones, with a large stone on top that required at least two men to move it—seems like it could have been an old burial of some kind.  The island certainly makes sense as an elite burial site, overlooking Hakata Bay, which was likely an important feature of the lifeways of the community.  While there have been questions about the authenticity of the seal, if it is a forgery, it is quite well done.  It looks similar to other Han era seals, and we don't really have a way to date the gold it is made of.  Without the actual context we can't be quite sure. This certainly seems like pretty strong evidence of the country of Na in this area, somewhere – probably not on the island itself, then close by.So unless something else comes along, I think we can say that this is at least the vicinity of the old country of Na.  Okay, so now that we've talked in general about where these two places were, let's go back and look at them in more detail. The Ito-koku site is just up the coast from where we stayed for Matsuro-koku, in Karatsu, which all makes sense from the position of the Chronicles in that it says the early envoys traveled overland from one place to the other.  Of course it also says they traveled southeast, which is not correct as the route is actually northeast.  However, they had traveled southeast from the Korean peninsula to Tsushima and then Iki and Matsuro, so that direction was well established, and this is an easy enough error that could have been made by the actual envoys or by later scribes, as it would be a one character difference. For Ito-koku, as with Matsuro-koku, we have no large, reconstructed sites similar to Harunotsuji on Iki or Yoshinogari, further inland in Saga prefecture, where we have an entire, large, so-called “kingly” settlement.  There is evidence of settlements, though, both near the major burial sites as well as around the peninsula.  And as for those burial sites, well, Ito has a few, and they aren't merely important because of their size.  Size is often an indication of the amount of labor that a leader must have been able to mobilize, and so it can be used to get a general sense of the power that a given leader or system was able to wield, as they could presumably turn that labor to other users as well. However, it is also important to look at other factors, like burial goods. What kind of elite material was the community giving up and placing with the deceased? That is the case with the first site we'll discuss, the Hirabaru burial mound.  At first glance it isn't much—a relatively unassuming square mound, about 12 by 14 meters, and less than 2 meters in height.  It was discovered in 1965 by a farmer who started digging a trench to plant an orchard and started pulling up broken pieces of a bronze mirror, one of the first clues that this was someone important.  They later found various post holes around the site, suggesting that it was more than just an earthen mound, and as they excavated the site they found pottery, beads, mirrors, and more. Let's start with those post-holes.  It looks like there was at least one large pillar set up due east of the burial.  We don't know how tall it was, but it was likely of some height given the size of the pillar hole—I've seen some estimates that it could have been up to 70 meters tall.  A tall pole would have provided visibility, and it may also be significant that it was east, in the direction of the rising sun.  We know that the ancient Wa had a particular connection with the sun, and this may be further evidence of that.  There are other holes that may be a gate, and possible a storehouse nearby, presumably for various ritual items, etc.  Suddenly, even without knowing exactly what was there, we start to see a picture of a large, manmade complex that seems to be centered on this burial and whomever is there. On top of that, there was a mirror in the tomb that was larger than any other ever found in Japan at that time—certainly the largest round mirror of that period.  It is not one of the triangular rimmed mirrors that Yamato is known for, but may have been part of another large cache brought over from the mainland.  About 40 mirrors in total, many of them very large, were found buried in the tomb, some of which appear to have been broken for some reason.  Furthermore, the large mirrors appear to fit within the dimensions given the Great Mirror—the Yata no kagami—housed at the sacred Ise Shrine.  There is a document in 804, the “Koutai Jingu Gishiki Chou”, detailing the rituals of Ise shrine, which describes the sacred mirror sitting in a box with an inner diameter of 1 shaku, 6 sun, and 3 bu, or approximately 49.4 centimeters, at least using modern conversions.  The same measurements are given in the 10th century Engi Shiki.  So we can assume that the mirror in Ise, which nobody is allowed to actually see, let alone measure, is smaller than that, but not by much, as the box would have been made to fit the mirror, specifically.  It isn't like you can just grab a box from Mirror Depot.  The mirrors found at Hirabaru Mound measure 46.5 centimeters, and have a floral pattern with an eight petaled flower on the back.  Could this mirror be from the same mold or the same cache, at least, as the sacred mirror at Ise?  At the very least, they would seem to be of comparable value.   In addition, there were many beads, jars, etc.  Noticeably absent from the burial were swords and weapons.  Based on this, some have argued that this was the burial of a queen of Ito-koku.  There is evidence that this may be the case, but I don't think the presence of weapons, or the lack thereof, is necessarily a good indicator. After all, we see in the old stories that women were also found wielding swords and leading troops into battle. So it's dangerous to make assumptions about gender based on this aspect alone. I wonder if the Hirabaru tomb assemblage might have more to do with something else we see in Yamato and which was likely applicable elsewhere in the archipelago: a system of co-rulership, where one role might have to do more with administrative and/or ritual practice, regardless of gender. This burial assemblage or mirrors and other non-weapons might reflect this kind of position. The Weizhi often mentions “secondary” or “assistant” positions, which may have truly been subordinate to a primary ruler, or could have just been misunderstood by the Wei envoys, who saw everything through their particular cultural stratification.  In a similar fashion, early European explorers would often name people “king”—from the daimyo of Sengoku era Japan to Wahunsenacawh, known popularly as “Powhatan” for the name of his people, on what would become known as North America.  That isn't to say that these weren't powerful individuals, but the term “king” comes with a lot of Eurocentric assumptions and ideas about power, stratification, etc.  Is there any reason to believe that the Wei envoys and later chroniclers were necessarily better at describing other cultures? And of course we don't have any physical remains of the actual individual buried there, either. However, there is a good reason to suggest that this may have been a female ruler, and that *is* because of something in the Weizhi, which specifically says that the people of Ito lived under the rule of a female king, aka a queen, using a description not unlike what is used for Queen Himiko.  In fact, Ito gets some special treatment in the record, even though it isn't the largest of the countries.  Let's look at those numbers first: Tsushima is said to have 1,000 households, while Iki is more like 3,000.  Matsuro is then counted at 4,000 families, but Ito is only said to have 1,000, similar to Tsushima.  Just over the mountains and along the Bay, the country of Na is then counted at a whopping 20,000 households, so 20 times as many.  These numbers are probably not entirely accurate, but do give an impression of scale, at least. But what distinguishes Ito-koku in this is that we are told that it had a special place for envoys from the Korean peninsula to rest when they came.  It makes you wonder about this little place called Ito. Hirabaru is not the only kingly tomb in the area.  Walk about 20 to 30 minutes further into the valley, and you might just find a couple of other burials—in particular Mikumo-Minami Shouji, discovered in 1822, and Iwara-Yarimizo, which includes artifacts discovered in the 1780s in the area between Mikumo and Iwara as they were digging a trench.  Based on evidence and descriptions, we know that they pulled out more bronze mirrors and other elite goods indicative of the late Yayoi paramounts. In these areas they have also found a number of post holes suggesting other buildings—enough to perhaps have a relatively large settlement. As noted earlier, we do not have a reconstructed village like in Harunotsuji or Yoshinogari, given that these are private fields, so the shape of the ancient landscape isn't as immediately impressive to people looking at the area, today.  The apparent dwellings are largely found in the triangle created between two rivers, which would have been the water source for local rice paddies.  The tombs and burials are found mostly on the outskirts, with the exception of the kingly burial of Mikumo-Minami Shouji.  This is also interesting when you consider that the later Hirabaru mound was situated some distance away, raising a bunch of questions that we frankly do not have answers for. The area of these ruins is not small.  It covers roughly 40.5 hectares, one of the largest Yayoi settlements so far discovered.  Of course, traces of other large settlements—like something in the Fukuoka area or back in Yamato—may have been destroyed by later construction, particularly in heavily developed areas.  This is interesting, though, when you consider that the Weizhi only claimed some 1,000 households. There are also other graves, such as various dolmens, across Ito and Shima, similar to those found on the peninsula, and plenty of other burials across both ancient districts.  And as the Yayoi culture shifted, influence of Yamato can be seen.  While Ito-koku clearly had their own burial practices, which were similar to, but not exactly like, those in the rest of the archipelago, we can see them start to adopt the keyhole style tomb mounds popular in Yamato. During the kofun period, the area of Itoshima built at least 60 identified keyhole shaped tombs, with a remarkable number of them from the early kofun period.  Among these is Ikisan-Choushizuka Kofun, a large, round keyhole tomb mound with a vertical stone pit burial, estimated to have been built in the latter half of the 4th century.  At 103 meters in length, it is the largest round keyhole tomb on the Genkai coast—that is to say the northwest coast of Kyushu. All of these very Yamato-style tombs would appear to indicate a particular connection between Ito and  Yamato—though what, exactly, that looked like is still up for debate.  According to the various early Chronicles, of course, this would be explained because, from an early period, Yamato is said to have expanded their state to Kyushu and then even on to the Korean peninsula.  In particular, the Chronicles talk about “Tsukushi”, which is both used as shorthand for the entirety of Kyushu, while also indicating the area largely encompassing modern Fukuoka prefecture.  On the other hand, this may have been a sign of Ito demonstrating its own independence and its own prestige by emulating Yamato and showing that they, too, could build these large keyhole tombs.  After all, the round keyhole shape is generally thought to have been reserved, in Yamato, for members of the royal family, and Ito-koku may have been using it similarly for their own royal leaders.  It may even be something in between—Ito-koku may have recognized Yamato's influence and leadership, but more in the breach than in actuality.  Afterall, until the standup of things like the various Miyake and the Dazai, we aren't aware of a direct outpost of the Yamato government on Kyushu.  The Miyake, you may recall, were the ”royal granaries”, which were basically administrative regions overseeing rice land that was directly controlled by Yamato, while the Dazai was the Yamato government outpost in Kyushu for handling continental affairs.  On top of a lack of local control in the early Kofun, the Weizhi appears to suggest that the Yamato paramount, Himiko, was the “Queen of the Wa” only through the consensus of other polities, but clearly there were other countries in the archipelago that did not subscribe to her blog, as it were, as they were in open conflict with Yamato.  This all leads into something we've talked about in the main podcast at various times, but it still bears discussing:  How did Yamato, over in the Nara Basin, become the center of political life in the Japanese archipelago, and why not somewhere in Kyushu, like ancient Na or Ito?  While we don't entirely know, it is worth examining what we do and some of the factors that may have been in play.  After all, Kyushu was the closest point of the main Japanese islands to the mainland, and we see that the Yayoi culture gets its start there.  From there, Yayoi culture spread to the east, and if we were to apply similar assumptions as we do on the spread of the keyhole shaped kofun, we would assume that the culture-givers in the west would have held some level of prestige as groups came to them to learn about this new technology, so why wasn't the capital somewhere in Kyushu?  We likewise see other such things—Yayoi pottery styles, fired in kilns, rather than open fired pottery; or even bronze items brought over from the continent.  In almost every instance, we see it first in Kyushu, and then it diffuses eastward up to the edge of Tohoku.  This pattern seems to hold early on, and it makes sense, as most of this was coming over from the continent. Let's not forget, though, that the Yayoi period wasn't simply a century: by our most conservative estimates it was approximately 600 years—for reference, that would be roughly equivalent to the period from the Mongol invasions up to the end of the Edo period, and twice as long as the period from Mimaki Iribiko to the Naka-no-Oe in 645, assuming that Mimaki Iribiko was ruling in the 3rd century.  So think about all that has happened in that time period, mostly focused on a single polity, and then double it.  More recent data suggests that the Yayoi period may have been more like an 1100 to 1300 year range, from the earliest start of rice cultivation.  That's a long time, and enough time for things in the archipelago to settle and for new patterns of influence to form.  And while Kyushu may have been the first region to acquire the new rice growing technology, it was other areas around the archipelago that would begin to truly capitalize on it. We are told that by the time the Wei envoys arrived that the state of Yamato, which we have no reason not to believe was in the Nara Basin, with a focus on the area of modern Sakurai, had approximately 70,000 households.  That is huge.  It was larger than Na, Ito, and Matsuro, combined, and only rivaled in the Weizhi by Touma-koku, which likely referred to either the area of Izumo, on the Japan Sea coast, or to the area of Kibi, along the Seto Inland Sea, both of which we know were also large polities with significant impact in the chronicles.  And here there is something to consider about the Yayoi style agriculture—the land determined the ultimate yield.  Areas with more hills and mountains are not as suited to wet rice paddy agriculture.  Meanwhile, a flat basin, like that in Yamato, which also has numerous rivers and streams draining from the surrounding mountains into the basin and then out again, provided the possibility for a tremendous population, though no doubt it took time to build. During that time, we definitely see evidence of the power and influence of places like Na and Ito.  Na sent an embassy to the Han court—an incredible journey, and an indication of not only their interest in the Han court and continental trade, but also their ability to gather the resources necessary for such a journey, which likely required some amount of assistance from other, nearby polities.  Na must have had some sway back then, we would assume. Meanwhile, the burial at Ito shows that they were also quite wealthy, with clear ties to the continent given their access to large bronze mirrors.  In the absence of other data, the number and size of bronze mirrors, or similar bronze items, likely only useful for ritual purposes, indicates wealth and status, and they had some of the largest mirrors as well as the largest collection found for that period.  Even into the stories in the Nihon Shoki and the Kojiki we see how mirrors, swords, and jewels all are used a symbols of kingship.  Elite status was apparently tied to material items, specifically to elite trade goods.  Assuming Yamato was able to grow its population as much as is indicated in the Weizhi, then by the 3rd century, they likely had the resources to really impress other groups.  Besides things like mirrors, we can probably assume that acquisition of other goods was likewise important.  Both Ito and Yamato show evidence of pottery shards from across the archipelago, indicating extensive trade networks.  But without any other differentiating factors, it is likely that Yamato, by the 3rd century, at least, was a real powerhouse.  They had a greater production capacity than the other states listed in the Weizhi, going just off of the recorded human capital. And this may answer a question that has been nagging me for some time, and perhaps others:  Why did other states acquiesce to Yamato rule?  And the answer I keep coming back to is that it was probably a combination of wealth, power, prestige, ritual, and time. For one thing, wealth: Yamato had it.  That meant they could also give it.  So, if Yamato was your friend, you got the goods, and you had access to what you need.  You supported them, they could help you with what you needed.  These transactional alliances are not at all uncommon, and something I think most of us can understand. There is also power—specifically military power.  With so many people, Yamato would likely have been a formidable threat should they decide that violence was the answer.  That said, while we read of military campaigns, and no doubt they did go out and fight and raid with the best of them, it's expensive to do so.  Especially exerting control over areas too far out would have been problematic, especially before writing AND horses.  That would be costly, and a drain on Yamato's coffers.  So while I do suspect that various military expeditions took place, it seems unlikely that Yamato merely bested everyone in combat.  Military success only takes you so far without constant maintenance. And so here is where I think prestige and ritual come into play.  We've talked about how Yamato did not exactly “rule” the archipelago—their direct influence was likely confined to the Kinki region for the longest period of time.  And yet we see that they influenced people out on the fringes of the Wa cultural sphere: when they started building large, keyhole shaped kofun for their leaders, and burying elites only one to a giant mound, the other areas of Japan appear to have joined in.  Perhaps Yamato was not the first to build a kofun for a single person, but they certainly were known for the particular shape that was then copied by so many others.  But why? We don't know for certain, but remember that in Yamato—and likely the rest of the Wa cultural sphere—a large part of governance was focused on ritual.  The natural and what we would consider the supernatural—the visible and invisible—worked hand in hand.  To have a good harvest, it required that workers plant, water, harvest, etc. in the right seasons and in the right way.  Likewise, it was considered equally important to have someone to intercede with the kami—to ensure that the rains come at the right time, but not too much, and a host of other natural disasters that could affect the crop. And if you want to evaluate how well ritual works, well, look at them.   Are you going to trust the rituals of someone whose crops always fail and who barely has a single bronze mirror?  Or are you going to trust the rituals of someone with a thriving population, multiple mirrors, and more?  Today, we might refer to this as something like the prosperity gospel, where wealth, good health, and fortune are all seen as stemming from how well one practices their faith, and who's to say that back in the day it wasn't the same?  Humans are going to human, after all. So it makes sense that one would give some deference to a powerhouse like Yamato and even invite their ritualists to come and help teach you how it is done.  After all, the local elites were still the ones calling the shots.  Nothing had really changed. And here is where time comes in.  Because over time what started as an alliance of convenience became entrenched in tradition.  Yamato's status as primus inter pares, or first among equals, became simply one of primus.  It became part of the unspoken social contract.  Yamato couldn't push too hard on this relationship, at least not all at once, but over time they could and did demand more and more from other states. I suspect, from the way the Weizhi reads, that Yamato was in the early stages of this state development.  The Weizhi makes Queen Himiko feel like something of a consensus candidate—after much bickering, and outright fighting, she was generally accepted as the nominal paramount.  There is mention of a male ruler, previously, but we don't know if they were a ruler in Yamato, or somewhere else, nor if it was a local elite or an earlier paramount.  But not everyone in the archipelago was on board—Yamato did have rivals, somewhere to the south (or north?); the directions in the Weizhi are definitely problematic, and it may refer to someone like the Kuma or Kumaso people in southern Kyushu or else people that would become known as the Emishi further to the east of Yamato. This lasted as long as Yamato was able to continue to demonstrate why they were at the top of this structure.  Theoretically, anyone else could climb up there as well, and there are certainly a few other powerful states that we can identify, some by their mention and some by their almost lack of mention.  Izumo and Kibi come to mind almost immediately. The Weizhi makes it clear that Himiko's rule was not absolute, and part of her reaching out to the Wei in the first place may have been the first attempt at something new—external validation by the continent.  A large part of international diplomacy is as much about making people believe you have the power to do something as actually having that power.  Getting recognition from someone like the Wei court would further legitimize Yamato's place at the top of the heap, making things easier for them in the long run. Unfortunately, it seems like things did not go so smoothly, and after Himiko's death, someone else came to power, but was quickly deposed before a younger queen took over—the 13 year old Toyo.  Of course, the Wei and then the Jin had their own problems, so we don't get too many details after that, and from there we lose the thread on what was happening from a contemporary perspective.  Instead, we have to rely on the stories in the Nihon Shoki and Kojiki, which are several hundred years after the fact, and clearly designed as a legitimizing narrative, but still present us something of a picture.  We don't see many stories of local elites being overthrown, though there do seem to be a fair number of military campaigns.  Nonetheless, even if they were propped up by Yamato, local elites likely had a lot of autonomy, at least early on, even as they were coopted into the larger Yamato umbrella.  Yamato itself also saw ups and downs as it tried to figure out how to create a stable succession plan from one ruler to the next.  At some point they set up a court, where individuals from across the archipelago came and served, and they created alliances with Baekje, on the peninsula, as well as with another polity which we know of as Nimna.  Through them, Yamato continued to engage with the continent when the dynastic struggles there allowed for it.  The alliance with Baekje likely provided even more legitimacy for Yamato's position in the archipelago, as well as access to continental goods. Meanwhile the court system Yamato set up provided a means for Yamato to, itself, become a legitimizing factor. Hierarchical differences in society were already visible in the Yayoi period, so we can generally assume that the idea of social rank was not a new concept for Yamato or the other Wa polities.  This is eventually codified into the kabane system, but it is probably likely that many of the kabane came about, originally, as titles of rank used within the various polities.  Yamato's ability to claim to give—or even take away—that kabane title, would have been a new lever of power for Yamato.  Theoretically, other polities could just ignore them and keep going on with their daily lives, but if they had already bought into the social structure and worldview that Yamato was promoting, then they likely would have acquiesced, at least in part, to Yamato's control. Little by little, Yamato's influence grew, particularly on those closer to the center.  Those closer, and more affected, started to listen to Yamato's rules about kofun size and shape, while those further on the fringes started to adopt Yamato's traditions for themselves, while perhaps maintaining greater independence. An early outlier is the Dazai.  It is unclear whether this was forcibly imposed on the old region of Na and nearby Ito, or if it was more diplomatically established.  In the end, though, Yamato established an outpost in the region early on, almost before they started their practice of setting up “miyake”, the various royal granaries that appear to have also become local Yamato government offices in the various lands.  The Dazai was more than just a conduit to accept taxes in the form of rice from various locals—it was also in charge of missions to the continent.  Whether they were coming or going, military or diplomatic, the Dazai was expected to remain prepared.  The early iterations were likely in slightly different locations, and perhaps not as large, but still in roughly the area near modern Fukuoka and Dazai.  This was a perfect place not only from which to prepare to launch or receive missions from the continent, but also to defend the nearby Shimonoseki straits, which was an important entryway into the Seto Inland Sea, the most direct route to Naniwa and the Yamato court. The first iterations of direct Yamato control in Tsukushi—modern Fukuoka—claim to have been focused largely on being a last point to supply troops heading over to fight on the peninsula, not unlike the role of Nagoya castle on the Higashi-Matsuura peninsula in the 16th century.  Over time, though, it grew into much more.  The Weizhi, for its part mentions something in the land of Ito, where there were rooms set up for envoys from the continent, but the Dazai was this on steroids. Occasionally we see evidence of pushback against Yamato's expansion of powers.  Early on, some states tried to fool the envoys into thinking that they were Yamato, perhaps attempting to garner the trade goods for themselves and to take Yamato's place as the interlocutor between the Wa polities and the continent.  We also see outright rebellions—from Iwai in Kyushu, in the 6th century, but also from various Emishi leaders as well.  The Iwai rebellion may have been part of the impetus for setting up the Dazai as a way to remotely govern Tsukushi—or at least help keep people in line.  For the most part, though, as time goes by, it would seem that Yamato's authority over other polities just became tradition, and each new thing that Yamato introduced appears to have been accepted by the various other polities, over time.  This is likely a much more intricate process than even I'm describing here, but I'm not sure that it was necessarily a conscious one; as the concept of Yamato as the “paramount” state grew, others ceded it more and more power, which only fed Yamato's self-image as the paramount state.  As the elites came under the Yamato court and rank system, they were more closely tied to it, and so Yamato's increased power was, in a way, passed on to them as well.  At least to those who bought in. By the 5th century, we know that there were families sending people to the court from as far away as Hi no Kuni in Kyushu—near modern Kumamoto—and Musashi no Kuni in the east—including modern Saitama.  All of that said, while they may have subordinated themselves to Yamato in some ways, the various polities still maintained some independent actions and traditions.  For example, whatever their connection to Yamato, the tombs at Itoshima also demonstrate a close connection to the peninsula.  The horizontal entry chamber style of tomb—something we saw a lot in Iki, and which seems to have been introduced from the continent—started to become popular in the latter half of the 4th century, at least in the west of the archipelago. This is well before we see anything like it in Yamato or elsewhere, though it was eventually used across the archipelago.  Itoshima appears to have been an early adopter of this tomb style, picking it up even before the rest of the archipelago caught on, making them the OG horizontal chambers, at least in Japan. Ultimately, the image we have of Ito-koku is of an apparently small but relatively influential state with some influence on the cross-strait trade, with close ties to Yamato. The history of the region seems a bit murky past the Kofun period.  There are earthworks of an old mountain castle on Mt. Raizan that could be from the Asuka period, and in the 8th century the government built Ito castle on the slopes of Mt. Takaso, possibly to provide some protection to the Dazaifu, which was the Yamato outpost in Kyushu, and eventually became the main administrative center for the island.  It seems, then, that whatever power the country of Ito may have once had, it was subsumed by the Dazai, which was built a little inland, east of the old Na territory.  Furthermore, as ships grew more seaworthy over time, they could make the longer voyages straight to Iki or Tsushima from Hakata.  For the most part, the area of the Itoshima peninsula seems to have been merely a set of districts in the larger Tsukushi and then the Chikuzen provinces.  The area of Na, meanwhile, which is said to have had 20,000 households in the 3rd century—much larger than nearby Ito—was completely eclipsed by the Dazaifu after the Iwai rebellion.  After the fall of Baekje, the Dazaifu took on even greater administrative duties, and eventually took over all diplomatic engagement with the continent.  They even set up a facility for hosting diplomatic envoys from the continent.  This would come to be known as the Kourokan, and they actually found the ruins of it near the site where Maizuru castle was eventually built in what is now Chuo-ku, or the central ward, of Fukuoka city. From the Heian period onwards, the Harada family eventually came to have some power in the area, largely subordinate to others, but they built another castle on Mt. Takaso, using some of the old Ito Castle earthworks, and participated in the defense of the nation during the Mongol invasions. The Harada family rose briefly towards the end of the Sengoku Period, pushing out the Otomo as Hideyoshi's campaign swept into Kyushu.  They weren't quite fast enough to join Hideyoshi's side, though, and became subordinate to Kato Kiyomasa and eventually met their end during the Invasions of Korea. The Ito district at some point after that became part of the So clan's holdings, falling under Tsushima's purview, along with a scattering of districts elsewhere, all likely more about the revenue produced than local governance.  In the Edo period, there were some efforts to reclaim land in Imazu bay, further solidifying links with the Itoshima peninsula and the mainland, but that also fits in with the largely agricultural lifestyle of the people in the region.  It seems to have remained largely a rural backwater up into modern times, when the Ito and Shima districts were combined into an administrative district known as “Itoshima city”. Meanwhile, the Dazaifu continued to dominate the region of modern Fukuoka.  Early on, worried about a Silla-Tang alliance, the Yamato state built massive forts and earthworks were built around the Dazaifu to protect the region from invasion.  As the Tang dynasty gave way to the Song and Yuan dynasties, however, and the Heian court itself became more insular, the Dazaifu's role faded, somewhat.  The buildings were burned down in the 10th century, during the failed revolt of Fujiwara no Sumitomo.  The government never rebuilt, and instead the center of regional government shifted to Hakata, closer to the bay. Appointed officials to the Dazai were known as the Daini and the Shoni.  Mutou Sukeyori was appointed as Dazai Shoni, the vice minister of the Dazaifu, in the late 12th century.  Though he had supported the Taira in the Genpei wars, he was pardoned and made the guardian of Northern Kyushu, to help keep the region in check for the newly established Kamakura Bakufu.  He would effectively turn that into a hereditary position, and his family became known as the “Shoni”, with their position eventually coming to be their family name.  They would provide commendable service against the Mongol invasion, and eventually became the Shugo Daimyo over much of western Kyushu and the associated islands, though not without pushback from others in the region. Over time, the power of the Shoni waned and various other daimyo began to rise up.  The chaos of the Sengoku period saw the entire area change hands, back and forth, until Hideyoshi's invasion of Kyushu.  Hideyoshi divided up control of Kyushu, and Chikuzen, including the areas of Hakata and modern Itoshima, was given to Kobayakawa Takakage.  Hideyoshi also began to redevelop the port of Hakata.  After the battle of Sekigahara, Kobayakawa Hideaki, Takakage's adopted son and nephew to the late Hideyoshi, was transferred to the fief of Okayama, and the area of modern Fukuoka city was given to Kuroda Nagamasa, creating the Fukuoka Han, also known as the Kuroda Han. Nagamasa would go on to build Maizuru Castle on the other side of the Naka river from the port of Hakata, creating two towns with separate administration, each of which fell under the ultimate authority of the Kuroda.  Hakata, on the east side of the river, was a city of merchants while Fukuoka was the castle town, and largely the domain of samurai serving the Kuroda.  The Kuroda would remain in control of the Fukuoka domain through the Edo period, and only lost control at the very start of the Meiji, as the domain system in general was dissolved. Over that time, Hakata remained an important port city, and the samurai of Fukuoka were known for maintaining their martial traditions. In the Meiji era, samurai from the Kuroda Han joined with other Kyushu samurai, rising up during Saigo Takamori's rebellion.  Later, it would be former samurai and others from Fukuoka who would form the Gen'yosha, an early right wing, nationalist organization that would greatly influence the Japanese government heading into the latter part of the 19th and early 20th century. But that is getting well into more modern territory, and there is so much else we could discuss regarding the history of this area, and with any luck we will get to it all in time.  For now, this concludes our Gishiwajinden Tour—we traveled from Kara, to Tsushima and Iki, and then on to Matsuro, Ito, and Na.  From here the envoys traveled on to Fumi, Toma, and then Yamato.  Fumi and Toma are still elusive locations, with various theories and interpretations as to where they were.   For us, this was the end of our journey. Next episode we will be back with the Chronicles and getting into the Taika era, the era of Great Change.  There we will really see Yamato starting to flex its administrative muscles as it brings the various polities of the archipelago together into a single state, which will eventually become known as the country of Nihon, aka Japan. Until then, thank you for listening.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Ungana na Padre Titus Amigu kutoka Chuo kikuu cha Mtakatifu Augustino, Jimbo kuu Mwanza, katika kipindi cha Ujumbe wa Biblia ambapo leo anaangazia mada ya Sakramenti Takatifu ya Upadre na watu waliopewa jukumu hilo. L'articolo Ifahamu Sakramenti Takatifu ya Upadre. proviene da Radio Maria.

Karibu katika kipindi cha Ujumbe wa Biblia na Padre Titus Amigu, Mtaalamu wa maandiko Matakatifu kutoka Chuo kikuu cha Mtakatifu Augustino (SAUT), Jimbo Kuu la Mwanza, akiendelea kutuelimisha juu ya Sakramenti ya Daraja Takatifu la Upadri, akijikita katika historia ya Nabii Amosi. L'articolo Ni kwa namna gani Nabii Amosi anahusiana na Sakramenti ya Upadri? proviene da Radio Maria.

Karibu katika kipindi cha Fahamu wito wako, Mwezeshaji ni Padre Innocent Bahati Mushi kutoka Chuo kikuu cha Nelson Mandela, Jimbo Kuu la Arusha, anaendelea kutufundisha juu ya uhusiano wa utandawazi na uinjilishaji.   Mtangazaji wako ni Martin Joseph. L'articolo Ni kwa namna gani utandawazi unatumika katika uinjilishaji? proviene da Radio Maria.

静岡県知事選の当選から一夜明け、報道陣の取材に応じる鈴木康友氏、２７日午前、浜松市２６日投開票の静岡県知事選で初当選した前浜松市長の鈴木康友氏、立憲民主、国民民主推薦、は２７日朝、浜松市内で記者団の取材に応じ、「緊張感と喜びの感情が入り乱れた感じだ」と述べた。 Yasutomo Suzuki, newly elected governor of Shizuoka Prefecture, expressed his willingness Monday to resolve issues associated with the construction of a Chuo shinkansen line section in the central Japan prefecture.

Yasutomo Suzuki, newly elected governor of Shizuoka Prefecture, expressed his willingness Monday to resolve issues associated with the construction of a Chuo shinkansen line section in the central Japan prefecture.

Have you ever stood at the crossroads of your own perceptions and the undeniable truths of the world? I, Nat Nat, along with a panel of insightful souls, including Reds Wizdom, Derek Perera aka Dawg E Slaughter, Captain and Special K, embark on an exploration of these intersections, uncovering the layers of reality that construct our personal truths. We navigate the delicate balance between what we believe and the absolute truths that govern our existence, such as the certainty of the sun's rise and set and how this shapes our inner and outer worlds.Our candid dialogue traverses the terrains of honesty, spirituality, and the quest for authenticity, all while honouring the vibrant essence of Caribbean culture. We delve into personal anecdotes that reflect the challenges and triumphs of adhering to spiritual laws, the power of intuition, and the importance of creating safe spaces where our spirits can thrive. Our discussions reveal the intense journey of self-discovery and the courage it takes to confront generational trauma with the hopes of healing and growth. Through the pulsing rhythms of Soka music and the rich traditions of our heritage, we celebrate our culture's beauty while scrutinizing its keepers' responsibilities within the diaspora.Closing the chapter on our enlightening discourse, we examine the collaborative spirit that enlivens event planning, the evolution of Caribbean music, and the critical role of community workshops. We highlight the significance of sharing such valuable conversations, extending an invitation to join us on social media platforms like Facebook, Instagram, and TikTok at Lift One Self to continue the journey together. As we wrap up, let's remember to embrace our truths with kindness and a gentle spirit, for in sharing, we find the path to collective enlightenment and personal liberation.Caribbean Flavour Radio station CHUO 89.1https://www.instagram.com/soca613/?hl=enDerek X-Caliber PereiraDawg E Slaughterhttps://www.instagram.com/therealdawgeslaughter/?hl=enRemember, the strongest thing you can do for yourself is to ask for help.Please help us grow by subscribing to and sharing the Lift OneSelf podcast with others.The podcast intends to dissolve the stigmas around Mental Health and create healing spaces.I appreciate you, the listener, for tuning in and my guest for sharing.Our websiteHttps://.LiftOneself.comFind more conversations on our Social Media pageswww.facebook.com/liftoneselfwww.instagram.com/liftoneselfMusic by prazkhanalRemember to be kind to yourself.

Ungana nami Martin Joseph,  katika kipindi cha Fahamu wito wako kinachoandaliwa na Padre Innocent Bahati Mushi, kutoka Chuo kikuu cha Nelson Mandela Jimbo kuu la Arusha ambapo ni muendelezo wa mada ya Utandawazi. L'articolo Fahamu zaidi kuhusu Uinjilishaji wa haraka na Utandawazi. proviene da Radio Maria.

Ungana na Mtangazji Martin Joseph katika kipindi cha Fahamu wito wako, kinacho andaliwa na Padre Innocent Bahati kutoka Chuo kikuu cha Nelson Mandela   Jimbo kuu la Arusha, mada inayozungumziwa ni muendelezo mwa mada ya Utandawazi. L'articolo Fahamu namna ya Utandawazi unavyo leta tija na faidi katika Jamii. proviene da Radio Maria.

On 8 June 2008, the crossing of Kanda Myojin-dori and Chuo-dori in Akihabara, Tokyo, was bustling with the usual weekend throng of shoppers and tourists. However, chaos would soon break out as a van drove straight into the crowd, before the driver stepped out with a knife; in what would turn out to be one of the most heinous crimes in Japanese history. Join your fellow Heinous fans and interact with the team at our website or through our socials (IG, TikTok) @heinous_1upmedia. - Love Heinous? But feel its getting too dark for you? Check out:

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

Sekta ya burudani nchini Kenya, ina endelea kushuhudia ujio wa vijana wenye vipaji vya kila aina.

Got Faded Japan ep 730! Welcome to another action-packed episode of Got Faded Japan, In today's episode, we have the pleasure of sitting down with none other than PEE WEE, the visionary entrepreneur who has recently reopened a legendary bar turned nightclub in Asagaya, Tokyo. With its rich history and magnetic allure, this Tokyo hotspot has been a staple in the city's thriving underground nightlife scene for many years. PEE WEE, a true maverick in the bar industry, has breathed new life into this iconic establishment, infusing it with his unique vision and creative flair. Join us as we dive deep into PEE WEE's journey, from his humble beginnings to becoming a driving force in Tokyo's underground nightlife. Oh, and we get into and discuss the weekly news too! FADE ON! Gamuso is located 10 minutes aways from Shinjuku on the Chuo line (going West). 〒166-0001 Tokyo, Suginami City, Asagayakita, 2 Chome−12−5 松寿ビル  -------------------------------------------------------------------------------- Supporting GOT FADED JAPAN ON PATREON directly supports keeping this show going and fueled with booze, seriously could you imagine the show sober?? Neither can we! SUPPORT GFJ at: https://www.patreon.com/gotfadedjapan -------------------------------------------------------------------------------- CHECK OUT OUR SPONSORS AND SUPPORT THE SHOW!!!! 1. THE SPILT INK: Experience art, buy art and get some original art commissioned at: SITE: https://www.thespiltink.com/ INSTAGRAM: @thespiltink -------------------------------------------------------------------------------- 2. MITSUYA LIQUOR in ASAGAYA: 1　Chome- 13 -17 Asagayaminami, Suginami Tokyo 166-0004　 Tel & Fax: 0303314-6151Email: Error! Hyperlink reference not valid. -------------------------------------------------------------------------------- 3. Harry's Sandwich Company 1 min walk from Takeshita Street in HarajukuCall 050-5329-7203 Address: 〒150-0001 Tokyo, Shibuya City, Jingumae, 1 Chome−16−7 MSビル 3F -------------------------------------------------------------------------------- 4. Share Residence MUSOCO “It's a share house that has all that you need and a lot more!” - Located 30 minutes form Shibuya and Yokohama - Affordable rent - Gym - BAR! - Massive kitchen - Cozy lounge space - Office work units - A spacious deck for chilling - DJ booth and club space - Barber space - AND MORE! Get more info and move in at: https://sharedesign.co.jp/en/property.php?id=42&property=musaco&fbclid=IwAR3oYvB-a3_nzKcBG0gSdPQzxvFaWVWsi1d1xKLtYBnq8IS2uLqe6z9L6kY -------------------------------------------------------------------------------- Soul Food House https://soulfoodhouse.comAddress:2-chōme−8−10 | Azabujūban | Tokyo | 106-0045 Phone:03-5765-2148 Email:info@soulfoodhouse.com Location Features:You can reach Soul Food House from either the Oedo Line (get off at Azabujuban Station and it's a 7-minute walk) or the Namboku Line (get off at Azabujuban Station and it's a 6-minute walk). -------------------------------------------------------------------------------- GET YOURSELF SOME GOT FADED JAPAN MERCH TODAY!!! We have T-Shirts, COFFEE Mugs, Stickers, even the GFJ official pants! BUY NOW AND SUPPORT THE SHOW: http://www.redbubble.com/people/thespiltink/works/16870492-got-faded-japan-podcast -------------------------------------------------------------------------------- The Got Faded Japan Podcast gives listeners a glimpse of the most interesting side of Japan's news, culture, peoples, parties, and all around mischief and mayhem. Hosted by Johnny and Jeremy who adds opinions and otherwise drunken bullshit to the mix. We LOVE JAPAN AND SO DO YOU! Send us an email on Facebook or hell man, just tell a friend & post a link to keep this pod rolllin' Fader! Kanpai mofos! #japan #japantalk #japanpodcast #gotfadedjapan

------------------------------- 強化英語課程資訊 ------------------------------- 「社會人核心英語」有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 主題投稿/意見回覆 : ask15mins@gmail.com 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下有參考文字稿～ 各播放器有不同字數限制，完整文稿可到官網搜尋 ------------------------------- Topic: JR East to raise fares by 10 yen to improve disabled accessibility East Japan Railway Co. (JR East) will become the first railway operator to hike passenger fares and use the funds to improve accessibility for the disabled. 東日本旅客鐵道公司（JR東日本）將成為第一家調漲客運票價，並將這筆資金用來改善供殘障人士使用的無障礙設施的鐵道業者。 The plan is to tack on 10 yen (8 cents) to a ticket for JR East's 16 major lines, including the Yamanote, Chuo and Keihin-Tohoku lines. The increase will go into effect from spring 2023. 該計畫是要將包括山手線、中央線與京濱東北線等16條JR東日本主要路線的票價調漲10日圓（8美分）。新的票價將自2023年春天起生效。 The transport ministry in December 2021 created a new system of adding fares to a ticket to pay for the installation of platform safety doors and elevators at train stations. （日本）國土交通省在2021年12月創設一項新制度，將調漲的票價金額用來支付在車站設置月台安全門與電梯的費用。 Ministry officials said JR East is the first railway company to announce a specific plan. 國土交通省官員說，JR東日本是第一個（因應該制度）宣布明確計畫的鐵道業者。 Next Article Topic: Tasty TV: Japanese professor creates flavorful screen 美味的電視：日本教授發明有滋味的螢幕 Japan's Meiji University professor Homei Miyashita has developed a prototype lickable TV screen that can imitate food flavors, another step towards creating a multi-sensory viewing experience. 日本明治大學教授宮下芳明發明出一款可舔式原型電視螢幕，具有模仿食物味道的功能，朝創造多感官收視體驗邁進另一步。 The device, called Taste the TV (TTTV), uses a carousel of 10 flavor canisters that spray in combination to create the taste of a particular food. The flavor sample then rolls on hygienic film over a flat TV screen for the viewer to try. 這個名為「品嚐電視」的裝置內部設置裝有10種口味的罐子，可噴出調製成特定食物的味道，再輸送到平面電視螢幕的衛生薄膜上，讓觀看者品嚐。 In the COVID-19 era, this kind of technology can enhance the way people connect and interact with the outside world, said Miyashita. 宮下說，在新冠肺炎流行時期，這樣的科技可改善人們與外界連結和互動的方式。 "The goal is to make it possible for people to have the experience of something like eating at a restaurant on the other side of the world, even while staying at home," he said. A commercial version would cost about 100,000 yen to make. 他說：「目標是讓人們即使待在家，也能擁有類似於在世界另一端上餐廳吃飯的體驗。」商業機製作成本約為10萬日圓（約2萬4300台幣）。Source article: https://features.ltn.com.tw/english/article/paper/1510384 ; https://features.ltn.com.tw/english/article/paper/1510139 Next Article Topic: Shinzo Abe - Japan's longest-serving prime minister Shinzo Abe smashed records as Japan's longest-serving prime minister, championing ambitious economic reform and forging key diplomatic relationships while weathering scandals. 安倍晉三打破了日本首相任期的最長紀錄，他支持雄心勃勃的經濟改革，並在經歷醜聞的同時建立了關鍵的外交關係。 Nearly two years after poor health forced him to leave office, the 67-year-old was shot during a campaign event in the western region of Nara on Friday last week. 在他因健康狀況不佳而被迫下台後兩年，六十七歲的他上週五在奈良西部地區一場競選活動中被槍殺。 Abe was a sprightly 52 when he first became prime minister in 2006, the youngest person to occupy the job in the postwar era. 安倍在二○○六年首次擔任首相時年僅五十二歲，是戰後日本最年輕的首相。 He was seen as a symbol of change and youth, but also brought the pedigree of a third-generation politician groomed from birth by an elite, conservative family. Abe's first term was turbulent, plagued by scandals and discord, and capped by an abrupt resignation. 他被視為變革與年輕的象徵，但他也是出身精英保守家庭的政治家族第三代。 安倍的第一個任期動盪不安，飽受醜聞與不和的紛擾，並以突然辭職告終。 - They called it ‘Abenomics' - He ran again, and Japan's revolving prime ministerial door brought him back to office in 2012. It ended a turbulent period in which prime ministers sometimes changed at a rate of one a year. With Japan still staggering from the effects of the 2011 tsunami and subsequent nuclear disaster at Fukushima — and a brief opposition government lashed for flip-flopping and incompetence — Abe offered a seemingly safe pair of hands. 他再次參選，日本的首相旋轉門讓他在二○一二年再度擔任首相。 這終結了日本首相更替頻繁（有時只做了一年便下台）的動盪時期。 當時日本仍因二○一一年海嘯及之後福島核災的影響而步履蹣跚，以及短暫執政、被批評為政策出爾反爾及無能的反對黨政府——在此情況下，安倍看來是穩健的選擇。 And he had a plan: Abenomics. The scheme to revive Japan's economy — the world's third-biggest, but more than two decades into stagnation — involved vast government spending, massive monetary easing and cutting red tape. Abe also sought to boost the country's flagging birth rate by making workplaces more friendly to parents, particularly mothers. 而且他有個計畫：「安倍經濟學」。 重振日本——這世界第三大經濟體，但已陷入停滯二十多年——經濟的計畫，有賴大量政府支出、大規模貨幣寬鬆，以及削減繁文縟節。 He pushed through controversial consumption tax hikes to help finance nurseries and plug gaps in Japan's overstretched social security system. While there was some progress with reform, the economy's bigger structural problems remained. Deflation proved stubborn and the economy was in recession even before the coronavirus struck in 2020. Abe's star waned further during the pandemic, with his approach criticized as confused and slow, driving his approval ratings down to some of the lowest of his tenure. 安倍還試圖營造對父母，尤其是對母親更友善的工作環境，來提高日本不斷下降的出生率。 他推動調高消費稅這具爭議性的政策，以資助托兒所並補強日本負擔過重的社會福利系統。 雖然改革取得了一些進展，但更大的經濟結構性問題依然存在。 事實證明，通貨緊縮很頑強，甚至在二○二○年冠狀病毒來襲之前，經濟就已陷入衰退。 安倍的光環在疫情期間變得更加黯淡，他的做法被批評為混亂及緩慢，讓他的支持率降至任期內最低。 - Political storms - - 政治風暴 - On the international stage, Abe took a hard line on North Korea, but sought a peacemaker role between the US and Iran. He prioritized a close personal relationship with Donald Trump in a bid to protect Japan's key alliance from the then-US president's “America First” mantra, and tried to mend ties with Russia and China. 在國際舞台上，安倍對北韓採取強硬立場，但又想在美國和伊朗之間扮演和平推手的角色。 他優先考慮跟美國總統唐納‧川普建立密切的個人關係，以保護日本的關鍵同盟免受當時川普口號「美國優先」的影響，並試圖修補與俄國及中國的關係。 But the results were mixed: Trump remained eager to force Japan to pay more for US troops stationed in the country, a deal with Russia on disputed northern islands stayed elusive, and a plan to invite Xi Jinping for a state visit fell by the wayside. Abe also pursued a hard line with South Korea over unresolved wartime disputes and continued to float plans to revise Japan's pacifist constitution. 但結果好壞參半：川普仍急於迫使日本為駐紮在日本的美軍支付更多費用，日本與俄國對北部島嶼主權之糾紛仍難以達成協議，邀請習近平進行國事訪問的計畫也被擱置。 日本與南韓間懸而未決的戰時爭端，安倍也採強硬立場，並繼續提出修改日本和平憲法的計畫。 Throughout his tenure, he weathered political storms including cronyism allegations that dented approval ratings but did little to affect his power, in part thanks to the weakness of the opposition. Abe had been due to stay on until late 2021, giving him an opportunity to see out one final event in his historic tenure — the postponed Tokyo 2020 Olympics Games.But in a shock announcement, he stepped down in August 2020, with a recurrence of ulcerative colitis ending his second term, too. 在他整個任期內，他經受住了政治風暴，包括裙帶關係的指控，這些指控讓他的支持率降低，但對他的權力幾乎沒有影響，部分原因是反對派的軟弱。安倍原定留任至二○二一年底，讓他有機會在史上最長任期內看見最後一件大事——延期的二○二○年東京奧運。 然而，他令人震驚地宣布在二○二○年八月下台，潰瘍性結腸炎的復發也結束了他的第二個任期。Source article: https://www.taipeitimes.com/News/lang/archives/2022/07/12/2003781569 Next Article Topic: Tokyo June heatwave worst since 1875 as power supply creaks under strain Japan baked under scorching temperatures for a fourth successive day on Tuesday, as the capital's heat broke nearly 150-year-old records for June and authorities warned power supply remained tight enough to raise the spectre of cuts. 日本週二連續第4天受炙熱高溫所苦，首善之地打破將近150年來的6月高溫紀錄，政府警告電力供應依然吃緊，增加斷電之虞。 Temperatures in Tokyo hit 35.1 C by 1 p.m local time on Tuesday. For a second day, authorities asked consumers in the Tokyo area to conserve electricity to avoid a looming power cut - but in moderation. 東京氣溫在週二下午1點達到攝氏35.1度。政府連續第二天要求東京地區用戶節約用電—但是適度地—以避免可能的斷電。 "Apparently there are some elderly people who have turned off their air conditioners because we are asking people to save energy, but please - it's this hot - don't hesitate about cooling off," trade and industry minister Koichi Hagiuda told a news conference. 經濟產業大臣萩生田光一在記者會上說，「顯然有一些老人因為我們要求民眾節約能源而關掉空調，但是，拜託，天氣這麼熱，請不要猶豫涼快一下」。 Next Article Topic: Penguins at a Japanese aquarium are being fed cheaper fish - and they aren't happy 日本水族館的企鵝被餵食較便宜的魚—牠們不開心 An aquarium employee waves a mackerel near a penguin － but there's no reaction. When she moves the fish closer to its beak, the penguin turns away haughtily. An otter sniffs the fish, then runs away. 一名水族館員工拿著鯖魚在一隻企鵝身邊揮舞，但是企鵝沒反應。當她把魚靠近企鵝嘴邊，這隻企鵝倨傲地別過頭。一隻水獺聞了聞這隻鯖魚，然後游走。 Before, the Hakone-en Aquarium offered penguins and otters "aji," or Japanese horse mackerel, which the animals readily ate. 箱根園水族館之前給企鵝和水獺吃日本竹筴魚，牠們很樂意吃。 The price of aji has increased by 20% to 30% since last year, the aquarium said. So to cut costs, in May the aquarium switched to a cheaper alternative － "saba," or mackerel. 水族館說，自去年以來，竹夾魚價格已經上漲20%到30%。因此，為了削減成本，館方五月改用較便宜的替代品：鯖魚。 It has not been well received. The aquarium says penguins and otters have their preferred type of fish and the aquarium tries its best to accommodate their needs. 但是此舉並不很受到歡迎。水族館說，企鵝和水獺都有牠們偏好的魚種，館方設法盡量滿足他們的需要。Source article: https://features.ltn.com.tw/english/article/paper/1530996 ; https://features.ltn.com.tw/english/article/paper/1532193

En esta edición compartimos con ustedes la conversación que mantuvimos con Jesús Chuo Torrealba, político y periodista venezolano que actualmente es un faro en la opinión pública nacional por la claridad de su intelecto. Hablamos sobre toda la realidad nacional. Esperamos su comentario. PROPUESTA PUBLICITARIA DE PUERTO DE LIBROS - LIBRERÍA RADIOFÓNICA Audiencia Mensual: +100.000 personas a nivel nacional Emisión de Anuncios: 1 diario de lunes a viernes. 22 mensuales Público Objetivo: Adultos entre 23-59 años Costo del anuncio: 50 USD mensual. 105 USD trimestral Consignamos el presupuesto para promoción de un “spot publicitario de 30 segundos” en nuestra producción “Puerto de Libros – Librería Radiofónica”, de emisión diaria (lunes a viernes) a través de la Red Nacional de Emisoras “Radio Fe y Alegría” en Venezuela en las ciudades y diales: 1390 AM y 105.7 FM en Caracas; 105.9 FM en Mérida; 94.3 FM en San Juan de los Morros; 106.1 FM; en El Nula; 101.1 FM en Guasdualito; 103.7 FM en San Fernando de Apure; 105.5 FM en Ciudad Bolívar; 103.1 FM en Ciudad Guayana; 98.3 FM en Tumeremo; 92.1 FM en Tucupita; 105.9 FM en Maturín; 92.1 FM en Cumaná; 101.3 FM en Puerto La Cruz; 103.9 FM en Anaco; 91.3 FM en Pariaguán; 940 AM y 91.7 FM en El Tigre; 97.5 FM en Barquisimeto; 105.5 FM en Machiques; y la 88.1 FM en Maracaibo; en el horario comprendido entre las 9 y 10 de la noche con una audiencia estimada de 5000 personas diariamente. Del mismo modo nuestro programa es distribuido diariamente en 25 plataformas de Podcast, que incluyen las más grandes del mercado: Anchor, Spotify, Apple Podcast, Sticher, Google Podcast, Spreaker, TuneIn, Castbox, Youtube, entre otras; alcanzando a la fecha más de 124.000 reproducciones en Anchor / Spotify y más de 118.000 visualizaciones en Youtube. Aunado a ello, ofrecemos incluir su marca en nuestros medios de difusión en internet, con una imagen publicitaria con link de redirección a su página en nuestra página web “libreriaradio.org”. En las redes sociales (12.300 seguidores en Instagram, 1.272 seguidores en Youtube, 887 seguidores en twitter y 524 en Facebook): tres publicaciones semanales en Storys de Instagram, una publicación semanal en Feed de Instagram dentro del carrusel que anuncia la programación de la semana; y tres Tweets con imagen y enlace a la semana, desde las cuentas de nuestro programa @libreriaradio. El alcance estimado de su anuncio mensualmente es de 100.000 personas en formato radio y 3.500 personas en sus versiones Web y RRSS. Este público está concentrado en Venezuela y la comunidad de venezolanos en el extranjero radicada en Estados Unidos, Francia, Rusia, Argentina, México, Reino Unido, Colombia, España, Perú y Ecuador, entre otras, según datos aportados por las estadísticas de reproducción de Anchor, concentrándose más de 80% de nuestra audiencia entre los 23-59 años. Su inversión mensual será de 50 USD. Adicionalmente puede optar por el servicio de grabación del Spot Publicitario en la voz de nuestro locutor, por un costo único de 30 USD. Además, podrá disfrutar de un descuento de 30% por la contratación anticipada de tres meses de promoción del Spot Publicitario. Confiamos que nuestra propuesta será de su agrado y podremos emprender pronto el viaje a bordo de los barquitos de papel que llamamos libros para llevar su anuncio a miles de personas. Productor y conductor: Luis Perozo Cervantes Número de contacto: +584246723597 Email: contacto@libreriaradio.org Redes Sociales: @libreríaradio --- Send in a voice message: https://podcasters.spotify.com/pod/show/libreriaradio/message Support this podcast: https://podcasters.spotify.com/pod/show/libreriaradio/support

En esta edición compartimos con ustedes la conversación que mantuvimos con Jesús Chuo Torrealba, político y periodista venezolano que actualmente es un faro en la opinión pública nacional por la claridad de su intelecto. Hablamos sobre toda la realidad nacional. Esperamos su comentario. PROPUESTA PUBLICITARIA DE PUERTO DE LIBROS - LIBRERÍA RADIOFÓNICA Audiencia Mensual: +100.000 personas a nivel nacional Emisión de Anuncios: 1 diario de lunes a viernes. 22 mensuales Público Objetivo: Adultos entre 23-59 años Costo del anuncio: 50 USD mensual. 105 USD trimestral Consignamos el presupuesto para promoción de un “spot publicitario de 30 segundos” en nuestra producción “Puerto de Libros – Librería Radiofónica”, de emisión diaria (lunes a viernes) a través de la Red Nacional de Emisoras “Radio Fe y Alegría” en Venezuela en las ciudades y diales: 1390 AM y 105.7 FM en Caracas; 105.9 FM en Mérida; 94.3 FM en San Juan de los Morros; 106.1 FM; en El Nula; 101.1 FM en Guasdualito; 103.7 FM en San Fernando de Apure; 105.5 FM en Ciudad Bolívar; 103.1 FM en Ciudad Guayana; 98.3 FM en Tumeremo; 92.1 FM en Tucupita; 105.9 FM en Maturín; 92.1 FM en Cumaná; 101.3 FM en Puerto La Cruz; 103.9 FM en Anaco; 91.3 FM en Pariaguán; 940 AM y 91.7 FM en El Tigre; 97.5 FM en Barquisimeto; 105.5 FM en Machiques; y la 88.1 FM en Maracaibo; en el horario comprendido entre las 9 y 10 de la noche con una audiencia estimada de 5000 personas diariamente. Del mismo modo nuestro programa es distribuido diariamente en 25 plataformas de Podcast, que incluyen las más grandes del mercado: Anchor, Spotify, Apple Podcast, Sticher, Google Podcast, Spreaker, TuneIn, Castbox, Youtube, entre otras; alcanzando a la fecha más de 124.000 reproducciones en Anchor / Spotify y más de 118.000 visualizaciones en Youtube. Aunado a ello, ofrecemos incluir su marca en nuestros medios de difusión en internet, con una imagen publicitaria con link de redirección a su página en nuestra página web “libreriaradio.org”. En las redes sociales (12.300 seguidores en Instagram, 1.272 seguidores en Youtube, 887 seguidores en twitter y 524 en Facebook): tres publicaciones semanales en Storys de Instagram, una publicación semanal en Feed de Instagram dentro del carrusel que anuncia la programación de la semana; y tres Tweets con imagen y enlace a la semana, desde las cuentas de nuestro programa @libreriaradio. El alcance estimado de su anuncio mensualmente es de 100.000 personas en formato radio y 3.500 personas en sus versiones Web y RRSS. Este público está concentrado en Venezuela y la comunidad de venezolanos en el extranjero radicada en Estados Unidos, Francia, Rusia, Argentina, México, Reino Unido, Colombia, España, Perú y Ecuador, entre otras, según datos aportados por las estadísticas de reproducción de Anchor, concentrándose más de 80% de nuestra audiencia entre los 23-59 años. Su inversión mensual será de 50 USD. Adicionalmente puede optar por el servicio de grabación del Spot Publicitario en la voz de nuestro locutor, por un costo único de 30 USD. Además, podrá disfrutar de un descuento de 30% por la contratación anticipada de tres meses de promoción del Spot Publicitario. Confiamos que nuestra propuesta será de su agrado y podremos emprender pronto el viaje a bordo de los barquitos de papel que llamamos libros para llevar su anuncio a miles de personas. Productor y conductor: Luis Perozo Cervantes Número de contacto: +584246723597 Email: contacto@libreriaradio.org Redes Sociales: @libreríaradio --- Send in a voice message: https://podcasters.spotify.com/pod/show/libreriaradio/message Support this podcast: https://podcasters.spotify.com/pod/show/libreriaradio/support

Nchini Rwanda, Umoja wa Mataifa unashirikiana na serikali kuimairisha huduma za uzazi ili hatimaye kuhakikisha kila uzazi unakuwa salama si tu kwa mama bali pia mtoto anayezaliwa. Kupitia mradi uliofadhiliwa na TAKEDA, kampuni hii ya utafiti na dawa duniani, Rwanda imeweza kuimarisha huduma kwenye hospitali na vituo vya afya.Mradi huo wa ubia ulianza mwaka 2017. Wakati huo, Rwanda ndio ilikuwa imekamilisha malengo ya milenia, ikimaanisha baadhi ya malengo yalitimizwa, lakini kulikuwa na kusuasua katika baadhi ya maeneo mengine.Mathalani hadi leo vifo vya watoto wachanga ni 20 katika kila watoto 1,000 wanaozaliwa hai na theluthi moja ya watoto nchini Rwanda wamedumaa. Sasa jawabu ni mradi wa kusaidia watoto kabla tu na baada ya kuzaliwa, au RPIP. Mradi huu ni ubia baina ya Wizara ya Afya ya Rwanda, Chama cha madaktari wa watoto Rwanda, na Chuo cha madaktari watoto na afya ya watoto nchini Uingereza. Vituo 85 na hospitali 19 zimefikiwa na mradi huu ambapo ufuatiliaji unaanza kwa mjamzito hadi mtoto mchanga anapozaliwa. Hospitali ya Muhima kwenye mji mkuu Kigali ni miongoni mwa wanufaika na kwenye mada hii kwa kina Selina Jerobon anakusimulia kilichofaniyka kupitia mazungumzo kati ya Afisa kutoka UNICEF na wahudumu wa afya kutoka hospitali ya hiyo ya Muhima.

Welcome back to the One Guy One Roll podcast of 2023! I hope that the end of the year festivities were wonderful and safe for everyone. As we come into the new year, I want to once again thank y'all so much for continuing to listen to the podcast and provide your support, none of this would be possible without it. Although this episode did end up being a little bit shorter than average, I do think that it very nicely sets up an exciting stage for future episodes! The next paragraph is going to be a quick summary of what occurred during episode 31 and may contain some mild spoilers! So if you wish to avoid being spoiled, feel free to skip it and continue on down to the last paragraph. This week's episode starts off with Tinker working away on Subject A's memory unit trying to figure out how to get the system back online in order to make a copy for Creed. This would finally allow Nikora to finish his very first Iron Vow sworn back in episode 0! However, Tinker ends up leaving the Second Chance in order to enter Chuo, the primary settlement on the water world of Aoi, in order to secure some additional parts he needs to complete this project. Unbeknown to him, something insidious may be taking place aboard the Second Chance in his absence. Already high up inside the towering dome, walking amongst the various tiered greenhouses and other gardens of Chuo, Nikora and Petra are able to successfully negotiate completing some odd jobs and using what little credits they have left to secure some supplies and much needed fuel for continuing the journey. Finally, after a couple of days and with the massive yearly Tsunami wave barreling down towards Chuo, the crew returns to the Second Chance to discover that Tinker may in fact have been successful in his tinkering, perhaps too successful… Thank you so very much for taking the time to listen to the One Guy One Roll podcast! Your continued interest keeps me motivated to continue to produce content. If you listen to One Guy One Roll and wish to help me keep the podcast ad-free, I do have a link to my Patreon below! As always, comments or suggestions are always appreciated! Have a great day and stay safe out there y'all.   Links: One Guy One Roll Patreon: https://www.patreon.com/oneguyoneroll Ironsworn and Ironsworn: Starforged: https://www.ironswornrpg.com/ Mythic GM Emulator: https://wordmillgames.com/mythic-game-master-emulator.html   Intro and Outro music provided by: Signal To Noise by Scott Buckley | https://soundcloud.com/scottbuckley Music promoted by https://www.free-stock-music.com Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0

With a warm Merry Christmas and Happy Holidays welcome back to One Guy One Roll, the solo RPG podcast! I hope that last week found y'all amongst family and friends having a jolly good time. Given the nail biting events of last episode, I am very happy that we have been able to make it to Episode 30 with Nikora Sokolov and the Second Chance. Thank you so much for the continued support and listening to the podcast none of this would be possible without all of your support. As always, the next paragraph is going to be a quick summary of what occurred during this episode and may contain some mild spoilers, so feel free to avoid being spoiled, I'd recommend skipping to the last paragraph! Episode 30 kicks off with Nikora and Petra sharing a moment together as they nurse the various cuts and bruises they had previously suffered and discuss what they might be able to do about Subject A and having to return its memory core to Creed. They decide that there is little they can do without reaching some kind of anchorage with a settlement. Once the Second Chance drops out of the drift, they find themselves orbiting around a brilliantly blue water planet. At first they assume that the planet is uninhabited, but are soon contacted by someone claiming to be the harbormaster of a settlement called Chuo. Descending down to the planet they soon learn that all is not as it seems, there's a massive looming threat barreling down towards Chuo which is caused by the massive moon orbiting slowly around the planet. A clock is ticking for Nikora and the Second Chance if they want to get resupplied and refueled in time and depart from this strange blue world. Thank you so very much for taking the time to listen to the One Guy One Roll podcast! Your continued interest keeps me motivated to continue to produce content. If you listen to One Guy One Roll and wish to help me keep the podcast ad-free, I do have a link to my Patreon below! As always, comments or suggestions are always appreciated! Have a great day and stay safe out there y'all.   Links: One Guy One Roll Patreon: https://www.patreon.com/oneguyoneroll Ironsworn and Ironsworn: Starforged: https://www.ironswornrpg.com/ Mythic GM Emulator: https://wordmillgames.com/mythic-game-master-emulator.html   Intro and Outro music provided by: Signal To Noise by Scott Buckley | https://soundcloud.com/scottbuckley Music promoted by https://www.free-stock-music.com Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0

Tunapoelekea kufungua vyuo, nimeona ni vyema kuwapa abc wanafunzi wa mwaka wa kwanza hasa katika kozi za TEHAMA.Nimeweka mambo matatu (3) muhimu ya kuzingatia, unaweza niachia maoni yako kule Twitter @yesayasoftware.Video version unaweza kuipata hapa: https://youtu.be/n0mmLeqDlmc

Topic: JR East to raise fares by 10 yen to improve disabled accessibility East Japan Railway Co. (JR East) will become the first railway operator to hike passenger fares and use the funds to improve accessibility for the disabled. 東日本旅客鐵道公司（JR東日本）將成為第一家調漲客運票價，並將這筆資金用來改善供殘障人士使用的無障礙設施的鐵道業者。 The plan is to tack on 10 yen (8 cents) to a ticket for JR East's 16 major lines, including the Yamanote, Chuo and Keihin-Tohoku lines. The increase will go into effect from spring 2023. 該計畫是要將包括山手線、中央線與京濱東北線等16條JR東日本主要路線的票價調漲10日圓（8美分）。新的票價將自2023年春天起生效。 The transport ministry in December 2021 created a new system of adding fares to a ticket to pay for the installation of platform safety doors and elevators at train stations. （日本）國土交通省在2021年12月創設一項新制度，將調漲的票價金額用來支付在車站設置月台安全門與電梯的費用。 Ministry officials said JR East is the first railway company to announce a specific plan. 國土交通省官員說，JR東日本是第一個（因應該制度）宣布明確計畫的鐵道業者。 Next Article Topic: Tasty TV: Japanese professor creates flavorful screen 美味的電視：日本教授發明有滋味的螢幕 Japan's Meiji University professor Homei Miyashita has developed a prototype lickable TV screen that can imitate food flavors, another step towards creating a multi-sensory viewing experience. 日本明治大學教授宮下芳明發明出一款可舔式原型電視螢幕，具有模仿食物味道的功能，朝創造多感官收視體驗邁進另一步。 The device, called Taste the TV (TTTV), uses a carousel of 10 flavor canisters that spray in combination to create the taste of a particular food. The flavor sample then rolls on hygienic film over a flat TV screen for the viewer to try. 這個名為「品嚐電視」的裝置內部設置裝有10種口味的罐子，可噴出調製成特定食物的味道，再輸送到平面電視螢幕的衛生薄膜上，讓觀看者品嚐。 In the COVID-19 era, this kind of technology can enhance the way people connect and interact with the outside world, said Miyashita. 宮下說，在新冠肺炎流行時期，這樣的科技可改善人們與外界連結和互動的方式。 "The goal is to make it possible for people to have the experience of something like eating at a restaurant on the other side of the world, even while staying at home," he said. A commercial version would cost about 100,000 yen to make. 他說：「目標是讓人們即使待在家，也能擁有類似於在世界另一端上餐廳吃飯的體驗。」商業機製作成本約為10萬日圓（約2萬4300台幣）。Source article: https://features.ltn.com.tw/english/article/paper/1510384 ; https://features.ltn.com.tw/english/article/paper/1510139 Next Article Topic: Shinzo Abe - Japan's longest-serving prime minister Shinzo Abe smashed records as Japan's longest-serving prime minister, championing ambitious economic reform and forging key diplomatic relationships while weathering scandals. 安倍晉三打破了日本首相任期的最長紀錄，他支持雄心勃勃的經濟改革，並在經歷醜聞的同時建立了關鍵的外交關係。 Nearly two years after poor health forced him to leave office, the 67-year-old was shot during a campaign event in the western region of Nara on Friday last week. 在他因健康狀況不佳而被迫下台後兩年，六十七歲的他上週五在奈良西部地區一場競選活動中被槍殺。 Abe was a sprightly 52 when he first became prime minister in 2006, the youngest person to occupy the job in the postwar era. 安倍在二○○六年首次擔任首相時年僅五十二歲，是戰後日本最年輕的首相。 He was seen as a symbol of change and youth, but also brought the pedigree of a third-generation politician groomed from birth by an elite, conservative family. Abe's first term was turbulent, plagued by scandals and discord, and capped by an abrupt resignation. 他被視為變革與年輕的象徵，但他也是出身精英保守家庭的政治家族第三代。 安倍的第一個任期動盪不安，飽受醜聞與不和的紛擾，並以突然辭職告終。 - They called it ‘Abenomics' - He ran again, and Japan's revolving prime ministerial door brought him back to office in 2012. It ended a turbulent period in which prime ministers sometimes changed at a rate of one a year. With Japan still staggering from the effects of the 2011 tsunami and subsequent nuclear disaster at Fukushima — and a brief opposition government lashed for flip-flopping and incompetence — Abe offered a seemingly safe pair of hands. 他再次參選，日本的首相旋轉門讓他在二○一二年再度擔任首相。 這終結了日本首相更替頻繁（有時只做了一年便下台）的動盪時期。 當時日本仍因二○一一年海嘯及之後福島核災的影響而步履蹣跚，以及短暫執政、被批評為政策出爾反爾及無能的反對黨政府——在此情況下，安倍看來是穩健的選擇。 And he had a plan: Abenomics. The scheme to revive Japan's economy — the world's third-biggest, but more than two decades into stagnation — involved vast government spending, massive monetary easing and cutting red tape. Abe also sought to boost the country's flagging birth rate by making workplaces more friendly to parents, particularly mothers. 而且他有個計畫：「安倍經濟學」。 重振日本——這世界第三大經濟體，但已陷入停滯二十多年——經濟的計畫，有賴大量政府支出、大規模貨幣寬鬆，以及削減繁文縟節。 He pushed through controversial consumption tax hikes to help finance nurseries and plug gaps in Japan's overstretched social security system. While there was some progress with reform, the economy's bigger structural problems remained. Deflation proved stubborn and the economy was in recession even before the coronavirus struck in 2020. Abe's star waned further during the pandemic, with his approach criticized as confused and slow, driving his approval ratings down to some of the lowest of his tenure. 安倍還試圖營造對父母，尤其是對母親更友善的工作環境，來提高日本不斷下降的出生率。 他推動調高消費稅這具爭議性的政策，以資助托兒所並補強日本負擔過重的社會福利系統。 雖然改革取得了一些進展，但更大的經濟結構性問題依然存在。 事實證明，通貨緊縮很頑強，甚至在二○二○年冠狀病毒來襲之前，經濟就已陷入衰退。 安倍的光環在疫情期間變得更加黯淡，他的做法被批評為混亂及緩慢，讓他的支持率降至任期內最低。 - Political storms - - 政治風暴 - On the international stage, Abe took a hard line on North Korea, but sought a peacemaker role between the US and Iran. He prioritized a close personal relationship with Donald Trump in a bid to protect Japan's key alliance from the then-US president's “America First” mantra, and tried to mend ties with Russia and China. 在國際舞台上，安倍對北韓採取強硬立場，但又想在美國和伊朗之間扮演和平推手的角色。 他優先考慮跟美國總統唐納‧川普建立密切的個人關係，以保護日本的關鍵同盟免受當時川普口號「美國優先」的影響，並試圖修補與俄國及中國的關係。 But the results were mixed: Trump remained eager to force Japan to pay more for US troops stationed in the country, a deal with Russia on disputed northern islands stayed elusive, and a plan to invite Xi Jinping for a state visit fell by the wayside. Abe also pursued a hard line with South Korea over unresolved wartime disputes and continued to float plans to revise Japan's pacifist constitution. 但結果好壞參半：川普仍急於迫使日本為駐紮在日本的美軍支付更多費用，日本與俄國對北部島嶼主權之糾紛仍難以達成協議，邀請習近平進行國事訪問的計畫也被擱置。 日本與南韓間懸而未決的戰時爭端，安倍也採強硬立場，並繼續提出修改日本和平憲法的計畫。 Throughout his tenure, he weathered political storms including cronyism allegations that dented approval ratings but did little to affect his power, in part thanks to the weakness of the opposition. Abe had been due to stay on until late 2021, giving him an opportunity to see out one final event in his historic tenure — the postponed Tokyo 2020 Olympics Games.But in a shock announcement, he stepped down in August 2020, with a recurrence of ulcerative colitis ending his second term, too. 在他整個任期內，他經受住了政治風暴，包括裙帶關係的指控，這些指控讓他的支持率降低，但對他的權力幾乎沒有影響，部分原因是反對派的軟弱。安倍原定留任至二○二一年底，讓他有機會在史上最長任期內看見最後一件大事——延期的二○二○年東京奧運。 然而，他令人震驚地宣布在二○二○年八月下台，潰瘍性結腸炎的復發也結束了他的第二個任期。Source article: https://www.taipeitimes.com/News/lang/archives/2022/07/12/2003781569 Next Article Topic: Tokyo June heatwave worst since 1875 as power supply creaks under strain Japan baked under scorching temperatures for a fourth successive day on Tuesday, as the capital's heat broke nearly 150-year-old records for June and authorities warned power supply remained tight enough to raise the spectre of cuts. 日本週二連續第4天受炙熱高溫所苦，首善之地打破將近150年來的6月高溫紀錄，政府警告電力供應依然吃緊，增加斷電之虞。 Temperatures in Tokyo hit 35.1 C by 1 p.m local time on Tuesday. For a second day, authorities asked consumers in the Tokyo area to conserve electricity to avoid a looming power cut - but in moderation. 東京氣溫在週二下午1點達到攝氏35.1度。政府連續第二天要求東京地區用戶節約用電—但是適度地—以避免可能的斷電。 "Apparently there are some elderly people who have turned off their air conditioners because we are asking people to save energy, but please - it's this hot - don't hesitate about cooling off," trade and industry minister Koichi Hagiuda told a news conference. 經濟產業大臣萩生田光一在記者會上說，「顯然有一些老人因為我們要求民眾節約能源而關掉空調，但是，拜託，天氣這麼熱，請不要猶豫涼快一下」。 Next Article Topic: Penguins at a Japanese aquarium are being fed cheaper fish - and they aren't happy 日本水族館的企鵝被餵食較便宜的魚—牠們不開心 An aquarium employee waves a mackerel near a penguin － but there's no reaction. When she moves the fish closer to its beak, the penguin turns away haughtily. An otter sniffs the fish, then runs away. 一名水族館員工拿著鯖魚在一隻企鵝身邊揮舞，但是企鵝沒反應。當她把魚靠近企鵝嘴邊，這隻企鵝倨傲地別過頭。一隻水獺聞了聞這隻鯖魚，然後游走。 Before, the Hakone-en Aquarium offered penguins and otters "aji," or Japanese horse mackerel, which the animals readily ate. 箱根園水族館之前給企鵝和水獺吃日本竹筴魚，牠們很樂意吃。 The price of aji has increased by 20% to 30% since last year, the aquarium said. So to cut costs, in May the aquarium switched to a cheaper alternative － "saba," or mackerel. 水族館說，自去年以來，竹夾魚價格已經上漲20%到30%。因此，為了削減成本，館方五月改用較便宜的替代品：鯖魚。 It has not been well received. The aquarium says penguins and otters have their preferred type of fish and the aquarium tries its best to accommodate their needs. 但是此舉並不很受到歡迎。水族館說，企鵝和水獺都有牠們偏好的魚種，館方設法盡量滿足他們的需要。Source article: https://features.ltn.com.tw/english/article/paper/1530996 ; https://features.ltn.com.tw/english/article/paper/1532193 歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Powered by Firstory Hosting

Hii leo jaridani tunamulika: 1.    Kuruhusiwa kwa meli ya kwanza yenye shehena ya nafaka kutoka Ukraine kuelekea Lebanon tayari kuuzwa kwenye soko la kimataifa.  2.    Wanufaika wa Chuo cha Mafunzo ya kutengeneza ndege zisizo na rubani, (drones) huko Malawi watoa shukrani kwa Umoja wa Mataifa, kulikoni? 3.    Makala tunakwenda DRC ambako ni simulizi tamu na chungu miongoni mwa wakimbizi wa ndani na wakimbizi kutoka nje ya nchi kutokana na  ukata unaokabili UNHCR 4.    Mashinani tunabisha hodi Afar huko Ethiopia kusikia harakati za UNICEF kunusuru watoto. Mwenyeji wako ni Assumpta Massoi  

Difficultés pour apprendre à lire (dyslexie), à orthographier (dysorthographie), à se concentrer ou à coordonner des gestes complexes (dyspraxie)… Les troubles « dys » sont des troubles du langage et des apprentissages. Ces « dys » peuvent avoir des conséquences sur la scolarité, la vie quotidienne et mener à des difficultés d'insertion pour ces enfants. 40 % d'entre eux présentent plusieurs troubles de l'apprentissage associés. Quels sont les différents types de troubles « dys » ? Que sait-on de leurs causes ? Quel accompagnement et quelle prise en charge existent ? Hervé Glasel, neuropsychologue, spécialiste du développement de l'enfant et de l'adolescent. Fondateur et dirigeant du CERENE école des Dys. Andréa Ndouna Depenaud, orthophoniste au CHUO à Libreville au Gabon et au cabinet l'ENVOL En fin d'émission, nous faisons le point sur la Variole du singe. Nous en parlons avec le Dr Emmanuel Nakouné, Directeur Scientifique de l'Institut Pasteur de Bangui, Directeur Général par intérim.

Hii leo jaridani tuna mada kwa kina mahsusi ikimulika raia wa Jamhuri ya Kidemokrasia ya Congo, DRC aitwaye Esperance Tabisha aliyenufaika na mpango wa Umoja wa Mataifa wa kuhamishia wakimbizi nchi ya tatu kupitia mkataba wa kimataifa wa wakmbizi, GCR. Katoka DRC kaingia kambini Kakuma nchini Kenya na kisha Canada na sasa ni mbunifu wa mitindo akitumia mtandao wa kijamii kupata wateja wake. Janga la COVID-19 lilikuwa chungu na tamu hapo hapo kwa vipi? Thelma anasimulia. Usisahau kuna habari kwa ufupi ikiletwa na Leah Mushi akianza na wakimbizi wa DRC wanaorejea nyumbani kwa hiari kutoka Angola, kisha hatua ya UN kupatia fedha Jamhuri ya Afrika ya Kati, CAR ili kukidhi mahitaij ya chakula na mwisho ni watoto kwenye mizozo ikimluika ripoti ya Katibu Mkuu. Mashinani ni nchini Rwanda ambako shirika la Umoja wa Mataifa la kuhudumia watoto, UNICEF linashirikiana Chama cha Madaktari wa Watoto wa nchini Rwanda na Chuo cha Madaktari wa Watoto, Royal College of Pediatrics cha Uingereza ili kuboresha upatikanaji wa huduma bora za afya kwa akina mama na watoto ndani ya siku 1,000 za kwanza za maisha kwa kuimarisha uwezo wa watoa huduma za afya na kwa kuvipa vituo vya afya vifaa muhimu vya matibabu. Noella Uwera ni Muuguzi anayehusika na watoto wachanga katika Hospitali ya Kacyiru katika mji mkuu wa Rwanda, Kigali. 

Hii leo ni siku ya kimataifa ya stadi kwa vijana ambapo Katibu Mkuu wa  Umoja wa Mataifa Antonio Guterres katika ujumbe wake anasisitiza umuhimu wa vijana kupatiwa mafunzo ya stadi mbalimbali kando ya mafunzo wanayopata darasani kama njia mojawapo ya kusaidia vijana kuweza sio tu kujiajiri bali pia kuwa kwenye shughuli za kiuchumi zenye staha na zinazowapatia kipato hata majanga yanapotokea kama vile COVID-19. Hatua hiyo tayari inatekelezwa huko nchini Tanzania katika Chuo cha Mafunzo stadi kupitia mradi unaofadhiliwa na shirika la Umoja wa Mataifa la mpango wa maendeleo, UNDP. Taarifa ya Happiness Pallangyo wa Radio washirika Uhai FM kutoka Tabora Tanzania inafafanua zaidi.  Ni Daniel Mboya, Mkuu wa Chuo cha Mafunzo stadi, KVTC cha Kibosho, mkoani Kilimanjaro nchini Tanzania, akitaja Hydroponic Fodder ambacho ni kilimo cha majani ya kulisha mifugo kwa kutumia maji na virutubisho vingine vyote isipokuwa udongo.  Hii ni moja ya miradi inayotekelezwa na shirika la Umoja wa Mataifa la mpango wa maendeleo duniani, UNDP kwa lengo la kujengea stadi vijana.  Kupitia video hii ya UNDP wanaonekana wanafunzi wakiwa wamebaba kasha lenye majani hayo, wengine kwenye bustani halikadhalika mitambo ya kukausha mazao ili kuyaongezea thamani.   Kwa mujibu wa UNDP, matumizi ya teknolojia za kisasa za kilimo kama vile umwagiliaji na mashine za kuvunia, huongeza thamani kwenye mavuno na hatimaye wakulima kuuza mazao yao na kujipatia kipato.