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I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

It's another episode of the podcast you're listening to! We talk about sleep preferences, ideal pajamas, the worst beat of all time, improper lav mic usage, Stephen King Babies, how to not slide into despair, and MORE! You really can have it all, folks. Check out our Patreon and support the show at patreon.com/leightonnight! Follow us on Twitter at @leightonnight and on Instagram/TikTok at @leighton_night. You can find Brian on Twitter/Instagram at @bwecht, and Leighton at @graylish (Twitter)/@buttchamps (Instagram). Hosted on Acast. See acast.com/privacy for more information.

Liam dreams of being a trophy husband, Waweru thinks it should be illegal to run a newspaper, and we wonder if worm is good because it's long.Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Sympathy with the target of CrusadesTheological SpeculationSupport the show

Waweru appeals to the moral clarity of the Inquisition, Liam disagrees with experimental evidence, and decide legal it is to be a demon. Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Extensive discussion of physics based on banned works and without reference to the PhilosopherSupport the Show.

Liam wonders if child kings justify child murder, Waweru praises wars in proportion to how unwinnable they are, and we ponder the logistics of swapping monarchs. Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Supporting the murder of a child (after the fact)Supporting Major TreasonSupport the Show.

Liam asserts soldiers directy commune with evil, Waweru describes trains as "engines of fire crawling across Europe", and we endorse Steven Harper. next week we read chapters 25-27 and watch Richard III.Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Endorsement of SimonySupporting minor treason against a religious superior Support the Show.

Waweru proposes we ordain horses, asserts only men are Mormon, and we argue about how Buddhist Savonorola is, again.Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Dismissing the evidence of an Church investigation into the mass killing of childrenIrresponsible discussions of saints and their alleged crimesSupport the Show.

Liam invokes a new editor in an attempt to finally get something cut from the show, Waweru speculates unprompted on the qualia of "orange goop", and on learning there are no human souls in hell we immediately posit human souls maybe don't exist.Due to circumstances outside our control, the following two weeks will consist of bonus content.Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Irresponsible accusations against the PontiffIrresponsible discussions of Past Martyrs and their MurderersSupport the Show.Support the Show.

Rerun: Circulated in some form since the 16th century, the ‘Index of Forbidden Books' was quietly discontinued by Pope Paul VI on 14th June, 1966. In its 400-year+ history, the Index Librorum Prohibitorum had censored hundreds of authors including the German astrologer Keppler, the philosopher Kant, and Protestant theologians Martin Luther and John Calvin. But Darwin wasn't included - because all books about atheism were automatically considered heretical. In this episode, Rebecca, Arion and Olly explain the processes behind the scenes; revisit some choice exchanges between Catholic scholars; and reveal the books they'd ban forever - if only they could... Further Reading: • ‘Roman Catholics: The Issue of Imprimatur' (TIME, 1966): http://content.time.com/time/subscriber/article/0,33009,836269,00.html • Wikipedia's list of Authors and Works in the Index: https://en.wikipedia.org/wiki/List_of_authors_and_works_on_the_Index_Librorum_Prohibitorum • ‘Vatican: Forbidden Works' from Journeyman Pictures: https://www.youtube.com/watch?v=j_S81oSR2AA ‘Why am I hearing a rerun?' Each Thursday and Friday we repeat stories from our archive of 800+ episodes, so we can maintain the quality of our independent podcast and bring you fresh, free content every Monday-Wednesday…  … But

Waweru considers if, Liam compares religious orders to shell companies and we contemplate historical slashfic.Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Irresponsible accusations against the PontiffPremature canonizationsSimony Support the Show.

8Liam declares Savonorola to be Theravada, Waweru calls Venice an Armpit, and we wonder if we can forgive nothingMagic Mind can be found at https://www.magicmind.com/rashunadvised !Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Irresponsible accusations against the PontiffPromotion of SimonyPromoting selfish exploitation of the duty of Lenten FastingSupport the Show.

Liam becomes a hermit, Waweru confesses to a canonical crime, and we wonder if someone owes their employee or their child more.Magic Mind can be found at https://www.magicmind.com/rashunadvised !Imprimatur withheld by the Congregation of the Doctrine of the Faith for the Following:Promoting the doctrine of Apocatastasis i.e. "Universal Salvation"Discussion of grotesque demonic formsPromotion of SimonyPromoting selfish exploitation of the duty of Lenten FastingSupport the Show.

Desde 2007 que sou um leitor assíduo deste valioso site (que não sei se tem Nihil Obstat e Imprimatur), bem como de outros que procuram tão somente ensinar a Doutrina Católica aos fiéis tão perdidos hoje em dia. Infelizmente, tenho acompanhado a aula de catolicismo que o senhor tem dado no Pe. Joãozinho. Por que infelizmente? Porque padres como o Joãozinho, Zezinho (daqui a pouco surgirão os padres huguinho e luizinho), Fábio de Mello, Marcelo Rossi e tantos outros são o retrato, hoje, do pouco caso que a CNBB faz da Igreja...padres que precisam ser corrigidos por leigos. Não que a correção seja uma vergonha, mas ser corrigido por terem falhado tão gravemente em sua principal função e não admitir o erro, pelo contrário, persistindo nele é muito preocupante. Quantas almas não estão se perdendo, meu Deus? 

A banda apresenta uma nova faceta cada vez mais autoral, corajosa e introspectiva. As músicas A vida É Mais do Que Um Momento, Amor da Minha Vida, Bailar Outra Vez apresentam a acidez poética e o feeling rítmico que só os fãs da banda Mimi Johnson e Os Degenerados podem ter. Apoio Lojas Porão Musical e Web Rádio Nós na Fita.

Today's Topics: 1, 2, 3, 4) Liber Christo field manual by Dr. Dan Schneider assembled from the lectures of exorcist, Father Chad Ripperger. It will have a Bishop's Imprimatur and will have a Censor Librorum who will guarantee that the book does not contain any statements that contradict Church doctrine.  This pending TAN book will be a theological time bomb for the laity, Liberation Through Christ Field Manual for the average layperson, so that they can armor up and learn how to stay protected from the diabolical and turn the household into a domestic church

Today's Topics: 1, 2, 3, 4) Liber Christo field manual by Dr. Dan Schneider assembled from the lectures of exorcist, Father Chad Ripperger. It will have a Bishop's Imprimatur and will have a Censor Librorum who will guarantee that the book does not contain any statements that contradict Church doctrine.  This pending TAN book will be a theological time bomb for the laity, Liberation Through Christ Field Manual for the average layperson, so that they can armor up and learn how to stay protected from the diabolical and turn the household into a domestic church

Imprimatur is a noun that refers to a person's acceptance or guarantee that something is of a good standard. The Latin verb imprimere (Im pre MEER ay) means ‘to print.' The Roman Catholic has historically printed an ecclesiastical and religious books as a means of given their approval to them. Since entering the English language in the mid 17th century, the word's meaning has broadened and is now often used outside of the realm of religion. Here's an example: My favorite seafood restaurant offers gives the chef's imprimatur on every dish. It's great to see this man I respect giving his approval on their food.

Do you want to grow closer to our Blessed Mother and understand the Rosary and how it can help you find peace, hope, and strength during life's difficulties and struggles?  If so, then listen to this CCAirwaves episode as we welcome the dynamic mother/daughter duo of Vicki and Molly Stracensky, author and contributor of Rockin' the Rosary, and recently featured in the January/February 2022 issue of Northeast Ohio Catholic Magazine.  Rockin' the Rosary is a beautiful book designed to help readers of all ages focus and reflect on this extraordinary prayer. With the book's guidance and beautiful images and interpretations of the prayers and Mysteries of the Rosary, readers are drawn to a closer relationship with Jesus, as we pray "to Jesus, through Mary".   The book received the Imprimatur from the Catholic Diocese of Cleveland, which is an official license by the Roman Catholic Church to print an ecclesiastical or religious book. The book is a valuable resource for anyone who is struggling to navigate life's difficulties- especially the families that we serve at Catholic Cemeteries Association, who may be suffering during times of loss. The world is also suffering through times of war and violence. Padre Pio once said, " The Rosary is the 'weapon' for these times." Embracing the true meaning behind the Rosary can be a powerful tool for peace, strength, hope, and healing. We thank Vicki and Mollie for sharing their story with us and we congratulate Mollie on her stellar high school career. She is the Valedictorian of the Class of 2022 at Holy Name High School, where she also excelled in basketball and cross country. Mollie has received and accepted an appointment to the U.S. Naval Academy where she plans on studying engineering. We wish her all the best and as she serves, we'll pray!If you are interested in purchasing the book Rockin' the Rosary for your organization, parish, school, or ministry, volume discounts are available. It makes a great gift for First Holy Communion, RCIA, Legions of Mary, and more.  Please contact Vicki at rockintherosary.com or call 440.759.3255.We hope you enjoy today's podcast. Be sure to also listen to our next Rosary Podcast, and join us as we pray The Joyful Mysteries (Mondays and Saturdays). Visit our website or follow our podcasts @CCAirwaves and pray the daily Rosary with each of the Mysteries highlighted for the particular day of the week. "Connect With Us" via our website at www.clecem.org. Follow us on: Facebook @catholiccemeteriesassociationTwitter : @CLECatholicCemsInstagram: @clecatholiccemsWordpress Blog: Online at our Media tab on the website or Wordpress: clevelandcatholiccemeteriesPodcast : listen to “CCAirwaves” on your favorite streaming platform ie.: Spotify, or under the Media tab on our website at www.clecem.org 

Merriam-Webster's Word of the Day for April 20, 2022 is: imprimatur • im-pruh-MAH-toor • noun An imprimatur is an official approval. // The governor gave his imprimatur to the proposed reforms. See the entry > Examples: "Various uses for the land—some grandiose—have been floated and sunk over the years, but the latest proposal … was given the imprimatur of the city commission, which unanimously approved it….." — Larry Keller, The Palm Beach Daily News, 14 Jan. 2022 Did you know? Imprimatur means "let it be printed" in New Latin. It comes from Latin imprimere, meaning to "imprint" or "impress." In the 1600s, the word appeared in the front matter of books, accompanied by the name of an official authorizing the book's printing. In time, English speakers began using imprimatur in the general sense of "official approval."

Entrevista com Carlos Reiss, coordenador-geral do Museu do Holocausto de Curitiba e membro do comitê executivo da Rede Latino-Americana para o Ensino da Shoá (LAES). Consultor educativo e curatorial do Museo Interactivo Judío de Chile e do Memorial às Vítimas do Holocausto do Rio de Janeiro. Autor do livro “Luz sobre o Caos: educação e Memória do Holocausto” (2018, Imprimatur). Acompanhe o trabalho do Almanaque Militar: https://linktr.ee/almanaquemilitar --- Support this podcast: https://anchor.fm/almanaquemilitar/support

KINH CẦU CHO THƯỢNG HỘI ĐỒNG GIÁM MỤC 2023 Lạy Chúa Thánh Thần là Ánh sáng Chân lý vẹn toàn, Chúa ban những ân huệ thích hợp cho từng thời đại, và dùng nhiều cách thế kỳ diệu để hướng dẫn Hội Thánh, này chúng con đang chung lời cầu nguyện cho các Giám mục và những người tham dự Thượng Hội đồng Giám mục thế giới. Xin Chúa làm nên cuộc Hiện Xuống mới trong đời sống Hội Thánh, xin tuôn tràn trên các Mục tử ơn khôn ngoan và thông hiểu, gìn giữ các ngài luôn hiệp thông với nhau trong Chúa, để các ngài cùng nhau tìm hiểu những điều đẹp ý Chúa, và hướng dẫn đoàn Dân Chúa thực thi những điều Chúa truyền dạy. Các giáo phận Việt Nam chúng con luôn muốn cùng chung nhịp bước với Hội Thánh hoàn vũ, xin cho chúng con biết đồng cảm với nỗi thao thức của các Mục tử trên toàn thế giới, ngày càng ý thức hơn về tình hiệp thông, thái độ tham gia và lòng nhiệt thành trong sứ vụ của Hội Thánh. Nhờ lời chuyển cầu của Đức Trinh Nữ Maria, Nữ Vương các Tông đồ và là Mẹ của Hội Thánh, chúng con dâng lời khẩn cầu lên Chúa, là Đấng hoạt động mọi nơi mọi thời, trong sự hiệp thông với Chúa Cha và Chúa Con, luôn mãi đến muôn đời. Amen Huế, ngày 8 tháng 11 năm 2021. IMPRIMATUR (đã ấn ký) +GIUSE NGUYỄN CHÍ LINH TỔNG GIÁM MỤC TGP HUẾ CHỦ TỊCH HỘI ĐỒNG GIÁM MỤC VIỆT NAM

The Mystical City of God is a book written in the 17th-century by the Franciscan nun, Venerable Mary of Jesus of Ágreda. According to María de Ágreda, the book was to a considerable extent dictated to her by the Blessed Virgin Mary and regarded the life of the Virgin Mary and the divine plan for creation and the salvation of souls. The work alternates between descriptions of the Trinity, the Virgin Mary's life, and the spiritual guidance she provides to the author, by whom her words were reproduced for the spiritual benefit and growth of the reader. The book describes at length the various virtues, and how the reader should live in order to see them reflected in their own life, with the Virgin Mary as their model for sanctity. The work has the Imprimatur of several Popes and Bishops and appeals primarily to those who believe in “private revelation” and the sanctity of Mary. Volume four deals with the Coronation of our Lady. "The heavenly life of the Queen of Heaven, most holy Mary, containing the events of her life from the coming of the Holy Ghost until the Assumption and Coronation of the Virgin Mother of God in Heaven." Genre(s): Christianity - Other Venerable María de Jesús de Ágreda (1602 - 1665) Translated by Fiscar Marison --- Support this podcast: https://anchor.fm/3daudiobooks0/support

Skill On Air presenta Skill ProGermania: quale governo per il dopo MerkelCon Roberto Brunelli, giornalista e scrittore. Autore del libro: "Angela Merkel. La sfinge" (Imprimatur)

Circulated in some form since the 16th century, the ‘Index of Forbidden Books' was quietly discontinued by Pope Paul VI on 14th June, 1966.In its 400-year+ history, the Index Librorum Prohibitorum had censored hundreds of authors including the German astrologer Keppler, the philosopher Kant, and Protestant theologians Martin Luther and John Calvin. But Darwin wasn't included - because all books about atheism were automatically considered heretical.In this episode, Rebecca, Arion and Olly explain the processes behind the scenes; revisit some choice exchanges between Catholic scholars; and reveal the books they'd ban forever - if only they could...Further Reading:• ‘Roman Catholics: The Issue of Imprimatur' (TIME, 1966): http://content.time.com/time/subscriber/article/0,33009,836269,00.html• Wikipedia's list of Authors and Works in the Index: https://en.wikipedia.org/wiki/List_of_authors_and_works_on_the_Index_Librorum_Prohibitorum• ‘Vatican: Forbidden Works' from Journeyman Pictures:https://www.youtube.com/watch?v=j_S81oSR2AAFor bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021. See acast.com/privacy for privacy and opt-out information.

Tive contato epistolar com o Professor Felipe de Aquino, que se sentiu obrigado, por duas vezes a me pedir perdão, pelo que escreveu sobre minha pessoa. Convidei-o, como a um amigo, para um encontro, e ele recusou. Esquivou-se. Por medo. Vou ler então, quando tiver tempo, ler essa obra do Felipe de Aquino, que temo ser um livreco do tipo dos compostos pelo Padre Abib Jonas. Você dá como argumento em prol dos livros do Professor Felipe, de que eles receberam imprimatur: "É importante salientar que todas as obras do Prof. Felipe, possuem um “Imprimatur”, de um Bispo, por tanto, credenciada pela Igreja, quem é o leigo que pode questionar a autoridade do Bispo (em comunhão com o Papa!) em matéria de Fé?".

Seja bem-vindo ao nosso podcast. Toda segunda, quarta e sexta-feira um poema para você. Nossa missão é divulgar a arte da poesia e incentivar o hábito de ouvi-la promovendo cultura. É simples, mas é de coração. [Às vezes, a gente exagera] da poetisa carioca Fernanda Oliveira está no livro Rodamoinhos publicado pela Imprimatur em 2013. Acesse nosso site: bomdiacompoesia.com.br. Siga também as nossas redes sociais: instagram.com/seubomdiacompoesia facebook.com/seubomdiacompoesia Deixe seus comentários.

In this episode we discuss the impact faith can have in a person's life, and in the life of the whole Church. I invite a guest, Matthew Zahn, to talk about the life of Pier Giorgio Frassati, his virtues and some aspects of his spiritual life. Born in Turin, Italy on April 6, 1901, Pier Giorgio had a great faith from his youth. Two main pillars of his spiritual life were a great devotion to the Holy Eucharist, and a great love and veneration for the Blessed Virgin Mary. He wanted to devote his life to bring Christ to those around him, particularly the poor. While he came from a wealthy family, Pier Giorgio lived a simple life, with great detachment (spiritual poverty) and whatever he could, he gave it to the poor. He loved the outdoors, particularly, mountain climbing, and would invite his friends first to go on outings, and then to pray in church. At the age of 24, just before his planned graduation from college, he contracted poliomyelitis, and died soon after, on July 4, 1925. We also talk about two miracles performed through his intercession. Recommended BOOKS on Bl. Pier Giorgio Frassati: - A Man of the Beatitudes: Pier Giorgio Frassati, Luciana Frassati, Ignatius Press, 2001. link: https://www.amazon.com/Man-Beatitudes-Pier-Giorgio-Frassati/dp/0898708613 - Letters to His Friends and Family, Pier Giorgio Frassati, Alba House, 2009. link: https://www.amazon.com/Letters-Friends-Family-Giorgio-Frassati/dp/0818913053 - The Soul of Pier Giorgio Frassati, Robert Claude, Spiritual Books Assocation, Inc. (New York) - YouTube video on the amazing cure of Kevin Baker: (4) GIORGIO: A Modern-Day Miracle Story - YouTube   Prayer to request a grace through the intercession of Bl. Pier Giorgio Frassati "O merciful God, Who through the perils of the world deigned to preserve by Your grace Your servant Pier Giorgio Frassati pure of heart and ardent of charity, listen, we ask You, to our prayers and, if it is in Your designs that he be glorified by the Church, show us Your will, granting us the graces we ask of You, through his intercession, by the merits of Jesus Christ, Our Lord, Amen." (IMPRIMATUR, 1932 +Maurilio Cardinal Fossati, Archbishop of Turin) Podcast Website: www.forcollegecatholics.org Miles Christi Religious Order www.mileschristi.org To do the Spiritual Exercises visit: https://www.mileschristi.org/spiritual-exercises/ Intro music from www.pond5.com Recorded at the Miles Christi Family Center, South Lyon, Michigan

The Morrison Government has pledged nearly half a billion dollars in immediate funding to overhaul the failing aged care sector, with a more substantial package at budget in May.

The podcast kicks off with Lino's Mom celebrating her birthday at Mass...without a priest. After that, a new Catholic Guy Classic with Inside A Muppet's Brain: Catechumen, Imprimatur, and more. Then, Mark comes up with a great way to memorize the 12 Apostles. And the podcast wraps up with a listener asking about Catholic Guy succession plans!

George offers his gift of culinary wisdom around blue cheese dressing. If you're looking for the more marketing and music-focused discussion, skip ahead to around the 38:00 minute mark, but don't tell George. Dan, George, and Carly talk about how to involve fans in the creation process, the network effect of different platforms, and barriers to creation. In light of the Jacob Blake shooting, and several other atrocities since the murder of George Floyd, we'd also like to reshare the BLM resources for anyone looking to read, learn, or find places to donate. Read the show notes: https://www.entrepreneurshipandart.com/blog/ramble-blue-cheese-and-imprimatur

Seja bem-vindo ao nosso podcast. Todo dia um poema para você se inspirar. Nossa missão é divulgar a arte da poesia e incentivar o hábito de ouvi-la promovendo cultura. É simples, mas é de coração. O poema de hoje é da poetisa carioca Fernanda Oliveira. Tem Coisas que Não Tem Palavras está no livro Rodamoinhos publicado pela Imprimatur em 2013. Acesse nosso site bomdiacompoesia.com.br. Siga também as nossas redes sociais. Instagram: @seubomdiacompoesia. Facebook: facebook.com/seubomdiacompoesia. Deixe seus comentários.

Skill On Air - Summer Edition con Roberto Brunelli, giornalista e scrittore, autore di «Angela Merkel, la sfinge», edito da Imprimatur. Come si scrive la biografia di un leader politico?

Delany, Joseph. "Temperance." The Catholic Encyclopedia. Vol. 14. New York: Robert Appleton Company, 1912. 3 Aug. 2020 . This article was transcribed for New Advent by Shannon Linzer. Ecclesiastical approbation. Nihil Obstat. July 1, 1912. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

Sollier, Joseph. "Love (Theological Virtue)." The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company, 1910. 3 Aug. 2020 . This article was transcribed for New Advent by Gerard Haffner. Ecclesiastical approbation. Nihil Obstat. October 1, 1910. Remy Lafort, Censor. Imprimatur. +John M. Farley, Archbishop of New York.

Devine, Arthur. "Humility." The Catholic Encyclopedia. Vol. 7. New York: Robert Appleton Company, 1910. 3 Aug. 2020 . This article was transcribed for New Advent by Love. Dedicated to Thomas Mohan Barrett. Ecclesiastical approbation. Nihil Obstat. June 1, 1910. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

Melody, John. "Chastity." The Catholic Encyclopedia. Vol. 3. New York: Robert Appleton Company, 1908. 3 Aug. 2020 . This article was transcribed for New Advent by Douglas J. Potter. Dedicated to the Immaculate Heart of the Blessed Virgin Mary. Ecclesiastical approbation. Nihil Obstat. November 1, 1908. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

Delany, Joseph. "Scruple." The Catholic Encyclopedia. Vol. 13. New York: Robert Appleton Company, 1912. 3 Aug. 2020 . This article was transcribed for New Advent by Douglas J. Potter. Dedicated to the Sacred Heart of Jesus Christ. Ecclesiastical approbation. Nihil Obstat. February 1, 1912. Remy Lafort, D.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

Delany, Joseph. "Prudence." The Catholic Encyclopedia. Vol. 12. New York: Robert Appleton Company, 1911. 3 Aug. 2020 . This article was transcribed for New Advent by Robert B. Olson. Offered to Almighty God for the gift of prudence for all men and women, especially for the leaders of His Church and of nations. Ecclesiastical approbation. Nihil Obstat. June 1, 1911. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

Waldron, Martin Augustine. "Virtue." The Catholic Encyclopedia. Vol. 15. New York: Robert Appleton Company, 1912. 3 Aug. 2020 . This article was transcribed for New Advent by Barbara J. Barrett. Ecclesiastical approbation. Nihil Obstat. October 1, 1912. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.

In which the #TUAGS are briefly exposed to the epistemic philosophies of Michel Foucault discord.gg/9jMZyy www.patreon.com/AdvantageDnD

Learn about the Green Scapular and the promises and the conversions. From The Green Scapular and Its Favorsby REV. FATHER MARIE EDOUARD MOTT, C.M.Imprimatur, 1961 http://www.catholictradition.org/Mary/green-scapular4.htmPractices1. Wear or carry the scapular2. To help another, place it in their vicinity (i.e. their room)3. Pray, at least daily: "Immaculate Heart of Mary, pray for us now and at the hour of our death."4. The prayer should be said for oneself and separately for each person to whom it has been given (unless they pray themselves)5. No enrollment of any kind is necessary, but each scapular should be blessed by a priest (general blessing of sacramentals)6. Have confidence in the effects of the scapular:"The greatest graces come from using the scapular but these graces comein direct proportion to the degree of confidence in me which the user has."Promises/Benefits1. Conversion of those who do not have the faith2. Reconciliation to the Church for those who have lost/strayed from the faith3. Assurance of a happy death4. Strengthening of the faith for those already in the Church5. Protection from Satan for those who wear or promote the scapular

Gene Zannetti owns Winning Mindset, a sport-performance mental training program, and is also the author of Spiritual Strength: Building the Total Athlete for Christ, which has received a Nihil Obstat and Imprimatur.Once a nationally ranked All-Ivy League wrestler at the University of Pennsylvania, Gene experienced a strong reversion to the Catholic faith following the 33-day consecration to Jesus through Mary. Thereafter, he founded Spiritual Strength, which offers retreats, presentations, and social media spreading devotion to the three hearts and fighting against the world, flesh, and devil.In this episode we discuss a common phrase within a new context:"Shoot for the moon, because even if you miss you will still be among the stars."We talked about these books, which we both recommend:33 Days to Morning Glory: A Do-It-Yourself Retreat In Preparation for Marian Consecration by Fr. Michael E. GaitleyMarian Consecration for Children by Carrie Gress Connect with Gene at linktr.ee/spiritualstrength, where you can find his website, social media links, YouTube, blog, podcast Spiritual Strength, and more.To suggest a quote or a guest, follow the show on Instagram, @quoteme_podcast, or contact Lindsay at her website, LindsaySchlegel.com.If you enjoyed this episode, please subscribe to the podcast, leave a review wherever you find your podcasts, and tell a friend. Until next time, God bless you!

Throughout the Bible God showed his people his protection. In the Old Testament, God revealed to Moses to instruct the Israelites to  place  the blood of the lamb over the doorpost so the Angel of death would pass over and spare anyone in the home from death.  In this episode,  we share sacramentals that provide protection for those who have the faith of a child.  And we have a natural remedy given to seer and locutionist Luz de Maria de Bonilla, who suffers from the stigmata. Her messages have received the Imprimatur of the Catholic Church since 2009.

Skill On Air con Roberto Brunelli, giornalista dell'AGI e autore della biografia di Angela Merkel edita da Imprimatur, sulla mediazione della Germania nella crisi libica

Tulio Rodrigues conversou com o publicitário, escritor e Rubro-Negro, Arthur Muhlenberg. O bate-papo ocorreu no evento de lançamento do seu sexto livro, o “Libertador – A reconquista Rubro-Negra da América” da editora Imprimatur. A entrevista girou em torno do seu mais novo livro sobre a segunda conquista da Libertadores do Flamengo, o "Libertador", o livro sobre o hepta, o "Heptacular", sobre o momento histórico do Mais Querido e muito mais.

A short message to the listeners of the ImprimaturBMX podcast and the visitors to the site asking them what they want to see and hear. Imprimatur was designed to fill a void in BMX media and with audience feedback, it can do even more to live up to its mission statement: “To shine light on BMX culture and politics through open, in-depth, and mature analysis in order to promote an informed, connected, and thriving BMX community.”

Le elezioni in Baviera: un voto di controprotesta. E' la definizione data a Memos dallo storico Andrea Mammone, della Royal Holloway di Londra. In Baviera, sostiene Mammone, è svanito l'effetto sorpresa dell'estrema destra e un pezzo del voto di protesta che andava ad alimentarla. E così domenica scorsa una parte dell'elettorato ha votato la sua “controprotesta” contro la destra. Per commentare il voto bavarese ospite in trasmissione anche la politologa dell'università di Firenza Giorgia Bulli. La puntata di oggi ha ospitato Daniele Perotti e il suo “Lo impone il mercato” (Imprimatur, 2018). Davide Mattiello, ex parlamentare antimafia e coordinatore della scuola di politica della Fondazione Benvenuti in Italia, ha dedicato il suo “messaggio nella bottiglia” alla giornalista Daphne Caruana Cuntrera nel primo anniversario del suo assassinio.

La lenta marcia del sovranismo contro le democrazie. A Memos lo storico ed economista dell'università di Pescara, Emanuele Felice. Simone Fana, studioso del mercato del lavoro, presenta il suo libro “Tempo rubato. Sulle tracce di una rivoluzione possibile tra vita, lavoro e società (Imprimatur, 2018). Infine, il quotidiano “messaggio nella bottiglia”, oggi a cura di Dino Amenduni, docente di comunicazione politica ed elettorale all'Università di Bari.

Stati Uniti, Europa: lo sfarinamento dell'Occidente dopo l'ultimo vertice G7 in Canada e nel pieno della prova muscolare nel Mediterraneo contro i diritti dei migranti. Memos ne ha parlato con Vittorio Emanuele Parsi, docente di relazioni internazionali all'università Cattolica di Milano; e con Fabrizio Onida, professore emerito di economia internazionale alla Bocconi di Milano. Ospite, per un focus sulle strategie della Cina di Xi Jinping, anche Diego Angelo Bertozzi, esperto di politica cinese e autore di “La belt and road initiative. La nuova via della Seta e la Cina globale” (Imprimatur, 2018).

Bitcoin, quanto può far male se scoppia la bolla digitale? La moneta virtuale Bitcoin è oggetto di una sfrenata corsa speculativa. In un anno il suo valore è cresciuto del 900%. Un bitcoin vale oltre 8 mila dollari. Difficile calcolarne l'aumento di valore rispetto ai 0,00076 dollari che valeva un bitcoin nel 2009, all'atto della sua nascita digitale. Di bitcoin, del mondo digitale di cui fanno parte, Memos oggi ne ha parlato con l'economista Luca Fantacci, dell'università Bocconi (co-autore di “Per un pugno di bitcoin”, Bocconi Editore, 2016), e con l'avvocato Emanuele Florindi, esperto di diritto informatico (“Deep web e bitcoin”, Imprimatur, 2016). Ospite della trasmissione, ma per parlare della proposta di “moneta fiscale”, anche il giornalista economico Enrico Grazzini.