Podcasts about kubrickian

Scarlett Johansson playing a cold, indifferent alien probably wasn't something her fans expected from her. She was an A-lister who was a key figure in all those Marvel movies, but here she was in Under The Skin, the only actor of note in a detached art film. The movie star even gets nude a lot in her role as a succubus who learns how to feel empathy. Jonathan Glazer's strangest film to date is Kubrickian (and Lynchian) in its style and also its themes of gender roles, sexual assault...and even meat-eating. So Under The Skin isn't perfect, but there are shots that really stay with you. Plus, it's interesting...and we mean that in a good way. This 612th podcast on the Have You Ever Seen channel tries to figure out what's going on in Glazer's 3rd motion picture (perhaps unsuccessfully), so tell us if you think we're onto something...or if ou think we're way off. Well, Actually: Gemma Arterton's first name is in fact pronounced with a hard "J" sound, not a soft "G" sound. Assuming YOU are able to eat cake at a diner, why not add some Sparkplug Coffee to your dessert? They give our listeners a 20% discount when our "HYES" promo code is plugged into the right box. The website is "sparkplug.coffee/hyes". Share your own theories about this unique film. Email us (haveyoueverseenpodcast@gmail.com), hit us with some tweets on Twi-X (@moviefiend51 and @bevellisellis...same @ for Bev on Threads) and give us a rating on your podcast app. Review our show too. Oh, and go to @hyesellis in your browser to find our show on YouTube. You can comment all you like, plus you can hit us with a thumbs up. And don't forget to subscribe there and on your app.

Tis' Kubrick Month! Dhruv, Amartya, and Hemant will spend the entirety of July revisiting and discussing 10 (of 13) Kubrick-directed films (the Horror and Noir films will be discussed in October and November, respectively!) plus 1 conceptualized and obsessed over by him but eventually directed by his dear friend, Steven Spielberg. In Part 2 (of 4), we focus on Kubrick's historical epics, which feel like a continuation of his War films and, at times, a counterpoint to them. We start by discussing the only film he believes he never had a final cut on—"Spartacus" (1960)—a swords-and-sandals epic whose main point of value for us lies in debating the limits of the auteur theory and the behind-the-scenes shenanigans that made the production a living hell for most involved. Then, we pivot to focus extensively on "Barry Lyndon" (1975), best described as a "rebound" for Kubrick after he couldn't get his "Napoleon" project off the mark. But what if—we discuss and argue—"Barry Lyndon" is his best film? What if it retains the utter silliness of "Dr. Strangelove" but somehow also works as a heartbreaking character tragedy? Listen to the full episode and much more about Yorgos Lanthimos ("The Favourite," "Poor Things") and Sofia Coppola's ("Marie Antoinette") Kubrickian touches in their period pieces! TIME CODES Intro: [00:00 - 06:14] "Spartacus" (1960): [06:14 - 55:04] Kubrick's "Take" on Humanity: [55:04 - 57:13] "Barry Lyndon" (1975): [57:13 - 02:07:59] Outro: [02:07:59 - 02:15:36] Book Referenced in this Episode - "Kubrick: An Odyssey" (Nathan Abrams & Robert P. Kolker). Audio Excerpts - 1. "Kermode Uncut: Barry Lyndon." https://www.youtube.com/watch?v=gk-xbqrJHzE&t=60s&ab_channel=kermodeandmayo. 2. "I'm Spartacus - Spartacus." https://www.youtube.com/watch?v=FKCmyiljKo0&ab_channel=Movieclips. 3. "Georges Friedrich Haendel - Sarabande - Main Title (Barry Lyndon)." https://www.youtube.com/watch?v=AWMR79IMQ-M&ab_channel=Gepetto. 4. "Hail Caesar! Got Most of It Scene." https://www.youtube.com/watch?v=N9v6VJLZ8_I&ab_channel=Movieclips 5. "A Clockwork Orange Trailer." https://www.youtube.com/watch?v=T54uZPI4Z8A&ab_channel=WarnerBros.Entertainment Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can follow us on Instagram at: Amartya: https://www.instagram.com/amartya25/ Hemant: https://www.instagram.com/hemantganti/ Dhruv: https://www.instagram.com/terminalcinema/ You can also follow us on Letterboxd at - Dhruv: https://letterboxd.com/aterminalcinema/ Hemant - https://letterboxd.com/ganti117/ Amartya: https://letterboxd.com/amartya/

ESAT3AM returns with every glass shattered and multiple calls from the network with 2023's LATE NIGHT WITH THE DEVIL. Can they keep their ratings up in spite of cold reading regurgitating psychics, mesmeric worm obsessed skeptics and an ending with Kubrickian levels of weird stuff to unpack? Get more of us! Email: esat3am@gmail.com/ Twitter: @ESAT3AM Facebook: http://www.facebook.com/ESAT3AM/ Website: https://esat3am.com/ Leave us a voicemail: https://anchor.fm/everythings-scary-at-3-am Credits Photo by Gabriel- @natural https://unsplash.com/photos/qUcNy_NSeoo Opening music: "Ghost Stories" by Alex Lisi https://www.youtube.com/channel/UC2Wkg85Gabk3DkC14DdUohg Background Music:Within the Shadows by Karl Casey @ White Bat Audio LATE LIGHT WITH THE DEVIL(2023) Trailer. Additional audio from: Daniel Simion http://soundbible.com/2170-Clock-Chimes-4x.html All opinions are our own.

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have some breaking news! I've got tickets for sale for my first ever lecture meet and greet with some AMAZING friends!!!Come see us live in Las Vegas on June 22, 2024! (links will be below).Also- tune into my 2nd Coast to Coast AM appearance Friday April 26th! Plus I've got some other great appearances you need to check out- we'll go over all of it, including an update for my VIP SECTION folks who may be having issues with their Android Google Podcasts app!Las Vegas event details:"NEW EVENT & NEW TALKS! 6 HOURS!!! The last 2 LA events were amazing, so we have a Saturday infotainment party planned with opening impressions from Jay Dyer, followed by a lecture by Isaac Weishaupt (and his meet and greet), a lecture from Jamie, then a lecture from Jay and headling the event is Jamie Kennedy in the final segment!Show ends with autographs, merch and meet and greet. Topics will include Hollywood symbolism, the occult, Eyes Wide Shut style Kubrickian esoterica and the craft, followed by an indepth analysis of the deep state intelligence / blackmail operations and writings of the elite from Jay Dyer, ending with a veteran standup legend set and Q n A from Jamie Kennedy.Alcohol is allowed - bring your own drinks."Links:Las Vegas 6 hour event 6/22/2024! Get your tickets: https://www.eventbrite.com/e/jamie-kennedy-jay-jamie-isaac-hollywood-conspiracy-comedy-live-tickets-882418596777?aff=oddtdtcreatorCoast to Coast AM- tune in Friday April 26th! https://www.coasttocoastam.com/show/2024-04-26-show/Find your Coast to Coast AM Local Station here: https://www.coasttocoastam.com/stations/The Higherside Chats interview with Isaac: https://www.thehighersidechats.com/isaac-weishaupt-hollywood-abuse-p-diddy-intelligence-ties-the-entertainment-industry-web/

This week's movie is truly baffling as the guys look at the Christmas (adjacent) film Pottersville, which is somehow not about the fantasy town from It's a Wonderful Life. Nope, it's about a sasquatch... and the furry community? Nathan and Brendan of course discuss all the furries content (especially the Kubrickian dance party in the woods), a detail about Thomas Lennon's character that left a bad taste in Brendan's mouth, the references (with no jokes) to Jaws and that Christian Bale rant and much more. This is a bizarre one, folks. Plus: Nathan makes a promise to all the Patrons. Next week: our last full episode of the year! What We've Been Watching: Rye Lane "Joe Pera: Slow and Steady" Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Pottersville stars Michael Shannon, Judy Greer, Ron Perlman, Thomas Lennon, Christina Hendricks, Greta Lee and Ian McShane; directed by Seth Henrikson. Learn more about your ad choices. Visit megaphone.fm/adchoices

At long last, the return of super producer and co-host of The Letterboxd Show and 70mm, Slim. He'd always wondered why no one talks about 1975's sci-fi film gladiator sports film that was James Caan's follow-up to The Godfather, Rollerball. Now he knows. Is it an under-rated gem, attaining Kubrickian levels of genius, or does the story, pacing, editing, acting, costuming, sound design, and directing make this film a dud. Find out...NOW. Chapters Introduction (00:00:00) Dune News (00:09:08) Rollerball Roundtable Discussion (00:13:16) Your Letters (01:03:40) Notes and Links Check out the Dune Pod Merch Store! Great swag and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Dune Pod Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Dune Pod is a TAPEDECK Podcasts Jawn! Dune Pod is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers comics and more), Will Run For (obsessed with running), and Film Hags (a podcast about movies hosted by four hag friends). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Dune Pod's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@dunepod.com or leave us a voicemail at +1-415-534-5211. Dune Pod: where we talk to our friends about the movies we love. Follow @dunepod on Twitter and Instagram Music by Tobey Forsman of Whipsong Music Cover art by Haitch The episode was edited by Megan Hayward of EditAudio and produced by Haitch Dune Pod is a TAPEDECK Podcasts Jawn Dune Pod is a production of Haitch Industries

Cinema has had a long relationship with cigarettes, starting in the early 1920's right through to the 50's where your favourite star was almost certainly aggressively hawking their product directly to you in their latest film as well as hacking up globs of green and brown sputum in between takes. Legislation and the momentum of social opinion saw a dramatic decline in depictions of smoking on screen over the years but let's face it, if you ever want to establish your character is tense or hedonistic or self-destructive, if you ever need to show they are stressed, have just had sex or are about to undertake a heroic suicide mission, if you need a single thing to show your audience that your protagonist is impossibly cool then you're not going to be doing that with a vape are you. We take time off from our busy lives to bring you the Top 5 Cigarettes, a discussion so good it will take your breath away. GET OUT is Jordan Peele's sensational 2017 horror and follows photographer Chris as he runs a dizzying gauntlet of trying to remain politely affable whilst attempting to not be too offended when he meets girlfriend Rose's liberal parents for the first time in a wearying weekend away. It's MEET THE FOCKERS with racism then, right? Well not quite. A movie which intentionally plays on the fear of white people, for example the worry that young black males might reasonably have of experiencing violence in predominantly white American suburbs or the existence of apparently well-meaning surface-level non-racist liberals who turn out to be monsters perpetuating schemes of marginalization, subjugation and literal appropriation, this is an astonishing debut with Kubrickian style attention to detail and foreshadowing, clever dialogue, tight writing, a moody and evocative soundtrack and new ideas and discussions represented on screen. An absolute must see from a unique voice, already its targets seem a little dated with the US having culturally and spiritually regressed about a century since 2017 and the subtle threat of neoliberal racism now far outweighed by the more overt xenophobia and bigotry of the hard right, which seems to have more of a platform than ever. It's the end of winter and Quack the duck has just finished his latest installation of Snow duck art in PEEP AND THE BIG WIDE WORLD. When a bored Peep and Chirp discover the astonishing things you can do with beaver, life will never be the same for either of them again. Narrated by Joan Cusack and set up to promote an interest in exploration and education, one of the dads was less than impressed by the scientific content.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

"Gentlemen, you can't fight in here! This is the War Room." For Episode 222, Thomas and Brandon discuss the continuing evolution of Stanley Kubrick. Listen as they talk about his studio efforts with Spartacus and Lolita before making one of his most beloved films Dr. Strangelove.  Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod Medium: CineNation E-mail: cinenationpodcast@gmail.com

This episode contains spoilers for the movie we are discussing! I can hardly believe we're at the 100th episode of Nothing to Fear. Such a fun ride so far! Thanks to all who've come along for the journey! To mark this historic moment in podding history we're watching a cornerstone, nay. A pillar in the horror world with 1980's The Shining. Kubrickian film making at its finest and just about as long as the entire winter would have been. So bring you bags into Room 237, stop at the pantry for a couple of snacks and join us in the Gold Room as we talk all about it. Please. Leave your axes at the door though. You understand. 00:00:23 - Introduction 00:14:18 - Trailer 00:15:46 - Movie Discussion 01:27:27 - Scariest Part 01:32:12 - Ratings 01:38:00 - Something to Cheer Credits Thank you for listening and supporting the show. Your reviews and ratings help more people find us and help us continue to make more episodes. If you would like to support us, follow the link to our TeePublic.com/nothingtofear store and get yourself a piece of NtF merchandise. You can also support the show but heading over to our Patreon Patreon.com/nothingtofear. Donation is on a pay what you can scale but we are suggesting a minimum of $1. For just One CANADIAN Dollar, you can help us keep the show going, help us rent movies and help us grow by getting things like episode transcriptions, upgrades to recording equipment and more things that we have planned. Consider supporting the show. We'll love you forever and ever. You can also get more Luke content by checking out his show with Other Alex using this link here Full Spectrum Cinema https://www.mixcloud.com/lexacorm/ You can follow us on Instagram - @nothingtofearpodcast, @wansongaday, @DesignBillie Twitter - @NtFPod, @DesignBillie Email - nothingtofearpodcast@gmail.com Let us know how you're doing and tell us what you're cheering using the hashtag #SomethingToCheer --- Send in a voice message: https://anchor.fm/nothingtofear/message --- Send in a voice message: https://anchor.fm/nothingtofear/message

Troy Howarth returns to The Remedial Film Class Podcast for his first non-italian (and non-horror) film discussion. As we trace the roots of Nolan's film The Dark Knight, we begin with an early heist noir movie from a fresh faced upstart filmmaker who very shortly would go on to the highest artistic plane. Stanley Kubrick is no stranger to the show, and George is no stranger to his later works, but will Dan convince the guys that this film school classic is worthy of discussion in the same sentence as The Shining, Dr. Stranglove and The Dark Knight?   Will George catch the nuance of the "proto-Kubrickian" camera work? Will he recognize Dix Handley himself, Sterling Hayden? Will he at least recognize the Joker's mask from the robbery scene? Will Travis be won over by a swearing Parrot? Will Troy buy Dan's rather specific theories on John Carpenter movies? Did Dan just find someone that agrees with him on film scoring method? Tune in to find out!   And after the episode, check out the Extra Credit Discussion group on Facebook: https://www.facebook.com/groups/remedialfilmpod   Did you know we are now on YouTube? Find extra video goodies and subscribe at https://www.youtube.com/c/RemedialFilmClassPodcast   Theme song recorded by The Hungry Sevens, featuring Shawnee Houlihan.

Holy monarchy, Batman! We were absolutely blown away by this (as the film labels itself) “fable of a true tragedy”. Join us as we dive into the Kubrickian elements of this film and the ways in which the audience is supremely unsettled by Diana's experience in the Royal Family. Kristen Stewart shines brighter than all the Crown Jewels combined, as her outstanding performance makes us question over and over what is real and what is imagined. The film features ghosts, hauntings, and characters interacting with their own preoccupations - Steven Knight was definitely wearing his Peaky Blinders hat when he wrote this script. This film challenges our modern view of the Royal Family (particularly that born from The Crown), and is a tragically, horrifically, and devastatingly beautiful portrayal of Diana Spencer. Leena Norms's Spencer video: https://youtu.be/0i4-NR94Ujw Feedback & Theories: secondbreakfastpod@gmail.com Instagram: @secondbreakfastpod

For tonight's finale, Nick and Emmanuel discuss the entire filmography from one of cinema's most groundbreaking directors, Stanley Kubrick! With timeless classics such as "2001: A Space Odyssey", "A Clockwork Orange", and "Eyes Wide Shut", Kubrick has permanently changed the landscape of cinema with thought-provoking narratives and themes that were so ahead of their time. Open the pod bay doors and revisit the works from a master of film!

This week on the Talk Without Rhythm Podcast I'm ending Noirvember with the soon to be remade Nightmare Alley from 1947. As for the pairing, I pull a Kubrickian audible by discussing 1956's The Killing. [00:00] INTRO [02:38] Trick or Treat Radio Promo [03:55] RANDOM CONVERSATION [12:43] Nightmare Alley (1947) [43:38] The Killing (1956) [01:11:57] FEEDBACK [01:17:07] ENDING MUSIC: Life is a Carnival by The Band Buy Nightmare Alley (1947) Buy The Killing (1956) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

A fantasy retelling of a medieval story of an ultra-violent, epic fantasy set in a land of auditory magic follows co-hosts from different backgrounds and cultures battling against a malevolent takeover. On Episode 484 of Trick or Treat Radio Evil Corny is back for another Patreon Takeover! This time around he chose the rotoscoped animated fantasy epic, The Spine of Night and the Arthurian legend of The Green Knight for us to discuss! We also air some more dirty laundry in the middle of a film discussion, discuss the history of rotoscope, and find out which disaster befell the god of war this week. So grab some snacks at the nearest alcohol store, prepare to go on a fool's journey, and strap on for the world's most dangerous podcast!Stuff we talk about: Fawlty Towers, Evil Corny, Kubrickian, Patreon Takeover, caterpillars, John Deere, Stephen King, Chris Pratt, Will Smith, Super Mario Bros., The Incal, Taika Waititi, The Metabarons, Stephen Scarlata, Scarlett Johannson, Alejandro Jodorowsky, Akira, Star Wars, What We Do In the Shadows, Extra Special Halloween Special, Discord, the alcohol store, bubbalah, Jack Palance, Shane, how do you fix fire?, The Black Knight, Martin Lawrence, The Spine of Night, Heavy Metal, Fire and Ice, Max Fleischer, A Scanner Darkly, The Congress, rotoscoping, Cab Calloway, Wizards, Ralph Bakshi, Paul Dini, Anthology Films, Superman Cartoons, John Candy, Fist of the Northstar, animation for adults, Heavy Metal soundtracks, Fritz the Cat, Metalocalypse, Heavy Metal Magazine, cosmic horror, Patton Oswalt, Lucy Lawless, contradictory statements, Ving Rhames, Buttcrack, Art Spiegelman, Maus, The Green Knight, David Lowery, Dev Patel, Alicia Vikander, Joel Edgerton, Casey Affleck, A Ghost Story, Ralph Inseson, Summer School, Arthurian Myth, King Arthur, Guy Ritchie, Morgan le Fay, First Knight, Camelot 3000, Alan Moore, Grant Morrison, Merlin, The Fool's Journey/The Hero' Journey, Orange Cassidy, A.V.H.J, Erin Kellyman, Alicia Vikander, The Night House, David Bruckner, Hellraiser, The Lamont Configuration, Jesus Wick, Willy Nobody, eating off a silver platter, The Rocky Overhang, and A Scanner Dorkly.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)

The boys start their decades-spanning Kubrickian journey with one of the best heist films that seems rarely talked about outside of film circles. Get yerself a pro-wrestler, a sharpshooter, and a corrupt cop, because you're gonna need them this week as Lo & Mo discuss Stanley Kubrick's 1956 film, THE KILLING. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lomomedia/message

It's the big 5-0 as we hold court for the mighty mister Flanagan once more--this time for his vastly overlooked Doctor Sleep. It's another King adaptation widely considered impossible, but he handles it with a deft hand and may have crafted a worthy, but wildly different, follow-up to a Kubrickian classic. Come find out if the world needs to wake up to this one!

Sidey starts things up by spoiling NO TIME TO DIE so if you are a Bond fan and you don't want that to happen, be warned! Peter is back and being a pain in the neck as we conclude vampire week with a look at the Top 5 TV and Movie Vampires, as reasonable a place as any to start. Peter's abundant free time means he has seen a fair share of classics featuring the fanged antagonists over the last few weeks, will the rest of the Dads be able to match his knowledge, or do we just suck?  Whichever way you look at it, LET THE RIGHT ONE IN is a dark Swedish horror movie exploring the relationship between a creepy kid with a terrible haircut and violent tendencies and a decades old vampire who looks like a 12-year-old girl. I love this movie, but it genuinely baffles me that people think this is a romance; mostly this is about need and co-dependency and control which are just some of the amazing things that I bring to a relationship which are not ideal. Taking the main themes and metaphors associated with the vampire mythology - craving, eroticism, impulsivity - and jamming them into a macabre, slow-paced drama about social alienation, with plenty of Kubrickian shot composition and transgressive sexual elements, this is great stuff. Well done Sweden. When Nanny accidentally poured ketchup into the reincarnation chamber instead of blood little did she know that she would accidentally unleash upon the world the full terror of a DANGER MOUSE spin-off called COUNT DUCKULA. This one appears to be big in the UK and in South America, two cultures not necessarily known for their shared cultural darlings. Duckula himself is said to be the last in a long line of vampire barons, however as you and I both know, the continental title "Count" is equivalent to an earl, which outranks both viscounts (vice counts) and barons. NO SAX PLEASE WE'RE EGYPTIAN sees the vegetarian vampire in Egypt along with his trusty vulture manservant (vultureservant?) Igor and gigantic oafish chambermaid Nanny, chased by The Crow Brothers, in search of a mysterious saxophone protected by Humite, a priest of Ra the Egyptian sun god, and his assistant, Yoobee, with some witty Two Ronnies style misunderstandings along the way.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com.   Until next time, we remain...   Bad Dads

Water: From Amy Poehler to the Wet Prince people may have wasted so much water that Ashton Kutcher and Mila Kunis are taking part in a no bathing PSYOP. Yes these are words.BOOSIE: The unofficial Jim and Them mascot Boosie is always on his grind from Boosie Bash to his new MOVIE! Yes Boosie has a movie coming out and there is a trailer!Chet Hanks: From Boosie to Chet, a part 1 for the books as we catalog the two new Andy Kaufmans to try to find out where the bit ends and the person begins.AZKABAN!, 17 YEAR OLD GIRL!, DAVE!, TWEETS!, SPOOKY SEASON!, HOLIDAY SEASON!, HALLOWEEN!, PATREON!, NOT A PROBLEM TO DO A SHOW A WEEK!, CURSE!, COMMENTARIES!, AUDIO ONLY!, GIFT SUBS!, BOASTY!, TITANS!, JAKE SPRAGUE!, YOUTUBE STAR!, POKEMON!, LOVABLE SCAMP!, PERSONALITY!, FICKLE!, UCB!, PAY PEOPLE!, AMY POEHLER!, WATER USAGE!, WET PRINCE!, CHOMO LEGEND!, WATER PSYOP!, ASHTON KUTCHER!, SHOWERS!, BATHING!, BOOSIE!, MASCOT!, KING OF JIM AND THEM!, LIL NAS X!, HOMOPHOBIA!, MANIAC!, MIND OF THE MANIAC!, REALITY SHOW!, BOOSIE BASH!, FOR US BY US!, FUBU NETWORK!, ON DRUGS!, CORONA MASK!, PRISON LASAGNA!, SHRIMP!, JALAPENOS!, BOOSIE'S GIFT!, SCAREZONE!, MY STRUGGLE!, MOVIE TRAILER!, PIMP C!, C-MURDER!, WEBBIE!, MOVIE OF THE YEAR!, LOOKS ASS!, KUBRICKIAN!, DIRECTING!, WHERE'S MJ!, HOLIDAY MOVIE!, BEHIND THE SCENES!, CINEMA VERITAS!, CHET HANKS!, INTERVIEW!, JAMAICAN VOICE!, HONESTY!, THE BIT!, CHANNEL 5!, ALL GAS NO BREAKS!, ANDREW CALLAGHAN!, TOM HANKS!, CORONAVIRUS!, VACCINE!, GROWING UP!, BROKE!, 900,000!, STAND UP!, WHITE BOY SUMMER!, FREESTYLE!, ANDY KAUFMAN!, SELF AWARE!, IN ON THE BIT!, SOCIAL MEDIA!You can find the videos from this episode at our Discord RIGHT HERE!

Get ready for a Kubrickian episode, as me and guest Nathan Abrams explore the rooms of the Overlook Hotel, the jungles of Vietnam, and the infinites of space while we talk about my favorite director, Stanley Kubrick. Abrams, a film scholar and expert on Kubrick also shares with us his Top 5 Kubrick films, but we talk about pretty much everything Kubrick, as well as his work in academia. Check it out!00:00:00 - 00:01:55 -- Intro00:01:55 - 00:09:26 -- Meet Nathan!00:09:26 - 00:25:04 -- The Kubrick Talk00:25:04 - 00:30:07 -- The Kubrick Trivia00:30:07 - 00:47:41 -- The Kubrick Loot00:47:41 - 00:53:27 -- Film Twitter's Kubrick Loot00:53:27 - 00:56:26 -- Closing00:56:26 - 00:59:28 -- OutroFollow NathanWebsite: http://www.nathanabrams.com/Twitter: @ndabramsPodcast Intro/Outro: Tino Mendes & Yellow Paper - The HeistDr. Strangelove clip (c) Columbia Pictures

Vidi Shining al cinema, con il mio compagno di banco, e dopo andammo a passeggio nel porto, al buio, di notte, in piena maestralata, per avere paura. TRASCRIZIONE TESTO La notte scorsa, prima di andare a letto, il mio giro solito di televisione dopo che spengo Netflix, sono capitata negli ultimi dieci minuti di Shining il film di Kubrick. Vabbè che fai quando capiti nelle ultime scene di Shining, non rimani a guardare? Certo, sono rimasta a guardare fino alla fine gli ultimi dieci minuti. Shining è un film pazzesco. Kubrick non è il mio regista preferito però è nell'Olimpo dei miei registi, tra quelli preferiti, anche se non il preferito in assoluto. Sì, Shining lo vidi quando uscì nelle sale cinematografiche. Ricordo esattamente la situazione. Io ero ragazzina, era inverno, era una di quelle sere d'inverno con un fortissimo maestrale che soffiava, Cagliari è molto esposta al maestrale soprattutto soprattutto d'inverno. Andai a vedere il film col mio amatissimo compagno di banco. Andammo al cinema, era inverno, quindi era già buio, e mi fece tantissima paura, mi colpì tantissimo il film, saltai e gridai in tutti i in tutti i passaggi dove il regista voleva che io saltassi e gridassi. Sì, e la cosa divertente è che tutti e due rimanemmo molto, molto scossi, ci piacque tantissimo il film, e una volta finito, il cinema dove andammo a vederlo era vicino al porto, e dopo finito i film andammo a fare una passeggiata al porto. Voi immaginatevi questa scenografia: il porto di Cagliari di notte, perché ormai era già buio, con questo maestrale pazzesco, e mi sa che noi andammo proprio per avere paura, perché, tipo perché uscimmo dal cinema ancora molto scossi e dicemmo, te lo immagini adesso andare a fare una passeggiata al porto al buio? Sì dai, perché noi andiamo a fare una passeggiata al porto al buio? E lo facemmo. Facevamo cose del genere con il mio amatissimo compagno di banco. Sì ho visto con molto piacere gli ultimi dieci minuti del film. No non vi racconto il finale, casomai qualcuno ancora non lo avesse visto. Sì concludo questo armacord kubrickiano spiegandovi che i rumori che sentite in sottofondo sono dovuti al fatto che in questi giorni, oggi ma anche nei giorni seguenti (perché ho sentito che la temperatura si aggirerà verso i 40 gradi) sto registrando i miei tre minuti grezzi giornalieri con la finestra aperta, perché sudo da morire e non voglio essere condizionata che non mi piace e comunque farebbe ancora più rumore, quindi i rumori dal vivo.ENGLISH TRANSLATIONLast night, before going to bed, on my usual TV channel surfing after turning off Netflix, I happened upon the last ten minutes of Kubrick's The Shining. Oh well, and what do you do when you chance upon the last scenes of The Shining, don't you stay and watch? Sure, I did watch until the end. The Shining is an amazing movie. Kubrick is not my ultimate favorite director, but he is in the Olympus of my directors, among the favorite ones, even if not the absolute favorite. I saw The Shining when it came out in theaters. I remember it vividly. I was a girl, it was winter, one of those winter evenings with a very strong mistral blowing, Cagliari is very exposed to the mistral, especially in winter. I went to see it with my beloved classmate. We went to the cinema, it was winter, so it was already dark, and the movie scared me so much, it made such an impression on me I jumped and shouted in all the right places, where the director wanted me to jump and to shout. Yes, and the funny thing is that we were both very, very shaken, we loved the movie. Once it ended, you see, the cinema was near the harbour, and after the movie, we went for a walk in the harbour. Just imagine: Cagliari harbour at night, already dark by now, with this crazy mistral, and I think we went just to be afraid, because, it was like, we leaving the cinema still quite shaken and then, can you imagine now going for a walk in the harbor in the dark? Yes come on, why don't we go for a walk in the harbor in the dark? And we did it. We used to do things like that with my beloved classmate. Yes, I was very pleased to watch the last ten minutes of the film. No I won't tell you the ending, in case someone hasn't seen it yet. Yes, I conclude this Kubrickian blast-from-the-past by explaining that the noises you hear in the background are due to the fact that in these days, today but also in the coming days (because I have heard that the temperature will be around 40 degrees) I am recording my three daily uncut minutes with the window open, because I sweat to death and I don't want to be conditioned which I don't like and in any case it would make even more noise, hence the live noises.

Title: Drive [Wikipedia] [IMDb] Director: Nicolas Winding Refn Producers: Marc Platt, Adam Siegel, Gigi Pritzker, Michel Litvak, John Palermo Writer: Hossein Amini (screenplay), James Sallis (original novel) Stars: Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac, Albert Brooks Release date: September 16, 2011 (US) PROMO: Too Many Captains (@ItsaFilmPodcast) SHOWNOTES: We're back, Collateral Cinephiles! Today, we sit down to discuss one of Nicholas Winding Refn's most accessible and cinematically astute films, the Ryan Gosling-led arthouse noir sendup, Drive. We explore the thematic use of color; the poignant performances of Gosling and co-star Christina Hendricks; the caustic, yet slightly Kubrickian direction Refn imbues in his movie; and the cars that make up the backbone of this film. Did Refn's directorial style rub us the wrong way, like so many other movie fans claim? Listen now, and come on a drive with us through the city at night! Collateral Cinema is on Spotify, Apple Podcasts, Google Podcasts, Chill Lover Radio, iHeartRadio, Podbean, and wherever else you get your podcasts. Also, find us on Twitter, Instagram, Facebook, Podchaser, and find us on Patreon! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Inspired by our conversation about The Shining, we talked Kubrickian conspiracy theories and Room 237 with our pal Patrick McGinty. This was originally a Patreon bonus episode, but since we took last week off we figured we'd treat y'all to it. You can find us on Twitter, Instagram and Patreon. You can find producer and music director Carolyn Kendrick's music here. She's also on Twitter. Fresh Lesh produces the beats for our episodes. Abigail Swartz of Gray Day Studio designed our logo! Why Are Dads is a show in which hosts Sarah Marshall and Alex Steed attempt to understand what the hell it means to be the grown children of dads and other dad-like figures. And, as they do with all difficult subject matter, they do so by looking through a pop culture lens.

Brooklyn-based writer and podcaster Matthew Perpetua (Fluxblog) joins the pod for an extended conversation about Steely Dan, a Boomer band that Gen X had to learn to like (as they got older) but which had a different appeal for Millennials and Gen Z thanks to their music being sampled in hip-hop and their inclusion in “Yacht Rock” subculture. Along the way we discuss the cinematic properties of the band's music through their storytelling and Kubrickian approach to production, the heavy use of irony and subversion in their lyrics, the usual reasons why people bear grudges against their music, and an appreciation of their 1980 album Gaucho as the perfect soundtrack for people just vibin' in COVID-era solitude. Follow Matthew Perpetua on Twitter Check out Matthew's great new music podcast Fluxpod and the Fluxpod Patreon Steely Dan Dictionary (an important resource once you've been Danpilled) Excerpt from the VH1 Classic Albums episode on Aja - the making of Peg (including isolated Michael McDonald vocals!) Three illustrative Steely Dan songs - Glamour Profession (1980) - Razor Boy (1973) - The Fez (1976) Music video for New Frontier - Donald Fagen, from The Nightfly (1982) Tom Robinson - Ricky Don't Lose That Number (a cover version that makes the subtext text)

Episode 42 : Kubrick's Hour : End of Year Round-Up 2020 with the team from SKAS 2020. The year that took years, and took years off our lives; and with terrible sadness and personal grief not lost to those of us in Kubrick’s Universe, years away from far too many souls. 2020. That was the year that… sucked. Two-thousand and twenty. The year we… avoided contact.  Your friends at our humble podcast have had difficulty keeping up with providing new episodes, but not because of a shortage of an amount of great interviews or content, but because of the very same things most of everyone listening has had to contend with — because unforeseen circumstances and survival itself got in the way. In fact, we’ve had some fascinating interviews and great conversations with Kubrick scholars, collaborators, and fans during 2020. We are hanging onto them, archiving them, and working on getting them out to you just as soon as we can. In the past few years, the Kubrick’s Universe team has put out a “year in review” edition, cultivated by our research, before the holidays. This time around, we’re here to say “And now for something completely different”.  If 2020 was many unprecedented things, it was also the year of remote video conferencing — the year of Zoom. Enter our intrepid Mark Lentz, media maestro and man of many kind deeds. Mark, along with two of the greatest and coolest Kubrick scholars, James Marinaccio and James Sherman, stepped up and orchestrated a very cool and brand new concept, “The Kubrick Hour” on Zoom, as a way to keep enthusiasts connected during the most difficult year any of us can remember. We present this unique concept and approach for us to our Year In Review episode this go-around.  What you’re about to hear is the result of Mark and James’s efforts to orchestrate a virtual roundtable discussion of the year in Kubrick news, two thousand-twenty, with a moderated group of venerated enthusiasts. For this episode we were privileged to have discussion among John Harig, Mike MediaMan, Mark McKennon, Jorge Albararán Riquleme, Ian Roscow, Anne Strauss-Weider, Max Rendon, Maria, Jerry Furst, and our very own and very lovable producer, Stephen Rigg. We hope you enjoy this new idea. We’re proud of it. Just remember, if you’re on a Zoom call with a Kubrick fan you’ve never met before and you feel put on the spot when they ask you what’s your favorite food then, simply reply “French fries and ketchup” and you’ll get along fine. So it is with great pleasure that we present to you a round-table discussion from the 19th December 2020 with our wonderful Kubrickian friends. Production Credits : Hosted by Jason Furlong / Researched and written by Jason Furlong, James Marinaccio, Mark Lentz and Stephen Rigg  / Theme written and performed by Jason Furlong / Produced and edited by Stephen Rigg / Contributions by Mark Lentz & James Marinaccio

An excellent film, with excellent acting, directing... all around a solid Kubrickian film.

Zack Peercy is a legally blind playwright based in Chicago. He has a residency at Three Brothers Theatre, where his play That’s Fucked Up premiered in May 2019. His play Kubrickian was recently presented as part of Intrinsic Theatre Company May Play Podcast reading series. He has placed in a few contests you haven’t heard … Continue reading Gateways: “John Quincy Adams High School Presents “Little Shop of Horrors Junior”!” by Zack Peercy read by Aydan Quinn →

TRANSCRIPT: Zack Peercy is a legally blind playwright based in Chicago. He has a residency at Three Brothers Theatre, where his play That’s Fucked Up premiered in May 2019. His play Kubrickian was recently presented as part of Intrinsic Theatre Company May Play Podcast reading series. He has placed in a few contests you haven’t … Continue reading Gateways: “Community Service” by Zack Peercy read by Jasmin Tomlins →

"You don't find reality only in your own backyard, you know," Stanley Kubrick once told an interviewer. "In fact, sometimes that's the last place you'll find it." Oddly, this episode of Weird Studies begins with Phil Ford hatching the idea of putting a replica of the monolith from 2001 in his backyard. As the ensuing discussion suggests, this would amount to putting reality -- or the Real, as we like to call it -- in the place where it may be least apparent. Perhaps that is what Kubrick did when he planted his monolithic film in thousands of movie theatres back in 1968. Moviegoers went in expecting a Kubrickian twist on Buck Rogers; they came out changed by the experience, much like the hominids of great veld in the "Dawn of Man" sequence that opens the film. This is what all great art does, and if you look closely, maybe 2001 can tell you something about how it does it. Because in the end, the film is the monolith, and the monolith is all art. REFERENCES Stanley Kubrick (dir.), 2001: A Space Odyssey (https://www.imdb.com/title/tt0062622/) Arthur C. Clarke, "The Sentinel" (https://en.wikipedia.org/wiki/The_Sentinel_(short_story)) Arthur C. Clarke, 2001: A Space Odyssey (https://www.foliosociety.com/ca/2001-a-space-odyssey.html) (novel) Clement Greenberg (https://en.wikipedia.org/wiki/Clement_Greenberg), American art critic Stanley Kubrick (dir.), The Shining (https://www.imdb.com/title/tt0081505/) Sergei Eisenstein, [Film Form: Essays in Film Theory](https://www.amazon.com/Film-Form-Essays-Theory/dp/0156309203/ref=pdlpo14t0/147-0144282-1131014?encoding=UTF8&pdrdi=0156309203&pdrdr=37cf94c0-adb2-4fc2-bbfa-91b00773da7f&pdrdw=CdtxC&pdrdwg=jkLXJ&pfrdp=7b36d496-f366-4631-94d3-61b87b52511b&pfrdr=9KCP3Y7C1RPE4XDH7N9D&psc=1&refRID=9KCP3Y7C1RPE4XDH7N9D)_ Weird Studies episode 62: It's Like "The Shining," But With Nuns: On "Black Narcissus" Ligeti, Atmosphères Gerard Loughlin, [Alien Sex: The Body and Desire in Cinema and Theology](https://books.google.ca/books?id=5WZwCtrqJ8kC&pg=PA73&rediresc=y#v=onepage&q&f=false)_ Jay Weidner, Kubrick's Odyssey: Secrets Hidden in the Films of Stanley Kubrick (https://www.amazon.ca/Kubricks-Odyssey-Secrets-Hidden-Films/dp/B004PF0FJM) Rob Ager's analysis (https://www.collativelearning.com/2001%20analysis%20new.html) of 2001 (Ager was criticized for not citing Loughlin above) Eric Norton's Playboy interview (https://scrapsfromtheloft.com/2016/10/02/playboy-interview-stanley-kubrick/) with Stanley Kubrick J. F. Martel, "The Kubrick Gaze" (https://www.amazon.com/Toward-2012-Perspectives-Next-Age/dp/B002PJ4L72) in Daniel Pinchbeck & Ken Jordan (eds.), Toward 2012: Perspectives on the Next Age J. F. Martel, "The Future is Immanent: Speculations on a Possible World" (https://realitysandwich.com/149962/the-future-is-immanent-speculations-on-a-possible-world/) Henri Bergson, The Two Sources of Morality and Religion (https://plato.stanford.edu/entries/bergson/) Sid Meier's Civilization V (https://civilization.com/civilization-5/) Stanley Kubrick (dir.), Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (https://www.imdb.com/title/tt0057012/) Stanley Kubrick (dir.), A Clockwork Orange (https://www.imdb.com/title/tt0066921/) Dziga Vertov, Kino-Eye: The Writings of Dziga Vertov (https://www.amazon.com/Kino-Eye-Writings-Dziga-Vertov/dp/0520056302) Marshall McLuhan, [Understanding Media](https://en.wikipedia.org/wiki/UnderstandingMedia)_ Martin Heidegger, "The Question Concerning Technology" (https://en.wikipedia.org/wiki/The_Question_Concerning_Technology) Gilbert Ryle, "Improvisation" (https://academic.oup.com/mind/article-abstract/LXXXV/337/69/974404?redirectedFrom=PDF)

To cap off this exciting excursion off the list, Brendan and Jason examine a film that may be a cautionary tale for our current world situation. Okay... maybe that is a BIT exaggerated but the movie looked intriguing and we needed a reason to watch it, alright?   Anyway.   The guys discussed the film The Girl with All the Gifts, a film that focuses on a small band of survivors in the midst of a zombie outbreak. If that sounds familiar, that's because it has all the structure of a familiar movie but takes a lot of left turns. They also examine how the film utilizes Kubrickian imagery, the notion of nurture vs. nature (it's not as pretentious as it sounds), they analyze the very polarizing ending and much more.   The guys also roll the dice to find out what they'll be watching next week. Join us, won't you?   Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)

SYNOPSIS: Trapped in a white space, three people have a limited time to use their vocal cords before they're forcibly removed by their unseen captor. So, why is it that all they talk about is acclaimed film director Stanley Kubrick? CAST: Jonas Maines as Chris Jamir Nelson as Danny Zack Peercy as Howard -- Facebook & Instagram: @IntrinsicTheatre May Play Podcast is hosted by David Lew Cooper. Theme music by Chuck Evans. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/intrinsictheatre/message

This week, the guys chat about "Doctor Sleep," the movie that hardly anybody saw last year, and it's a crying shame. The long-awaited sequel to The Shining is a Kubrickian, spooky but affectionate swan-song to all things Overlook. We discuss Mike Flanagan's legacy as a Master of Horror, the staying power of Stephen King, and unfortunate Marlon Brando anecdotes... --- Support this podcast: https://podcasters.spotify.com/pod/show/thelatenightpictureshow/support

The Constant Viewer podcast turns its eyes on Stanley Kubrick's 1980 adaptation of The Shining. This is one of the icons of the horror cinema, and to do it justice we got in film reviewer and genre expert Vincent M. Gaine to wield the scalpel as we dissect this masterpiece. We also take time to check Dr Sleep's temperature, and look how Mike Flanagan's 2019 adaptation of The Shining's sequel continues the story of the Torrance family. This episode was hosted by Richard Sheppard, with research and support from Dr Linda Sheppard, and technical and sound production by Stephen L. Parkes. Please like, subscribe, rate, review and recommend this podcast, and feel free to get in contact with us at theconstantreaderpodcast@gmail.com Vincent can be found here:- https://vincentmgaine.wordpress.com/, here https://twitter.com/DrGaine --- Send in a voice message: https://anchor.fm/theconstantreaderpodcast/message

This geological epoch, Matt and Mark review the Sword and Sorcery/Sandal 80's fantasy film The Beastmaster. Chronologically speaking, a simultaneous release (more or less) with the Milius classic Conan The Barbarian, The Beastmaster lacks the exotic "Je ne se quoi" of the former with a more "back lot" quality that speaks to its production quality. Is it a watchable good film? Kind of... But for a non-discerning 10 year old in the early 80's it was Dungeons and Dragons gold! Shot with Kubrickian precision, it's Barry-Lyndon quality night-shots give it a peculiar look that makes for an honest effort. The Beastmaster knows what kind of film it is, and it serves it up well. That and Rip Torn is a decent stand-in for the ominous "Thulsa Doom" villain archetype.Download: 313 The Beastmaster   

Fair warning here: We’re going to talk a LOT about Melba Koh on this one, because even when Clarissa Explains It All™ she is still the most opaque, SIMPLE character in all of The Expanse. On more positive notes, we talk about the easiest work week Steven Strait ever had, what happens when you trap two great antagonists in a room with farming equipment, the place of Kubrickian psychedelia in our formerly grounded SF drama, and the lesson Anna Volovodov learned.

It's A Conspiracy! Join Andrew, Charlie, and Greg as they go full Kubrickian for this Cinemaspiracy episode. They comment on 2001: A Space Odyssey, The Shining, and Eyes Wide Shut while unpacking an overarching narrative Kubrick conspiracy. Come play with us Andy! It's a Conspiracy! is proud to be a part of the Albert Podcast Network: AlbertaPodcastNetwork.com Seatgiant.ca promo code: APN Girl Tries Life Podcast --- Clips we watch this episode: 2001: A Space Odyssey Clip The Shining Clip Barry Lyndon Clip Eyes Wide Shut Clip Full Metal Jacket Clip Mac and Me Clip   Is HAL Really IBM? The 10 Strangest Conspiracy Theories About The Shining “Barry Lyndon”: The Full Story of the Famous F/0.7 Lenses In 'Eyes Wide Shut' Stanley Kubrick Captured Horrors of Jeffrey Epstein Era 20 things you (probably) didn't know about Full Metal Jacket Elon Musk’s 10 greatest inventions changing the world Quentin Tarantino - How Pulp Fiction changed cinema   What are we drinking? Today we are drinking Steam Whistle from Steam Whistle Brewing!     --- Patreon / Instagram / Twitter / Facebook Questions, comments, or feedback? Email the show at itsaconspiracy@protonmail.com

Casey is back, folks! He's one of my favorite people to chat movies with and we detour slightly this week from our Kubrick series to chat about a Kubrickian offshoot, the 2004 Nicole Kidman film, Birth.  Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Minute 26 starts with Lane being called to the board to show his geometry homework and ends with Lane beginning to remember that time in the woods with Beth.

Released 1963, set 1997. 4 movies for the price of one. Lots of naps. Featuring: Spaceships, evil Siri, a version of Skype that doesn't work right, Kubrickian flair.  Click here to check out a 10-minute PBS explanation of 2001's themes. We didn't want to just straight plagiarize from them, and they give the best possible explanation of 2001's ethos and design!

What did you think of Jonathan Glazer's 2013 minimalist sci-fi UNDER THE SKIN, starring Scarlett Johansson? Did it all make sense when you watched it the first time? Or did it only reveal it to yourself after another viewing? Today your hosts, Bill and Renan, come at it from different perspectives and have, well, different perspectives on it. Topics discussed include how the film was made and what it means, how it differs from the book and early scripts, and how it relates to ScarJo's stardom. Plus: other films that double as commentary on their actors, big stars in weird movies, and possible foreshadowing in Glazer's music video career.  Episode links: Under the Skin on IMDb Under the Skin (film) on Wikipedia Under the Skin (novel) on Wikipedia Matt Zoller Seitz review at RogerEbert.com Peter Bradshaw review in The Guardian Richard Brody review in New Yorker Geoffrey O'Brien review in NYROB Stephen Holden review in NYT Jake Cole review in Slant io9 interview with Glazer The Guardian interview with Glazer Filmmaker Mag on "Kubrickian" films Glazer's video for Blur's The Universal Glazer's video for Radiohead's Karma Police Glazer's video for UNKLE's Rabbit in Your Headlights Glazer's video for Radiohead's Street Spirit (Fade Out) Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm

What did you think of Jonathan Glazer's 2013 minimalist sci-fi UNDER THE SKIN, starring Scarlett Johansson? Did it all make sense when you watched it the first time? Or did it only reveal it to yourself after another viewing? Today your hosts, Bill and Renan, come at it from different perspectives and have, well, different perspectives on it. Topics discussed include how the film was made and what it means, how it differs from the book and early scripts, and how it relates to ScarJo's stardom. Plus: other films that double as commentary on their actors, big stars in weird movies, and possible foreshadowing in Glazer's music video career.  Episode links: Under the Skin on IMDb Under the Skin (film) on Wikipedia Under the Skin (novel) on Wikipedia Matt Zoller Seitz review at RogerEbert.com Peter Bradshaw review in The Guardian Richard Brody review in New Yorker Geoffrey O'Brien review in NYROB Stephen Holden review in NYT Jake Cole review in Slant io9 interview with Glazer The Guardian interview with Glazer Filmmaker Mag on "Kubrickian" films Glazer's video for Blur's The Universal Glazer's video for Radiohead's Karma Police Glazer's video for UNKLE's Rabbit in Your Headlights Glazer's video for Radiohead's Street Spirit (Fade Out) Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm

Think you've got what it takes to talk Alex Garland and hard sci-fi? Then step into the Shimmer with freelance film critic Kristen Lopez! This week on After the Credits, Matthew and Kristen talk about Alex Garland's oft-discussed Kubrickian nightmare, Annihilation. Does the movie live up to the books? Will audiences ever learn to fully appreciate Jennifer Jason Leigh? And why, exactly, is Gina Rodriguez's side-cut the solution to world peace?

Rolfe Kent and Face2Face host David Peck talk about Alexander Payne’s new film Downsizing, creating chemistry though music, experimentation, writing by walking and relentless enthusiasm. Biography Unexpected texture, sounds and a signature musical personality are the hallmarks of British film composer Rolfe Kent, who has scored more than 50 films, including Academy Award nominated Up in the Air (for which he won a Golden Satellite award), Sideways (for which he was nominated for a Golden Globe and Critics Choice Award in 2007), Labor Day, Bad Words (Jason Bateman’s directorial debut), Dom Hemingway, About Schmidt, Election, Mean Girls, Legally Blonde and Legally Blonde II, Wedding Crashers, The Matador, Reign Over Me, The Hunting Party, and Thank You for Smoking. Kent also composed the Emmy-nominated main title theme for the Showtime hit, Dexter.  In 2012, he received the Richard Kirk award for career achievement. Born in England into a non-musical family, Kent intuitively felt at age 12 that he wanted to be a film composer, although his early musical training was brief and not so formal.  Citing Jarre’s Lawrence of Arabia and Morricone’s The Good, The Bad and the Ugly,  as inspirations, Kent took the advice of an early music teacher to avoid rigid  course work that would dampen his enthusiasm.  He followed an entirely different path and, taking counterpoint to what is often cited as culture mired in cynicism, profited from his early course work in theology to relate it to music.  After enrolling in psychology sutdies at Unviersity of Leeds in Yorkshire, Kent’s musical career was casually begun at a dance club when the director of a play offered him a chance to “do” the music.  His jump start was his composition for a stage musical Gross at the Edinburgh Fringe Festival, a springboard for Authors, composers and performers. In the confines of his musically busy studio, one can immediately see why his musical personality is as distinct and his own.  Constantly on the go, adventurous and curious, Kent has developed a style that is not only distinct, but indicative of his aversion to the-anticipated-score in tone, texture and rhythm.  The walls are lined with many familiar and many more unfamiliar instruments, gingerly handled and gleefully demonstrated for their sonic qualities.  Among his collection are the Indonesian percussion instrument the angklung, the shawm (first used in military maneuvers as a psychological weapon), the melodica, used for the light, soothing effect in Kent’s jazz-infused score for his Golden Globe-nominated Sideways, and an instrument he discovered and cannot name that sounds like the world’s beaches at their most romantic high tide... combined. Kent has the distinction of attracting and sustaining relationships with directors as popular and diverse as Alexander Payne, Mark Waters, Jason Reitman, Burr Steers, and Richard Shepard. Synopsis “Alexander [Payne, writer/director] asked for the score to be beautiful classical music,” Kent described.  The composer wanted to avoid movie-score clichés and took a different route.  “I figured a Kubrickian approach was best, where the music sounds like it existed outside of the film, and was discovered to match the scene perfectly.”   Known for using unexpected textures, sounds and his own signature musical personality this opened the floodgates for Rolfe.  “As ever, Alexander was open to hearing unexpected sounds, so when I threw him the curve of an opera aria sung in Norwegian, or some bagpipes.  He loved it.” In addition to writing the original score for the film, he also co-wrote the original song “A Little Change In The Weather,” performed by The Swingles. Trailer More Info Here about Rolfe and his work. ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: TVO and The Cutting Factory. Used with permission. See acast.com/privacy for privacy and opt-out information.

Sylvia Browne, self-described psychic, has gotten herself a new act in the Next World. Just wait til you hear what's getting her on the talk shows these days. The pro-Trump rallies in the Afterlife continue as do the counter-protests led by Dr. Martin Luther King Jr. And his BFF, Adolf Hitler. The Fuhrer, by the way, is sporting a radical new look these days. We'll tell you what it is. Donald Fagen, co-founder of Steely Dan, just arrived in the Next World. He immediately received several job offers, including one from someone we haven't heard from in a while. Who is it and why does his offer raise some intriguing questions? Stanley Kubrick is rumored to have finished principle photography on the movie he wrested control over from Jean-Michel Basquiat and Salvador Dali. In typical Kubrickian fashion, rumors are swirling about a sub-plot he supposedly added to the film at the last minute. What is it and whose hackles is it likely to raise?

S for Stanley and Kubrickian coke addicts?! Rm 237 & 432 hurts! Ariel and Nicky D. dissect "Dr. Stranglove," "2001," (it was Saturn in the books fools!) "Killers Kiss," "Lolita," "The Shining," and "Eyes wide Shut" the hell up! And find me a baby giraffe, cause we pranked the POTUS.  

Special thanks to Judd Blevins, who as a Marine has a special place in his heart for Stanley Kubrick's Full Metal Jacket and thus pulled the metaphoric trigger on this commission. A tale of two movies if there ever was one, and featuring what A.Ron describes as a very "un-Kubrickian" structure and asthetic, they guys talk about life in the military, ethics and morality in times of war, season two of Serial Podcast, and probably ill-informed commentary on geopolitics. If you want to know more, you might want to check out "Born to Kill: The Hidden Meaning Behind Full Metal Jacket" on YouTube, and "The Jungian Thing: Duality in Full Metal Jacket", which is a discussion archived from a newsgroup between several notable creative and critical types. Learn more about your ad choices. Visit megaphone.fm/adchoices

  READY TO UNLOAD: with Cal & Sanpete Episode # 11-31 LIVE Thursday, October 20th  Here's what went down: With Cal running a little late, Sanpete and PJ discuss their top five favorite Kubrickian  movies, and what sports story would Kubrick want to take on. Cal jumped in for an in depth discussion about the specialization of pitching in the post season, and how perhaps the saying should be changed to "good specialized pitching beats good hitting". The Jets then got their due as the Fellas figured out if Rex Ryan will burn out before the Jets have a chance to win, and is he indeed the second coming of John Madden. Cal got a primer on how to handle Sanpete live at a Jets game. Then in the RTU: Funload, the boys got into how you view the teams you loved as a kid now, with revelations of drug use, drinking beers on the bench and Popeye's ruining your playoff chances. All in all, a fantastic 2 hours of sports and stuff talk... Check it out! You can subscribe to the podcast by clicking on the ITUNES Icon on the blogtalkradio player!

Raquel, as one might expect, threatens to undermine the conceit of the exercise and turn our nice, neat duality into a sort of Ham & Cheese & Schmaltz Mexican standoff slash Kubrickian triangular conflict. We recover.