Podcasts about Philippe Parreno

Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software#morphagene #spectraphon #dxg #optomix #proworkout #arbharRobert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.https://robertaikiaubreylowe.bandcamp.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Krone, Tobias www.deutschlandfunk.de, Kultur heute

Krone, Tobias www.deutschlandfunkkultur.de, Fazit

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Sébastien Devaud aka Agoria, born in Lyon on January 16, 1976 is a French electronic music producer, DJ and digital artist. Agoria started his music career in the mid-1990s and gained popularity in the early 2000s with his debut album "Blossom" released in 2003. He is known for his unique blend of techno, house, and ambient music, which has earned him a reputation as one of the most innovative and influential electronic music producers of his generation. Agoria has released several albums, EPs, and singles throughout his career, including "The Green Armchair" (2006), "Impermanence" (2011), and "Drift" (2019). He has released 5 albums with both major Universal Music, Virgin and indie labels Pias. Agoria has been an early contributor to the French electronic music scene with the creation of his own label Sapiens, and Lyon electronic music festival Les Nuits Sonores. He has also collaborated with various artists, including Tricky, Ela Minus, Carl Craig, Neneh Cherry, Noemie, Rami Khalifé and Blasé. Agoria has performed at major music festivals and clubs around the world, including Coachella, Sonar, Melt, We Love Green, 3points east,… He has also been very active and creative in the art scene, he collaborated with Philippe Parreno and Nicolas Becker on art exhibitions and performances at the Armory Park in NYC (2018), at the turbine hall of Tate Modern in London (2018), and started his own solo show in Miami Art Basel (2019). Combining art, music and science in his work, he collaborates with biologists, neuroscientists, and philosophers. He is considered the trailblazer of Biological Generative Art. Agoria's work has been exhibited all around the world lately at major NFT events: in NYC on Times Square during NFT.NYC, in Barcelona at Sonar (co-curated by Antonia Folguera and Diane Drubay), at Refraction festival in NYC, at Proof of People show in London (curated by VerticalCrypto), and during Berlin Art Week (curated by Anika Meier) in September. Last but not least, he has been invited last March to exhibit Phytocene and share his vision about web3 in front of United Nations.

Un escorxador amb parets de vidre, Crítica teatral de l'obra «J. M. Coetzee, “Elizabeth Costello: Set lectures i cinc contes morals”». Text basat en «Elizabeth Costello, Slow Man i Moral Tales», de J. M. Coetzee a càrrec de Krzysztof Warlikowski, Piotr Gruszczyński. Dramatúrgia: Piotr Gruszczyński. Intèrprets: Mariusz Bonaszewski, Magdalena Cielecka, Andrzej Chyra, Ewa Dałkowska, Bartosz Gelner, Małgorzata Hajewska-Krzysztofik, Jadwiga Jankowska-Cieślak, Maja Komorowska, Hiroaki Murakami, Maja Ostaszewska, Ewelina Pankowska, Jacek Poniedziałek, Magdalena Popławska. Disseny de l'escenografia i el vestuari: Małgorzata Szczęśniak. Amb la col·laboració de Łukasz Chotkowski, Mateusz Górniak i Anna Lewandowska. Col·laboració artística: Claude Bardouil. Música: Paweł Mykietyn. Disseny de la il·luminació: Felice Ross. Vídeo i animacions: Kamil Polak. Maquillatge i perruqueria: Monika Kaleta. Cofinanciat per el Ministeri de Cultura i Patrimoni Nacional dels Fons de Promoció Cultural - Un fons de finalitat estatal Nowy Teatre està finançat per l'Ajuntament de Varsòvia. Ajudant del director: Jeremi Pedowicz. Director d’escena: Łukasz Jóźków. Director tècnic: Paweł Kamionka. So: Mirosław Burkot. Il·luminació: Dariusz Adamski. Vídeo: Tomasz Jóźwin. Sobretitulació en catala i anglès: Zofia Szymanowska. «Elizabeth Costello» traduït al polonès per Zbigniew Batko; «Slow Man» traduït al polonès per Magdalena Konikowska: Short stories «As a Woman Grows Older», «Vanity», «The Glass Abattoir» traduït al polonès per Jacek Poniedziałek. El vídeo «Anywhere Out of the World» (2000) de Philippe Parreno s’ha utilitzat a l’espectacle. Grec Festival de Barcelona 2024. Direcció: Krzysztof Warlikowski. Una producció del Nowy Teatr de Varsòvia. Coproduït per Schauspiel Stuttgart, Théâtre de Liège, La Colline - Théâtre National de París, i Athens Epidaurus Festival d’Atenes. Socis: Kinoteka, IAM, Culture.pl, Institut Français. Cofinançat pel Ministeri de Cultura i Patrimoni nacional amb els fons estatals Fons de Promoció Cultural. Nowy Teatr està finançat per l’Ajuntament de Varsòvia. Amb la col·laboració del Teatre Nacional de Catalunya. Sala Gran, Teatre Nacional de Catalunya, Barcelona. Del 6 al 7 de juliol 2024. Veu: Andreu Sotorra. Música: Dorozkarze. Interpretació: Miroslav Kowalewski. Composició: Katarzyna Dolinska, Konstanty Gatczynski i Miroslav Kovalenski, Tradicional. Àlbum: Jakoval, 2016.

Thibault BrunetEncore un peuà la galerie binome, Parisdu 5 octobre au 25 novembre 2023Interview de Thibault Brunet,par Anne-Frédérique Fer, à Paris, le 9 octobre 2023, durée 14'47, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/18/3489_thibault-brunet_galerie-binome/communiqué de presseEncore un peu, exposition personnelle de Thibault Brunet à la Galerie Binome du 5 octobre au 25 novembre, explore l'appréhension d'une fin du monde, dans des jeux d'inventaires de la dernière heure : maquettes de stations essence en passe de disparaître, portraits de nuages à l'ère d'une météo fabriquée, concrétion d'images de falaises. Si formellement son travail de modélisation le rapproche de la sculpture, ses images brouillent la distinction entre dessin, peinture et photographie.« Brunet a développé un mode exploratoire qui le pousse à créer et investir de nouveaux espaces virtuels, à défricher les potentialités des techniques contemporaines et à observer et anticiper les formes surgies de notre monde dématérialisé. Ce qui frappe pourtant depuis ses débuts, c'est la rêverie, l'humeur contemplative et mélancolique qui planent sur ses images. » Extrait du texte d'exposition « Paradoxes de l'éther » par Sonia Voss« Comme les artistes Pierre Huyghe et Philippe Parreno acquirent le personnage d'Ann Lee auprès d'une société japonaise à la fin du siècle dernier, c'est sur un serveur ordinairement destiné aux game designers que Thibault Brunet a fait l'acquisition de modèles en trois dimensions de nuages avant de les mettre en scène au sein d'un moteur de jeu. Ses esquisses tridimensionnelles de nuages disent cette capacité que nous avons aujourd'hui à tout modéliser pour mieux comprendre le monde. Les nuages de Thibault Brunet parlent de notre époque autant que ceux du Corrège parlaient au théoricien de l'art Hubert Damisch. Il s'inscrit ainsi dans la continuité des artistes qui tentent d'en capturer l'essence avec les idées comme avec les techniques de leur temps. » Dominique Moulon, critique d'art et commissaire indépendant [texte] Exposition Mondes Persistants, Prix Art [ ] Collector, 24Beaubourg, Paris« L'application Earth de Google doit son niveau de détail aux gens ordinaires qui, sans cesse, l'augmentent en modélisant leurs environnements. C'est au sein de cette base de données que Thibault Brunet prélève des architectures pour les recontextualiser au sein d'espaces délicatement colorés. Initié à l'échelle du territoire métropolitain en 2014 dans le cadre de la mission photographique France Territoire(s) Liquide. Il poursuit en 2022 à l'échelle internationale avec les représentations de stations essence dont on sait la récurrence tant dans l'histoire de la peinture que dans celle de la photographie. Agissant comme le témoin d'une architecture en voie de disparition. » Dominique Moulon, critique d'art et commissaire indépendant [texte] Exposition Mondes Persistants, Prix Art [ ] Collector, 24Beaubourg, Paris Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Entramos en cuenta regresiva para el mundial de Qatar y es muy difícil hablar de otra cosa, mientras esperamos el primer partido de la Selección Argentina! Así que iniciamos una serie de podcast sobre ARTE Y FÚTBOL, dos disciplinas que parecen muy diferentes pero que tienen múltiples puntos de contacto. Vamos a conversar acerca de algunas obras de arte muy significativas en relación a este deporte y comenzaremos por una de las más impactantes: "Zidane, un retrato del siglo 21". Se trata de una película filmada por Douglas Gordon y Philippe Parreno y que como su nombre indica, tiene como protagonista al grandísimo jugador nacionalizado francés Zinedine Zidane.  En este podcast te contamos todo sobre esta obra magistral! Mi nombre es Evelyn Marquez, curadora y gestora cultural. Podés suscribirte a nuestro podcast de arte contemporáneo en el canal de Apple Podcast, en Spotify y YouTube. Encontranos también en Instagram, Facebook  (@temporadaderelampagos ) y en Twitter  (@TRelampagos)!! Si te interesó, compartilo para ayudarnos a seguir creciendo! Nos encontramos en el próximo episodio!! TE DEJAMOS ACÁ EL TRAILER https://www.youtube.com/watch?v=yJ1DczZQ-cQ Y EL FILM COMPLETO! https://www.youtube.com/watch?v=giEWe7vyTKw&t=985s 

Ben Luke talks to Pierre Huyghe about his influences—including writers, musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Huyghe was born in 1962 in Paris and today lives and works between Santiago in Chile and New York. He has experimented over more than 30 years with the form of exhibitions and the very nature of art. His works are complex systems involving a host of elements, from lifeforms including plants, animals and microorganisms, to inanimate objects and technologies. He pays particular attention to the spaces in which these disparate factors come together and bleed into each other, leading to constantly evolving, strange and often spellbinding experiences. He discusses his early interest in the “multiplicity of things” in Yves Tanguy and Hieronymus Bosch; his admiration for artists today, including Daniel Buren and three previous guests on A brush with…, Mark Leckey, Philippe Parreno and Dominique Gonzalez-Foerster; his response to the musical works of John Cage; and his 1990s projects exploring the cinema of Pasolini and Hitchcock, among others. Plus, he gives insights into his daily studio life and answers the ultimate question: what is art for?Pierre Huyghe's permanent work Variants is at Kistefos, Jevnaker, Norway. Pierre Huyghe: Offspring, Kunsten Museum of Modern Art, Aalborg, Denmark, until 30 October. Une seconde d'éternité, Bourse de Commerce, Paris, until 26 September. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

ก่อนจะจบปี 2021 และเริ่มต้นปี 2022 อย่างสดใส ศิลปะการต่อสู้ขอส่งท้ายปีด้วยเรื่องราวของศิลปะเกี่ยวกับเทศกาลคริสต์มาสและปีใหม่จากศิลปินหลายยุค ตั้งแต่ภาพวาดพระแม่มารีกับพระเยซูของ Leonardo DaVinci ในปี 1481 ภาพงานสังสรรค์และการเฉลิมฉลองของ Hendrick Avercamp ผลงานตั้งคำถามกับสังคมเรื่องขยะในช่วงเทศกาลของ Bordalo II จนถึง Banksy กับงานภาพพิมพ์ 82 ชิ้นที่พูดถึงการตลาดของคริสต์มาสและปีใหม่ ไปจนถึงงานของ Philippe Parreno ที่สร้างต้นคริสต์มาสจัดแสดงยาวนานหนึ่งปี 11 เดือนแรกรับหน้าที่เป็นงานศิลปะ แต่ในเดือนธันวาคมกลับกลายเป็นเครื่องประดับตกแต่งไปโดยอัตโนมัติ  แล้วพบกับศิลปะการต่อสู้อีกครั้งในปีหน้า สวัสดีปีใหม่

Ann Lee est une jeune fille aux cheveux violets et aux yeux vides, un personnage de manga, une héroïne sans qualités particulières, qui prend vie en 1999, lorsqu'elle est achetée par deux artistes français : Pierre Huygue et Philippe Parreno. Sa vie virtuelle sera courte, mais intense : 20 artistes lui construiront de multiples existences et incarnations, jusqu'à réactiver son fantôme. Cette œuvre collective, jouant sur le réel et la fiction érige Ann Lee en muse moderne.CRÉDITSÇa a commencé comme ça est un podcast co-produit par Binge Audio et la Bourse de commerce - Pinault Collection. Écriture : Caroline Halazy. Incarnation et interprétation : Charlotte Le Bon. Réalisation et mixage : Maxime Singer. Musique originale : Nicolas Olier. Identité graphique : Upian. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Philippe Parreno talks to Ben Luke in depth about his cultural experiences and influences. A master of exhibition-making, Parreno was born in 1964 in Oran, Algeria, but grew up Grenoble in France. Ever since he emerged in the 1990s, he has used the spaces he shows in and the immediate environment around them as an active presence in his work. Architectural elements in the gallery might be animated at certain moments, lighting might flicker according to scores we don't see, screens might descend to show examples of Philippe's diverse video works, at unexpected times. Often these actions are triggered by hidden environmental forces that Philippe harnesses as data to orchestrate his shows. He talks about his close network of collaborators, the group shows they put on early in their careers, his interest in science fiction, his new work about Francisco de Goya's Black Paintings, his aim to make a film about Mary Shelley's Frankenstein from the monster's point of view, and the unlikely experience of getting Angus Young from AC/DC to contribute to one of his works. Plus, he responds to the ultimate questions we ask on each podcast: if he could live with just one work of art, what would it be? And, what is art for? See acast.com/privacy for privacy and opt-out information.

Dorothée Dupuis (París, 1980) es curadora de arte contemporáneo, crítica de arte y editora. Es candidata al Doctorado en Historia del Arte de la UNAM en la Ciudad de México. Su práctica se centra en la intersección entre arte y política, y se encuentra influenciada por teorías feministas y decoloniales. Dupuis es fundadora de la revista Terremoto.mx, impresa en la Ciudad de México (2013), donde actualmente es directora y editora en jefe. Es también co-directora de la revista feminista Petunia.eu. Dupuis ha escrito para varias publicaciones de arte, como Frieze (Londres), Flash Art (Milán), Spike Art Daily (Viena) y Crash Magazine (París). Dupuis obtuvo la maestría en artes visuales de la HEAR en Estrasburgo (2005). Trabajó para Philippe Parreno, particularmente en la película Zidane: A 21st Century Portrait (2005). Fue asistente curatorial en el Centre Georges Pompidou de 2005 a 2007, trabajando con Christine Marcel para las exposiciones Dionysiac y Airs de Paris. Desde 2007 y hasta 2012, fue directora de Triangle France, programa sin fines de lucro de exhibiciones y residencias en Marsella, Francia. Entre sus proyectos curatoriales independientes se encuentran  Prochoice en Fri-art, Fribourg (con Petunia), 2013; Daniel Dewar et Grégory Gicquel, Prix Marcel Duchamp, Centre Pompidou, 2013; Free circulation of symbolic capital, Loevenbruck, París, 2014; Moucharabieh, Triangle France, Marsella, 2015; Journal d'un travailleur métèque du futur, FRAC Pays de Loire, Carquefou, 2016; Regañando, Squash Editions, México, 2017, La Déesse Verte, Lille3000, 2019; Call Giovanni, Galería Revolver, Lima, 2019; XYXX010101000, Curro, Guadalajara, 2019; IN VIVO, exposición de Caroline Mesquita, otoño 2020, PIVÕ, São Paulo; así cómo La Diosa Verde (reloaded) en el Museo de Arte de Zapopan en marzo a agosto del 2021. Tracks 1. Tryo, "L'hymne de nos campagnes", 1998 2. Episode 1: At Home | Silvia Calderoni and Paul B. Preciado / Ouverture Of Something That Never Ended 3. Gwen Stefani, "What are you waiting for", 2004 4. The Matrix, 1999, dir. Hermanas Wachowski --- Send in a voice message: https://anchor.fm/dominiopublico/message

Qu’est-ce que vous y connaissez à l’art, vous ? Moi pas grand chose, et d’ailleurs lui non plus, au départ. C’est l’histoire d’un galeriste parisien né dans une famille algérienne et qui, enfant, aimait le foot et dessinait des petites fleurs... En Sol Majeur en a été intrigué et aurait voulu être totalement déconfiné pour aller voir de plus près l’une de ses galeries, qui présente en ce momentSimultanément Travaux in situ et en mouvement de 2 artistes majeurs de la scène française et internationale : Daniel Buren et Philippe Parreno. Pas de formation, pas de réseau pour Kamel Mennour qui aujourd’hui côtoie comme il en rêvait les artistes, les collectionneurs, et tout ce p’tit monde des musées... sans zapper tout ce qui fait son quotidien : la maison, la famille, le foot et la musique. Les choix musicaux de Kamel Mennour   Françoise Hardy  Mon amie la rose Kid Cudi  Surfin' ft. Pharrell Williams Staff Benda Bilili Marguerite

durée : 00:46:40 - Remède à la mélancolie - Le film "L'extravagant Mr Deeds" de Frank Capra, "Les rois du patin" de Josh Gordon et Will Speck, Les Simpsons, Montaigne, Nick Homby, Les Beatles, Marvin Gaye, chanter, William Eggleston, Carsten Holler, Philippe Parreno, Barry Flanagan... retrouvez tous les remèdes de notre invitée !

É hora de a bola rolar no nosso podcast, na conversa do NERVOS Entrevista #31 sobre o filme Aspirantes (2015), que estreou esta quinta (28) contando a história de um jovem que tem o sonho de se tornar um jogador de futebol profissional engolido pelas preocupações da vida adulta e sentimentos corrosivos. O primeiro longa de Ives Rosenfeld teve uma ótima carreira em festivais, por onde circulou em 2015: foi o vencedor da Carte Blanche em Locarno; ganhou Melhor Filme, Melhor Ator para Ariclenes Barroso e Melhor Atriz Coadjuvante para Julia Bernat no Rio e levou o prêmio Abraccine na Mostra Internacional de Cinema em São Paulo. A produção chega agora ao circuito, acompanhando a vida de Junior (Barroso), que joga em um time amador da cidade de Saquarema, no litoral do Rio de Janeiro, e sonha em se profissionalizar, mas vê crescer a sua inveja quando é o seu melhor amigo Bento (Sérgio Malheiros) quem consegue um contrato com um clube maior. Além disso, sua namorada Karine (Bernat) está grávida, e o rapaz que já vive de bicos tem de pensar no seu futuro, como bem se preocupa sua sogra (Karine Telles). Na conversa da nossa Nayara Reynaud com a equipe do filme, o diretor e roteirista Ives Rosenfeld contou de onde surgiu seu interesse em falar sobre futebol, não pelo olhar dos vencedores, e suas escolhas estéticas para contar esta história, através da sua experiência anterior como técnico de som. Enquanto isso, os atores Ariclenes Barroso e Sérgio Malheiros explicam o processo de composição e a vivência nesse ambiente de seus personagens, além de seus próximos trabalhos, como você confere neste podcast. Ouça no lugar que você quiser: SoundCloud | Spotify | Deezer | iTunes | Google Podcasts | Feed | Download > 6s: Introdução > 3min27s: Entrevista com o cineasta Ives Rosenfeld e os atores Ariclenes Barroso e Sérgio Malheiros sobre Aspirantes > 17min34s: Conexões Nervosas > 20min01s: Encerramento Conexões Nervosas Se você gostou de Aspirantes, também pode curtir... > Ives Rosenfeld: a série documental de João Moreira Salles e Arthur Fontes, Futebol (1998), produzida pela VideoFilmes para o GNT, especialmente o primeiro dos três episódios, chamado “O Sonho”; os filmes do Canal 100, cinejornal brasileiro que documentava grandes eventos e partidas futebolísticas e era apresentado antes das sessões nos cinemas do país, durante a segunda metade do século passado; e o documentário Zidane – Um Retrato do Século XXI (2006), de Douglas Gordon e Philippe Parreno. > A Voz da Várzea, parceria do Desobediência Sonora, que produz programas na Rádio Comunitária Cantareira, e o Museu da Várzea de São Paulo chamado “Paulo Carioca”. Apresentado por Waldemar Oliveira, técnico de um time juvenil de futebol da Brasilândia, o podcast traz entrevistas com pessoas que fazem ou fizeram parte da várzea paulistana. > avarzea.com.br, site especializado em futebol amador, que conta com um podcast no canal do Youtube, chamado Projeto Varzeanos, que também traz conversas com nomes importantes do futebol nacional que vieram da várzea. *Músicas presentes no podcast (sob licença Creative Commons): “Content”, de Lee Rosevere; “Blind Love Dub”, de Jeris; e “Reusenoise_(DNB_Mix)”, de SpinningMerkaba

Välja avsnitt i vilken ordning du vill eller göra val längst vägen? P1 Kultur diskuterar en ny trend inom tv-industrin. Ander Weidemann (30 grader i februari) arbetar nu i USA med en teveserie, Interrogation, som handlar om ett mordfall och där man som tittare kan pussla ihop ordningen på avsnitten själv. Kajsa Boglind har träffat honom. I helgen visade Netflix nya avsnitt ur Black Mirror. Vi har sett Bandersnatch som begär aktivitet från tittaren också. Matilda Källén har tittat och vi undrar om det känns nytt och kul. Cecilia Blomberg har sett franske konstnären Philippe Parreno som just nu ställer ut på Tensta Konsthall i Stockholm. Vår kulturkorrespondent Naila Saleem har besökt Kroatien och Grekland där världskulturarv hotas av klimatförändringarna. Katarina Wikars konstaterar i dagens Obs-essä att granen orättvist nog tappar status i januari. En repris från december 2017. Varför köpa konst, om man kan hyra? Joakim Silverdahl rapporterar om en växande trend. Programledare: Roger Wilson Producent: Minna Grönfors

Pour cette Bulle d'Art toute proche de Noël, focus sur une oeuvre de Philippe Parreno (dont nous avons déjà parlé dans l'émission) qui fait réfléchir sur ce qu'est une oeuvre d'art - ou pas. Et la question est légitime, car cette oeuvre a l'allure... d'un sapin de Noël.

Yi Liu is a US-based Chinese(Mandarin)-English bilingual actress, trained in NYC and has credits in theater, films, documentaries, and contemporary art. The short film Joy Joy Nails, starring Yi Liu,  premiered at Tribeca Film Festival in April of 2017.  She also starred in“Li-Yan, 2016”, directed by world-renowned French artist Philippe Parreno, which was exhibited in Gladstone Gallery in New York, 2016. She also starred in the short film “The Daydreaming Bunny”, which received millions of viewers after it was released, and had a principle role the short film “The Walker” which won Best Short in 2016 Alicante Film Festival. Yi used to follow the crowd and wanted to be liked by everyone.  When started learning to say no to things that don't serve her, that is when she started to stand up for herself and showcased her authentic self versus the Asian woman stereotype. Check out thetaoofselfconfidence.com for show notes of Yi's episode, Yi's website, resources, gifts and so much more.

Épisode spécial Coupe du monde avec l’Équipe de P2J - Passement de Jambe. La compétition fait rage pour déterminer quel est LE meilleur film de foot de tous les temps. Hors jeu, Didier, Les Yeux dans les Bleus… 16 films en lice et il ne peut en rester qu’un. Animé par Thomas Rozec avec David Honnorat, et Martin, Bastien, Lucas et Bozan de P2JRÉFÉRENCES CITÉES DANS L'ÉMISSION Hors jeu (Jafar Panahi, 2006), Didier (Alain Chabat, 1997), Carton Jaune (David Evans, 1997), Zidane, un portrait du XXIème siècle (Philippe Parreno, Douglas Gordon, 2006), Joue-la comme Beckham (Gurinder Chadha, 2002), Substitute (Vikash Dhorasoo, Fred Poulet, 2007), Les collègues (Philippe Dajoux, 1999), The Van (Stephen Frears, 1996), Je suis supporter du Standard (Riton Liebman, 2013), À mort l'arbitre (Jean-Pierre Mocky, 1984), Les yeux dans les Bleus (Stéphane Meunier, 1998), À nous la victoire (John Huston, 1981), Le Ballon d’or (Cheik Doukouré, 1994), Carton rouge (Barry Skolnick, 2001), Coup de tête (Jean-Jacques Annaud, 1979), Shaolin Soccer (Stephen Chow, 2002)CRÉDITSEnregistré le 26 juin 2018 à l’Antenne (Paris 11eme). Production : Binge Audio. Direction de production : Joël Ronez. Rédacteur en chef : David Carzon. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Quentin Bresson. Chargée de production et d’édition : Camille Regache. Editrice : Albane Fily. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio.POUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'Antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.com See acast.com/privacy for privacy and opt-out information.

Fußball Weltmeisterschaft | 14.06. – 15.07. Berlin Biennale | 09.06. – 09.09. Food Revolution 5.0 | 18.05. – 30.09. Wanderlust | 10.05. – 16.09. Fête de la Musique | 21.06. Staatsoper für alle | 16.06. Welt ohne Außen | 08.06. – 05.08. Philippe Parreno | 25.05. – 05.08. Torstraßenfestival | 08.06. – 10.06. Crescendo | 25.05. – 09.06. Between Art & Fashion | 02.06. – 18.11. Erotik der Dinge | 3.05. – 27.08. Performing Arts Festival Berlin | 05.06. – 10.06 Comedy Café | Improv

Au programme de ce quatrième numéro, je vous parle d'un artiste contemporain français dont le travail est très intéressant : Philippe Parreno. Quelques exemples de ses oeuvres : - La rue des Marquises, en 2013 au Palais de Tokyo : https://vimeo.com/80255165 - Son travail sur Ann Lee : https://www.dailymotion.com/video/xagyrz - "The Writer" : https://www.youtube.com/watch?v=SYZEIaFRc5A - Et la bande-annonce de "Zidane, un portrait du XXIe siècle" : https://www.youtube.com/watch?v=WksmDCP8rgU La musique du générique, c'est Asthmatic Astronaut, "Run the tape".

A l’Hôtel de Lille, nous recevons Michèle Didier.En 1987, elle fonde sa propre maison d’édition, mfc-michèle didier, avant d’ouvrir une galerie du même nom au 66, rue de Nazareth, dans le troisième arrondissement à Paris. Spécialisée dans l’édition d’œuvres multiples, passionnée par le « livre d’artiste », elle travaille ou a travaillé avec Saâdane Afif, Philippe Parreno, Robert Barry, ou encore Carl Andre. Certains des ouvrages qu’elle a édités au cours de sa carrière se trouvent dans les collections du MoMa de New York, ainsi que du Centre Pompidou.Elle évoque ici son parcours, sa vision de sa double activité d’éditrice et de galeriste, les enjeux liés à l’édition et à la présentation d’une œuvre multiple, et son rôle d’intermédiaire central entre l’artiste, les fabricants et le public.Musique originale de Pablo Jacquart. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Since 1988, when his first film Fleurs (1987) was presented as a background for a weather broadcast on French television, Philippe Parreno has sought to redefine the exhibition experience. Working with the exhibition itself as a medium, Parreno explores its possibilities beyond the presentation of individual works to create scripted spaces within which a series of events unfolds. Parreno is a collaborative artist whose practice encompasses film, sculpture, drawing, and text. The dialogic nature of his work is evident in the films and exhibitions that have been produced through collaboration with artists, architects, musicians, composers and philosophers. Through work that draws on cinema, science fiction, architecture, the phantasmagorical, and the natural, Parreno merges reality and fiction to produce exhibitions that radically challenge our notions of reality, memory and the passage of time.

Taking inspiration from cinema, science fiction, architecture, and cybernetics, acclaimed French artist Philippe Parreno merges reality and fiction to produce exhibitions that radically challenge our notions of memory and the passage of time. Parreno has become internationally renowned for producing exhibitions as durational experiences in which time is both subject matter and medium, as important an element as space in the creation and experience of his art. Listen to this In Conversation event to hear Parreno discuss and deconstruct his newest exhibition, Thenabouts with Dr. Amelia Barikin.

Philippe Parreno (artist) & Nancy Spector (Deputy Director and Chief Curator, Brooklyn Museum) in conversation.

The French conceptualist’s exhibition at the Palais de Tokyo is a sense-scrambling rethink of the relationship between art and the environment in which it appears See acast.com/privacy for privacy and opt-out information.

#42 Zidane: A 21st Century Portrait (2006), de Douglas Gordon y Philippe Parreno by Civilcinema

This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.

Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view.Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere.This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition.