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In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Image: André Coelho, EFE RJ - Río de Janeiro/World Press Photo 2025 Mentioned in this episode: https://www.worldpressphoto.org/calendar/2025/london-uk https://www.rmg.co.uk/whats-on/astronomy-photographer-year/exhibition https://www.eadweardmuybridge.co.uk © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: The Power and the Glory https://www.newportstreetgallery.com/exhibition/current/ Gabriel Moses, Selah https://www.180studios.com/selah Photo London https://photolondon.org/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://turnercontemporary.org/whats-on/resistance/ ]www.worldphoto.org/sony-world-photography-awards https://autograph.org.uk Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Mentioned in this episode: https://www.tate.org.uk/whats-on/tate-britain/the-80s-photographing-britain https://www.southbankcentre.co.uk/whats-on/linder-danger-came-smiling/ © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. © Grant Scott 2024

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. Mentioned in ths episode: www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collection Elton John/David Furnish video discussion with their curator, Newell Harbin www.youtube.com/watch?v=Gl7gHOuOL44 Interview with Elton John www.10magazine.com.au/articles/ten-talks-to-sir-elton-john-david-furnish Billy Name/William John Kennedy exhibition: www.warholkennedyresidence.com/ https://serchiagallery.square.site © Grant Scott 2024

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Mentioned in this episode: www.iwm.org.uk/events/storyteller-photography-by-tim-hetherington www.horniman.ac.uk/event/adolescent-wonderland/ https://naomihobson.com.au https://courtauld.ac.uk/whats-on/exh-roger-mayne-youth/ © Grant Scott 2024

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden, GQ India, Myself Germany, and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2024

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's new book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2024

Ravensbourne University: https://www.ravensbourne.ac.uk/ https://www.imdb.com/name/nm3936786/bio/?ref_=nm_ov_bio_sm https://tribecafilm.com/festival https://tribecafilm.com/films/restless-2024

For our final episode in series 3, we're looking at creative education, with help from Brixton Finishing School's Ally Owen, Ravensbourne University's Derek Yates, and designer, author and educator Ian Wharton.

ScreenSkills Trainee Finder:https://www.screenskills.com/ Ravensbourne University:https://www.ravensbourne.ac.uk/ Brit School: https://www.brit.croydon.sch.uk/ Avid: https://www.avid.com/ BWIPP: https://bwipp.co.uk/about/ #postchat Edit Girls on Instagram

Today I have the pleasure of speaking with the Founders of Anomaly, Petr Esposito and Liam Spencer.  Anomaly is an award-winning London-based architecture practice that specialise in creative office spaces and injecting new life into old buildings no matter what the sector. ‘Traditional architecture, new direction' is the mantra they work to; challenging traditions in a world of expectation, they aim to deliver the unexpected and get the most out of every retrofit they get their hands on.  Co-founders, Liam and Petr, started Anomaly in 2017 without a house style, and intending to approach projects for their merits, ensuring every building has their story told.  Petr is a graduate of the Bartlett School of Architecture and Ravensbourne University, with a decade of experience working for internationally renowned practices. He has a great depth of experience from the commercial to the playful, has been involved in notable commercial retrofit projects, and led several residential schemes across London.  Liam studied at the University of Edinburgh (ESALA) and the University of Westminster and oversees all retrofit projects, employing his skill for storytelling and unlocking value to deliver massing and strong brands for leasing. His unrelenting attitude to design enables him to provide support to clients' decision-making in developing a brief, protecting commercial interests, and producing high-quality architecture.  Anomaly has recently won planning and listed building consent for 40,000 sq ft of Grade II space in the heart of Shoreditch. They'll be interconnecting 7 buildings, threading a new core within listed sheer walls, retaining and refurbishing key listed elements, delivering a new fully accessible terrace landscape to the rear of the building, adding mezzanines on the ground floor and level 04, and featuring a staircase running through the building… to name a few.  They've also recently been announced as finalists in the London Construction Awards for Architecture Firm of the Year.  In this episode, we will be discussing:  The profound impact of rebranding on business dynamics and client perceptions. Navigating the complexities of rapid growth and contraction within the firm. Leveraging brand identity to enhance market presence and client engagement. Strategies for fostering a strong, cohesive team culture amidst business evolution.   To learn more about Petr & Liam visit their:  Website: https://anomaly.london/ LinkedIn: https://www.linkedin.com/company/anomalylondonarchitecture/ Instagram: https://www.instagram.com/anomaly.london/   ► Transcription: https://otter.ai/u/41oJkzxZBLUsM78W59-GS0Pepxw?utm_source=copy_url ► Feedback? Email us at podcast@businessofarchitecture.com ► Access your free training at http://SmartPracticeMethod.com/ ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call ► Subscribe to my YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture ******* For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/enoch.sears/ Website: https://www.businessofarchitecture.com/ Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/podcast iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz ******* Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com Download the FREE Architecture Firm Marketing Process Flowchart video here: http://freearchitectgift.com Carpe Diem!

This episode contains conversations on neurodiversity, such as ADHD and Autism - Chris shares openly his journey being diagnosed with ADHD and how this has shaped his career.   Raspberry Pi: https://www.raspberrypi.org/ Ravensbourne University: https://www.ravensbourne.ac.uk/ ES Broadcast: https://www.esbroadcast.com/

Ravensbourne University: https://www.ravensbourne.ac.uk    Job Roles Mentioned: Camera Assistant: https://www.screenskills.com/job-profiles/browse/unscripted-tv/technical/camera-assistant/ Assistant Floor Manager: https://www.screenskills.com/job-profiles/browse/unscripted-tv/floor-or-location/floor-assistant/ Graphics Operator Multi Skilled Operator  Runner: https://www.screenskills.com/job-profiles/browse/film-and-tv-drama/production-management/production-runner/  Director: https://www.screenskills.com/job-profiles/browse/creative-industries/crossover-roles/director-creative-industries/     Suggested follow up activities: Produce a schedule for 10mins of a news channel - including guests, commentators, presenters  Write a presenter script for those 10 mins Write a diary schedule for news items across the year (i.e. Notting Hill Carnival) Find descriptions of all of the jobs mentioned in this podcast and the skills needed for each role

Welcome to an intriguing episode of Innovation Deciphered, hosted by Ben Pritchard, our senior consultant and innovation management lead. Joining him is a visionary guest, Adam Andrascik, Co-Founder of Provineer and Digital Technology for Fashion Lead at Ravensbourne University. Get ready to explore the intersection of tradition and technology as we delve into the world of fashion and construction. In this captivating conversation, Ben and Adam uncover the remarkable parallels between two seemingly distinct industries: fashion and construction. Both are embarking on a transformative journey towards embracing digital-first approaches to design. Discover how these shifts are redefining the landscapes of fashion and construction, sparking waves of innovation that ripple across traditional boundaries. As Adam shares his insights, you'll gain a deep understanding of the impact of digital-first strategies on the innovation landscape. Explore how these approaches are reshaping the very core of these industries, fostering a culture of creativity and forward-thinking that defies convention. Join us as we dive into the nuances of these similar yet diverse sectors, dissecting how digital technologies are reshaping their trajectories. This episode is a fascinating exploration of how innovation is sparking change in unexpected places and how two industries, seemingly worlds apart, are converging on a common path towards a digital future. Whether you're an industry insider or simply curious about the dynamic relationship between tradition and technology, this episode promises enlightening insights and fresh perspectives. Tune in to Innovation Deciphered and join the conversation as Ben Pritchard and Adam Andrascik unravel the fascinating journey of digital transformation in fashion and construction. Don't miss out on this thought-provoking exploration of innovation and culture in parallel industries. #InnovationDeciphered #DigitalTransformation #FashionAndConstruction

S3E19:  Post production, like many industries, is facing recruitment challenges, and not just at entry levels. There is a recognition that hiring and retaining staff is now tougher than ever post-pandemic, and that greater competition from other content creators is posing challenges to the sector. In the latest episode, host Craig Wilson speaks to Jai Cave, technical operations director at the UK-based post house ENVY and Caroline Orme, associate professor at Ravensbourne University in England about the current situation and the work they are doing to address the challenge. Our Guests This Episode Jai Cave ENVY Post Production Technical Operations Director   Jai has over 17 years of experience in the broadcast industry and holds the position of technical operations director at ENVY. He is involved in all aspects of the business, from client liaison and business development, through to workflow design and project management. He designs and manages operational change throughout the company and researches and implements new technology, from system design through to the implementation of new services.  His previously held roles include head of operations, where he managed a multi-level team of 70 through the move to fully file-based acquisition and delivery. More recently he has designed and delivered the company's new ENVY Remote platform, a full suite of remote editing and collaboration tools available across web and mobile apps.   Caroline Orme Associate Professor Ravensbourne University   Caroline is an interdisciplinary artist, international director, editor, and post-production expert, specializing in 3D stereoscopic and color grading. Caroline's work has featured in 30 film festivals throughout the UK, Europe, and internationally.    Following an MSc in 3D stereoscopic media, her research has been presented at conferences, and her paper, titled Do 3Ds and VR Share the Same Visual Grammar? was presented at the International Broadcasting Conference (IBC) in Amsterdam.   She also has experience in broadcasting and worked as an audio commentary systems operator at the London Olympics in 2012. She has done live projects at Ravensbourne with the Museum of London, The Queens House, The Science Museum, PricewaterhouseCoopers, Sharpshooters, Tag Rugby Trust, and UNESCO, that led to exhibitions and screenings at the Science Museum, Imperial War Museum, BBC Rugby Union Online, and Sky.    Caroline specializes in teaching asset management (Avid NEXIS), the art of editing, Avid (as an Avid-certified trainer), online (working to a digital production partnership high-definition specification) and color grading (Nucoda).    More Resources For more on this topic, check out Media Composer for Students  – Discover Avid's new program giving students free access to the industry-leading editing software The Skills Crisis – Listen to this podcast to discover how one high school is innovating to help students, and the importance of diversifying the workforce in post production. Contact Us Questions? Comments? Cool ideas? Get in touch: makingthemedia@avid.com or @craigaw1969. Follow Avid at @avid. Credits Host: Craig Wilson Producer: Matt Diggs Social: Wim Van den Broeck Theme Music: Greg “Stryke” Chin

Stephen's interest in advertising came from his favourite subjects at school – art and economics – and so he looked for a career that combined the creative and the commercial. He also was an avid reader of the ads and used to make montages of the ads from magazines as part of his art course and this helped set his heart on working in advertising. Stephen studied economics and graduated in 1980, at a time when the economy was in recession and jobs were scarce. He applied for agency and marketing graduate training roles and found his start in a marketing at Nestlé. After a couple of years, he moved into the agency world, working at Lintas, then at a start-up agency and finally he joined WCRS for the first time in 1988. He left for Leo Burnett to be Deputy MD and then re-joined WCRS in 1994, becoming Managing Director and later CEO in 1998. The agency was something of a rollercoaster ride and he saw it through some lean and some great years, notably winning its biggest pitch ever, winning the National Lottery in 1998 and with an array of formidable campaigns for clients such as Carling, BMW, First Direct, 118 118 and Orange. The management team bought the agency from Havas in 2004 and relaunched it with a group of companies under the Engine brand. Stephen was then approached to join DDB and become Chief Executive there in 2007. DDB and its forerunner, BMP was agency he had admired most throughout his career, but it had suffered from management instability, and he helped to secure its position and get back to something like its old form. In 2011, a small-hours conversation in Cannes with James Murphy and David Golding started the ball rolling for DDB to buy adam&eve. Months of top-secret negotiations followed, but not so secret that rumours leaked ahead of the deal being done. Finally in 2012 the agencies merged and Stephen became Chair of adam&eveDDB. 18 months later, Stephen left to pursue other ventures, starting a financial services business, along with working at Next 15 Plc (who years later bought Engine coincidentally). Stephen became CEO of the Advertising Association in September 2016. The AA's mission is ‘to promote the role and rights of responsible advertising - advertising that is trusted, inclusive and sustainable – and its value to people, society, businesses and the economy'. All the leading media owners and trade bodies are members of the AA. Stephens's past board roles include Deputy Chair of Brighton and Sussex University Hospitals NHS Trust and Chairman, Changing Faces, a facial disfigurement charity. He is also a past President of the IPA and of NABS. He is currently a Governor of Ravensbourne University, London and is on the board of the History of Advertising Trust. To hear Stephen's advice on getting your business through a recession, trying to change the advertising industry for the better and on how to get a good agency back on form, listen to this episode of ‘How I Became'. ⁠Watch on YouTube⁠⁠ Follow us ⁠⁠@HOWIBECAME__⁠⁠ for guest insights not on the podcast We're on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠X⁠ and ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ Episode Sponsor: ⁠⁠Gray Matters⁠⁠ - A straight-talking business development consultancy that empowers agencies to position, market and sell themselves for new business success ⁠⁠Unity & Motion⁠⁠ - A London based production company specialising in commercials and branded content Email: info@weunify.co.uk This is a ⁠⁠UNIFY⁠⁠ Podcast. Produced by ⁠⁠Unity & Motion⁠⁠ Credits: Director: Charles Parkinson Poet & VO Artist: Ashley Samuels-McKenzie Sound Recordist: Paolo Neri Editor:  Catherine Singh

In this week's episode I speak to Nicole Yershon, Founder and CEO of the NY Collective.Join us whilst we talk about having the courage to ask ‘why' as a leader, so that you can find the truth and understand what's needed.Nicole also shares her experience on how she created money for a project that had no budget, and how she did it!Key takeaways include:Why you must take responsibilityCreating trust and empowerment in your teamTips and strategies to make change happenNicole is an executor, a consultant, a coach, a speaker, a judge, a mentor, a ‘super-connector' and Amazon #1 Best Selling author. She is one of the Drum's 25 Women Who Shaped The Digital Industry in the last 25 Years. Wired Magazine's top 100 - first annual survey of Britain's Digital Power brokers. A Women in IT Finalist. Nicole is the founder of The NYC and before that the Ogilvy Labs – the dedicated Innovation unit of Ogilvy & Mather Group. Part of WPP Group plc.Just a few of the clients she has worked with over recent years. Danone, Havas, Amex, IBM, Ravensbourne University, BP, London Business School, E&Y, Accenture, Pfizer, GA Group, Great Western Railways (GWR), Go Compare/WeFlip™, Unilever, BA and Whitbread. Follow Joanna Howes and The Change Creators:website: https://www.thechangecreators.comlinkedin: https://www.linkedin.com/in/joannahowes/ For Leadership and team coaching and training, you can message me at joanna.howes@thechangecreators.com and we can book a call. website: https://www.thechangecreators.com linkedin: https://www.linkedin.com/in/joannahowes/youtube: https://www.youtube.com/channel/UC2kZ-x8fDHKEVb222qpQ_NQ

The centre piece of our second episode is guest host Savina Petkova's interview with Ruben Östlund about his latest film Triangle of Sadness. This follow-up to the The Square, which also won the top prize at Cannes, is another acerbic satirical intervention into the hypocrisies of liberal capitalism. "Triangle" is perhaps more laugh out loud funny than his previous work, but draws on similar socio-political observations that are all too familiar but presenting them through a thought experiment which reverses hierarchies of power around wealth, value, class and social roles.  Also, Dario talks to the LFF director Tricia Tuttle who is ending her 5 year tenure-ship this year. They discuss her legacy particular around accessibility, weathering Covid, and the expansion of programming to encompass many different forms of cinematic experience. Also the political role of festivals comes up and Tricia gives her thoughts on the collapse of the Edinburgh film festival and the many challenges that UK cinema-going faces. Dario also talks to a student from Ravensbourne University, Tom Wright, who came to the festival as part of the BFI academy programme. He waxes lyrical about Mark Jenkins' Enys Men, which of course we will be hoping to cover in-depth in an upcoming episode.  And Dario and Savina round up by talking about a few of the other festival highlights including Mia Hansen Love's One Fine Morning and Charlotte Wells' directorial debut Aftersun. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

Janice Beckles is a multi-faceted business consultant from Kent with a mission to empower people to live fulfilling and purposeful lives through personal development. Janice is a qualified teacher, accredited coach, mentor, and business advisor.  In 2017 she set up an accredited Institute of Leadership and Management Training Centre. Janice has a great deal of commercial experience and has set up and run many worthwhile projects under the B Consultancy Ltd umbrella. The project provides participants with essential tools to navigate their careers, business, and life.   Janice believes in developing multiple streams of income, has started a journey in property development, forex trading, and is an ACN Independent Business Owner providing essential services to individuals and businesses. In addition to one-to-one services, Janice undertakes a range of essential training and consultancy services with local authorities. This work includes supporting self-employed individuals and providing vital training to front-line staff on how to manage people, and give them the advice that they need, with a caring and compassionate attitude so that people are not left feeling undervalued.  Janice currently delivers mentoring and training to students at Newham College of Further Education, London Southbank University, and Ravensbourne University. Janice is an associate tutor at Cranfield University School of Management supporting senior leaders with the final stages of their MBA and apprenticeship. Welcome to another Savvy Property Investor Show. Remember to subscribe and join our podcast community on Facebook using the following links: Connect with Sapphire on: WEBSITE https://www.savvywomen.co.uk/podcast https://www.sapphiregray.co.uk/podcast https://www.swiacademy.com/podcast EMAIL podcast@savvywomen.co.uk SOCIALS https://www.facebook.com/50savvywomen     https://www.instagram.com/50savvywomen Clubhouse@SapphireGray   Click on Listen Now to learn more.

One Take Show is honoured to host Arkin Tyagi. Arkin Tyagi is a budding illustrator and animator currently enrolled at Ravensbourne University, London. Recently he has created Non-Fungible Tokens or NFTs. Links to Arkin's work: https://linktr.ee/Artkin https://twitter.com/arkintyagi?lang=en https://www.artstation.com/artkin https://www.linkedin.com/in/arkin-tyagi-707b4618b/?originalSubdomain=uk https://www.instagram.com/_artkin_/?hl=en https://www.behance.net/arkintyagi

The UK government is looking to ban all TV and online advertising for food and drink that are categorised as high in fat, sugar, or salt in an attempt to reduce obesity. What will this ban mean for the food industry, and will it have the impact that the government hopes it will?To explore this question we bring together two experts in the field, Stephen Woodford, Chief Executive, Advertising Association and Phil Smith, Director General, ISBA. We discuss what the implications of the band are for manufacturers and brands, and we investigate the facts around advertising and obesity in order to determine how effective the ban might be. Join the conversation on Table Talk.About our panelStephen Woodford, Chief Executive, Advertising Association Stephen was appointed CEO of the Advertising Association in 2016. The AA promotes the role and rights of responsible advertising and its value to people, society, businesses and the economy, and all the key trade bodies, commercial media owners and tech platforms are members of the AA. Prior to joining, Stephen held management roles in four agency groups (Leo Burnett, WCRS/Engine and DDB/adam&eveDDB, Next 15). He also chairs youth marketing agency Livity, a social purpose-driven business that seeks to transform young peoples’ lives, especially from BAME backgrounds. He is a Governor of Ravensbourne University in London, the UK’s newest creative and technology university. Stephen is a past President of NABS and serves on the board of the History of Advertising Trust. He was IPA President (2003-05) where he led both their first ethnic diversity initiative and transformed its professional qualifications for new industry entrants, which over 20,000 people have now sat and passed in the UK and around the world. Phil Smith, Director General, ISBAPhil joined ISBA in January, 2017 and heads up the organisation. He’s responsible for ISBA’s strategic direction and its advocacy agenda. He leads the team of ISBA directors and looks after the day to day operation of the business.Before ISBA, Phil’s career in the UK and Europe has been in marketing, sales and general management, spanning a wide range of industry sectors, from consumer goods to grocery retail and from marketing technology to lottery and games.Phil holds a BA in Classics from Jesus College, Oxford. He is a keen runner, skier, year-round open water swimmer and is married with five children.

Sass Brown is a writer, journalist, researcher, educator and activist in ethical fashion. She was the former acting dean of the School of Art and Design at the Fashion Institute of Technology (FIT) in New York City, and the Founding Dean at Dubai Institute of Design and Innovation (DIDI), a collaboration between Parsons and MIT. Sass has authored two books, "Eco Fashion" and "ReFashioned," both published by Laurence King in multiple languages. Her now archived website, EcoFashionTalk, was one of the original forums for the fashion industry to share information and feature designers whose focus was different than the traditional fashion system. This led to her participation as a guest expert and speaker at venues worldwide. Sass received her bachelor's degree in fashion design from Ravensbourne University and her master's degree in Global Fashion Management from FIT. Recently, she completed her PhD thesis entitled, "Global Artisanship Models for the Craft Sector" at Manchester Metropolitan University. Learn more: LinkedIn Hosted by: Christopher Lacy, Assistant Professor, Parsons School of Design Produced by: Joshua Williams, Assistant Professor, Parsons School of Design Executive Producer:Fashion Consort Follow the podcast on Instagram: @RetailRevolutionPodcast

In this episode Ola and I discuss homelessness and she discusses her experience with Accumulate. Accumulate is a youth homelessness charity that aims to encourage youth through creativity. Ola also discusses how she got a scholarship to Ravensbourne University through Accumulate.For more information on Accumulate check them out on their website:https://accumulate.org.uk/Follow them on Instagram @accumulate_ldn!https://www.instagram.com/Accumulate_Ldn/For more information on my podcast follow me on Instagram @kayfashquotes!http://www.instagram.com/kayfashquotes 

Ever wandered what the creative process is behind the films, tv shows and theatre productions you watch? Well, Crew Chats is a podcast going behind the scenes and chatting to the crew that help make these productions. Tunji Akinsehinwa wasn’t sure what he wanted to do as a youngster but one day stumbled across the French film, ‘Day for Night’ which captivated him and he knew he wanted to work in the world of filmmaking. Initially wanting to be a director, Tunji went onto study for a degree in Stills Photography and Film from the University of Westminster. Whilst studying, he found the role of cinematographer to be more interesting and decided to pursue this. He went onto get a postgraduate diploma and an MA in Film Production (cinematography) from the Northern Film School. Upon graduating, Tunji was asked by a friend from University to help set up a production company in Togo on her behalf, and later with his translator went onto film a number of documentaries in the Benin Republic and Togo. Subsequently Tunji, moved to Nigeria and began working across Africa, including, Ghana, Uganda and Benin amongst others, working on a variety of different projects from documentaries, fashion films, and feature films, including ‘Ojuju’ which was recently voted one of the best 20 Zombie films by Indiewire, coming in at number 11. In 2015, Tunji moved back to the UK and has since been teaching at The Northern Film School and Ravensbourne University part-time whilst working as a cinematographer. Tunji has worked on productions such as, ‘What Lies Within’, ‘O-Town’, ‘Deer, Woman, Child’ and ‘My Own People’ to name a few. Tunji's Recommendations: -One Child Nation -Bordertown -Delhi Crime

Ever wandered what the creative process is behind the films, tv shows and theatre productions you watch? Well, Crew Chats is a podcast going behind the scenes and chatting to the crew that help make these productions. Kate Morath had from a young age had an aptitude for music but didn’t wish to pursue a career as a musician. She had always enjoyed the electronic aspects of physics and so after seeing an article about ‘sound mixing’ she applied to do some work experience and worked in a music studio in Leeds in her spare time. Subsequently Kate studied Television Operations, specialising in Sound at Ravensbourne University. Upon graduating, Kate joined the BBC Manchester audio unit, she had the opportunity to work in all aspects of audio but she especially loved working in both Drama and Music and later chose to specialise in the Drama department. After 8 years at the BBC, Kate became freelance and has subsequently worked on numerous TV and film productions such as, ‘Florence Foster Jenkins’, ‘Avengers: Age of Ultron’, Star Wars: The Last Jedi’ ‘Prince of Persia’, ‘Philomena’ and ‘Victoria and Abdul’ to name a few. Kate's Recommendations: - The Castle -The Insider -The Pirates! In an Adventure with Scientists

This interview is split into two parts – the first is geared towards creative entrepreneurs – with part 2 focusing on how businesses can harness video marketing.In part two of this interview, Dennis takes us through his Find Your Story program and his Audience Magnet online platform to help businesses connect with their audiences.There are tips on talking to camera, how video personalisation is a powerful tool, why every business should be using video right now and how to tell the story of a vegan sausage factory with video.Dennis Morrison is a serial entrepreneur, business storyteller and founder of Audience Magnet, which helps businesses and professionals to communicate authentically and effectively.When he’s not lecturing in post production at The London Film Academy, Central film School or Ravensbourne University, he’s helping business owners and digital creators find their own unique voice through his 'Find Your Story' program.Dennis has worked in the Film & TV industry for over 30 years, and has created branded content for companies like Diesel, L'Oréal and Red Bull. He’s consulted on numerous video projects for various companies, helping them develop their video strategies and build their audience. He is a business mentor and marketing story strategist.Dennnis says, 'The truth is that storytelling can be learned like any other skill or technique. But you need an experienced guide to break down the structures of communications and storytelling, into a step-by-step system that you can start using immediately in your business. Whether you’re a complete beginner or a seasoned marketing pro.'You'll discover:How to promote a sausage factory with video Smart phone filming tipsWhy people are buying into people Why you should document your strugglesWhy every business would be using video Why it’s not about you it’s about themWhy you should just press record Why there’s magic in looking into the lens of a cameraTips for filming yourself Why personalisation of video is big for brands Why he is targeting women in the USAWhy small business owners should do their own marketingHow to find your own brand storyWhy he is driven by freedom of choiceHow Imposter syndrome holds creatives back

This interview is split into two parts – the first is geared towards creative entrepreneurs – with part 2 focusing on how businesses can harness video marketing.Dennis Morrison is a serial entrepreneur, business storyteller and founder of Audience Magnet, which helps businesses and professionals to communicate authentically and effectively.When he’s not lecturing in post production at The London Film Academy, Central film School or Ravensbourne University, he’s helping business owners and digital creators find their own unique voice through his 'Find Your Story' program.Dennis has worked in the Film & TV industry for over 30 years, and has created branded content for companies like Diesel, L'Oréal and Red Bull. He’s consulted on numerous video projects for various companies, helping them develop their video strategies and build their audience. He is a business mentor and marketing story strategist.Dennnis says, 'The truth is that storytelling can be learned like any other skill or technique. But you need an experienced guide to break down the structures of communications and storytelling, into a step-by-step system that you can start using immediately in your business. Whether you’re a complete beginner or a seasoned marketing pro.'In part one of this interview, Dennis talks honestly about the options for film students post-uni, how Dennis learned the hard way what it takes to make it as a creative entrepreneur and how to develop a business mindset when it comes to money.You'll discover:How Dennis learned the hard lessons of being an entrepreneurHow being an extra on a film set changed everythingWhy it’s not about the tech - it’s about understanding critical thinkingWhy your pricing structure is hugely importantHow he learned to edit on a SteenbeckHow to get started as a creative entrepreneurWhy you make the decision to become entrepreneurialWhy creatives can struggle when they leave universityWhat happens when the job market is saturated for creativesWhy there's a lack of diversity of thoughtWhy it’s not about the gear to get the gigHow to get results by following a framework

We first came across Steve Lidbury, Executive Principal at Eight Inc. on stage at FashionTech Berlin in 2018 where he shared ‘How luxury brands can remain relevant in a millennial world’ (available on YouTube), and for us, this was one of the standout sessions of the event. Since then, Steve joined us for our London Tech Week panel ‘Why human connection should be at the heart of all technology’ and we’ve had many interesting discussions over the last couple of years. Eight Inc. are often referred to as Apples best-kept secret due to the fact they are responsible for the renowned Apple Store design. A multi-discipline experience design studio, with 200+ strategic designers and business creatives connected across 11 studios, 6 time zones and 3 continents, Eight.Inc design holistic, human-centric experiences for world-renowned brands including Tesla, Estee Lauder, Coach, Virgin and Nike. Before joining Eight Inc. Steve, a Ravensbourne University architecture graduate, co-founded Postnormal, collective of like-minded international designers that established a creative presence through a series of both collaborative and individual interior, installation and exhibition projects in Tokyo. He went on to create, Steve Lidbury Design Studio and completed projects in Japan and China that earned him the recognition as a flagship for British design in Japan. Returning to the UK, Steve took up the role as European Creative Director of the Luxury Automotive Group at Imagination, creating multichannel brand experiences for the likes of Jaguar, Land Rover, Aston Martin and Rolls-Royce Motor Cars. Steve’s approach to life and work, is to make most of life by exploring the world, it’s different cultures and people which intern drives him to use design as a tool for creating better human outcomes and conditions for the greater good. Just before lockdown, we sat down with Steve to record a podcast. Since then we’ve checked back to see if Covid-19 has shifted his thoughts around Monochannel, but he assured us that it’s even more important than ever to create a consistent and connected brand experience. An experience that is driven by emotions, sensations, and desires. In our podcast, we discuss what the future of brand and customer interaction could feel like, and how adopting a Monochannel strategy will change the way we do business. Some brands, particularly small businesses, they may not feel the need to create a strategy to ensure customer records and interactions are unified. However, regardless of business size or ambition to grow, we all have to make sure we understand who our customers are and what they each want. A relationship is a two-way thing, and if there’s an imbalance of that relationship the customer will move onto another brand who treats them well. It’s time to make sure that doesn’t happen because from a brands perspective it costs a lot more to acquire a new customer than it does to keep an existing one happy! www.blackneondigital.com

We first came across Steve Lidbury, Executive Principal at Eight Inc. on stage at FashionTech Berlin in 2018 where he shared ‘How luxury brands can remain relevant in a millennial world’ (available on YouTube), and for us, this was one of the standout sessions of the event. Since then, Steve joined us for our London Tech Week panel ‘Why human connection should be at the heart of all technology’ and we’ve had many interesting discussions over the last couple of years. Eight Inc. are often referred to as Apples best-kept secret due to the fact they are responsible for the renowned Apple Store design. A multi-discipline experience design studio, with 200+ strategic designers and business creatives connected across 11 studios, 6 time zones and 3 continents, Eight.Inc design holistic, human-centric experiences for world-renowned brands including Tesla, Estee Lauder, Coach, Virgin and Nike. Before joining Eight Inc. Steve, a Ravensbourne University architecture graduate, co-founded Postnormal, collective of like-minded international designers that established a creative presence through a series of both collaborative and individual interior, installation and exhibition projects in Tokyo. He went on to create, Steve Lidbury Design Studio and completed projects in Japan and China that earned him the recognition as a flagship for British design in Japan. Returning to the UK, Steve took up the role as European Creative Director of the Luxury Automotive Group at Imagination, creating multichannel brand experiences for the likes of Jaguar, Land Rover, Aston Martin and Rolls-Royce Motor Cars. Steve’s approach to life and work, is to make most of life by exploring the world, it’s different cultures and people which intern drives him to use design as a tool for creating better human outcomes and conditions for the greater good. Just before lockdown, we sat down with Steve to record a podcast. Since then we’ve checked back to see if Covid-19 has shifted his thoughts around Monochannel, but he assured us that it’s even more important than ever to create a consistent and connected brand experience. An experience that is driven by emotions, sensations, and desires. In our podcast, we discuss what the future of brand and customer interaction could feel like, and how adopting a Monochannel strategy will change the way we do business. Some brands, particularly small businesses, they may not feel the need to create a strategy to ensure customer records and interactions are unified. However, regardless of business size or ambition to grow, we all have to make sure we understand who our customers are and what they each want. A relationship is a two-way thing, and if there’s an imbalance of that relationship the customer will move onto another brand who treats them well. It’s time to make sure that doesn’t happen because from a brands perspective it costs a lot more to acquire a new customer than it does to keep an existing one happy! www.blackneondigital.com

Carl H Smith is a Cyberdelics Researcher, Director of the Learning Technology Research Centre (LTRC) and Principal Research Fellow at Ravensbourne University. In this conversation we explore:Technologies for achieving altered states; Carl’s work on cyberdelics, using technology to design and access these states; the overlap of Carl’s work on context engineering and Daniel’s on ontological design; the loss of common ground in informational society, and the dangers of ontological design technology; distinctions between posthumanism and transhumanism; the concepts of tulpas and egregores as units of thought exchange and exploration; stories of Carl’s exploration into his consciousness; perspectives of reality and mind that transcend the subject object divide; shamanic experiences of becoming other objects; the democratization of transformational experiences; practices for grounding, and the place of magic, rituals, communities and structure within consciousness exploration. Find Carl here:https://www.cyberdelicsociety.com/

Carl H Smith is a Cyberdelics Researcher, Director of the Learning Technology Research Centre (LTRC) and Principal Research Fellow at Ravensbourne University. In this conversation we explore: Technologies for achieving altered states; Carl’s work on cyberdelics, using technology to design and access these states; the overlap of Carl’s work on context engineering and Daniel’s on ontological design; the loss of common ground in informational society, and the dangers of ontological design technology; distinctions between posthumanism and transhumanism; the concepts of tulpas and egregores as units of thought exchange and exploration; stories of Carl’s exploration into his consciousness; perspectives of reality and mind that transcend the subject object divide; shamanic experiences of becoming other objects; the democratization of transformational experiences; practices for grounding, and the place of magic, rituals, communities and structure within consciousness exploration. Support Technosocial at: https://www.patreon.com/technosocial Find Carl here: https://www.cyberdelicsociety.com/

Revision Path is back across the pond this week for a rousing conversation with creative director Carolyne Hill. She is the founder of ChillCreate, a lifestyle brand that celebrates creative living and the choice to create happiness where you can.Carolyne shared her inspiration behind starting the brand, which grew out of her love for Brixton and the Afro-Caribbean culture there. Carolyne also spoke about her time here in the United States, gave her thoughts on diversity in the UK creative community, and talked about her current work as a graphic design lecturer at Ravensbourne University! Carolyne’s creativity shines in everything she does, and I think you’ll agree after listening to this interview!LinksCarolyne Hill’s WebsiteChillCreateChillCreate on InstagramChillCreate on TwitterRECOGNIZE is a design anthology featuring essays and commentary from indigenous people and people of color — the next generation of emerging design voices. The theme for Volume 2 is "fresh", and the deadline for submissions this year is April 30. Details are at recognize.design.Like this episode? Then subscribe to us on Apple Podcasts, Google Podcasts, SoundCloud, Spotify, or wherever you find your favorite shows.Subscribe and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us!Revision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA. Looking for some creative consulting for your next project? Then let's do lunch!You can also follow Revision Path on Instagram and Twitter. Come chat with us! And thank you for listening!

Lucid dreaming, Hypnagogia, Astral Travel, Sleep Temples, Dream diary... all terms related to sleep and dream which play an important role in the World of the Western Esoteric Tradition. And our guest in today's interview, Sarah Janes, knows all about them.   Sarah Janes is an independent researcher exploring ancient ideas about dreaming, sleep medicine and dream incubation. An enthusiastic lucid dreamer since childhood, Sarah hosts regular workshops, gives talks on the subject and is also creating a dream initiation inspired VR experience with Carl H. Smith and others of Ravensbourne University, London. Sarah believes dreaming to be a forgotten superpower of remembrance and healing and her muse is the goddess Mnemosyne, Greek Titaness and personification of memory, often the last deity to be invoked during dream healing rituals in the sleep temples of ancient Greece. Enjoy a fascinating talk with Sarah!   Sarah Janes' Official Website ​ Music played in this episode 1) APOPHIS - by Mageia Mageia is a young musician from Salzburg, Austria. She is about to release her first album, and "Apophis" is a single release from that album, which came out on March 3rd. The song is telling a story of the eternal cycle of light and darkness, of life and death - even of all things that are in extreme opposition to each other. Sometimes you fight to rise again from darkness, and sometimes you triumph before you fall again. Inspired by ancient mystical stories and metaphors, this song gives the listener the opportunity to interpret himself. Find her music here 2) DREAM SIMULATION, by Ave Air from the Album "Sameness of Phosphorus and Hesperus" 3) ASCLEPIUS - by Paranoia Department from the Album "Metaphysical Hinterland N°1"     Intro and Outro Music especially written and recorded for the Thoth-Hermes Podcast by Chris Roberts

Since forming the seminal hip-hop group London Posse in 1987, Rodney P has been widely regarded as the Godfather of British hip-hop, and has collaborated with a diverse range of artists including Omar, Roni Size, Nitin Sawhney and Björk. More recently Rodney has authored a number of documentaries exploring both British and global music culture, including The Hip Hop World News, The Last Pirates – Britain’s Rebel DJs and Bass, Beats and Bars - The Story of Grime, offering an alternative historical perspective to recent music phenomena. Rodney, along with Creative Director Jaimie D'Cruz (Acme Films), talks to Lawrence Lartey (Creative Director of the CreativeLab at Ravensbourne University) about his musical and documentary career and future plans.

Victor Stephanopoli is a citizen of the world having lived in a number of countries over the years. The son of French and German parents he has lived in Cape Town since 2014. He joined MzansiSat in 2016 and is currently COO of the company. He is fluent in several languages and has a degree in film and video production from Ravensbourne University in London. He has interested in issues around the delivery of public health, and education. MzansiSat is a satellite broadband company that is on a mission to provide stable and affordable satellite broadband to southern Africa. It is a bold vision and we talk about some of the technical aspects of this vision as well as the potential to impact people’s lives in a number of ways. Victor also chats about the ease of doing business in South Africa, the importance of investing in one’s colleagues and how satellite broadband can impact education across the region. Find out more about MzansiSat here (https://www.mzansisat.co.za/home/#) .

Catherine Teatum and Rob Jones graduated from Ravensbourne University and Central St Martins respectively. They met in Italy whilst working for British fashion brand, John Richmond, and since founding Teatum Jones in 2009 have been recognised worldwide for their emotionally connected approach to fashion. An approach that respects people and their ‘Human Stories’ demonstrating our uniqueness and similarities through a poetic design narrative. They use their platform to create dialogue and support campaigns such as ’16 Days Of Activism’, a United Nations Women International campaign to end violence against women and girls. Teatum Jones believe in the power of fashion to present a pro-social message of inclusivity and positive identity. They believe in creating socially conscious fashion that puts the craftspeople and the customer at the heart of their creations. In this podcast Catherine Teatum and Black Neon Digital’s founder, Jodi Muter-Hamilton discuss: Fashion education and creative freedom The importance of approaching research from a place of true connection and how that has resulted in Teatum Jones becoming British Library Designer in Residence and British Fashion Council Positive Fashion Representatives How ‘Human Stories’ have led to the Global Womanhood Part Part One & Part Two and creative homage to Natasha Baker, GB Paralympic dressage eleven-time gold medalist What it means to be Woolmark Prize Winners and to be recognised as textile innovators pushing the boundaries of traditional practices The joy of working with companies such as John Smedley Using your voice and platform to a create positive impact and how recent motherhood has made issues such as sustainability even more imminent www.teatumjones.comwww.blackneondigital.com  

Catherine Teatum and Rob Jones graduated from Ravensbourne University and Central St Martins respectively. They met in Italy whilst working for British fashion brand, John Richmond, and since founding Teatum Jones in 2009 have been recognised worldwide for their emotionally connected approach to fashion. An approach that respects people and their ‘Human Stories’ demonstrating our uniqueness and similarities through a poetic design narrative. They use their platform to create dialogue and support campaigns such as ’16 Days Of Activism’, a United Nations Women International campaign to end violence against women and girls. Teatum Jones believe in the power of fashion to present a pro-social message of inclusivity and positive identity. They believe in creating socially conscious fashion that puts the craftspeople and the customer at the heart of their creations. In this podcast Catherine Teatum and Black Neon Digital’s founder, Jodi Muter-Hamilton discuss: Fashion education and creative freedom The importance of approaching research from a place of true connection and how that has resulted in Teatum Jones becoming British Library Designer in Residence and British Fashion Council Positive Fashion Representatives How ‘Human Stories’ have led to the Global Womanhood Part Part One & Part Two and creative homage to Natasha Baker, GB Paralympic dressage eleven-time gold medalist What it means to be Woolmark Prize Winners and to be recognised as textile innovators pushing the boundaries of traditional practices The joy of working with companies such as John Smedley Using your voice and platform to a create positive impact and how recent motherhood has made issues such as sustainability even more imminent www.teatumjones.comwww.blackneondigital.com  

For this episode of the Immersive Audio Podcast, our team Oliver Kadel and Felix Thompson bring you the highlights from Immerse(d) event in London, bringing you interviews with some of the main speakers and other guests from the day. Having already held events in Los Angeles and Montreal, Subpac’s event series headed to Ravensbourne University in South East London last weekend. These meetings have brought together artists, scientists, practitioners and technologists, to explore how deep immersive sound and music are changing society. There were several panels throughout the day, which looked at the deep cultural roots of bass in British Afro-Caribbean culture, and concepts such as how sound can be used to improve health and mindfulness. There were several installations too. Guests were able to try out immersive experiences such as “Internal Garden”. By putting on a SUBPAC and headphones, users were able to hear and feel signals from plants. For more information follow: https://1618digital.com/immersive-audio-podcast-episode-20-immersed-london-2019/ Subscribe: 1618digital.com/#contact

In this session I talk with Helen Leigh. Helen is an author, education writer, and maker with a focus on creative use of new technologies. She has written playful technology education materials for National Geographic and Intel Education, and has developed a Design, Coding, and Electronics Course for the Royal Court of Oman. Alongside her writing, Helen makes creative technology products with a focus on education, including her latest collaboration with Imogen Heap, MI.MU, and Pimoroni, a gesture-controlled musical instrument glove that you can sew, wire, code, and play. To see some of the things Helen has made and find out more about some of the projects she has worked on, visit her Twitter, @helenleigh. Helen lectures on electronics, physical computing, and music technology at Ravensbourne University and Tileyard Studios in London. She was previously director of the education platform Mission:Explore, with whom she published six acclaimed children’s books. Helen lives in Berlin but is often found in London. You can say hello, ask questions, or show off your DIY electronics on Twitter (@helenleigh), on YouTube (HelenLeigh), or on Instagram (@helenleigh_makes).

You don't have to be a big media company to build your own OTT video workflow. Learn how Ravensbourne University created a live-streaming workflow using solutions from AWS Elemental to reach hundreds of schools with educational events featuring the Royal Shakespeare Company. Within months, students and staff from Ravensbourne were able to build, test, and successfully broadcast high-quality video streams to thousands of students.