Podcast appearances and mentions of Rick Overton

“There're piles of skulls, which of course I appreciate” - Steve on the set design On this week's episode, Totally Cool Awesome 80s Month and the Summer Blockbuster Extravaganza pay tribute to the late, great Val Kilmer with a convo about the super-fun Ron Howard fantasy flick, Willow! How amazing are Warwick and Val together on screen? Isn't it refreshing that Davis was just allowed to put a shirt on and be this character, without getting covered in prosthetics or whatever else? Wouldn't things have been just fine in this movie without the Brownies flying around? And how amazing is that two-headed Siskel & Ebert monster? PLUS: Queen Bavmorda accidentally touches The Ooze and becomes Super Bavmorda (and is also played by Kevin Nash)! Willow stars Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Mark Northover, Pat Roach, David Sternberg, Phil Fondacaro, Tony Cox, Kevin Pollak, Rick Overton, and Gavan O'Herlihy as Airk; directed by Ron Howard. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Want to connect with Tj & Plaideau? Send us a text message.Rick Overton joins us for a captivating exploration of improv comedy, offering a fresh perspective on the spontaneity and creativity that fuel not just comedy, but all performing arts. Imagine a comedy world where a tech support call spirals into a masterclass of wit and timing—Rick shows us how embracing the unexpected can lead to comedic gold. With a nod to the past, he challenges the idea of originality by encouraging performers to balance influences with their own unique voices, proving that even the most spontaneous acts are rooted in a blend of preparation and improvisation.Support the showFollow us on IG @nolafilmscene, @kodaksbykojack, and @tjsebastianofficial. Check out our 48 Hour Film Project short film Waiting for Gateaux: https://www.youtube.com/watch?v=z5pFvn4cd1U . & check out our website: nolafilmscene.com

Here we go with another episode of The Big "SAD" Broadcast. (according to Trump). Our Guest this week is Rick Overton!! APPLAUSE! Rick or "Richard", is a screenwriter, actor and comedian. His writing credits include Dennis Miller Live, and his acting credits include Willow, The Rocketeer, Eight Legged Freaks and Northfork. And that's just what we found on the internet. Rick is smart, funny and a good friend of the show. So Listen as we welcome back Richard "Ricky" Rick, Boom Boom Overton, American.

  Raised in New Jersey and New York, Rick Overton comes from a musical family. His father, Hal Overton, was Thelonious Monk's big band arranger as well as a music teacher at the Juilliard Institute. His mother, Nancy Overton aka Anne Swain Overton, sang in personal appearances as a member of The Chordettes, the girl group most famous for their singles “Lollipop” and “Mr. Sandman”. Rick has dabbled in the music industry himself as he plays the harmonica occasionally with local blues bands. Rick began his stand-up career while in high school as one half of the comedy team “Overton & Sullivan” but eventually went solo as he broke in at the New York Improvisation in the early 1970s. As a 40 year comedy vet, Rick Overton has starred in numerous HBO and Showtime specials and has had countless TV stand up appearances. He played The Drake on “Seinfeld” and Pam's Dad on “The Office.” He currently recurs on Adult Swim's “Children Hospital,” ABC's “Last Man Standing,” TNT's “Leverage” and recently guest starred on “The League,” “The Middle,” “The Kroll Show,” and “Newsreaders.” Rick has also guested on classic TV series like “Lost,” “E.R.,” “Mad About You” and “Married With Children.” On the big screen, he has worked with A-list directors like Ron Howard, Chris Columbus, Harold Ramis, Jay Roach, and Steven Soderberg, with roles in films like “Bad Teacher,” “The Informant,” “Dinner for Schmucks,” “Cloverfield,” “Groundhog Day,” “Mrs. Doubtfire,” and “Willow.” He also has an Emmy Award for writing on HBO's “Dennis Miller Live.” Rick is currently a semi-regular contributor to the Huffington Post and hosts a popular podcast called “Overview” that is available on iTunes.

STEWART WADE From a young age, Stewart Wade knew he wanted to tell stories. He performed skits in the backyard for his captive parents and friends, and attempted his first novel at age ten.  A bit later, Stewart tried his hand at poetry, short stories, and playwriting, ultimately getting a Master's degree in Theater, Film and Television from UCLA.    After a few years in the Hollywood trenches, Stewart wrote and directed his first feature film, Coffee Date, starring Wilson Cruz, Jonathan Silverman,  Sally Kirkland, Elaine Hendrix, Jason Stuart, and Debbie Gibson. The movie garnered numerous awards and received a limited theatrical release, ultimately playing in rotation for a year on MTV's LOGO channel. His next movie, Tru Loved, starred Najarra Townsend and Jake Abel, and featured Jasmine Guy, Alexandra Paul, Alec Mapa, Cynda Williams, Bruce Vilanch, Nichelle Nichols, Vernon Wells -- and Jane Lynch. It also won several awards before playing in rotation on Here!TV for many years.   Next up, Stewart directed and co-produced Such Good People, a screwball comedy written by David Michael Barrett and starring Michael Urie, Randy Harrison, and James Urbaniak, with supporting roles by Scott Wolf, Ana Ortiz, Lance Bass, Alec Mapa, Tom Lenk, Drew Droege, and Rick Overton.   At about this same time, Stewart created Coffee House Chronicles.  This web series is an ongoing passion, as each episode is self-contained and can be produced when time and money allow.Most recently, Stewart has written and directed his first drama, Say Yes, and now the sequel, Baby Steps. Both star Patrick Zeller and Matt Pascua, and are available on Amazon Prime.Contact: Stewartnla@aol.comWeb:  http://www.stewartwadefilms.wordpress.comPhoto: Copyright Wilkinson/2023Opening and closing music courtesy the very talented Zakhar Valaha via Pixabay.To contact Wilkinson- email him at BecomingWilkinson@gmail.com

Rick Overton walked into his audition for Beverly Hills Cop and director Martin Brest asked him about a prophylactic. Why? He's still not sure. Rick joins Matt to talk about doing martial arts with Eddie Murphy on set, preparing for his role of Bonded Warehouse Night Manager with mirror douche work, and getting to improvise in the film. Then, we hear of Rick's experience playing Franjean, a brownie who serves as comic relief in Willow's journey, why Million Dollar Mystery fell apart, and getting squibbed in Blind Fury.Come see us at the Now Hear This podcast festival: nowhearthisfest.com Hosted on Acast. See acast.com/privacy for more information.

Rick Overton walked into his audition for Beverly Hills Cop and director Martin Brest asked him about a prophylactic. Why? He's still not sure. Rick joins Matt to talk about doing martial arts with Eddie Murphy on set, preparing for his role of Bonded Warehouse Night Manager with mirror douche work, and getting to improvise in the film. Then, we hear of Rick's experience playing Franjean, a brownie who serves as comic relief in Willow's journey, why Million Dollar Mystery fell apart, and getting squibbed in Blind Fury.Come see us at the Now Hear This podcast festival: nowhearthisfest.com Hosted on Acast. See acast.com/privacy for more information.

John again broadcasts from Hollywood. His monologue this time focuses on Trump's birthday party whining and him predictably throwing Walt Nauta under the bus. Attorney Marie from Atlanta calls to weigh in. Next, political commentator and podcast host Bob Cesca returns to chat about Trump's indictment and his new Star Trek podcast with Mary Trump called "Trek Politics with Mary Trump and Bob Cesca". Then, comedians Rick Overton and actor Chris Pina return to discuss California Governor Gavin Newsom, Trump's arraignment, and other current news. They take calls from Brian in Oregon and Mike in Georgia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John broadcasts in Hollywood this week and he discusses the Trump arraignment at the federal courthouse in Miami appearing to plead not guilty to a 37-count indictment that alleges he willfully retained classified documents after he left office. Sean from California calls in. Then he interviews author Chris Reddy to talk about his new book “Science Communication in a Crisis: An Insider's Guide". Next, comedian Rick Overton and actor Chris Pina join in for a roundhouse discussion about AI in music, the Writer's Guild strike, and the Trump arraignment. They chat with Rich in Indiana and Lisa in Michigan. Then he welcomes back legal analyst Dr. Tracy Pearson to talk about Trump's bail agreement, the secret service agents guarding him, and Judge Aileen Cannon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Legendary comedian Rick Overton joins us to talk comedy. Rick's IMDB page is the size of a phone book; and includes Beverly Hills Cop, playing Matt Damon's boss in Steven Soderbergh's, The Informant! - and Showtime's: I'm Dying Up Here. We do a deep dive into Rick's comedy origin story - spanning back to his jazz musician father who played with Thelonious Monk. Like, subscribe and comment on Comedy History101 - where ever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week the Big Bad Broadcast has the incredible Rick Overton as their special guest. Rick joins in on the conversation as the Long Island Clown College goes full stream of consciousness and explores the mechanics of Comedy and Improv. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we finish our three part episode on the 1980s distribution company Vestron Pictures. ----more---- The movies discussed on this week's episode are: The Adventures of a Gnome Named Gnorm (1990, Stan Winston) Big Man on Campus (1989, Jeremy Paul Kagan) Dream a Little Dream (1989, Marc Rocco) Earth Girls Are Easy (1989, Julien Temple) Far From Home (1989, Meiert Avis) Paperhouse (1989, Bernard Rose) Parents (1989, Bob Balaban) The Rainbow (1989, Ken Russell) Wonderland (1989, Philip Saville)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was starting to experience the turbulence a number of independent distributors faced when they had a successful film too soon out of the gate, and the direction of the company seemingly changes to go chasing more waterfalls instead of sticking to the rivers and the lakes they were used to.   Welcome to Part Three of our miniseries.   As we enter 1989, Vestron is seriously in trouble. More money has gone out then has come back in. It seems that they needed one more hit to keep going for a while longer. But if you were to look at their release schedule for the year, which included a pickup from the recently bankrupt DeLaurentiis Entertainment Group, there wasn't really anything that felt like it could be a Dirty Dancing-like break out, except for maybe the pickup from the recently bankrupt DeLaurentiis Entertainment Group.    But we'll get there in a moment.   Their first film from 1989 is a certifiable cult film if there ever was one, but the problem with this label is that the film tagged as so was not a success upon its initial theatrical release. Bob Balaban, the beloved character actor who had been regularly seen on screen since his memorable debut in Midnight Cowboy twenty years earlier, would make his directorial debut with the black comedy horror film Parents.   Bryan Madorsky stars as Michael Laemle, a ten year old boy living in the California suburbs in the 1950s, who starts to suspect mom and dad, played by Mary Beth Hurt and Randy Quaid, might be cannibals. It's a strange but fun little movie, and even Ken Russell would compare it favorably over David Lynch's Blue Velvet during one contemporary interview, but sadly, it would take far more time for the film to find its audience than Vestron could afford.   Opening in 94 theatres on January 27th, the $3m Parents could not overcome a series of negative reviews from critics, and it would only gross $278k in its first three days. Vestron would not strike any additional prints of the film, and would cycle the ones they did have around the country for several months, but after four months, the film could only attract $870k in box office receipts. But it would become something of a cult hit on video later in the year.   In 1992, British filmmaker Bernard Rose would make his American directing debut with an all-time banger, Candyman. But he wouldn't gotten Candyman if it wasn't for his 1989 film Paperhouse, an inventive story about a young girl whose drawings seem to manifest into reality. British actor Ben Cross from Chariots of Fire and American actress Glenne Headly from Dirty Rotten Scoundrels plays the young girl's parents.   Outside of Gene Siskel, who would give the film a thumbs down on his movie review show with Roger Ebert despite acknowledging Rose's talent as a filmmaker and being fascinated by the first two-thirds of the movie, the critical consensus was extraordinary. But it appears Siskel may have never actually written a review of the film for the Chicago Tribune, as the film still has a 100% Fresh rating on Rotten Tomatoes. But the film would only earn $6,700 from its single screen playdate at the Carnegie Hall Cinemas when it opened on February 17th, and the film would get little support from Vestron after that. More single playdates in major cities that added up to a $241k box office tally after fourteen weeks in release.   Marc Rocco's Dream a Little Dream would be the third film in The Two Coreys Cinematic Universe. Corey Feldman plays a high school student who, through one of the strangest plot twists in the whole body switching genre, finds himself switching places with two time Academy Award-winner Jason Robards, playing a professor who is looking for immortality through entering a meditative alpha state. Meredith Salinger and Piper Laurie also find themselves switching bodies as well, while Corey Haim plays the goofball best friend with not a whole lot to do. The supporting cast also includes veteran character actors Harry Dean Stanton and Alex Rocco, the latter who agreed to do the film because it was directed by his son.   When the film opened on March 3rd, it would be Vestron's second widest release, opening on more than 1,000 theatres. But just like the previous year's License to Drive, the pairing of Corey Haim and Corey Feldman did not set the box office on fire, opening in fifth place with $2.57m in ticket sales, compared to the #1 film of the week, the Morgan Freeman drama Lean on Me, which would gross twice as much as Dream a Little Dream while playing in 125 fewer theatres. In its second week, the film would lose 56 theatres and 52% of its opening weekend audience, falling all the way to 13th place with a gross of only $1.25m. By week three, the movie would move to dollar houses, and trudge along for several more months, until it closed in the middle of summer with only $5.55m in the till.   In the late 1970s and early 1980s, writer/director Jeremy Paul Kagan had directed and occasionally written several big ticket movies, including the 1977 Henry Winkler drama Heroes, which also starred Sally Field and, in his first post-Star Wars movie, Harrison Ford, and the 1985 Meredith Salinger/John Cusack adventure film The Journey of Natty Gann. Which makes his Natty Gann follow up, Big Man on Campus, such a head scratcher.   A modern adaptation of The Hunchback of Notre Dame, Big Man on Campus was written by Allan Katz, who had been working in television for nearly twenty years writing for and producing shows like All in the Family, Sanford and Son, The Mary Tyler Moore Show and MASH. Katz would also star in the movie as the titular hunchback, even though he had never once acted on any of his shows. But at least he had a good cast supporting him, including Gerrit Graham, Melora Hardin, Jessica Harper, Tom Skerritt, and Cindy Williams.   I can only find one playdate for the film ever, in Los Angeles at the American Cinematheque in March 1989, so while this mostly qualifies as a direct to video release, I feel compelled to at least give it a token mention here.   Have you ever heard of a movie called The Fruit Machine? Of course you haven't, because that's a horrible name for a movie, no matter what it's about. When Vestron acquired this British drama about young gay men who go on the run after they witness a murder, the first thing they did was change the title to Wonderland. Not that Wonderland gives you any more of an idea of what the movie is about than The Fruit Machine. But, whatever.   Today, the movie has two things going for it. One, an early role for Robbie Coltrane, playing a transvestite who operates a nightclub for gay men and transvestites called, you guessed it, The Fruit Machine. Second, the musical score was written by Hans Zimmer, in one of his earliest film jobs. Ironically, Wonderland would be the the third movie scored by Hans Zimmer to be released by Vestron in a four month period, after Burning Secret and Paperhouse.   Wonderland would open at the Quad Cinemas in New York City on April 28th, to poor reviews but a decent $11,500 opening weekend. But the film would not be able to maintain much of an audience, and after five weeks, Wonderland was out of the Quad Cinemas, never to play another theatre in America, with just $50k in the till.   Ken Russell's third and final film in his contract with Vestron was The Rainbow, an adaptation of a 1915 novel by D.H. Lawrence, whose 1920 novel Women in Love had been adapted by Russell in 1969. Glenda Jackson, who had won the Academy Award for her role in Women in Love, here plays the mother of the character she played in the other film. Here, she co-stars with Sammi Davis as Ursala, the younger sister of Jackson's Women in Love character, who finds herself attracted to Anton, a young man in town, as well as her gym teacher Winifred.   As one would expect from Ken Russell, the supporting cast is top notch, including future Eighth Doctor Paul McGann, regular Russell collaborator Christopher Gable, and Blowup star David Hemmings. The film would open at the Paris Theatre in New York City on May 5th, where it would gross a very good $22k, spurred on by great reviews from most of the city's major critics, several of which noted the film to be Russell's best in a number of years. So it would be sad that the film would end up being the lowest grossing of the three films he'd make with Vestron, only earning a total of $444k after three months in mostly single playdates in major markets.   In 1985, Geena Davis and Jeff Goldblum would work together on a forgettable horror comedy film called Transylvania 6-5000, whose name was a pun on a popular 1940 song recorded by Glenn Miller. In 1986, the pair would work together again in David Cronenberg's amazing remake of the cheesy 1950s horror film The Fly. In late 1987, shortly after the pair married, they would work together for a third time, on another comedy, and on a movie that was this time based on an actual song.    Earth Girls Are Easy was the name of a song that appeared on comedian Julie Brown's 1984 EP Goddess in Progress, and was originally developed as a movie at Warner Brothers Studio. The studio would get cold feet when Absolute Beginners, the big British musical directed by music video director Julien Temple, failed big time everywhere in the world except for the UK. Temple was slated to direct Earth Girls Are Easy, and Brown, as the co-writer and co-star of the film, was committed to the filmmaker, even if it meant Warners putting the film into turnaround.   Which they did, in 1986.   It would take nearly a year to get the project back on track, after being rejected by every other major studio and production company in Hollywood, until the French banking giant Credit Lyonnais agree to finance the film, provided they could cut the budget from $14m to $10m, and if the filmmakers could make a distribution deal with the bank's preferred distributor, the then newly-formed DeLaurentiis Entertainment Group.   The film, about a manicurist in Los Angeles who helps three aliens blend into human culture after they accidentally crash land their spaceship into her pool, would begin production in Los Angeles in October 1987. Davis played the manicurist, and Goldblum one of the aliens, alongside Damon Wayans and Jim Carrey, while the remaining cast would include a number of great comedic actors like MASH's Larry Linville, Michael McKean, Rick Overton, and Charles Rocket, as well as Los Angeles media personality Angelyne as basically herself.   While the film was nearing completion in early 1988, the DeLaurentiis Entertainment Group would go out of business, leaving Credit Lyonnais in need of a new distributor for their investment. But after Temple turned in his first cut of the film, Credit Lyonnais would send Temple back into his editing bay, where he and his team would spend nearly another five months  winnowing out various scenes and completely excising a big and expensive musical number based on one of the other songs on Brown's 1984 EP, I Like ‘Em Big and Stupid, because it just didn't work for the film. Additional scenes would be shot, and the budget would end up being $11m.    The film would have its premiere at the Toronto Film Festival in September 1988, and attract attention from a number of distributors including MGM/UA, New World Pictures and Twentieth Century-Fox, but Vestron would end up putting in the winning bid.   The film would originally be set for a February 1989 release, but would get delayed until May 12th. When it finally opened on 317 screens in Boston, Chicago, Los Angeles, New York, Philly, San Francisco, Toronto and Washington DC, the film would gross $893k, putting in twelfth place for the weekend, but its per screen average would be the fourth best amongst the films in the top twenty. The film would fall one place in its second week,  losing 35% of its opening weekend audience, grossing $577k. The film would slowly hemorrhage theatres and box office until the plug was pulled in mid-July with only $3.9m in tickets sold.   The sole lasting legacy of the film is that Damon Wayans enjoyed working so much with Jim Carrey that when Damon's brother Kenan Ivory Wayans was putting together a new comedy television show together thanks to the success of his movie I'm Gonna Get You Sucka, Damon would get his brother to give Carrey a chance. In Living Color would make Carrey and the Wayans Brothers stars, and would change the course of comedy. So there's that…   In late June, the Lightning Pictures imprint would release their first movie in nearly two years, Far From Home. The film starred the then-fourteen year old Drew Barrymore as a young girl traveling cross country with her father, who get stuck in a small desert town in Nevada on their way to back to Los Angeles, who must deal with some very strange characters in the trailer park they're staying in, as they slowly discover nothing is as it's supposed to be. Matt Frewer, Max Headroom himself, plays the dad, who must protect his daughter while he figures out how to get the hell out of town alive.   Truth be told, the movie sucks, and it's really creepy in how it sexualizes Barrymore, but there's one hell of a great supporting cast doing their best to keep the joint from totally stinking the place up. Richard Masur, Academy Award nominee Susan Tyrell, Anthony Rapp from Adventures in Babysitting, Jennifer Tilly, and beloved character actor Dick Miller. When Vestron opened the film in four theatres in third-tier regions on June 30th, it was little surprise the film got some very bad notices, although one unnamed reviewer for Variety felt the need to note that Barrymore, who again was only fourteen at the time, had “a baby face, dreamy eyes and a playboy model's body.” The film would gross just $3,763 in its first and only weekend in theatres.   But that wasn't even the worst news of the week for Vestron.   On the same day as they opened Far From Home, Vestron had been informed by Security Pacific Bank in Los Angeles that the $100 million line of credit the company had with them was being terminated. 140 of the approximately 300 Vestron staff members, mostly from the Los Angeles office, were let go, including the President of Production, the Senior Vice President of Marketing and Distribution, and the Vice President of Publicity and Promotion. While Vestron Video would continue for a while, in large part thanks to a $15.7m payoff during a dispute over home video ownership rights to the 1986 Best Picture winner Platoon, the theatrical distribution unit was effectively dead. Some movies, including the Fred Savage/Howie Mandel comedy Little Monsters, the Harry Dean Stanton-led comedy Twister, and the Kathryn Bigelow-directed action thriller Blue Steel with Jamie Lee Curtis, would be sold off to other companies, but the titles left behind would see their planned theatrical releases cancelled and eventually be released direct to video.   Thanks to some of the legacy titles in their video catalog, including Dirty Dancing, Vestron would be able to stave off the inevitable, but in January 1991, the company would file for bankruptcy, their final film being the Stan Winston-directed fantasy buddy comedy The Adventures of a Gnome named Gnorm. Filmed in 1988 as Upward, the film featured Anthony Michael Hall as an Los Angeles Police Detective who has to team up with a gnome, a puppet created by Winston, the effects wizard who also directed the film, to solve a murder. For Winston, it was deja vu all over again, as his previous directorial effort, Pumpkinhead, found itself in limbo for a while when its distributor, the DeLaurentiis Entertainment Group, filed for bankruptcy in 1987 before they could release that film.   In bankruptcy court, Live Entertainment, partially owned by 1990s mega movie production company Carolco Pictures, would purchase all of Vestron's assets for $24m. Live used the assets as collateral to secure a line of credit from industry friendly banks, so they could start their own production and distribution company, of which their only moment of note was helping to finance Reservoir Dogs when no one else would.   Eventually, Live Entertainment would be sold off to Bain Capital, a private investment firm co-founded by Mitt Romney, in 1997, and they would rebrand Live as Artisan Entertainment. Artisan today is best known as the little independent distributor of The Blair Witch Project, but they also would enter into an agreement with Marvel Comics to make movies for 15 of their characters, including Ant-Man, Black Panther, Deadpool, Iron Fist, Longshot, Morbius, Mort the Dead Teenager, and the Power Pack.   Artisan would produce two movies based on Marvel characters, Man-Thing and The Punisher, although neither of those films would be released by Artisan. Artisan would declare bankruptcy in 2003, and Marvel would be one of the companies to place a bid for them. Lionsgate would end up becoming the winning bidder for Artisan's assets, which is how the vast majority of Vestron titles are now owned by a company that didn't even exist when Vestron closed shop.   Today, Lionsgate is the owner of the assets of a number of the companies we've spoken about on this podcast in the past, and will be talking about in the future, including Crown International, the DeLaurentiis Entertainment Group, Embassy Pictures, and New World Pictures. And it's also a major reason why so many of the movies we discuss in these episodes looking back at past companies are completely unknown today. As big as Lionsgate is, with nearly $3.6 billion in revenue in 2022, they aren't going to be able to keep up with the chain of ownership for every movies from every company they've purchased, and they're not going to put the money in to the movies that are barely remembered today. The Film Foundation, the non-profit organization co-founded by Woody Allen, Francis Ford Coppola, Martin Scorsese and Steven Spielberg, which is dedicated to film preservation, estimates the average cost to do a photochemical restoration of a color feature with sound to between $80,000 to $450,000 dollars, not including the cost of a 2k or 4k digital scan. I'm going to have a link in the show notes on our website at The80sMoviePodcast.com to a November 2018 article from the Science History Institute about the process of restoring films. It's not a long read, but it's a fascinating read. I hope you'll check it out.   So there you have it, the end of the line for Vestron Pictures, and many of the movies they helped to make and distribute, most of which you cannot find today in any form.   Thank you for listening.   We'll talk again next week when Episode 105, on the 1985 teen comedy O.C. and Stiggs, directed by Robert Altman, will be discussed.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week, we finish our three part episode on the 1980s distribution company Vestron Pictures. ----more---- The movies discussed on this week's episode are: The Adventures of a Gnome Named Gnorm (1990, Stan Winston) Big Man on Campus (1989, Jeremy Paul Kagan) Dream a Little Dream (1989, Marc Rocco) Earth Girls Are Easy (1989, Julien Temple) Far From Home (1989, Meiert Avis) Paperhouse (1989, Bernard Rose) Parents (1989, Bob Balaban) The Rainbow (1989, Ken Russell) Wonderland (1989, Philip Saville)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was starting to experience the turbulence a number of independent distributors faced when they had a successful film too soon out of the gate, and the direction of the company seemingly changes to go chasing more waterfalls instead of sticking to the rivers and the lakes they were used to.   Welcome to Part Three of our miniseries.   As we enter 1989, Vestron is seriously in trouble. More money has gone out then has come back in. It seems that they needed one more hit to keep going for a while longer. But if you were to look at their release schedule for the year, which included a pickup from the recently bankrupt DeLaurentiis Entertainment Group, there wasn't really anything that felt like it could be a Dirty Dancing-like break out, except for maybe the pickup from the recently bankrupt DeLaurentiis Entertainment Group.    But we'll get there in a moment.   Their first film from 1989 is a certifiable cult film if there ever was one, but the problem with this label is that the film tagged as so was not a success upon its initial theatrical release. Bob Balaban, the beloved character actor who had been regularly seen on screen since his memorable debut in Midnight Cowboy twenty years earlier, would make his directorial debut with the black comedy horror film Parents.   Bryan Madorsky stars as Michael Laemle, a ten year old boy living in the California suburbs in the 1950s, who starts to suspect mom and dad, played by Mary Beth Hurt and Randy Quaid, might be cannibals. It's a strange but fun little movie, and even Ken Russell would compare it favorably over David Lynch's Blue Velvet during one contemporary interview, but sadly, it would take far more time for the film to find its audience than Vestron could afford.   Opening in 94 theatres on January 27th, the $3m Parents could not overcome a series of negative reviews from critics, and it would only gross $278k in its first three days. Vestron would not strike any additional prints of the film, and would cycle the ones they did have around the country for several months, but after four months, the film could only attract $870k in box office receipts. But it would become something of a cult hit on video later in the year.   In 1992, British filmmaker Bernard Rose would make his American directing debut with an all-time banger, Candyman. But he wouldn't gotten Candyman if it wasn't for his 1989 film Paperhouse, an inventive story about a young girl whose drawings seem to manifest into reality. British actor Ben Cross from Chariots of Fire and American actress Glenne Headly from Dirty Rotten Scoundrels plays the young girl's parents.   Outside of Gene Siskel, who would give the film a thumbs down on his movie review show with Roger Ebert despite acknowledging Rose's talent as a filmmaker and being fascinated by the first two-thirds of the movie, the critical consensus was extraordinary. But it appears Siskel may have never actually written a review of the film for the Chicago Tribune, as the film still has a 100% Fresh rating on Rotten Tomatoes. But the film would only earn $6,700 from its single screen playdate at the Carnegie Hall Cinemas when it opened on February 17th, and the film would get little support from Vestron after that. More single playdates in major cities that added up to a $241k box office tally after fourteen weeks in release.   Marc Rocco's Dream a Little Dream would be the third film in The Two Coreys Cinematic Universe. Corey Feldman plays a high school student who, through one of the strangest plot twists in the whole body switching genre, finds himself switching places with two time Academy Award-winner Jason Robards, playing a professor who is looking for immortality through entering a meditative alpha state. Meredith Salinger and Piper Laurie also find themselves switching bodies as well, while Corey Haim plays the goofball best friend with not a whole lot to do. The supporting cast also includes veteran character actors Harry Dean Stanton and Alex Rocco, the latter who agreed to do the film because it was directed by his son.   When the film opened on March 3rd, it would be Vestron's second widest release, opening on more than 1,000 theatres. But just like the previous year's License to Drive, the pairing of Corey Haim and Corey Feldman did not set the box office on fire, opening in fifth place with $2.57m in ticket sales, compared to the #1 film of the week, the Morgan Freeman drama Lean on Me, which would gross twice as much as Dream a Little Dream while playing in 125 fewer theatres. In its second week, the film would lose 56 theatres and 52% of its opening weekend audience, falling all the way to 13th place with a gross of only $1.25m. By week three, the movie would move to dollar houses, and trudge along for several more months, until it closed in the middle of summer with only $5.55m in the till.   In the late 1970s and early 1980s, writer/director Jeremy Paul Kagan had directed and occasionally written several big ticket movies, including the 1977 Henry Winkler drama Heroes, which also starred Sally Field and, in his first post-Star Wars movie, Harrison Ford, and the 1985 Meredith Salinger/John Cusack adventure film The Journey of Natty Gann. Which makes his Natty Gann follow up, Big Man on Campus, such a head scratcher.   A modern adaptation of The Hunchback of Notre Dame, Big Man on Campus was written by Allan Katz, who had been working in television for nearly twenty years writing for and producing shows like All in the Family, Sanford and Son, The Mary Tyler Moore Show and MASH. Katz would also star in the movie as the titular hunchback, even though he had never once acted on any of his shows. But at least he had a good cast supporting him, including Gerrit Graham, Melora Hardin, Jessica Harper, Tom Skerritt, and Cindy Williams.   I can only find one playdate for the film ever, in Los Angeles at the American Cinematheque in March 1989, so while this mostly qualifies as a direct to video release, I feel compelled to at least give it a token mention here.   Have you ever heard of a movie called The Fruit Machine? Of course you haven't, because that's a horrible name for a movie, no matter what it's about. When Vestron acquired this British drama about young gay men who go on the run after they witness a murder, the first thing they did was change the title to Wonderland. Not that Wonderland gives you any more of an idea of what the movie is about than The Fruit Machine. But, whatever.   Today, the movie has two things going for it. One, an early role for Robbie Coltrane, playing a transvestite who operates a nightclub for gay men and transvestites called, you guessed it, The Fruit Machine. Second, the musical score was written by Hans Zimmer, in one of his earliest film jobs. Ironically, Wonderland would be the the third movie scored by Hans Zimmer to be released by Vestron in a four month period, after Burning Secret and Paperhouse.   Wonderland would open at the Quad Cinemas in New York City on April 28th, to poor reviews but a decent $11,500 opening weekend. But the film would not be able to maintain much of an audience, and after five weeks, Wonderland was out of the Quad Cinemas, never to play another theatre in America, with just $50k in the till.   Ken Russell's third and final film in his contract with Vestron was The Rainbow, an adaptation of a 1915 novel by D.H. Lawrence, whose 1920 novel Women in Love had been adapted by Russell in 1969. Glenda Jackson, who had won the Academy Award for her role in Women in Love, here plays the mother of the character she played in the other film. Here, she co-stars with Sammi Davis as Ursala, the younger sister of Jackson's Women in Love character, who finds herself attracted to Anton, a young man in town, as well as her gym teacher Winifred.   As one would expect from Ken Russell, the supporting cast is top notch, including future Eighth Doctor Paul McGann, regular Russell collaborator Christopher Gable, and Blowup star David Hemmings. The film would open at the Paris Theatre in New York City on May 5th, where it would gross a very good $22k, spurred on by great reviews from most of the city's major critics, several of which noted the film to be Russell's best in a number of years. So it would be sad that the film would end up being the lowest grossing of the three films he'd make with Vestron, only earning a total of $444k after three months in mostly single playdates in major markets.   In 1985, Geena Davis and Jeff Goldblum would work together on a forgettable horror comedy film called Transylvania 6-5000, whose name was a pun on a popular 1940 song recorded by Glenn Miller. In 1986, the pair would work together again in David Cronenberg's amazing remake of the cheesy 1950s horror film The Fly. In late 1987, shortly after the pair married, they would work together for a third time, on another comedy, and on a movie that was this time based on an actual song.    Earth Girls Are Easy was the name of a song that appeared on comedian Julie Brown's 1984 EP Goddess in Progress, and was originally developed as a movie at Warner Brothers Studio. The studio would get cold feet when Absolute Beginners, the big British musical directed by music video director Julien Temple, failed big time everywhere in the world except for the UK. Temple was slated to direct Earth Girls Are Easy, and Brown, as the co-writer and co-star of the film, was committed to the filmmaker, even if it meant Warners putting the film into turnaround.   Which they did, in 1986.   It would take nearly a year to get the project back on track, after being rejected by every other major studio and production company in Hollywood, until the French banking giant Credit Lyonnais agree to finance the film, provided they could cut the budget from $14m to $10m, and if the filmmakers could make a distribution deal with the bank's preferred distributor, the then newly-formed DeLaurentiis Entertainment Group.   The film, about a manicurist in Los Angeles who helps three aliens blend into human culture after they accidentally crash land their spaceship into her pool, would begin production in Los Angeles in October 1987. Davis played the manicurist, and Goldblum one of the aliens, alongside Damon Wayans and Jim Carrey, while the remaining cast would include a number of great comedic actors like MASH's Larry Linville, Michael McKean, Rick Overton, and Charles Rocket, as well as Los Angeles media personality Angelyne as basically herself.   While the film was nearing completion in early 1988, the DeLaurentiis Entertainment Group would go out of business, leaving Credit Lyonnais in need of a new distributor for their investment. But after Temple turned in his first cut of the film, Credit Lyonnais would send Temple back into his editing bay, where he and his team would spend nearly another five months  winnowing out various scenes and completely excising a big and expensive musical number based on one of the other songs on Brown's 1984 EP, I Like ‘Em Big and Stupid, because it just didn't work for the film. Additional scenes would be shot, and the budget would end up being $11m.    The film would have its premiere at the Toronto Film Festival in September 1988, and attract attention from a number of distributors including MGM/UA, New World Pictures and Twentieth Century-Fox, but Vestron would end up putting in the winning bid.   The film would originally be set for a February 1989 release, but would get delayed until May 12th. When it finally opened on 317 screens in Boston, Chicago, Los Angeles, New York, Philly, San Francisco, Toronto and Washington DC, the film would gross $893k, putting in twelfth place for the weekend, but its per screen average would be the fourth best amongst the films in the top twenty. The film would fall one place in its second week,  losing 35% of its opening weekend audience, grossing $577k. The film would slowly hemorrhage theatres and box office until the plug was pulled in mid-July with only $3.9m in tickets sold.   The sole lasting legacy of the film is that Damon Wayans enjoyed working so much with Jim Carrey that when Damon's brother Kenan Ivory Wayans was putting together a new comedy television show together thanks to the success of his movie I'm Gonna Get You Sucka, Damon would get his brother to give Carrey a chance. In Living Color would make Carrey and the Wayans Brothers stars, and would change the course of comedy. So there's that…   In late June, the Lightning Pictures imprint would release their first movie in nearly two years, Far From Home. The film starred the then-fourteen year old Drew Barrymore as a young girl traveling cross country with her father, who get stuck in a small desert town in Nevada on their way to back to Los Angeles, who must deal with some very strange characters in the trailer park they're staying in, as they slowly discover nothing is as it's supposed to be. Matt Frewer, Max Headroom himself, plays the dad, who must protect his daughter while he figures out how to get the hell out of town alive.   Truth be told, the movie sucks, and it's really creepy in how it sexualizes Barrymore, but there's one hell of a great supporting cast doing their best to keep the joint from totally stinking the place up. Richard Masur, Academy Award nominee Susan Tyrell, Anthony Rapp from Adventures in Babysitting, Jennifer Tilly, and beloved character actor Dick Miller. When Vestron opened the film in four theatres in third-tier regions on June 30th, it was little surprise the film got some very bad notices, although one unnamed reviewer for Variety felt the need to note that Barrymore, who again was only fourteen at the time, had “a baby face, dreamy eyes and a playboy model's body.” The film would gross just $3,763 in its first and only weekend in theatres.   But that wasn't even the worst news of the week for Vestron.   On the same day as they opened Far From Home, Vestron had been informed by Security Pacific Bank in Los Angeles that the $100 million line of credit the company had with them was being terminated. 140 of the approximately 300 Vestron staff members, mostly from the Los Angeles office, were let go, including the President of Production, the Senior Vice President of Marketing and Distribution, and the Vice President of Publicity and Promotion. While Vestron Video would continue for a while, in large part thanks to a $15.7m payoff during a dispute over home video ownership rights to the 1986 Best Picture winner Platoon, the theatrical distribution unit was effectively dead. Some movies, including the Fred Savage/Howie Mandel comedy Little Monsters, the Harry Dean Stanton-led comedy Twister, and the Kathryn Bigelow-directed action thriller Blue Steel with Jamie Lee Curtis, would be sold off to other companies, but the titles left behind would see their planned theatrical releases cancelled and eventually be released direct to video.   Thanks to some of the legacy titles in their video catalog, including Dirty Dancing, Vestron would be able to stave off the inevitable, but in January 1991, the company would file for bankruptcy, their final film being the Stan Winston-directed fantasy buddy comedy The Adventures of a Gnome named Gnorm. Filmed in 1988 as Upward, the film featured Anthony Michael Hall as an Los Angeles Police Detective who has to team up with a gnome, a puppet created by Winston, the effects wizard who also directed the film, to solve a murder. For Winston, it was deja vu all over again, as his previous directorial effort, Pumpkinhead, found itself in limbo for a while when its distributor, the DeLaurentiis Entertainment Group, filed for bankruptcy in 1987 before they could release that film.   In bankruptcy court, Live Entertainment, partially owned by 1990s mega movie production company Carolco Pictures, would purchase all of Vestron's assets for $24m. Live used the assets as collateral to secure a line of credit from industry friendly banks, so they could start their own production and distribution company, of which their only moment of note was helping to finance Reservoir Dogs when no one else would.   Eventually, Live Entertainment would be sold off to Bain Capital, a private investment firm co-founded by Mitt Romney, in 1997, and they would rebrand Live as Artisan Entertainment. Artisan today is best known as the little independent distributor of The Blair Witch Project, but they also would enter into an agreement with Marvel Comics to make movies for 15 of their characters, including Ant-Man, Black Panther, Deadpool, Iron Fist, Longshot, Morbius, Mort the Dead Teenager, and the Power Pack.   Artisan would produce two movies based on Marvel characters, Man-Thing and The Punisher, although neither of those films would be released by Artisan. Artisan would declare bankruptcy in 2003, and Marvel would be one of the companies to place a bid for them. Lionsgate would end up becoming the winning bidder for Artisan's assets, which is how the vast majority of Vestron titles are now owned by a company that didn't even exist when Vestron closed shop.   Today, Lionsgate is the owner of the assets of a number of the companies we've spoken about on this podcast in the past, and will be talking about in the future, including Crown International, the DeLaurentiis Entertainment Group, Embassy Pictures, and New World Pictures. And it's also a major reason why so many of the movies we discuss in these episodes looking back at past companies are completely unknown today. As big as Lionsgate is, with nearly $3.6 billion in revenue in 2022, they aren't going to be able to keep up with the chain of ownership for every movies from every company they've purchased, and they're not going to put the money in to the movies that are barely remembered today. The Film Foundation, the non-profit organization co-founded by Woody Allen, Francis Ford Coppola, Martin Scorsese and Steven Spielberg, which is dedicated to film preservation, estimates the average cost to do a photochemical restoration of a color feature with sound to between $80,000 to $450,000 dollars, not including the cost of a 2k or 4k digital scan. I'm going to have a link in the show notes on our website at The80sMoviePodcast.com to a November 2018 article from the Science History Institute about the process of restoring films. It's not a long read, but it's a fascinating read. I hope you'll check it out.   So there you have it, the end of the line for Vestron Pictures, and many of the movies they helped to make and distribute, most of which you cannot find today in any form.   Thank you for listening.   We'll talk again next week when Episode 105, on the 1985 teen comedy O.C. and Stiggs, directed by Robert Altman, will be discussed.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week on MMM Erin and Hillary review the cult trashterpiece Devil In the Flesh (1998). Look out high-schoolers! We are stalking faculty members, shoplifting and burying grandmas.A young woman stalks her high school teacher and attempts to destroy his life...in the name of love. Staring Rose McGowan, Alex McArthur, J.C. Brandy and Rick Overton.

GGACP commemorates the 30th Anniversary of the classic comedy “Groundhog Day” (released February 12, 1993) with an ENCORE presentation of a 2017 interview with comedian, actor and Emmy-winning writer Rick Overton. In this episode, Rick talks about everything from incidental sitcom music to the Beatles' animated series to the underrated mimicry of Frank Gorshin. Also, Barney Fife screws up his courage, Ian McKellen prank calls Patrick Stewart, Rick hangs with Kurt Vonnegut and Captain Nemo meets the Prince of *$#@* Darkness! PLUS: Burns & Carlin! “Million Dollar Mystery”! Otis the Drunk cleans up! The return of the Lee Marvin story! And Rick remembers his friend Jonathan Winters! Learn more about your ad choices. Visit megaphone.fm/adchoices

This very special 61st episode of the podcast features the one and only comedy legend Rick Overton (Rick's IMDb) He joins via a phone call to discuss iO West, his early standup days, the Bernie Betrayal, the plandemic and many other things.    Rick's latest special "Rick Overton's Set List": Rick Overton's Set List       Here are the clips used in the opening montage:     Rick Overton - Early Stand Up Comedy @ An Evening at the Improv   Rick Overton - Early Stand Up Comedy on An Evening at the Improv   Rick Overton HBO One Night Stand Standup Comedy   That sums it up for me - Groundhog Day (1993), bar scene   Here's the book "Billion Dollar Whale" that I mentioned: Summary Of Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World by Tom Wright and Bradley Hope   Check out my Super Awkward Fun Live Stream on YouTube: Super Awkward Fun Live Stream with Elle Latham Episode 2     Thank you so much to Rick for giving over an hour of his time to this podcast. I really appreciate it!   Thanks so much for listening! Please spread the word and leave comments if you want. Don't be shy.   Enjoy the trip down the rabbit hole and make some snacks. It's gonna be a bumpy ride...    

Seinfeld Podcast Interview with Rick Overton. We welcome Rick Overton. Rick has over 40 years of experience in the business as a Comedian, Actor and Writer. Rick played “The Drake” in two Season 4 Seinfeld episodes, "The Handicap Spot" and "The Pilot." He is an EMMY Award winning Writer for HBO's “Dennis Miller Live.” You know him from countless Hit films including “The Informant” “Groundhog Day,” “Mrs. Doubtfire” and ‘Dinner for Schmucks. You have seen him in “The Office,” “The League” “Veep” “I'm Dying Up Here.” We talk in-depth with Seinfeld guest stars, cast, crew, and writers. Hear the stories about your favorite Seinfeld scenes from those who were there. This Podcast Is Making Me Thirsty is a podcast dedicated to Seinfeld, the last, great sitcom of our time. We are The #1 Destination for Seinfeld Fans. We talk to those responsible for making Seinfeld the greatest sitcom in TV history. Our guests are Seinfeld writers, Seinfeld actors and actresses and Seinfeld crew. We also welcome well-known Seinfeld fans from all walks of life including authors, entertainers, and TV & Radio personalities. We analyze Seinfeld and breakdown the show with an honest insight. We rank every Seinfeld episode and compare Seinfeld seasons. If you are a fan of Seinfeld, television history, sitcoms, acting, comedy or entertainment, this is the place for you. Official Website: http://www.seinfeldpodcast.com Patreon: https://www.patreon.com/seinfeldpodcast iTunes: https://apple.co/2RGC89m Spotify: https://spoti.fi/3tqDVh6 List of Podcast Episodes and Sponsors: https://bit.ly/3rn0PUp Seinfeld Episode Rankings: https://bit.ly/3ic8mEi Social: https://linktr.ee/ThisThirsty Twitter: https://twitter.com/ThisThirsty Instagram: https://www.instagram.com/thisthirsty/ "This Podcast Is Making Me Thirsty" is The #1 Destination Seinfeld Fans. --- Send in a voice message: https://anchor.fm/thisthirsty/message

Groundhog Day is a 1993 American fantasy comedy film directed by Harold Ramis, with a screenplay by him and Danny Rubin. It stars Bill Murray, Andie MacDowell, and Chris Elliott. Murray portrays Phil Connors, a cynical television weatherman covering the annual Groundhog Day event in Punxsutawney, Pennsylvania, who becomes trapped in a time loop, forcing him to relive February 2nd repeatedly. The film also stars Stephen Tobolowsky, Brian Doyle-Murray, Marita Geraghty, Angela Paton, Rick Ducommun, Rick Overton, and Robin Duke. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tradepaperbacks/message --- Send in a voice message: https://podcasters.spotify.com/pod/show/rangerryan/message

Groundhog Day is a 1993 American fantasy comedy film directed by Harold Ramis, with a screenplay by him and Danny Rubin. It stars Bill Murray, Andie MacDowell, and Chris Elliott. Murray portrays Phil Connors, a cynical television weatherman covering the annual Groundhog Day event in Punxsutawney, Pennsylvania, who becomes trapped in a time loop, forcing him to relive February 2nd repeatedly. The film also stars Stephen Tobolowsky, Brian Doyle-Murray, Marita Geraghty, Angela Paton, Rick Ducommun, Rick Overton, and Robin Duke.

In 1988 colossal nerdlingers Ron Howard and George Lucas smashed their massive domes into each other like two rutting ram studs, until spilled forth one of the 80s most successful high fantasy epics.  Gavin details the Brownies, portrayed by Kevin Pollack and Rick Overton to extreme comic effect, as well as the two-headed Eborsisk, a fire-breathing faux-hydra of nightmarish aspect. He also details how the Eborsisk and other Willow miniatures damaged his young psyche AND testicles in a traumatic schoolyard tragedy-slash-layway-mishap.  Let's see Joe Rogan try to do THAT! #ValKilmer #Willow #Fairies #LittlePeople #Fantasy #Willow #DanaDelaney #MichaelBiehn #WarwickDavis

THE HALL podcast series from “Netflix is a Joke” offers an in-depth look into the lives and careers of the greats of stand-up comedy. Hosted by Cristela Alonzo, the fourth episode of THE HALL explores the brilliance of Robin Williams, whose riffing, quick-paced, stream-of-consciousness comedy wowed crowds the world over. We look at the evolution of Williams' iconic talent and generous spirit, from the perspectives of those who knew him well. We hear from Williams' friends and family, colleagues and chroniclers — including Ron Howard, Glenn Close, Barry Levinson, Rick Overton, Jay Leno, Mara Wilson, and two of Williams' kids Zelda and Zak Williams — who join us to share up-close stories of the legendary comedian and actor.

Rick Overton is today's guest. You may know Rick from his standout roles in Willow, Groundhog Day, the Showtime series I'm Dying Up Here, and more. Host John Ross Bowie and Rick discuss these projects, stand-up comedy, Harold Ramis, and the connection between comedy and jazz. All that and more on this week's episode of Household Faces! Listen to Household Faces Ad-Free on Forever Dog Plus: http://foreverdogpodcasts.com/plus Follow Household Faces: https://twitter.com/householdfaces https://www.instagram.com/householdfaces Rick on: Twitter - @RickOverton Hosted by John Ross Bowie Follow John on Instagram Produced by Ben Blacker and Forever Dog Production Assistance by Jordan Katz Follow Ben on Twitter If you enjoy this podcast, you'll probably also enjoy The Writers Panel Household Faces is a Forever Dog podcast https://foreverdogpodcasts.com/podcasts/household-faces Learn more about your ad choices. Visit megaphone.fm/adchoices

On this weeks #CantGetRight, #KurtMetzger is joined by Emmy Award Winning Writer/ Actor Rick Overton to talk bad innuendo advertising, crows and pigs are probably smarter than people, idiocracy is here and much more, on this ALL NEW episode of #CantGetRightPodcast.CGR Ep 114SUPPORT OUR SPONSORShttps://RockAuto.com and tell them you heard about them on the "Can't Get Right" Podcasthttps://jacbd.com and use promo code KURT and save 25% on your orderwww.bluechew.com and use promo code KURT for your first shipment FREEWatch & SUBSCRIBE on YouTubehttps://www.youtube.com/channel/UClEVLwqZI1STFKP7-Ea5WuA?sub_confirmation=1Can't Get Right is LIVE every SATURDAY at 10PM ET ONLY on #GasDigital NetworkOr catch the YouTube Premiere the following TUESDAY at 11PMhttps://GaSDigitalNetwork.com/LIVESign up to #GasDigitalNetwork with promo code KURT for a 7 Day FREE TRIAL to get access to the HD livestreams, the live chat, and all episodes On Demand in HD.https://GaSDigitalNetwork.com/high-octane-all-accessFOLLOW THE WHOLE SHOW!Kurt MetzgerInstagram: https://www.instagram.com/kurtmetzgercomedyTwitter: http://www.twitter.com/kurtmetzger​​​Rick OvertonTwitter: https://www.twitter.com/rickovertonGaS Digital NetworkInstagram: https://www.instagram.com/gasdigitalTwitter: https://twitter.com/gasdigital#Podcast #KurtMetzger #RickOvertonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

November 29th - Alex Baber, Rick Overton, Patricia Cornwell

Saif Abu Kandil is a comedian of Egyptian-Iraqi descent. He speaks English, Arabic, and French. .He began his comedy career in 2002. In 2005 he performed at his first Edinburgh Fringe Festival and was on BBC's 60 Comics in 60 minutes. At the 2006 EFF (Edinburgh Fringe Festival) he performed in Patrick Monahan's "Do the right thing." He appeared on Set List opening for Rick Overton that night, as well as other shows during the festival in 2011. In 2014, Saif became the Managing Director of Al Hezb El Comedy based in Egypt. This is a great episode looking at How Saif became a comedian and how it lead to him creating a career as a comedian in Eygpt. If you would like to know more about Saif Abu Kandil,you can find out more about him on Instagram at saif_abu_kandil, Twitter at @saif_ak_comedy and Facebook at saifakcomedian/, or you can listen to his podcast at https://anchor.fm/saif-ak. To be informed more on Marvin McCarthy and what he is doing,you can reach him on all the main social media platforms at flopmaster2, drop me a message on info@instant-laughs.com or you can donate to the patreon at https://www.patreon.com/thecomediansparadise. If you would like to see a video of it, you can watch here:https://youtu.be/VUPi_uhTly4.

Join Jeff onyx as he discusses... Bernie Mac, Rick Overton, Joe Rogan, Michael Ian Black, Bernard Manning, Steve Martin, Anthony Anderson, Sam Hill, Josie and Jovie, Cloth, Natural Remedies, Halloween..

Rick Overton is a comic I've looked up to for a long time. He's hilarious, he has an amazing perspective born of a long and storied career, and he's optimistic. The last part of that fascinates me, because it's something I've been grappling with a lot lately. Everything around us, news-wise, seems to veer towards being a shitshow, and it's hard to hold on to hope. Before I had Rick on, I was reminded of a bit he had about laughing in the face of death. Doing that, he asserted, robs death and darkness of their power. Looking back, it wasn't even a bit as much as him making a point before he started his jokes. Anyway, it stuck with me. It was a blast to have Rick on, and our conversation veered hilariously all over the place. I was in a rental house in Provincetown holed up in the bathroom recording this episode. Listen and find out why! THE CALLS: 1) A guy who lost his father says his wife wants him to move to another state so she can be closer to her best friend. The problem? Neither of them have any other friends or contacts there. WORTH IT? 2) A young fella can't imagine going out without ketomine in his system. Is there a way to get rid of THE URGE? 3) A lady asks, HOW DO YOU STAY MOTIVATED DOING SIMPLE TASKS? 4) A guy asks, IS IT OKAY FOR A GROWN WOMAN TO BELIEVE IN SANTA CLAUS? Ooooooooooooookaaaaaaaaaay. Listen, learn, and catch me on tour, Mightys! Call Matt and ask a question 323-763-0228 New episodes arrive every Thursday via The Laugh Button. For advertising opportunities email advertise@thelaughbutton.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of our PILOT ERROR series we look at the TV pilot for the short lived Bill & Ted's Excellent Adventures (1992)   The time traveling misadventures of two seemingly dumb teen metalheads destined to save the world with their music. Evan Richards, Christopher Kennedy, Danny Breen, Don Lake, and Rick Overton star. Listen, rate and share. If you would like to watch the pilot before listening to the podcast email us at mike@cullenpark.com for a link.  Find us at all2reeltoo.com Check out some cool music by host Matthew Haase at https://youtu.be/5E6TYm_4wIE Check out cool merchandise related to our show at http://tee.pub/lic/CullenPark Become a Patron of the show here.... https://www.patreon.com/CullenPark Listen to Mike on The Nerdball Podcast.... https://pod.fo/e/ba2aa Check out some cool music from Jason Quick at www.jasonquickmusic.com If you can during these troubling times make a donation to one of the following charities to help out. https://www.directrelief.org/ https://www.naacpldf.org/ https://www.blackvotersmatterfund.org  Learn more about your ad choices. Visit megaphone.fm/adchoices

Zach & Zo are joined by Rocky & M, the hosts of the Audio Oddity Podcast, to journey to a magical land where we find Willow Ufgood on his quest to get a prophesied baby to safety. Is Madmortigan reliable? Why is Sorsha so willing to betray her villainous witch queen mother? The foursome has a fascinating talk  regarding the happenings of the far off land of Andowyne.   www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcastAudio Oddity Instagram: @audioodditypodcastAudio Oddity Twitter: @oddityaudioAudio Oddity Email: audioodditypodcast@gmail.com

Our first guest got his start starring with “South Park” creators Trey Parker and Matt Stone in the cult-classic films, “Cannibal: The Musical”, “Orgazmo” and “BASEketball”. He's been in a ton of films such as “Galaxy Quest”, and “The Adventures of Rocky and Bullwinkle.” His latest work coming out in 2021 is Guillermo Del Toro's newest thriller, “Nightmare Alley”, with Bradley Cooper and Cate Blanchett. Ladies and gentlemen, my very good buddy, the very talented Dian Bachar! We are so excited to have our next guest is Emmy Winner, Rick Overton. Rick is known for being the Head Writer on the Dennis Miller Live (1994) show on HBO. He has over 186 acting credits. #BestChristmasMovies #AskAnthony #Comedy #RickOverton #DianBachar #podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thedannymcdermottshow/message Support this podcast: https://anchor.fm/thedannymcdermottshow/support

Want to improve your closing rate of auditions? Amy Lyndon and I talk about steps to improve in getting the acting job.  Amy Lyndon has been entertaining the public since the age of 10. Having grown up in New Rochelle, New York, formal training was as easy as jumping on a train. At 16, Lyndon studied at the Neighborhood Playhouse (NYC) and went on to England to tackle the prestigious London Academy of Performing Arts. After earning her BFA from Syracuse University, she experienced intense drama training with Stella Adler and Harry Mastrogeorge and extensive comedy training with The Groundlings, CBS Comedy on The Lot, Int'l Blend Comedy Troupe with Rick Overton and The Comedy Store. Lyndon has over 100 IMDB Credits.She has 70+ films to her credit, some including: "The UnMiracle" with Stephen Baldwin, "And They're Off" with Sean Astin, "The Poughkeepsie Tapes" for MGM, "The House That Jack Built” with Joe Mantegna and 4 LionsGate Feature Films: "B.T.K," “Dracula's Guest," "Ed Gein: The Butcher Of Plainfield” and "Chicago Massacre: Richard Speck." Lyndon also Starred in Chris Pratt's first film "Cursed Part 3," written & directed by Rae Dawn Chong.On Television, Lyndon Guest Starred in over 30+ television shows, some including: "NCIS," "Adopting Terror" for Lifetime, "Law and Order: Los Angeles," "Eagleheart," "Ugly Betty," "Entourage," "NYPD Blue" and "JAG." She was also Recurring in "Days of Our Lives," "The Bold and the Beautiful," "General Hospital," "Young and The Restless" and a Recurring Guest Lead in "Freddy's Nightmares." “The Lyndon Technique: A 15 Guideline Map To Booking” has proven to be an Actor's secret weapon. It dispels the myths of the audition process and provides the Actor with an effective, straightforward approach to nailing their auditions and booking the job. It helps them study smarter, feel empowered in their auditions and always know what they are doing. “The Lyndon Technique” has turned out 50+ students as Network Series Regulars, an Emmy Award Winner and an Imagen Award Winner. Amy was voted one of the “Top Audition Technique Teachers” by Backstage.com for 4 years, her book was nominated by the Reader's Choice at Backstage.com as a top acting book proudly sitting alongside Stella Adler, Sandford Meisner and Michael Shurleff's books. She also ran the column “Ask Amy” for Castittalent.com and was an Expert Writer for Backstage.com for over two years. Amy Lyndon's Online Courses UDEMY – How To Book Acting Jobshttps://www.udemy.com/course/how-to-book-acting-jobs/?referralCode=987987F24E0E0E09DE24 Vimeo On Demandhttps://vimeo.com/ondemand/thelyndontechniquehttps://bit.ly/31w9tFR Follow Amy Lyndonhttp://instagram.com/amylyndon 

Youngstown, OH native now living in Philly comedian, writer, director and producer, Mark Riccadonna, joins A Drink With Derek. Talking about having Dr. Oz on his podcast "Drinks, Jokes, and Storytelling"; his days managing Stand Up New York Comedy Club, who he overlooked that got huge; and his TV pilot starring Paul Provenza and Rick Overton. Check him out at: http://www.markriccadonna.com.

Ready for your second trip into the Hauer-verse, Evil Geeks? Chris and Tom continue their exploration of the works of late actor Rutger Hauer and they've called in the big guns this week. Legendary comedian and actor Rick Overton returns to talk about the movie Blind Fury, in which he worked with Hauer. Want to […]

Happy 2018, Evil Geeks, let's start things off with an incredible interview! C-Mart and Tom and talking with stand up comedian and actor Rick Overton! Rick has had an amazing career appearing on TV shows such as Seinfeld, Leverage, and I'm Dying Up Here, as well as appearing in movies like Willow, The Informant! and […]

Comic genius Rick Overton (Veep, Grimm, The Middle) was in New York in the 1970's and remembers ferret laden orgies fondly. Here's a few links to help you get the most out of Story Worthy! If you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, http://bit.ly/2eSlJZw please do! There's one to our Facebook page and to our email address. We'd love to hear from you, either there, or on our survey at wondery.com/survey. You'll also find some special deals courtesy of our sponsors like Hello Fresh (promo code STORY30) Casper Mattress, Audible and Shari's Berries (promo code STORYWORTHY). It's good karma guys! See our Privacy Policy at https://art19.com/privacy and our California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Comedian/Actor Rick Overton shares stories from the road as a working comic, and later in the show, Rick talks about his near drowning as a child. Plus, there is talk of The Bee Gees. Finally! Here's a few links to help you get the most out of Story Worthy- if you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, http://bit.ly/2eSlJZw please do! There's one to our Facebook page and to our email address. We'd love to hear from you, either there, or on our survey at wondery.com/survey. You'll also find some special deals courtesy of our sponsors like Hello Fresh (promo code STORY30) Casper Mattress, and Audible (promo code STORYWORTHY). It's good karma guys! See our Privacy Policy at https://art19.com/privacy and our California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's another jam-packed three hour podcast of News, Opinion and Laffs from Kenny, Tom & Raine! P.s. Mueller had the night off for good behavior! Legendary Actor, Comedian & Writer, Rick Overton returns to Turn Up the Night to share his wit and wisdom on GOP debate theatrics, Ben Carson's kooky pyramid theory, the "Little Brother" effect and some of his current projects & gigs! He also shares his thoughts and expectations for Star Wars: The Force Awakens! More on moron Ben Carson... Who's out of the next Fox Business News Debate and who's been relegated to the Kid's Table! News Ninja Action with Tom Shafer plus a heavy dose of "That's Entertainment!" The Green News Report with Brad & Desi! Name Calling with Raine! An attempt at Reverse Call-In... Wah-wah... Tom recaps the national wins from last Tuesday's vote! Joey Word from Southern Progressive revival joins us for a full hour and we start with a recap of the Anonymous Operation KKK data dump. August Kreis III - The notorious white supremacist of Jerry Springer fame won't be seeing the light of day for the rest of his natural life. Ted Cruz whines about fictional "Liberal Democrat" debate moderators and Megyn Kelly knocks him down a few pegs. Glenn Beck has a wonderful / horrible idea for a new GOP debate forum! I'm sure there's something we missed... Enjoy!

It's 3 more hours of News, Opinion & Laffs from the Turn Up the Night with Kenny Pick Crew! Join Kenny, Tom, Raine and Matt for a ton of fun! Raine becomes a permanent co-host of TUTN! Reince Priebus is a whiny little crap sandwich! Sean Hannity is INSANE! Megyn Kelly is a Commie Thug! President Obama hurts some feelings! Ted Cruz loves his Tea-Bubble! Messaging Matters featuring Republicans that HATE you! Reagan! Bush! Brownie! Rand Paul! News Ninja Action with Tom Shafer! "That's Entertainment!" featuring Jon Stewart, Star Trek, Greatest American Hero, Rick Overton and more! Carly "Your Reality vs. My Reality" Fiorina! Green News! Honky Drop! Name Calling! Reverse Call-In with Joey "Kool Black Dude" Word from Southern Progressive Revival on Operation KKK! JEB! Is a Grinder... Paul Ryan has no plan at all as the 3rd most powerful man in the United States! This is CNN: Helium Blimps, Fuck, Marry, Kill... Brought to you by Wolf Blitzer and Dana Bash. Garth Brooks is a creepy. creepy man! And also more! And stuff,

Be sure to check out the "Best of Turn Up The Night with Kenny Pick!" Featuring some of our best interviews with Jacki Schechner, Rick Overton, John Fugelsang, Karl Agell, Mike Farrell & Michelangelo Signorile! There's also a fair amount of our Comedy bits, some Hive Dive's & Music! The LIVE show will return this Friday!

It's three hours of fun and madness on the latest edition of Turn Up the Night! Join Kenny, Tom, Debbha & P.s. Mueller for a wild ride of News, Opinion & Laffs with our pals and very special guests, writer, comedian & actor Rick Overton & rap activist Macarone of TheDOPInc!

Love & Equality Wins this week! It's truly a fantastic time to be alive and on the right side of history! Kenny, Tom & Debbha recap the week of goodness and welcome the legendary Rick Overton & Kim Williams of Inside Indie Media Weekly to share in the joy! Worst Week EVER to be a Republican! 3 Monumental SCOTUS rulings : Fair Housing Act. The Affordable Care Act and Marriage Equality! The Round Rejection of Confederate Battle Flag! Sean Hannity on Death Panels & Music Reviews with a Racist Twist! News Ninja Action! Rick Overton Shares Some Joy, Wisdom & Laffs! Name Calling! Kool Black Dude on Reveerse Call-In! Kim Williams on the Monumental SCOTUS 5-4 Vote in Favor of Marriage Equality! The RepubliTARDIS! A bunch of people that will never be POTUS! Bristol Palin: Pinnacle of "Conservative" Virtue! MORE! Huzzah!

Pauly Shore, Rick Overton, Jeff Richards, Tony Hinchcliffe, Kimberly Congdon, Sara Weinshenk, Iron Scott Kidd, Brian Redban – Date: 09/08/2014 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Rick Overton and writer Jeff Kahn both have stories about Sexy Time. We're talking orgies and threesomes here people!  Listen now, on the Best of Story Worthy! Here's a few links to help you get the most out of Story Worthy- if you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, http://bit.ly/2eSlJZw please do! There's one to our Facebook page and to our email address. We'd love to hear from you, either there, or on our survey at wondery.com/survey. You'll also find some special deals courtesy of our sponsors like Hello Fresh (promo code STORY30) Casper Mattress, and Audible (promo code STORYWORTHY). It's good karma guys! See our Privacy Policy at https://art19.com/privacy and our California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join actress Naomi Grossman and comedian Blaine Capatch, as they spin the Story Worthy Wheel of Truth and tell a true 10 minute story on the topic they land on.  Plus guest judges Rick Overton and Kerry Armstrong.  Say it with me-  Spin That Wheel!!

Join actress Naomi Grossman and comedian Blaine Capatch, as they spin the Story Worthy Wheel of Truth and tell a true 10 minute story on the topic they land on.  Plus guest judges Rick Overton and Kerry Armstrong.  Say it with me-  Spin That Wheel!! Here's a few links to help you get the most out of Story Worthy- if you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, http://bit.ly/2eSlJZw please do! There's one to our Facebook page and to our email address. We'd love to hear from you, either there, or on our survey at wondery.com/survey. You'll also find some special deals courtesy of our sponsors like Hello Fresh (promo code STORY30) Casper Mattress, and Audible (promo code STORYWORTHY). It's good karma guys! See our Privacy Policy at https://art19.com/privacy and our California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Lahna and Rick Overton visit The Second City in Hollywood to celebrate the life of Jonathan Winters and d some Improv. The Micah Bleich teachs Lahna to drum at Sam Ash and they do a song together. The band is Corey Chisel.

Rick Overton, comic/writer/improvising genius, talks about coming up in the 1970's and 80's New York stand-up boom, his mentor Jonathan Winters, and ferret laden orgies. 

Rick Overton, comic/writer/improvising genius, talks about coming up in the 1970's and 80's New York stand-up boom, his mentor Jonathan Winters, and ferret laden orgies. Here's a few links to help you get the most out of Story Worthy- if you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, http://bit.ly/2eSlJZw please do! There's one to our Facebook page and to our email address. We'd love to hear from you, either there, or on our survey at wondery.com/survey. You'll also find some special deals courtesy of our sponsors like Hello Fresh (promo code STORY30) Casper Mattress, and Audible (promo code STORYWORTHY). It's good karma guys! See our Privacy Policy at https://art19.com/privacy and our California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nicole talks about the news on this, the 45th anniversary of the assasintion of Martin Luther King, the striking fast food workers in NYC, right wing world and the rest of the craziness going on with Julianna Forlano and Rick Overton

Nicole discusses President Obama's inability to stick to a decision when opposed by the GOP. Guests are FreePress.net's Tim Karr of the DOJ fighting the ATT/TMobile merger. Plus actor/comedian Rick Overton