Podcast appearances and mentions of Edward James

Dr. Edward James III and Paul Krauss MA LPC discuss the importance of using prevention methods in your relationship. Dr. Edward discussed many communication ideas for couples looking to repair or deepen their connection. Dr. Edward discusses his experience as a therapist and professor in this episode of the Intentional Clinician. In addition, Dr. Edward discusses the "Annual Relational Check Up" that he offers via tele-health or in person. Dr. Edward James III  DSW, MSW, ACSW, LMSW is a Social Worker/Marriage Therapist/Life Coach as well as an Organizational and Educational Consultant in Scottsdale, Arizona. You can contact Dr. Edward James on Psychology Today. Dr. Edward James can be contacted on Black Therapists in AZ.   Get involved with the National Violence Prevention Hotline: 501(c)(3) Donate Share with your network Write your congressperson Sign our Petition Looking for excellent medical billing services? Check out Therapist Billing Services. A behavioral and mental health billing service developed by therapists for therapists. Preview an Online Video Course for the Parents of Young Adults (Parenting Issues) EMDR Training Solutions (For all your EMDR training needs!) Paul Krauss MA LPC is the Clinical Director of Health for Life Counseling Grand Rapids, home of The Trauma-Informed Counseling Center of Grand Rapids. Paul is also a Private Practice Psychotherapist, an Approved EMDRIA Consultant , host of the Intentional Clinician podcast, Behavioral Health Consultant, Clinical Trainer, Counseling Supervisor, and Meditation Teacher. Paul is now offering consulting for a few individuals and organizations. Paul is the creator of the National Violence Prevention Hotline as well as the Intentional Clinician Training Program for Counselors. Paul has been quoted in the Washington Post, NBC News, Wired Magazine, and Counseling Today. Questions? Call the office at 616-200-4433.  If you are looking for EMDRIA consulting groups, Paul Krauss MA LPC is now hosting weekly online and in-person groups.  For details, click here. For general behavioral and mental health consulting for you or your organization. Follow Health for Life Counseling- Grand Rapids: Instagram   |   Facebook     |     Youtube  Original Music: ”Alright" from the forthcoming album Mystic by PAWL (Spotify) "Fight for Love" from 11 by SAULT (Spotify) "My Love Mine All Mine" from The Land Is Inhospitable and So Are We by Mitski (Spotify)

Major Edward James Land Jr. served in the Marine Corps during the Vietnam War. In the 1960s, Land and Richard O. Culver Jr. worked together to create the first permanent Marine Corps Scout Sniper School.  In this special episode, Maj Land explains how the school came to be, and tells a few stories from his time in Vietnam.  Thank you to Regal for sponsoring this episode. You can sign up for Regal Unlimited via this link, and make sure to use code WARRIORS24 to get 10% off! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ouch! In episode 14, Tilly and Ash confront the Magisterium of Malintent, the Grand Council of Dark Lords to talk about their power dynamics and how the archaeological record isn't always as clear cut when it comes to understanding hierarchy and power.Links DNA Study of female warrior grave (Birka) Elven Quest "Dark Lord" in The Encyclopedia of Fantasy (eds. John Clute & John Grant: First St. Martin's Griffin ed.: 1999), p. 262 Edward James (1988) ‘The Franks Before Clovis', in The Franks: Blackwell. pg. 58-64 Madgwick R, Mulville J. (2015) Feasting on fore-limbs: conspicuous consumption and identity in later prehistoric Britain. Antiquity;89(345):629-644. doi:10.15184/aqy.2015.24)Contact Email: andmytrowel@gmail.com Instagram: @‌and.my.trowelTranscriptsFor rough transcripts of this episode go to https://www.archpodnet.com/trowel/14ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion: https://www.archpodnet.com/motion Liquid I.V.Ready to shop better hydration, use my special link https://zen.ai/thearchaeologypodnetworkfeed to save 20% off anything you order.

A series of seemingly unconnected rapes forces Fin Tutuola to join forces with a man who never sleeps. A man who knows the precise tenor and pitch of every recycling center's lunch whistle in the city limits. A man who walks. A man named Chester Lake. We also meet our first perpetrator who staffed the Obama White House.Music:Divorcio Suave - "Munchy Business"Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Nikki B, Whitney C, D Reduble, Tony B, Zak B, Barry W, Karen D, Sara L, Miriam J, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Isabel P, Christine L, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Jason S, Tim Y, and Douglas P - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonFollow us on: BlueSky, Twitter, Facebook, Instagram, Post, and Reddit (Adam's Twitter/BlueSky and Josh's Twitter/BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, , Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are There Stories (Adam and Josh).Josh debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast (BRAND NEW!) and talking SVU/OC on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comNext Week's Episode: Season 20, Episode 7 "Caretaker"This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5685940/advertisement

Entrevistamos a Héctor, el responsable de relaciones públicas de la Operadora Xaman Ek en la región del Bajío. Durante nuestra conversación, Héctor compartió detalles fascinantes acerca de las experiencias que ofrecen a los pasajeros en los diversos destinos que figuran en su catálogo. Además, nos brindó valiosos consejos que no debes pasar por alto al presentar estas propuestas a tus clientes. ¡Anímate a explorar desde el Jardín Botánico de Edward James hasta la exuberante Selva Lacandona!

Jake interviews his friend Lenore Danzinger about her adventurous life meeting Jimi Hendrix, living in California and Mexico and her association with amazing structures of poet and surrealist Edward James near Xilitla, Mexico.  Avery Danzinger's documentary, "Edward James: Builder or Dreams," can be found at https/vimeo.com/164786264.  Check it all out!

John McEnroe was once the world's No.1 tennis player, winning seven major Grand Slams. But he'll always be remembered for his extraordinary rant against umpire Edward James at Wimbledon on 22nd June, 1981. During his match with Tom Gullikson, James ruled that the New Yorker's serve went out. McEnroe's reaction – “You can't be serious man, you cannot be serious!… You guys are the absolute pits of the world!” – staggered the genteel world of tennis. In this episode, Arion, Olly and Rebecca discover that McEnroe had already established a bad-boy reputation with the UK press, who'd labelled him ‘superbrat' in 1977; marvel at the reaction of the BBC commentators to the unfolding drama; and consider whether the general public would still actually remember who McEnroe was, if this had never happened… Further Reading: • The rant unfolding (1981), from the ESPN Archives: https://youtu.be/ransFQVzf6c • The Washington Post, pre-rant, record McEnroe's depiction in Britain as ‘superbrat' (1979): https://www.washingtonpost.com/archive/sports/1979/06/24/british-aim-fire-at-the-superbrat/7115ab3c-154a-4f5a-b99e-2632fbd2bc5f/ • John McEnroe on ‘Desert Island Discs': https://www.bbc.co.uk/programmes/b08xxfz3 ‘Why am I hearing a rerun?' Every Thursday is 'Throwback Thursday' on Today in History with the Retrospectors: running one repeat per week means we can keep up the quality of our independent podcast. We'll have something new for you tomorrow!: podfollow.com/Retrospectors   Love the show? Join  

En esta ocasión nos acompañó frente a cámaras y micrófonos la patrona y platicamos brevemente sobre un lugar natural, imponente, donde la fantasía y la realidad se entrelazan en una especie de danza surrealista. Un lugar que fue sacado de la imaginación de un hombre que, según Salvador Dalí, fue el más loco de todos los surrealistas juntos. El jardín del Edén en la tierra ubicado en México. Hoy les presentamos el jardín surrealista de Edward James. ¡Gracias por escucharnos! ¡Si aun no lo haces, suscríbete y deja tu pulgar arriba, para nosotros es muy importante! ¡Episodio nuevo cada lunes! Los invitamos a que comenten y manden sus saludos, leemos todos los comentarios y hacemos un video respondiendolos. ¡Entra al grupo de histeriadores en facebook donde ustedes podrán compartir contenido! https://www.facebook.com/groups/histeriadoresdemexico Nuestras cuentas personales: Diana Grijalva. https://www.instagram.com/_dianasinh Omar Benítez. https://www.instagram.com/soyomar.bntz Mariano Pérez. https://www.instagram.com/meapodanmarin ¿Ya sigues a nuestra productora Público Difícil? No es tan difícil. Te dejamos el enlace: https://www.instagram.com/publicodificilproductora ¡Sigue a La Histeria De México en todas las redes! Instagram: https://www.instagram.com/lahisteriademexico Facebook: https://www.facebook.com/LaHisteriaDeMexico Spotify: https://open.spotify.com/show/2p3iNUfuxdfOBINW0UiXAe Apple podcast: https://podcasts.apple.com/mx/podcast/la-histeria-de-m%C3%A9xico/id1564666592 Google podcast: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy81NjYyNGQ1NC9wb2RjYXN0L3Jzcw?sa=X&ved=2ahUKEwjcl9f0nvPwAhWWmJ4KHWnYB9cQ9sEGegQIARAC

Llegamos hoy al ¿último? capítulo de Modernos de otros tiempos dedicado a las rebeliones de Leonora Carrington, el décimo. Lo dejamos porque ya llevamos mucho tiempo con ella, ni mucho menos porque hallamos agotado su inabarcable personalidad. Hoy hablamos de su poco interés en la fama, de su alergia a los periodistas, al bombo y al autobombo; de su relación con su confidente, amigo y coleccionista Edward James; de su estudio, de su técnica impecable, de su amor a la parte artesanal de su trabajo; y, también, de su huida de México después de la Matanza de Tlatelolco en el otoño de 1968, de cómo sintió el peligro de ser encarcelada por el gobierno del criminal Gustavo Díaz Ordaz, esa bellísima persona para occidente y el olimpismo. Pasamos someramente por sus 25 años de reexilio en EEUU, en Nueva York y en Chicago, y de su regreso a México en 1990. Hablamos de su colaboración con el Movimiento feminista a comienzos de los 70, aunque tampoco integró en él su feminismo intrínseco e instintivo. Su obra, dijo Gloria Orenstein, es «un código de la mujer moderna», aunque lo que ella pensaba es que lo que necesitaban las mujeres era aquello que los hombres solían tener: una esposa. Su vejez no fue un declive hacia el crepúsculo, sino la culminación de su viaje vital. Curiosa hasta el final, sabía que, lejos de conocer todas las respuestas, apenas había encontrado algunas de las preguntas. Murió a los 94 años en el Hospital Inglés de Ciudad de México. Era el 25 de mayo de 2011. Poco antes soñó su muerte y se la contó a su prima y biógrafa Joanna Moorhead, la autora del imprescindible Leonora Carrington. Una vida surrealista. «He soñado que estaba muerta. ¿Te imaginas? ¿Soñar que estás muerta? Estaba muerta y nadando en un agua. Debajo del agua. Y de pronto me daba cuenta de que estaba bien… Me sentía libre. No estaba asustada. De hecho, para mi sorpresa, comprobé que estaba disfrutando». Soy consciente de que han quedado muchas cosas en el tintero, pero…

En Modernos de otros tiempos seguimos con la historia de Leonora Carrington, de sus rebeliones, de sus imaginaciones, sus mundos particulares y sus risas. También su papel de pionera del ecofeminismo. «La idea de que “Nuestros Amos” tienen razón –escribió en Animal humano femenino— y deben ser queridos, honrados y obedecidos es, según creo, una de las mentiras más destructivas que se han inculcado en la psique femenina. Es ya espantosamente evidente lo que Esos Maestros han hecho con nuestro planeta y con su vida orgánica. Pienso que, si las mujeres permanecen pasivas, la vida tiene pocas esperanzas de supervivencia en esta tierra». Entre julio de 1946 y noviembre de 1947, nacen sus hijos Gabriel y Pablo y Leonora, en medio de una gran conmoción, descubre su instinto maternal. «No sabía lo que era el instinto maternal hasta que tuve a mis hijos». Poco después tiene su primera exposición individual en Nueva York, a la que no asistirá por no dejar solos a sus hijos. La exposición fue un éxito. «Nunca —le escribe su confidente Edward James— he visto más entusiasmo de la gente en un vernisagge (…) Tus obras brillaban como joyas en las paredes». Al enterarse de que Leonora está embarazada de su segundo hijo, Maggie, su madre, decide acudir a Ciudad de México. Es un momento de acercamiento entre madre e hija. Poco después, su padre muere de forma imprevista. Leonora volverá a Inglaterra una temporada en 1952. No será buena idea. Sus hermanos, que la han excluido de la herencia de su padre, la humillarán constantemente. La tibieza de su madre hace que la relación materno filial se enfríe para siempre. A la vuelta a México, Leonora se centrará en su familia ampliada con Chiki Weisz y sus hijos, pero también con sus grandes amigas, compañeras de vida Remedios Varo y Kati Horna, con quien compartirá conversaciones, vida, juegos y tiempo maravilloso en la cocina. Allí inventarán el caviar mexicano, la tortilla de pelo humano y recetas afrodisíacas y otras que provocaban el deseo de ser rey de Inglaterra. También la cocina era un buen sitio para rebelarse contra la sociedad, la autoridad y el estúpido sentido común (que no es sino una ideología impuesta). Creo que el próximo lunes terminaremos con Leonora.

Our guest this edition of Respectfully is a dynamic salon owner with a positivity that is infectious. Edward James talks... from EP102 Edward James talks with Nicky Pope about diversifying your salon business The post EP102 Edward James talks with Nicky Pope about diversifying your salon business appeared first on Respectyou.me | UK hairdressing news.

México en mí : Museo Edward James Invitado: Antonio García-Acosta, Director del Museo Edward James. IG: @museoedwardjames Conducen: IG: @mexenmi Gaby Solórzano IG: @gabydespertar FB: @Gaby Solórzano Elena Goicoechea IG: Egoba FB: @Elena Goicoechea Ivonne Solís IG: @ivonnesolissandoval

Yet More Yeti: Are you ready for a deeper dive into the world of the Yeti? Join us as we continue our journey into the unknown in episode 9 of "The Hidden Creatures Podcast". In this episode, we'll be examining the possibilities of yeti subspecies, including the elusive Dzuteh and Miteh. We'll delve into the evidence of recent sightings, including mysterious footprints that have been discovered in the wild. We'll also explore the theories and legends that have arisen around these elusive creatures. But that's not all! We'll also be taking a closer look at the Mountain Gorilla and the Hot-Headed Naked Ice Borer. These fascinating creatures have unique and intriguing stories of their own, and we'll be uncovering the mysteries surrounding them as well. So grab a warm blanket, settle in, and prepare to delve deeper into the world of cryptozoology as we explore the possibilities of yeti subspecies, the Mountain Gorilla, the Hot-Headed Naked Ice Borer, and much more in "The Hidden Creatures Podcast". Written, Edited and Produced by - Edward James

Discovering Dragons: Get ready for a mythical journey into the world of cryptozoology on the third episode of "The Hidden Creatures Podcast." This week, we'll be exploring one of the most fascinating and enduring creatures in folklore and mythology - dragons. In this episode, we'll delve into the history and mythology of dragons, and examine the evidence that has been gathered over the years. We'll also explore the scientific theories that have been put forward to explain the existence of these creatures. Additionally, we'll also be taking a look at two other fascinating creatures - the Komodo Dragon and the Furry Trout. We'll examine the evidence and scientific explanations for these unique creatures, and see how they fit into the larger world of cryptozoology. So join us for this mythical episode of "The Hidden Creatures Podcast" as we explore the world of dragons, the Komodo Dragon, and the Furry Trout, and discover the truth behind these mysterious creatures. Hidden Creatures is written, and produced by Edward James, scripts edited by Saskia Whelsey. Music is from Pixabay. Further Reading:  http://www.smithsonianmag.com/science-nature/where-did-dragons-come-from-23969126/?no-ist http://shc.stanford.edu/news/research/dinosaurs-and-dragons-oh-my http://www.mysteriousbritain.co.uk/cryptozoology/in-search-of-british-dragons.html http://dinosaurs.about.com/od/dinosaurcontroversies/a/Dinosaurs-and-Dragons.htm http://nwcreation.net/dinosdragons.html    

El autor James Denham nació en Londres y fue educado en Cambridge. Fue uno de los talentos malogrados por la II Guerra mundial. Perteneció a una familia acomodada. Su carrera diplomática le llevó a India y a Birmania. Su obra es breve y escasa. Se compone de cinco títulos, hoy imposibles de encontrar. La literatura para Denham era un mero entretenimiento. Fue amigo de Malcolm Lowry, con quien coincidió en la universidad y del famoso coleccionista de arte Edward James. La canción de Lord Rendall procede de su último libro, titulado How to Kill (1943). Fue el único que intentó publicar en una edición comercial, y lo rechazaron todos los editores porque pensaban que podía deprimir a los soldados combatientes y a la población, en plena guerra. También por la inusual carga erótica de algunos de sus relatos. Denham murió a los treinta y dos años, caído en combate en el norte de África. Aunque el presente relato (una mise en abîme de vértigo) se explica perfectamente por sí solo, puede ser útil saber que la canción popular inglesa Lord Rendall es el diálogo entre el joven Lord Rendall y su madre después de que aquél haya sido envenenado por su novia. A la última pregunta de la madre, «¿Qué le dejarás a tu amor, Rendall, hijo mío?», éste responde: «Una soga para ahorcarla, madre, una soga para ahorcarla» . ⤵️ Muchas gracias a todos los oyentes por seguir a mi lado, si lo deseas te invito a hacer una pequeña aportación y contribuir con 1,49 € al mes en esta maravillosa locura literaria. Desde este podcast puedes pulsar en el botón APOYAR. Ya sabes que recibo con mucho cariño tu aportación para poder seguir creando historias de terror,😵 ciencia ficción y todo lo que nos gusta en este Podcast. Gracias a los nuevos taberneros galácticos 🍻que se han subido a la nave de Historias para ser leídas y gracias a todos los oyentes que comparten estos audios y nos escuchan desde el más allá.🤖😈☠️👽 Narración: Olga Paraíso Más contenido aquí: 📢Nuevo canal informativo en Telegram: https://t.me/historiasparaserleidas 📌Twitter https://twitter.com/HLeidas 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas Mención especial a los Taberneros Galácticos que apoyan este Podcast, sin vosotros esto no sería posible. ¡MUCHAS GRACIAS por vuestros likes y por compartir este audio! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Intro: Writing personallyLet Me Run This By You: What would you say to your inner child?Interview: We talk to Ed Ryan about surviving two theatre schools, surviving 9/11, and interrupted grief.FULL TRANSCRIPT (UNEDITED):I'm Jen Bosworth from me this and I'm Gina Polizzi. We went to theater school together. We survived it, but we didn't quite understand it. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all. We survived theater school and you will too. Are we famous yet? And I'm scared. Like, I think partially 1 00:00:34This is this, the main character is based on me. Like all our character. I think every writer writes about themselves. I don't care what you say, aspects of themselves. So I'm like, man, would I do this stuff? Would I, how far would I go to people please? Like that? That is what I'm wrestling with. That is what is, is, how far do we go? And how far would I go to people please? Now I don't think I'd go that far, but people do go far. 2 00:00:59People go far and feel like they're in a few state and feel like it wasn't them. That was making the choice. And, and I believe that I believe that that can happen. I also just think it's interesting in the lens of like, feeling, having felt for a long period of your life, that you weren't allowed to have certain emotions. It makes sense to me that you would be surprising yourself with where you can go in your imagination, but that would also lead to, you know, surprisingly like our, we had a conversation one time on here where I said, I don't feel like I've ever seen you angry. So, and you, you said you do get angry, but I just wonder if maybe there's just a lot of unexpressed anger and this is a great way to get it out. 1 00:01:42Totally. And I, and I think you're right. I think you're right on. And so, and I also think, and I wonder how, you know, how you feel about the idea that writing, right? Somebody, I wonder if people write and I don't know how you write, but if people read, I mean, I know a little how you write, but if peop, if people can ever write fully devoid from their own person, you know, like, like where they don't put themselves in their characters or their, if they're writing, I guess maybe if you're writing non-fiction I don't know. But when you write, do you agree that like each part of you and every, oh yeah, 100%. 2 00:02:24And I, I, in reading the Stephen King book about writing, you know, he, he realized like years after the fact about the way that he was writing himself in his stories, like, I guess famously and in misery, he is when he was at the height of drug addiction. And he, at the time he did not feel that he was writing the story about himself, but that's what it ended up being. Yeah. I mean, in part, just because like, how else would you do it? I mean, you only have your own as close as you can be to anybody else. What you really stuck with 24 7 is the ruminations in your own mind, the reactions to things, your worldview, your worldview is, is so people can recognize a lot of things about their worldview, but then there's all kinds of things about their own perspective that they would never think unless they had occasion to see it, contrast it with something else and say, oh, wow, I think about that really differently. 2 00:03:21So anyway, I think it's cool. I think it's great that you're going there and I'm excited to see where it goes. 1 00:03:32Let me run this by you. I started seeing, so I had a therapist that was this Orthodox Jewish man that I stopped seeing. It was just it. I always what I, you know, and it's so blatant at the time after, but during, during, I never see, like, I'm looking for like a father figure. And, and he started to say things that were, and it's all I'm on the phone, you know, but like he has six kids and he wanted to, he started saying things like, do you think that this is because you never had kids kind of like why my emotions? 2 00:04:13And I said, you know, 1 00:04:15I don't know it could be, but I, and you know, it was it's interesting. So I just had to say, you know what, I'm so-and-so, I think that I'm going to take a pause on this. I just don't feel that were, I was proud of myself. I said, I just don't feel like it's a good match right now for me, a good fit. I couldn't just say it's so funny. I have to qualify it. Like, I couldn't just say this isn't a good fit. I was like, not a fit right now for trying to soften that. Just ridiculous stuff, but that's how I did it. And yeah. And so I, I was like, okay, well, do I want to get another therapist? Or do I want to, so I do see like a coach, like, what do I want to do? 1 00:04:55So I started seeing, I had a first session with a coach outside in a park. Who's a, she coaches, she does a lot of career coaching, but I just, like, I've known her for a while. And I liked her and we got to some interesting stuff like, you know, and you've said some stuff about like inner child stuff. Like I never really felt like I could connect with the idea of making peace or taking care of my inner child. And I couldn't understand why. And I think I got to the point where the reason I I'm afraid to things that my inner child will hurt me or that I will hurt it. 2 00:05:35Her. Yeah. 1 00:05:37So, so I thought I'd tell you about that. 2 00:05:41Hurt you. Any idea what you mean by that? Like 1 00:05:44Sabotage, like my inner child is so angry at the way that my parents, and then I have been treating her that she will fuck things up. Hm. 2 00:05:54Yeah. By misbehaving. Yes. 1 00:05:57Misbehaving sabotaging. So there's not a trust there. There's not a trust. And I wouldn't have ever, whenever I, in the various forms of therapy and schooling that I've done in this area, I always felt really, it's not even that I bristled with when we did inner child work. It's like, I thought, well, I don't even know this is weird. I don't even know what this is. 2 00:06:23Yeah. I totally, I can totally relate. And I think I have had the same exact opinion, this very cynical sort of point of view. It all seems so I would just want to roll my eyes talking about inner child, but I think it's like that thing that I was telling you about when I did that thing on clubhouse and everybody was playing and I was just afraid of it. I think it's just that I think you learn to hide the parts of yourself that get you in trouble in the world for whatever reason. And then if there are parts of yourself that you first identify when you were very young, they're locked away. Good. They're locked away. Real good. And there's a real, I mean, just intense fear about going there. 2 00:07:07And I guess like the best signal that I have about that is that every time I start to think about it or talking about it, I start to cry, which, okay, well, there's obviously a lot there. I, I don't believe, see my thing about it is like for a long time I did therapy. I did. I've I'll total in total. I've probably done therapy. I'm going to say for like 10 years between different therapists. I, it's not that I think I'm done. It's not, you know, it's not that I don't want to be in therapy. I, there are reasons that I'm not in it right now, but I just very quickly be talking about my childhood became like, okay, but I talked about it and now I'm just complaining. 2 00:07:56Or, you know, now this is just, when are you going to get over? And that's the voice of like everybody in my family, like get over it. Everybody's everybody hurts. Like not even, not, not even everybody hurts, just like, get over it. You're your grownup. There's no time for that anymore. And I, that is the voice that I cannot quiet in my own head. So, whereas at one point in my life, I thought I had done all that. Cause I did 10 years of therapy. Now I realized I just never even approached it. I stuck with things that were more happening in my life now. Or like I would spend a lot of time like crying about my dad or whatever, but it wasn't like it's, you know, that was about him. 2 00:08:37It was about me talking about him. It wasn't really about me talking about me because I think when I started talking about myself, that's when all the walls and defenses went up and I was like, you know, and I, and I couldn't do it. And Aaron has said to me, a number of times, like you've never really dealt with this stuff and I, and I've just been so incredulous, like, of course I have, I've done, I've dealt with it a ton, but I really haven't. I haven't, I've done like layers of it, but I haven't, I haven't done all the layers. 1 00:09:06Yeah. And I, I could totally hear that and I can totally relate to not feeling, to feeling like I haven't really touched on it. And the reason I know that I haven't gotten to the core of sort of any inner child work is that yesterday when I was, when she had me doing an exercise outside in the park, like just trying to approach my inner child, the only way I could make contact with her was across a field with loud noise in the background with me yelling and her yelling back. So like not screaming at each other, but like there was, had to be a barrier. Like I couldn't the intimacy of approaching her straight on was too much. 1 00:09:46So I was like, Hey, I'm over here. And she said, hi, I'm over there. And she was like, really suspicious of me and stuff. But I knew like, oh, I'm really having, I have a lot of trepidation about approaching this part of myself. And so I have to have a separation, like a barrier. It has to be, it has to be moderated. It can't be like, I can't just walk up to her. There's no way in hell. There's no way. 2 00:10:13What's it. Like when you look at pictures of yourself, when you were really young, what did you think? 1 00:10:17I feel like I don't even know who that person is. Yeah. 2 00:10:21I have the same exact, whereas I know this just could be the difference between thinking about yourself and thinking about another person. When I look at even very, very young, young baby pictures of my kids, I think, oh yeah, their personality was there. You know, from the beginning, this is who they still are. And sometimes I'll share, I'll show them something and they'll say, you know, it seems like they kind of recognize. Yeah, that's me. Whereas I look at that person and I think, I mean, I've seen this picture before, but I, I have what, who is that per yeah, I've just have no idea. I think I, what I basically did, starting in theater school is just form a whole new set to start over. 2 00:11:05I just formed a whole new identity. I was just like, not to the point that some people get like my sister where they tell everybody that our parents are dead. But to the point of just, yeah, I'm this person now. And you know, and I'm, and I'm done with that other person, whoever she was, I hated her no matter what. And of course the realization realization I have recently is no, but I still hate myself. So I really haven't a changed divorce. And I, and there's a, you can't walk away from who you are, you have, you have to. 1 00:11:37Right. And, and, and I, I, my coach, Deanna, was like I said, I don't know who that person is. And she said, she's you, you just haven't integrated her yet. Like there it's you. And I was like, whole, I saw it as a separate sort of. So it's interesting. And she said, trauma, you know, we talked about neuroplasticity of the brain and trauma and, and how it's rewiring. Like, so, and she's like, I don't really believe in, well, I don't know if she said this, but I got, kind of got the feeling. She was like, she didn't really believe in mantras and all that, but she said, what happens? What do you start telling yourself when you are scared? 1 00:12:19Or when you have an audition, that's scary. I say, I'm going to screw this up. That's my mantra. I'm going to somehow screw this up. I'm going to, she's like, all right, we have to cut that off immediately. She's like, I don't care what you say, but you can't say that to yourself anymore. So I was like, okay, what can I believe? Like, what can I get stand behind? Because I'm not going to say, oh, I'm the greatest actor and everything. No, no, no. I don't believe that. I don't believe that at all. But what I do believe it, I do have evidence to show in my heart and in my bones that things have that everything is happening at the time it's supposed to be happening. I do believe that I do. I can stand behind that. I can't say it's good. I can't say it's awesome, but I can say, so she said, all right, we're just going to go with that. So now, like, you know, I think, oh, what if I get a call back for this role I really want, and I know I'm going to fuck it up. 1 00:13:04And I said, Nope, it's going to happen. If, if I do fuck it up, it's going to be, because it was the time to fuck it up. Like I have to believe in the timing of things, because I can't really believe in the goodness of things, is that, you know, 2 00:13:17Right. And sort of similar to that is how I'm always just thinking in my mind that I'm just starting over at that. I'm always just putting the other the past behind me. It's, that's not you that you can't really do that. And, and it's all, it's every failure in every experience you go through every part and every iteration of yourself is a part of whatever it is now. It's not. So what's what this is making me think about is when I was in private practice, I became sort of known for treating really severe trauma cases. And so almost all of them had did. 2 00:13:58And the technique for integration when a person has multiple selves and just for people who are listening, it's not like civil, civil, and bark, like a dog, whatever. It's really a lot more subtle than that. Now in severe cases, people have these few states where they go and they're just doing something else. I mean, I had, I had clients who would get themselves. They would go into a few state and then do terrible things that really dangerous, dangerous, terrible thing. But the technique is you have them all sit around a conference table. 2 00:14:38You have, what's amazing to me is if, if you're talking to a person who suffers with us and they've never heard this technique before, they never go conference table, they go, okay. Yeah. They're, I mean, they're just immediately, oh, that's a good idea. They can all come together because of they're in their experience. They feel or see. And they all have very often, they all have different names and different ages and they have different things and they fight with each other about what they're doing. So I say, let's just do the conference table thing. Let's have everybody meet together and we can work on the agenda. But like the underwriting overriding thing has to be we, whatever we do, we want to do it United. 2 00:15:20And what it gets tricky is when you're, you're not doing it United and everybody's, and that's the sabotage thing. That's what you get a lot of it. The sabotage thing is like this one is, and it's all because it was all a coping strategy for not being able to, you know, the parts of yourself that were rejected by whomever get shunned. They don't go away. They just get shunted off into another part of you. And it's funny because I really see a lot of my dysfunction feels splintered like that. Like I can say, I can click into a mode. That's happy, happy, and positive. And, but then if I'm not feeling happy and positive, then it's like, I'm not that person anymore. 2 00:16:03I'm just this other sad, depressed person. Or sometimes I'm, you know, we all have it to some degree and I feel it a little too. It doesn't feel like different parts of me that have different names, but it still feels like it needs a lot more integrating. 1 00:16:18Yes, I totally agree with that. And the other thing I worry about, and I think, and I, I don't know if you've ever worried. I worry that might the, that part of myself, the small, vulnerable, whatever, I would say five or six year old part of myself is going to disclose some, even more deep trauma happened. 2 00:16:38Okay. There you go. That's probably exactly right. 1 00:16:41And I don't want to, and I am like, I don't know if I can handle that. Like I, so she is the keeper of secrets of when I was young and who knows what the hell really went on. Like I could have been worse than I thought is the, is the, is the, is the overarching fear 2 00:16:59I can see why you would be afraid then. Yeah. Yeah. I wonder if I wonder if part of your way it is going to be instead of, or like in addition to fearing that is like, yeah, that's scary, but she needs help. She needs, yeah. 1 00:17:14Yeah. That's what, that's what Deanna said too. It was like, yeah. She needs to be seen and heard. Yeah. And that's your way to freedom. And I was like, what? Because whenever someone says the way to freedom, like that interests me because freedom from such self doubt, freedom from such self-loathing or fear, you know, self like freedom from that seems amazing. So if someone tells me, you want to get free from this, you know, as long as they're not telling me some wackadoo stuff, but you, you want freedom from this thing, then it's going to take a certain amount of work. I'm like that, that I'm curious if I will do that word, which is just to say 2 00:17:58To our listeners, that the experience of doing this podcast has people are always reporting to us. Oh, I've reconnected with people. I'm, I'm healing things and remembering things, but that's true for us too. And I have reconnected with people that I haven't spoken to in a number of years. And it's so gratifying. I mean, that, that's actually another piece of this disintegration thing is like the person I was when I was in theater school and the friends I had. And I just basically with the exception of you just moved on from that and never looked back and you know, these are people that I love that I loved then, and that, you know, as I'm reconnecting with them, I'm like, oh yeah, you're amazing. 2 00:18:48And I'm just so grateful that we're having the opportunity to do this. I, this is what college reunions are meant to do, but they don't because it's kinda like one, you know, it's just, it's all because you just get through one layer of like, well, what do you look like? And what are you doing? As, you know, as an and, and I guess social media has changed that for people, like they get a better sense, but, but that's even, that is not the same as actually talking to somebody who you haven't talked to. And then now I'm like texting with people and it's fun. It's and then the other thing, which I've mentioned to you at least once before, but I'm still thinking about a lot is the people who I don't remember, but who remember me to me, that means I have just been so self absorbed that w that to, to a great degree. 2 00:19:43When I think back about that time, I, I almost can only think about myself and how I felt about things and whether I was getting treated well, or, you know, instead of like the fact, I mean, I guess that's human, but I just feel like if there's somebody who remembers me, then there's a re then the reason that I don't remember them is not anything other than I was just paying only attention to myself. And I, and I have compassion for myself about it because I, you know, it was just doing the best I could, but I'm interested in going back and healing those riffs too, because I, I think that something happens that has happened to me over time is like, I was never the most popular or the least popular. 2 00:20:37I was always in the middle, which meant that I ended up looking down on the people who were less popular than me and, and looking up to and resenting the people. So it was, I was just seeing everything in terms of like status status. Yeah. That's what it is. I have been entirely status obsessed in a way that is a complete surprise to me. I had no idea that I was status obsessed and it makes sense because that's how my parents are. That's how everybody, I mean, that's how a lot of people are. Why would I be unique? Why would I be exempt from 1 00:21:10Them? Well, that's the thing. I mean, I think that we, that I get get, so I get so trapped in thinking I'm uniquely where I'm at, and that is garbage. I am a unique human because everyone is to a certain extent. And then we're all the freaking same. We're all worried about what we look like, what we sound like, who, what, what other people think of? What other people think of us and how we're coming off. And, you know, that's part of being human, but I think you're right. I think for me as well, when people remember things, I don't remember, people were like, yeah, we were friends and I'm thinking we were friends. And that is because I was too busy probably thinking about myself and what else I could do, or why it's, it's what they say in 12 step programs, really about self centered fear. 1 00:21:55It's like, I'm so self-centered, and, and 2 00:21:59She'll warm. I'm I'm shit, but I'm, but I'm 1 00:22:03Yeah, shit. Or I'm the special warm and a, not a worker among workers, you know, like it's, it's, it's an interesting thing. And we come by and see the thing that's really also interesting to me is that we come by it, honestly, that is the part that I have to remember. It's that the people come by the shit, honestly, including me, I'm not so special that I don't come by it, honestly, it's not right. You know? 2 00:22:26Yeah. I mean, right. Yeah. I think it is. It's completely amazing. I'm completely great. I, I'm an apropos of our conversation that we had a while ago about like constantly evaluating our progress. Like when I can get away from doing that, I'm just full of gratitude for, for, for what we're, what we've already done. Even if we never did it again after this, what we've already done has been so personally helpful. Yeah, 1 00:22:54Me too. And I do see it as a way also as, as we move forward as artists, as a way of building allyship with people that I once looked at as not nemesis, maybe, but like as adversaries or doing better than me or doing worse than me, or now it's, it just seems more they're equal. Like I feel more equal with people and I think that's a better way to go, because the other way is like, 2 00:23:20It's also just the truer way to go. Like, it's just a lie. We tell ourselves when we think we're so sped. It's like, okay. But I mean, among other things, it's simply a false, 1 00:23:31Which is why, like, things like the like organized, like army and stuff works because you all get put in basic training and no one is better than the, there were, you're all lower, lowest on totem pole. And I think that builds some kind of comradery. And yeah. So anyway, I just, I just, I don't know why I was thinking about that, but I liked that idea. 2 00:23:55I, I started to watch some of the showcase this year is DePaul theater school shows. I was just curious if you had seen any of them. I 1 00:24:07Have seen it. And you know, it's interesting. I, the, the way that they filmed it, for the most part, it's the same camera shots, right. Of each I'm like, okay, okay. I think that we could have been a little more original with that, but I think they were trying to be equal to everybody and not quote you. And, and also 2 00:24:30It's not a film school. I mean that, you know, I, I, for that reason, I give it a lot of credit because it's like, oh, wow. I wonder if somebody had been tasked doing that in our year. I'm, I'm not certain we would have gotten anywhere. It would've been 1 00:24:44In video camera shaking and like, yeah, yeah, 2 00:24:47Yeah. So it's cool. I'm happy for them that they have this. I mean, I'm happy for them that they have this access. It's probably has the same effect that it did when we did the in-person thing, which is like, not a lot, unless they're going to move to LA. But what I felt was interesting is looking at the acting and just remembering, like, talk about not being special. We all did bad acting in the same way, you know, which is to say not connected, not real, very, very self-monitoring of like, how is this coming across? You can see people thinking that, how is this coming across? Versus there was a few people who was like, oh no, they're in it. 2 00:25:29They're totally there. They're there. It's just ed. And I say, this was so much compassion because I think probably the entire time I was just looking, I was just observing myself. I'm sure I did a terrible job. Yeah. And 1 00:25:41I can see it too. And I, you, it sticks out when someone's really in it. And it is so hot. And we said this, and I, I think we've talked about this on the podcast. It's so hard to get there. It's hard to get, to stop the self-monitoring to be in the moment and just tell the story or be in the it's so hard. So what it happens and you see it, you're like, oh, that's gold, that's gold. And it's not to say that, you know, we all get there at different times and we have different moments of it, but yeah. 2 00:26:09Yeah. What's hard to account for, I mean, you know, to a certain degree, there is only so much teaching that somebody can do of actors, because what you really need also is just these life experiences that either do, or don't lead you in the direction of really understanding yourself. And if you're a person who is not interested in understanding yourself, you're probably pretty limited as an actor or, or like, or maybe even very successful, but just that one, you know? Yeah. Right, 1 00:26:39Right. You might, you might make a million dollars, but as we talked about it, that not equal being in the moment and being it truly like for me in an experience, just because you made a million dollars doing it does not. I, I is a recent, recent, recent discovery that worth and money are not necessarily the same. Oh my God. Oh my God. 2 00:27:04Me too, girl. Me too. I'm just like, yeah, because actually there are other, I've heard the phrase. It's not always about money, but I really have never lived it. I have always been like, no, no, no. It's always 0 00:27:26Today on the podcast, we're talking with Edward Ryan, Edward is someone who went to the theater school at DePaul university and then left and then went on to have many adventures and different incarnations as an artist and is still on that adventure. And he's thoughtful and kind. So please enjoy our conversation with Edward Ryan. 3 00:27:47I was, I was a year below you guys. Okay. Okay. Okay. Edward, 2 00:27:52Ryan, congratulations. You survived theater school. I did twice. Twice. Yeah, because you just went back a few years ago to get your degree. So tell us about 4 00:28:03That. That was a very different, yeah. So you know what I did do some local theater, like a while ago I met a costumer and his name was Frank and he wound up teaching at a really small private school in Springfield, Massachusetts. And he's basically started a theater program there that's called American international college. And he said to me one day, like, how come you never finished your degree? He was like, give me your transcripts. And I, I, I got my transcripts. And he was like, you could be done in like a year and a half or two years and have a decree. 4 00:28:47Well, I didn't know I was going to be so, you know, affected by, was it, it's a school that serves a lot of sort of underserved communities. So there's a lot of first-generation Americans, a lot of first-generation college students. And in contrast to a place like DePaul, although we complained about the building on north Kenmore, the facility, there's nothing. I mean, they have nothing, these kids and, but their like passion and their drive is really what you know is so inspirational, you know? And they're like, we can make theater out of anything, you know, out of nothing. And it was kind of a strange situation because Frank and I were very good friends, you know? So all of a sudden he was like my professor and I mostly had to do academic classes to graduate there. 4 00:29:33You know, they took all my credits and I re I did a history of theater. I was like for like the third time, like all of, you know, this time I wasn't able to cheat. As I remember 2 00:29:46Cheating, I did cheat, oh 4 00:29:48My God. Anaconda make us, had every test that doc, whatever his name was, Jack O'Malley gave us. Oh, hilarious. And I've always been really studious, but like second year I was like, oh yeah. You know, give them up. 2 00:30:05That's funny because I don't actually remember the cheating thing, but when Dave was on, he, he referenced that, I guess it was widespread. I mean, you know, in a way, I'm sure they were like, oh, these kids they're so dumb. Just something easy. 4 00:30:20Get the same test every year, year after year after year. And luckily I lived, I lived with second years. So it was like, and you know, and she had them all, like, she was a stage manager, dramaturgy, Jenna, all a file. I just had to go in every week and pull it out. Yeah. 2 00:30:35I mean, are you the, one of the people who just got a brochure from DePaul and that's how you went 4 00:30:40With, yeah. With this gesture on the front, I never went to visit the school. I auditioned in New York and it was, you know, I had applied to NYU and I had an audition set up, but their auditions for summer, I didn't audition at the same time. And it was like really late. And I applied to Providence college. That was, if I wanted to like go the more academic route, dammit. And I remember going for my audition and I, I like heard really quickly that I got into DePaul and I just decided I never even went on my audition for NYU. 4 00:31:21I, I thought that the city would probably be a little too, you know, I was, I lived near the city. So it was like always my grandfather lived in the city and I thought that's going to be too much of a distraction, you know? And I really wanted to, you know, get an education. So I went to Chicago and I flew out and my parents drove all my stuff out. 2 00:31:42What, like, what did you make of it? Day one. What was, where was your head at with it? 4 00:31:47I was like, Chicago is so clean compared to New York. Yeah, it really is. I lived in Seton hall and I lived on the fourth floor in the corner room that was like ginormous with Cedric was Cedric steins was my roommate. And we had this other third roommate that we never liked. And then he got kicked out of the dorms, like halfway through the year. So we had this great big room and it was right above. I felt like the blues brothers, cause he looked at our window and they're like the El tracks by, but it was really close to taco burrito palace. Oh 2 00:32:24My God. I forgot all about TVP. Okay. Well they have many, you know, there's like 1, 2, 3, 4, 5, 6. I think that one is actually still there. 4 00:32:39That place like on a Friday or Saturday night was like, you couldn't get near it. And Rose's Tavern is like hole that the Mesopotamian woman who was like, let anybody drink. Okay. If you could walk, you choose giving 2 00:32:53Toddlers shots of you guys 4 00:32:56You'd be surprised. And there was some sort of characters in that joint. I mean, I remember like winding up at some apartment and being like, I shouldn't be here. What am I doing? 2 00:33:10So, but you left, you left after your second year. Okay. And it was rough. You said you had a rough, 4 00:33:16It was, I was, I was planning on living there. So I was living there for the summer. I was living with Cedric again and then Noel wrath. Yeah. And we were living like sort of west of everything, like up Armitage. It was like desolate. It was like this really weird apartment where I had the closet as my room. And I just remember like taking out the garbage, had to go out the back doors to this garage. And there was like this Harley biker who was always hanging out in there. I don't know if I was just like, this is where children get molested. I can't, you know, it was odd and Cedric left and he went to Africa, there was a trip to like Africa. 4 00:33:56And I remember Susan Lee was on that trip because he was like, he called us and he was like, oh, I met Susan Lee and wait, 2 00:34:07Susan Lee was just randomly in Africa with this girl. Don't you remember? That's when she came back and said to Erica, oh, I've got to teach you African dance. Okay. 4 00:34:18But, you know, I really, I really want, I was like, you know, I was kind of shocked about it and you know, I think it was a lot for me to go there. You know, I'm the youngest of five. And then my mother had remarried and I have four step kids. So my parents had like nine kids under the age of like 30. And you know, financially that no matter how much money you make, I think it's, it's a burden. And I was really committed to like the theater school. And I didn't have a warning that was sort of, you know, productive. I remember going to Rick Murphy's office and not having any morning, my first year of going in and sitting down him being like, you're fine. 4 00:34:59Get out of here. You know? And then my second year he was like, what the fuck is going on with you? You know? And he's like, what's up a tree Kessler. And I was like, I don't know if she hates me. And he was like, get your shit together or something like that, you know? But there was no like sort of actionable steps. And then when I left and asked back, I was like, wow. And you were talking about mushrooms. So for the first time I ate flushes and I wandered around Chicago and I found all these incredible places. I was like, oh my God, like a Paul said and all that. I was like input. And like I realized, I was like, in my own backyard, I thought I was lost. But I, you know, I have like some journal entries about Sundays are the best day in the world. 4 00:35:40Everybody does what they want. Even God rested on Sunday. And it was so much fun. Yeah. All by myself, just wandering around the city. But you know, people were like, oh right. Speaking of that, I remember I was dying during Eric Slater's interview because we got a phone call at like 6:00 AM, one day at apartment two downstairs. And it was Eric and he was, he had been arrested. And it must've been when you guys were doing Andrew CLIs and the lion, because he was like walking home. It was really late. He was walking home from our house, I guess. And the cops stopped him and arrested him. 4 00:36:21And we were like, he had to be like at the Merle reskin theater for this purport, like that morning. And I think we wound up calling John Bridges and it turns out they had just taken and he looked like a shady character. 3 00:36:38I don't know. But I wanted to ask 2 00:36:43Total digression, but I always thought in lineups, they got other criminal, like people that they know, they know and they can just random. Yeah. They get rent. I don't know about now. But you used to do this random ass people for lineups. Yeah. But the way you get them there is by arresting them. Well, I think you can, apparently in Chicago, 4 00:37:05I think he was drunk. He was probably stumbling. Maybe he was like, had a few beers and they were just like, oh yeah, public drunkenness let's go. But that was like one of the funniest. And it was like the day that my mother called me late, it was like crisis. You know, we went into crisis mode and it was like, she got out her clipboard and like gave us all the assignments. And then my mother called me that morning and she was like, is everything all right? And I always thought, I was like, you know, my mom just says that like intuition, you know? And I was like, everything's fine. You know? Like, and I remember saying to her, I'm like, I think your psychic should always, so you're, you're saying, so 2 00:37:47You didn't, it was, there was no, I mean, there was a warning without any information in it or 4 00:37:55Yeah, there wasn't really anything specific, you know? And like I had truly Kessler my second year for voice and speech. And I had had Ruth's Rupert who you, she was there for a really short period of time. And then she left, she came back and she was like, oh, I got a contract. I'll be here next year. And then she came back like the next week and was like, I'm leaving. And she got a job at Yale and she went off to teach at Yale and she taught Christian Linklaters work. And then Trudy, our second year. And I was sort of excited to, I guess, first she taught LSAC and other things and was doing Linklater again. 4 00:38:37So it was sort of like the same class again in a row. And I think Ruth was a really great Linklater teacher. And I don't know if I don't know Trudy and I just had something. I still tell, I, I S I'm still in contact with Ruth. She's my Alexander technique teacher now. And there was a 13 year gap in our relationship, but she'll always say like, oh, I'm going to this conference, Judy. I said, hi. You know, cause when I got my letter, it said that I had three absences from voice and speech. 4 00:39:18And to this day I say, no, I didn't, I would have never done that. Like I was pretty committed. She, I had a full freedom, so I was born like tongue tie and she was like, I want you to go. I never had any speech issues, but she's like, I want you to go see this doctor. So I went to see this Dr. Bastion. And he was an ear nose and throat guy that worked with actors in Chicago. And he was like, oh my God, let me clip it. And he's like, I've never gotten to do it. And I was like, so it's a little thing underneath your tongue. So it's, it actually tells your tongue behind your bottom teeth. Like everybody's develops that way when you're pouring it recedes. 4 00:40:00If you're not, they usually just clip it when you were born, but they never discovered mine. And so I wound up letting this doctor like do it. And then I had rehearsal for like my intro with Trudy. And I just remember meeting her in her office and her being like sticking her thumb in my mouth and being like, oh yeah, you have a significant overbite. Like, and just saying like, you know, you don't have a speech issue, but maybe if you got your tongue released, it would change your speech. You know, it's, I would love to see what it does. You know, I just felt like I was pretty committed to it. And David was my acting teacher second year. 4 00:40:40And in David's class it was like, I could do no wrong. You know what I mean? I remember like almost hating it, like him being like some like, okay, you know, you critique each other's like scenes or improv or whatever you were doing. And he would say, so who saw what ed was doing? And somebody was critiquing it. And they were like, what are you? He was like, you know, what are you talking about? Like, he was like, he was fine. Like, he was like, my opinion is the only one that matters. So, you know, and just being like, okay, so now they hate, 3 00:41:14I have to say I'm shocked that, you 2 00:41:16Know, usually the story is that the second year acting teacher hates your guts and then you get cut. Like, that was my experience. Cause I was cut and then asked back crazy, crazy. But, but it's interesting that David, that thought you could do no wrong in your, as your acting teacher? 4 00:41:39Well, it was really weird because I had David and first quarter I was in David's intro and he gave me a better grade in my intro. Then he did an acting class and I remember him saying to me, do you know why I did that? And me being like, yeah, like, and really having no clue. But I remember, I remember getting into a fight with him in that rehearsal for that intro and him saying something to being able to like, okay, well what, what, what do you want? And he was like, I don't know what, you know, just, you better try something else. Cause that's not working. Like he yelled at me and everybody was like, oh, and David and I used to take these, walks around the block at the theater school and have these little chats. And he was like, you know, he, he, he gave me every indication that he thought I was talented. 4 00:42:22And then I remember my second year of him saying to me, do you really want to be here for another two years? And I was like, well, yeah, you know, I really want a degree. And he was like, what are you going to get out of us Shakespeare classes? And I remember, and I was like, oh. And then I remember telling him about my issues with Trudy and him being like, you know, Trudy he's like, I'm the head of the voice and speech, which I didn't even didn't really even know at the time, you know, it was odd to me that he was, and, and then, but then he gave me, but then he gave me a bad grade, like enacting class. And so it was sort of like this. I was like, what the fuck? 4 00:43:02Like what, you know? And I just, you know, and then in my intros I was always like a middle-aged alcoholic. Like every single one, you know, or that I was like the alcoholic vicar in that horrible, a farce that thought it'll coat did where my, like I walked in the room in my pants, you know? And Corpus, yeah. It was like, first of all, farce is tough. You know, it's a tough, and for some reason they thought, you know, I heard this a lot about our class. Like, oh, these guys could do it. Like they could graph it. Well, guess what we couldn't and it fucking sucked. It was just like Riddick. 4 00:43:43I was like, Betty Hill, is that what I'm doing? Like, it was just like, it, it, 2 00:43:50It, it's hard to be funny care, but like the experience it makes you funny 4 00:43:59Is that I remember seeing David's like intro second quarter. It was like bomb and Gilliad. And I was like, why don't I get to play one of these like transvestite hookers? Like I can do that. And then it just wasn't, it, it was like the autumn garden, my last one. And again, it was like, I mean, Eric Yancey, I drink so much peach tea my second year of, cause the dining room was my first one. And it was like all of these like waspy, you know, I played like one little boy, that's the scene. We, we, we sorta had a yelling match about, but it was so I don't know. I mean, I was, I was, I remember Noel being like I got in and you didn't. 4 00:44:43I was just like, I didn't really, the thing was, I thought they stopped going to New York for the, I didn't ever have a desire to be on television or in the movies I wanted to be in the theater. And I went to the theater school and I sort of saw that transitioning transition happening. It was kind of like, I have no desire to live in LA. I just think it's like the new years and fake foods. Like, that's all I could think of when I'm thinking of LA. Like it was a desert, everything there is artificial. Like every, every blade of grass is like planted. I don't know. And I thought I was okay with it for a while. Cause when I moved home and my stepfather died kind of suddenly like that summer and you know, it was one of those things like, okay, everything happens for a reason, you know, it's really hard. 4 00:45:34Yeah. My mom, my father had passed away, but he was sick for a really long time. And so I think she was like prepared for that and she wasn't really prepared for my stepfather dying. And so I was okay with it for a long time, but I really, till recently we realized like, I think it really, you know, I remember somebody calling me and asking me to do it a play and not wanting to do it because I had to a lot of musical theater. And I was like, when I did the first play, I was like, wow, musical series is so hard. I'm like, why am I doing this? Like, you know, I sang a lot, but I was like, I hate singing. 4 00:46:14You know, I really don't even like it. And I just, so I, you know, I never saw myself as any Shakespeare characters. Like I was like, you know, I had to read every male part in high school and English class. I read every like male part while the teacher read every female part. And I was like, I hate Shakespeare. Maybe this isn't the place for me. What was disappointing about it is that I wanted it to agree, you know? And I was a good student and I think that my circumstance, this is just sort of allowed me to sort of flounder a bit and not really have a, a footing, not really have any direction, you know? 4 00:47:01So I had some great mentors and I did do some more things and, but very little. And then I moved to New York and it was really not about that. You know, it was about just see what else was out there. I just excited. I was like, okay, I'm moving to New York. And I had worked for J crew for a couple of years and I had left and I called them up. It was like a move to the city. I needed a job and they gave me a job and I started going out in the city. Somebody took me to a nightclub and it was like the first time ever. I was like, you know, we would go see, I, I saw the last grateful dead show in Chicago. 4 00:47:45Like we went to fish, meaner Bana when we were out there. And when I went into this like sort of world of these nightclubs and sort of saw all of these like characters that were present, I sort of became one. You know, I was, it was like my job to go out and, and have fun in sort of a clown. And it was, it was an interesting time in my life. I like to call it the turn of the last century, but it was like from, so I guess I, I moved to the city from like 98 till 2000, or I guess it was 99 till 2003 is when I moved here. 4 00:48:37So I was there for about four years, you know, I worked at the world trade center that was, you know, and I think that compounded things. And I think it sort of made me realize that I was having a lot of fun in New York. You know, I had this, I had great roommates. We had a great loft in Brooklyn, these crazy parties that were like before Brooklyn was cool. I say like, we've priced ourselves out of it. You know, we made it cool. And then, but it was nothing I could sustain or really even monetize. 4 00:49:20You know, there was always like the job that I had to maintain to with, I really had no desire to do theater and I didn't for about another 10 years till I moved here. And, and I was okay with that, you know, I was sort of working in retail and I realized, you know, later that the whole going out and becoming this like character, which I didn't really think I was doing at the time, but I really was, you know, doing things that I'd never done before, or, you know, even these parties were like insane. 4 00:50:02We would like wear like Russian military uniforms and have 200 people in a Japanese go-go band at our house and fill up, we would like fill up kiddie pools with water. We had a great space. And so we did, and I lived with a caricature artist and all these kids from Vassar and it was just, you know, we'd get like a sitar player and, and have like an opium den. And I just 2 00:50:40Have a question I have to go back to, what was your character like? What was your, your nightclub character? Sure. 4 00:50:48So I always joke that I looked like, like huckleberry Finn, you know, I was working for J crew, but I was, I was just myself, you know, I, I would, I had my baseball cap and I had this baseball cap that said ack, which is actually the three letter code for new work airport. And I'm sorry for Nantucket airport. My initials are the Newark airport and people. And so ack people. And I would like, have my pants rolled up different, you know, I worked for J crew. So I was like a walking, like, you know, the J crew like twist that, how it used to be pants rolled up at different lengths and like maybe, or I'd wear like a crusher hat or something. 4 00:51:29And I'd get in line with these people who were like going to bang, bang, and buying their like, you know, tight leather pants and stuff. And it just became like this. I was, you know, I was kind of like a quirky, you know, I dressed, I danced a little funny. I, I attribute movement to music to that. You know, I sort of just followed these impulses that had me sort of stomping my feet a lot. And I danced with my face a lot and I would show up with like a big bunch of gerbera daisies and a couple inflatable sunshines. 4 00:52:08And, you know, I had one friend Franco, who's the only person that I ever went out with. I could always go out by myself and, you know, leave by myself. And I would just, you know, do these fun things. Like, you know, I wrote like a Valentine to the world and like, you know, we put on red paper and pass it out to everybody. Or we would, we'd bring junior mints to junior, was the DJ and pass them out to everybody. Yeah. And people, you know, I was talking about the hat. People would say like, like, what does ack stand for? What does ack stand for? And I got, you know, and that goes to the three letter code for Newark airport. 4 00:52:52And I got so sick of it. I started this thing, like the hairball remover that Cass asked for by name, you know, like, and I didn't really, I never, you know, I still sort of felt like I didn't belong there. You know, it was kind of like this secret thing, but you know, you cold places all the time. And then people start, you know, recognizing you and, you know, you start like getting in for free or, you know, and I found these places where it just seemed, I was appreciated, you know, people would, and I met a lot of such interesting people. I mean, everybody from people who were, you know, Sharman to, there was some pretty, you know, crazy shenanigans that went on, you know, at the time. 4 00:53:44And some people that, I mean, everyone from Tonya Harding and then it comes out and she was interesting to me, but that's like the funniest story I ever time, I let her Newport cigarette for her. Like I do the Catholics, I would see it. Evan am, you know? Okay. 2 00:54:01So I'm just, there's like a theme here, which is that you went to the theater school for two years, and then all of a sudden you had to leave while you might have otherwise been processing your grief about that. You had to go all of a sudden process with your mom because she lost her second husband. And then you moved to New York to get that life going. And then nine 11 happened and you were working at the world trade center. So you have had major Griffis interruptus. 4 00:54:36It's true. Yeah. I, I think, and, and, and I've recognized in my life that I have a hard time, like getting things done that are in my normal routine. Like say, like getting my car inspected, you know, it's like once a year and it's like, whoa, you know, so when things like that happen, it takes me a long time to regroup. And you know, I'm not gonna, you know, sit here and say that I'm, that it, you know, these things like ruined my life in any way, shape or form, you know, I I'm, I'm so lucky that I, you know, I've been in the circumstances that I've been in and that I have a great family and that, you know, I always had a bit of a safety net. 4 00:55:25Not like some people, like, I didn't really have a safety net. Like I felt like in New York, I couldn't do theater because I wasn't independently wealthy. And I, and there was just no place to, you know, you really, it just doesn't exist anymore. You know, if you notice people who go to New York and become directors and, you know, actors are either, you know, inherit that position. I have 2 00:55:52Another way of making money, even though even this Celia Keenan Bolger's of the world. I mean, it is, you cannot, you cannot make a living, even if you're on Broadway. 4 00:56:04Right. It's true. You know, and it's, and it just became, I just became disenchanted with it. You know, I was like, I mean, I still love the theater, you know? And I was, like I said, I was really lucky. I had, you guys were talking about those monologue books, know like Jocelyn Baird is the woman who edited all of those books, which I didn't know, but she was someone who I did theater with when I was like in high school, she's who she picked my audition monologues. And she, you know, I'm still in contact with her. She's a playwright. And she went to Yale. She coaches kids on how to get into programs now, stuff that I was like, what is my brand, that kind of thing. 4 00:56:54But it's like, I, commercial theater I guess, was exciting to me in a certain way, but it was, you know, it was other theater that I liked too. And I don't think it was just theater. I think it was just art, you know? And I think it was like art in life is what I've discovered. You know, like everything is art, you can make anything artistic. And I think that's kind of what I do. I just haven't shaped it in a way, like, I need to write a book. 2 00:57:28You haven't been able to shape it because you've had suspend a lot of time in reaction mode, you know, to various losses 4 00:57:35That, yeah, like the whole nine 11 thing. I, you know, I remember, I didn't tell anyone that for years, you know, it was just something that, I mean, my friends knew there was, there was an Edward Ryan who died that day, who was from Westchester and star. And so there were people like my old boss, Alyssa, who was a harpist and a composer who I worked for as a personal assistant. And, you know, she just heard like names bred off. She knew that's where I worked. You know, we didn't have very few people had cell phones. I ran into one of her three sons and he was like, we got to call my mother. 4 00:58:16I was like, she literally was, she was afraid to call my mom. She was like, that was the only contact number I had for you is your house phone. And I didn't want to upset her. And I was like, oh my God. I just thought I was Ted. I, I will, could been, you know, it was, yeah, it was, it was a rough, it was a rough day, you know, I've had better. And it was my first day back after like 10 days of vacation. And we opened, there was a mall in the building six where the big divot down to the path, trains wound up, you know, the, the second tower that fell. 4 00:58:58And luckily, you know, we were really lucky. We, I, we locked ourselves in at first. I mean, we didn't have any sort of clue what was going on, you know, when you were sort of in it, even it wasn't until we got to the Seaport that we realized that there was planes being flown into the building. You know, I was like, we heard the second plane and we crossed the street and we saw the second building on fire. But at that point we thought somebody was like dropping bombs or shooting missile. You know, we couldn't, you know, come up with the, the idea of someone flying planes into the building. And, and I was like, you know, what do I, what do we do? 4 00:59:41You know, I was like, we're dead. And I was all right with it actually, you know, it was a, it was a strange feeling, but I was like, I'm okay with that. Like, I'm not going to spend my last moments here, screaming, yelling, running, like, you know, there's like this peacefulness about it. And I remember my nephew had been born, my sister's second son who lives here and I had never met him. And so that was the only like little thing I thought about as a regret. And then luckily we were okay, you know, and it was a long, you know, process of sort of also from my loft, I could see this, you know, smoke stack for the next, you know, three weeks. 4 01:00:29And I, even that day, I didn't really process anything until I got to a friend's house. And I, I, they were all there watching the news and I laid down behind them. They were like sitting in my futon and I like fell asleep. My adrenaline like finally ran out and then I woke up and I went home to my loft and the two girls that lived there, Lily and Rebecca were there and they just like grabbed me. And I don't think I stopped crying for like two days. Like I didn't leave the house. I didn't do anything. You know, I talked to my mother, but it was sort of like I was at work. 4 01:01:09So it was like, you know, and I was responsible for other people. And I, I felt like I also have to advocate for those people in the moment, you know, where they were like, oh, you know, well, you can come work at, you know, fifth avenue that day. And I was like, yeah, they're not going to work anywhere today. You know? And it was so I didn't tell anybody because people's reactions were so strong and I didn't want to like tell the story all the time, you know? And so I just didn't tell anybody for a long time. And I realized when I did that, it was actually helpful, you know, to talk about it and to talk about the, the impact of it. 4 01:01:54And I think that it, you know, made me a little more, maybe maybe careless or in a living, but also really living like really living, you know, in the moment, you know, and knowing what that meant, nothing like a little, you know, little flying a plane into your buildings to wake you up. Yeah. Yeah. So that was 2 01:02:22Yet the third or the fourth thing, which is that you graduated from school three years ago. I don't know if you were what you were planning to do when you left, but then the pandemic happened. 4 01:02:34Oh yeah. Not even three years ago. It was a year ago. Oh, that's when you were done was a year ago. Yeah, it was may. I went back to school in 2000, I guess it was 2019. I went for, so I got a bachelor's degree, but I went to Nepal for two years and I went there for a year and a half. So I somehow finished a four year degree in three and a half years, but yeah, I had enough credits. So I was like, bye. And yeah, I was stage managing for them a production. They were doing a little shop of horrors, which was really interesting stage managing and just sort of doing everything for them, for these kids. And I felt so terrible for them. 4 01:03:14And I mean, everything is still there. Like all the props we made, everything is just, I keep thinking of the Titanic it's frozen in time because they decided that even in spring, they were going to be fully remote because they didn't, they didn't think it was fair to leave it to the last minute to decide they wanted people to be able to kiss those sort of ducks in a row and, and know what to expect. Cause I think that was really one of the hardest things on any students or kids during the whole pandemic was like every, you know, the, from month to month, they didn't know what was coming next. You know? 2 01:03:49I mean, I kind of feel like that's how I had spent sort of the stopping and starting of Edward Ryan you've sort of stopped and started and stopped and started. And, and now you, you, you started school, you finished school and you were, and so the kids too, but also you stopping and starting. Yeah. 4 01:04:07Yeah. I mean, I think, I think that, you know, I have a little more, I have some more skills to deal with it. You know, I have a little more, it's like my work at school, you know, just cultivating creativity with this class that really affected me and sort of made me realize that I was more than just a theater artist probably. And do you remember those photographs in the like nineties of like different, like the Beastie boys are run DMC and they were on the rooftops of buildings. So this guy, John Nardell was that photographer. He worked for all these different it's, he's not the person you would expect to be taking photographs, but he was a teacher at the school and he taught this class and this class is so annoying. 4 01:04:55Like it's going to really drive me crazy. And all the kids were really like, he railed against like every assignment does a lot of work and we weren't allowed to buy anything. We had to make everything. And, you know, he gave us a lot of art supplies, but we had to like build vessels to like carry them in and incorporate every handout somehow creatively into this, into this book. And I mean, it was a lot of work and I would, I stay up till three o'clock in the morning, like, you know, making these things and doing the stuff. And he was like, you know, your work is like, incredible it's so it's, it's so much beyond, you know, what were some of the kids are doing here? 4 01:05:36And I was like, well, it shouldn't be, you know, like I have a little, few more resources than they have in their dorm and, you know, but, but the kids too, they were sometimes inspired in that to, you know, these kids to inspire them was like such a, a great thing because they were, so some of them were so disenchanted. And by the end of this class, you could just see that they had all found like what they were good at, like what sort of creative, artistic thing that they really connected with and that they loved and that they were just excelling in. And it was so exciting. Like it was really a, it was a great class. 4 01:06:18I 2 01:06:18Love that it was called cultivating creativity. 4 01:06:21Yeah. Good class. And I mean, you know, we either studied artists or, or, or techniques from Zen, Zen, Zen doodle, or 2 01:06:35Zen doodle. Yeah. There's 4 01:06:36Dan tangles. Yeah. Like he was a Venn tangle instructor. So, you know, we started with that. We did, like, we studied like in Stein and like, it is like sort of pop flags. And we each took a, a country. We were assigned to country and their flag and we, you know, created, you know, work from that. It was a really a great class, but hard, you know, these kids were not used to being asked to do to actually like work. I mean, the school itself knows who their students are. I think a lot of them have, you know, different accommodations and different, you know, struggles or opportunities. 4 01:07:18And, you know, they come from, like I said, an underserved communities and places, and it's like one of those places where, you know, if like Frank, the guy who ran the program was like, I couldn't let, just kidnapped graduate, you know, you know, like there's no way. And you know, whether it's paying his tuition bill or, you know, or raising money, whatever needs to happen. And, and, you know, he got me ready and Frank got me writing again. I directed, I took a directing class, which was a great read life, you know, so great books. 4 01:08:01And it was fun. You know, I really sort of was inspired to just be creative. And I looked at some MFA programs and I auditioned at Yale and I, I think I realized I did not get in, but I realized before that, that I, and Ruth was like, do you really want to go there? And I was like, you know, it's yeah. You know, and she's like, Hmm. And when I went there, I realized what she meant it, like, first of all, it's a shithole about bad facilities, you know, while you're waiting in an old computer lab with like broken computers, stacked in the corner, going this girl from West Virginia, she was a young girls high. And from what I was like, oh, this is what you thought. Yeah. You know, and I sort of felt like they had given the keys, you know, it was like the opposite of the theater school. 4 01:08:48It was like the kids were running that place. I mean, they held all the power and I think it's, it's sort of the way things are going these days, you know, with the me too movement teachers are one of the teachers at Yale said we are the only teachers that have to teach our students naked sometimes. Wait, wait, wait, wait, wait, what? We are the only teachers that have to teach their students naked. Sometimes 2 01:09:15The students are naked or the teachers are the students. What for, for zoom? I mean, on zoom, they're naked. 4 01:09:21No. I mean just different productions where, you know, they are directing a student who is nude and that's why there's intimacy coaches and all of that now, you know, to protect them. Because I mean, you can obviously see working in close proximity with a naked student that could open you up to problems, say like at the school, like what did Kat call it a spontaneous sex of study naps. I mean, there was a loud groping and touching going on that was like, you know, probably, you know, innocent, but you know, could certainly have been a trigger for some people. Sure. You know, like Trudy shoving her thumb in my mouth. 4 01:10:03Yeah. Not good. Not good. Yeah. So that was the day I had three, sorry, three absences. And I was, and I, myself use was damaged by habitual use was the other thing on my letter when I got cut from the theater school, self use was debt is damaged by habitual. You understand what that means? Well, neither did I. I mean, but as I think at that age, I just thought, well, I'm damaged. 2 01:10:31I also can tell you that Rick Murphy, when we were doing set, a very similar thing that David said to you, so I'm doing space work. Rick comes up to me, whispers in my ear. What are you doing? Drop out and go see the world. 4 01:10:48Yeah. 2 01:10:49And I'm like, I'm like doing work first year, second year. I don't remember. He whispered in my ear, why are you here? Go, go see the world or something. And I was like, what is happening? 4 01:11:02You know, I loved Rick Murphy. I mean, he was just like magic, right? I mean, this is not a pipe dream was like, so in captivity it was called freewill and one lust back then. And that was the other thing I wanted to tell you 2 01:11:20That it changed names. Oh no, no, no

En este episodio del podcast hablaremos del misterioso sueño surrealista del artista Escoces Sir Edward James, quien eligió la huasteca potosina de México para realizar su obra más famosa, una obra llena de curiosidades al igual que la vida de su autor. Les contaremos sobre la excéntrica historia y vida del artista, así como las memorables, y en ocasiones secretas, anécdotas que compartió al lado de personajes como Salvador Dalí, Aldous Huxley y Leonora Carrington. ¡Suscríbete a nuestro canal de YouTube! https://www.youtube.com/channel/UC6OARJQeCuiHxK4_-16DqAQ Síguenos en nuestras redes sociales: https://www.instagram.com/arrecholados/ https://www.facebook.com/Arrecholados/

John McEnroe was once the world's No.1 tennis player, winning seven major Grand Slams. But he'll always be remembered for his extraordinary rant against umpire Edward James at Wimbledon on 22nd June, 1981.During his match with Tom Gullikson, James ruled that the New Yorker's serve went out. McEnroe's reaction - "You can't be serious man, you cannot be serious!... You guys are the absolute pits of the world!" - staggered the genteel world of tennis.In this episode, Arion, Olly and Rebecca discover that McEnroe had already established a bad-boy reputation with the UK press, who'd labelled him ‘superbrat' in 1977; marvel at the reaction of the BBC commentators to the unfolding drama; and consider whether the general public would still actually remember who McEnroe was, if this had never happened...Further Reading:• The rant unfolding (1981), from the ESPN Archives: https://www.youtube.com/watch?v=ransFQVzf6c• The Washington Post, pre-rant, record McEnroe's depiction in Britain as ‘superbrat' (1979): https://www.washingtonpost.com/archive/sports/1979/06/24/british-aim-fire-at-the-superbrat/7115ab3c-154a-4f5a-b99e-2632fbd2bc5f/• John McEnroe on ‘Desert Island Discs': https://www.bbc.co.uk/programmes/b08xxfz3For bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021. See acast.com/privacy for privacy and opt-out information.

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Schuhe, Hüten und anderen modische Accessoires in seine Fälle hineinzuziehen, obwohl sie es doch besser wissen müsste... (Audio verfügbar bis 09.06.2022)

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Geschenken anzulocken - Celia ist aber auch einfach ein grandioses Talent für seine Ermittlungen! Diesmal wird ein bedeutender orientalischer Staatsgast seines größten Diamanten beraubt. (Audio verfügbar bis 09.06.2022)

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Schuhe, Hüten und anderen modische Accessoires in seine Fälle hineinzuziehen, obwohl sie es doch besser wissen müsste... (Audio verfügbar bis 09.06.2022)

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Geschenken anzulocken - Celia ist aber auch einfach ein grandioses Talent für seine Ermittlungen! (Audio veröffentlicht bis 27.04.22)

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Schuhe, Hüten und anderen modische Accessoires in seine Fälle hineinzuziehen, obwohl sie es doch besser wissen müsste... (Audio veröffentlicht bis 27.04.2022)

Today we celebrate a botanical artist who learned to paint from her famous younger brother. We'll also learn about a botanist who was fascinated with seed dispersion and weeds. We’ll hear a little snippet about spring from an author and ecologist. We Grow That Garden Library™ with a book about the cultural significance behind Japanese Gardens. And then we’ll wrap things up with National Orchid Day.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Curated News Missouri Botanical Garden's Robbie Hart finds his passion in the Himalayas | St. Louis Business Journal | Nathan Rubbelke   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group.   Important Events April 16, 1847 Today is the birthday of the American botanical illustrator Ellen Thayer Fisher. Born in Boston, Ellen’s family eventually moved to Brooklyn, New York. The daughter of a Civil War surgeon and doctor, Ellen’s younger brother Abbott became a famous American painter and naturalist. When Abbott attended the Brooklyn Art School and the Academy of Design, he would come back home and share with Ellen what he was learning about drawing and painting. When she was 22, Ellen married Edward Thornton Fisher, and together they had seven children. In her spare time, Ellen focused on the subject of botanicals - painting mainly floral still lifes. Sometimes her brother, Abbott, would assist with the final touches of her work - which is why some of her paintings are also signed by her brother. Abbott always called her “Nellie,” and Ellen always signed her paintings with this family endearment. To help with her family’s finances, Ellen painted for exhibitions - likely using her brother’s connections, but she also gave “lessons by letter” to aspiring artists. By 1884, Ellen began producing art for the Boston publisher, Louis Prang - the man known as the father of the American Christmas card. Louis turned Ellen’s art into beautiful greeting cards.   Some of Ellen’s more popular pieces feature Blackberries, Poppies, and a there's one with a Thistle that's visited by a bumblebee.   April 16, 1886 Today is the birthday of the English botanist and ecologist, Sir Edward Salisbury. The youngest of nine children, Edward’s passion for plants started as a young boy. Edward loved to go out into the countryside to dig up plants to grow in his own garden patch at home. Once he identified the plant, he attached a label with the Latin name. His older brothers teased him by calling his garden ‘The Graveyard.’ Edward grew up to become one of the leading British botanists of the twentieth century. During World War II, he was the director of Kew - a position he held for thirteen years. During the war, Edward wrote a paper called “The Flora of Bombed Areas.” Bomb sites were fascinating to Edward. What drew his attention was the way that seeds were dispersed in the aftermath of bombing. Edward immersed himself in the subject of seeds and how they traveled - whether by human shoes, bird droppings, animal feed bags, or wind. Edward wrote many books, but he is best known for his classic garden book called, Weeds and Aliens. In the book, Edward tells the story of going for a walk in the countryside. When he got home, he discovered that the cuffs of his wool trousers were full of seeds. In a moment of inspiration, Edward decided to try to grow them. The net result was that Edward grew more than 300 plants, “comprising over 20 different species of weeds." Indeed, Edward loved plants, and he was especially interested in their native habitats and how they grew in the wild. Edward had strong opinions about plants. He once said, “The double lily was and is a crime against God and man." Edward died in 1978. He lived to be 92.   Unearthed Words The world is exploding in emerald, sage, and lusty chartreuse - neon green with so much yellow in it. It is an explosive green that, if one could watch it moment by moment throughout the day, would grow in every dimension. ― Amy Seidl, ecologist, writer, and teacher, Early Spring: An Ecologist and Her Children Wake to a Warming World   Grow That Garden Library Japanese Garden Design by Marc Peter Keane This book came out in 2017. In this book, the landscape architect Marc Peter Keane shares how gardens are designed in Japan. Marc moved to Japan in 1985, where he’s been teaching garden design and designing gardens. Marc does a masterful job of conveying the intentions and motivations for some of Japan's most beautiful gardens. Now intentions and motivations are two important aspects of Japanese gardens that often go unnoticed since Japanese gardens look so natural and wild. Yet, these peaceful places are man-made. Japanese gardens tell stories - and those stories, according to Marc, are very controlled and intentional. Marc helps translate these stories along with helping us to appreciate the metaphors the gardens represent. In the forward to Marc’s book, is this charming anecdote: At the end of his life, American poet Ezra Pound, wrote: “Let the wind speak. That is paradise.” The Japanese garden designer, like the poet, creates a theater for the wind to speak, and to our delight, we find that the wind has words. With Japanese Garden Design, Mr. Keane provides an etymology, grammar, and lexicon for deciphering, just what the wind has to say.” This book is 192 pages of beautiful Japanese gardens along with cultural and historical insights that make the beauty of these gardens even more meaningful. You can get a copy of Japanese Garden Design by Marc Peter Keane and support the show using the Amazon Link in today's Show Notes for around $12   Today’s Botanic Spark Reviving the little botanic spark in your heart Today is National Orchid Day. It has been observed annually on April 16th since 2015. Now, Orchids are my new go-to order from the florist. If I need to give a gift, I’ll send an orchid because they are so long-lived and they are simply spectacular. Orchids have been an obsession for many gardeners. The great Enid Haupt, also known as "the fairy godmother of American horticulture," fell immediately in love with orchids when her future husband, Ira Haupt, gifted her with a Cymbidium Orchid. Enid was immediately enthralled by it, and she began a life-long love affair with orchids. And I love what the American paleontologist, evolutionary biologist, and science historian Stephen Jay Gould, once wrote about Orchids: “Orchids manufacture their intricate devices from the common components of ordinary flowers, parts usually fitted for very different functions.  Orchids were not made by an ideal engineer; they are jury-rigged from a limited set of available components. Thus, they must have evolved from ordinary flowers.”   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Schuhe, Hüten und anderen modische Accessoires in seine Fälle hineinzuziehen, obwohl sie es doch besser wissen müsste ... (Audio verfügbar bis 07.04.2022)

Celia ist Schauspielerin und als solche eine wahre Verwandlungskünstlerin. Leider mangelt es an Engagements, deshalb ist sie notorisch knapp bei Kasse und kann sich die vielen hübschen Dinge, die ihr ins Auge stechen, meist nicht leisten. Ihr Freund Larry ist Privatdetektiv und nimmt mit schöner Regelmäßigkeit die abenteuerlichsten Aufträge an, bei denen er - wie könnte es anders sein - auf Celias Talente angewiesen ist. Er versteht es immer wieder, sie mit teuren Schuhen, Hüten und anderen modischen Accessoires in seine Fälle hineinzuziehen, obwohl sie es doch besser wissen müsste ... (Audio verfügbar bis 07.04.2022)

Show Notes This week, we review and analyze Mobile Suit Gundam ZZ (機動戦士ガンダムΖΖ) episode 30 - "Blue Corps, Part 1” (青の部隊 (前)) discuss our first impressions, and provide commentary and research on the Franks. - Books and articles: Edward James, The Franks, Blackwell 1988. Sanjay Subrahmanyam, Taking stock of the Franks: South Asian views of Europeans and Europe, 1500-1800, Indian Economic and Social History Review, 42, 1 (2005).  Jonathan Shepard, The Uses of the Franks in Eleventh-Century Byzantium, Anglo-Norman Studies XV, Boydell Press (1993). Vedran Sulovsky, German, Roman and Frankish: The National Narratives of the Early Hohenstaufen Era (1138-1190). Available at https://www.academia.edu/36843759/German_Roman_and_Frankish_The_National_Narratives_of_the_Early_Hohenstaufen_Era_1138_1190_and_Their_Influence_on_High_Politics. Anthony Reid, Early Southeast Asian Categorizations of Europeans, in Charting the Shape of Early Modern Southeast Asia, Silkworm Books (2000). Szymon Wierzbinski, Normans and Other Franks in 11th Century Byzantium: the Careers of the Adventurers before the Rule of Alexius I Comnenus, Studia Ceranea 4, 2014. - Thom also listened to Gary Girod's "The French History Podcast," episodes 26 - 45. Available at thefrenchhistorypodcast.com. - Wikipedia page for the Roman foederati. - Pages for the Franks, Francia, Clovis I, and the Merovingian Dynasty. - About the Mediterranean Lingua Franca. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music for Season 3 is New York City (instrumental) by spinningmerkaba, licensed under a Creative Commons Attribution (3.0) license.. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com Find out more at http://gundampodcast.com

Situato nel cuore del paradiso naturale della Huasteca Potosina, a pochi chilometri dal Pueblo Magico di Xilitla, e avvolto dalla rigogliosa giungla messicana, il Giardino Surrealista di Edward James rappresenta uno dei più incredibili e originali capolavori artistici di tutta l'America Latina.

In this episode Ben uncovers the curious history behind a defining work of 20th-century Surrealism, Salvador Dali’s Lobster Telephone, part of the collection of National Galleries Scotland. Ben hears from curator Patrick Elliott, who reveals more about the genesis of the work and the man who commissioned it, Edward James; academic Dr Sarah Jackson, whose ‘Crossed Lines’ project examines the representation of the phone in modern literature; and finally, Jamie Ruers of the Freud Museum in London, who reveals more about the connection between Dali and Freud’s theories of the unconscious mind.You can see an image of Lobster Telephone at https://www.artfund.org/artandstuff See acast.com/privacy for privacy and opt-out information.

This week's show was a disaster. An Epic Fail if you will. We had a game that Steve planned and it ended very quickly. This was the exact thing we needed this week as we head in to the election. This show was so fun and funny! Check it out! Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.instagram.com/ezrapartier) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week we discuss scary movies scenes, have metal movie reviews from Damien Thorn, a special interview with the gals from Homespun Haints, and special Guest Sean Stark tells us the difference between horror films and scary films! This is very special scary episode of Finger Guns Comedy! Follow Homespun Haints https://www.instagram.com/homespunhaints/ Follow Sean Stark https://www.instagram.com/doomdoer/ Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week we talk about the "I Voted" Stickers and how posting them is never actually funny. Later we are joined by the wonderful Ani Djirdjirian to talk about what going on in Arshak and her family there. Today is also the last day to vote to by mail and be counted on election day. So. GO DO THAT! We also play a game called Prop Quiz where Adam quizes the gang on California Propositions! Ani is organizing a calling party. Check it out! https://www.facebook.com/events/390051848682766 If you have some extra cash please consider donating to the Armenia Fund https://armeniafund.ejoinme.org/donate Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

Today we have the very lovely Cara Meyers joining us on the show to talk Among Us strategies, using the term "daddy", and the best way to slide into DM's! Plus we get Adam calling the people about the podcast and Steve vlogging his doctor exams! Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This special episode marks our 3 year anniversary of doing this show! We invite friends Jessie McIntosh and Sam Johnson to chat about the week and how Trump will probably wear the world biggest mask after this week! Then we have an interview with Union Representative/ Den'zel's Aunt, Lori Condinus. We talk about all the things we need to do improve our cities as well as some fun stories about organizing walkouts and protests! Follow Lori https://www.instagram.com/gangsta4justice/ Follow Sam and Jessie https://www.instagram.com/hashtagsam/ https://www.instagram.com/toomuchjesse/ Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

Steve has created a game show for the crew to compete in! The prize is far greater than they could ever dream of! Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week, podcaster and journalist Quincy Surasmith help Adam and Steve make a loco Moco in real time live on air! Quincy guides them through his on recipe of a Loco Moco while also discussing how good story telling is important and what got him in to telling stories of Asian culture. We also play a game of blue ball hot takes! Follow Quincy Surasmith https://twitter.com/Quincetessence Check out his podcast Asian Americana http://www.asianamericana.com/ Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/ Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week, journalist Nicole Charky comes on the show to talk about journalistic integrity, Steve does a blind fast food taste test, and Den’zel tries hard to not talk mess about a black queen. Such a fun show! Follow Nicole Charky on Twitter twitter.com/nicolecharky Give us a review on iTunes! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

On this special episode Ed sits down with Jon Gruden to go over his NFL preview. Later on in the show Jon sits down with Safiya Darling for an open discussion about sex! It’s Wild Follow Safiya Darling https://www.instagram.com/sexpositivesafiya/ Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

We’re joined by Comedian and Lawyer Lindsay Glazer this week to discuss food shortage in America and also talk about the difference between and Becky and a Karen. We also talk to to First Airman Lloyd Kapicky (Ezra Parter) and we hear about the Antifa navy. Leave use a review on iTunes! Please! We need more! https://podcasts.apple.com/us/podcast/finger-guns-comedy/id1293975889 Follow Lindsay Glazer https://lindsayglazer.com/ Subscribe to our Youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week Adam gets the gang back together! They’re joined by Mark and Patty McClowskey (Jason Kaye & Grace Presse), Tom Brenaman and Mike Milbury (Danny Carpenter & Ezra Parter), and Jada Rodriguez redeems her technical woes from last time. Follow Jada Rodriguez https://www.instagram.com/jadarxdriguez/ Follow Jason and Grace https://www.instagram.com/jasonkayecomedy/ https://www.instagram.com/gracestralia/ Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Elise Carlott (https://www.tiktok.com/@elise.eats) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

Adam is out of town, which lets the gang go a bit wild! In this episode we talk about Adam's anniversary, our personal sponsorships, and blue ball hot takes! Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Follow us! Danny Carpenter (https://www.instagram.com/dannydicpix/) Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Adam R. Macias (www.instagram.com/adamrmac/) Ezra Parter (www.twitter.com/ezraparter) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

This week go back in Trump's brain, discuss whether or not Baron Trump's height is newsworthy, and whether or not Kara was a good Avatar. Jada Rodriguez joins us. Even though her video is frozen, it's still extremely photogenic. George RR Martin (Ezra Parter) stops by to talk about his writing process and we also talk to the CEO of Social Media (Evan Word). Follow Jada on instagram https://www.instagram.com/babyyyrodriguez/ Subscribe to our youtube channel as well! https://www.youtube.com/channel/UCtnmcTNqlCTRV3_dJaxL1yA We have brand new shirts on tee-public check them out! https://www.teepublic.com/user/gofingerguns Join our mailing list at www.fingergunscomedy.com Join our Pateron. We have very exclusive show up there! Check it out! https://www.patreon.com/gofingerguns Follow us! Amelia Gonzalez (https://www.instagram.com/carasdeamelia/) Ezra Parter (www.twitter.com/ezraparter) Adam R. Macias (www.instagram.com/adamrmac/) Edward James (https://www.instagram.com/edwardjrosales/) Steve Sotelo (https://www.instagram.com/steve_sotelo/) Den’Zel Ward (https://www.instagram.com/sirsuavemente/)

We are joined by comedian Anastasia Washington to talk about Kanye’s tweet to be president. Steve Sotelo brings a special report on his campaign staff, Edward Rosales is in a vibe, Amelia reads our horoscopes, and we hear from Danny Carpenter! All that and more on this week’s episode of Finger Guns Comedy! Watch the full Kayne West Campaigner Video here https://youtu.be/V-hgDVw4W0A We are looking to amplify voices of people of color. If you are an artist, activist, or just someone who has something to say we want you on the show. Please email us at fingergunscomedy@gmail.com Follow us on twitch.tv where you can see the full video of the show at twitch.tv/gofingerguns Featuring: Anastasia Washington - https://www.instagram.com/anastasiawash/ Amelia Gonzalez - https://www.instagram.com/carasdeamelia/ Edward James - https://www.instagram.com/edwardjrosales/ Adam R. Macias - https://www.instagram.com/adamrmac/ Steve Sotelo - https://www.instagram.com/steve_sotelo/ Den'zel Ward - https://www.instagram.com/sirsuavemente/

#covid-19#thecabal#thenewworldorder#youtubedrama

This week we bring you a very special report from Steve Sotelo. He goes undercover in order to catch unsuspecting Karen's. We also talk about bar's closing throughout the us, why wearing a mask is so easy, and the new documentary about Russell Simmons! Click here to watch the full To Catch A Karen Video https://youtu.be/LO9vr4gbQNg Please consider donating to www.donateppe.org We are looking to amplify voices of people of color. If you are an artist, activist, or just someone who has something to say we want you on the show. Please email us at fingergunscomedy@gmail.com Follow us on twitch.tv where you can see the full video of the show at twitch.tv/gofingerguns Featuring: Amelia Gonzalez - https://www.instagram.com/carasdeamelia/ Edward James - https://www.instagram.com/edwardjrosales/ Adam R. Macias - https://www.instagram.com/adamrmac/ Steve Sotelo - https://www.instagram.com/steve_sotelo/ Den'zel Ward - https://www.instagram.com/sirsuavemente/ Videos https://abc7.com/trader-joes-north-hollywood-face-mask-outburst/6275950/ https://www.nbcnews.com/news/us-news/texas-close-bars-limit-restaurant-dining-due-explosion-covid-19-n1232233 https://www.reddit.com/r/PublicFreakout/comments/hg1bdg/it_is_not_a_blue_life_its_a_fucking_blue_shirt/?utm_source=share&utm_medium=ios_app&utm_name=iossmf

This week we talk about the amazing tik tok protest that happened at the Tulsa Trump rally. We are joined by writer, comedian, and PhD haver Michael Burns. Special shoutout to Steve Sotelo who’s still having issues with his computer. We love you buddy! Robert Fuller’s halfbrother was shot and killed last week. We are matching donations to the Fuller Family gofundme. Message us @gofingerguns on IG or email us your contribution and we will match it! Here’ s the link https://www.gofundme.com/f/community-support-for-robert-fuller We are looking to amplify voices of people of color. If you are an artist, activist, or just someone who has something to say we want you on the show. Please email us at fingergunscomedy@gmail.com Follow us on twitch.tv where you can see the full video of the show at twitch.tv/gofingerguns Featuring: Michael Burns - https://twitter.com/michaeloburns Den'zel Ward - https://www.instagram.com/sirsuavemente/ Amelia Gonzalez - https://www.instagram.com/carasdeamelia/ Edward James - https://www.instagram.com/edwardjrosales/ Steve Sotelo - https://www.instagram.com/steve_sotelo/ Adam R. Macias - https://www.instagram.com/adamrmac/ Videos https://twitter.com/marcrebillet/status/1274915301281468421?s=20 https://www.cnn.com/2020/06/21/politics/tiktok-trump-tulsa-rally/index.html https://www.newsweek.com/robert-fuller-half-brother-shot-dead-police-1511651 https://ktla.com/news/local-news/5-sheriffs-departments-in-ca-say-they-wont-wont-enforce-newsoms-new-mask-order/ https://www.youtube.com/watch?v=cAHPAevVA-Q

This week Den'Zel Ward joins to talk about Karens! We run through some of the biggest new stories over the last week! If you have some time and the funds, please consider donating to blacktrans.org We are looking to amplify voice of people of color. If you are an artist, activist, or just someone who has something to say we want you on the show. Please email us at fingergunscomedy@gmail.com follow us on twitch.tv where you can see the full video of the show at twitch.tv/gofingerguns Featuring: Den'zel Ward - https://www.instagram.com/sirsuavemente/ Amelia Gonzalez - https://www.instagram.com/carasdeamelia/ Edward James - https://www.instagram.com/edwardjrosales/ Steve Sotelo - https://www.instagram.com/steve_sotelo/ Adam R. Macias - https://www.instagram.com/adamrmac/

Our guest for this episode is Leo Houlding, one of the great expedition leaders of our time. Leo's goal for this year was a new free route on Roraima, a legendary mountain in South America that is steeped in British climbing lore. In 1973, a team of four Brits—Mo Anthoine, Joe Brown, Hamish MacInnes, and Don Whillans—made the first ascent of the super-isolated and dramatic north prow of Roraima. Just getting to the mountain involves a lengthy jungle trek and thousands of feet of climbing through a "slime forest." AAJ editor Chris Kalman spoke with Leo about the soggy approach, the wild 14-pitch climb they found, and helping two local Amerindians, Edward James and Troy Henry, become the first Guyanese to climb their country's most spectacular cliff. The Cutting Edge is presented by Hilleberg the Tentmaker (hilleberg.com). This show is produced by the American Alpine Club.

 In honor of the upcoming film Men In Black International film (MIB International podcast episode now available!), we at Force Fed Sci-Fi wanted to revisit the film that started it all by talking about and reviewing the movie Men In Black. We decided to cover topics like the Men In Black creatures and aliens, the Men In Black ending, some of our favorite Men In Black quotes, and more! Let's start with the... Men In Black Cast Will Smith plays Agent J (Jay) in Men In Black (his previous identity being Edward James earlier in the film). As Sean and Chris discuss in this show's podcast episode, Will Smith had just completed and ended his popular show The Fresh Prince of Bel-Air, starred in the smash blockbuster hit Independence Day, and then was cast and released in this film Men In Black. It's kind of interesting as he finished the show and while he starred in the action film of Bad Boys first, he then cemented himself as kind of a sci-fi action star with Independence Day and Men In Black. We definitely don't think it's interesting in a bad way, but exactly the opposite as we think he did a phenomenal job taking up these types of roles (and still does). Sticking with Men In Black though, Smith did a great job! The mashup with Tommy Lee Jones' character made the film funny and of course Will Smith delivers his one line jokes with ease as he usually does. We'll get more into some of these jokes with our favorite Men In Black quotes later. Tommy Lee Jones plays Agent K (Kay) in Men In Black. Jones had won an Oscar 4 years prior to the release of this film for his portrayal in The Fugitive (our non-sci-fi film recommendation of the week) and had filmed several films in between the two in the meantime. As we mentioned, the contrast of Jones' and Smith's characters was impeccable and added to the movie's humor. Some people may not know that Clint Eastwood was considered for this role as well. While Sean and Chris think that you could trade Eastwood and Jones out on this week's episode, I disagree and think Eastwood would have brought too much seriousness to the character of Agent K. We also have in Men In Black, Zed who is portrayed by Rip Torn. We think Torn does a nice job playing the leader of the MIB agency in this film (and in the second one). We assume he wasn't asked back for the third MIB movie due to his legal troubles though. Despite his past, he has had some great performances to go along with a long career. Men In Black Creatures and Aliens So we thought it would be fun to identify some of the Men In Black creatures and aliens we meet in the first film along with some of the actors who portray them:   Vincent D'Onofrio portrays the main villainous creature alien in this film. We never get the exact name of his species though! We get him referenced as "the bug," "cockroach," and as "Edgar," which is really the body he stole as a disguise (poor Edgar? nah he was a jerk, haha!). In any case, D'Onofrio gives a great performance in this film while making himself move awkwardly at times since he really isn't human, just disguised as one. Tony Shalhoub portrays Jeebs, a creature alien who apparently can grow his head back? I want to know, can he grow as many back as he wants? Or does he have a limited amount?     We get see the Arquillians introduced in this film. Who are actually an important race involved in this storyline.     We see a Cephalapoid at the very beginning of the film blink two sets of eyelids (although the second turn out to be gills since he was out of breath? Uh...alrighty then). However, we quickly say 'bye bye' as he jumps off of a roof.   In this film we are introduced to the worm guys and Frank the pug. Like Edgar, we don't really get a name for these alien creatures. I am glad we got a big more of these characters in the second MIB film, though. Hopefully we'll get to talk about that in the future!