Podcasts about Fener

Beşiktaş have done it again! The Black Eagles fly high in Kadıköy as they defeat arch-rivals Fenerbahçe 1-0 on the road, thanks to a crucial 44th-minute goal by Gedson Fernandes—just minutes after his missed penalty in the 36th! Making him the first foreigner to score against Fenerbahçe, Trabzonspor and Galatasaray in a single season since Mario Gomez in 2015-2016! This marks Beşiktaş's second win over Fenerbahçe this season, completing the double and effectively ending Fener's title hopes. Manager Ole Gunnar Solskjær now boasts two derby victories, including the iconic 2-1 triumph over Galatasaray on March 29.

URBONUS host Gytis Blazevicius & former Panathinaikos player Andrew Andrews react to Anadolu Efes stealing Game 2 in Athens & Fenerbahce going 2-0 vs Paris Topics: How Efes slowed down Nunn & stole an away game (0:00); Is Fenerbahce about to sweep Paris? (16:41).

Maccabi Tel Aviv alla ricerca di lunghi, vicino Tyus, si pensa anche a MensahMicic cambia agente e firma con Igor Crespo, Hapoel sempre più vicino?Papagiannis nel mirino del CSKA Mosca?Coach Fisac verso l'addio a Saragozza a fine stagioneTrieste rinnova anche con Jarrod UthoffTrapani Shark: arriva Ogbeide, rinnovato JD Notae fino al 2027Brady Manek lascia lo Zalgiris in prestito, va al MersinIl Monaco blinda Alpha Diallo fino al 2028Mikael Jantunen si avvicina al FenerbahceVirtus Bologna: si va verso la non conferma di Justin Holiday, per la prossima stagione occhi su VildozaParis Basketball, piace Trevor HudginsReggio Emilia, forte candidatura di Nicola Alberani per il ruolo di GMDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Stevie hosts with Andrew and Kenny for instant match reaction, tremendous in Turkey!   What a victory for Rangers against Jose Mourinho's Fener in a red hot atmosphere   Some might say a Barry Ferguson masterclass   Sign up for a membership here: https://www.youtube.com/@fourladshadadream/join

Il quintetto guidato dal coach greco Georgios Dikaioulakos domani alle 17 tenta l'impresa. Il Famila Basket Schio farà infatti visita alle campionesse d'Europa del Fenerbahce, in questa stagione imbattute con un record di 11 vittorie di fila. La più sudata, però proprio una settimana fa in casa delle arancioni che tenteranno di vincere e approdare in semifinale.

Torjäger Talk die 27. - mit Beks, Romme & Ehrengast Mert! In dieser Dreierkonstellation gibt es nicht nur geballte 1,5 Stunden Fussballtalk, sondern auch einige Lacher! In den Highlights der Woche spricht das Trio über die bestätigte Vuskovic-Sperre bis Ende 2026, die Lewandowski Verlängerung beim FC Barcelona, Verletzungssorgen bei Arsenal und United und über die News, dass Frankfurt 2022 mit Cristiano Ronaldos Camp verhandelte! Es folgen darauf die Spiele der ersten und zweiten Bundesliga & natürlich, wie immer, auch die Ergebnisse der Premier League Premier League. Hier werden vor allem der BVB und das Topspiel zwischen Bayer Leverkusen gegen die Bayern aufgegriffen. Magdeburgs Heimbilanz nimmt mit einem 3:0 Sieg gegen Köln endlich Form an, was man von der Hertha nicht behaupten, die auswärts unterliegen und vielleicht schon bald gegen den Abstieg spielen müssen. In der Premier League gewinnt Arsenal mit Neu-Stürmer Mikel Merino und durch eine Topleistung vom vermeintlichen Jahrhunderttalent Ethan Nwaneri, Chelsea unterliegt erneut gegen Brighton und Marmoush zündet mit einem lupenreinen Hattrick ein Feuerwerk im Topduell der Woche! Im Hauptthema angekommen, schnacken die Jungs über die Spiele der EL und CL Zwischenrunde, bei dem Gala sich das Leben selbst schwer macht und sich Fener keine Blöße gibt. Die Champions League hatte es ebenso in sich mit Siegen der Bayern und Dortmund, aber vor allem mit dem Knaller: Manchester City - Real Madrid! Hottakes inklusive! Die Jungs geben ihre Predictions ab, ehe Beks Power Ranking der Folge den krönenden Abschluss verleiht! Wir hoffen, ihr habt Spaß mit der Folge! Nur Liebe

URBONUS' co-hosts Rytis Vysniauskas, Gytis Blazevicius & Augustas Suliauskas update their EuroLeague power rankings and discuss the highest risers and biggest falls. Guys also touch on Daniel Theis joining AS Monaco, Patrick Beverley leaving Hapoel Tel Aviv and what's important in the upcoming FIBA EuroBasket Qualifier window. Topics: A break from ‘actual' basketball (0:00);  What impact will Daniel Theis have in Monaco (3:43); The hottest team in the EuroLeague right now (15:56); Keys to Fener finding a winning way (22:44); Can PAO be great without Lessort? (27:39); The biggest riser in the power rankings (31:59); Monaco's drop despite returning Calathes (38:06); Dangerous Bayern that keeps surprising (41:38); Partizan finally fulfilling their defensive potential (44:41); From Paris leading the table to battling for play-in (49:12); Why is Barcelona kinda boring? (52:12); Two teams that realistically fit the play-in picture (55:30); The uncertainty about Efes (1:01:23); Baskonia improved but is it enough? (1:03:16); Zalgiris' downfall needs to be studied (1:05:00); The bottom 4 that hasn't moved (1:10:27); Patrick Beverley's drama with Itoudis (1:11:44); Would we pay Micic a Top 5 EuroLeague salary? (1:15:55); Important games for Greece, Germany & Croatia (1:19:14).

URBONUS' Donatas Urbonas, Augustas Suliauskas, and Rytis Vysniauskas discuss Kendrick Nunn's dominance in the EuroLeague and his potential decision on returning to the NBA. They also put together a potential All-EuroLeague Flopping Team, debate whether Wade Baldwin's return will hurt or help Fenerbahce's winning basketball, analyze NBA trades that benefited European players the most, and break down five wild trade scenarios— who is the EuroLeague's version of Jimmy Butler, Dennis Schroder, or Vasilije Micic? Episode partners: – Trace ‘n Chase is your go-to shop for sports cards, collectibles, memorabilia, mystery boxes and grading services in Europe! Shop now at https://tracenchase.com/ and use promo code BASKETNEWS5 for a special discount! – Join Rabona here: https://shorturl.at/CGYdq Use promo code BASKETNEWS and get 100% deposit Bonus (for deposits up to 250€). Check out Rabona's official YouTube channel for bonuses, sports news, and more: https://www.youtube.com/channel/UCNja6yKvqgCJ775V7DdxSTA Topics: The reason behind Zach LeDay's All-EuroLeague season (0:00); EuroLeague All-Flopping Team (6:05); Why this was a crucial week for Panathinaikos (8:09); Crazy difference between Nunn at home & away (12:50); Nunn's future: EuroLeague or NBA? (27:14); How Fener could have won in OAKA (40:28); Is Wade Baldwin an upgrade or distraction for Fener? (44:47); Errick McCollum's Impact in numbers (51:00); Best NBA trade for Europe (56:30); EuroLeague's Jimmy Butler, Schroder & Micic (1:06:30).

Fenerbahce, ecco Jilson Bango, ufficiale l'addio di MaysPanathinaikos, per il futuro si pensa a Dario Saric Virtus Bologna: ufficiale l'ingaggio di Holiday Partizan Belgrado a lavoro sui rinnovi di Sterling e dei due Brown Hapoel Tel Aviv, sospeso Patrick Beverley NBA, diversi gli europei in movimento Justin Alston lascia Treviso Christian Burns nel mirino di Cremona Trieste si rinforza con Sean McDermottDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Sportbladet Allsvenskan med Fråga Disco och Noel Milleskog som gäst – om Sirius transferstopp, bekräftade intresset och tuffa försäsongsträningen. Dessutom gott om sillysnackisar: Ska Touré till Fener? Stannar Salétros i AIK? Vem ersätter Skjellerup i Blåvitt? Med: Oskar Kiisk och Daniel "Disco" Kristoffersson

Een nieuwe Pantelic Podcast in een roerige Ajax-tijd! Met een heerlijk weekend waarin Ajax hele goede zaken deed achter de rug kropen Jan, Wessel en Kevin achter de microfoon. Onder meer om de goede zaken in de Eredivisie te bespreken, maar ook zeker om alle transferperikelen te bespreken! Is Regeer de juiste opvolger voor Rensch? En staat Farioli daar wel achter? Om maar wat dingen te noemen.. Verder denken ze in het Pantelic Plakboek terug aan een andere bijzondere rechtsback en staat er een heerlijk tripje op het programma!(00:00) Intro(01:20) Wat een weekend!(23:55) Van Rensch naar Regeer(33:05) Roma geïnteresseerd in Farioli(36:00) Het Pantelic Plakboek(45:01) Fener meldt zich voor Kaplan(47:39) Van Praag laat van zich horen(54:25) Kevin en Wessel met Ajax naar Riga(01:01:09) Jong Ajax en de jeugdZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

È tornato il Preoccupazione Rating! Scaletta:

Panathinaikos: blindati Lessort e Hernangomez, ora si lavora al rinnovo di NunnSfairopoulos rinnova con la Stella Rossa fino al 2027Barcelona e il ridicolo caso Heurtel Fenerbahce, nel mirino McCollum e Bruno Fernando Il Baskonia ingaggia Luka Samanic Mouhamed Faye nel mirino di diversi club di EuroLeagueBoban Marjanovic vola in Cina Terquavion Smith firma con il Darussafaka Crisi Karsiyaka: via McCollum, Boutsiele, James Webb e Damien Jefferson Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Ülkemizde 2024 yılı itibarıyla 209 üniversite bulunmaktadır. Bunların 131 tanesi devletin, 78 tanesi vakıf üniversitesidir. Bu üniversitelerde 63 Sinema Televizyon Bölümü vardır. 40 tanesi devletin, 23 tanesi vakıf üniversiteleri-nindir. İletişim fakültelerinde öğretim üyesi olan arkadaşlara sordum, bu bölümlerden yılda tahmini kaç öğrenci mezun olmaktadır?

Prvo Histi okupljanje, 15 dana posle V rođendana. Tu je nova oprema (ah da) i novi-stari Vili. Konačno smo dočekali jedno normalno i smisleno javno obraćanje Peđe Mijatovića, epohalna pljačka našeg kluba je isterana na čistinu. MilFka se slikala ispred fanzina PUP (i to broja sa sugestivnom naslovnom na kojoj piše -TITANIK). Završili smo polusezonu na drugoj poziciji, sa +8 bodova u odnosu na PROTOČNI BOJLER. (Ovako loše nismo igrali od Latifa Čičića) U košarci smo posle Albe vezali 4 poraza, u velikim smo problemima zbog nagomilanih povreda spoljnih igrača, ali nismo u drami... i uživamo. Milenku je sve preče i kome je do ozbiljne analitike nega gleda Tegeltiju i pazari nedeljnik „Vreme“. „Hodajući autoritet“ Uroš Nikolić nas je na tzv. „Derbiju“ opet ojadio, što je i zvanično verifikovano. Stalne rubrike, Fener u petak, nagradna igra za slušaoce. Trajanje: 147 minuta ---------------------------------- Pokrenuli smo PATREON, pa ko želi sada može da časti za neko pivo, dodatne sadržaje i/ili tehničke popravke na podcastu: www.patreon.com/pfchisterical A ima i opcija za direktne donacije: paypal.me/partizanhisterical ---------------------------------- HISTI RADIO MIX br. 87 https://www.youtube.com/watch?v=dnIk0TLCZtk&list=PLwhKCZrlUHqjLHtwXHKYEBQ2rdf8BKxb6 Twitter: www.twitter.com/pfchisterical Instagram: www.instagram.com/pfchisterical/ Youtube: www.youtube.com/c/PartizanHistericalPodcast podcast.rs/show/histerical/ NAPRED PARTIZAN! NAPOMENA: Ovo je "uradi sam" podkast u kome navijači Partizana razgovaraju o zbivanjima u svom voljenom klubu. Izneta mišljenja i stavovi su lični, kafanski, i ne predstavljaju stavove bilo koje navijačke grupe, frakcije, dela uprave, radne ili druge organizacije. Nismo insajderi, eksperti, sportski radnici. Apsolutna vernost, ne apsolutna istina. Trudimo se da jezik koji koristimo bude fin književni - možete ga čuti na svakom stadionu i u svakoj sportskoj hali. Cover foto: FK Partizan (Lažni stric?) Majstor zvuka: crk Realizacija: Slavko Tatić, gajtan, štap, kanap, Suede & Histi

URBONUS' Donatas Urbonas, Rytis Vysniauskas & Augustas Suliauskas engage in a funny debate about Kendrick Nunn, analyze last-minute EuroLeague trade possibilities, and share Christmas wishes for every EuroLeague team. Episode partner: – Join Rabona here: https://shorturl.at/CGYdq Use promo code BASKETNEWS and get 100%  deposit Bonus (for deposits up to 250€). Check out Rabona's official YouTube channel for bonuses, sports news, and more:  https://www.youtube.com/channel/UCNja6yKvqgCJ775V7DdxSTA Topics: What do we think of Paris vs. Fener postponement? (0:00); How did Fenerbahce lose back-to-back games by 28.5 points? (4:10); Kendrick Nunn's historic night reactions (10:16); Big debate: ranking Nunn, Mike James & Shane Larkin (17:55); Crazy EuroLeague record & impressive Efes (28:50); Did Panathinaikos display the best quarter this year? (36:35); EuroLeague last-minute trade suggestions (37:45); RIP Janis Timma (59:30); Christmas wishes to every EuroLeague team (1:02:30); Dennis Smith Jr. to the EuroLeague? (1:13:55); Why does ASVEL deserve so much credit? (1:18:12); Just look at these EuroLeague Christmas edition jerseys! (1:25:00).   

Ngapeth al Fener con Kovac, i cambi di allenatori di Giappone, USA e Canada, le coppe europee.. Solo alcuni tra i temi di oggi, oltre al grande focus sul girone di andata di Superlega, prossimo a finire...P1 è un podcast di cronaca e analisi delle ultime novità nel mondo della pallavolo. Le nazionali da maggio a ottobre, campionati italiani e coppe europee per la stagione autunno-inverno. Un occhio al femminile e uno al maschile. I nostri social: Twitter/ X: https://x.com/p1_di65371?t=OM2MNryYakp1WJLUryDFYg&s=09 Instagram: https://www.instagram.com/p1_podcastdivolley?igsh=MXM0bG9zbXltOTJ6YQ== Intro:Mysterious Sci Fi by Brotheration_Records via Pixabay Sottofondo: Music track: Forest by DamtaroSource: https://freetouse.com/musicFree To Use Music for Video

Efes, lascia il GM Yilmaz, Ismail Senol il probabile sostitutoL'ASVEL si rinforza con Andre RobersonBadalona, contratto a tempo per Sam DekkerIl Manisa sceglie Maksvytis come nuovo head coachTrae Bell-Haynes rimane a Saragozza, pronto il rinnovoIsaia Cordinier ancora alla Virtus...almeno fino a fine stagioneGià agli sgoccioli l'avventura di Marjanovic al Fener?Micic sempre più scontento a Charlotte, possibile il ritorno in Europa già questa stagioneMilano, a rischio McCormack?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

In de dagelijkse podcast van FC Afkicken bespreken Nicky van der Gijp en Bart Obbink het afgelopen Eredivisieweekend! Over het spektakelstuk tussen Twente en Ajax, over het vingertje van Zerrouki bij Feyenoord, over het avondje NAC van PSV, AZ dat weer onderuit ging en de afgekeurde goal in Heerenveen!(0:00) Intro(2:37) Twente – Ajax in evenwicht(13:30) CVHJ(15:58) Feyenoord ondanks afwezigen simpel langs Almere City FC(25:12) AZ kan niet lang genieten van zege op Fener(28:52) PSV beleeft zorgeloos Avondje NAC(33:22) Overige Eredivisie duelsIn de podcast verwijzen Bart en Nicky naar:De Short podcast over Kelvin Leerdam's kampioenschap in Amerika: https://open.spotify.com/episode/5ePo5C2Ebp43mmFkfOskuw?si=e505f97cc27e4ef8De podcast van Neal met Coley Parry: https://open.spotify.com/episode/1WBtx9qKYeL2YWfm9Zf5fu?si=03f7e16d375b41c5 of https://youtu.be/jt6fqPT1PEw?si=fywhRmOzRvxeFBGxCoach van het JaarJe kan je nog steeds inschrijven voor onze subleague in Coach van het Jaar!Kijk op: https://www.coachvanhetjaar.nl/subleagues/33921/FC_AFKICKENZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Trinaesti lajv. Velika zahvalnost našim Patreon donatorima. Zahvaljujući njihovoj podršci i poverenju imamo za tehničke inovacije, piće, a uspemo i da napravimo nešto novo od suvenira (npr. čokanje). Fudbalski klub ostvario još jednu važnu (i ne sasvim očekivanu pobedu) u Bačkoj Topoli / Topolyi. Dnevna doza Rasima (DDR). KKP, blago rečeno, nije u najboljem momentu. Fener, Radnički Basket... U Pariz smo išli po break... i opet popili stativu. Dupli program u nedelju! Milka Forcan - ALE! Tajna lokacija: histi & prijatelji trajanje: 59 minuta ---------------------------------- Pokrenuli smo PATREON, pa ko želi sada može da časti za neko pivo, dodatne sadržaje i/ili tehničke popravke na podcastu: www.patreon.com/pfchisterical A ima i opcija za direktne donacije: paypal.me/partizanhisterical ---------------------------------- HISTI RADIO MIX br. 86 https://youtube.com/playlist?list=PLwhKCZrlUHqjkXa7c6du76CbVgfrgwSL_&si=_HKycaOO3YHz9X4T Twitter: www.twitter.com/pfchisterical Instagram: www.instagram.com/pfchisterical/ Youtube: www.youtube.com/c/PartizanHistericalPodcast podcast.rs/show/histerical/ NAPRED PARTIZAN! NAPOMENA: Ovo je "uradi sam" podkast u kome navijači Partizana razgovaraju o zbivanjima u svom voljenom klubu. Izneta mišljenja i stavovi su lični, kafanski, i ne predstavljaju stavove bilo koje navijačke grupe, frakcije, dela uprave, radne ili druge organizacije. Nismo insajderi, eksperti, sportski radnici. Apsolutna vernost, ne apsolutna istina. Trudimo se da jezik koji koristimo bude fin književni - možete ga čuti na svakom stadionu i u svakoj sportskoj hali. Cover foto: Gazza Majstor zvuka: crk Realizacija: Slavko Tatić, gajtan, štap, kanap, The Damned & Histi

Olimpia Milano, chiuso la trattativa per Nico Mannion Fenerbahce, c'è l'accordo con Bitim, poi il prestito Maccabi Tel Aviv, ecco David DeJuliusLa Stella Rossa prova a portare Motley via dall'Hapoel Tel Aviv Cremona, c'è il colpo Payton Willis Varese, sotto canestro arriva Alex TyusNapoli, la panchina di Milicic sempre più traballante, Caja prima opzione per rimpiazzarloSassari, a rischio coach Markovic, sotto osservazione anche Bibbins Errick McCollum pronto a lasciare il Pinar? Anzejs Pasecnicks si accasa al Tofas Bursa Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Fenerbahce, vicinissimo il colpo Skylar MaysIl Monaco riporta Jordan Loyd a casaMaccabi, ufficiale Saben Lee, si cerca un ulteriore rinforzo sul mercatoTroy Brown Jr è il colpo del ManisaL'ex Fener Johnny Hamilton si accasa al LleidaPartizan Belgrado, ufficiale il ritorno di Duane WashingtonAndorra torna sul mercato dopo l'infortunio di Shannon EvansReal Madrid, sempre più emergenza infortuni, ora si pensa anche ad un esternoPesaro: Sacripanti lascia, Spiro Leka il nome giusto per sostituirlo?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

FENERBAHÇE YÖNETİMİNE KAYYUMFenerbahçe'ye yönelik ameliyat "kayyum" aşamasına geldi. Tribünler mafya eliyle ele geçirilirken yönetime girme ise kayyum ölçeğinde. Çökme stajını Anadolu kulüplerinde yapan, Ankaragücü'nü 11 milyon Euro çarpan Erdoğan'ın dünürünün oğlu Ahmet Ketenci ve çetesine ait tüm detaylar. Fener tribünlerine sızan çeşit çeşit mafya grupları ve tribün liderleri arasındaki ilişkiler... Çingene Ümit'inden Sedat Peker'ine, Ali Uzun'undan Şahin Demir'ine farklı mafya grupları tribünleri nasıl ele geçirdi? UTD Fenerbahçe tribünlerinden nasıl uzaklaştırıldı? Cem Gölbaşı'nın kontrolüne verilen yüklü miktarda kombineler, karaborsaya düşürülme işleri. Ali Koç'un etrafını nasıl sardılar? Ali Koç neden hareket edemiyor?

Zarah nimmt euch mit ins Achertal. Dort auf dem Mühlenweg trifft sie Udo Kimmig in Ottenhöfen und lässt sich erklären wie man mitsamt Team alias "Mühlenbau 2.0" Mühlen wieder in Stand setzt. Außerdem erfährt Zarah allerhand über Trachten im Achertal und entdeckt sowohl die Schönheit als auch die Nachhaltigkeit darin. Apropos Nachhaltig: Abschließend besucht sie den außergewöhnlichen Lebenshof "MutimBauch" und interviewt die beiden "Sinnfluencer" Sina und Marcel. Ein bunter Strauß aus Schwarzwald-Facts und Abenteuer wartet auf euch - seid gespannt! Mehr Infos zur Folge: - [Trachten- und Volkstanzgruppe Ottenhöfen]: (https://trachten-volkstanzgruppe.com/) - [Achertal]: (https://www.achertal.de/) - [Lebenshof MutimBauch]: (https://mutimbauch.de/lebenshof/) - [Mühlenweg]: https://www.schwarzwald-tourismus.info/touren/ottenhoefen-im-schwarzwald-muehlenweg-offizielle-tour-3740e7019e - [SchwarzwaldCard]: (https://www.schwarzwald-tourismus.info/planen-buchen/schwarzwaldcard/schwarzwaldcard)

Quasi finito con le preview, buona Eurolega a tutti! SCALETTA

Fenerbahce, ecco Boban Marjanovic L'ASVEL trattiene Paris LeeThomas Heurtel vola in Cina con gli Shenzhen LeopardsAltro colpo per Dubai, ecco Isaiah Taylor DJ Seeley torna al Cluj Justin Simon lascia Parigi e si accasa al Ludwigsburg Andrea Cinciarini firma a Scafati Pistoia aggiunge Semaj Christon Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

İlk bölümde, sanatçı Anet Sandra Açıkgöz ile katılımcıları arasında yer aldığı ve Çemberlitaş Barın Han'da devam eden "Yıkıntılar Arasında" sergisini ve projesini konuşuyoruz. Zabel Yesayan'ın kitabının isminden ilham alan sergi, İstanbul'un Balat, Fener, Ayvansaray, Hasköy, Tarlabaşı, Dolapdere, Kurtuluş ve Samatya gibi semt ve mahallelerindeki yıkıntı mekânlara odaklanıyor. İkinci bölümde, Norayr Daduryan ile Ortaçağ Ermeni edebiyatı ve kadın ozanlar temalı serimize devam ediyoruz. Bu bölümde, yine ilginç bir hayat hikayesi anlatıyor. Son bölümde, Lora Baytar Çapar ile Vakıfköy'e uzanıyoruz. Çapar, Vakıfköy Kadın Kooperatifi'nin çalışmalarını ve bölgede depremden bir buçuk yıl sonra oluşan durumu aktarıyor.

İlk bölümde, sanatçı Anet Sandra Açıkgöz ile katılımcıları arasında yer aldığı ve Çemberlitaş Barın Han'da devam eden "Yıkıntılar Arasında" sergisini ve projesini konuşuyoruz. Zabel Yesayan'ın kitabının isminden ilham alan sergi, İstanbul'un Balat, Fener, Ayvansaray, Hasköy, Tarlabaşı, Dolapdere, Kurtuluş ve Samatya gibi semt ve mahallelerindeki yıkıntı mekânlara odaklanıyor. İkinci bölümde, Norayr Daduryan ile Ortaçağ Ermeni edebiyatı ve kadın ozanlar temalı serimize devam ediyoruz. Bu bölümde, yine ilginç bir hayat hikayesi anlatıyor. Son bölümde, Lora Baytar Çapar ile Vakıfköy'e uzanıyoruz. Çapar, Vakıfköy Kadın Kooperatifi'nin çalışmalarını ve bölgede depremden bir buçuk yıl sonra oluşan durumu aktarıyor.

FREA kurucu ortakları Fatih Yavuz ve Emre Şavural ile bu programda, son dönemde Eminönü ve Haliç bölgesi için gerçekleştirdikleri projelerini konuşuyoruz. Haliç Kıyıları Tasarım Yarışması'nda aldıkları birincilik ödülü sonrasında uygulanarak yaz aylarında açılan yeni Eminönü Meydanı, Galata Köprüsü düzenlemesi ve Fener'deki üç tarihi binanın kültür odaklı yeniden işlevlendirildiği Fener Evleri bu projelerden.  

FREA kurucu ortakları Fatih Yavuz ve Emre Şavural ile bu programda, son dönemde Eminönü ve Haliç bölgesi için gerçekleştirdikleri projelerini konuşuyoruz. Haliç Kıyıları Tasarım Yarışması'nda aldıkları birincilik ödülü sonrasında uygulanarak yaz aylarında açılan yeni Eminönü Meydanı, Galata Köprüsü düzenlemesi ve Fener'deki üç tarihi binanın kültür odaklı yeniden işlevlendirildiği Fener Evleri bu projelerden.  

Trapani Sharks, in arrivo il colpo Tibor PleissIl Fener firma Luka SamanicL'Efes piazza il colpo Jordan NworaIl Monaco prolunga con Elie OkoboMaccabi Tel Aviv, blindato Blatt, ora si punta ad un'alaL'Olimpia Milano annuncia McCormack e ora aspetta un esternoTrento piazza il colpo Anthony LambKevin Pangos riparte da NapoliJP Macura torna in Italia e firma a TrevisoYakuba Ouattara verso la firma con Parigi?Il Barca manda Nnaji in prestito al GironaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Arina Lefter Erenay Yılmaz Podcast 2. Sezon 2. Bölüm Part1'de Fenerbahçe'nin Golden Triosu Melissa Vargas, Arina Federovtseva ve Ana Christina ile 3 yıl daha devam etmesini, Meliha İsmailoğlu Diken'in olimpiyat kadrosuna girmesini, İspanya'nın Euro 2024 Şampiyonluğunu, daha önce değinmeyerek büyük ayıp ettiğimiz Aziz Yıldırım ve Ali Koç seçimini ve bu seçimin Fenerbahçe'ye etkisini konuştuk. Yetti mi? Hayır!! Bir de kumpaslar dolu TFF seçimini konuştuk. Not: Seçilmeden istifa et Büyükekşi!!! Not2: Tadic On Fire

Nicolò Melli torna al Fenerbahce, per lui un biennaleOlimpia Milano, ufficiali Nebo e LeDay, si aspetta Bolmaro e si lavora su ProcidaOlympiacos, sempre più vicino il ritorno di Tyler DorseyPanathinaikos, ufficiale il triennale a Lorenzo Brown, per il reparto lunghi si sognano Vezenkov e Theis Barcelona, in chiusura l'affare OsetkowskiPartizan Belgrado: ufficiale il colpo Ntilikina, si lavora agli arrivi di Bonga e Sterling BrownMalaga, tutto fatto per l'arrivo di BalcerowskiKotsar lascia il Baskonia, futuro allo Zalgiris?Isiaha Mike verso la Stella Rossa?Futuro lontano da Parigi per TJ Shorts?Alex Poythress, possibile il ritorno allo ZenitDerthona, ecco i colpi Justin Gorham e Christian VitalTrapani, in arrivo Jasmin Repesa sulla panchinaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

Tottiler Messiler yeni bölümüyle yayında! Fritz Fassbender, Hüseyin Kıyıcı ve Koray Gök, dev derbiyi değerlendirdi, sorularınız da cevaplandı. İlginize teşekkürler, iyi dinlemeler!

Emre Belozoglu une idole en Turquie près de quatre décennie joué dans le foot de très haut niveaux avec des va et viens entre les grand championnat européenne et sont pays d'origine la Turquie il a glané quelque beaux trophée coupe d'Italie une C3 contre les Gunners de arsenal deux Supercoupe UEFA bref avec plus de 100 cap avec l'équipe national turc il est une légende sans problème.

Bugün 30 Nisan 2024 salı #doğatakvimi

Turkish soccer, which isn't exactly renowned for its serenity, hit headlines this week when Fenerbahce fielded an U19 team in the Turkish Super Cup against fierce rivals Galatasaray... before withdrawing the team from the field entirely. This comes after Fener threatened to leave the Süper Lig, in a season that has been characterized by violence and controversial incidents. On this week's Big Thing, the TSS crew survey the world of Turkish soccer, using the insight of former Istanbul resident Taylor Rockwell to gain some historical perspective on the current troubles. Sponsors! Today's episode is brought to you by… Mack Weldon! Get 20% off your first order at mackweldon.com by using promo code “TSS”! Shopify! Head to shopify.com/tss for a free trial to help grow your business! Indochino! Go to Indochino.com and use code 'TSS' to get 10% off any purchase of $399 or more!  JOIN THE TSS+ PATREON! Check out our Patreon, which houses bonus podcasts, access to our exclusive Discord, blog posts, videos, and much more. Become a member today at patreon.com/totalsoccershow! Learn more about your ad choices. Visit megaphone.fm/adchoices

Turkish soccer, which isn't exactly renowned for its serenity, hit headlines this week when Fenerbahce fielded an U19 team in the Turkish Super Cup against fierce rivals Galatasaray... before withdrawing the team from the field entirely.This comes after Fener threatened to leave the Süper Lig, in a season that has been characterized by violence and controversial incidents.On this week's Big Thing, the TSS crew survey the world of Turkish soccer, using the insight of former Istanbul resident Taylor Rockwell to gain some historical perspective on the current troubles.Sponsors! Today's episode is brought to you by…Mack Weldon! Get 20% off your first order at mackweldon.com by using promo code “TSS”!Shopify! Head to shopify.com/tss for a free trial to help grow your business!Indochino! Go to Indochino.com and use code 'TSS' to get 10% off any purchase of $399 or more! JOIN THE TSS+ PATREON!Check out our Patreon, which houses bonus podcasts, access to our exclusive Discord, blog posts, videos, and much more.Become a member today at patreon.com/totalsoccershow! Hosted on Acast. See acast.com/privacy for more information.

Fenerbahce, si punta forte su Keenan EvansOlimpia Milano, suggestione Lorenzo Brown?Panathinaikos, continua il pressing su Walter TavaresRicky Rubio firma con il BarcelonaValencia estende Justin Anderson fino al termine della stagioneMaccabi Tel Aviv, si avvicina Joe Thomasson?Badalona blinda la stellina RuzicIl Girona piazza il colpo Khem BirchMatkovic vola ai PelicansAlen Omic lascia i Metropolitans e si accasa al CedevitaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/backdoor-podcast--4175169/support.

ASVEL, scricchiola la panchina di TJ Parker?Panathinaikos, Papapetrou potrebbe operarsi, si torna sul mercato?Fenerbahce, continuano gli infortuni, tornare sul mercato è una necessitàMalaga, contratto pluriennale per Tyson PerezFinisce la telenovela Montero, il dominicano si accasa ad AndorraSlask Wroclaw, ecco Frankie FerrariParis Basketball si rinforza con NgouamaBrindisi, per il momento fiducia a CorbaniVarese, già finita l'avventura di Cauley-Stein?Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/4175169/advertisement

In de dagelijkse podcast van FC Afkicken bespreken Lars Jesse van Eijden, Wouter Boerkamp en Jaron Blonk op donderdag 24 augustus onder meer de wedstrijd van Ajax tegen Ludogorets in de voorronde Europa League, PSV dat Branthwaite definitief wil overnemen, Bas Dost die bij N.E.C. tekent en de Turkse test voor Twente tegen Fenerbahce!Goed nieuws! Ook dit jaar zijn we er op 1 september weer de hele dag bij tijdens Deadline Day. De FC Afkicken Transfer Deadline Show begint vanaf 09:00 op YouTube.com/fcafkicken en zal er zijn tot het sluiten van de markt. We hebben gasten uit de hele voetbalwereld en inbellers van over de hele planeet. Ben jij erbij?(0:00) Intro(1:23) Ludogorets - Ajax(11:49) PSV wil Branthwaite terughalen(15:00) Dost tekent bij N.E.C.(19:27) Turkse test voor Twente tegen Fener(24:22) Laatste horde AZ tegen SK BrannIn de podcast verwijzen Lars, Wouter, Jaron:De presentatievideo van Bas Dost bij N.E.C.: https://twitter.com/necnijmegen/status/1694375191944868304?s=20Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Trendyol Süper Lig coşkusu yine TOD'da! Çok heyecanlı bir Süper Lig sezonuna tanık olacağımız kesin. Bu sezon, bu nefes kesen rekabeti ve takımınızın maçlarını kaçırmayın diye TOD'da Sezonluk Taraftar Paketi ayda 99 TL'den başlayan fiyatlarla. Hem de akıllı TV'den, Web'den, cepten, tabletten hangisinden istiyorsan izle. Detaylara açıklama kısmındaki linkten ulaşabilirsiniz. https://www.todtv.com.tr/sinirsiz-spor/super-lig?utm_source=VoiceMedia&utm_medium=TottilerMessilerPodcast&utm_campaign=TOD_Spor_SezonAcilisKampanyasi_Agustos_0823&utm_term=Display Menü: (2.00) GS-Olimpija, Kayseri-GS, Galatasaray'ın transfer stratejisi, Sergio Ramos (42.00) Karagümrük-BJK, Rashica hayırlı olsun! Pek sahte 9 Salih Dursun, Beşiktaş'ın kadrosuna bakış (1.00.00) FB-Antep, Fener'in öldürücü solu, araba iyi ama şöför? (1.17.00) Anadolu'dan notlar, Hatay'a tebrik, yeni favori oyuncularımız (1.23.00) Fikstüre bakış (1.25.00) Soru, cevap, kapanış. İlginize teşekkürler, iyi dinlemeler!

Situazione Mirotic: cosa succede dopo il no al Partizan?Virtus Bologna: bloccata la trattativa Shengelia-Pana, si lavora all'arrivo di Dunston e all'addio di BakoMonaco, ecco il colpo Kemba WalkerFenerbahce sempre più vicino a Raul Neto, Calathes al passo d'addio?Panathinaikos, sfumata la pista Balcerowski, sondaggio per Noah VonlehVenezia si rinforza con Barry Brown JrBuducnost, ecco Colbey RossTreviso, nel backcourt arrivano Booker e YoungVarese, Chase Buford il nome forte per la panchina, si lavora all'arrivo di Paul Biligha da MilanoQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/4175169/advertisement

This week, Emmy nominated Writer/Producer Jonathan Fener, (American Dad!, iCarly, The Mindy Project, and many more) is on the podcast discussing the importance of having access to industry professionals, getting his footing in the industry, and working in the multi-cam world.Show NotesJonathan Fener on IMDB: https://www.imdb.com/name/nm0271779/Jonathan Fener on Twitter: https://twitter.com/jfenskiMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptMichael Jamin:I always say, you're kissing the wrong asses. Kiss the asses of assistants because they're not go, you know, they don't get their asses kissed. They, they love it. I mean, who wouldn't get, give 'em some attention. They get abused all the time, then they rise up eventually. So, yeah, those are the ones. You gotta be nice to the assistants always, you know.Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I have a wonderful guest today. This is a, this is a, I'm gonna tell you the story, how, how we met. So, as you know, the Writers Guild of America's on Strike, and my next guest is a well-known Setcom writer, although we've never worked together over the years. So our paths, you know, we haven't really crossed, but we know all the same people. And then we started, we were on the picket line outside of CBS Radford, and we started chatting and we had a really nice talk. And I was like, well, this, I gotta bring this guy in the podcast. So everyone, if you're driving your car, please pull over, put your hands together. A warm round of applause for Mr. Jonathan Fener. He is, let me just give you some of his credits before I let him talk.You'll notice it's a 45 minute podcast, and I, I do talking for about 44 minutes of it, but I'm gonna talk about your credits. He, he wrote on Bette, the Bette Midler show, Veronica's Closet, do-Over Kid, notorious. It's all relative Method. And Red Father of the Pride, you remember that one with Siegfried and Wright the 78th Annual Academy Awards. I wanna talk about that. American Dad. We know that happy endings, old Soul telenovela, the Mindy Project. How come that wasn't a show? Why was that? Just a project. Trolls Holiday, Elliot to Vegas, American Housewife, trolls, holiday in Harmony. We'll talk about that. And most recently, the iCarly reboot as well as well Mullaney. But guys, this guy's been around the block. John, thank you so much for being on the show.Jonathan Fener:My pleasure. Thanks for having me. Thank.Michael Jamin:So, I wanna find out, I wanna know all about your, your history. Let's take it back from the beginning when your great grandparents met. Let's really do a deep dive into your life. ,Jonathan Fener:Eastern Europe.Michael Jamin:Eastern Europe. Let's justJonathan Fener:Do, yeah, let's go back to Eastern Europe.Michael Jamin:But tell me were you, were okay, so how did you first break into the business and did you always know you wanted to be a, a, a setcom writer?Jonathan Fener:Yeah. I, I, even when I didn't know that's what I wanted to do, I, I look back and I'm like, oh, that's what I wanted to do. You know, I, I feel like I'm part of a, a generation that you know, back to watching television shows, videotaping, you know, Saturday Night Live and Uhhuh and sitcoms and, and like I used to audiotape them toMichael Jamin:StudyJonathan Fener:Them and watch. Yeah. And, and, and like, I would, I would watch Saturday Night Live, even when I was old. It wasn't old enough to like watch it. I would tape it on the VCR that we had, the, the one that popped up Yeah. At the top. And then and then I would have an, and then in the morning I'd watch it all day. And I would, and, and I used to make mixtapes, I guess video mixtapes where I would like, like mix and match different sketches that I liked. And then I and I used to listen to those all the time. And then I would also, I'd watch television shows. I did do that thing where I, I would tape television shows and then I would try and like write out the script. I didn't, I didn't know what the formatting was, so I always was interested in Yes, you'dMichael Jamin:Write it, what kind of word for word? Or you'd write your own,Jonathan Fener:I'd write it word for word. I would transcribe.Michael Jamin:Because that made you a writer then. Did you think that was, what was the point of that?Jonathan Fener:Well,Michael Jamin:,Jonathan Fener:It's like this this, this is gonna sound douchey maybe, but I remember reading this quote, I, I, I think Hunters Thompson once said that he used to just type pages of the Great Gatsby, just to feel oh, what it was like to really, to write those words. Yeah. and so you can draw a direct line between me and Hunter s Thompson and The Great Gatsby. Yeah. And, you know, the Bette Midler show. Like, they're basically one to one.Michael Jamin:But then, and Okay, go on. So then, then as a kid, you,Jonathan Fener:Well, I always was a, I was a huge comedy fan. I was a huge movie, television, e everything fan, standup comedy. I loved standup comedy. Right. So was always too afraid to do it. But yeah, I mean, I always knew I wanted to be part of making that comedy, you know, television, movies, all that stuff. So I went to Fast Forward, I went to usc. I, I I didn't go to the film school, but I, I just was, just wanted to be in la Oh. And I guess sort of the way sort of goes, you, you get outta school and, and I, I knew a guy that I went to school with who worked at a talent agency, and he got me a job as a messenger when they were still inMichael Jamin:Existence as a messenger. And so you were driving around town delivering envelopes.Jonathan Fener:That sounds terrible. Thomas Guide. WithMichael Jamin:Your ThomasJonathan Fener:Guide, right? No yeah. In the heat and the traffic. And howMichael Jamin:Long did you do that for?Jonathan Fener:I was probably a messenger for about, I don't know, matter of months, maybe like 3, 4, 5 months. And then a desk opens up and then you're, you're answering phones, so, oh, soMichael Jamin:You didn't have to go to the mail room, you went from Messenger toJonathan Fener:It really wasn't a mail room. I, it was a very small town agency. Okay. It, it was called the Herb Schechter Company. Sure. I dunno if you ever No, I've heard. And it was like back in the day where, you know, he mostly represented like TV writers. They had a whole below the line department. It was a small agency and they didn't really have a male. One boutique. Yeah. Boutique. Boutique. They had a lot of like, guys that were like supervising producers on Magnum, stuff likeMichael Jamin:That. But that's a good, but then, so how long, cuz you know, I was a, I was an assistant at William Morris for three days. I got fired on my second day and I go, but I stuck out the week. I finished the week . So I, I applaud you for being like, it's just a hard job being an assistant for an agent, because I found it was,Jonathan Fener:Yeah. Yeah. I mean, I was an assistant for a lot of different people. I was, I, and it, I think it helped that it was kind of, I, I don't know if low, I guess low stakes, cuz it wasn't like, I wasn't at caa. I wasn't at, you know, William Morris. I was at this tiny little agency and this woman I worked for was, you know, she represented like stunt coordinators and, and oh, like that. So not that, look, I still had to do the like, rolling calls thing and all thatMichael Jamin:Stuff. But did you, but did that, did that give you context? Like what did that, what what, what was your takeaway from doing that job for howeverJonathan Fener:Long? Honestly, a lot of the jobs I had until I was a writer were, it taught me what I didn't want to do. Yes. I'm like, oh, I work for an agent. I don't wanna be an agent. Right. And then there's like a network of assistances mm-hmm. where, you know, there was another agent there, this really nice woman named Deborah Lee. I still remember her. She she called me in one day. She's like, what do you want to do? What are you doing? I'm like, I don't know. You know, I mean, I, I think I wanna write, but, you know, may maybe I wanna be a creative exec. I just, I wasn't sure. Okay. So she was like, well, I have a friend who works at Fox and they need an assistant. So, you know, if you wanna get outta here and go work there.And I was like, great. So I went to go work for this other woman and then I just met, I would just meet assistants and they would offer me other jobs. I worked for this guy. My biggest assistant job was I worked for this guy John Matian, who was the president of Fox Network. Mm-Hmm. . So that was the first time where I saw an entire television season from pitches, development scripts and shooting all the way through. Right. Cause I was on his desk and I read every script that came across his desk that was like, I don't know if you remember that guy, or even like, that was the year, that was like in the early mid nineties when they were like, maybe gonna try and do like friends. Like they had this show called Partners and Ned and Stacy andMichael Jamin:Ned and Stacy. Yep.Jonathan Fener:It was becoming a little bit more of like, let's try and make a, a friends clone. So like the XFiles was happening then, right? It was just like, it was, I had one year where I had an entire overview of television and I'm like, and then I would read the scripts and I'm like, I think I can, I I can do this. I can. SoMichael Jamin:Did who, where did you learn to write then? What do you, what was the next step?Jonathan Fener:I just figured it out. I mean, I think that what happened was I met my partner who was my friend Josh by Cell. And we were buddies. And he was at UCLA in screenwriting school actually. Okay. And he was actually writing with his dad. He, him and his dad were writing a script together. It was, it was very, and I was, we would just talk about stuff. And, and then, so the story is that we had another friend who was a PA on this show called The Single Guy. Yep. Remember that show with Jonathan Silverman? Yes.Michael Jamin:Jonathan Silverman. Yep.Jonathan Fener:Yeah. The Brad Hall show. And we, he used to bring home scripts every week and we would read them and we were like, I can't remember, one of us pitched an idea, but funny if they did an episode, whatever, like in real time of whatever. And then we're like, we should write it. Let's just write it. We know how to do it. We should just write it. So we sat down and wrote this script and it was, I thought it was pretty good. And , we, we, and, and again, the assistant network was we knew somebody who was an assistant to Richard Whites at the time. Yeah. Who was a young guy. AndMichael Jamin:And young agent. He was I c m probably, right?Jonathan Fener:Yeah, yeah, yeah, yeah, yeah. And, and it was just one of these things where like, after a while I was assistant for three, four years and I had access cuz all the young people that I was working with were now becoming executives or agents. Yeah. So there were people you could actually hand your script to. They would read it as opposed to just throwing it in a pile. Right. And the, the, the long and the short of it was Richard read the script because Brad was a client of his, and I remember he called me at my house and he was like, your friend Mallory gave me your script. I think it's funny and I think that you need to write something else because no one will read a single guy. He's like, I only read it because I represent Brad, but no one will read. He's like, you have to write friends, you have to write Seinfeld, you have to write news, radio, whatever. So Right. That, that was kind of the first thing where we were like, Hey, we can maybe do this. Let's doMichael Jamin:This. That's interesting because this is what I say. Cuz people always sit and they're like, well, do I have to move to Hollywood to break into Hollywood? It's like, well, this is how you do it. You get these jobs, you know, you become an assistant and you network or you get on the network and then that's how you make connections. So that's what you did. I do. I wonder, do you think the assistant network is still strong now? I mean, so everything's changing so much.Jonathan Fener:Yeah. You know, it's a good question. You know, it's like, that's the age old question. Like, how do you break in? And, you know, I feel for years now that like, maybe that's not the way it's done anymore. May maybe I'm just looking at like, stuff as like an older guy where like I look at people and I go, I don't know. Can't you make your own television show on your phone? Or something like, I, but you know, you, you still need some kind of access, I think. And maybe I don't even, maybe I don't, I can't wrap my mind around it a little bit. But like, it just seems like if you do, if you write something, if you make something, someone's gotta watch it. Someone's gotta see it. Mm-Hmm. that can make a decision for you or, or help you. Right. And that's about, that's about that relationships.Michael Jamin:But then how did, so what was your next step? How did you get on staff?Jonathan Fener:We wrote a bunch of specs and we had some friends that were becoming agents. A guy that I, I, I was, I was an assistant with a guy who became an agent and he was a paradigm. We, we kind of, we worked with him for a little bit, but it was, we, cuz like we were friends and like, when things don't go so well sometimes mm-hmm. , it's like it's messing up the relationship. So I think we just were able to get, look, we, we, we, anybody that would read our script, that was a, that was a young agent, we would somehow try and get to them. And everybody passed. One guy at I C m mm-hmm. was signed us. I mean, I, I remember very clearly getting a phone call. I, I, you know, my partner and I, Josh, our birthdays are a week apart. We really were like, you know, we were friends, we were, you know, we, it was like intertwined lives. But we were having like a joint birthday party mm-hmm. . And we got a phone call that, you know, they wanted to sign us. And that was a big, big fuckingMichael Jamin:Deal. And, and what, and they submitted you to which show? What was the first show then?Jonathan Fener:Well, this is funny how things work too. So his one big connection was this woman shit. Her name was Debbie. This is Embarra. I, that's okay. She, she ran Bry, Kaufman Crane. She was like their development person.Michael Jamin:Right.Jonathan Fener:And I feel bad that I don't remember her name cuz she was sweet. And, but that was a good relationship that he had. Mm-Hmm. . So they submitted us for Veronica's Closet. Right. The, it, it was, it had done a year. It did. Well, you know, Christie alley's back to TV and it was, I mean, it was Thursday night. Yeah. Nbc I mean, it was a huge, huge show. AndMichael Jamin:Let's take it back for a second. That used to be a big time slot. Thursday night, n b slate, nbc. Now I don't even know what now. I don't know what they, what they're doing there, but maybe some, it's reality. It's soJonathan Fener:Fire, something fire.Michael Jamin:Is it some dump Dumpster fire? But that's the one. So, but it's, so, but this is something else that you bring up which I think is really interesting. Like, people always say you're kissing, I always say you're kissing the wrong asses. Kiss the asses of assistant because they're not go, you know, they don't get their asses kissed. They didn't, they love it. I mean, who wouldn't get, give 'em some attention. They get abused all the time, then they rise up eventually. Yeah. So those are the ones you gotta be nice to the assistants always, you know,Jonathan Fener:Oh, yeah. Christmas, you know, send them, get the, get the gift card, do the thing. Yeah. I mean, you know, they'll put your call through. I mean, look, I mean, they can do only so much, but yeah, it was, it's just, again, everybody, even if it's the same trajectory, everybody's story is a little bit different, you know? Yeah. And you know, it, it was, I think we were, I think we were lucky, but it was also, it was a, it was, you know, I, I hate to sound like I'm a thousand years old, but it was a very different time. Yeah. And, you know, staffing was like, almost were all seemed like so many opportunities. And it was just like, it almost seemed like, it wasn't like, you know, if I'm gonna get staffed, it was sort of like, where am I gonna get staffed? And, and but, but you know, you sweated out and I never felt like that. I mean, and for every, we, we, I don't think, you know, look, I, I think we were good and, and, but and still are. But you know, I never felt like we were juggling offers . Yeah. You know, it was definitely like, you know, okay, we got this gig and, and you know,Michael Jamin:Yeah. People don't, people don't realize that as well. Like, once you're in, it's great. It, that first job is hard, but you're, then you always gotta worry. You gotta worry about your next job. None of it's, you know, if people think well, you know, it is like you must have it made, but you don't, you never have it made. You're always hustling.Jonathan Fener:Never.Michael Jamin:What did you feel your first season as a staff writer? Did you feel comfortable? Did you feel like, oh, and over your head?Jonathan Fener:Honestly, no. I, I, I can say that with confidence. I felt like I got there and I was like, yeah, this is what I should be doing. Oh, you said I'm not just Yeah. You know, look, we were the youngest guys that, you know, we were the staff writers. Right. The baby writers. It was a very challenging place to work. I mean, you know, Bry, Kaufman Crane, you know, look, we, I could, we could do an entire podcast on just working on b Brianca's Closet and just literally being down the hall from season five of friends. It's like the Beatles. Yes. They, they, their, their dressing room is down the hall. And I'm, you know, with Jerry the Pacemakers or something. Not that, not that. That's, that's a great reference, by the way, for all your younger,Michael Jamin:I don't, I don't know. Listener. Yeah.Jonathan Fener:Just some, but it was like, and the show was, you know, it, it was what it was. It was funny. There were tons of funny people on that show, people I still talk to, to this day. Honestly, but it was like the, the culture of that. And I think it, it's a, it's, it's not a news story in sitcoms. But, you know, we worked, we watched the Sun come up all the time, and it was really, that was my first step. It was like, I had never done it before, but I was like, I knew immediately. I'm like, this is not the way it, this is not the way it should be. Right.Michael Jamin:Was it cause stories were being tossed out? Or notes from the network or what?Jonathan Fener:Yeah, it, it was poor, poor management.Michael Jamin:Oh, time management. It wasJonathan Fener:Poor time management. You know, I would say like, you know, you're, when you work on a, on a show with terrible hours, you're just like, you're a victim of somebody else's badMichael Jamin:Work. Well, there's, there's that. Yeah. Yeah. I always felt very when we were running a show, I was like, I always felt I would crack the whip just because I felt like I want people to go home. I want stop messing around. And, and I was a hard ass in that way. Cause I wanna go home and I think you wanna go home too, don't you? You know, like, let's just work and go home.Jonathan Fener:Those are the ones, the ones that don't want to go home. Those are theMichael Jamin:Worst. Yeah. Those are the worst. Right. Did you, were you on many shows like that, where you felt like a hostage ?Jonathan Fener:No. well, let me think. Not really. That was the worst. And then there were a couple other shows that were rough, but I think that, like, as time went on, I definitely got lucky as time went on that I, I worked for de Decent people.Michael Jamin:Well, you also had another show that was basically the stepchild, which was American Dad compared to Family Guy. I mean, family Guy. Was this behemoth, not that American Dead was any slouch, but you were still in the shadow of a, a family guy, right?Jonathan Fener:That's right. The other one. Yeah. Yeah. The other show. Which, but that Yeah. And that, that was good point. No, but it was, it was and animation was something that I, you know, we got into pretty early on too. And I really, really liked that. And you know, there, there's animation usually is not terrible because the deadlines are, are way far apart. Yeah. Like, as far as like, you know, like Multicam is probably the worst because it literally, you gotta rewrite itMichael Jamin:Tonight at four, at four o'clock you start your day basically. Yeah. AfterJonathan Fener:The run Yeah. Run through is it ruins your whole night. And then it's like someone has, like, if you're doing single camera, you know it, you're usually reading a script for the next week. So, you know, you want to get it done by tonight, but, you know, maybe you can leave a couple of jokes and then the next day you can like, sort of clean it up. Right. But like Multicam, they're, they're at rehearsal at 9:00 AM so they need a script.Michael Jamin:Yeah. Yeah. And that was your joint. You were on the Warner Brothers slot. All right. So then, so then what happened? You, I'm gonna, I'm going with your credits over here. So Veronica's closet. And then what about, what was, you were there for, well, how many, well, how many seasons was that? The show was what? Two seasons?Jonathan Fener:They did? Th they three. I was on the last two.Michael Jamin:The last two. And then when it was done, what happened?Jonathan Fener:When it was done, I was like, I, I did it. I, you know, no, I, I was like we, we just got back out in the staffing pool, you know?Michael Jamin:Right. And then you just jumped.Jonathan Fener:We, we, yeah, that was the next, the next season we went to, we got on the Bette Midler show, which at the time was like massive. It was massive. ThatMichael Jamin:Was massive. And then,Jonathan Fener:And that's another, I'm sorry to interrupt. I was gonna say, like, that's an interesting story where, you know, I don't know if you think of 2 26 year old guys as like, yeah, we gotta get those guys on the Bette Midler show. Mm-Hmm. . But our agent submitted us, and at the time we were even thinking to ourselves like, what, what samples can we write that are a little different? So we wrote a Buffy, the Empire Slayer Script, just cuz like, we liked the show and Right. The tone. And so we wrote that and then, and I think we were like, maybe we can look and see about, you know, maybe getting on like an hour or something like that. And then the, it just so happens that Jos Whedon, I think worked for the guy that created that show, Fette.Michael Jamin:So I was gonna say, I wanted to say Cohan and Nik, but no, that, I don't think that's right. Who created it?Jonathan Fener:Jeffrey Lane.Michael Jamin:Jeffrey Lane, of course. Right,Jonathan Fener:Right. Who was a big mad about you, dude.Michael Jamin:Yes. And then, then working for Bette. I mean, that's, that's a whole other thing. You have this oversized star, really a giant star. And she must have had a lot of creative input.Jonathan Fener:Yeah, yeah. You know, she had opinions, but no, she was it was, it was nuts. I mean, you know, they picked that show up for a full season, which even, even then wasn't a thing. And she, she just was like, like such a massive force, you know? Yeah. Almost too big for television. I would even say, like, I remember thinking, she's on the stage and I'm like, and I mean the sound stage. Like I can see her playing Caesars just live or in the movies where she's gigantic. But there's also, there's, there's, I don't know if muting is the right word, but you know what I mean, like, like, there's just something about those mediums that like, sort of, and, and I just think on tv she just was like, massive. Just like, but, but, you know, really funny. And, you know, she did everything. You know, she sang the Rose and she, it was like, pulled out all the stops. It was just, it was almost like, and I don't think she knew what being on a television show entailed. I think when you take people that have never worked on TV and put them on tv, they're like, I have to come back again tomorrow. And Yeah. Tomorrow. And it's a new script today. And like, they're used to shooting films, but even like, it, it's, it's a grind for everybody. Yeah.Michael Jamin:Yeah.Jonathan Fener:SoMichael Jamin:She, she became a little cantankerous. You think ?Jonathan Fener:She, I think, yeah. No, she, she, she, you know, she liked me. she liked me and my partner. We, we wrote this episode actually with Kobe Bryant in it.Michael Jamin:Oh, okay.Jonathan Fener:And I think they were like, get the young guys to write this. And Kobe was, and he agreed to do the show. I think his wife was a huge Bette Midler fan. He, I think he said, I mean, he was nice guy. I remember meeting him and the show, I mean, think about this. We shot the sh we shot our episode in the forum. Like, and, and the, the, the plot of the show is that, that becomes like, she basically accidentally gets onto the court and she starts dancing with the Laker girls. IMichael Jamin:Don't know, but it was a multi happened. It was a Multicam, right?Jonathan Fener:Yeah. But they just, they shot it on the forum, I mean, on form. They, and it was, it was the kind of thing where it was like, whatever it cost, it cost,Michael Jamin:Right.Jonathan Fener:They booked the forum and, and that episode sort of turned out okay. And then I think she felt like, oh, these guys get the show. So they took us out, she took us out to lunch, and she's like, what should, what should the show be? You guys see that? OhMichael Jamin:No. Oh no. And you guys are, you guys are story editors at this point. Right. See, that would be panicked about that. That's not good.Jonathan Fener:Co Cohen was at that lunch too.Michael Jamin:Oh, she took Rob. See, that's the thing. She lovedJonathan Fener:Rob, loved Rob.Michael Jamin:My, my rule of thumb early in my career is don't let the actors know your name cuz only bad things can come of it. . And then, and then, right. So she takes you and now you're, maybe you don't wanna talk about this, but I, that puts you in a difficult position because she should be taking the showrunner and the showrunner should be bouncing you. She should be bouncing the ideas and not, you know,Jonathan Fener:You know. Yeah. It was a Yeah, it was. I mean, I didn't know. We were just like, well, you know, just more do more of this stuff. Right, right. You know, we'll, you know, go to a baseball game. Or, I, I just think she, I, I, look, I think that she was searching for what the show was. I think the showrunner was, I think they just were, and it was a, it was a weird, not a weird premise, but it was like, she, she played a character named Bette, and she played Aer that was a famous Hollywood actress and had been in a movie called The Rose and all these things that were true. Right. But she kept saying, I'm, but I'm not Bette Midler.Michael Jamin:She would say that in the show, but I'm not Bette Midler. She would say, she would say that toJonathan Fener:Us. Oh, okay. Cause we would write jokes and she's like, but I'm not Bette Midler. And we're like, but you were in The Rose. And we're like, okay. Bette Schidler. You're bet. Schidler. Yeah. And, and, and a lot of stuff that happened to her in real life we would try and put into the show. But it was like, it was just one of those things where we were just trying to find our footing and, and, and never really found it.Michael Jamin:Wow. But that's pretty cool though. I mean, hanging out with Bette Midler's pretty cool. SheJonathan Fener:Was something else, man. She was like a, like I said, like a force, like just funny and, and just larger than life. AndMichael Jamin:You know, but we were, we didn't just shoot me. And and George Siegel, of course, in the seventies, there was no bigger actor than George Siegel. And he wasJonathan Fener:Huge. Yeah. Funny.Michael Jamin:And then c just shoot me. And we wrote an episode and he, George could not have been a sweeter guy, such a nice guy and great sense of humor. But there was one episode he, I guess he wasn't happy with what he was playing. Maybe he didn't have enough lines, or maybe he thought his storyline was dumb or whatever. . But I remember he, we were all the writer's rehearsal. And George goes, you know, I was nominated for an Emmy. I'm sorry. He was, you don't have nominated for an Oscar. You know that. Right. And one of the writers goes, yeah, that was a long time ago. George. Get in the dunk tank. . And George thought that was so funny. I mean, he like, to his credit, he just laughed. He thought it was great. .Jonathan Fener:That's so funny.Michael Jamin:That's what's fun about working with some of these, you know, some, some of these old timers are great, some of them are, you know, a little di difficult. Who knows. All right. So then what, at what point did you guys start developing your own shows? Cause that's always a big leap.Jonathan Fener:You know, we, we were kind of like wanting to do that early. And I remember that was another thing that was not encouraged. Yeah.Michael Jamin:Not then itJonathan Fener:Wasn't at all. It was just sort of like, it was the tail end of it, but it was kind of just like, here's the model. Get on staff. Mm-Hmm. work your way up to producer, supervising producer, get a deal. Mm-Hmm. and then you develop. Right. So that was the, that was the the road. But we were like, no, we have some ideas. And you know, if they don't wanna listen to us at, at nbc, then maybe they'll listen to us at mtv. So we had heard that MTV was looking to develop shows. Cheap show. I mean, it's like that thing every, like couple of years. MTV's like, we wanna do scripted. And then they would hardly ever do it, but Right. We had this idea that we would do cuz they wanted to repurpose videos, but somehow do it in a scripted way.So we had this idea that we would do like Dream on, but with music videos. So it was about a kid whose interior monologue was music videos instead of old movies. Right, right. And like, just seemed it was like risky business, but the kid is 16 and he's just that. So we sold that. We actually sold that and wrote it and it never got shot. But that was like, pretty early. That was like a couple years in. And we sold a movie. Like, we were kind of like trying a bunch of stuff. But I think that we early on were like, I feel like we should do our own stuff too. Uhhuh . So I always have said like, like, like I don't, I don't know what it's like to have just like one job. I always feel like I was doing two things at once. So like, eventually if people are always like, they're on staff, like I was always on staff. And then on the weekends I was working on the other thing.Michael Jamin:You see, people don't understand how exhausting that is cuz you're on staff, you're working very long days and then on the weekends you're working more. You know, it's, it's, it's good for you when you're, you know, it's hard. It's hard to do that. Yeah.Jonathan Fener:It was hard. And I think it was the right look. I wasn't, I was, I was, I was married, but I didn't have any kids and mm-hmm. , you know, but it's, it was tough, man. I mean, you know, and, and that was back before you, we were zooming. So like, we would go, I'd go to Josh's house, he'd come to my house, Uhhuh, . I mean, we used to literally meet in the middle and trade.Michael Jamin:Oh. Cause you guys, you guys let, did you live far apart from each other?Jonathan Fener:Yeah, yeah. We, we, we, yeah. UsuallyMichael Jamin:Trade far discs. So I'm, I'm skipping ahead a little bit, but, but I'm curious to know, well first of all, I wanna know how, what was the academy, how did you work on the Academy Awards? How did that come about? That's such an odd term for you thatJonathan Fener:Yeah, that was, that was the connection. There was, that was the year John Stewart hosted, I don't know if that was his first time. I know he did a bunch of times. It was the year of crash crash one. Okay. The best picture. And like Philip er Hoffman one for Capote, but John was Right. Was hosting and he brought out like a bunch of daily show people. And my partner went to college with a guy, Ben Carlin. Yes. Who I kind of became friends with too, because of those guys. So, so Ben was running the Daily Show. He was one of the eps. And so when he came out, he called me and Josh and a couple of other guys and asked if we wanted to be part of the staff of people. Basically they, the, the Daily Show guys wrote the monologue. They asked us the la guys to write like short film parodies of the nominees.Right. So, and then, you know, maybe help out with the, and and, and on on show night we would be part of the joke room cuz they're writing jokes throughout the night. With like, I mean, Bruce Lance was there mm-hmm. and some local school guys were, were there. But so yeah. So we basically pitched like 20 little short filmed things and they picked five or six of 'em and then we got to produce them and, and, and all that. But we were part of that whole thing. That sounds fun. Yeah, it was really fun. It was really, really fun. And like on show night, we literally, they put us down in this basement and we are like watching the show live and it was like instant messaging. If whatever, who, if somebody won something, we would like shoot a bunch of jokes up to them and the wings. ButMichael Jamin:Did you have to wear a tuxedo to do that? Yes. In my mind. You, I knew it in my mind, you have to wear a tuxedo even though you're not gonna be on camera, but you're at the Oscars. Wow. They tell you thatJonathan Fener:Because Yeah. Be because we were, I mean, it was really cool. I mean, we got, went, went to, you know, my, my wife and, and Josh's wife and, and all the wives got to go to the show. Right. They got tickets to the show. We were downstairs and then afterwards we went to the governor's ball. Right. I mean, it was really, I mean, we had access.Michael Jamin:That's a trip.Jonathan Fener:That's, it was, that didn't get a gift back. I was really hoping I'd get like a, because I always, I'm like, there's like a trip to Australia in there or something, but I,Michael Jamin:But you got a nice, you got a nice paycheck that's got that kind of counts for something.Jonathan Fener:I don't remember how much we got paid. I don't know if it was, I, I feel like, I don't knowMichael Jamin:Now what about it was great. What about the Mindy Project? Cuz that was like a big, that must have been a big experience for you.Jonathan Fener:Yeah. Yeah. That was, that was fun. And, and that when we were, we had a deal at Universal mm-hmm. . And we had, we, we were kind of lucky. Like we, that was when I worked on the Malaney show and Right. We did a lot of development when we were there and we supervised and ran a couple of shows there. But that was sort of towards the end where they just asked us to come and help out.Michael Jamin:Okay.Jonathan Fener:Oh, for a season. Yeah. And it was it was like, it it is one of those things though, where it was a very tight, well-oiled machine and we, and it was, it was fine. It, it was, it was kind of funny though cuz it was like, you, this sort of happens where, you know, you, you write pilots, you shoot pilots, you run shows, but then sometimes you're a staff guy again. Yeah. And that was a gig where we were sort of like, alright, we're part of this staff. And, and everybody there was like, really funny, really smart. Like, I think, I think that writer's room literally had like three former Lampoon editors, Uhhuh and just like really, really funny smart guys. Right. And women. And we just were like, okay, we're just pitching jokes.Michael Jamin:You're, oh, okay. And then so that, that's, that's the whole experience. But did Mindy run the show? Was she the showrunner at,Jonathan Fener:I mean, she, I she, she had, there was a guy named Matt War Burton, who was sort of running the room mm-hmm. When she was gone. Because the most impressive thing was that she, she shot all day. Yes. Because it was seeing the camera show. She was the star of the show. But she came in at lunch, Uhhuh . And Matt would pitch her and she very efficiently was like, I love this. I love this. What if this happens? What if this happens? Gotta go. And so she, she had the final say. Right. But she was busy, you know. Yeah. And, and that, I I'm trying to think Melany was that way too, but Melany was really part of the writing and that was also a Multicam. So,Michael Jamin:And that was probably, it's, that Melany show was probably three years too soon. Like, you know, like before he really became huge.Jonathan Fener:Yeah. Yeah. That was, you know, I, I think that, that, this was my opinion and I'm not like making this up. And I remember we used to talk, like John was trying, I feel like John was trying to do something where, you know, everyone just looked at it and at face value and said, oh, it's Seinfeld. He's just doing Seinfeld. But Uhhuh, I think he really, really liked the, the medium. He liked multi-cam, but there was a part of it that I think was a little bit satirical. Mm-Hmm. . But it really, I, I think that if you didn't know that you're just like, oh, he's just, is just a, you know, like I feel like some of the stories that he pitched he felt were funny because it's like, oh, this is kind of a clammy story. But I, but I think it's funny in like, I'm doing it with a wink. Right. But I think people maybe saw it and said, there'sMichael Jamin:No wink. I don'tJonathan Fener:See the wink. Yeah. There's no, yeah. And, and, you know, but it, it was, it's not that it was the wrong vehicle because it was his show. And, and, and he is the funniest guy in the room always, you know? Right. I mean, and NA, see Petra was on the, was in the cast too. She was really funny. There was a great cast. Elliot Gould was on that show. Martin Short was on that show. Yeah. It was like, it was, it was, it was really, really fun. But yeah, maybe it was, I, I think maybe he was trying to like rein, not reinvent the multi-cam, but just like, turn it on 10 a little bit. Right. And it maybe wasn't, no one was like, ready for that.Michael Jamin:Hey, it's Michael Jamen. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jamin.com/watchlist.Did you, cause whenever we developed for comics, we, you know, we wound up studying, then we read, we watched the act, we read, listened to their, whatever the audio books or, you know, read their, did you do the same as well forJonathan Fener:I just knew you mean for that show or for,Michael Jamin:Well, for Malaney or, or for any, any comic that you're writing for. Really. Or even like Bette, you know, for example,Jonathan Fener:Well, Bette, I mean, we definitely like combed through her career and her life and mm-hmm. tried to get stories from it. Mm-Hmm. yeah. Whenever, and, and, and, and, you know, the, the Mullany thing, we, we kind of like, we were also, that was a period of time where like, we were on that staff for a period of time, and then we had a pilot picked up and went to go shoot it. Oh. So we were sort of there for a, a specific period of time. But like, that show was all him to me. I mean, he ran that with a guy John Pollock, a good friend who who's also like, he, he's, he's such a good, he's a pro guy. He's a pro and, and can guide things. He's so funny and smart. But so I think that, that they really clicked well. And there were a lot of really funny people on that staff too. But yeah. Yeah. I, I think that to answer your question, it's always good, especially if you're dealing with somebody who's gonna put a little bit of their lives into it, to just mm-hmm. because I mean, frankly, you, you kind of want to like, connect with them too. Like, it's something that they can connect with. Right. Unless they don't wanna do it. Unless they wanna be completely a different person if they're being some version of themselves. Yeah.Michael Jamin:What's so odd is that you and I have never worked together, even though we've worked with so many of the same people, you know? Yeah. It seems, it seems like very odd that, you know, how how did that never happen? But how do you see, like, so okay, we are on strike. How do you see the business now? Like, what do you, like, what's your take on the past, I don't know, three to five years? You knowJonathan Fener:Everything's going great. It's great.Michael Jamin:Everything's perfect.Jonathan Fener: and just getting betterMichael Jamin:.Jonathan Fener:I, everybody knows what's going on. Yeah. no, I I think it, to me it feels like it's a massive sea change. Yeah. It really feels like even having lived through the first strike, like that was streaming was just kind of coming around and, you know, Netflix was a thing and, but now everything has completely been disrupted and mm-hmm. , I just think that I mean look, this is nothing new, but like, you know, to, to me, cable seemed to be working okay. And then streaming came in and it just seemed like there were no parameters. It's like all the streaming services come, came around. And I understood economically that like all the studios are gonna want to have their own thing mm-hmm. and not have to license it to anybody anymore. But without the structure of a, of a schedule, like a nightly schedule, it's just like, it just became a bottomless pit.Yeah. And so there was this five, you know, it, it was the, it was the old, it was the, the Wild West again. And there's a billion shows. And I, I, you know, some of these studios I guess were just like, wait, this is so expensive. Like a full staff for every show and we're making so many shows. We need to, now, now it's like we overspent now we need to back up a little bit. And then, but in the meantime, to me, I just felt like it was, like the rules got changed where there was a somewhat of a model in network television and even cable where it's like, we're gonna pick this show up for X number of episodes. We're gonna have this many people on staff. That's the way it's done. Mm-Hmm. . And then now the, it's like, oh, we have this new area of streaming. We're just gonna do things differently. Now we're gonna hire three people. Mm-Hmm. , or the guy that created the show is just gonna write 'em all and then shoot 'em all. And it, it just, I don't, it's, it's, you know, I mean, all I can know, all I can do is keep doing what I do, but it's, you know, it seems more, it, it really seems, it feels like the ground underneath us is that much more Yeah. Shaky. Really shaky.Michael Jamin:How do you, and what's your take? I don't know if you work a lot with, well you know, young, well, let's see. I actually, I have two questions I wanna ask you cuz your last, your last network show was probably was what The Mindy Project? Cause I haven't worked, I haven't worked in the network for a while. It's all been cable. Right.Jonathan Fener:The last network show I worked on was American HousewifeMichael Jamin:Oh. American House. So it's so interesting. Which wasn't even that long ago. And so you're working with young, there's bigger staffs on network. You're, they're bringing in younger writers. What's it like? What, what are the kids like? Do you think they're different these days on network shows?Michael Jamin:Because we had a hierarchy. We had, there was a pattern. There was a, you know, all broken.Jonathan Fener:Yeah. Yeah. Yeah. I, I, I, I think it's probably better. I mean, I worked, I worked in some rough rooms and then I worked in some more, you know, I certainly, I don't feel like I ran a rough room. What do you mean?Michael Jamin:What do you mean by rough room? What were they like?Jonathan Fener:Just a, that the, the real hierarchy. Like when I was a staff writer, you were not really expected to talk very much. Right. It was kind of like sit and listen. Right. But and then I'd say I'd, I'd pitch something and they'd be like, not now. And I'd say, I'm sorry. And they'd say, don't be sorry. Just be quiet.Michael Jamin:. Don't be sorry. Don't let happenJonathan Fener:Again. Don't be sorry. Just be quiet. I, I, and like, look, that's the, that's the, it was always done with a joke. You know what I mean? Right. And, and like, I don't ever feel like I was treated cruelly. Mm. I mean, I mean, I guess I, I guess it was cruel that, you know, I did feel like I was held hostage and, you know, yeah. Going home at 6 30, 7 o'clock in the morning in, in rush hour traffic the wrong way. Like yeah. My nights and days were mixed up. But like, eventually what I was gonna say was I just feel like there was something to earning it a little bit. You know, I, I just feel like, you know, even even those first jobs, like, especially like Bright Coffman Crane, I remember there were certain things that you, like, they were big on floor pitching Right.On, on, on, on show night. And that's great experience. I mean, look, multi cams aren't around as much as they used to be, but like, I remember learning a ton. Like, I, I can still shoot back to the time we were on show night and a joke bombed, and then you just huddle up mm-hmm. and you're just staring at each other and everyone's thinking, and you gotta come up with an alt. And people are pitching stuff and it's like, and you pitch a joke and everybody laughs and you're like, oh my God, you're theMichael Jamin:Hero.Jonathan Fener:Amazing. And then, yeah. And then, and then they put it in and itMichael Jamin:Dies and it, and it dies. Yeah. That's what a flip joke. People listen. That's what a floor pitch is. I'm showing that on a multicam, you at the last minute throw a joke in after one bombs. SoJonathan Fener:Yeah. Right. And then you finally, you, you give up and you just pitch a joke with the word nipple in it. . And people laugh at that and you're like, ah, I hate myself. Yeah. But no, but, but I, I think that now, you know, ha like being the older guy and, and even, you know, running a show, like, there, there is a, there is a certain level of like, everybody has an equal voice mm-hmm. . And, which I think is good, you know, but I also think that there's, it's not that you are less than at all. To me it was always about like experience. Mm-Hmm. . Like, you, you just gotta, you know what it is, it's about, it's, there's, there's no substitute for being able to read the room. Yeah. And there are people sometimes that are younger and less experienced and they, they pitch an idea and no one says anything, which is like the night, it's, it's, you know, the worst is if someone says, that sucks. Right. But if you pitch a joke or a story and no one really like, jumps on it, no one Yes. Ands it, you know what, let it float away because Yeah. You know, and then if you re-pitch it and then you re-pitch it,Michael Jamin:You're gonna get yelled at, you'reJonathan Fener:Gonna get yelled at. Like, that's just not cool. And I feel like sometimes maybe people don't like that anymore. You know? Yeah. Like, you're not supposed to do.Michael Jamin:Yeah. I hear you. What, what? Surprised It's so hard. There's a huge learning curve on their job. And when someone pitches an idea, if it's a good idea, it really doesn't matter who it comes from, but it's pretty obvious when it's a good idea. The right. Like the, the senior writers are, oh, that's good. Right. And if you're new inexperienced, you just don't know what's, what's a good idea from a bad idea. And I think they sometimes get a little offended or hurt. It's no, it's, it's not, it's not, it's not, it's just the idea. It's not you, you know? Right. The idea didn't land.Jonathan Fener:Sometimes it's them. No. Sometimes it'sMichael Jamin:ThemJonathan Fener:. But yeah, it's, it best idea wins always, always, always. Yeah.Michael Jamin:Best idea. Gets you homework faster and so and so. Yeah. I know. Well, I was gonna ask you something else. Oh. Oh, that's, that's how I was gonna say we met, we met years ago. Cause you were running a show, which is an interesting thing that you did was said you were running a show called Awesome Town, but you were running it. Someone else with less experienced writer wrote it and you guys were brought on to supervisor it. Right,Jonathan Fener:Right, right.Michael Jamin:It was like, so talk about your experience doing that kind of stuff.Jonathan Fener:That was the first time we'd ever done that. We've, and we've done that a bunch just because I feel like my partner and I, that's not really something that a lot of people love to do, like run other people's shows. Everybody wants to, you know, get your own thing. And we were writing our own pilots at the time too. But if you get enough experience, honestly, you know, my feeling is you want to have as many skills as possible in this business because mm-hmm. , you know, you want to just have another arrow in your quiver.Michael Jamin:Yeah.Jonathan Fener:That's the right term. But like, so i, if you can successfully help someone just guide the ship and it's their show and they've never done it before, cuz that's a really hard job.Michael Jamin:Were there creative struggles though, between you and them at all when you do this?Jonathan Fener:No, honestly, no. I really feel like it was this guy, Adam Ste. Hillel, who's like super nice guy. He he's like big feature guy now. I think he wrote Black Adam. Mm-Hmm. , he like, works with the Rock a lot and, and he created Undateable with Bill Lawrence too. Mm-Hmm. . So he's, he's had a bunch of stuff. No, he's very nice guy. Very funny. And it was actually kind of cool that he got this job on, it was basically just about the, these four like early twenties friends and negotiating life afterwards and they threw a lot of stuff. It's funny, I remember they, they picked the show up because I feel like a, b C was looking to do something in the younger space. Right. But it did, it was one of those shows. It wasn't, it was very low concept. And there was a whole opening teaser that we, I I always suspected, this is why it got picked up cuz it was very, it was very American pie.It was like kind of dirty and there was like a couple and somebody had peanut butter on them and a dog was looking and Right. You can imagine. So but I remember thinking like, this is why they picked it up because this is outrageous. There's no way they ever shoot this though. Right. Which is like, that's like an age old story in tv. It's like the thing they love about it. Mm-Hmm. is the thing they cut first. It's exactly right. You know, it's like you, you, you pick up a show called like Immortal because the, the lead character ha has been alive for a thousand years. Uhhuh. And then the first note is, can we make him immortal please? Yes,Michael Jamin:That's exactly right.Jonathan Fener:Yeah. but, and you do it cuz you're like, oh, they just they just picked up the show. They just gave me a budget and Right. But so they, they made a bunch of changes to this show and including changing that entire teaser. But it was, it was just an opportunity that came because again, like I think we had written a pilot for the studio that made it and they needed somebody we, like, we had just gone through, you had a deal,Michael Jamin:You probably had a deal at the time, an overall deal. Right.Jonathan Fener:I don't know if we had it like, you know what we did, I think we had just sold a pilot to like 20th Uhhuh . And it was like a very good experience, but we just, it just was one of those shows that like almost got there but didn't Yeah. But then, then they picked up all their other shows and they're like, oh, we're gonna pick up this show with these guys. And we had a good relationship with the development people that like, you know, maybe John and Josh can help with that. So that was awesome. That was, that was like, and I remember like, we cast whoever we want. Like we changed roles because we found, like I'd never seen Brett Gelman before and he came in and was so funny. We're like, we're putting him in this show somehow. He was easily 10 years older than everybody. Well, was supposed to be a coworker, Uhhuh, , ally Wong came in, we're like, Uhhuh, let's create a intern. But it was like, it, it, it was like, it was the first it was a good gig to get. And then from there we, we got a bunch more of those gigs to sort ofMichael Jamin:Like, see, that's, that's a talent, because a lot of, I think sometimes when you have a no, a young creator will create a show. Then they assign a showrunner, and sometimes the showrunner's like, well, listen, my name's on this too, and I don't want this to have, I don't have a stink on me if this is terrible. So they kind of turn into what they want it to be. It doesn't sound like you did that. It sounds like you were very much trying to realize the vision of the person who created these shows, which is nice of you.Jonathan Fener:Yeah. I mean, I don't, maybe that's just the way that we are. I mean, I just feel like that's the fir like, and I'm, look, by the way, that's probably a good way to get the gig, is to go have lunch with them and go, listen your show, man. We're just here to help you carry the water from here to there. Right. And we know how to do it. And but that it's the truth. I mean, honestly, I like, I don't want it to be bad, but like, you know, and like, I'll tell you what, I think I'll give you my opinion, but also like, again, I don't know anybody that could ever do that, show that job alone. Like, it's, it's miserable and not mis, you know what I mean? And we we owe, and plus, you know, you could relate to this too, just being, I mean, being on a writing staff is collaborative anyway, but being in a writing partnership, you just really learn how to negotiateMichael Jamin:Mm-Hmm. Jonathan Fener:Compromise. Mm-Hmm. and talking it out. And, you know, single writers tend to be really, you knowMichael Jamin:Yeah.Jonathan Fener:Hold onto their stuff cuz there's mm-hmm. Never any other counterpoints. So I feel like we have the right skillset forMichael Jamin:That. Yeah. There's also a sense of, there's so many decisions to be made. If I don't make this one decision, that's okay. I gotta make a million other decisions. So it's okay if I didn't, if I don't make this one decision, you know, there's a lot to do.Jonathan Fener:Yeah. I don't need to be in wardrobe. I always say that. I don't need to be, I don't need, I I you can do rack check. I don't need to do that.Michael Jamin:Yeah, yeah. There's exactly, there's exactly, there's a ton. I, when we ran Marin, we, the the wardrobe people loved us cuz they chose us choices. And I go, what do you think, you know, well this one. And I said, well, why do you think that one, they gimme reason. I go, all right, sounds like you know what you're doing, . Sounds like you got a good idea there, so let's do what you say.Jonathan Fener:Yeah. Yeah. I mean how, how many episodes did you do of Maryland?Michael Jamin:We did four seasons. I, I want, it was probably around 50. Cuz each show, each season was, I don't know, whatever, 12, 13 or something like that. Uhhuh . So, yeah. But that was I c and that was a pleasure because it was low budget. They just leave you alone. It was wonderful. So, yeah.Jonathan Fener:And I mean, did you finally that it was, was it hard to produce? Because I mean, how big was your staffMichael Jamin:The first season? So that was a show that was created by this guy Duncan Birmingham. We didn't create it, but he wrote the pilot. He was a young writer. He wrote the presentation and then with Mark, so that season, the first season when they picked it up, it was Mark Marin, who's very good writer, but had no writing experience for sitcoms. He's a, you know, standup, this guy Duncan Birmingham, who was a, a young guy who they just, they they could exploit. So he had no experience and it was me and my partner, and that was it. So we, the ones with any real sitcom experience. And then, but then as each season one, we picked up a couple more writers and then we rounded it out. But but it was a great, it was a wonderful experience, but the budget was tiny. The budget was, it was like nothing. It was nothing. Yeah. And we shot each episode in two and a half days, soJonathan Fener:Really?Michael Jamin:Yeah, it was, yeah. As long as someone's finger wasn't in front of the lens, we got it. , let's move it on. So yeah, that was, that was such a great experience. And, and, and no one remembers that. No one remembers, you know, like, hey, the show, it wasn't that perfectly lit. Yeah, that's okay. But people liked the writing. They like the acting. That's the important thing, you know. So what if the camera went like this a little bit ?Jonathan Fener:Right. my, yeah, my partner always was like, when you're like, he's like, they're doing laundry. They're paying their, they're paying their bills while they watch this. Like, they like the people. Oh,Michael Jamin:Oh, yeah.Jonathan Fener:Yeah. They're like, they're, they're, they're like, they're listening. They're half, you know, they're, they're not,Michael Jamin:Not even anymore. Now they're on their phones and watch. I mean, now they're really not watching the show. . He's Right. Cause like everyone, you know, Siebert, you say the same thing you'd say. Like Yeah, they're, they're reading People magazine, not any anymore. They're not, now they're on, they're watching the show and on TikTok and getting text messages, , they're not paying attention.Jonathan Fener:They're reading the live tweeting. Yeah. Of other people read, likeMichael Jamin:Watching the show for them, so. Right. It's an odd time, but yeah. So what do you s so what do, what excites you then going forward? What, as we, as we wrap it up, what is your, like what excites you now?Jonathan Fener:In entertainment?Michael Jamin:Yeah. Or just, yeah. As a, as a writer. Yeah.Jonathan Fener:I still, I mean, I like what I always liked, honestly. Like, I feel like right now I want to, the thing that I want to do is I, I want to try new things, but I also, I know this is like, but but, but, but also I feel like as I get older, like you have to, you have to always write what's sort of like, I don't know, is like personal to you. Like, I don't know, this is, because then it sort of seems inauthentic. Right? but having said that, like I think that I, I would really like to get back into animation mm-hmm. , I feel, I feel like I, I know it's like, I feel like features, like, like I feel like weirdly streaming has opened that up. Mm-Hmm. a little bit too, cuz like, you know, it's hard to get a movie out in the theaters. I mean, especially now. Yeah. it's not a Marvel thing or something like that. So like, there might be like avenues to go with with streaming movies and stuff like that. But like, I don't know. That's, I mean, it's, it's, it's, I I feel like I don't have any, a good answer to that question because I still really, like, I, I still feel like I always have ideas, Uhhuh, but and, and honestly like more often than not, like I'm looking to collaborate with more people. Yeah. Different people, you know, becauseMichael Jamin:Not necessarily on air talent, but writers as well.Jonathan Fener:Other writers. Yeah. Yeah. I just feel like, you know, if you're lucky you have a long career and mm-hmm. a lot of different types of careers and, you know, my partner and I always said like we we've sort of had an open marriage a little because mm-hmm. , we started out together, we, and, you know, you work very closely with a writing partner and, and we worked together for many, many years and then we sort of split on staff for a while, and then we came back together mm-hmm. for a while, and then now we're separate again. ButMichael Jamin:Was that hard for you when you're writing after you split to start writing alone? Let's say even on staff, cuz this is the first Okay. You usually, you have somebody to bounce an idea off of. Now you're, you're on, you know, you're looking at that blank page by yourself.Jonathan Fener:Yeah. Yeah. It's hard. Mm-Hmm. , it's hard to be in that. It's, it's, it's definitely hard. And I feel like I'm getting better at like, sort of reaching out to mm-hmm. other writers and just sort of like, can you look at, because it's like my wife can't hear it anymore, you know? Yeah. Like, go walk into the kitchen. It's like, would this character say that? She's like, I don't know, like, what are you talking about? So I have to, I I I just feel like you have to, I guess you, you learn to sort of like mute your ego a little bit mm-hmm. and just sort of like, let o let other, like, sometimes you just have to talk it out and, and that's what a partner was for, you know. Yeah. but I don't even know if I answered your question. That'sMichael Jamin:Okay. We're just, we're we're chatting. What about, what about advice for aspiring writers? What do you, what do you tell them? Either about the craft or about the business?Jonathan Fener:I mean, to get in nowMichael Jamin:Mm-Hmm. .Jonathan Fener:I think that starting out the, the best thing about now to me mm-hmm. , is that it seemed like in the beginning when we started, it was really all about like, what's the speck of the big show.Michael Jamin:Mm-Hmm. ,Jonathan Fener:Which there's a, there's an art to that, you know, beca

Tottiler Messiler sezon finaliyle yayında! Fritz Fassbender, Hüseyin Kıyıcı ve Koray Gök Fenerbahçe'nin Türkiye Kupası şampiyonluğunu, yeni hoca adaylarını, Kent transferini ve sezonun 11'ini konuştu, sorularınız da sektirilmeden cevaplandı. Sezon boyunca ilginize teşekkürler, görüşmek üzere!

Ben Okurum ‘un bölüm konuğu bu kez oyuncu Ercan Kesal. Deniz Yüce Başarır, aynı zamanda yönetmen, senarist, yazar ve doktor olan Kesal ile başka bir sinema adamının, İsveçli yönetmen, senarist, oyun yazarı ve oyuncu Ingmar Bergman'ın hayat hikayesini anlattığı kitabı Büyülü Fener'i konuşuyor. Kitaptan çok çarpıcı bölümlerinden de paylaşıldığı podcaste, sinemanın büyüsünün hakim olduğunu söylemek yanlış olmaz herhalde. Ve çocukluk yaralarımızın, hayattaki hedef ve heveslerimizin, tiyatronun, sanatın… Kısacası, yine derin bir sohbet bekliyor ben okurum severleri.

Roy Jankelowitz and The Sports Rabbi looked back at Maccabi Tel Aviv's huge win over Fenerbahce in Euroleague action to keep their hopes alive for a spot in the postseason. We then shifted gears to look at the latest news in Israeli soccer from Eran Zahavi's single room request to Yossi Benayoun's refusal and from the torching of Hapoel Tel Aviv's training facility to Manor Solomon and Beitar Jerusalem. We talk about it all!Make sure to subscribe to The Sports Rabbi Show on iTunes, Spotify or Google Podcasts.Also download our fabulous new App available for both Android and iPhone!Click here for the iPhone AppClick here for the Android App

On the latest Sports Rabbi Show, Ben Pask spent some time with Fenerbahce star Johnathan Motley just ahead of their Euroleague clash against Maccabi Tel Aviv. The Baylor product is in his debut season in the continent's top competition and spoke about his career to date from his time in college to the NBA, Kuban and now Fener while also discussing some of the players that he was able to share the floor with. From Dirk Nowitski, Paul George, Kawhi Leonard and Nick Calathes, Motley has played with some stars from around the world. We then spoke about Hapoel Jerusalem's Basketball Champions League win over Hapoel Holon as we also hear from Levi Randolph as he talks to The Sports Rabbi about the victory, how each player has sacrificed for the team to win and much more. Make sure to subscribe to The Sports Rabbi Show on iTunes, Spotify or Google Podcasts.Also download our fabulous new App available for both Android and iPhone!Click here for the iPhone AppClick here for the Android App

SDC Matrix is a Mixed Formation Skydiving competition team representing Skydive Chicago at the U.S. Nationals. SDC Matrix consists of the veteren skydiving instructor Lindsay Fener and the pilot for the Army Golden Knights, Joey Baker. Mixed Formation Skydiving or MFS is the highest level of skydiving competition. MFS comprises all axis of body flight(except angle) Belly, back, head up and head down are included in each draw making MFS the upper echelon of skydiving competition. Support your local Freeflyer! www.patreon.com/wazzycircusradio My name is Waz Choudhry. I have been blessed with over 5,000 skydives and more than 17 years of experience in the sport of skydiving. WazzyCircus Radio is a show where I sit down with some of the most amazing people that I have met over a decade of professional skydiving