Podcast appearances and mentions of Henry Henry

This week on From the Front Porch, Annie and Hunter (@shelfbyshelf) discuss their top 10 favorite books of 2024. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search “Episode 509”) or download and shop on The Bookshelf's official app: Annie's Midyear Favorites: 1. James by Percival Everett 2. Martyr! by Kaveh Akbar 3. Long Island Compromise by Taffy Brodesser-Akner 4. Even After Everything by Stephanie Duncan Smith 5. Real Americans by Rachel Khong 6. Same As It Ever Was by Claire Lombardo 7. Sandwich by Catherine Newman 8. Headshot by Rita Bullwinkel 9. Summer Romance by Annabel Monaghan 10. Grief Is for People by Sloane Crosley Hunter's Midyear Favorites: 1. James by Percival Everett 2. All Fours by Miranda July 3. We Were The Universe by Kimberly King Parsons 4. In Tongues by Thomas Grattan 5. Colored Television by Danzy Senna 6. State of Paradise by Laura Van der Berg 7. Headshot by Rita Bullwinkel 8. Ways and Means by Daniel Lefferts 9. Henry Henry by Allen Bratton 10. Housemates by Emma Copley Eisenberg Annie's Favorite Books of 2024 1. James by Percival Everett 2. Tell Me Everything by Elizabeth Strout 3. Even After Everything by Stephanie Duncan Smith 4. The Barn by Wright Thompson 5. The Wedding People by Alison Espach 6. Clear by Carys Davies 7. Headshot by Rita Bullwinkel 8. Martyr! by Kaveh Akbar 9. Margo's Got Money Troubles by Rufi Thorpe 10. Grief Is for People by Sloane Crosley Hunter's Favorite Books of 2024 1. James by Percival Everett 2. All Fours by Miranda July 3. We Were The Universe by Kimberly King Parsons 4. Small Rain by Garth Greenwell 5. Colored Television by Danzy Senna 6. Rejection by Tommy Tulathimutte 7. Hombrecito by Santiago Jose Sanchez 8. Headshot by Rita Bullwinkel 9. In Tongues by Thomas Grattan 10. Orbital by Samantha Harvey / Tell Me Everything by Elizabeth Strout From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Playworld by Adam Ross. Hunter is reading The Antidote by Karen Russell. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

Who else in literature today could be more interesting to interview than Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans, as well as the author of popular reviews and the sweater weather Substack? We talked about so much, including: Chopin and who plays him best; why there isn't more tennis in fiction; writing fiction on a lab bench; being a scientific critic; what he has learned working as a publisher; negative reviews; boring novels; Jane Austen. You'll also get Brandon's quick takes on Iris Murdoch, Jonathan Franzen, Lionel Trilling, György Lukács, and a few others; the modern critics he likes reading; and the dead critics he likes reading.Brandon also talked about how his new novel is going to be different from his previous novels. He told me:I no longer really want to be starting my books, quote unquote, in media res. I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation.I have enjoyed Brandon's fiction (several people I recommend him to have loved Real Life) and I think he's one of the best critics working today. I was delighted to interview him.Oh, and he's a Dickens fan!Transcript (AI produced, lightly formatted by me)Henry: Today I am talking to Brandon Taylor, the author of Real Life, Filthy Animals, and The Late Americans. Brandon is also a notable book reviewer and of course he writes a sub stack called Sweater Weather. Brandon, welcome.Brandon: Yeah, thanks for having me.Henry: What did you think of the newly discovered Chopin waltz?Brandon: Um, I thought, I mean, I remember very vividly waking up that day and there being a new waltz, but it was played by Lang Lang, which I did not. I don't know that, like, he's my go-to Chopin interpreter. But I don't know, I was, I was excited by it. Um, I don't know, it was in a world sort of dominated by this ethos of like nothing new under the sun. It felt wonderfully novel. I don't know that it's like one of Chopin's like major, I don't know that it's like major. Um, it's sort of definitively like middle of the road, middle tier Chopin, I think. But I enjoyed it. I played it like 20 times in a row.Henry: I like those moments because I like, I like it when people get surprised into realizing that like, it's not fixed what we know about the world and you can even actually get new Chopin, right?Brandon: I mean, it felt a little bit like when Beyonce did her first big surprise drop. It was like new Chopin just dropped. Oh my God. All my sort of classical music nerd group texts were buzzing. It felt like a real moment, actually.Henry: And I think it gives people a sense of what art was like in the past. You can go, oh my God, new Chopin. Like, yes, those feelings are not just about modern culture, right? That used to happen with like, oh my God, a new Jane Austen book is here.Brandon: Oh, I know. Well, I mean, I was like reading a lot of Emile Zola up until I guess late last year. And at some point I discovered that he was like an avid amateur photographer. And in like the French Ministry of Culture is like digitized a lot of his glass plate negatives. And one of them is like a picture that Zola has taken of Manet's portrait of him. And it's just like on a floor somewhere. Like he's like sort of taken this like very rickety early camera machinery to this place where this portrait is and like taken a picture of it. It's like, wow. Like you can imagine that like Manet's like, here's this painting I did of you. And Zola's like, ah, yes, I'm going to take a picture to commemorate it. And so I sort of love that.Henry: What other of his photos do you like?Brandon: Well, there's one of him on a bike riding toward the camera. That's really delightful to me because it like that impulse is so recognizable to me. There are all these photos that he took of his mistress that were also just like, you can like, there are also photographs of his children and of his family. And again, those feel so like recognizable to me. He's not even like a very good photographer. It's just that he was taking pictures of his like daily life, except for his kind of stunt photos where he's riding the bike. And it's like, ah, yes, Zola, he would have been great with an iPhone camera.Henry: Which pianists do you like for Chopin?Brandon: Which pianists do I love for Chopin? I like Pollini a lot. Pollini is amazing. Pollini the elder, not Pollini the younger. The younger is not my favorite. And he died recently, Maurizio Pollini. He died very recently. Maybe he's my favorite. I love, I love Horowitz. Horowitz is wonderful at Chopin. But it's obviously it's like not his, you know, you don't sort of go to Horowitz for Chopin, I guess. But I love his Chopin. And sometimes Trifonov. Trifonov has a couple Chopin recordings that I really, really like. I tend not to love Trifonov as much.Henry: Really?Brandon: I know it's controversial. It's very controversial. I know. Tell me why. I, I don't know. He's just a bit of a banger to me. Like, like he's sort of, I don't know, his playing is so flashy. And he feels a bit like a, like a, like a keyboard basher to me sometimes.Henry: But like, do you like his Bach?Brandon: You know, I haven't done a deep dive. Maybe I should do a sort of more rigorous engagement with Trifonov. But yeah, I don't, he's just not, he doesn't make my heart sing. I think he's very good at Bach.Henry: What about a Martha Argerich?Brandon: Oh, I mean, she's incredible. She's incredible. I bought that sort of big orange box out of like all of her, her sort of like masterwork recordings. And she's incredible. She has such feel for Chopin. But she doesn't, I think sometimes people can make Chopin feel a little like, like treacly, like, like a little too sweet. And she has this perfect understanding of his like rhythm and his like inner nuances and like the crispness in his compositions. Like she really pulls all of that out. And I love her. She has such, obviously great dexterity, but like a real sort of exquisite sensitivity to the rhythmic structures of Chopin.Henry: You listen on CD?Brandon: No, I listen on vinyl and I listen on streaming, but mostly vinyl. Mostly vinyl? Yeah, mostly vinyl. I know it's very annoying. No, no, no, no, no.Henry: Which, what are the good speakers?Brandon: I forget where I bought these speakers from, but I sort of did some Googling during the pandemic of like best speakers to use. I have a U-Turn Audio, U-Turn Orbital record player. And so I was just looking for good speakers that were compatible and like wouldn't take up a ton of space in my apartment because I was moving to New York and had a very tiny, tiny apartment. So they're just from sort of standard, I forget the brand, but they've served me well these past few years.Henry: And do you like Ólafsson? He's done some Chopin.Brandon: Who?Henry: Víkingur Ólafsson. He did the Goldbergs this year, but he's done some Chopin before. I think he's quite good.Brandon: Oh, that Icelandic guy?Henry: Yeah, yeah, yeah. With the glasses? That's right. And the very neat hair.Brandon: Yes. Oh, he's so chic. He's so chic. I don't know his Chopin. I know his, there's another series that he did somewhat recently that I'm more familiar with. But he is really good. He has good Beethoven, Víkingur.Henry: Yeah.Brandon: And normally I don't love Beethoven, but like—Henry: Really? Why? Why? What's wrong with Beethoven? All these controversial opinions about music.Brandon: I'm not trying to have controversial opinions. I think I'm, well, I'm such a, I'm such, I mean, I'm just like a dumb person. And so like, I don't, I don't have a really, I feel like I don't have the robust understanding to like fully appreciate Beethoven and all of his sort of like majesty. And so maybe I've just not heard good Beethoven and I need to sort of go back and sort of get a real understanding of it. But I just tend not to like it. It feels like, I don't know, like grandma's living room music to me sometimes.Henry: What other composers do you enjoy?Brandon: Oh, of course.Henry: Or other music generally, right?Brandon: Rachmaninoff is so amazing to me. There was, of course, Bach. Brahms. Oh, I love Brahms, but like specifically the intermezzi. I love the intermezzi. I recently fell in love with, oh, his name is escaping me now, but he, I went to a concert and they sort of did a Brahms intermezzi. And they also played this, I think he was an Austrian composer. And his music was like, it wasn't experimental, but it was like quite, I had a lot of dissonance in it. And I found it like really interesting and like really moving actually. And so I did a sort of listening to that constantly. Oh, I forget his name. But Brahms, Chopin, Rachmaninoff, love Rachmaninoff. I have a friend who says that Rachmaninoff writes Negro spirituals. And I love that theory that Rachmaninoff's music is like the music of the slaves. It just, I don't know. I really, that really resonates with me spiritually. Which pieces, which Rachmaninoff symphonies, concertos? Yeah, the concertos. But like specifically, like I have a friend who said that Rach II sounded to her like the sort of spiritual cry of like the slaves. And we were at like a hangout with like mostly Black people. And she like stopped playing like Juvenile, like the rapper. And she put on Rach II. And we just like sat there and listened. And it did feel like something powerful had entered the room. Yeah, but he's my guy. I secretly really, really love him. I like Liszt, but like it really depends on the day and the time for him. He makes good folk music, Liszt. I love his folky, his folk era.Henry: What is it that you enjoy about tennis?Brandon: What do I enjoy about tennis? I love the, I love not thinking. I love being able to hit the ball for hours on end and like not think. And like, it's the one part of my life. It's the one time in my life where my experience is like totally unstructured. And so like this morning, I went to a 7am drill and play class where you do drills for an hour. Then you play doubles for an hour. And during that first hour of drills, I was just like hitting the ball. I was at the mercy of the guy feeding us the ball. And I didn't have a single thought about books or literature or like the status of my soul or like the nature of American democracy. It was just like, did I hit that ball? Well, did I hit it kind of off center? Were there tingles in my wrist? Yes or no. Like it was just very, very grounding in the moment. And I think that is what I love about it. Do you like to watch tennis? Oh, yeah, constantly. Sometimes when I'm in a work meeting, the Zoom is here and the tennis is like playing in the background. Love tennis, love to watch, love to play, love to think about, to ponder. Who are the best players for you? Oh, well, the best players, my favorite players are Roger Federer, Serena Williams, Stanislas Wawrinka, love Wawrinka. And I was a really big Davydenko head back in the day. Nikolai Davydenko was this Russian player who had, he was like a metronome. He just like would not miss. Yeah, those are my favorites. Right now, the guy I'm sort of rooting for who's still active is Kasper Rud, who's this Norwegian guy. And I love him because he just looks like some guy. Like he just looks like he should be in a seminary somewhere. I love it. I love, I love his normalness. He just looks like an NPC. And I'm drawn to that in a tennis player.Henry: It's hard to think of tennis in novels. Why is that?Brandon: Well, I think a lot of people don't, well, I think part of it is a lot of novelists. Part of it is a lot of novelists don't play sports. I think that they, at least Americans, I can't speak for other parts of the world, but in America, a lot of novelists are not doing sports. So that's one. And I think two, like, you know, like with anything, I think that tennis has not been subjected to the same schemes of narrativization that like other things are. And so like it's, a lot of novelists just like don't see a sort of readily dramatizable thing in tennis. Even though if you like watch tennis and like listen to tennis commentary, they are always erecting narratives. They're like, oh yeah, she's been on a 19 match losing streak. Is this where she turns it around? And to me, tennis is like a very literary sport because tennis is one of those sports where it's all about the matchup. It's like your forehand to my backhand, like no matter how well I play against everyone else, like it's you and me locked in the struggle. And like that to me feels incredibly literary. And it is so tied to your individual psychology as well. Like, I don't know, I endlessly am fascinated by it. And indeed, I got an idea for a tennis novel the other day that I'm hopefully going to write in three to five years. We'll see.Henry: Very good. How did working in a lab influence your writing?Brandon: Well, somewhat directly and materially in the case of my first book, because I wrote it while I was working in the lab and it gave me weirdly like time and structure to do that work where I would be pipetting. And then while I was waiting for an assay or a experiment to run or finish, I would have 30 minutes to sit down and write.Henry: So you were writing like at the lab bench?Brandon: Oh, yeah, absolutely. One thousand percent. I would like put on Philip Glass's score for the hours and then just like type while my while the centrifuge was running or whatever. And and so like there's that impression sort of baked into the first couple books. And then I think more, I guess, like spiritually or broadly, it influenced my work because it taught me how to think and how to organize time and how to organize thoughts and how to sort of pursue long term, open ended projects whose results may or may not, you know, fail because of something that you did or maybe you didn't do. And that's just the nature of things. Who knows? But yeah, I think also just like discipline, the discipline to sort of clock in every day. And to sort of go to the coalface and do the work. And that's not a thing that is, you know. That you just get by working in a lab, but it's certainly something that I acquired working in a lab.Henry: Do you think it's affected your interest in criticism? Because there's there are certain types of critic who seem to come from a scientific background like Helen Vendler. And there's something something about the sort of the precision and, you know, that certain critics will refuse to use critical waffle, like the human condition. And they won't make these big, vague gestures to like how this can change the way we view society. They're like, give me real details. Give me real like empirical criticism. Do you think this is — are you one of these people?Brandon: Yeah, yeah, I think I'm, you know, I'm all about what's on the page. I'm all about the I'm not gonna go rooting in your biography for not gonna go. I'm not I'm not doing that. It's like what you brought to me on the page is what you've brought to me. And that is what I will be sort of coming over. I mean, I think so. I mean, very often when critics write about my work, or when people respond to my work, they sort of describe it as being put under a microscope. And I do think like, that is how I approach literature. It's how I approach life. If there's ever a problem or a question put to me, I just sort of dissect it and try to get down to its core bits and its core parts. And and so yeah, I mean, if that is a scientific way of doing things, that's certainly how I but also I don't know any other way to think like that's sort of that's sort of how I was trained to think about stuff. You've been to London. I have. What did you think of it? The first time I didn't love it. The second and third times I had a good time, but I felt like London didn't love me back. London is the only place on earth I've ever been where people have had a hard time understanding me like I like it's the only place where I've like attempted to order food or a drink or something in a store or a cafe or a restaurant. And the waiters like turned to my like British hosts and asked them to translate. And that is an entirely foreign experience for me. And so London and I have like a very contentious relationship, I would say.Henry: Now, you've just published four classic novels.Brandon: Yes.Henry: George Gissing, Edith Wharton, Victor Hugo and Sarah Orne Jewett. Why did you choose those four writers, those four titles?Brandon: Oh, well, once we decided that we were going to do a classics imprint, you know, then it's like, well, what are we going to do? And I'm a big Edith Wharton fan. And there are all of these Edith Wharton novels that Americans don't really know about. They know Edith Wharton for The Age of Innocence. And if they are an English major, they maybe know her for The House of Mirth. Or like maybe they know her for The Custom of the Country if they're like really into reading. But then they sort of think of her as a novelist of the 19th century. And she's writing all of these books set in the 1920s and about the 1920s. And so it felt important to show people like, oh, this is a writer who died a lot later than you think that she did. And whose creative output was, you know, pretty, who was like a contemporary of F. Scott Fitzgerald in a lot of ways. Like, these books are being published around the same time as The Great Gatsby. And to sort of, you know, bring attention to a part of her over that, like, people don't know about. And like, that's really exciting to me. And Sarah Orne Jewett, I mean, I just really love The Country of the Pointed Furs. I love that book. And I found it in like in a 10 cents bin at a flea market one time. And it's a book that people have tried to bring back. And there have been editions of it. But it just felt like if we could get two people who are really cool to talk about why they love that book, we could sort of have like a real moment. And Sarah Orne Jewett was like a pretty big American writer. Like she was a pretty significant writer. And she was like really plugged in and she's not really read or thought about now. And so that felt like a cool opportunity as well to sort of create a very handsome edition of this book and to sort of talk about a bit why she matters. And the guessing of it all is we were going to do New Grub Street. And then my co-editor thought, well, The Odd Women, I think, is perhaps more relevant to our current moment than New Grub Street necessarily. And it would sort of differentiate us from the people, from the presses that are doing reissues of New Grub Street, because there's just been a new edition of that book. And nobody in America really knows The Odd Women. And it's a really wonderful novel. It's both funny and also like really biting in its satire and commentary. So we thought, oh, it'll be fun to bring this writer to Americans who they've never heard of in a way that will speak to them in a lot of ways. And the Victor Hugo, I mean, you know, there are Hugos that people know all about. And then there are Hugos that no one knows about. And Toilers of the Sea was a passion project for my co-editor. She'd read it in Guernsey. That's where she first discovered that book. And it really meant a lot to her. And I read it and really loved it. I mean, it was like Hugo at his most Hugo. Like, it's a very, it's a very, like, it's a very abundant book. And it's so wild and strange and changeful. And so I was like, oh, that seems cool. Let's do it. Let's put out Toilers of the Sea. So that's a bit of why we picked each one.Henry: And what have you learned from being on the other side of things now that you're the publisher?Brandon: So much. I've learned so much. And indeed, I just, I was just asked by my editor to do the author questionnaire for the novel that I have coming out next. And I thought, yes, I will do this. And I will do it immediately. Because now I know, I know how important these are. And I know how early and how far in advance these things need to be locked in to make everyone's life easier. I think I've learned a bit about the sometimes panicked scramble that happens to get a book published. I've learned about how hard it is to wrangle blurbs. And so I think I'm a little more forgiving of my publishers. But they've always been really great to me. But now I'm like, oh, my gosh, what can I do for you? How can I help you make this publication more of a success?Henry: Do you think that among literary people generally, there's a lack of appreciation of what business really involves in some of the senses you're talking about? I feel like I see a lot of either indifferent or hostile attitudes towards business or commerce or capitalism, late stage capitalism or whatever. And I sometimes look at it and I'm like, I don't think you guys really know what it takes to just like get stuff done. You know what I mean? Like, it's a lot of grind. I don't think it's a big nasty thing. It's just a lot of hard work, right?Brandon: Yeah, I mean, 1000%. Or if it's not a sort of misunderstanding, but a sort of like disinterest in like, right, like a sort of high minded, like, oh, that's just the sort of petty grimy commerce of it all. I care about the beauty and the art. And it's just like, friend, we need booksellers to like, sell this. I mean, to me, the part of it that is most to me, like the most illustrative example of this in my own life is that when I first heard how my editor was going to be describing my book, I was like, that's disgusting. That's horrible. Why are you talking about my race? Why are you talking about like my sexuality? Like, this is horrible. Why can't you just like talk about the plot of the book? Like, what is the matter with you? And then I had, you know, I acquired and edited this book called Henry Henry, which is a queer contemporary retelling of the Henry ad. And it's a wonderful novel. It's so delightful. And I had to go into our sales conference where we are talking to the people whose job it is to sell that book into bookstores to get bookstores to take that book up. And I had to write this incredibly craven description of this novel. And as I was writing it, I was like, I hope Alan, the author, I hope Alan never sees this. He never needs to hear how I'm talking about this book. And as I was doing it, I was like, I will never hold it against my editor again for writing this like, cheesy, cringy copy. Because it's like you, like, you so believe in the art of that book, so much that you want it to give it every fighting chance in the marketplace. And you need to arm your sales team with every weapon of commerce they need to get that book to succeed so that when readers pick it up, they can appreciate all of the beautiful and glorious art of it. And I do think that people, you know, like, people don't really kind of, people don't really understand that. And I do think that part of that is publishing's fault, because they are, they've been rather quick to elide the distinctions between art and commerce. And so like publishing has done a not great job of sort of giving people a lot of faith in its understanding that there's a difference between art and commerce. But yeah, I think, I think there's a lot of misapprehension out there about like, what goes into getting bookstores to acquire that book.Henry: What are the virtues of negative book reviews?Brandon: I was just on a panel about this. I mean, I mean, hopefully a negative book review, like a positive review, or like any review, will allow a reader or the audience to understand the book in a new way, or to create a desire in the reader to pick up the book and see if they agree or disagree or that they, that they have something to argue with or push against as they're reading. You know, when I'm writing a negative review, when I'm writing a review that I feel is trending toward negative, I should say, I always try to like, I don't know, I try to always remember that like, this is just me presenting my experience of the book and my take of the book. And hopefully that will be productive or useful for whoever reads the review. And hopefully that my review won't be the only thing that they read and that they will in fact, go pick up the book and see if they agree or disagree. It's hopefully it creates interesting and potentially divergent dialogues or discourses around the text. And fundamentally, I think not every critic feels this way. Not every piece of criticism is like this. But the criticism I write, I'm trying to create the conditions that will refer the reader always back to the text, be it through quotation, be it through, they're so incensed by my argument that they're going to go read the book themselves and then like, yell at me. Like, I think that that's wonderful, but like, always keeping the book at the center. But I think a negative review can, you know, it can start a conversation. It can get people talking about books, which in this culture, this phase of history feels like a win. And hopefully it can sort of be a corrective sometimes to less genuine or perceived less genuine discourses that are existing around the book.Henry: I think even whether or not it's a question of genuine, it's for me, it's just a question of if you tell people this book is good and they give up their time and money and they discover that it's trash, you've done a really bad thing to that person. And like, there might be dozens of them compared to this one author who you've been impolite to or whatever. And it's just a question of don't lie in book, right?Brandon: Well, yeah. I mean, hopefully people are honest, but I do feel sometimes that there is, there's like a lack of honesty. And look, I think that being like, well, I mean, maybe you'll love this. I don't love it, you know, but at least present your opinion in that way. At least be like, you know, there are many interpretations of this thing. Here's my interpretation. Maybe you'll feel differently or something like that. But I do think that people feel that there have been a great number of dishonest book reviews. Maybe there have been, maybe there have not been. I certainly have read some reviews I felt were dishonest about books that I have read. And I think that the negative book review does feel a bit like a corrective in a lot of ways, both, you know, justified or unjustified. People are like, finally, someone's being honest about this thing. But yeah, I think it's interesting. I think it's all really, I think it's all fascinating. I do think that there are some reviews though, that are negative and that are trying to be about the book, but are really about the author. There are some reviews that I have read that have been ostensibly about reviewing a text, but which have really been about, you don't like that person and you have decided to sort of like take an axe to them. And that to me feels not super productive. I wouldn't do it, but other people find it useful.Henry: As in, you can tell that from the review or you know that from background information?Brandon: I mean, this is all projection, of course, but like there have been some reviews where I've read, like, for example, some of the Lauren Oyler reviews, I think some of the Lauren Oyler reviews were negative and were exclusively about the text. And they sort of took the text apart and sort of dissected it and came to conclusions, some of which I agreed with, some of which I didn't agree with, but they were fundamentally about the text. And like all the criticisms referred back to the text. And then there were some that were like projecting attitudes onto the author that were more about creating this sort of vaporous shape of Lauren Oyler and then sort of poking holes in her literary celebrity or her stature as a critic or what have you. And that to me felt less productive as like a book review.Henry: Yes. Who are your favorite reviewers?Brandon: Ooh, my favorite reviewers. I really love Christian Lawrence. And he does my, of the critics who try to do the sort of like mini historiography of like a thing. He's my favorite because he teaches me a lot. He sort of is so good at summing up an era or summing up a phase of literary production without being like so cringe or so socialist about it. I really love, I love it when he sort of distills and dissects an era. I really like Hermione Hobie. I think she's really interesting. And she writes about books with a lot of feeling and a lot of energy. And I really love her mind. And of course, like Patricia Lockwood, of course, everyone, perhaps not everyone, but I enjoy Patricia Lockwood's criticism. You don't?Henry: Not really.Brandon: Oh, is it because it's too chatty? Is it too, is it too selfie?Henry: A little bit. I think, I think that kind of criticism can work really well. But I think, I think it's too much. I think basically she's very, she's a very stylized writer and a lot of her judgments get, it gets to the point where it's like, this is the logical conclusion of what you're trying to do stylistically. And there are some zingers in here and some great lines and whatever, but we're no longer, this is no longer really a book review.Brandon: Yeah.Henry: Like by the, by the end of the paragraph, this, like, we didn't want to let the style go. We didn't want to lose the opportunity to cap that off. And it leads her into, I think, glibness a lot of the time.Brandon: Yeah. I could see that. I mean, I mean, I enjoy reading her pieces, but do I understand like what's important to her at a sort of literary level? I don't know. I don't, and in that sense, like, are they, is it criticism or is it closer to like personal essay, humorous essay? I don't know. Maybe that's true. I enjoy reading them, but I get why people are like, this is a very, very strong flavor for sure.Henry: Now you've been reading a lot of literary criticism.Brandon: Oh yeah.Henry: Not of the LRB variety, but of the, the old books in libraries variety. Yes. How did that start? How did, how did you come to this?Brandon: Somewhat like ham-fistedly. I, in 2021, I had a really bad case of writer's block and I thought maybe part of the reason I had writer's block was that I didn't know anything about writing or I didn't know anything about like literature or like writing. I'd been writing, I'd published a novel. I was working on another novel. I'd published a book of stories, but like, I just like truly didn't know anything about literature really. And I thought I need some big boy ideas. I need, I need to find out what adults think about literature. And so I went to my buddy, Christian Lorenzen, and I was like, you write criticism. What is it? And what should I read? And he gave me a sort of starter list of criticism. And it was like the liberal imagination by Lionel Trilling and Guy Davenport and Alfred Kazin who wrote On Native Grounds, which is this great book on the American literary tradition and Leslie Fiedler's Love and Death in the American Novel. And I, and then Edmund Wilson's Axel's Castle. And I read all of those. And then as each one would sort of refer to a different text or person, I sort of like followed the footnotes down into this rabbit hole of like literary criticism. And now it's been a sort of ongoing project of the last few years of like reading. I always try to have a book of criticism on the go. And then earlier this year, I read Jameson's The Antimonies of Realism. And he kept talking about this Georg Lukács guy. And I was like, I guess I should go read Lukács. And so then I started reading Lukács so that I could get back to Jameson. And I've been reading Lukács ever since. I am like deep down the Lukács rabbit hole. But I'm not reading any of the socialism stuff. I told myself that I wouldn't read any of the socialism stuff and I would only read the literary criticism stuff, which makes me very different from a lot of the socialist literary critics I really enjoy because they're like Lukács, don't read in that literary criticism stuff, just read his socialism stuff. So I'm reading all the wrong stuff from Lukács, but I really, I really love it. But yeah, it sort of started because I thought I needed grown up ideas about literature. And it's been, I don't know, I've really enjoyed it. I really, really enjoy it. It's given me perhaps terrible ideas about what novels should be or do. But, you know, that's one of the side effects to reading.Henry: Has it made, like, what specific ways has it changed how you've written since you've acquired a set of critical principles or ideas?Brandon: Yeah, I mean, I think part of it is, part of it has to do with Lukács' idea of the totality. And, you know, I think that the sort of most direct way that it shows up in a sort of really practical way in my novel writing is that I no longer really want to be starting my books, quote unquote, in media res. Like, I don't want, I want my books to feel like books. I don't want my books to feel like movies. And I don't want them to feel like treatments for film. And so I want to sort of bring back all of what a novel can do in terms of its structure and in terms of its form and stuff like that. And so it means starting books, you know, with this sort of Dickensian voice of God speaking from on high, sort of summing up an era. And I think also sort of allowing the narrators in my work to dare to sum up, allowing characters in my work to have ideologies and to argue about those ideologies. I feel like that is a thing that was sort of denuded from the American novel for a lot of millennials and just sort of like trying to put back some of that old fashioned machinery that was like stripped out of the novel. And seeing what of it can still function, seeing, trying to figure out if there's any juice left in these modes of representation and stuff like that. And so like that, that's sort of, that's sort of abstract, but like in a concrete way, like what I'm kind of trying to resolve in my novel writing these days.Henry: You mentioned Dickens.Brandon: Oh, yes.Henry: Which Dickens novels do you like?Brandon: Now I'm afraid I'm going to say something else controversial. We love controversial. Which Dickens? I love Bleak House. I love Bleak House. I love Tale of Two Cities. It is one of the best openings ever, ever, ever, ever in the sweep of that book at once personal and universal anyway. Bleak House, Tale of Two Cities. And I also, I read Great Expectations as like a high school student and didn't like it, hated it. It was so boring. But now coming back to it, I think it, honestly, it might be the novel of our time. I think it might accidentally be a novel. I mean, it's a novel of scammers, a novel of like, interpersonal beef taken to the level of like, spiritual conflict, like it's about thieves and class, like it just feels like like that novel could have been written today about people today, like that book just feels so alive to today's concerns, which perhaps, I don't know, says something really evil about this cultural stagnation under capitalism, perhaps, but I don't know, love, love Great Expectations now.Henry: Why are so many modern novels boring?Brandon: Well, depends on what you mean by boring, Henry, what do you mean? Why?Henry: I mean, you said this.Brandon: Oh.Henry: I mean, I happen to agree, but this is, I'm quoting you.Brandon: Oh, yes. I remember that. I remember that review.Henry: I mean, I can tell you why I think they're boring.Brandon: Oh, yes, please.Henry: So I think, I think what you said before is true. They all read like movies. And I think I very often I go in, I pick up six or seven books on the new book table. And I'm like, these openings are all just the same. You're all thinking you can all see Netflix in your head. This is not really a novel. And so the dialogue is really boring, because you kind of you can hear some actor or actress saying it. But I can't hear that because I'm the idiot stuck in the bookshop reading your Netflix script. Whereas, you know, I think you're right that a lot of those traditional forms of storytelling, they like pull you in to the to the novel. And they and they like by the end of the first few pages, you sort of feel like I'm in this funny place now. And to do in media res, like, someone needs to get shot, or something, something weird needs to be said, like, you can't just do another, another standard opening. So I think that's a big, that's a big point.Brandon: Well, as Lukasz tells us, bourgeois realism has a, an unholy fondness for the, the average, the merely average, as opposed to the typical. And I think, yeah, a lot of it, a lot of why I think it's boring echoes you, I think that for me, what I find boring, and a lot of them is that it feels like novelists have abandoned any desire to, to have their characters or the novels themselves integrate the sort of disparate experiences within the novel into any kind of meaningful hole. And so there isn't this like sense of like things advancing toward a grander understanding. And I think a lot of it is because they've, they are writing under the assumption that like the question of why can never be answered. There can never be like a why, there can never be a sort of significance to anything. And so everything is sort of like evacuated of significance or meaning. And so you have what I've taken to calling like reality TV fiction, where the characters are just like going places and doing things, and there are no thoughts, there are no thoughts about their lives, or no thoughts about the things that they are doing, there are no thoughts about their experiences. And it's just a lot of like, like lowercase e events in their lives, but like no attempt to organize those events into any sort of meaningful hole. And I think also just like, what leads to a lot of dead writing is writers who are deeply aware that they're writing about themes, they're writing about themes instead of people. And they're working from generalities instead of particularities and specificities. And they have no understanding of the relationship between the universal and the particular. And so like, everything is just like, like beans in a can that they're shaking around. And I think that that's really boring. I think it's really tedious. Like, like, sure, we can we can find something really profound in the mundane, but like, you have to be really smart to do that. So like the average novelist is like better off like, starting with a gunshot or something like do something big.Henry: If you're not Virginia Woolf, it is in fact just mundane.Brandon: Indeed. Yeah.Henry: Is there too much emphasis on craft? In the way, in the way, in like what's valued among writers, in the way writers are taught, I feel like everything I see is about craft. And I'm like, craft is good, but that can just be like how you make a table rather than like how you make a house. Craft is not the guarantor of anything. And I see a lot of books where I think this person knows some craft. But as you say, they don't really have an application for it. And they don't. No one actually said to them, all style has a moral purpose, whether you're aware of it or not. And so they default to this like pointless use of the craft. And someone should say to them, like, you need to know history. You need to know tennis. You need to know business. You need to know like whatever, you know. And I feel like the novels I don't like are reflections of the discourse bubble that the novelist lives in. And I feel like it's often the continuation of Twitter by other means. So in the Rachel Kong novel that I think it came out this year, there's a character, a billionaire character who comes in near the end. And everything that he says or that is said about him is literally just meme. It's online billionaire meme because billionaires are bad because of all the things we all know from being on Twitter. And I was like, so you just we literally have him a character as meme. And this is the most representative thing to me, because that's maybe there's craft in that. Right. But what you've chosen to craft is like 28 tweets. That's pointless.Brandon: 28 tweets be a great title for a book, though, you have to admit, I would buy that book off the new book table. 28 tweets. I would. I would buy that. Yeah, I do think. Well, I think it goes both ways. I think it goes both ways. I somewhat famously said this about Sally Rooney that like she her books have no craft. The craft is bad. And I do think like there are writers who only have craft, who are able to sort of create these wonderfully structured books and to sort of deploy these beautiful techniques. And those books are absolutely dead. There's just like nothing in them because they have nothing to say. There's just like nothing to be said about any of that. And on the other hand, you have these books that are full of feelings that like would be better had someone taught that person about structure or form or had they sort of had like a rigorous thing. And I would say that like both of those are probably bad, like depending on who you are, you find one more like, like easier to deal with than the other. I do think that like part of why there's such an emphasis on craft is because not to sort of bring capitalism back in but you can monetize craft, you know what I mean? Like, craft is one of those things that is like readily monetizable. Like, if I'm a writer, and I would like to make money, and I can't sell a novel, I can tell people like, oh, how to craft a perfect opening, how to create a novel opening that will make agents pick it up and that will make editors say yes, but like what the sort of promise of craft is that you can finish a thing, but not that it is good, as you say, there's no guarantor. Whereas you know, like it's harder to monetize someone's soul, or like, it's harder to monetize like the sort of random happenstance of just like a writer's voice sort of emerging from from whatever, like you can't turn that into profit. But you can turn into profit, let me help you craft your voice. So it's very grind set, I think craft has a tendency to sort of skew toward the grind set and toward people trying to make money from, from writing when they can't sell a book, you know. Henry: Let's play a game. Brandon: Oh dear.Henry: I say the name of a writer. You give us like the 30 second Brandon Taylor opinion of that writer.Brandon: Okay. Yeah.Henry: Jonathan Franzen.Brandon: Thomas Mann, but like, slightly more boring, I think.Henry: Iris Murdoch.Brandon: A friend of mine calls her a modern calls her the sort of pre Sally Rooney, Sally Rooney. And I agree with that.Henry: When I'm at parties, I try and sell her to people where I say she's post-war Sally Rooney.Brandon: Yes, yes. And like, and like all that that entails, and so many delightful, I read all these like incredible sort of mid century reviews of her novels, and like the men, the male critics, like the Bernard Breganzis of the world being like, why is there so much sex in this book? It's amazing. Please go look up those like mid-century reviews of Iris Murdoch. They were losing their minds. Henry: Chekhov.Brandon: Perfect, iconic, baby girl, angel, legend. Can't get enough. 10 out of 10.Henry: Evelyn Waugh.Brandon: So Catholic, real Catholic vibes. But like, scabrously funny. And like, perhaps the last writer to write about life as though it had meaning. Hot take, but I'll, I stand by it.Henry: Yeah, well, him and Murdoch. But yeah, no, I think I think there's a lot in that. C.V. Wedgwood.Brandon: Oh, my gosh. The best, a titan, a master of history. Like, oh, my God. I would not be the same without Wedgwood.Henry: Tell us which one we should read.Brandon: Oh, the 30 Years War. What are you talking about?Henry: Well, I think her books on the English Civil War… I'm a parochial Brit.Brandon: Oh, see, I don't, not that I don't, I will go read those. But her book on the 30 Years War is so incredible. It's, it's amazing. It's second to like, Froissart's Chronicles for like, sort of history, history books for me.Henry: Northrop Frye.Brandon: My father. I, Northrop Frye taught me so much about how to see and how to think. Just amazing, a true thinker in a mind. Henry: Which book? Brandon: Oh, Anatomy of Criticism is fantastic. But Fearful Symmetry is just, it will blow your head off. Just amazing. But if you're looking for like, to have your, your mind gently remapped, then Anatomy of Criticism.Henry: Emma Cline.Brandon: A throwback. I think she's, I think she's Anne Beattie meets John Cheever for a new era. And I think she's amazing. She's perfect. Don't love her first novel. I think her stories are better. She's a short story writer. And she should stay that way.Henry: Okay, now I want you to rank Jane Austen's novels.Brandon: Wait, okay. So like, by my preference, or by like, what I think is the best?Henry: You can do both.Brandon: Okay. So in terms, my favorite, Persuasion. Then Mansfield Park. Sense and Sensibility. Pride and Prejudice. And then Emma, then Northanger Abbey. Okay.Henry: Now, how about for which ones are the best?Brandon: Persuasion. Pride and Prejudice. Mansfield Park. Emma,.Sense and Sensibility. Northanger Abbey.Henry: Why do people not like Fanny Price? And what is wrong with them?Brandon: Fanny Price is perfect. Fanny Price, I was just talking to someone about this last night at dinner. Fanny Price, she's perfect. First of all, she is, I don't know why people don't like her. She's like a chronically ill girl who's hot for her cousin and like, has deep thoughts. It seems like she would be the icon of literary Twitter for like a certain kind of person, you know? And I don't know why they don't like her. I think I'm, I am becoming the loudest Mansfield Park apologist on the internet. I think that people don't like Fanny because she's less vivacious than Mary Crawford. And I think that people are afraid to see themselves in Fanny because she seems like she's unfun or whatever. But what they don't realize is that like Fanny Price, Fanny Price has like a moral intelligence and like a moral consciousness. And like Fanny Price is one of the few Austen characters who actually argues directly and literally about the way the world is. Like with multiple people, like the whole, the whole novel is her sort of arguing about, well, cities are this and the country is this. And like, we need Parsons as much as we need party boys. Like, like she's arguing not just about, not just about these things like through the lens of like marriage or like the sort of marriage economy, but like in literal terms, I mean, she is so, she's like a moral philosopher. I love Fanny Price and she's so smart and so sensitive and so, and I guess like maybe it's just that people don't like a character who's kind of at the mercy of others and they view her as passive. When in fact, like a young woman arguing about the way the world should be, like Mary Crawford's, Mary Crawford's like kind of doing the above, not really, not like Fanny. But yeah, I love her. She's amazing. I love Fanny Price. And I also think that people love Margaret Hale from North and South. And I think that when people are saying they hate Fanny Price, what they're picturing is actually how Margaret Hale is. Margaret Hale is one of the worst heroines of a novel. She's so insufferable. She's so rude. She's so condescending. And like, she does get her comeuppance and like Gaskell does sort of bring about a transformation where she's actually able to sort of like see poor people as people first and not like subjects of sympathy. But Margaret is what people imagine Fanny is, I think. And we should, we should start a Fanny Price, like booster club. Henry, should we? Let's do it. It begins here. I just feel so strongly about her. I feel, I love, I love Fanny.Henry: She's my favorite of Austen's characters. And I think she is the most representative Austen character. She's the most Austen of all of them, right?Brandon: Yeah, I mean, that makes great deal of sense to me. She's just so wonderful. Like she's so funny and so observant. And she's like this quiet little girl who's like kind of sickly and people don't really like her. And she's kind of maybe I'm just like, maybe I just like see myself in her. And I don't mind being a sort of annoying little person who's going around the world.Henry: What are some good principles for naming literary characters?Brandon: Ooh, I have a lot of strong feelings about this. I think that names should be memorable. They should have like, like an aura of sort of literariness about them. I don't mean, I mean, taken to like hilarious extremes. It's like Henry James. Catherine Goodwood, Isabelle Archer, Ralph Touchett, like, you know, Henry had a stack pole. So like, not like that. But I mean, that could be fun in a modern way. But I think there's like an aura of like, it's a name that you might hear in real life, but it sort of add or remove, it's sort of charged and elevated, sort of like with dialogue. And that it's like a memorable thing that sort of like, you know, it's like, you know, memorable thing that sort of sticks in the reader's mind. It is both a name, a literary, a good literary name is both a part of this world and not of this world, I think. And, yeah, and I love that. I think like, don't give your character a name like you hear all the time. Like, Tyler is a terrible literary name. Like, no novel has ever, no good novel has ever had a really important character named Tyler in it. It just hasn't. Ryan? What makes a good sentence? Well, my sort of like, live and let live answer is that a good sentence is a sentence that is perfectly suited to the purpose it has. But I don't know, I like a clear sentence, regardless of length or lyric intensity, but just like a clear sentence that articulates something. I like a sentence with motion, a sense of rhythm, a sense of feel without any bad words in it. And I don't mean like curse words, I mean like words that shouldn't be in literature. Like, there's some words that just like don't belong in novels.Henry: Like what?Brandon: Squelch. Like, I don't think the word squelch should be in a novel. That's a gross word and it doesn't sound literary to me. I don't want to see it.Henry: I wouldn't be surprised if it was in Ulysses.Brandon: Well, yes.Henry: I have no idea, but I'm sure, I'm sure.Brandon: But so few of us are James Joyce. And that novel is like a thousand bodily functions per page. But don't love it. Don't love it.Henry: You don't love Ulysses?Brandon: No, I don't… Listen, I don't have a strong opinion, but you're not going to get me cancelled about Ulysses. I'm not Virginia Woolf.Henry: We're happy to have opinions of that nature here. That's fine.Brandon: You know, I don't have a strong feeling about it, actually. Some parts of it that I've read are really wonderful. And some parts of it that I have read are really dense and confusing to me. I haven't sort of given it the time it needs or deserves. What did you learn from reading Toni Morris? What did I learn? I think I learned a lot about the moral force of melodrama. I think that she shows us a lot about the uses of melodrama and how it isn't just like a lesion of realism, that it isn't just a sort of malfunctioning realism, but that there are certain experiences and certain lives and certain things that require and necessitate melodrama. And when deployed, it's not tacky or distasteful that it actually is like deeply necessary. And also just like the joy of access and language, like the sort of... Her language is so towering. I don't know, whenever I'm being really shy about a sentence being too vivid or too much, I'm like, well, Toni Morrison would just go for it. And I am not Toni Morrison, but she has given me the courage to try.Henry: What did you like about the Annette Benning film of The Seagull?Brandon: The moment when Annette Benning sings Dark Eyes is so good. It's so good. I think about it all the time. And indeed, I stole that moment for a short story that I wrote. And I liked that part of it. I liked the set design. I think also Saoirse Ronan, when she gives that speech as Nina, where she's like, you know, where the guy's like, what do you want from, you know, what do you want? Why do you want to be an actress? And she's like, I want fame. You know, like, I want to be totally adored. And I'm just like, yeah, that's so real. That's so, that is so real. Like Chekhov has understood something so deep, so deep about the nature of commerce and art there. And I think Saoirse is really wonderful in that movie. It's a not, it's not a good movie. It's maybe not even a good adaptation of The Seagull. But I really enjoyed it. I saw it like five times in a theater in Iowa City.Henry: I don't know if it's a bad adaptation of The Seagull, because it's one of the, it's one of the Chekhov's I've seen that actually understands that, like, the tragic and the and the comic are not meant to be easily distinguishable in his work. And it does have all this lightheartedness. And it is quite funny. And I was like, well, at least someone's doing that because I'm so sick of, like, gloomy Chekhov. You know what I mean? Like, oh, the clouds and the misery. Like, no, he wants you, he wants you to laugh and then be like, I shouldn't laugh because it's kind of tragic, but it's also just funny.Brandon: Yeah. Yes, I mean, all the moments were like, like Annette Bening's characters, like endless stories, like she's just like constantly unfurling a story and a story and a story and a story. Every scene kind of was like, she's in the middle of telling another interminable anecdote. And of course, the sort of big tragic turn at the end is like, where like, Kostya kills himself. And she's like, in the middle of like, another really long anecdote while they're in the other room playing cards. Like, it's so, it's so good. So I love that. I enjoy watching that movie. I still think it's maybe not. It's a little wooden, like as a movie, like it's a little, it's a little rickety.Henry: Oh, sure, sure, sure, sure. But for someone looking to like, get a handle on Chekhov, it's actually a good place to go. What is the best make of Fountain Pen?Brandon: That's a really good, that's a really, really, really good question. Like, what's your Desert Island Fountain Pen? My Desert Island Fountain Pen. Right now, it's an Esterbrook Estee with a needlepoint nib. It's like, so, I can use that pen for hours and hours and hours and hours. I think my favorite Fountain Pen, though, is probably the Pilot Custom 743. It's a really good pen, not too big, not too small. It can hold a ton of ink, really wonderful. I use, I think, like a Soft Fine nib, incredible nib, so smooth. Like, I, you could cap it and then uncap it a month later, and it just like starts immediately. It's amazing. And it's not too expensive.Henry: Brandon Taylor, thank you very much.Brandon: Thanks for having me. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

In this episode of the Granta Podcast, we speak to Allen Bratton, whose short stories Barbarism and Honeymoon have been published online at granta.com. His debut novel Henry Henry was published in 2024.We discuss Shakespearean adaptations, the fine line between humour and cruelty and the legacy of the British aristocracy.Leo Robson is a cultural journalist whose work has appeared in the London Review of Books, the New Yorker, and the New Left Review, among other publications. His first novel will be published in 2025.Josie Mitchell is senior editor at Granta.

Today, I am joined by Annette and Graham Henry of Henry & Henry. They are the Vegan Breathing Coaches. Annette and Graham are a husband and wife team who set out to educate and inspire others who also wish to make life changes. They run talks and classes, including meditation classes, but primarily around food, and have provided lunches for those curious to know more about how they eat. Trained in raw food science and preparation by Robert & Karin Dina and in Buteyko Breathing by Patrick McKeown. Annette and Graham provide breathing re-education and plant-based nutrition workshops both for the beneficiaries of Salus Fatigue Foundation and as part of programs offered by Salus externally.  In this episode you hear their story, not just their vegan journey but how they came together, changed each other's lives, and embarked on this mission of helping human animals and other than human animals all while making the world a kinder, gentler, more compassionate place. Who knew breathing was so powerful? To connect with Annette & Graham: https://www.henryandhenryeu.com/ Follow on Instagram: https://www.instagram.com/theveganbreathingcoaches/ Mentioned in this episode: Dr. Neal Barnard - https://www.pcrm.org/about-us/staff/neal-barnard-md-facc Dr. Michael Greger - https://nutritionfacts.org/team/ Vegan Business Tribe - https://veganbusinesstribe.com/ (if you're a vegan and would like to test out the membership, send me your email address and we'll both get a free month!) James Nestor - https://www.mrjamesnestor.com/ Myotape- https://myotape.com/ To connect with me:Follow me on Facebook and Instagram @didyoubringthehummus For more info on my Public Speaking 101 program: ⁠https://www.didyoubringthehummus.com/publicspeakingforactivists⁠ Contact me here or send me an email at info@didyoubringthehummus.com Join my mailing list and get 3 free recipes just for signing up! https://www.didyoubringthehummus.com/3recipepdf Join my Podcast Fan Facebook Group: https://www.facebook.com/groups/didyoubringthehummus/ To be a guest on the podcast: https://www.didyoubringthehummus.com/beaguest ©2024 Kimberly Winters - Did You Bring the Hummus LLC Theme Song ©2020 JP Winters ⁠@musicbyjpw⁠

This week on From the Front Porch, Annie and Hunter (@shelfbyshelf) discuss their top ten favorite books of 2024! To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search “Episode 486” to find the books mentioned in this episode), or shop on The Bookshelf's official app: Annie: First five-star read: Grief Is for People by Sloane Crosley Most surprising: Mostly What God Does by Savannah Guthrie Least favorite: Worry by Alexandra Tanner Next on your TBR: Enlightenment by Sarah Perry Most anticipated fall release: Intermezzo by Sally Rooney Annie's Top Ten: 1. James by Percival Everett 2. Martyr! by Kaveh Akbar 3. Long Island Compromise by Taffy Brodesser-Akner 4. Even After Everything by Stephanie Duncan Smith 5. Real Americans by Rachel Khong 6. Same As It Ever Was by Claire Lombardo 7. Sandwich by Catherine Newman 8. Headshot by Rita Bullwinkel 9. Summer Romance by Annabel Monaghan 10. Grief Is for People by Sloane Crosley Hunter: First five-star read: Martyr! By Kaveh Akbar Most surprising: Annie Bot by Sierra Greer Least favorite: Brat by Gabriel Smith Next on your TBR: The Future Was Color by Patrick Nathan Most anticipated release for fall: Intermezzo by Sally Rooney Hunter's Top Ten: 1.  James by Percival Everett 2. All Fours by Miranda July 3. We Were The Universe by Kimberly King Parsons 4. In Tongues by Thomas Grattan 5. Colored Television by Danzy Senna 6. State of Paradise by Laura Van Den Berg 7. Headshot by Rita Bullwinkel 8. Ways and Means by Daniel Lefferts 9. Henry Henry by Allen Bratton 10. Housemates by Emma Copley Eisenberg From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram at @bookshelftville, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. This week, Annie is reading Enlightenment by Sarah Perry.  Hunter is reading Anyone's Ghost by August Thompson. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. Or, if you're so inclined, support us on Patreon, where you can hear our staff's weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter and follow along as Hunter and I conquer a classic. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

Welcome to The Writers' Cafe! Brought to you from the award-winning indie, Sevenoaks Bookshop!This week's visitor to the cafe is the utterly brilliant, Allen Bratton. Allen joins us upon the release of his debut novel, Henry Henry. Join us as we discuss all things Shakespeare adaptation, terrible rich kids, bad families, love, pain, sex, and misguided reviews! Allen was a delight and is welcome back to our cafe anytime!If you are new to The Writer's Cafe pod: Inspired by our own in-shop cafe of the same name and the conversations about books, life, literature, and so much more every single day - as well as the literary salons of old where gossip thrived - this new podcast seeks to highlight and celebrate the best writers and voices every episode with a warm, detailed conversation about their work and craft.Allen's work can purchased with us here:https://sevenoaksbookshop.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Most Americans believe that buying a house is a BAD idea right now. With so much hate on the housing market from everyday people, why are expert investors buying more than ever? Do they know something that we don't? Or is it just because they have more money and experience than the rookie real estate investor or first-time home buyer? Nope, it's even more simple than that! We rounded up four housing market experts who actively invest to get their takes on the 2024 housing market. David Greene, expert investor; Rob Abasolo, the king of short-term rentals; Dave Meyer, host of On the Market, and Henry Washington, house flipper and buy and hold investor, are here to give us their takes on whether buying a home could a be good, bad, or ugly decision this year.  The experts also review top surveys that highlight consumer, home buyer, and investor sentiment, plus what they think the best move to make in 2024 is. Take it from four investors who have built considerable wealth through real estate; following the masses isn't always your best bet.  In This Episode We Cover: Why most Americans think now is a BAD time to buy real estate  Rock-bottom consumer sentiment, rising credit card debt, and more 2024 economic headwinds  The split investor survey that shows why SO many investors are on the fence  The effects of falling mortgage rates and whether or not now is a good time to sell  Who should NOT be investing in real estate right now (or ever) The 2024 investing moves that could make you rich in the long-run  And So Much More! Links from the Show Find an Agent Find a Lender BiggerPockets Youtube Channel BiggerPockets Forums BiggerPockets Pro Membership BiggerPockets Bookstore BiggerPockets Bootcamps BiggerPockets Podcast BiggerPockets Merch Listen to All Your Favorite BiggerPockets Podcasts in One Place Learn About Real Estate, The Housing Market, and Money Management with The BiggerPockets Podcasts Get More Deals Done with The BiggerPockets Investing Tools Find a BiggerPockets Real Estate Meetup in Your Area Expand Your Investing Knowledge With the BiggerPockets Books Be a Guest on the BiggerPockets Podcast Ask David Your Question David's BiggerPockets Profile David's Instagram Rob's BiggerPockets Profile Rob's Instagram Rob's TikTok Rob's Twitter Rob's YouTube Hear More from Dave and Henry on the “On the Market” Podcast Is Buying a Bad Decision? Real Estate Investing For Beginners: How To Get Started Fannie Mae National Housing Survey University of Michigan Consumer Sentiment Fall 2023 RCN Investor Sentiment Survey Connect with Dave: Dave's BiggerPockets Profile Dave's Instagram Connect with Henry: Henry's BiggerPockets Profile Henry's Instagram   Click here to listen to the full episode: https://www.biggerpockets.com/blog/real-estate-865 Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email advertise@biggerpockets.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is photographer and designer Keith Henry.Keith and I discuss his life growing up in Canada, skateboarding and photography, being into hardcore like everyone else, and how he went from driving trucks to making some of the best jeans on the planet.We also discuss pattern making, taking apart dickies, and why he still makes his own clothes.Henry's Instagram*Sponsored by Standard & Strange

Real estate investing has changed a LOT over the past few years. For most people getting into rental property investing in the mid-2010s, profitable properties were plentiful, cash flow was almost automatic, and equity was flowing in the tens (if not hundreds) of thousands every year. Unfortunately, this real estate market is long gone. Now, there's blood in the streets as new investors try to salvage sickly-looking deals that don't cash flow and come with pathetic-looking profits. And maybe, just maybe, that's why now is the best time to buy. Make no mistake, real estate investing isn't easy, and just buying any house WON'T make you rich. But, the 2023 housing market has far more opportunity than most people think, and David Greene, Henry Washington, and Rob Abasolo are here to explain how. These three investors have been gobbling up rental properties as quickly as possible. And even with lower margins, slim cash flow, and limited equity, there is some method to their madness. If NOTHING you're looking at is cash flowing and almost every home seems overpriced (especially with today's mortgage rates), this is THE episode to tune into. In it, David, Henry, and Rob will detail how you can “create” a profitable property while the masses sit on the sidelines, as well as go over real, authentic deals they're doing today to show you it isn't impossible to invest in 2023.  In This Episode We Cover: How to analyze a real estate deal and what to do if none of the properties show a profit  The 2023 housing market and how things have changed over the past few years Investor expectations and why the times of “get rich quick” are long gone  How to build, buy, or force equity into your rentals so you get rich in the background Simple steps the average investor can do to make their real estate deals work  Renting vs. flipping and which exit to take in a volatile housing market  And So Much More! Links from the Show Find an Agent Find a Lender BiggerPockets Youtube Channel BiggerPockets Forums BiggerPockets Pro Membership BiggerPockets Bookstore BiggerPockets Bootcamps BiggerPockets Podcast BiggerPockets Merch BPCON2023 Listen to All Your Favorite BiggerPockets Podcasts in One Place Learn About Real Estate, The Housing Market, and Money Management with The BiggerPockets Podcasts Get More Deals Done with The BiggerPockets Investing Tools Find a BiggerPockets Real Estate Meetup in Your Area Hear Dave on the “On the Market” Podcast Subscribe to the “On The Market” YouTube Channel David's BiggerPockets Profile David's Instagram David's YouTube Channel Work with David Rob's BiggerPockets Rob's Instagram Rob's TikTok Rob's Twitter Rob's YouTube Introduction to Real Estate Investment Analysis How To Analyze A Short-Term Rental In 2023 2023 Housing Market Outlook The Housing Market “Signals” That Predict Where We're Headed in 2023 Connect with Henry: Henry's BiggerPockets Profile Henry's Instagram Click here to listen to the full episode: https://www.biggerpockets.com/blog/real-estate-772 Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email advertise@biggerpockets.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we speak with Henry Ajder, a globally recognised advisor, speaker, and broadcaster working at the frontier of the generative AI and synthetic media revolution. Henry's work has transformed society's understanding of deepfakes and generative AI. He has led pioneering research at organisations including MIT, WITNESS, and Sensity AI, influencing international legislation and corporate AI strategy. A "deep fake cartographer", henry's work has mapped the emergence and evolution of generative technologies and the impact that they have on our lives. In this episode we discuss: the current fear around how these technologies are evolving, many of the use cases of Generative AI, and the consequences of those use cases, some of the technological solutions for managing generative AI platforms, what users can do to ensure that they use the tools in a productive and reliable way. More about Henry: Henry presented the BBC documentary series, The Future will be Synthesised, and regularly features in global media including The New York Times, MIT Tech Review, CNN, Reuters, and The Financial Times. He has been published by outlets including WIRED, The Next Web, NYU, and The World AI Summit. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organisations. An established keynote speaker and guest expert, Henry has spoken at venues including SXSW, CogX, The University of Oxford, and Adweek and advises organisations on the opportunities and challenges these game-changing technologies present, including Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Henry Ajder BBC Radio 4 - The Future Will Be Synthesised Host and Producer: ⁠⁠⁠Georgie Powell⁠⁠⁠  Music and audio production: Phil Amalong | ⁠⁠⁠Toccare⁠⁠⁠ 

Elizabeth Henry is the founder of Henry General Strategies a consulting firm focused on strategies for the business side of scaling emerging technologies – like additive manufacturing -to reach industrial manufacturing scale. Rooted in strategic communications, Liz brings nearly twenty years of industry, government, and coaching experience as a partner to high-performing organizations in emerging technologies to lead the team at HGS. Before we get started head over to www.3degreescompany.com and subscribe to the podcast. Remember you can listen to the show anywhere you download your podcasts including Spotify, Apple, Amazon, or Stitcher. Also, if you or your company are looking for materials, qualification, and or general Additive Manufacturing support. Reach out to the team through our website or via email at info@3degreescompany.com

Joe DeLeone and Ryan Roberts break down 2023 NFL Draft prospects, Oregon Linebacker Noah Sewell and Alabama Linebacker Henry Henry To'oTo'o

A girl living in a haunted house must find a way to protect her way of life.. Written and produced by Julie Hoverson Cast List Eden - Jaiden Douwes Henry - Danar Hoverson Callandra - Julie Hoverson Frederick! - Reynaud LeBoeuf Ethan - Scott Douwes Mrs. Sherman - Angela Kirby Garth Sherman - Luke LeBoeuf News - Suzanne Dunn Henry's Mom - Gwendolyn Gieseke-Woodard Music by Kevin MacLeod (Incompetech.com) Sound mastering:  Julie Hoverson Cover Design:  Dennis Hager  "What kind of a place is it? Why it's an old brownstone home, can't you tell?  Where else would you expect to find ... a couple of ghosts? *************************************************************** A Ghost of a Chance   Cast: Eden Anderson, precocious 11-year old Ethan Anderson, her dead father, 47 Callandra O'Doul, dead Irish maidservant, 20 Henry Torrence, burglar, 23 Frederick Ferryman, dead actor, 40s-50s Ms. Sherman, CPS, 32 Garth Sherman, her son, a bully, 13 News [anything] OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a big old brownstone, can't you tell?  Where else would you find a ghost or two? SCENE 1 – coming home MUSIC SOUNDS    MODERN STREET NOISE.  SOUND    WE FOLLOW THROUGH A CREAKY GATE.  STREET NOISE QUIETS A BIT.  FOOTSTEPS ON LEAVES, THEN ON WOOD PORCH.  KEY IN LOCK, DOOR OPENS, FOOTSTEPS PASS THROUGH.   SCENE 2 – HALLWAY AND KITCHEN EDEN    Hey!  I'm home! SOUND    BACKPACK FLUNG ONTO TABLE.  DOOR SHUTS AND IS CAREFULLY LOCKED. CALLANDRA    You're going to have to do some shopping soon, miss.  We're almost out of soap powder. EDEN    [sigh] I'll put it on the list.  SOUND    FOOTSTEPS, THEY HESITATE, THEN STOP EDEN    What?  Move it.  I'm tired. CALLANDRA    [evasive] You're looking a mite peaked.  You could use a bite to eat.  Come into the kitchen and have some soup. EDEN    [slightly suspicious] O-kay...  SOUND    MODERN JAZZ, PLAYED LOW, SLIGHTLY MUFFLED EDEN    Dad's not at the videos again is he? SOUND    OPENING CUPBOARDS, CANS BEING PULLED OUT AND PLACED ON THE COUNTER CALLANDRA    [not quite convincing] No. EDEN    Then why don't you want me to go upstairs? SOUND    POP TOP ON CAN, SOUP INTO BOWL CALLANDRA    Whatever gave you that idea--? EDEN    Oh, please. CALLANDRA    Can I not just be concerned about you?  Someone has to be! SOUND    MICROWAVE OPENS, FOOD IN, SETTING TIME EDEN    I'm fine. SOUND    TURNS ON MICROWAVE MUSIC   SCENE 3 – A BIT LATER AMBIANCE    TELEVISION PLAYS LOW IN THE BACKGROUND News    ....was stolen from the J.J. Holdings museum at the university today.  The vase is attributed to the school of Cellini, and has been valued at nearly half a million dollars. SOUND    CELLPHONE DIALS, RINGS, PICKS UP EDEN    Hey Ariel.  ... Nothing.  Look, I've been thinking about-- SOUND    THUMPING ON CEILING EDEN    --trying out... for...  Can you wait a minute, Ariel? SOUND    HOLD BUTTON IS PRESSED SOUND     DOOR OPENS.  STEPS INTO FOYER, SLIGHT ECHO SOUND    THUMPING FROM ABOVE.  A COUPLE OF RAPID STEPS. SOUND    [WHOOSHING SOUND OF A GHOST ARRIVING] CALLANDRA    Oh no, miss.  EDEN    Yeah?  Stop me.  It's not dad - I can hear his computer going, and it's not you, since you're right here.  Maybe Frederick?  [yelling] Frederick? CALLANDRA    [worried] Oh... SOUND    [WHOOSHING SOUND OF A GHOST ARRIVING] FREDERICK    [overly theatrical, as always] Enter stage right.  Yeeeees?  CALLANDRA    See, it's all gone now-- SOUND    THUMPING FROM ABOVE CALLANDRA     [dismay] Ooh! EDEN    [grim] What is it? FREDERICK    Shall I make a recon, my young commander? EDEN    Oh! Shoot! SOUND    BEEP ON PHONE EDEN    Gotta call you back, Ariel.  Yeah, it's dad.  SOUND    PHONE HANGS UP EDEN    Callandra?  You want to explain-- SOUND    DOORBELL RINGS.  WHOOSH [GHOSTS LEAVING] EDEN    [exasperated sound]  Uuh! SOUND    STAMPING FEET, CHAIN LOCK GOES ON EDEN    [sighs] SOUND    DOOR OPENS EDEN    [sweetly] Yes?  SHERMAN Good evening. Are your parents around? EDEN    My father is asleep.  He hasn't been feeling very well. SHERMAN I think he'll want to speak to me. FREDERICK    [whisper]  Why?  Is she covered in chocolate? EDEN    [gritted teeth]  Maybe when he's feeling better.  Can he call you? SHERMAN Here's my card. EDEN    Oh. CALLANDRA    What's C-P-S?  Does that mean she's with the coppers? EDEN    What's this about?  I would invite you in, but-- SHERMAN No, I understand. Safety first.  [serious] There's been a complaint. EDEN    By who?  FREDERICK    [booming voice] Whom. EDEN    I mean - by whom? SHERMAN I'll discuss all that with your father. Please do have him call me.  [going off] All my info's on the card. EDEN    [calling] Thanks - uh - Ms. Sherman. SOUND    DOOR SHUTS EDEN    Oh, shoot! CALLANDRA    Now, it's not that bad.  Is it? FREDERICK    Of course it is.  CPS are the child police service.  They arrest bad little children. CALLANDRA    The devil you say!  Oh, Eden, tell me darling!  They won't arrest you! EDEN    They don't - but they do take children away from the wrong type of home environment. CALLANDRA    [relieved] Ohhh!  We're safe enough then. EDEN    [as if] Ri-ight. SOUND    THUMPING EDEN    Are you going to tell me, or do I just get to find out for myself? CALLANDRA    Oh, my stars... MUSIC   SCENE 4 - UPSTAIRS SOUND     DOOR UNLOCKS, OPENS HENRY    [gasps] Jeez!  About flipping time!  You ever hear of unlawful imprisonment? EDEN    I've heard of burglary. HENRY    You're kinda small for a cop. EDEN    [exasperated noise] Dude.  You can come out now, but just so you know, I've got a taser. SOUND    SLOW FOOTSTEPS EDEN    [gasps, shocked] You look like--! HENRY    Got my hands up, all that.  [quoting] Don't tase me, [ending lamely] uh, bro. SOUND    A COUPLE MORE STEPS, THEN HENRY    [grunt as he lunges at her] SOUND    SCUFFLE.  FALLING FURNITURE, SOMETHING BREAKS, THEN... FREDERICK    [unearthly wail] HENRY     [screams, then gibbers until noted] SOUND    SOMETHING SMALL CLATTERS TO THE FLOOR EDEN    I hate when you do that!  That is so gross!  [tsk, annoyed sigh] You coulda left your head on... FREDERICK    [huffy] It was effective. EDEN    [sigh]  You.  What's your name? HENRY    [gibbering]  ...head came off, and cold, so cold! SOUND    SLAP HENRY    [sharp intake of breath] Wha-ah-ah? EDEN    Your name, mister burglar. HENRY    Henry.  Henry Torrence.  [whispered] What the heck was that? EDEN    A ghost.  Now, Mister Torrence, I suppose I'm gonna have to tie you up or something, so you don't try and jump me again-- HENRY    Howzabout just letting me - ya know - go? EDEN    You broke in.  I have to do something, and I really don't want to have to deal with the cops - they'll bother dad. HENRY    Look, I never hurt no one, I ain't the type.  I swear! EDEN    Still...  I think you need to stay locked up for a while.  CALLANDRA    Can I keep him?  Please?  I caught him! FREDERICK    Shut up woman, we may be able to use this fellow's services. EDEN    [ordering] March!  I'll put you somewhere better than that closet, but you better stay put or - FREDERICK    Boooooo! HENRY    [gasps] EDEN    [unenthusiastically] Yeah, that.  Boo. MUSIC   SCENE 5 - DOWNSTAIRS CALLANDRA    What do you plan to do with him?  Please say I can have him for me own - he's such a fine specimen of a man. EDEN    If you keep him, I have to feed him. CALLANDRA    Well... not necessarily... EDEN    No.  No.  No.  I'm not having any more ghosts around here. CALLANDRA    You never let me have any fun! EDEN    Besides, didn't you notice the resemblance? CALLANDRA    To a man? SOUND    WHOOSH, FF ENTERS FREDERICK    Our dear Callandra never looked above his [mocking her accent] "luuuvly broad shoulders!" CALLANDRA    Bite your tongue, Frederick!  I still have those clippings of yours, and you will sorely regret having a jape at my expense-- EDEN    Shut up!  MUSIC   SCENE 6 – BREAKFAST IN BED SOUND    MORNING BIRD NOISES SOUND    MUFFLED THUMP, RATTLE AT DOORKNOB HENRY    [yawns, waking] SOUND    CHAIN RATTLES, BEDCLOTHES RUSTLE EDEN    [muffled] Are you awake? HENRY    Yeah, sure.  Whatever. SOUND    DOOR OPENS WITH DIFFICULTY SOUND     EDEN ENTERS WITH TRAY EDEN    I hope you like bacon. HENRY     Uh, yeah! [surprised and enthused] SOUND    SHIFTING AS HE SITS UP IN BED, CHAIN MOVES HENRY    Thanks.  Breakfast in bed.  Almost like a dream, except-- SOUND    RATTLE OF CHAINS CALLANDRA    [snarky] Well, we can't have you wandering around the house like some sort of ... burglar, can we? HENRY    Does she need to be here? SOUND    SETS DOWN TRAY, DISHES RATTLE EDEN    She's my backup.  I need to talk to you. HENRY    [annoyed] Go ahead.  I don't eat with my ears. SOUND    EATING NOISES EDEN    [snort of laughter]  This is going to sound really dumb, but...  [thinks hard]  I have a kind of proposition for you. HENRY    [offended] You are way too young, and she's dead. EDEN    Huh? CALLANDRA    Shame on you! HENRY    Nothing. [eats noisily] EDEN    Ew!  [angry sigh]  Look, no.  My dad is out of town, and I need someone to pretend to be him and talk to CPS. HENRY    CPS?  The CPS?  Hell no.  I hate those bast‑‑ uh-- buttheads. EDEN    Why?  You got kids? HENRY    Never mind.  No way you can talk me into-- EDEN    We'll pay you. HENRY    --into-- How much? EDEN    Dad said we could give you a thousand.  For staying here for two weeks and pretending to be him. HENRY    He's not coming home for two weeks?  [truly offended] What the hell is wrong with him, leaving you all alone? CALLANDRA    Language!! HENRY    I don't give a flying rat's patoot about my language!  If your dad is so flipping negligent to leave you all alone for weeks at a time, [losing steam] then maybe you'd be ... better off-- EDEN    [anguish] In foster care?  No way!! HENRY    Well, no, but... don't you have any other family? EDEN    [mumbled] Not anywhere around here. HENRY    [sincere] That sucks! EDEN    Look, I'm not supposed to say anything, but my dad...  He [whispers importantly] he works for the government.  Top secret. HENRY    Seriously? EDEN    Uh-huh!  So he can't always control when he'll be back. HENRY    Why would he - why would you even trust me? EDEN    You won't get paid until after the two weeks is up.  Besides... I'm a pretty good cook? HENRY    Okay, but I have to be able to tell my mom.  She'll worry if I don't get home. EDEN    You live with your mom?  But you're like a grownup.  That's weird. HENRY    Why do you think I don't have a real job?  MUSIC   SCENE 7 – MEETING CPS FREDERICK    [sharp whisper] Now you just behave now, my lad, or I'll give you what for again. HENRY    [trying to be flippant] “Boo.”  I get it.  This makeup itches.  EDEN    Sorry.  You had to look a little older.  HENRY    It is kinda creepy how I look so much like your dad. EDEN    Yeah.  [fretting] Where IS she? SOUND    KNOCK ON THE DOOR CALLANDRA    Eep! EDEN    [to the ghosts] Scat! [quiet] Ready? HENRY    Guess we'll find out. SOUND    FEET, DOOR UNLOCKS and OPENS EDEN    Hello?  Ah.  Right on time. SHERMAN Your father--? EDEN    Right here.  Come on in. HENRY    [trying too hard to sound old] Ethan Anderson.  Pleased to meet you.  You're Ms. Sherman? EDEN    [warning] Dad!  [explaining] He's had a cold. SHERMAN [warm] Ah!  I hope you're on the mend? HENRY    [clears his throat, sounds more normal]  Yes, yes.  Much better. MUSIC   SCENE 8 – WAITING IN THE KITCHEN SOUND    FLAP OF KITCHEN DOOR, FEET CALLANDRA    [very nervous] How goes it? EDEN    Seems OK, so far.  HENRY    [off, furious] What? EDEN    Oh no! SOUND    RUNS OFF, FLAP OF DOOR EDEN    [breathless] What? HENRY    [grim] Tell her. SHERMAN [sweet] My dear, um, Eden. I was just telling your father that your school has raised issues about your father's involvement-- EDEN    Why?  He emails them all the time.  They understand how busy he is. SHERMAN We still have to take it under advisement. Now, off the record, and with the understanding that you, sir, are a fairly wealthy man, I might ask why you haven't engaged a nanny or other similar household staff-- EDEN    [QUIET, prompting] DAD!    HENRY    [angry] What business is it of yours, lady? SHERMAN Perhaps you should step out and leave us alone again, dear. EDEN    No.  I may be too young for my opinion to count, but I want to hear what you plan to do to me.  We don't need anyone to look after the house.  I can do that. SHERMAN But you shouldn't have to - you are a child, dear, and you have better things to do. EDEN    Like what?  Play Xbox and get fat? MUSIC   SCENE 9 – AFTER SHE LEAVES SOUND    FRONT DOOR SHUTS, LOCKS HENRY    You have 20 million dollars? EDEN    And a half.  Not like I can spend it.  They don't trust me - that's why they call it a trust fund. HENRY    [snort] SOUND    SHE STARTS UP THE STAIRS HENRY    Hey, we're talking here. EDEN    [upset] You're only my dad while there's an audience. HENRY    [calling] Why don't you want a nanny or something? SOUND    RUNS UP THE STAIRS CALLANDRA    Poor child.  HENRY    [gasps]  Oh, right.  CALLANDRA    Pity you're not much of a father. HENRY    [offended] You're not much help, either. CALLANDRA    Oh?  And what do you expect from me?  I've been dead over a century, boyo. HENRY    How's that work, anyway? CALLANDRA    [pouty] Don't know.  Wouldn't tell you if I did. HENRY    Fine.  Whatever.  You have anything to drink around this place? CALLANDRA    [rolls eyes] Oh, yes.  That would look terrible good to Ms. Sherman, wouldn't it? HENRY    I'm going out for a while.  Don't worry - I'll sneak out the back.  I'm good at THAT. MUSIC   SCENE 10 – HENRY'S HOME SOUND    DOOR OPENS, MUSIC PLAYS IN THE BACKGROUND HENRY    [sigh, then calling]  Hey mom! MOM    [bleary drunk] Baby?  That you? HENRY    [resigned] Yes, mom. MOM    Where you been?  HENRY    I gotta job, mom.  Been working. MOM    You bring me back a little something, baby?  Medicine? HENRY    [down] Tomorrow.  I promise. MOM    [sarcastic] Such a good boy.  You gon' expect me to bail you out again?  You need to get you some better friends, baby. HENRY    I'm not a baby, mom.  I'm thirty-five. MOM    You'll always be my baby, Henry, won't you?  You know how much I count on you.  How much it hurts every time you been taken away from me.  What would I do if you were in jail?  Do you ever think about that? HENRY    Yeah.  [under his breath] All the time. MUSIC   SCENE 11 – CHAT WITH DAD SOUND    COMPUTER KEYS SOUND    DOOR OPENS HENRY    Eden? EDEN    [gasps] What?  Oh!  You're back! SOUND    FOOTSTEPS HENRY    You shouldn't sit in the dark like that. EDEN    [sarcastic] Thanks dad.  [serious]  I've been chatting with my real dad. HENRY    I didn't hear anything, if that's what you're worried about. EDEN    Duh.  Computer chatting.  HENRY    Typing.  Right.  I'm not much for the whole computer thing. EDEN    That could be awkward, if Ms. Sherman decides to quiz you on what you do for a living.  Dad's a programmer. HENRY    For the government? EDEN    [scornful] No!  [realizing] Oh, I mean... uh... he's a programmer for real, but he doesn't program for them. HENRY    [suspicious] Can I type something to him? EDEN     Sure. SOUND    CHAIR SHIFTS, CLUMSY, SLOW TYPING EDEN    Is this a secret, or can I type it for you? HENRY    Yeah, go on - at this rate I'll be here all night just to say Hi.  Um... [thinking] Mister... uh ... can I call him Ethan? EDEN    [responding to dad]  All right.  He says let's turn on the microphone. SOUND    CLICK EDEN    Now you can just talk. He still has to type, though.  His mike is broken. HENRY    I don't know you, so maybe I'm not the one who should be saying this, but - here goes.  Dude, leaving your kid alone makes you a bad dad.  So what if the government needs you! EDEN    You're... serious? HENRY    Hell yeah.  You're gonna grow up robbing banks and stuff. EDEN    Hmm.  He says, just because your dad was a deadbeat, doesn't mean -- HENRY    What the hell do you think you know? EDEN    He says-- HENRY    I can see what he says.  Background check, my ass! EDEN    I told you he's a computer guy. HENRY    Fine.  You need to take care of-- EDEN    Don't tell me how to raise my daughter.  Oh, and he says "watch"-- SOUND    [some CCTV video comes on the computer] HENRY    [shocked] How did he get that? EDEN    Is that you?  Breaking into a building?  Wow.  Wait, is that the museum? HENRY    So that's your way of keeping me in line?  EDEN    Are you the one who stole the Cellini vase? HENRY    I plead the fifth.  [angry sigh] Fine.  I'll do my two weeks, and then I am the hell out of here. EDEN    [angry] Very well, you worthless wretch! HENRY    What? EDEN    [innocent] Just what he said. MUSIC   SCENE 12 – RUDE AWAKENING SOUND    POUNDING ON DOOR CALLANDRA    Mr. Anderson!!  HENRY    [sleepy] What? CALLANDRA    That woman is at the door!  HENRY    I can't answer it like this!  I don't have that old-age makeup-- CALLANDRA    Frederic! HENRY    No, no - I can do it-- SOUND    POUNDING AGAIN FREDERIC    Did I hear a cue? HENRY    No, we-- CALLANDRA    He needs to look old and ill.  And right fast. HENRY    Really, I-- FREDERIC    Hmm.  Here.  [horrible ghostly noise] HENRY    [screams] CALLANDRA    Shh! FREDERIC    Damnation.  Once that would have turned your hair quite white - as it is, you will have to wear a cap. MUSIC   SCENE 13 – CPS AGAIN SOUND    DOOR OPENS SLOWLY HENRY    [shaky] Yes? SHERMAN Took you long enough. HENRY    I was in the shower.  Nearly killed myself slipping when I came down the stairs. SHERMAN Are you going to ask me in? HENRY    You might have heard the scream. SHERMAN No. [hinting to let her in] It is rather chilly out here. HENRY    [sigh] Very well. SOUND    THEY GO IN, HE FAKES A LIMP CALLANDRA    You watch out for that one! HENRY    Shh! FREDERICK    She can't hear us unless we want her to. SHERMAN I expect Eden is at school right now? HENRY    She's a very good student. SHERMAN [disdainful] B plus. HENRY    That ain't nothing to sneeze at, lady! SOUND    SITS SHERMAN But we both know she could do better. HENRY    What makes you think that? SHERMAN You could get her tutors. HENRY    Why?  She's real smart. FREDERICK    You tell her!  But you might try using proper grammar. SHERMAN There's so many things your money could do for your daughter. HENRY    I'd rather let her be herself. CALLANDRA    Oh, that's touching, that is. SHERMAN You could send her to private school. My own son Garth is in private school. HENRY    [faltering] She has ...friends.... here. SHERMAN [hinting] A very expensive private school. HENRY    You recruiting or something?  I ain't making any decisions behind my kid's back. SHERMAN You could pay me to leave you alone. HENRY    She wants to stay --  WHAT?  CALLANDRA    Horrors! FREDERIC    Bezom! SHERMAN You must understand, Mr. Anderson, just how poorly compensated we civil servants are these days. What a completely thankless job we do. HENRY    You really just hit me up for money? SHERMAN And how particularly expensive a really good school is. HENRY    [incredulous] Money.  You're asking for money. SHERMAN Of course. HENRY    You're a skanky money-grubbing ho! FREDERIC    Filth straight from the bowels of satan's own thrice-crowned hounds of hell! SHERMAN Language! [evil nice again] You have plenty of money.  I've looked into your financials.  Not just Eden's little trust fund, but liquid assets as well.  HENRY    That's blackmail! SHERMAN Technically, it's extortion. So far.  Extortion is getting money with a threat of something yet to come. HENRY    It's still illegal. CALLANDRA    Oh, horrors! SHERMAN Blackmail, on the other hand, is getting money with the threat of revealing something from the past. Like your criminal record? HENRY    My... [confused] what? SHERMAN Mr. Anderson, I have no wish to go into detail, but do you really think I would come here with just the might of CPS behind me? HENRY    Maybe. SHERMAN No. I have something concrete on you.  HENRY    Doesn't ring a bell.  [chuckles lamely]  Criminal record?  Me?  [laughs] SHERMAN Do the words 1987 and dot com mean anything to you? HENRY    But I was just-- ["a kid", but he cuts off] SHERMAN Using an assumed name? You're very lucky no one thought to cross-reference your fingerprints before, but once they do what I did... HENRY    Oh, crap. SHERMAN I'm in no hurry. I'd be happy to take a little something up front, and then a larger payment by the end of the week, perhaps? HENRY    I'll ...see what I have lying around. MUSIC   SCENE 14 – CHAT WITH DAD SOUND    DOOR OPENS, FEET STORM IN HENRY    Is your mike on, Mr. Anderson? SOUND    COMPUTER BEEP HENRY    Good.  Cause I don't know jack about how to work these things. SOUND    COMPUTER BOOP HENRY    You heard what happened?  How? SOUND    BOOP HENRY     I didn't even notice a computer in the living room.  SOUND    BOOP HENRY    Huh?  Which button? SOUND    BOOP HENRY    No need to get snippy. SOUND     BUTTON PUSHED ETHAN    [computer generated voice]  You will go immediately to the first hill bank and trust-- HENRY    What do you mean immediately?  I gotta do grocery shopping this morning. ETHAN    Delivered. HENRY    Not for here.  for my mom. ETHAN    Get it delivered. HENRY    Hey! Mom may be an old lush, but she expects to see me from time to time. ETHAN    Bank after. HENRY    What's all this crap that witch was talking about, anyway? ETHAN    No time.  Bank today.  Take three thousand dollars-- HENRY    I can't pass for you at a damn bank!  I can't sign your name!  ETHAN     Account in your name.  Use your own I-D. HENRY    What?  In my name?  What makes you think I won't just walk off... [back on topic] Second - why three thousand?  She won't settle for just three-- ETHAN    Three thousand will pay off her car. HENRY    Damn.  You really can find out anything, can't you? MUSIC   SCENE 15 – HENRY HOME SOUND    DOOR OPENS, MOM'S HOUSE.  TV ON HENRY    I brought your groceries. MOM    Good.  Didja get any beer? HENRY    It's still in the car. MOM    Bring that in next, woudja?  That's a good boy. HENRY    [from other room, confused] Mom?  Where's my TV? MOM    Mine was ...uh...on the fritz, so I moved yours in here. HENRY    You did? MOM    I had help. HENRY    You forgot to pay, didn't you? MOM    That is no way to talk to your mother!  Besides, if you weren't gone all the time, I wouldn't have such a problem.  You know I never was good with money.  HENRY    Yeah. MOM    When did you say you'd get paid for this new job you got? MUSIC   SCENE 16 – DINNER WITH EDEN SOUND    DINNER NOISES    HENRY    You made this? EDEN    [sullen] Yeah.  HENRY    It's pretty good. EDEN    Should be.  Been cooking since I was [Callandra's accent] "just a wee thing".  [change of tone, sullen]  You were gone all day.  Again. HENRY    I came back. EDEN    Well, duh.  We're paying you to be here. HENRY    Are the ghosts joining us? EDEN    [still sullen] Frederic gets too jumpy around food, and Callandra "doesna feel tis proper." MOMENT OF SILENCE HENRY    Are you mad at me?  SOUND    THUMP - VASE ON TABLE HENRY    What the h---ay?  You going through my room? EDEN    Callandra saw you hide it.  SHE's very upset with you. CALLNDRA    [from off] Though it is a right pretty wee thing! HENRY    I had to bring it along - mom was about to use it as an ashtray. EDEN    Why do you steal? HENRY    Whoa!  That ain't polite to ask. EDEN    It isn't polite to steal. MOMENT OF SILENCE HENRY    What else am I gonna do?  Shove burgers?  I ain't even got a GED.  Without that… well… EDEN    If you're trying to convince me to stay in school, there's no point. HENRY    No way!  You gonna drop out?  Smart kid like you – you could be any darn thing you want! EDEN    Oh, please.  I already have a GED.  Or at least, I took the test – just to see, you know?  And I've taken a few college courses on the Internet.  I stay in school for the socialization.  HENRY    Huh? EDEN    I stay in school to look normal and have friends.  The work is boring as hell, but I don't want to stand out.  Do you know how hard it is to manage a B+ average? HENRY    [sarcastic] Never had that problem, myself. EDEN    [mounting upset] I have to guess on each test what the correct percentage of answers is to get wrong.  I have to dumb my writing down for essay questions.  I have to-- HENRY    Why? EDEN    Why? HENRY    Why not just say to hell with it, and let em see how smart you are? EDEN    Smart kids get noticed.  I can stand out when I'm older.  When it's safe.  MUSIC   SCENE 17 – WHERE'S DAD SOUND    COMPUTER NOISES HENRY    You need to get your butt home, dude.  Your government might need you, but your daughter needs you more. ETHAN    Not possible. HENRY    What, are you in deep cover or something?  In a foreign prison?  [slow realization]  Oh.... crap. ETHAN    We are both in crap. HENRY    No, I mean you - you're like them, aren't you? ETHAN    Define "them". HENRY    The ghosts. ETHAN    [beat] Yes. HENRY    Holy crap. ETHAN    No.  Just regular crap.  HENRY    I can't stay here forever! ETHAN    Eden needs you. HENRY    [wobbling] My mom... she needs me, too. ETHAN    Open the scanner. HENRY    What?  Oh, that.  SOUND    SCANNER NOISE ETHAN    I need your hand. MUSIC   SCENE 18 – WHERE'S MOM SOUND    SILENT HOUSE, KEY IN LOCK, DOOR OPENS HENRY    Mom, why's the TV --?  [panicky] Mom? SOUND    MOVES THROUGH, TALKING HENRY    Mom, please say you're okay.  Say something!  Hello?  Oh, jeez, what could they'a done to‑‑ [cuts off as he spots something] What? SOUND    PAPER PICKED UP HENRY    [Reading]  Hope you get this. Woulda called, but-- MOM    [continuing, guilt tripping]  --you never gave me your number at "work".  Won a cruise in a mail-in contest.  Back in a month.  "Mom."  P-S, all expenses paid - how you like them apples.  Oh, and make sure to pay the electric bill.  Want heat when I get home. HENRY    [half amused, half annoyed chuckle] Ethan, you king of all shits. MUSIC   SCENE 19 – LIKE MOTHER SOUND    OUTSIDE, DAYTIME STREET GARTH    Hey! EDEN    [suspicious]  Can I help you? GARTH    [mean chuckle] You bet. SOUND    CLICK OF CAMERA PHONE GARTH    [annoyed] Hey! EDEN    [scared, but standing her ground] If this is a mugging, I just e-mailed your picture to my dad. GARTH    He's not gonna do anything. EDEN    What makes you so sure? GARTH    My mom has him by the short hairs. EDEN    Your mom? GARTH    Sherman?  From CPS?  Ring any bells? EDEN    She went away.  Everything is fine. GARTH    Course it is.  It's fine as long as you guys play ball. EDEN    [starting to get it]  As long as we--? GARTH    Pay up.  EDEN    But that's-- GARTH    You wanna complain, go whine to your dad, he'll explain the facts of life.  For now... you got an ipod? EDEN    [starting to break] I-- GARTH    [threatening] Or should I say, do I got an ipod?  [snarl] Hand it over. SOUND    HAND OVER EDEN    [nearly in tears] There.  Choke on it, you bully! GARTH    Uh!  [shoves her] SOUND    EDEN FALLS EDEN    [gasp, trying hard not to cry] SOUND    GARTH WALKS AWAY GARTH    Hah!  She got the Bieber fever.  [nasty laugh]  Ooh!  Beyonce!  EDEN    [long sniffle] SOUND    RUNNING FEET HENRY    What happened?  Here, let me-- SOUND    SHE JUMPS UP AND THROWS HER ARMS AROUND HIM EDEN    [crying] HENRY    [nervous, not sure what to say] It's okay!  I'll handle this.  It's-- [determined, personal]  It's going to be okay. MUSIC   SCENE 20 – getting even SOUND    QUIETLY DRESSING HENRY    [whispering] It's easy to forget she's just a kid. FREDERIC    [stage whisper]  She is a most self-possessed young lady. HENRY    Shh.  She only just got to sleep. FREDERIC    And you?  Are you leaving her now, in her hour of need? HENRY    [grim] Something I gotta do. FREDERIC    In the middle of the night? SOUND    ZIPPER ZIPS FREDERIC    And dressed all in black?  I sense skullduggery! HENRY    Sense all you want, but stay quiet about it.  FREDERIC    Alas that I cannot do more than keep the light burning for your return.  HENRY    Yeah.  See you in the morning. MUSIC   SCENE 21 – SATISFACTION SOUND    LOUD BANGING ON THE FRONT DOOR, DOOR OPENS HENRY    [self satisfied] Ahh!  [yawns]  So sorry.  Long night. SHERMAN Your check bounced! HENRY    [congenial]  No, I put a stop payment on it.  Won't you come in? SHERMAN You WHAT? HENRY    I - we - aren't playing your game any more. SOUND    DOOR CREAKS OPEN A CRACK, UP CLOSE EDEN    [whispered, eavesdropping] Go, Henry! FREDERIC    I could always give her a visitation - maybe we'll get lucky and she'll keel over from the shock! EDEN    No!  He may be a butt, but I don't want you to kill some kid's mom!  CALLANDRA    They've gone into the living room! EDEN    I'll have to listen on the laptop then.  Right dad? SOUND    BEEP MUSIC   SCENE 22 – REVELATION HENRY    Would you like a soda? SHERMAN I would like an explanation. What makes you think I won't go through with turning you in? HENRY    Go ahead.  When they take my fingerprints and they don't match the ones you have on file, you'll look pretty silly. SHERMAN You - you...! HENRY    You might have noticed that I'm a bit of a computer nerd. SHERMAN Oh-ho-ho! [getting composure back]  You may have changed the prints on the system,  But you can't get into my backups. HENRY    Call my bluff. SHERMAN Very well-- HENRY    BUT-- SOUND    MOMENT OF AWKWARD PAUSE SHERMAN [worried] What? HENRY    I'm afraid you have a problem of your own. SHERMAN I have a what? Are you trying to blackmail me?  I am very careful. HENRY    About your money stuff, yeah - I'm sure you are.  This is something else.  A vase. SHERMAN A what? HENRY    Have you read the papers recently?  The museum? SHERMAN The Cellini Vase? HENRY    Yeah, that thing. SHERMAN What does that have to do with me? HENRY    It's in your house. MUSIC   SCENE 23 – FINALE EDEN    What if she finds it? HENRY    What's she gonna do with it?  She don't know no fences. CALLANDRA    Or any place to sell it either. EDEN    She might give it back? FREDERIC    And try to explain how she happened to come by such a fugitive object?  Hah! HENRY    Hah is right. EDEN    [down] So I guess this means you're gonna go now.  I mean now that it's all clear. HENRY    I guess. EDEN    Would you stay?  I mean, if you could? HENRY    I'd like to but.... I dunno.  My mom-- SOUND    BEEP ETHAN    [computer voice] Was lucky and got an apartment in a new full-service assisted living community. HENRY    What?  You can't just-- ETHAN    Try and get her out.  They have KeNo every Thursday. HENRY    [annoyed but thinking] Hmm..... Does she get to have a nice TV? ETHAN    No. HENRY    What?  How can you--? ETHAN    You will bring one to her.  EDEN    Clever. FREDERIC    Brilliant! CALLANDRA    [sniffling] Touching. HENRY    Gotcha.  And what about me? EDEN    I have four more years before I can technically be emancipated.  If you're willing to be my dad til then, we'll-- ETHAN    Pay you one hundred thousand per year. HENRY    [dubious] That's pretty good.  Hmm...  Four years. EDEN    Well, what do you want, then? HENRY    Four years sounds like a heckuva lot like college. EDEN    I'm still too young. HENRY    Nah... I was thinking... you know... [quiet] For me.  [up] But only if you'll help me get my GED and stuff. EDEN    I bet I could be a really good tutor! MUSIC    END

Building a rental property portfolio isn't complicated. You find deals, finance them, buy them, manage them, and repeat. What could be easier? For most real estate investors, it's not the big steps that stop them from scaling. It's the little ones. Finding deals means looking through the MLS, cold calling, driving for dollars, or door knocking almost daily. Financing means talking to mortgage brokers, local banks, or investment property lenders. These day-to-day tasks are what make or break your portfolio, so how do you get on top of them?Welcome back to this week's Rookie Reply, where we're joined by On The Market co-host, Henry Washington. In only a few short years, Henry has grown his portfolio to over seventy-five doors. With kids at home, a family to take care of, and businesses to manage, how did he scale so fast? He gives his secrets in this episode.And as a bonus for our BPCon2022 attendees, we have some tips for you on how to make the most out of the upcoming convention!If you want Ashley and Tony to answer a real estate question, you can post in the Real Estate Rookie Facebook Group! Or, call us at the Rookie Request Line (1-888-5-ROOKIE).Links from the ShowAshley's InstagramTony's InstagramBiggerPocketsBPCON2022Real Estate Rookie Facebook GroupThe Real Estate PodcastBiggerPockets ForumsBiggerPockets BootcampsOn The Market PodcastConnect with Henry:Henry's InstagramCheck the full show notes here: https://www.biggerpockets.com/blog/rookie-218Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Check out our sponsor page!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 28 of The Triple C and Schmo Show. Topics include:- Hasbulla IG Live with Henry- Henry's Conversation with Mighty Mouse- First week back in USADA- Jon Jones vs Stipe Miocic - Pitbull Reclaiming Featherweight Gold- Errol Spence vs Terence Crawrford next..- Tyson Fury final boxing match?- Next fight for Belal Muhammad - Jake Paul vs Michael BispingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

寫程式時透過數學直覺和運算思維，可以幫助你進行更高層次的變化，去解決更複雜的問題，那要如何從日常生活中培養這樣的思維呢? 一起聽節目找到從記憶語法進階到活用基本概念的方向，level up你的程式解題力! 這集就邀請到目前擔任Quantitative Engineer的Henry來到節目跟大家分享培養數學直覺和運算思維的方法~ 節目中也會加碼分享Henry在不同產業工作的體驗，在新創跟大公司工作各會遇到什麼不同的挑戰? 關於Henry: 現任 高盛 Quantitative Engineer UofT 多倫多大學 資工碩士 UC Berkelry 統計碩士 台大電機系雙主修財金系 Henry的粉專: https://www.instagram.com/henry.bartender.math/ 節目內容會分享:

Do you ever feel broken? We are only healthy as we face our wounds and brokenness we all experience as human beings to be healed. Join Henry Harris and myself as we discuss his powerful new book, “Facing Our Wounds”. A little about Henry: Henry works in the medical field and is the creator and host of the “Brother Henry & You Show,” the show’s objective is to inspire and encourage people. He has had the honor of interviewing many notable guests from around the world, his engaging and easy manner instantly make guests feel welcomed and at home. Henry is also an author, motivational speaker, and humanitarian. ➡️ Find Henry on FB: @HenryHarris ➡️ Find the Bro Henry Show on FB: @The Bro. Henry and You Show ➡️ To purchase “Facing Your Wounds” on amazon: https://www.amazon.com/Facing-Our-Wounds-Looking-mirror/dp/B09LGJT4FW/ref=sr_1_1?crid=3OPJ2ANO792F6&keywords=facing+our+wounds+henry+harris&qid=1639077877&sprefix=facing+our+woulds%2Caps%2C225&sr=8-1 For autographed copies please contact Henry via Facebook Messenger. Stay connected to receive more free ministry resources every day! Catherinetoon.com FB: Catherine Toon, MD IG: @CatherineToon ➡️ Watch on YouTube: Catherine Toon, MD (like & subscribe for more!) ➡️ Subscribe wherever you get your podcasts ➡️ Visit my Instagram Podcast highlight for more links

We are joined be our first in season guest. League Leading Henry. Listen in as he tells you if your players are good or bad. Stay till the end and he will let you know if you are a Contender or a Pretender. Also, Damn. Lots of Trades.

“LET'S ACT AS ONE”I'd like to invite you to listen to this week's guest on my ‘PAYING FOR GOOD' podcast: Henry Bishop, who co-founded climate tech subscription platform, Furthr, 18 months ago. Furthr aims to incentivise mass action from the workforce on climate change.Your action takeaway from Henry:Henry welcomes the opportunity to talk with potential investors, partners and employers who would like to be involved in the venture. You might want to consider the Furthr (white-labelled) platform as part of your benefit offering. They are also in the process of developing a new app that will be ready in the next six months. So, watch this space!TO GET EACH EPISODE OF THIS PODCAST STRAIGHT TO YOUR INBOX, PLEASE SUBSCRIBE HERE: https://www.peoplenet.ltd.uk/newsletter/To find out more about how to design and implement a Responsible Reward strategy, the integration of remuneration and sustainability, in your organisation, please email me at client.care@peoplenet.ltd.uk. I look forward to hearing from you!

He started his first business in 1991 selling, installing, servicing, and financing computers to large corporations. Since then he has founded a succession of firms in the e-commerce, finance, real estate, and consumer products spaces. For much of the past decade, he had taken his experiences as an entrepreneur and used them as a platform to coach other business owners and founders. In addition, in 2019, he self-published a 432-page book on everything you need to know about how to grow and manage your money. He offers a 20-week course where he can teach you, one-on-one. He also runs curated masterminds on business and finance. In his infinite leisure, he writes screenplays (for fun), plays golf, travels (when not on lockdown), plays Settlers of Catan with his three boys, and does other fun stuff… You can also check out his social media accounts. LI - https://www.linkedin.com/in/henrydaas/ FB - https://www.facebook.com/coachdaas TW - @daasknowledge IGRAM - DaasKnowledge (00:02 - 2:47) Opening Segment - Introduction of the host into the show - Alpesh introduces the guest of the show, Henry - Henry shares something interesting about himself (2:47 - 24:37 ) How to develop FQ: Financial Intelligence - Do you invest in real estate? - What was your first investment and how did it work out? - What is FQ? - How can one double up good FQ and what are some of the steps you would say, what are the traits that they should have? - What are some of the barriers one would have in developing a good FQ? - What are you looking to invest in? or are you going to invest in the near future? (24:37 - 25:05) Break - Welcoming listeners and guest back to the show (25:05 - 30:27) Fire Round - Will Henry change the business strategy after Coronavirus? – Henry's favorite real estate, finance, or other related books – Tools or website Henry recommends – Henry's advice to beginner investors – How does Henry give back? – How can Wealth Matters Podcast listeners reach out to Henry? (30:27 - 30:50) Closing Segment If you want to learn more about the discussion, you can watch the podcast on Wealth Matter's YouTube channel and you can reach out to Alpesh using this link Facebook: @wealthmatrs IG: @wealthmatrs.ig Tiktok: @wealthmatrs

This week, I got the pleasure of sitting down with Henry from Techlore to chat about digital minimalism, privacy education, and some of the tools and projects that Henry recommends for taking back control of our privacy and data in an ever increasing world of data capture, tracking, and sharing.More about Henry:Henry's guest profile -- https://optoutpod.com/guests/henry/More about Techlore:Main website - https://techlore.tech/Videos - https://techlore.tech/videos.html Surveillance Report - https://surveillancereport.tech/Techlore Matrix community - https://matrix.to/#/+techlore-official:matrix.orgHenry's recommended tools to opt out:Simple Login, an email aliasing service - https://simplelogin.io/Privacy.com, a payment card aliasing service - https://privacy.com/MySudo, a phone aliasing service - https://mysudo.com/This week's project to help you opt out - Matrix:More about Matrix, the protocol - https://matrix.org/Element, a cross-platform Matrix chat client - https://element.ioA quick guide to joining the Monero Matrix homeserver via Element - https://forum.monero.space/d/79-how-to-join-the-monero-core-team-matrix-server-webInstalling your own Synapse server for Matrix (ADVANCED) - https://upcloud.com/community/tutorials/install-matrix-synapse/Opt Out's Sponsors:Cake Wallet, an easy to use Monero mobile wallet -- https://optoutpod.com/sponsors/#cake-walletLocalMonero, an excellent and privacy-preserving way to buy and sell Monero -- https://optoutpod.com/sponsors/#localmoneroIVPN, an ethical, no-nonsense, non-logging VPN provider -- https://optoutpod.com/sponsors/#ivpnSupporting Opt Out:Donations -- https://optoutpod.com/about/#donationsLeave a review on your favorite podcast platform, if possible!Share it with your friends, family, and other communities!Support the show (https://optoutpod.com/about/#donations)

Bacchanal By Veronica G. Henry “Henry skillfully layers historical realism with fantastic elements to explore the way times of desperation test the ethics of oppressed communities. Henry is a writer to watch.” —Publishers Weekly “Henry's debut draws on a rich history of folklore from various African traditions, as well as African history and Black American history, and almost the entire main cast is Black. The carnival setting works perfectly for bringing together various strange and magical people who aren't at home anywhere else…Come one, come all, this magical carnival has all the delightful dangers a reader could wish for.” —Kirkus Reviews “[Bacchanal is] gorgeous while somehow never losing sight of the need to unsettle. It captures a sense of wonder and reminds you that too much curiosity can lead to danger. And most importantly, it's Black and never lets you forget it. If you want endearing characters, a charming setting, and characters that refuse to bend to the world's injustices then Bacchanal is the book for you.” —FIYAH Magazine Website: https://gobookmart.com --- Send in a voice message: https://anchor.fm/gobookmart-review/message Support this podcast: https://anchor.fm/gobookmart-review/support

And we're back with episode 31! I called it episode 32 in the actual episode—ignore that :) Our guest today is Henry Richardson, the founder of DEFINE body & mind and Supermom CBD. He's one of those go-getter, infectious positive energy kind of entrepreneurs who is always creating something exciting and inspiring. Not only is he a super successful founder with 17 locations in his franchise, but he's also an expert in positive psychology. I'm not sure about you, but I needed this pep talk, and we could all use some tips on how to harness our positive mindsets to be happier and more joyful even during a pandemic and tough times. One of the coolest things about Henry is that he has never boxed himself into one category. He proves that you can follow multiple passions and still be successful and live a happy life. In this episode, we talk about: how a platform diving accident led him to yoga how DEFINE got its name and how he started it (and franchised it) his advice for those wanting to start their own business (or who have just started) how to make the best decisions for your business how to keep things fresh in a saturated market his new CBD company & how to find the best quality CBD how to train our minds to be more positive when the world seems everything but All about Henry: Henry's entire mission for starting DEFINE was centered around service and education. His goal is to educate clients on how to live their best life in body and mind. Through this, he hopes to build sustainable health and wellness communities that share their sense of positive emotions, engagement, meaning, and accomplishment to everyone they interact with. It is DEFINE's belief that using a holistic lifestyle approach to wellbeing is the most effective way of creating physical and inner strength goals, as defined by them. Henry is a native Houstonian, and DEFINE was conceived through his personal journey of integrated body-mind pain management and post-graduate study. He is deeply committed to individuals living their absolute best life, in an effort to be contributors towards community wellbeing. Henry is constantly focused on developing new programs, products and relationships to continue to lead the industry and break further ground in the mind, body, spiritual, and positive psychology arena. Where to find Henry: Henry's IG: https://www.instagram.com/define.henry/ DEFINE body & mind website: https://definebody.com/ DEFINE body & mind's IG: https://www.instagram.com/definebody/ Links to some things we mention in this episode: Supermom CBD: https://www.supermomcbd.com/ This episode was brought to you by: Organifi, a collection of organic, high quality superfoods and adaptogens delivered in tasty powders that can be whipped up into beverages for every time of day. Use code “thatfoodiegirl” to get 15% off your order. Don't forget to subscribe! If you enjoyed this episode, please head to Apple podcasts and leave a review and a rating. Subscribe to my newsletter here. --- Support this podcast: https://anchor.fm/thefitnessinsider/support

Henry Henry joins the boys to dissect ' Terror Forming', his completely original modern classic... And Ryan O' Sullivans meta masterpiece, FAERSCAPE, examining Henry's work and pathos. WE CAN'T GET OUT.

Henry Louis Wallace is an America Serial Killer and Rapist convicted of murdering 9 women in the Charlotte, NC area. Most of his murders were unsolved until he confesses to them upon his arrest in 1994. Authorities question to this day if there are more victims to his grotesque crimes. Join us in the closet this week as we discuss his 22 month spree and the victims who trusted him enough to let him in. Sources: wikipedia.com, thought.co.com, murderpedia.org, serialkillercalendar.com, murderfacts.tumblr.com, Investigative Discovery (ID) "Bad Henry" July 2018 --- Send in a voice message: https://anchor.fm/crimesandclosets/message

Henry Louis Wallace is an American Serial Killer and Rapist convicted of murdering 9 women in the Charlotte, NC area. Most of his murders were unsolved until he confesses to them upon his arrest in 1994. Authorities question to this day if there are more victims to his grotesque crimes. Join us in the closet this week as we discuss his 22 month spree and the victims who trusted him enough to let him in. He is also known as The Taco Bell Strangler. Sources: wikipedia.com, thought.co.com, murderpedia.org, serialkillercalendar.com, murderfacts.tumblr.com, Investigative Discovery (ID) "Bad Henry" July 2018 --- Send in a voice message: https://anchor.fm/crimesandclosets/message

Are you struggling to decide the right time to leave your full time job to pursue your passion as a photographer? While you’re working to help someone else build their empire, are you dreaming about building your own? As my guest will tell you, it’s not always easy making the transition to a career you are passionate about, but the rewards are incredible. Henry Tieu is a wedding and elopement photographer based out of Seattle Washington. His fast growth in both popularity and creative skill come from his incredible work ethic and drive to be the best version of himself. In this interview, Henry will tell you how he made the transition from nurse to photographer and educator, exactly how he grew his instagram following in a HUGE way in just one year, and will inspire you to pursue your dreams because you can absolutely achieve them! In this episode we covered: How Henry and I met at the first workshop he taught at. (1:30) GIFs, waterfalls, and making it rain! He came to teach about Instagram, but he was inspired by the creativity and community of the workshop. You simply must see the cheese GIF and the GIF of Henry that I took! The infamous cheese GIF: My GIF of Henry: Henry’s GIF work: What Henry is doing on the backend of his business during COVID-19. (5:45) Utilizing Pinterest and diversifying his marketing during lockdown. We talk about time management and different methods for tackling tasks. We also share some quirky real life stories from quarantine too. His story of working nights as a nurse then transitioning to full time photography. (13:30) *get link of his full story* Henry got into photos through working in the ICU with a patient his own age – it woke him up to how short life is and that’s what compelled him to pick up a camera. It was a way to see the world, then became engagement and wedding photos. Within a year, he became full time at both jobs (30 weddings + 36 hours a week as a nurse). He cut down to part time and his business continued to grow, including expanding into destination work. He had the hard money talk with his husband and decided it was worth a budget cut to go full time. We talk about the realities of money and entrepreneurship. (23:00)  “Income with being full time in this photography world is scary, but it’s worth it if you do it right.” We both share our stories about the transition and joys of making the leap. Growing Instagram quickly and the effects on the business, (27:00) “Numbers don’t mean anything. You could have thousands of followers and if no one books you, you don’t have any money.” He shares the insights worth really looking at – like people who aren’t already following him that are seeing his image. “Instagram wants you to engage. It wants you to stay on the platform. And it wants other people to do the same.” Tips for Instagram:  Before he posts anything, he goes through and likes comments, replies to comments, and also leaves comments on other people’s work. He engages first. Your photos need to be captivating. Scroll stopping is the goal. Try to draw unique and different inspiration from elements, time of day, setting, poses, etc. He shares how music videos are a huge inspiration to him. It’s okay to not post everyday, but try to use Instagram stories daily. Use the features that Instagram provides like questions and polls. The personal side of Instagram growth. (35:30) Navigating sudden popularity as an introvert and trying to answer comments and DMs turning into a motivation to get out of his box. He’s become a role model for other photographers and takes that responsibility seriously. The inspiration for his art and how he makes it his own. (40:00) My photos have become my brand – people recognize my work. He shares the moment that he envisions when he’s thinking about his portfolio. When he takes people’s photos, he thinks of that and plays the music that inspires him to get the vibe he desires. He sometimes even draws out his posing inspiration as seen below.    The value of taking in good inspiration in order to have good output. (45:30) Surrounding yourself with beautiful and positive things might not always be tangible, but they show up everywhere. The people you’re with, the environments you work in, those are the little things that shape your view of the world. “How you view the world will go right back onto your creative work.”  How to expand into teaching – Henry’s journey as an educator so far. What’s rewarding? What’s negative? (47:30) “Everyone has something to share. It doesn’t matter if you have one year of experience vs five years of experience. It doesn’t matter if you have 50 followers on Instagram vs 100 followers on Instagram.” If you’re creating beautiful work and getting paid, you are doing something right that someone else could learn from you. “Don’t take people’s money until you can deliver what you promise.” Think about the limitations of your geographic area on what you’re teaching. “The most rewarding thing about education is the relationship I get to build with someone.” (No matter if it’s a workshop or free education online!) “There’s always enough room for everyone to rise together.” If you want to teach, get comparison and competition out of your mind. The downside is people thinking that he knows anything (I can relate!). There’s constant questions and people wanting to learn from him. When people only reach out when they need something, it’s a little frustrating – just be genuine. “I’m not google.” Henry’s upcoming plans. (59:00) At the time of our interview, Washington was starting to open up for sessions and elopements. (As of our most recent emails, his elopements have picked up again and he’s shooting a lot!) We talk about traveling and some hacks to get more destination work.  Follow Henry’s Work See Henry’s presets in action Henry has generously offered a discount to our community! Get 20% off anything in his shop using the code: Story Youtube channel: Henry’s Diary Connect with the Community Emotional Storytelling FB Community  Emotional Storytelling Instagram

Follow Tyler on Twitter @TicTacTitans Learn more about your ad choices. Visit podcastchoices.com/adchoices

Follow Tyler on Twitter @TicTacTitans Learn more about your ad choices. Visit megaphone.fm/adchoices

 On this day in Tudor history, 25th June 1503, the nearly twelve-year-old Henry, Prince of Wales, eldest surviving son of King Henry VII, got betrothed to seventeen-year-old Catherine of Aragon at the Bishop of Salisbury’s palace in Fleet Street, London. But why did it take them until 1509 to get married? What happened?  Find out about their betrothal and their subsequent break-up in today's talk from Claire Ridgway, founder of the Tudor Society. You can see this podcast as a video at the following link:https://www.youtube.com/watch?v=hQo1HIcSVtg Also on this day in Tudor history, 25th June 1533, Mary Tudor, former Queen of France, wife of Charles Brandon, Duke of Suffolk, and sister of King Henry VIII, died at her home in Suffolk. She was just thirty-seven years old. You can find out more about Mary’s ill-health, her death and funeral, in last year’s video - https://youtu.be/owq8B02Tzig You can find Claire at:https://www.theanneboleynfiles.com https://www.tudorsociety.comhttps://www.facebook.com/theanneboleynfiles/https://www.facebook.com/tudorsociety/https://twitter.com/AnneBoleynFiles https://twitter.com/thetudorsociety https://www.instagram.com/tudor.society/ https://www.instagram.com/anneboleynfiles/

In this episode of The Dwell Time Podcast we welcome Andrew Henry, the founder of Henry Holsters, a company which provides impeccable quality kydex holsters for the discerning self-defense/concealed carry practitioner. Andrew and Sam have a great conversation that ranges from the current (as of May 2020) COVID-19 pandemic, to Andrew's background in instrument making, all the way to his current business creating some of the finest holsters for the modern gunslinger. His designs are intuitive and backed by real world trial and error. Andrew has also built a successful OEM solution division of his company wherein he advises and supplies other holster makers with the tools and knowledge to raise their own standards.  For more info on Andrew and Henry Holster please visit their Instagram page as well as their website.

go follow Henry Henry's outdoors man podcast go follow us on Instagram @intentionphotos --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

每一集「#PM好聲音」單元中，我們將邀請一位產業界的PM（或相關職務）擔任分享嘉賓，透過主持人與來賓的對話、訪談，讓會員朋友們更加了解PM的工作內容及甘苦談，日後更有機會往產品經理這個職位邁進！ 本次「PM好聲音」訪談的是傳產業的PM 楊泓霖（Henry），外號 「亨利哥」。Henry 大學念的是企管系，退伍後進入樂器製造外銷公司擔任產品專員，負責商品排產採購與出貨規劃，隨著公司的發展，陸續歷練了業務、產品行銷、產品企劃、營運企劃與商品經理等職務，期間也曾參與公司IT專案的導入。4年前轉換跑道，目前從事活動專案經理及營運管理工作。 文章內容：https://www.pmtone.com/voice-of-pm-henry/  PM Tone 產品通 社群連結  官方網站：https://www.pmtone.com/  粉絲專頁：https://www.facebook.com/pmtone365/  臉書社團：https://www.facebook.com/groups/pm365/  Line帳號：@pmtone  官方信箱：service@pmtone.com  PMTone #產品通 Send in a voice message: https://anchor.fm/gary-hsia/message

B_Don and Donkey are back at it talking pick-ups on the Razzball Fantasy Football Podcast. The player pool may lack hot adds this week but our holes still must be filled, if you know what I'm saying.  The guys each share their top 5 adds for this week who are owned in less than 50% of leagues, including Chase Edmonds, A.J. Brown, Rex Burkhead, Diontae Johnson, Henry Henry and Chris Herndon.   Then, the fellas take a look at some players owned in less than 5% of leagues including Byron Pringle, Preston Williams, Ryquell Armstead, Keesean Johnson, Andy Isabella and Willie Snead. And don't miss Donkey Teeth's a**hole of the week, a certain cart maintenance man from the Steel City. Kick back, tune in and dominate your waiver wire!

Press play and hear our commentary and discussion surrounding Come Out Henry, Henry to the Rescue, and A Big Day for Thomas!

Brett Rump is joined by Fort Wayne Tincaps manager Anthony Contreras for his weekly chat to talk about impressive performances from Joey Cantillo, Henry Henry, Michael Curry and more.

Bill & Paul take a look at the latest issue of Fearscape. Intrigue builds as the Muse is reincarnated and Henry Henry is in panic mode. How is the story holding up? Listen in and find out. Book Covered: Fearscape #4Feedback for this show can be sent to: bins@twotruefreaks.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ THANK YOU for listening to Two True Freaks!!

Bill & Paul take a look at the latest issue of Fearscape. Intrigue builds as the Muse is reincarnated and Henry Henry is in panic mode. How is the story holding up? Listen in and find out. Book Covered: Fearscape #4Feedback for this show can be sent to: bins@twotruefreaks.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ THANK YOU for listening to Two True Freaks!!

Why Dave Decided to talk to James Smiley: James reached out to Dave recently and asked if he could do this second podcast with him because of all the things he’s had the opportunity he’s been accomplishing. The best part about it all is that most of what he wants to talk about is the little things everybody easily forgets that makes the biggest difference. Networking happens to be one of those things. James has found he does better than most people because of the QUALITY of the relationships he builds through something he’s always focused on: contribution. Tips and Tricks for You and Your Business: (2:48) The systems for high leverage (4:10) “Contribute” from James Smiley’s perspective (6:30) The Highest Leverage Move comes from using other people with contribution in mind (10:54) James Funnel Hacked his way onto Russell’s radar. Who’s radar do you want to find yourself on? (12:44) Your webpage should highlight exactly what your dream client is looking for, get those stats on there. (15:02) Selling Kevin Harrington when he only gives you 11 minutes (16:20) Network to Network (19:00) Who’s the gatekeeper to your networking (21:38) Network with those you know you are able to contribute to (24:54) Understand how the person you want to meet with thinks (28:00) The Long-Term Play Quotable Moments: (2:22) “What I’ve noticed through life, whether it’s through working with sales, working with sales teams, or helping solopreneurs is there’s a way to create leverage, extremely high leverage,  and it’s a system.” (6:54) “So you can see, if you don’t start thinking about the word ‘contribute’ but you start thinking about using other people’s platform or money, the whole system doesn’t work.” (13:24) “There’s a lot of little things like that which I started doing. And you know you never really know if anybody is seeing it, but chances are if you’re doing the right thing they’re going to take a peak at you.” (16:10) “‘I’ve seen your videos and I like it’, those little phrases show me that my little personal branding and marketing out there synergized with him. So it allowed the conversation to move forward because he had more trust with me.” (20:57) “You have to be on point, like when they look at your stuff would they think ‘James is one of us’?” (22:48) “Networking to network is incredibly huge, especially if you figure out how do I honestly contribute” (30:07) “If you contribute to people in the right way, the relationships and all the things that happen, you can take over your Dream 100 in a way that you never thought possible.” Other Tidbits: A quote from our dear James Smiley, “IF YOU’RE NOT USING CLICKFUNNELS, WHAT ARE YOU DOING?!?” If your main goal is to make money off of somebody and not improve their lives, business, relationships, health, etc. then they’re going to find out. Once they find out, they’ll find somebody else sooner or later. Tony Robbins, Russell Brunson, James Smiley, and all these other people have 24 hours in their day just like the rest of us. What they’ve done differently though is they’ve found out how to leverage their time to “hockey stick” up. Get the numbers to make yourself “one of us”. You must contribute sincerely for any form of networking to have a lasting effect. Important Links: www.JamesSmiley.comFunnelHackerRadio.com FunnelHackerRadio.com/freetrial FunnelHackerRadio.com/dreamcar ---Transcript--- Speaker 1:     00:00       Welcome to funnel hacker radio podcast, where we go behind the scenes and uncover the tactics and strategies top entrepreneurs are using to make more sales, dominate their markets, and how you can get those same results. Here's your host, Dave Woodward. Everybody. Welcome back to funnel hacker Speaker 2:     00:18       radio. This is going to be a ride of your life guys, because I have the opportunity having the one and only Mr James Smiley back on the show. James, welcome to the show again. Woo. What's up? I am so excited. So for those of you guys don't may not know James Out. We did a podcast a while back and I want to make sure you understand this is a guy who's been around for a long time in this whole digital marketing space. He's done over $210 million dollars in digital marketing. I actually in his early twenties, actually I IPO to SAS company, which is super, super cool. Something I have yet to do and has worked with three of the fortune 10 companies. This guy basically knows what he's talking about and he approached me and said, you know, Dave, we did this awesome podcast awhile back, but I've done all these cool things recently and I want to talk about some of the stuff way back when that everyone's already forgotten about and I thought, I love all the deep dark secrets of things that people have forgotten about. So with all that said, James, take us away and let's just see where this is going to go today. Speaker 3:     01:10       Awesome man. Well, I appreciate you. Appreciate Click funnels. If you're not using click funnels, what are you doing? So, um, we ever since it came out, we've moved everything there and it's just been awesome. Appreciate you, appreciate the community and all you guys and gals out there and everything that's going on in the funnel hacker world. So, um, but yeah, you know, one of the things that I've been sharing with our coaching students, you know, we've been super fortunate or blessed or everyone to call it to. We brought on a hundred and three students since me and you last talked, I think it was an August of last year, around the 2017, um, and we do a 15,000 and $5,000. We did a hundred and three students and one of the biggest things that people have been wanting to know and, and it is like how do I get, how do I, how do. Speaker 3:     02:01       Because like, like in business, you know, you, like you have people who have like regular acceleration, right? They just like if you were to graph it, they have a gradual growth or maybe it's like staggered up and down lows and highs. But then there's like those hockey stick moments, right? Where like somebody goes from where they're at and the hockey stick way up and then they plateau and then the hockey stick again. And so what I've noticed through life, whether it was sells, uh, working my own sales teams, running, running with a big company or helping solo preneurs is um, there's a way to create high leverage, like, like extremely high leverage. Um, and it's a system that I really, to be totally honest, I learned it from chat from Chet Holmes who started the dream 100 stuff. And this was a system that he, uh, talked about in, in a VIP session that I was at a, um, I was at a thing with Tony Robbins in chat. I want to say it was like 2013 or 2004. And um, and I learned this, but he's like, this is so, so good that I don't publish this because people can really take it the wrong way. And so, uh, so I wanted to share, Speaker 2:     03:13       have to understand, we talked a lot about dream 100 and even just don't understand the depth of dream 100. It's so much more than just creating a list and send them out a package. So much deeper than that. And Russell spent a whole bunch of time at our traffic secrets course that we did in October down in Phoenix and just blew everyone's mind. And that's why when you were talking to me about this whole idea of, of it being used for good as well as for evil, it truly, truly is and can be. So with that caveat, I want to make sure you guys understand when we're talking about this, we assume that you guys are gonna use this for good and that you're not going to turn this around and uh, destroy people's lives with it. But with that, I really want to kind of dive in. Jane's really kind of go into this whole idea as far as contributing. I know that was one thing that we were talking about. What exactly does that really, really mean from your eyes? Speaker 3:     04:00       So this was back in a chalkboard day. There wasn't whiteboards. And so, um, uh, Chad had wrote the word contribute. He said everything I'm going to now for the next hours, if you don't understand this word, you're going to screw up everything I'm going to tell you because people are going to realize at some point you're taking advantage of them. And when they realize that everything you just did is going to come crashing down on me and then the rebuild, that reputation could take you years, you know, or you may never be able to recover from that. And so, um, so he really, he sat us down and he said, I want you to think about, do you actually have the best intentions for the other person before you do anything before you contact them for you, follow any of this stuff if you don't, if your main goal is to make money, he goes, I promise you this is not gonna work. Speaker 3:     04:52       And it may work on one person, but he goes, eventually it's gonna catch up with you. And when somebody realizes you're taking advantage of them, it's over. And so he really, Harper was work contribute. And that's where this whole system starts with what I teach our coaching students. I'm glad to share this with everyone out there that like what I'm about to share with you, if you don't have that, that, that mindset of like, I want to do this to help someone else more than helping me. Right? Like if, if I can't find that gratitude, like even in this, you know, like, like I reached out to you, um, and I'm using the same process I'm going to share, you're going to see like I'm using the same process, but in my heart I'm like, if I can't, if I don't have complete gratitude, like in me just being able to network with Dave, help his community, how, you know, like if I can't contribute into your world from a pure perspective than everything that I'm doing is going to come crashing down, you know. Speaker 3:     05:52       And so, um, so that's really where this whole starts out is, you know, really focusing on contributing to people. Okay. So that's kind of, there's really a five step system. Um, and so I can just run through those real quick. Is that the awesome? Yeah. Okay. So number one is contributed. So you got to think about like how you come up with your dream 100 lists, all the standard stuff that Russell talks about in his book and all that stuff. Like, like come up with your dream list. Okay. Then then you think, okay, like how do I carve out a few of these people in like, like the most strategic ones, the ones that I can get the highest leverage move. And so I'm just a side note. A lot of people say, well, what is the highest leverage move means basically highest levers. Move means how do you, how do you use other people's stuff? Speaker 3:     06:33       So I called P. A lot of people are opm, other people's money, opt other people's time. But you've got to think more but more. Okay. You can use other people's data, you can use other people's relationships, you can use other people's platforms, you can use other people's intellectual property. You like infinite, right? Um, and so, so, so you can see how like if you don't start thinking about the word contribute, but then you start thinking, how do I use other people's platform or how to use other people's money. Like the whole system becomes warped, right? It becomes about me, about, you know, um, and, and I'm not actually adding value into the community. And so, um, so like, like the, the way that I've seen people get real hockey stick growth, whether it was a company, a sells startup, whatever is they figure out how do I create the highest leverage move with my time or, or with, uh, with, with, with my investment or with whatever, with whatever the asset is. Speaker 3:     07:36       And so I'm like, if I were to go out today, uh, like you, you and I both know, like, like, uh, me, you, Russell, Gary Vaynerchuk, Tony Robbins, we all have the same amount of time. We all have the same amount of, of like no one had 35 hours today. Everyone had the same, you know, 10, 12, 15 hours to work. Like we all had the same amount of time. The only thing is some people figured out how to create more leverage with their time. Right? And to me that is like the true essence of d, 100. It's like how do you create more leverage with your time? And so typically it's using other people's whatever, right? Other people's time, money, network, email list, facebook page, podcast, a coaching group, whatever. And uh, and then in return, like, you know, like, like you're helping them, they're helping you. Speaker 3:     08:27       Okay. So number one contributed to the number two thing that chat started showing us and I've summarized it up into this is okay. So like if I carve out like 10 people that I want to talk to that I really need to network with. Okay. So like, let me just be totally honest here. Okay. I could say Russel, I could say, um, there's some people on Shark tank that I wanted to get ahold of. There's some people, you know, there's, there's some key individuals, right? So, okay. So the first thing I need to do is actually write out like how can I actually contribute into Russell's world? I literally did this a couple years ago. I was like, okay, like what could I do to be different? Like, how can I contribute to him versus like, you know, every time I see him, like, hey man, I got this thing, I got this idea, you know, and you know what man, like if we just partnered up, I give you 50 slash 50 men, you know, and I'm like, come on now like how many people are or be one of those people who's like, you know what, me and my product is so good. Speaker 3:     09:22       Russell. Like if I just got sales I would be good. It's like you just like, I can't, you know what I mean? Like you can't believe it is. I literally got an email from a guy who's actually has a lot of fame, uh, people would know him and you'll be at funnel hacking live and everything else. And it was interesting because he's like, listen, before I fire up to funnel hacking, live on a fly over to meet with, with Russell and just kind of go through a couple of things with the real fast. I'm like, why? And what is the value? Russ is going to get out of this besides, you are going to come to the office. I mean, it was just interested in like, oh, you know what, it doesn't work that way. Yeah. And so, okay, so contributing number one. Number two is I need to figure out how to summarize data that my d 100 is going to, uh, it'd be impressed by. Speaker 3:     10:13       Okay. So this, this one really shocked me because I was like, why is this so important? Okay. So like one thing that, one of the things I've learned around Internet psychology through the years is numbers tend to mean more than just words. Okay? So it's a reason why people will say like, we've reached x amount of people, right? Instead of saying, uh, you know, like even Louie's started here, it's like, hey, you can say, Hey James Smiley's a good digital marketer or a great digital marketer, but when you say numbers, he's done this amount of sales. He's done this, he's done. You know what I mean? It, it registers in people's mind fast. Okay? So if I'm going to really drive a highest leverage move d, 100 strategy, I need to think about how do I move numbers to the forefront of my marketing so that when I'm going to, she's Russell for an example, when Russell, if he eventually ever looked at my site or sees my webpage or sees my facebook page that he will see a number that means something to him or he'll go, oh, like, like chet used to say, you want them to, you want them to start saying he's one of us. Speaker 3:     11:16       Like, so I love that analogy because I think that's really super critical. It's, I were just talking about our to calm a couple of word winters. We have 411 two Comma Club award winners right now. And so it's nice because it again, it groups you into that. Now you're there. One of us. I love that announced. That's great. Yeah. Yeah. And so, um, so like, so like I started a by the way. So Larson told me to, to talk about this more because I told him how I, how I got to know you guys. And Russell, and he was like, dude, this is one of the smartest 100 strategies ever. He's like, you gotta talk about this more. So, um, so, uh, so because I told him how is using data that I thought Russell would like. So like I'd listen to those podcasts, I'd watched all this stuff and I'm like, okay, he's saying like he wants, this is way back when he's like, I want to be the fastest growing SAS company. Speaker 3:     12:11       So then I started using like language, like, uh, I was a part of iop on one of the fastest growing sas companies in Silicon Valley. Like specifically saying that I feel like if I knew Todd Russell, like somebody saw it, they'd be like, oh, he's one of us like in subliminally. Right? Um, and so, uh, but, uh, but for, for other people that might mean like, like, like in the btby world, like somebody may not be interested in how much revenue you make, they may be interested in how many distributors you have or, or maybe they're more interested how many customers you have or something like that. So like, I try to encourage people, like on your website, have data that summarizes something that you, that your dream client is going to go, wow, this. I'm impressed by this. So I heard Tony Rob Russell say once on his podcast, he said, Tony Robin, he has spoken to 10,000 B, two b sales reps. Speaker 3:     13:03       okay? Somewhere. He said that on a podcast and he was impressed by it. Well, I knew because a corporate recruiter had told me this, I had spoken to 12,000 B, two b sales rep. I was like, yes, I'm going to put this on the front of my homepage if Russell ever received that. James is one of us, you know what I mean? And so, um, there was a lot of like little things like that that I started doing and um, and then so and I didn't know, like you never know, like if somebody really seeing it or not, but, but chances are if you're doing the right things, sooner or later they're going to take a peek at you. Right? And, and if these are the little things that make somebody start calling, oh, maybe, maybe he's like us, you know? Um, okay. So the third thing, Speaker 2:     13:44       I'm going to step back on that because I think that helping people understand that they're one of us is such a huge, a huge thing in networking, um, because you'll talk to people talk about, well there's a level b level c level type of relationships. And uh, again, you were talking about Steve Larsen and his whole big thing is, you know, you can reach one level up as I've heard him referred that a million times and I think it's important that as you get to know what your, what your group or your level is, what does that one level above you, what's that one level below you? And whether it's, again, whether you mentioned as far as revenue or, or contacts or whatever the number is, but realize that everybody has some number. I guess these days, a lot of people, as far as we're dealing with a lot of influencers and their numbers are you. How many youtube followers? Yeah. How many instagram, facebook, whatever. That may be, and those numbers basically say, okay, you're one of us and I think this, oh, critical that, and I appreciate James that you mentioned. It's not just revenue, it's not just these numbers can be anything, but the key here is numbers, numbers or something. People very quickly can just, it's a scale and they say, okay, that's, I'm in that same area. I'm in that you're, you're one of us or you're better me or one lower than me, Speaker 3:     14:52       whatever it might be. They at least know where they fit. And I think that's the big thing with a lot of marketing is people want to know where do I fit in this ecommerce or this whole cosmos here. Yeah. I recently struck a big partnership with Kevin Harrington from Shark tank and I won't talk about the whole details, but one of the things I will say is I knew the specific type of numbers he wanted to see and so I move those to the forefront of my marketing, of my, of my personal branding. And um, so I got on a call with him one day and he's never talked to me before and he goes, James, I've heard a lot about you. And he goes, ah, he goes, but I, I hate to tell you this, I got to cut this call short. He goes, I have 11 minutes, pitch me, go. Speaker 3:     15:35       I was like 15, I have 11. Exactly. He's like, yes, you have 11. Go in. And I was like, okay. So long story short, in 11 minutes I struck a big deal with them in the other people on the phone were like, we never seen nothing like that. Even even, um, uh, Kevin's brother Brian or his son Brian was like, okay, I seen all the pits people pitching. I've never seen minutes. And um, but the reason is because I had him preframe through all this stuff. I'm telling you, like I had preframe because of the data. And he said little phrases. He's like, I've seen some of your stuff. I've seen some of your videos. And I like it. Like those little phrases tell me that my little personal branding and marketing out there, it's synergizing with him and that's how I got on the phone with them. Speaker 3:     16:20       And so it allowed the conversation to move forward because he had, he had a little bit more trust with me because he was kept thinking. I think James is kind of like one of us, you know? Um, okay. And then. So number three is, I'm a check called this something else, can't remember, but I call it network with the network. Okay. So like when I wanted to become friends with Russell, I'm like, man, this is gonna be like, hard to get to know Russel, right? So, um, I was like, okay, like this is a total chet holmes strategy. I'm like, okay, who are all the people around Russell? And remember this is like two or three years ago, okay, who I guarantee you I could get ahold of them. And then so I was listening to the podcast and he's like, Oh yeah, I'm hiring this kid named Steve. Speaker 3:     17:04       I'm like, I bet you I can get ahold of that kid. I'm not kidding you. That's the first thing I thought. I'm like, I guarantee you, I get a hold of that kid. Like he's a Newbie, you know what I mean? So, and then I started looking up and I'm like, this is no joke. I'm like, oh, there's, there's this dave guy. Oh, this is Dave Woodward Guy. There's this guy named todd. There's, um, then I, and then I realized there's John Parks. Um, and then like back then he was talking about certain inner circle people. So he had mentioned I'm a funnel that some guy named Henry had done for him and I had no, he didn't even mention Henry's name, so I like, googled, looked on his friend list, like figuring out who the hell is this Henry Guy because he just talked about Henry Henry must be a friend. Speaker 3:     17:47       And so like what I did was I started figuring out how do I contribute to sincerely until all these people's lives. So, I'm not kidding you like this a little bit embarrassing, but it totally like I had you Larson had all you guys on my list and I was like, okay, how do I like sincerely, like, like add into these people's lives. Okay. And then, um, so when I first told, I told, I told this at the, uh, at a mastermind I was with Steve and I said it from stage one. I said this, Steve Goes, that happened, that really happened. Let me tell you what happened. So I told. So the whole idea here, okay, is that someday, maybe you guys will all be talking to Russell in. Somebody will be like, well we should try to get into btby and then someone will be like, why? I notice James Smiley Guy, but I don't know, like nobody really knows him. And then somebody else in the circle would be like, James James Smiley. Like the guy, you know that guy. Oh yeah, he's totally cool. And then somebody else would be like, James Smiley. And this also like the idea is that like everyone kind of knows james and Russell's like, who the heck is named Smiley God? Why do I not know James Smiley? Speaker 2:     18:58       Seriously? Oh my gosh. I can tell you that networking with a network is probably the most understated issue. And people just don't understand how important that is. I've seen that so often in my gosh, in my own business over the years I've noticed that that has been a huge, huge opportunity for me. A kind of also goes back as far as making sure you understand who the gatekeepers are, that you network with the gatekeepers and that's your, you're nice to the gatekeepers. And it's, it's so funny because uh, I mean literally Russell's my officer like four feet apart. I mean I stepped through the glass and it's, it'll be funny where he'll get the same package I will get and I know exactly what people are like, well, if I can't get to Russ, I'll get to dave first and then I'll use dave to get to Russell. And I like, I know the game, but I think it's cool that people are playing the game because I think that's how it's so critical. More people who know you, who have a point of reference in a frame of reference for you, the easier it is to have those types of conversations when, when again, the name comes up, it's not like it's going to come up all the time, but when it does, you want there to be a positive relationship with that, with your name or whoever else that might be. Speaker 3:     20:04       Yeah. Yeah. So, um, so I, uh, uh, I, I said that from stage one time [inaudible] Larson stopped. Everything goes to, he goes, that literally happened one time. He's like, we were talking about like a new version of the website or something like that. And he's like, that literally happened. He's like, two or three of us knew who you were. And Russell said, who's James? I don't know. Yeah. And, and, and, and so I didn't say any of this, but we all know, like people like Russell use the internet, use their phone like with somewhere within the next 24 hours, the next hour, I guarantee you, he looked up to see who the heck is James. Sure. So, so like every one of the listeners to understand like, this is why having your stuff on point in having data summary, because I mean you don't have like an hour for this guy to look at your stuff and you might have in seconds. Speaker 3:     20:55       So you gotta be on point and so you gotta think like, okay, like what is this person? If they were to look at my stuff for 20 seconds, would they go, James is one of us, you know? And so, um, the, so the, and the whole thing around network when the network is like understanding that first word contribute. So it's like how do I actually add value to Steve? How do I add value to John? And so like, I'm like, I didn't know John at all. But um, so there's two little hacks that I've learned over the years or we're doing this over 10 years with network, with a network. One is finding somebody who is, um, I don't know if it's right to say, but finding someone who's younger is easier to network with in finding someone who's an up and comer is definitely easier like it because not only that, you can contribute into those people's world really, really fast. Speaker 3:     21:45       Like you can tell them stuff, help them, give them encouragement. Um, you know, like, like I've sent, I won't say who, but there's multiple people on that list. I've sent them big deals, I've sent them, you know, I signed a deal and I broke or the services out to them. I like message. I'm like, Hey, um, you know, I got this deal in a, all you need is this, this and this, and I can wire you $8,000 right now. Like what? Like, who is James Smiley? Like I don't even know who this person is, right? But, but now, like I built longterm relationships with those people, um, in like, uh, in, like when you really do that, right? It's almost like this becomes flawless because you become friends with the people who your dream 100 person is friends with, you know what I mean? And um, and so, and it's a really cool thing because you don't have to push your way in, you don't have to try to, you know, insert yourself. Speaker 3:     22:37       Like it just happens kind of organically, you know. Um, and so, so anyway, um, so yeah, so networking with the network is, is, is unbelievably huge, especially if you can figure out like, how do I honestly contribute. Okay. Um, one like 32nd story I'll tell you about something I did with John Mckay was I bought 'em fill your funnel a number of years ago. Okay. And um, you know, like I thought that was a lot until, you know, like, like it was like 30, 3,500 bucks or something like that. And it was like, it was awesome. Right. And so, like here I am in this group and I wasn't going to be totally honest. Okay. I wasn't 100 percent sure how I was going to use that content. But one, okay, there's a couple of things I realized. Number one, John was in there, it was messaging in the group a lot. Speaker 3:     23:25       And so like every time John would say something, I would back them up, you know what I mean? Like, like, uh, and so I was, I kind of became friends with them in there, you know, and then I would post like a testimonial or two of like something cool that I did based on something he said. And so I think just over time, like I don't, I don't, I don't think like me and John are like, know we don't really talk a lot, but I will tell you like the few times we do talk it's like he, I think he's like, he's Kinda cool. Like James is like one of us, you know. And um, and so, but I first met him in this group. So I want to say something like, I bought my way in to a relationship with somebody like that because I figured if I bought my way into this, the people that are in there managing this are probably going to be people who Russell knows. Speaker 3:     24:12       You see what I'm saying? Oh, I totally agree. Like whereas some people they just go into it with the, you know, they don't think about those kinds of. Yeah, you know what I mean? They don't think like, not only that, like you're in a group of couple of hundred people who are, you just spent like $3,000 on something. Like you're in a group of cash buyers. Like why would you complain of 80? Like there's, you can build friendships, relationships, all those kind of things. But um, but anyway, but that's, that's like my, the first time I really interacted with John, I just saw, I was like, how do I contribute? How do I contribute? How do I make this fun? How to make this engaging for him. Okay. And then the fourth one is, this was a little bit psychological, but it's like the most ideal thing is if you can understand how the person thinks, because one thing I did not know is I did not know or even think Russell was an introvert. Speaker 3:     25:05       Never thought that. And um, and so I'm glad. Like I would listen to him and go, man, like this dude's an introvert. Okay. So like if I ever meet him, the last thing I want to do is come up to him like, oh my God. You know what I mean? Like in, in the few times I've seen I'd been around him and seeing people approach him. I'm just sitting there laughing, going, I have no idea. Like they're well meaning good people, but they have no idea. Like, you know, I was at the Mellon texts event, I think, and Russell's crushed it there. And uh, and then he was out in the hallway I think, and there was like 20 people around him in a circle. And so I walked by that day I walked by, um, and uh, and so I'll just Kinda, just for time I'll, I'll put four and five are kind of similar. Speaker 3:     26:00       So a four is like, you want to start mirroring the person. This is a lot of Tony Robbins stuff like marrying the person. So like, um, so one of the things that I did at that event was a, I noticed that you guys would always have a camera person and a lot of times it's you or somebody like holding the b roll camera, right? The vlogging camera will like, I'm message John Before that event. And I said, hey dude, I'm, what camera are you guys using? And he said, I don't know man, let me check it out. Because we were friends. He was like, dude, let me check it out. So he came back and told me the camera you're using so that I told my camera girl, I'm like, hey, they're using this camera, go buy it. And then she was like, Hey, I can get one that's just slightly better. Speaker 3:     26:43       I'm like, that'll be even better. Like the upgraded version that will be better. And then, uh, so we bought the same tripod. It's the same camera. And guess who, the only two people at this event were who had camera people, you and me. And so I did that. So because I knew that I would be in the vicinity of Russell and I wanted to try to get his attention in a non, like, you know what I mean? I wanted to try to get an intention and so I was like talking to Caleb and people like that. And I remember seeing Russell in the corner of his eye look over at us and he's like, I guarantee you he's probably going, who's the other dude with the camera? With a camera person following them around. Like, who the hell does this guy like, I don't know, maybe he knew, maybe he didn't. Speaker 3:     27:29       But um, uh, but I distinctly remember him, like continuing to look over and we would connect a little bit. And then, um, uh, so when he was out in the hallway, uh, I, I saw him and I told him, I camera goes, I was a communications committee. And I was like, Hey, so, so we walked out and uh, and so I'm walking out, my camera person is following me and there's literally 20 people around, Russell and I can just tell he's like, I mean everybody, I'm sure it was like super nice and cool, but he was just drained. He was just like, dude, get me out of here somebody. And so I walked by him and he kind of looks at me out of the corner of his eye and uh, and he just kinda like opened his shoulder just I think he just wanted to see, like if I was going to say it, say what's up or whatever. Speaker 3:     28:14       And uh, and of course, like I'm looking at him, so I reach over and lean in really, really softly. We shake hands in, right when we shake hands, that whole group went dead silent. Oh sure. Everybody was like, what the heck is this guy? Right? Like, Russell just stopped the conversation to have shake somebody's hand. And uh, and I remember shaking his hand in and I said, hey man, I said very soft and comp because I understand his personality. And I'm trying to like mayor his personality or how he thinks and so I was like, hey man, I appreciate you letting Steve Come to my event. He crushed it on stage. Thank you so much for, for letting him do that and I just appreciate you. Basically I just told the guy, thank you, that's all I did, you know, and I just remember him looking at me and he was just like, he just said thank you James. Speaker 3:     29:06       And he's like, thank you for doing that. And it was just like really cool like bonding moment and um, and so, so it was just, it was, it was the coolest thing because like all that work had built up to a, to a handshake, you know what I mean? There's so much value in that and I think so often people are in this game for the short term and it's like, what can you do for me? What can you do for me? What can you, for me? And like that's not how this game works. This is a long longterm play. Yeah. Yeah. I appreciate that a ton. Jane's. Yeah. And so I guess I'll, I'll kinda wrap it in this way and saying that, um, you know, you guys featured how you, how we were using click funnels and be to be on the clickfunnels.com home page for a while. Speaker 3:     29:50       I will tell you of 103 students, we had a majority of them, the original, because we survey, a majority of them had said, well, we saw you on the clickfunnels site. We looked you up. So I just want this whole conversation and coming full circle if you contribute to people in the right way, like the relationships and all the things that happen, like you can win over your dream 100 in a way that you never thought possible just by contributing into their world it just by adding value into the world. And so anyway, um, so yeah man, I'm super grateful and thankful for you guys. I mean just to, uh, to share a number like our practice, that coaching practice that's $766,000 and, and, and, and I'll say like all that happened because we, we, we focus on contributing. I love that, you know, so I appreciate you guys man so much. Speaker 3:     30:48       Well James, thank you. And I appreciate you being so kind to contribute to our audience and our community as well. So any other parting words? Um, appreciate you guys, man. Appreciate your audience and everything. I'm a Jane Smiley Dot Tom is the homepage and all that stuff. If you guys want to check out anything but uh, whoever, whoever it is that you, uh, your dream client is, you know, if you got that person, I would just say this to any of your followers. If you have that person or those people at that company and it like it, it's like it doesn't leave you, it doesn't leave your mind. You're like, I got to meet that person. I got to. If I could just get that relationship. To me that's, that's like the confirmation in your heart that you're supposed to build that relationship, right? Like the fact that like, I'm not thinking about that person. I guarantee you no one else is like you. You are the person who was supposed to build that relationship. The fact that it doesn't leave the fact that you wake up, you go to bed, you in meetings, you're daydreaming about that person or that relationship like that is the person that you're supposed to meet and work with and if you focus on contributing, you can get there. Oh, I love it. Well James, thanks again, James Smiley.com. Check them out. Thanks James. We'll talk soon. Appreciate it. Speaker 4:     32:03       Hey everybody. Thank you so much for taking the time to listen to podcasts. If you don't mind, could you please share this with others, rate and review this podcast on itunes. It means the world to me where I'm trying to get to as a million downloads here in the next few months and just crush through over $650,000 and I just want to get the next few 100,000 so we can get to a million downloads and see really what I can do to help improve and and get this out to more people. At the same time, if there's a topic, there's something you'd like me to share or someone you'd like me to interview, by all means, just reach out to me on facebook. You can pm me and I'll be more than happy to take any of your feedback as well as if people would like me to interview more than happy to reach out and have that conversation with you. So again, go to Itunes, rate and review this, share this podcast with others and let me know how else I can improve this or what I can do to make this better for you guys. Thanks.

"Hi, I'm Rod, and I like to party," is a line from a very funny movie. It's also what Eliza would say, if one of her nicknames was Rod. Eliza loves to party, and Henry? Henry. . . not so much. One might even think that might create a conflict that leads to trauma, stress, AND disorder! It's Tuesday, and that means it's time to hit pause on Blues Traveler's "Run Around" and hit play on another episode of "Selfie Valuation". Listen to this while drinking, while in the office, or both! All that matters is that you enjoy responsibly (or not, it's your life!).

“Listen. This is a podcast? Who leaked that to you? Let me tell you one thing. I have three to four podcast hosts I’m going to fire tomorrow. I’ll get to the person who leaked that to you. Henry? Henry — if you want to leak something — is going to be asked to resign … Continue reading Episode 65: Death to Moochy →

Lors de l'épisode 6 de Riviera Détente, nous nous étions donné pour défi de faire lire un épisode retranscrit (ou au moins des extraits) par nos papas. Après des mois de négociations, voici chose faite. Merci à Guy-Guy et Henry-Henry.