Podcasts about In Concert

Send us Fan MailHe's launched the careers of so many singers and bands. He hung out with Wham! and Bananarama back in the days. He's presented on Capital, GLR and XFM. But there is one question.. Who is Gary Crowley?Well this week Gary joins us for an edition to chat about his career on the radio. Have a listen to how Gary got the bug from radio and how he interviewed members of The Jam whilst he was still in School. How his first radio show was presenting In Concert for BBC Radio 1. What joining Capital Radio was like, the shows he presented and the gods he was around. Why he joined BBC GLR and what the launch of XFM was like and what its like to be back at the BBC with Radio London.Currently you can catch Gary every Saturday afternoon on BBC Radio London.Also why not listen to Gary launch XFM here on Aircheck Downloads.Also listen to Gary here on Youtube, interviewing George and Andrew from Wham!And follow Gary on X: @CrowleyonAir and on Instagram: @garycrowleyonairWe would like to extend additional thanks to Random Radio Joittings, Radio Rewind, Depeche Mode Wiki Live, Things we Lost in Tapes, FrutierThanThou and TheSoundMaster for additional content.

In this week's episode photographer Lynn Goldsmith takes on our ‘Proust Photo Quiz'… Lynn Goldsmith's photography has appeared on and between the covers of Life, Newsweek, Time, Vanity Fair, Rolling Stone, Sports Illustrated, National Geographic Traveler, People, Elle, Interview, and the The New Yorker amongst many others. Her subjects have varied from entertainment personalities to sports stars, from film directors to authors and her work is held in numerous museum collections and personal art collections. Fifteen books of Goldsmith's imagery have been published and she has also received two New York Art Direction awards. In 1971, she was a director for the first company to present video magnification for rock groups entertaining at large venues and in 1972, she became a director for the first rock show on late night television titled In Concert. In 1973, she stopped directing TV to co-manage the band Grand Funk Railroad. In 1976 Goldsmith left management to focus on a career as a photographer and founded a photo agency that licensed her work and others to publications across the globe. By the early 80's she expanded her creativity as 'Will Powers', and wrote and produced the album Dancing For Mental Health. Working with noted musicians Sting, Steve Winwood, Todd Rundgren and Nile Rodgers, the album won critical acclaim. In 2016 a lawsuit was brought against her by the Andy Warhol Foundation for her studio portrait of Prince. For seven years she fought to protect her copyright, and that of all artists, to their work. The legal battle went to the Supreme Court, and 2023, she won a 7-2 victory. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Jean-Baptiste Tuzet nous annonce la sortie nationale, le mercredi 26 février, du film événement Elvis Presley in Concert. Réalisé par Baz Luhrmann (réalisateur du biopic Elvis de 2022), ce documentaire exceptionnel s'appuie sur des "Lost Tapes" et des enregistrements audio rares restaurés grâce à l'intelligence artificielle. Entre concerts à Las Vegas et interviews intimes, plongez dans une expérience visuelle en 4K qui célèbre l'humanité et le génie du King sur grand écran.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dennis Mills has been playing with bands in Vancouver for over four decades. He was in AKA and Rhythm Mission, and still plays with the Judys and the Jazzmanian Devils. This conversation was recorded on November 28th 2025. Venues visited:  Tamara Restaurant (311 W Hastings), site of the first Jazzmanian Devils show in 1983. Warehouse show location (152 West Hastings). Helen Pitt Gallery (163 W Pender), The Lotus, In Concert, the Lamplighter, the Town Pump, John Barley's, the Savoy, Gambados, Lanalou's, City Space. Other venues mentioned: the Railway Club, the Commodore, PUMPS, Smilin' Buddha, the Plaza, Cinderella Ballroom, Glass Slipper, Cambrian Hall. Musicians mentioned: Captain Beefheart, UJ3RK5, Zealots, I Braineater, the Psychic Healers, 54-40, Los Popularos, David Thomas, Tragically Hip, Red Herring, Death Sentence, the Odds, The Rheostatics, the Clash, the Dishrags, Bo Diddley, Los Lobos, the Frights, the Moral Lepers, the K-Tels, Subhumans, DOA, the Pointed Sticks, Work Party, Emily Faryna, Tin Twist, the Dils, Rank and File. This episode features the following music: AKA: CIA from Dead Therapy Rhythm Mission: Shudderdown Tin Twist: Sitting Here, Waiting Here (Mo-Da-Mu 1980)

This playlist is 65% vinyl friendly. Very poor. Scorchio! ‘1960/1970 Vintage Stereo Design Record Player, in bright orange, the emblematic colour of the 1960 and an example of Mod Ultra Space Age Pop Art Raymond Loewy? France French Designer Museum-worthy‘ says the Etsy seller, adding ‘It has a few cracks, one of the speakers has a small tear in the cloth and may need an overhaul, a full check up to see how and if it works and if it is complete… WE HAVE NEVER TRIED TO USE IT AND I DO NOT KNOW IF IT WORKS OR PLAYS.‘ Thank flip it’s down to €4600, from €7100. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. And a bit of a croak in my voice here and there. A temporary glitch, hopefully. Lyric of Playlist 146 Trickery involved but it has to be The Bots! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Ruined In A Day (Reading Festival, 1993) – In Concert – 577, CD – BBC Transcription – 1993 I and my four-year-old, Alice were there, on what was a triumphant return, with the wonderful ‘Ruined’ in amongst new numbers from the band’s then recently released Republic album nobody would have previously heard in a live setting. BBC Transcription Services recordings – produced to service radio stations and usually for a very limited time frame for broadcast – had moved from vinyl to CD but with runs still only in their low hundreds New Order completists would be struggling to own a copy of this one… and I don’t. 04.42 MERIC LONG – A Small Act Of Defiance – Kablooey, LP – Polyvinyl Record Company – 2025 Book-ending a bunch of releases through the years as a member of The Dodos, Kablooey is seemingly Long’s first solo release under his own name since 2006. 07.43 BIOCHEMICAL DREAD – False Kings Of The Earth – 12″ – Pulsolid – 2004 Besides his work with Cabaret Voltaire this 12″ demonstrates there are gaps in my knowledge of Richard H. Kirk’s lengthy discography elsewhere. A copy of ‘False Kings… ‘ however is currently heading my way. RIP, Richard. 13.21 DARKSIDE – One Last Nothing – Download only – Matador – 2025 Including a past member of the 41 Rooms playlist parish, Nicolas Jaar, a US trio currently NOT releasing a 12″, though their Bandcamp visual hints otherwise. 18.32 AGENTS WITH FALSE MEMORIES – Agents With False Memories (extract), CD only – Ash International / Soleilmoon Recordings – 1996 Extract, indeed as Richard H. Kirk promptly returns to show 146 with this four minute snippet from a 53 minute track. 22.34 HUMANIZER – Shinobi – ? – ? – 2000s? Ignoring the slight Liam Gallagher drawl and with zero connection to any Death Metal band of the same name, this might have been Manchester sourced… and maybe with a Peter Hook connection. That’s what I’m vaguely remembering… from over a decade ago. Dunno… A ‘demo’ version, minus vocals, might also get an outing here at some point. 27.08 DIFFERENT GEAR – A Little Bit Paranoid (Extended Mix) * – 12″ – City Rockers – 2002 Courtesy of a ‘Phil Dirtbox’, the vocal is the winner here. 32.59 MERZ – Sorrow In The Sky (Nightingale Vs The Crow) – 7″ b-side – Lotus Records – 2002 The stuff that people sing about… and here with gusto and passion, to boot! 36.55 LUSCIOUS JACKSON – Why Do I Lie? (Sessions at 54th, 11.97) – Stream only – 1997 Vocalist, Jill Cunniff’s tale of lying sounding best live! 40.13 THE POPPY FAMILY – I Was Wondering – 7″ – London – 1971 A bit of a strange arrangement, this one. Albeit with a key change in there – verses with no choruses! Weird and wonderful… and maybe a bit brave in the pop world of the early ’70s, where the only PF track I remember hearing as a young teen was Which Way Are You Going Billy? That won’t be getting a 41 Rooms spin. 42.43 SOPHIE JAMIESON – Camera – I Still Want To Share, LP – Bella Union – 2025 Being over in Brighton recently it seemed appropriate I buy her clear vinyl album from the Bella Union shop and re Camera? It’s the subtle build in Sophie’s vocal and she’ll be here again at some point. 46.59 MARTYN BATES – The Rhyme Of Miracles – Arriving Fire, CD only – Ambivalent Scale – 2014 Martyn instils presence in a tune like few others for me. 50.28 JOSE FELICIANO – First Of May – 7″ b-side – RCA – 1969 ‘Feliciano seems to be on a heavy Bee Gees kick… after ‘Marley Purt Drive,’ he now does ‘First Of May’ and ‘Gotta Get A Message To You.’ And with his highly stylised projection, Jose manages to make them sound totally removed from anything the Gibb brothers originated’. – Disc (edited review of the album, 10 to 23), 15.11.69. As far as I know the Bee Gees tune was only ever released on a 7″ (my ‘format of choice’) for Jose in Mexico, New Zealand, Philippines and Spain and never as an A-side and arranger, Al Capps most probably winced if he ever got to see the NZ pressing below. Strangely, Jose’s very rarely performed the song live. I’ve only noted it three times, including two at London’s Jazz Cafe, in 1996 and again in 1998 and at the former it surfaced nearly under duress. With the audience (maybe unsurprisingly) constantly shouting out for past JF favourites Jose countered, ‘You know there’s a lot of songs you people ask me for that unfortunately… and I’m not being rude, a lot of artists are rude, they do it on purpose, but some of the songs that you ask me to sing, do you know that I haven’t sung them in years and I’ve forgotten the words and rather than make an ass out of myself that’s why I don’t sing them, OK? So, don’t take it personal… I don’t sing those songs anymore. But I’ll tell you what though there’s some that you ask for that I do remember, like this one. I hope that this one will satisfy you.’ That rare sighting was even more surprising considering Jose had taken the rare move of including his own recording of the song when guesting on Brian Matthew’s My Top Twelve for BBC Radio 1 back in June 1974. 54.11 JAPAN – Alien – Quiet Life, LP – Ariola Hansa – 1980 Bedford: Heronscroft, Putnoe, 1980 and Winkles, 1981… with a few Japan gigs thrown in at the time. 58.47 JOHN CALE – Chinese Envoy (M:FANS) – M: FANS, 2 LP – Double Six – 2016 ‘Approached as a reinterpretation of Cale's 1982 improvisational album, Music for a New Society… M:FANS is something of a funhouse mirror reflection of that work, using the basic song-structures of the original album as a starting point and using time, experience and the technological advances of the ensuing years to bring a new focus to the tunes. Some selections are comfortably familiar, while others have a significantly different footprint‘. – KCRW 01.02.32 ICEHOUSE – No Promises (Dance Mix) * – 12″ – Chrysalis – 1990 Fully five years after the track had seemingly done its thing it got an extended outing in Spain. 01.07.58 DAVID BOWIE – This Is Not America (BBC concert) – Bowie At The Beeb, 2CD – EMI – 2000 Part of Bowie’s special set for a small invited audience at the BBC’s Radio Theatre, in London, June 2000. 01.11.29 JOHNNY KEATING – Theme from Z-Cars (Johnny Todd) – 7″ – Piccadilly – 1962 Did I realise the grittier scripts involved here than had been delivered by Jack Warner’s strolling forerunner, Dixon Of Dock Green? Nah, I was five when Z-Cars kicked off but the theme (based on the traditional folk song, Johnny Todd) still brings a fuzzy feel. And Wikipedia will give you the full story on why Everton FC players come out to the tune at home games. 01.13.22 MARC COHN – ‘Walking in Memphis (Mahna Mahna)’ – Stream only – 1990’s? Cohn definitely wouldn’t have seen this coming, as the self proclaiming Mahna Mahna and the Snowths duo upstage him in a short but cheeky mashup (of sorts) I happened on via Youtube a couple of decades ago. I’ll openly admit I was a Muppets fan when they first aired on UK TV back in the mid ’70s and with Statler & Waldorf the stars for me I remember walking my girlfriend of the time, Jill home from work and then running up the hill to my house to record the show. Pre the age of video recorders, at one point there was a stack of ten to twenty AGFA(!!) cassette tapes of the shows in my bedroom. Getting back to Cohn, the fact he’s ‘racing’ a bit here actually adds to the cheeriness and I salute whoever was involved. 01.14.44 BERNARD CRIBBINS – The Hole In The Ground – 7″ – Parlophone – 1962 And like the Z-Cars theme I was five when this was released and I’d have definitely been singing this one in the years close after – and weirdly, although it’s the second tune from ’62 on this show, it’s not the last. 01.16.27 THE BOTS – Fuzzy Math – George W. Bush Greatest Hits, v/artists, CDr only – Spin The World – 2004 I heard this cut and paste work of art somewhere around its ‘release’ and as of 2004… ‘… utilizing the revolutionary Presidential Truth Filter(PTF). The PTF operates like this: All presidential statements are recorded, and made into a huge database. The database is searchable by speech, phrase, keyword, emotional intensity, etc. In parallel, an analysis is made of the historical circumstances of the particular presidency. The question must be asked, what is this man (all men so far…) really all about? What is a defining characteristic of this presidency? The final question which must be addressed by the PTF is, how can we use the assets in the database to concatenate the truth, and make the President speak it? The first attempt was Bushwack, in 1992. This turned into a huge hit before the Presidential election in 1992, though BMI denied that it was ever on the air at all. Through October of that year, stations such as San Francisco’s Live105 were playing it almost hourly. In 1997 Rock The House was a popular download at an early digital music download startup, muzic.com. In 2003 Bushwack2 was released at about the start of the Iraq war. The mood of the song is quite grim, as the truth of those times was interpreted by the PTF. In 2004, the PTF was reprogrammed to emphasize economics and general silliness, and Fuzzy Math was born. We think it’s the best one yet. Judge the results for yourself’. – thebots.net 01.19.26 DREXCIYA – Black Sea – The Journey Home, 12″ EP – Warp – 1995 First heard on either of Colin Faver’s or Colin Dale’s techno shows on KISS FM. Sounds more likely it was the former. 01.24.58 E-DANCER – Heavenly * – 12″ – KMS – 1997 The Inner City (‘Big Fun’) man, Kevin Saunderson with his techno head on. 01.28.51 CHARLES WEBSTER – Your Life * – 12″ – Peacefrog – 2000 Pitched up a bit (‘+3%’ says my file iD) this is a class slice of soulful techno/house. 01.33.11 CHARLOTTE DAY WILSON – Selfish – Download only – Stone Woman Music – 2025 This r&b musician has been around for a decade or so but I wouldn’t have guessed, judging by this slight departure to a ’90s UK garage feel (first half anyway). It suits her. 01.36.48 BENCH – Felice – Bliss, 2LP – Cylinder Recordings – 2000 The fifth appearance on 41 Rooms to date for this pretty much forgotten duo. 01.39.36 BLUE STATES – Your Girl – 12″ EP – Memphis Industries – 1999 First heard on a compilation CD a mate of mine, Sid put together, of fave tracks forwarded by mates of his. Not their own tracks, you understand. 01.43.45 THE MIRACLES – I’ll Try Something New – 7″ – Tamla – 1962 Hellfire! Those breakdown strings mid way are a bit of a jolt! Easy, Smokey! Writer, Robinson’s own version is actually the third to make it to 41 Rooms and his vocal arrangement sounds more like a remake than either Kiki Dee’s ‘straighter’ take or even the Supremes and Temptations stab at the song, when chronologically they both followed this Miracles single. 01.46.14 SMITH & MUDD – Blue River – 2LP – Claremont 56 – 2007 Electronic… downtempo… shuffling… drifting… or maybe flowing. 01.48.38 MERZ – A.M. (Good Morning) * – Single-sided, white label 12″ only – 1995 The second artist to return this show, multi instrumentalist and songwriter, Conrad Merz and his at times very idiosyncratic vocal (‘Many Weathers Apart’, for instance) seem to have trodden their own path through the years. 01.53.45 CRAIG ARMSTRONG (feat ELIZABETH FRASER) – This Love (& The Life That I Have) * – 41 Rooms Soft Mash Up only – Early 2000s I grabbed the extra voice – Virginia McKenna as Second World War spy Violette Szabo, reading the code poem The Life That I Have at the end of the film Carve Her Name With Pride – fully thirty plus years ago and I had a stab at floating it over This Love a long time ago but recently had another go. Aided by Jazz The Glass, we pitched her down slightly and then I took out a chunk of the poem in the second half. Not that it’s going to happen but I reckon it would need the song itself re-arranged/edited to work perfectly but methinks the idea is still a cool one. Show 147 hopefully surfaces Jan 4. Dec x The post Post Punk Plus Podcast Playlist 146 – Original upload 7.12.25 appeared first on 41Rooms.

In this episode of Filmmaking Conversations, host Damien Swaby speaks with Juli Berg, an accomplished film and television editor and post-producer whose creative path began in junior high school and evolved into a decades-long career in documentary, unscripted television, music videos, and independent film.Juli shares the early experiences that shaped her artistic identity, the unexpected moments that led her to the School of Visual Arts (SVA), and the pivotal decision to pursue filmmaking professionally.She explains how her early academic strengths intersected with her love for art, eventually leading her to earn a BFA in Film/TV from SVA—a choice that set the stage for a distinguished career in post-production.After graduating from SVA, Juli began her career as an assistant editor in the documentary world, working alongside legendary editors including Larry Silk, Lillian Benson, and Jonathan Oppenheim.Her first professional editing assignment—ABC's In Concert—merged two of her passions: music and picture editorial. Over the years, she has:Edited numerous short films screened at domestic and international festivalsDirected, produced, and edited a wide range of music videosServed for two years as an Avid editing instructor at SVA, helping develop the next generation of editorsBuilt a reputation as a self-sufficient editor and post-producer capable of managing narrative structure, pacing, and story architecture independentlyDelivered over 80 episodes and specials as Editor/Post-Producer on History Channel's long-running series American PickersJuli is passionate about honoring the work of everyone involved in the filmmaking chain. She approaches editorial storytelling as a form of writing—shaping raw footage into its best possible version while maintaining the integrity and intention of those who shot it.If you enjoyed this episode, please rate, review, and share the podcast. Follow Damien Swaby for more filmmaker interviews and insights into the craft and business of storytelling.Use Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en 

Tim Matthews speaks with cast members of HLWW Theater Art's production of Oklahoma! In Concert. (Part 2)

Steve Blacknell dated Kate Bush and flew on Concorde with Phil Collins from London to Philadelphia during Live Aid—just two highlights from a life lived at full volume. A former BBC presenter and MTV VJ, Steve introduced New Order on Riverside, hosted Breakfast Time and Radio1's In Concert, and interviewed everyone from Lemmy to David Cassidy (in a hotel jacuzzi). He got his start in hospital radio thanks to advice from John Peel, worked in PR for labels like Decca and Chrysalis, and did PR for Peter Stringfellow in the '80s. Now CEO of the Central London School of TV and Media Training and host of Soho's Waffle Club, Steve's memoir Tales From The Bedroom Wall, charts his journey through fame, addiction, reinvention—and everything in between . Steve Blacknell is our guest in episode 509 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Steve Blacknell's memoir, Tales From The Bedroom Wall: The Life & Times of a Serial Thrill Seeker, is out now, copies are available to buy from https://www.steveblacknell.comFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Tim Matthews chats with cast members of HLWW Theater Art's production of Oklahoma! In Concert.

Muchos de nosotros descubrimos la magia de Deep Purple en los 80. Dado lo vasto de su discografía, nos llevaba un tiempo ir consiguiendo cada uno de sus discos ya publicados y las rarezas que iban dejando salir poco a poco como en "Powerhouse", "In Concert", "Live in London", "Singles As & Bs", etc. Hasta que nos llegó la noticia y un programa especial de Luján en la radio con el resumen de la entrevista que venía en su "press kit" y que les compartimos en el episodio anterior. Este es un vistazo al legado de Perfect Strangers que este año cumple 40 años de haber sido editado. Que lo disfruten.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. FACS, "North America Endless" (North America Endless) 2024 Sub Pop 2. Diamanda Galás, "A Soul That's Been Abused (Live)" (Diamanda Galás In Concert) 2024 Intravenal Sound Operations 3. Ride, "Last Frontier" (Interplay) 2024 Wichita 4. Aseethe, "Last Time I Do Anything For a Fucking Friend Ever" (The Cost) 2024 Thrill Jockey 5. Hochzeitskapelle, "Silver Rider" (We Dance) 2024 Alien Transistor 6. James Elkington and Nathan Salsburg, "Buffalo Stance" (All Gist) 2024 Paradise of Bachelors 7. Robots + Humanoids, "Indigo Octagon" (Indigo Octagon) 1996 Alphaphone 8. Camera Obscura, "Big Love" (Look to the East, Look to the West) 2024 Merge 9. The Reds, Pinks & Purples, "Your Worst Song is Your Greatest Hit" (Unwishing Well) 2024 Slumberland 10. Front 242, "Take One" (Endless Riddance (Remastered) EP) 1983 Mask / 2024 Alfa Matrix 11. Jim White, "Names Make the Name" (All Hits: Memories) 2024 Drag City 12. Hope Sandoval & The Warm Inventions, "Wild Roses" (Through The Devil Softly) 2009 Nettwerk * Sendung vom 30. März 2024 # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

On apprenait récemment que les négociations allaient bon train pour la vente du catalogue musical de Pink Floyd et c'est désormais chose faite, d'après le Financial Times, qui a dévoilé l'information. Le producteur de l'album ‘'Rumours'' de Fleetwood Mac affirme que la pièce de théâtre "Stéréophonic" qui a remporté un prix, a extrait des dialogues et des scènes directement de ses mémoires sur l'élaboration de l'incontournable album de 1977. En ce moment, le groupe The Cure fait ce qui lui plaît : après s'être amusé avec les fans en amont de l'annonce du futur album ‘'SONGS OF A LOST WORLD'' c'est un concert intimiste qu'il prévoit, en exclusivité mondiale au BBC Radio Theatre. On le sait, les retrouvailles du groupe Oasis sont aussi une grande machine financière, le conseil municipal d'Édimbourg facturera à Oasis le coût de l'accueil des dates de cette tournée l'été prochain. Elton John a déclaré à ses fans qu'il ne restait " plus grand-chose de lui " après de multiples opérations chirurgicales dues à des problèmes de santé. La Royal Mail annonce ce 3 octobre l'émission de 12 timbres spéciaux en l'honneur de la formation du groupe The Who il y a six décennies. Mots-Clés : accord, Sony, millions, dollars, nom du groupe, image, artiste, maison de disques, droits, produits dérivés, catégories, droits d'auteur, écriture, enregistrement, master, similaire, histoire, célébrité, querelles intestines, ruptures, dramaturge, David Adjmi, inspirer, influences, affaire, plagiat, cadre, émission, Radio 2 In Concert, Alone , Endsong, live, session, live, 6 Music,système, vente dynamique, flamber, prix, patron, entreprise, billetterie, promotion, livres sterling, Mancuniens, stade, Murrayfield, résidents, services de sécurité, toilettes, vidéosurveillance, éclairage, accueillir, foule, Première, documentaire, Never Too Late, carrière, honnête, amygdales, adénoïdes, appendice, prostate, hanche, genou, famille, pochettes d'albums, photos promotionnelles, images de concerts. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

The Sound Chaser Progressive Rock Podcast is on the air. The show this time is the second edition of the broadcast releases special. The first was way back in November, 2016. It is time to do it again with a new batch of previously broadcast goodies. Every piece of music on this show was originally broadcast on radio or television, and then subsequently released on cd or video. Because there were two major outlets for such broadcasts, the BBC in the UK and The King Biscuit Flower Hour syndicated broadcast in the US, those will be the major sources for the music here. However, the show does feature broadcasts from other sources including an internet only source. Most, but not all, of the music here is performed live. So get set for that old-time feel of the radio broadcast event on Sound Chaser. Playlist1. Porcupine Tree - Where We Would Be [Radio III Poland 6/4/01], from Warszawa2. The Pentangle - Bruton Town [BBC Radio Top Gear 12/5/69], from The Lost Broadcasts 1968-19723. Strawbs - Out in the Cold [BBC Radio Sight and Sound 2/78], from Live in America4. Strawbs - Round and Round [BBC Radio Sight and Sound 2/78], from Live in America5. Steve Hackett - Depth Charge [Central TV Bedrock 1990], from Time Lapse6. Nucleus - The Pretty Redhead [BBC Radio 3 Jazz in Britain 6/10/82]. from The Pretty Redhead7. Hatfield and the North - Shipwrecked [Central TV Bedrock 1990], from Live 19908. Bill Bruford's Earthworks - Bridge of Inhibition [BBC Radio 3 12/9/92], from Stamping GroundTHE SYMPHONIC ZONE9. Anderson Bruford Wakeman Howe - And You And I [King Biscuit Flower Hour 9/9/89], from An Evening of Yes Music Plus10. King Crimson - Epitaph [BBC Radio Top Gear 7/9/69], from Epitaph11. Peter Panka's Jane - Windows / Spain [WDR Germany 3/1/05], from Live at Rockpalast: Bonn 200412. Barclay James Harvest - Mocking Bird [US Radio Syndication 1972], from BBC in Concert 197213. Renaissance - Can You Hear Me [King Biscuit Flower Hour 14/10/77], from King Biscuit Flower Hour Part 114. Caravan - For Richard [BBC John Peel 14/2/74], from Songs for Oblivion FishermenLEAVING THE SYMPHONIC ZONE15. Pink Floyd - Set the Controls for the Heart of the Sun [French TV Forums Musiques 22/1/69], from Transmissions + 196916. The Who - Anyway, Anyhow, Anywhere [Rediffusion TV Ready Steady Go! 7/1/65], from The Kids Are Alright17. Maneige - Bullfrog Dance [CKVL-FM Quebec 22/11/75], from Live à L'éveché18. Hawkwind - Ejection [Central TV Bedrock 1990], from Live 199019. Gong - Outer Vision [Central TV Bedrock 1990], from Live in Nottingham20. Gong - Outer Vision [Central TV Bedrock 1990], from Live in Nottingham21. Mike Oldfield - Family Man [Polish Radio 25/7/99], from Live Then & Now22. The Moody Blues - The Morning: Another Morning [BBC Radio The Tom Jones Show 31/5/68], from Live at the BBC 1967-197023. Focus - Virtuous Woman [BBC Radio 1 In Concert 21/3/76], from Live at the BBC24. Roger Waters - 4:37 AM (Arabs with Knives and West German Skies) [US Radio Syndication 28/10/85], from The Pros & Cons of New York25. Roger Waters - 4:39 AM (For the First Time Today, Part 2) [US Radio Syndication 28/10/85], from The Pros & Cons of New York26. Roger Waters - 4:41 AM (Sexual Revolution) [US Radio Syndication 28/10/85], from The Pros & Cons of New York27. SAWCE - Good Set [Audiotree 3/7/19], from Adiotree Live28. Elephant Gym - Head & Body [Audiotree 8/4/19], from Audiotree Live29. Gentle Giant - Free Hand [BBC TV 21/1/78], from Out of the Fire: The BBC Concerts30. Dixie Dregs - Take It off the Top [King Biscuit Flower Hour 17/6/79], from King Biscuit Flower Hour

On the 153rd edition of Batman-On-Film.com's THE BOF SOCIAL HOUR podcast, BOF's Founder/EIC is joined by Senior BOF Contributor Peter Verra to discuss the following... Pete seeing BATMAN '89 In Concert in Jersey! The new title for SUPERMAN: LEGACY and the logo!! THE PENGUIN is coming!!! THE BATMAN: PART II is fixin' to commence production...really!!!! Witty banter and more!!!!!

Artists living on or is it creepy   To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow

Artists living on or is it creepy   To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow

Meet conductor and author, John Hughes. In this conversation, we discuss John's new book, Letters to a Young Conductor: Thoughts on Music and Life, all about how to maintain joy in music-making, career development, and how to keep the big picture in mind. This is really the perfect episode following bonus #23 in December and Dr. Robertson in January! To get your primed for the convo, check out this blurb all about the book, but tune in to learn more! "Letters to a Young Conductor: Thoughts on Music and Life is now available in print and on Apple Books. I wrote this with a younger version of myself in mind. Over four sections, “Mindset,” “In Rehearsal,” “In Concert,” and “Building A Career,” I offer the advice I wish I had listened to when I was first starting out. It's a mix of philosophy and practical tips sprinkled with humor. Letters to a Young Conductor is an ideal read for people at the beginning of their careers, experienced directors looking for encouragement, and even people in leadership positions outside of music."Learn more about “Letters to a Young Conductor: Thoughts on Music and Life” at www.johnchughes.com, https://books.apple.com/us/book/letters-to-a-young-conductor/id6448801303 and https://a.co/d/ilRdsz1 Learn more about John Hughes at https://www.johnchughes.com/ Watch this episode on YouTube: https://youtu.be/l5vwKgyY6HMThe Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com  Order your copy of “The Business of Choir" - check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!

A Video Extra:Whenever our old friend Paul Martin is back in the room — or, better still, on the bandstand with us, as he was for our big “Flood at 50” birthday bash on New Year's Eve — we always get him to take us on a ride on his favorite Bob Dylan tune. Here from that wonderful New Year's night at Alchemy Theatre is Paul leading the way on “You Ain't Going Nowhere,” which we have considered our Floodster emeritus's signature song ever since he joined the Family Flood in 2015.About the SongBob Dylan wrote “You Ain't Goin' Nowhere” in 1967 in Woodstock, NY, during his self-imposed exile from public appearances following his July 29, 1966, motorcycle accident. He recorded it with The Band in the famous “Basement Tapes” sessions.Between June and October 1967, Dylan's writing and recording sessions with The Band in the basement of their Woodstock house, which they called Big Pink,” were the source of many new songs, including "You Ain't Goin' Nowhere” well as another of our favorites, “Down in the Flood.”The ByrdsBut actually the first time many of us heard “You Ain'y Goin' Nowhere” was not from Bob but rather from a single released by The Byrds on April 2, 1968, which would be the lead track on the band's famous country-rock album, Sweetheart of the Rodeo.Although not as famous as the group's 1965 cover version of “Mr. Tambourine Man,” The Byrds' recording of "You Ain't Goin' Nowhere" is considered by many to be the band's best Dylan cover ever. In fact, the song became a staple of The Byrds' live concert repertoire all the way up until their last appearances in 1973.Joan Baez included a gender-switched version of the song (Tomorrow's the day my man's gonna come) on her 1968 Any Day Now album. The tune also has been covered by Earl Scruggs, Maria Muldaur, Old Crow Medicine Show, Phish, Counting Crows and many other. And these days the song is one of about two dozen Dylan compositions that make up the wonderful Girl from the North Country musical that currently is touring the country.More Floodishness“You Ain't Goin' Nowhere” also is featured on The Flood's Live, In Concert album, which you can spin for free on our Radio Floodango music streaming service.Click here to check it out.More Song Stories?By the way, some readers tells us their favorite part of Flood Watch is these regular pieces on the history of the songs the band plays. If you'd like to read earlier musical backgrounders, check out the “Song Stories” archives by clicking here. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

When we go slippin' and a-slidin' into Sal's Speakeasy in Ashland tomorrow night for our latest gig, we'll bring with us one of our all-time favorite party tunes. The song that we call “You Got Me Slippin'” is loosely based on a classic Jimmy Reed piece from 65 years ago at the very dawn of rock 'n' roll. And to further Floodify the fun, we also inject a few old Bob Dylan verses right in the middle of it just for glee (a shout-out to your grandpa's sword, pictures on a board and fistfights with the milkman… you know, the usual stuff….)The Jimmy Reed OriginalInspiration for it all, as we say, is a blues that Jimmy Reed recorded in 1959. Vee-Jay Records released it as “Baby What You Want Me to Do,” but honestly, everybody we knew back then called it "You Got Me Runnin'" because of its opening lines (You've got me runnin' / You've got me hidin' / You've got me run, hide, hide, run…)It was a chart hit for Reed and, as with many of his songs, it appealed to listeners across various genres, with numerous subsequent covers by other artists. While Reed himself received the sole songwriting credit for the number, blues historian Gerard Herzhaft notes, “Like almost all of Reed's pieces and whatever the official credits are, it is an original composition by his wife, (Mary) Mama Reed."Covers and TributesThe song continues to be performed and recorded — notably by Etta James and by Elvis Presley — making it perhaps the most covered of all of Reed's tunes, spawning versions by blues, R&B and rock artists.Flood fans might remember that our own version — complete with the addition of those Bob Dylan lyrics from his 1965 “On the Road Again” — is the opening track on our 2016 Live, In Concert album.Incidentally, our Dylan insertion was a bit prescient. While Bob himself has never recorded a Reed song as far as we know, he did pay tribute to the blues great with the song “Goodbye Jimmy Reed” on the 2020 Dylan album, Rough and Rowdy Ways. (And by the way, last month we got to hear Dylan sing that one in person when he rolled into downtown Huntington to appear live at the Keith-Albee theater.)So, Do We Have a Date?Remember, this Saturday night The Flood will be bringing our take on the Reed song — and a whole lot more — to Sal's Speakeasy, 1624 Carter Avenue in beautiful downtown Ashland, Ky. We play from 6 to 9. Call ahead to save a table near the bandstand, then come on down and party with us.And speaking of dates, hope you're also making plans to join us at Huntington's Alchemy Theatre this New Year's Eve for our big “Flood at 50” birthday bash. All the details are on the new website, FloodAt50.com. And if you're on Facebook, “like” the page there at www.facebook.com/the.flood.at.fifty That'll keep you up to date on the latest details. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

In Concert! ATOS Marketplace for 2023 Highlights CDs Start Name Artist Album Year Comments 0:00 Way Down Yonder In New Orleans George Wright Live At The Rialto [Banda 109759-2] 1971 2-10 Wurlitzer, Rialto Theatre, South Pasadena 1:56 Easy To Love Ed Gress Concert: Metropolitan Theatre, Boston 1958 1958 4-26 Wurlitzer, Metropolitan Theatre, Boston, MA 4:46 The Runaway Rocking Horse Simon Gledhill ATOS 2023 Chicago 2023 4-26 Barton hybrid, Rialto Square Theatre, Joliet, IL; final convention concert 2023-07-06 9:15 Till There Was You Zach Frame ATOS 2023 Chicago 2023 3-30 Wurlitzer, Organ Piper Pizza, Milwaukee, WI; console from Seneca Theatre, Buffalo, NY; concert 2023-07-07 14:53 I Go To Extremes Brett Valliant ATOS 2023 Chicago 2023 4-21 Hybrid, St. Mary of the Lake Seminary, Mundelein, IL; Concert 2023-07-06 17:42 Moonlight in Vermont Alec Leader Concert: Plough, Great Munden 1984 1984 3-12 Compton plus Melotone, Plough Public House, Great Munden, Herts; ex-Gaumont, Finchley, London 22:37 The Glow Worm Allen Mills Concert: NY Military Academy 1991-05-04 (Saying Goodbye) 1991 4-31 Moller, New York Military Academy, Cornwall-On-Hudson, NY; Recording © 1988-2021 Skilled Shot LLC - All Rights Reserved - Recording Engineer: Marc R. Erickson AES 27:47 Me Minus You Bill Vlasak ATOS 1996 Pasadena 1996 3-23 Wurlitzer, Sexson Auditorium, City College, Pasadena, CA; July 2, 1996 30:46 Kalmar and Ruby: Who's Sorry Now?; Nevertheless; Thinking Of You; I Wanna Be Loved By You; Three Little Words Bob Ralston Concert: Keystone Oaks High School 2000-09-09 2000 3-19 Wurlitzer, Keystone Oaks High School, Dormont, PA 35:59 Unknown Don Simmons Concert: Andriesian Residence 1965 1965 4-21 Barton-Wurlitzer Hybrid, Dr. Dan Andriesian Residence, Cottage Grove, OR; April 1965 39:43 Beautiful Love Chris Elliott ATOS 1994 Fresno 1994 2-10 Wurlitzer, Fox Theatre, Hanford, CA; 1 July 1994 43:28 Cavalcade of Martial Songs Dudley Savage Concert: Dreamland Margate 1993-06-06 1993 4-19 Compton Noterman, Dreamland Cinema, Margate; (8 Compton 11 Noterman) Installed 1935 48:10 I Dreamed A Dream David Redfern Concert: Astoria Centre, Barnsley 2021-02-12 (At The Astoria 3) 2021 3-18 Compton, Astoria Centre, Barnsley, Yorks 52:55 Poet and Peasant Overture Jonas Nordwall Omnificent [Organ Grinder JN-106] 1980 4-37 Wurlitzer, Organ Grinder Restaurant, Denver, CO (1979-1988); based on 4-20 Publix 1 from Paramount, Portland.

This week is the last in our in memoriam theme and to finish off we pay tribute to the late great songwriter Burt Bacharach with his "In Concert" album originally released in Japan in 1971 and the rest of the world in 1974.

Phil Ochs, perhaps more than anybody else in the 1960s Greenwich Village folk scene, believed that he could end the Vietnam War and change the world through his music. He offered deeply critical insight both of mainstream society and of the folk scene itself, calling out hypocrisy where he saw it and asking his listeners to consider questions and issues without easy solutions. He did this through a combination of exceptional songwriting gifts and a blazing intensity, but this intensity also limited his ability to appeal to a wide audience, and he largely faded into obscurity after his untimely 1976 death. In this episode, John leads a discussion on the 1966 live(ish) album In Concert, which he has loved for nearly 20 years, and the tenor of the discussion ranges from serious to silly in a way that mirrors the album itself. Join John, Ben, Phil, and Amanda as they cover an essential album from one of the most complicated figures ever to pick up an acoustic guitar and declare his truth.Cohosts: John McFerrin, Ben Marlin, Phil Maddox, Amanda RodgersComplete show notes: https://discordpod.com/listen/117-phil-ochs-in-concert-1966Merch store: https://www.teepublic.com/user/discordpodSupport the podcast! https://www.patreon.com/discordpod

Joan Ross Sorkin (Librettist) is an opera librettist, playwright, and musical theatre bookwriter and lyricist. Operas: Strange Fruit, Premiere, Long Leaf Opera, New York City Opera's VOX, In Concert, Harlem School of the Arts in association with City Opera; White Witch, A Monodrama for Contralto and Percussion, Premiere, Symphony Space. Musicals: Monet, In The Theatre, The Real McCoy, Go Green! and Isabelle and The Pretty-Ugly Spell. Plays: (mis)Understanding Mammy: The Hattie McDaniel Story (Drama Desk nom. for Capathia Jenkins), The Survival Collection, Hamlet in Bensonhurst, The Confessional and others. Member, Dramatists Guild, BMI Musical Theatre Workshop, and ASCAP. (www.joanrosssorkin.com) A production of 'Dandelion' runs from April 29 - May 14th, 2023 at the Playhouse on Park, West Hartford, CT Ticket info: https://www.playhouseonpark.org/web2/Season14/TYA_Dandelion.html

ALVIN TAYLOR Legendary Drummer, Musical Director, Producer Alvin has been a lover of drums since the age of five, and his professional career began at the age of fourteen, when he was discovered by, and toured with Little Richard. His most amazing experience came when he was invited to London by George Harrison (of the Beatles) to both live in his castle and to record the “33 1/3” album … and that album went platinum. Further evidence of Alvin's unique talent is his on-going list of credits and tours with other legendary artists such as: Elton John, Tina Turner, Bob Dylan, Bob Welch, Stevie Wonder, Natalie Cole, Gil Scott Heron, Diana Ross, Barry White, Sly Stone, Leo Sayer, Bill Withers, Andre' Crouch, Ronnie Woods, who is the guitarist with the Rolling Stones, and so many others. While working with Little Richard, Alvin played on the hit album “King of Rock & Roll.” He was then asked to join a band called PG&E (Pacific, Gas & Electric) with lead singer Charlie Allen and guitarist Steve Beckmeier. They went on to record a hit song called “Are You Ready” and also did a remake of the hit song“Stagger-Lee.” Billy Preston, also known as, the 5th Beatle and a Beatles' favorite, was initially responsible for Alvin's introduction to studio dates. Alvin went on to tour and record with Billy Preston on many occasions. He also recorded “I'm Just a Sucker For Your Love” with Tina Marie and Rick James. Shortly after that, Alvin's demand as a studio musician by the best producers in the music industry such as Robert Margouleff, Richard Perry, George Martin, the legendary Motown producer Frank Wilson and Norman Whitfield was relentless, and his calendar was never short of dates. He was a constant guest on hit musical television shows such as the Midnight Special, In Concert, Solid Gold, Don Kirshner's Rock Concert, The Real Don Steele and Soul Train. Alvin was then asked by Jerry Goldstein to play with the famous and long- standing group War. Goldstein produced, managed, and owned the group as well as the record label Avenue Records. Alvin turned down the offer, however, he then joined the Eric Burdon band. They recorded the albums, “Sun Secrets,” “Stop,” and a double album conceived for a movie sound track titled “Mirage.” He also did a world tour with the Eric Burdon Band. While Alvin was touring with Eric Burdon, an A&R man from Capitol Records named John Carter, one of Alvin's biggest fans, signed Bob Welch, the original guitarist with Fleetwood Mac, to a long-term contract with Capitol Records. He then asked Alvin to put a band together for Welch's album project. After Alvin listened to Welch's demos, he asked Carter, “Who are the musicians playing on the demo?” – Carter's response was “That is all Bob Welch, playing the bass, the keyboards and guitars.” Alvin then informed Carter that he had found a band that could do the recording for Bob Welch's solo album called “French Kiss.” That band consisted of Alvin Taylor and Bob Welch, featuring the hit single “Ebony Eyes,” and the album went gold and then platinum. This was the first tangible proof that Alvin has incredible musical direction and production skills in addition to his dynamic drumming talent. Today, he is still an active and passionate drummer, as well as a music director and producer. He continues to do miscellaneous dates and tours with various artists. He is currently working in pre-production as a musical director for a major television show. His life has been so enriched by his musical craft and astounding career as a successful artist, that he is now in the process of writing a book about his life story. He is always seeking to create and develop new artists, and he has a never-ending artistic mind and enduring love for music. MORE KELLY EXECUTIVE PRODUCER BROOKLYN CARDENAS

The winter solstice is the longest night of the year. And that's what makes it the perfect time to slow down, move inwards, and reflect. CBC Music's In Concert host, Paolo Pietropaolo joins Nahlah Ayed to showcase music he feels captures the spirit of the winter solstice.

The planet lost one of it's finest artistic reflections on Tuesday, September 27th with the death of Carey Wilson. It was always a joy spending time with my friend Carey Wilson. With his gentle smile and carefree laugh, augmenting well crafted words. Remembering Carey Wilson features the music, poetry and spoken word of a man who will always be my favorite Chico Culture Vulture. With the musical and witty genius of Jeffy Bee as he recalls some of his favorite memories with Carey when he was the drummer in Jeffy's band Biggs Roller. Jeffy also performs Tractor, an original song inspired by Carey's love of tractors. Listeners are also treated to two Biggs Roller songs featuring Carey Wilson on drums. With Guillermo Mash reading a dozen of the Facebook posts loving on Carey since his death on Tuesday, September 27th. The show concludes with a phone conversation with Carey, Guillermo Mash, Rob Davidson, Carey's Creative Writing professor when he was in the graduate program at Chico State. It's a real treat to hear Carey read a dozen of his poems at the beginning of the ending segment. The bulk of the Remembering Carey Wilson episode was culled from two Imagining Community shows Carey contributed to -- In Concert with Water from September, 2021 and the Carey Wilson Appreciation Show from June of 2022. --- Send in a voice message: https://anchor.fm/imagining-community/message

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 April Wine es una banda de rock canadiense formada en 1969 y con sede en Halifax , Nueva Escocia . Dirigida por el cantante, guitarrista y compositor Myles Goodwin desde sus inicios, el primer éxito de April Wine llegó con su segundo álbum, On Record (1972), que alcanzó el top 40 en Canadá y produjo dos sencillos exitosos: " Bad Side of the Moon ", un éxito entre los 20 primeros en Canadá; y " Podrías haber sido una dama ", canción número 2 en Canadá. La banda continuaría disfrutando del éxito internacional durante el resto de la década de 1970 y principios de la de 1980, lanzando más de 20 álbumes.Aunque April Wine comenzó oficialmente a fines de 1969 en Waverley , Nueva Escocia , sus raíces se remontan a St. John's, Terranova y Labrador, en 1967/68, donde los hermanos David y Ritchie Henman crecieron tocando juntos antes de mudarse a Nueva Escocia.Tres de los miembros fundadores, David Henman (guitarra), Ritchie Henman (batería) y su primo Jim Henman (bajo), estaban originalmente en una banda llamada Prism (no la famosa). Después de un breve descanso para asistir a la universidad, el trío se reformó con Myles Goodwyn en la voz principal y la guitarra. Goodwyn había tocado previamente con Jim Henman en un grupo llamado Termites. David Henman bautizó al nuevo grupo como "April Wine". Se dieron cuenta de que Halifax no brindaba oportunidades para tocar y grabar, por lo que enviaron una cinta de demostración a Aquarius Records en Montreal. Los gerentes de Aquarius, Terry Flood y Donald K. Tarlton , devolvieron una carta de rechazo, pero la banda la confundió con una invitación. El 1 de abril de 1970, April Wine fue a Montreal, trayendo consigo sus instrumentos y $100 en efectivo; Flood y Tarlton fueron persuadidos de firmar un contrato con la banda.Fueron instalados en un chalet y reservados en un club de comedia local, Café Andre. Pasaron los siguientes cinco meses recorriendo el este de Canadá con Mashmakhan .La banda grabó y lanzó su álbum debut homónimo April Wine en septiembre de 1971.El álbum incluía un sencillo, " Fast Train ", que fue un éxito entre los 40 primeros en Canadá y alcanzó el puesto 38 en RPM . Tabla de solteros ,Estableció a Miles Goodwyn como el principal compositor de April Wine. El álbum no se vendió bien, pero el éxito del sencillo llevó al sello de la banda a pedir un segundo álbum. Jim Henman dejó la banda en el otoño de 1971 y fue reemplazado por Jim Clench .Mientras tanto, la banda pasó 1971 de gira por el circuito universitario, con la excepción del 30 de julio, cuando abrieron en la Place Des Nations de Montreal para The Guess Who .. 1972 fue muy similar, aunque comenzaron a tocar en lugares más grandes y abrieron para algunos actos más grandes, como Ike & Tina Turner , Jethro Tull , Badfinger y Stevie Wonder .Bajo la dirección del productor Ralph Murphy ,April Wine grabó su segundo álbum, On Record en 1972. El primer sencillo fue una versión de la canción de Hot Chocolate "You Could Have Been a Lady". El disco fue un éxito comercial, alcanzando el número dos durante una sola semana en las listas canadienses de RPM, además de romper la lista Billboard Hot 100 en los Estados Unidos , donde permaneció durante 11 semanas, alcanzando el puesto 32. A segundo sencillo, una versión de "Bad Side of the Moon" de Elton John y Bernie Taupin, también tuvo mucha difusión en la radio canadiense y fue un éxito menor en los EE. UU. Ambos temas siguen siendo básicos en las estaciones de radio de rock clásico en Canadá. On Record obtuvo la certificación Gold en Canadá y la banda, junto con Murphy, regresaron al estudio. Mientras la banda grababa su tercer álbum, David y Ritchie Henman se marcharon. Goodwyn y Clench realizaron una audición y los reemplazos fueron el baterista Jerry Mercer (anteriormente de Mashmakhan ) y el guitarrista Gary Moffet. Terminaron el álbum, Electric Jewels , que contenía las canciones "Weeping Widow", "Just Like That" y "Lady Run, Lady Hide", que permanecerían en las listas de canciones de April Wine durante muchos años. En apoyo de este álbum, la banda se embarcó en el Electric Adventure Tour donde casi todos los estadios canadienses o salas de conciertos con capacidad para más de 2500 personas vieron tocar a la banda.La gira también contó con un gran espectáculo de luces y pirotecnia.Las giras resultaron exitosas;y Dino Danelli de The Rascals asistieron a un concierto de 1974 en Massey Hall y quedaron tan impresionados que se ofrecieron a grabar y producir un álbum en vivo de la banda. La sesión de grabación de una noche fue algo así como una empresa apresurada; querían que el álbum se lanzara al final de la gira. Goodwyn no estaba contento con el sonido, pero April Wine Live se convirtió en oro .El quinto lanzamiento de la banda, Stand Back de 1975 , fue doble platino en Canadá, gracias al éxito de los sencillos "Tonight Is A Wonderful Time To Fall In Love" y "I Wouldn't Want To Lose Your Love".April Wine se fue de gira con Heart , luego Thundermug .Después de la gira, Jim Clench se fue para unirse a Bachman-Turner Overdrive ;fue reemplazado por Steve Lang . El siguiente lanzamiento de la banda, en 1976, fue The Whole World's Goin' Crazy . Fue el primer lanzamiento de April Wine en alcanzar el estado de platino basado solo en pedidos de ventas avanzados.El álbum contenía la popular canción principal, así como un sencillo de éxito, la balada "Like A Lover, Like A Song". Su sexto álbum, Forever for Now , fue otro vendedor de platino y contenía el sencillo más grande de la banda hasta la fecha, "You Won't Dance With Me".El 4 y 5 de marzo de 1977, April Wine fue contratada para tocar en un concierto benéfico en el famoso El Mocambo Club de Toronto. El co-cabeza de cartel en el cartel era una banda llamada "The Cockroaches", que resultó ser The Rolling Stones . El seudónimo era un secreto mal guardado y grandes multitudes asistieron al evento. La actuación de April Wine fue capturada y lanzada como el álbum Live at the El Mocambo . Luego, la banda tuvo su primera oportunidad de hacer una gira por los Estados Unidos, abriendo para The Rolling Stones, Styx y Rush . También en 1977, Brian Greenway , último miembro de The Dudes (la nueva banda de Henmans) fue contratado como tercer guitarrista y co-vocalista. Su incorporación le dio a April Wine un poderoso ataque de tres guitarras que haría que su sonido de rock duro. Esto también permitió a Goodwyn cambiar a teclados para baladas. También firmaron con Capitol Records (además de Aquarius).1978 vio un éxito canadiense continuo y el comienzo del éxito internacional. El séptimo álbum de la banda, y el primero con Capitol, fue First Glance , que tuvo un impacto inmediato y los sencillos "Let Yourself Go" y "Get Ready For Love" triunfaron en la radio canadiense.Fue el tercer sencillo, el estridente "Roller", lo que atrajo a la banda a un gran atractivo en toda América del Norte; permaneció en el Billboard Hot 100 durante once semanas. First Glance permaneció en la lista de álbumes de Billboard durante muchas semanas, lo que lo convirtió en el primer disco de oro de April Wine fuera de Canadá. Las giras constantes ayudaron a impulsar a la banda a un mayor éxito, ya que los estadounidenses adoptaron el rock duro de esta "nueva" banda de Canadá, en 1978,, Starcastle y Teaze y, en julio, tocó en un concierto con los Rolling Stones, Journey y Atlanta Rhythm Section .Tras la popularidad de First Glance , April Wine lanzó Harder... Faster en 1979. "Say Hello" y "I Like to Rock" fueron éxitos populares en ambos lados de la frontera y Harder... Faster resultó ser otro más . lanzamiento multi-platino para la banda. Permanecería en la lista de álbumes principales de Billboard durante 40 semanas. 1979 lo pasó de gira con Styx , Rush , Toto , Boston , Squeeze y Blue Öyster Cult .Por ahora, la banda había acumulado suficientes éxitos que Aquarius pudo lanzar el álbum Greatest Hits . En 1979, elBBC lanzó In Concert para distribución internacional; En 1981, Aquarius lanzó otro álbum recopilatorio, The Best of April Wine Rock Ballads . The Nature of the Beast ,fue lanzado en enero de 1981, y gracias a la popularidad de los exitosos sencillos " Just Between You and Me " y la versión de la banda de la canción de Lorence Hud "Sign of the Gypsy Queen", el éxito del álbum éxito multiplatino en Canadá, y fue el primer álbum de April Wine en alcanzar el estatus de platino a nivel internacional. April Wine se embarcó en una extensa gira de apoyo, actuando ante las multitudes más grandes de su historia. Además de una agenda repleta de conciertos en solitario, realizaron una gira con Diamond Head , Harlequin , Krokus y Franke and the Knockouts , tocaron cinco conciertos con Loverboy y viajaron a Alemania para tocar en un concierto con Neil Young ., Jethro Tull, Michael Schenker Group (MSG) y King Crimson . La banda luego hizo una pausa de dieciocho meses. En julio de 1982, April Wine lanzó su décimo álbum de estudio, Power Play . El álbum incluía los sencillos "Enough is Enough", "If You See Kay" y "Anything You Want, You Got It". Este último se convertiría en el número de apertura de la banda en la gira de apoyo, mientras que el video "Enough is Enough"comenzó a recibir rotación frecuente en MTV . A pesar de las ventas decentes, Power Play no recibió la misma aclamación de la crítica que habían recibido los dos álbumes anteriores; tanto el álbum como sus sencillos se ubicaron bien en las listas de Billboard, pero por períodos de tiempo más cortos que los álbumes y sencillos anteriores. Aún así, fue certificado oro, y luego platino, en octubre. El juego de poderLa gira de 1982 fue la más extensa de la banda: tres meses, con Saga , Eddie Money y Uriah Heep .El juego de poderLa gira de 1982 fue la más extensa de la banda: tres meses, con Saga , Eddie Money y Uriah Heep . [6] Los conciertos de Nueva York con Saga y Money resultaron en álbumes separados de Live From Central Park . La banda comenzó a escribir y grabar su próximo álbum, Animal Grace , pero los miembros no se llevaban bien y Myles Goodwyn se mudó de Canadá a las Bahamas . Tanto Animal Grace como su sencillo "This Could be the Right One" subieron rápidamente en las listas, pero se quedaron solo por un corto tiempo. En 1984, la banda se reunió para su "Farewell Tour" anunciado, que fue una gira de un mes por Canadá.La gira fue lo suficientemente exitosa como para generar otro álbum en vivo, One for the Road . April Wine todavía le debía a Capitol Records un álbum más. Greenway se unió a Goodwyn en Nassau , junto con los músicos de sesión de Montreal Daniel Barbe (teclados), Jean Pellerin (bajo) y el baterista Marty Simon, para grabar lo que se suponía sería el último álbum de la banda, Walking Through Fire . Fue lanzado en septiembre de 1985 bajo el nombre de April Wine.En 1988, Goodwyn regresó a Canadá. Aunque había interés en una reunión de April Wine, y el tema fue discutido entre los ex integrantes, otros compromisos impidieron que se reunieran hasta 1992. April Wine volvió a los escenarios ese año, comenzando con un concierto gratuito en Portage la Prairie, Manitoba. . La banda reunida estaba formada por Goodwyn, Greenway, el baterista Jerry Mercer y el bajista Jim Clench, que no había tocado con la banda desde 1975. Completando el acto estaba el tercer guitarrista Steve Segal. La banda realizó una gira por Canadá y Estados Unidos. En 1993, ahora con Flood Ross Entertainment, lanzaron el primer álbum "verdadero" de April Wine en una década, Attitude .Fue certificado oro en Canadá poco después de su lanzamiento. Segal permaneció con la banda a través de un lanzamiento de estudio más, Frigate de 1994 . Cada año, durante los siguientes cinco años, salieron de gira, tocando con, entre otros, Def Leppard , Foreigner , Meat Loaf , Lover Boy, Peter Frampton , Blue Öyster Cult y Nazareth .La banda lanzó otro álbum en 2001, titulado Back to the Mansion .También en 2001, la canción de la banda "Roller" apareció en la película Joe Dirt . Luego, en 2003, lanzaron el álbum en vivo llamado Greatest Hits Live 2003 . Mientras tanto, varios sellos lanzaron varios álbumes recopilatorios. En 2004, Silverline lanzó el primer DVD-A de April Wine llamado From the Front Row ... Live! . De 2001 a 2004, sus shows en vivo incluyeron a Carl Dixon (antes de las bandas Coney Hatch y The Guess Who ).en guitarras, teclados y coros. April Wine entró en su 37º año como banda en 2006. El 31 de octubre de ese año, Aquarius Records lanzó April Wine Rocks! , el 28 de noviembre de 2006 se lanzó una nueva compilación de los favoritos de April Wine, que incluye una melodía adicional en vivo y un nuevo álbum, titulado Roughly Speaking . A fines de ese año, Clench dejó la banda por segunda vez y fue reemplazado por el bajista Breen LeBoeuf.Un año después, Mercer anunció su retiro; su espectáculo final programado en Calgary , Alberta , para recibir el año nuevo 2009, fue cancelado debido al mal tiempo. Mercer fue reemplazado por el baterista Blair Mackay. April Wine fue incluido en el Salón de la Fama de la Música Canadiense en los Premios Juno de 2010 en St. John's , Terranova y Labrador .Goodwyn y Greenway aceptaron el honor. El 3 de noviembre de 2010, Jim Clench murió en Montreal, de cáncer de pulmón, a los 61 años. LeBoeuf dejó April Wine en julio siguiente y fue reemplazado por Richard Lanthier de la banda tributo Yes Close hasta el borde. Mackay se fue en marzo de 2012 y fue sucedido por Roy "Nip" Nichol, difunto de la banda SamHill. Steve Lang murió el 4 de febrero de 2017, a los 67 años, de la enfermedad de Parkinson . Los sellos continúan lanzando su música; BGO Records lanzó The Nature Of The Beast / Power Play remasterizado en 2020.April Wine continúa de gira por Canadá anualmente y también toca festivales en Europa y Estados Unidos, y el grupo ahora está formado por Goodwyn, Greenway. , Lanthier y el baterista Roy "Nip" Nichol.Tocaron su concierto más reciente, en Ottawa, en septiembre de 2021.

En este episodio, disfrutaremos de: OZZY OSBOURNE - TRIBUTE ‘I Don’t Know’ ‘Flying High Again’ ‘Children of the Grave’ ‘Paranoid’ VAN HALEN – LIVE: RIGHT HERE RIGHT NOW ‘Poundcake’ ‘Right Now’ ‘Ain’t Talking bout love’ ‘Jump’ DEEP PURPLE – IN CONCERT ‘Speed King’ ‘Child In Time’ ‘Highway Star’ ‘Smoke On The Water’ LED ZEPPELIN – HOW THE WEST WAS WON ‘Immigrant Song’ ‘Over The Hills and Far Away’ ‘Black Dog’ ‘Stairway To Heaven’

High energy blues number - check. Harsh beat-boxing rhythmic tone - check. Mumbled lyrics and anti-poetic phrasing - check. David, Sam and Martin find all the required elements, but discuss whether it all comes together in this week's song. Note: we mention Mark Rylance this episode; between recording and release, his brother Jonathan was killed - sympathies from all of us for this loss. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Baby Gonna Leave Me, Real Gone (remastered), Tom Waits (2004/2017) Babe I'm Gonna Leave You, In Concert, Joan Baez (1962) Baby Gonna Leave Me, Real Gone (original), Tom Waits (2004) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Swedish singer-songwriter, producer and filmmaker Jonna Lee started her music career as a fairly unassuming folk musician. Her big international breakthrough came when, in 2009, a series of mysterious videos started appearing on YouTube - and quickly went viral. Speculation as to their creator was rife - was it Christina Aguilera? Could it be Goldfrapp? - but it eventually turned out to be iamamiwhoami, Jonna's electronic music and audiovisual project in collaboration with Claes Björklund. Jonna founded her own record label, to whom it may concern, and three beautiful electronic albums followed, with iamamiwhoami's music ranging from glacial soundscapes to pounding electronic beats and pop behemoths, all accompanied by spectacular visual counterparts. Long before anyone had heard of covid-19 and lockdowns, iamamiwhoami were at the cutting edge of online concerts, creating immersive experiences which fans all over the world could enjoy. 2010's In Concert, the first iteration of their live shows, was not only a musical art installation but also an effective way for a new act to perform to fans internationally, through an online shared experience. In 2017, Jonna embarked on a solo project under the moniker ionnalee, although she maintained the same ethos, releasing a visual film alongside the album Everyone Afraid to be Forgotten. The follow-up, Remember the Future, featured collaborations from Röyksopp, Zola Jesus and fellow Swede Jennie Abrahamson. And now, in 2022, Jonna is back with Claes as the pair release their latest iamamiwhoami album, Be Here Soon. We caught up with Jonna just a couple of weeks before its release - due on the same day as the birth of her first child - to discuss this latest project. Check out our artist playlist with a selection of (a modest) twenty of our favourite iamamiwhoami and ionnalee tracks at www.melodyam.com/iam

Stranger Things! In Concert!

Celebrated photographer Elliott Landy presents an intimate look at the legendary female singer-songwriter, Janis Joplin.Landy's iconic images of Janis, both on the road and in concert, capture and preserve her pure essence as well as her onstage magnificence. “Photographs of Janis Joplin: On the Road & On Stage” features beautifully reproduced large format images, many never before published.Janis's own words, taken from recorded interviews by David Dalton, are used as extended captions and paired with photographs to provide insight into the woman behind the legend.Best known for his classic rock photographs, Elliott Landy was one of the first music photographers to be recognized as an artist. He was an official photographer of the 1969 Woodstock Festival. His photographic works include famous portraits of Dylan, the Band, Janis Joplin, Van Morrison, and Jimi Hendrix.Published worldwide in books and magazines for fifty years, he's exhibited in many museums and art institutions and published ten books of his photographs.Currently he's working on his interactive music video app, other genres of photography books, and guiding Zoom sessions of Sharing Stillness, a pragmatic and simple way of spirituality he has found.Purchase a copy of “Photographs of Janis Joplin: On the Road & On Stage” through Backbeat Books: http://backbeatbooks.com/books/9781493061273Listen to Janis Joplin's 1972 live album ‘In Concert': https://open.spotify.com/playlist/3JGwy3vrjyg8RM58cfVtN9?si=634bf0fcdb1d4c2eVisit Elliott Landy's website: https://www.elliottlandy.comAlso visit Elliot's spirituality website: https://sharingstillness.comThe Booked On Rock Website: https://www.bookedonrock.comFollow The Booked On Rock with Eric Senich:FACEBOOK: https://www.facebook.com/bookedonrockpodcastTWITTER: https://twitter.com/bookedonrockSupport Your Local Bookstore! Find your nearest independent bookstore here: https://www.indiebound.org/indie-store-finderContact The Booked On Rock Podcast:thebookedonrockpodcast@gmail.comThe Booked On Rock Music by Crowander: “Whoosh” & “Nasty”[ https://freemusicarchive.org/music/crowander]

In this episode, Matthew explains the history of the Beach Boys in 1973. Adam and Matthew break down Holland and the In Concert album. www.matthewhartzmusic.com

In this episode, Skye and Anthony discuss the first man to serve time in the Territorial Prison from Nez Perce County - William Scott(Grand Larceny), and dig into the county's rich mining and union history. Clips: Senator Robert Wagner speech on the National Labor Relations Act (1935) Frank "Andy" Starr - "Tragedy in the Sunshine Mine" - In Concert at the Idaho State Penitentiary (1973)

On this episode of THE CLASSIC METAL SHOW, Neeley and Chris talk about the new singer of Skid Row, vocalist Erik Gronwall (ex-H.E.A.T.). They review the new song, compare it to Sebastian Bach's work, and listen to other samples of his voice. They also talk about the timeline for Skid Row, and why they weren't a huge band back in the day.Get all our episodes at www.theclassicmetalshow.com.Interact with The Classic Metal Show at https://classicmetalshow.locals.com.**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!!WEBSITE: http://www.thecmsnetwork.comTHE CMS PODCAST NETWORK: https://www.cmspn.comHEAVY METAL TELEVISION: https://www.heavymetaltelevision.netCMStv: https://www.cmstv.netCMSRadio: https://www.cmsradio.netCMSPN App: Search "The CMS Network" In Your iOS or Android App Store!Become A VIP On Locals: https://classicmetalshow.locals.comRUMBLE: https://rumble.com/c/cmsBITCHUTE: https://www.bitchute.com/channel/cms/ODYSEE: https://odysee.com/@ClassicMetalShow:aROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our ChannelSOCIALSMinds: https://www.minds.com/ClassicMetalShow/Parler: https://parler.com/cmspnGab: https://gab.com/theclassicmetalshowLocals: https://classicmetalshow.locals.comGettr: https://gettr.com/user/chrisakinCENSORED BIG TECH:Facebook: https://www.facebook.com/cmspnTwitter: https://twitter.com/cmsrocksInstagram: https://www.instagram.com/cmspn1/YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**#theclassicmetalshow #comedy #parody #neeley #chrisakin #shockjocks #popculture #sex #hardrock #heavymetal #celebrities #socialjustice #socialmedia #woke #politics #humor #dating #relationships

Nesta semana, o podcast Câmera Record não será veículado por um motivo especial. No domingo (2), a Record TV vai reexibir o especial Gênesis In Concert no horário habitual do Câmera Record. O podcast volta na semana que vem com uma revisita dos casos que foram destaque no programa em 2021.

Did Harry REALLY admit IN CONCERT what 'Watermelon Sugar' really means? See omnystudio.com/listener for privacy information.

A listener calls the show to try and stump BC with some music trivia!, BC is getting excited for Rocklin Brewfest which is coming up on October 2nd, Jon from Somerset chats with BC about their old hockey days, Backstage with Bruce: BC shares a story about the Foofighter's drummer Taylor Hawkins, Happy Birthday to Nick Cave, In Concert with Producer Kendall: Riotfest re-cap, Mike Patton inspired a mental health podcast series and Aftershock is almost here!

Acompanhe as principais informações, destaques, novidades e dicas culturais da semana. “A Tensão”: Considerado um dos nomes mais provocativos e populares da arte contemporânea, o artista chega à capital mineira com 20 obras de grandes proporções. A visitação é gratuita e pode ser feita entre quarta e segunda-feira, das 10 da manhã às 10 da noite, mediante agendamento pela internet. "Parabéns Senhor Presidente, In Concert":  A montagem, estrelada por Claudia Ohana e Juliana Knust, transporta a plateia para o ano de 1962 ao narrar o encontro de Maria Callas e Marilyn Monroe. A apresentação é no próximo dia 23, às 8 e meia da noite, por meio dos links disponíveis em nosso site . See omnystudio.com/listener for privacy information.

In Washington, DC, the evening of September 10 promises to be momentous: at 6 pm ET, Ford's Theatre is presenting Come From Away: In Concert at the Lincoln Memorial. It's hard to think of a more appropriate play than Come From Away to mark this occasion. The Tony and Olivier Award-winning musical was inspired by the aftermath of 9/11, when a small town in Canada welcomed some 7,000 people whose flights had been diverted when the U.S. airspace was closed.  Supported in part by the National Endowment for the Arts, the free non-ticketed concert is the brainchild of Sue Frost of Junkyard Dog Productions, the lead producers of Come From Away, and Paul Tetreault, director of Ford's Theatre. In this music-filled podcast, Frost and Tetreault talk about the origins of the play Come From Away, its inspiring story and glorious music, their hopes for the concert, and the power of art to give voice to tragedy and to shine light on possibility. We also discuss the significance of the return of live performance for Ford's Theatre, for Come From Away, and for theaters across the country.  

Você sabe o que é cosplay? Sabe o que essas pessoas fazem? Pois venha comigo, Adrielli Raquel, em mais um Minicast de Martes! Dessa vez, resenhando o penúltimo conto da coletânea Fantásticas e falando um pouquinho sobre alguns cosplayers. "Retrato de Cosplay" conta a história de Luana, uma estudante de Design que adora passear pelo Parque da Água Branca, um parque famoso aqui em São Paulo. Em um de seus passeios, ela faz amizade com Natália, uma moça que parece ter saído de outra época. #SOBRE OS COSPLAYERS QUE EU MENCIONO# @paul_heenry @patti.maionese @debiclhilano *TRILHA SONORA* Os Cavaleiros do Zodíaco - In Concert: https://www.youtube.com/watch?v=C1vxml3gOd0&t=206s Flow - Anime Fantasy, eu falei errado! Espero que me perdoem vendo o link abaixo: https://www.youtube.com/watch?v=Q80i1NmMAVQ

“IN CONCERT” is a 3 screen experimental film about the human species ongoing troubled relationship with nature. Playing at the ENVIRONMENTAL Festival this upcoming Friday. SIGN UP and get your FREE ticket to watch the festival virtually at home. Conversation with artist Linda Girvin, who put the film together & her collaboration with sound artist Billy White. From the initial idea, to filming the visuals together, to piecing together the overall sound design. A perfectly executed experimental short.Follow WILDsound Podcasts on all social media channels: @wildsoundpodSubmit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestivalSubscribe via Twitter: https://twitter.com/wildsoundfest

 In our world, songs — or at least, their musical arrangements  — evolve. A case in point is the wonderful old 19th century gospel song called “Wayfaring Stranger.” Now, back in the 1970s, Roger Samples and Charlie Bowen used to do this one as a duet, with the simple, folksy chords and harmonies that we did back then. Over time, we moved on to other tunes, and this one got put on the shelf for, well, a couple of decades. Then about 10 years ago, “Wayfaring Stranger” came back into The Flood world when Randy Hamilton joined the band. We whipped up a new arrangement with more interesting chords, and the song became a show piece for his beautiful tenor voice. In fact, Randy’s stellar performance of “Wayfaring Stranger” claimed its rightful place on our “Live, In Concert” album, which we brought in 2016. Well, when Randy left the band about a year and a half ago, we kind of thought maybe the song went with him. But lo and behold, it’s back. And this time it’s evolved into an instrumental. Listen to this moment from a recent rehearsal and the moody, lovely improvisational meditations by Doug Chaffin, Vanessa Coffman and Paul Martin.

Our 373rd episode, which aired on December 6, 2020. Alan Reid & Rachel Conlan – The Craoibhin's Salute/The '98, A Quare Yield Matthew Byrne – The Banks of Newfoundland, In Concert with the Lady Cove Women’s Choir The Dardanelles – Kelly Russell’s/The Crosses Of Annagh/The Girl From Pennsylvania, In the Spring That’s the Time The Dardanelles – The Badger Drive, In the Spring That’s the Time Interview with Matthew Byrne of the Dardanelles The Dardanelles – Father’s Jig/Who Stole The Miners Hat/Banker Tune No. 2, In the Spring That’s the Time The Dardanelles – Warlike Lads of Russia, In the Spring That’s the Time Aoibheann & Pamela Queally – Master Crowley's/Sweeney's Buttermilk/Maghera Mountain, Beyond the Bellows & The Bow Cara Dillon – Blue Mountain River, Cara Dillon CLOSET CLASSIC: Tara – Two Slides, Sammy’s Bar The Dardanelles – Piccadilly Sand Farewell, In the Spring That’s the Time

King King -Never give in - Maverick (Deluxe) - 2020 Eddie Kold Band – Suicidal Blues - Chicago Alley Blues – 2020 Johnny Mastro - Elmore James For President - 2020 Sean Chambers – Trouble and Whiskey Lonnie Brooks – Wife for Tonight Chris Rea - The Soul Of My Father's Shadow Robin Trower - Returned In Kind Meena Cryle & The Chris Fillmore Band -It makes me scream - In Concert – 2017 Dynamite Blues band – Double barrel shotgun - Medicine – 2019 Sherman Robertson – Make it Rain Toronzo Cannon -She loved me again - The Preacher The Politician Or the Pimp - 2019

December 28, 1996 - January 3, 1997 This week Ken welcomes NPR TV critic, musician and author of the great book Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, Eric Deggans to the show. Ken and Eric discuss Eric's smooth radio voice, growing up in Gary Indiana, being a touring musician, becoming a TV critic in 1996 in Florida, getting sick of pop music, how hard jobs were to get as a teenager, Letterman, watching TV late night, being a fan of weirdo comedy, SCTV, Ernie Kovacs, being signed to Motown, making sure you always have an HBO Subscription, touring Japan, getting a VCR, the importance of phone trees when black people would be on TV, the paranoia of Dark Skies, the importance of criticism, Siskel and Ebert, Cybill, committing mail fraud with Columbia House to exponentially increase you record collection, experiencing White Rock Music, Quincy Jones, The original Bill Cosby Show, Saturday Morning Cartoons, Saturday Night Live, Eddie Murphy, jamming, In Concert, The Midnight Special, Meet The Press, all the people we've lost, Tim Russert, Regis, Steve Harvey, stand up sitcoms, Robert Townsend, how wrong The Secret Diary of Desmond Pfeiffer was, Larry Wilmore, difficult stars, Bernie Mac, NYPD Blue, anti-heroes, re-examining shows you liked, Ellen, good and bad network notes, lack of diverse casts, suspension of disbelief, and the absolute greatness of Homicide Life on the Street.

HMOTD is now in reruns! In this episode, released February 17, 2016, Rob, Mike, & special guest Terry Maguire look at one of the most serious WKRP episodes, "In Concert," and also get to know "The Doctor's Daughter." Show Notes: https://www.holdmyorderterribledresser.com/2016/02/show-notes-for-hmotd-023-riverfront.html All audio clips are the property of their owners/creators and appear in this work of comment and critique under fair use provisions of copyright law.

Ric Speaks with Two of the Stars of ABC's Hit New Show THE ROOKIE –Afton Williamson and Titus Makin The Popular Drama Series Starring Nathan Fillion Returns on January 15 Inspired by a true story, ABC's hit primetime series The Rookie stars Nathan Fillion as John Nolan, the oldest rookie in the LAPD. At an age where most people are at the peak of their career, Nolan casts aside his comfortable, small town life and moves to L.A. to pursue his dream of being a cop. Nolan, surrounded by rookies twenty years his junior, must navigate the dangerous, humorous, and unpredictable world of the streets of L.A. as he makes his second shot at life count.Starring alongside Nathan Fillion are Afton Williamson and Titus Makin. Afton Williamson co-stars as Talia Bishop, a newly promoted training officer whose first assignment is Fillion's 40-year-old rookie. TV viewers will recognize Afton for her roles in VH1's The Breaks, HBO's The Night Of, NBC's Shades of Blue, Showtime's Homeland, and Cinemax's Banshee. She also appears in the upcoming film Otherhood with Angela Bassett and Patricia Arquette.Titus Makin plays Jackson West, the precinct's youngest recruit who's struggling to prove himself to his training officer. Titus memorably played David in the hit series Glee for several seasons and toured the world with the “Glee Live! In Concert” tour. He also starred in the CW series Star-Crossed and was a regular on Hulu's The Path and Freeform's Pretty Little Liars. For more info, visit: https://abc.go.com/shows/the-rookiehttp://www.bluefunkbroadcasting.com/root/twia/therookie.mp3

Zine author, music nerd and friend Thee Corey joins us for a very special episode of The Blasto Podcast where we have an in depth discussion of: Kid Rock. In Concert. DO YOU NEED TO KNOW ANYTHING ELSE? You do? Okay, also Uncle Kracker, Dat Phan, Chill Bros vs Drunk Bros, and Pregaming with Mall Madness.  Music from this episode: Blasto Podcast Theme: “Blast Off” by the Monks —- Follow us on Facebook! Check out David's ePamphlet A List of Animals I Believe I Could Defeat in Single Combat, Organized by Phylum! Check out Corey's Zine What Goes On Follow David on twitter @DavidBlasto Follow Liisa on twitter @LiisaBlasto