Podcasts about Masquerade

Texas power metal veterans Helstar return with their first album in eight years — The Devil's Masquerade (Massacre Records). Frontman James Rivera joins Metal Mayhem ROC to share the creative spark with guitarist Larry Barragan, the horror-inspired songwriting behind the record, and what fans can expect from upcoming tours in Europe and the U.S. Rivera also reflects on Helstar's legacy, lineup changes, side projects, and the future of physical formats like vinyl, digipacks, and media books. Episode Chapters (Preview) 00:00 — **Introduction and Show Opening** 03:25 — **Success of *Clad In Black*** 07:10 — **Why the 8-Year Wait for *The Devil's Masquerade*** 12:36 — **Inspiration Behind the Title Track** 15:45 — **Collaborations with Texas Metal Icons** …plus more chapters on lineup changes, touring plans, side projects, industry politics, and Helstar's future.

Please put your hands together and give a warm welcome to the Badass Records Podcast stage...Andrew Dodderidge, ladies and gentlemen!Andrew is a son, a sibling, and a lover of both music and movies. He's a guy that dabbles in photography, but really gets the creative grease hot when it comes to putting words in print. In fact, he does that very thing for Kansas City's very own, The Pitch.My guest for Episode No. 184 was kind enough to share a little bit of time with me a few Saturdays ago, and we chatted family, growing up, a Kansas state-college house divided like no other, writing and editing, loss and longing.We also managed to chat a little bit about a few of Andrew's favorite albums, which were these:Big Star's #1 Record (1972)Alligator (2005), The NationalThousand Foot Krutch's Welcome to the Masquerade (2009)Home, Like NoPlace Is There (2014), The HotelierCharli XCX's How I'm Feeling Now (2020)Follow Andrew on Instagram at @andrewdodderidge, but also -- he's more active on Twitter. And please be sure to check out Andrew's writing for The Pitch at thepitchkc.com/author/andrew-dodderidge. Many thanks to not only Andrew, but to all of the fine, fine folks at The Pitch that continue to do the heavy lifting to keep that publication alive. Our city is greater for both your efforts and your results.And thanks to those of you that continue to support the progrum.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. Or any episode, really. In this particular case, I have lifted said snippets from a tune called, "Sugar Craft." It's a track by Medeski, Martin & Wood, and it comes from their 1998 release, Combustication, which is just an absolute treat of a record created by one of the finest trios to ever grace American-rock stages. And we have access to said album c/o Blue Note Records.

Texas power metal veterans Helstar return with their first album in eight years — The Devil's Masquerade (Massacre Records). Frontman James Rivera joins Metal Mayhem ROC to share the creative spark with guitarist Larry Barragan, the horror-inspired songwriting behind the record, and what fans can expect from upcoming tours in Europe and the U.S. Rivera also reflects on Helstar's legacy, lineup changes, side projects, and the future of physical formats like vinyl, digipacks, and media books.

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Fluent Fiction - Italian: Midnight Masquerade Heist: A Venetian Tale of Intrigue Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-17-22-34-02-it Story Transcript:It: Le luci del grandioso palazzo veneziano brillavano attraverso le finestre, riflettendosi dolcemente sui canali.En: The lights of the grand palazzo in Venezia shone through the windows, gently reflecting on the canals.It: Gli ospiti, mascherati e vestiti con abiti eleganti, si muovevano tra le stanze, il cui lusso lasciava senza fiato.En: The guests, masked and dressed in elegant attire, moved between the rooms, whose luxury left one breathless.It: Era autunno, e l'aria portava con sé un fresco sentore di cambiamento.En: It was autumn, and the air carried with it a fresh hint of change.It: Matteo si muoveva tra di loro, il suo costume perfettamente anonimo.En: Matteo moved among them, his costume perfectly anonymous.It: Gli occhi erano sempre in movimento, alla ricerca del quadro prezioso che sapeva era nascosto da qualche parte dietro una delle porte decorate.En: His eyes were always in motion, searching for the precious painting that he knew was hidden somewhere behind one of the decorated doors.It: Giulia, al suo fianco, sorrideva con grazia agli invitati.En: Giulia, by his side, smiled gracefully at the guests.It: Ma sotto la maschera, studiava il piano del palazzo, calcolando ogni mossa.En: But under the mask, she studied the palace plan, calculating every move.It: "Dobbiamo essere rapidi," sussurrò Giulia a Matteo.En: "We must be quick," Giulia whispered to Matteo.It: "Ha detto che la sicurezza è aumentata."En: "They said security has increased."It: Matteo annuì.En: Matteo nodded.It: "Siamo pronti," rispose, cercando di placare il battito accelerato del suo cuore.En: "We are ready," he replied, trying to calm his racing heart.It: Ma nel cuore della festa, Lorenzo, un giovane poliziotto sotto copertura, stava osservando.En: But in the heart of the party, Lorenzo, a young undercover policeman, was watching.It: Aveva seguito Matteo e Giulia fin dall'inizio della serata, sospettando che dietro le loro maschere ci fossero gli artefici dei recenti furti d'arte.En: He had followed Matteo and Giulia from the beginning of the evening, suspecting that behind their masks were the masterminds of the recent art thefts.It: La sua intuizione gli diceva che quella notte avrebbero agito.En: His intuition told him that they would act that night.It: Mentre la musica continuava a suonare, Matteo e Giulia si avvicinarono alla porta che li avrebbe condotti al loro obiettivo.En: While the music continued to play, Matteo and Giulia approached the door that would lead them to their goal.It: Giulia si assicurò che nessuno li stesse osservando e fece scattare la serratura con destrezza.En: Giulia made sure no one was watching them and skillfully unlocked the door.It: Entrarono nella stanza silenziosa e oscura.En: They entered the quiet and dark room.It: Matteo si avvicinò al quadro, il suo cuore era un martello nel petto.En: Matteo approached the painting, his heart hammering in his chest.It: Lo staccò delicatamente dal muro, ma Giulia mise una mano sul suo braccio.En: He gently removed it from the wall, but Giulia placed a hand on his arm.It: "Lorenzo è qui," disse con voce tesa.En: "Lorenzo is here," she said with a tense voice.It: Mentre si giravano per uscire, una silenziosa ombra li affrontò.En: As they turned to leave, a silent shadow confronted them.It: Era Lorenzo.En: It was Lorenzo.It: "Mi dispiace, ma la festa finisce qui," dichiarò con determinazione.En: "I'm sorry, but the party ends here," he declared with determination.It: Matteo valutò le sue opzioni.En: Matteo assessed his options.It: Avrebbero potuto scappare, rischiando di perdersi nei labirinti del palazzo e nei vicoli di Venezia.En: They could run, risking getting lost in the labyrinths of the palazzo and the alleys of Venezia.It: "Corri!"En: "Run!"It: gridò, e insieme fuggirono.En: he shouted, and together they fled.It: La caccia era iniziata.En: The chase had begun.It: Lorenzo non mollava, seguendo da vicino la coppia.En: Lorenzo did not give up, closely following the couple.It: Uscirono dalla porta sul retro, i loro passi riecheggiavano nel silenzioso corridoio.En: They exited through the back door, their footsteps echoing in the silent corridor.It: Attraversarono un ponte, i loro riflessi danzavano sull'acqua scura del canale.En: They crossed a bridge, their reflections dancing on the dark water of the canal.It: Nella confusione, Matteo e Giulia riuscirono a saltare su una gondola vuota e spingere via dal molo.En: In the confusion, Matteo and Giulia managed to jump onto an empty gondola and push away from the dock.It: Ma Lorenzo, agile, li raggiunse dall'altra sponda.En: But Lorenzo, agile, reached them from the other bank.It: Fece in tempo a strappare il quadro dalle mani di Matteo mentre loro fuggivano tra le ombre della città.En: He managed to snatch the painting from Matteo's hands as they fled into the shadows of the city.It: Quando, finalmente, furono al sicuro tra i vicoli, Matteo e Giulia si fermarono, ansimando.En: When, finally, they were safe among the alleys, Matteo and Giulia stopped, panting.It: Matteo guardò le sue mani vuote e poi Giulia.En: Matteo looked at his empty hands and then at Giulia.It: "Era troppo?En: "Was it too much?It: Forse dobbiamo pensare a un altro modo di vivere."En: Maybe we need to think of another way to live."It: Giulia sorrise, afferrando gentilmente la sua mano.En: Giulia smiled, gently taking his hand.It: "Forse è tempo di cambiare."En: "Maybe it's time to change."It: Nel frattempo, Lorenzo consegnò il quadro al direttore del museo.En: Meanwhile, Lorenzo delivered the painting to the museum director.It: La notte di Venezia continuava, ma con il prezioso dipinto al sicuro, nelle onde del canale si poteva sentire un leggero sospiro di sollievo.En: The night in Venezia continued, but with the precious painting safe, a slight sigh of relief could be felt in the waves of the canal. Vocabulary Words:the lights: le lucithe palace: il palazzothe guests: gli ospitito be quick: essere rapidito whisper: sussurrarethe security: la sicurezzathe young policeman: il giovane poliziottoundercover: sotto coperturathe intuition: l'intuizionethe masquerade: la mascherato unlock: far scattare la serraturawith grace: con graziato assess: valutarethe chase: la cacciato pounce: saltare suagile: agilethe labyrinths: i labirintito flee: fuggireto leap: saltareto snatch: strapparethe corridors: i corridoito pant: ansimarethe reflection: il riflessothe dock: il molothe alleys: i vicolito deliver: consegnarethe museum director: il direttore del museothe waves: le ondethe precious painting: il quadro preziosoto echo: riecheggiare

Judson enjoys a restorative night to himself. Brian bemoans his recent difficulties making hookups happen. The two share thoughts about keeping sex with their husbands steamy after more than a decade of marriage. The Hookup of the Week finds a listener flying some particularly friendly skies. Brian and Judson are then joined by Vanity Fair culture writer Chris Murphy, making his return to the podcast after serving as Dads and Daddies' very first guest 60 episodes ago! Chris updates the two on his living situation with his boyfriend and debates the virtues of repeat hookups. The three discuss the recent article from New York Magazine's “The Cut,” titled “We've Reached Peak Gay Sluttiness,” written by Steven Phillips-Horst, which is all the buzz within the gay male community. Chris shares his concerns about the demise of reading in our culture, and Brian shares his experience attending “Masquerade,” the new immersive version of Andrew Lloyd Webber's “Phantom of the Opera” Off-Broadway. Chris then helps Brian and Judson respond to this week's Go Ask Your Dad question, which comes from a listener seeking advice about how to handle the rejection he feels when his husband isn't in the mood for sex. Find Chris Murphy on Instagram at https://www.instagram.com/christress/   Dads and Daddies on the Web: https://www.dadsanddaddies.com/ Dads and Daddies on Instagram: https://www.instagram.com/dadsanddaddiespod Dads and Daddies on TikTok: https://www.tiktok.com/@dadsanddaddiespod Dads and Daddies on Bluesky: https://bsky.app/profile/dadsanddaddiespod.bsky.social

Matt Forbeck is all that and so much more. He grew up in Wisconsin as what he describes as a wimpy kid, too short and not overly healthy. He took to gaming at a pretty early age and has grown to be a game creator, author and award-winning storyteller.   Matt has been designing games now for over 35 years. He tells us how he believes that many of the most successful games today have stories to tell, and he loves to create some of the most successful ones. What I find most intriguing about Matt is that he clearly is absolutely totally happy in his work. For most of Matt's career he has worked for himself and continues today to be an independent freelancer.   Matt and his wife have five children, including a set of quadruplets. The quadruplets are 23 and Matt's oldest son is 28 and is following in his father's footsteps.   During our conversation we touch on interesting topics such as trust and work ethics. I know you will find this episode stimulating and worth listening to more than once.     About the Guest:   Matt Forbeck is an award-winning and New York Times-bestselling author and game designer of over thirty-five novels and countless other books and games. His projects have won a Peabody Award, a Scribe Award, and numerous ENnies and Origins Awards. He is also the president of the Diana Jones Award Foundation, which celebrates excellence in gaming.    Matt has made a living full-time on games and fiction since 1989, when he graduated from the Residential College at the University of Michigan with a degree in Creative Writing. With the exception of a four-year stint as the president of Pinnacle Entertainment Group and a year and a half as the director of the adventure games division of Human Head Studios, he has spent his career as an independent freelancer.   Matt has designed collectible card games, roleplaying games, miniatures games, board games, interactive fiction, interactive audiobooks, games for museum installations, and logic systems for toys. He has directed voiceover work and written short fiction, comic books, novels, screenplays, and video game scripts and stories. His work has been translated into at least 15 languages.   His latest work includes the Marvel Multiverse Role-Playing Game Core Rulebook, the Spider-Verse Expansion, Monster Academy (novels and board game), the Shotguns & Sorcery 5E Sourcebook based on his novels, and the Minecraft: Roll for Adventure game books. He is the father of five, including a set of quadruplets. He lives in Beloit, Wisconsin, with his wife and a rotating cast of college-age children. For more about him and his work, visit Forbeck.com.   Ways to connect with Matt:   Twitter: https://twitter.com/mforbeck Facebook: https://www.facebook.com/forbeck Bluesky: https://bsky.app/profile/forbeck.com Threads: https://www.threads.net/@mforbeck Instagram: https://www.instagram.com/mforbeck/ LinkedIn: https://www.linkedin.com/in/forbeck/ Website: https://www.forbeck.com/     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Hi everyone, and welcome to another episode of unstoppable mindset today. We get to play games. Well, not really, but we'll try. Our guest is Matt Forbeck, who is an award winning author. He is a game designer and all sorts of other kinds of things that I'm sure he's going to tell us about, and we actually just before we started the the episode, we were talking about how one might explore making more games accessible for blind and persons with other disabilities. It's, it's a challenge, and there, there are a lot of tricks. But anyway, Matt, I want to welcome you to unstoppable mindset. We're glad you're here.   Matt Forbeck ** 02:02 Well, thank you, Michael for inviting me and having me on. I appreciate it.   Speaker 1 ** 02:06 I think we're going to have a lot of fun, and I think it'll work out really well. I'm I am sure of that. So why don't we start just out of curiosity, why don't you tell us kind of about the early Matt, growing up?   Matt Forbeck ** 02:18 Uh, well, I grew up. I was born in Milwaukee, Wisconsin. I grew up in a little town called Beloit, Wisconsin, which actually live in now, despite having moved away for 13 years at one point, and I had terrible asthma, I was a sick and short kid, and with the advent of medication, I finally started to be healthy when I was around nine, and Part of that, I started getting into playing games, right? Because when you're sick, you do a lot of sitting around rather than running around. So I did a lot of reading and playing games and things like that. I happen to grow up in the part of the world where Dungeons and Dragons was invented, which is in Lake Geneva, Wisconsin, about 30 miles from where I live. And because of that I was I started going to conventions and playing games and such, when I was about 12 or 13 years old. I started doing it when I was a little bit older. I started doing it professionally, and started doing it when I was in college. And amazingly enough, even to my own astonishment, I've made a career out of it.   Speaker 1 ** 03:17 Where did you go to college? I went to the University   Matt Forbeck ** 03:21 of Michigan over in Ann Arbor. I had a great time there. There's a wonderful little college, Beloit College, in my hometown here, and most of my family has gone to UW Milwaukee over the years. My parents met at Marquette in Milwaukee, but I wanted to get the heck out of the area, so I went to Michigan, and then found myself coming back as soon as we started having   Speaker 1 ** 03:42 kids well, and of course, I would presume that when you were at the University of Michigan, you rooted for them and against Ohio State. That was   Matt Forbeck ** 03:50 kind of, you know, if you did it the other way around, they back out of town. So, yeah, I was always kind of astonished, though, because having grown up in Wisconsin, where every sports team was a losing team when I was growing up, including the Packers, for decades. You know, we were just happy to be playing. They were more excuse to have beers than they were to cheer on teams. And I went to Michigan where they were, they were angry if the team wasn't up by two touchdowns. You know, at any point, I'm like, You guys are silly. This is we're here for fun.   Speaker 1 ** 04:17 But it is amazing how seriously some people take sports. I remember being in New Zealand helping the Royal New Zealand Foundation for the Blind. Well now 22 years ago, it's 2003 and the America's Cup had just finished before we got there, and in America beat New Zealand, and the people in New Zealand were just irate. They were complaining that the government didn't put enough money into the design of the boat and helping with the with the yacht and all that. It was just amazing how seriously people take it, yeah,   Matt Forbeck ** 04:58 once, I mean, it becomes a part of your. Identity in a lot of ways, right for many people, and I've never had to worry about that too much. I've got other things on my mind, but there you go.   Speaker 1 ** 05:08 Well, I do like it when the Dodgers win, and my wife did her graduate work at USC, and so I like it when the Trojans win, but it's not the end of the world, and you do need to keep it in perspective. I I do wish more people would I know once I delivered a speech in brether County, Kentucky, and I was told that when I started the speech had to end no later than preferably exactly at 6:30pm not a minute later, because it was the night of the NCAA Basketball Championship, and the Kentucky Wildcats were in the championship, and at 630 everyone was going to get up and leave and go home to watch the game. So I ended at 630 and literally, by 631 I timed it. The gym was empty and it was full to start with.   Matt Forbeck ** 06:02 People were probably, you know, counting down on their watches, just to make sure, right?   Speaker 1 ** 06:06 Oh, I'm sure they were. What do you do? It's, it is kind of fun. Well, so why did you decide to get started in games? What? What? What attracted to you, to it as a young person, much less later on?   Matt Forbeck ** 06:21 Well, I was, yeah, I was an awkward kid, kind of nerdy and, you know, glasses and asthma and all that kind of stuff. And games were the kind of thing where, if you didn't know how to interact with people, you could sit down at a table across them and you could practice. You can say, okay, we're all here. We've got this kind of a magic circle around us where we've agreed to take this one silly activity seriously for a short period of time, right? And it may be that you're having fun during that activity, but you know, there's, there's no reason that rolling dice or moving things around on a table should be taken seriously. It's all just for fun, right? But for that moment, you actually just like Las Vegas Exactly, right? When there's money on the line, it's different, but if you're just doing it for grins. You know, it was a good way for me to learn how to interact with people of all sorts and of different ages. And I really enjoyed playing the games, and I really wanted to be a writer, too. And a lot of these things interacted with story at a very basic level. So breaking in as a writer is tough, but it turned out breaking as a game designer, wasn't nearly his stuff, so I started out over there instead, because it was a very young field at the time, right? D and D is now 50 years old, so I've been doing this 35 years, which means I started around professionally and even doing it before that, I started in the period when the game and that industry were only like 10 or 15 years old, so yeah, weren't quite as much competition in those   Speaker 1 ** 07:43 days. I remember some of the early games that I did play, that I could play, were DOS based games, adventure. You're familiar with adventure? Yeah, oh, yeah. Then later, Zork and all that. And I still think those are fun games. And I the reason I like a lot of those kinds of games is they really make you think, which I think most games do, even though the video even the video games and so on, they they help your or can help your reactions, but they're designed by people who do try to make you think,   Matt Forbeck ** 08:15 yeah. I mean, we basically are designing puzzles for people to solve, even if they're story puzzles or graphic puzzles or sound puzzles or whatever, you know, even spatial puzzles. There the idea is to give somebody something fun that is intriguing to play with, then you end up coming with story and after that, because after a while, even the most most exciting mechanics get dull, right? I mean, you start out shooting spaceships, but you can only shoot spaceships for so long, or you start out playing Tetris, and you only put shapes together for so long before it doesn't mean anything that then you start adding in story to give people a reason to keep playing right and a reason to keep going through these things. And I've written a lot of video games over the years, basically with that kind of a philosophy, is give people nuggets of story, give them a plot to work their way through, and reward them for getting through different stages, and they will pretty much follow you through anything. It's amazing.   Michael Hingson ** 09:09 Is that true Dungeons and Dragons too?   Matt Forbeck ** 09:13 It is. All of the stories are less structured there. If you're doing a video game, you know you the team has a lot of control over you. Give the player a limited amount of control to do things, but if you're playing around a table with people, it's more of a cooperative kind of experience, where we're all kind of coming up with a story, the narrator or the Game Master, the Dungeon Master, sets the stage for everything, but then the players have a lot of leeway doing that, and they will always screw things up for you, too. No matter what you think is going to happen, the players will do something different, because they're individuals, and they're all amazing people. That's actually to me, one of the fun things about doing tabletop games is that, you know, the computer can only react in a limited number of ways, whereas a human narrator and actually change things quite drastically and roll. With whatever people come up with, and that makes it tremendous fun.   Speaker 1 ** 10:04 Do you think AI is going to enter into all that and maybe improve some of the   Matt Forbeck ** 10:09 old stuff? It's going to add your end to it, whether it's an ad, it's going to approve it as a large question. Yeah. So I've been ranting about AI quite a bit lately with my friends and family. But, you know, I think the problem with AI, it can be very helpful a lot of ways, but I think it's being oversold. And I think it's especially when it's being oversold for thing, for ways for people to replace writers and creative thinking, Yeah, you know, you're taking the fun out of everything. I mean, the one thing I like to say is if, if you can't be bothered to write this thing that you want to communicate to me, I'm not sure why I should be bothered to read this thing well.   Speaker 1 ** 10:48 And I think that AI will will evolve in whatever way it does. But the fact of the matter is, So do people. And I think that, in fact, people are always going to be necessary to make the process really work? AI can only do and computers can only do so much. I mean, even Ray Kurzweil talks about the singularity when people and computer brains are married, but that still means that you're going to have the human element. So it's not all going to be the computer. And I'm not ready to totally buy into to what Ray says. And I used to work for Ray, so I mean, I know Ray Well, but, but the but the bottom line is, I think that, in fact, people are always going to be able to be kind of the, the mainstay of it, as long as we allow that, if we, if we give AI too much power, then over time, it'll take more power, and that's a problem, but that's up to us to deal with?   Matt Forbeck ** 11:41 No, I totally agree with that. I just think right now, there's a very large faction of people who it's in their economic interest to oversell these things. You know, people are making chips. They're building server farms. A lot of them are being transferred from people are doing blockchain just a few years ago, and they see it as the hot new thing. The difference is that AI actually has a lot of good uses. There's some amazing things will come out of llms and such. But I again, people are over the people are selling this to us. Are often over promising things, right?   Speaker 1 ** 12:11 Yeah, well, they're not only over promising but they're they're really misdirecting people. But the other side of it is that, that, in fact, AI as a concept and as a technology is here, and we have control over how we use it. I've said a couple times on this this podcast, and I've said to others, I remember when I first started hearing about AI, I heard about the the fact that teachers were bemoaning the pack, that kids were writing their papers just using AI and turning them in, and it wasn't always easy to tell whether it was something that was written by AI or was written by the student. And I come from a little bit different view than I think a lot of people do. And my view basically is, let the kids write it if with AI, if that's what they're going to do, but then what the teacher needs to do is to take one period, for example, and give every student in that class the opportunity to come up and defend whatever paper they have. And the real question is, can they defend the paper? Which means, have they really learned the subject, or are they just relying on AI,   Matt Forbeck ** 13:18 yeah, I agree with that. I think the trouble is, a lot of people, children, you know, who are developing their abilities and their morals about this stuff, they use it as just a way to complete the assignment, right? And many of them don't even read what they turn in, right, right? Just know that they've got something here that will so again, if you can't be bothered to read the thing that you manufactured, you're not learning anything about it,   Speaker 1 ** 13:39 which is why, if you are forced to defend it, it's going to become pretty obvious pretty fast, whether you really know it or not. Now, I've used AI on a number of occasions in various ways, but I use it to maybe give me ideas or prepare something that I then modify and shape. And I may even interact with AI a couple of times, but I'm definitely involved with the process all the way down the line, because it still has to be something that I'm responsible for.   Matt Forbeck ** 14:09 I agree. I mean, the whole point of doing these things is for people to connect with each other, right? I want to learn about the ideas you have in your head. I want to see how they jive with ones in my head. But if I'm just getting something that's being spit out by a machine and not you, and not being curated by you at any point, that doesn't seem very useful, right? So if you're the more involved people are in it, the more useful it is.   Speaker 1 ** 14:31 Well, I agree, and you know, I think again, it's a tool, and we have to decide how the tool is going to be used, which is always the way it ought to be. Right?   Matt Forbeck ** 14:42 Exactly, although sometimes it's large corporations deciding,   Speaker 1 ** 14:45 yeah, well, there's that too. Well, individuals,   Matt Forbeck ** 14:49 we get to make our own choices. Though you're right,   Speaker 1 ** 14:51 yes, and should Well, so, so when did you start bringing writing into what you. Did, and make that a really significant part of what you did?   Matt Forbeck ** 15:03 Well, pretty early on, I mean, I started doing one of the first things I did was a gaming zine, which was basically just a print magazine that was like, you know, 32 pages, black and white, about the different tabletop games. So we were writing those in the days, design and writing are very closely linked when it comes to tabletop games and even in video games. The trick of course is that designing a game and writing the rules are actually two separate sets of skills. So one of the first professional gig I ever had during writing was in games was some friends of mine had designed a game for a company called Mayfair games, which went on to do sellers of contain, which is a big, uh, entry level game, and but they needed somebody to write the rules, so they called me over, showed me how to play the game. I took notes and I I wrote it down in an easy to understand, clear way that people had just picked up the box. Could then pick it up and teach themselves how to play, right? So that was early on how I did it. But the neat thing about that is it also taught me to think about game design. I'm like, when I work on games, I think about, who is this game going to be for, and how are we going to teach it to them? Because if they can't learn the game, there's no point of the game at all, right?   Speaker 1 ** 16:18 And and so I'm right? I'm a firm believer that a lot of technical writers don't do a very good job of technical writing, and they write way over people's heads. I remember the first time I had to write, well, actually, I mentioned I worked for Kurzweil. I was involved with a project where Ray Kurzweil had developed his original omniprent optical character recognition system. And I and the National Federation of the Blind created with him a project to put machines around the country so that blind people could use them and give back to Ray by the time we were all done, recommendations as to what needed to go in the final first production model of the machine. So I had to write a training manual to teach people how to use it. And I wrote this manual, and I was always of the opinion that it had to be pretty readable and usable by people who didn't have a lot of technical knowledge. So I wrote the manual, gave it to somebody to read, and said, Follow the directions and and work with the machine and all that. And they did, and I was in another room, and they were playing with it for a couple of hours, and they came in and they said, I'm having a problem. I can't figure out how to turn off the machine. And it turns out that I had forgotten to put in the instruction to turn off the machine. And it wasn't totally trivial. There were steps you had to go through. It was a Data General Nova two computer, and you had to turn it off the right way and the whole system off the appropriate way, or you could, could mess everything up. So there was a process to doing it. So I wrote it in, and it was fine. But, you know, I've always been a believer that the textbooks are way too boring. Having a master's degree in physics, I am of the opinion that physics textbook writers, who are usually pretty famous and knowledgeable scientists, ought to include with all the text and the technical stuff they want to put in, they should put in stories about what they did in you bring people in, draw them into the whole thing, rather than just spewing out a bunch of technical facts.   Matt Forbeck ** 18:23 No, I agree. My my first calculus professor was a guy who actually explained how Newton and Leipzig actually came up with calculus, and then he would, you know, draw everything on the board and turn around say, and isn't that amazing? And you were, like, just absolutely enamored with the idea of how they had done these things, right? Yeah. And what you're doing there, when you, when you, when you give the instructions to somebody and say, try this out. That's a very big part of gaming, actually, because what we do this thing called play testing, where we take something before it's ready to be shown to the public, and we give it to other people and say, try this out. See how it works. Let me know when you're starting out of your first playing you play with like your family and friends and people will be brutal with you and give you hints about how you can improve things. But then, even when you get to the rules you're you send those out cold to people, or, you know, if you're a big company, you watch them through a two way mirror or one way mirror, and say, Hey, let's see how they react to everything. And then you take notes, and you try to make it better every time you go through. And when I'm teaching people to play games at conventions, for instance, I will often say to them, please ask questions if you don't understand anything, that doesn't mean you're dumb. Means I didn't explain it well enough, right? And my job as a person writing these rules is to explain it as well as I humanly can so it can't be misconstrued or misinterpreted. Now that doesn't mean you can correct everything. Somebody's always got like, Oh, I missed that sentence, you know, whatever. But you do that over and over so you can try to make it as clear and concise as possible, yeah.   Speaker 1 ** 19:52 Well, you have somewhat of a built in group of people to help if you let your kids get involved. Involved. So how old are your kids?   Matt Forbeck ** 20:03 My eldest is 26 he'll be 27 in January. Marty is a game designer, actually works with me on the marble tabletop role playing game, and we have a new book coming out, game book for Minecraft, called Minecraft role for adventure, that's coming out on July 7, I think, and the rest of the kids are 23 we have 423 year olds instead of quadruplets, one of whom is actually going into game design as well, and the other says two are still in college, and one has moved off to the work in the woods. He's a very woodsy boy. Likes to do environmental education with people.   Speaker 1 ** 20:39 Wow. Well, see, but you, but you still have a good group of potential game designers or game critics anyway.   Matt Forbeck ** 20:47 Oh, we all play games together. We have a great time. We do weekly game nights here. Sometimes they're movie nights, sometimes they're just pizza nights, but we shoot for game and pizza   Speaker 1 ** 20:56 if we get lucky and your wife goes along with all this too.   Matt Forbeck ** 21:00 She does. She doesn't go to the game conventions and stuff as much, and she's not as hardcore of a gamer, but she likes hanging out with the kids and doing everything with us. We have a great time.   Speaker 1 ** 21:10 That's that's pretty cool. Well, you, you've got, you've got to build an audience of some sorts, and that's neat that a couple of them are involved in it as well. So they really like what dad does, yeah,   Matt Forbeck ** 21:23 yeah. We, I started taking them each to conventions, which are, you know, large gatherings gamers in real life. The biggest one is Gen Con, which happens in Indianapolis in August. And last year, I think, we had 72,000 people show up. And I started taking the kids when they were 10 years old, and my wife would come up with them then. And, you know, 10 years old is a lot. 72,000 people is a lot for a 10 year old. So she can mention one day and then to a park the next day, you know, decompress a lot, and then come back on Saturday and then leave on Sunday or whatever, so that we didn't have them too over stimulated. But they really grown to love it. I mean, it's part of our annual family traditions in the summer, is to go do these conventions and play lots of games with each other and meet new people too well.   Speaker 1 ** 22:08 And I like the way you put it. The games are really puzzles, which they are, and it's and it's fun. If people would approach it that way, no matter what the game is, they're, they're aspects of puzzles involved in most everything that has to do with the game, and that's what makes it so fun.   Matt Forbeck ** 22:25 Exactly, no. The interesting thing is, when you're playing with other people, the other people are changing the puzzles from their end that you have to solve on your end. And sometimes the puzzle is, how do I beat this person, or how do I defeat their strategy, or how do I make an alliance with somebody else so we can win? And it's really always very intriguing. There's so many different types of games. There's nowadays, there's like something like 50 to 100 new board games that come out and tabletop games every month, right? It's just like a fire hose. It's almost like, when I was starting out as a novelist, I would go into Barnes and Noble or borders and go, Oh my gosh, look at all these books. And now I do the same thing about games. It's just, it's incredible. Nobody, no one person, could keep up with all of them.   Speaker 1 ** 23:06 Yeah, yeah, yeah, way too much. I would love to explore playing more video games, but I don't. I don't own a lot of the technology, although I'm sure that there are any number of them that can be played on a computer, but we'll have to really explore and see if we can find some. I know there are some that are accessible for like blind people with screen readers. I know that some people have written a few, which is kind of cool. Yeah.   Matt Forbeck ** 23:36 And Xbox has got a new controller out that's meant to be accessible to large amount of people. I'm not sure, all the different aspects of it, but that's done pretty well, too   Speaker 1 ** 23:44 well. And again, it comes down to making it a priority to put all of that stuff in. It's not like it's magic to do. It's just that people don't know how to do it. But I also think something else, which is, if you really make the products more usable, let's say by blind people with screen readers. You may be especially if it's well promoted, surprised. I'm not you necessarily, but people might well be surprised as to how many others might take advantage of it so that they don't necessarily have to look at the screen, or that you're forced to listen as well as look in order to figure out what's going on or take actions.   Matt Forbeck ** 24:29 No, definitely true. It's, you know, people audio books are a massive thing nowadays. Games tend to fall further behind that way, but it's become this incredible thing that obviously, blind people get a great use out of but my wife is addicted to audio books now. She actually does more of those than she does reading. I mean, I technically think they're both reading. It's just one's done with yours and one's done with your eyes.   Speaker 1 ** 24:51 Yeah, there's but there's some stuff, whether you're using your eyes or your fingers and reading braille, there's something about reading a book that way that's. Even so a little bit different than listening to it. Yeah, and there's you're drawn in in some ways, in terms of actually reading that you're not necessarily as drawn into when you're when you're listening to it, but still, really good audio book readers can help draw you in, which is important, too,   Matt Forbeck ** 25:19 very much. So yeah, I think the main difference for reading, whether it's, you know, again, through Braille or through traditional print, is that you can stop. You can do it at your own pace. You can go back and look at things very easily, or read or check things, read things very easily. That you know, if you're reading, if you're doing an audio book, it just goes on and it's straight on, boom, boom, boom, pace. You can say, Wait, I'm going to put this down here. What was that thing? I remember back there? It was like three pages back, but it's really important, let me go check that right.   Speaker 1 ** 25:50 There are some technologies that allow blind people and low vision people and others, like people with dyslexia to use an audio book and actually be able to navigate two different sections of it. But it's not something that is generally available to the whole world, at least to the level that it is for blind people. But I can, I can use readers that are made to be able to accept the different formats and go back and look at pages, go back and look at headings, and even create bookmarks to bookmark things like you would normally by using a pen or a pencil or something like that. So there are ways to do some of that. So again, the technology is making strides.   Matt Forbeck ** 26:37 That's fantastic. Actually, it's wonderful. Just, yeah, it's great. I actually, you know, I lost half the vision of my right eye during back through an autoimmune disease about 13 years ago, and I've always had poor vision. So I'm a big fan of any kind of way to make things easier,   Speaker 1 ** 26:54 like that. Well, there, there are things that that are available. It's pretty amazing. A guy named George curser. Curser created a lot of it years ago, and it's called the DAISY format. And the whole idea behind it is that you can actually create a book. In addition to the audio tracks, there are XML files that literally give you the ability to move and navigate around the book, depending on how it's created, as final level as you choose.   Matt Forbeck ** 27:25 Oh, that's That's amazing. That's fantastic. I'm actually really glad to hear that.   Speaker 1 ** 27:28 So, yeah, it is kind of fun. So there's a lot of technology that's that's doing a lot of different sorts of things and and it helps. But um, so for you, in terms of dealing with, with the games, you've, you've written games, but you've, you've actually written some novels as well, right?   Matt Forbeck ** 27:50 Yeah, I've got like 30, it depends on how you count a novel, right? Okay, like some of my books are to pick a path books, right? Choose Your Own Adventure type stuff. So, but I've got 35 traditional novels written or more, I guess, now, I lost track a while ago, and probably another dozen of these interactive fiction books as well. So, and I like doing those. I've also written things like Marvel encyclopedias and Avengers encyclopedias and all sorts of different pop culture books. And, you know, I like playing in different worlds. I like writing science fiction, fantasy, even modern stuff. And most of it, for me comes down to telling stories, right? If you like to tell stories, you can tell stories through a game or book or audio play or a TV show or a comic, or I've done, you know, interactive museum, games and displays, things like that. The main thing is really a story. I mean, if you're comfortable sitting down at a bar and having a drink with somebody, doesn't have to be alcohol, just sitting down and telling stories with each other for fun. That's where the core of it all is really   Speaker 1 ** 28:58 right. Tell me about interactive fiction book.   Matt Forbeck ** 29:01 Sure, a lot of these are basically just done, like flow charts, kind of like the original Zork and adventure that you were talking about where you I actually, I was just last year, I brought rose Estes, who's the inventor of the endless quest books, which were a cross between Dungeons and Dragons, and choose your own adventure books. She would write the whole thing out page by page on a typewriter, and then, in order to shuffle the pages around so that people wouldn't just read straight through them, she'd throw them all up in the air and then just put them back in whatever order they happen to be. But essentially, you read a section of a book, you get to the end, and it gives you a choice. Would you like to go this way or that way? Would you like to go beat up this goblin? Or would you like to make friends with this warrior over here? If you want to do one of these things, go do page xx, right? Got it. So then you turn to that page and you go, boom, some, actually, some of the endless quest books I know were turned into audio books, right? And I actually, I. Um, oddly, have written a couple Dungeons and Dragons, interactive books, audio books that have only been released in French, right? Because there's a company called Looney l, u n, i, i that has this little handheld device that's for children, that has an A and a B button and a volume button. And you, you know, you get to the point that says, if you want to do this, push a, if you want to do that, push B, and the kids can go through these interactive stories and and, you know, there's ones for clue and Dungeons and Dragons and all sorts of other licenses, and some original stories too. But that way there's usually, like, you know, it depends on the story, but sometimes there's, like, 10 to 20 different endings. A lot of them are like, Oh no, you've been killed. Go back to where you started, right? And if you're lucky, the longer ones are, the more fun ones. And you get to, you know, save the kingdom and rescue the people and make good friends and all that good stuff,   Michael Hingson ** 30:59 yeah, and maybe fall in love with the princess or Prince.   Matt Forbeck ** 31:02 Yeah, exactly right. It all depends on the genre and what you're working in. But the idea is to give people some some choices over how they want the story to go. You're like, Well, do you want to investigate this dark, cold closet over here, or would you rather go running outside and playing around? And some of them can seem like very innocent choices, and other ones are like, well, uh, 10 ton weight just fell on. You go back to the last thing.   Speaker 1 ** 31:23 So that dark hole closet can be a good thing or a bad thing,   Matt Forbeck ** 31:28 exactly. And the trick is to make the deaths the bad endings, actually just as entertaining as anything else, right? And then people go, Well, I got beat, and I gotta go back and try that again. So yeah, if they just get the good ending all the way through, they often won't go back and look at all the terrible ones. So it's fun to trick them sometimes and have them go into terrible spots. And I like to put this one page in books too that sometimes says, How did you get here? You've been cheating there. This book, this page, is actually not led to from any other part of the book. You're just flipping   Speaker 1 ** 31:59 through. Cheater, cheater book, do what you   Matt Forbeck ** 32:04 want, but if you want to play it the right way, go back.   Speaker 1 ** 32:07 Kid, if you want to play the game. Yeah, exactly. On the other hand, some people are nosy.   Matt Forbeck ** 32:15 You know, I was always a kid who would poke around and wanted to see how things were, so I'm sure I would have found that myself but absolutely related, you know,   Speaker 1 ** 32:23 yeah, I had a general science teacher who brought in a test one day, and he gave it to everyone. And so he came over to me because it was, it was a printed test. He said, Well, I'm not going to give you the test, because the first thing it says is, read all the instructions, read, read the test through before you pass it, before you take it. And he said, most people won't do that. And he said, I know you would. And the last question on the test is answer, only question one.   Matt Forbeck ** 32:55 That's great. Yeah, that's a good one. Yeah,   Speaker 1 ** 32:57 that was cute. And he said, I know that. I that there's no way you would, would would fall for that, because you would say, Okay, let's read the instructions and then read the whole test. That's what it said. And the instruction were, just read the whole test before you start. And people won't do that.   Matt Forbeck ** 33:13 No, they'll go through, take the whole thing. They get there and go, oh, did I get there? Was a, there's a game publisher. I think it was Steve Jackson Games, when they were looking for people, write for them, or design stuff for them, or submit stuff to them, would have something toward the end of the instructions that would say, put like a the letter seven, or put seven a on page one right, and that way they would know if you had read the instructions, if you hadn't bothered to Read the instructions, they wouldn't bother reading anything else.   Speaker 1 ** 33:42 Yeah, which is fair, because the a little harsh, well, but, but, you know, we often don't learn enough to pay attention to details. I know that when I was taking physics in college, that was stressed so often it isn't enough to get the numbers right. If you don't get the units right as well. Then you're, you're not really paying attention to the details. And paying attention to the details is so important.   Matt Forbeck ** 34:07 That's how they crash from those Mars rovers, wasn't it? They somebody messed up the units, but going back and forth between metric and, yeah, and Imperial and, well, you know, it cost somebody a lot of money at one point. Yeah. Yeah. What do you   Speaker 1 ** 34:21 this is kind of the way it goes. Well, tell me, yeah. Well, they do matter, no matter what people think, sometimes they do matter. Well, tell me about the Diana Jones award. First of all, of course, the logical question for many people is, who is Diana Jones? Yeah, Diana Jones doesn't exist, right? That's There you go. She's part game somewhere? No, no, it doesn't be in a game somewhere.   Matt Forbeck ** 34:43 Then now there's actually an author named Diana Wynne Jones, who's written some amazing fantasy stories, including Howell's Moving Castle, which has turned into a wonderful anime movie, but it has nothing to do with her or any other person. Because originally, the Diana Jones award came about. Because a friend of mine, James Wallace, had somehow stumbled across a trophy that fell into his hands, and it was a pub trivia trophy that used to be used between two different gaming companies in the UK, and one of those was TSR, UK, the United Kingdom department. And at one point, the company had laid off everybody in that division just say, Okay, we're closing it all down. So the guys went and burned a lot of the stuff that they had, including a copy of the Indiana Jones role playing game, and the only part of the logo that was left said Diana Jones. And for some reason, they put this in a in a fiberglass or Plexiglas pyramid, put it on a base, a wooden base, and it said the Diana Jones award trophy, right? And this was the trophy that they used they passed back and forth as a joke for their pub trivia contest. Fell into James's hands, and he decided, You know what, we're going to give this out for the most excellent thing in gaming every year. And we've now done this. This will be 25 years this summer. We do it at the Wednesday night before Gen Con, which starts on Thursday, usually at the end of July or early August. And as part of that, actually, about five years ago, we started, one of the guys suggested we should do something called the emerging designers program. So we actually became a 501, c3, so we could take donations. And now we take four designers every year, fly them in from wherever they happen to be in the world, and put them up in a hotel, give them a badge the show, introduce them to everybody, give them an honorarium so they can afford to skip work for a week and try to help launch their careers. I mean, these are people that are in the first three years of their design careers, and we try to work mostly with marginalized or et cetera, people who need a little bit more representation in the industry too. Although we can select anybody, and it's been really well received, it's been amazing. And there's a group called the bundle of holding which sells tabletop role playing game PDFs, and they've donated 10s of 1000s of dollars every year for us to be able to do this. And it's kind of funny, because I never thought I'd be end up running a nonprofit, but here I'm just the guy who writes checks to the different to the emerging designer program. Folks are much more tied into that community that I am. But one of the real reasons I wanted to do something like that or be involved with it, because if you wander around with these conventions and you notice that it starts getting very gray after a while, right? It's you're like, oh, there's no new people coming in. It's all older people. I we didn't I didn't want us to all end up as like the Grandpa, grandpa doing the HO model railroad stuff in the basement, right? This dying hobby that only people in their 60s and 70s care about. So bringing in fresh people, fresh voices, I think, is very important, and hopefully we're doing some good with that. It's been a lot of fun either way.   Speaker 1 ** 37:59 Well, I have you had some success with it? Yeah, we've   Matt Forbeck ** 38:02 had, well, let's see. I think we've got like 14 people. We've brought in some have already gone on to do some amazing things. I mean, it's only been a few years, so it's hard to tell if they're gonna be legends in their time, but again, having them as models for other people to look at and say, Oh, maybe I could do that. That's been a great thing. The other well, coincidentally, Dungeons and Dragons is having its best 10 year streak in its history right now, and probably is the best selling it's ever been. So coinciding with that, we've seen a lot more diversity and a lot more people showing up to these wonderful conventions and playing these kinds of games. There's also been an advent of this thing called actual play, which is the biggest one, is a group called Critical Role, which is a whole bunch of voice actors who do different cartoons and video games and such, and they play D and D with each other, and then they record the games, and they produce them on YouTube and for podcasts. And these guys are amazing. There's a couple of other ones too, like dimension 20 and glass cannon, the critical role guys actually sold out a live performance at Wembley Arena last summer. Wow. And dimension. Dimension 20 sold out Madison Square Garden. I'm like, if you'd have told me 20 years ago that you know you could sell out an entire rock stadium to have people watch you play Dungeons and Dragons, I would have laughed. I mean, there's no way it would have been possible. But now, you know, people are very much interested in this. It's kind of wild, and it's, it's fun to be a part of that. At some level,   Speaker 1 ** 39:31 how does the audience get drawn in to something like that? Because they are watching it, but there must be something that draws them in.   Matt Forbeck ** 39:39 Yeah, part of it is that you have some really skilled some actors are very funny, very traumatic and very skilled at improvisation, right? So the the dungeon master or Game Master will sit there and present them with an idea or whatever. They come up each with their own characters. They put them in wonderful, strong voices. They kind of inhabit the roles in a way that an actor. A really top level actor would, as opposed to just, you know, me sitting around a table with my friends. And because of that, they become compelling, right? My Marty and my his wife and I were actually at a convention in Columbus, Ohio last weekend, and this group called the McElroy family, actually, they do my brother, my brother and me, which is a hit podcast, but they also do an actual play podcast called The Adventure zone, where they just play different games. And they are so funny. These guys are just some of the best comedians you'll ever hear. And so them playing, they actually played our Marvel game for a five game session, or a five podcast session, or whatever, and it was just stunningly fun to listen to. People are really talented mess around with something that we built right it's very edifying to see people enjoying something that you worked on.   Speaker 1 ** 40:51 Do you find that the audiences get drawn in and they're actually sort of playing the game along, or as well? And may disagree with what some of the choices are that people make?   Matt Forbeck ** 41:02 Oh, sure. But I mean, if the choices are made from a point of the character that's been expressed, that people are following along and they they already like the character, they might go, Oh, those mean, you know that guy, there are some characters they love to hate. There are some people they're they're angry at whatever, but they always really appreciate the actors. I mean, the actors have become celebrities in their own right. They've they sell millions of dollars for the comic books and animated TV shows and all these amazing things affiliated with their actual play stuff. And it's, I think it, part of it is because, it's because it makes the games more accessible. Some people are intimidated by these games. So it's not really, you know, from a from a physical disability kind of point. It's more of a it makes it more accessible for people to be nervous, to try these things on their own, or don't really quite get how they work. They can just sit down and pop up YouTube or their podcast program and listen into people doing a really good job at it. The unfortunate problem is that the converse of that is, when you're watching somebody do that good of a job at it, it's actually hard to live up to that right. Most people who play these games are just having fun with their friends around a table. They're not performing for, you know, 10s of 1000s, if not hundreds of 1000s of people. So there's a different level of investments, really, at that point, and some people have been known to be cowed by that, by that, or daunted by that.   Speaker 1 ** 42:28 You work on a lot of different things. I gather at the same time. What do you what do you think about that? How do you like working on a lot of different projects? Or do you, do you more focus on one thing, but you've got several things going on, so you'll work on something for one day, then you'll work on something else. Or how do you how do you do it all?   Matt Forbeck ** 42:47 That's a good question. I would love to just focus on one thing at a time. Now, you know the trouble is, I'm a freelancer, right? I don't set my I don't always get to say what I want to work on. I haven't had to look for work for over a decade, though, which has been great. People just come to me with interesting things. The trouble is that when you're a freelancer, people come in and say, Hey, let's work on this. I'm like, Yeah, tell me when you're ready to start. And you do that with like, 10 different people, and they don't always line up in sequence properly, right? Yeah? Sometimes somebody comes up and says, I need this now. And I'm like, Yeah, but I'm in the middle of this other thing right now, so I need to not sleep for another week, and I need to try to figure out how I'm going to put this in between other things I'm working on. And I have noticed that after I finish a project, it takes me about a day or three to just jump track. So if I really need to, I can do little bits here and there, but to just fully get my brain wrapped around everything I'm doing for a very complex project, takes me a day or three to say, Okay, now I'm ready to start this next thing and really devote myself to it. Otherwise, it's more juggling right now, having had all those kids, probably has prepared me to juggle. So I'm used to having short attention span theater going on in my head at all times, because I have to jump back and forth between things. But it is. It's a challenge, and it's a skill that you develop over time where you're like, Okay, I can put this one away here and work on this one here for a little while. Like today, yeah, I knew I was going to talk to you, Michael. So I actually had lined up another podcast that a friend of mine wanted to do with me. I said, Let's do them on the same day. This way I'm not interrupting my workflow so much, right? Makes sense? You know, try to gang those all together and the other little fiddly bits I need to do for administration on a day. Then I'm like, Okay, this is not a day off. It's just a day off from that kind of work. It's a day I'm focusing on this aspect of what I do.   Speaker 1 ** 44:39 But that's a actually brings up an interesting point. Do you ever take a day off or do what do you do when you're when you deciding that you don't want to do gaming for a while?   Matt Forbeck ** 44:49 Yeah, I actually kind of terrible. But you know, you know, my wife will often drag me off to places and say we're going to go do this when. Yes, we have a family cabin up north in the Upper Peninsula of Michigan that we go to. Although, you know, my habit there is, I'll work. I'll start work in the morning on a laptop or iPad until my battery runs out, and then I shut it down, put on a charger, and then I go out and swim with everybody for the rest of the day. So it depends if I'm on a deadline or not, and I'm almost always on a deadline, but there are times I could take weekends off there. One of the great things of being a freelancer, though, and especially being a stay at home father, which is part of what I was doing, is that when things come up during the middle of the week, I could say, oh, sure, I can be flexible, right? The trouble is that I have to pay for that time on my weekends, a lot of the time, so I don't really get a lot of weekends off. On the other hand, I'm not I'm not committed to having to work every day of the week either, right? I need to go do doctor appointments, or we want to run off to Great America and do a theme park or whatever. I can do that anytime I want to. It's just I have to make up the time at other points during the week. Does your wife work? She does. She was a school social worker for many years, and now as a recruiter at a local technical college here called Black Hawk tech. And she's amazing, right? She's fantastic. She has always liked working. The only time she stopped working was for about a year and a half after the quads were born, I guess, two years. And that was the only time I ever took a job working with anybody else, because we needed the health insurance, so I we always got it through her. And then when she said, Well, I'm gonna stay home with the kids, which made tons of sense, I went and took a job with a video game company up in Madison, Wisconsin called Human Head Studios for about 18 months, 20 months. And then the moment she told me she was thinking about going back to work, I'm like, Oh, good, I can we can Cobra for 18 months and pay for our own health insurance, and I'm giving notice this week, and, you know, we'll work. I left on good terms that everybody. I still talk to them and whatever, but I very much like being my own boss and not worrying about what other people are going to tell me to do. I work with a lot of clients, which means I have a lot of people telling me what to do. But you know, if it turns out bad, I can walk I can walk away. If it turns out good, hopefully we get to do things together, like the the gig I've been working out with Marvel, I guess, has been going on for like, four years now, with pretty continuous work with them, and I'm enjoying every bit of it. They're great people to work with.   Speaker 1 ** 47:19 Now, you were the president of Pinnacle entertainment for a little while. Tell me about that.   Matt Forbeck ** 47:24 I was, that was a small gaming company I started up with a guy named Shane Hensley, who was another tabletop game designer. Our big game was something called Dead Lands, which was a Western zombie cowboy kind of thing. Oh gosh, Western horror. So. And it was pretty much a, you know, nobody was doing Western horror back in those days. So we thought, Oh, this is safe. And to give you an example of parallel development, we were six months into development, and another company, White Wolf, which had done a game called Vampire the Masquerade, announced that they were doing Werewolf the Wild West. And we're like, you gotta be kidding me, right? Fortunately, we still released our game three months before there, so everybody thought we were copying them, rather than the other way around. But the fact is, we were. We both just came up with the idea independently. Right? When you work in creative fields, often, if somebody wants to show you something, you say, I'd like to look at you have to sign a waiver first that says, If I do something like this, you can't sue me. And it's not because people are trying to rip you off. It's because they may actually be working on something similar, right already. Because we're all, you know, swimming in the same cultural pool. We're all, you know, eating the same cultural soup. We're watching or watching movies, playing games, doing whatever, reading books. And so it's not unusual that some of us will come up with similar ideas   Speaker 1 ** 48:45 well, and it's not surprising that from time to time, two different people are going to come up with somewhat similar concepts. So that's not a big surprise, exactly, but   Matt Forbeck ** 48:56 you don't want people getting litigious over it, like no, you don't be accused of ripping anybody off, right? You just want to be as upfront with people. With people. And I don't think I've ever actually seen somebody, at least in gaming, in tabletop games, rip somebody off like that. Just say, Oh, that's a great idea. We're stealing that it's easier to pay somebody to just say, Yes, that's a great idea. We'll buy that from you, right? As opposed to trying to do something unseemly and criminal?   Speaker 1 ** 49:24 Yeah, there's, there's something to be said for having real honor in the whole process.   Matt Forbeck ** 49:30 Yeah, I agree, and I think that especially if you're trying to have a long term career in any field that follows you, if you get a reputation for being somebody who plays dirty, nobody wants to play with you in the future, and I've always found it to be best to be as straightforward with people and honest, especially professionally, just to make sure that they trust you. Before my quadruplets were born, you could have set your clock by me as a freelancer, I never missed a deadline ever, and since then, I've probably it's a. Rare earth thing to make a deadline, because, you know, family stuff happens, and you know, there's just no controlling it. But whenever something does happen, I just call people up and say, hey, look, it's going to be another week or two. This is what's going on. And because I have a good reputation for completing the job and finishing quality work, they don't mind. They're like, Oh, okay, I know you're going to get this to me. You're not just trying to dodge me. So they're willing to wait a couple weeks if they need to, to get to get what they need. And I'm very grateful to them for that. And I'm the worst thing somebody can do is what do, what I call turtling down, which is when it's like, Oh no, I'm late. And then, you know, they cut off all communication. They don't talk to anybody. They just kind of try to disappear as much as they can. And we all, all adults, understand that things happen in your life. It's okay. We can cut you some slack every now and then, but if you just try to vanish, that's not even possible.   Speaker 1 ** 50:54 No, there's a lot to be there's a lot to be said for trust and and it's so important, I think in most anything that we do, and I have found in so many ways, that there's nothing better than really earning someone's trust, and they earning your trust. And it's something I talk about in my books, like when live with a guide dog, live like a guide dog, which is my newest book, it talks a lot about trust, because when you're working with a guide dog, you're really building a team, and each member of the team has a specific job to do, and as the leader of the team, it's my job to also learn how to communicate with the other member of the team. But the reality is, it still comes down to ultimately, trust, because I and I do believe that dogs do love unconditionally, but they don't trust unconditionally. But the difference between dogs and people is that people that dogs are much more open to trust, for the most part, unless they've just been totally traumatized by something, but they're more open to trust. And there's a lesson to be learned there. No, I   Matt Forbeck ** 52:03 absolutely agree with that. I think, I think most people in general are trustworthy, but as you say, a lot of them have trauma in their past that makes it difficult for them to open themselves up to that. So that's actually a pretty wonderful way to think about things. I like that,   Speaker 1 ** 52:17 yeah, well, I think that trust is is so important. And I know when I worked in professional sales, it was all about trust. In fact, whenever I interviewed people for jobs, I always asked them what they were going to sell, and only one person ever answered me the way. I really hoped that everybody would answer when I said, So, tell me what you're going to be selling. He said, The only thing I have to really sell is myself and my word, and nothing else. It really matters. Everything else is stuff. What you have is stuff. It's me selling myself and my word, and you have to, and I would expect you to back me up. And my response was, as long as you're being trustworthy, then you're going to get my backing all the way. And he was my most successful salesperson for a lot of reasons, because he got it.   Matt Forbeck ** 53:08 Yeah, that's amazing. I mean, I mean, I've worked with people sourcing different things too, for sales, and if you can rely on somebody to, especially when things go wrong, to come through for you. And to be honest with you about, you know, there's really that's a hard thing to find. If you can't depend on your sources for what you're building, then you can't depend on anything. Everything else falls apart.   Speaker 1 ** 53:29 It does. You've got to start at the beginning. And if people can't earn your trust, and you earn theirs, there's a problem somewhere, and it's just not going to work.   Matt Forbeck ** 53:39 Yeah, I just generally think people are decent and want to help. I mean, I can't tell you how many times I've had issues. Car breaks down the road in Wisconsin. Here, if somebody's car goes in the ditch, everybody stops and just hauls them out. It's what you do when the quads were born, my stepmother came up with a sign up sheet, a booklet that she actually had spiral bound, that people could sign up every three three hours to help come over and feed and bathe, diaper, whatever the kids and we had 30 to 35 volunteers coming in every week. Wow, to help us out with that was amazing, right? They just each pick slots, feeding slots, and come in and help us out. I had to take the 2am feeding, and my wife had to take the 5am feeding by ourselves. But the rest of the week we had lots and lots of help, and we were those kids became the surrogate grandchildren for, you know, 30 to 35 women and couples really, around the entire area, and it was fantastic. Probably couldn't have survived   Speaker 1 ** 54:38 without it. And the other part about it is that all those volunteers loved it, because you all appreciated each other, and it was always all about helping and assisting.   Matt Forbeck ** 54:48 No, we appreciate them greatly. But you know every most of them, like 99% of them, whatever were women, 95 women who are ready for grandchildren and didn't have them. Had grandchildren, and they weren't in the area, right? And they had that, that love they wanted to share, and they just loved the opportunity to do it. It was, I'm choking up here talking about such a great time for us in   Speaker 1 ** 55:11 that way. Now I'm assuming today, nobody has to do diaper duty with the quads, right?   Matt Forbeck ** 55:16 Not until they have their own kids. Just checking, just checking, thankfully, think we're that is long in our past,   Speaker 1 ** 55:23 is it? Is it coming fairly soon for anybody in the future?   Matt Forbeck ** 55:27 Oh, I don't know. That's really entirely up to them. We would love to have grandchildren, but you know, it all comes in its own time. They're not doing no well. I, one of my sons is married, so it's possible, right? And one of my other sons has a long term girlfriend, so that's possible, but, you know, who knows? Hopefully they're they have them when they're ready. I always say, if you have kids and you want them, that's great. If you have, if you don't have kids and you don't want them, that's great. It's when you cross the two things that,   Speaker 1 ** 55:57 yeah, trouble, yeah, that's that is, that is a problem. But you really like working with yourself. You love the entre

✦ Produced at Assembly Studios in Atlanta, CBS's "Beyond the Gates" follows the relationships, rivalries, and secrets that follow the residents of the fictional gated community of Fairmont Crest. The fall season of the first African American daytime soap opera kicked off on Monday and features a diverse lineup of veteran talents and fresh faces. Two of the latter include actors Colby Muhammed and Ambyr Michelle, who play rival sisters Kat Richardson and Eva Thomas. The two burgeoning scene stealers recently spoke with City Lights Collective member Kenny Murray about their personal career journeys and what's ahead for the freshman daytime drama. ✦ We love hearing from our artistic community In Their Own Words. This is where they tell us who they are, what they do, what they love, and a few things you might not see coming. What things? Who knows, there's only one way to find out. Today, we hear from Atlanta artist Demetri. ✦ 23-year-old singer ivri has carved out a distinct place for herself in the internet's hyper-saturated music scene. She made her debut at the age of 15, posting faceless snippets of her singing on Instagram that garnered hundreds of thousands of views and a dedicated fanbase that has stuck with her for the better part of a decade. Now a seasoned musician with millions of monthly listeners worldwide, Ivri released her debut album, "Tower of Memories," last month, and is embarking on her first headlining tour across the country. Ahead of her Atlanta performance at Masquerade on September 16, she spoke with City Lights Collective member Jacob Smulian and began by explaining what it was like to take a leap of faith and move to New York City, by herself, at only 18 years old. ✦ Starting in the 1880s, each year on September 1, every single lease in the City of Atlanta—yes, the entire city—expired and renters moved out and into new homes…on the exact same day. Wagons jammed the streets. Furniture everywhere. Tempers flaring. Back pain? Guaranteed. From utility workers following behind to reset phone lines and gas, to real estate tycoons begging for more rental properties. So how did it all work? And when did it finally disappear? City Lights Collective member and self-proclaimed history nerd Victoria Lemos has more. ✦ Atlanta's first-ever full-time string quartet is celebrating 20 years with a free concert tomorrow, September 12. WABE arts reporter Summer Evans shares more about the Vega Quartet. ✦ There are not many places and productions where Orisha Mythology, Caribbean folklore, dance, and Black Punk music all come together to create an artistic gumbo that is sure to stick to your ribs and blow your mind. In Atlanta, we are in luck because F.Punk Junkies is such a production, and 7Stages is the place to see it. City Lights Collective co-host Jon Goode caught up with some of the people creating this magical, mystical theater experience in Little Five Points.See omnystudio.com/listener for privacy information.

Wipe away your tears dear listeners the vexing vampires have returned for another episode. We left off as combat was about to get started. How will our party fair in their first combat experience in Vampire the Masquerade. Will they survive? Find out this and much more this week. If you want more content from us consider supporting us on Patreon! Warp Lords is a product of Bandit Gang Entertainment, and the game is used with their permission. Buy the game, take the ride! Buy/Download Warp Lords Here Follow our Sosh-Meds! Warp Lords Podcast Tweeter: @WarpLordsPod Warp Lords Tweeter: @Warplords Warp Lords Facebook: Warp Lords Warp Lords Podcast Patreon: Demand an apology Warp Lords Podcast Tik Tok: @warplordspodcast Credits: GM (Vampire The Masquerade): Devin Malinowski Herbert "Stormin'" Gorman: Mike Danger Vautour Greg Spatcho: Graham Banas Matthew Pettelier: Jared Cryan Music: Jared Cryan Editing: Devin Malinowski Art: Mike "Danger" Vautour If you like what you heard, then please spread the word. Any characters, items, animals, blob monsters, trees, instruments, bad voices, manic lawyers, power tools, pocket pickles or shitty jokes that bear resemblance to another intellectual property or otherwise non-original content are used in parody or satire or other harmless ways and are in no way related to or a depiction of another subject in or around reality. This is a silly podcast with silly people, and is not intended to be taken seriously by anyone in any way.

On this episode of Shaun's Shack, the boys discuss more Command and Conquer as well as Vampire the Masquerade and the world of darkness.Check out our links: linktr.ee/sytycfanon

Donna Morfett chats to Paul Burke about THE MASQUERADE OF MURDER, Luton & Dunstable, revenge on the page, misogyny and self publishing.THE MASQUERADE OF MURDER DI Cora Snitton is barely catching her breath after the last case when another body turns up - this time, a suspected junkie dumped in an abandoned quarry.Her team is pulled into the chaos of the Luton Carnival, a vibrant event with a dark reputation for gang violence and drug deals.Amid the crowds, noise, and flashing lights, a ruthless gangster sees his chance to make a name for himself in a new town.As the music blares and the party rages on, something sinister rages behind the scenes.Donna Morfett Born and raised in a small Town in Bedfordshire. Donna has loved reading as long as she was able to understand the words written on the page, and the love has remained. Now a way to help cope with mental health. As with many people across the world, the pandemic left us with lots of time, and twiddling thumbs. As well as trying to complete a degree in Forensic Science at the time, Donna thought she'd try and write a book. Donna took part in NaNoWriMo, in November 2021, and wrote her first full length novel. Then there is Cassie, which came joint second in a recent short story competition. When entered, they were given covers and proper editing, so Donna thought, why not release it, and raise some money for charity. So that's how Cassie came to be. Debut novel The Disappearance of Peter Markham was released by Rampart books on May 23rd 2024. It was re-released with a new edit and cover in May 25. The follow up, Masquerade of Murder is due July 11th. Recommendation William Hussey The Boy I LoveMentions Graham Bartlett and Neil LancasterDonna Morfett Paul Burke edits Aspects of Crime Magazine and writes for Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2025. His first book An Encyclopedia of  Spy Fiction will be out 2026.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

The Phantom of the Opera isn't here, but John and Jay are crashing the party to talk about My Scene: Masquerade Madness!

Our party is hired for a new mission. Quick round trip to Boston. This should be an easy grab. Right? Find out this, and much more this week on WLP Tries Vampire the Masquerade. If you want more content from us consider supporting us on Patreon! Warp Lords is a product of Bandit Gang Entertainment, and the game is used with their permission. Buy the game, take the ride! Buy/Download Warp Lords Here Follow our Sosh-Meds! Warp Lords Podcast Tweeter: @WarpLordsPod Warp Lords Tweeter: @Warplords Warp Lords Facebook: Warp Lords Warp Lords Podcast Patreon: Demand an apology Warp Lords Podcast Tik Tok: @warplordspodcast Credits: GM (Vampire The Masquerade): Devin Malinowski Herbert "Stormin'" Gorman: Mike Danger Vautour Greg Spatcho: Graham Banas Matthew Pettelier: Jared Cryan Music: Jared Cryan Editing: Devin Malinowski Art: Mike "Danger" Vautour If you like what you heard, then please spread the word. Any characters, items, animals, blob monsters, trees, instruments, bad voices, manic lawyers, power tools, pocket pickles or shitty jokes that bear resemblance to another intellectual property or otherwise non-original content are used in parody or satire or other harmless ways and are in no way related to or a depiction of another subject in or around reality. This is a silly podcast with silly people, and is not intended to be taken seriously by anyone in any way.

The gang bring plus ones to a wedding without clearing it with the bride and groom. Also the world is ending. [Content Warning: Disney Copyright Infringement, Toxic Exes, Anime Stuff] Want more Spout Lore in your Life? Check out our spinoff show

This one is for the diehards.On Friday, August 29th, 2025 we held a Launch Party for Episode 500 in the NoPro Discord. We had no idea who would show up.To our delight Jacob Patterson, who you had a chance to hear in the last part of the marathon, ARGN's Michael Anderson — who gives us a spoiler-free expectation set on Masquerade, the immersive Phantom currently in previews in New York City, NoPro correspondent Briana Roecks who shares some Spooky Season anticipation for both LA and Las Vegas, and drop-ins from Laura Hall and Cameo Wood as well.It's a hangout episode and fair warning: the audio quality is sub-par in the extreme! I'm even on my Airpods because I was so exhausted from editing and being on the Yeti for hours on end that I just jammed the Pods in my ears and forgot how bad they would sound. So if you skip this because it sounds mid, I won't take offense. This one, as they say, is for the sickos.But if you do stick around, well: you're a real one, and all the copious links in the show notes below are going to make sense.SHOW NOTESTammany Hall is a Petco: Zohran's Summer Scavenger HuntMasqueradeMajestic Rep Las VegasPeople In the Dark: An Immersive Ghost StoryThe WillowsThe Haunted SoireeThe Wild, Citywide Scavenger Hunt That Ate San Francisco (Wired)Santa's Village Where Dark Things DwellJunior's at Resorts WorldThe Beast @ Area 15DASH – Different Area, Same Hunt‘The Long Walk' Turns Screening Into Endurance Test With 3 MPH Treadmill Rule (The Wrap)'What the f--- is this?': What Darren Aronofsky has to do with new payphones in NYC (Gothamist)Why Did the Indie Film Studio A24 Buy an Off Broadway Theater? Hosted on Acast. See acast.com/privacy for more information.

Presenter Joy Jackson Mysterious Traveler–Murder in Masquerade: Mardi Gras in New Orleans and Dan has fallen in love with a lovely girl, but can't help noticing some odd things starting to happen. Starring Dan Schindler, Kim Turner and Dave Liesse LOST 2017 HORROR  29:40 Jubilee 1946-04-09

Yes wurden ab den frühen 70er Jahren zum Taktgeber des Progressive Rock. Wie weit konnte eine Band gehen? 1972 legte die Band ihr Meisterwerk „Close To The Edge“ vor, eine Klangreise mit nur drei Titeln mit furios gesteigerten und abgewechselten Rhythmen und Harmonien: Popmusik, die durchdacht und geistreich erweitert wurde. Yes wurden spätestens jetzt zu einem Superact des Rock, in Europa wie auch in den USA. „Tales From Topographic Oceans“, 1973, das Nachfolgewerk, überforderte dagegen viele Fans. Keyboarder Rick Wakeman verließ die Band, deren wechselnde Besetzungen ohnehin für Unruhe sorgten. Yes verlor ein wenig die Konzentration als Band. Einzelne Lieder faszinierten nach wie vor, aber erst mit dem Album „Going For The One“, 1977, konnte die Band wieder überzeugen. Die Geschichte der Band war damit aber längst noch nicht vorbei, denn Yes trotzten Punk oder anderen musikalischen Zeiterscheinungen mit ihrer ganz eigenen Stärke. Musikliste: YES (1969): Yesterday and today, Every little thing, Survival Time And A Word (1970): Then, The Prophet, Time and a word The Yes Album (1971): Yours is no disgrace, Starship trooper, I've seen all good people Fragile (1971): Roundabout, South side of the sky, Long distance runaround, Mood for a day Close To The Edge (1972): Close to the edge, And you and I Yessongs (Live-Album, 1973) Tales From Topographic Oceans (1973): The remembering (High the memory), The ancient (Giants under the sun) Relayer (1974): The gates of delirium Yesterdays (Best-Of-Compilation, 1975) Going Fot The One (1977): Turn of the century, Wonderous stories, Awaken Tormato (1978): Madrigal, Onward Drama (1980): Machine messiah, Does it really happen? 90125 (1983): Owner of a lonely heart, Changes, Leave it, Hearts Big Generator (1987): Love will find a way Anderson Bruford Wakeman Howe (1989): Brother of mine, The meeting Union (1991): Masquerade, Lift me up Talk (1994): The calling, Walls Keys To Ascension (1996): Be the one, That that is Keys To Ascension 2 (1997): Foot prints, Children of light Open Your Eyes (1997): Open your eyes, Universal garden The Ladder (1999): Homeworld (The ladder, It will be a good day (The river), If only you knew Magnification (2001): Magnification, Give love each day, Dreamtime, In the presence of Symphonic Live (Live-Album, 2002) Fly From Here (2011) Fly From Here – Return Trip (2028): Fly from here, Pt. I & II, The man you always wanted me to be The Quest (2021): The ice bridge, Future memories Mirror To The Sky (2023): Cut from the stars, All connected, Mirror to the sky Unser Podcast-Tipp in dieser Folge: Vier Töne gegen Stalin / https://1.ard.de/alles-geschichte-schostakowitsch

the immersive phantom of the opera show Masquerade is now playing in NYC and it was QUITE the phenomenal experience!!! spoilers lie ahead

This week the gang infiltrates what they think is well a gang. This should go well. Right? Find out this, and much more this week on WLP Tries Vampire the Masquerade. If you want more content from us consider supporting us on Patreon! Warp Lords is a product of Bandit Gang Entertainment, and the game is used with their permission. Buy the game, take the ride! Buy/Download Warp Lords Here Follow our Sosh-Meds! Warp Lords Podcast Tweeter: @WarpLordsPod Warp Lords Tweeter: @Warplords Warp Lords Facebook: Warp Lords Warp Lords Podcast Patreon: Demand an apology Warp Lords Podcast Tik Tok: @warplordspodcast Credits: GM (Vampire The Masquerade): Devin Malinowski Herbert "Stormin'" Gorman: Mike Danger Vautour Greg Spatcho: Graham Banas Matthew Pettelier: Jared Cryan Music: Jared Cryan Editing: Devin Malinowski Art: Mike "Danger" Vautour If you like what you heard, then please spread the word. Any characters, items, animals, blob monsters, trees, instruments, bad voices, manic lawyers, power tools, pocket pickles or shitty jokes that bear resemblance to another intellectual property or otherwise non-original content are used in parody or satire or other harmless ways and are in no way related to or a depiction of another subject in or around reality. This is a silly podcast with silly people, and is not intended to be taken seriously by anyone in any way.

Robert Janitz (b. 1962, Alsfeld, Germany) is a contemporary painter known for his bold, abstract canvases that balance humor, gesture, and materiality. After studying Sanskrit and art history in Germany, he lived in Paris for many years before relocating to New York and later Mexico City, where he currently lives and works. Janitz is best recognized for his large-scale works featuring sweeping, textured brushstrokes that recall the motion of everyday acts—like buttering toast or polishing shoes—transforming mundane gestures into painterly abstraction. His practice often blends saturated color fields with playful surfaces, exploring perception, language, and the boundaries of painting itself. Over the past two decades, his work has been exhibited internationally in museums and galleries, including solo and group shows across Europe, the United States, and Latin America. His works are part of the permanent collections of the Musée d'Art Moderne de Paris, France; San Francisco Museum of Modern Art, San Francisco, USA; Amorepacific Museum of Art, Seoul, South Korea; the Collezione Maramotti in Reggio Emilia and the Hall Art Foundation, Reading, VT, USA. Robert Janitz, Studio Rats, 2025, Oil, wax, flour on linen, 25 × 20 inches (63.5 × 50.8 cm) Robert Janitz, Masquerade in the Park, 2024, Oil, wax, flour on linen, 25 ½ × 19 ½ inches (65 × 50 cm) Robert Janitz, Camino a Comala, 2024, Oil, wax, flour on linen, 51 × 39 inches (130 × 100 cm)

What if the “practical” reasons holding you back are really just fear in disguise? In this powerful episode of Superhuman Selling, Elyse sits down with Tama Kieves — Harvard Law graduate turned bestselling author and transformational coach — to explore the art of learning to trust yourself. Tama shares her life-changing pivot from corporate success to soul-aligned living, revealing:Why fear often disguises itself as “responsibility” or “practicality”How to recognize and follow the voice of love instead of fearA simple practice to reconnect with your intuition and inner strengthWhy your identity, not your goals, determines your resultsIf you've ever felt stuck, doubtful, or afraid to take the leap, this conversation will help you unlock your next breakthrough. 

Content Warning: This episode contains spooky themes, eerie sound effects, and mild horror elements.When Sarah receives an unexpected invitation to a lavish masquerade at Gothic Manor, she can't resist the pull of mystery and elegance. With her best friend Lily at her side and her brother Mark waiting nearby, she steps into a world of marble floors, glittering chandeliers, and masked strangers who watch her every move.But as the night unfolds, whispers grow darker, shadows grow longer, and Sarah begins to realize that beauty often hides something far more dangerous. Some dances… you can't walk away from.The Last Masquerade is a gothic horror audio drama from Terror Tales, blending romance, suspense, and dread into one unforgettable waltz.Disclaimer: This audio story was inspired by Masquerade: Dance with Death, a scare zone coming to Halloween Horror Nights. It is an original, fan-created work based solely on publicly available information. No details, concepts, or materials were obtained through insider knowledge, and this production is in no way affiliated with or endorsed by Universal Parks & Resorts or Halloween Horror Nights.

The coterie's captive, Torino, answered the call from the Genovese boss. They learned the mafia's farm was expecting a bus to return, so the coterie decided to find it and use it themselves to ambush the compound. While they planned, Genovese called again to demand the reason for the delay, and Torino panicked and claimed they had found gold on the property and were loading it onto the bus. How will the coterie deal with a large group of armed mafiosos now planning to greet them at the gate?  Featuring our Storyteller Ryan LaPlante (@theryanlaplante) alongside Tyler Hewitt (@Tyler_Hewitt), Del Borovic (@deltastic), and Pam Sparrow. Enjoying Canada By Night?- Consider becoming a Patron of Dumb-Dumbs & Dice for as little as $1 a month and gain access to a ton of extra BTS fun (https://www.patreon.com/dumbdumbdice)- Buy merch on our website (https://dumbdumbdice.com/)- Watch us on YouTube (https://youtube.com/@dumbdumbdice)- Follow us on Instagram (https://instagram.com/dumbdumbdice)- Follow us on Facebook (https://facebook.com/dumbdumbdice) Artwork by the brilliant Del Borovic- Website & Portfolio (https://delborovic.com/)- X/Twitter (https://twitter.com/deltastic)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Written by atypicaNarrated by Kelsey RobertsPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0Mentioned in this episode:Patreon liner 1

The coterie gave chase to their fleeing enemies. Val's beast drained one and fully satisfied her hunger before she took another one captive, Martha subdued one by clouding his memory, and Everett captured a third. After Everett eliminated one to scare the others, Val interrogated a very cooperative prisoner who revealed that the mafia's farm was a front, they had been sent to take out Collins Farm, and the boss was about to call to confirm the job was done. Can the coterie deceive the Genovese boss?  Featuring our Storyteller Ryan LaPlante (@theryanlaplante) alongside Tyler Hewitt (@Tyler_Hewitt), Del Borovic (@deltastic), and Pam Sparrow. Enjoying Canada By Night?- Consider becoming a Patron of Dumb-Dumbs & Dice for as little as $1 a month and gain access to a ton of extra BTS fun (https://www.patreon.com/dumbdumbdice)- Buy merch on our website (https://dumbdumbdice.com/)- Watch us on YouTube (https://youtube.com/@dumbdumbdice)- Follow us on Instagram (https://instagram.com/dumbdumbdice)- Follow us on Facebook (https://facebook.com/dumbdumbdice) Artwork by the brilliant Del Borovic- Website & Portfolio (https://delborovic.com/)- X/Twitter (https://twitter.com/deltastic)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We've got a lot of Phantom talk this week, as Masquerade starts performances, and the upcoming tour announces its cast. Your old friends are here this week to recap all the goodness, and give an update on the Maybe Bad Ending.

The boys are back - and this week it's gonna get dark... and when it gets dark, the VAMPS come out and play! Yes, this week we travel back to 1996 to take a close look at the story of Rod Ferrell a.k.a. Vesago the Vampire & the bloody tale of The Kentucky Teenage Vampire Clan Murders. For Live Shows, Merch, and More Visit: www.LastPodcastOnTheLeft.comKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Subscribe to SiriusXM Podcasts+ to listen to new episodes of Last Podcast on the Left ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

‘Mamma Mia’ opens with a bang on Broadway, who’s who in ‘Masquerade,’ Cassadee Pope talks ‘Rolling Thunder’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more

Written by Dr Everett MannNarrated by Kelsey RobertsPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0Mentioned in this episode:Patreon liner 1

Today we're riffing on some new developing Denver stories, and seeking out the winner of our Denver Brunch Fest giveaways! As always, we're also going over our favorite news, sports takes and upcoming events for Denverites this week! Follow RGD: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/real_good_denver/ TikTok: https://www.tiktok.com/@realgooddenver Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com.   Troys Takes   Jodan Addison Suspended   Sanders to start Friday night's preseason opener   Episode 101 for NFL Preview?     Toms Takes   Developing Denver:   $30 Million Dollar Upgrade at Civic Center Park   Part of a $100M dollar downtown plan     Events   Denver Brunch Fest   Jamie XX @ Civic Center Park   Masquerade Party @ Welton Room   Gorgon City, Boiler Room + More @ Civic Center Park   Red Rocks Schedule     Denver Brunch Fest Giveaway on our socials!!!   Music produced by Troy Higgins   Goodboytroy.com

After some initial investigation, Everett and Val got the impression that Nikgen Farms was merely a mortal operation, but Martha and Troy ran back, alerting them to armed assailants approaching from the corn. The enemies refused Everett's call to stand down and the sheriff gave the order to subdue them. Val used her bare hands, and Martha proved to be effective with a firearm and her ability to modify memories. With the remainder of the enemy fleeing, can the coterie capture them and avoid a Masquerade breach?  Featuring our Storyteller Ryan LaPlante (@theryanlaplante) alongside Tyler Hewitt (@Tyler_Hewitt), Del Borovic (@deltastic), and Pam Sparrow. Enjoying Canada By Night?- Consider becoming a Patron of Dumb-Dumbs & Dice for as little as $1 a month and gain access to a ton of extra BTS fun (https://www.patreon.com/dumbdumbdice)- Buy merch on our website (https://dumbdumbdice.com/)- Watch us on YouTube (https://youtube.com/@dumbdumbdice)- Follow us on Instagram (https://instagram.com/dumbdumbdice)- Follow us on Facebook (https://facebook.com/dumbdumbdice) Artwork by the brilliant Del Borovic- Website & Portfolio (https://delborovic.com/)- X/Twitter (https://twitter.com/deltastic)

n the strange world we're currently living in, roles are being played as tactical instruments. Official covers come into play so operators can blend into civilian life. These are not harmless acts. Gaining proximity to targets is key. Some start as anti=establishment fixers. Betrayal can be a strategy that is all dressed up. Celebrity influencers are no longer widely trusted. Some people wake up in the morning scheduling their trend. Who planted doubts while they were boxed into a hole? We have all the archive feeds from burner phones. The people will soon have audit information too. Five old ladies having a chat about disruption. How is everyone going on vacation right now? Christoper Wray gets a brand new wrap. The clergy in other nations has been played. Why are they always making things about religion? Because it triggers people. Some GROK manipulation is useful. Truth seeking and analytical rigor is built in. Weaponizing AI branding is all the rage. Some health issues and related discussion. It's OK to treat yourself to simple luxuries. Enjoy life, it's a trend. Remember people are not who they say they are. Above all, trust your gut and have faith. Right now, believing in yourself is as important as ever.

Two crew members aboard a spaceship en route to Venus are thrust into fatal danger after a meteor strike severely depletes their oxygen reserves; it becomes clear there isn't enough to support both of them for the journey… one one will survive, the other will perish in the cold of space. Hear the tale from CBC Mystery Theater with “The Breaking Strain” by Arthur C. Clarke! | #RetroRadio EP0477Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Killer's Helper” (September 07, 1976)00:45:31.449 = CBC Mystery Theater, “The Breaking Strain” (1968) ***WD01:13:07.073 = Chet Chetter's Tales From the Morgue, “Interface To Terror” (1992) ***WD01:40:48.885 = The Clock, “Deadlier Than The Male” (September 25, 1947) ***WD02:07:45.163 = Creeps By Night, “Strange Burial of Alexander Johnson” (July 13, 1944)02:37:15.657 = The Crime Club, “Topaz Flower” (April 24, 1947)03:07:11.733 = CBC Deep Night, “The Intercom” (July 15, 2005)03:41:09.673 = The Devil and Mr. O, “House Is Haunted” (December 31, 1971) ***WD04:09:50.620 = Dimension X, “First Contact” (September 08, 1951)04:32:08.552 = The Strange Dr. Weird, “Secret Room” (February 13, 1945) ***WD04:43:58.444 = The Creaking Door, “Face To Face Music of the Spheres” (1964-1965) ***WD05:08:29.698 = The Eleventh Hour, “Sixth Sense Survivor” (1959-1971)05:33:04.990 = Escape, “A Tooth For Paul Revere” (July 04, 1948)06:02:30.977 = Murder By Experts, “The Big Money” (July 25, 1949)06:31:56.698 = Exploring Tomorrow, “Scionic Uranium Prospector” (July 09, 1958) ***WD06:51:03.491 = Dark Fantasy, “Letter From Yesterday” (May 01, 1942) ***WD07:15:10.541 = Diary of Fate, “Rollie Andrews” (August 03, 1948) ***WD07:42:07.593 = Fear on 4, “Invitation To The Vaults” (1988-1992)08:10:50.029 = 5 Minute Mysteries, “The Masquerade” (late 1940s)08:15:47.485 = Tales From The Tomb, “Do You Know Where The Children Are” (1960s)08:20:57.904 = Future Tense, “With Folded Hands” (May 14, 1974) ***WD08:49:20.216 = BBC Ghosts From The Past, “Mortmain” (April 22, 1992)09:33:24.032 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0477

Larry BarraganNo talk of Texas metal is complete without mention of Houston legends, Helstar. With upcoming new album “The Devil's Masquerade” on deck, founding guitarist Larry Barragan joins us to discuss the band's 40-year legacy, the healing power and emotional pull of heavy music, the early days of tape trading, sharing stages with King Diamond, Megadeth, Anthrax, Fates Warning and others, and why Angel Witch rules (smoke breaks and all)! Created and Produced by Jared Tuten

Written by Harry BlankNarrated by Kelsey RobertsPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0

Welcome back to WLP Tries Vampire the Masquerade you little vampire freak. This week the party starts to make themselves seem useful. Results vary. Find out this, and much more this week on What we do in the Shadows of the U-Mall. We release new episodes every Wednesday morning! If you want more content from us consider supporting us on Patreon! Warp Lords is a product of Bandit Gang Entertainment, and the game is used with their permission. Buy the game, take the ride! Buy/Download Warp Lords Here Follow our Sosh-Meds! Warp Lords Podcast Tweeter: @WarpLordsPod Warp Lords Tweeter: @Warplords Warp Lords Facebook: Warp Lords Warp Lords Podcast Patreon: Demand an apology Warp Lords Podcast Tik Tok: @warplordspodcast Credits: GM (Vampire The Masquerade): Devin Malinowski Herbert "Stormin'" Gorman: Mike Danger Vautour Greg Spatcho: Graham Banas Matthew Pettelier: Jared Cryan Music: Jared Cryan Editing: Devin Malinowski Art: Mike "Danger" Vautour If you like what you heard, then please spread the word. Any characters, items, animals, blob monsters, trees, instruments, bad voices, manic lawyers, power tools, pocket pickles or shitty jokes that bear resemblance to another intellectual property or otherwise non-original content are used in parody or satire or other harmless ways and are in no way related to or a depiction of another subject in or around reality. This is a silly podcast with silly people, and is not intended to be taken seriously by anyone in any way.

Written by local lesbian commieNarrated by Kelsey RobertsPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0

Written by battlecruiser12Narrated by Kelsey RobertsPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0Mentioned in this episode:Patreon liner 2

Will is joined by Meg and Jessica from Desperately Seeking the 80s. Will shares the unlikely, but true, story of Masquerade, the book that changed gaming.In 1979, a seemingly innocuous picture book actually concealed clues to the location of a golden prize. Once the secret was out, it inspired a real-life treasure hunt, a decade-long scandal, and a genre of video games that followed.0:00 - Introduction12:27 - Masquerade1:19:50 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowRead our new book Totally Bogus (But True) Tales from the 1980s!

Meg watches Harvey Pekar and David Letterman's unlikely bromance blossom and bust. Jessica takes us on a journey with the creation of the wildly popular Choose Your Own Adventure books.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

This week on The Marvelists Eddie Wilson sits down with Sean Fernando, a key organizer of ConnectiCon, to dive into all things Marvel and geek culture as they gear up for the upcoming ConnectiCon XXII in Hartford, Connecticut! Taking place from July 17-20, 2025, at the Connecticut Convention Center, this multi-genre pop culture convention is a must-attend for Marvel fans and beyond. Eddie and Sean discuss what attendees can expect, from star-studded guest appearances to immersive panels, cosplay showdowns like the Masquerade and Cosplay Chess, and a vibrant Artist Alley. Want to join the fun? Sean shares how to snag tickets through the official ConnectiCon website at https://connecticon.org, with early bird passes available now! Tune in for an action-packed conversation about why ConnectiCon is Connecticut's ultimate pop culture celebration and get ready for an unforgettable weekend! Follow The Marvelists on X and Instagram @TheMarvelists and support the show at http://www.patreon.com/themarvelists.

Welcome to TalkBricks Masters - A LEGO Masters Weekly Recap Podcast! This week Michael (from the LEGO YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TalkBricks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) is joined by former contestants, Mel (S1) & Moto (S2) to talk through Episode 5 of Season 7! We break down each of the builds to see which builds were fit to be the talk of the party and which wouldn't make the guest list!Check out our social media to send along questions for our future guests - @TalkBricks on all social media platforms!

Written by MontagueEtc Narrated by Kelsey RobertsDr. ████ - Nox Tenholderhttps://bsky.app/profile/nonathetenth.bsky.socialPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0

This week on the show it's a hangout show as members of the NoPro Review Crew — namely Toronto curator Katrina Lat, New York correspondent Nicholas Fortugno, our associate producer Parker Sela, and catching up part way through NYC curator Allie Marotta as we chat about a whole lot of things including the brisk sales on Masquerade — that's the immersive Phantom of the Opera that goes into previews next month, Tribeca Immersive, Voidspace Live, and whatever else tickles our fancy.SHOW NOTESMasqueradeTribeca ImmersiveVoidspace LiveToronto FringeFairyland Summer Solstice Ceremony at the ApothecaryThe Next Stage Immersive Summit Hosted on Acast. See acast.com/privacy for more information.

 Listen to the Show Right Click to Save GuestsTex Arts Bye Bye BirdieFly Unfeathered Divine Carnival What We Talked About   Etoile Evita Balcony Scene Sandy Knox Suff's for High School Masquerade Come back to the five & Dime Jimmy Dean The Bro Show Jynx Monsoon – Oh Mary New Hampshire funding! Jimmys Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Written by rottingraisins Narrated by Kelsey RobertsSylvia Shell - Maldwyn Giannakodimoshttps://x.com/maldwyn_voPatronsYamtagglerCarbon281Andrew FarrPhyrexianNinjaMichael Vejlø TerkelsenCealenKeely WoodTanisRulerOfAllXHAWK77XAgent__MaxwellProCupidineNataSupport our work with them at patreon.com/scpunredactedUn[REDACTED] community links: YouTube: https://bit.ly/unredactedyoutubeSpotify: https://spoti.fi/3mNCLulTikTok: https://www.tiktok.com/@scpunredactedDiscord: https://bit.ly/unredacteddiscordInsta: https://bit.ly/unredactedinstagramTwitter: https://bit.ly/unredactedtwitterCaptivate: https://bit.ly/unredactedcaptivateApple: https://apple.co/3FO8qTYOriginal article located at https://scp-wiki.wikidot.com/scp-8356SCP Un[REDACTED] is a Smooth Cadence Production and is released under CC-by-SA 3.0Mentioned in this episode:Patreon liner 1Patreon liner 2

SaltPOD 0006, Summer 2025 Release date: June 30, 2025 Welcome gamers! If you are a board gamer, a social gamer, or someone who loves RPGs, SaltCON is a place for you. Welcome back to SaltPOD, your dedicated deep dive into the vibrant world of SaltCon and the incredible community that makes it tick! If you're new here, SaltPOD is your backstage pass, your insider scoop, your direct line to all things SaltCON. SaltCON – the biggest and best tabletop gaming convention in the Mountain West! We're here to explore the amazing games, the fantastic people, and the unforgettable experiences that make SaltCon a must-attend event year after year. Get ready to level up your excitement!" This episode we are reviewing all the great things that happened at SaltCON Summer which happened June 6th through the 8th at the Davis Conference Center, in Layton City. The first Summer event is the smallest of the events that happen at the Davis Conference Center, but that does not mean there is a shortage of events and fun to be had. This was still three days that were packed full of RPG events, Board Game events, Social gaming events, and even a tournament or two to be played in. So sit back and let's dig in. We have a lot to talk about. Vendor Hall Some very cool stuff for gaming drinks, games, and gaming accessories. https://www.facebook.com/diethuludimension/ https://www.etsy.com/shop/DiceChaos/ https://wyvernwarfare.com/ https://www.facebook.com/Fictionmobile/ https://binarycocoa.com/ https://aalazersquirrel.com/ https://www.4xpgaming.com/ Hot Games: Andromeda's Edge Cat Blues: The Big Gig Creature Caravan Critter Kitchen Finspan House of Fado SETI: Search for Extraterrestrial Intelligence Slay the Spire: The Board Game Play to Win Games  I played a handful of games from this game on the shelves, there were around 30 games that were there to try out and to get a chance to win them. Even if you just wanted to review the rules and enter to win the game that is an option, but this is a great way to try a game and see if you want to have a chance to win them. https://saltcon.com/summer-play-to-win/ Gaming library A huge game library with over 2500 games to check out and play. Classic games, and new games alike. There were 278 different events the attendees could sign up for.  178 Total RPG events. 85 RPG events 26 Pathfinder events 67 Dungeons and Dragons Adventurers League events Pathfinder Society: Salt of the Ocean Multi Table Event In the Eye of Abendego, the storm has receded just enough to reveal two particularly interesting new sites: one is a wrecked Pathfinder ship and the other an ancient island associated with prophesiers and demons. With some help from an old pirate friend, the Pathfinders are kitted up in order to investigate these two new occurrences, however it seems like she wasn't the only pirate with her eyes on these strange new prizes. The Society will have to face the dangers of sea and storm as they sail to their goal, hoping to beat their rivals to the hidden secrets! This event was played with multiple tables running simultaneously, at multiple level tiers. The Pathfinder Society came out victorious! D&D Adventurers League: Hold Back the Dead Multi Table Event The Adventurer's League had some close calls, and not everyone made it out alive this time... but the dead have been vanquished. For now.  Hold Back the Dead is a multi-table Dungeons & Dragons adventure where heroes must defend a stronghold under siege by an overwhelming undead force. As the tide of the dead rises, players work together across tables to uncover the source of the invasion and prevent an ancient evil from breaking through. Designed for epic coordination and tense decisions, it blends horror, heroism, and high-stakes combat in a dynamic battlefield setting. Playtests for new RPG systems were available at SaltCON Summer with the highlights being  Untold RPG and  Nephilim the Forsaken, brought in by local game designers.  SaltCON End of Summer will have a stronger focus on prototype RPG systems and welcomes game developers to join the SaltCON GameMasters Guild on Discord or Facebook to learn more about bringing their systems to the convention. Total sessions run: 175 Other popular games included Cyberpunk Red, Shadowdark, Call of Cthulhu, Shadowrun, Vampire the Masquerade, The Electric State, BESM, Nimble 2, Dragonbane, DC20, and many more! Game Swap Flea Market Saturday for 2-hours Tournaments Sabacc EventsBroadway Murder Mystery - Groomed for Murder! This was a big hit and will return for End of Summer with rumor of a second game being added. Grilled to Death Nebula: A 4X inspired Big Group Game Tichu around with Danny We had about half of the attendees learning Tichu for the first time, it was really cool to see them pick up strategies after each hand! There were many surprising outcomes, including many successful and unsuccessful Tichu calls, hands that looked certain, than turned upside down, and many laughs. Everyone that I spoke to that was learning for the first time was excited to get the game, and play some more! Blood on the Clock Tower Nine different event and one how to play event Mini Painting Seminar Saturday 1:30 64 total board game events Board Game Events 30 Board Game Events Meeple Nation events 34 Meeple Nation Board Game Events What a way to start the Summer of Gaming. So what is next? SaltCON End of Summer August 29-31 1000 badges Game library RPG area Tons of RPG events Hot Games No-Ship Math Trade Game swap Open all three days Flea Market Saturday 9-10AM Figure Painting  Saturday 12:30 -3:30PM Vendors Reserved tables Four left Next Year SaltCON is adding a Sixth Event. One that will have many people very excited.  SaltCON Cruise August 7-14 Leaving Seattle and cruising up to Alaska and then back to Seattle. Limited to 100 spots Gaming Library Room Block If you have any questions feel free to email us at MeepleNation@gmail.com. We are always excited to hear about new games and exciting events and great times. And with that we have completed another deep dive into the salty goodness of SaltCon! We hope you're as excited as we are for all the fun and games. Remember, SaltPOD is your ongoing connection to these amazing events. But the board gaming adventure doesn't stop here! If you love in-depth discussions, diverse perspectives, and talking about all things board games, be sure to check out our regular podcast, Meeple Nation! There we have episodes serving up fantastic content week after week. Until next time, keep rolling those dice, and we'll see you at SaltCon!"Thanks for listening.   

 Everyone's saying the Masquerade can't survive smartphones, AI, or facial recognition. But what if that's just mortal arrogance talking? In this episode, we break down why vampire society is still untouchable—and how Kindred adapt, evolve, and manipulate modern tech better than most humans ever will. Support the showhttps://linktr.ee/25YearsOfVtM

Charles Cowlam stands out as one of the most remarkable con artists of nineteenth-century America. He talked his way into receiving pardons from both President Abraham Lincoln and Jefferson Davis. Through deception, he secured a role investigating Lincoln's assassination. He preyed on lonely widows, attempted to manipulate a Florida election, and created a secret society to steal money. His cons were as bold as they were relentless. My guest, Frank W. Garmon Jr., has written the definitive book on this colorful charlatan. It's called A Wonderful Career in Crime: Charles Cowlam's Masquerades in the Civil War Era and Gilded Age. The author's website: https://www.frankgarmon.com/ The author's publisher page: https://lsupress.org/9780807182161/a-wonderful-career-in-crime/ Learn more about your ad choices. Visit megaphone.fm/adchoices