Podcasts about Nick Carraway

In this episode, we dive into Don't Sleep with the Dead by Nghi Vo—a haunting, magical companion to The Chosen and the Beautiful. Set in the late 1930s, Nick Carraway is still pretending—about his past, his identity, and his humanity—until a familiar figure from 1922 returns. Dead or not, Gatsby isn't finished with him. A reimagining of The Great Gatsby like you've never heard before.Author ReadsLooking for Hamlet by Marvin W. HuntThe Lies of Ajungo by Moses Ose Utomi

Welcome to a new series of episodes on another wonderful book. It's our first re-read here on Close Reads and it's timely, too, since The Great Gatsby just turned 100 years old! So join in as we discuss what's made F. Scott Fitzgerald's novel last a century, what makes Nick Carraway a compelling narrator, the tragic longing at the nostalgic core of the story, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Nick Carraway emménage à West End Long Island et se trouve rapidement entrainé dans un tourbillon de champagne, de fêtes somptueuses et d'intrigues amoureuses. Les années Folles battent leur plein et au milieu de l'agitation se détache peu à peu la silhouette du mystérieux Gatsby. Amoureux transi, vulgaire criminel ou rêveur malheureux? Qui est l'homme derrière le masque? On va parler rêve américain, dissimulation et aspirations... Envie de venir y penser avec moi? Idée originale Amélie Damelincourt.Musique originale de John LKL.Visuel Clotilde Philippe.ça me fait penser, lire, regarder:The Pretender, The plattersThe Great Gatsby, Francis Ford Coppola, 1974The Great Gatsby, Baz Luhrmann, 2013Tendre est la Nuit, Francis Scott FitzgeraldLes Heureux et les Damnés, Francis Scott FitzgeraldSatisfied, Hamilton, Renée Elise GoldsberryL'homme de la Mancha, La Quête, Jacques BrelHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What if one spontaneous decision could change your life forever? In this week's episode of Manifest Your Bliss, Sofia sits down with special guest Nathan Eichhorn, who shares how he unexpectedly discovered his passion for acting in his mid-twenties. With no prior experience, Nate auditioned on a whim for The Great Gatsby—his favorite story—and landed the leading role of Nick Carraway with The Naples Players community theater.His story is a powerful reminder that passion doesn't always show up when—or how—you expect. Sometimes, it finds you when you're simply brave enough to say yes. Whether you're in a season of transition or still searching for what lights you up, Nate's journey will inspire you to stay open, follow your curiosity, and trust the process of discovering your bliss.

Seidl, Claudius www.deutschlandfunkkultur.de, Lesart

Seidl, Claudius www.deutschlandfunkkultur.de, Lesart

Seidl, Claudius www.deutschlandfunkkultur.de, Lesart

Today, we will discuss the famous book The Great Gatsby by F. Scott Fitzgerald. This story takes us to the 1920s, a time of jazz music, big parties, and fancy clothes in the United States. The Great Gatsby is about a rich and mysterious man named Jay Gatsby. He lives in a huge house and has big parties every weekend, but not many people know much about him. Nick Carraway, Gatsby's neighbor, who has just moved to the area, tells the story. Get the transcript on my website: https://speakenglishpodcast.com/321-the-great-gatsby-for-beginners/

Rob and Scott return to their dialog about modernism, inflation, and F. Scott Fitzgerald's celebrated 1925 novel The Great Gatsby (click here for Part 1). During their conversation, our co-hosts forge connections between the novel's many complications of time and space and the attitudes to money and identity explored in the first part of this mini-series. For instance, they consider The Great Gatsby's unusual manner of imagining the spatial dis/connectedness of West Egg, the ‘Valley of Ashes' and New York City; the strange ways in which characters seem to be passively ‘borne' between these locations; the ambiguous role that bonds of various kinds play in the text; and Nick Carraway's blurry impressionist method of narrating (or accounting for) the events of the story. Along the way, Rob and Scott revisit one of the text's most enduring symbols, the elusive figure of the green light, which burns bright from the end of Tom and Daisy Buchanan's dock on Long Island Sound. Associated both with U.S. money and the marvel of electricity, the novel's green light points to the powers of public provisioning that conduct modern life and serves as a mysterious beacon of hope in which, we're told, Gatsby continues to believe until the end. For Rob and Scott, this green light reveals the novel's “political unconscious,” here understood as the process by which a repressed history of public provisioning nevertheless comes to contour the modern novel's many formal and affective constructions. Finally, our co-hosts point to the U.S. government's mass printing of copies of The Great Gatsby for its G.I.s during WW2, an act of public provisioning that proved foundational for the subsequent widespread popularity of Fitzgerald's book and its canonization of as a classic of American literary modernism. Novel printer go brrr…!Music: “Yum” from “This Would Be Funny If It Were Happening to Anyone but Me” EP by flirting.flirtingfullstop.bandcamp.com/Twitter: @actualflirting

The Great Gatsby by F. Scott Fitzgerald – The ‘Truth' about Gatsby For this week's bedtime storyu we pick up at the end of one of Gatsby's legendary parties which finishes off with a (minor) car accident. We learn more about Nick Carraway's life as you drift off to sleep and Gatsby tells Nick about his life, although is any of it true? We may learn this one day.  Story (02:46)  Find The Great Gatsby by F. Scott Fitzgerald https://www.gutenberg.org/ebooks/64317    Supporting Sleepy Time Tales If you would like to support my work and help keep the podcast available and for free, there are several ways you can support the show. ·        You can support the show as a supporter on Patreon and receive a host of bonuses including Patron only episodes and special edits https://www.patreon.com/sleepytimetales ·        If you're enjoying Sleepy Time Tales and would like to make a financial contribution, but would rather not commit to a monthly payment then you can throw a tip in the jar at paypal.me/sleepytimetales  Patreon Sleep Tight Patrons Jess Chris & Moya Chuck Mysti Roberta Charity Traci Emily Moya Brian Sandra Carla Joseph AY Greg   Please Share If you're enjoying the show, and finding it helps you sleep despite the stresses and strains of your life, the absolute best thing you can do is share it with your friends, families, acquaintances, cellmates etc. Anyone who needs a good night's sleep might benefit. So please share it with the people in your life, whether in person or on social media.   Find The Show Website: sleepytimetales.net Patreon: https://www.patreon.com/sleepytimetales Facebook: https://www.facebook.com/sleepytimetalespodcast/ YouTube: https://www.youtube.com/c/SleepyTimeTales Merch: https://www.teepublic.com/?ref_id=25247 Project Gutenberg Terms of Use https://www.gutenberg.org/wiki/Gutenberg:Terms_of_Use  

Nick Carraway

Actor Noah J. Ricketts joins The Art of Kindness with Robert Peterpaul to discuss playing Nick Carraway in The Great Gatsby with empathy, how an airbnb led to him signing on to Gatsby, kindness vs. niceness and much more. Noah J. Ricketts stars as Frankie in the Golden Globe, SAG and Critics Choice-nominated Showtime series “Fellow Travelers.” Additional TV/Film: “American Gods” (Starz), “High Fidelity” (Hulu); Summoning Sylvia. Broadway: Kristoff in Disney's Frozen, Beautiful: The Carole King Musical and of course The Great Gatsby. Off-Broadway: Omar in To My Girls. CCM Graduate. @noahjrkts Follow Noah: @noahjrkts Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapter 1:Summary of Book The Great Gatsby"The Great Gatsby" by F. Scott Fitzgerald is a novel set in the summer of 1922 on Long Island and in New York City. The story is narrated by Nick Carraway, a young bond salesman from Minnesota who rents a house in the West Egg district of Long Island, an area populated by the newly rich who lack social connections and sophistication.Nick's neighbor is Jay Gatsby, a mysterious and wealthy man who throws extravagant parties every weekend, hoping to attract specific guests. As Nick becomes more acquainted with Gatsby, he learns that Gatsby was born poor and that his real name is James Gatz. Gatsby had previously been in love with Daisy Buchanan, Nick's cousin, when he was a young military officer. Post-war, Gatsby dedicated himself to gaining wealth and social standing to win Daisy back, believing that he could recreate the past through sheer force of will and wealth.Through his connection to Nick, Gatsby rekindles his romance with Daisy, although she is now married to Tom Buchanan, a man of established wealth and social standing, but also arrogant and unfaithful. The reunion leads to an affair between Gatsby and Daisy, which climaxes in a confrontation between Tom and Gatsby in a suite at the Plaza Hotel.The situation becomes tragic when Daisy, driving Gatsby's car, accidentally strikes and kills Tom's mistress, Myrtle Wilson, on their way back from the city. Gatsby decides to take the blame, believing his wealth can shelter him. However, Myrtle's husband, George Wilson, misled by Tom to believe that Gatsby was both his wife's lover and killer, shoots Gatsby dead in his pool before taking his own life.In the wake of the tragedy, Nick is disillusioned with the East Coast's morally corrupt and superficial society. He arranges a poorly-attended funeral for Gatsby, breaks off his relationship with Jordan Baker, a professional golfer and mutual friend, and moves back to the Midwest. The novel concludes with Nick reflecting on the unattainable nature of the American Dream, and how people are relentlessly drawn into a past that is forever out of reach, much like Gatsby with his indomitable hopes and dreams.Chapter 2:The Theme of Book The Great GatsbyCertainly! "The Great Gatsby," written by F. Scott Fitzgerald, is a novel set in the 1920s that explores themes of decadence, idealism, resistance to change, social upheaval, and excess. Here is a brief overview focusing on key plot points, character development, and thematic ideas: Key Plot Points1. Nick Carraway's Arrival: The narrator, Nick Carraway, moves to West Egg, Long Island, to learn about the bond business. He rents a small house next to the mysterious millionaire Jay Gatsby, who throws extravagant parties.2. Daisy Buchanan's Reintroduction: Nick is Daisy Buchanan's cousin and through visiting her, he is reintroduced to her and her husband Tom. Daisy lives in the more fashionable area of East Egg. Daisy and Tom's marriage is troubled, marked by Tom's affair with Myrtle Wilson.3. Gatsby's Parties: Nick attends one of Gatsby's lavish parties and learns that Gatsby is in love with Daisy. They had a romantic relationship before he went to war and she married Tom. Gatsby's primary motive in amassing his wealth and throwing parties was to win Daisy back.4. Gatsby and Daisy's Reunion: Through Nick, Gatsby re-establishes a relationship with Daisy. They begin an affair after Gatsby invites Daisy to his mansion and shows her his wealth.5. The Confrontation: Tensions climax at the Plaza Hotel where Gatsby demands that Daisy declare she never loved Tom, which she cannot do. Gatsby's...

In this episode, we embark on a captivating exploration of F. Scott Fitzgerald's timeless classic, The Great Gatsby. We analyze the novel's prophetic qualities, its commentary on the cyclical nature of history, and its profound insights into the human psyche. Through the lens of Jungian psychology, we examine the anima and animus archetypes embodied by Fitzgerald and his contemporary, Ernest Hemingway, and how their works reflect the eternal struggle between the intuitive and the assertive. We also discuss how The Great Gatsby serves as a powerful warning about the pitfalls of the American Dream and the dangers of becoming trapped in the past. Join us for this illuminating discussion on one of the most influential novels of the 20th century. #TheGreatGatsby #FScottFitzgerald #LiteraryAnalysis #JungianArchetypes #AnimaAnimus #AmericanDream #Modernism #Literature #History #Psychology #Podcast #iTunes #Spotify #Stitcher #GooglePodcasts #Subscribe   The Expansive Decadent Ego of the Animus and the Introspective Bust and Decline of the Anima as Parts of Empire Cultures wax and wane. Empires that seem like part of the cosmos itself fall like gunshot victims into a pool or lines on a bar chart. It is the rare work that can speak to both the sparkle of spectacle and the timeless inevitable real it distracts us from. The Great Gatsby was an immediate success and then forgotten and then rediscovered. It was forgotten because the Jazz age was a, beautiful maybe, but still nearsighted dalliance. Fitzgerald was lumped in with all of the other out of date out of style gaucheness the book was mistaken as a celebration of. It was rediscovered because critics realized the book was like one of those sweetly scented break up notes that is written so beautifully that the dumped sod misreads it as a love letter and puts it with the other love notes unawares. The Great Gatsby was a warning; and you can only hear the warning after the fall. Perhaps half love letter and half kiss off, some part of Fitzgerald knew that his world was ending. The Jazz age was the parodos, or fun act of the ancient Greek tragedy where characters expound humorously against the chorus on the character faults that will undue them against the grinding unwinding of time. Ancient Greece and Rome look the same in the periphery and quite different in focus. Greeks sought to be ideal through archetype where Romans sought reality through realism. Greece, like F. Scott Fitzgerald, dealt in the realm of the anima - the passive, intuitive, and emotional aspects of the psyche. They were comfortable with beauty through vulnerability and had a poetic culture that celebrated poetic introspection. The Greeks were fascinated with the introspective world of the psyche, and their ability to express complex emotions and ideas through symbolic and mythological language. To them archetypes were like platonic forms, or perfect ideals, removed from time. [caption id="attachment_4983" align="aligncenter" width="225"]Ancient Greek Beauty[/caption] Rome, like Fitzgerald's contemporary Ernest Hemingway, was more closely associated with the qualities of the animus - the masculine, assertive, and imperialistic, aspects of the psyche. Roman culture was characterized by its emphasis on law, order, and external appearances of military might. It gave rise to some of the most impressive feats of engineering, architecture, and political organization in the ancient world. The Romans were known for their practicality, their discipline, and their ability to translate ideas into concrete realities. To Rome the aspirational and ideological only mattered in hindsight. [caption id="attachment_4984" align="aligncenter" width="300"]Ancient Roman Beauty[/caption] To a Greek one noticed the archetype or one failed to. To a Roman on created the archetype.  Humans made things real or we didn't. Romans got credit for ideas in a way that Greeks didn't. To a Greek we were glimpsing the inevitable realms of the possible. Time was cyclical. Ideas were external. You didn't have ideas, they had you. For Romans a man came up with the ideas. This is an interesting dichotomy because both ideas are true but paradoxical ways of studying the psyche. All of the early modernists engaged with this dialectic differently. Fitzgerald leaned Greek animistic, Hemingway leaned into the Roman Animus and other contemporaries like Gertrude Stein tried to bridge the divide. There was no way around as literature progressed. Greece and Rome were also deeply interconnected and mutually influential. Greek art, literature, and philosophy had a profound impact on Roman culture, and many Romans saw themselves as the heirs and stewards of the Greek intellectual tradition. At the same time, Roman law, government, and military power provided a framework for the spread and preservation of Greek ideas throughout the Mediterranean world. We need both the anima and animus to be the whole self, effective at wrestling the present and possible together if we are to effectively act on the impending real. The intuition of the anima can let us see the future through dreams of creativity and visions for the possible but the animus is what lets us bring our agency to bear on the present moment. It is easy to hide in either one but miss the both. I read The Great Gatsby in high school and it  was one of the few assigned readings I didn't hate. I wanted to read Michael Crichton and classical mythology primary sources but the curriculum wanted me to slog through things like Nathaniel Hawthorne and Zora Neal Hurston. I enjoyed the points those authors made, criticizing puritanism, and celebrating African American folk culture respectively but I thought the stylism made reading them a slog. The Great Gatsby was simple and I have reflected on it over the course of my life. In high-school I saw Hemingway and Fitzgerald as two halves of the same coin. Fitzgerald was the nostalgic, reflective anima to Hemingway's masculine animus. Hemingway jumped headlong into the morphine promises of modernism. Fitzgerald seemed to reflect on modernity better because he was pulled begrudgingly into it while trying to look further and further back into the past and its inevitabilities of "progress". Most of my friends were manly Hemingway's comfortable in the logos of the accessible real, and I was a navel-gazing Fitzgerald who only felt comfortable cloaked in the mythos of intuitive spaces In Jungian psychology, the concepts of anima and animus are crucial for understanding the inner world of the creative. The anima represents the feminine aspects within the male psyche, while the animus represents the masculine aspects within the female psyche. A healthy integration of these archetypes is essential for wholeness in the personal life behind the creative works. As a therapist I find those and other Jungian concepts usefully to understand why certain people gravitate naturally to things over the course of their life. Fitzgerald's work and life were dominated by his anima, which manifested in his nostalgic yearning for the past, his romantic idealization of women, and his sensitivity to the nuances of emotion and beauty. While these qualities fueled his artistic genius, they also left him vulnerable to depression, addiction, and a sense of alienation from the modern world. It was this alienation from modernism while writing as a modernist that gave Gatsby a timeless predictive quality Hemingway lacks. Ultimately he was able to predict the future as a creative but unable to adapt to it as a man. Hemingway, on the other hand, embodied the over-identified animus - the archetypal masculine energy that values strength, independence, and action above all else. His writing celebrated the virtues of courage, stoicism, and physical prowess, and he cultivated a public image as a rugged adventurer and man of action. However, this one-sided embrace of the animus left Hemingway emotionally stunted, unable to connect deeply with others or to find peace within himself. Hemingway is all bombastic adventure and when the adventure is over there was little left. One of  their other contemporaries, Gertrude Stein seems to have been able to achieve a kind of dynamic balance between her masculine and feminine qualities. This is not to say that she was free from all psychological conflicts or blind spots, but rather that she was able to channel her energies into her work and her relationships in a way that was largely generative, sustainable and life-affirming. Stein's life and work could be seen as an example of the transformative power of integrating the anima and animus within the psyche. Fitzgerald's own insecurities and traumas contributed significantly to his anima-dominated psyche and artistic worldview. Fitzgerald remained haunted throughout his life. Had he lived long enough to encounter Jung's work, Fitzgerald would have likely been profoundly influenced by it. Jay Gatsby seems to be the Jungian archetype of the "puer aeternus" (eternal boy) frozen by an impossible to attain object of desire and a refusal to grow up. A charming, appealing, affecting but ultimately failed visionary chasing red herrings. Fitzgerald himself seemed to go down the same path as other male Jungian's, most notably, James Hillman and Robert Moore, failing to fully "ride the animus" and integrate their assertive energies to manifest changes in their personal lives. All were beautiful artists but not always beautiful men, especially in their end. There seems to be a common thread in these anima over identified men - a childhood trauma that stifles self-expression, which paradoxically fosters a some what  magical, intuitive, visionary ability to see the future. In adulthood, this ability makes one a profound artist, garnering success and a wide audience. However, the external validation and success do not heal the original, still screaming, wound. This disconnect between outer success and the failure of that success to balm the original inner pain that sparked the need for it is something that many artists and depth psychologists of this personality type struggle to reconcile from. In high-school they told me The Great Gatsby was the greatest novel ever written and expected me to believe them. They also told me that getting straight A's meant you were smart, that the hardest working got the highest paid, and that all they really wanted me to do was think for myself. All were clearly lies a sophistic system thought I was better off if I believed. Obviously I had to find out later, pushing 40, that the book was on to something great. Or, maybe you have to see the rise and fall of celebrity and missiles and trends and less obvious lies in your life before you start to get the book as its own second act. Saying The Great Gatsby is a good book is like talking about how the Beatles were a great band or the Grand Canyon is big. It's kind of done to death, and it's even silly to say out loud to someone. Everyone had to read it in high school. To say it is your favorite book instantly makes others wonder if you have read another book that you didn't have to read freshman year. Oh, Hamlet is your other "favorite" book? Thinks the person who knows you have skimmed two books in your life and the test. How do you get the prescience of an extremely simple story at 16? How was anyone supposed to in 1925? The Great Gatsby is, perhaps by accident, not really about what it is about. The Great Gatsby is a worm's eye view of the universe that reminds us that our humanity itself IS a worm's eye view of the universe and that our worms eye view on it and each other is what keeps us sane. Sane and the gears of the spectacle of culture and grinding along out of psychic neccesity. We are a myopic species stuck in our own stories and others' stories, but not on our own terms. We are caught between improv and archetype but never free of either. Both subject to the human inevitable indelible programmed narrative and object of our own make-believe individual freedom from it. The Great Gatsby is a book that you read in high school because you could hand it to almost anyone. It has done numbers historically and currently as a work in translation. It holds up some kind of truth to students in places like Iran who have no experience with prohibition, with alcohol, with American culture as insiders. Yet they still feel something relevant connecting them to the real. It works because the characters are kind of stupid. It works because the moral of the story is, on its face, (and just like high school) kind of wrong. The Great Gatsby did see the future; it just didn't know what it saw. I write about intuition quite a bit on our blog, and the thing that I think makes art interesting is when the work of art sees past the knowledge of the artist making the work. The Great Gatsby gets a lot of credit for being prophetic in that it saw the Great Depression as the end of the Jazz age, but it did so because Fitzgerald was seeing his own end. Fitzgerald was severely alcoholic during prohibition, delaying his own deadlines for the novel that almost didn't get there with excuses to his publishers. What would he become after the Volstead Act was repealed? What would the country become after the economic bender that the upper class threw for itself in front of masses that were starving? The power of the novel is when it knows that empires rise and fall. It's when it knows that the valley of ashes is watching your yellow car speed by with dull sad eyes. It's power is in knowing the feeling that when you get what you want, you don't really deserve it, or maybe it doesn't deserve you. Maybe it implies that time is something that we use, tick by tock, as a proxy for meaning because we fundamentally "fumble with clocks" like Gatsby and can't understand time. We need our history and our idolatry of the past to make meaning, but when the lens for our meaning-making remains fixed, the world becomes a pedestal to dark gods demanding the worship of the past at the expense of the future. As a man or a nation, we are bound to hit someone if  we look in the rearview mirror to long. The green light on the dock is a symbol that we mistake for the real thing and "take the long walk of the short dock". With this dishonest relationship to time, we all become a Gatsby or a Tom. I am not sure which is worse. We either lack all ambition and live to keep up appearances, or we have so much ambition that we become the lie. The "beautiful shirts" are just a glittering, stupid, trendy identity that we nationally put on every couple of years to forget that we're about to sink into another depression. Skinny ties are out and gunmetal is in! makes us never have to look at  the other side of ourselves or our empire. The past gives us meaning and identity even as it slowly destroys us and robs us of those things. We are forced to use it as a reference point even though we know this relationship between us and it is doomed. We cannot stop the need for the next recession in this society any more than we cannot stop the need for the next drawer of trendy clothes. The American Dream is a kind of nightmare, but it is still a dream because it keeps us sleeping through the nightmare we are in. Realization of lost purpose, regret and nostalgia, superficiality, emotional turmoil, or tone deaf foreshadowing are not things you need to look at when movies and wars are inventing such beautiful coverings for our imperial core and rent seeking economy. Why then do we cry? Wake up the organist, we are getting bored. In The Great Gatsby, like in a Dickens novel, the plot is the archetype, and that necessitates a lot of conveniences. That might seem like a point of criticism, but it is also very human. Perhaps these truths become tropes are not faults of the plot or its contrivances but reasons for humanity, namely humans in America, to introspect. As individuals or as a society, we turn our insecurity into some amazing and impossible outcome, and then we, like Gatsby, do that to compensate for what we refuse to accept, what we refuse to change about who we are or where we come from. Jay Gatsby is myopic, but he is too naive to be a narcissist. He is just sort of a dream of himself he forgot he was dreaming. Nothing in Fitzgerald's prose leans into The Great Gatsby being directly interpreted as a dream, but it is one possible interpretation that the novel is a sort of collective dream. There is a Tom Buchanan in all of us also. Someone who would burn the world down just because we can't have the lie that we want others to believe about us anymore. He is a refusal to accept the reasonable limitations that might have prevented the Great depression.  If we can't have the whole world, we will blow the whole world up! That is another tension (still unresolved) that The Great Gatsby saw coming for humanity. The two forces of the lie and the dream are the things that make the boom and bust cycle of recession and surplus that have sustained America, sustain the lie in the individual and the society. but shhhhhhh..... it's a dream not a lie!? Just like highschool the powers that be think that you are better off if you believe it. Greece and Rome are relevant details to this reflection on a novel because neither one would have really mattered to history without the other half. Greece invented the culture and religious structure and Rome became the megaphone to amplify expansion of that culture. We study them as highschool students but we don't want to see those distinctions even now. The predictive element in Fitzgerald made him live in a timeless present. His assumptions were at worst  Platonic archetypes where all characters expressed  endless inevitable cycles. At worst his characters were,Aristotelian ideal of knowledge; where ideas had characters, so  characters could not have ideas. Hemingway lived in a Roman, timeless present. Awareness of cycles of  historical and social forces were not important. Maybe  you identify with his archetypes and maybe not. He could not see through them. America when it needs to do advertising for a new product, movie or war will always side with Hemingway. I guess The Old Man and The Sea always feels important, to the individual, but it lacks relevance to the pathos and later deimos that society needs to really introspect well. God is still a broken-down billboard, and only the stupid or the insane in America can recognize God for what he is. If God is happy with what he sees, we clearly are to distracted to notice Him. If god is unhappy, then he does not approve of my America, so he must not be really be God. This is the double bind that the eyes of T.J. Eckleburg, long out of business, put us in. Love me, and you must not be infallible; dislike me, and you must be wrong. Fitzgerald ended his novel, but not his life, on the right note. Listen up creatives. And so we beat on, boats against the current. Ceaselessly borne back into the past. How do you end yours? How do you live it. You read it at 16 but how old are you now? The narrator, Nick Carraway, is a perfect observer because he is hopelessly naive, knowing nothing about human life or experience. He learns all of it in the course of a few days from the terrible follies of the gods of his world - the complete pantheon of all the most powerful forces of the '20s, the real, the now. The traditional historic "blue cover" of The Great Gatsby juxtaposes the face of a '20s flapper with the skyline of a city lit for celebration. The flapper's face is studded with the traditional burlesque Cleopatra makeup that already juxtaposes a beauty mark with a teardrop. In the cover, the rising celebration of a firework becomes a teardrop falling. Is up and down forever really the same direction?, the book asks you before you open it. The Wall Street Journal tells you that same thing today in more words. Fitzgerald never found a way to see past himself, even when he wrote those truths in his fiction.  He ended his career in Hollywood, helping better screenwriters by coasting on his reputation from the book that became a meteoric firework. In the end, he became a cautionary tale, a reminder that even the most gifted among us are not immune to the ravages of trauma and addiction masquerading as intuition and artistry and the weight of unfulfilled dreams. What does Nick do with his when the book ends in the Autumn of 22? Did he make it out of the Autumn Summer cycle of New York? Do we? Summary of Key Points for SEO purposes: The Great Gatsby speaks to both the sparkle of spectacle and the timeless inevitable reality it distracts us from. It was initially successful, then forgotten, and later rediscovered as a prescient warning. The essay compares ancient Greek and Roman cultures to the anima and animus in Jungian psychology. It posits that F. Scott Fitzgerald embodied the anima while Ernest Hemingway embodied the animus. A healthy psyche requires integrating both. Fitzgerald's own traumas and insecurities contributed to his anima-dominated psyche. His life and work, especially the character of Jay Gatsby, seem to align with the Jungian archetype of the "puer aeternus" (eternal boy). The essay argues The Great Gatsby is prophetic in foreseeing the end of the Jazz Age and the coming Great Depression, even if Fitzgerald didn't fully comprehend the implications of his own novel. The novel's enduring appeal lies in its simple yet profound truths about the human condition - our need for meaning from the past, the dangers of living in a dream or lie, the inevitable boom and bust cycles of individuals and societies. The essay suggests The Great Gatsby can be interpreted as a collective dream, with Jay Gatsby representing naive ambition and Tom Buchanan representing entitled destruction. Ultimately, Fitzgerald became a cautionary tale, showing that even the most gifted are not immune to unfulfilled dreams and inner demons. The novel asks if we can break free of the cycles of our pasts. The eyes of Dr. T.J. Eckleburg on the billboard are interpreted as a symbol of a broken-down God, whom only the stupid or insane in America can recognize for what he truly is. The essay suggests that if God is happy with what he sees, people are too distracted to notice Him, and if God is unhappy, then He must not approve of America, and therefore cannot really be God. This creates a double bind for the characters and readers, forcing them to either accept a fallible God or reject a disapproving one. The American Dream is portrayed as a nightmare that keeps people asleep, preventing them from confronting the harsh realities of their lives and society. The essay argues that the need for the next economic recession is as inevitable as the need for the next trendy fashion. The essay points out that the plot of The Great Gatsby relies on archetypes and conveniences, which might seem like a flaw but actually reflects the human tendency to seek meaning in familiar patterns and narratives. The eyes of Dr. T.J. Eckleburg on the billboard are interpreted as a symbol of a seemingly absent or indifferent God, who either approves of the characters' actions or is powerless to intervene. This creates a double bind for the characters and readers alike. The essay emphasizes the importance of the novel's narrator, Nick Carraway, as a naive observer who learns about the complexities and tragedies of life through his encounters with the other characters. His journey mirrors the reader's own process of disillusionment and realization.  

It's been 50 years since the release of the 1974 film adaptation of F. Scott Fitzgerald's novel, THE GREAT GATSBY. Highlighting the 50th anniversary of the 1974 version of THE GREAT GATSBY is another opportunity to talk with author and professor of English Emily Bernard about this 1920s novel adapted for film and the themes that continue to resonate with our own times. Our conversation with Emily about the film adaptation of Nella Larsen's 1929 novel PASSING in episode 2 of the podcast, remains one of our most popular listens. Directed by Jack Clayton, and featuring Robert Redford as Jay Gatsby, Mia Farrow as Daisy Buchanan, and Sam Waterston as Nick Carraway, the film is a window into the roaring 1920s or the "Jazz Age," as Fitzgerald is credited for coining the phrase. The story is also a mirror on American social constructs for wealth, class, and illusion, as well as the destructive power to recapture the past. ----- Notes: "Negro" is used in its proper historical context in this conversation. *Spoiler alert* for persons who've never seen any film or television adaptation of F. Scott Fitzgerald's book "The Great Gatsby," or read the book. ----- Download the Transcript for Episode 50 PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. 0:08 - Opening 1:22 - Intro to THE GREAT GATSBY novel and film  6:11 - Intro to Emily Bernard, Professor, Scholar, Writer 16:12 - Wealth, power, identity, and narcissism in Fitzgerald's Novel 23:05 - Place and Identity in "The Great Gatsby" 24:48 - New York as symbol in F. Scott Fitzgerald's "Jazz Age" 31:12 - Race, identity, and adaptation 36:00 - American Class distinctions and the "American Dream" 41:14 - Daisy Buchanan, "the great white beauty" 47:55 - Break 48:00 - George Wilson, "true victim" in "The Great Gatsby" 57:07 - Race and performance in literature 58:01 - Class and "passing" in "The Great Gatsby" 1:02:25 - Authenticity and celebrity: Do we know what it means to be "natural?" 1:08:02 - Blackness, identity and cultural appropriation in 1920s America 1:11:59 - Race, power and privilege in literature and film 1:16:09 - Lothrop Stoddard, WEB DuBois, and legacy of racial  eugenics 1:20:21 - Gatsby's end (spoiler alert) 1:28:04 - "The Great Gatsby" film adaptations 1:30: 22 - Closing 1:31:51 - Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

www.taletellerclub.comRevisiting the Timeless Elegance of "The Great Gatsby" by F. Scott FitzgeraldIn the annals of American literature, few works stand as iconic and enduring as F. Scott Fitzgerald's masterpiece, "The Great Gatsby." First published in 1925, this novel has transcended time and continues to captivate readers with its timeless themes, vivid characters, and exquisite prose.Set in the prosperous Jazz Age of the 1920s, "The Great Gatsby" transports readers into the glamorous world of Long Island's elite, where wealth, excess, and ambition collide. At the heart of the story is Jay Gatsby, a mysterious and enigmatic millionaire who throws lavish parties in hopes of winning back the love of his life, Daisy Buchanan. Through the eyes of narrator Nick Carraway, we are drawn into Gatsby's glittering but ultimately tragic pursuit of the American Dream.One of the most striking aspects of Fitzgerald's novel is its portrayal of the American Dream and its disillusionment. Gatsby, with his humble beginnings and relentless drive for success, embodies the belief that anyone can rise from obscurity to greatness in America. However, as the story unfolds, we come to realize that Gatsby's wealth and status cannot buy him the happiness and fulfillment he seeks. His obsession with the past and his inability to accept the passage of time ultimately lead to his downfall, serving as a poignant commentary on the emptiness of materialism and the fleeting nature of success.Central to the narrative is the theme of love and longing, particularly Gatsby's unrequited love for Daisy. Their relationship, marked by passion, deception, and tragedy, serves as a powerful symbol of the complexities of human desire and the consequences of holding onto illusions. Fitzgerald's exploration of love and social class resonates just as strongly today as it did nearly a century ago, reminding us of the universal truths that lie at the heart of human experience.Equally compelling are Fitzgerald's characters, each intricately drawn with depth and complexity. From the enigmatic Gatsby to the shallow and disillusioned Daisy, to the morally bankrupt Tom Buchanan, the novel is populated with unforgettable personalities who reflect the contradictions and complexities of the Jazz Age society. Through their interactions and conflicts, Fitzgerald paints a vivid portrait of a world on the brink of change, where old traditions clash with modern aspirations, and the pursuit of happiness often leads to despair.Beyond its thematic depth and rich characterizations, "The Great Gatsby" is celebrated for its exquisite prose and lyrical style. Fitzgerald's writing is imbued with a sense of poetry and rhythm, capturing the beauty and the tragedy of the human condition with remarkable precision. His descriptive passages evoke the opulence and decadence of the era, transporting readers to a time and place that is both enchanting and haunting.In conclusion, "The Great Gatsby" endures as a timeless classic that continues to resonate with readers of all ages. Through its exploration of themes such as the American Dream, love, and the passage of time, Fitzgerald's novel offers profound insights into the human experience that remain as relevant today as they were in the Roaring Twenties. As we revisit this literary masterpiece, we are reminded of the enduring power of great literature to illuminate the depths of the human soul and to transcend the boundaries of time and space.

The Great Gatsby is a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan.

"El gran Gatsby" es una novela escrita por el autor estadounidense F. Scott Fitzgerald y publicada por primera vez en 1925. La historia está ambientada en la década de 1920, durante la llamada "Era del Jazz" o los "locos años veinte", un período caracterizado por la prosperidad económica, la extravagancia social y cultural, así como por un cambio significativo en las actitudes y valores de la sociedad estadounidense.La trama de la novela se desarrolla en Long Island, Nueva York, y está narrada por Nick Carraway, un joven graduado de Yale que se muda a West Egg para trabajar en el negocio de bonos. Nick se convierte en vecino de Jay Gatsby, un enigmático y adinerado hombre que organiza lujosas fiestas en su mansión pero que guarda secretos sobre su pasado.Support this podcast at — https://redcircle.com/audio-libros-master/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"El gran Gatsby" es una novela escrita por el autor estadounidense F. Scott Fitzgerald y publicada por primera vez en 1925. La historia está ambientada en la década de 1920, durante la llamada "Era del Jazz" o los "locos años veinte", un período caracterizado por la prosperidad económica, la extravagancia social y cultural, así como por un cambio significativo en las actitudes y valores de la sociedad estadounidense.La trama de la novela se desarrolla en Long Island, Nueva York, y está narrada por Nick Carraway, un joven graduado de Yale que se muda a West Egg para trabajar en el negocio de bonos. Nick se convierte en vecino de Jay Gatsby, un enigmático y adinerado hombre que organiza lujosas fiestas en su mansión pero que guarda secretos sobre su pasado.Support this podcast at — https://redcircle.com/audio-libros-master/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"El gran Gatsby" es una novela escrita por el autor estadounidense F. Scott Fitzgerald y publicada por primera vez en 1925. La historia está ambientada en la década de 1920, durante la llamada "Era del Jazz" o los "locos años veinte", un período caracterizado por la prosperidad económica, la extravagancia social y cultural, así como por un cambio significativo en las actitudes y valores de la sociedad estadounidense.La trama de la novela se desarrolla en Long Island, Nueva York, y está narrada por Nick Carraway, un joven graduado de Yale que se muda a West Egg para trabajar en el negocio de bonos. Nick se convierte en vecino de Jay Gatsby, un enigmático y adinerado hombre que organiza lujosas fiestas en su mansión pero que guarda secretos sobre su pasado.Support this podcast at — https://redcircle.com/audio-libros-master/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

World-renowned and very clever Professor of Short Books, Douglas Ullard...along with his Twenty-Two Minute and Seventeen Second Classic Literature Audio Armchair Theatre Company (or TTMASSCLAATC) brings you F. Scott Fitzgerald's great classic, but short, literary "masterpiece" in just...well...twenty-two minutes and seventeen seconds.  So, if you're trying to look smart in front of your friends and family, but you just don't have the hours it takes to read a classic novel - even one as short as "The Great Gatsby"…then, don't worry…we've done all the hard work for you. In the first of seven episodes of Abridgd...Too Far's inaugural season, The Great Gatsby is brought to you in glorious clarity that the original novel seems to sometimes lack. So sit back and listen. Cast: Ben Starr as Tom Buchanan and others Caroline Rodgers as Daisy Buchanan and others David Menkin as Nick Carraway and others Julien Ball as Wilson and others Stacha Hicks as Myrtle and others Barbara Barnes as Jordan Baker and others With a special introduction by the Professor himself, Douglas Ullard. Written by David Spicer Directed by John Schwab and David Spicer Audio Production by John Schwab

En el primer capítulo de "El gran Gatsby," conocemos a Nick Carraway, el narrador de la historia. Proviene de una familia rica en el Medio Oeste y se ha mudado a Nueva York para adentrarse en los negocios. Vive en West Egg, cerca de la famosa mansión de Jay Gatsby. Es invitado a cenar en la casa de su prima Daisy y su esposo Tom, quienes viven en East Egg. Durante la cena, se revelan tensiones en la relación de Tom y Daisy, y Tom muestra actitudes racistas. Al final de la velada, Daisy confiesa su deseo de que su hija sea "bella y tonta", destacando sus valores superficiales.Puedes escuchar la novela completa en nuestro canal de youtube: El Gran Gatsby de F. Scott Fitzgerald

In this smart, sensitive, and faithful adaptation of F. Scott Fitzgerald's masterwork, the ill-fated relationships between a mysterious big spender; a young, married socialite; and their bevy of privileged friends are given center stage. Host Jo Reed and AudioFile's Robin Whitten discuss this audio theater adaptation of the classic, with the action driven by the characters talking to one another. And what talk it is. Rufus Sewell finds the tender bravado of Jay Gatsby, who is seeking to win back Daisy Buchanan, played with aching sublimity by Sarah Drew. Nate Corddry, playing Jazz Age narrator and sidekick Nick Carraway, deftly delivers some of Fitzgerald's most celebrated passages of heightened prose. Read the full review of the audiobook on AudioFile's website. Published by L.A. Theatre Works. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Zachary Levi, Kathie Lee Gifford, Max Lucado, Willie Nelson, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews  and in The New Yorker's Briefly Noted column.The Great Gatsby is running at the Paper Mill Playhouse in Millburn, NJ through November 12th. Find out more at www.papermill.org. The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Join for FULL exercises! https://www.youtube.com/c/IELTSRyan/join Get the free newsletter! https://www.ieltsielts.com/ Describe a book that had a significant impact on you. Please say: -What the book was about -When and where you read it -Why it had a significant impact on you -And say whether you would you recommend this book to others A book that I found impactful is "The Great Gatsby" by F. Scott Fitzgerald. I first encountered this book during my university years while studying literature. It's not very long, so I was able to read it in one afternoon in my university's library. The book had a significant impact on me due to its themes and the portrayal of the characters' aspirations and shortcomings, which I found very relatable. It delves into the lives of Jay Gatsby, a self-made millionaire who is known for his extravagant parties, and Nick Carraway, the narrator who becomes entangled in Gatsby's world. I really enjoyed how the book uses a story to examine topics such as the elusive nature of happiness and the limits of wealth and opulence. For example, despite his wealth, Jay Gatsby is unable to change the past and rekindle his relationship with a woman named Daisy. This leaves him in a permanent state of sorrow and sets up other events in the story that provide a fascintating exploration of the complexities of human nature. I would definitely recommend "The Great Gatsby" to others. The novel's timeless themes of wealth, aspiration, and the human desire for something more make it a captivating and thought-provoking read. It continues to resonate with readers of all generations, and I feel it invites them to reflect on their own ambitions and the meaning of success in the modern world.

In tonight's Sleep Hypnosis, Jessica will be reading an excerpt of Great Gatsby, the story of Nick Carraway, a young man who moves to Long Island, and lives next to a mysterious millionaire, Jay Gatsby, who is obsessed with reconnecting with his old flame, Daisy. So relax, and let her voice guide you to relaxation. As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis. Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe 

Tonight, we'll read an excerpt from “The Great Gatsby,” a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, the novel depicts narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan. This episode first aired in June of 2021. The novel was inspired by youthful romance and riotous parties the author had recently experienced. “The Great Gatsby” was a commercial failure that many critics thought was sub-par to Fitzgerald's previous work. Now, it is widely considered to be a literary masterwork and a contender for the title of the Great American Novel. — read by V — Support us: Listen ad-free on Patreon Get Snoozecast merch like cozy sweatshirts and accessories

Exploring the Core Ideas: The Great GatsbyChapter 1 A In-Depth Summary and Review of The Great GatsbyThe Great Gatsby is a novel that explores the excesses and decadence of the Jazz Age, as seen through the eyes of Nick Carraway, a young man who becomes drawn into the world of the wealthy elite on Long Island. At the center of the story is Jay Gatsby, a mysterious and reclusive millionaire who throws extravagant parties in an attempt to win back his lost love, Daisy Buchanan. As Nick becomes more involved in Gatsby's world, he begins to uncover the truth about Gatsby's past and the unsavory characters that surround him. Filled with themes of love, wealth, and the American Dream, The Great Gatsby is a timeless classic that continues to captivate readers with its vivid prose, memorable characters, and haunting imagery. F. Scott Fitzgerald's masterful storytelling captures the spirit of the era while also exploring deeper questions about the human condition and the nature of desire.Chapter 2 The Life and Career of Francis Scott Fitzgerald: The Master Strategist Behind The Great GatsbyThe life of Francis Scott Fitzgerald, author of The Great Gatsby, was a tumultuous journey marked by both triumph and tragedy. Born in 1896, Fitzgerald grew up in St. Paul, Minnesota, and attended Princeton University. After college, he moved to New York City and began writing stories that captured the spirit of the Jazz Age. His breakthrough came with the publication of This Side of Paradise in 1920, which made him a literary sensation overnight. Throughout his career, Fitzgerald struggled with alcoholism, failed relationships, and financial difficulties. After a period of decline, he died in Hollywood, California, in 1940, at the age of 44. Despite his personal struggles, Fitzgerald's legacy as one of America's greatest writers lives on. His novels and stories continue to be read and admired for their vivid prose, incisive commentary on American culture, and enduring themes of love, loss, and the search for meaning in life.Chapter 3 Dissecting The Great Gatsby: An Insightful Chapter-by-Chapter SummaryChapter 1: The novel opens with Nick Carraway moving to West Egg, Long Island, and attending a dinner party hosted by his cousin, Daisy Buchanan, and her husband, Tom. Nick also meets Jordan Baker, a professional golfer, and learns about Tom's extramarital affair. Chapter 2: Tom takes Nick to visit his mistress, Myrtle Wilson, in the valley of ashes. They attend a party at Myrtle's apartment, where tensions rise and violence erupts. Chapter 3: Nick attends one of Gatsby's extravagant parties, which epitomize the excesses and decadence of the era. Chapter 4: Gatsby invites Nick to lunch and shares details about his mysterious past, including his rise to wealth and his desire to win back Daisy. Chapter 5: Gatsby finally reunites with Daisy, and their reunion is both romantic and fraught with tension. Gatsby shows Daisy his mansion and his extensive collection of shirts, leading to a memorable scene. These chapters offer just a glimpse into the rich tapestry of characters, themes, and motifs explored in The Great Gatsby, making it an essential read for anyone interested in American literature.Chapter 4 A Comprehensive Guide to The Great Gatsby Audio Book Notes for Mastery1. Pay attention to the narrator's voice and intonation. The quality of the narration can greatly impact your enjoyment of the story.2. Listen for the descriptions of...

Hörspiel nach dem gleichnamigen Roman von F. Scott Fitzgerald. Nick Carraway, sprachbegabter Finanzberater, verlässt den Mittleren Westen und kommt 1922 nach Long Island in die Welt des Glamours und der Laszivität, des Jazz und der Kriminalität. Direkt neben Nicks bescheidenem Häuschen residiert ein gewisser Jay Gatsby. In dessen prächtiger Villa feiert sich allwöchentlich der Geldadel New Yorks, Glamour Girls und Wirtschaftsbosse, Hollywood-Stars und Möchte-Gern-VIPs. Der Gastgeber selbst ist ein wandelndes Mysterium. Später erst wird klar: Gatsby ist ein klassischer Parvenü, involviert in dubiose Geschäfte und im wahrsten Sinne des Wortes liebeskrank. Der ganz Prunk – einzig, weil er die Vergangenheit zurückholen will,  Kulissenzauber, kapitaler Einsatz  für eine Frau, die ihn als mittellosen Offizier in den Wind schoss und einen reichen, reaktionären Typen heiratete. Zufällig handelt es sich dabei um Carraways Cousine. Carraway verabredet ein Treffen zwischen den beiden – das Verhängnis nimmt seinen Lauf. Mit Michael Rotschopf (Jay Gatsby), Matthias Bundschuh (Nick Carraway), Sascha Icks (Daisy Buchanan), Marc Hosemann (Tom Buchanan), Julia Riedler (Jordan Baker), Urs Winiger (George Wilson), Birgit Minichmayr (Myrtle Wilson), Wolf-Dietrich Sprenger (Höker), Lola Klamroth (Catherine), Katja Danowski (Mrs. McKee), Peter Lohmeyer (Mr. McKee), Lisa Hagmeister (Mädchen 1), Maria Magdalena Wardzinska (Mädchen 2), Maximilian Scheidt (Mann 1 / Reporter), Wolfgang Häntsch (Mann 3 / Butler 3), Josef Ostendorf (Mr. Owl), Michael Wittenborn (Dirigent / Priester), Christoph Tomanek (Butler / Chauffeur), Tilo Werner (Mann 4), Victoria Fleer (Frau 1), Josefine Israel (Frau 3 / Dame), Markus John (Fahrer / Gärtner), Rainer Homann (Wolfshiem) Übersetzung aus dem Amerikanischen: Bettina Abarbanell Bearbeitung und Regie: Oliver Sturm Regieassistent: Simon Hastreiter Komposition: Sabine Worthmann Technische Realisation: Manuel Glowczewski, Nicole Graul, Sven Kohlwage und Philipp Neumann Redaktion: Susanne Hoffmann Produktion: NDR 2023

Hörspiel nach dem gleichnamigen Roman von F. Scott Fitzgerald. Nick Carraway, sprachbegabter Finanzberater, verlässt den Mittleren Westen und kommt 1922 nach Long Island in die Welt des Glamours und der Laszivität, des Jazz und der Kriminalität. Direkt neben Nicks bescheidenem Häuschen residiert ein gewisser Jay Gatsby. In dessen prächtiger Villa feiert sich allwöchentlich der Geldadel New Yorks, Glamour Girls und Wirtschaftsbosse, Hollywood-Stars und Möchte-Gern-VIPs. Der Gastgeber selbst ist ein wandelndes Mysterium. Später erst wird klar: Gatsby ist ein klassischer Parvenü, involviert in dubiose Geschäfte und im wahrsten Sinne des Wortes liebeskrank. Der ganz Prunk – einzig, weil er die Vergangenheit zurückholen will,  Kulissenzauber, kapitaler Einsatz  für eine Frau, die ihn als mittellosen Offizier in den Wind schoss und einen reichen, reaktionären Typen heiratete. Zufällig handelt es sich dabei um Carraways Cousine. Carraway verabredet ein Treffen zwischen den beiden – das Verhängnis nimmt seinen Lauf. Mit Michael Rotschopf (Jay Gatsby), Matthias Bundschuh (Nick Carraway), Sascha Icks (Daisy Buchanan), Marc Hosemann (Tom Buchanan), Julia Riedler (Jordan Baker), Urs Winiger (George Wilson), Birgit Minichmayr (Myrtle Wilson), Wolf-Dietrich Sprenger (Höker), Lola Klamroth (Catherine), Katja Danowski (Mrs. McKee), Peter Lohmeyer (Mr. McKee), Lisa Hagmeister (Mädchen 1), Maria Magdalena Wardzinska (Mädchen 2), Maximilian Scheidt (Mann 1 / Reporter), Wolfgang Häntsch (Mann 3 / Butler 3), Josef Ostendorf (Mr. Owl), Michael Wittenborn (Dirigent / Priester), Christoph Tomanek (Butler / Chauffeur), Tilo Werner (Mann 4), Victoria Fleer (Frau 1), Josefine Israel (Frau 3 / Dame), Markus John (Fahrer / Gärtner), Rainer Homann (Wolfshiem) Übersetzung aus dem Amerikanischen: Bettina Abarbanell Bearbeitung und Regie: Oliver Sturm Regieassistent: Simon Hastreiter Komposition: Sabine Worthmann Technische Realisation: Manuel Glowczewski, Nicole Graul, Sven Kohlwage und Philipp Neumann Redaktion: Susanne Hoffmann Produktion: NDR 2023

The shape of this story (the film version, anyway) changes dramatically depending on who you think the protagonist is. It's Jay Gatsby, right? Ah, maybe! Or the protagonist could be Nick Carraway! And exactly why are we still reading, watching and studying this story 100 years after it was written? In this week's episode of the Story Nerd podcast, Valerie and Melanie discuss all this and more. Don't miss it!For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircleTo learn to read like a writer, visit Melanie's website: www.melaniehill.com.auFollow Valerie on Instagram and Twitter @valerie_francisFollow Melanie on Instagram, Twitter and Facebook @MelanieHillAuthor

Description Returning guest Charly Kueks joins Joe to discuss F. Scott Fitzgerald’s classic novel The Great Gatsby. One of the great American novels, The Great Gatsby is a modernist novel telling the story of Nick Carraway getting pulled into the … Continue reading →

In this inaugural episode of the Norton Library Podcast, we welcome Anne Margaret Daniel to discuss how F. Scott Fitzgerald came to write his Jazz Age masterpiece. We also explore some of the themes that have captivated readers for over a century—self-improvement and the "American Dream," the power and limits of wealth in the upper reaches of the elite, and the narrative filtering of Gatsby's world through the perspective of outsider Nick Carraway. Anne Margaret Daniel is the editor of the Norton Library edition of The Great Gatsby and teaches literature at The New School University in New York City. She is also the editor of I'd Die For You and Other Lost Stories, Fitzgerald's last previously unpublished short stories, and of the forthcoming selected letters of Zelda Sayre Fitzgerald. The Norton Library edition of The Great Gatsby  features the complete text of the first 1925 edition, along with a selection of earlier short stories by Fitzgerald. To learn more or purchase a copy, go to https://seagull.wwnorton.com/gatsby.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Listen to our Spotify playlist inspired by The Great Gatsby: https://shorturl.at/lorB8.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN. Episode transcript at: https://seagull.wwnorton.com/thegreatgatsby/part1/transcript.

Welcome to Encore our binge reading episode, where we chat to previous guests of the show about their latest releases. And today we're talking to Jillian Cantor about Beautiful Little Fools her re-imagining of an American classic from the viewpoint of the female characters. Hi there. I'm your host, Jenny Wheeler. Jillian last appeared on the show in July, 2021, talking about Half Life the Marie Curie story, the fictionalized story of the famous physicist who won the Nobel Peace Prize twice. You can find that in our backlist at the link below. Today's book, Beautiful Little Fools is rather different. It takes F Scott Fitzgerald's jazz age classic, The Great Gatsby and tells of the critical events in that story through the eyes of the three main women characters, Catherine, Daisy and Jordan. Our free book offer this week is More Historical Mysteries: Top Up on Your Holiday Reading Historical mystery authors have joined together to offer you a great range of choices for free download. https://books.bookfunnel.com/historicalfictionfreebienovember2022/eitpht3ua8 DOWNLOAD FREE HISTORICAL MYSTERIES Links mentioned in this episode: Jillian Cantor on The Joys of Binge Reading, July 2021: https://thejoysofbingereading.com/jillian-cantor-marie-curie-re-imagined/ The Great Gatsby: F Scott Fitzgerald https://www.goodreads.com/book/show/4671.The_Great_Gatsby Beautiful Little Fools: The Book Club Guide  https://tinyurl.com/eu4caf3e Cliff's Notes for The Great Gatsby: https://tinyurl.com/mr3ah9p2 Gatsby Movies: Paul Rudd version: https://www.imdb.com/name/nm0748620/ Leonardo Di Caprio Baz Luhrmann: version: https://www.imdb.com/title/tt1343092/ Daphne de Maurier: Rebecca https://www.theguardian.com/books/2018/feb/23/olivia-laing-on-daphne-du-mauriers-rebecca-80-years-on Where to find Jillian Cantor online: Website: www.jilliancantor.com Instagram: https://www.instagram.com/jilliancantor/ Facebook: @authorjilliancantor Goodreads: https://www.goodreads.com/author/show/1651861.Jillian_Cantor But let's allow Jillian to tell us all about it. Hello there, Jillian, and welcome to the show. It's great to have you back with us. Jillian Cantor: Hi, how are you? Introducing author Jillian Cantor Jenny Wheeler: I'm really good, thank you. Tell us, what's different about your book to the great classic Jillian Cantor: The original Great Gatsby takes place over one summer in this fictional part of Long Island and it's narrated by an outsider, Nick Carraway, who's distantly related to Daisy and becomes enamored with his neighbor, Jay Gatsby, over the summer. And my novel is narrated by the women who are in F Scott Fitzgerald's story, but don't really have much of a voice in it. So the things that Nick tells us about that summer often come up in my novel, but appear very differently from the women's points of view. And my novel also starts in 1917, about five years before the original Great Gatsby and then goes through the summer that The Great Gatsby takes place in. Jenny Wheeler: And by doing that, by adding those extra years, we also get a really clear idea of those women, Catherine, Daisy and Jordan, and how they might be interlinked and also how they are all in the net surrounding Gatsby himself. And that's a fun part of the story, to understand or to be given those interconnections. The women characters get their say Jillian Cantor: That was my fictionalizing, the story. In the original, the women are involved so much in the plot, the affairs and the murders and the parties and the glamor all revolves around the women, but in the original novel, they don't speak very much. We definitely don't know what they're thinking. My novel brings that all together and explores what that might have been. Jenny Wheeler: Run us through the process of how you got drawn into taking this on as your next book. What was the fascination for you in it?

Jackie brings us a question from her sister (because we know about gender things).  Theo has 200 Microsoft Bing points.  Rachel makes the case for gay Nick.  Topics include: whether or not Nick Carraway is an aphrodisiac, Google vs. Bing, what Gatsby got up to at night as a teen, Nathan Fielder, Bing Boys, the function of holidays, underwear problems, The Room, Griselda the horse, ghosting, and cuddly buddies. ★ Support this podcast on Patreon ★

The Great Gatsby, Chapter 9: Book Club.It's the final Gatsby book club! Join us as we de-Dan-Cod(e)y the plot timeline, de-puzzle the book's overall themes, and give our cast an opportunity to talk about their final thoughts on the novel. (Also included: Nick Carraway, Love Island contestant; Jay Gatsby, J*rdan P*terson Enjoyer; Jordan's Geometric Angles.)Tweet us YOUR thoughts on The Great Gatsby and reach out to us on @StorybrookPod. What would you like to read with us next? Hosted on Acast. See acast.com/privacy for more information.

No deja hablar. Se le perdona porque siempre tiene algo interesante que decir. Sobre su vida misma o sobre la realidad que le circunda. Después de mi primera comida con él, salí con la sensación de saber más de sus debilidades que de las mías propias. Nunca me habría contado a mí mismo lo que Pedro me contó de sí aquella vez. Por un instante me vi en el papel de Nick Carraway, de El Gran Gatsby, cuando señalaba la atracción de las más extraordinarias naturalezas hacia su persona como una de las consecuencias de la tendencia a reservase las opiniones. Luego supe que Pedro Herrero se conduce así con todos, incluidos oyentes y lectores. No me dejarán por mentiroso aquellos que se hayan asomado a ‘Extremo Centro: El Manifiesto’. ¿Un manual de autoayuda? ¿Un relato de superación? ¿La turra de un renacido en Cristo? Nada de eso. Una ambiciosa explicación de andar por casa para entender el mundo que se nos echa encima. Y aquí entramos en el otro elemento que nutre la verborrea crónica de Herrero: la realidad política que le rodea. Que nadie espere leyendo el libro o escuchando la entrevista que sigue la confirmación de nuestros más arraigados sesgos. O no a la manera en la que los pensamos en nuestra cabeza y los expresamos en nuestra conversación. Pedro es capaz de reformular una enorme cantidad de conceptos. Hasta el punto de hacerte creer que Occidente lo salvará en el último momento, no un pelotón de soldados, sino unos cuñados alrededor de una barbacoa, un día de piscina, con sus mujeres y sus hijos. Entrevista producida y conducida por Gonzalo Altozano. Sonido: César García. Diseño: Estudio OdZ. Contacto: galtozanogf@gmail.com Twitter: @GonzaloAltozano Instagram: @galtozanogf Boletín: https://www.getrevue.co/profile/galtozanogf?via=twitter-profile&client=DesktopWeb&element=subscribe-through-revue iVoox, Amazon, Apple, Spotify.

*a gentle whisper* Gatsby... It's the final episode of 'All That Baz!' (for now...) it's 2013's The Great Gatsby! Starring Leonardo DiCaprio in one of his final boyish charm roles, Tobey Maguire as pining Nick Carraway, Carey Mulligan as Daisy Buchanan, Joel Edgerton as her hubby Tom and THE TALLEST WOMAN ALIVE Elizabeth Debicki as Jordan Baker. Chuck on that green light and get borne back ceaselessly into the past with another Mixed Bag...

The Great Gatsby is a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan.Can't sleep? Let the dulcet voice of Erik Braa reading the classics take over for jumping sheep. These tales, narrated in a soothing, calm voice are designed to turn sleeplessness to somnolence. Tune in, zonk out.

The Great Gatsby, Chapter 1: Audiobook.Our story begins, as Nick Carraway moves to the strange town of West Egg. Half-heartedly chasing down the American Dream, he meets some old friends, and catches a glimpse of his new neighbour...Don't forget to tune in next time for our book club discussion on this chapter! You can also find us on Twitter @StorybrookPod. Hosted on Acast. See acast.com/privacy for more information.

F. Scott Fitzgerald's Gatsby is now in the public domain. This gives us the opportunity to dig deeper and fuller into the cultural image of our iconic literary figure. Join the East Side Freedom Library and literary curator Danny Klecko at The University Club in welcoming AJ Odasso in conversation with Maryanne Grossmann! We will also be joined by special guests Doug Green, Kasey Payette, Klecko, Anthony Cebellos and emcee Clarence White. The queering of Gatsby takes form in the new novel, The Pursued and the Pursuing by AJ Odasso. In their tale, Odasso explores what might have been had it left Gatsby with another chance at happiness. Find it he does, although not in the arms of Daisy Buchanan. As Gatsby travels the world with Nick Carraway, his friend and narrator, he sheds wealth, performance, and glamor in favor of honesty, intimacy, and love. A. J. Odasso's poetry has appeared in a variety of publications, including Sybil's Garage, Mythic Delirium, Midnight Echo, Not One of Us, Dreams & Nightmares, Goblin Fruit, Strange Horizons, Stone Telling, Farrago's Wainscot, Liminality, Battersea Review, Barking Sycamores, and New England Review of Books. A.J.'s debut collection, Lost Books (Flipped Eye Publishing), was nominated for the 2010 London New Poetry Award and was also a finalist for the 2010–11 People's Book Prize. Her second collection with Flipped Eye, The Dishonesty of Dreams, was released in 2014; their third collection, Things Being What They Are, was shortlisted for the 2017 Sexton Prize. They hold an MFA in creative writing from Boston University, and works in the Honors College at the University of New Mexico. A.J. has served in the Poetry Department at Strange Horizons since 2012. They live in Albuquerque, New Mexico. View the video here: https://youtu.be/PLBmwyW_jOk

It's FACPOV 2: The Empire Strikes Back -- or, wait a minute, nope, we gave this episode a different funny name. In today's episode, Fern and Julia return their discussion of point of view as Fern teaches the class about 1st, 2nd, and 3rd person POV, the difference between an involved and an uninvolved narrator, and the way POV shapes a narrative. Why might an author choose to write in the 3rd person subjective POV instead of the 1st person? What can we learn from uninvolved narrators like Nick Carraway? Is The Bad Batch truly about the Bad Batch?  And why do so many canon Star Wars novels include a rotating cast of 3rd person subjective POV characters?On the Syllabus Today:Method and Madness: The Making of a Story by Alice LePlantThe Bad Batch (2021)Star Wars Episode VIII: The Last Jedi (2017)The Rising Storm by Cavan Scott (2021)Phasma by Delilah S. Dawson (2017)Social Media:@swenglishclass on Twitter and TikTokJulia is on TikTok @juliachristine77Fern is on TikTok @alwaysfernBusiness inquiries: starwarsenglishclass@gmail.comMusic by ZapSplat.com

Welcome to the second chapter of The Great Gatsby, where we look at another adventure with Nick Carraway. This time Tom Buchanan takes Nick away to a rather lavish impromptu party in New York City, where we surprisingly meet Tom's mistress. Listen to find out who she is and whether or not this gathering ends well. You can now follow me on Instagram! @Therealclassictales Songs used in this episode Intro DLJ, BIDO - Explorers Provided by Lofi Girl Watch: https://www.youtube.com/watch?v=TJLmyD6Feuo&ab_channel=DLJ-Topic Listen: https://open.spotify.com/track/5kJUOsF1xGIgjOe1PUeXHZ?si=dfa46173ab644363 Outro Chiccote's Beats - Away Provided by Lofi Girl Watch: https://www.youtube.com/watch?v=z2axASJ6vUM&ab_channel=GSounds Listen: https://open.spotify.com/track/2pQks71qpTxbXojT4VIFta?si=0a6fab138fd24962 --- Support this podcast: https://podcasters.spotify.com/pod/show/theclassictales/support

Welcome to the first episode of Classic Tales! I am so excited (and a bit nervous) to share Chapter 1 of The Great Gatsby. This chapter took place in 1922, and right after graduating from Yale University, Nick Carraway introduces himself as an aspiring bondman. The latter has just moved to New York's Long Island from Minnesota. Nick speaks of the story's hero, Gatsby, representing everything he scorns about New York but holds a gorgeous personality. All the while, Nick spends his first night with his cousin, Daisy, and her husband, Tom Buchanan, in their Georgian colonial mansion. Listen on to find out more about this Gatsby fellow and whether Nick succeeds as a bondman. Social Media handles are coming soon! --- Support this podcast: https://podcasters.spotify.com/pod/show/theclassictales/support

The Great Gatsby - F. Scott Fitzgerald - Book 3 Title: The Great Gatsby Overview: The Great Gatsby is a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan. The novel was inspired by a youthful romance Fitzgerald had with socialite Ginevra King, and the riotous parties he attended on Long Island's North Shore in 1922. Following a move to the French Riviera, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor Maxwell Perkins, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text, but remained ambivalent about the book's title and considered several alternatives. Painter Francis Cugat's cover art greatly impressed Fitzgerald, and he incorporated aspects of it into the novel. After its publication by Scribner's in April 1925, The Great Gatsby received generally favorable reviews, though some literary critics believed it did not equal Fitzgerald's previous efforts. Compared to his earlier novels, Gatsby was a commercial disappointment, selling fewer than 20,000 copies by October, and Fitzgerald's hopes of a monetary windfall from the novel were unrealized. When the author died in 1940, he believed himself to be a failure and his work forgotten. During World War II, the novel experienced an abrupt surge in popularity when the Council on Books in Wartime distributed free copies to American soldiers serving overseas. This new-found popularity launched a critical and scholarly re-examination, and the work soon became a core part of most American high school curricula and a part of American popular culture. Numerous stage and film adaptations followed in the subsequent decades. Gatsby continues to attract popular and scholarly attention. Contemporary scholars emphasize the novel's treatment of social class, inherited versus self-made wealth, race, and environmentalism, and its cynical attitude towards the American dream. One persistent item of criticism is an allegation of antisemitic stereotyping. The Great Gatsby is widely considered to be a literary masterwork and a contender for the title of the Great American Novel. Published: 1925 Series: Novels #3 List: Great American Novel Collection Author: F. Scott Fitzgerald Genre: Literary Fiction, Romance, Tragedy Episode: The Great Gatsby - F. Scott Fitzgerald - Book 3 Part: 1 of 1 Length Part: 5:38:04 Book: 3 Length Book: 5:38:04 Episodes: 1 - 9 of 9 Predecessor: The Beautiful and Damned Successor: Tender Is the Night Narrator: Kara Shallenberg Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: adventure, hero, struggle, camaraderie, danger, morality, selflessness, moral integrity, character, love, forgiveness, authority, rules, freedom, romance, exploration, FScottFitzgerald Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #FScottFitzgerald #adventure #hero #romance #literary Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support

The Great Gatsby is now in the public domain! In the first chapter of the book, a man named Nick Carraway who has recently moved to the Nouveau Riche part of New York called “The West Egg”, known for its wealthy inhabitants and their expensive habits. Abigail's Bandcamp: https://abigailkay.bandcamp.com/ Emily Kokot's Graphic Design page: https://www.emilykokot.com/ My Twitter: https://twitter.com/SheaCunha Submissions: sheacunha@gmail.com

The Great Gatsby is a 1925 novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, the novel depicts narrator Nick Carraway's interactions with mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, Daisy Buchanan.

Health officials lay out plans to expedite vaccines to Mississippi's oldest residents.Then, the new state flag moves one step closer to becoming official as the Senate ratified the November vote. But a recent poll indicates nearly 40 of voters still believe Mississippi is heading in the wrong direction.Plus, in today's Book Club, Mississippi author, Michael Farris Smith, creates a backstory for “The Great Gatsby's” narrator, Nick CarrawaySegment 1:With a coronavirus vaccine now limitedly available, the Department of Health is expanding vaccine availability ahead of schedule to residents age 75 and older. State health Officer Dr. Thomas Dobbs says he wants the current allocation of vaccines to go to who needs them - especially those in the most vulnerable age groups. Segment 2:The Magnolia State is a Governor's signature away from officially having a new state flag. The Senate ratified the results of the November initiate yesterday. Lt. Governor Delbert Hosemann says he wants the vote to be a stepping stone to more comprehensive solutions. But despite the state's progress in adopting a new banner, many Mississippians - nearly 40 percent - believe the state is headed in the wrong direction. That's according to the latest State of the State Poll conducted by Chism Strategies and Millsaps College. Nathan Shrader is the Chair of the Department of Government and Politics at Millsaps. In part one of his conversation with our Michael Guidry, Shrader breaks down how voters view the direction of the state, and its leadership's handling of the coronavirus pandemic.Segment 3:It's fair to say that F. Scott Fitzgerald's “The Great Gatsby,” sits high on many lists of the greatest American novels. Mississippi writer, Michael Farris Smith, says he was fascinated by the book's narrator, Nick Carraway. In his new novel, simply titled “Nick,” Farris Smith creates a back story for Carraway. He tells us he wasn't a big fan of The Great Gatsby when he first read it. See acast.com/privacy for privacy and opt-out information.

Legendary actor Sam Waterston, who portrayed Nick Carraway in 1974's The Great Gatsby Today on ProVision Brokerage Celebrity Segment, Eric Couch and Neil Haley will interview Legendary actor Sam Waterston. Who was the real Jay Gatsby? Could the inspiration behind F. Scott Fitzgerald's literary masterpiece “The Great Gatsby” be found not in Long Island, New York as has long been believed, but in Westport, Connecticut? Presented by Vision Films and Against The Grain Productions, Robert Steven Williams' Gatsby in Connecticut: The Untold Story challenges everything literary scholars have known about the story behind the classic novel with astonishing new evidence and in-depth interviews. Featuring Sam Waterston (1974's The Great Gatsby, Law & Order, Grace and Frankie) and narrated by Keir Dullea (2001: A Space Odyssey, The Good Shepherd), Gatsby in Connecticut: The Untold Story will be available on DVD and streaming platforms on September 1, 2020. Gatsby in Connecticut: The Untold Story was inspired by the 1996 New Yorker article by Barbara Probst Solomon, which unveiled her theory that the West Egg in Fitzgerald's “The Great Gatsby” was not based on an actual place in Long Island, but rather Westport in Connecticut which held a special place in Scott and Zelda's hearts.  

Na primavera de 1922, Nick Carraway chega a Nova York e vira vizinho do misterioso e festeiro milionário Jay Gatsby quando vai viver do outro lado da baía com sua prima Daisy e seu marido mulherengo Tom Buchanan. Assim, Nick é atraído para o mundo cativante dos ricos, suas ilusões, amores e fraudes. Ao testemunhar fatos dentro e fora do mundo em que habita, Nick escreve um conto de amor impossível, sonhos e tragédias que espelham conflitos em tempos modernos. Ouça comigo e admire o Grande Gatsby. Vamos juntos Entre em contato com o Paulinho Siqueira Pra entrar nos nossos grupos de Ouvintes, clique abaixo: Whatsapp Telegram Seja um Partner do Coachcast Brasil Entre em contato conosco pelo email: contato@coachcast.com.br Instale o iTunes aqui Acesse o Canal Homens de Valor no Telegram