Podcasts about ocean way

"Build Your Toolkit!" Mark talked about finding job opportunities in the audio industry, recording sessions on Music Row at Ocean Way, Masterphonics, and The Workshop, running the SAE Institute, Teaching film at IFC, Atmos mixing, & flying drones. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mark Martin, an engineer who worked at Masterfonics, Emerald, OceanWay l, SAE and the Workstation. He became VP of Marketing for all 38 SAE locations in 18 countries. He moved to Austin to do live sound. Mark came back to Nashville to be VP of Marketing at the Nashville Film Institute. Thank you to Michael Cronin for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6zQ7gIyDu9g1gTTWQcfSOo?si=35c9a2ff426947ce If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/462

Radio Maria England was given the chance to interview screenwriter Rod Barr (of Sound of Freedom fame) to talk about the recent film based on the life of the first American citizen to be declared a saint, Mother Frances Xavier Cabrini. Hear all about it in conversation with Tim Hutchinson. This interview was made possible byKOVA International LTD, a limited company registered in England & Wales with registered number 11831571. KOVA'a registered office is Tagus House, 9 Ocean Way, SO14 3TJ.

Do frozen cats make your mixes cooler? Joe talked about the history of Ocean Way Studios, how to fix cymbals ruining your drum mix, how to make a Decca tree in your home studio, double miking vocals, mixing with parallel dynamics, & immersive audio. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Joe Baldridge, a multi Grammy winning engineer with over 36 years of professionally credited experience in music production, recording, mixing, artist management and brand / artist development with nearly 600 credits on AllMusic.com, and has received a nomination for 2014 Record of the Year for work on Taylor Swift's RED and won a Dove award for production work for Toby Mac.  Joe is a graduate of Belmont University where he also now teaches. He joined the Audio Engineering Technology department at The Mike Curb College of Entertainment and Music Business as an adjunct in 2010, Fulltime Lecturer in 2013 and Instructor in 2019. He is now the Director of Studio Operations at Ocean Way Nashville, designed by Allen Sides and purchased by Belmont in 2001, and the number one tracking room in Nashville and a world-class teaching facility that also serves an impressive client roster.  Housed in a 100-year-old Gothic revival gray stone church, Ocean Way Nashville provides an exceptional acoustical space, all in the rich visual beauty of a sanctuary. The studio serves a diverse list of clients spanning various styles from pop, rock, hip hop, country, gospel while emerging as the premier scoring facility in the Southeast. Besides being a sought-after space for full band tracking, Ocean Way Nashville has become an internationally favored destination for orchestral recording and scoring for today's most popular films and video games.  Joe continues to teach in the classroom through an adjunct role teaching master mixing techniques, a course he designed which meets at Ocean Way. Joe was a guest on the podcast back on episode RSR061 when he shared his story of getting into music and later teaching, and today I am happy to have him back to talk more about what he teaches in the master mixing class and to focus on the future of music making in the studio. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2OCN8Qnz21WfI6RX5Q3Nzj?si=e87f2fc5562f4945 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/444

In this episode we return to the T.H.E. Show 2023, where we talk with Allen Sides of Ocean Way Audio and Alberto Guerra of AGD Productions. The unlikely duo have teamed up at T.H.E. Show in Costa Mesa, CA to demonstrate the synergy between AGD electronics and Ocean Way loudspeakers.Allen Sides is a five-time Grammy winning engineer/producer who has worked on over a thousand albums. Under his companies, Ocean Way Recording and Ocean Way Audio, Allen developed highly-acclaimed loudspeaker systems for both professional studios as well as home hi-fi listening.Alberto Guerra is the founder of AGD Productions, which is pioneering the use of Gallium Nitride (GaN) technology in the company's audiophile amplifiers and preamplifiers.For more information:https://www.ecoustics.com/news/agd-ocean-way-the-show-2023/https://agdproduction.comhttps://oceanwayaudio.comThank you to our sponsors Q Acoustics & SVS for the support of our programming!https://www.qacoustics.comhttps://www.svsound.comThis episode was hosted by Brian Mitchell, eCoustics Founder & CEO and Mitch Anderson of Black Circle Studios. It was recorded on June 9, 2023 at T.H.E. Show at the Hilton Orange County/Costa Mesa.Credits:• Original intro music by The Arc of All. sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comKeep up-to-date with all the latest Hi-Fi, Headphone, Home Theater and Music news by visiting:https://www.ecoustics.com#hifi #ecoustics #listeningroom #agdproductions #oceanwayaudio #allensides #grammywinner #audioengineer #musicmixing #recordingstudio #audiophile #theshow2023 #theshowsocal2023 #highendaudio #breakingthesoundbarrier

In this episode, while reviewing the original Union Contracts, we discuss how "Billie Jean” was recorded with the late great Ndugu on drums, Louis Johnson on bass, Greg Phillinganes on keys and the live string section performed at Allen Sides great Ocean Way studio.Support this podcast at — https://redcircle.com/stories-in-the-room/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Legendary Recording Engineer, Studio Owner, Speaker Design, Record Producer & Businessman Allen Sides sits down with Drew Dempsey in Studio 2 at Sunset Sound as well as special guests, 10x Grammy Winning Recording Engineer & Producer Joe Chiccarelli as well as Sunset Sound studio owner Paul Camarata. Allen began his Ocean Way Recording in a garage in Santa Monica, California, in 1968, as a place to showcase his custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Wynonna Judd, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John Williams, Jerry Goldsmith, André Previn, Michael Jackson, and Frank Zappa. He's also well known for leading the charge on reclaiming classic tube mics and gear that was being abandoned in the '80s; he has probably listened to, and evaluated, more microphones than most of us ever will. Having owned Record One Studio in the hey-day of recording, Allen was very open about the Michael Jackson sessions as well as selling the establishment to Rap Mogul Dr. Dre Allen has since sold Ocean Way Recording Studio as well and is now fully engulfed in the speaker game. Producer/Host: Drew Dempsey: https://www.instagram.com/dfdproducti... Co- Host: Joe Chiccarelli https://www.instagram.com/joechiccare... Audio: Farokh Shroff Sunset Sound Merchandise: www.sunsetsoundstore.com Sunset Instagram: https://www.instagram.com/sunsetsound... Sunset Facebook: @sunsetsoundrecorders Sunset Sound Website: www.sunsetsound.com #recordingstudio #audioengineer #recordingengineer

Green Day - American Idiot Подкаст про седьмой студийный альбом американской рок-группы Green Day , выпущенный 21 сентября 2004 года на лейбле Reprise Records. Спродюсированный Робом Кавалло и самими участниками группы, альбом был записан на студиях 880 и Ocean Way. Концептуальный альбом, названный «панк-рок-оперой», повествует об Иисусе из Пригорода, американском подростковом антигерое из низшего среднего класса.Приятного прослушивания! Если подписаться на подкаст и сделать репост выпуска, то American Idiot в свой Holiday встретит St. Jimmy чтобы влюбится в Extraordinary Girl и совершит Homecoming Наш Telegram:https://t.me/mousepodcastApple Podcast:https://podcasts.apple.com/ru/podcast/mousepodcast/id1648443353?i=1000611278365Яндекс музыка:https://music.yandex.ru/album/23340474/track/113446831?utm_medium=copy_linkЗвук:https://zvuk.com/episode/131311572Группа в VK:https://vk.com/public216420089Mave:https://mousepodcast.mave.digital/ep-40

Are you tired of politicians making empty promises and not addressing the real issues in your city? Look no further than Libertarian candidate Ronald Tracy Robison, who is running for city council in Jacksonville, Florida. In this episode, Robison sits down with host Brian Nichols to discuss the negative impact of government intervention on the free market during the COVID-19 pandemic, specifically in the supply chain and the resulting economic deficit. He also cites the shut down of 130 businesses and 67% of jobs not returning as a result of the safer at home law implemented by the Republican mayor. Robison also shares his thoughts on the negative impact of the CDC moratorium on the housing market, leading to a rise in crime and homelessness. He also discusses the current housing market in Jacksonville and how it is not as strong as it appears, with debt being moved from one sector to the next, resulting in higher costs for housing. But Robison doesn't just point out the problems, he also offers solutions. He suggests that private companies can be contracted to fix infrastructure issues such as flooding in the Ocean Way area and proposes regular inspections to prevent similar issues in the future. He also expresses his support for school choice, and argues that property tax reform would be necessary in order to support school choice and vouchers for other schools. Don't miss this opportunity to hear from a candidate who truly wants to make a difference in Jacksonville. Tune in now and be part of the change you want to see in your community! Learn more about your ad choices. Visit megaphone.fm/adchoices

Producing Christmas music in Nashville, home of bluegrass and country music, was not on pianist Paul Cardall's radar. In the previous episode, Steinway & Sons sponsored artist shared his remarkable journey why he uprooted from Utah to relocate his family and recording career to Nashville. In this episode, learn from Paul and his production team how Christmas was made. Featuring comments from guest artists Patrice Tipoki, Audrey Assad, and multi-Grammy winning gospel singer CeCe Winans. Christmas debuted No. 1 on top the Billboard charts and was awarded by the Gospel Music Association the Dove Award for Instrumental Album of The Year. These interviews were conducted in 2018 with the help of KSL Editor Tim Johnson. ABOUT CHRISTMAS BY PAUL CARDALLRecorded at Nashville s legendary Ocean Way Studios, the classical crossover project features Cardall s spin on such beloved holiday standards as Hark the Herald Angels Sing, Bring a Torch, Jeanette Isabella, Away in a Manger and Joy to the World as well as such compelling originals as Son of God and Christmas Past. The album also features vocal collaborations from three world-class voices---12-time Grammy winner CeCe Winans, award-winning singer/songwriter Audrey Assad and Australia s Broadway star Patrice Tipoki. Look for this moving collection to become the soundtrack of your Christmas celebrations year after year! Produced by Jim Daneker, Composer of Ad Alta and Musical Director for Grammy Winning Artists Michael W. Smith.All Heart with Paul Cardall is sponsored by doTERRA, whose products are designed to offer hope and healing. For more information on Paul Cardall, please visit https://paulcardall.com/ or find him on Facebook, Instagram, Twitter, and YouTube.Episode artwork Website - www.paulcardall.com/podcastFacebook - @paulcardallmusicIG - @paulcardallIG - @allheartwithpaulcardallTwitter - @paulcardallYoutube - @cardall

Show Notes EP 12 Johnny Bregar   Welcome back to The Truth about Recording & Mixing   In this episode we speak to Johnny Bregar about his recording studio “The Brickyard” on Bainbridge Island.   01:00 Listener question about Steve Turner's guitar setup on the recording of The Warning. 06:00 Listener question about podcast aggregating.  09:30 Welcome Johnny Bregar 11:00 Early days - getting into recording. “Buy Osmonics”. 15:00 Making the switch to full time recording. 17:00 The local “regular” studio owner. Who's coming in. The job of the producer. 24:30 Getting it wrong, making it right. 28:40 Producing, capturing someone else's vision while being the one stop shop. 35:45 How do you know when you're the right or wrong person for the job. 43:30 More on the Brickyard Studio. The “no control room” layout. 51:00 A dead space, adding ambiance using UAD's Ocean Way processing and other reverbs to compensate. 55:00 Getting performances. 01:05:00 Changing chords, changing lyrics with the goal of improving the song as a producer. 01:10:40 Listener question about home recording and capturing acoustic guitars. 01:20:00 What about recording books? 01:25:00 Go to acoustic guitars signal path. 01:31:00 How about micing up your upright piano? 01:38:00 New discoveries in sound, boundary mics, tuning pianos and other studio ownership joys. DUST! The Truth about Recording And Mixing is a monthly or thereabouts podcast dedicated to the art and science of recording music and producing records. We have the support of the Fretboard Journal and our listeners. Please send us questions to podcast@fretboardjournal.com and also make sure to follow our instagram @recordingpodcast www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com

José Vitor Rack e Reynaldo Maximiano falam sobre Dick Tracy e o álbum I'm Breathless, de Madonna. Dick Tracy é um filme norte-americano de 1990, dirigido por Warren Beatty e baseado na tira de jornal de mesmo nome, criada por Chester Gould. O Filme é estrelado por Warren Beatty, Al Pacino, Dustin Hoffman e Madonna. Foi o primeiro filme feito com som digital e seu orçamento foi de 47 milhões de dólares. I'm Breathless: Music from and Inspired by the Film Dick Tracy, referida comumente como I'm Breathless, é a segunda trilha sonora da artista musical estadunidense Madonna, que inclui faixas da trilha sonora do filme Dick Tracy e outras canções inspiradas no longa-metragem. O seu lançamento ocorreu em 22 de maio de 1990, através da Sire Records e da Warner Bros. Records como um acompanhamento para o filme Dick Tracy. No filme, Madonna interpretou Breathless Mahoney, e seu então namorado Warren Beatty interpretou o personagem homônimo. Após o término das filmagens, Madonna começou a trabalhar na trilha sonora com o cantautor Stephen Sondheim, o produtor Patrick Leonard e o engenheiro musical Bill Bottrell. Ela também trabalhou com Robert "Shep" Pettibone em "Vogue", primeira faixa de trabalho do disco. As gravações do projeto ocorreram durante três semanas nos estúdios Johnny Yuma Recording e Ocean Way, localizados em Los Angeles, Califórnia.

This week, Spencer and Zach pull apart one of their favorite records, Tom Petty’s ‘Wildflowers’, which was just reissued with 10 additional tracks that were originally intended to be a double album upon its initial release. The fellas share stories, discuss album personnel and reflect upon one of Tom Petty’s crowning achievements.

Episode 8 Al SchmittPart 1 Song Chronicles is proud to present the first of a two-part interview with Al Schmitt. These episodes offer a unique behind-the-scenes look - from a master of his craft –  on what happens on the other side of the glass when musicians go into a recording studio.         Al Schmitt is the definition of a living legend. During his unparalleled career, the 90-year-old engineer/producer has worked with an incredible list of musical giants: Frank Sinatra, Duke Ellington, Sam Cooke, Barbra Streisand, Henry Mancini, Ray Charles, Bob Dylan, Paul McCartney, Willie Nelson, Neil Young, Steely Dan, Celine Dion, Queen Latifah, and more are names that only scratch the surface of a  career of the highest excellence: his knowledge and work ethic makes the greatest of greats want him at the helm. The arc spans far and wide with Frank Sinatra to Bob Dylan singing Sinatra, as well as Nat King Cole & Natalie Cole’s “Unforgettable”.   Al Schmitt with Niko Bolas     Now in his seventh decade at the board, Al has hardly slowed down. He has just finished mixing a new album from Diana Krall, with whom he already has earned three Grammys. In fact, Al has won more Grammys – 20 – than any other engineer and ranks among the top 15 of all-time Grammy winners.   During Neil Young sessions at Capitol (Neil Young and Niko Bolas pictured)      I met Al when he came to speak to the members of the Blackbird Academy’s audio engineering program that I enrolled myself in last year in Nashville. He came in with his good friend, and fellow producer/engineer, Niko Bolas, who I've been fortunate to know since I was 18, when I was recording at Record One in Sherman Oaks (a studio once owned by Allen Sides as part of Ocean Way), where Niko was working alongside producer/engineer, Val Garay.    I spoke with Al recently, August 4, 2020, during the quarantine. We spoke via video on Zoom, talking about his illustrious career, innovative recording techniques, and the musicians who he’s worked with.   Al Schmitt and Steve Genewick Al developed his love for the studio very early in his life. As a child, the New York City native hung out at the recording studio owned by his uncle, Harry Smith. Not the folklorist Harry Smith but the Harry Smith (née Schmitt) who ran the first independent recording studio on the east coast. He was starry-eyed with his uncle’s work and life. Les Paul was his “Uncle Les,” who took young Al to hockey games, boxing matches, and bar.   Smith instilled in Al some valuable lessons about studio work, such as: “You’ve got to treat your equipment like a Swiss watch and it’ll take care of you”. Al says that’s why you’ll never see him putting coffee and stuff like that on his console.   His uncle also lined up an apprenticeship for him, then 19 and just out of the Navy, at Apex Recording Studios, where he received tutelage from another of his mentors, the fabled engineer/producer Tom Dowd, who Al describes as “one of the great engineers of all time.”   It was at Apex too that Al ran, quite by accident, his first recording session for none other than Duke Ellington – and a very kind Duke, who told the novice engineer: “Don’t worry son, we’re gonna get through this. It’s gonna be fine.”   Al has become known for his clean, unembellished sound, which he developed early on when he only had a few microphones to work with. This taught him the importance of mic placement to get the sound right for a take, particularly because there wasn’t the technology yet to go back and fix a take.   “I've always been an experimenter with microphones and how to set up things,” he reveals. “I set up a big band one day and the next day I'd set them up exactly the opposite and I'd move them around the room until I got the best place.”   Al Schmitt & Niko Bolas with John McBride, visiting the students in Mark Rubel's class at The Blackbird Academy  (we all wore ties in their honor)      After close to a decade in New York (where he also worked at Atlantic Records and Fulton Recordings) in 1958, Al moved to Los Angeles. He was an engineer first at the highly popular Radio Recorders studio before moving over to RCA in 1963.   A few years later, Al convinced RCA to promote him to a producer, but there was one downside of a dream job: because of union rules, he could no longer work the board. “I could reach over and do something like on the echo or whatever, and (then they would) call me up on the carpet for touching the board.”   It was also time-consuming. “Eddie (Fisher) would be 2-5 (pm) and then Jefferson Airplane would be 8 ‘til 3, 4 in the morning. And by the time I got home, I'd get a little sleep. And, I'd have to come back to work because I had 11 artists that I was taking care of. So I had to do budgets. I had to hire arrangers for artists.” He quit this RCA job, but the Jefferson Airplane hired him back as their producer, persuading him to finish the album because they loved his work so much.   Al went on to produce several more albums for the band and for others; however, by the early 70s, he realized how much he missed engineering. So while he has continued to be a producer (on albums for Neil Young, Jackson Browne, Al Jarreau, George Benson, to name a few), the bulk of Al’s massive, and impressive, body of work has been doing what he loves best – being an engineer.   Not only has Al achieved great success in his prolific career – he has worked on over 150 gold and platinum albums – but he has achieved in an amazing range of genres: jazz, rock, pop, country, soundtracks, holiday music, Latin, rap, and blues.     Capitol Recording Studios, Al's second home   

Michael joined John on the Phone to talk about his new Music - Brand New Heartache , we also spoke about his Previous Songs , including - Please don't cry ( with Neil Finn) and Turn this Love around. Michael is an Australian singer/songwriter. His music has been described as a fusion of folk, Americana and rock with hints of artists such as The Beatles, Wilco, Eagles and Ron Sexsmith. From intimate solo shows to full band performances, his songs are deceptively simple about complex things: love, family, home, and trust. Michael's new single Please Don't Cry ( ft. Neil Finn) was recorded in NZ at Roundhead Studios a few years prior as part of an experience offered by Medicine Mondiale. Michael knew that opportunity had to be his and grabbed onto it with everything he had. He won and got to spend two days recording with Neil Finn. Neil chose two songs from a batch of demos and the final versions of these songs, especially Please Don't Cry have a warm and personal feel that Michael is so excited to share. Neil worked with Michael on two songs Please Don't Cry and Hinges both of which also feature Neils vocals on the track. They were never released as Michael went to the US soon after to record his debut EP. Upon returning from that experience and release, Michael finished the Roundhead songs back in Australia working with old pals Gideon & Daniel Frankle who helped shape the track with extra instrumentation, lap steel by Ed Bates, Mixed by Tony Buchen (Courtney Barnett, Tim Finn) and Mastered by Steve Smart ( Vance Joy, Midnight Oil). In the past couple of years Michael had been co-writing with Grammy-award winning artist Frank Myers ( All 4 One, Lonestar, Alabama). This songwriting resulted in an EP recorded at Ocean Way studios in Nashville. Produced by Frank Myers and Jimmy Nichols ( Faith hill, Reba McIntyre) the songs were recorded and mixed by Steve Marcantonio (John Lennon, J. Geils, George Strait, Alabama and recently Thomas Rhett, Taylor Swift and Steven Tyler) The songs became Michael’s new EP ‘Turn This Love Around’. Please Don't Cry re-recorded for the US market with a distinct Nashville tone was the first single released and In September 2018, Burrows released his second single "Turn This Love Around." The song debuted at No. 39 on Australia's iTunes Store, No. 2 on the iTunes Rock Chart, and No. 14 on Australian Independent Record Labels Association's singles chart. The singles received light to mild rotations across commercial, independent and community stations. From ABC with Myf Wurhurst to Triple M, Triple M Country and album of the week for ABC Widebay. All 3 single releases have been picked up by Coles Radio ( Australia's largest digital station) In January 2019, "Turn This Love Around" made its US premiere on Atwood Magazine and landed on Billboard's Adult Contemporary chart for 5 weeks, reaching its peak at No. 24. The single's success carried over to his following single "Brightest Star," which peaked on the same chart at No. 25. Both singles became part of Burrows' debut EP Turn This Love Around, which was released in June. Both Billboard tracks have also received significant radio play within the US in 2019 appearing on shows like 'The Jim Brickman show ( syndicated to 200's of stations), NPR's WLRN ( Folk & Acoustic Music Show) , Voice Of America (measured weekly audience of more than 275.2 million people around the world), Acoustic Cafe ( RDR Radio, LLC) and hundreds of other commercial stations across the AC and AAA radio format. Just recently Michael's songs made the official ballot for the Grammys 2019 for two songs ' Turn This Love Around ' ( Best pop solo performance & best pop vocal album) and ' Brightest Star' ( Best American Roots performance & Best American Roots song)

This is an audio version of the pastoral entry of the weekly newsletter of FPC Greenville.   Music: "Young Stuff," Snarky Puppy, Ground Up "Signification," Dynamo, Live at Ocean Way

Allen Sides shares his history from a garage on a street called Ocean Way to studio sessions with Michael Jackson. Allen's legendary history in the audio industry comes from a natural ability to try and create a speaker system that he wanted to hear the way he knew it could. This led him to so much more! Tune in to Part one where Allen shares his journey of how it all started. For more info on Ocean Way Audio check the link below: https://oceanwayaudio.com/ Watch the interview here: https://www.youtube.com/watch?v=Jf1_af2GDs0&t=1040s   Follow us: @ProAudioCulture www.Youtube.com/ProAudioCulture          

With her signature sound, attitude, and unmatched versatility on the instrument, Lindsey Miller has enjoyed a successful career as a touring and session guitarist based in Nashville, TN.Growing up in Prairie Village, KS (a suburb of Kansas City) Lindsey picked up her first guitar at age ten. Although first inspired by Led Zeppelin, Jimi Hendrix, the Beatles, and 90s alternative rock, it was her discovery of hometown guitar hero Pat Metheny that initiated her into the world of jazz. Lindsey’s talent and ever growing interest in jazz improvisation earned her a scholarship to attend the University of North Texas where she performed in the Two O’Clock Lab band and earned a bachelor’s degree in Jazz Studies. She then went on to complete a Masters Degree in Music from Southwestern Baptist Theological Seminary.In 2012, Lindsey relocated to Nashville, TN where she has quickly become a welcome addition to both the live and recording community. Just in the last few years she has toured with award winning major label artists and appeared on national tv shows. She has worked with some of the best musicians in the recording industry at studios such as Ocean Way, Watershed, Layman Drug Co.,Warner Bros., DRR&P, Wildwood, Sound Emporium, and Eclectic. She often works for clients such as Broadway Jr and Hal Leonard Music Express as well as various artist recording projects. Her ability to read music notation at a highly advanced level and interpret any genre or style imaginable has given her an edge in a competitive and ever changing environment.https://lindseymillerguitar.com

Michael talked about building recording studios around the world from Mutt Lange to Blackbird Studios to your home studio wherever you are. My guest today is Michael Cronin who has never once had a hit record or for that matter even recorded one himself, but nevertheless has played an important role in the creation of hundreds of millions of records through his famous designs for over 200 world class recording studios all around the globe. Michael started out restoring a 19th century London church as a modern recording studio for the Eurythmics in 1984. Then worked with Tom Hidley afterwards creating his own company, Michael Cronin Acoustic Construction. Some of Michael studios include: Guillermo Tell and MEGA in Paris, France; the renovation of MOSFILM in Moscow, Russia;  BOP Studios Bophuthatswana, South Africa; The Tracking Room, Ocean Way, Blackbird Studios and Masterfonics in Nashville, Tennessee; Capri Digital in Capri, Italy, and even producer Mutt Lange’s famed hideaway studio Sully Sound in Tou de Pays, Switzerland. In addition, Michael has been a pioneer in designing and building educational recording facilities such as the multi-studio complexes he has done in New York City, Miami, and Atlanta for SAE, the world’s largest multimedia academy. He has also contributed his skills to culturally significant facilities, including the archivist mastering room at the Country Music Hall of Fame and acoustical consulting work for the Songwriters Hall of Fame, both in Nashville, Tennessee. He is also one of the most sought after designers and builders of advanced, high-end home theaters in the U.S.   Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more on Youtube If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/151

Join us this week as we celebrate our 8th year anniversary and welcome Vintage Pop music singer songwriter, Liv Margaret. Liv is an American born singer songwriter with a unique ability to capture the attention of every generation who hears her soulful sound. Writing since the age of 12, her music has blossomed into a scrapbook of personal experiences which create melodic memories connecting all who listen. Fresh out of the famous Ocean Way studios in Nashville, Mr. Good Boy is the first single in a compilation of new music being released by Liv Margaret. She has grown artistically both as a songwriter and producer. Liv has managed to capture her vintage sound with these catchy melodies immediately causing the listener to be drawn to an era of simplicity with toe tapping grooves. Liv is excited to share her new creations and looks forward to performing them publicly in the future! Liv is currently residing in Nashville where she continues to work on her craft performing live shows and writing music. Liv also enjoys performing various benefits for veterans and donating a portion of her earnings to several different veteran groups. We will talk to Liv about her upcoming schedule, get a behind the scenes look at her music, feature her latest songs, and ask her to share her message for the troops. Please be sure to visit Liv Margaret at http://www.livmargaret.com/ and spread the word. Fans are welcome to call in and speak live with Liv during the show (718) 766-4193. And as always we will give shout outs to our deployed military listeners. Our message to the troops: WE do what we do, because YOU do what you do.

Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John William, Michael Jackson, and Frank Zappa. Not long ago Allen sold Ocean Way Recording in Hollywood, where we met for this interview, and it has now reverted back to the original United Recording name. Enjoy this chat with Allen Sides! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #106). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by AMS-Neve https://ams-neve.com

NOTE: THE SYMPOSIUM HAS PASSED, BUT THE CFP REMAINS HERE FOR SONIC POSTERITY. This is not a typical episode of Rhetoricity. No, this is a call for proposals for the Symposium on Sound, Rhetoric, and Writing. A written version of this CFP is available below, and it's also available as a Google Doc here. Scroll to the bottom of this post for the audio version. Call for Proposals: Symposium on Sound, Rhetoric, and Writing ***UPDATE (12/11/17): Out of respect for the slew of deadlines that comes with the end of a semester, the organizers have extended the submission deadline for this symposium till January 1, 2018.*** We invite proposals for the first-ever Symposium on Sound, Rhetoric, and Writing, to be held in the cities of Nashville and Murfreesboro, Tennessee, on Sept. 7 & 8, 2018. From Belmont University’s Gallery of Iconic Guitars to historic recording studios like Ocean Way, from Middle Tennessee State University’s Center for Popular Music to its Department of Recording Industry, these two cities are home to a wealth of sound culture and music history, making them a fitting place for a gathering of sonically inclined rhetoric and writing scholars. Over the past decade, sound has become an increasingly popular topic for rhetoric and writing scholars working in both English and communication (see Gunn et al.). Rhetoric and writing scholars have approached sound from a number of angles, often in ways that resonate with interdisciplinary fields like sound studies and disability studies. This work has appeared across print-based and digital journals in the field, frequently gathered in special issues like enculturation’s “Writing/Music/Culture” (1999), Computers & Composition and C&C Online’s “Sound in/as Compositional Space” (2006), Currents in Electronic Literacy’s “Writing With Sound” (2011), and Harlot’s “Sonic Rhetorics” (2013). This symposium aims to provide a dedicated space for rhetoric and writing scholars to present and discuss scholarship focused on sound. While we invite a wide range of proposals that take up expansive conceptions of “sound,” “rhetoric,” and “writing,” we offer the following as potential starting points: Sounding out the disciplinary relationships between rhetoric, writing, and sound studies Sound and/as accessibility Listening as a rhetorical practice How histories of rhetoric, writing, and composition can speak to current studies of sound Sonic archives and the history of sound Rhetorical aspects of/approaches to sonic environments The possibilities of sound as a scholarly medium/mode The relationship of sound to other media/modes/modalities Interdisciplinary possibilities for rhetorical work on sound Voice as a sonic phenomenon Empirically and/or theoretically informed approaches to integrating sound into rhetoric and/or writing classrooms We anticipate a relatively small symposium (

Pat has been a Nashville engineer, producer, and mixer for 40 plus years. In his early recording career you can see his name on historic records from artists ranging from Dolly Parton, Willie Nelson, Brenda Lee, George Jones to *NSync and Exile. Wanna know how you know when you’re ready early in your career? When Dolly tells you it’ll be ok! Wanna hear dirty jokes from George Jones? Pat’s heard’em! What about mixing an N’sync record? Yeah, he’s done it. Today Pat is the Operations Director for Ocean Way Studio, owned by Belmont University. This episode’s for engineers and music history buffs. We talked about the key players in the recording industry, and their infamous stories behind the scenes. What are the struggles that modern studios are dealing with today? Listen how Pat solved Ocean Way’s dilemma to survive in a market that is in survival mode, and his advice to stay strong in this economy!

Darrell Thorp is a Three Time Grammy Award Winning (OutKast, Radiohead, Switchfoot) Producer, Mixer, Engineer with over 16 years experience under his belt and many multi platinum records to his discography. Darrell moved to Los Angles in 1997 after a 4 year service in the U.S. Navy and started interning at smaller studios and eventually worked his way up to an Assistant Engineer at some of L.A.'s prestigious studios such as Track Record, Conway, and finally Ocean Way Recording. It was at Ocean Way recording that Darrell meet famed Radiohead producer Nigel Godrich. Shortly after meeting Godrich, Darrell became his full time engineer and ended up recording Beck "Sea Change", Radiohead "Hail to The Thief", Paul McCartney's "Chaos and Creation In The Back Yard" and many others. Currently Darrell is splitting his time between mixing various records and projects and Producing. Darrell has had the pleasure of producing the critically claimed Kan Wakan "Forever Found" and Preston Lovinggood "Shadow Songs" as well as Kiev's EP "Be Gone Dull Cage. Also Producing and Engineering a new record due out next spring for Shaheed and DJ Supreme on Communicating Vessels and a new 4 Song EP by the LA based band Opus Vitae due out early 2015. Twitter: @darrellthorp facebook.com/dfthorp darrellthorp.com

Darrell Thorp is a Three Time Grammy Award Winning (OutKast, Radiohead, Switchfoot) Producer, Mixer, Engineer with over 16 years experience under his belt and many multi platinum records to his discography. Darrell moved to Los Angles in 1997 after a 4 year service in the U.S. Navy and started interning at smaller studios and eventually worked his way up to an Assistant Engineer at some of L.A.'s prestigious studios such as Track Record, Conway, and finally Ocean Way Recording. It was at Ocean Way recording that Darrell meet famed Radiohead producer Nigel Godrich. Shortly after meeting Godrich, Darrell became his full time engineer and ended up recording Beck "Sea Change", Radiohead "Hail to The Thief", Paul McCartney's "Chaos and Creation In The Back Yard" and many others. Currently Darrell is splitting his time between mixing various records and projects and Producing. Darrell has had the pleasure of producing the critically claimed Kan Wakan "Forever Found" and Preston Lovinggood "Shadow Songs" as well as Kiev's EP "Be Gone Dull Cage. Also Producing and Engineering a new record due out next spring for Shaheed and DJ Supreme on Communicating Vessels and a new 4 Song EP by the LA based band Opus Vitae due out early 2015. Twitter: @darrellthorp facebook.com/dfthorp darrellthorp.com