Podcast appearances and mentions of Sofia Coppola

At the 64th New York Film Festival, Sofia Coppola discusses Making Marie Antoinette and collaborating with Eleanor Coppola with NYFF programmer Rachel Rosen. Sofia Coppola's dynamic craftsmanship in creating her personal vision for 2006's Marie Antoinette (NYFF44) is on full display in this video diary shot by her mother, Eleanor Coppola, on the film's set in Versailles in 2005. The 64th New York Film Festival is presented in partnership with Rolex.

María Antonieta y el punk versallesco Hace 20 años Sofia Coppola sorprendía al mundo con su tercera película. Después de Vírgenes suicidas y Lost in Translation, llegaba al festival de Cannes con una apuesta bastante más ambiciosa: una visión más personal y completamente atípica de la figura, historia y leyenda de la última reina de Francia: María Antonieta de Austria. Nada menos. La crítica “tradicional” se dejó escuchar en abucheos a la película. La crítica menos rígida dudó. Era normal. La película, en más de un sentido, es una adelantada a su época. Y Coppola es una de las directoras menos clasificables del buen Hollywood, aunque su estilo se distingue siempre. Declaración feminista, abiertamente democrática, rebelde e incluso punk, María Antonieta y la gran actuación de Kirsten Dunst, regresan a la conversación debido a la conversión al 4K de esta, una de las mejores películas de inicios de siglo y que empata su cumpleaños 20 con los 50 del movimiento punk, del que roba muchas más cosas de las que creemos. Hablemos entonces, sin necesidad de quedar bien con nadie, de María Antonieta, de Sofia Coppola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:04:27 - Le Grand reportage de France Inter - Personne à Versailles n'a oublié ce tournage il y a vingt ans, le film Marie-Antoinette de Sofia Coppola, devenu culte. Il fait l'objet aujourd'hui d'une exposition au château du Petit Trianon, là où tout à démarré. Visite guidée en compagnie de la cinéaste et des grands témoins de l'époque. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:27 - La grande matinale - Personne à Versailles n'a oublié ce tournage il y a vingt ans, le film Marie-Antoinette de Sofia Coppola, devenu culte. Il fait l'objet aujourd'hui d'une exposition au château du Petit Trianon, là où tout à démarré. Visite guidée en compagnie de la cinéaste et des grands témoins de l'époque. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sinema kulübümüzün 31inci buluşmasında yönetmenliğini Sofia Coppola'nın yaptığı, başrollerinde Bill Murray ve Scarlett Johansson'ın oynadığı 2003 yapımı Türkçe'ye Bir Konuşabilse ismiyle çevrilen “Lost in Translation” adlı filmini konuştuk.Film, Tokyo'da bir otelde karşılaşan iki Amerikalının hikâyesini anlatıyor: kariyerinin sonbaharındaki bir aktör ile henüz kendi hayatını arayan genç bir kadın. İkisi de kendi hayatlarında bir tür görülmeme, anlaşılmama hissiyle boğuşurken, hiç bilmedikleri bir dilde ve kültürde birbirlerini buluyorlar.Film, 2004'te En İyi Özgün Senaryo Oscar'ını kazanmış; ilginç bir detay olarak da Coppola'nın o dönemki eşi Spike Jonze'un on yıl sonra çektiği "Her" filmiyle bu filme bir tür sanatsal cevap verdiği söyleniyor.Sohbetimizde en çok yalnızlık teması üzerinde durduk. Tokyo'nun otuz milyonu aşan nüfusuna rağmen dünyanın en içine kapanık şehirlerinden biri olması, filmin arka planındaki yalnızlığı bizce daha da keskinleştiriyordu. Japonya'nın Amerikan sinemasında sık kullanılan bir dekor olmasının İkinci Dünya Savaşı sonrası kurulan kültürel-teknolojik bağdan geldiğini, filmdeki bazı abartılı Japonya tasvirlerinin de bu tarihten beslendiğini konuştuk.İki karakter arasındaki çekimin cinsel mi yoksa bir boşluğu doldurma hâli mi olduğu üzerine görüş ayrılığımız oldu. Kimimiz bunu, ikisinin de evliliklerinde göremedikleri ilgiyi birbirlerinde bulması olarak okudu; kimimiz ise daha karmaşık, adı konulamayan bir yakınlık olduğunu düşündü. Filmin merkezine iletişimi ve anlaşılmayı koyduğunu; tercümanın viski reklamı sahnesinde ya da final sahnesindeki fısıltıda olduğu gibi, kelimelerin bazen hiçbir şey iletmediğini ama bakışların, sessizliğin çok şey söylediğini konuştuk.Beni en çok düşündüren de bir insanın bu kadar tanıdığı ve bir ömür paylaştığı biriyle nasıl bu tür bir kopukluk yaşayabildiği oldu. Aslında bu çok karşılaşılan bir durum. Hayat mücadelesine kapılıp çocukların okulu, evin tadilatı, faturaların ödenmesi gibi işlerin peşine düştüğümüzde bir eş olmanın sorumluluğunu da keyfini de unutuyoruz. İlişki hiç böyle başlamamış olsa da. O nedenle iletişim ve o iletişime duyguyu, dayanışmayı katmak çok önemli. En kıymetlilerimizden bu özeni esirgemek zaman zaman hepimizin düştüğü tuzak oluyor sanırım, nazımızı çektirirken.Bu bölümde görüşlerine yer verebildiğim arkadaşlarım sırasıyla Fatih Yıldız, Ebru Başaran ve Feyza Demir oldu.Support the show

En este episodio hablamos de los diseñadores y las mujeres que se convirtieron en sus musas. De Yves Saint Laurent y Betty Catroux a Givenchy y Audrey Hepburn, McQueen e Isabella Blow, Gaultier y Madonna y Marc Jacobs y Sofia Coppola. También repasamos a figuras como Loulou de la Falaise, Elsa Peretti, Inès de la Fressange y Carolina de Mónaco, y cómo su estilo influyó en la moda.

This week: Sydney weather as business class: once you've had it, going back to coach is brutal….and the ethics of putting your dog to sleep, covered in the first four minutes.We went to Cybele Malinowski's photography show “Deep Fake”, portraits of Las Vegas celebrity impersonators, including the story of one MJ impersonator who took a homeless man under his wing and taught him the craft. Plus our Vegas stories: Ione at the Hard Rock Hotel opening in the early 90s with Sofia Coppola, Stephen Dorff and Zoe Cassavetes (the politics of free chips for famous people), and Ben waking up at Lollapalooza 93 to what may be the worst smell in human history.We hung with Fruit Bats' Eric D. Johnson: his song is going viral on TikTok across American college campuses, and he shared a piece of songwriting wisdom we can't stop thinking about. Ben is processing his hair transplant fork in the road. We fell down an Etsy witches rabbit hole.And we had a full psychic moment playing Rummy Tiles. Weirder Together is officially calling it: collective Joan Armatrading rediscovery moment incoming.

"We knew the girls were really women in disguise, that they understood love, and even death, and that our job was merely to create the noise that seemed to fascinate them..." In the latest episode of AT THE MOVIES IN THE 90s, your host Emma Arneil is joined by brand new guest Derrick McDuff to discuss Sofia Coppola's striking 1999 directorial debut, The Virgin Suicides. Tackling psychological themes with a serious dollop of angst, and boasting an incredible cast young and old, Coppola's debut was assured and profound, telling the story of sisters in 1975 Detroit. We wonder if it still carries the same power today... Host / Editor Emma Arneil Guest Derrick McDuff Executive Producer A. J. Black Find the podcast on Linktr.ee: https://linktr.ee/atthemoviesinthe90s Support the Film Stories podcast network on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/simonbrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: www.filmstories.co.uk Title music: 'I Am Changing' by Isaac Elliott (c) epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Madison Productions is now cranking out movies starring two generations of Sandlers: paterfamilias Adam and daughters Sadie and Sunny. Earlier this year, Sadie starred in Netflix’s college-set Roommates, and now it’s Sunny’s turn in Don’t Say Good Luck, a tear-jerker that pairs family drama with high school musical drama. And it’s a pairing that Matt and Jordan agree works pretty well, thanks to the director Julia Hart (Fast Color, I’m Your Woman), solid work from Sandler, and a great performance by Melanie Lynskey as Sunny’s mom. Plus, a “Nepo Baby” streaming rec from Matt, and one from Jordan for a forgotten Oscar-winning Canadian film from the early 2000s. And Matt hosts another round of Portmanteau-to-Toe. Intro (00:00:00–00:03:16) Don’t Say Good Luck (00:03:17–00:24:27) Rec Seg! Nepo Babies and Canadian Oscar-winners (00:24:28–00:39:07) Game: Portmanteau-to-Toe (00:39:08–00:58:57) Mailbag / New to Streaming / Credits (00:58:58–01:11:25) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Tony A 19-year-old Anthony Bourdain travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life. Marc By Sofia An intimate, unconventional portrait of Marc Jacobs, crafted by Sofia Coppola to capture the genius and singular universe of the iconic American fashion designer. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Week three of the Isolation series. Luke, Chris, and Peter take on Spike Jonze's 2013 masterpiece. Her is a love story between a lonely man and his operating system, and the scariest thing about it is that none of it feels like science fiction anymore. Jonze conceived the idea after reading about an AI chatbot in the early 2000s. The original voice of Samantha was Samantha Morton, who performed on set with Phoenix every day for the entire shoot. Jonze replaced her with Scarlett Johansson in post-production. Phoenix and Rooney Mara play a divorced couple in the film and later married and had two children in real life. Arcade Fire scored it. Jonze wrote it as a reflection on his divorce from Sofia Coppola. And Johansson starred in both this and Coppola's Lost in Translation. Two hosts. One film. The isolation series gets personal.

We're back with another Sofia Coppola directed film. This time it's a documentary on the fashion designed Marc Jacobs. We chat about travel, the fashion world, and the idea of being a creative. LIVE SHOW : August 30th 1:30pm-4pm The Book House in Millburn, NJInstagram: @heyitstwogirls, @classicSTINA @daniellecobianchiTwitter: @heyitstwogirls, @classicSTINA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Two Girls Drink Beer Youtub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Le premier long-métrage de Sofia Coppola sʹintitule The Virgin Suicides, (Virgin Suicides en français), un film dramatique américain sorti en 1999. Adapté du roman du même nom de Jeffrey Eugenides, le film raconte l'histoire des cinq sœurs Lisbon dans le cadre d'une banlieue bourgeoise huppée tout près de Détroit dans le Michigan durant les années 70. Lʹhistoire des filles Lisbon cʹest celle dʹune famille étrange. Un père prof de mathématiques, une mère bigote, et cinq sœurs qui vont commettre lʹirréparable : le suicide. Mais ce sont surtout les garçons qui les observent qui sont au cœur du récit. Des jeunes gens amoureux fascinés des sœurs Lisbon qui vont perdre, en même temps quʹelle, leur enfance et basculer dans lʹâge adulte. Virgin Suicides cʹest la métaphore de lʹinnocence perdue, cʹest A lʹombre des jeunes filles en fleur qui devient filles de sang. Cʹest la poursuite de spectres blonds, vaporeux, aussi évanescents que le temps qui passe. Sofia Coppola, photographe et styliste, ne se destinait forcément pas à la réalisation. En lisant le livre, elle se sent portée, écrit un scénario sans avoir les droits du roman. Puis tout sʹenchaine. A sa sortie, le film marque les esprits. La critique est enthousiaste. On attendait une bluette de la part de la fille à papa. Mais voilà que Sofia parvient à se faire un prénom face à Francis Coppola. Ses actrices et acteurs sonnent juste, le propos comme lʹémancipation, les obsessions, lʹamour absolu adolescent, le corps de la femme et principalement de la jeune femme, la musique de Air, contribuent à en faire une œuvre qui marque le cinéma américain à lʹaube des années 2000. Place à un film qui fait goûter au poison de lʹadolescence sans beaucoup de concessions. REFERENCES Clotilde Leguil, Les amoureuses, voyage au bout de la féminité, Paris, Éditions du Seuil, 2009, 185 p. (ISBN 978-2-02-097618-3, lire en ligne [archive]), " Lux. Une amoureuse et ses sœurs ". Erwan Higuinen et Olivier Joyard, Tous les garçons et les filles de leur âge, portrait de Sofia Coppola, in Cahiers du cinéma no 536, 22 mai 1999 Making of https://www.youtube.com/watch?v=JQdmc5pqMpo Blow Up, Sophia Coppola en musique https://www.arte.tv/fr/videos/092096-051-A/blow-up-sofia-coppola-en-musiques/ FLASH BACK · " Virgin Suicides " de Sofia Coppola a 20 ans https://www.youtube.com/watch?v=MVfdxMOqwcE

For their 239th episode, two jet-set film critics, two midlife crisis dads, and two culturally open school teachers, Will Johnson and Don Shanahan, begin a two-episode arc on films that inspired recent travel from our two hosts. This month, Will got back from a transformative solo trip to the nation of Japan, meaning Sofia Coppola's "Lost in Translation" became the immediate reflection point for an episode. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!Speakpipe - send us a voicemailhttps://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/www.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

In this episode I spoke with author Thomas "Tom" Schatz about his latest book "Power Surge: Conglomerate Hollywood and The Studio System's Last Hurrah". Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters―Batman and Titanic, Toy Story and The Lord of the Rings―an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

Frank Richter ist zurück im Studiocast. Diesmal aber nicht zum Arbeiten, wie er gleich zu Beginn klarstellt, sondern zum Plaudern. Und das lohnt sich: Der Comedian und Christoph Soltmannowski teilen einen Background im People-Journalismus, und wenn zwei Ehemalige aus dieser Branche zusammensitzen, kommen Geschichten auf den Tisch, die man so noch nie gehört hat.Frank erzählt von seiner Zeit bei «Glanz & Gloria»: von der Managerin, die eine Frage nach Beatrice Eglis Kindheitsinstrument strich, weil sie «zu privat» sei. Von der Anwaltskanzlei, die pro «Schweini» 10 000 Euro forderte, weil man Bastian Schweinsteiger gefälligst beim vollen Namen zu nennen habe. Und von der Erkenntnis, dass die grössten Stars meist die unkompliziertesten sind, während das Management drumherum die Probleme macht. Christoph hält dagegen: mit einem Bond-Girl, einer Aufpasserin hinter seinem Rücken und einem Weltstar, dessen Presseassistentin keine Fotos wollte. Wegen der grauen Haare.Dazwischen geht es um das Handwerk: Wie wird aus einem TV-Journalisten ein Comedian? Frank erzählt, wie ihn das Blick Live Quiz vor die Kamera brachte und warum er sich am Ende zwischen SRF und Blick entscheiden musste. Er erklärt, weshalb schwarzer Humor in der Schweiz mainstreamtauglich verpackt sein muss, warum das deutsche Publikum schneller lacht und wieso er auf dem Land manchmal bremsen muss, damit die Pointen überhaupt ankommen. Und er hat eine Beobachtung mitgebracht, die hängen bleibt: Gen-Z-Zuschauerinnen schauen bei derben Witzen erst nach links und rechts, ob die anderen lachen. Die Lizenz zum Lachen holt man sich heute offenbar beim Sitznachbarn ab.Natürlich ist auch sein aktuelles Programm «Love My Job» Thema. Der Titel ist ironisch gemeint, denn Frank kann den LinkedIn-Hashtag nicht ausstehen: Wer vom Betriebsausflug auf den Pilatus ein Gruppenfoto mit #lovemyjob postet, will laut ihm vor allem eines, nämlich dem Chef Honig ums Maul schmieren. Über Social Media hat er trotzdem seine Meinung geändert. Sein Fazit nach dem späten Einstieg: Am Anfang ist es cringe, später ist es Content. Und es füllt die Theater.Ausserdem: Wie Sacha Baron Cohen als Ali G an sein Trump-Interview kam, warum Donald Trump überhaupt in «Home Alone 2» mitspielt, was Macaulay Culkin heute macht, wie Joel von Mutzenbecher als Regisseur mit Frank 32 Figuren samt eigener Stimme und Körperhaltung erarbeitet hat und weshalb Frank als kokainsüchtiger HR-Chef in einem Kurzfilm einen Ritterschlag erhielt.Eine Stunde über Comedy, Promis und die Frage, wie viel Inszenierung in der Spontaneität steckt. Reinhören lohnt sich.Alle Termine zu «Love My Job» gibt es auf Frank Richters Website und seinen Social-Media-Kanälen.Kapitel:(00:00) Intro: Taylor Swift und der starke Franken(01:40) Von der Lokalzeitung zu «Glanz & Gloria»(03:47) Beatrice Egli und die zwei Managerinnen(05:34) Bond-Girl, Prinz Albert und Paul McCartneys Haare(08:46) Haartransplantationen und graue Bartkränze(10:17) Blick Live Quiz und der Abschied vom SRF(14:37) Schwarzer Humor und die Grenzen der Comedy(16:55) Warum die Gen Z erst nach links und rechts schaut(20:20) Ali G, Trump und «Home Alone 2»(22:52) Kinderstars: Culkin, Jodie Foster, Sofia Coppola(26:01) Schlagfertigkeit: alles inszeniert?(28:53) Lady Gaga im Hallenstadion und Conan O'Brien(30:18) Deutsches Publikum vs. Schweizer Publikum(32:35) Stadt, Land und der Kantönligeist(35:07) «Love My Job»: Warum der Hashtag nervt(38:28) Social Media: Am Anfang cringe, später Content(42:16) Das vierte Programm und die Tour(43:21) Schauspiel: der kokainsüchtige HR-Chef(45:17) Joel von Mutzenbecher und 32 Figuren(46:44) Böse Mails: Schweini und andere EmpörteTickets gibt es bei Ticketcorner:https://www.ticketcorner.ch/search/?a...Mehr zu Frank Richter aufhttps://www.frankrichter.ch/

Welcome to an ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vaults.In celebration of HEAVY METAL PARKING LOT's 40th ANNIVERSARY celebration, I bring you one of the most joyous Revolutions Per Movies episodes of all time--my deep dive into that amazing doc with WILCO's MIKAEL JORGENSON & JEFF KRULIK--The Co-Creator of HEAVY METAL PARKING LOT. And remember that punk rock shit BELONGS ON FUCKING MARS!!!!(Episode 101 originally aired on July 3rd, 2025).ORIGINAL SHOW NOTES:This week I'm joined by WILCO's MIKAEL JORGENSON to discuss a film he knows backward and forwards: HEAVY METAL PARKING LOT! But that's not all… I also got to blow his mind with surprise guest JEFF KRULIK--The Co-Creator of HEAVY METAL PARKING LOT!!!We discuss Mikael's endless creativity and how he decides where to put his energy on any given day, the many hours he spent as a teenager making music on his IBM floppy drive computer, doing David Letterman-style comedy audio cassette recordings, how unusual it was to see Mikael with a computer on stage during his first Wilco tour (and how common it is now), how intense it was for him to join an established band like Wilco, tribalism in music scenes, how the documentary is both terrifying and comforting, how shirtless people outnumber people wearing shirts in this film, Mikael's religious upbringing and its impact on his fear of heavy metal, KISS being in children's TV shows, the genesis of Heavy Metal Parking Lot and how the film found an audience due to VHS tape trading culture, a reenactment of Zebraman's anti punk rock tirade, the undying loyalty of metal fans, Neil Diamond Parking Lot & Heavy Metal Picnic, Judas Priest's reaction to the film, Jeff trying to eat Judas Priest's food backstage, Sofia Coppola wanting to use the film in her work, reconnecting with the stars of Heavy Metal Parking Lot decades later and so much more.So let's smoke a joint so big it stretches across America on this week's episode of Revolutions Per Movie!HEAVY METAL PARKING LOT: https://www.heavymetalparkinglot.com/MIKAEL JORGENSON: https://mikaeljorgensen.com/JEFF KRULIK: https://jeffkrulik.com/WILCO: https://wilcoworld.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

We party with Sofia Coppola’s “The Virgin Suicides” and discuss: Story & Writing, metaphors, rule of repeats; and other such stuff and things and stuff. “It's always more intriguing to imagine what's happening, as opposed to seeing everything, because then you can use your imagination. I always wanted to be at a distance.“ – Sofia […] The post Ep 373: “The Virgin Suicides” appeared first on The Pestle.

Langoy 425 | ¡Prepárate para un déjà vu total, porque esta vez la que sufre el desamor no eres tú, es Olivia Rodrigo! En este episodio, Jakeline y Daniela se sumergen de lleno en la carrera de Olivia Rodrigo y su más reciente álbum, you seem pretty sad for a girl so in love. ¿Cómo logra Olivia despegarse de su imagen de estrella Disney y de High School Musical The Musical: The Series para consolidar una propuesta musical honesta y una identidad propia? ¿Qué hay detrás de canciones como "The Cure", "Honeybee", "My Way" y "Cigarette Smoke", y por qué este álbum se lee como una narrativa de ruptura y superación con una estética influenciada por la iconografía de Sofia Coppola? ¿Cuánto le debe su carrera —musical y legalmente— a Taylor Swift? ¿Y qué tiene que ver todo esto con el legado de festivales como Lilith Fair en los 90, que abrieron el camino para que las artistas hablaran sin filtro de sus relaciones y vivencias? Todas esas preguntas y más serán resueltas en este episodio. Y a ti, ¿qué te pareció you seem pretty sad for a girl so in love? Si les gustó este episodio, déjenlo saber en los comentarios. Recomendaciones del episodio: Lilith Fair: Building a Mystery (2025), disponible en Disney+ o en tu plataforma alternativa favorita. Recuerda que puedes ayudarnos a seguir haciendo el podcast posible aquí.See omnystudio.com/listener for privacy information.

Pour a glass and hold onto your tiara: this episode drops us straight into the gilded world of Rare Champagne, the vintage-only prestige cuvée born at the court of Versailles. We sit down with Maud Rabin, Managing Director of Rare Champagne, inside the house's headquarters in Reims (in the Salon Marie-Antoinette itself) to unravel a story that runs from a queen's love of pineapple in 1785 to a bottle dressed by Van Cleef & Arpels two centuries later.Maud trades ten years in fashion for the world of Champagne, tracks down the very family who relaunched the brand, and reveals why Rare Champagne only exists in vintage years, why it took four decades to make just four rosés, and why the tiara on every bottle is glued by hand, one dot at a time, by a team of eight women in Reims.Expect royal history, Chardonnay obsession, and a glass of Rare 1988 paired with Comte. Tune in!▬▬

Ione is about to shoot a new film. Ben is thinking about covering Georgia Maq's “Joe Rogan” song on their upcoming Australian tour. We found a 1990 Elle magazine article where legendary LA writer Eve Babitz profiled Ione and her brother (attached in full below), which includes a birthday party guest list featuring Robert Downey Jr., Sarah Jessica Parker (before anyone knew her), Adam Horovitz, and the Red Hot Chili Peppers.Also: Lars Von Trier once challenged Baz Luhrmann to make a Dogme 95 film. Baz's response is perfect. Plus — why the Hal Hartley clip went viral on film Instagram, Sofia Coppola and Zoe Cassavetes competing over a French director, and Ben's theory about how Baz Luhrmann changed the way every film gets edited.Dive deeper into our world at https://weirdertogether.substack.com

The Godfather Part III follows an aging Michael Corleone as he tries to legitimize his criminal empire and find a successor, while grooming his nephew Vincent and getting entangled in a Vatican banking scandal.The Godfather Part III was released on December 25, 1990, and stars Al Pacino, Diane Keaton, Talia Shire, Andy García, and Sofia Coppola. It was directed by Francis Ford Coppola.Follow:SSC on InstagramTim on LetterboxdTay on Letterboxd

“Sound is a really important part of how I make movies because I always tell people that if the sound is good and the picture is bad, then you'll stick around to see what happens. However, if the sound is terrible and the picture is great, you're out of there in like ten minutes. So sound is something that I always cherish. And I think that the right filmmaker who appreciates sound can really take advantage of what we think about and use, you know, the viewer's imagination. A lot of film pictures start off in black and, you know, they just have the sound, so they really grab the audience's attention right from the beginning. So sound is just such a powerful medium.” – Jayson JohnsonThis week's guest is a filmmaker and the founder of Strike Five Films, an independent production company dedicated to authentic, character-driven storytelling. A graduate of Eastern Illinois University, he began his career under the mentorship of Francis Ford Coppola, working on the Wine, Daydreams & Memories tour before producing over 1,400 hours of broadcast television for Discovery ID. Since founding Strike Five Films in 2017, he's written, directed, and produced nine short films that have screened at more than ninety festivals worldwide, earning six awards. His work has been featured in numerous media outlets and is defined by themes of perseverance, community, and creativity.He's currently in pre-production on his debut feature, R.O.G.E.R & Me, an offbeat, heartfelt film rooted in Richmond, CA, while continuing to mentor emerging filmmakers and expand his mission of fusing storytelling, social impact, and independent artistry. His name is Jayson Johnson, and if you've ever wondered how intentional sound can elevate storytelling and make a lasting impact on audiences, you won't want to miss Jayson's behind-the-scenes insights and practical tips.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – How Sound Captivates AudiencesWe start things off with the vivid impression sound made on Jayson as a child, and how it led him to a career in filmmaking. “One of the memories I have as a child,” he recalls, “is, you know, you're sound asleep, and then all of a sudden, the vacuum cleaner goes on… that was kind of like an alarm clock for us, you know, because we always had chores.” He tells us more about his influences growing up and how a lifelong love of movies became a calling. “When I went to college,” he explains, “I had no idea what I wanted to do, so I signed up with Speech Communication, and they had a discipline of Radio, TV, and Film. And I just tried out everything.”(11:27) – Sound Techniques in FilmmakingJayson tells us more about his early years in the industry and how a chance job opening led to an encounter with Sofia and Francis Ford Coppola. “I put out all these resumes, I don't even know how many I put out,” he tells us. “Probably a hundred or so. No one called me except for this one place, and I said, ‘Oh, it's a winery. I'll go there.' And it happened to be Francis Coppola Winery.” He recalls his work on Sofia Coppola's Marie Antoinette, and the lessons about sound that Marin Scorsese's classic Goodfellas taught him to apply to his own films. “We see the cars explode,” he explains, “and Scorsese wants the audience to feel the emotion of that scene by not saying anything and just adding that little pause in there and, you know, letting the audience feel the gravity of the moment.”Episode SummaryExploring how silence enhances emotional depth in storytelling.Jayson discusses the sound techniques he's used in his films.Tune in for next week's episode as we talk about how music can transform a film, both for better and for worse, his thoughts about the emergence of AI videos and virtual celebrities like Tilly Norwood, and why he considers sound to be the first step in his creative process as a filmmaker.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

The Bling Ring is based on the true story of a group of Los Angeles teenagers who burglarized the homes of celebrities including Paris Hilton, Lindsay Lohan, Audrina Patridge, and Orlando Bloom between 2008 and 2009. Driven by an obsession with fame, fashion, and celebrity culture, they stole millions of dollars' worth of luxury items before eventually being caught by police. Sofia Coppola's 2013 film explores not only the crimes themselves, but the culture of celebrity worship that inspired them.SOURCES:The Real Bling Ring: Hollywood Heist https://nypost.com/2023/09/30/bling-ring-leader-rachel-lee-reveals-what-fueled-celeb-crimes/https://variety.com/2023/film/news/erin-lee-carr-ringleader-case-bling-ring-rachel-lee-1235737937/https://www.etonline.com/rachel-bilson-confronts-bling-ring-member-gabby-neiers-years-after-she-robbed-her-192522

After reconciling with the fact that they're turning 40 soon and starting to forget a lot of things, Brandon and Stoney finally dig into Sofia Coppola's feature directorial debut in The Virgin Suicides on this episode of Movie Review Rewind! 

We've done it again, made it through another season of DESIGNERS ON FILM. Having just finished Season 2, here are highlights and episodes of note.-Sam Beddoes, who developed a video game based on The Rocky Horror Show, talked about the movie, aka The Rocky Horror Picture Show.https://www.designersonfilm.com/podcast/the-rocky-horror-picture-show-1975-w-samLeading up to Halloween in 2025, we continued our Spooky Cinema theme with plenty of new additions, Season 1 and 2 are collected at…https://www.designersonfilm.com/scares/Erik Wiese discussed the work that went into Snoopy Presents: A Summer Musical, and how design played a role in this fun, heartwarming movie that honors Charles Schulz and Schulz's development as an artist. https://www.designersonfilm.com/podcast/snoopy-presents-a-summer-musical-2025-with-erik-wieseGuests Scott Amyx and Cameron Tau analyzed David Fincher's The Social Network and critiqued the ways Facebook has caused disruptions impacting people at a very human level. But, the Uplifty app Scott and his team developed aims to do something very different, helping people build relationships.https://www.designersonfilm.com/podcast/the-social-network-2010-with-scott-amyx-and-cameron-tauUniversity of Washington's Professor Karen Cheng recalled seeing Working Girl for the first time, and explained what makes it such a fun, rewatchable movie. https://www.designersonfilm.com/podcast/working-girl-1988-with-karen-chengChristie Wu, who introduced me to the movie Clockwatchers, analyzed its well-composed cinematography.https://www.designersonfilm.com/podcast/clockwatchers-1997-with-christie-wuDesigner and filmmaker Sofia Cababa Wood, who has always loved Marie Antoinette, shared her own personal connections to Sofia Coppola's movie.https://www.designersonfilm.com/podcast/marie-antoinette-2006-with-sofia-cababa-wood‍ ‍DESIGNERS ON FILM is available on Amazon, Apple, iHeart, Spotify, or wherever you enjoy podcasts.Do you have a question about the show? A guest to recommend? A movie or movies you'd like to learn more about? See this episode's notes and the link to our contact form.We'll be off for a few weeks. I hope you watch plenty of movies this summer!! I sure will!-CONTACT UShttps://www.designersonfilm.com/hollaback-We're on LETTERBOXDSeason 3https://boxd.it/UxwBk-Season 2 https://boxd.it/Kkuik‍ ‍-Season 1https://boxd.it/xfW8K

In the 1980's and 1990's, David Fincher, Spike Jonze, Sofia Coppola, among many others honed their craft and proved their vision directing 3 minute music videos for MTV.  While the "music video" aesthetic was sometimes attacked as hurting cinema, in retrospect, the best directors of that generation brought a much needed innovation to movie language from which we can still take inspiration. Secret Movie Club founder.programmer Craig Hammill looks at this video work and notes how often the master moviemakers of a generation come out of a looked down upon medium. 

The A24 Rocks crew finally gets to the namesake of their podcast, Sofia Coppola's On The Rocks (said in a whisper) starring Rashida Jones, Bill Murray, and Marlon Wayans. Rashida Jones plays Laura, a new mom and author with an eccentric dad named Felix, and a husband named Dean who is getting his start-up off the ground. One strange move by Dean leads Laura down a path of suspecting Dean is cheating on her, and father Felix is there to investigate a possible trail of bread crumbs Dean is leaving. How does On The Rocks compare to Sofia Coppola's previous works? Caution: movie spoilers. Buy us a coffee- https://buymeacoffee.com/a24otrIntro- 0:00 to 3:19.Film Discussion- 3:19 to 54:08.Film Ratings/Outro- 54:08 to End.

Based on Lady Antonia Fraser's 2001 biography and directed by Sofia Coppola, the 2006 Oscar-winning movie Marie Antoinette portrays the queen in a way you might not expect, making her a relatable person, a teenager who becomes a leader, coping with life's ups and downs all while trying to have some fun too. The stylistic flair and visual embellishments (watch for a pair of Converse sneakers) make plenty of scenes feel like a dessert tray thanks to the friendly, sweet color choices and Milena Canonero's work which won a 2007 Oscar for Best Achievement in Costume Design. Designer Sofia Cababa Wood has always loved the movie and as a teenager reenacted moments while visiting France, it's a movie the Seattle-based product designer at eBay definitely watches once a year.-Sofia Cababa Wood is a Seattle-based product designer at eBay. She received her Bachelor's Degree in Visual Communication Design from the University of Washington in 2020. She cut her teeth at various design studios, with a specialty in data visualization. Her experiences living in the Netherlands, Japan, and South Korea have shaped her as a designer and helped her view her work through a systems-centered lens. These days, she also makes and sells pottery!https://www.sofiacababawood.com/ https://scwstoneware.com/ -Marie Antoinette (2006)https://www.imdb.com/title/tt0422720/ https://www.instagram.com/p/DO8szHyCH91/ https://www.history.com/articles/marie-antoinette https://variety.com/2006/film/awards/marie-antoinette-4-1200515977/ https://letterboxd.com/journal/marie-antoinette-retrospective-deep-impact/‍ ‍https://www.vulture.com/2013/06/defense-of-sofia-coppolas-marie-antoinette.html -Other movies and shows discussed:Barry Lyndon (1975)The Bear (2022-)The Beguiled (2017)The Bling Ring (2013)Bridgerton (2020-)The Favourite (2018)The Great (2020-2023)Lost in Translation (2003)Priscilla (2023)Somewhere (2010)The Virgin Suicides (1999)

Nous sommes en 1959, en Allemagne de l'Ouest. À Wiesbaden, près de la base militaire américaine, une adolescente est invitée à une soirée d'officiers. Parmi les convives, un jeune soldat texan déjà célèbre : Elvis Presley. Cette rencontre, c'est le point de départ de Priscilla, le film que Sofia Coppola consacre à celle qui fut l'épouse du King pendant treize ans. Si Elvis a déjà fait l'objet de nombreux films, Coppola reprend les codes du biopic mais pour mieux les renverser. Priscilla ne raconte pas l'ascension d'Elvis, mais son contrechamp. Le film s'adosse au mythe et suit Priscilla, adolescente puis épouse du King, de leur rencontre jusqu'à leur séparation, et pose une question rarement formulée : comment bien vivre dans l'ombre de la réussite masculine ? Avec Raphaëlle Moine, professeure en études cinématographiques à l'Université Sorbonne Nouvelle, ainsi que Delphine Letort, professeure d'études filmiques et américaines, présidente de l'université du Mans.

In the early 2010s, a group of burglars ransacked Hollywood homes like the city was their personal shopping mall. No celebrity was safe from their sticky fingers: Not Lindsay Lohan, not Orlando Bloom, and especially not Paris Hilton, who perhaps lost the most luxury loot of anyone. The thieves pocketed over $3 million dollars' worth of custom couture, cocaine, and cold card cash before they were caught. And when “The Bling Ring” finally traded their designer digs for orange jumpsuits, the world learned the most shocking aspect of the entire case: They were only teenagers.See omnystudio.com/listener for privacy information.

Hey hey film fans! In this episode, Rod and Ben discuss recent watches like "The Devil Wears Prada 2" and "Euphoria" and the finale of "Daredevil: Born Again" (SPOILERS from 41:45 to 52:50), play Choose Your Row, talk about the new "Odyssey" trailer, and cover some news topics. Then we invite TK on to discuss the filmography of Sofia Coppola! We rank all of her feature films and delve into the artistry of each and personal stories of watching them for the first time. Do please enjoy!

"I just feel so alone, even when I'm surrounded by other people." On this week's episode, we return to Tokyo for a bleary-eyed re-evaluation of Sofia Coppola's 2003 indie dramedy Lost in Translation. Despite being often referenced on the podcast, it was time to finally let Frank air his grievances about this era of Bill Murray's career and see how the movie holds up over 20 years later. Is it really intended as a May-September romance or is it just about the need for connection? Does the movie's view of quirky Japan feel overly snarky and borderline racist? Is it a dick move for an actor to ask if he should turn his head left or right? Has anyone actually figured out the secret whisper at the end of the movie? Pour yourself a glass of whiskey and make it Suntory time with the latest Film Junk Podcast.

À 13 ans, Sébastien Tellier voit les Pink Floyd en concert avec son père. C'est devant les solos de David Gilmour qu'il trouve sa vocation.À 22 ans, il signe son premier contrat. Son premier single en studio se retrouve dans Lost in Translation de Sofia Coppola et fait le tour du monde avant même qu'il comprenne ce qui lui arrive.Ce qui suit est un chaos assumé. Des concerts (vraiment) ivre, des heures à parler dans le vide sur scène, et parfois il va jusqu'à envoyer un ami "qui lui ressemble" chanter sur scène à sa place pour quelques chansons. Il a même un jour refait son concert une deuxième fois quand il s'est terminé.Il le dit lui-même : “Je n'étais pas prêt.”Pourtant il a toujours été au bon endroit au bon moment. La Ritournelle, Sexuality, L'amour et la violence, Divine à l'Eurovision… Sébastien a signé des morceaux que toute une génération connaît par cœur. Personnalité emblématique de la French Touch aux côtés des Daft Punk, Air, Cassius et Kavinsky, il partageait avec eux un même amour des vieux synthés vintage.Après 5 ans d'absence, il est de retour avec un nouvel album : Kiss The Beast. David Guetta signe un remix d'un de ses titres du même nom.Et à 50 ans, Sébastien Tellier dit une phrase que l'on n'attend pas : "Ma vraie carrière commence maintenant."Dans cet épisode lumineux et touchant (et un peu wtf), il nous raconte :- Pourquoi il se considère comme un compositeur et non pas un chanteur- Comment son trajet à pied jusqu'au studio est devenu sa principale source d'inspiration- Ce qu'il a retiré de sa musique pour retrouver sa créativité- La French Touch de l'intérieur : ce que les Daft Punk, Air et lui avaient vraiment en commun- Pourquoi les concerts devraient être payés par l'artiste, pas par le publicUn épisode pour tous ceux qui ont toujours fait les choses à l'envers ou qui veulent laisser vivre leur côté artistique.Vous pouvez retrouver Sébastien sur Instagram.TIMELINE:00:00:00 : Le Dallas de la banlieue parisienne00:08:47 : « Je n'ai jamais fait un seul échauffement vocal »00:15:14 : Signer sa carrière à l'aveugle00:24:40 : Le mariage parfait pour créer de la musique00:36:03 : Retirer ce qu'on aime le plus pour mieux créer00:45:46 : Les bons producteurs détestent composer00:52:46 : La détresse du mouton00:59:17 : "C'est l'artiste qui devrait payer le public"01:08:58 : La vraie vie après la scène01:20:35 : Le tsunami du rap01:28:10 : Quand tout partait en vrille sur scène01:41:34 : La French Touch de l'intérieur01:51:09 : La fin du monopole des majors01:58:45 : Les chansons que personne n'a jamais écoutéesLes anciens épisodes de GDIY mentionnés : #454 – Joël Dicker – Auteur et entrepreneur – Lire pour reprendre le contrôle de notre attention#380 – Paul Lê – La Belle Vie – Le Son Gokû de la FoodTech qui rachète Frichti#251 – Amadou Ba – Booska-P – Le média qui fait kiffer la moitié des français (mais que vous ne connaissez pas)#127 – Paul Lê – La Belle Vie – De la résilience, de l'honnêteté et du travail pour réussir big time#49 – Joël Dicker – La vérité derrière l'affaire Harry Quebert – Vendre 5 millions de livres avant 30 ans#6 – Bernard Werber – l'auteur aux 30 millions de livres vendusNous avons parlé de :Pink FloydMagmaL'histoire du GhettoBlasterLe film Lost in TranslationL'album Discovery des Daft PunkHollywood Roosevelt HotelLe film Anatomie d'une chuteSérie - The Defiant OnesDance Yrself Clean de LCD SoundsystemLe podcast de Anne Toumazoff avec SébastienLe passage de Sébastien sur Quelle ÉpoqueLe film SirātSébastien Tellier - Thrill Of The NightThe Sun Studio, le studio d'ElvisLes recommandations de lecture :La Ronde et autres faits divers, de J.M.G. Le ClézioLes Fourmis, de Bernard WerberJe voulais juste rentrer chez moi, de Patrick DilsUn grand MERCI à nos sponsors : Squarespace : https://squarespace.com/doitQonto: https://qonto.com/r/2i7tk9 Brevo: brevo.com/doit eToro: https://bit.ly/3GTSh0k Payfit: payfit.com Club Med : clubmed.frCuure : https://cuure.com/product-onely (code DOIT)Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"I just feel so alone, even when I'm surrounded by other people." On this week's episode, we return to Tokyo for a bleary-eyed re-evaluation of Sofia Coppola's 2003 indie dramedy Lost in Translation. Despite being often referenced on the podcast, it was time to finally let Frank air his grievances about this era of Bill Murray's career and see how the movie holds up over 20 years later. Is it really intended as a May-September romance or is it just about the need for connection? Does the movie's view of quirky Japan feel overly snarky and borderline racist? Is it a dick move for an actor to ask if he should turn his head left or right? Has anyone actually figured out the secret whisper at the end of the movie? Pour yourself a glass of whiskey and make it Suntory time with the latest Film Junk Podcast.

Mita wanted to see just how much the robots know about our hosts. So, she wanted "...options for films that would be good for @mitasampat and @omar.sidd.85 to watch." Chat GPT didn't have to go very far and suggested Sofia Coppola's seminal "Lost In Translation" for the next movie review. Nadeem and Mita have their doubts about "The Devil Wears Prada 2". 

EPISODE #481-- We talk about one of the American independent classics with Sofia Coppola's debut feature THE VIRGIN SUICIDES (1999). In between bouts of complaining about movies, we also talk about her second feature LOST IN TRANSLATION (2004), the Peter Weir crime film WITNESS (1985), and, once again, the cult classic French feature TCHAO PANTIN (1983). Also, do us a favor: Share this show. Send it out there into the world for us, if you can. Let us know if you do! LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Dave and Alonso go full arthouse, but they're also delighted to welcome back friend of the show (and Marc Jacobs model) Drew Droege to talk about Sofia Coppola's new documentary. (The interview with Drew was remote, so sorry if the episode sounds a little wonky.) Review us at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, like a church on Monday. Get this show ad-free, plus lots of other great stuff, at our Patreon: https://patreon.com/LinoleumKnife  Read Dave's online magazine: https://sluggish.ghost.io  Follow Drew on Instagram: https://www.instagram.com/drew_droege/ 

It's spring break, but we'd never leave you entirely here at Breakfast All Day. We stockpiled a few goodies for you while Christy's off skiing, including a Documentary Tuesday with two very different films: MARC BY SOFIA. Sofia Coppola explores the life and career of her friend of 30-plus years, fashion designer Marc Jacobs, in this intimate and fascinating documentary. If you like process and '90s nostalgia, this one's for you. In theaters. MY UNDESIRABLE FRIENDS: PART 1- LAST AIR IN MOSCOW. This was on both of our top-10 lists last year, so we're thrilled that it's now available for you to watch, as well. Julia Loktev's 5 1/2-hour doc follows a group of independent Russian TV journalists as Putin is invading Ukraine. They continue doing their jobs as they find themselves increasingly in danger. Streaming on MUBI. LITTLE DARLINGS: Was It Great, or Were You 8?: It's our favorite game, where we revisit movies from our childhood to determine whether they truly were great, or we just remember them fondly. This time it was Christy's turn, and she chose "Little Darlings," a film that seemed so racy to her in 1980. Tatum O'Neal and Kristy McNichol star as summer campers from opposite ends of the economic spectrum competing to see who can lose her virginity first. Armand Assante, Matt Dillon and a very young Cynthia Nixon co-star. Play along and let us know what you think! Thanks for sticking with us. We'll be back to a more normal schedule next week, including a LIVE spoiler chat about THE DRAMA. Join us at our YouTube channel at Noon Pacific time on Tuesday, April 14. Hope to see you then. Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

Subscribe to Throwing Fits on Patreon. If you could buy money, would you? This week, Jimmy and Larry are getting together to try and make some sense of the Summer House bombshell that was dropped this week in an extended segment breaking down the nuclear drama at the center of our favorite Bravo show, beware white boys in Timbs, golden retriever guys and softboy fuckboys, two amazing stories from the kids' table featuring Diddy on a Segway and raw dogging your boy's loafer, Tiger Woods is behind the wheel and at it again, which goat would be the goat hang, Lawrence reviews Kanye West's Bully, James reviews the new Marc Jacobs documentary by Sofia Coppola, concert kismet derailed by Uber offenses, Stav on clothes, the ultimate brother-in-law move, and much more.

In the inaugural episode of the BKMC, Tom and Lorenzo check in on Sofia Coppola's 2006 ode to bored, disaffected privileged girls everywhere, "Marie Antoinette," starring Kirsten Dunst. As a supplement to an essay on the film, they unpack the aesthetic, the shooting details, the history, and the response to this highly influential film.

Send us Fan MailA warm beer, a cold opening week, and then the emotional whiplash of two movies that won't let us stay comfortable. We start with the simple stuff we love, Mets Opening Day traditions, season-ticket routines, and why we sometimes just want entertainment that feels easy to pick up and enjoy. That's also why the Crimson Desert discourse grabs us: if a game takes eight hours before it “clicks,” is that depth or unnecessary friction?Then we get personal with film talk. Lost in Translation becomes our lens for expatriate loneliness, quiet friendship, and the way Sofia Coppola lets meaning live in pauses instead of plot twists. We dig into Bill Murray's understated comedy, Scarlett Johansson's divisive character beats, and why the ending can feel either honest or maddening depending on what you want from a story.From there we step into the unsettled territory of Her. Spike Jonze turns AI romance into a mirror for modern relationships, attachment, and emotional dependence, and we don't dodge how uncomfortable that can be. We connect it to sci-fi history like Star Trek, argue about how fast “AI emotions” should evolve, and unpack the gut-punch moment that turns love into impossible math.If you like smart movie analysis, big feelings, and the occasional baseball rant, hit play. Subscribe, share this with a friend, and leave a review, then tell us: which film hits harder for you, Lost in Translation or Her?Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbASupport the show

Anthony Mason talks with film director Sofia Coppola and designer Marc Jacobs about their friendship, and her new documentary about him. Tracy Smith catches up with singer-songwriter John Mayer, who, along with film director and producer Joseph McGinty Nichol, known as McG, recently bought and renovated a legendary Hollywood movie studio built by Charlie Chaplin. Seth Doane sits down with Oscar-winner Cillian Murphy about his new film, “Peaky Blinders: The Immortal Man.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Athena Hewett is the cool girls' master aesthetician (she counts stylish faces like Chloe Sevigny, Sofia Coppola and Greta Lee as clients). She's also the hands behind the glowing skin at Khaite and Victoria Beckham's (!!) A/W 2026 runway shows. Plus the San Francisco-based facialist holds artist-in-residences at the iconic Hotel Chelsea in Manhattan and most recently, with a limited pop-up at Vie Projects Gallery during Paris fashion week, in collaboration with the iconic Dover Street Market Parfums Market.Listen in as Athena reveals all of her quiet luxury secrets, like her unique breakout-busting philosophy that involves a skincare diet of nothing but face oils, her innovative pimple extraction technique that promises to reduce skin damage, along with details on how as a skincare formulator, she chooses ingredients for her small-batch botanical skincare range, Monastery.You'll discover:How Athena's creative collaboration with the Coppola Hideaways came to be (and yes, it's as special as it sounds)How the facialist preps skin for the runway vs red carpet – and the lessons we can borrow at homeHow her skin “reset” philosophy for acne sufferers is totally different than standard approaches– and why she swears you'll see results on her face oil-based planWhy salicylic acid and tea tree oil are big time no-no ingredients for acne-prone skin, according to the master estheticianThe differences between carrier oils vs essential oils, and when Athena says you should use eachWhy Athena believes you don't need blue light to treat breakouts, but powerful “burgundy” light therapy to help calm skin insteadFor any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ Related episodes like this: Skincare Guru May Lindstrom: From Living in Her Car to Creating a Cult-Favourite “Blue Cocoon” Balm Celebrity Facialist Lord Gavin McLeod-Valentine Reveals His Top #Skincare Secrets! #beautytipsCeleb Esthetician Candace Marino (The LA Facialist) Spills Her Secrets on How To Get #RadiantAF Skin PROMO CODES: When you support our sponsors, you support the creation of Breaking Beauty Podcast! Jones Road BeautyFor a limited time our listeners are getting a FREE Shimmer Face Oil on their first purchase when they use code BEAUTY at checkout. Just head to JonesRoadBeauty.com and use code BEAUTY at checkout. After you purchase, they will ask you where you heard about them. PLEASE support our show and tell them our show sent you. Qualia Life Magnesium, multiplied. 10 forms for total support. Go to https://qualialife.com/BEAUTY to get 50% off and save an extra 15% with the code BEAUTY. Timeline NutritionDon't let another year go by feeling less than your best. Grab 30% off your first month of Timeline Mitopure Gummies at timeline.com/beauty while the offer lasts. QuinceDon't keep settling for clothes that don't last. Go to quince.com/BREAKINGBEAUTY for free shipping and 365-day returns. Now available in Canada too.Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok,X, Threads. Join our private Facebook group. Or give us a call and leave us a voicemail at 1-844-227-0302. Sign up for our Substack here. Subscribe to our YouTube Channel to watch our episodes! *Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.* Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya
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The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, ‘Moon Safari,' which was an international hit. Then they made the music for the film ‘The Virgin Suicides,‘ which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola's first film. An album version of Air's score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits called “Playground Love.” That song featured Sofia Coppola's future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn't even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, the music supervisor of the film.For more info, visit songexploder.net/air.

The new movie Fairyland, produced by Sofia Coppola, is adapted from the memoir by Alysia Abbott. She wrote about being the child of a gay single father at the dawn of the gay liberation movement. He raised her in 1970's San Francisco, after her mother died. He later died from complications from AIDS. Abbott spoke with Terry Gross in 2013. John Powers reviews the new film Blue Moon, directed by Richard Linklater.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy