Podcasts about Binoche

durée : 00:09:28 - L'invité de 7h50 - par : Sonia Devillers - Juliette Binoche, présidente du jury du 78ème Festival de Cannes était l'invitée de France Inter ce mardi, jour de l'ouverture.

durée : 02:56:38 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - .

durée : 00:09:28 - L'invité de 7h50 - par : Sonia Devillers - Juliette Binoche, présidente du jury du 78ème Festival de Cannes était l'invitée de France Inter ce mardi, jour de l'ouverture.

The Return - a retelling of Homer's epic The Odyssey - is directed, co-written and produced by Uberto Pasolini. It tells the story of a soldier's return from many years at war to his land, his wife and his son.

Travis Hopson of Punch Drunk Critics reviews THE RETURN, reuniting Ralph Fiennes and Juliette Binoche in a new take on Homer's The Odyssey.THE RETURN opens in theaters on December 6th.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#ralphfiennes #juliettebinoche #TheReturn

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 72 of the Director Watch Podcast, the boys discuss the next film in their Krzysztof Kieślowski series, Three Colours: Blue (1993). Moving right along into the trilogy that made Kieślowski a legend in the cinematic community, the director set out to make a trio of films based around the colors found in the French flag, the country to which he could get funding for the film. With Blue, we enter his first phase, liberty, and in the case of the film, a complex look into a woman recovery as she tries to go on living her life after a tragic car accident kills her husband and daughter. In turning cold on the world and everyone around her, Julie (Juliette Binoche in a masterful performance) slowly opens back up, and it is within the final act of the film we see her recover beyond her understandable, heartbreaking grief. It makes for a wonderful start to this important trilogy. Ryan and Jay break down their thoughts on the film, the idea of grief and how everyone handles it differently, the use of the color blue throughout the film, the balance of the loss of Julie's husband and daughter, the guy's thoughts on Binoche's career and what type of reality, trash television shows people are watching today. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h42m. The guys will be back next week to continue their series on the films of Krzysztof Kieślowski with a review of his film, Three Colours: White. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Succede così                                                                                                                                                                         La clip finale è tratta dal film "Tra due mondi" regia di Emmanuel Carrère, con Juliette Binoche, produttrice esecutiva Christine De Jekel, 2021 all rights reserved. L'immagine, foto da me scattata a Firenze, credo che sia di Maurizio Rapiti a cui ovviamente va il copyright

Il regista Francesco Lettieri presenta “Il segreto di Liberato” documentario di animazione diretto assieme a Giorgio Testi, Giuseppe Squillaci, LRNZ che racconta e svela, se non il mistero, la forza del successo di Liberato.L’attore Marco Leonardi racconta “Il mio posto è qui” diretto da Cristiano Bortone.Con il nostro Boris Sollazzo parliamo di “Il regno del pianeta delle scimmie” diretto da Wes Ball, con Owen Teague e Freya Allan e di “Il gusto delle cose” diretto da Tran Anh Hung, con Juliette Binoche e Benoît Magimel.“Mothers Instinct” è un film diretto da Benoît Delhomme, con Anne Hathaway e Jessica Chastain. Lo ha visto per noi Chiara Pizzimenti.Apre a Milano “Reading Bay 15”, la prima biblioteca di Star Wars. Ne parliamo con Giorgio Bondì, che dirige la comunità di Star Wars Libri & Comics.

durée : 00:19:01 - L'interview de 9h20 - par : Léa Salamé - Juliette Binoche évoque Gabrielle Chanel qu'elle incarne dans la série "The New Look", créée par Todd A. Kessler, actuellement disponible sur Apple TV+. Elle revient également sur l'interview fleuve qu'elle a accordé à Libération dans laquelle elle parle de sa condition de jeune actrice à ses débuts - invités : Juliette Binoche - Juliette Binoche : Actrice française

durée : 02:58:45 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Les invités de la Matinale de France Inter ce mercredi 1er mai 2024 sont : Françoise Nyssen / Marylise Léon /François Samuelson x Arnaud Viviant / Juliette Binoche / Julien Creuzet

durée : 00:19:01 - L'interview de 9h20 - par : Léa Salamé - Juliette Binoche évoque Gabrielle Chanel qu'elle incarne dans la série "The New Look", créée par Todd A. Kessler, actuellement disponible sur Apple TV+. Elle revient également sur l'interview fleuve qu'elle a accordé à Libération dans laquelle elle parle de sa condition de jeune actrice à ses débuts - invités : Juliette Binoche - Juliette Binoche : Actrice française

"Die Farbe Lila" erzählt eine alte Geschichte mit viel Musik. "Geliebte Köchin" macht Lust auf Essen und "All of Us Strangers" ist eine außergewöhnliche Liebesgeschichte. Knut Elstermann ist begeistert von der Filmwoche.

This week we talk about THE TASTE OF THINGS (2:05), which features many of Dave's loves: Juliette Binoche, French food, romance, and tobacco (Megan liked it, too). This deliberate romantic drama, about a gourmand (Benoît Magimel) and his gifted cook (Binoche), is directed by Trân Anh Hùng. It's beautifully photographed, meticulously staged, and it also is not for everyone. Then all three of us watched SCRAMBLED (18:13), a comedic drama written and directed by Leah McKendrick, who stars as Nelly, a 34-year-old woman who freezes her eggs while also taking stock of her life. This one had a range of reactions from the gang. And over on Patreon, we cover the 1968 Norman Jewison-directed THE THOMAS CROWN AFFAIR. If you're not a member, you may become on for $5 a month. There's a bonus episode each week (about 400-ish now), and we post monthly polls about which movies to watch. Please check it out!

P1 Kulturs filmreporter Emma Engström sänder direkt med gäster från festivalens inledning. Lyssna på alla avsnitt i Sveriges Radio Play. JONAS HOLMBERG GÖR SIN SISTA FESTIVAL SOM CHEFHur tänker han om att sluta efter tio år? Vad minns han bäst? Varför?Dessutom får vi en pratstund med iransk-svenska skådespelaren Bahar Pars, som har en roll i festivalens invigningsfilm ”Hanteringen av odöda” - som är en norsk filmatisering av John Ajvide Lindqvists roman med samma namn.Vi har även en intervju med kulturminister Parisa Liljestrand, som har en presskonferens på Göteborgs festival, mot slutet av programmet. Då får vi också höra Emma Engström avslöja vad hon själv ser mest fram mot under årets festivalupplaga.JULIETTE BINOCHE OM ATT SPELA MOT SIN FÖRE DETTA PARTNER, FÖR FÖRSTA GÅNGEN PÅ ÖVER TJUGO ÅR, EFTER SÅRIGT UPPBROTTVår reporter Emma Engström har även träffat den franska stjärnskådespelaren Juliette Binoche, som spelar i filmen ”The Taste of Things” med sin före detta partner Benoît Magimel, Den visas nu på Göteborgsfestivalen - men intervjun gjorde hon på filmfestivalen i Cannes.KRITIKSAMTAL OM GIORGOS LANTHIMOS HYLLADE ”POOR THINGS”Vi följer också upp den svenska premiären av en av det senaste årets mest kritikerrosade filmer, som även fick Guldpalmen i Venedig. Emma Engström gav den en femma, högsta betyg, i Kulturnytt. Till P1 Kulturs studio kommer även Kerstin Gezelius, filmkritiker i Dagens Nyheter, för att tala om filmen och regissören Giorgos Lanthimos speciella iuniversum.KLASSIKERN: TV-SERIEN ”THE CROWN”Tv-serier kommer och går, men ”The Crown” består. Enligt Kulturredaktionens Mattias Berg är det här själva kronan på hela genren: ett sorgkantat ödesdrama som kan liknas vid både Sagan om Ringen och Gudfadern.Många stjärnor passerar revy under seriens sex säsonger. Men mest handlar The Crown ändå om Drottningen själv, Elizabeth II. Och om hennes komplexa relation till sin yngre syster, Prinsessan Margaret.Programledare: Lisa BergströmProducent: Mattias Berg

#Trump e la sfida a #Zelensky : in 24 ore risolvo la guerra in #Ucraina @AnnaGuaita ; #Velocità nelle #città , la polemica con Bologna e le #novità @ClaudiaGuasco ; #Pd sempre più diviso , non è servito il conclave di #Gubbio @AndreaBulleri ; #JulietteBinoche ultimo #film candidato #Oscar @GloriaSatta

"The Taste Of Things" had its world premiere at the Cannes Film Festival, where it competed for the Palme d'Or and won the Best Director prize for Trần Anh Hùng. Starring Academy Award-winner Juliette Binoche and Benoît Magimel in two moving performances, few films have ever captured the love of cooking and what cooking can mean for love as exceptionally as this film has. Binoche and Anh Hùng were kind enough to spend some time talking with Dan Bayer and Giovanni Lago, respectively, about their work on the film, which is the French entry for Best International Feature Film at the 96th Academy Awards. Please take a listen to the interviews below and be sure to check out the film, which releases in the U.S. on February 9th, 2024, from IFC Films and is up for your consideration in all eligible categories at this year's Academy Awards, including Best Picture, Best Director, Best Supporting Actress, and Best International Feature Film. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-winning French actress Juliette Binoche sits down with FRANCE 24 to talk about her new film, “The Taste of Things”, which is a love letter to French gastronomy. One of France's most accoladed actresses, she talks about acting opposite her ex-partner Benoit Magimel for the first time in 30 years. Binoche also reminisces about the foodie film that made her an international name, "Chocolat" with Johnny Depp.

Au programme : Invités : Juliette Binoche, Benoît Magimel et Pierre Gagnaire • À la table de Juliette Binoche & Benoît Magimel • La Passion de Dodin Bouffant : l'art de vivre à la française • Pierre Gagnaire, le savoir fier • Binoche, Magimel, Gagnaire, casting 3 étoiles • La Passion de Dodin Bouffant, en route vers les Oscars ! • Pierre Gagnaire, un chef dans les étoiles • Les retrouvailles de Juliette Binoche & Benoît Magimel • La Passion de Dodin Bouffant : la recette du bonheur • Quelques grammes de finesse… L'Oeil de Pierre - L'Actors Studio raconté de l'intérieur Invitée : Santa - Auteure-compositrice-interprète • Le live : Santa - “Popcorn salé” • “Pop corn salé”, le morceau qui rend addict • Santa en solo • 999, nouveau projet en solo de Santa • Santa, révélation pop Les actualités de Bertrand Chameroy • Ce que vous ne verrez pas ce soir • Rayon de soleil dans le tunnel de morosité dans lequel nous sommes • It's time… to make money ! • Fascinante vie que celle d'un roi • Bravo les champions ! • Le mois sans tarba

Laura and Charles sit down with new friend, writer, and illustrator, Indigo Bailey (recently published in Kill Your Darlings, Island Magazine, and editor of Voiceworks) for the latest instalment of our long tradition of Diva Double Features. This time we take aim at one-miss Juliette Binoche. The latest, but not last, of this fabulous cohort of VP-adored women, is gently and thoroughly celebrated in this new edition. Laura gushes about the deeply evocative and kinda lesbian Clouds of Sils Maria (2014) while also wrestling with the high vs. low-brow casting of Chloë Grace Moretz. We rewind time to Binoche's early career, revisiting the deeply whimsical and still potent Mauvais Sang (1986), where in Paris, the new sexually transmitted virus STBO is ravaging the young and loveless sex-havers. Vanity Project says: this is a crisis! Vanity Project is moving to fortnightly paywalled content. Pledge allegiance to the struggle: ⁠https://www.patreon.com/vanity_project

WTOP Entertainment Reporter Jason Fraley interviews Juliette Binoche to mark the 30th anniversary of Krzysztof Kieślowski's acclaimed “Three Colors Trilogy,” which began with “Three Colors: Blue” on Sept. 8, 1993. They spoke in 2015 when Binoche starred in “Antigone” at the Kennedy Center in Washington D.C., ending the convo with rapid-fire memories of her Oscar-winning career from “The English Patient” to “Chocolat” to “Cache.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP Entertainment Reporter Jason Fraley interviews Juliette Binoche to mark the 30th anniversary of Krzysztof Kieślowski's acclaimed “Three Colors Trilogy,” which began with “Three Colors: Blue” on Sept. 8, 1993. They spoke in 2015 when Binoche starred in “Antigone” at the Kennedy Center in Washington D.C., ending the convo with rapid-fire memories of her Oscar-winning career from “The English Patient” to “Chocolat” to “Cache.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

Cade and Diane are joined by filmmaker and actor Luca Silver to discuss two Olivier Assayas-directed films starring Kristen Stewart: Personal Shopper (2016) and Clouds of Sils Maria (2014). Watch the video version at: YouTube.com/@CadeThomas/streams Check out Luca's YouTube channel here: YouTube.com/@lucasilver2240 Donate to Hidden Flora's Indiegogo here: indiegogo.com/projects/hidden-flora-queer-romantic-dramedy-feature-film# Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Three people. One rambling conversation. Each film is our first time watching them. We often go off-topic. Personal Shopper is a 2016 supernatural psychological thriller film written and directed by Olivier Assayas. The film stars Kristen Stewart as a young American woman in Paris who works as a personal shopper for a celebrity and tries to communicate with her deceased twin brother. Clouds of Sils Maria is a 2014 psychological drama film written and directed by Olivier Assayas, and starring Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz. The film follows an established middle-aged actress (Binoche) who is cast as the older lover in a romantic lesbian drama opposite an upstart young starlet (Moretz). She is overcome with personal insecurities and professional jealousies—all while sexual tension simmers between her and her personal assistant (Stewart). The screenplay was written with Binoche in mind and incorporates elements from her life into the plot.

Skolans simundervisning innehåller ingenting om längtan efter upplösning, men nere i djupet kan vi hitta det yttersta inom oss. Malena Forsare följer några av kulturens simmerskor ner mot botten. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Denna essä sändes första gången i september 2019.Vi kommer från vatten. Fostervattnet består till 98 procent av vanligt vatten och är vårt första element: omslutna av den ljumma, genomsiktliga vätskan bärs vi fram i viktlöst tillstånd, gungar runt som blötdjur, alltmedan våra kroppar intar en mer distinkt form. Fostervattnet produceras av de två fosterhinnorna: den yttre kallas åderhinnan och den inre vattenhinnan. Därinne skyddas den spädaste versionen av oss själva från omvärldens tryck. Fostret sväljer vattnet i pyttesmå klunkar som kan ses med ultraljud. Det snurrar varv på varv runt sin mjuka axel, alltmedan kotorna hårdnar. Efter födseln kan föräldern känna ryggraden med pekfingret: som en perfekt rad med nysådda ärtor.Vi kommer från vatten, men minns inget av det. I det nyfödda barnets hjärna blixtrar synapserna utan ordning – ett tillstånd som snart faller i glömska, eftersom förmågan att sortera bland sinnesintrycken utvecklas långt senare. Eller? Minns vi mer än vi tror? Har vi kanske en annan sorts minne, en erinran bortom språket om detta framglidande tillstånd, som vi i vissa stunder kan ana djupet av?Jag har simmat så länge jag kan minnas, men aldrig varit sorten som plaskar fram i sportnyheterna. Sport har tvärtom legat rätt så långt från min identitet. Men under ytan av idrottstrotsande person har det alltid grott en pockande lust till fysisk rörelse som enkelt går att locka fram – om den utspelar sig i vatten. Under tonåren hände det också att lusten fick oväntade följder. Som till exempel under idrottsundervisningen på gymnasiet, när vi fick i uppgift att utforma en egen lektion. Jag vägrade först, men valde efter viss övertalning att fullfölja momentet. Det blev nog inte alls som läraren tänkt sig, när lektionen levererade avslappning i ryggläge till de blippande syntljuden i Luc Bessons sönderälskade film ”Le grand bleu”, Det stora blå, från 1988. Kanske ville jag på det sättet sänka ner klassen i samma känsla som jag hade under passen i den lokala simhallens 25-metersbassäng, där jag hade för vana att tillbringa eftermiddagarna. Vattenljuset som sköljde genom kroppen. Mönstret av vita plattor i bassängens botten och suget från ventilernas konstgjorda tidvatten.Med tanke på de regelbundna besöken där, är det anmärkningsvärt att jag misslyckades fatalt i den gren som jag betraktade som min. Vår ambitiösa idrottslärare med lätt militanta drag njöt av att mäta allt. Nya tävlingsmoment upprättades ständigt och naturligtvis ingick en introduktion till de fyra simsätten, inklusive fjäril. Denna avancerade konstart var oss främmande, även om tekniken var välkänd sedan länge: fjäril prövades i tävlingssammanhang redan på 30-talet. Under de olympiska spelen i Melbourne 1952 kunde publiken beskåda de karaktäristiska bensparkarna, som påminner om stjärtrörelsen hos en delfin, uppe från läktarna.Vi uppmanades att hålla oss strax under ytan, alltmedan vi kämpade med att rita nyckelhål med armarna och studsa fram med våra unga stjärtar. Det gick inget vidare: mödosamt arbetade jag mig ner mot botten där underläppen sprack mot klinkern. Illusionen av sportsimmerska, ja – om det nu funnits någon sådan, hade gått sönder: med blod på hakan hävde jag mig upp över kanten och insåg att skådespelet var över.Men resan ner mot bassängdjupet var alls inte förgäves: snarare tog simmandet där och då en ny riktning. Jag funderar på om strävan neråt inte bara var en flykt från det orimliga i tekniken, utan uppstod av ett mer filosofiskt skäl. Kanske sökte den unga simmerskan något bortom mätandets princip. Kanske anade hon en värld därnere, ett tryckande vattenmörker som varje fridykare måste lära sig konsten att omfamnas av. Som Jacques i Det stora blå behöver hon acceptera lungornas komprimering, och utforska dånet som uppstår när hörselorganet förvandlas till havets egen förstärkare. Fast när det kommer till kritan kan man fråga sig om fridykarens utmaning bara handlar om att anpassa sig till en fysiologisk omvandlingsprocess: för när vi rör oss djupare ner väcks dödsdriften till liv – en längtan efter att upplösas i det element som utgör 60 procent av vår totala kroppsmassa. För det nyfödda barnets del rör det sig om hela 80 procent.Skolans simundervisning innehöll inget om dödsdriften. Så småningom vändes mitt sökande istället mot kulturens simmerskor. Skådespelaren Juliette Binoche, inte minst. I filmatiseringen av Milan Kunderas roman ”Varats olidliga lätthet”, gör hon entré med ett kraftfullt dyk ner i ett av östra Europas kurbad, som får de uppsvällda farbrödernas schackpjäser att skaka. I filmen spelar männens libido en större roll: man kan välja att tolka dyket som symbol för en ung kvinnas trots mot en sexualiserande blick. Och det visade sig att Binoche hade kommit till simhallen för att stanna. I första delen i Kieslowskis trilogi ”Trikoloren” använder filmens Julie det klorerade vattnet i en nattlig bassäng för att pressa sorgen genom sitt kroppssystem. Efter att ha mist man och barn i en bilolycka lider hon av en underreaktion, det vill säga, hon kan inte gråta. I gengäld kan hon simma: hon crawlar fram i svartglänsande baddräkt med ursinniga rörelser, som en späckhuggarhona på jakt efter sin förlorade avkomma.Om Julie bryter genom vattenytan med splash, tar jag trapporna baklänges. Inga sensationella entréer, inga avancerade simsätt och ingen utrustning: bara ledstångens stål inuti händerna och mötet med ett vatten som är några grader för kallt. Jag tänker ofta på Sally Bauer, långdistanssimmerskan från Helsingborg, som var den första skandinav att simma över Engelska kanalen. I Sara Stridsbergs fantasi ”Happy Sally” blir Sally Bauer en melankolisk figur som ständigt dras till Öresundshavets bräckta vatten. Ju längre Sally rör sig ut från land, desto längre bort glider hon också från de människor som hon älskar.När min mamma en sommar blev hastigt sämre i sin cancer, fann jag mig för första gången öga mot öga med döden. Jag hade mött den blicken förut, men den här sortens stirrande ut i dödens icke-vara var för mig en ny erfarenhet. Det visade sig att upplevelsen svarade dåligt mot fantasierna om fridykarens metafysik. Jag simmade mig igenom veckorna när mamma successivt, dag för dag, förlorade förmågan till rörelse och tal. Med kroppen före gled jag in och ut genom minnena, i tanken på vem hon varit. Bara i ett urinfärgat sjövatten strax utanför Göteborg kunde sorgens kramper släppa: så förvandlades det svala mörkret under mig till något som bar, snarare än drog.Vi kommer från vatten. När vi simmar minns vi vårt ursprung i horisontalläget, när människan en gång inte var människa, utan rustad med gälar och fjäll. Ju mer tid hon tillbringar simmande, desto mer diffus blir gränsen mellan fena och ben, mellan foster och född person. Ensam plöjer hon fram längs rödvita plastsnören som skiljer hennes bana från någon annans. Så minns hon, inifrån sig själv, den tyngdlösa tillvaro som pågick för länge sen. Den som kan anas som en känsla av frihet, i rytmen som uppstår med nästa längd, och nästa.Malena Forsare, kulturjournalist och psykolog

durée : 00:54:26 - La librairie francophone - par : Emmanuel Kherad - Cette semaine, nous rendrons hommage à Christian Bobin en réécoutant son entretien croisé avec Juliette Binoche, et avec les auteurs québécois Denise Desautels et Dany Laferrière

Denis Month? Denis Year? Denis LIFE. Claire's back with 2 festival movies this year which have now been released to the general public. We take a look at Berlin Directing Winner BOTH SIDES OF THE BLADE and Cannes' Grand Prix anointed STARS AT NOON. We chat about the turnaround in critical reaction for each, Denis' collaboration with Binoche and Lindon, and the career of Margaret Qualley. Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

Esta semana De película viaja al mundo maravilloso de Tim Burton a través de una exposición única en la que te sumerges en la mente del famoso director, descubriendo su mundo interior y su proceso creativo, con el charlamos de su vida y ese mundo que le envuelve. De un mundo imaginario al mundo donde han brillado las estrellas, San Sebastián, repasamos el palmarés y nos detenemos en dos películas que han pasado por el festival y llegan a la cartelera: 'Argentina, 1985' dirigida por Santiago Mitre se ha alzado con el premio del público 2022.La cinta recrea el Juicio a las Juntas de la dictadura militar. Con Ricardo Darín como el fiscal Julio César Strassera y Peter Lanzani en el papel de Luis Moreno Ocampo, con el director y los actores hemos tenido el lujo de compartir micrófono en el marco incomparable de la ciudad donostiarra. La otra película es 'Fuego', protagonizada por Juliette Binoche y Vicent Lindon. Binoche pasa por los micrófonos De película, con la que charlamos de Fuego, su tercera película bajo las órdenes de la directora Claire Dennis, Una historia de muy pocos personajes en la que los diálogos pese al título son capaces de dejarnos helados. Tras competir en San Sebastián por la Concha de Oro Fernando Franco estrena La consagración de la primavera, una película sincera y emotiva, sobre sexualidades reprimidas. Fernando Franco y Emma Suarez, protagonista junto a los debutantes Telmo Irureta y Valèria Sorolla pasan por De película para comentarnos esta historia que sin duda va a romper muchos prejuicios. Otro de los títulos que llega a la cartelera es 'Objetos', segundo largometraje de Jorge Dorado, una fábula actualizada sobre la búsqueda y la huida donde se tocan temas tan delicados como la trata de personas y la adopción ilegal. Hablamos con Álvaro Morte, Eugenia 'China' Suárez, Verónica Echegui y su director Jorge Dorado. Comentamos 'Blonde', protagonizada por una espléndida Ana de Armas que se mete durante tres horas en el icónico atuendo de Marilyn Monroe. Una de las películas más esperadas y envuelta en polémica que llega a la cartelera y a Neflix Todo esto además de las secciones habituales, Con Ángeles González Sinde nos detenemos en 'Corazones Valiente', repasamos las mejores series con Pedro Calvo y el resto de la cartelera. Escuchar audio

French filmmaker Claire Denis, whom I consider one of our greatest living directors, likes to play around with genre from time to time. Her latest picture is called Both Sides of the Blade, and if you read the ad copy it's being called a love triangle. Well, it's like no triangle I've ever seen. In fact, her editing strategies and her masterful use of music make the film seem as if it's going to turn into a scary suspense thriller at any moment. The story starts with Sara and Jean, a middle aged couple blissfully in love, played by Juliette Binoche and Vincent Lindon. Denis carefully establishes their intimacy in the beginning sequence where they're on vacation together. How satisfying it is to watch a director allowing her actors time to establish convincing, lived-in characters. This is the third time in a row that Binoche has starred in a Denis movie, and also Lindon's third time working with her. Denis' familiarity with her performers pays off with especially fine and nuanced work from these two. Returning to Paris, trouble begins right away when Sara on her way to work happens to see a man (played by Grégoire Colin) on a motorcycle. Later we see her overwhelmed with emotion, out of breath, saying the man's name, François, repeatedly in a tone that sounds more shocked than pleased. She tells Jean later that she saw François, and his reaction is muted. Gradually we learn that François is Sara's ex, and also Jean's former friend, whom neither of them has seen for ten years. A further element of mystery is introduced: Jean has finished serving ten years in prison, and is consequently having trouble finding work. For Denis, a story never happens separately from society or politics or ideas. In this story, Sara is the host of a radio show in which she interviews various figures in progressive and anti-colonial circles. There's no need for viewers to make too much of this—it's another way of establishing characters in a full-bodied fictional world. But it's also a reminder that there are many other things, and much worse problems, than the travails of personal relationships. So, François offers Jean a job. He hesitates, but Sara says it's fine. The private reactions, however, that we've seen her express when seeing François, contradict what she's telling Jean. And thus we embark on what I never thought of as a triangle while watching, because of the peculiar nature of this story. François seems almost like a demonic figure, since we never get inside him like we're allowed to get inside the two leads. Was he responsible in some way for Jean going to prison? What we do see quite vividly is that a duality is at play in Sara's heart, a duality of which she herself is only vaguely aware. The emotional agonies that Sara and Jean put themselves through as the film goes on are the fulfillment of all Denis' suspense film clues. It's especially brilliant in the case of Juliette Binoche, who takes us on a dark journey into some strange complications of desire. The film doesn't answer all our plot questions. It does show how much deeper and more mysterious the relationships between women and men are than we usually care to acknowledge. Both Sides of the Blade presents, in its stylish way, that mystery.

This week we review the new season of For All Mankind, new limited series The Staircase, and Now and Then, and give you a heads up about the reboot of Queer as Folk, and two new stand-up shows: An LGBTQ+ Celebration, and Jane Fonda and Lily Tomlin: Ladies Night Live. *Please note, we mistakenly called the Jane Fonda and Lily Tomlin special "Girls Night Live," when in fact, it is called "Ladies Night Live."

Uma Thurman to star in Red, White & Royal BlueUma Thurman has been cast as the US president in Amazon Prime Video's upcoming film Red, White & Royal Blue. Directed by award-winning playwright Matthew López, the film is based on Casey McQuiston's novel of the same name. The Kissing Booth actor  Taylor Zakhar Perez and Cinderella star Nicholas Galitzine play the lead roles. Cast of Apple TV+ New Look announcedJohn Malkovich, Emily Mortimer, and Claes Bang will star in the upcoming Apple TV+ series New Look. The series will trace the genesis of the iconic fashion brand Dior during the end of the Second World War. Ben Mendelsohn will play Christian Dior in the series which will also feature Juliette Binoche and Maisie Williams. Binoche will essay the role of Coco Chanel. Christopher Landon to helm Arachnophobia remakeHappy Death Day director Christopher Landon will write and direct the remake of the 1990 horror comedy Arachnophobia.  Jeff Daniels played the lead role in the original film which revolved around a town infested by dangerous spiders. George Miller wanted to cast Tild Swinton in FuriosaAcclaimed director George Miller revealed that he wanted to cast Three Thousand Years of Longing actress Tilda Swinton in the upcoming Mad Max: Fury Road prequel, Furiosa. However, he was unable to come up with a role for her. Furiosa stars The Queen's Gambit actress Anya Taylor-Joy in the lead role, replacing Charlize Theron. The film will also star Chris Hemsworth.Anything's Possible to premiere on July 22Emmy-winning actor Billy Porter's directorial debut Anything's Possible will premiere on Amazon Prime Video on July 22nd. The series is centered on Kelsa, a trans student who encounters several ups and downs while navigating relationships. The series stars newcomer Eva Reign as Kelsa. Doctor Strange in the Multiverse of Madness to release on OTT on June 22Doctor Strange in the Multiverse of Madness is set to premiere on Disney+ on June 22nd. The film starring Benedict Cumberbatch and Elisabeth Olsen is directed by Sam Raimi, who has helmed the Spider-Man trilogy starring Tobey Maguire. The film is the highest-grossing film of 2022 so far. Sony LIV to produce Hindi-Malayalam web seriesSony LIV will produce a Hindi-Malayalam web series based on the life of  ‘Metro Man' E Sreedharan. Jayasurya and Mamta Mohandas will star in the Malayalam version of the series, while Sony Liv will take a decision on the lead actor in the Hindi edition. The web series will be directed by V K Prakash.Well thats the Sizzling news for today from the world of movies and entertainment, until the next episode its your host Nikhil signing outAaj kya dekhoge OTTplay se poochoWritten By Arya Harikumar

Priscilla Presley a film Luhrmann,poi party concerto in spiaggia

Queen of Cannes Juliette Binoche joins me to discuss Between Two Worlds and the tough working life of an actor; director Mia Hansen Love completes a Cannes double with Bergman Island last year and now the gorgeous One Fine Morning with Lea Seydoux. Plus Norway's Thomas Robsahm talksA-ha - The Movie. Take on me indeed.Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.

Le Sénat veut freiner le mouvement pour encadrer du cas par cas quand l'Elysée souhaite l'accélérer par une règle générale. Dans « La Story », le podcast d'actualité des « Echos », Michèle Warnet et ses invités reviennent sur les tensions qui entourent la volonté légitime du retour d'œuvres d'art dans les pays autrefois colonisés et les difficultés qu'elles posent pour les musées, les collectionneurs et le marché de l'art.La Story est un podcast des « Echos » présenté par Michèle Warnet. Cet épisode a été enregistré en novembre 2021. Rédaction en chef : Clémence Lemaistre. Invités : Martine Robert (journaliste aux « Echos »), Catherine Morin-Desailly (sénatrice de Seine-Maritime) et Alexandre Giquello (Président de Drouot et propriétaire de la maison de ventes Binoche et Giquello). Réalisation : Willy Ganne. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Christophe Archambault/AFP. Sons : Franceinfo, France 24, Arte. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this exclusive interview, Academy Award Best Actress winner Juliette Binoche gets deep into the psychology of self-deception, self-acceptance, social media, aging and more, as it relates to her latest film, WHO YOU THINK I AM, a romantic cyber-drama turned psychological thriller. In the film she plays a dual role, that of Claire, a mature literature professor, author and single mother of two teen boys - and Clara, her 24-year old online avatar who engages in a steamy relationship with a young photographer. Binoche is in conversation with Landmark's Margot Gerber. The film is now playing on the big screen in Landmark Theatres. Distributed by Cohen Media Group. To see what's onscreen: LandmarkTheatres.com

durée : 00:48:55 - Dans le rétro France Bleu

Da La brava moglie a la Felicità degli altri, le novità.

Chers amis, Paris est une fête prends tout son sens L'invité de ce tout nouveau Podcast. Cet aventurier semble sortir tout droit du film le Grand Budapest Hôtel de Wes Anderson. Il s'agit du voyageur Fitgeraldien Alexander Keyes Rash : jeune et brillant Américain né à Memphis ayant grandi entre Minneapolis, Singapour, Aix-en-Provence pour finalement déposer ses valises à Paris avec une parenthèse dans les squats d'artistes de la capitale lui ayant permis d'avoir organisé et participé à des expositions dans des salles de ventes où il fera la rencontre de celui qu'il définit comme  son Mentor, le commissaire priseur Maitre Jean-Claude Binoche  de l'étude Binoche & Giquello. Le lieu dont il est l'auteur est inauguré un Vendredi 13 avril 2018, il prends les apparences d'une terrasse de café classique (cachant un speakeasy dans ses entrailles) située au 24 de la place des Vosges dans le troisième arrondissement de Paris : Le Serpent à Plume (sans s), un nom qui a une belle résonance : Quetzalcoatl (le Serpent à Plume) divinité pre colombienne de l'inframonde représenté par un serpent à sonnettes orné de plumes. L'endroit est encore aujourd'hui pas facilement définissable par son fondateur : café, librairie, galerie d'art, bar à cocktails, salle de concerts et autres performances privées… boutique de costumes pour homme et pyjamas…    Après être passés par le petit salon à la peinture suggestive représentant un chien avec son sexe droit comme la colonne de Napoléon Place Vendôme et une fois que l'on descend les quelques marches de l'escalier transparent cachant un petit jacuzzi, s'ouvre alors cette vaste cave voutée.  Cet ample territoire caché, encore non conquis de plus de 200m2 où se mêlent la déco rétro, sexy, chic 70's de Vincent Darré et art pré-Colombien avec son très long Canapé en vinyl blanc De Sede (DS-600) serpentant les voutes dans l'espace du lieu avec des tables laquées et les appliques Jean Royère… Et les sculptures Aztèques ayant plus de 2000 ans d'ancienneté de la collection privé de Maître Binoche. La lutte Continue est le Manifesto de notre invité : voyageur qui vous fera voyager au travers de notre entretien. Je suis très heureux d'avoir pu réaliser cette interview exclusive avec Alex Rash. Je suis maintenant ravi de vous inviter à rejoindre ma conversation avec Alex Rash ! J'ai pris beaucoup de plaisir dans la réalisation de cette interview. Si vous aussi avez aimé ce podcast, n'hésitez pas à laisser un commentaire en le notant avec 5 étoiles sur l'application Apple Podcast de votre smartphone ou sur Itunes depuis votre ordinateur. Vous pouvez également vous abonner sur la plateforme Apple Podcast I Spotify I Deezer I Stitcher I TuneIn I Podcastics pour ne pas rater une miette des podcasts à venir !  N'oubliez pas de partager le podcast, de le noter en laissant votre ressenti, c'est très important pour aider le podcast à émerger dans les classements en plus de le faire découvrir au plus grand nombre tout en me motivant à m'améliorer en faisant de nouveaux épisodes ! Bonne écoute, Stéphane Titre: Eclectic Prawn Auteur: Dumbo Gets Mad Source: https://dumbogetsmad.bandcamp.com Licence: http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr Téléchargement (9MB): https://www.auboutdufil.com/index.php?id=470

In a kind of alternate universe version of Trois Colours: Bleu, Juliette Binoche finds herself once more playing a Parisian woman, with an artistic bent, having lost her husband and daughter, navigating a second life in a search for new love and purpose.  Except that this time no one is dead; she's just divorced.  And rather than mourning her way from one brilliant visual to another to satisfy a decidedly male cinephile's gaze, Claire Denis directs Binoche (playing Isabelle) and a sequence of her self-absorbed lovers, with realism and nuanced perspective.  Binoche, now in middle age, is no less beautiful and commanding though, but now with a tender vulnerability that peeks through her armor of confidence and independent charm. If you'd like to watch ahead for next week's film, we will be reviewing and discussing Terence Young's Dr. No (1962).

This week we review new films The Truth, Tenet and Bad Impulse, as well as new Australian political drama Total Control. We give you a heads up about the new movie, Ma Rainey’s Black Bottom, and offer a giveaway for the new movie The Stand-In.

In this episode, I talk about Olivier Assayas's 2014 film "Clouds of Sils Maria." It's a complex film starring Juliette Binoche as Maria Enders, an actress who shot to stardom in her youth when she acted in a play about an older woman who is seduced by a younger woman. 20 years ago, she played the younger woman but now, in a revival of the play, she is set to play the older woman. This role brings up her fears about aging. Kristen Stewart stars alongside Binoche as an assistant to Maria Enders. To me, the heart of the film is the complicated relationship between these two women and the different ways they see life and the world. I also think this is a fascinating film about the process that an actress goes through to get into character. I talk about all that and much more. There are spoilers in this episode.Consider making this podcast sustainable by supporting it on Patreon.Subscribe to the Her Head in Films Newsletter.Follow me on Facebook, Twitter, Tumblr, and Instagram.Original logo by Dhiyanah HassanFull Show Notes:Use the code "CINEMA" to get your first month free at OVID.TVMy favorite films on OVIDHer Head in Films on InstagramMy episode on Ingmar Bergman's Summer InterludeMy episode on John Cassavetes's Opening NightRendezvous (1985)Girl Pictures by Justine KurlandMy episode on Michelangelo Antonioni's L'avventuraSources:Criterion Collection edition of Clouds of Sils MariaJuliette Binoche Explains the Difference Between a Celebrity and a Star (Vanity Fair)Olivier Assayas Talks Clouds of Sils Maria (IndieWire)Kristen Stewart Interview (The Independent)Interview: Kristen Stewart Adored Making Clouds of Sils Maria with Juliette Binoche (Metro)

Dave and Alonso answer some letters and discuss new movies starring international A-listers. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Twitter, Instagram, and Facebook, where's my prize. Join our club, won't you? This episode is brought to you by OVID.TV, offering a 14-day free trial. Films from an independent world. Alonso's DVD pick of the week: BRUCE LEE: HIS GREATEST HITS Dave's DVD pick of the week: GOD'S LITTLE ACRE

Bonjour mon ami! This week on I Know That Face we indulge our inner Francophiles with a deep dive into the career of Juliette Binoche following a strand being devoted to her on arthouse streaming service Mubi. Beginning with her English language debut in 1988's The Unbearable Lightness of Being, we compare and contrast Binoche's powerhouse status in France with her supporting roles in American and international productions. Up for discussion are The English Patient, Michael Haneke's Caché, Abbas Kiarostami's Certified Copy, Bruno Dumont's Camille Claudel 1915, Olivier Assayas' Clouds of Sils Maria and Ghost in the Shell. Binoche on Mubi (https://mubi.com/library/specials/juliette-binoche) Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio Editor and Communtity Manager: Charline Fernandez Instagram: @charline_frnndz I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence (https://freemusicarchive.org/music/Keshco/Filmmakers_Reference_Kit_Volume_2/No_Boundaries_motorik_groove) Featured Image Credit (https://cdn.onebauer.media/one/empire-tmdb/films/48303/images/xwOCdaVHnI3leEm3fqdImFshVVn.jpg?quality=50&width=1800&ratio=16-9&resizeStyle=aspectfill&format=jpg)

Retrouvez Laissez-vous tenter avec Yves Calvi et Le Service Culture du 22 juin 2020 sur RTL.fr.

This time, we review the robotic crime thriller Ghost in the Shell movie (2017) and in today's episode we explore if this version of Tokyo exists in an alternate reality, how much does this film borrow from Blade Runner, and did Ghost in the Shell really start the conversation of “whitewashing” in Hollywood? Let's dig in…. Ghost in the Shell movie cast Directed by Rupert Sanders: Prior to taking on Ghost in the Shell, Sanders was well-known for directing Snow White and the Huntsmen which was a darker take on the classic fairy tale starring Kristen Stewart and Chris Hemsworth. However, Sanders' personal life would be thrown into disarray following leaked photos of him and fellow actress Kristen Stewart carrying on an illicit affair. Scarlett Johansson as Major: Johansson was a well-established star at the time of this film having appeared in multiple films in the Marvel Cinematic Universe. Margot Robbie passed on this role in order to star as Harley Quinn in the DC Extended Universe and Johansson signed on for a cool $10 million payday. See our review on the film Her where we discussed Johansson as well. Pilou Asbæk as Batou: Game of Thrones fans will recognize Asbæk after he appeared in the last several seasons of the show, but has mostly appeared in Danish cinema since he came on the scene beginning around 2009. Juliette Binoche as Dr. Ouelet: Binoche has been an acclaimed actress for over 30 years and rose to international prominence following her Academy Award performance in the war epic The English Patient and then alongside Johnny Depp in Chocolat. There's a noted lack of female diversity in the film and Binoche offers a sort of maternal care and identity to Major throughout the film. Michael Carmen Pitt as Kuze: Fans of the show Boardwalk Empire will recognize Pitt following his performance as Jimmy on the show for which he earned numerous award nominations. However, there are times in the film that we forget he's even in the film. There are long stretches where he is not seen and he isn't a constant presence as he is initially feared to be. Also Starring:  “Beat” Takashi Kitano as Aramaki Chin Han as Togusa Peter Ferdinando as Cutter Ghost in the Shell Manga: From the Page to the Screen Ghost in the Shell is actually the English name for a Japanese manga and entertainment franchise that was originally known as Mobile Armored Riot Police. The manga series ran for a year and a half during 1989 to the near end of 1990. The plot of the manga and the film remain mostly unchanged; an elite police squadron named Section 9 is tasked with hunting down and eliminating cyber criminals in a cyber-punk dystopian version of Japan in the near future. The top cop in this unit is Major Motoko Kusanagi was anglicized for the film to Mira Killian, but the original name was kept for the human whose brain is placed into the robotic shell. The English version of the manga didn't make its way to America until 1995 when Dark Horse Comics published a one volume translation of the manga with an anime adaptation premiering in the same year with a sequel that followed in 2004. Beginning in 2002, a television cartoon was developed consisting of two season and 26 episodes. Much of the imagery showcased in the films and the cartoon do make its way into the film due to Rupert Sanders being a self-proclaimed “mega fan” of the series. In 2008, DreamWorks Pictures and Steven Spielberg acquired the rights to produce a live action film adaptation, but Spielberg would eventually drop out of the production enlisting other producers and filmmakers to eventually bring the manga to the big screen. Margot Robbie was the first choice to play Major, but when she passed on the project, the role was offered to Johansson with the rest of the cast announced in 2016. The casting of Johansson to play Major caused controversy with critics of the film accusing the film of “whitewashing” the manga.

durée : 00:22:35 - Dans le rétro France Bleu

durée : 00:32:41 - Boomerang - par : Augustin Trapenard - Comédienne, on ne la présente plus, les plus grands festivals internationaux l’ont déjà mise à l’honneur ! Elle sera, la semaine prochaine à l’affiche du nouveau film de Martin Provost, "La bonne épouse". L’histoire d’une école d’art ménager à l’aube de mai 68. Juliette Binoche est l'invitée d'Augustin Trapenard. - invités : Juliette Binoche - Juliette BINOCHE - réalisé par : Lola COSTANTINI

durée : 00:45:45 - Remède à la mélancolie - par : Eva Bester - Fred Astaire et les comédies musicales, Santiago Amigorena, la poésie, George Gershwin, Gustav Mahler, Harry Belafonte et Makeba, le Roi Céleste, Rembrandt, Bonnard, danser, peindre, jouer, marcher, lire, chanter, cuisiner, s'oublier... Retrouvez tous les remèdes de notre invitée !

Wuthering Heights by Emily Bronte Bibiliography: In Search of Anne Bronte by Nick Holland, (2016). - As the title indicates, this book focuses on Anne but it gives a rounded view of the family and their circumstances. Wuthering Bites by Sarah Gray (2010) - In which Heathcliff is a vampire. Didn't bother to read it, but had to include it here to show the range of fan fiction.   Film and televion adaptations of WH. Please forgive omissions. There are so many! Ratings out of 5 stars. 1920 - Wuthering Heights, starring Colette Brettel and Warwick Ward - silent screen adaptation - I have not seen it. 1939 - Wuthering Heights, starring Merle Oberon and Laurence Olivier - 3 stars: Worth-seeing, though the content is sanitized for the Hollywood censors and the actors' looks are beautified for the tastes of the day. 1948 - Wuthering Heights (British TV adaption) - starring Katherine Blake and Kieron Moore - have not seen it. 1962 - Wuthering Heights, starring Keith Mitchell and Claire Bloom - have not seen it. 1967 - Wuthering Heights (British TV series), starring Angela Scoular and Ian McShane - 1 1/2 stars: McShane has the Heathcliff glower down to the tee. But little else about this slow-paced drama is engaging. 1970 - Wuthering Heights, starring Anna Calder-Marshall and Timothy Dalton - 4 stars: I saw this for my 13th birthday. It was my first taste of WH. My friends and I were so in love with Timothy Dalton. Nice dark perspective that maintains a lush emotional and physical violence along with the feral sexiness. 1978 - Wuthering Heights (TV series one season), starring John Duttine and Amanda Root  - have not seen it 1992 - Emily Brontë's Wuthering Heights, starring Juliette Binoche and Ralph Fiennes - 2 stars: Fiennes is more mean and brittle than dark and brooding, while Binoche is too refined for Kathy. 1998 - Wuthering Heights, starring Robert Cavanah and Orla Brady - have not seen it. 2003 Wuthering Heights, starring Erika Christensen and Mike Vogel - modern day loose adaptation, I haven't seen it. 2009 - Wuthering Heights (limited TV series), starring Charlotte Riley and Tom Hardy - 4 1/2 stars: These 2 actors are the among the best to assay these roles. They both have the acting heft and temperment to manage the layers these characters embody. Though note to ITV, for God's and all our sakes please get some better wigs. Only someone as massively talented as Tom Hardy could overcome that mop on his head. 2011 - Wuthering Heights, starring Kaya Scodelario and James Howson - 1 1/2 stars: Director Andrea Arnold's films, while interesting, are low in energy and understated. This style does not serve a wild Gothic ghost story. The film is a faded husk. (On the other hand, many critics lauded it.)

Wuthering Heights by Emily Bronte Bibiliography: In Search of Anne Bronte by Nick Holland, (2016). - As the title indicates, this book focuses on Anne but it gives a rounded view of the family and their circumstances. Wuthering Bites by Sarah Gray (2010) - In which Heathcliff is a vampire. Didn't bother to read it, but had to include it here to show the range of fan fiction.   Film and televion adaptations of WH. Please forgive omissions. There are so many! Ratings out of 5 stars. 1920 - Wuthering Heights, starring Colette Brettel and Warwick Ward - silent screen adaptation - I have not seen it. 1939 - Wuthering Heights, starring Merle Oberon and Laurence Olivier - 3 stars: Worth-seeing, though the content is sanitized for the Hollywood censors and the actors' looks are beautified for the tastes of the day. 1948 - Wuthering Heights (British TV adaption) - starring Katherine Blake and Kieron Moore - have not seen it. 1962 - Wuthering Heights, starring Keith Mitchell and Claire Bloom - have not seen it. 1967 - Wuthering Heights (British TV series), starring Angela Scoular and Ian McShane - 1 1/2 stars: McShane has the Heathcliff glower down to the tee. But little else about this slow-paced drama is engaging. 1970 - Wuthering Heights, starring Anna Calder-Marshall and Timothy Dalton - 4 stars: I saw this for my 13th birthday. It was my first taste of WH. My friends and I were so in love with Timothy Dalton. Nice dark perspective that maintains a lush emotional and physical violence along with the feral sexiness. 1978 - Wuthering Heights (TV series one season), starring John Duttine and Amanda Root  - have not seen it 1992 - Emily Brontë's Wuthering Heights, starring Juliette Binoche and Ralph Fiennes - 2 stars: Fiennes is more mean and brittle than dark and brooding, while Binoche is too refined for Kathy. 1998 - Wuthering Heights, starring Robert Cavanah and Orla Brady - have not seen it. 2003 Wuthering Heights, starring Erika Christensen and Mike Vogel - modern day loose adaptation, I haven't seen it. 2009 - Wuthering Heights (limited TV series), starring Charlotte Riley and Tom Hardy - 4 1/2 stars: These 2 actors are the among the best to assay these roles. They both have the acting heft and temperment to manage the layers these characters embody. Though note to ITV, for God's and all our sakes please get some better wigs. Only someone as massively talented as Tom Hardy could overcome that mop on his head. 2011 - Wuthering Heights, starring Kaya Scodelario and James Howson - 1 1/2 stars: Director Andrea Arnold's films, while interesting, are low in energy and understated. This style does not serve a wild Gothic ghost story. The film is a faded husk. (On the other hand, many critics lauded it.)  

Acclaimed cinematographer Checco Varese, ASC’s recently released feature It: Chapter Two is one of the most highly anticipated films of the year.    It: Chapter Two, (from Warner Brothers and New Line) hits theaters Sep. 6. It is the eagerly-awaited sequel to It – director Andy Muschietti’s blockbuster adaptation of author Stephen King’s classic horror masterpiece by the same name. Within hours of its debut, It: Chapter Two’s trailer, alone, generated millions of views and sent fans and social media into a frenzy. Stephen King himself took to Twitter to praise the film.   The saga’s latest chapter finds the self-proclaimed ‘Losers’ Club’ returning to their hometown of Derry, Maine after 27 years to defeat Pennywise – the shape-shifting, dancing demonic clown portrayed in terrifying fashion by Bill Skarsgård. All grown up and ready for serious battle, the all-star cast also features Jessica Chastain, James McAvoy, Isaiah Mustafa, and Bill Hader.     For Muschietti, who stepped back into the director’s role, tapping veteran cinematographer Checco Varese to shoot the sequel was a natural choice. “Checco and I go back a long time. We made commercials together a decade ago in Spain, as well as a little short film, and a pilot, too. Our communication has always been great, not only because of the shorthand coming from our cultural background and language, (I was born and raised in Argentina, while he is Peruvian but lived in Buenos Aires for years) but also because we speak a similar visual language. Just a few words were enough to express my vision of this film to him, and immediately an effervescent creative dialogue began. For a cinematographer, working with a director who is very visual can be a blessing or a curse. That’s why Checco is such a trooper. His patience is monumental, and his support unconditional,” compliments the director.    He also cites Varese’s background as a war camera person as a huge asset, “That might explain his versatility and ability to adapt to the circumstances. In production, you have to change horses many times as you’re crossing the river, and when that happens, you want someone like Checco on your side, always supportive, loyal, and ready to share his visual creativity.”   In addition to his collaborations with Muschietti, Varese has also partnered on several features with director Patricia Riggen including, Miracles From Heaven, Under the Same Moon, and the The 33, which starred Antonio Banderas and Juliette Binoche and is based on the real-life story of 33 miners trapped in a Chilean mine.    Varese also enjoys a reputation for being the unofficial ‘pilot guy,’ lensing more than two dozen season starters – nineteen of which have been picked up for series including, True Blood; The Strain; The Returned; The Fosters; Colony; and The Defenders. He once again partnered with Riggen for the CBS’s pilot, Surveillance. His other credits include several episode of the first season of Tom Clancy’s Jack Ryan for Amazon, and the sci-fi thriller Replicas featuring Keanu Reeves and Thomas Middleditch. 

Människor kan varken komma ihåg tidigare evolutionära stadier eller fostertiden, men kanske finns det andra sätt att minnas? Kulturskribenten Malena Forsare reflekterar över vattnets betydelse. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Vi kommer från vatten. Fostervattnet består till 98 procent av vanligt vatten och är vårt första element: omslutna av den ljumma, genomsiktliga vätskan bärs vi fram i viktlöst tillstånd, gungar runt som blötdjur, alltmedan våra kroppar intar en mer distinkt form. Fostervattnet produceras av de två fosterhinnorna: den yttre kallas åderhinnan och den inre vattenhinnan. Därinne skyddas den spädaste versionen av oss själva från omvärldens tryck. Fostret sväljer vattnet i pyttesmå klunkar som kan ses med ultraljud. Det snurrar varv på varv runt sin mjuka axel, alltmedan kotorna hårdnar. Efter födseln kan föräldern känna ryggraden med pekfingret: som en perfekt rad med nysådda ärtor. Vi kommer från vatten, men minns inget av det. I det nyfödda barnets hjärna blixtrar synapserna utan ordning ett tillstånd som snart faller i glömska, eftersom förmågan att sortera bland sinnesintrycken utvecklas långt senare. Eller? Minns vi mer än vi tror? Har vi kanske en annan sorts minne, en erinran bortom språket om detta framglidande tillstånd, som vi i vissa stunder kan ana djupet av? Jag har simmat så länge jag kan minnas, men aldrig varit sorten som plaskar fram i sportnyheterna. Sport har tvärtom legat rätt så långt från min identitet. Men under ytan av idrottstrotsande person har det alltid grott en pockande lust till fysisk rörelse som enkelt går att locka fram om den utspelar sig i vatten. Under tonåren hände det också att lusten fick oväntade följder. Som till exempel under idrottsundervisningen på gymnasiet, när vi fick i uppgift att utforma en egen lektion. Jag vägrade först, men valde efter viss övertalning att fullfölja momentet. Det blev nog inte alls som läraren tänkt sig, när lektionen levererade avslappning i ryggläge till de blippande syntljuden i Luc Bessons sönderälskade film Le grand bleu, Det stora blå, från 1988. Kanske ville jag på det sättet sänka ner klassen i samma känsla som jag hade under passen i den lokala simhallens 25-metersbassäng, där jag hade för vana att tillbringa eftermiddagarna. Vattenljuset som sköljde genom kroppen. Mönstret av vita plattor i bassängens botten och suget från ventilernas konstgjorda tidvatten. Med tanke på de regelbundna besöken där, är det anmärkningsvärt att jag misslyckades fatalt i den gren som jag betraktade som min. Vår ambitiösa idrottslärare med lätt militanta drag njöt av att mäta allt. Nya tävlingsmoment upprättades ständigt och naturligtvis ingick en introduktion till de fyra simsätten, inklusive fjäril. Denna avancerade konstart var oss främmande, även om tekniken var välkänd sedan länge: fjäril prövades i tävlingssammanhang redan på 30-talet. Under de olympiska spelen i Melbourne 1956 kunde publiken beskåda de karaktäristiska bensparkarna, som påminner om stjärtrörelsen hos en delfin, uppe från läktarna. Vi uppmanades att hålla oss strax under ytan, alltmedan vi kämpade med att rita nyckelhål med armarna och studsa fram med våra unga stjärtar. Det gick inget vidare: mödosamt arbetade jag mig ner mot botten där underläppen sprack mot klinkern. Illusionen av sportsimmerska, ja  om det nu funnits någon sådan, hade gått sönder: med blod på hakan hävde jag mig upp över kanten och insåg att skådespelet var över. Men resan ner mot bassängdjupet var alls inte förgäves: snarare tog simmandet där och då en ny riktning. Jag funderar på om strävan neråt inte bara var en flykt från det orimliga i tekniken, utan uppstod av ett mer filosofiskt skäl. Kanske sökte den unga simmerskan något bortom mätandets princip. Kanske anade hon en värld därnere, ett tryckande vattenmörker som varje fridykare måste lära sig konsten att omfamnas av. Som Jacques i Det stora blå behöver hon acceptera lungornas komprimering, och utforska dånet som uppstår när hörselorganet förvandlas till havets egen förstärkare. Fast när det kommer till kritan kan man fråga sig om fridykarens utmaning bara handlar om att anpassa sig till en fysiologisk omvandlingsprocess: för när vi rör oss djupare ner väcks dödsdriften till liv en längtan efter att upplösas i det element som utgör 60 procent av vår totala kroppsmassa. För det nyfödda barnets del rör det sig om hela 80 procent. Skolans simundervisning innehöll inget om dödsdriften. Så småningom vändes mitt sökande istället mot kulturens simmerskor. Skådespelaren Juliette Binoche, inte minst. I filmatiseringen av Milan Kunderas roman Varats olidliga lätthet, gör hon entré med ett kraftfullt dyk ner i ett av östra Europas kurbad, som får de uppsvällda farbrödernas schackpjäser att skaka. I filmen spelar männens libido en större roll: man kan välja att tolka dyket som symbol för en ung kvinnas trots mot en sexualiserande blick. Och det visade sig att Binoche hade kommit till simhallen för att stanna. I första delen i Kieslowskis trilogi Trikoloren använder filmens Julie det klorerade vattnet i en nattlig bassäng för att pressa sorgen genom sitt kroppssystem. Efter att ha mist man och barn i en bilolycka lider hon av en underreaktion, det vill säga, hon kan inte gråta. I gengäld kan hon simma: hon crawlar fram i svartglänsande baddräkt med ursinniga rörelser, som en späckhuggarhona på jakt efter sin förlorade avkomma. Om Julie bryter genom vattenytan med splash, tar jag trapporna baklänges. Inga sensationella entréer, inga avancerade simsätt och ingen utrustning: bara ledstångens stål inuti händerna och mötet med ett vatten som är några grader för kallt. Jag tänker ofta på Sally Bauer, långdistanssimmerskan från Helsingborg, som var den första skandinav att simma över Engelska kanalen. I Sara Stridsbergs fantasi Happy Sally blir Sally Bauer en melankolisk figur som ständigt dras till Öresundshavets bräckta vatten. Ju längre Sally rör sig ut från land, desto längre bort glider hon också från de människor som hon älskar. När min mamma en sommar blev hastigt sämre i sin cancer, fann jag mig för första gången öga mot öga med döden. Jag hade mött den blicken förut, men den här sortens stirrande ut i dödens icke-vara var för mig en ny erfarenhet. Det visade sig att upplevelsen svarade dåligt mot fantasierna om fridykarens metafysik. Jag simmade mig igenom veckorna när mamma successivt, dag för dag, förlorade förmågan till rörelse och tal. Med kroppen före gled jag in och ut genom minnena, i tanken på vem hon varit. Bara i ett urinfärgat sjövatten strax utanför Göteborg kunde sorgens kramper släppa: så förvandlades det svala mörkret under mig till något som bar, snarare än drog. Vi kommer från vatten. När vi simmar minns vi vårt ursprung i horisontalläget, när människan en gång inte var människa, utan rustad med gälar och fjäll. Ju mer tid hon tillbringar simmande, desto mer diffus blir gränsen mellan fena och ben, mellan foster och född person. Ensam plöjer hon fram längs rödvita plastsnören som skiljer hennes bana från någon annans. Så minns hon, inifrån sig själv, den tyngdlösa tillvaro som pågick för länge sen. Den som kan anas som en känsla av frihet, i rytmen som uppstår med nästa längd, och nästa. Malena Forsare, kulturskribent

durée : 00:26:45 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec l'actrice Juliette Binoche, présidente d'honneur du festival Branche & Ciné, qui mêle environnement forestier et cinéma, et propose des projections en plein air dans différentes forêts domaniales de France comme dans certaines salles. Avec la chronique d'Olivier Delcroix, du Figaro - invités : Juliette Binoche - Juliette Binoche : - réalisé par : Vincent Abouchar

durée : 00:26:45 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec l'actrice Juliette Binoche, présidente d'honneur du festival Branche & Ciné, qui mêle environnement forestier et cinéma, et propose des projections en plein air dans différentes forêts domaniales de France comme dans certaines salles. Avec la chronique d'Olivier Delcroix, du Figaro - invités : Juliette Binoche - Juliette Binoche : - réalisé par : Vincent Abouchar

Masamune Shirow's Ghost in the Shell (1995) is a cyberpunk, anime, masterpiece that questions what makes us human. Is it the body or the soul (our ghosts)? The 2017 live action remake starring Scarlett Johansson, Pilou Asbæk, Takeshi Kitano, Juliette Binoche, and Michael Pitt attempts to expand on this idea. This week Invasion of the Remake explores this high tech world of cyborgs, espionage, and artificial intelligence as we compare the anime to the live action Ghost in the Shell (2017).   Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, RadioPublic, BluBrry, Libsyn, YouTube, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Get an even better deal on the best seat prices for concerts and sporting events at SeatGiant.ca using our promo code: invasion at checkout! All prices in Canadian dollars. For our American listeners, fear not, SeatGiant.com also offers you the same great deals in US dollars and you can also use our promo code: invasion for more savings.

This week Chris and Justin are joined by host of the Cinemusts podcast, Myke, to discuss the complex and confounding new sci-fi film from Claire Denis, High Life, which stars Robert Pattinson and Juliette Binoche.  RUNDOWN -  - Intro (00:00:00 - 00:05:27)       - Intro - What's On Our Minds? (00:05:27 - 00:24:10)       - Myke - Gravity       - Chris - Alamo Drafthouse's Movie Hullabaloo       - Justin - Barry Season Two - High Life (00:24:10 - 01:25:25)       - Spoilers start at (00:42:18) - Outro (01:25:25 - 01:28:14)  Do yourself a favor and check out the fantastic Cinemusts podcast hosted by our guest Myke. Visit the site at www.cinemusts.com to help him decide if the movies from the 1001 Movies You Must See Before You Die book are Cinemusts, Cinetrusts or Cinebusts!  Visit www.reeloutreach.com and donate to help underprivileged kids get to the theaters!  Follow us on: Twitter Facebook Instagram Email us at: casualcinemedia@gmail.com Talk Criterion Collection, film, tv and other stuff with us in our Facebook group at:  https://www.facebook.com/groups/casualcinecast/ Intro/Outro Music courtesy of Jake Wagner-Russell at www.soundcloud.com/bopscotch

On this week's review, Tim gives his SPOILER FREE thoughts on Claire Denis' High Life, Laika's newest animated feature Missing Link & the reboot of Hellboy!

Dave and Alonso cover a cavalcade of new movies, from superheroes to international arthouse auteurs. Subscribe (and review us) on Apple Podcasts, follow us @linoleumcast on Twitter, Instagram and Facebook, leave 'em hanging on the li-ine. Join our club, won't you? Dave's streaming pick of the week: 35 SHOTS OF RUM Alonso's DVD pick of the week: GLORIA

The "we're also very excited about the new Dan Gilroy film Velvet Buzzsaw, starring Jake Gyllenhaal, Toni Collette and RENE RUSSO" edition. With the imminent arrival of the ACMI season Juliette Binoche Forever, Cultural Capital singles out one of its highlights, Abbas Kiarostami's 2010 film, Certified Copy. We also take a look at the international version of Paolo Sorrentino's Silvio Berlusconi-inspired epic Loro, open the Cultural Capital Film Diary, and share our picks from the films scheduled for release later this year. There were a lot of films to get excited about and after all that Binoche, we could only handle so much excitement, so do let us know if we overlooked something egregious. 00:48 Loro 15:11 Cultural Capital Film Diary 16:25 Certified Copy 29:00 High Life (Claire Denis) 33:20 Long Day's Journey Into Night (Bi Gan) 36:40 Jojo Rabbit (Taika Waititi) 40:35 Little Women (Greta Gerwig) Find us: Twitter: TheCultCapPod Facebook: Cultural Capital Podcast Instagram: CulturalCapitalPodcast

Ep. 22 Magic realism or chocolate witchcraft? That's the biggest question we have about 2000's Chocolat. We debate how we would use our chocolate powers, if we were wandering coco-shamans. We discuss how the film differs from the source novel (and how that's a good thing). We talk about all the wonderful performances from so many actors in this tasty film. Make sure to follow us on Twitter, Instagram, and Facebook to keep up with news, to join the discussion about food, and to check out all of our personal recipes - like Sophie's Frozen Hot Chocolate! Music Credits: "Carpe Diem" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

It’s 1986 and a sexually-transmitted retrovirus is killing off young people. A massive pharma company have a vaccine in development that they won’t release, until a band of misfits break in to liberate it… Sound familiar? It is and it isn’t. The sophomore feature from French enfant terrible Leos Carax is a heady, swoony, futuristic Nouvelle Nouvelle Vague oddity, for which (Carax’s then-girlfriend) Binoche garnered her first César nomination. The real star is the film’s ever-shifting aesthetic that encompasses cartoonish absurdism, music video, spectacle and lyricism in equal measure. Alex (Denis Lavant) is a juvenile delinquent caught up in the vaccine heist but whose “amour fou” for the unavailable Anna (Binoche) has him completely pent up. You see, in this alternative future, anytime you “make love without love,” you risk death. This is a caper that is full of ideas, emotions and set-piece scenes (like Juliette herself - not a stunt woman! - dangling from an airplane!!!). If it left us scratching our heads at times, it also prompted reflections on the pure beauty of the moving image and the irrational risks we all take to achieve…. Modern Love. Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).

Quick: name an Oscar-winning actress who’s worked with both Godard AND Godzilla. THERE IS ONLY ONE. Having been on international screens for three decades, Juliette Binoche has matured more gracefully than a vintage Bourdeaux, acquired more ripe notes than a cave-aged Gruyère. Take a look at the whole career from the dewy, sexualized ingénue of DAMAGE to the earthy middle-aged diva of SILS MARIA, and it is clear: JB is the Actress of Actresses. She’s bared both her flesh and her soul for countless auteurs, but she’s perhaps never been asked to carry a film quite so completely as she did for Krzystof Kieslowski in THREE COLOURS: BLUE. As a grieving widow thrown into a traumatised “liberté” that she never asked for, Binoche’s performance is mostly silent, often as cold as the film’s azure cinematography and as deeply felt as Zbigniew Preisner’s extraordinary score. Her Julie (like the continent of Europe itself) must confront the submerged pains of the past as she is hurtled forward into an uncertain future. That’s right: Juliette Binoche IS Europe. She is Cinema. She is Everything.

The incomparable French director Claire Denis returns with Let the Sunshine In, a romantic comedy of sorts that stars Juliette Binoche. Denis's fluid vision and singular sense of timing mixed with Binoche's endearing performance make for a thoughtful glimpse into a woman's quest for love on her own terms and, as Andrew Chan explains in his cover story about the film, “shows us not how we feel about love but how we look at it and talk about it—how it appears to us when experienced by others.” In this episode, FC Digital Producer Violet Lucca is joined by Editor-in-Chief Nicolas Rapold to discuss Denis and Binoche's film; then stay tuned for a live Q&A with Denis that followed a sneak preview of the film presented by Film Comment and IFC Films.

What does it mean to be human? Does the construct of a soul actually exist? Where is the closest 24 hour sushi restaurant near you?  None of these questions and more will be answered in this episode of Cinema Sesh as AJ and Jay discuss the story of the cybernetic Major played by Scarlett Johansson. There is so much about this movie for us to unpack, especially in comparing it to the anime it is adapted from (Yes, we're those types of nerds. Also, guess which movie with Oompa Loompas we prefer). When it's all over, you'll have a better understanding of what it means to be our friends and what they have to put up with after we see a movie with them. You'll emit a laughter prompt, you'll leak silicone tears in a preprogramed act of crying, you might even acquire some new data packets that increase your understanding of your immediate world. But what do we know? We're not rocket surgeons. Enjoy!   Email us your thoughts, questions or hate mail to cinemasesh@gmail.com   Follow our social media antics! https://twitter.com/CinemaSesh  https://www.instagram.com/cinemasesh/   

The Filmlosophers, Eddie Villanueva and Chad Riley, welcome back Val Complex and Nerd Reactor's Laura Sirikul back to the round table for week's review of Ghost in the Shell (2017), the controversy-laden anime adaptation directed by Rupert Sanders and starring Scarlett Johansson in the role of an Asian woman who has been transformed into a cyborg and is working for a paramilitary arm of the government. To what extent does the film exemplify the whitewashing of Asian roles in big-budget Hollywood films, and what kind of an effect did the casting decisions have on the film's reception?

What exactly is acting, and how can we pull apart its elements for our analysis? Madison-based cinephile Brandon Colvin has been trying to figure that out, whether through his academic sutidies, his programming, and most importantly, his own filmmaking. Colvin is the filmmaker behind two of the smallest but most unique films this side of American independent cinema, Frames and Sabbatical, and in this interview with Peter, discusses how he merged his own filmmaking interests with his academic interests, creating and exploring the relationship between directors and performers in the current landscape of today's films. Later, they dive into one of Jean-Luc Godard's most spiritual features, the aptly named Hail Mary, and talk through why this may be the most emotional film the French legend ever made. 0:00-2:20 Opening3:10-7:54 Establishing Shots - Hill of Freedom8:38-58:48 Deep Focus - Brandon Colvin59:55-1:02:32 Mubi Sponsorship1:03:41-1:21:42 Double Exposure - Hail Mary (Jean-Luc Godard)1:21:48-1:24:37 Close

This week's two-part episode features French filmmaker Olivier Assayas. Special guests include actresses Juliette Binoche and Kristen Stewart, who co-star in his latest film, CLOUDS OF SILS MARIA, opening in theaters next weekend. CLOUDS OF SILS MARIA, a main-slate selection of last year’s New York Film Festival, stars Binoche as a veteran actress coming to terms with her life and career after agreeing to act in a revival of the play that made her famous 20 years earlier. Stewart plays her assistant, who accompanies her on a soul-searching journey through the Sils Maria region of the Swiss Alps. Assayas has been called the most innovative and influential French director of his generation, and his relationship to the New York Film Festival goes all the back to 1996, when his film IRMA VEP was included in that year’s festival. Preceding the official NYFF52 screening of Clouds of Sils Maria, Assayas joined Binoche and Stewart onstage for a conversation with press, moderated by the festival’s director of programming, Kent Jones. The discussion will serve as part one of today’s episode. Part two comes from 2004, when the director took the stage following a screening of his seminal 1996 film, IRMA VEP. That film stars Maggie Cheung as herself cast in an ill-fated production of a remake of Louis Feullade's classic silent film serial LES VAMPIRES. This fascinating conversation was also moderated by our own Kent Jones. This podcast is brought to you by The Film Society of Lincoln Center. Film Lives Here. www.filmlinc.com 00:00–02:13 - Intro 02:13–25:04 - Clouds of Sils Maria Press Conference 25:04–01:16:34 - Olivier Assayas Talk (2004)

Witojcie! Nie było nas tydzień dłużej niż planowaliśmy, ale wszystkim lubiącym nasz fanpage grzecznie się z tego faktu wytłumaczyliśmy. W skrócie - konieczność zakrzywienia czasoprzestrzeni i coś bardziej prozaicznego - wstrzelenie się z kolejnymi nagraniami tuż po tych najważniejszych wakacyjnych premierach i uniknięcie praktycznie bezfilmowych Wielkanocy i majowego weekendu.Trzy tygodnie dostarczyły nam konkretnej dawki informacji z pogranicza popkultury, tak nieprawdopodobnych, że zdecydowaliśmy się zrezygnować z jakichkolwiek primaaprilisowych żartów, bo duża część poniższego spisu treści brzmi lepiej niż niejeden dowcip. U nas więc zgrywy nie będzie, wyłącznie potwierdzone donosy :) .Co w karcie dań? Przede wszystkim konferencja Disney'a dla inwestorów i podsumowanie wszystkich ostatnich informacji z odległej galaktyki. Powroty znanych i uznanych marek na szklane ekrany, Bond, Transformersy i Liam Neeson rzucający kino akcji. Pokaźna komiksowa sekcja specjalna to zbiór plotek potwierdzonych bardziej i tych mniej, ze wszystkich trzech obozów - Marvela, Warnera i Foxa.Polecanki dziś obfite, okres świątecznego kinowego letargu sprzyja nadrobieniu zaległości lub sięgnięciu po te mniej znane pozycje. Polecamy Kopciuszka i najciekawszy horror ostatnich lat - Coś za mną chodzi. Z rezerwą zwracamy uwagę na Zbuntowaną, z ciekawością spoglądamy na Sils Marię i ledwie prześlizgujemy się po fantastycznym Ex Machina.Jeśli chcecie dowiedzieć się również jaki tajemniczy symbol nosił na swoim pierwszym tornistrze Wojtek i kto w ostatnim tygodniu dybał na jego życie nie możecie przegapić tego odcinka.

Si chiude il concorso con gli ultimi due film: Sils Maria di Olivier Assayas, con Juliette Binoche attrice affermata che ritorna a recitare la piece teatrale che la lanciò, questa volta però fa la donna matura, e il suo personaggio va invece a una giovane stella di film di supereroi - Chloe Moretz. In questo confronto alla Eva contro Eva c'è una terza donna, la giovane Kristen Stewart assistente ombra della Binoche, che tutto risolve ma forse si coinvolge. E poi The Leviathan del regista siberiano Andrei Zvyagintsev (ricordate Il ritorno che vinse Venezia 2003?), dove il mostro biblico è il potere dello stato che vuole espropriare la casa di legno sul mare del nord, dove pure nuotano e ogni tanto spiaggiano le balene. E torna Quentin Tarantino a Cannes con Uma Thurman e John Travolta, per ripresentare 20 anni dopo Pulp Fiction.

This episode John has a couple of sips from Adam's wine about just how 'real' Dan's life really was.  Other highlights include: the definition of the word 'cloying', a discussion about the trappings of modern comedies, and the glorification of morons.If you have a comment or question you can write us at theaftershowpodcast@gmail.com or call and leave a message at (206) 984-1298.  Thanks for listening.DAN IN REAL LIFE imdb Page: http://www.imdb.com/title/tt0480242/

On the Guest List this week Anne-Marie Minhall will be talking to actor and director Kenneth Branagh about his new movie of William Shakespeare’s As You Like It…. We talk to one of the best selling crime authors in the UK Ian Rankin about the 20th anniversary of his Edinburgh based character Inspector Rebus….. Also on the show is Academy Award winning actress Juliette Binoche who is currently starring in the movie A Few Days In September and one of world’s leading pianists John Lenehan.