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A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – July 14, 2025 appeared first on KPFA.
In this episode Marsha sits down with Marjuan Canady, a Tony-nominated Broadway producer, award-winning writer, and founder of the cultural media brand Callaloo Kids. Marjuan shares her journey as a creative entrepreneur and cultural leader, building a multimedia business rooted in African Diaspora storytelling, education, and empowerment. From children's books and animation to producing major Broadway hits like Hell's Kitchen and The Wiz, Marjuan discusses how she's using storytelling to shift narratives, open doors for women and youth of color, and lead with purpose in every aspect of her work. This episode is for anyone who believes in the power of culture, creativity, and community-driven entrepreneurship. Website: www.canadyfoundationarts.org Business Social Media Handle: @canadyfoundationarts
How do we build a world that truly reflects who we are? In this profound conversation, I sit down with architect and design tastemaker Obiora Nwazota, a powerful voice reshaping our understanding of culture, identity, and design. Obi shares his journey from a childhood in Nigeria, dreaming beyond the prescribed path, to becoming a cultural force in Chicago. We explore how he challenges the singular narrative of design by asking a simple yet powerful question: If someone walked into your home, would they know an Igbo person lives there? This question opens up a deep dialogue about the importance of ritual, the stories our spaces tell, and the critical mission of his venture, Okpara House, to reclaim and elevate Igbo cultural assets for contemporary life. This episode is a call to all creatives to look deeper into our own heritage and harness our gifts to build a richer, more inclusive world. Chapters 00:00 - Introduction to Obiora 'Obi' Nwazota 02:50 - Growing Up Igbo: A Childhood of Daydreams 05:05 - The Surprising Link Between Igbo Culture and Haiti 09:12 - Finding Freedom Through Architecture in a New Land 14:42 - Redefining Architecture as the Architecture of Life 20:12 - The Genesis of Okpara House: Filling the Cultural Void 29:59 - The Power of Rituals in Defining Who We Are 34:16 - Reclaiming the African Image: The Story Behind the Book 'Nkemdiche' 44:53 - The Collaborative Process of Creating a Visual Narrative 48:00 - A Final Word on Being a Light for Culture Connect with Obi: Follow Obi on Instagram: https://www.instagram.com/obiora_nwazota/?hl=en Obi's Website: https://www.okparahouse.com/about Support the Show Website: www.martineseverin.com Follow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives
Co-ordinated by the Smithsonian Musuem—along with George Washington University, the Iziko Museums of South Africa, and the U.S. National Park Service, the Slave Wrecks Project (S.W.P.) combines maritime archaeology, historical research, and the study of sunken slave ships, to get a better overview of global African enslavement and the history of the African Diaspora. To help us understand why this is such an important project, Lester Kiewit speaks to Jaco Boshoff, Maritime Archaeologist at Iziko Museums. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – July 7, 2025 appeared first on KPFA.
This week (7/18 & 7/20) on ART ON THE AIR features veteran journalist and author Todd S. Purdum, discussing his over forty year career and his new book about Desi Arnaz. Next Bronx-born cultural leader Melody Capote, Executive Director of the Caribbean Cultural Center African Diaspora Institute in Harlem.Our spotlight is on DANCE ON! Evenings of dance and music in downtown Miller Beach on Lake Street all summer.Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/AOTA, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.orgSend your questions about our show to AOTA@brech.comLIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, YouTube plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR.https://www.lakeshorepublicmedia.org/show/art-on-the-air/2025-07-02/art-on-the-air-july-20-2025
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – June 30, 2025 appeared first on KPFA.
The Author Events Series presents Caro De Robertis | So Many Stars REGISTER In Conversation with Dr. Michelle Taylor So Many Stars knits together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world. This singular project collects the testimonies of twenty elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations--who can more fully exist in the world today because of these very trailblazers. De Robertis creates a collective coming-of-age story based on hundreds of hours of interviews, offering rare snapshots of ordinary life: kids growing up, navigating family issues and finding community, coming out and changing how they identify over the years, building movements and weathering the AIDS crisis, and sharing wisdom for future generations. Often narrating experiences that took place before they had the array of language that exists today to self-identify beyond the gender binary, this generation lived through remarkable changes in American culture, shaped American culture, and yet rarely takes center stage in the history books. Their stories feel particularly urgent in the current political moment, but also remind readers that their experiences are not new, and that young trans and nonbinary people today belong to a long lineage. The anecdotes in these pages are riveting, joyful, heartbreaking, full of personality and wisdom, and artfully woven together into one immersive narrative. In De Robertis's words, So Many Stars shares "behind-the-scenes tales of what it meant--and still means--to create an authentic life, against the odds." A writer of Uruguayan origins, Caro De Robertis is the author of six novels, including The Palace of Eros, Cantoras, and more. Their books have been translated into seventeen languages and have received numerous honors, including two Stonewall Book Awards, a National Endowment for the Arts Fellowship, and the John Dos Passos Prize for Literature, which they were the first openly nonbinary writer to receive. De Robertis is also an award-winning literary translator and a professor at San Francisco State University. They live in Oakland, California with their two children. Dr. Michelle Taylor holds a Ph.D. in Africology & African American Studies from Temple University and is an educator, writer, and activist. She also earned an M.S.W. from CUNY-Hunter College and served her community as a social worker for eighteen years prior to entering academia. Dr. Taylor is the author of Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets and her work focuses on African American women, mass media, and social justice. Dr. Taylor founded Sankofa Summer School, a ritual Afrocentric academy that educates students about topics relevant to people of the African Diaspora. The 2024/25 Author Events Series is presented by Comcast. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 6/2/2025)
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – June 23, 2025 appeared first on KPFA.
When Joe Kinvi joined Touchtech Payments in 2017 as head of finance, the Irish startup couldn't afford his full salary. So he negotiated for stock to make up the difference. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Step back in time with me to 1977, to a cultural event so monumental it was dubbed the "Black World's Fair." In this episode, we journey to Lagos, Nigeria, for FESTAC '77, the Second World Black and African Festival of Arts and Culture. What made this month-long celebration a landmark of Black pride and unity, and why does its legacy still echo nearly fifty years later? I'll share insights from my conversation with Roy Lewis, the official photographer for the North American zone, who was there to capture it all. Join me as we explore the story of this incredible gathering of artists, thinkers, and performers from across the African diaspora and uncover a piece of our history that continues to inspire. Chapters (0:00) - Intro (1:29) - A Journey Back to FESTAC '77 (6:15) - The Rigorous Road to Lagos (7:05) - Inside the Festival: A Cultural Feast (9:08) - The Lasting Legacy of FESTAC (11:53) - A Juneteenth Reflection and a Call to Imagine Learn About Roy Lewis Festac 77 Documentary on YouTube: http://bit.ly/449xUIB Ebony Magazine Festac Edition: http://bit.ly/3T3WGoy Support the Show Website: www.martineseverin.com Follow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives
In this episode, we're pleased to be joined by Disapora and Inclusion Officer at Hub Cymru Africa, Oreoluwa Ojelade. We'll be looking in to Ore's journey from Nigeria to Wales, her role at Hub Cymru Africa and the Sub-Sahara Advisory Panel, and what her hopes for the global solidarity sector and African diaspora in Wales are. Later on, we'll be finding out what's been happening in Africa this week with a focus on Nigeria and an alleged massacre with presidential inaction. Hub Cymru Africa is Wales' leading international development and global solidarity organisation. We support organisations across Wales in building sustainable links and projects in partnership with organisations in Africa and beyond. Find out more about us and access support via our website: hubcymruafrica.wales Hub Cymru Africa is a partnership bringing together Fair Trade Wales, Welsh Centre for International Affairs, Sub-Sahara Advisory Panel and Global Health Partnerships. We are members of the UK Alliance of International Development Network Organisations and a founding member of Citizens Initiatives for Global Solidarity in Europe. Read more about our partners and funders here: hubcymruafrica.wales/partners-funders
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – June 16, 2025 appeared first on KPFA.
Send us a textIn this week's episode, Isha Gaye shares her journey from aspiring lawyer to founder and CEO of Afrique Noire Magazine, a print publication celebrating African creativity and connecting the diaspora to the continent. As a 2020 college graduate, nothing unfolded as planned for Isha and so lockdown forced her to reflect on her true wishes for her own future. Isha has always known that she wanted to stay connected to the African continent and to bridge the gap between the continent and the diaspora. That's when she came up with the idea for the Afrique Noire social media platform, which evolved into a recently launched print and digital publication. The magazine fosters dialogue by showcasing African designers, artists, and visionaries. Here is a summary of the main topics in our conversation:• Founded to address the disconnect between African immigrants and Black Americans in the US• Launched as a social media platform before evolving into a print magazine by popular demand• Publishes three times annually with a focus on sustainability, inclusivity, and traditional arts• Self-funded with a creative fund that supports featured artists' projects• Designed as an art piece meant to be kept and shared rather than quickly consumed• Creating "Afrique Noire Edits," an e-commerce platform launching soon for African creatives to sell their work• Committed to never charging creatives to be featured in the publication• Deeply personal connection to African heritage despite 15 years of separation from her homelandIsha Gaye also talks about how she's managing her newfound role as an entrepreneur and the leader of an organization. She also speaks more about her mentors and the family dynamics that have led her down this path. Support the showNEWSLETTER, stay in the loop and subscribe to our newsletterSUPPORT this work so that we can keep it free. Become a MONTHLY SUPPORTER LISTEN ON Apple and Spotify FOLLOW US ON Instagram and Facebook
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – June 9, 2025 appeared first on KPFA.
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – June 2, 2025 appeared first on KPFA.
Episode Description: Jessica B. Harris may have been born and raised in New York City, but she has Tennessee roots through her father and has spent much of her life split between homes in the Northeast and the South – specifically New Orleans. For more than fifty years, she has been a college professor, a writer, and a lecturer, and her many books have earned her a reputation as an authority on food of the African Diaspora, as well as a lifetime achievement award from the James Beard Foundation. A few years back, Netflix adapted her book, High on the Hog: A Culinary Journey from Africa to America, into a 4 part docuseries. And I'm very proud to say that she's a longtime contributor to Southern Living with a regular column called The Welcome Table. This episode was recorded in the Southern Living Birmingham studios, and Sid and Jessica talked about her mother's signature mac and cheese, the cast-iron skillet she'd be sure to save if ever her house were on fire, and her dear friend, the late New Orleans chef Leah Chase. For more info visit: southernliving.com/biscuitsandjam Biscuits & Jam is produced by: Sid Evans - Editor-in-Chief, Southern Living Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer/Producer Jeremiah McVay - Producer Learn more about your ad choices. Visit podcastchoices.com/adchoices
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – May 26, 2025 appeared first on KPFA.
The Texture of Change: Dress, Self-Fashioning, and History in Western Africa, 1700 – 1850 (Ohio UP, 2024) examines historical change across a broad region of western Africa—from Saint Louis, Senegal, to Freetown, Sierra Leone—through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters. Jody Benjamin is a social and cultural historian of western Africa with expertise in the period between 1650 and 1850. His research is informed by a methodological concern to center the diverse experiences and perspectives of Africans in ways that transcend the limitations of the colonial archive. In broad terms, Prof. Benjamin's scholarship interrogates the multiple connections between west African, African diaspora and global histories through the lens of material culture, technology, labor, gender and race to reshape how historians think about western Africa's role in the history of global capitalism and its connections to contemporary questions of global inequality. Dr. Benjamin's work has been supported by the National Endowment for the Humanities (NEH), the University of California Regents, University of California Humanities Research Initiative (UCHRI), the Hellman Fellows Fund, and the John Carter Brown Library at Brown University. From 2022-2023, he was the Principal Investigator for a Mellon Sawyer Seminar, “Unarchiving Blackness,” exploring archival practices in African and African Diaspora Studies. Prior to Howard University, Dr. Benjamin taught at the University of California, Riverside. You can learn more about his work here. Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Texture of Change: Dress, Self-Fashioning, and History in Western Africa, 1700 – 1850 (Ohio UP, 2024) examines historical change across a broad region of western Africa—from Saint Louis, Senegal, to Freetown, Sierra Leone—through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters. Jody Benjamin is a social and cultural historian of western Africa with expertise in the period between 1650 and 1850. His research is informed by a methodological concern to center the diverse experiences and perspectives of Africans in ways that transcend the limitations of the colonial archive. In broad terms, Prof. Benjamin's scholarship interrogates the multiple connections between west African, African diaspora and global histories through the lens of material culture, technology, labor, gender and race to reshape how historians think about western Africa's role in the history of global capitalism and its connections to contemporary questions of global inequality. Dr. Benjamin's work has been supported by the National Endowment for the Humanities (NEH), the University of California Regents, University of California Humanities Research Initiative (UCHRI), the Hellman Fellows Fund, and the John Carter Brown Library at Brown University. From 2022-2023, he was the Principal Investigator for a Mellon Sawyer Seminar, “Unarchiving Blackness,” exploring archival practices in African and African Diaspora Studies. Prior to Howard University, Dr. Benjamin taught at the University of California, Riverside. You can learn more about his work here. Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Texture of Change: Dress, Self-Fashioning, and History in Western Africa, 1700 – 1850 (Ohio UP, 2024) examines historical change across a broad region of western Africa—from Saint Louis, Senegal, to Freetown, Sierra Leone—through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters. Jody Benjamin is a social and cultural historian of western Africa with expertise in the period between 1650 and 1850. His research is informed by a methodological concern to center the diverse experiences and perspectives of Africans in ways that transcend the limitations of the colonial archive. In broad terms, Prof. Benjamin's scholarship interrogates the multiple connections between west African, African diaspora and global histories through the lens of material culture, technology, labor, gender and race to reshape how historians think about western Africa's role in the history of global capitalism and its connections to contemporary questions of global inequality. Dr. Benjamin's work has been supported by the National Endowment for the Humanities (NEH), the University of California Regents, University of California Humanities Research Initiative (UCHRI), the Hellman Fellows Fund, and the John Carter Brown Library at Brown University. From 2022-2023, he was the Principal Investigator for a Mellon Sawyer Seminar, “Unarchiving Blackness,” exploring archival practices in African and African Diaspora Studies. Prior to Howard University, Dr. Benjamin taught at the University of California, Riverside. You can learn more about his work here. Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Texture of Change: Dress, Self-Fashioning, and History in Western Africa, 1700 – 1850 (Ohio UP, 2024) examines historical change across a broad region of western Africa—from Saint Louis, Senegal, to Freetown, Sierra Leone—through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters. Jody Benjamin is a social and cultural historian of western Africa with expertise in the period between 1650 and 1850. His research is informed by a methodological concern to center the diverse experiences and perspectives of Africans in ways that transcend the limitations of the colonial archive. In broad terms, Prof. Benjamin's scholarship interrogates the multiple connections between west African, African diaspora and global histories through the lens of material culture, technology, labor, gender and race to reshape how historians think about western Africa's role in the history of global capitalism and its connections to contemporary questions of global inequality. Dr. Benjamin's work has been supported by the National Endowment for the Humanities (NEH), the University of California Regents, University of California Humanities Research Initiative (UCHRI), the Hellman Fellows Fund, and the John Carter Brown Library at Brown University. From 2022-2023, he was the Principal Investigator for a Mellon Sawyer Seminar, “Unarchiving Blackness,” exploring archival practices in African and African Diaspora Studies. Prior to Howard University, Dr. Benjamin taught at the University of California, Riverside. You can learn more about his work here. Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – May 5, 2025 appeared first on KPFA.
When Arturo O'Farrill was 19 years old, playing piano in a bar in upstate New York, he was spotted by Carla Bley—who promptly invited him to join her band. At the time, he was doing everything he could to distance himself from the legacy of his father, the legendary Cuban composer Chico O'Farrill. He avoided anything labeled “Latin” like his life depended on it. But as he tells it, the real turning point came when bassist Andy Gonzalez sat him down and played him the history of Afro Latin music. Arturo realized that the music he'd rejected might actually be his greatest treasure—and more complex and profound than he'd ever imagined. Since then, Arturo has built an extraordinary body of work as a composer, bandleader, educator, and activist. From founding the Afro Latin Jazz Orchestra to creating his nonprofit Belongo—now building a major cultural center in Harlem—he's dedicated his life to music that carries meaning. Not just swing, but sting. “You can pretend that music is pretty noise,” he says, “or you can think it's only to soothe. But I don't believe that's the purpose of art.” In our conversation, Arturo opens up about identity, legacy, faith, creativity, and the urgent role of art in a broken world. Sometimes a conversation doesn't just explore a person's life—it opens a window into their soul. This was one of those. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story
At WCPT's 20th anniversary live broadcast at Max and Benny's in Northbrook, Illinois, Joan Esposito and Scott Duff are joined by Brian Endless, senior lecturer and director of African Studies and the African Diaspora at Loyola University Chicago and co-host of "The World Discord" podcast, and Joel Ostrow, professor of political science at Benedictine University and co-host of "The World Discord" podcast.
On this special broadcast from Max and Benny's Restaurant in Northbrook, Illinois, WCPT's Joan Esposito, Patti Vasquez, Scott Duff and Richard Chew were joined by (listed in order of appearance): - Chicago Mayor Brandon Johnson - Thom Hartmann, host of "The Thom Hartmann Program," weekdays at 11:00 a.m. on WCPT - State Sen. Laura Fine, Democratic member of the Illinois Senate for the 9th District - State Rep. Tracy Katz Muhl, Democratic member of the Illinois House for the 57th District - Chicago Ald. Scott Waguespack, member of the Chicago City Council representing the 32nd Ward - Marj Halperin, Democratic analyst, political commentator on "The Mincing Rascals" podcast, fill-in host for WCPT, and a moderator of the Hideout's live conversation series - Tom Moss of Indivisible Chicago and a moderator of the Hideout's live conversation series - William Muck, professor of political science at North Central College and regular WCPT fill-in host - Illinois Lt. Gov. Juliana Stratton - Kurt Mullett, "Chew's Views" contributor (every Wednesday) and a social media influencer under the name HoosierBlue63 - Joel Ostrow, professor of political science at Benedictine University and co-host (with Brian Endless) of "The World Discord" podcast - Brian Endless, senior lecturer and director of African Studies and the African Diaspora at Loyola University Chicago; co-host (with Joel Ostrow) of "The World Discord" podcast; and founder of The Come Together Project - Mark Pinski, WCPT general manager The hosts also devoted a segment to remembering the late Dick Kay. Dan Levy is heard making live announcements throughout the broadcast.
Dr. Alex Gee and his sister commiserate on some things lately that make them wonder what is going on - things that make them say "Hmmm..." You won't want to miss this honest conversation full of some real talk that explores some serious issues in their lives right now. These two leaders let you in some topics that make them a bit annoyed. And you also know that they have a little fun too! Rev. Lilada Gee is a dynamic voice on behalf of Black girls and women throughout the African Diaspora who carry the heavy burden of generations of sexual trauma, as well as their own—Lilada Gee has committed her life to the defending of Black girlhood and the healing of Black women. She is the host of the Defending Black Girlhood podcast. Listen to Lilada's Podcast Visit Lilada's Website: Lilada.org Lilada's Art
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – April 28, 2025 appeared first on KPFA.
In this episode of the Change Africa Podcast, host Isaac Aboah is joined by guest Claudine Moore, a trailblazer in global PR and communications, to explore how branding, cultural intelligence, and the diaspora can shape Africa's future.Claudine shares her personal and professional journey, from growing up in the UK with strong Pan-African values to founding C. Moore Media and eventually leading it to acquisition by global firm Allison. Her work has centered on amplifying authentic African narratives and building bridges between the continent and its global communities.The conversation delves into how tourism and sports can drive economic growth, foster cultural pride, and reshape Africa's global image. Claudine emphasizes the role of storytelling and branding in addressing skewed Western perceptions of Africa, highlighting that many of the continent's challenges are rooted in how it is framed to the world.This episode also touches on the significance of the Africa Business Cultural Intelligence Report, an inaugural topline report for global and pan-African businesses and organizations with the business cultural intelligence and local market knowledge required to thrive in Africa's dynamic and rapidly growing markets. We explore the promise of intra-African trade and the importance of corporate social responsibility. Claudine highlights the untapped potential of the African diaspora, the need for investment in Africa's youth, and why Africa must prioritize people over profit in its development strategies.From the DRC's mineral wealth to the rise of African talent in global sports, this conversation paints a powerful picture of how culture, business, and identity intersect in the continent's growth story.Chapters00:00 – Introduction to Change Africa Podcast 01:02 – Claudine Moore: A Journey of Connection to Africa 03:08 – The Impact of the African Diaspora 08:40 – Starting Seymour Media: A New Chapter 13:23 – Navigating Acquisitions in PR 22:26 – Allison: Expanding Horizons 25:29 – Africa Business Cultural Intelligence Report 30:07 – Tourism and Sports: A Cultural Connection 33:18 – The Impact of Sports on African Culture and Economy 37:43 – Education and Technology: Preparing Africa's Youth for the Future 41:28 – Opportunities and Responsibilities in the Democratic Republic of Congo 49:01 – US-Africa Relations: The Role of the Diaspora 55:08 – Intra-African Trade: Bridging Gaps and Building ConnectionsFurther Reading and ResourcesLearn more about Claudine Moore's work and initiatives at C. Moore Media and Allison.Read the Africa Business Cultural Intelligence Report here. This podcast is a production of Nexa Media.Do you have a question for our hosts? Email us at changeafricapod@gmail.comFollow the podcast on Twitter, Facebook, Instagram, and LinkedIn. Hosted on Acast. See acast.com/privacy for more information.
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – April 21, 2025 appeared first on KPFA.
Send us a text message and tell us your thoughts.The Caribbean's artistic traditions reveal profound truths about our history, identity, and resilience. Keisha Oliver, PhD candidate at Penn State, joins Strictly Facts as we discuss Bahamian visual culture that challenges conventional understandings of Caribbean creativity. From the gendered practice of straw craft—where women wove not just materials but stories across generations—to the radical educational approaches of forgotten art pioneers, this conversation uncovers how visual expression became a battleground for decolonization. Horace Wright traveled between islands as the Bahamas' only art educator during segregation, while Donald Russell created alternative spaces where Black and white students could learn together despite societal barriers. Their stories reflect the complex migratory patterns that define Caribbean identity itself: birth in one nation, heritage from another, and contributions to a third.Most provocatively, Oliver poses an existential question gaining urgency as climate change threatens island nations: "How do we preserve who Bahamians were outside the physicality of the Bahamas?" This challenge demands innovative approaches to cultural documentation that honor indigenous and African diasporic traditions while embracing new technologies and platforms. By framing arts education as a form of Black radical thought, this episode reveals how cultural expression functions as political resistance and nation-building. The conversation ultimately demonstrates that art doesn't merely reflect Caribbean identity—it actively creates it, serving as both anchor to our past and compass toward our future.Keisha Oliver is Bahamian assistant professor of Art and Design at the University of The Bahamas, and a PhD candidate in the dual-title Art Education and African American and Diaspora Studies program at the Pennsylvania State University. As an artist-scholar whose research intersects heritage studies and arts pedagogy, Oliver's current work focuses on mid-twentieth century transcultural African diasporic art histories and archives. She currently stewards the Charles Blockson Collection of African Americana and The African Diaspora at Penn State and serves on several boards for arts organizations in the Caribbean and United States. Her research has been published internationally in the areas of museum studies, visual arts research, Bahamian art, and Caribbean art history.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – April 14, 2025 appeared first on KPFA.
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – April 7, 2025 appeared first on KPFA.
With this episode of Guerrilla History, we launch into Pan-Africanism as a great additional starting point to our series on African Revolutions and Decolonization. We bring on two marvelous guests, Prof. Layla Brown and Jacquie Luqman, to discuss the history, theoretical currents, and modern expressions of Pan-Africanism. This is a 2+ hour masterclass, you certainly won't want to miss a moment of it! Also subscribe to our Substack (free!) to keep up to date with what we are doing: guerrillahistory.substack.com Layla Brown is an Assistant Professor of Cultural Anthropology & Africana Studies and affiliate faculty in Women's, Gender, and Sexuality Studies. Brown's research focuses on Pan-African, Socialist, and Feminist social movements in Venezuela, the US, and the broader African Diaspora. She is a member of the All-African People's Revolutionary Party (GC), and can be found on twitter @PanAfrikFem_PhD. She also cohosts the Life. Study. Revolution podcast alongside Charisse Burden-Stelly. Jacquie Luqman is a radical activist, journalist, and is a coordinator with Black Alliance for Peace. You can follow some (but not all!) of her writings at Black Agenda Report, and watch her show Luqman Nation on Black Liberation Media. She is on twitter @luqmannation1. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website: MaryDGraham.comFollow on Instagram: @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – March 31, 2025 appeared first on KPFA.
On this episode of The Truth In This Art, I'm excited to share my conversation with Lex Marie, a DC-based multidisciplinary artist whose powerful work I've been eager to explore for years. Lex creates compelling paintings, sculptures, and installations that reflect personal experiences and deeply resonate with the African diaspora, often using everyday and reclaimed materials. We explore Lex's creative process, from her early creative explorations as a child (where she was known for coloring outside the lines with purpose!) to her pivotal decision to pursue painting in college and her impactful first solo exhibition in 2021. Lex shares her insights on the courage it takes to create art that addresses personal experiences and societal challenges, including the weighty realities of childhood for many African American children and children of color, systemic challenges, and her experience as a mother to a young Black boy in America.This conversation is more than just an interview; it's an insightful look into the motivations and inspirations behind her thought-provoking pieces and the importance of authenticity in artistic expression.This episode was recorded at Eaton DC, my creative home away from home, a hotel that's also a vibrant cultural center. If you're interested in contemporary art, the power of artistic expression, or stories that matter, this episode is a must-listen. Tune in and discover the compelling and authentic work of Lex Marie. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
Sabine Blaizin, DJ, Music Producer, and Event Curator, is a prominent DJ and cultural advocate focused on African diasporic music. Founder of Oyasound Productions which merges traditional rhythms with electronic music, she spins a diverse mix of Global Soul, including House, Afrotech, Afrobeat, and Haitian Roots. She continues to influence the scene with her creative vision and dedication to cultural advocacy. As an activist, Sabine continuously celebrates and elevates the cultural heritage and artistic evolution of the African Diaspora. In this capacity, she is the Director of Programs at the Caribbean Cultural Center African Diaspora Institute. Sabine ultimately seeks to create new scholarship through the African and Haitian diasporic lens of music, culture and spirituality. Recorded on February 24, 2025 in LIC, Queens NY.www.oyasound.com
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – March 24, 2025 appeared first on KPFA.
Send us a textMikaela de la Myco centers ancestral healing, sacred earth medicine, and trauma-informed care, deeply rooted in her ancestral knowledge and practices. As the founder of mushWOMB, she creates education in the sacred earth medicine space, particularly for birthing people, queer folks, and BIPOC. In her community, Mikaela serves as a mother, educator, folk herbalist, organizer, and entheogen facilitator in occupied Kumeyaay & Luiseno territory, also known as San Diego, CA. She is a mixed-race Mexica/Aztec person, with heritage in the Caribbean by way of the African Diaspora, and she honors her ancestry from the rural mountains of Southern Italy. Mikaela is the caretaker of the Matriarchal Alliance for Accountability and Transparency (MA'AT), where she supports survivors and advocates for cooperative healing. Her expertise spans ancestral medicines (psychedelic herbalism and entheogenic medicines), polyamory and pleasure as liberation, full-spectrum herbal womb care (including pregnancy release), and trauma-informed advocacy.She helps administer certification courses, such as ECO Sensual and Herbal & Trauma-Informed Advocacy, and conducts citizen science research for Mothers of the Mushroom. Mikaela has collaborated as an educator and activist with numerous companies, organizations, families and individuals within the sacred earth medicine space and is well known as a maternal caretaker in her community. Above all, she is committed to being an instrument of change in the struggle to rematriate entheogens.dive deeper with accessible teachings or book an educational intake.Did you love this podcast episode!?Please share with someone who you think needs to here this and our DMs and email is always open to thoughts and opinions!
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – March 17, 2025 appeared first on KPFA.
David then discusses the Bellemeade Mansion and the Hermitage in Nashville, and how these powerful Southern families partook in the war.But mainly, David speaks candidly about how these historic sites have evolved (and not evolved) in their ways of including the story Black Americans and those of the African Diaspora into the landscape of these historiesLinks:davidianhowe.comDavidianhowe.com/storeArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724AffiliatesMotion: https://www.archpodnet.com/motion
1. The inspiring pep talk Bozoma gives herself in the mirror – and why we might all want to start using it to rally ourselves. 2. How to navigate the tightrope of corporate expectations for women: to be both self-assured and humble; both hard and soft. 3. The revolutionary realization that you don't have to be the savior of others – you can save yourself, too. 4. How to know when to dig deep, and stay and fight for change – and when to stop digging and go – and the moment Bozoma knew it was time to leave Netflix. 5. Why our inability to forgive ourselves for wrong decisions keep us in bad situations – and how Boz's “it's not you, it's me” philosophy can guide us out. About Bozoma: Bozoma Saint John is a Hall of Fame inducted Marketing Executive, author, entrepreneur, and general badass. Boz has led Global Consumer Marketing at Apple Music & iTunes; she was Chief Brand Officer at Uber; and Global Chief Marketing Officer at Netflix. Boz is currently named #1 Most Influential CMO in the world by Forbes, and has been named one of Billboard's Most Powerful Women in Music for 10 consecutive years. In 2021, Harvard Business School published a multi-media case study on her career, titled “Leading with Authenticity and Urgency”; through which she developed and taught a program at the University aptly named “The Anatomy of a Badass.” Boz was named as an Ambassador for the African Diaspora and Special Envoy to the President of Ghana. In the Spring of 2023, Penguin Books will publish her memoir, “The Urgent Life.” Boz counts her highest achievement as being a mother to her 12 year old daughter, Lael. TW: @badassboz IG: @badassboz To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – March 10, 2025 appeared first on KPFA.
In this Episode, David discusses his recent travels to California and Connor's visit to Nashville the week before.David and Connor met up with Aaron Deter-Wolf of Archaeology Ink and Danny Riday of Totemic Tattoo in Nashville, who gave David and Connor hand-poked tattoos with bone and stone. David discusses the artistry, history, and process behind Danny's work and his hand-poked tattoo, that is a memorial to his late dog, Strider.David then discusses three Civil War era sites he and Connor toured in the Nashville area called the Carter House, Carnton Plantation, the Lotz House, which all were part of the Battle of Franklin. This battle was a major part of the Civil War and the eventual collapse of the confederate army.In Part 2, David will then discusses the Bellemeade Mansion and the Hermitage in Nashville, and how these powerful Southern families partook in the war.But mainly, David speaks candidly about how these historic sites have evolved (and not evolved) in their ways of including the story Black Americans and those of the African Diaspora into the landscape of these histories.Links:davidianhowe.comDavidianhowe.com/storeArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724AffiliatesMotion
In this Episode, David discusses his recent travels to California and Connor's visit to Nashville the week before.David and Connor met up with Aaron Deter-Wolf of Archaeology Ink and Danny Riday of Totemic Tattoo in Nashville, who gave David and Connor hand-poked tattoos with bone and stone. David discusses the artistry, history, and process behind Danny's work and his hand-poked tattoo, that is a memorial to his late dog, Strider.David then discusses three Civil War era sites he and Connor toured in the Nashville area called the Carter House, Carnton Plantation, the Lotz House, which all were part of the Battle of Franklin. This battle was a major part of the Civil War and the eventual collapse of the confederate army.In Part 2, David will then discusses the Bellemeade Mansion and the Hermitage in Nashville, and how these powerful Southern families partook in the war.But mainly, David speaks candidly about how these historic sites have evolved (and not evolved) in their ways of including the story Black Americans and those of the African Diaspora into the landscape of these histories.Transcripts For rough transcripts of this episode go to https://www.archpodnet.com/ethnocynology/11Links: davidianhowe.com Davidianhowe.com/storeArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion
In this episode of The Truth in This Art, I sit down with Alicia Waller, a vocalist whose music defies easy categorization. Blending soul, jazz, and a touch of the unexpected, Alicia captivates audiences with her powerful voice and innovative songwriting. As the leader of Alicia Waller & The Excursion, she's known for taking listeners on a musical journey. In this conversation, we delve into Alicia's artistic journey, exploring her early influences, her unique approach to blending classical training with contemporary sounds, and the challenges and joys of navigating the music industry today. We also discuss her upcoming album, "Louder Then," and what listeners can expect from this exciting new project. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
With this episode of Guerrilla History, we launch into Pan-Africanism as a great additional starting point to our series on African Revolutions and Decolonization. We bring on two marvelous guests, Prof. Layla Brown and Jacquie Luqman, to discuss the history, theoretical currents, and modern expressions of Pan-Africanism. This is a 2+ hour masterclass, you certainly won't want to miss a moment of it! Be sure to share this episode with comrades as well, we KNOW they will benefit from listening! Also subscribe to our Substack (free!) to keep up to date with what we are doing. With so many episodes coming in this series (and beyond), you won't want to miss anything, so get the updates straight to your inbox. guerrillahistory.substack.com Layla Brown is an Assistant Professor of Cultural Anthropology & Africana Studies and affiliate faculty in Women's, Gender, and Sexuality Studies. Brown's research focuses on Pan-African, Socialist, and Feminist social movements in Venezuela, the US, and the broader African Diaspora. She is a member of the All-African People's Revolutionary Party (GC), and can be found on twitter @PanAfrikFem_PhD. She also cohosts the Life. Study. Revolution podcast alongside Charisse Burden-Stelly. Jacquie Luqman is a radical activist, journalist, and is a coordinator with Black Alliance for Peace. You can follow some (but not all!) of her writings at Black Agenda Report, and watch her show Luqman Nation on Black Liberation Media. She is on twitter @luqmannation1. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory
Bioneers: Revolution From the Heart of Nature | Bioneers Radio Series
The influences of Africans and Black Americans on food and agriculture is rooted in ancestral African knowledge and traditions of shared labor, worker co-ops and botanical polycultures. In this episode, we hear from Karen Washington and Bryant Terry on how Black Food culture is weaving the threads of a rich African agricultural heritage with the liberation of economics from an extractive corporate food oligarchy. The results can be health, conviviality, community wealth, and the power of self-determination. Featuring Karen Washington, co-owner/farmer of Rise & Root Farm, has been a legendary activist in the community gardening movement since 1985. Renowned for turning empty Bronx lots into verdant spaces, Karen is: a former President of the NYC Community Garden Coalition; a board member of: the NY Botanical Gardens, Why Hunger, and NYC Farm School; a co-founder of Black Urban Growers (BUGS); and a pioneering force in establishing urban farmers' markets. Bryant Terry is the Chef-in-Residence of MOAD, the Museum of the African Diaspora in San Francisco, and an award-winning author of a number of books that reimagine soul food and African cuisine within a vegan context. His latest book is Black Food: Stories, Art and Recipes from Across the African Diaspora. Credits Executive Producer: Kenny Ausubel Written by: Kenny Ausubel and Arty Mangan Senior Producer and Station Relations: Stephanie Welch Program Engineer and Music Supervisor: Emily Harris Producer: Teo Grossman Host and Consulting Producer: Neil Harvey Production Assistance: Monica Lopez Additional music: Ketsa Resources The Farmer and the Chef: A Conversation Between Two Black Food Justice Activists Karen Washington – 911 Our Food System Is Not Working Working Against Racism in the Food System Black Food: An Interview with Chef Bryant Terry The Food Web Newsletter This is an episode of the Bioneers: Revolution from the Heart of Nature series. Visit the radio and podcast homepage to learn more.
How do you bring the African Diaspora to the Grammys?Esperanza Spalding and Milton Nascimento's contrasting tones make a perfect team on Milton + esperanza, a collection of covers, duets, and original songs that have earned the pair a Grammy nomination for Best Jazz Vocal Album. Today, Brittany and Esperanza get into the years-long intergenerational friendship behind the music, and the Brazilian influences on the album. Support public media and receive ad-free listening & bonus. Join NPR+ today.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy