Podcasts about dance on

Специальный выпуск шоу —100 знаковых танцевальных хитов за последние 10 лет. 1. ACRAZE Ft. Cherish - Do It To It 2. Riton x Nightcrawlers ft. Mufasa x Hypeman - Friday (Dopamine Re-Edit) 3. BYOR - Keep On Dancin' 4. James Hype & Miggy Dela Rosa - Ferrari 5. Mau P - Drugs From Amsterdam 6. Bob Sinclar ft. Steve Edwards – World Hold On (Fisher Rework) 7. HOSH & 1979 feat Jalja - Midnight The Hanging Tree (Slider & Magnit Remix) 8. Anyma ft. Meg Myers - Running 9. Supermode - Tell Me Why (MEDUZA Remix) 10. Dom Dolla ft. Clementine Douglas - Miracle Maker 11. Matisse & Sadko, Timofey - Feeling 12. David Guetta & Bebe Rexha - I'm Good (Blue) 13. Alexander Popov & Fedo - Lost In Space 14. Joel Corry x Da Hool - The Parade 15. Kx5 - Escape (John Summit Remix) 16. Dynoro feat. Gigi D'Agostino - In My Mind 17. Calvin Harris ft. Ellie Goulding - Miracle 18. Kelis - Milkshake 20 (Alex Wann Remix) 19. MK & Dom Dolla - Rhyme Dust 20. Swanky Tunes, Shapov - Rolling Deep 21. Cassö, RAYE & D-Block Europe - Prada 22. Rezone - Enjoy The Silence 23. Going Deeper, Mila Falls, LVNE - Sacrifice 24. Grigoré - El Tiempo 25. Kevin de Vries - Dance With Me 26. LF System - Afraid To Feel (Armand van Helden Remix) 27. ANOTR & Leven Kali & Erik Bandt – How You Feel 28. Solomun - Home 29. Adam Port & Stryv ft. Malachii - Move 30. Disclosure - She's Gone, Dance On 31. Mr. Belt & Wezol - It's Not Right (But It's Ok) 32. Adam Port, Keinemusik - Move (RITN Edit) 33. Claptone & Mylo - Drop The Pressure 34. Raffa Guido - Famax (Goom Gum Remix) 35. Loofy - Last Night 36. Maceo Plex & Faithless - Insomnia 2021 (Epic Mix) 37. Farruko feat. Victor Cardenas - Pepas (Kryder Remix) 38. Swedish House Mafia & Sting - Redlight 39. Volac, MKJAY, Daft Hill - Candy Shop 40. PAWSA - TOO COOL TO BE CARELESS 41. Argy & Goom Gum - Pantheon 42. Diplo & Miguel - Don't Forget My Love 43. Duke Dumont - The Giver (Reprise) 44. Majestic x Boney M – Rasputin 45. Eliza Rose & Interplanetary Criminal - B.O.T.A. (Baddest Of Them All) 46. Creeds - Push Up 47. fred again.. x Swedish House Mafia - Turn On The Lights again.. (feat. Future) 48. Artemas - i like the way you kiss me (Oliver Heldens Remix) 49. Oliver Tree & Robin Schulz - Miss You 50. Jaxomy x Agatino Romero x Raffaella Carra - Pedro (W&W Remix) 51. VER:WEST - 5 Seconds Before Sunrise

Friday Night Warm Up is back with Episode 8! This time, we're switching things up with a Latin-infused, funk-heavy vibe that leans into R&B-inspired tunes. Expect smooth but bouncy selections from heavy hitters like Rafa Barrios, FREAK ON, and Goosey, plus some deep, percussive cuts that keep the energy rolling all the way through. I've also included a brand new track of mine, Dance On, so keep an ear out for that. Turn it up, get loose, and let the weekend begin. Vamos!

MIXOLOGIST MSL MALACHI! - MASTER MIXER AFRICAN PRINCE LOVKID!SHOW 2407 CLUBTIME Hour! Get ya Dance On! 108.3 WGKSRADIO

New year, brand new episode with Lykke Li, Junior Jack, Mascolo, Disclosure, Janelle Monáe, Hercules & The Love Affair, Marc Rousso and more.Dance ON!

1. Artemas - i like the way you kiss me (Oliver Heldens Remix) (50 место) 2. MEDUZA x HAYLA - Another World (49 место) 3. Fred again.. & Baby Keem - leavemealone (48 место) 4. Cloonee & GREG - Still My Baby (47 место) 5. David Guetta & Mason vs. Princess Superstar - Perfect (Exceeder) (46 место) 6. Jamie XX ft. Honey Dijon - Baddy On The Floor (45 место) 7. David Penn & OFFAIAH - Satisfied (44 место) 8. Chris Lake & FISHER & Sante Sansone vs. Gotye ft. Kimbra - Somebody (2024) (43 место) 9. Steve Angello - ME (42 место) 10. Dimitri Vegas & Chapter & Verse & GOODBOYS - Good For You (41 место) 11. Mau P - BEATS FOR THE UNDERGROUND (40 место) 12. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (39 место) 13. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (38 место) 14. Skytech & Vion Konger - Rhythm Of The Night (R3HAB Edit) (37 место) 15. Matroda & Martin Ikin & Sian Lee - 4U (36 место) 16. Rezone - Enjoy The Silence (35 место) 17. Swedish House Mafia & Alicia Keys - Finally (34 место) 18. Skrillex, Ahadadream, Priya Ragu - TAKA (33 место) 19. Cloonee - Sippin' Yak (32 место) 20. FISHER & Jennifer Lopez - Waiting For Tonight (31 место) 21. Westend & Max Styler - Rhythm Machine (30 место) 22. Layton Giordani & Tiga & Audion - Let's Go Dancing (29 место) 23. James Hype ft. Shamiya Battles - 7 Seconds (28 место) 24. Swedish House Mafia & Niki & The Dove - Lioness (27 место) 25. HUGEL & Topic & Arash ft. Daecolm - I Adore You (26 место) 26. Swanky Tunes - Maneye (25 место) 27. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (24 место) 28. Nic Fanciulli ft. Robert Courtois - Set Me Free (23 место) 29. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (22 место) 30. Mau P - Merther (21 место) 31. Sonny Fodera & Jazzy & D.O.D – Somedays (20 место) 32. Going Deeper & Lvne ft. Mila Falls - Sacrifice (19 место) 33. BL3SS x CamrinWatsin feat. bbyclose - Kisses (18 место) 34. Diplo & HUGEL ft. Malou & Yuna - Forever (17 место) 35. The Blessed Madonna ft. Clementine Douglas - Happier (16 место) 36. Steve Angello & Sebastian Ingrosso - Skip (15 место) 37. Sharam - PATT (Party All The Time) (Adam Beyer & Layton Giordani & Green Velvet Remix) (14 место) 38. Pawsa - Too Cool To Be Careless (13 место) 39. Disclosure ft. Eliza Doolittle - You & Me (Rivo Remix) (12 место) 40. Chris Lake & Sammy Virji & Nathan Nicholson - Summertime Blues (11 место) 41. Dom Dolla - girl$ (Layton Giordani Remix) (10 место) 42. Sean Paul - Get Busy (Odd Mob Club Mix) (9 место) 43. Loofy - Last Night (Anyma & Layton Giordani Remix) (8 место) 44. The Temper Trap - Sweet Disposition (John Summit & Silver Panda Remix) (7 место) 45. RAFFA GUIDO - Famax (Goom Gum Remix) (6 место) 46. Disclosure - She's Gone, Dance On (5 место) 47. Low Steppa & Tony Romera - Dance To The Music (4 место) 48. John Summit & Hayla - Shiver (3 место) 49. Mr. Belt & Wezol - It's Not Right (But It's Ok) (2 место) 50. Adam Port & Stryv ft. Malachii - Move (RITN Edit) (1 место)

54 big tunes mixed for broadcast on Energy FM  1. Majestic x The Jammin Kid x Celine Dion - Set My Heart On Fire (I'm Alive x And The Beat Goes On) 2. Hugel & Topic & Arash ft Daecolm - I Adore You 3. Jazzy, KILIMANJARO - No Bad Vibes 4. Disclosure - You & Me (Rivo Remix) 5. Hot Since 82 - Sonedo 6. Jamie Jones & Jazzy - We Groovin 7. Alex Mills & Belters Only - Out Of My Hands 8. Kelli-Leigh - Unconditional 9. Tove Lo & Sg Lewis - Heat 10. Milk & Sugar x James Hurr - I Love Music 11. Barry Can't Swim - Kimbara 12. KC Lights - Sky 13. Kaleena Zanders - Burn It Down 14. Goodboys - Future 15. Hayden James - Beggin' You (Leftwing Kody Remix) 16. Belters Only - Something Real 17. John Summit & Hayla - Shiver 18. Swedish House Mafia, Niki & The Dove - Lioness 19. Gorgon City, Caroline Byrne - All That You Need 20. Sonny Fodera, Jazzy & D.O.D - Somedays 21. Smokey Bubblin' B & Alex Mills - Overpowered 22. ManyFew - Sacrifice (I Found Love) 23. Carlita & Janet Planet - Forever Baby 24. ANOTR, Leven Kali, Erik Bandt - How You Feel 25. Joel Corry - Be Alright 26. Anabel Englund, J. Worra, Disco Lines - Cutting Loose 27. Steve Angello - ME 28. Ell Murphy - Pressure 29. James Hype - Wild 30. Confidence Man - Firebreak 31. D.O.D ft Charlotte Haining - Feel The Passion 32. Camden Cox - Another 33. Edd - Every Morning 34. Duck Sauce, A-Trak, Armand Van Helden - Fallin In Love 35. Eats Everything - Happy People (ft Stevie Appleton) 36. LF SYSTEM - All I've Got 37. Jazzy - Shooting Star 38. Swedish House Mafia & Alicia Keys - Finally 39. Delilah, Disciples - If I Stay 40. D.O.D - Sun Is Shining 41. Solardo - Testify (ft Kaleena Zanders) 42. Solardo, Stevie Appleton - The Juice 43. Tita Lau - I Can't Take No More 44. Luvstruck - What's A Girl To Do 45. Shygirl ft Sg Lewis - Mr Useless 46. SG Lewis & Loods - Paradise 47. D.O.D, Hannah Boleyn - Dominos 48. Jengi - Take U 49. Barry Can't Swim - Still Riding 50. Jonas Blue, Sam Feldt, Endless Summer, Sadie Rose Van - Rest Of My Life 51. Otto Knows - Your Love 52. Disclosure - She's Gone, Dance On 53. Confidence Man - I Can't Lose You 54. Eli Brown - Crawling Your browser does not support the audio element. Download Here

Una hora con algunas de las mejores producciones de electrónica de 2024 para cerrar el año bailando. Playlist:Fred again.., Anderson .Paak, CHIKA - places to be Joy Orbison - flight fmTrent Reznor and Atticus Ross - Challengers: Match Point Charli xcx - 360A. G. Cook - BritpopTwo Shell, Sugarbabes - Round Yaeji - boobooSwimming Paul - Vhs Kelly Lee Owens - Higher Nick León, Erika de Casier - Bikini Four Tet - Loved Caribou - Honey Jamie xx, The Avalanches - All You Children Baiuca - Rachafaldra Barry Can't Swim - Kimbara Disclosure - She's Gone, Dance OnEscuchar audio

Somos especialistas en seleccionar canciones bonitas. Aquí está nuestras banda sonora de 2024.Playlist: Oklou - family and friends Nick León, Erika de Casier - BikiniAMORE - DelirioJudeline - zarcillos de Platapablopablo, Helado Negro - Lejos de Más Kendrick Lamar - Not Like UsAmyl and The Sniffers - U Should Not Be Doing That Fontaines D.C. - Starburster Joy Orbison - flight fmTrent Reznor and Atticus Ross - Challengers: Match Point Swimming Paul - VhsDisclosure - She's Gone, Dance On Justice, Tame Impala - Neverender Chapell Roan - Good Luck, Babe! Clairo - Sexy to SomeoneEscuchar audio

Hard to believe we are already closing on the end of 2024.  Once again, House music was the cornerstone of the Funk Factory, on this episode we go back and hit on all of the Funk Factory's favorite dance hits of 2024, another incredible year in dance music.  We aged out of some sub-genres and welcomed some new ones (hello Afro and Funk), we got them all on Episode 439.1 | Adam Port & Stryv feat. Malachiii |  | Move (Original Mix)2 | Gordo & Drake |  | Sideways 3 | HUGEL & Diplo feat. Malou & Yuna |  | Forever 4 | Tiesto & Soaky Siren |  | Tantalizing 5 | Naomi Sharon |  | Another Life (Marten Lou Remix) 6 | Zerb & The Chainsmokers feat. Ink |  | Addicted (Dirty) 7 | Damaged Goods |  | Love Me Right8 | Chaney |  | Always (Me & You) 9 | Arlow, Voost |  | Make You Mine 10 | House of Prayers, Maxim & Matte 11 | Jazzy, Sonny Fodera, D.O.D |  | Somedays 12 | Diplo & Riva Starr feat. Kareen Lomax |  | Heaven or Not 13 | Don Diablo & MK feat. Gaby Gerlis |  | Next To Me 14 | Matt Sassari, HUGEL |  | It Feels So Good 15 | Anyma |  | Pictures Of You (Sonny Noto Remix) 16 | KREAM |  | Interstellar (Extended Mix) 17 | Meduza, Ferreck Dawn & Clementine Douglas |  | I Got Nothing18 | KREAM |  | Sweat 19 | Meduza feat. Hayla |  | Another World 20 | Kaskade feat. Enisa |  | Tears Don't Fall 21 | Swedish House Mafia feat. Alicia Keys |  | Finally 22 | Calvin Harris & Ellie Goulding |  | Free (Nicky Romero Remix) 23 | D.O.D feat. Ina Wroldsen |  | Paradise 24 | Disclosure |  | She's Gone, Dance On 25 | Disciples, Delilah |  | If I Stay 26 | Badger & Icona Pop |  | Body Type 27 | Swedish House Mafia feat. Niki & The Dove |  | Lioness

LCD Soundsystem han publicado oficialmente 'x-ray eyes', la canción de la discordia. En un inicio parecía el primer paso hacia un nuevo disco, ahora es, simplemente, la constatación de su reactivación. Una canción bailable y divertida, marca de la casa, que sí que avanza en el camino hacia un álbum en 2025... pero tampoco es seguro. O eso dice James Murphy. Playlist:LCD Soundsystem - x-ray eyesTunde Adebimpe - MagneticTyler, The Creator - NoidKokoroko, Azekel - Three Piece SuitLa Femme - Sweet BabeSharon Van Etten - AfterlifeFontaines D.C. - FavouriteCarolina Durante - NormalMagdalena Bay, Grimes - ImageChampion, Srkillex, Four Tet, Naisha - Talk To MeNia Archives - Forbidden FeelingzBikôkô, Crystal Murray - LA MANOCarlita - Wish You KnewDisclosure - She's Gone, Dance OnEscuchar audio

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и SoundStream, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Disclosure - She's Gone, Dance On (25 место) 2. Sak Noel - Cola Rica (24 место) 3. Duke Dumont & Clementine Douglas - Ain't Giving Up (23 место) 4. John Summit ft. Paige Cavell - Tears (22 место) 5. Mousse T & Hot 'N' Juicy ft. Inaya Day - Horny (Riva Starr Remix) (21 место) 6. Purple Disco Machine - Beat Fantasy (20 место) 7. Going Deeper ft. Lituj - Polar Night (19 место) 8. BYOR - Comeback (18 место) 9. Grigoré - Amplify Reality (РЕЗИДЕНЦИЯ) 10. Aspyer - Feel It (17 место) 11. Sean Paul - Get Busy (Odd Mob Club Mix) (16 место) 12. Sonny Fodera & Jazzy & D.O.D – Somedays (15 место) 13. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (14 место) 14. Dom Dolla - girl$ (Layton Giordani Remix) (13 место) 15. BLOND:ISH & Stevie Appleton - Never Walk Alone (12 место) 16. CID vs Spankox - To the Club (11 место) 17. Calvin Harris, Ellie Goulding - Free (10 место) 18. Max Styler & GENESI - See You Sweat (9 место) 19. RAFFA GUIDO - Famax (Goom Gum Remix) (8 место) 20. Pawsa - Too Cool To Be Careless (7 место) 21. FISHER & Flowdan - Boost Up (6 место) 22. Planet Funk - Chase the Sun (ХИТ ВСЕХ ВРЕМЁН) 23. Weiss vs. James Hype - Feel My Needs (5 место) 24. Skytech & Vion Konger - Rhythm Of The Night (R3HAB Edit) (4 место) 25. David Guetta & AFROJACK – Raving (3 место) 26. Adam Port & Stryv ft. Malachii - Move (RITN Edit) (2 место) 27. Diplo, Mau P, Gunna - Receipts (ПЕРСПЕКТИВА) 28. HUGEL & Topic & Arash ft. Daecolm - I Adore You (1 место)

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La music story du jour c'est celle des titres de l'été…L'été, en matière de musique, ne s'embarrasse pas avec la finesse. Vous avez donc, dégoulinant des radios et plateformes musicales, aussi bien la pépite du hit maker Calvin Harris, la pop ultra stéréotypée de Sabrina Carpenter, que des sons pointus, bien plus club et défenseurs de l'héritage house… L'an dernier, c'étaient Camelphat ou Fred Again qui avaient le taf et contribué à la diversité de nos playlists. Cette année, saluons pour service rendu à la nation house music, le duo Disclosure et son excellent « She's Gone, Dance On' »

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, SoundStream и Castbox, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Mousse T., Riva Starr, Hot 'N' Juicy, Inaya Day - Horny (Riva Starr Remix) (25 место) 2. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (24 место) 3. Purple Disco Machine - Beat Fantasy (23 место) 4. Swedish House Mafia & Niki & The Dove - Lioness (22 место) 5. Aspyer - Feel It (21 место) 6. Benny Benassi presents The Biz - Satisfaction (Netsky Remix) (20 место) 7. Sonny Fodera & Jazzy & D.O.D – Somedays (19 место) 8. RAFFA GUIDO - Famax (Goom Gum Remix) (18 место) 9. BYOR - Comeback (РЕЗИДЕНЦИЯ) 10. BLOND:ISH & Stevie Appleton - Never Walk Alone (17 место) 11. Calvin Harris, Ellie Goulding - Free (16 место) 12. Disclosure - She's Gone, Dance On (15 место) 13. Sean Paul - Get Busy (Odd Mob Club Mix) (14 место) 14. FISHER & Flowdan - Boost Up (13 место) 15. Going Deeper ft. Lituj - Polar Night (12 место) 16. John Summit ft. Paige Cavell - Tears (11 место) 17. CID vs Spankox - To the Club (10 место) 18. Dom Dolla - girl$ (Layton Giordani Remix) (9 место) 19. Skytech & Vion Konger - Rhythm Of The Night (R3HAB Edit) (8 место) 20. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (7 место) 21. Max Styler & GENESI - See You Sweat (6 место) 22. Sigma - Nobody To Love (ХИТ ВСЕХ ВРЕМЁН) 23. David Guetta & AFROJACK – Raving (5 место) 24. Weiss vs. James Hype - Feel My Needs (4 место) 25. HUGEL & Topic & Arash ft. Daecolm - I Adore You (3 место) 26. Adam Port & Stryv ft. Malachii - Move (RITN Edit) (2 место) 27. The Blessed Madonna & Kylie Minogue - Edge Of Saturday Night (ПЕРСПЕКТИВА) 28. Adam Port & Stryv ft. Malachii - Move (RITN Edit) (1 место)

30. Jamiroquai, Don Diablo - Deeper Underground 29. Fisher, Flowdan - Boost Up 28. Byor - Comeback 27. Matroda - Hangin' On 26. Marten Horger, Crupo, Swen Weber, Stush - Get Low 25. Don Diablo - Beast Mode (Knock You Out) 24. Tujamo, Jayover - Permission 23. Zerb, The Chainsmokers, Ink - Addicted 22. John Summit - Eat The Bass 21. Mark Bale, Noel Holler, Alyshia - Let Me Go 20. Tom & Jame - Feeling That I Used To Know 19. Fedde Le Grand - I Just Wanna Party 18. Don Diablo, R3Hab, Neeka - Disco Marathon 17. David Guetta, Afrojack - Raving 16. Morganj, Fwn - Make Luv OLD TRACK: ZEDD - Spectrum 15. Marten Horger - Right Here 14. Armin Van Buuren - Es Vedra 13. Martin Ikin, Winnie Ama - Control It 12. Benny Benassi, Dubdogz, Mairee - La Musica 11. Cat Dealers - Scarlett 10. Mr. Belt & Wezol, Nukey, Jose De Mara - D.R.A.M.A. 09. David Guetta, Cedric Gervais - Switch 08. Kream - Where Are You Tonight 07. Nicky Romero - Bass Down Low 06. Mark Knight, James Hurr - You Take Me Higher 05. Sean Paul, Odd Mob - Get Busy 04. Shiba San, Cid, All U Need - Bring It Back 03. Swedish House Mafia, Niki, The Dove - Lioness 02. Marlon Hoffstadt, Fisher - It's That Time 01. Disclosure - She's Gone, Dance On

30. Jamiroquai, Don Diablo - Deeper Underground 29. Fisher, Flowdan - Boost Up 28. Byor - Comeback 27. Matroda - Hangin' On 26. Marten Horger, Crupo, Swen Weber, Stush - Get Low 25. Don Diablo - Beast Mode (Knock You Out) 24. Tujamo, Jayover - Permission 23. Zerb, The Chainsmokers, Ink - Addicted 22. John Summit - Eat The Bass 21. Mark Bale, Noel Holler, Alyshia - Let Me Go 20. Tom & Jame - Feeling That I Used To Know 19. Fedde Le Grand - I Just Wanna Party 18. Don Diablo, R3Hab, Neeka - Disco Marathon 17. David Guetta, Afrojack - Raving 16. Morganj, Fwn - Make Luv OLD TRACK: ZEDD - Spectrum 15. Marten Horger - Right Here 14. Armin Van Buuren - Es Vedra 13. Martin Ikin, Winnie Ama - Control It 12. Benny Benassi, Dubdogz, Mairee - La Musica 11. Cat Dealers - Scarlett 10. Mr. Belt & Wezol, Nukey, Jose De Mara - D.R.A.M.A. 09. David Guetta, Cedric Gervais - Switch 08. Kream - Where Are You Tonight 07. Nicky Romero - Bass Down Low 06. Mark Knight, James Hurr - You Take Me Higher 05. Sean Paul, Odd Mob - Get Busy 04. Shiba San, Cid, All U Need - Bring It Back 03. Swedish House Mafia, Niki, The Dove - Lioness 02. Marlon Hoffstadt, Fisher - It's That Time 01. Disclosure - She's Gone, Dance On

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, SoundStream и Castbox, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Sonny Fodera & Jazzy & D.O.D – Somedays (25 место) 2. Mark Knight & James Hurr - You Take Me Higher (24 место) 3. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (23 место) 4. Kaskade & John Summit ft. Julia Church - Resonate (22 место) 5. Benny Benassi, The Biz - Satisfaction (Netsky Remix) (21 место) 6. Don Diablo - SexyBack (20 место) 7. Duke Dumont - ENERGY (19 место) 8. Swanky Tunes - Maneye (18 место) 9. Rezone – Donut & Coffee (РЕЗИДЕНЦИЯ) 10. Calvin Harris, Ellie Goulding - Free (17 место) 11. Swedish House Mafia & Niki & The Dove - Lioness (16 место) 12. David Guetta & AFROJACK – Raving (15 место) 13. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (14 место) 14. CID vs Spankox - To the Club (13 место) 15. Skytech & Vion Konger - Rhythm Of The Night (R3HAB Edit) (12 место) 16. Sean Paul - Get Busy (Odd Mob Club Mix) (11 место) 17. HUGEL & Topic & Arash ft. Daecolm - I Adore You (10 место) 18. Disclosure - She's Gone, Dance On (9 место) 19. John Summit ft. Paige Cavell - Tears (8 место) 20. Dom Dolla - girl$ (Layton Giordani Remix) (7 место) 21. Going Deeper ft. Lituj - Polar Night (6 место) 22. Steve Angello & Laidback Luke feat. Robin S. - Show Me Love (ХИТ ВСЕХ ВРЕМЁН) 23. Max Styler & GENESI - See You Sweat (5 место) 24. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (4 место) 25. Weiss vs. James Hype - Feel My Needs (3 место) 26. Pawsa - Too Cool To Be Careless (2 место) 27. Purple Disco Machine - Beat Fantasy (ПЕРСПЕКТИВА) 28. Adam Port & Stryv ft. Malachiii - Move (RITN Edit) (1 место)

The weekly radio show from Alok. 01. Alok & Jess Glynne - Summer's Back02. Ryan Ennis feat. Sam Harper - Spare A Little03. Dua Lipa - Illusion (Regard Remix)04. HAWK., LOOZBONE & Arkins - Light It Up05. Bhaskar - Make It Loud06. Bruno Be & BAKKA feat. AGGE - Go Back07. Bodyrox feat. Luciana - Yeah Yeah (D. Ramirez Remix)08. Lee Walker vs. DJ Deeon - Freak Like Me09. Kiinjo & Ce Soir - Don't Let Go (Love)10. CHANEY & JONES - Sunshine11. Alok, Innerverse & Frey - Allein Allein12. Vintage Culture - Find A Way (VIP Mix)13. Different Stage - The Game14. Biscuits - Ballo15. Jude & Frank x Ron Carroll - This Feeling16. KC Lights & Welt - Fly17. Bhaskar feat. Weekend Heroes - Stars In Your Eyes18. Cash Only & Holly Ellison - Trust In Me19. Bryson Hill - 198720. Disclosure - She's Gone, Dance On

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts и Castbox, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Benny Benassi, The Biz - Satisfaction (Netsky Remix) (25 место) 2. Kaskade & John Summit ft. Julia Church - Resonate (24 место) 3. FISHER & Jennifer Lopez - Waiting For Tonight (23 место) 4. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (22 место) 5. Calvin Harris, Ellie Goulding - Free (21 место) 6. Mark Knight & James Hurr - You Take Me Higher (20 место) 7. David Guetta & Girl On Couch & Billen Ted - Man In Finance (19 место) 8. Duke Dumont - ENERGY (18 место) 9. Aspyer - Feel It (РЕЗИДЕНЦИЯ) 10. Skytech & Vion Konger - Rhythm Of The Night (R3HAB Edit) (17 место) 11. Swanky Tunes - Maneye (16 место) 12. CID vs Spankox - To the Club (15 место) 13. Don Diablo - SexyBack (14 место) 14. HUGEL & Topic & Arash ft. Daecolm - I Adore You (13 место) 15. Sean Paul - Get Busy (Odd Mob Club Mix) (12 место) 16. Swedish House Mafia & Niki & The Dove - Lioness (11 место) 17. John Summit ft. Paige Cavell - Tears (10 место) 18. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (9 место) 19. Weiss vs. James Hype - Feel My Needs (8 место) 20. Max Styler & GENESI - See You Sweat (7 место) 21. Disclosure - She's Gone, Dance On (6 место) 22. All Seeing I - The Beat Goes On (ХИТ ВСЕХ ВРЕМЁН) 23. Going Deeper ft. Lituj - Polar Night (5 место) 24. Dom Dolla - girl$ (Layton Giordani Remix) (4 место) 25. Adam Port & Stryv ft. Malachii - Move (3 место) 26. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (2 место) 27. David Guetta & Afrojack - Raving (ПЕРСПЕКТИВА) 28. Pawsa - Too Cool To Be Careless (1 место)

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts и Castbox, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. HUGEL & Topic & Arash ft. Daecolm - I Adore You (25 место) 2. Jamie XX ft. Robyn - Life (24 место) 3. Pawsa ft. Nate Dogg - PICK UP THE PHONE (23 место) 4. FISHER & Jennifer Lopez - Waiting For Tonight (22 место) 5. Kaskade & John Summit ft. Julia Church - Resonate (21 место) 6. deadmau5 - Quezacotl (20 место) 7. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (19 место) 8. Skytech & Vion Konger - Rhythm Of The Night (R3hab Edit) (18 место) 9. Grigoré - Supreme Influencer (РЕЗИДЕНЦИЯ) 10. Duke Dumont - ENERGY (17 место) 11. Mark Knight & James Hurr - You Take Me Higher (16 место) 12. John Summit ft. Paige Cavell - Tears (15 место) 13. David Guetta & Girl On Couch & Billen Ted - Man In Finance (14 место) 14. Weiss vs. James Hype - Feel My Needs (13 место) 15. Swanky Tunes - Maneye (12 место) 16. Max Styler & GENESI - See You Sweat (11 место) 17. Sean Paul - Get Busy (Odd Mob Club Mix) (10 место) 18. Don Diablo - SexyBack (9 место) 19. Pawsa - Too Cool To Be Careless (8 место) 20. Going Deeper ft. Lituj - Polar Night (7 место) 21. Swedish House Mafia & Niki & The Dove - Lioness (6 место) 22. 666 - Paradoxx (ХИТ ВСЕХ ВРЕМЁН) 23. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (5 место) 24. Disclosure - She's Gone, Dance On (4 место) 25. Adam Port & Stryv ft. Malachii - Move (3 место) 26. Dom Dolla - girl$ (Layton Giordani Remix) (2 место) 27. Calvin Harris & Ellie Goulding - Free (ПЕРСПЕКТИВА) 28. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (1 место)

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. John Summit ft. Paige Cavell - Tears (25 место) 2. Weiss vs. James Hype - Feel My Needs (24 место) 3. Jamie XX ft. Robyn - Life (23 место) 4. John Summit & Sub Focus ft. Julia Church - Go Back (22 место) 5. deadmau5 - Quezacotl (21 место) 6. Prospa - Motions (20 место) 7. Duke Dumont - ENERGY (19 место) 8. Mark Knight & James Hurr - You Take Me Higher (18 место) 9. Shy Baboon, Matisse & Sadko - Discohall (РЕЗИДЕНЦИЯ) 10. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (17 место) 11. Pawsa ft. Nate Dogg - PICK UP THE PHONE (16 место) 12. Max Styler & GENESI - See You Sweat (15 место) 13. Kaskade & John Summit ft. Julia Church - Resonate (14 место) 14. Pawsa - Too Cool To Be Careless (13 место) 15. FISHER & Jennifer Lopez - Waiting For Tonight (12 место) 16. Going Deeper ft. Lituj - Polar Night (11 место) 17. David Guetta & Girl On Couch & Billen Ted - Man In Finance (10 место) 18. Swanky Tunes - Maneye (9 место) 19. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (8 место) 20. Sean Paul - Get Busy (Odd Mob Club Mix) (7 место) 21. Dom Dolla - girl$ (6 место) 22. Calvin Harris - I'm Not Alone (ХИТ ВСЕХ ВРЕМЁН) 23. Swedish House Mafia & Niki & The Dove - Lioness (5 место) 24. Don Diablo - SexyBack (4 место) 25. Disclosure - She's Gone, Dance On (3 место) 26. Adam Port & Stryv ft. Malachii - Move (2 место) 27. HUGEL x Topic x Arash feat. Daecolm - I Adore You (ПЕРСПЕКТИВА) 28. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (1 место)

30. Mr. Belt & Wezol, Nukey, Jose De Mara - D.R.A.M.A. 29. Nicky Romero - Bass Down Low 28. Morganj, Fwn - Make Luv 27. La Fuente - Ratata 26. Moksi - Ring Ding Ding 25. Thomas Newson - Watch Your Back 24. Acraze, Pickle, Nky - Runny Nose 23. Ac Slater, Jay Robinson, Gabr'El - The Don 22. Liu, Zuffo - Wait 21. Biscits, Tobehonest - I Am The One 20. Tujamo, Jayover - Permission 19. David Morales, Wh0, Sam Frandisco, Steve Martano - Needin' U 18. Chapter & Verse - Take You To Church 17. Mark Knight, James Hurr - You Take Me Higher 16. Gorgon City, North - Breathe You In OLD TRACK: CHOCOLATE PUMA/KRIS KISS/SHYSTIE ROYA - Step Back (Get Down) 15. Marten Horger - Right Here 14. Shiba San, Cid, All U Need - Bring It Back 13. Zerb, The Chainsmokers, Ink - Addicted 12. Don Diablo - Beast Mode (Knock You Out) 11. John Summit - Eat The Bass 10. Kream - Where Are You Tonight 09. Mark Bale, Noel Holler, Alyshia - Let Me Go 08. Martin Ikin, Winnie Ama - Control It 07. Benny Benassi, Dubdogz, Mairee - La Musica 06. Fedde Le Grand - I Just Wanna Party 05. Don Diablo, R3Hab, Neeka - Disco Marathon 04. Sean Paul, Odd Mob - Get Busy 03. Marlon Hoffstadt, Fisher - It's That Time 02. Swedish House Mafia, Niki, The Dove - Lioness 01. Disclosure - She's Gone, Dance On

30. Mr. Belt & Wezol, Nukey, Jose De Mara - D.R.A.M.A. 29. Nicky Romero - Bass Down Low 28. Morganj, Fwn - Make Luv 27. La Fuente - Ratata 26. Moksi - Ring Ding Ding 25. Thomas Newson - Watch Your Back 24. Acraze, Pickle, Nky - Runny Nose 23. Ac Slater, Jay Robinson, Gabr'El - The Don 22. Liu, Zuffo - Wait 21. Biscits, Tobehonest - I Am The One 20. Tujamo, Jayover - Permission 19. David Morales, Wh0, Sam Frandisco, Steve Martano - Needin' U 18. Chapter & Verse - Take You To Church 17. Mark Knight, James Hurr - You Take Me Higher 16. Gorgon City, North - Breathe You In OLD TRACK: CHOCOLATE PUMA/KRIS KISS/SHYSTIE ROYA - Step Back (Get Down) 15. Marten Horger - Right Here 14. Shiba San, Cid, All U Need - Bring It Back 13. Zerb, The Chainsmokers, Ink - Addicted 12. Don Diablo - Beast Mode (Knock You Out) 11. John Summit - Eat The Bass 10. Kream - Where Are You Tonight 09. Mark Bale, Noel Holler, Alyshia - Let Me Go 08. Martin Ikin, Winnie Ama - Control It 07. Benny Benassi, Dubdogz, Mairee - La Musica 06. Fedde Le Grand - I Just Wanna Party 05. Don Diablo, R3Hab, Neeka - Disco Marathon 04. Sean Paul, Odd Mob - Get Busy 03. Marlon Hoffstadt, Fisher - It's That Time 02. Swedish House Mafia, Niki, The Dove - Lioness 01. Disclosure - She's Gone, Dance On

Guest Mix by Lucas & Steve 01. LUM!X x Lucas & Steve - Can't Forget You 02. Pickle - Get Silly 03. NIGHT / MOVES - Now and Forever 04. Lucas & Steve, Yves V - After Midnight (feat. Xoro) [Tribute Mix] 05. Sonny Fodera - Mind Still (feat. blythe) 06. Disclosure - She's Gone, Dance On 07. David Guetta, MORTEN, Prophecy - Kill The Vibe 08. Lucas & Steve x Skinny Days - When I Wake Up (Club Mix) 09. Swedish House Mafia feat. Niki and the Dove - Lioness 10. Ferreck Dawn - Heartache (feat. Alex Mills) 11. Lucas & Steve - LFG 12. DJ Kuba & Neitan x EMDI ft. Nicci - Drake 13. Nora Van Elken - Supersonic 14. Lucas & Steve x Lawrent - End Of Time (feat. Jordan Shaw) 15. Laidback Luke - Left Or Right (feat. Matthew Nolan) 16. Floris van Oranje - Feel What You Want 17. Lucas & Steve - What We Know (feat. Conor Byrne) [Club Mix] 18. Bingo Players x Firebeatz - Droppin' Hot (feat. Sonny Wilson)

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. deadmau5 - Quezacotl (25 место) 2. Artemas - i like the way you kiss me (Oliver Heldens Remix) (24 место) 3. RITN - The Sound Go Wow (23 место) 4. Sosa UK ft. Kilo Ali - BLOW (WHITE GIRL IN TOWN) (22 место) 5. Mark Knight & James Hurr - You Take Me Higher (21 место) 6. Jamie XX ft. Robyn - Life (20 место) 7. Curtis Mayfield - Move On Up (Mark Knight Remix) (19 место) 8. Pawsa - Too Cool To Be Careless (18 место) 9. Vion Konger, Skytech - Rhythm Of The Night (R3HAB Edit) (РЕЗИДЕНЦИЯ) 10. Going Deeper ft. Lituj - Polar Night (17 место) 11. John Summit & Sub Focus ft. Julia Church - Go Back (16 место) 12. Prospa - Motions (15 место) 13. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (14 место) 14. FISHER & Jennifer Lopez - Waiting For Tonight (13 место) 15. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (12 место) 16. Kaskade & John Summit ft. Julia Church - Resonate (11 место) 17. Pawsa ft. Nate Dogg - PICK UP THE PHONE (10 место) 18. Sean Paul - Get Busy (Odd Mob Club Mix) (9 место) 19. David Guetta & Girl On Couch & Billen Ted - Man In Finance (8 место) 20. Swanky Tunes - Maneye (7 место) 21. Don Diablo - SexyBack (6 место) 22. The Shapeshifters - Back to Basics (ХИТ ВСЕХ ВРЕМЁН) 23. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (5 место) 24. Dom Dolla - girl$ (4 место) 25. Disclosure - She's Gone, Dance On (3 место) 26. Swedish House Mafia & Niki & The Dove - Lioness (2 место) 27. Duke Dumont - Energy (ПЕРСПЕКТИВА) 28. Adam Port & Stryv ft. Malachii - Move (1 место)

Dance Anthems with Sean Maynard is back this week with a Hottest Vibe from Darius Syrossian & Eve and beats from Mark Knight, Sosa, salute, Jamie xx, LP Rhythm, Eli Brown, Rivo & Armin Van Buuren and more! Catch the Vibe Dance Chart playing the 5 biggest dance hits on the planet like Fred Again.., Casso and Dom Dolla before we get around Solardo for the Weekend Vibe Mix! Catch the show on Vibe Nation Radio, Fresh 92.7, Impulse Radio, HITS 1 and Dance Attack FM!    MARK KNIGHT & JAMES HURR - YOU TAKE ME HIGHER JAMIE xx - LIFE (feat Robyn) Last Week's Hottest Vibe - ADAM PORT & STRYV - MOVE Hottest Vibe - DARIUS SYROSSIAN & EVE - SATISFACTION SOSA - BLOW FERRECK DAWN & GUZ - FRIENDS AROUND (Set It Off) SALUTE - LUV STUCK (with Piri) CONFIDENCE MAN - I CAN'T LOSE YOU SIGALA x TREVOR DANIEL x 24KGOLDN - IT'S A FEELING SUDLEY - MBAPPE (feat Liam Bailey) JAMES HYPE - WILD (Goodboys Remix) MARTIN IKIN - IN THE STREET Anthem of the Week - RIVO & ARMIN VAN BUUREN - IN & OUT OF LOVE (feat Sharon Den Adel) PROSPA - MOTIONS LP RHYTHM - DANCE WITH ME BILLY GILLIES & BETSY - FAIR PROXY - RAVEN (Torren Foot & Airwolf Paradise Remix) HANNAH LAING x FAIRGROUND - TELL ME CHICANE - DON'T GIVE UP (Grafix Remix) ELI BROWN & HI-LO - PYRAMID RAVE CALVIN LOGUE - RAVE IN THE JUNGLE THOMAS SCHUMACHER - FINAL FANTASY Club Cut - DION - TRAFFIC (remix of Tiesto classic) Vibe Dance Chart #5 - DISCLOSURE - SHE'S GONE, DANCE ON #4 - FRED AGAIN.., ANDERSON.PAAK, CHIKA - PLACES TO BE #3 - RUDIMENTAL - BRING ME JOY (feat Karen Harding) #2 - DOM DOLLA - GIRL$ #1 - CASSO x JAZZY x HEADIE ONE - ZEROS Weekend Vibe Mix - SOLARDO 

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (25 место) 2. Rezone & Blacksnipers - Pandu (24 место) 3. Loofy - Last Night (Anyma & Layton Giordani Remix) (23 место) 4. Going Deeper ft. Lituj - Polar Night (22 место) 5. Jamie XX ft. Robyn - Life (21 место) 6. Artemas - i like the way you kiss me (Oliver Heldens Remix) (20 место) 7. RITN - The Sound Go Wow (19 место) 8. Rivo vs. Armin van Buuren ft. Sharon Den Adel - In And Out Of Love (18 место) 9. Matvey Emerson - PROMISES (РЕЗИДЕНЦИЯ) 10. Prospa - Motions (17 место) 11. Sosa UK ft. Kilo Ali - BLOW (WHITE GIRL IN TOWN) (16 место) 12. Kaskade & John Summit ft. Julia Church - Resonate (15 место) 13. Curtis Mayfield - Move On Up (Mark Knight Remix) (14 место) 14. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (13 место) 15. Don Diablo - SexyBack (12 место) 16. FISHER & Jennifer Lopez - Waiting For Tonight (11 место) 17. John Summit & Sub Focus ft. Julia Church - Go Back (10 место) 18. Pawsa ft. Nate Dogg - PICK UP THE PHONE (9 место) 19. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (8 место) 20. David Guetta & Girl On Couch & Billen Ted - Man In Finance (7 место) 21. Sean Paul - Get Busy (Odd Mob Club Mix) (6 место) 22. Orbital - Halcyon And On And On (ХИТ ВСЕХ ВРЕМЁН) 23. Adam Port & Stryv ft. Malachii - Move (5 место) 24. Swanky Tunes - Maneye (4 место) 25. Swedish House Mafia & Niki & The Dove - Lioness (3 место) 26. Disclosure - She's Gone, Dance On (2 место) 27. Felix Jaehn feat. Sophie Ellis-Bextor - Ready For Your Love (ПЕРСПЕКТИВА) 28. Dom Dolla - girl$ (1 место)

In Folge 18 wird da Komplett Verpasst Team erweitert (hello monitor guy) und die Anzahl unserer Gehirnzellen durch schlechte Filme verringert. Neulinger hätte gerne, dass Podcast-Aufnahmen Gutes in ihm auslösen und nicht Durchfall, Frasl braucht einen Arzt und Evelyn arbeitet an Nachwuchs. Außerdem: expertiges Expertinnenwissen über die Männerpride. Bei Chanel gibt es eine neue Kreativdirektorin (nein gibt es doch nicht), Top Ten Robyn Songs und allerlei Neues aus der fabelhaften Welt der Männer (Gewalt, Machtmissbrauch, Beziehungsunfähigkeit, etc…). Royal Member of the Komplett Verpasst Monarchy aber dafür: Frau L, Sonja Aziz und Leonore Gewessler. Enjoy (oder nicht, dann schaut euch was anderes an) Empfehlungen: Master: The allegations against Neil Gaiman: https://lnk.to/Master-Ep1  Jamie xx - Life feat. Robyn - https://www.youtube.com/watch?v=8MkumpJD3fk&t=16s Disclosure - She's Gone, Dance On - https://www.youtube.com/watch?v=QZrcXTHqQ_c Kesha - Joyride - https://www.youtube.com/watch?v=bDpi8EdPMhU Girl on Couch x Ryos - Man in Finance (Ryos Mix) - https://www.youtube.com/watch?v=lSNsGLY_uL8 Kimbra feat. Banks - Stuff I Don't Need - https://www.youtube.com/watch?v=EedgoPYnH_0 Monkey Safari - Push Me - https://www.youtube.com/watch?v=E-cZhXLNqJM Romy - Always Forever - https://www.youtube.com/watch?v=p_a1x1HJYUY Music Blog: https://www.thelineofbestfit.com/ Robyn: None of Dem: https://www.youtube.com/watch?v=yoe4ZgLFAqc Indestructible: https://www.youtube.com/watch?v=6I_cIQqGKkM https://www.youtube.com/watch?v=8CsVMTJ86wM Bum Like You: https://www.youtube.com/watch?v=TTJogpPUBS4 Send to Robyn Immediately - https://www.youtube.com/watch?v=NdX4B8e2NPo Include Me Out: https://www.youtube.com/watch?v=o0_t5U7OKWw Hang With Me: https://www.youtube.com/watch?v=N63ziZ_qjAA https://www.youtube.com/watch?v=rj68gHUJEpQ https://www.youtube.com/watch?v=U5Y0agc2nDY https://www.youtube.com/watch?v=6Cm10XI074s Keep This Fire Burning: https://www.youtube.com/watch?v=jcAf437C-Yk Love Kills: https://www.youtube.com/watch?v=Iwy7MRwD50M https://www.youtube.com/watch?v=04eeCklFpU4 Call Your Girlfriend: https://www.youtube.com/watch?v=Nv644ipg2Ss Dancing On My Own: https://www.youtube.com/watch?v=J294A-R1Cjk Alegre Correa & Ana Paula da Silva - “Por Causa do Samba”: https://open.spotify.com/album/5ixhXdlFJ3sZxT5imjAspg  https://music.apple.com/us/album/por-causa-do-samba/992874097  https://youtube.com/playlist?list=OLAK5uy_mo69dyLHzj_Uu5tRR697ECAOvrDtthnyY&si=esAdD--JMd0U94Y3 Wir im Internetz:  komplettverpasst@gmail.com https://www.youtube.com/channel/UCLaBL5QZptCBva9XpSsNPKQ https://www.instagram.com/komplettverpasst_podcast/ https://open.spotify.com/show/7LxLWbMr6HdHQrmatQyxN2

30. Tujamo, Jayover - Permission 29. Shiba San, Cid, All U Need - Bring It Back 28. Kream - Where Are You Tonight 27. Brohug - Tequila 26. Thomas Newson - Watch Your Back 25. Dimitri Vegas, Chapter & Verse, Goodboys - Good For You 24. Sebastian Ingrosso, Steve Angello - Skip 23. Goodboys - Chain Reaction 22. Gorgon City, North - Breathe You In 21. Mr. Belt, Wezol - It's Not Right (But It's Ok) 20. La Fuente - Ratata 19. Morganj, Tom Budin - Chica Culo Mami 18. Marlon Hoffstadt, Fisher - It's That Time 17. Ac Slater, Jay Robinson, Gabr'El - The Don 16. Biscits, Tobehonest - I Am The One 15. Acraze, Pickle, Nky - Runny Nose OLD TRACK: Ian Carey, Micelle Shellers - Keep On Rising 14. Martin Ikin, Winnie Ama - Control It 13. David Morales, Wh0, Sam Frandisco, Steve Martano - Needin' U 12. Don Diablo, R3Hab, Neeka - Disco Marathon 11. Chapter & Verse - Take You To Church 10. Marten Horger - Right Here 09. Zerb, The Chainsmokers, Ink - Addicted 08. Mark Bale, Noel Holler, Alyshia - Let Me Go 07. John Summit - Eat The Bass 06. Don Diablo - Beast Mode (Knock You Out) 05. Benny Benassi, Dubdogz, Mairee - La Musica 04. Sean Paul, Odd Mob - Get Busy 03. Swedish House Mafia, Niki, The Dove - Lioness 02. Fedde Le Grand - I Just Wanna Party 01. Disclosure - She's Gone, Dance Onс

Dance Anthems with Sean Maynard is back this week with a Hottest Vibe from Adam Port & Stryv and beats from James Hype, Rivo & Armin Van Buuren, Darius Syrossian & Eve, Rudimental & Karen Harding, The Blessed Madonna, John Summit & Kaskade and more! Catch the Vibe Dance Chart playing the 5 biggest dance hits on the planet including Disclosure, Dom Dolla, Fred Again.. and more before KC Lights returns for the Weekend Vibe Mix! Catch the show on Vibe Nation Radio,  Fresh92.7 , Impulse Radio, HITS 1 RADIO and Dance Attack FM ! JAMES HYPE - WILD (Wired/Goodboys Remix) FLEX (UK) - 6 IN THE MORNING (feat Nate Dogg) (Belters Only Remix) Last Week's Hottest Vibe - RUDIMENTAL - BRING ME JOY (feat Karen Harding)  Hottest Vibe -  ADAM PORT & STRYV - MOVE RIVO & ARMIN VAN BUUREN - IN & OUT OF LOVE (feat Sharon Den Adel)   DARIUS SYROSSIAN & EVE - SATISFACTION BL3SS & CAMRINWATSIN - KISSES (bbyclose PROSPA - MOTIONS   HAYDEN JAMES - DEEP DIVING SELENA FADER - NEED YOU   AZARI & III & MAX DEAN - RECKLESS (2024) THE BLESSED MADONNA, DANIEL WILSON & KON - COUNT ON MY LOVE (feat Yuki Kanesa)   Anthem of the Week - CASSO & JAZZY - ZEROS (feat Headie One) MATT GUY - EVERY LITTLE TIME (Back in 97 Mix) PIERO PIRUPA - MADAN   SEM JACOBS - BLUE BERRIES LIKE MIKE & GINCHY - AVALON (feat Alessia Labate)    JOHN SUMMIT & KASKADE - RESONATE (feat Julia Church)   HANNAH LAING x FAIRGROUND - TELL ME WILL CLARKE - SET ME FREE     GEORGE FEELY - BREACH  MAU P - ON AGAIN (Danny Avila Remix)   CHARLOTTE DE WITTE - HOW YOU MOVE   LILLY PALMER & ALAN FITZPATRICK - ENDLESS NIGHTS   Club Cut - HI-LO & ELI BROWN - PYRAMID RAVE   Vibe Dance Chart #4 - SWEDISH HOUSE MAFIA - LIONESS (feat Niki & The Dove) #4 - CONFIDENCE MAN - I CAN'T LOSE YOU #3 - DISCLOSURE - SHE'S GONE, DANCE ON #2 - FRED AGAIN.., ANDERSON.PAAK, CHIKA - PLACES TO BE #1 - DOM DOLLA - GIRL$    Weekend Vibe Mix - KC LIGHTS

30. Tujamo, Jayover - Permission 29. Shiba San, Cid, All U Need - Bring It Back 28. Kream - Where Are You Tonight 27. Brohug - Tequila 26. Thomas Newson - Watch Your Back 25. Dimitri Vegas, Chapter & Verse, Goodboys - Good For You 24. Sebastian Ingrosso, Steve Angello - Skip 23. Goodboys - Chain Reaction 22. Gorgon City, North - Breathe You In 21. Mr. Belt, Wezol - It's Not Right (But It's Ok) 20. La Fuente - Ratata 19. Morganj, Tom Budin - Chica Culo Mami 18. Marlon Hoffstadt, Fisher - It's That Time 17. Ac Slater, Jay Robinson, Gabr'El - The Don 16. Biscits, Tobehonest - I Am The One 15. Acraze, Pickle, Nky - Runny Nose OLD TRACK: Ian Carey, Micelle Shellers - Keep On Rising 14. Martin Ikin, Winnie Ama - Control It 13. David Morales, Wh0, Sam Frandisco, Steve Martano - Needin' U 12. Don Diablo, R3Hab, Neeka - Disco Marathon 11. Chapter & Verse - Take You To Church 10. Marten Horger - Right Here 09. Zerb, The Chainsmokers, Ink - Addicted 08. Mark Bale, Noel Holler, Alyshia - Let Me Go 07. John Summit - Eat The Bass 06. Don Diablo - Beast Mode (Knock You Out) 05. Benny Benassi, Dubdogz, Mairee - La Musica 04. Sean Paul, Odd Mob - Get Busy 03. Swedish House Mafia, Niki, The Dove - Lioness 02. Fedde Le Grand - I Just Wanna Party 01. Disclosure - She's Gone, Dance Onс

El músico austriaco con sede en Manchester, salute, vuelve con True Magic, un disco que enseña la auténtica magia del pop más enérgico, colorido, vibrante y bailable. Un trabajo que bebe estética y musicalmente de la vieja publicidad japonesa de coches, y en el que ha enfatizado la creación colaborativa asociándose con Rina Sawayama, Disclosure, Empress Of, Karma Kid, Sam Gellaitry, piri, Léa Sen, LEILAH y Nakamura Minami.Playlist:Moses Sumney - Gold CoastNilüfer Yanya - Call It LoveKing Krule - Achtung!SUUNS - DoreenKOKOKO! - Donne MoiFloating Points - Key 103John Glacier - Cows Come HomeVegyn, Lauren Auder - Halo FlipJames Blake - Thrown AroundJessie Ware, Romy - Lift You Upsalute, Disclosure - lift off!Disclosure - She's Gone, Dance OnCaribou - Broke My HeartCharli xcx, Lorde - The girl, so confusing version with LordeEscuchar audio

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (25 место) 2. Don Diablo - Sexyback (24 место) 3. Mau P - On Again (23 место) 4. RITN - The Sound Go Wow (22 место) 5. Prospa - Motions (21 место) 6. Curtis Mayfield - Move On Up (Mark Knight Remix) (20 место) 7. Don Toliver & ACRAZE - Bandit (19 место) 8. Kaskade & John Summit ft. Julia Church - Resonate (18 место) 9. Going Deeper feat. Lituj - Polar Night (РЕЗИДЕНЦИЯ) 10. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (17 место) 11. Rezone & Blacksnipers - Pandu (16 место) 12. Marlon Hoffstadt aka DJ Daddy Trance - It's That Time (FISHER Remix) (15 место) 13. Loofy - Last Night (Anyma & Layton Giordani Remix) (14 место) 14. Artemas - i like the way you kiss me (Oliver Heldens Remix) (13 место) 15. Sosa UK ft. Kilo Ali - BLOW (WHITE GIRL IN TOWN) (12 место) 16. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (11 место) 17. David Guetta & Girl On Couch & Billen Ted - Man In Finance (10 место) 18. FISHER & Jennifer Lopez - Waiting For Tonight (9 место) 19. Swanky Tunes - Maneye (8 место) 20. John Summit & Sub Focus ft. Julia Church - Go Back (7 место) 21. Adam Port & Stryv ft. Malachii - Move (6 место) 22. Seinabo Sey - Younger (Kygo Remix) (ХИТ ВСЕХ ВРЕМЁН) 23. Pawsa ft. Nate Dogg - PICK UP THE PHONE (5 место) 24. Swedish House Mafia & Niki & The Dove - Lioness (4 место) 25. Sean Paul - Get Busy (Odd Mob Club Mix) (3 место) 26. Dom Dolla - girl$ (2 место) 27. BUNT., Mapei - TRIPPIN (ПЕРСПЕКТИВА) 28. Disclosure - She's Gone, Dance On (1 место)

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Curtis Mayfield - Move On Up (Mark Knight Remix) (25 место) 2. Jamie XX ft. Honey Dijon - Baddy On The Floor (24 место) 3. RITN - The Sound Go Wow (23 место) 4. Chris Lake & Sammy Virji & Nathan Nicholson - Summertime Blues (22 место) 5. Don Toliver & ACRAZE - Bandit (21 место) 6. Sosa UK ft. Kilo Ali - BLOW (WHITE GIRL IN TOWN) (20 место) 7. Diplo & The Outfield - Your Love (19 место) 8. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (18 место) 9. Goom Gum - Don't Wake Up (РЕЗИДЕНЦИЯ) 10. Rezone & Blacksnipers - Pandu (17 место) 11. Mau P - On Again (16 место) 12. David Guetta & Girl On Couch & Billen Ted - Man In Finance (15 место) 13. Tiësto & Prophecy - My City (14 место) 14. Swanky Tunes - Maneye (13 место) 15. Adam Port & Stryv ft. Malachii - Move (12 место) 16. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (11 место) 17. Artemas - i like the way you kiss me (Oliver Heldens Remix) (10 место) 18. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (9 место) 19. Loofy - Last Night (Anyma & Layton Giordani Remix) (8 место) 20. Dom Dolla - girl$ (7 место) 21. FISHER & Jennifer Lopez - Waiting For Tonight (6 место) 22. Route 94 ft. Jess Glynne - My Love (ХИТ ВСЕХ ВРЕМЁН) 23. Swedish House Mafia & Niki & The Dove - Lioness (5 место) 24. Pawsa ft. Nate Dogg - PICK UP THE PHONE (4 место) 25. John Summit & Sub Focus ft. Julia Church - Go Back (3 место) 26. Sean Paul - Get Busy (Odd Mob Club Mix) (2 место) 27. Jamie xx & Robyn - Life (ПЕРСПЕКТИВА) 28. Disclosure - She's Gone, Dance On (1 место)

'Bad Cameo' no es un disco de rap. O no solo eso. No es un disco, tampoco, de la intersección de la electrónica y el hip hop. Es más que eso. El álbum colaborativo de James Blake y Lil Yachty es un espacio sonoro para la experimentar hasta dónde pueden llegar las aspiraciones de los dos, separados y juntos. Y suena relajante y sutil y merece una escucha calmada y paciente.Playlist:Omar Apollo - Less of YouChannel Tres, Toro y Moi - ASPENRomeo + Juliet - SuperbadAaron Frazer - Easy To LoveDisclosure - She's Gone, Dance Onsalute, piri - luv stuckSwimming Paul - VhsBicep - CHROMA 004 ROLAKim Gordon - ECRPJohn Glacier - Cows Come HomeJames Blake - Let Her KnowJames Blake, Lil Yachty - MidnightCoco & Clair Clair - AggyDELLAFUENTE, Judeline - Romero SantoCiutat - Justo al otro ladoAmaia - NanaiEscuchar audio

The Love to be...Global Connection Show 42. Trimtone are joined by Superstar Dj Mark Picchiotti for 2 hours of the very best house music from around the globe. Part 1 – Trimtone 01. Adelphi Music Factory 'Always Needed' Ft Moya / Beat Factory 02. Trimtone - Takke Me To America / White 03. Fabio Stingo, Alex Silvestri - Lose Control Ft. Cristina / Flashmob 04. Allegra 'Love You Right Back' (Reza Remix) / Radikal 05. Hollaphonic - Automatic / White 06. Sonic Soul Orchestra - I Believe (Trimtone Remix) / Demo 07. Gene Farris - Euphoria / Farris Wheel 08. Disclosure 'She's Gone, Dance On' / Disorder Part 2&3 - Mark Picchiotti 1. Dr Packer-You Got The Love / Tinted 2. Olya Bohart, Ashley Slater-Push Push (Dalukas Remix) / Midnight Riot 3. Sgt Slick-White Treble Black Bass / Vicious 4. Riva Starr-Love You Till Tomorrow / Glitterox 5. Inaya Day And Mike Cruz-Inside Out (Frank Lamboy Brooklyn Disco Mix) / Quantize 6. Per Qx-Groovin' On / Walk Of Shame 7. Mark Picchiotti-Chariot Ft Ron Carroll / Nervous 8. Dj Fudge-Escapade / Big Love 9. Disco Incorporated-Disco Glory (Nu Disco Grover Dub Mix) / Muzik Express 10. Sgt Slick-Stars On 45 Theme (Cassimm Ext Remix) / Vicious 11. Piero Pirupa, Marco Lys-I Got To Move / Sink Or Swim 12. Marten Hørger-Right Here / People Want To Dance Part 4 – Trimtone 01. Mirko & Meex - Soulshaka / Cruise 02. Cevin Fisher, Harry Romero - Here Comes That Sound / Faith 03. Cassimm - Body & Soul / Rekids 04. Trimtone - Xtc / Demo 05. Austin Ato - Wee Belter Nothing Else Matters 06. Simone D Jay - My Dream Is To Fly / Hive 07. Dexter Troy - Welcome To The World / Crms 08. Trimtone - Time Keeps On Slippin / Demo This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. David Guetta & Girl On Couch & Billen Ted - Man In Finance (25 место) 2. Peggy Gou - Lobster Telephone (24 место) 3. Don Toliver & ACRAZE - Bandit (23 место) 4. Jamie XX ft. Honey Dijon - Baddy On The Floor (22 место) 5. Sosa UK ft. Kilo Ali - BLOW (WHITE GIRL IN TOWN) (21 место) 6. Swanky Tunes - Maneye (20 место) 7. David Morales & Wh0 vs. Sam Frandisco & Steve Martano - Needin' U (19 место) 8. Fred again.. & Anderson .Paak ft. CHIKA - places to be (18 место) 9. Rezone & Blacksnipers - Pandu (РЕЗИДЕНЦИЯ) 10. Adam Port & Stryv ft. Malachii - Move (17 место) 11. Diplo & The Outfield - Your Love (16 место) 12. Dom Dolla - girl$ (15 место) 13. Chris Lake & Sammy Virji & Nathan Nicholson - Summertime Blues (14 место) 14. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (13 место) 15. Swedish House Mafia & Niki & The Dove - Lioness (12 место) 16. Mau P - On Again (11 место) 17. Tiësto & Prophecy - My City (10 место) 18. Artemas - i like the way you kiss me (Oliver Heldens Remix) (9 место) 19. Sean Paul - Get Busy (Odd Mob Club Mix) (8 место) 20. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (7 место) 21. Pawsa ft. Nate Dogg - PICK UP THE PHONE (6 место) 22. Mixmasters feat. Mc Action - In The Mix (Fast Eddie Mix) (ХИТ ВСЕХ ВРЕМЁН) 23. FISHER & Jennifer Lopez - Waiting For Tonight (5 место) 24. Loofy - Last Night (Anyma & Layton Giordani Remix) (4 место) 25. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (3 место) 26. John Summit & Sub Focus ft. Julia Church - Go Back (2 место) 27. Tove Lo, SG Lewis - HEAT (ПЕРСПЕКТИВА) 28. Disclosure - She's Gone, Dance On (1 место)

Nuestra bienvenida al verano (la mejor estación que hay, si me preguntan) es una sesión en la que reivindicamos días largos, soleados y calmados junto al mar, y noches cortas pero intensas de baile pletórico.Playlist:Renaldo & Clara, Sami Galbi, Bendrisss - Nit TropicalKali Uchis - Never Be YoursEzra Collective, Yazmin Lacey - God Gave Me Feet for DancingSwimming Paul - LostDisclosure - She's Gone, Dance OnRomy - Always ForeverJamie xx, Robyn - LifeCaribou - Broke My HeartCharli xcx, Lorde - The girl, so confusing version with LordeDELLAFUENTE, AMORE - MaliciaDua Lipa - Illusion (The Blaze Remix)Peggy Gou - Lobster TelephoneWashed Out - Waking UpKing Krule - WhalesharkErlend Oye & La Comitiva - For the Time BeingSufjan Stevens - To Be Alone With YouEscuchar audio

La music story du jour c'est celle de Disclosure…Si comme nous, vous avez été marqué par des hits comme « Latch », sorti il y a 10 ans, « You & Me », pas beaucoup plus jeune ou « Higher Than Ever Before », là, carrément récent, alors c'est que vous êtes définitivement sous le charme du duo Disclosure ! Duo d'ailleurs est un mot un peu trop classique pour décrire deux producteurs – parmi les meilleurs en Angleterre, si on se décide à parle sérieusement de house music ! Des hits makers qui comptent le prouver à nouveau, en sortant un nouveau titre « She's Gone, Dance On' »

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts и Castbox, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Swanky Tunes - Maneye (25 место) 2. Barry Can't Swim - Kimbara (24 место) 3. Sean Paul - Get Busy (Odd Mob Club Mix) (23 место) 4. James Hype - Wild (22 место) 5. Fred again.. & Anderson .Paak ft. CHIKA - places to be (21 место) 6. Peggy Gou - Lobster Telephone (20 место) 7. John Summit - EAT THE BASS (19 место) 8. Majestic x The Jammin Kid x Céline Dion - Set My Heart On Fire (I'm Alive x And The Beat Goes On) (18 место) 9. RITN - The Sound go Wow (РЕЗИДЕНЦИЯ) 10. Diplo & Riva Starr ft. Kareen Lomax - Heaven or Not (17 место) 11. Bob Sinclar & Sofiya Nzau - Digane (16 место) 12. Jamie XX ft. Honey Dijon - Baddy On The Floor (15 место) 13. Pawsa ft. Nate Dogg - PICK UP THE PHONE (14 место) 14. Disclosure - She's Gone, Dance On (13 место) 15. David Morales & Wh0 vs. Sam Frandisco & Steve Martano - Needin' U (12 место) 16. Chris Lake & Sammy Virji & Nathan Nicholson - Summertime Blues (11 место) 17. Diplo & The Outfield - Your Love (10 место) 18. Tiësto & Prophecy - My City (9 место) 19. Mau P - On Again (8 место) 20. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (7 место) 21. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (6 место) 22. Ivan Gough & Feenixpawl ft. Georgi Kay - In My Mind (Axwell Mix) (ХИТ ВСЕХ ВРЕМЁН) 23. Artemas - i like the way you kiss me (Oliver Heldens Remix) (5 место) 24. John Summit & Sub Focus ft. Julia Church - Go Back (4 место) 25. Loofy - Last Night (Anyma & Layton Giordani Remix) (3 место) 26. FISHER & Jennifer Lopez - Waiting For Tonight (2 место) 27. Swedish House Mafia feat. Niki & The Dove - Lioness (ПЕРСПЕКТИВА) 28. Jaxomy & Agatino Romero & Raffaella Carrà - Pedro (W&W Remix) (1 место)

John Summit is back with tracks from Dom Dolla, BLR, Matt Sassari, Max Styler, Pawsa, Odd Mob, Eli Brown plus his brand new single with Kaskade.Experts Only Intro 00:00:001. Disclosure - She's Gone, Dance On 00:00:072. Hannah Laing - The Records 00:05:173. Loofy - Last Night (Anyma x Layton Giordani Remix) 00:08:444. Jodie Abacus - Jodie's Tune (Ranger Trucco Edit) 00:12:115. Pawsa ft. Nate Dogg - Pick Up The Phone 00:15:536. Deeper Purpose - Lemonade 00:18:507. BLR & Matt Sassari - Close Encounters 00:23:008. Dom Dolla - Girl$ 00:26:139. Sean Paul & Odd Mob - Get Busy (Odd Mob Club Mix) 00:29:1010. Solardo X Volaris - WYWM 00:32:2011. Don Toliver - Bandit (Acraze Remix) 00:35:3412. ANOTR - Waddup 00:37:3213. John Summit & Kaskade ft. Julia Church - Resonate 00:39:4514. GENESI (ITA) - Push Me 00:43:3315. Max Styler - Follow Me 00:48:2216. AMEME- Atalakou 00:52:5517. Eli Brown - I Got Money 00:56:37

Sonic Snares presents his own Podcast called FST'N'FWRD Radio! He shares his personal favourites in the genres House, Techno, Tribal and Progressive on a monthly basis. Tracks from around the globe are mixed together to one hour of full energy! Tracklist: 1. SUDO - Real World 2. Droplex & Prevision feat. Sacel - Sehnsucht 3. Danny Avila - The Underground 2021 4. Marie Vaunt - Obey 5. HI-LO & Space 92 - PEGASUS 6. Wehbba - Ticprei 7. Kaiserdisco - Gimme More 8. Lilly Palmer - New Generation 9. ID - ID 10. T78 & D72 - Throw This 11. Belocca - Rudeboy Ramping 12. Disclosure - She's Gone, Dance On

01. Pawsa ft. Nate Dogg - Pick Up The Phone 02. MNTRA - Spiraling (Justin Martin Remix) 03. Andruss & Sam Collins - PAPI 04. Dom Dolla - Girl$ 05. Salvatore Ganacci - Take Me To America (Stuzzi Remix) 06. Tom Santa, Jengi, Hitty & Foonzy - It's All On You 07. Low Steppa, Jewel Kid - Big Busta 08. Biscits & Max Mylo - Dominator 09. Martin Ikin, Winnie Ama - Control It 10. Disclosure - She's Gone, Dance On 11. Solardo & it's murph feat. ero808 - Fetish 12. MK - She's In The Club ft. Asal 13. Mason Maynard & HoneyLuv - XTC (Jamie Jones Remix) 14. Aluna & Paul Woolford - Heatstroke 15. Shermanology x Rudimental - Calling 16. Vintage Culture & Goodboys - Chemicals 17. Rebuke - Along Came Polly (Konstantin Sibold, Carmee & ZAC Remix) 18. Vicky Who - Eighty Six (Benny Benassi Remix) 19. Einmusik & Pretty Pink - Ayana 20. Adriatique & Solique & ALSO ASTIR – Changing Colors 21. Marco Faraone - Remember The Music [HI-LO'S HIGHLIGHTS]

Подкаст «Top Club Chart» выходит каждый понедельник.  Подпишись на нас в Apple Podcasts, Castbox и Google Podcasts, чтобы не пропустить новые эпизоды.  Комментарии, вопросы и пожелания отправляй на t.bodrov@europaplus.ru  Ведущий и продюсер: Тимур Бодров Саундпродюсер: Ярослав Чернобров Редактор подкаста: Дарья Бельдий 1. Disclosure - She's Gone, Dance On (25 место) 2. Mr. Belt & Wezol - It's Not Right (But It's Ok) (24 место) 3. Deep West & Moloko - On My Mind (GUZ Remix) (23 место) 4. Majestic x The Jammin Kid x Céline Dion - Set My Heart On Fire (I'm Alive x And The Beat Goes On) (22 место) 5. Peggy Gou - Lobster Telephone (21 место) 6. Barry Can't Swim - Kimbara (20 место) 7. Sharam - PATT (Party All The Time) (Adam Beyer & Layton Giordani & Green Velvet Remix) (19 место) 8. The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) (18 место) 9. Swanky Tunes - maneye (РЕЗИДЕНЦИЯ) 10. Blasterjaxx & Lockdown & Vion Konger - Feel The Bass (17 место) 11. James Hype - Wild (16 место) 12. Bob Sinclar & Sofiya Nzau - Digane (15 место) 13. John Summit - EAT THE BASS (14 место) 14. Diplo & The Outfield - Your Love (13 место) 15. Jamie XX ft. Honey Dijon - Baddy On The Floor (12 место) 16. Tiësto & Prophecy - My City (11 место) 17. Diplo & Riva Starr ft. Kareen Lomax – Heaven Or Not (10 место) 18. David Morales & Wh0 vs. Sam Frandisco & Steve Martano - Needin' U (9 место) 19. John Summit & Sub Focus ft. Julia Church - Go Back (8 место) 20. Chris Lake & Sammy Virji & Nathan Nicholson - Summertime Blues (7 место) 21. Artemas - i like the way you kiss me (Oliver Heldens Remix) (6 место) 22. Ministers De La Funk feat. Jocelyn Brown - Believe (ХИТ ВСЕХ ВРЕМЁН) 23. ANOTR & Erik Bandt ft. Leven Kali - How You Feel (5 место) 24. Mau P - On Again (4 место) 25. FISHER & Jennifer Lopez - Waiting For Tonight (3 место) 26. Raffaella Carrà x Jaxomy & Agatino Romero - Pedro (2 место) 27. Fred again.. & Anderson .Paak & CHIKA - places to be (ПЕРСПЕКТИВА) 28. Loofy - Last Night (Anyma & Layton Giordani Remix) (1 место)

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#454 TRACKLIST JUNE 7th 2023 / 7 JUNIO 2024 John Summit & HAYLA 'Shiver' (Cassian Remix) - Experts Only Vintage Culture, NoMBe 'Pleasure Chasers' (taken from 'Promised Land' LP) - Vintage Culture / Virgin Disclosure 'She's Gone, Dance On' - Disorder KC Lights 'Sky (Shining Bright)' - D4 D4NCE Sem Jacobs & Tagmann 'Blue Berries' - FUNKiMAN CASSIMM 'I Hear You' (taken from 'House Moves' EP) - Rekids Elderbrook & George FitzGerald 'Glad I Found You' - Mine Recordings Fred again.., Anderson .Paak & CHIKA 'places to be' - Atlantic Records UK --- TRACK OF THE WEEK / TEMA DE LA SEMANA The Chemical Brothers 'Hey Boy Hey Girl' (ARTBAT Remix) - Positiva --- THE TECH HOUSE ZONE Gina Breeze feat. Sophie Joy 'Shadows' (N-You-Up Dub) - Nervous Malone & Nacho Scoppa 'On Yo Head' - WHYNOTUS PAWSA feat. Nate Dogg 'PICK UP THE PHONE' - PAWZ Martin Ikin, Winnie Ama 'Control It' - Toolroom --- Azzecca 'It's Strange' - DGTL Max Styler 'Follow Me' (taken from 'Four To The Floor 35' VA/EP) - Diynamic --- THE LAIDBACK ROOM / LA SALA 2 LP Giobbi feat. Jacob Banks 'Feel' - Counter Records --- DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Nick Morgan 'Take My Heart' - Another Record Label CamelPhat feat. RHODES 'Home' (Samm & Ajna Remix) - When Stars Align / The Nations Moeaike 'Bo Bom' (Alan Dixon Remix) - Madorasindahouse REBRN 'Finish Line' (taken from 'Constellation Series Vol. 3' VA/EP) - When Stars Align Simon Doty & My Friend 'Tuxedo Park' - Anjunadeep Adriatique & Solique ft. ALSO ASTIR 'Changing Colors' - X Recordings Sasha & Super Flu 'Astra' - Last Night On Earth --- THE CLASSIC / EL CLASICO The Chemical Brothers 'Hey Boy Hey Girl' (Original 1999 Mix) - Virgin --- If you want to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.youtube.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

"Just Daniel brings his House Engine to Data Transmission Radio, showcasing some of the very best hot new house records. Music from some of Daniel's favourite artists, and winning tunes from his DJ sets. Non-stop house music energy in this monthly 1hr radio show! This Episode features the likes of PAWSA, Patrick Topping, Ewan McVicar, Max Styler, Martin Ikin, FISHER, Disclosure and more.. Get in touch on the socials: All Platforms - @justdanieluk" Tracklist "1. PAWSA ft. Nate Dogg - PICK UP THE PHONE 2. Patrick Topping, Ewan McVicar - Northern Rhythm 3. Piero Pirupa, Marco Lys - I Got To Move 4. Kevin McKay, Hotswing - Trapped 5. Max Styler - Lights Out 6. Martin Ikin - Hustlin' 7. TCTS - Desire 8. Marten Hørger - Right Here 9. DJ S.K.T & James Haskell - Naughty Girl 10. Jamie xx, Honey Dijon - Baddy On The Floor 11. Rafael, Guy Hatch - Stop 12. Aluna & Paul Woolford - Heatstroke 13. FISHER & Jennifer Lopez - Waiting For Tonight 14. Solardo & it's murph ft. Ero808 - Fetish 15. ODD MOB, Sean Paul - Get Busy (Odd Mob Extended Club Mix) 16. Joshwa - Mercy 17. Chapter & Verse - Church 18. Disclosure - She's Gone, Dance On"

El tiempo no es una imposición para KAYTRANADA. Han pasado 5 años desde que publicó el álbum que lo colocó en la primera línea de la música de baile, y no ha tenido prisa. Ha anunciado su vuelta solo con un par de semanas de antelación, sabía que estábamos esperando. Tampoco le ha importado el tiempo en el sonid de este tercer disco en solitario que es un álbum de música atemporal. 'TIMELESS' llega atiborrado de colaboradores de primer nivel como Childish Gambino, Anderson .Paak, Tinashe, Thundercat, PinkPantheress, Charlotte Day Wilson, Don Toliver, Ravyn Lenae o Channel Tres, entre otros.Playlist:KAYTRANADA, Channel Tres - Drip SweatRaveena, JPEGMAFIA - JunebugKevin Abstract - Once in a LifetimeBillie Eilish - CHIHIROFloating Points - Del OroGAZZI - RAINDisclosure - She's Gone, Dance OnBrijean - Euphoric AvenueGanges - MirarteThe Marías - Run Your MouthSan Tosielo - Te estuve esperandoMoses Sumney - VintageBrittany Howard - I Don'tAaron Frazer, Cancamusa - DimeJessica Pratt - Better HateBaby Rose, BADBADNOTGOOD, Mereba - CarolineEscuchar audio

Ha costado, pero ya está aquí. El 20 de septiembre escucharemos completo el segundo LP de estudio de Jamie xx en solitario. Esto son 9 años después de un debut con el que nos enseño una creatividad con muchas más capas que las mostradas en el trio The xx. Este trabajo se titulará 'In Waves' y será a la vez divertido e introspectivo, como lo han sido para él los mejores momentos en la pista de baile.Playlist:Jamie xx - Treat Each Other RightThe xx - DangerousCharli XCX - The 360 remix with robyn and yung lean Confidence Man - I CAN'T LOSE YOUDisclosure - She's Gone, Dance OnChannel Tres, Barney Bones - BerghainKAYTRANADA, Channel Tres - Drip SweatNourished by Time - ... I Guess I Got My AnswerYaya Bey - sir princess bad bitch Fat Dog - I am the KingPet Shop Boys - Dancing star The Marías - EchoEla Minus - COMBATCassandra Jenkins - Only OneNick Cave & The Bad Seeds - FrogsEscuchar audio

VETUSTA MORLA - FigurantesREPION - Vienen de pasárselo bienALBERTA CROSS ft KATIE MELUA - Lucy RiderMASTER PIECE - Shangaladang ft. SantigoldFOSTER THE PEOPLE - Lost In SpaceDISCLOSURE - She’s Gone, Dance OnLOVE OF LESBIAN ft AMARAL - ¿Qué vas a saber?VICENTE CALDERÓN - PornoALCALÁ NORTE - No Llores Dr GIND HORARIO SOBRE PPIO AMBER PARKAMBER MARK - Space & TimeALFIE TEMPLEMAN ft NILE RODGERS - Just A DanceCARIBOU - Broke My HeartLOS PLANETAS - De ViajeALIZZZ - DestellosLOS ESTANQUES - Don Ding-DongTARQUE - CredoROMY - Always ForeverFRED AGAIN.. places to be (Ft Anderson .Paak & ChikaEscuchar audio

Tough Love bring you 60 mintues of the very best upfront & underground house music from across the world live & direct with Get Twisted Radio. Disclosure - She's Gone, Dance On' (Extended Mix) [Apollo Recordings]Tough Love - Love Like This (Faith Evans)Piero Pirupa, Marco Lys - I Got To Move (Extended)Low Steppa, Jewel Kid - Big Busta (Extended Mix) [Toolroom]Fabio Tosti - Piano Symphony (Fabio Tosti House Sensation) [Stealth Records]Timothy B Feat. RAPHI - Discover (Extended Mix) [GREEN HOUSE SOUND]Mij Mack - Wild Desire (Original Mix)CASSIMM - Body & Soul - RekidsJamiroquai x Enzo Is Burning - Little L (Extended Mix) #ToughLovesToughJamPOLOVICH - Drug Talk (Extended Mix) [2NIGHT Recordings]Wheats - SOUL CONTROL ft. Luna Ash - BOX REDDarius Syrossian & DJ Sneak - Big Bizness (Original Mix)Jordan House - Nice One BruvaDavid Guetta, MORTEN, Prophecy - Kill The Vibe (Extended Mix) [Future Rave]ROBIN S - LUV 4 LUV #ToughLovesTimeMachine

Fred Again.., que ha co-producido "Always Forever", la nueva canción de Romy, acaba de compartir "Places to Be", junto a Anderson.Paak y Chika, melodía, sintes, techno... Escuchamos también la nueva canción de Amber Mark, que todo lo que hace suena celestial, a Repion con "¿Qué Hay de Ti?", una de las canciones de su nuevo EP, y a Vetusta Morla con "Cosas Que Hacer Un Domingo Por La Tarde", uno de los pasajes más luminosos de su nuevo disco, "Figurantes".  LOVE OF LESBIAN ft AMARAL - ¿Qué Vas A Saber?REPION - ¿Qué Hay de Ti?NIÑA POLACA ft SEXY ZEBRAS - Perdí Los GaleonesAMBER MARK - Space & TimeNORMANI - Candy PaintROMY - Always ForeverNICK CAVE & THE BAD SEEDS - FrogsVETUSTA MORLA - Cosas Que Hacer Un Domingo Por La TardeMAXïMO PARK - Your Own Worst EnemyWASHED OUT - Running AwayFRED AGAIN.. - Places To Be (ft Anderson .Paak & Chika)DISCLOSURE - She’s Gone, Dance OnMILKY CHANCE - Naked and AlivePOND - So LoTARQUE - Escapa del AmorGANGES - MirarteMETRONOMY - Contact HighEscuchar audio

1. Vintage Culture & Goodboys - Chemicals 2. Salento Guys, Paki, Nicola Fasano - Gimme More Higher 3. Lucas & Steve x Lawrent - End Of Time (feat. Jordan Shaw) 4. (SR) Disclosure - She's Gone, Dance On 5. NUZB & KEYTON - Biohazard 6. R3WIRE x Sebastian Wibe - Main Attraction 7. NIGHT / MOVES - Now and Forever 8. (EP) LUM!X x Lucas & Steve - Can't Forget You 9. Crunkz & LEØN - Don't Want You To Go 10. Jack Wins & ILY - Dunno (What To Do) 11. Lucas & Steve - Emergency 12. (AOW) Marten Hørger x BIJOU - The Power 13. MorganJ - From The Beat 14. Goodboys - Chain Reaction 15. SVRT - Push Me Away 16. Alle Farben - Lotus (PAROOKAVILLE Anthem 2024) 17. The Bloody Beetroots - Warp 1.9 (feat. Steve Aoki) [Westend & Cherry Tooth Remix] 18. Lucas & Steve x Skinny Days - When I Wake Up (Club Mix)

1. Vintage Culture & Goodboys - Chemicals 2. Salento Guys, Paki, Nicola Fasano - Gimme More Higher 3. Lucas & Steve x Lawrent - End Of Time (feat. Jordan Shaw) 4. (SR) Disclosure - She's Gone, Dance On 5. NUZB & KEYTON - Biohazard 6. R3WIRE x Sebastian Wibe - Main Attraction 7. NIGHT / MOVES - Now and Forever 8. (EP) LUM!X x Lucas & Steve - Can't Forget You 9. Crunkz & LEØN - Don't Want You To Go 10. Jack Wins & ILY - Dunno (What To Do) 11. Lucas & Steve - Emergency 12. (AOW) Marten Hørger x BIJOU - The Power 13. MorganJ - From The Beat 14. Goodboys - Chain Reaction 15. SVRT - Push Me Away 16. Alle Farben - Lotus (PAROOKAVILLE Anthem 2024) 17. The Bloody Beetroots - Warp 1.9 (feat. Steve Aoki) [Westend & Cherry Tooth Remix] 18. Lucas & Steve x Skinny Days - When I Wake Up (Club Mix)

ManyFew presents 'Electronic Heaven' - tune in for a full hour of the freshest and funkiest dance music from around the globe. The monthly show is ready to take you on a musical journey and includes exclusive remixes, edits and unreleased tracks from the ManyFew brothers! 01. ManyFew feat. Darah - Wanna Love U 02. ManyFew - NRG 03. ManyFew - Bussin' 04. Mike Sandcastle 'Jump Dance'05. Disclosure - ‘She's Gone, Dance On' 06. ManyFew - All Souls Avenue07. WZA & KLP - Lately 08. TCTS X MANYFEW - PUSH ME 09. ManyFew - RAW10. ManyFew - The Mu$ic 11. Dirty Supercar - Count On Me 12. ManyFew feat Janne Schaffer - Back To Back (Steamed & Twisted Extended Mix)13. ManyFew - Fire In Da House 14. ManyFew - To The Left To The Right 15. ManyFew feat. Hedara - Hold On 16. JOE T VANNELLI - Baby One More Time

JAMES BLAKE - Thrown AroundDISCLOSURE - She’s Gone, Dance OnNIÑA POLACA ft SEXY ZEBRAS - Perdí los geleonesGINEBRAS - Madrid, Madrid, MadridJORDANA B - Demasiada MujerNICK CAVE & THE BAD SEEDS - FrogsMAXïMO PARK - Your Own Worst EnemyMILKY CHANCE - Naked and AlivePOND - So LoRIVAL SONS - Do Your WorsTARQUE - CredoLADY BANANA - Bora BoraMETRONOMY - Contact HighROMY - Always ForeverGANGES - MirarteREPION - El Día No Me daMUJERES ft SVUPER - Un Final IdealNATHY PELUSO - LegendarioEscuchar audio

Duke Dumont plays new music from Jamie jones, Harry Judda, Peggy Gou, Disclosure, Chris Lorenzo, Mark Knight, Ninetoes, Huxley & more….1. Ninetoes & Dizzy Monroe - Movin' To The Sound 00:00:002. William Kiss ft. Todd Terry & Roland Clark - House Machine 00:03:303. BLR & Matt Sassari - Close Encounters 00:07:304. AndThen - For The Crowd (Huxley Remix) 00:04:455. ANOTR - Waddup 0014:006. Harry Judda - Fury 161 00:17:527. Boston Bun ft. PoteÌ - MAYBE YES 00:20:158. Duke Dumont - Won't Look Back (DD Edit) 00:23:309. Mark Knight, Darius Syrossian, James Hurr - I Got All This Love 00:27:1010. Chris Lorenzo ft. Mc Buzzz - Bota Bota 00:30:0011. Christian Nielsen - Turn Me Up 00:32:3012. Piero Pirupa, Marco Lys - I Got To Move 00:36:1513. Peggy Gou - Lobster Telephone 00:38:4514. Camelphat - Drop It 00:42:2215. Disclosure - She's Gone, Dance On 00:44:5216. Hot Since 82 ft. Ron Carroll - Preach 00:48:2217. Jamie Jones & Jazzy - We Groovin (Shermanology Remix) 00:52:0518. Azzido Da Bass - Dooms Night (Timo Maas Remix) 00:55:39

New radioshow with some future musical releases* Guest Mix by @AnthoDecks Anthodecks - France (Toolroom, Armada, HoTL Records ...) https://linktr.ee/anthodecks Promos : https://inbox.bridge.audio/b-prada More info: https://linktr.ee/benoitprada Tracklist :https://www.1001tracklists.com/tracklist/1pkwpgd9/b-prada-antho-decks-this-is-the-groove-radio-show-hash21-2024-05-28.html 01)Alexandre Billard Oyegue 02) Lucci Minati, AtcG - Bagceira 03)Oliver Gil - Baila Vem * 04)DIMO & Joe Diem - Arenas Del Desierto * 05)Jude & Frank - Joga Joga * 06)Music Is The Answer - King Julian Remix 07)Mitch B. & Mato Locos & Antho Decks - Olé * 08)Pietro - Off The Rails * 09)Solardo & Volaris - WYWM 10)The Chemical Brothers - Hey Boy, Hey Girl (ARTBAT Remix) 11)Low Steppa & Jewel Kid - Big Busta * 12)Tom & Collins & Jaded & CRCLE - Ibiza * 13)Plastik Funk, Sagan , Essox - Everybody Up * 14)Bakermat - Praise Break (ELTE Remix) * 15)Disclosure - She's Gone, Dance On *

Singles Going Around- Saturday Comes In Colors The Beatles- "Drive My Car"Van Morrison- "Jackie Wilson Said"The Standells-"Sometimes Good Guys Don't Wear White"The Grateful Dead- "Cumberland Blues"The Monkees- "Let's Dance On"The Sex Pistols- "C'mon Everybody"Otis Redding- "Love Man"Plastic Ono Band- "Remember"Simon & Garfunkel- "The Big Bright Green Pleasure Machine"Lightnin' Slim- "Rooster Blues"The Yardirds- "Heart Full Of Soul"Nirvana- "Molly's Lips"Led Zeppelin- "Hey, Hey What Can I Do"Love- "Hey Joe"Captain Beefheart & The Magic Band- "Lick My Decals Off Baby"The White Stripes- "Lafayette Blues"The Doors- "Roadhouse Blues"13th Floor Elevators- "You Gonna Miss Me"Cream- "I'm So Glad"*all selections taken from the original records.

Desde Chicago, Leo Sidran vuelve de gira española y a nuestro programa. Esta vez con motivo de su 25º aniversario como artista en solitario. Y aprovechamos para escuchar también varias novedades. DISCO 1 NEIL YOUNG Looking For A LoveDISCO 2 ALBERT HAMMOND Where Do The Children PlayDISCO 3 HURRAY FOR THE RIFF RAFF Hawkmoon DISCO 4 HURRAY FOR THE RIFF RAFF Hawkmoon DISCO 5 LAKE STREET DIVE Good TogetherDISCO 6 LEO SIDRAN & Das Papi Michael Thurber Ben Flocks When The Mask Comes OffDISCO 7 LEO SIDRAN Why Can’t I Have What i Want TodayDISCO 8 LEO SIDRAN & The Depleting Moral Legacy Dance On the CloudsEscuchar audio

This episode drips us right out of our Time Travel Episode into the Present.  after Some fresh cuts from the time capsule of Blue Gaia, we go Into this special episode.   Host Ande the Elf converses with A-Wise, but we better call him Arlon.   After a brief song cut from A-Wise, elf cuts us into theBlue Gaia Get your Dance On (2:00)A-Wise • Song Slice Teasers (5:55)the show begins • (6:35)Tribe Zion • Loco (10:45)A-Wise • Dear Lord (17:24)A-Wise • Fresh for the Show: Loco Locals Special (24:22)A-Wise • Neighborhood (25:50)Elf Surprise • Cats jump on Elves (37:49)A-Wise • (46:47)A-Wise •  Gringo (54:38)A-Wise  • Fresh for the Show: To Live and Die in Florida (59:00)  A. Wise and Tribe Zion (Official Channel)Facebook Arlon Wise Spotify A-WiseSpotify Tribe ZionTick Talk (TIKTOK) A-WiseListen to the Amazing stories.  This one pairs well with a cup of coffee and a hot tub. Try it out, tell us what you have to say about it!?Support the showLinks to Stefin101 and Doctor Bionic Check us out on instagram @wakethefarmup @maintaining_ground_podcast@kastle_369Ask how you could be involved in the show, Subscribe and Support the Show

Zilch #183-M101-16 "Son of a Gypsy" & More! Ken & Christine talk about Micky's tour, MMR Ticket give aways and what we have been up to since last episode. Sarah and Rosanne Welch's Monkees 101 segment for episode 16 "Son of a Gypsy" which aired 12/26/66Synopsis "The Monkees are forced to steal a priceless statuette called the Maltese Vulture."Songs: "Let's Dance On," "I'm a Believer" and Davy does a bit of “Clarksville”See Micky Live www.monkeemeetandgreets.com/micky-s-tour-appearances or go to www.monkees.comCheck out Music from thr Monkeesverse on Monkee Mania Radio, 24/7 with Ken Mills, Christine Wolfe and a bunch of DJs that are bringing you music you will love..Listen here https://live365.com/station/Monkee-Mania-Radio-a57014We were born to love one another.Support Zilch, get a cool shirt!www.redbubble.com/people/designsbyken/works/12348740-zilch-podcast?c=314383-monkees-inspired-artJoin our Facebook pageIf you cannot see the audio controls, listen/download the audio file hereDownload (right click, save as)

On Episode 118 of the Press Rewind – Prince Lyrics Podcast, Eloy Lasanta & I take a deeper dive into the often ignored Lovesexy song, “Dance On.” Take a little bit of “1999” partying in the face of nuclear annihilation, add some “Sign o' the Times” ripped from the headlines social topics, and add a dash of “Sexuality” … Continue reading Dance On: Press Rewind – Prince Lyrics Podcast →

It's another great hour packed with awesome music on this week's Catching A Wave!  Hear a trio of "Dance" themed songs, a deep track from The Beach Boys from Beth Riley in her Surf's Up: Beth's Beach Boys Break, a "Two-Nami" in the forecast with 2 songs featuring Duane Eddy (from Hank Marvin and The Ventures) and we'll drop a coin in the Jammin' James Jukebox to hear our selection of the week!  Plus, we'll play new and vintage tracks from Los Straitjackets, Shoot The Pier, The Bobby Lee Combo, The Surfaris, Girl Over Planet, The Surf Hermits, Hawthorne, Hugo Stranger & The Rattlers, Southern Culture On The Skids, Satan's Pilgrims and Les Agamemnonz! Intro music bed "Catch A Wave"- The Beach Boys   Southern Culture On The Skids- "Night Driver" Satan's Pilgrims- "El Ray" The Bobby Lee Combo- "Moon Dawg" Les Agamemnonz- "Xiphias" Hugo Stranger & The Rattlers- "By Your Side" Girl Over Planet- "Rockin' Pants" The Surf Hermits- "Hang Zen" Hawthorne- "City Of Angels"   Surf's Up: Beth's Beach Boys Break- The Beach Boys- "California Calling" Follow "Surf's Up: Beth's Beach Boys Break" HERE   The Surfaris- "Boss Barracuda"   "Dance" theme: Ramones- "Do You Wanna Dance?" Suzi Quatro- "Do Ya Dance?" The Monkees- "Let's Dance On"   "Two-Nami": Hank Marvin with Duane Eddy- "Pipeline" The Ventures with Duane Eddy- "I Fought The Law"   Jammin' James Jukebox selection of the week: David Marks & The Marksmen- "I Could Make You Mine"   Shoot The Pier- "The Fairies Of Inverness" Los Straitjackets- "Hombre"   Outro Music Bed:  Eddie Angel- "Mustang"

On this episode of Shake a Leg, Erica and Maritess begin their multi-part series on dance as labor. We can’t talk about labor without talking about power and we definitely discuss power and power structures in this episode. We’re thinking about how we want the world to look when we get out of this pandemic and specifically how the dance world can do better. In this episode, we focus on dance and the body, mostly from a ballet perspective. Dance in the News: "Art Moves" virtual dance event produced by our own Maritess Escueta! Info here New York Times, "What is a Ballet Body?" article here Mills College no longer granting degrees announcement Gender norms and identity Dance Magazine "What Does it Take to Challenge Gender Norms?" NPR - A Rising Star Re-Writing Rules... Pointe Magazine - Non-Binary Ballet Dancers Gender Fluid Breaking Barriers On Weight, Health etc: Battle with anorexia The truth about dancer wellness My years as a fat ballerina Dance Spirit - "How to disrupt dance class power dynamics" Body Hair and Grooming - in Middle Eastern Dance article 2 Truths and a Lie: Dance and Suffrage About Isadora Duncan and suffrage Why women dominate Modern Dance article here The history of Modern Dance is Feminist article here About Winnie Guess Perdue More on women's suffrage Register here to see our guest Karlie Budge in a free performance: Dance On! Part 3, on March 30th 8pm with the Mark Morris Dance Group As usual, hit us up at shakealegpodcast@gmail.com

Today's episode is inspired by the famous morning beverage, smooth and energetic. Enjoy episode #248 Enjoying the show? Please support BFF.FM with a donation. Playlist 0′24″ Oakland Morning Waffles (with Her) by Ill Sugi on Music For Indoor Cats (Zero Data)

In our Season 3 return of #JCsMusicology, we take a trip through the making of Prince's Lovesexy album. 1987 was a big year for Prince, with the release of Sign O The Times, opening Paisley Park and establishing a new band, he was set to cap the year off with the release of The Black Album. After a drug-induced epiphany and a new acquaintance, Prince cancelled the release, sending thousands of copies for destruction. He then commences work on its rebuttal and replacement, Lovesexy. Using rarely heard early versions and unheard session tapes, we explore the makings of Prince's spiritual declaration. Interview Credits: 07.5 WBLS, MTV Presents Prince, The Electrifying Mojo, Oprah, Entertainment Tonight, VH-1 To 1, CNN Cover Version, BET Talkback, Fast Forward, Larry King, MTV News, NBC Today Show, The View, TROS, BET - Words and Music, CBS Early Show, CNBC, Much More Music, Tavis Smiley and The Biz. Special Thanks: The heavens above.

A heartwarming and inspirational story of a dad showing his shining support for his son. Listen to Greg Long share what motivated him to create Dance On, a nationally renowned nonprofit that supports male dance and anti-bullying efforts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/be-the-adult/message Support this podcast: https://anchor.fm/be-the-adult/support

Listen here to find out more about whats in store in the Dance Futures podcast with Dr Ruth Pethybridge. Dance On!

Episode eighty-seven of A History of Rock Music in Five Hundred Songs looks at “Apache”, by the Shadows, and at the three years in which they and Cliff Richard were on top of the music world. Patreon backers also have a fifteen-minute bonus episode, on “Handy Man” by Jimmy Jones. My apologies for the lateness of this episode, which is due to my home Internet connection having been out for a week. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/  —-more—- Resources   As usual, I have put together a Mixcloud mix with every song excerpted in this podcast. This four-CD set contains all the singles and EPs released by Cliff Richard and the Shadows, together and separately, between 1958 and 1962. Meanwhile, this six-CD set contains every recording the Shadows made on their own between 1959 and 1966, for a very low price. Pete Frame’s The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though — his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Some of the information on Royston Ellis and Norrie Paramor comes from the extended edition of Mark Lewisohn’s Tune In, which is essential reading for anyone who is interested in the Beatles, British post-war culture, and British post-war music. This volume contains Royston Ellis’ two very slim books, one on Cliff and one on the Shadows, written for a teen audience in 1960 and 61. They are more of historical interest than anything else. And Cliff Richard: The Biography by Steve Turner is very positive towards Richard, but not at the expense of honesty.  Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we’re going to look at the group that, more than any other, made the guitar group the standard for rock music; the group which made the Fender Stratocaster the single most popular guitar in the world; and who dominated the British charts for much of the early 1960s. We’re going to look at the Shadows: [Excerpt: The Shadows: “Apache”] We talked about Cliff Richard four months ago, but we’ve not yet looked at his backing group in any great detail. That’s because his group at the time of “Move It”, the single we looked at back then, was not the group that would end up becoming famous for backing him. We only mentioned in the last few minutes of that episode how his original backing band, the Drifters, were replaced one at a time by Hank Marvin, Bruce Welch, Jet Harris and Tony Meehan, most of whom had been members of the Vipers at one point or another during that group’s commercial decline. This group, still calling themselves the Drifters, went into Abbey Road studios with Cliff in February 1959, to record Richard’s first album — a live album in front of a studio audience. The album was mostly made up of rather anaemic cover versions of American records, though drawing from a rather wider pool than one might expect — as well as ballads like Ritchie Valens’ “Donna” and rockabilly covers like “Baby I Don’t Care” and “That’ll Be the Day”, there were also attempts at styles like Chicago blues, with a cover version of “My Babe”, the song Willie Dixon had written for Little Walter: [Excerpt: Cliff Richard and the Drifters, “My Babe”] The album also featured two instrumentals by the Drifters, one of which was “Jet Black”, named after Jet Harris, who was the de facto leader of the band at this time. Harris was a very experienced musician long before joining the group. He had played bass with Tony Crombie and the Rockets, the very first ever British rock and roll band, and Crombie had told him about a new instrument — the electric bass guitar. Harris had obtained one, and seems to have been the very first British musician to play an electric bass. His bass was a signature of the band’s early work, and it gets the spotlight in “Jet Black”: [Excerpt: Cliff Richard and the Drifters, “Jet Black”] It was around this time that Hank Marvin ended up being the first British musician to play a solid-body electric guitar — and a Fender Stratocaster at that. At the time we’re talking about, there were import restrictions on many goods from America — at the time, most economies were a lot more protectionist than they are these days, and the doctrine of free trade hadn’t taken a foothold — and so there were literally no American electric guitars in the UK, and there were no British manufacturers of them. Every British electric guitar player was playing a hollow-bodied guitar — what we’d these days call a semi-acoustic or electro-acoustic guitar. But Cliff Richard was determined that his guitarist was going to have the best instrument. An instrument that was suitable for his music. While Cliff was portrayed as England’s Elvis, and always credited Elvis as his inspiration, he had another favourite American singer, Ricky Nelson, whose softer style appealed to him, and was closer to the music that he ended up making: [Excerpt: Ricky Nelson, “Poor Little Fool”] Nelson’s lead guitarist was James Burton, who Hank Marvin admired almost as much as Cliff admired Nelson. Burton had got his start playing on Dale Hawkins’ “Suzy Q”: [Excerpt: Dale Hawkins, “Suzy Q”] But at this point, as well as playing for Nelson, he was making a reputation as the best session guitarist on the West Coast of America — so much of a reputation that even musicians in Britain knew his name. So it made sense that they should get Marvin the guitar that Burton played. They knew it was a Fender guitar, but they didn’t know anything else, so they got themselves a Fender catalogue sent over from the US. Looking through it, they recognised one guitar, the Stratocaster, as being the one Buddy Holly played. It was also the most expensive, and the coolest-looking, so it must be the one that Burton played, right? As it turns out, Burton didn’t play a Stratocaster, but a Telecaster, but they didn’t know that until much later, and so Cliff Richard sent off the equivalent of several months’ worth of Marvin’s salary to have a Stratocaster shipped over and pay the import taxes. While they were waiting for it, though, there were records to be made — and some of those records were ones that nobody involved was particularly interested in making. Cliff had started up a film career in parallel with his musical career. His first film was an attempt at an “issue” film, about teen pregnancy and false rape accusations, which featured him in a very minor role as a juvenile delinquent. In the film, he had to sing three songs written by Lionel Bart, who had written Tommy Steele’s hits, and he didn’t realise until afterwards that his film contract stipulated that one of them must be released as a single. The one that was chosen was “Living Doll”. The problem was that Richard loathed the song. He thought it was an attempt at sounding like an American rock and roll record, but one that completely missed everything that made American rock and roll exciting. He flat-out refused to do it. And then Norrie Paramor came up with an ingenious scheme. Paramor was Richard’s producer at EMI, and in a couple of years he became notorious in Britain when a jealous colleague, George Martin, leaked one of his scams to the TV presenter David Frost. Paramor would regularly write songs under pseudonyms, and get his artists to record them as B-sides, so he would get the same royalties from the record sales as the composer of the hit on the A-side. He apparently used thirty-six different pseudonyms, and was so widely known for this in the industry that people would sing of him “Oh I Do Like To See Me On The B-Side”. Paramor earned enough money from his songwriting sideline that he owned a speedboat, a second home at the seaside, and an E-type Jag, while George Martin, ostensibly on the same salary, had a second-hand Mini. But for once, Paramor was going to be able to get the A-side to a single, and present it as doing his artist a favour. He explained to Richard that one way to be sure he’d never have to put out “Living Doll” as a single would be if he’d already put out a single with a similar name. So if, say, Paramor were to write him a song called “Livin’ Lovin’ Doll”, then there’d be no way they could put out “Living Doll” — and, if anyone had seen the film and *did* want “Living Doll”, well, that would be free promotion for Paramor’s song. “Livin’ Lovin’ Doll” went to number twenty on the charts: [Excerpt: Cliff Richard and the Drifters, “Livin’ Lovin’ Doll”] But, as it turned out, the contracts didn’t say anything about only releasing a single if you didn’t have a good reason not to. Cliff still had to release the song he’d sung in the film. But he decided he wasn’t going to release that recording — he was going to get the band to rearrange it into something that he could live with. The band members put their heads together, and decided that the song might work in a country direction, perhaps with a little of that Ricky Nelson soft-rock feel that Cliff liked. So, grudgingly, they recorded a slowed-down, acoustic version of “Living Doll”. Which promptly became Cliff’s first UK number one, as well as becoming a minor hit in the USA: [Excerpt: Cliff Richard and the Drifters, “Living Doll”] Meanwhile, the Drifters were doing some stuff on the sidelines by themselves, too, including backing a beat poet. British popular culture in the late 1950s and early 1960s was largely, if not solely, made up of poor imitations of American pop culture, usually without any understanding of what that culture was. The phrase “cargo cult” is one that reinforces a number of unpleasant stereotypes, and as far as I can tell the story on which the phrase is based is a gross misunderstanding, but if you imagine the cargo cult as it is popularly imagined, much of British pop culture was a cargo cult imitation of America, with signifiers yanked completely out of their contexts and placed in wholly new ones. The British musicians we’ve looked at so far have been the ones that were the most innovative, the least tied to their American inspirations, and yet I’m sure you’ve been able to detect even in them the sense that they were the ersatz version of the American rock stars, the Cheez-wizz to Elvis Presley’s fine mature Stilton, a collection of sneers and hip swivels and “uh-huh”s performed in the vain hope that by doing so they could invoke some of the magic of the King of Rock and Roll. But it wasn’t just popular culture that was like this — even the Bohemian underground were trying desperately to copy American models. We’ve already seen how the skiffle craze came out of trad music, which was in itself an attempt to replicate the music made by black American musicians in New Orleans some thirty or forty years earlier. In the visual arts, there was Pop Art, which was, to start with, a purely British artistic phenomenon, but it was one made up of recycled Americana. A work like Richard Hamilton’s 1956 collage Just what is it that makes today’s homes so different, so appealing? was made up entirely of images found in American magazines sent over to Britain. Pop Art was interested in commenting on mass culture, but Hamilton wasn’t interested in commenting on culture that British people would have any experience of — he uses an image of a Young Romance comic cover, drawn by Jack Kirby, rather than Biffo the Bear or Desperate Dan, and the advert the collage was based on was from Ladies Home Journal, not Home Chat. And so in the late 1950s Britain got its own Beat Poet, Royston Ellis. Ellis was a bearded bisexual teenage speed freak, who hung around in Soho, which was, not coincidentally, simultaneously the gayest place in Britain, the most ethnically diverse, the artiest, and the place where every fifties British rock and roll artist came from. For all that the dozens of identikit Larry Parnes artists were made to a showbiz formula, British rock and roll was still fundamentally intertwined with the Bohemian subculture, and there were usually at most only two degrees of separation between some spotty bequiffed youth pinup in the teen magazines and a bearded folk-singing physics lecturer who went on Ban the Bomb marches every weekend. Ellis managed to parlay being willing to say controversial things like “many teenagers quite like drugs” and “some teenagers have sex before marriage” into a “spokesman for his generation” role, with regular appearances on TV. And so when he decided that he was going to copy the American Beat poets and perform in front of musicians, he wasn’t going to just go for jazz musicians like they did. He was going to continue being the voice of a generation by performing the music that would go with his talk of sex and drugs — he was going to perform his poetry backed by rock and roll music, what he called “rocketry”. And when you think of sex and drugs and rock and roll, obviously your first thought is of Cliff Richard. And so it was that Royston Ellis struck up a friendship with Cliff. Ellis’ first book of beat poetry was dedicated to Cliff, and Cliff’s first attempt at autobiography was dedicated to Royston. And Cliff’s backing band became Ellis’ backing band: [Excerpt: Royston Ellis and the Shadows, “Gone Man Squared”] That wasn’t all the Drifters were doing without Cliff. They were encouraged by Cliff to make their own records — it made him look better if his backing band were famous in their own right, and it would make the tours more attractive if both Cliff and the Drifters were star names, and so they went into Abbey Road themselves to record their first single, which is actually strikingly like the Merseybeat music that would become famous a few years later — Everly Brothers-inspired harmonies, but with the electric guitar more prominent than on the Everlys’ records, and sung in an English accent. Even the scream as they went into the guitar solo sounds very familiar if you’ve spent a lot of time listening to records from 1963 and 64. Remember again that this is 1959: [Excerpt: The Drifters, “Feeling Fine”] That was unsuccessful. By this time, though, Hank Marvin’s Fender had arrived, and he was using it on records like Cliff’s second number one, “Travellin’ Light”: [Excerpt: Cliff Richard and the Shadows, “Travellin’ Light”] That single was also the first to bear a new credit — rather than by Cliff Richard and the Drifters, it was credited to Cliff Richard and the Shadows. It turns out that if you want to release records in the US by a new group made up of geeky-looking white British teenagers, putting it out under the name of an established black vocal group who are climbing the charts with their own massive hit is a good way to get legal letters and have to withdraw the release. Jet Harris and Hank Marvin went to the pub to discuss a new name, and Harris suggested “The Shadows”, because they were always standing in Cliff Richard’s shadow. Their first single under the Shadows name, “Lonesome Fella”, was a hybrid of country and doo-wop, with backing vocals that were more than a little reminiscent of the Del-Vikings’ “Come Go With Me”: [Excerpt: The Shadows, “Lonesome Fella”] That was also unsuccessful, and it seemed that for the time being the Shadows’ time was best spent working as a backing group, either with Cliff Richard or Royston Ellis. But Ellis worked with other musicians too. For example here’s a TV appearance with John Betjeman from very early 1961, where Ellis is accompanied by a single guitar: [Excerpt: Royston Ellis, “Lumbering Now”] The guitar there was played by a young musician Ellis had discovered named Jimmy Page. And in summer 1960, Ellis went up to Liverpool and met a band there that had been formed by a couple of art students and their younger friends. He got them to back him on stage and introduced them to drugs (showing them how at the time you could open up an inhaler to get at the amphetamine inside). He was impressed enough by them that in July 1960 an article appeared about him in Record Mirror, reading in part “the bearded sage of the coffee bars has not always been satisfied with the accompaniment provided, so he’s thinking of bringing down to London a young backing group which he considers is most in accord with his poetry. The name of the group? The Beetles!” When Tony Meehan saw that, he got annoyed — Meehan was the Shadow who, more than any of the others, was interested in being properly artistic. He’d thought that they were doing something worthwhile with Ellis, and didn’t appreciate having their accompaniment dismissed like that in favour of some nobodies from Liverpool. Ellis had to write to the Record Mirror “clarifying” his previous remarks: “These remarks were not intended as disparaging comments on the many excellent groups I have worked with on television and stage shows — groups such as Cliff Richard’s Shadows and the London group The Red Cats. For some time I have been searching for a group to use regularly, and I feel that “The Beetles” (most of them are Liverpool ex-art students) fill the bill. However, I am looking forward to working with other groups as well, and plans are at the moment underway for television appearances with both Bert Weedon and with The Shadows.” As it turned out, Ellis never did bring the Beatles down to London — when he turned twenty, he declared that as he was now middle-aged, he could no longer function as the voice of the teenagers, and turned to travelling and writing novels. You’ll notice that in Ellis’ apology, he refers to “Cliff Richard’s Shadows”, because at this point they were still just Cliff’s backing band in the eyes of the public. That was going to change that same month, and it was about to change, in part, because of someone else Ellis mentioned there — Bert Weedon. Weedon is someone who, when I pencilled in my initial list of songs to cover, was down as a definite. I was going to look at his record “Guitar Boogie Shuffle”: [Excerpt: Bert Weedon, “Guitar Boogie Shuffle”] But unfortunately, it turned out that the tiny amount of information about Weedon available made it impossible to write a full episode about him, even though he had a career that lasted sixty years and was one of the most important people in British music history. But to boil it down to its basics, Bert Weedon was a jazz guitarist, at a time when the guitar was not the prominent instrument it has been since the sixties. When he was growing up in the twenties and thirties, as he would put it, the only time you’d see a guitar was being held by a singing cowboy in a film. There were almost no guitarists in Britain, and he soon became the first-call session player any time anyone in Britain was making a record that needed guitar. Then came both rock and roll and the skiffle boom. Most of Weedon’s contemporaries were bitterly contemptuous of the new music, but the way he saw it, for the first time in his lifetime people were starting to make a decent living out of the guitar, and he wanted in. While his jazz friends started sneering at him and calling him “boogie Bert”, for the first couple of years of British rock and roll he played on almost every record that came out. But his biggest contribution to music came with a book called “Play in a Day”. That book was the first guitar tutorial published in the UK to attempt to show young players how to play the instrument in a way that got them playing songs quickly. While it’s creakily old-fashioned today, Weedon did know that what kids wanted was to learn a couple of chords so they could accompany themselves playing a song, rather than to have to practice scales for months before moving on to anything more interesting. These days there are much better books, and Weedon’s book looks exactly like all those older books it was replacing, but at the time it was a revelation. A lot of guitarists are credited as having learned from Weedon’s book, some of them almost certainly apocryphally. But while it’s been superseded by many better books, it was a massive seller in its time, and sold over two million copies. It’s safe to say that at the very least every British guitarist we look at over the next hundred or so episodes will have had a look at Weedon’s book, and many of them will have learned their first chords from it. Weedon had been a session musician and writer, but not a star musician in his own right, until he released his single “Guitar Boogie Shuffle” in 1959. It was a cover version of a hillbilly boogie called “Guitar Boogie”, by Arthur “Guitar Boogie” Smith, and Weedon’s version became a hit, reaching number ten in the UK — the first British guitar instrumental to make the top ten: [Excerpt: Bert Weedon, “Guitar Boogie”] Dick Rowe, the boss of Top Rank Records, for which Weedon recorded at the time, had disliked that song so much that Weedon had tried to record it under a pseudonym for another label, because Rowe wouldn’t put it out. But it became a hit, and started a run of instrumental hits for Weedon. After he’d had four hits along the lines of “Guitar Boogie Shuffle”, Weedon was sent a piece of sheet music by the publishers Francis, Day, and Hunter. “Apache” was a song inspired by a 1954 western, and written by a young songwriter called Jerry Lordan. Lordan was a minor British singer, who’d had a recent hit with “I’ll Stay Single”: [Excerpt: Jerry Lordan, “I’ll Stay Single”] But while he was a mildly successful singer, he was much more successful as a songwriter, writing Anthony Newley’s top five hit “I’ve Waited So Long”: [Excerpt: Anthony Newley, “I’ve Waited So Long”] And “A House, a Car, and a Wedding Ring”, which had the unusual distinction for a British song of getting an American cover version, by Dale Hawkins: [Excerpt: Dale Hawkins, “A House, a Car, and a Wedding Ring”] Lordan’s song, “Apache”, seemed to be the kind of thing that Bert Weedon could do well, and Weedon recorded a version of it some time in late 1959 or early 1960: [Excerpt: Bert Weedon, “Apache”] Weedon also started performing the song in his shows and on TV. But the recording hadn’t been released yet — according to Weedon, he was planning on releasing the single in September, because that was when the most records were sold. But Lordan didn’t want to wait until September for his song to come out on a record, so while he was on tour with Cliff and the Shadows, he showed the tune to Jet Harris on his ukulele. The group liked the tune, and released it as their second single under their new name. Hank Marvin had by this time been given a guitar echo unit by Joe Brown, who’d bought it and then disliked it. He used it on this record, along with another innovation — the tremolo arm on his guitar. A tremolo arm, sometimes called a whammy bar, is a metal bar on your guitar that allows you to bend all the strings at once, and nobody else in Britain had a guitar with one at this point, but Hank had his Fender Stratocaster, on which they come fitted as standard. The combination of the tremolo arm and the echo unit was a sound that no-one else in the UK had, but which was strikingly similar to some of the surf music being made in the US, which was still mostly on tiny labels with no distribution over here: [Excerpt: The Shadows, “Apache”] “Apache” went to number one on the charts, knocking off “Please Don’t Tease”, a track by Cliff with the Shadows backing him. It stayed on the charts for five months, and became a standard performed by every British guitarist — and soon by American guitarists like the Ventures. Weedon’s version was rushed out to compete with it, but only made number twenty-four. Many versions of the song have become classics in their own right, and I won’t go through all the hit versions here because this is a long episode anyway, but I do have to mention one version — a novelty version recorded as album filler by a group of session musicians hired to make an album under the name The Incredible Bongo Band: [Excerpt: The Incredible Bongo Band, “Apache”] The guitarist on that, incidentally, is Mike Deasy, who we heard last week playing with Bruce Johnston and Sandy Nelson in various bands, and who had been in Eddie Cochran’s backing band. That track includes a drum break, with bongos by King Errisson, and drums probably played by Jim Gordon, which is probably the most sampled recording of all time, and certainly in the top ten: [Excerpt: The Incredible Bongo Band, “Apache”, drum breaks] That’s been sampled by everyone from the Roots to Madonna, Vanilla Ice to Amy Winehouse, Rage Against the Machine to Kanye West. It’s been called “hip-hop’s national anthem”, and there’s a whole ninety-minute documentary on Netflix just about that track. But getting back to 1960 and the Shadows’ version of the tune, it came as a revelation to many British kids, inspiring thousands of young boys who had already learned the guitar to start playing *electric* guitar, and making everyone who wanted to be a rock and roll star covet a Stratocaster specifically (with a few odd exceptions who reacted against what was popular, like there always are). Pete Townshend, for example, in a documentary earlier this year said that hearing “Apache” was for him even more important than his first orgasm. “Apache” stayed on the charts so long that the group’s next single, “Man of Mystery”, went to number five in the charts while “Apache” was still in the top forty: [Excerpt: The Shadows, “Man of Mystery”] And while that was at number five, “Nine Times Out of Ten” by Cliff Richard and the Shadows was at number three. Between 1959 and 1965, Cliff had twenty-six consecutive top ten hit singles, of which twenty-one had the Shadows (or the Drifters) as his backing group. In the same time period, the Shadows had a run of thirteen top ten hits in their own right. They were a phenomenon in British music like nothing anyone had ever seen. They appeared in a series of films, starring Richard, who was in 1962 and 63 a bigger draw at the British cinema than the early James Bond films. Neither Cliff nor the Shadows ever had much American success, but in Europe and Australia, and from 1962 on in Canada, they were at the very peak of success in the music industry. Everything seemed to be going perfectly for Cliff and the Shadows, even when in 1961 a bizarre love triangle upended everything. Jet Harris, who was at the time the band member who was closest to Cliff, had married a beautiful young woman called Carol Costa, without realising that she had never really been interested in him, but was using him to get to Cliff. Cliff and Costa started an affair, Harris became physically abusive towards Costa, she — quite rightly — left him, and he spiralled into depression and alcoholism. Cliff and Costa’s affair didn’t last long either — but as it turned out, she would be the only woman with whom he would ever have sex. Richard’s sexuality or lack of it has been the subject of a huge amount of discussion over the years. For many decades he said he was straight but celibate because of his religious views — that he couldn’t get married without disappointing his female fans, and that he felt sex outside marriage was wrong. In more recent years he’s switched the wording he uses, saying his sexuality is his own business, that he’ll never talk about it publicly, that he has a live-in male companion, and that it shouldn’t matter to anyone what his sexuality is. Most descriptions of him from those who’ve known him over the decades have said that he was and is someone who is simply not very interested in sex. I mention this not to engage in prurient speculation about him, but to show how utterly bizarre it is that the one woman he would ever have sex with would be the wife of a friend and colleague. More in character, though, was the way he would dump Costa — as was so often the case with Cliff Richard when discarding people for whom he had no further use, he got someone else to do it. In this case it was Tony Meehan who was given the task of letting her know that Cliff had suddenly developed moral scruples. Those moral scruples would soon get a lot more scrupulous, as this affair would indirectly lead to the most famous religious conversion in all of British music history. Shortly after dumping Costa on Cliff’s behalf, Tony Meehan left the group, just before a tour of Australia and New Zealand. Meehan had slowly become disenchanted with the rest of the group, and didn’t really fit in with them — he was an intellectual who read books about the history of folk music and jazz, and wanted one day to write a history of Soho’s music scene in the style of books he’d read about New Orleans, while the rest of them just liked reading thrillers. When he left, the group’s second number one, “Kon-Tiki”, was still at the top of the charts: [Excerpt: The Shadows, “Kon-Tiki”] He was replaced by Brian Bennett, who had played in the very first lineup of Vince Taylor and the Playboys, and had been in Marty Wilde’s Wildcats for a while. Jet Harris lasted in the group another few months, until April 1962, when the drink caught up with him and he was fired. Bennett suggested that the group get in his old friend Licorice Locking, who he’d played with in the Vipers, the Playboys, and the Wildcats, and who had played with Bennett on those Eddie Cochran and Gene Vincent Saturday Club sessions we heard a couple of weeks back. Locking was a fine bass player, had played with most of them before back in their 2is days, and fitted in perfectly, though he had a very different playing style than Harris — many hardcore Shadows fans think the group’s golden age ended when Harris left, and he’s rated enough as a bass player that while there are currently no substantial books on the Shadows themselves still in print, there are two separate self-published biographies of Harris available. Within a month of being fired, Harris had his own solo hit, making the top thirty with a version of “Besame Mucho” modelled on the Coasters’ version, but with Harris playing lead bass instead of singing: [Excerpt: Jet Harris, “Besame Mucho”] But Locking would have an odd effect on the Shadows. Brian Bennett had been brought up as a Jehovah’s Witness, and even though he was no longer a believer in that religion, he’d told Locking about its beliefs — and Locking had become an enthusiastic convert. As soon as he joined the group, he set about trying to convert the other members, too. He succeeded with Hank Marvin, who to this day is a devoted Witness, and he came part way with Cliff, who never became a Witness but was inspired by Locking’s Bible-reading sessions to become an evangelical Christian, and who is now British rock music’s most famously religious person. Meanwhile, Harris had switched from bass to guitar, and was now going in a more Duane Eddy style. He teamed up with Tony Meehan, and together they recorded another Jerry Lordan song, “Diamonds”, featuring Royston Ellis’ friend Jimmy Page on rhythm guitar, on his first major session: [Excerpt: Jet Harris and Tony Meehan, “Diamonds”] At the beginning of 1963, Cliff and the Shadows, past and present, had a ridiculous monopoly of the top of the charts. “Bachelor Boy” by Cliff and the Shadows, written by Cliff and Bruce Welch, was at number one for three weeks, then was replaced by “Dance On” by the Shadows, which in turn was replaced by “Diamonds” by Jet and Tony. There was a brief three-week respite while Frank Ifield topped the charts with his “Wayward Wind”, then “Summer Holiday” by Cliff and the Shadows, written by Bruce and Brian. Then “Foot Tapper” by the Shadows went to number one, then “Summer Holiday” went back to the top position. They all looked unstoppable. However, while they would all chart again, it would be two years before Cliff would have another number one, and neither the Shadows nor Jet and Tony ever would. In the case of Cliff and the Shadows, this change in commercial fortunes was because of a general change in the music market, which we’ll be looking at towards the end of the year. In the case of Jet and Tony, though, that was only part of it. Jet was in a car accident which put him out of commission for a while, and when he got better he was drinking even more. He made a brief attempt at a comeback and even joined an early lineup of the Jeff Beck Group, but spent the rest of his life either working labouring jobs or playing the nostalgia circuit. He died in 2011. Jet and Tony’s touring bass player, John Paul Jones, actually auditioned for the Shadows, as Licorice Locking left the group to spend more time evangelising, but Jones didn’t get the job, and we’ll be picking up on him later. We’ll be seeing Cliff again too, as well as having a brief appearance from Tony Meehan, but this is the last we’ll see of the Shadows, who continued with a variety of different bass players, and with Brian Bennett as the permanent drummer, off and on until 2015. Marvin, Bennett, and Welch all continue to make music separately, and it’s still possible they may perform together as the Shadows one day. But even if they don’t, “Apache” stands as the moment when a million British kids first decided that they wanted to be a guitar hero and play a Fender Stratocaster.

Episode eighty-seven of A History of Rock Music in Five Hundred Songs looks at "Apache", by the Shadows, and at the three years in which they and Cliff Richard were on top of the music world. Patreon backers also have a fifteen-minute bonus episode, on "Handy Man" by Jimmy Jones. My apologies for the lateness of this episode, which is due to my home Internet connection having been out for a week. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/  ----more---- Resources   As usual, I have put together a Mixcloud mix with every song excerpted in this podcast. This four-CD set contains all the singles and EPs released by Cliff Richard and the Shadows, together and separately, between 1958 and 1962. Meanwhile, this six-CD set contains every recording the Shadows made on their own between 1959 and 1966, for a very low price. Pete Frame's The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though -- his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Some of the information on Royston Ellis and Norrie Paramor comes from the extended edition of Mark Lewisohn's Tune In, which is essential reading for anyone who is interested in the Beatles, British post-war culture, and British post-war music. This volume contains Royston Ellis' two very slim books, one on Cliff and one on the Shadows, written for a teen audience in 1960 and 61. They are more of historical interest than anything else. And Cliff Richard: The Biography by Steve Turner is very positive towards Richard, but not at the expense of honesty.  Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we're going to look at the group that, more than any other, made the guitar group the standard for rock music; the group which made the Fender Stratocaster the single most popular guitar in the world; and who dominated the British charts for much of the early 1960s. We're going to look at the Shadows: [Excerpt: The Shadows: "Apache"] We talked about Cliff Richard four months ago, but we've not yet looked at his backing group in any great detail. That's because his group at the time of "Move It", the single we looked at back then, was not the group that would end up becoming famous for backing him. We only mentioned in the last few minutes of that episode how his original backing band, the Drifters, were replaced one at a time by Hank Marvin, Bruce Welch, Jet Harris and Tony Meehan, most of whom had been members of the Vipers at one point or another during that group's commercial decline. This group, still calling themselves the Drifters, went into Abbey Road studios with Cliff in February 1959, to record Richard's first album -- a live album in front of a studio audience. The album was mostly made up of rather anaemic cover versions of American records, though drawing from a rather wider pool than one might expect -- as well as ballads like Ritchie Valens' "Donna" and rockabilly covers like "Baby I Don't Care" and "That'll Be the Day", there were also attempts at styles like Chicago blues, with a cover version of "My Babe", the song Willie Dixon had written for Little Walter: [Excerpt: Cliff Richard and the Drifters, "My Babe"] The album also featured two instrumentals by the Drifters, one of which was "Jet Black", named after Jet Harris, who was the de facto leader of the band at this time. Harris was a very experienced musician long before joining the group. He had played bass with Tony Crombie and the Rockets, the very first ever British rock and roll band, and Crombie had told him about a new instrument -- the electric bass guitar. Harris had obtained one, and seems to have been the very first British musician to play an electric bass. His bass was a signature of the band's early work, and it gets the spotlight in "Jet Black": [Excerpt: Cliff Richard and the Drifters, "Jet Black"] It was around this time that Hank Marvin ended up being the first British musician to play a solid-body electric guitar -- and a Fender Stratocaster at that. At the time we're talking about, there were import restrictions on many goods from America -- at the time, most economies were a lot more protectionist than they are these days, and the doctrine of free trade hadn't taken a foothold -- and so there were literally no American electric guitars in the UK, and there were no British manufacturers of them. Every British electric guitar player was playing a hollow-bodied guitar -- what we'd these days call a semi-acoustic or electro-acoustic guitar. But Cliff Richard was determined that his guitarist was going to have the best instrument. An instrument that was suitable for his music. While Cliff was portrayed as England's Elvis, and always credited Elvis as his inspiration, he had another favourite American singer, Ricky Nelson, whose softer style appealed to him, and was closer to the music that he ended up making: [Excerpt: Ricky Nelson, "Poor Little Fool"] Nelson's lead guitarist was James Burton, who Hank Marvin admired almost as much as Cliff admired Nelson. Burton had got his start playing on Dale Hawkins' "Suzy Q": [Excerpt: Dale Hawkins, "Suzy Q"] But at this point, as well as playing for Nelson, he was making a reputation as the best session guitarist on the West Coast of America -- so much of a reputation that even musicians in Britain knew his name. So it made sense that they should get Marvin the guitar that Burton played. They knew it was a Fender guitar, but they didn't know anything else, so they got themselves a Fender catalogue sent over from the US. Looking through it, they recognised one guitar, the Stratocaster, as being the one Buddy Holly played. It was also the most expensive, and the coolest-looking, so it must be the one that Burton played, right? As it turns out, Burton didn't play a Stratocaster, but a Telecaster, but they didn't know that until much later, and so Cliff Richard sent off the equivalent of several months' worth of Marvin's salary to have a Stratocaster shipped over and pay the import taxes. While they were waiting for it, though, there were records to be made -- and some of those records were ones that nobody involved was particularly interested in making. Cliff had started up a film career in parallel with his musical career. His first film was an attempt at an "issue" film, about teen pregnancy and false rape accusations, which featured him in a very minor role as a juvenile delinquent. In the film, he had to sing three songs written by Lionel Bart, who had written Tommy Steele's hits, and he didn't realise until afterwards that his film contract stipulated that one of them must be released as a single. The one that was chosen was "Living Doll". The problem was that Richard loathed the song. He thought it was an attempt at sounding like an American rock and roll record, but one that completely missed everything that made American rock and roll exciting. He flat-out refused to do it. And then Norrie Paramor came up with an ingenious scheme. Paramor was Richard's producer at EMI, and in a couple of years he became notorious in Britain when a jealous colleague, George Martin, leaked one of his scams to the TV presenter David Frost. Paramor would regularly write songs under pseudonyms, and get his artists to record them as B-sides, so he would get the same royalties from the record sales as the composer of the hit on the A-side. He apparently used thirty-six different pseudonyms, and was so widely known for this in the industry that people would sing of him "Oh I Do Like To See Me On The B-Side". Paramor earned enough money from his songwriting sideline that he owned a speedboat, a second home at the seaside, and an E-type Jag, while George Martin, ostensibly on the same salary, had a second-hand Mini. But for once, Paramor was going to be able to get the A-side to a single, and present it as doing his artist a favour. He explained to Richard that one way to be sure he'd never have to put out "Living Doll" as a single would be if he'd already put out a single with a similar name. So if, say, Paramor were to write him a song called "Livin' Lovin' Doll", then there'd be no way they could put out "Living Doll" -- and, if anyone had seen the film and *did* want "Living Doll", well, that would be free promotion for Paramor's song. "Livin' Lovin' Doll" went to number twenty on the charts: [Excerpt: Cliff Richard and the Drifters, "Livin' Lovin' Doll"] But, as it turned out, the contracts didn't say anything about only releasing a single if you didn't have a good reason not to. Cliff still had to release the song he'd sung in the film. But he decided he wasn't going to release that recording -- he was going to get the band to rearrange it into something that he could live with. The band members put their heads together, and decided that the song might work in a country direction, perhaps with a little of that Ricky Nelson soft-rock feel that Cliff liked. So, grudgingly, they recorded a slowed-down, acoustic version of "Living Doll". Which promptly became Cliff's first UK number one, as well as becoming a minor hit in the USA: [Excerpt: Cliff Richard and the Drifters, "Living Doll"] Meanwhile, the Drifters were doing some stuff on the sidelines by themselves, too, including backing a beat poet. British popular culture in the late 1950s and early 1960s was largely, if not solely, made up of poor imitations of American pop culture, usually without any understanding of what that culture was. The phrase "cargo cult" is one that reinforces a number of unpleasant stereotypes, and as far as I can tell the story on which the phrase is based is a gross misunderstanding, but if you imagine the cargo cult as it is popularly imagined, much of British pop culture was a cargo cult imitation of America, with signifiers yanked completely out of their contexts and placed in wholly new ones. The British musicians we've looked at so far have been the ones that were the most innovative, the least tied to their American inspirations, and yet I'm sure you've been able to detect even in them the sense that they were the ersatz version of the American rock stars, the Cheez-wizz to Elvis Presley's fine mature Stilton, a collection of sneers and hip swivels and "uh-huh"s performed in the vain hope that by doing so they could invoke some of the magic of the King of Rock and Roll. But it wasn't just popular culture that was like this -- even the Bohemian underground were trying desperately to copy American models. We've already seen how the skiffle craze came out of trad music, which was in itself an attempt to replicate the music made by black American musicians in New Orleans some thirty or forty years earlier. In the visual arts, there was Pop Art, which was, to start with, a purely British artistic phenomenon, but it was one made up of recycled Americana. A work like Richard Hamilton's 1956 collage Just what is it that makes today's homes so different, so appealing? was made up entirely of images found in American magazines sent over to Britain. Pop Art was interested in commenting on mass culture, but Hamilton wasn't interested in commenting on culture that British people would have any experience of -- he uses an image of a Young Romance comic cover, drawn by Jack Kirby, rather than Biffo the Bear or Desperate Dan, and the advert the collage was based on was from Ladies Home Journal, not Home Chat. And so in the late 1950s Britain got its own Beat Poet, Royston Ellis. Ellis was a bearded bisexual teenage speed freak, who hung around in Soho, which was, not coincidentally, simultaneously the gayest place in Britain, the most ethnically diverse, the artiest, and the place where every fifties British rock and roll artist came from. For all that the dozens of identikit Larry Parnes artists were made to a showbiz formula, British rock and roll was still fundamentally intertwined with the Bohemian subculture, and there were usually at most only two degrees of separation between some spotty bequiffed youth pinup in the teen magazines and a bearded folk-singing physics lecturer who went on Ban the Bomb marches every weekend. Ellis managed to parlay being willing to say controversial things like "many teenagers quite like drugs" and "some teenagers have sex before marriage" into a "spokesman for his generation" role, with regular appearances on TV. And so when he decided that he was going to copy the American Beat poets and perform in front of musicians, he wasn't going to just go for jazz musicians like they did. He was going to continue being the voice of a generation by performing the music that would go with his talk of sex and drugs -- he was going to perform his poetry backed by rock and roll music, what he called “rocketry”. And when you think of sex and drugs and rock and roll, obviously your first thought is of Cliff Richard. And so it was that Royston Ellis struck up a friendship with Cliff. Ellis' first book of beat poetry was dedicated to Cliff, and Cliff's first attempt at autobiography was dedicated to Royston. And Cliff's backing band became Ellis' backing band: [Excerpt: Royston Ellis and the Shadows, "Gone Man Squared"] That wasn't all the Drifters were doing without Cliff. They were encouraged by Cliff to make their own records -- it made him look better if his backing band were famous in their own right, and it would make the tours more attractive if both Cliff and the Drifters were star names, and so they went into Abbey Road themselves to record their first single, which is actually strikingly like the Merseybeat music that would become famous a few years later -- Everly Brothers-inspired harmonies, but with the electric guitar more prominent than on the Everlys' records, and sung in an English accent. Even the scream as they went into the guitar solo sounds very familiar if you've spent a lot of time listening to records from 1963 and 64. Remember again that this is 1959: [Excerpt: The Drifters, "Feeling Fine"] That was unsuccessful. By this time, though, Hank Marvin's Fender had arrived, and he was using it on records like Cliff's second number one, "Travellin' Light": [Excerpt: Cliff Richard and the Shadows, "Travellin' Light"] That single was also the first to bear a new credit -- rather than by Cliff Richard and the Drifters, it was credited to Cliff Richard and the Shadows. It turns out that if you want to release records in the US by a new group made up of geeky-looking white British teenagers, putting it out under the name of an established black vocal group who are climbing the charts with their own massive hit is a good way to get legal letters and have to withdraw the release. Jet Harris and Hank Marvin went to the pub to discuss a new name, and Harris suggested "The Shadows", because they were always standing in Cliff Richard's shadow. Their first single under the Shadows name, "Lonesome Fella", was a hybrid of country and doo-wop, with backing vocals that were more than a little reminiscent of the Del-Vikings' "Come Go With Me": [Excerpt: The Shadows, "Lonesome Fella"] That was also unsuccessful, and it seemed that for the time being the Shadows' time was best spent working as a backing group, either with Cliff Richard or Royston Ellis. But Ellis worked with other musicians too. For example here's a TV appearance with John Betjeman from very early 1961, where Ellis is accompanied by a single guitar: [Excerpt: Royston Ellis, “Lumbering Now”] The guitar there was played by a young musician Ellis had discovered named Jimmy Page. And in summer 1960, Ellis went up to Liverpool and met a band there that had been formed by a couple of art students and their younger friends. He got them to back him on stage and introduced them to drugs (showing them how at the time you could open up an inhaler to get at the amphetamine inside). He was impressed enough by them that in July 1960 an article appeared about him in Record Mirror, reading in part "the bearded sage of the coffee bars has not always been satisfied with the accompaniment provided, so he's thinking of bringing down to London a young backing group which he considers is most in accord with his poetry. The name of the group? The Beetles!" When Tony Meehan saw that, he got annoyed -- Meehan was the Shadow who, more than any of the others, was interested in being properly artistic. He'd thought that they were doing something worthwhile with Ellis, and didn't appreciate having their accompaniment dismissed like that in favour of some nobodies from Liverpool. Ellis had to write to the Record Mirror "clarifying" his previous remarks: "These remarks were not intended as disparaging comments on the many excellent groups I have worked with on television and stage shows -- groups such as Cliff Richard's Shadows and the London group The Red Cats. For some time I have been searching for a group to use regularly, and I feel that "The Beetles" (most of them are Liverpool ex-art students) fill the bill. However, I am looking forward to working with other groups as well, and plans are at the moment underway for television appearances with both Bert Weedon and with The Shadows." As it turned out, Ellis never did bring the Beatles down to London -- when he turned twenty, he declared that as he was now middle-aged, he could no longer function as the voice of the teenagers, and turned to travelling and writing novels. You'll notice that in Ellis' apology, he refers to "Cliff Richard's Shadows", because at this point they were still just Cliff's backing band in the eyes of the public. That was going to change that same month, and it was about to change, in part, because of someone else Ellis mentioned there -- Bert Weedon. Weedon is someone who, when I pencilled in my initial list of songs to cover, was down as a definite. I was going to look at his record "Guitar Boogie Shuffle": [Excerpt: Bert Weedon, "Guitar Boogie Shuffle"] But unfortunately, it turned out that the tiny amount of information about Weedon available made it impossible to write a full episode about him, even though he had a career that lasted sixty years and was one of the most important people in British music history. But to boil it down to its basics, Bert Weedon was a jazz guitarist, at a time when the guitar was not the prominent instrument it has been since the sixties. When he was growing up in the twenties and thirties, as he would put it, the only time you'd see a guitar was being held by a singing cowboy in a film. There were almost no guitarists in Britain, and he soon became the first-call session player any time anyone in Britain was making a record that needed guitar. Then came both rock and roll and the skiffle boom. Most of Weedon's contemporaries were bitterly contemptuous of the new music, but the way he saw it, for the first time in his lifetime people were starting to make a decent living out of the guitar, and he wanted in. While his jazz friends started sneering at him and calling him "boogie Bert", for the first couple of years of British rock and roll he played on almost every record that came out. But his biggest contribution to music came with a book called "Play in a Day". That book was the first guitar tutorial published in the UK to attempt to show young players how to play the instrument in a way that got them playing songs quickly. While it's creakily old-fashioned today, Weedon did know that what kids wanted was to learn a couple of chords so they could accompany themselves playing a song, rather than to have to practice scales for months before moving on to anything more interesting. These days there are much better books, and Weedon's book looks exactly like all those older books it was replacing, but at the time it was a revelation. A lot of guitarists are credited as having learned from Weedon's book, some of them almost certainly apocryphally. But while it's been superseded by many better books, it was a massive seller in its time, and sold over two million copies. It's safe to say that at the very least every British guitarist we look at over the next hundred or so episodes will have had a look at Weedon's book, and many of them will have learned their first chords from it. Weedon had been a session musician and writer, but not a star musician in his own right, until he released his single "Guitar Boogie Shuffle" in 1959. It was a cover version of a hillbilly boogie called "Guitar Boogie", by Arthur "Guitar Boogie" Smith, and Weedon's version became a hit, reaching number ten in the UK -- the first British guitar instrumental to make the top ten: [Excerpt: Bert Weedon, "Guitar Boogie"] Dick Rowe, the boss of Top Rank Records, for which Weedon recorded at the time, had disliked that song so much that Weedon had tried to record it under a pseudonym for another label, because Rowe wouldn't put it out. But it became a hit, and started a run of instrumental hits for Weedon. After he'd had four hits along the lines of "Guitar Boogie Shuffle", Weedon was sent a piece of sheet music by the publishers Francis, Day, and Hunter. "Apache" was a song inspired by a 1954 western, and written by a young songwriter called Jerry Lordan. Lordan was a minor British singer, who'd had a recent hit with "I'll Stay Single": [Excerpt: Jerry Lordan, "I'll Stay Single"] But while he was a mildly successful singer, he was much more successful as a songwriter, writing Anthony Newley's top five hit "I've Waited So Long": [Excerpt: Anthony Newley, "I've Waited So Long"] And "A House, a Car, and a Wedding Ring", which had the unusual distinction for a British song of getting an American cover version, by Dale Hawkins: [Excerpt: Dale Hawkins, "A House, a Car, and a Wedding Ring"] Lordan's song, "Apache", seemed to be the kind of thing that Bert Weedon could do well, and Weedon recorded a version of it some time in late 1959 or early 1960: [Excerpt: Bert Weedon, "Apache"] Weedon also started performing the song in his shows and on TV. But the recording hadn't been released yet -- according to Weedon, he was planning on releasing the single in September, because that was when the most records were sold. But Lordan didn't want to wait until September for his song to come out on a record, so while he was on tour with Cliff and the Shadows, he showed the tune to Jet Harris on his ukulele. The group liked the tune, and released it as their second single under their new name. Hank Marvin had by this time been given a guitar echo unit by Joe Brown, who'd bought it and then disliked it. He used it on this record, along with another innovation -- the tremolo arm on his guitar. A tremolo arm, sometimes called a whammy bar, is a metal bar on your guitar that allows you to bend all the strings at once, and nobody else in Britain had a guitar with one at this point, but Hank had his Fender Stratocaster, on which they come fitted as standard. The combination of the tremolo arm and the echo unit was a sound that no-one else in the UK had, but which was strikingly similar to some of the surf music being made in the US, which was still mostly on tiny labels with no distribution over here: [Excerpt: The Shadows, "Apache"] "Apache" went to number one on the charts, knocking off "Please Don't Tease", a track by Cliff with the Shadows backing him. It stayed on the charts for five months, and became a standard performed by every British guitarist -- and soon by American guitarists like the Ventures. Weedon's version was rushed out to compete with it, but only made number twenty-four. Many versions of the song have become classics in their own right, and I won't go through all the hit versions here because this is a long episode anyway, but I do have to mention one version -- a novelty version recorded as album filler by a group of session musicians hired to make an album under the name The Incredible Bongo Band: [Excerpt: The Incredible Bongo Band, "Apache"] The guitarist on that, incidentally, is Mike Deasy, who we heard last week playing with Bruce Johnston and Sandy Nelson in various bands, and who had been in Eddie Cochran's backing band. That track includes a drum break, with bongos by King Errisson, and drums probably played by Jim Gordon, which is probably the most sampled recording of all time, and certainly in the top ten: [Excerpt: The Incredible Bongo Band, "Apache", drum breaks] That's been sampled by everyone from the Roots to Madonna, Vanilla Ice to Amy Winehouse, Rage Against the Machine to Kanye West. It's been called "hip-hop's national anthem", and there's a whole ninety-minute documentary on Netflix just about that track. But getting back to 1960 and the Shadows' version of the tune, it came as a revelation to many British kids, inspiring thousands of young boys who had already learned the guitar to start playing *electric* guitar, and making everyone who wanted to be a rock and roll star covet a Stratocaster specifically (with a few odd exceptions who reacted against what was popular, like there always are). Pete Townshend, for example, in a documentary earlier this year said that hearing "Apache" was for him even more important than his first orgasm. "Apache" stayed on the charts so long that the group's next single, "Man of Mystery", went to number five in the charts while "Apache" was still in the top forty: [Excerpt: The Shadows, "Man of Mystery"] And while that was at number five, "Nine Times Out of Ten" by Cliff Richard and the Shadows was at number three. Between 1959 and 1965, Cliff had twenty-six consecutive top ten hit singles, of which twenty-one had the Shadows (or the Drifters) as his backing group. In the same time period, the Shadows had a run of thirteen top ten hits in their own right. They were a phenomenon in British music like nothing anyone had ever seen. They appeared in a series of films, starring Richard, who was in 1962 and 63 a bigger draw at the British cinema than the early James Bond films. Neither Cliff nor the Shadows ever had much American success, but in Europe and Australia, and from 1962 on in Canada, they were at the very peak of success in the music industry. Everything seemed to be going perfectly for Cliff and the Shadows, even when in 1961 a bizarre love triangle upended everything. Jet Harris, who was at the time the band member who was closest to Cliff, had married a beautiful young woman called Carol Costa, without realising that she had never really been interested in him, but was using him to get to Cliff. Cliff and Costa started an affair, Harris became physically abusive towards Costa, she -- quite rightly -- left him, and he spiralled into depression and alcoholism. Cliff and Costa's affair didn't last long either -- but as it turned out, she would be the only woman with whom he would ever have sex. Richard's sexuality or lack of it has been the subject of a huge amount of discussion over the years. For many decades he said he was straight but celibate because of his religious views -- that he couldn't get married without disappointing his female fans, and that he felt sex outside marriage was wrong. In more recent years he's switched the wording he uses, saying his sexuality is his own business, that he'll never talk about it publicly, that he has a live-in male companion, and that it shouldn't matter to anyone what his sexuality is. Most descriptions of him from those who've known him over the decades have said that he was and is someone who is simply not very interested in sex. I mention this not to engage in prurient speculation about him, but to show how utterly bizarre it is that the one woman he would ever have sex with would be the wife of a friend and colleague. More in character, though, was the way he would dump Costa -- as was so often the case with Cliff Richard when discarding people for whom he had no further use, he got someone else to do it. In this case it was Tony Meehan who was given the task of letting her know that Cliff had suddenly developed moral scruples. Those moral scruples would soon get a lot more scrupulous, as this affair would indirectly lead to the most famous religious conversion in all of British music history. Shortly after dumping Costa on Cliff's behalf, Tony Meehan left the group, just before a tour of Australia and New Zealand. Meehan had slowly become disenchanted with the rest of the group, and didn't really fit in with them -- he was an intellectual who read books about the history of folk music and jazz, and wanted one day to write a history of Soho's music scene in the style of books he'd read about New Orleans, while the rest of them just liked reading thrillers. When he left, the group's second number one, "Kon-Tiki", was still at the top of the charts: [Excerpt: The Shadows, "Kon-Tiki"] He was replaced by Brian Bennett, who had played in the very first lineup of Vince Taylor and the Playboys, and had been in Marty Wilde's Wildcats for a while. Jet Harris lasted in the group another few months, until April 1962, when the drink caught up with him and he was fired. Bennett suggested that the group get in his old friend Licorice Locking, who he'd played with in the Vipers, the Playboys, and the Wildcats, and who had played with Bennett on those Eddie Cochran and Gene Vincent Saturday Club sessions we heard a couple of weeks back. Locking was a fine bass player, had played with most of them before back in their 2is days, and fitted in perfectly, though he had a very different playing style than Harris -- many hardcore Shadows fans think the group's golden age ended when Harris left, and he's rated enough as a bass player that while there are currently no substantial books on the Shadows themselves still in print, there are two separate self-published biographies of Harris available. Within a month of being fired, Harris had his own solo hit, making the top thirty with a version of "Besame Mucho" modelled on the Coasters' version, but with Harris playing lead bass instead of singing: [Excerpt: Jet Harris, "Besame Mucho"] But Locking would have an odd effect on the Shadows. Brian Bennett had been brought up as a Jehovah's Witness, and even though he was no longer a believer in that religion, he'd told Locking about its beliefs -- and Locking had become an enthusiastic convert. As soon as he joined the group, he set about trying to convert the other members, too. He succeeded with Hank Marvin, who to this day is a devoted Witness, and he came part way with Cliff, who never became a Witness but was inspired by Locking's Bible-reading sessions to become an evangelical Christian, and who is now British rock music's most famously religious person. Meanwhile, Harris had switched from bass to guitar, and was now going in a more Duane Eddy style. He teamed up with Tony Meehan, and together they recorded another Jerry Lordan song, "Diamonds", featuring Royston Ellis' friend Jimmy Page on rhythm guitar, on his first major session: [Excerpt: Jet Harris and Tony Meehan, "Diamonds"] At the beginning of 1963, Cliff and the Shadows, past and present, had a ridiculous monopoly of the top of the charts. "Bachelor Boy" by Cliff and the Shadows, written by Cliff and Bruce Welch, was at number one for three weeks, then was replaced by "Dance On" by the Shadows, which in turn was replaced by "Diamonds" by Jet and Tony. There was a brief three-week respite while Frank Ifield topped the charts with his "Wayward Wind", then "Summer Holiday" by Cliff and the Shadows, written by Bruce and Brian. Then "Foot Tapper" by the Shadows went to number one, then "Summer Holiday" went back to the top position. They all looked unstoppable. However, while they would all chart again, it would be two years before Cliff would have another number one, and neither the Shadows nor Jet and Tony ever would. In the case of Cliff and the Shadows, this change in commercial fortunes was because of a general change in the music market, which we'll be looking at towards the end of the year. In the case of Jet and Tony, though, that was only part of it. Jet was in a car accident which put him out of commission for a while, and when he got better he was drinking even more. He made a brief attempt at a comeback and even joined an early lineup of the Jeff Beck Group, but spent the rest of his life either working labouring jobs or playing the nostalgia circuit. He died in 2011. Jet and Tony's touring bass player, John Paul Jones, actually auditioned for the Shadows, as Licorice Locking left the group to spend more time evangelising, but Jones didn't get the job, and we'll be picking up on him later. We'll be seeing Cliff again too, as well as having a brief appearance from Tony Meehan, but this is the last we'll see of the Shadows, who continued with a variety of different bass players, and with Brian Bennett as the permanent drummer, off and on until 2015. Marvin, Bennett, and Welch all continue to make music separately, and it's still possible they may perform together as the Shadows one day. But even if they don't, "Apache" stands as the moment when a million British kids first decided that they wanted to be a guitar hero and play a Fender Stratocaster.

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Dubbed "The Golden Girl of Pop" in the mid 60's, Kathy Kirby was the highest paid female singer of her generation.She had 5 Top 10 Hits between 1963 and 1965 - the best known of which was "Secret Love". In Australia she also reached #1 with her version of The Shadows hit "Dance On".Sadly, she suffered poor physical and mental health for most of her life - but her memory lives on with some great musical tracks featured in this special tribute.

In this episode we got to interview Michele Marciante, a professional dancer (New York Cosmos cheerleader) who talks about the journey of opening a successful dance studio in New York.Michelle opens up about what led her to opening up a Dance Studio on Long Island and shares some of the challenges of being an entrepreneur in a competitive market.1:08 - Who is Michele Marciante and what is Dance On?2:10 - What type of classes do you offer at Dance On?4:40 - Why did you open up a dance studio on Long Island?14:51 - Fear is a big reason why most people don't pursue entrepreneurship17:03 - When did you start using facebook ads to grow your dance studio?47:44 - Why do people love going to her dance studio?51:55 - What is the last book you read?Learn more about her dance school called DANCE ON - www.danceonli.comFollow her on instagram - https://www.instagram.com/danceonli/---------------------------------------------Want to learn how to launch your own podcast? Download our free Podcast Gear Guide: https://bit.ly/2rQgov5Follow us: https://www.facebook.com/dontfeargrithttps://www.instagram.com/dontfeargrit/

Get your scissors out because it's time to cut a damn rug on this week's dance party episode of The Worm Turns with Jimmy Callaway! The Shadows of Knight--“Shake” The Sonics--“Do You Love Me” The Hi-Liters--“Dance Me To Death”  The Rock-A-Teens--“Woo-Hoo” Carl Holmes & The Commanders--“Mashed Potatoes”  Judy Carne--“Sock It to Me” Carrie Grant & The Grandeurs--“Mish Mash” The Invictas--“The Hump” The Denims--“Ya Ya” Johnny Angel--“The Fever” The Lively Ones--“Bugalu Movement” Cal Jenkins--“The Elbow” The Mussies--“Louis Go Home” The Caps--“Red-Headed Flea” The Valiants--“Good Golly, Miss Molly” The Monkees--“Let's Dance On”

This week's episode of The Worm Turns with Jimmy Callaway has more hooks than a well-stocked tacklebox! Dedicated to Nick fuckin' Tosches Clarence “Frogman” Henry--“Ain't Got No Home” Jon Cougar Concentration Camp--“Don't Call Me a Spartan” Herman's Hermits--“I'm Into Something Good” The Monkees--“Let's Dance On”  The Proclaimers--“I'm Gonna Be (500 Miles)”  The Gruesomes--“I'm Glad for You” The Underbeats--“Foot Stompin'” The Jolly Green Giants--“Busy Body” The Madhatters--“Just Won't Leave” The Other Side--“What in the World” Wilson Pickett--“Land of 1,000 Dances” Gabriel and the Angels--“Hey!” The Easybeats--“Women (Make You Feel All Right) We the People--“My Brother, the Man”  The Tracers--“She Said Yeah” The Vindictives--“Ain't Got No Home”

Episode 1, a conversation with Christopher Roman, pt 1/2. Christopher Roman is an award-winning professional dancer and choreographer based in Frankfurt, Germany. He has served as Associate Artisitic Director of the Forsythe Company in Frankfurt, Artistic Director of Dance ON in Berlin, and is at the beginning stages of building a SALT Company, a "multi-faceted" resource for dancers. In part one of our conversation, we discuss the worth of a moving body, and what would be required to effect change in the dance world in order for dancers to garner agency over their own bodies and the politics at play in the world of performing arts.

Live stream - Sat 2AM-4AM CET (GMT+1) on www.yammat.fm Frequency: 102.5 FM, YAMMAT FM, Zagreb, Croatia Download on iTunes - bit.ly/blacksoulmusicmatters Follow me on Instagram: www.instagram.com/blacksoulmusic/ 100% PEZNT 01. Dancing (ReRub Mix) DFTD/Defected 02. Freedom (Original Mix) /DFTD/Defected 03. Toxic Love ft Gregers (Original Mix) /DFTD/Defected 04. Dance On ft Andy Roda (Original Mix) /Blacksoul Music 05. Pelin (Original Mix) /Strictly Rhythm 06. Kaymak (Original Mix) /Blacksoul Music 07. Son Of A Gun (Original Mix) /Motive 08. You Got Me ft Sheree Hicks (Original Mix) /Nervous 09. Down Under (Original Mix) /DFTD/Defected 10. Dance Naked /Big Beat/Atlantic 11. Breakfast ft Born I Music (Original Mix) /Dirtybird 12. Burek /Blacksoul Music 13. Robi Ivek (Original Mix) /Lapsus 14. El Chevapo w/ Mike Vale /Material 15. Whats Ya number w/ Brown Sneakers /Strictly Rhythm 16. Yogurt /Metropolitan 17. Gregada /Sense Traxx 18. Hey w/ Brown Sneakers /Strictly Rhythm 19. Can You Feel ft Bebe Na Vole /Glasgow Underground 20. Free Taya /Blacksoul Music 21. Sarma /Toolroom 22. Get Inside /InHouse

Darren talks to Zachary Hoskins about Dance On

Mostly I've been doing lower tempo Disco Morning Music which I love. But I decided it was time to pull out some favorite Hi Energy classics. Hope you enjoy. Dance On. 1. Don't Turn Around - The Raes 2. I’m Gonna Love You Forever - Jimmy Ruffin and Jackson Moore 3. I`m On Fire (12`` Extended Version) - Kelly Marie 4. No More Tears (Enough Is Enough) - Donna Summer 5. Without Your Love - Cut Glass 6. Savin' Myself (Blaster Mix) - Eria Fachin 7. Darling Forever - Baiser 8. Back To You - Crystal in the Pink 9. Love in the Shadows - EG Daily 10. Can He Find Another One - Double Discovery 11. In Private (Razormaid Mix) - Dusty Springfield 12. Forbidden Love (12" Mix) - Madleen Kane 13. Maybe This Time - Debbie Jacobs 14. Hot Wax - Kat Mandu 15. The Sun Ain't Gonna Shine Anymore - Quantize 16. Don't Take The Night Away - Adrian Baker

Lecture given by Swami B.V. Tripurari on May 19th, 2013 on the Bhagavad-gita, 10th Chapter, Verse 10: Dance On the Ground of Being

Lecture given by Swami B.V. Tripurari on May 19th, 2013 on the Bhagavad-gita, 10th Chapter, Verse 10: Dance On the Ground of Being

Lecture given by Swami B.V. Tripurari on May 19th, 2013 on the Bhagavad-gita, 10th Chapter, Verse 10: Dance On the Ground of Being

Take me to the sun! Song listing: Plastik Funk & Dave Kurtis - Shake Dr. Kucho!, Zenbi - Echale Candela Shena, Darryl Green - The Tears In My Eyes Laidback Luke Feat Wynter Gordon - Speak Up Crazibiza - Everybody Dance Plastik Funk & Dave Kurtis - Housemusic Criminal Vibes - Pump Up The Jam Dj Chus - A Night Summer Dream David Puentez - Envy Lookback - Sudo Muzzaik & Exacta - Reach Deep Blush - Dance On Bob Sinclar feat. Sophie Ellis Bextor & Gilbere Forte - F*** With You DJ Chus, Patric La Funk - Bel Amour Mauro Picotto - Joga Bola Shakira - Addicted To You Rita Ora - How We Do Ian Pooley, Phil Fuldner - Zoana Reza feat. Max C - Put It On Alex Gaudino feat. Crystal Waters - Destination Calabria Chris Montana - Music Stefano Noferini - It's For You Crazibiza - Take Control Beyonce - Love On Top John LePage feat. Debby Holiday - Key To Your Soul Inna - Wow Mark Knight - Together Tiesto & Mark Knight feat. Dino Lenny - Beautiful World Cahill feat. Chrome - Can't You See Jennifer Lopez feat. Pitbull - Dance Again Cutee B Feat. Jarell Perry - Fantasy Kelly Clarkson - Dark Side Pagano - Hispanicity Marcelo Vak vs. Luca Bisori - Yes I Wanna Funk Adam Lambert - Never Close Our Eyes Dreamette - Night of Your Life Happy Listening,