Podcasts about Snowmass

Every year vets shred the slopes of Snowmass, Colorado at The National Disabled Veterans Winter Sports Clinic. We're joined by Army veteran, Frances Osorio-Rivera, who as a single leg amputee went from being severely injured to becoming an inspiring pro kite surfer. Rivera, a Puerto Rico native and self-described “island girl” shared how despite her injury, she was determined to back in the water and resume kite surfing. She also described how attending the Winter Sports Clinic changed her life. We also talked with Alex Maytre, VA Recreational Therapist and adaptive sports expert. He highlighted his previous work helping vets discover the thrills of scuba diving in Miami and describes how VA works to help vets achieve their wildest dreams. From the ski slopes to kite surfing to scuba diving, their stories reveal how outdoor adaptive sports truly help vets heal and experience the power of feeling stoked! For more on adaptive sports resources, upcoming events and more … Check out the National Disabled Veterans Winter Sports Clinic here: https://www.wintersportsclinic.org/ Connect with CBS Eye on Veterans, Host, Phil Briggs phil@connectingvets.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On today's newscast: Local officials are urging residents to be aware of the risk of measles amid a nationwide outbreak, a closer look at the impact of the third annual Limitless Mountain Challenge for adaptive skiers at Snowmass, Aspen Words announced several well-known authors are coming for its first-ever Aspen Literary Festival, and more.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website:  MaryDGraham.comFollow  on Instagram:  @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

As Managing Partner, Chris oversees all of the company's development and sales activities. With East West pioneering new communities in Charleston, Denver, Snowmass, Deer Valley and Kauai, Chris works with folks from coast to coast and helps guide these destinations toward the future. From his perspective, the agenda is actually quite simple, “We build places that put people first, where the experience drives design and sustainability governs construction techniques.”Chris is a founding member and the board President for the Civic Center Conservancy, the City of Denver's private partner at Civic Center Park. He is also Board Chair for the Rocky Mountain chapter of the Young Presidents' Organization, and a member of the Board of Governors' for the Denver Metropolitan Chamber of Commerce.On this episode, Jake & Chris discuss:- How they find deals- East West's acquisition process- Setting up multiple offices to enhance the development flow- The difference between condos & hotels and how to make it work- Large scale resort development- Managing riskConnect & Invest with JakeFollow Jake on Twitter: https://twitter.com/jwurzakTake the Hospitality Investing Masterclass: https://learn.jakewurzak.com/Learn How to Invest with DoveHill: https://bit.ly/3yg8PwoLinks:Chris on LinkedIn - https://www.linkedin.com/in/cframpton1/East West Partners: https://www.ewpartners.com/Petit St. Vincent - https://www.petitstvincent.com/Cayo Espanto Beliz - https://aprivateisland.com/The Soho Grand NYC - https://www.sohogrand.com/One Hotel Hanalei Bay - https://www.1hotels.com/hanalei-bayTopics:(00:00:00) - Intro(00:02:05) Chris' career in real estate(00:12:17) East West's focus on providing value to buyers(00:16:39) East West's PM approach(00:19:51) An inside look at the 3 companies within EastWest(00:26:08) How has the organization changed in your time there?(00:30:19) How did you expand to all these different markets while maintaining the core value of living where you work?(00:35:04) What incentives worked when giving ownership to employees?(00:38:35) How have you been able to survive real estate cycles and maintain a massive development pipeline?(00:43:17) Fee Development for another party(00:49:15) Is there room for more master resorts?(00:51:32) What was your greatest investment?(00:54:24) How are you capitalizing deals?(00:57:02) How do you approach reporting?(01:01:18) Is there a mistake that you made that lingers for you?(01:04:09) How are you managing risk through the acquisition pipeline?(01:11:17) How do you structure a Condo Hotel?(01:19:28) What is your favorite hotel?

This podcast hit paid subscribers' inboxes on Nov. 24. It dropped for free subscribers on Dec. 1. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:What There's a good reason that the Ikon Pass, despite considerable roster overlap and a more generous bucket of days, failed to kill Mountain Collective. It's not because Mountain Collective has established itself as a sort of bargain Ikon Junior, or because it's scored a few exclusive partners in Canada and the Western U.S. Rather, the Mountain Collective continues to exist because the member mountains like their little country club, and they're not about to let Alterra force a mass exodus. Not that Alterra has tried, necessarily (I frankly have no idea), but the company did pull its remaining mountains (Mammoth, Palisades, Sugarbush), out of the coalition in 2022. Mountain Collective survived that, just as it weathered the losses of Stowe and Whistler and Telluride (all to the Epic Pass) before it. As of 2024, six years after the introduction of the Ikon Pass that was supposed to kill it, the Mountain Collective, improbably, floats its largest roster ever.And dang, that roster. Monsters, all. Best case, you can go ski them. But the next best thing, for The Storm at least, is when these mountain leaders assemble for their annual meeting in New York City, which includes a night out with the media. Despite a bit of ambient noise, I set up in a corner of the bar and recorded a series of conversations with the leaders of some of the biggest, baddest mountains on the continent.Who* Stephen Kircher, President & CEO, Boyne Resorts* Dave Fields, President & General Manager, Snowbird, Utah* Brandon Ott, Marketing Director, Alta, Utah* Steve Paccagnan, President & CEO, Panorama, British Columbia* Geoff Buchheister, CEO, Aspen Skiing Company, Colorado* Pete Sonntag, VP & General Manager, Sun Valley, Idaho* Davy Ratchford, General Manager, Snowbasin, Utah* Aaron MacDonald, Chief Marketing Officer, Sun Peaks, British Columbia* Geordie Gillett, GM, Grand Targhee, Wyoming* Bridget Legnavsky, President & CEO, Sugar Bowl, California* Marc-André Meunier, Executive Marketing Director, Bromont, Quebec* Pete Woods, President, Ski Big 3, Alberta* Kendra Scurfield, VP of Brand & Communications, Sunshine, Alberta* Norio Kambayashi, director and GM, Niseko Hanazono, Japan* James Coleman, Managing Partner, Mountain Capital Partners* Mary Kate Buckley, CEO, Jackson Hole, WyomingRecorded onOctober 29, 2024About Mountain CollectiveMountain Collective gives you two days each at some badass mountains. There is a ton of overlap with the Ikon Pass, which I note below, but Mountain Collective is cheaper has no blackout dates.What we talked aboutBOYNE RESORTSThe PortfolioBig SkySunday RiverSugarloafTopicsYes a second eight-pack comes to Big Sky and it's a monster; why Sunday River joined the Mountain Collective; Sugarloaf's massive West Mountain expansion; and could more Boyne Resorts join Mountain Collective?More Boyne ResortsSNOWBIRDStats: 3,240 vertical feet | 2,500 skiable acres | 500 inches average annual snowfallTopicsThe new Wilbere lift; why fixed-grip; why 600 inches of snow is better than 900 inches; and how Snowbird and Alta access differ on the Ikon versus the Mountain Collective passes.Wilbere's new alignmentMore SnowbirdALTAStats: 2,538 vertical feet | 2,614 skiable acres | 540 inches average annual snowfallTopicsNot 903 inches but still a hell of a lot; why Alta's aiming for 612 inches this season; and plotting Mountain Collective trips in LCC.PANORAMAStats: 4,265 vertical feet | 2,975 skiable acres | 204 inches average annual snowfallTopicsPanorama opens earlier than most skiers think, but not for the reasons they think; opening wall-to-wall last winter; Tantum Bowl Cats; and the impact of Mountain Collective and Ikon on Panorama.More PanoramaASPEN SKIING COMPANYStatsAspen MountainAspen HighlandsButtermilkSnowmassTopicsLast year's Heroes expansion; ongoing improvements to the new terrain for 2024-25; why Aspen finally removed The Couch; who Aspen donated that lift to, and why; why the new Coney lift at Snowmass loads farther down the mountain; “we intend to replace a lift a year probably for the next 10 years”; where the next lift could be; and using your two Mountain Collective days to ski four Aspen resorts.   On Maverick Mountain, MontanaDespite megapass high-tides swarming mountains throughout the West, there are still dozens of ski areas like Maverick Mountain, tucked into the backwoods, 2,020 vertical feet of nothing but you and a pair of sticks. Aspen's old Gent's Ridge quad will soon replace the top-to-bottom 1969 Riblet double chair that serves Maverick now:On the Snowmass masterplanAspen's plan is, according to Buchheister, install a lift per year for the next decade. Here are some of the improvements the company has in mind at Snowmass:On the Mountain Collective Pass starting at AspenChristian Knapp, who is now with Pacific Group Resorts, played a big part in developing the Mountain Collective via Aspen-Snowmass in 2012. He recounted that story on The Storm last year:More AspenSUN VALLEYStats* Bald Mountain: 3,400 vertical feet | 2,054 skiable acres | 200 inches average annual snowfall* Dollar Mountain: 628 vertical feetTopicsLast season's massive Challenger/Flying Squirrel lift updates; a Seattle Ridge lift update; World Cup Finals inbound; and Mountain Collective logistics between Bald and Dollar mountains.More Sun ValleySNOWBASINStats: 3,015 vertical feet | 3,000 skiable acres | 300 inches average annual snowfallTopicsThe Olympics return to Utah and Snowbasin; how Snowbasin's 2034 Olympic slate could differ from 2002; ski the downhill; how the DeMoisy six-pack changed the mountain; a lift upgrade for Becker; Porcupine on deck; and explaining the holdup on RFID.More SnowbasinSUN PEAKSStats: 2,894 vertical feet | 4,270 skiable acres | 237 inches average annual snowfallTopicsThe second-largest ski area in Canada; the new West Bowl quad; snow quality at the summit; and Ikon and Mountain Collective impact on the resort.The old versus new West Bowl liftsMore Sun PeaksGRAND TARGHEEStats: 2,270 vertical feet | 2,602 skiable acres | 500 inches average annual snowfallTopicsMaintaining that Targhee vibe in spite of change; the meaning of Mountain Collective; and combining your MC trip with other badass powder dumps.More Grand TargheeSUGAR BOWLStats: 1,500 vertical feet | 1,650 skiable acres | 500 inches average annual snowfallTopicsBig-time parks incoming; how those parks will differ from the ones at Boreal and Northstar; and reaction to Homewood closing.More Sugar BowlBROMONTStats: 1,175 vertical feet | 450 skiable acres | 210 inches average annual snowfallTopicsWhy this low-rise eastern bump was good enough for the Mountain Collective; grooming three times per day; the richness of Eastern Townships skiing; and where to stay for a Bromont trip.SKI BIG 3Stats* Banff Sunshine: 3,514 vertical feet | 3,358 skiable acres | 360 inches average annual snowfall* Lake Louise: 3,250 vertical feet | 4,200 skiable acres | 179 inches average annual snowfallSunshineLake LouiseTopicsThe new Super Angel Express sixer at Sunshine; the all-new Pipestone Express infill six-pack at Lake Louise; how Mountain Collective access is different from Ikon access at Lake Louise and Sunshine; why Norquay isn't part of Mountain Collective; and the long season at all three ski areas.SUNSHINEStats & map: see aboveTopicsSunshine's novel access route; why the mountain replaced Angel; the calculus behind installing a six-person chair; and growing up at Sunshine.NISEKO UNITEDStats: 3,438 vertical feet | 2,889 skiable acres | 590 inches average annual snowfallTopicsHow the various Niseko ski areas combine for one experience; so.much.snow; the best way to reach Niseko; car or no car?; getting your lift ticket; and where to stay.VALLE NEVADOStats: 2,658 vertical feet | 2,400 skiable acres | 240 inches average annual snowfallTopicsAn excellent winter in Chile; heli-skiing; buying the giant La Parva ski area, right next door; “our plan is to make it one of the biggest ski resorts in the world”; and why Mountain Capital Partners maintains its Ikon Pass and Mountain Collective partnerships even though the company has its own pass.More Valle/La Parva JACKSON HOLEStats: 4,139 vertical feet | 2,500 skiable acres | 459 inches average annual snowfallTopicsThe Sublette lift upgrade; why the new lift has fewer chairs; comparisons to the recent Thunder lift upgrade; venturing beyond the tram; and managing the skier experience in the Ikon/Mountain Collective era.More Jackson HoleWhat I got wrong* I said that Wilbere would be Snowbird's sixth quad. Wilbere will be Snowbird's seventh quad, and first fixed-grip quad.* I said Snowbird got “900-some inches” during the 2022-23 ski season. The final tally was 838 inches, according to Snowbird's website.The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 79/100 in 2024, and number 579 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

On today's newscast: The Garfield County Public Library District responds to more challenges to books on shelves, SkiCo proposes employee housing on Divide Road in Snowmass, Pitkin County election security, money for APCHA and bears, Arizona GOP spending in Colorado races, weather predictions, prescribed fires, and more.

This podcast hit paid subscribers' inboxes on Sept. 13. It dropped for free subscribers on Sept. 20. To receive future pods as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoChip Seamans, President of Windham Mountain Club, New YorkRecorded onAugust 12, 2024About Windham Mountain ClubClick here for a mountain stats overviewOwned by: Majority owned by Beall Investment Partners and Kemmons Wilson Hospitality Partners, majority led by Sandy BeallLocated in: Windham, New YorkYear founded: 1960Pass affiliations:* Ikon Pass: 7 days* Ikon Base Pass: 5 days, holiday blackoutsClosest neighboring ski areas: Hunter (:17), Belleayre (:35), Plattekill (:48)Base elevation: 1,500 feetSummit elevation: 3,100 feetVertical drop: 1,600 feetSkiable Acres: 285Average annual snowfall: 100 inchesLift count: 11 (1 six-pack, 3 high-speed quads, 1 triple, 1 double, 5 carpets – view Lift Blog's inventory of Windham's lift fleet)Why I interviewed himThe Catskills are the closest thing to big-mountain skiing in my immediate orbit. Meaning the ski areas deliver respectable vertical drops, reasonably consistent snowfall, and an address reachable for first chair with a 6 to 7 a.m. departure time. The four big ski areas off I-87 – Belleayre, Plattekill, Hunter, and Windham – are a bit farther from my launchpad than the Poconos, than Mountain Creek, than Catamount or Butternut or the smaller ski areas in Connecticut. But on the right day, the Catskills mountains ski like a proto-Vermont, a sampler that settles more like a main course than an appetizer.I'm tremendously fond of the Catskills, is my point here. And I'm not the only one. As the best skiing within three hours of New York City, this relatively small region slings outsized influence over North American ski culture. Money drives skiing, and there's a lot of it flowing north from the five boroughs (OK maybe two of the boroughs and the suburbs, but whatever). There's a reason that three Catskills ski areas (Belleayre, Hunter, and Windham), rock nearly as many high-speed chairlifts (nine) as the other 40-some ski areas in New York combined (12). These ski areas are cash magnets that prime the 20-million-ish metro region for adventures north to New England, west to the West, and east to Europe.I set this particular podcast up this way because it's too easy for Colorad-Bro or Lake Ta-Bro or Canyon Bro to look east and scoff. Of course I could focus this whole enterprise on the West, as every ski publication since the invention of snow has done. I know the skiing is better out there. Everyone does. But that doesn't mean it's the only skiing that matters. The Storm is plenty immersed in the West, but I can also acknowledge this reality: the West needs the East more than the East needs the West. After all, there's plenty of good skiing out here, with a lot more options, and without the traffic hassles (not to mention the far smaller Brobot:Not Brobot ratio). And while it's true that New England ski areas have lately benefitted from capital airdrops launched by their western overlords, a lot of that western money is just bouncing back east after being dropped off by tourists from Boston, New York, Philly, and D.C. Could Colorado have skiing without eastern tourism? Yes, but would Summit and Eagle counties be dripping with high-speed lifts and glimmering base villages without that cash funnel, or would you just have a bunch of really big Monarch Mountains?None of which tells you much about Windham Mountain Windham Mountain Club, which I've featured on the podcast before. But if you want to understand, rather than simply scoff at, the New Yorkers sharing a chair with you at Deer Valley or Snowmass or Jackson, that journey starts here, in the Catskills, a waystation on many skiers' pathway to higher altitudes.What we talked aboutChip is the new board chairman of the National Ski Areas Association; searching for a new NSAA head; the difference between state and national ski organizations; the biggest challenge of running a ski area in New York; could New York State do more to help independent ski areas?; how the ski area's rebrand to Windham Mountain Club “created some confusion in the market, no doubt”; the two-day weekend lift ticket minimum is dead; “our plan has always been to stay open to the public and to sell passes and tickets”; defining “premium”; what should a long liftline look like at WMC?; lift ticket and Ikon Pass redemption limits for 2024-25; the future of Windham on the Ikon Pass; rising lift ticket prices; free season passes for local students; who owns WMC, and what do they want to do with it?; defining the “club” in WMC; what club membership will cost you and whether just having the cash is enough to get you in; is Windham for NYC or for everyone?; how about a locals' pass?; a target number of skiers on a busy day at Windham; comparing Windham to Vermont's all-private Hermitage Club; how about the Holimont private-on-weekends-only model?; some people just want to be angry; the new owners have already plowed $70 million into the bump; snowmaking updates; a badass Cat fleet; a more or less complete lift fleet; the story behind K lift; the Windham village and changes to parking; and the dreaded gatehouse.   Why I thought that now was a good time for this interviewRather than right now, maybe the best time for this interview would have been a year ago, or six months ago, or maybe all three. It's been a confusing time at Windham, for skiers, for employees, for the people running the place. No one seems to understand exactly what the bump is, what it plans to be, and what it wants to be.Which doesn't stop anyone from having an opinion, most of them wildly misinformed. Over the past year, I've been told, definitively, by a Saturday liftline's worth of casual skiers that Windham had “gone private.” The notion is pervasive, stubborn, immune to explanations or evidence to the contrary. So, very on brand for our cultural moment.Which doesn't mean I shouldn't try. I'm more than willing to bang on ski areas for their faults. In Windham's case, I've always thought that they groom too much, that the season is too short, that the season pass price (currently $2,000!), is beyond insane. But it's not really fair to invent a problem and then harangue the operators about it. Windham is not a private ski area, it is not shut off from locals, it does not require a $200,000 handshake to pass through the RFID gates. Inventing a non-existent problem and then taking offense to it is a starter kit for social media virtue signaling, but it's a poor way to conduct real life.But honestly, what the hell is going on up there? How can Windham Mountain Club justify a larger initiation fee than Vermont's truly private Hermitage Club for a ski experience that still involves half of Manhattan? Why is it so hard to make a weekend Ikon Pass reservation? Does anyone really go to the Catskills in search of the “rarified reality” that WMC insists it is somehow providing? What is the long-term vision here?All fair questions, all spun from WMC's self-inflicted PR tornado. But the answers are crystalizing, and we have them here.What I got wrong* I said that “Gore's triple chair,” which was only a “12, 13-year-old lift” was going to McCauley. I was referring to the Hudson triple, a 2010 Partek (so 14 years old), which will replace nearby but much smaller McCauley's 1973 Hall double, known as “Big Chair,” for the coming ski season.  * I said that the club fees for Windham were roughly the same as Hermitage Club. This is drastically untrue. WMC's $200,000 initiation fee is double Hermitage Club's $100,000 number. Windham's annual dues, however, are much lower than HC's $18,500.* I said that Windham was automating its first snowmaking trail this year. That is incorrect, as Seamans points out in our conversation. Windham is installing its first automated snowmaking on the east side of the mountain this year, meaning that 40 percent of the mountain's snowmaking system will now be automated.* I said that Windham had a water-supply-challenge, which is not accurate. I was confusing water supply (adequate), with snowmaking system pumping capacity (room for improvement). I think I am covering too many mountains and sometimes the narratives cross. Sorry about that.Why you should ski Windham Mountain ClubIf you really want an uncrowded Catskills ski experience, you have exactly one option: go to family-owned Plattekill, 40 minutes down the road. It has less vert (1,100 feet), and half Windham's acreage on paper, but when the glades fill in (which they often do), the place feels enormous, and you can more or less walk onto either of the mountain's two chairlifts any day of the season.But Plattekill doesn't have high-speed lifts, it's not on the Ikon Pass, and it's not basically one turn off the thruway. Windham has and is all of those things. And so that's where more skiers will go.Not as many, of course, as will go to Hunter, Windham's Vail-owned archnemesis 15 minutes away, with its unlimited Epic Pass access, Sahara-sized parking lots, and liftlines that disappear over the curvature of the Earth. And that has been Windham's unspoken selling point for decades: Hey, at least we're not Hunter. That's true not only in relative crowd size, but in attitude and aesthetic; Hunter carries at least a 10:1 ratio* over Windham in number of LongIsland Bros straightlining its double-blacks in baseball caps and Jets jerseys.In that context, Windham's rebrand is perfectly logical – as Hunter grows ever more populist, with a bargain season pass price and no mechanism to limit visitors outside of parking lot capacity (they ski area does limit lift ticket sales, but not Epic Pass visits), the appeal of a slightly less-chaotic, more or less equally scaled option grows. That's Windham. Or, hey, the much more exclusive sounding “Windham Mountain Club.”And Windham is a good ski area. It's one of the better ones in New York, actually, with two peaks and nice fall line skiing and an excellent lift system. It doesn't sprawl like Gore or tower like Whiteface, and those fall lines do level off a bit too abruptly from the summit, but it feels big, especially when that Catskills snowbelt fires. On a weekday, it really can feel like a private ski area. And you can probably score an Ikon Pass slot without issue. So go now, before WMC jumps off that mainstream pass, and the only way in the door is a triple-digit lift ticket.*Not an actual statistic^^Probably though it's accurate.Podcast NotesOn New York having more ski areas than any other state in the countryIt's true. New York has 51. The next closest state is Michigan, with 44 (only 40 of which operated last winter). Here's a list:On the three New York state-owned ski areas that “have been generously funded by the state”It's basically impossible to have any honest conversation about any New York ski area without acknowledging the Godzilla-stomping presence of the state's three owned ski areas: Belleayre, Gore, and Whiteface. These are all terrific ski areas, in large part because they benefit from a firehose of taxpayer money that no privately owned, for-profit ski area could ever justify. As the Adirondack Explorer reported in July:The public authority in charge of the state's skiing, sliding and skating facilities saw expenses and losses jump in the past year, its annual financial report shows.The Lake Placid-based Olympic Regional Development Authority [ORDA], whose big-ticket sites are the Belleayre Mountain, Gore Mountain and Whiteface Mountain alpine centers, disclosed operating losses of $47.3 million for the last fiscal year. That compared with losses of $29.3 million for the same period a year earlier.It's important to acknowledge that this budget also covers a fun park's worth of skating rinks, ski jumps, luge chutes (or whatever), and a bunch of other expensive, unprofitable crap that you need if you ever want to host an Olympics (which New York State has done twice and hopes to do again). Still, the amount of cash funneled into ORDA in recent years is incredible. As the Adirondack Explorer reported last year:“The last six years, the total capital investment in the Olympic Authority was $552 million,” [now-fomer ORDA President and CEO Mike] Pratt told me proudly. “These are unprecedented investments in our facilities, no question about it. But the return on investment is immediate.”Half a billion dollars is a hell of a lot of money. The vast majority of it, more than $400 million, went to projects in the Lake Placid region, home to some 20,000 year-round residents—and it turns out, that breathtaking sum is only part of the story.Adirondack Life found New York State has actually pumped far more taxpayer dollars into ORDA since Pratt took the helm than previously reported, including a separate infusion of subsidies needed to cover the Olympic Authority's annual operating losses. Total public spending during Pratt's six-year tenure now tops $620 million.… Taken together that's more money than New York spent hosting the 1980 Winter Olympics. It's also more money than the state committed, amid growing controversy, to help build a new NFL stadium in Buffalo, a city with a population more than 10 times that of the Lake Placid region.There's also no sign ORDA's hunger for taxpayer cash will shrink anytime soon. In fact, it appears to be growing. The Olympic Authority is already slated to receive operating subsidies and capital investments next year that total another $119 million.To put that amount in context, the entire Jay Peak Resort in Vermont sold last year for $76 million. Which means New York State's spending on the Olympic Authority in 2024 would be enough to buy an entire new ski mountain, with tens of millions of dollars left over.It now appears certain the total price tag for Pratt's vision of a new, revitalized ORDA will top $1 billion. He said that's exactly what the organization needed to finally fulfill its mission as keeper of New York's Olympic flame.More context: Vail resorts, which owns and operates 42 ski areas – more than a dozen of which are several times larger than Belleayre, Gore, and Whiteface combined – is allocating between $189 and $194 million for 2024 capital improvements. You can see why New York is one of the few states where Vail isn't the Big Bad Guy. The state's tax-paying, largely family-owned ski areas funnels 95 percent of their resentment toward ORDA, and it's easy enough to understand why.On New York's “increasingly antiquated chairlift fleet”Despite the glimmer-glammer of the lift fleets at ORDA resorts, around the Catskills, and at Holiday Valley, New York is mostly a state of family-owned ski areas whose mountains are likely worth less than the cost of even a new fixed-grip chairlift. Greek Peak's longest chairlift is a Carlevaro-Savio double chair installed in 1963. Snow Ridge runs lifts dating to 1964, '60, and '58(!). Woods Valley installed its three lifts in 1964, '73, and '75 (owner Tim Woods told me last year that the ski area has purchased at least two used chairlifts, and hopes to install them at some future point). Intermittently open (and currently non-operational) Cockaigne's two double chairs and T-bar date to 1965. These lifts are, of course, maintained and annually inspected, and I have no fear of riding any of them, but in the war for customers, lifts that predate human space travel do make your story a bit trickier to tell.On Holiday Valley selling a chairlift to CatamountI noted that a lift had moved from Holiday Valley to Catamount – that is the Catamount quad, Holiday Valley's old Yodeler quad. Catamount installed the new lift in 2022, the year after Holiday Valley pulled out the 20-year-old, 500-vertical-foot fixed-grip lift to replace it with a new high-speed quad.On Windham's pass price in comparison to othersWindham's season pass price is the eighth most expensive in America, and the most expensive in the East by an enormous amount (Windham also offers a Monday through Friday, non-holiday season pass for $750, and a Sunday through Friday, non-holiday pass for $1,300). Here's how WMC compares nationally:And here's how it stacks up in the East:On WMC's ownershipWe talk a bit about Windham's ownership in the pod. I dug into that a bit more last year, when they bought the place in April and again when the mountain rebranded in October.On Blackberry Farms Lodged between Windham and New York City is a hilltop resort called Mohonk Mountain House. In its aesthetic and upscale cuisine, it resembles Blackberry Farm, the Tennessee resort owned by Windham majority owner Sandy Beall, which The New York Times describes as “built on a foundation of simple Tennessee country life as reinterpreted for guests willing to pay a premium to taste its pleasures without any of its hardships.” In other words, an incredibly expensive step into a version of nature that resembles but sidesteps its wild form. I think this is what WMC is going for, but on snow.On the location of Windham's tubing hillI frankly never even realized that Windham had a tubing hill until Seamans mentioned it. Even though it's marked on the trailmap, the complex sits across the access road, well removed from the actual ski area. Tubing is not really something I give a damn about (sorry #TubeNation), other than to acknowledge that it's probably the reason many small ski areas can continue to exist, but I usually at least notice it if it's there. Circled in red below:On Hermitage ClubWe talk a bit about how Hermitage Club is similar in size to Windham. The southern Vermont ski area sports a slightly smaller vertical drop (1,400 feet to Windham's 1,600), and skiable acreage (200 to Windham's 285). Here's the trailmap:On Holimont, Buffalo Ski Club, and Hunt HollowNew York is home to three private, chairlift-served ski areas that all follow a similar business model: the general public is welcome on weekdays, but weekends and holidays are reserved for members. Holimont, right next door to Holiday Valley, is the largest and most well-known:Hunt Hollow is smaller and less-renowned, but it's a nice little bump (my favorite fact about HH is that the double chair – the farthest looker's left – is Snowbird's old Little Cloud lift):Buffalo Ski Center is the agglomeration of three side-by-side, formerly separate ski areas: Sitzmarker Ski Club, Ski Tamarack and Buffalo Ski Club. The trail network is dense and super interesting:On Windham in The New York TimesI referred to a feature story that The Times ran on Windham last December. Read that here.On Vail's pay bumpWhen Vail Resorts raised its minimum wage to $20 an hour in 2022, that presented a direct challenge to every competing resort, including Windham, just down the road from Vail-owned Hunter.On Windham's village expansionWindham will build a new condominium village over some portion of its current parking lots. Here's a concept drawing:The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 57/100 in 2024, and number 557 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

I am overjoyed to have the chance to sit down with Kelley and Leanne Wren with VNTRbirds. These folks are making shift happen in the mountain biking and snow sports communities by getting more women and femme-identifying folks outside. They not only empower folks with more knowledge, but more confidence as well in the process. Give this episode a listen to learn more about what inspired Kelley and Leanne Wren, and how VNTRbirds makes a difference in our community. You can learn more and join their clinics or subscribe to their newsletter using the links below: Website: https://vntrbirds.com/ Instagram: https://www.instagram.com/vntrbirds/ Join VNTRbirds in Snowmass on September 28-29th for our final bike park clinic of 2024: https://vntrbirds.com/event/vida-mtb-series-2-day-mini-mtb-festival-snowmass-2/ Sign up for their newsletter here: https://mailchi.mp/0eca5f3a7911/vntrbirds-email-signup I hope to see you at one of our clinics, and I will welcome you with a big Jen-sized hugs! Here are some other episodes to check out: 175. 10 Tips for New Mountain Bikers 112. How to Get Started in Mountain Biking Do You Want a Coach to Help Make Training or Nutrition Easier and Simpler for You? Hi, it's me.

7:20 a.m. – Rebekah Staples – Fellow on Work, Empower Mississippi Topic: Empower and their most report studying Mississippi's labor force participation rate. MS is consistently ranked as having one of the lowest labor force participation rates in the country. The goal of this research is to help determine why more Mississippians aren't in the workforce so we can pave a better path forward. 8:35 a.m. – Houston Battle – MS Catfish Farmer of the Year Bio - Houston is part owner of Battle Fish Farm and Pride of the Pond processing plant in Tunica, Mississippi. He grew up on the family fish farm, diligently working his way up to now operate the farm alongside his father, Bill Battle, and brother, Cooper Battle. Houston's analytical skills have driven key renovations on the farm to optimize the family business. Houston earned his degree in business administration at Mississippi State University. In 2019, he married his beautiful wife, Hannah, in Snowmass, Colorado. Houston currently serves on the Catfish Farmers of America board and participates in the Young Farmers Leadership Program. Topic: August is catfish month and Houston is the 2024 Catfish Farmer of the Year here in MS. Houston has a family history in the catfish industry

In this week's episode of Forty Drinks, Stephanie talks with Erik DeRosa about his profound midlife transition and struggle with mental health. Erik grew up with severe anxiety and obsessive-compulsive disorder, masking it under a facade for 25 years while pursuing a high-pressure career on Wall Street. At age 33, a dissociative episode forced him to confront his mental health issues and seek therapy. His life took a transformative turn when he discovered skiing, a passion that ultimately led him to leave his finance career and become a ski instructor in Colorado. Eric's story emphasizes the importance of recognizing and addressing mental health struggles, and how following one's passion can lead to a fulfilling and happier life. Guest Bio Erik DaRosa, known by friends as “Yoda,” is the Founder and CEO of From Survivor to Thriver, a mental health advocate, speaker, author and Co-host of the popular From Survivor to Thriver podcast. Through his work and his own lived experience, Erik is upending the front-end of the mental health space and building a bridge between those who seek resources and those who provide both help and hope. Each week on his podcast, he tackles different mental health topics through honest and relatable "kitchen table" conversations with real people who are helping to shatter mental health stigmas and find their voices. He aims to normalize discussions around mental health topics and remind his audience they are not alone, there is strength in community and "it's perfectly ok to not always be ok."In 2011, Erik traded in a successful career as a NYC finance executive when he moved to Colorado with his wife and two cats. Erik spent twelve winters as a ski instructor for the Aspen Skiing Company before retiring in the Spring of 2023.Born and raised in New England, Erik earned his MBA from the NYU Stern School of Business and his BA in Economics from Brandeis University. He lives in Colorado with his wife Amy and two cats, Lincoln and Taylor.Turning 40 and Changing the Things that Muck with Your Mental HealthThis week, Stephanie sits down with Erik DaRosa, a former Wall Street banker who found solace and a new beginning in the snowy mountains of Colorado. Erik shares his compelling story of battling severe anxiety and OCD from a young age, and how a midlife pivot at 40 led him to a transformative journey in skiing and mental health advocacy. Join us as Erik opens up about the challenges he faced, the revelations in therapy, and how skiing became not just a hobby but a lifeline.Highlights of the Episode:Erik's early struggles with severe anxiety and OCD, and how these challenges were masked during his youth and early professional life.The pivotal moment at age 33 when a dissociative episode during a drive forced Erik to seek help and begin confronting his mental health issues.How a therapist's unusual suggestion to try skiing led Erik to discover a passion that was transformative, both mentally and physically.Erik's transition from a high-pressure finance career in New York to becoming a ski instructor in Snowmass, Colorado, embracing a healthier lifestyle and community.The launch of Erik's mental health podcast, "From Survivor to Thriver," and his upcoming program, U-MOST (Unlocking Minds on Snow Together), which combines skiing with mental health healing practices.Today's episode is a profound look at how midlife can be a turning point for profound personal transformation. Erik's journey from the trading floors of Wall Street to the ski slopes of Colorado is not just about changing careers; it's about discovering and embracing a new way of life that prioritizes mental health, passion, and community. His upcoming U-MOST program is set to offer others the therapeutic benefits of skiing, showing that it's never too late to find your true calling and heal.If you enjoyed this...

World champion speed skier turned rockcrawler, John Hembel, shares techniques in improving all skills on Episode 215. Be sure to listen on your favorite podcast app.9:48 – I worked ski rentals, at the end of the day there'd be a huge pile in the middle of the ski shop; my job was to pair them all up together and put them awayl 17:30 – I actually got a soccer scholarship to a school in Mississippi, but I didn't like the school             22:40 – the fortunate part is the auto detailing end of things gives you the ability to bring in day-to-day business without knocking on doors28:57 – It's the south, so really all you're wheeling is mud, which is terrible. I hate mud. 36:11 – We're fortunate in the people we know that we have a lot of really responsible friends who want to save the lands48:44 – I always knew I wanted to be a pro skier, I loved it so much.58:01 – when they brought a speed skiing competition to Snowmass, I was like, I got to go out and do that1:01:55 – I yelled down to the kid, in French, I think I have mad cow disease…then I took my run.1:08:27 – 2002, I set my record, 2003, I was world champion1:18:28 – Almost every time we go out rockcrawling, even three and a half years later, I'm learning something new.Special thanks to 4low Magazine and Maxxis Tires for support and sponsorship of this podcast.Be sure to listen on your favorite podcast app. Support the Show.

On today's newscast: Silt town trustees took a page from Garfield County's book and declared itself a non-sanctuary county, CLEER is partnering with the Colorado Energy Office to let people know about state funding for EV charging, Snowmass will wrap up the ski season this weekend with its annual party and pond skim at Elk Camp, and more.

The program at Snowmass this week included athletes, advocates and influencers from all over the country. As Kaya Williams reports, they gathered for snowboarding lessons, festive parties and fireside chats about race and inclusion, in an effort to show more people the joys of mountain adventure.

Amanda Seward was one of the hundreds of participants who came to the National Disabled Veterans Winter Sports Clinic at Snowmass Ski Area last week. As Kaya Williams reports, Seward wasn't a snowboarder before she was injured, but now, she aspires to compete in the Paralympics, where she can spread a message of support and community.

This podcast hit paid subscribers' inboxes on Feb. 28. It dropped for free subscribers on March 6. To receive future pods as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription (on sale at 15% off through March 12, 2024). You can also subscribe to the free tier below:WhoHoward Katkov, Chairman and CEO of Red Mountain Resort, British ColumbiaRecorded onFeb. 8, 2024About Red MountainClick here for a mountain stats overviewOwned by: Red Mountain VenturesLocated in: Rossland, British Columbia, CanadaYear founded: 1947 (beginning of chairlift service)Pass affiliations:* Ikon Pass: 7 days, no blackouts* Ikon Base Pass and Ikon Base Pass Plus: 5 days, holiday blackouts* Lake Louise Pass (described below)Closest neighboring ski areas: Salmo (:58), Whitewater (1:22), Phoenix Mountain (1:33), 49 Degrees North (1:53)Base elevation: 3,887 feet/1,185 metersSummit elevation: 6,807 feet/2,075 metersVertical drop: 2,919 feet/890 metersSkiable Acres: 3,850Average annual snowfall: 300 inches/760 cmTrail count: 119 (17% beginner, 34% intermediate, 23% advanced, 26% expert)Lift count: 8 (2 fixed-grip quads, 3 triples, 1 double, 1 T-bar, 1 carpet)View historic Red Mountain trailmaps on skimap.org. Here are some cool video overviews:Granite Mountain:Red Mountain:Grey Mountain:Rossland:Why I interviewed himIt's never made sense to me, this psychological dividing line between Canada and America. I grew up in central Michigan, in a small town closer to Canada (the bridge between Sarnia and Port Huron stood 142 miles away), than the closest neighboring state (Toledo, Ohio, sat 175 miles south). Yet, I never crossed into Canada until I was 19, by which time I had visited roughly 40 U.S. states. Even then, the place felt more foreign than it should, with its aggressive border guards, pizza at McDonald's, and colored currency. Canada on a map looks easy, but Canada in reality is a bit harder, eh?Red sits just five miles, as the crow flies, north of the U.S. border. If by some fluke of history the mountain were part of Washington, it would be the state's greatest ski area, larger than Crystal and Stevens Pass combined. In fact, it would be the seventh-largest ski area in the country, larger than Mammoth or Snowmass, smaller only than Park City, Palisades, Big Sky, Vail, Heavenly, and Bachelor.But, somehow, the international border acts as a sort of invisibility shield, and skiing Red is a much different experience than visiting any of those giants, with their dense networks of high-speed lifts and destination crowds (well, less so at Bachelor). Sure, Red is an Ikon Pass mountain, and has been for years, but it is not synonymous with the pass, like Jackson or Aspen or Alta-Snowbird. But U.S. skiers – at least those outside of the Pacific Northwest – see Red listed on the Ikon menu and glaze past it like the soda machine at an open bar. It just doesn't seem relevant.Which is weird and probably won't last. And right now Shoosh Emoji Bro is losing his goddamn mind and cursing me for using my platform focused on lift-served snowskiing to hype one of the best and most interesting and most underrated lift-served snowskiing operations in North America. But that's why this whole deal exists, Brah. Because most people ski at the same 20 places and I really think skiing as an idea and as an experience and as a sustainable enterprise will be much better off if we start spreading people out a bit more.What we talked aboutRed pow days; why Red amped up shuttle service between the ski area and Rossland and made it free; old-school Tahoe; “it is the most interesting mountain I've ever skied”; buying a ski area when you've never worked at a ski area; why the real-estate crash didn't bury Red like some other ski areas; why Katkov backed away from a golf course that he spent a year and a half planning at Red; why the 900 lockers at the dead center of the base area aren't going anywhere; housing and cost of living in Rossland; “we look at our neighborhood as an extension of our community of Rossland”; base area development plans; balancing parking with people; why and how Red Mountain still sells affordable ski-in, ski-out real estate; “our ethos is to be accessible for everybody”; whether we could ever see a lift from Rossland to Red; why Red conducted a crowd-funding ownership campaign and what they did with the money; Red's newest ownership partners; the importance of independence; “the reality is that the pass, whether it's the Epic or the Ikon Pass, has radically changed the way that consumers experience skiing”; why Red joined the Ikon Pass and why it's been good for the mountain; the Mountain Collective; why Red has no high-speed lifts and whether we could ever see one; no stress on a powder day; Red's next logical lift upgrades; potential lift-served expansions onto Kirkup, White Wolf, and Mt. Roberts; and the Powder Highway.Why I thought that now was a good time for this interviewMy full-scale assault of Canada, planned for 2023, has turned into more of an old-person's bus tour. I'm stopping at all the big sites, but I sure am taking my time, and I'm not certain that I'm really getting the full experience.Part of this echoes the realization centuries' of armies have had when invading Russia: damn this place is big. I'd hoped to quickly fold the whole country into the newsletter, as I'd been able to do with the Midwest and West when I expanded The Storm's coverage out of the Northeast in 2021. But I'd grown up in the Midwest and been skiing the West annually for decades. I'd underestimated how much that had mattered. I'd skied a bit in Canada, but not consistently enough to kick the door down in the manner I'd hoped. I started counting ski areas in Quebec and stopped when I got to 4,000*, 95 percent of which were named “Mont [some French word with numerous squiggly marks above the letters].” The measurements are different. The money is different. The language, in Quebec, is different. I needed to slow down.So I'm starting with western Canada. Well, I started there last year, when I hosted the leaders of SkiBig3 and Sun Peaks on the podcast. This is the easiest Canadian region for a U.S. American to grasp: Epic, Ikon, Mountain Collective, and Indy Pass penetration is deep, especially in British Columbia. Powdr, Boyne, Vail, and Pacific Group Resorts all own ski areas in the province. There is no language barrier.So, Red today, Panorama next month, Whistler in June. That's the way the podcast calendar sets up now, anyway. I'll move east as I'm able.But Red, in particular, has always fascinated me. If you're wondering what the largest ski area in North America is that has yet to install a high-speed lift, this is your answer. For many of you, that may be a deal-breaker. But I see a time-machine, an opportunity to experience a different sort of skiing, but with modern gear. Like if aliens were to land on today's Earth with their teleportation devices and language-translation brain chips and standard-issue post-industro-materialist silver onesies. Like wow look how much easier the past is when you bring the future with you.Someday, Red will probably build a high-speed lift or two or four, and enough skiers who are burned out on I-70 and LCC but refuse to give up their Ikon Passes will look north and say, “oh my, what's this all about?” And Red will become some version of Jackson Hole or Big Sky or Whistler, beefy but also busy, remote but also accessible. But I wanted to capture Red, as it is today, before it goes away.*Just kidding, there are actually 12,000.^^OK, OK, there are like 90. Or 90,000.Why you should ski Red MountainLet's say you've had an Ikon Pass for the past five or six ski seasons. You've run through the Colorado circuit, navigated the Utah canyons, circled Lake Tahoe. The mountains are big, but so are the crowds. The Ikon Pass, for a moment, was a cool little hack, like having an iPhone in 2008. But then everyone got them, and now the world seems terrible because of it.But let's examine ye ‘ole Ikon partner chart more closely, to see what else may be on offer:What's this whole “Canada” section about? Perhaps, during the pandemic, you resigned yourself to U.S. American travel. Perhaps you don't have a passport. Perhaps converting centimeters to inches ignites a cocktail of panic and confusion in your brain. But all of these are solvable dilemmas. Take a deeper look at Canada.In particular, take a deeper look at Red. Those stats are in American. Meaning this is a ski area bigger than Mammoth, taller than Palisades, snowy as Aspen. And it's just one stop on a stacked Ikon BC roster that also includes Sun Peaks (Canada's second-largest ski area), Revelstoke (the nation's tallest by vertical drop), and Panorama.We are not so many years removed from the age of slow-lift, empty American icons. Alta's first high-speed lift didn't arrive until 1999 (they now have four). Big Sky's tin-can tram showed up in 1995. A 1994 Skiing magazine article described the then-Squaw Valley side of what is now Palisades Tahoe as a pokey and remote fantasyland:…bottomless steeps, vast acreage, 33 lifts and no waiting. America's answer to the wide-open ski circuses of Europe. After all these years the mountain is still uncrowded, except on weekends when people pile in from the San Francisco Bay area in droves. Squaw is unflashy, underbuilt, and seems entirely indifferent to success. The opposite of what you would expect one of America's premier resorts to be.Well that's cute. And it's all gone now. America still holds its secrets, vast, affordable fixed-grip ski areas such as Lost Trail and Discovery and Silver Mountain. But none of them have joined the Ikon Pass, and none gives you the scale of Red, this glorious backwater with fixed-grip lifts that rise 2,400 vertical feet to untracked terrain. Maybe it will stay like this forever, but it probably won't. So go there now.Podcast NotesOn Red's masterplanRed's masterplan outlines potential lift-served expansions onto Kirkup, White Wolf, and Mount Roberts. We discuss the feasibility of each. Here's what the mountain could look like at full build-out:On Jane CosmeticsAn important part of Katkov's backstory is his role as founder of Jane cosmetics, a ‘90s bargain brand popular with teenagers. He built the company into a smash success and sold it to Estée Lauder, who promptly tanked it. Per Can't Hardly Dress:Lauder purchased the company in 1997. Jane was a big deal for Lauder because it was the company's first mass market drugstore brand. Up until that point, Lauder only owned prestige brands like MAC, Clinique, Jo Malone and more. Jane was a revolutionary move for the company and a quick way to enter the drugstore mass market.Lauder had no clue what do with Jane and sales plummeted from $50 million to $25 million by 2004. Several successive sales and relaunches also failed, and, according to the article above, “As it stands today, the brand is dunzo. Leaving behind a default Shopify site, an Instagram unupdated for 213 weeks and a Facebook last touched three years ago.”On Win Smith and SugarbushKatkov's story shares parallels with that of Win Smith, the Wall-Streeter-turned-resort-operator who nurtured Sugarbush between its days as part of the American Skiing Company shipwreck and its 2019 purchase by Alterra. Smith joined me on the podcast four years ago, post-Alterra sale, to share the whole story.On housing in Banff and Sun PeaksCanadian mountain towns are not, in general, backed up against the same cliff as their American counterparts. This is mostly the result of more deliberate regional planning policies that either regulate who's allowed to live where, or allow for smart growth over time (meaning they can build things without 500 lawsuits). I discussed the former model with SkiBig3 (Banff) President Pete Woods here, and the latter with Sun Peaks GM Darcy Alexander here. U.S. Americans could learn a lot from looking north.On not being able to buy slopeside real estate in Oregon, Washington, or California The Pacific Northwest is an extremely weird ski region. The resorts are big and snowy, but unless you live there, you've probably never visited any of them. As I wrote a few weeks back:Last week, Peak Rankings analyzed the matrix of factors that prevent Oregon and Washington ski areas, despite their impressive acreage and snowfall stats, from becoming destination resorts. While the article suggests the mountains' proximity to cities, lousy weather, and difficult access roads as blockers, just about every prominent ski area in America fights some combination of these circumstances. The article's most compelling argument is that, with few exceptions, there's really nowhere to stay on most of the mountains. I've written about this a number of times myself, with this important addendum: There's nowhere to stay on most of the mountains, and no possibility of building anything anytime soon.The reasons for this are many and varied, but can be summarized in this way: U.S. Americans, in thrall to an environmental vision that prizes pure wilderness over development of any kind, have rejected the notion that building dense, human-scaled, walkable mountainside communities would benefit the environment far more than making everyone drive to skiing every single day. Nowhere has this posture taken hold more thoroughly than in the Pacific Northwest.Snowy and expansive British Columbia, perhaps sensing a business opportunity, has done the opposite, streamlining ski resort development through a set of policies known as the B.C. Commercial Alpine Ski Policy. As a result, ski areas in the province have rapidly expanded over the past 30 years…California is a very different market, with plenty of legacy slopeside development. It tends to be expensive, however, as building anything new requires a United Nations treaty, an act of Jesus, and a total eclipse of the sun in late summer of a Leap Year. Perhaps 2024 will be it.On “Fight The Man, Own the Mountain”Red ran a crowd-funding campaign a few years back called “Fight the Man, Own the Mountain.” We discuss this on the pod, but here is a bit more context from a letter Katkov wrote on the subject:Investing in RED means investing in history, independence, and in this growing family that shares the same importance on lifestyle and culture. RED is the oldest ski resort in Western Canada and it has always been fiercely independent. There are not many, if any ski resorts left in North America like Red and the success of our campaign demonstrates a desire by so many of you to, help, in a small way, to protect the lifestyle, soul and ski culture that emanates from Red.RED is a place I've been beyond proud to co-own and captain since 2004 and the door is still open to share that feeling and be a part of our family. But please note that despite the friendly atmosphere, this is one of the Top 20 resorts in North America in terms of terrain. The snow's unreal and the people around here are some of the coolest, most down-to-earth folks you're ever likely to meet. (Trying to keep up with them on the hill is another thing entirely…)With $2 million so far already committed and invested, we wasted no time acting on promised improvements. These upgrades included a full remodel of fan favorite Paradise Lodge (incl. flush toilets!) as well as the expansion of RED's retail and High Performance centres. This summer we'll see the construction of overnight on-mountain cabins and the investor clubhouse (friends welcome!) as well as continued parking expansion. We've heard from a number of early investors that they were beyond stoked to enjoy the new Paradise Lodge so soon after clicking the BUY button. Hey, ownership has its privileges…On the Lake Louise PassKatkov mentions the “Lake Louise Pass,” which Red participates in, along with Castle Mountain and Panorama. He's referring to the Lake Louise Plus Card, which costs $134 Canadian up front. Skiers then get their first, fourth, and seventh days free, and 20 percent off lift tickets for each additional visit. While these sorts of discount cards have been diminished by Epkon domination, versions of them still provide good value across the continent. The Colorado Gems Card, Smugglers' Notch's Bash Badge, and ORDA's frequent skier cards are all solid options for skiers looking to dodge the megapass circus.On the Powder HighwayRed is the closest stop on the Powder Highway to U.S. America. This is what the Powder Highway is:And here's the circuit:Fairmont is just a little guy, but Kicking Horse, Kimberley, and Fernie are Epic Pass partners owned by Resorts of the Canadian Rockies, and Revy, Red, and Panorama are all on Ikon. Whitewater used to be on M.A.X. Pass, but is now pass-less. Just to the west of this resort cluster sits Big White (Indy), Silver Star (Ikon), and Sun Peaks (Ikon). To their east is Sunshine, Lake Louise, Norquay (all Ikon), and Castle (Indy). There are also Cat and heli-ski operations all over the place. You could lose a winter here pretty easily.On Katkov's business backgroundIn this episode of the Fident Capital Podcast, Katkov goes in-depth on his business philosophy and management style. Here's another:On bringing the city to the mountainsWhile this notion, rashly interpreted, could summon ghastly visions of Aspen-esque infestations of Fendi stores in downtown Rossland, it really just means building things other than slopeside mansions with 19 kitchens and a butler's wing. From a 2023 resort press release:Red Development Company, the real estate division of RED Mountain Resort (RED), in conjunction with ACE Project Marketing Group (ACE), recently reported the sell-out of the resort's latest real estate offering during the season opening of the slopes. On offer was The Crescent at RED, a collection of 102 homes, ranging from studio to one bedrooms and lofts featuring a prime ski in – ski out location. Howard Katkov, CEO of RED, and Don Thompson, RED President, first conceived of bringing the smaller urban living model to the alpine slopes in January 2021. ACE coined the concept as "everything you need and nothing you don't" …An important component was ensuring that the price point for The Crescent was accessible to locals and those who know and love the destination. With prices starting mid $300s – an excellent price when converted to USD – and with an achievable 5% deposit down, The Crescent at RED was easily one of the best value propositions in real estate for one of the best ranked ski resorts in North America. Not surprisingly, over 50% of the Crescent buyers were from the United States, spurred on by the extraordinary lifestyle and value offered by The Crescent, but also the new sparsity of Canadian property available to foreign buyers.As a good U.S. American, I ask Katkov why he didn't simply price these units for the one-percenters, and how he managed the House-Flipping Henries who would surely interpret these prices as opportunity. His answers might surprise you, and may give you hope that a different sort of ski town is possible.The Storm publishes year-round, and guarantees 100 articles per year. This is article 15/100 in 2024, and number 515 since launching on Oct. 13, 2019. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

As CP: http://as-cp.weebly.com/. Check out Win's books at https://www.amazon.com/Win-Kelly-Charles/e/B009VNJEKE/ref=sr_tc_2_0?qid=1538951782&sr=1-2-ent. Cactus Rose By Win: https://www.etsy.com/shop/CactusroseByWin. Check out Danielle's books at https://www.amazon.com/stores/Danielle-Coulter/author/B00OFIOY3C?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true. Win's Venmo: @Win1195 365 The lipstick coffee shop fundraiser: https://crowdfundr.com/12Gk66?ref=ab_9jzenTUwWNY9jzenTUwWNY. Be Tri For Us: http://www.betriforus.com. Ekso: https://youtu.be/QK-qsas8dqA?si=tCMZxvtP3io7QKQ7. Dan Can Shred:  https://www.dancanshred.com. Snowmass Angel: https://authorexperts.club/show-book/B01N7Q5I37.

Donna Green, photo by Joe Kramm Donna Green wrestles with coils of stoneware, manipulating and prodding to create anthropomorphic gestural shapes that burst and stretch into space. Her physical experimentation challenges the properties of the clay, resulting in works that seem to be in a constant state of growth and transfiguration; heroically scaled urns undulate and drip with layer upon layer of glaze. Green draws inspiration from the ancient Jomon ceramics of Japan and Chinese Han Dynasty storage jars, as well as Gonshi, the naturally occurring scholars' rocks, and Baroque garden grottos. Donna Green was born in Sydney, Australia, and earned a Bachelor of Arts in Industrial Design in 1984 from Sydney College of the Arts in New South Wales. In 1985, Green moved to New York and joined Industrial Design Magazine as one of its editors. She began working in clay in 1988, studying at Greenwich House Pottery and the New School in New York, and in 1997 at the National Art School, Sydney. Green has participated in numerous workshops including “Fire Up,” 1995 with Janet Mansfield in Gulgong, New South Wales, working on-site with Danish artists Nina Hole and Jorgen Hansen, and “The Vessel as Metaphor” in 2018 with Tony Marsh at Anderson Ranch Arts Center, Snowmass, CO. In 2019, she was a Resident Artist at California State University Long Beach. Later that year, she undertook an Artist Fellowship at Greenwich House Pottery. Green has exhibited at Hostler Burrows, New York, NY and Los Angeles, CA; McClain Gallery, Houston, TX; Greenwich House Pottery, New York, NY; Utopia Art Sydney, Australia; SIZED Studio, Los Angeles, CA; and the Leiber Collection, East Hampton, NY. Her work is in the permanent collection of the Museum of Applied Arts and Sciences, Sydney, Australia. Green lives and works in New York. Donna Green installation, photo by Joe Kramm Donna Green installation, photo by Joe Kramm Donna Green installation, photo by Joe Kramm

Aspen has lots to it, so be prepared, this is longer than usual. Starting as a mining town in the 1880s, Aspen has been legendary in the ski world for its skiing, the parties, dining, shopping and culture.  It's a small town with a mammoth reputation due to it four mountains – Aspen Mountain, Aspen Highlands, Snowmass and Buttermilk. Steve Marolt is a native Aspenite, together with his brother Mike, he has led over 50 ski mountaineering expeditions all over the world skiing where no man had skied before – down 8000 meter mountains like Mt Everest in Nepal to Illimani in Bolivia, to Mustagh Atta in China.  Inducted as the first ski mountaineers into the Ski Hall of Fame in 2017. My Aspen Favs Best Breakfast - Jour de Fete - Low key and amazing breakfasts right across from the gondola Best Apres - in this town - anywhere really - Aspen Mountain starting at The Little Nell and then moving to the J bar at the Jerome sounds like a plan; Highlands has the Highlands Ale House; and at Snowmass- The Limelight. Best Hotel - I like the Limelight downtown and the Viewline in Snowmass Dont miss - the Jerome, people watching at Little Nell And thanks to the Grits Band for the music @ Copyright 2023 Morgan Global LLC --- Send in a voice message: https://podcasters.spotify.com/pod/show/john--morgan/message

In today's episode, we welcome Father Justin Lanier, a Priest in the Episcopal Church. He was born in Louisiana and grew up in Delaware where he went to Methodist, Roman Catholic and Episcopal churches. Early in his formation, Father Justin entered the St. Benedict's Trappist monastery community in Snowmass under Abbot Joseph Boyle where Father Thomas Keating was resident. Fr. Justin was under the direction of these two men until their deaths in 2018. Fr. Justin was also sent to train in a Rinzai Zen monastery in Japan as part of his formation. Throughout his formation, he has been in touch with Contemplative Outreach teachers and presenters. In this episode, we will focus on the expanding vision of the community of Contemplative Outreach.To connect further with us:Visit our website: www.contemplativeoutreach.orgFind us on Instagram: https://www.instagram.com/contemplativeoutreachltd/Like us on Facebook: https://www.facebook.com/contemplativeoutreachCheck out our YouTube channel: https://www.youtube.com/user/coutreachTo learn more about Father Thomas Keating's guidelines for service and principles visit www.contemplativeoutreach.org/vision.Season 2 of Opening Minds, Opening Hearts was made possible by a grant from the Trust for the Meditation Process, a charitable foundation encouraging meditation, mindfulness, and contemplative prayer. This episode of Opening Minds, Opening Hearts is produced by Crys & Tiana LLC www.crysandtiana.comStream and Download the Opening Minds, Opening Hearts Podcast NOW for FREE on Apple Podcast, Google, Amazon and Spotify!

Promised land or uncharted territory? Discover what the future holds for the world of Mass Timber Construction as we globe-trot from the Rockies to Lake Geneva, before a pit-stop in Sao Paulo, and finally home to Australia. The journey begins with the innovative Hazelene Construction's project, Aurora residents in Snowmass, our first stop at one of the first cross-laminated timber structures in the Rocky Mountain regions. Understand why sustainability was a key design element and why cross-laminated timber is the new darling of the construction industry.Onward to Lake Geneva, where French architect Vincent Calabon's eco-district vision breathes new life into mass timber construction. We'll then jet off to Sao Paulo, to marvel at a McDonald's restaurant like no other. Constructed entirely using mass timber, this iconic eatery is a testament to sustainability, the future of fast food. Wrapping up our journey in Australia with Timberlink's latest CLT and GLT testing, join me, Paul Kramer, as we navigate the exciting and innovative world of Mass Timber Construction. So, buckle up and let's hit the road.Support the show

Episode 86 or Episode 5 of Season 2 Guest: Rev. Stuart Higginbotham, Episcopal Priest serving Grace Episcopal Church in Gainsville, Georgia. http://www.gracechurchgainesville.org. Full Bio below   Author of The Heart of a Calling     News Commend to you the work of Dr. Martin Shaw. Martin is a storyteller and author. https://drmartinshaw.com Stephen Jenkinson. He is a former Hospice and Palliative Care director in Toronto, Canada. Grief & Mystery. https://orphanwisdom.com Dr. Fanny Brewster has a new book out titled Race and the Unconscious: An Africanist Depth Psychology Perspective on Dreaming  August 4, 2023 Book Launch https://www.pacifica.edu/pacifica-news/dr-fanny-brewster-book-launch/ Personal Updates On Wednesday evening, September 13, I'll be joined by local musician Mike Bussey for an evening called “Songs and Stories of Weird Wisdom.” Cross Mills Library in Charlestown, Rhode Island. Write me at jim@jameshazelwood.net My Weekly Newsletter with an Essay on Mysticism and Psychology https://jameshazelwood.substack.com/   Poem by William Stafford The Way it Is There's a thread you follow. It goes among things that change. But it doesn't change. People wonder about what you are pursuing. You have to explain about the thread. But it is hard for others to see. While you hold it you can't get lost. Tragedies happen; people get hurt or die; and you suffer and get old. Nothing you do can stop time's unfolding. You don't ever let go of the thread.     Stuart's Bio I began my cure as rector of Grace in early January 2014, after serving as Senior Associate at St. Benedict's in Smyrna, Georgia, for over five years. Working with the entire leadership team at Grace, I have a particular passion for the intersection of contemplative practices and congregational development. Grace is an extraordinary community of nearly one thousand souls, and I feel blessed to live and pray among them as we prepare to celebrate our Bicentennial in 2028. I also serve as Assistant Professor in the Practice of Spiritual Formation and Ministry at the Candler School of Theology at Emory University. At Candler, I focus on the contextual education of the Episcopal and Anglican seminarians, exploring the dynamics of congregational life in a “laboratory of spiritual imagination.” Candler School of Theology Anglican/Episcopal Studies Program My broader work as a priest, teacher, retreat leader, and author is grounded in the Christian contemplative tradition. I continue to share in ongoing conversations with friends from the New Contemplative Exchange, a fellowship first gathered by Thomas Keating, Richard Rohr, Tilden Edwards, and Laurence Freeman at St. Benedict's Monastery in Snowmass, Colorado in August 2017. Since that time, I contributed to and co-edited the volume Contemplation and Community: A Gathering of Fresh Voices for a Living Tradition (Crossroad, 2019) and am the author of The Heart of a Calling: The Practice of Christian Mindfulness in Congregational Ministry (Crossroad, 2021). Before “church life,” I studied in the pre-med program at Lyon College in Batesville, Arkansas (B.S. in Biology, summa cum laude), and I did my initial theological studies at Columbia Theological Seminary in Decatur, Georgia (M.Div, honors in spiritual formation). I also completed a certificate in Anglican Studies and the Doctor of Ministry degree from the School of Theology at the University of the South in Sewanee Tennessee. With the global contemplative community, I have worked with the Shalem Institute for Spiritual Formation, the World Community for Christian Meditation, Contemplative Outreach, the Candler School of Theology, Mepkin Abbey, and others. As well, I continue my practice and research into the connections between the Christian contemplative tradition and the Tibetan/Himalayan Buddhism, and I have a deep appreciation for the intersection of poetry and contemplative practice. My wife, Lisa, and I have one daughter, Evelyn. We both grew up in Southeastern Arkansas, in the Mississippi Delta, with fried catfish, sweet tea, and mosquitoes the size of small birds.                      https://contemplativereformation.blog   Host: James Hazelwood   James Hazelwood, author, bishop, and spiritual companion, is the author of Weird Wisdom for the Second Half of Life and Everyday Spirituality: Discover a Life of Hope, Peace, and Meaning. His website is www.jameshazelwood.net  

As Managing Partner, Chris oversees all of the company's development and sales activities. With East West pioneering new communities in Charleston, Denver, Snowmass, Deer Valley and Kauai, Chris works with folks from coast to coast and helps guide these destinations toward the future. From his perspective, the agenda is actually quite simple, “We build places that put people first, where the experience drives design and sustainability governs construction techniques.” Chris is a founding member and the board President for the Civic Center Conservancy, the City of Denver's private partner at Civic Center Park. He is also Board Chair for the Rocky Mountain chapter of the Young Presidents' Organization, and a member of the Board of Governors' for the Denver Metropolitan Chamber of Commerce. On this episode, Jake & Chris discuss: - how they find deals - East West's acquisition process - setting up multiple offices to enhance the development flow - the difference between condos & hotels how to make it work - large scale resort development - managing risk Connect & Invest with Jake Follow Jake on Twitter: https://twitter.com/jwurzak Take the Hospitality Investing Masterclass: https://learn.jakewurzak.com/ Learn How to Invest with DoveHill: https://bit.ly/3yg8Pwo Links: Chris on LinkedIn - https://www.linkedin.com/in/cframpton1/ East West Partners: https://www.ewpartners.com/ Petit St. Vincent - https://www.petitstvincent.com/ Cayo Espanto Beliz - https://aprivateisland.com/ The Soho Grand NYC - https://www.sohogrand.com/ One Hotel Hanalei Bay - https://www.1hotels.com/hanalei-bay Topics: (00:02:05) Chris' career in real estate (00:12:17) East West's focus on providing value to buyers (00:16:39) East West's PM approach (00:19:51) An inside look at the 3 companies within EastWest (00:26:08) How has the organization changed in your time there? (00:30:19) How did you expand to all these different markets while maintaining the core value of living where you work? (00:35:04) What incentives worked when giving ownership to employees? (00:38:35) How have you been able to survive real estate cycles and maintain a massive development pipeline? (00:43:17) Fee Development for another party (00:49:15) Is there room for more master resorts? (00:51:32) What was your greatest investment? (00:54:24) How are you capitalizing deals? (00:57:02) How do you approach reporting? (01:01:18) Is there a mistake that you made that lingers for you? (01:04:09) How are you managing risk through the acquisition pipeline? (01:11:17) How do you structure a Condo Hotel? (01:19:28) What is your favorite hotel?

The bad news: Concussions are always a possibility with every crash on your mountain or gravel bike. The good news: there are ways you can prevent the severity of concussion, which I explore further in this episode. Do you have anything else you do to reduce the severity or risk of concussion? Please share! Here are my exercises on YouTube that you can progress to after building first with the banded movements I explain: Neck Plank (Flexion) HERE Neck Plank (Extension) HERE Neck Plank (Lateral) HERE And some research articles are HERE, HERE, and HERE, but there are many more online from which to choose. And yes, I hate that most of the study participants are male... there are a few researchers who are working to change that! Here are some other episodes you may want to check out: 124. Mountain Bike Skills Series: The Only Tip You Need 90. How to Fit in Bike Skills Training 28. Overcoming Fear On+Off the Bike with Joanna Yates Come to our MTB Clinic in Snowmass June 24-25, 2023! If you want to up-level your skills on the bike, check out the clinic schedule through VNTR Birds and VIDS MTB Series and register HERE. We only have a few more spots left for ur clinic in Snowmass, but we also have several other clinics to choose from. You'll get personalized coaching in Snowmass, catered lunch, and skills to practice and last a lifetime! Do You Want a Coach to Help Make Training or Nutrition Easier and Simpler for You? If you're ready to finally make some lasting and sustainable changes in your nutrition and/or fitness, then apply to work with me by clicking here. I work with people just like you, and can help you get to a solution faster (and with less frustration) than if you work on it by yourself. #ShredStrong Starts a New Cycle Every Month! #ShredStrong is my signature year-round strength and conditioning program specifically for mountain bikers. It includes 3 strength workouts and an intervals session per week that easily fit into biking season, plus a mobility plan to help you relax and stabilize those biking muscles of yours. You also get coaching feedback and guidance from me on your movement that you record and send me via video. All of this is only $49 a month, or $39 a month if you pay for six month in-full (totaling $234). You can join us every month - each cycle starts around the beginning of every month, depending on the cycle! Learn more of the details of the program and sign-up HERE!  You can also join my email list here to get the latest news on future cycles of the program that start every 3 months (I only email an average of 1-2 times a month).

In this episode, Jay and Angi recap their 2023 RAGNAR Trail Snowmass Colorado Race. We share leadership and life lessons learned from the event. Welcome to the Do Hard Things Podcast with your host Jay Tiegs, Are you ready to amplify and improve your life? Then you are in the right place. On this podcast we have unfiltered conversation with inspiring people who take on challenges and share with us, the wisdom from their journey. We talk about how doing hard things adequately enable all of us to deal with life's struggles and challenges and ultimately improve the quality of our lives. Do Hard Things Link Tree: https://linktr.ee/dohardthings

Descending on your mountain bike can be the most intimidating thing you do when you're learning how to ride, especially if the terrain you're navigating is more technical or extremely steep. If learning how to descend confidently on your mountain bike is at the top of your list for skill work, then listen to this episode to get my top five tips you can do to crush your next descent. These tips can be applied to almost every terrain, weather, and conditions, so it is guaranteed to help you descend no matter what. Here are some other episodes about mountain biking that you may want to check out: 124. Mountain Bike Skills Series: The Only Tip You Need 118. Mountain Bike Skills Series: How to Improve Your Climbing 90. How to Fit in Bike Skills Training 66. How to Go From Rider to Racer Rider to Racer Starts on June 15, 2023! If you want to learn more about the Rider to Racer program through VNTR Birds, then learn more and register HERE. You'll get one-on-one race prep training in Snowmass from former pro racer Anne Galyean, nutrition coaching, and a strength and conditioning program from me - plus an entry into an enduro race! You can't beat it. Do You Want a Coach to Help Make Training or Nutrition Easier and Simpler for You? If you're ready to finally make some lasting and sustainable changes in your nutrition and/or fitness, then apply to work with me by clicking here. I work with people just like you, and can help you get to a solution faster (and with less frustration) than if you work on it by yourself. #ShredStrong Starts a New Cycle Every Month! #ShredStrong is my signature year-round strength and conditioning program specifically for mountain bikers. It includes 3 strength workouts and an intervals session per week that easily fit into biking season, plus a mobility plan to help you relax and stabilize those biking muscles of yours. You also get coaching feedback and guidance from me on your movement that you record and send me via video. All of this is only $49 a month, or $39 a month if you pay for six month in-full (totaling $234). You can join us every month - each cycle starts around the beginning of every month, depending on the cycle! Learn more of the details of the program and sign-up HERE!  You can also join my email list here to get the latest news on future cycles of the program that start every 3 months (I only email an average of 1-2 times a month).

When mountain biking and learning new skills on the bike, you can get overwhelmed by all of the tips and tricks out there. Well, THIS is the only one you really need for all of the tips and tricks you'll be learning on the bike. So, give this episode a listen and let me know if you agree or not! Here are some other episodes about mountain biking that you may want to check out: 118. Mountain Bike Skills Series: How to Improve Your Climbing 90. How to Fit in Bike Skills Training 66. How to Go From Rider to Racer Rider to Racer Starts on June 15, 2023! If you want to learn more about the Rider to Racer program through VNTR Birds, then learn more and register HERE. You'll get one-on-one race prep training in Snowmass from former pro racer Anne Galyean, nutrition coaching, and a strength and conditioning program from me - plus an entry into an enduro race! You can't beat it. Do You Want a Coach to Help Make Training or Nutrition Easier and Simpler for You? If you're ready to finally make some lasting and sustainable changes in your nutrition and/or fitness, then apply to work with me by clicking here. I work with people just like you, and can help you get to a solution faster (and with less frustration) than if you work on it by yourself. #ShredStrong Starts a New Cycle Every Month! #ShredStrong is my signature year-round strength and conditioning program specifically for mountain bikers. It includes 3 strength workouts and an intervals session per week that easily fit into biking season, plus a mobility plan to help you relax and stabilize those biking muscles of yours. You also get coaching feedback and guidance from me on your movement that you record and send me via video. All of this is only $49 a month, or $39 a month if you pay for six month in-full (totaling $234). You can join us every month - each cycle starts around the beginning of every month, depending on the cycle! Learn more of the details of the program and sign-up HERE!  You can also join my email list here to get the latest news on future cycles of the program that start every 3 months (I only email an average of 1-2 times a month).

This podcast hit paid subscribers' inboxes on May 26. It dropped for free subscribers on May 29. To receive future pods as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe for free below:WhoPete Woods, President of SkiBig3, the umbrella organization for Banff Sunshine, Lake Louise, and Mt. Norquay, AlbertaRecorded onMay 4, 2023About SkiBig3SkiBig3 “works in conjunction with all three ski resorts within Banff National Park to allow you access to everything this winter destination has to offer,” according to the organization's LinkedIn page. Each ski area – Banff Sunshine, Lake Louise, and Mt. Norquay – is independently owned and operated.Banff SunshineClick here for a mountain stats overviewOwned by: Ralph, Sergei, and John ScurfieldLocated in: Sunshine Village, AlbertaYear founded: Sometime in the 1930sPass affiliations: Ikon Pass: 5 or 7 combined days with Lake Louise and Mt. Norquay; Mountain Collective: 2 daysClosest neighboring ski areas: Norquay (23 minutes), Sunshine (41 minutes), Nakiska (1 hour) - travel times vary considerably depending upon weather and time of day.Base elevation: 5,440 feetSummit elevation: 8,954 feetVertical drop: 3,514 feetSkiable Acres: 3,358Average annual snowfall: 360 inchesTrail count: 137 (25% advanced/expert, 55% intermediate, 20% beginner)Lift count: 12 (1 gondola, 7 high-speed quads, 2 fixed-grip quads, 2 carpets - view Lift Blog's inventory of Sunshine's lift fleet)Sunshine chops its trailmap into three pieces on its website. This is slightly confusing for anyone who isn't familiar with the ski area and doesn't understand how the puzzle pieces fit together. I've included those three maps below, but they'll make more sense in the context of this 2010 trailmap:Sunshine's current maps:Lake LouiseClick here for a mountain stats overviewOwned by: Charlie Locke (he first owned the ski area from 1981 to 2003, then sold it to Resorts of the Canadian Rockies, and re-bought it from them in 2008)Located in: Lake Louise, AlbertaYear founded: 1954Pass affiliations: Ikon Pass: 5 or 7 combined days with Banff Sunshine and Mt. Norquay; Mountain Collective: 2 daysClosest neighboring ski areas: Sunshine (41 minutes), Norquay (44 minutes), Nakiska (1 hour, 22 minutes) - travel times vary considerably depending upon weather and time of day.Base elevation: 5,400 feetSummit elevation: 8,650 feetVertical drop: 3,250 feetSkiable Acres: 4,200Average annual snowfall: 179 inchesTrail count: 164 (30% advanced/expert, 45% intermediate, 25% beginner)Lift count: 11 (1 gondola, 1 six-pack, 3 high-speed quads, 2 fixed-grip quads, 1 triple, 3 carpets - view Lift Blog's inventory of Lake Louise's lift fleet)Mt. NorquayClick here for a mountain stats overviewOwned by: Adam and Janet WaterousLocated in: Improvement District No. 9, AlbertaYear founded: 1926Pass affiliations: Ikon Pass: 5 or 7 combined days with Banff Sunshine and Lake LouiseClosest neighboring ski areas: Sunshine (23 minutes), Lake Louise (43 minutes), Nakiska (54 minutes) - travel times vary considerably depending upon weather and time of day.Base elevation: 5,350 feetSummit elevation: 6,998 feetVertical drop: 1,650 feetSkiable Acres: 190Average annual snowfall: 120 inchesTrail count: 60 (44% advanced/expert, 25% intermediate, 31% beginner)Lift count: 6 (1 high-speed quad, 2 fixed-grip quads, 1 double, 2 carpets - view Lift Blog's inventory of Mt. Norquay's lift fleet)Why I interviewed himThere are places that make sense, and places that just don't. Lakes and grocery stores and movie theaters and sand dunes and pizza places and interstate highways. As a U.S. American, these things always squared with my worldview. Then I stepped out of the car in New York City at age 19 and I'm like what the actual f**k is happening here? A vertical human swarm in a sprawling sideways nation. Or to take another example: cornfields and baitshops and gas stations and forests. As a Midwesterner I could understand those things. But then Lord of the Rings dropped and I was like what planet did they shoot this on and then I was like OK I guess that's New Zealand.Arriving in Banff is like that. Most visitors travel there via Calgary. Nothing against Calgary, but I'm not sure it's a place that most of us go to on purpose. Skiers drop into the airport, leave the city, drive west. Flat forever. Then, suddenly, you are among mountains. Not just mountains, but the most amazing mountains you've ever seen, striated goliaths heaving skyward like something animate and immensely powerful, spokes of a great subterranean machine primed to punch through the earth like invaders from Cybertron.Here, so surrounded, you arrive in Banff National Park. Within its boundaries: two towns, three ski areas. The towns are tight, walkable, lively, attractive. None of the hill-climbing megamansion claptrap that clutters the fringes of so many U.S. ski towns. Just a pair of glorious grand hotels airlifted, it seems, from the Alps. Two of the ski areas are Summit County scale, with lift plants and trail footprints to match Breck or Keystone or Copper. The third is a quirky locals' bump with mogul fields studded like cash crops up the incline. All framed by those wild mountains.It feels sort of European and sort of fantasyland Rockies and sort of like nothing else on Earth. It is, at the very least, like nothing else in North America. The texture here is rich. Banff's most commonly cited attribute is its beauty. The most consistent point against is relatively low snowfalls compared to, say, SkiBig3's Powder Highway neighbors or Whistler. But there is so much in between those gorgeous views and that modest snowfall that makes these three mountains one of the continent's great ski destinations.Like the towns themselves. In many ways, this is Canadian Aspen, with its multiple mountains knitted via shuttlebus, rich cuisine, walkable mountain villages. In other ways, it is what Aspen could have been. You have to work in Banff National Park to live there – that's the law. The richness that adds to the community is incalculable. Imagine a Colorado so built? No second homes, no runaway short-term rental market. The ripple effects on traffic, on cost, on mood and energy are tangible and obvious. This is a place that works.It's not the only place that works, of course. And many of Banff's bedrock operating principles would not be culturally transferable to the south. Including, perhaps, the spirit of bonhomie that unites three independently owned, competing ski areas under a single promotional umbrella called SkiBig3. Remember when Vail yanked its Colorado resorts out of Colorado Ski Country USA because the company didn't want its dues to support competitors' marketing? What's happening in Banff is the opposite of that. It's unique and it's cool and it's instructive, and it was worth a deep look to see exactly what's going on up there.What we talked aboutThe surprising international markets that Banff draws from; a welcome back to skiing's melting pot; the tradition of the long season at Lake Louise and Sunshine; putting the ski areas' relatively low average snowfall totals (compared to, say, Revelstoke), in context; which of the three mountains to visit based upon conditions; Banff's immature uphill scene and massive potential; growing up in Boulder and ratpack skiing Summit County; the angst of the front-desk hotel clerk; the strange dynamic between ski resorts and their local airports; selling Purgatory to out-of-state tourists; the quirks of living and working in Telluride; the vastly different ski cultures in the two Colorados; the existential challenge of Copper Mountain; the power of Woodward; first reaction to Banff: “how can this even exist?”; defining SkiBig3 and who owns each of its three partner ski areas; how mass transit fills in for ski-in-ski-out lodging; Banff's unique “need to reside” clause that enables workers of all levels to live right in town; the park's incredible bus system; the proposed Norquay gondola up from town; a potential train from Calgary airport to Banff; Norquay's wild North American pulse double chair; the history of Banff's spectacular Fairmont hotels; the history of SkiBig3 and why the coalition has worked; competing with the Powder Highway; how Sunshine gets by with a single snowgun; why Sunshine gets double the snowfall of Lake Louise; why none of the three ski areas has ever hosted Olympic events, even when Calgary was the host city; decoding Parks Canada's lease requirements that ski areas gift their assets to the agency or remove them at the end of their contracts; masterplans; why SkiBig3 was an early adopter of the Ikon Pass and why it's stuck around; why the three ski areas offer combined days on Ikon; why Norquay isn't part of Mountain Collective; why the Mountain Collective has been so resilient after the debut of Ikon; whether the Mountain Collective could add more Northeast ski areas; and why the ski areas have yet to transition to RFID cards.Why I thought that now was a good time for this interviewIt has always been inevitable that The Storm would enter Canada. Just as it was always inevitable, back in 2019 and '20, that it would outgrow New England. This template, I've realized, is adaptable to almost any ski market. Everywhere there is a ski area, there are skiers talking about it. And there is someone running it. And these two groups do not always understand each other. The mission of The Storm is to unite these them on a common platform.There is a difference, of course, between scaling in a sustainable way and scaling for the sake of doing so. I've been very deliberate about The Storm's growth so far. I started in the Northeast – New England, New York, New Jersey, Pennsylvania – because it was my local market and I understood it well. I stayed there – mostly – for two years before aggressively moving West in 2021. I learned to ski as a teenager in the Midwest, and I'd been skiing the West annually for decades, so none of this was new turf for me. Still, I had a lot to learn, and over the past two years, I have secured contacts and hosted a series of podcast interviews that gave me a far more nuanced understanding of every ski corner of the country.Canada was the obvious next move. Culturally, the nations' ski areas are very similar, with a western focus on off-piste powder-bombing and an eastern affinity for grooming. The trail markings, lift systems, and primacy of the automobile-as-access-point are consistent across the continent. And every U.S.-based megapass has integrated a substantial Canadian footprint as a selling point. International border aside, major U.S. and Canadian ski areas are as knotted together as those in Utah and Montana and Colorado.So, where to begin? I wanted to start big. The Storm launched in 2019 with a podcast featuring Killington, the largest ski area in the East. Western podcast coverage began with Taos and Aspen. So Canada starts here, in one of its most glorious locales. Next stop: Sun Peaks, the second-largest ski area in the country. I recorded that one a few days ago. I'd had a Whistler podcast booked too, but their top executive moved to Aspen, so we called it off.So, here we are, in Canada. Now what? Again, I'm going to move slowly. While America and Canada are culturally similar in many ways, they are enormously different in others. The ski regions here are many, vast, and nuanced. It's going to take me a while to get to Quebec, which is home to something like 90 ski areas and a sizeable (for me), language barrier. The country is huge, and while I've traveled to and across Canada dozens of times, I'm not taking for granted that presence equals understanding.I'll probably stop at Canada. That's not to say that I won't occasionally dip into other ski regions, both as a visitor and as a journalist. I've scheduled an interview with the general manager of Valle Nevado, Chile for July. But I don't think I'm capable of expanding this enterprise into other continents without diluting my coverage at home. Canada is purely additive. The region complements everything I already cover in the United States, especially multi-mountain passes. The world's other ski regions are so vastly different and complex that it wouldn't be like just adding more ski areas – it would be like adding coverage of sailing or surfing, completely different things that would only confuse the main plotline.Questions I wish I'd askedYou may wonder why we don't explore specifics of the ski areas as deeply as I normally do, particularly with all three being in possession of significant and well-articulated masterplans. It's important, here, to understand what SkiBig3 is: an umbrella organization that promotes the mountains as a whole. I can pursue more meaningful conversations on granular plans with each operator at a later time.What I got wrong* I intimated that Vail, Aspen, and Telluride were “10 times bigger” than Purgatory. This is grossly incorrect. Purgatory checks in at 1,635 acres, while Vail Mountain measures 5,317 acres, Telluride is 2,000, and Aspen Mountain is just 673 (though it will grow substantially with the Pandora's expansion this coming winter). If you combine Aspen Mountain with Aspen Highlands (1,010 acres), Buttermilk (435 acres), and Snowmass (3,342 acres), they add up to 5,460 – nowhere near 10 times the size of Purgatory. What I meant was that those three ski entities – Aspen, Vail, and Telluride – had far greater name recognition than Purgatory, which is tucked off the I-70 mainline in Southwest Colorado (as is Telluride).* On the other end of that spectrum, I vastly over-estimated the size of Norquay, saying it was 1/10th the size of Sunshine and Lake Louise. At 190 acres, Norquay is 5.7 percent the size of Sunshine (3,358 acres), and just 4.5 percent the size of Lake Louise (4,200 acres).* I said that Mountain Collective “keeps losing partners.” This is true, but it is a fact that must be considered within the context of this complementary note: Mountain Collective currently has one of the largest rosters in its 12-season history (the coalition is down one partner after Thredbo left this year). The pass has continued to grow in spite of the losses of Telluride, Mammoth, Palisades Tahoe, Sugarbush, Stowe, Whistler, and others over the years.Why you should ski Sunshine, Lake Louise, and Mt. NorquayEarlier I compared the three Banff ski areas to Summit County. That's not really fair. Because Summit County has one thing that Sunshine, Lake Louise, and Norquay don't really have to deal with: gigantic, relentless crowds.For two years, U.S. Americans were shut out of Canada. Now we're not. If you've been filling your winters with Ikon Pass trips around Salt Lake, I-70, and Tahoe, you might be wondering what the hell happened to skiing. Man it's so busy now, all the freaking time. I hear you Bro. Go north. It's this weird kind of hack. Like discount America (that exchange rate, Brah). Like time-machine America. Back to that late-‘90s/early-2000s interregnum, when the lifts were all built out and the reigns had been loosened on skiing off-piste, but the big passes hadn't shown up with the entire state of Texas just yet.I exaggerate a little. You can find liftlines in Canada if you do all the predictable things at all the predictable times. And the Ikon Pass and its destination checklist has blown the cover for lots of formerly clandestine places. But these are big mountains with long seasons. Woods tells me on the podcast that the locals' favorite time at the SkiBig3 areas is April. The terrain is mostly all still live but the outsiders stop showing up. If you want to crowd-dodge your way north, you have a six-month season to figure it out.As for the skiing itself, it's as big and varied as anything on the continent. Lake Louise is sprawling and many-sided, with fast lifts flying all over the place and plenty more inbound. Sunshine is big and exposed, and the gondola is the only way up to the ski area, lending the place a patina of wild adventure. Both will give you as much off-piste as you can handle. Norquay is kind of like Pico or June Mountain of Snow King – a very good ski area that's overlooked by its proximity to a far larger and more famous ski area. Don't skip it: the place is a riot, with some of the longest sustained bump runs you'll find anywhere.Together, the three ski areas add up to 7,748 acres. Whistler is 8,171. So, samesies, basically. If you're looking for a place to spend a week of skiing and you're tired of the stampede, here you go.Podcast NotesOn Banff's UNESCO World Heritage sites designationI note in the introduction that Banff National Park is on the list of UNESCO World Heritage Sites. The designation actually applies more broadly, to a group of parks dubbed “Canadian Rocky Mountain Parks.” This includes, according to UNESCO's website, “the contiguous national parks of Banff, Jasper, Kootenay, and Yoho, as well as the Mount Robson, Mount Assiniboine and Hamber provincial parks…” You can view an interactive map of all UNESCO World Heritage sites here.On Intrawest owning Copper MountainIt can be tempting to consider our current multi-mountain pass allegiances to be inevitable and permanent. So much so that I often stir each mountain's ownership histories up in the flow of conversation. This is what happened when I gave Powder Corp., the current owner of Copper Mountain, credit for installing the Woodward concept on that mountain. Woods pointed out that it was Intrawest, precursor to Alterra, that actually owned Copper at the time of Woodward's debut, and that they had also considered planting the concept at another of their properties: Whistler. Here's a list of all of Intrawest's ski areas, and where they ended up. It's fun to imagine a world in which they'd stayed together:On SkiBig3 Resort masterplansEach of the three resorts has master development plans on file with Parks Canada:Lake LouiseHere is a link to the full 2019 masterplan, and a summary image of proposed upgrades - note that the Lower Juniper and Summit chairlifts have already been installed, and Upper Juniper and Sunny Side are scheduled for a 2024 installation. The Summit Platter is no longer in service:SunshineSunshine's latest full masterplan dates to 2018. The resort proposed amendments last year, and those are still under review by Parks Canada. Here's an overview of proposed major lift upgrades:Mt. NorquaySometimes tracking down these masterplan documents can be like trying to locate Amelia Earhart's plane. I know it's out there somewhere, but good luck finding it. The best I can do on Norquay is this link to their Vision 100 site, which lays out plans to replace the North American chair with a gondola, as shown below:On Marilyn Monroe on the North American chairSo apparently this happened:On the North American chairI wrote about this chairlift a couple weeks back:I've ridden a lot of chairlifts. I don't know how many, but it's hundreds. By far the strangest of these is the North American chair at Mt. Norquay. Once a regular fixed-grip double, the ski area converted it into a pulse lift with chairs running in groups of four. The operators manually slow the entire line as the chairs enter the top and bottom stations (I'm assuming the line is set so that chairs reach the base and summit at the same time). This chair serves some bomber terrain, a vast mogul field with dipsy-do double fall-lines and the greatest views in the world.It's a strange one, for sure:The Storm Skiing explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 46/100 in 2023, and number 432 since launching on Oct. 13, 2019. Want to send feedback? Reply to this email and I will answer (unless you sound insane, or, more likely, I just get busy). You can also email skiing@substack.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

At this year's Winter Leadership Summit in Snowmass, Dylan and KC sat down with Start Up Recovery founder  Gregg Champion. Gregg has a harrowing story of overcoming addiction and trauma and through the recovery process, and its application in all his affairs,  built a career as a successful film and television producer. He now has taken his experience as an entrepreneur in recovery and  turned it into his Start Up Recovery programs in Los Angeles. It's a remarkable and inspiring story and a good reminder that life doesn't stop when we put down the substance down- it launches. 

The s'more-iest season on record. Greg LeBlanc, Assistant Town Manager for the Town of Snowmass, Colorado, joined the podcast to talk about small town management and tourism. He discussed preparing for the role of Assistant Town Manager and the challenges unique to resort communities. He also shared how the work of the Town changes around the tourism cycle and how the Town pursues communication and engagement. Host: Ben Kittelson

This edition features stories on Airmen civil engineers building new living facilities in Israel, an air traffic controller whose duties and duties and available resources have changed substantially since the mission began, the Patriot Express service to and from Misawa and Osan Air Bases in Japan, receiving an upgrade of a larger plane, and disabled veterans conquering the rock wall climb during the 2010 Winter Sports Clinic at Snowmass, Colo. Hosted by Senior Airman Brad Sisson.

The skiing in Aspen is world-renowned, and it's easy to understand why. The mountains are full of challenging slopes that appeal to all levels of skiers and snowboarders. The Aspen area is known for its abundant snowfall yet sunny days. The ski season in Aspen typically runs from November through April, but the best time to ski Aspen is the end of January to early February. Consisting of 4 mountains, Aspen is a very large resort but very easy to navigate with the well-organized bus system. Whether you're an expert or a beginner, you'll find plenty of runs to enjoy. Sebastian's favorite mountain was Highlands which had the most advanced terrain. Ajax, also known as Aspen mountain, is the "locals" mountain with great advanced skiing. Buttermilk is the best mountain for beginners. Snowmass is the largest mountain and a more extensive resort; however, it is where most of the traffic can be found. Sebastian also stayed in Snowmass and stopped for snacks at Snowmass Mall. On all of Aspen's mountains, the expert terrain is easily accessible, which is not the case in all mountain resorts.Aspen is also home to some of the best hiking trails in Colorado. There are dozens of trails in and around Aspen, ranging from easy to difficult. Many of these trails are accessible even in the winter months, and the views of the surrounding mountains are breathtaking. In the summer, you can also find plenty of other outdoor activities in the area, such as rafting, mountain biking, and horseback riding. When the sun goes down, Aspen transforms into a vibrant nightlife scene. There are countless bars, restaurants, and nightclubs to explore in the city, as well as numerous music festivals throughout the year. For those looking for a more laid-back evening, there are plenty of cozy pubs and cafes to choose from. Some of Sebastian's favorite restaurants he and Jess visited in Aspen were French Alpine Bistro, Almresi, and Venga Venga. French Alpine Bistro is an upscale spot with excellent fondu, beef bourguignon, and truffle and cheese gnocchi. The best part? You can find amazing vintage wine such as the Portuguese 2019 pinot noir called Quinta Do Javali, Clos Fonte Do Santo. Another great dinner spot, Almresi, had tasty beef stroganoff, and must-have fondue.Some of Seb's favorite bar recommendations are Hooch Cocktail Bar, which has an excellent Mezcal drink, and a dive bar called Silver City. If you are incredibly boujee and looking for a one-of-a-kind "experience," visit Cloud 9 off the Cloud 9 chairlift. Cloud 9 is famous for its Veuve Clicquot parties.Whether you are on a honeymoon, a birthday trip, or a vacation break,  Aspen is the perfect destination for an unforgettable vacation. From world-class skiing to vibrant nightlife, you'll have a blast at any time with anyone in Aspen.

Mokuhanga is a lot of things. It is a meditative process even at its most chaotic. And a lot like meditation, where you need patience, calm, and to breathe, it is a craft that pushes you to be your best.  I speak with mokuhanga printmaker and author Faith Stone on this episode of The Unfinished Print. Faith's current work is to preserve the Buddha woodblock, a once-thriving tradition within mokuhanga, to preserve it for years to come.  Faith speaks with me about her introduction to Tibetan Buddhist Thangka painting, the history of these beautiful images, her process, tools and materials. She also discusses experimentation, her teachers within her life, and what inspiration means to her.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Faith Stone - website, Instagram Thangka paintings - known as “sacred paintings,” originated from Tibet. They are commissioned for various reasons, some for meditation, prosperity, merit, etc. Depending on the commission, thangka paintings use multiple pigments and imagery. Peaceful or ferocious deities and mandalas can be pictured.  Rudi's Bakery - established in Boulder, Colorado, in 1976, this once mom-and-pop shop bakery serves organic and gluten-free baked goods around the United States.  Celestial Seasonings - is an American tea company based in Boulder, Colorado. It started in 1969.  Colorado - established by settlers in 1876 but initially inhabited by many Native American peoples, such as the Cheyenne, Pueblo, Ute, Comanche, and Apache. The state is known for the Rocky Mountains and the Colorado Eastern Plains. For more information about Colorado, check out its tourist and visitor info here.  Zoo New England - comprises both the Franklin Park Zoo and the Stone Zoo. Founded in 1912, the FPZ is on 72 acres of land in Franklin Park, Boston. The Stone Zoo is 26 acres near the Spot Pond reservoir and located in Stoneham, Massachusetts, about 12 miles (19km) away from each other. More info found here.  Albert Rudolph (Swami Rudrinanda) [1928-1973] - was a spiritual teacher and yogi originallty from New York City.  Pointillism - is a technique in painting conceived by Georges Paul Seurat (1859-1891) and Paul Signac (1863-1935), where small compounded dabs of colour create an image. More info from Sotheby's, here.  Paul Signac - Portrait Of Félix Fénéon 1890, oil on canvas Shiva - is one of the principal deities of Hinduism, which creates, protects, and transforms the universe. More info can be found here. Ganesh - in Hinduism, Ganesh is one of Shiva's offspring. Ganesh is a benevolent deity said to remove obstacles in your life, both spiritually and materially. More info can be found, here. Durga - is, in Hinduism, the mother protector of the universe and a warrior goddess. Depicted with eight hands in the form of a mudra, Durga holds eight weapons. More info can be found, here.  Waves On The Turquoise Lake - was an art exhibition at The University of Colorado at the Boulder Art Museum in 2006. It exhibited Tibetan artists from Tibet and in exile from around the world. Karma Phuntsok - is a contemporary Tibetan artist who lives and works in Australia. His work is his take on Buddhist art and history. More info can be found on his website, here.   Van Buddha - painting El Dorado Canyon State Park - was established in 1978 and is located near Boulder, Colorado. It is 885 acres known for hiking, rock climbing, and mountain biking.  Tara - is one of the most powerful deities in the Buddhist pantheon. Some Buddhist traditions see her as a guide, as a bodhisattva, or as a philosophy of living. Find more info, here. Faith Stone - 22" x 28" Mount Wai'ale'ale - is a volcano on the island of Kaua'i, Hawai'i. The mountain is 5,148 ft. It is one of the rainiest on the planet, with 460 inches of rain annually. Shakti - has many meanings, such as goddess energy, death and life, and the natural elements of the universe. The Aisa Society has an excellent article for a detailed description of Shakti, here. Rama -  is an important deity in Hinduism, and is the seventh avatar of Vishnu.  Shoichi Kitamura - is a woodblock carver and printmaker and has been involved in MI Lab through demonstrations. More info can be found, here.  Kyoto Senbon Torii (2021) Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Iceberg Cube (2016) Anderson Ranch Arts Center - located in Snowmass, Colorado- was established in 1966 by Paul Solder, who worked in Japanese ceramics called raku. Today it is an international Arts Center with artist-in-residence programs, visiting artists, a print shop, wood turning, master classes and more. Information can be found here.  Information can be found, here.  Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Stone Window -20-3/4" x 17" April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists.  Dark Light (2015) 16.5" x 13.5" MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  Rocky Mountain College of Art and Design - located in Denver, Colorado and was founded by Philip J. Steele in 1963. It is an art school with many different programs and subjects in the arts. You can find more information here.  Mayumi Oda - is a Buddhist teacher and artist who works and lives in Hawai'i. Her work has travelled the world. Mayumi is also an environmental activist and continues to live and work at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. More information about Mayumi Oda's work can be found here. Storyville II - silkscreen, 24.6" x 33.9" Jing Jing Tsong - is an American illustrator of books. She is also a printmaker in lithography and monoprints. You can find her work on her website, here.  Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Hanami no Saku (Tanizaki Utauta Nangasaku - 1956) Bodhisattva - a person who has achieved enlightenment through spiritual practice, whether meditation or through good deeds. The word "bodhisattva" can are found in Indian Buddhism and its associated traditions, as representing the Buddha and his transformations. In the Mahanaya tradition of Buddhism, a bodhisattva desires enlightenment as a buddha.  kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking. Manjushuri - is the bodhisattva of wisom and is associated with the Mahayana tradition of Buddhism.      Faith Stone - 22" x 28"   Vajrakilaya - is a wrathful deity in Tibetan Buddhism who embodies the enlightenment of all Buddhas. Commonly described as a deity with three faces, all with a crown of skulls, with six arms carrying various ritual implements in Tibetan Buddhism.  Cow Rinpoche -  is a painting by Karma Phutsok. This particular series of paintings shows animals in exhalted positions on a lotus. They are depicted like a traditional thangka painting.  Dakini As Art -  is an online art gallery which sells and distributes Buddhist art throughout the world. More info can be found on their website, here. Lakshmi - is a goddess in the Hindu pantheon of deities and is the goddess of wealth and prosperity, sitting on the lotus throne.  Kehinde Wiley -  is a portrait artist based in New York City. His work focuses on fusing the past and the present while creating a dialgoue about power, gender, race and reimagining the past. More information can be found on his website here.  Portrait Of A Young Gentleman (2021) oil on linen and canvas LaToya Hobbs -  is a painter and printmaker based in Baltimore, Maryland. She explores relief printmaking and painting together in her works. Her topics deal with the Black female body and stereotypes. More information can be found on LaToya's website here. Nina's Gaze  - relief, ink and acrylic on wood (2019) 20" x 16" hangintō sizes - the hangitō is a stylized Japanese mokuhanga tool. It is the primary tool in mokuhanga and is used in cutting lines and for colour blocks. It comes in various sizes depending on your ability and the technique. The lower number on the handle signifies the blade's thinness, therefore, the experience of the carver.  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block, blotting and immaculate borders are positives of this registration method. It is an "L" shape.  baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations.  urauchi - is a way of backing Japanese washi paper to the back of works on paper. This process is used in bookbinding, scrolls and can be used in mokuhanga.  Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram alum -is a binder used in paper mounting, fabric dyeing, household items such as fire extinguishers, and baking powder. It is also used in size for washi to hold pigments better in your works.  Tetsuo Sayama - was an instructor at MI Lab until his passing in 2019. He worked closely with students, was a scholar of Japanese printmaking history, and left an impression on many who got to know him.    Washi Arts is an online brick-and-mortar paper store in Blaine, Washington, USA. They sell Japanese papers for crafts, bookbinding, mokuhanga, and other artistic media. More info can be found on their website here.    Shin-Torinoko paper - is a mass produced, machine made Japanese paper that is relatively inexpensive. It comes in various weights and colours. More info can be found, here.    kitakata - is a specific type of washi made of Philippine gampi, and sulphite pulp. For bookbinding, and mokuhanga and other types of printmaking.  More info, here.    Saraswati -  is the Hindu goddess of knowldedge and dispells ignorance.    monoprint - is a type of relief print which uses metal or glass, even wood. The final outcome is one good print.   Grumbacher - is an art supply company started by Max Grumbacher in 1905  in New York City. It is now owned and operated by Chartpak Inc. More info, here.   Winsor & Newton - is a British artist supply company, started in 1832,  which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here.    M. Graham & Co. - is a company founded in the late 1990's which provides many different types of pigments for all kinds of artists. More info can be found, here.   Da Vinci Paint Co. - was founded in 1975 in Orange County, California. They make an assortment of watercolours, oils, heavy-body and fluid acryl, and gouache. More info here.   Tōsai Pigment Paste - is a brand of pigments manufactured by Holbein, Japan. They were conceived by mokuhanga printmaker Richard Steiner. Tōsai is the name given to Richard by his teacher. Richard's invteriew with The Unfinished Print can be found, here.   Roslyn Kean - is an Australian printmaker who makes her ball bearing baren called the Kean Ball Bearing Baren. The KBB baren comes in two sizes and are lighter than the yuki baren or other ball-bearing barens. Roslyn's baren are made of high-grade plastic. For more information about Roslyn, her work, and baren can be found, here.     Defining The Edge 1 - 70 x 50 cm   sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here.   tapa cloth - is a designed barkcloth found throughout the islands of the South Pacific, French Polynesia, New Zealand, and Hawai'i, where it is called kapa. Kapa is made slightly differently than tapa; different shapes are used for a more robust design.    Japanese book-binding - in Japan, the binding of books began with scroll books based on the Chinese method. Other binding methods evolved, such as flutter books (sempūyō) and butterfly books (detchōsō). By the Edo Period (1603-1868) and with the relative peace of the period, washi paper was produced steadily, creating a demand for books. Tale of Genji and Tales of Ise were published in this form for the first time. *   shallow carving -  is a way to add dimension and texture to a woodblock. Various sizes of u gouges work well. It can make beautiful shades of colour within your work.    Maile Andrade - is a mixed media artist who has focused on the Hawai'ian kapa process of weaving mentioned above. Kapa, made with mulberry bark, was used for clothing and blankets in Hawai'i. Maile uses kapa in various ways in her 2019 exhibit at the University of Hawai'i at Mānoa, here     Moana (Ocean) - 30.4 x 30.4 cm   mokuhanga brushes - come in a variety of shapes and sizes. Smaller brushes (surikomebake) have long handles and are numbered regarding bristle size, and are used for various sizes of colour blocks. Flat back brushes (marubake), are like a shoe brush and are for wider areas for printing. They also come in various numbered sizes. Brushes are traditionally made of horsehair from the horse's tail, although the smaller surikomebake are made of deer hair. You can find mokuhanga brushes most anywhere today such as McClains, Terry McKenna, Michihamono, Jackson's Art Supplies, and many other places.    sharpening stones - these stones come in a variety of grits, colours, and sizes. Some stones are natural or composite. They vary in price from the ridiculously expensive to the more affordable. Generally, for your mokuhanga you will need a 1000-grit stone to start, and in time you can explore various other methods of sharpening your tools. An excellent video to begin with is Terry McKenna's video on sharpening here.   Karma & Faith: The Artwork of Karma Phuntok and Faith Stone - is the self published book made for their Denver exhibition in 2019.    Tassajara Zen Center -  is a Buddhist monastary and zen center located in San Fransisco. They have published cookbooks since the 1970's.    Tibet House - is a not-for-profit cultural preservation society to preserve Tibetan culture worldwide. There are many Tibet House offices and buildings around the globe. More information can be found at Tibet House US here.    John Lewis  - played a large part in many important events in the civil rights movements of the 1960s in the United States. Was one of the founding members of the Student Nonviolent Coordinating Committee in 1960-1971. More information about John Lewis and his essential work can be found here at Stanford University: The Martin Luther King, Jr. Research and Education Institute.    Kannon - is the deity of compassion in Buddhism.      Kannon Reigen Ki - Ima Kumano Temple from the series The Miracles of Kannon by Utagawa Hiroshige II (1829-1869) 9.6" x 14"   Shoshoni Yoga Retreat - is a yoga retreat in Rollinsville, Colorado. The retreats are much like an ashram experience, with meditation, yoga, meals and selfless service. Find more info here.    * Ikegami, Kojiro, and Barbara B. Stephan. Japanese Book Binding: Instructions from a Master Craftsman. New York etc.: Weatherhill, 1990.   © Popular Wheat Productions opening and closing musical credit - Dropkick Murphy's, Where Trouble Is At. From the album, This Machine Still Kills Fascists (2021) on Dummy Luck Music. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

Henrico citizen and Army veteran Jeff Grieves, 59, will participate in the 37th National Disabled Veterans Winter Sports Clinic, March 25 to 31 in Snowmass, Colorado. Grieves will take part in alpine skiing, sled hockey, and several other adaptive sports activities alongside nearly 350 fellow disabled veterans, supported by approximately 600 volunteers and 200 coaches. For more than three decades, the National Disabled Veterans Winter Sports Clinic has helped disabled veterans overcome obstacles and challenge their perceived limitations. World-class instructors and recreation therapists work with veterans to help them experience the full potential of adaptive sports and recreation therapy for...Article LinkSupport the show

This episode is dedicated to those who remember the past and for those who want to learn more about our rich history. This week we travel back in time in our Grateful Dead VW bus and visit with magician and co-founder of the Foan Family Circus, Steve Aldrich. It was a simpler time when magicians were experimenting with new presentations and popular music of the time. It was at the height of Doug Henning's popularity who was considered by some as a “Hippie Magician”. Steve Aldrich also performed magic at the famed Tower Bar in Snowmass at a time when Doc Eason was still a waiter Steve and his band of merry men (and a woman) surprised and entertained magicians with their “tongue in cheek” original presentations of their “Foan Family Circus” at many magic conventions during the late 1970's to early 1980's. So what happened to the group? That and more will be the topic of discussion in this week's episode. If you are more of a visual person, then you will enjoy this video of our conversation recorded via Zoom. View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Steve talks this week about the formation of the Foan Family Circus, their original presentations and music, their performances at magic conventions (one of which won them the Senator Crandall Comedy Award at Abbott's Get Together), plus the origins of magic at the Tower Bar starting with Bob Sheets then passed down to Steve Aldrich and Steve Spill. Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here

This podcast hit paid subscribers' inboxes on Feb. 22. It dropped for free subscribers on Feb. 25. To receive future pods as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription.WhoDave Scanlan, General Manager of Eaglecrest, AlaskaRecorded onFebruary 13, 2023About EaglecrestClick here for a mountain stats overviewOwned by: The City of JuneauLocated in: Juneau, AlaskaYear founded: 1975Pass affiliations: Indy Pass, Powder Alliance, Freedom PassReciprocal partners:* 3 days each at: Anthony Lakes, Diamond Peak, Hilltop, Hogadon Basin, Lookout Pass, Monarch Mountain, Mount Bohemia, Mount Sima, Mount Ashland, Skeetawk, Skiland* 1 unguided day at Silverton* Eaglecrest has one of the most extensive reciprocal networks in America. Here's an overview of everything that's included in a season pass, which debuted for this season at $576. While there's a ton of overlap, adding an Indy Pass onto this would give you another 50-plus ski areas:Closest neighboring ski areas: Eaglecrest's website reminds us that “There are no roads into Juneau, Alaska— you have to live here, fly, or ferry to experience this powder paradise.” There are no other ski areas nearby. So stay for a few days and enjoy it.Base elevation: 1,130 feetSummit elevation: 2,750 feetVertical drop: 1,620 feetSkiable Acres: 640Average annual snowfall: 350 inchesTrail count: 36 (40% advanced/expert, 40% intermediate, 20% beginner)Lift count: 4 doubles – Eaglecrest also plans to add a pulse gondola, which will likely be ready for the 2025 summer season and 2025-26 ski season.Why I interviewed himThis podcast started, as so many of them do, with me asking one question: what is going on here?Every ski area is different, but some are more different than others. Mount Bohemia, with its complete absence of grooming and snowmaking and $109 season pass. Perfect North, which sits on southern Indiana farmland but processes more than 10,000 skiers on a busy day and employs 1,200 workers in the winter – bigger numbers than some Western alphas. Black Mountain of Maine, which, over the past decade, has undergone the largest expansion of any New England ski area – with zero promotion, masterplanning, or fanfare.And here's Eaglecrest. This ski area up in Alaska. But not just regular Alaska. Isolated coastal Alaska. Where roads don't go. You have to fly or take a ferry. There, for some reason, is where the 49th state chose to locate its capital, Juneau. The state's residents have voted many times to move the capital. But it remains. It is a gorgeous place, mountains launching dramatically from the water. There are 31,000 people there. And one ski area. Eaglecrest is big enough to stir curiosity, but not big enough to draw skiers in volume from the mainland, who have dozens of larger ski areas to bounce between. It is an Indy Pass member, a Freedom Pass member, a Powder Alliance member. It has a dozen reciprocal partnerships besides. Almost anyone can ski there – almost no one does. So what is this place? This city-owned ski area at the end of civilization? And what does it want to be? And how does it plan to get there?I had questions. Scanlan had answers. This is a good one.What we talked aboutFifteen straight days of snow is just how they roll in Southern Alaska; the Pineapple Express; if you think Alaska is all dark and subzero weather, think again; skiing in fishing gear; “we don't have the big testosterone bro-brah attitude”; is Juneau ski bum paradise?; where a crowd on a Saturday pow day is a dozen early-risers ahead of you in the maze; Midwest pride; bump skiing at Wilmot; when “you fall in love with it not for the hype of a powder day, but for the feeling you get when you're on your skis or snowboard”; a young vagabond in the ‘90s; Hope Alaska; founding the Mountain Rider's Alliance to help small ski areas; the potential for resurrecting the long-lost Manitoba Mountain, Alaska; Skeetawk (Hatcher Pass); moving to and running Mt. Abram, Maine; what it's like to compete with Sunday River; hardcore New England; Maine nice; landing a dream job at Eaglecrest; reworking the primitive snowmaking system; the pros and cons of running a city-owned ski area; whether Eaglecrest could ever survive without city subsidies; massive summer potential; easier to get to than you think: “If you live in Seattle, you can be sitting on the chair at Eaglecrest before most days you could be sitting on the chair at Crystal”; fly and ski free with your boarding pass; pushing back against locals who want to keep the place secret; why Eaglecrest has so many reciprocal partners and how effectively that's drawing skiers to Alaska; why you saw an Eaglecrest booth at the Snowbound Festival in Boston; Indy Pass; comparing the coming Eaglecrest gondola installation with how the Lone Peak Tram transformed Big Sky in the 1990s; 20,000 daily summer visitors to a town that has 30,000 residents; “how do I take advantage of this amazing opportunity to put the cash in the pocket that I need to turn Eaglecrest into the best ski area in the world?”; why low-capacity lifts will continue to be Eaglecrest's default; the drive to begin relocating quality used ski lifts from Europe to North America; breaking down Eaglecrest's soon-to-be-installed fixed-grip pulse gondola; where the gondola's top, bottom, and midstations will sit; how much larger Eaglecrest's trail footprint will get; “I do carry some guilt of polarizing our ski community” by putting a lift into what's now hike-in terrain; why the ski area needs investment to survive; thoughts on the future of the four double chairs; visiting and riding the future Eaglecrest gondola in Europe; massive upgrades for the lift; how the gondola will work with the Mt. Roberts Tram; a gondy timeline; potential for a beginner carpet; and how much the official count of 36 trails undersells the resort's terrain.   Why I thought that now was a good time for this interviewEaglecrest is, as noted above, one of the continent's most aggressive Megapass-Reciprocity players. That makes it an important mountain in an important Storm sub-narrative: how can you ski as much as possible, at as many ski areas as possible, for as little money as possible? While Eaglecrest's network (50-ish partners), and pass price-point ($576 early-bird for 2022-23) don't quite drop it into the Ski Cooper realm ($329 early-bird for this season and 61 partner ski areas), it nonetheless acts as a powerful enabling device for skiers with an adventurous bent and a small degree of logistical savvy.The question, of course, is why Eaglecrest bothers. The place is marooned along the North American coast, one of the few non-island cities unreachable by road from the rest of the landmass. I'm sure some Eaglecrest locals journey south by plane and orchestrate a ski loop through the continental West. But I'm not sure if that's the point here. Rather, Eaglecrest is trying to get skiers to come to them, to realize that if they hop a plane two-and-a-half hours north, they can land in the Great Unspoiled and have a powder-draped ski area to themselves.The goal is to create long-term skiers. Tourists, you know. And once they've seen what the place is now, they'll be revved up to return once Eaglecrest runs a new-used pulse gondola from its base to the top of Pittman's Ridge. That will bring lift service to the ski area's full 1,620-foot vertical drop for the first time and, more importantly, open hundreds of new acres of terrain skier's left of the current boundary.If you're not familiar with a pulse gondola, you may have seen them at Snowmass or Steamboat – they run with little groups of cabins together, and are typically used in America more as transit lifts than ski lifts (the Snowmass lift mostly takes passengers up the village, and Steamboat's lift moves skiers up from a cluster of condos down the mountain). These are fixed-grip lifts, but travel at tram speeds – Scanlan estimates the base-to-summit ride at around seven minutes. The lift will travel in three pods of 15-passenger cabins and will have a mid-station, off of which Eaglecrest could eventually build a learning area with carpets, Scanlan tells me. The yellow line here shows where the gondola will run on the mountain - the red lines represent the current lifts:The lift has been controversial. It's 34 years old, and operated at Austria's Galsterberg Ski Area until last April. It cost approximately $2.5 million to purchase and transport, and will cost an additional $5.5 million to install. It will operate at a far lower capacity than a modern detachable gondola, which is what most U.S. ski areas use. Critics say the gondola competes with the private sector – in particular, the Mount Roberts Tramway.Scanlan addresses each of these points in our conversation, with a nuanced analysis of Juneau's thumping summer tourism season and how Eaglecrest can both act as a relief valve and boost its own long-term goal of financial independence.Questions I wish I'd askedTwo points I wanted to discuss that I didn't get to: how much the gondola will cost, and Eaglecrest's very low lift ticket prices, which top out at $68. The ski area breaks down the cost in an FAQ on its website:Q: I've heard about a $2 million cost and a $7.5 million cost. Which amount is correct?$2 million [it ended up being $2.5 million] covers the initial purchase, transportation, and preliminary engineering of the Austrian pulse gondola. The funding ordinance currently under review is for this sum.$5.5 million covers the cost of installation and additional infrastructure. Eaglecrest may eventually seek this sum as a loan to be paid back by summer operations. This number will be refined in the months ahead as we continue work with the Eaglecrest Board and Eaglecrest Summer Task Force to examine the business case and evaluate future costs.Why you should ski EaglecrestBecause this might be it. Survey the West: it's full. Colorado High Country, the Wasatch, Tahoe, the Seattle and Portland day-drivers, Jackson, Mammoth, Big Sky – it's traffic or it's ticket limits or it's sticker-shock pricing or it's rivers of people or it's the raw cost of living and everything else. Or it's several or all of these factors, blended, to frustrate the romance of mountain-town living.Not that rustic snowy backwaters don't remain. But they are backwaters. Places like Turner, Montana, 2,110 vertical feet and 1,000 acres but lodged in the wilderness between Schweitzer and Whitefish. Sunrise Park, Arizona, 1,800 feet of vert and 1,200 acres, but marooned 90 miles from the nearest interstate highway and so dysfunctional that a huge chunk of the mountain sat inaccessible for five years after their monster triple chair broke down (it now takes three lift rides to reach that same terrain).But look north. Look at this:If you haven't watched yet, let me pull one stat: Scanlan says on this video that a busy day at Eaglecrest – a weekend powder day, for instance – might draw 900 skiers. For the day. There's more people waiting in the average McDonald's drive-through line than that.“Yeah Brah but it's small.”Watch the video, Brah.“Yeah but it gets like half the snow of Mt. Tahoe, where my boys ride Brah.”Watch the video.“Yeah but it's in Alaska and I don't see the point of skiing in Europe when I can ski right here in U.S. America.”Brah, watch the video.As mainland Western U.S. skiing boils over, Eaglecrest remains on a low simmer. And while you'll need an airplane to get there, you land in a state capital, with all the infrastructure and life conveniences that attend such a place. Juneau is a small city – 31,000 people – but an important one, with abundant stable government and industrial fishing jobs. It's big enough to host a woo-hoo walkable downtown and all the standard American big-box claptrap on the outskirts, small enough that unloading every skier in the valley onto Eaglecrest's access road won't be enough to clog the drain. And when you arrive, you just ski. No parking drama. No lines. No Powder Day Death Matches. Just. Ski.Yes, the lifts are old and slow: four fixed-grip doubles. Yes, accessing the full vert requires some hiking. Yes, coastal snow is not Wasatch snow. And yes, the total skiable acreage does not match your big-mountain Western destinations. But: recalibrate. Reset your expectations. Stripped of the hoards and the Hunger Games mentality they inspire, skiing is something different. A 10-minute lift ride is not so intolerable when you ski right onto the chair. Six hundred forty acres is plenty when it's mostly ungroomed faces sparsely cut by the local bombers. Three hundred fifty inches is sufficient when it tumbles over the mountain in lake-effect patterns, a few inches every day for weeks at a time, refreshing and resetting the incline day after day.Eaglecrest is going to get bigger, better, and, probably, busier. That gondola will change how Eaglecrest skis and, eventually, who skis there. It's not a destination yet, not really. But it could be. And it probably should be – we're rapidly moving past the era in which it makes sense for city tax dollars to subsidize a ski area. There are plenty of examples of publicly owned ski areas operating at a profit, and Eaglecrest should too. Go there now, before the transformation, to see it, to say you were there, to try that different thing that gets at what you're probably looking for in the mountains already.Podcast NotesOn the gondolaWe referenced a note Scanlan penned shortly after taking delivery of the gondola. Read it in full here.On Manitoba MountainScanlan tells the story of trying to resurrect a small ski area called Manitoba Mountain near Hope Alaska. It had operated with up to three ropetows from World War II until the lodge burned down in 1960. Skimap.org has archived a handful of concept maps circa 2011, but Scanlan moved to Maine to take over Mt. Abram before he could re-open the ski area:On Skeetawk/Hatcher PassScanlan and I discuss a recently opened Alaska ski area that he refers to as “Hatcher Pass.” This is Skeetawk, a 300-vertical-foot bump that finally opened in 2020 after decades of failed plans. Here's the ski area today:And here's a circa 2018 concept map, which shows where a future high-speed quad could run, connecting, in turn, to a high-alpine lift that would transport skiers to 4,068 feet. That would give the ski area a 2,618-foot vertical drop.On the impact of the Big Sky tramIt's hard to imagine, but Big Sky was sort of Small Sky before the ski area broke out the Lone Peak Tram in 1995. That project, which acted as a gateway to all-American pants-shitting terrain, transformed the way skiers perceived the mountain. But the tram was bigger than that: the lift accelerated the rapid late-90s/early-2000s evolution of U.S. skiing as a whole. An excerpt from this excellent history by Marc Peruzzi:As unpolished, friendly, and authentic as Big Sky was in the early 1980s, it was a timid place known within Montana for stunning views, but exceedingly gentle pitches. Big Sky was the yin to rowdy, chute-striped Bridger Bowl's yang. And it was struggling. Annual skier visits hovered around 80,000. The mountain wasn't on the destination circuit. The business was losing money. Bound up skiing wasn't working. …it's easy to overlook the fact that the Lone Peak Tram was and is the most audacious lift in North American skiing history. It was such a bold idea in fact, that John Kircher had to agree to the purchase without the approval of his father, and Boyne Resorts founder, Everett who disapproved vehemently with the project. The audacious claim is not hyperbole. The Peak 2 Peak Gondola in Whistler (it came 20 years later) might sport a longer span, but it was a far more straightforward installation and it's more of a people mover than a ski lift. The Jackson and Snowbird trams serve serious terrain, but they run over a series of towers like traditional lifts. The Lone Peak Tram is an anomaly. Because it ascends a sheer face, the lift features a continuous span that's unique in North America. No other design would work. Beyond the challenges of the cliff, the routine 120mph hour winds in the alpine would rip chairs off cables and smash tram cars into towers. …By 1996, the year the tram opened, the skiing nanny state was crumbling. … At the forefront of this change was the Lone Peak Tram. It changed the mindset of the ski industry. But that change was bigger than the sheer audacity of the lift and the terrain it served—or even the fact that Big Sky's patrol had figured out how to manage it. The Lone Peak Tram didn't just make for good skiing, it made good business sense. Whereas Kircher is quick to credit Montana's frontier culture for the actual construction of the tram, Middleton discounts the cowboy element and insists it was a strategic long-term business play to elevate the ski experience. But two things can be true at the same time, and that's the case with the Lone Peak Tram. …In the years after the Lone Peak Tram opened, expansion into steep terrain became commonplace again. Sunshine Village's Delirium Dive opened in 1998. Then came the hike-to terrain of Aspen Highlands' Highland Bowl; Crystal Mountain's “inbounds sidecountry” in the Southback zone, and its 2007 Northway expansion; and more recently Taos Ski Valley in New Mexico finally strung a lift to Kachina Peak, which as with Lone Peak had been hiked for years. Any skier worth their weight would add the Headwaters at Moonlight to that list.This video tells the story just as well:The context in the podcast was the incoming Eaglecrest gondola, and whether that lift could have the same transformative impact on Eaglecrest. While the terrain that the new-used Alaskan lift will serve is not quite as dramatic as that strafing Big Sky, it will reframe the ski area in the popular conversation.On ski pornI don't write a lot about athletes, obviously, but Scanlan mentions several that he skied with at summer camps on the Blackcomb Glacier back in the ‘90s. One is Candide Thovex, who is like from another galaxy or a CG bot or something:On old-school Park CityScanlan talks about the summer he helped yank out the “old-school” Park City gondola and install the “Payday six-packs.” He was referring to the Payday and Bonanza sixers, which replaced the mountain's two-stage, four-passenger gondola in the summer of 1997. Here's the 1996 trailmap, showing the gondy, which had run since 1963:And here's the 1997-98 trailmap, calling out the new six-packs as only a 1990s trailmap can:On old-school AltaModern Alta – the one that most of you know, with its blazing fast lifts and Ikon Pass partnership – is a version of Alta that would have been sacrilege to the powder monks who haunted the place for decades. “The ski area for traditionalists, ascetics, and cheapskates,” read one Skiing Magazine review in 1994. “The lifts are slow and creaky, the accommodations are spartan, but the lift tickets are the best deal in skiing, especially when Alta's fabled powder comes with them.” Here's what Alta looked like in 2000, the year before Sugarloaf gave way to the resort's first high-speed chairlift:This is the Alta of Scanlan's ski-bum days, “before the high-speeders came in,” as he puts it. Before the two-stage Collins lift took out Germania (which lives on at Beaver Mountain, Utah), a longer Supreme killed Cecret, and a new Sunnyside sixer deleted Albion, which served Alta's boring side. Before a peak-day walk-up lift ticket ran $179 (throw in another $40 if you want to connect to Snowbird). They do, however, still have the stupid snowboard ban, so there's that.On previous GM Matt LillardScanlan and I discuss his immediate predecessor, Matt Lillard, who is now running Vermont's Mad River Glen. Lillard joined me on the podcast three years ago, and we briefly discussed Eaglecrest:On GunstockScanlan compares Eaglecrest's operating and ownership models to Gunstock, noting, “we've all seen how that can go.” We sure have:On Eaglecrest's fly-and-ski-free programHere are details on how to cash in your boarding pass for an Eaglecrest lift ticket on the day you land in Juneau. Alaska Airlines offers similar deals at Alyeska, Bogus Basin, Red Lodge, Red Mountain, Schweitzer, Marmot Basin, and, shockingly, Steamboat, where a one-day lift ticket can cost as much as a 747.The Storm publishes year-round, and guarantees 100 articles per year. This is article 14/100 in 2023, and number 400 since launching on Oct. 13, 2019. Want to send feedback? Reply to this email and I will answer (unless you sound insane, or, more likely, I just get busy). You can also email skiing@substack.com.The Storm explores the world of lift-served skiing all year long. Join us. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Livin' life, Aspen Snow Banks, 86'd One Hit Wonders, Unisex Bathrooms, Broke in VegasSupport the podcast and subscribe on Patreon for Counterpoints! and other exclusive content to come!https://www.patreon.com/BehindBarsCockedtalesandwastednightsemail me @cockedtalesandwastednights@gmail.com

In this episode Nicole and Sarah host Katie Ertl, the SVP of Mountain Operations at Aspen Skiing Company. Aspen Skiing Company includes 4 mountains, across 8 miles — Aspen Mountain, Aspen Highlands, Snowmass and Buttermilk. Katie grew up in the Aspen Valley, her mom was a ski instructor and she taught Katie and her twin sister from the age of 3. She went on to alpine ski race. Katie taught ski lessons in college, and after graduating decided to continue down that path. Katie coached kids ski racing in Australia and loved it so much she went back and forth coaching between Aspen and Australia. Katie worked her way into ski school management and concurrently became a ski instructor educator, giving clinics to ski instructors through PSIA.  That led Katie to her role overseeing the 4 ski schools at Aspen Skiing Company - and their 1,300 instructors!  After 12 years in this role she moved to her current role, as the SVP of Mountain Operations. Katie explains the role of Mountain Operations - which includes everything related to the mountain infrastructure, from getting the lifts running every morning, to grooming the hill and guest services.  Aspen Skiiing Company is undergoing a 180 acre expansion called Pandoras, which is keeping Katie busy.Katie walks us through the history of the 4 mountains.  She describes how the various mountains are situated and what makes each mountain and town unique.  We also learn about the sustainability programs that Aspen Skiing is involved in across the valley and more broadly. Create your Ski Butlers Profile here: https://www.skibutlers.com/portal/momtrendsKeep up with the Latest from Aspen Skiing Company:Website: https://www.aspensnowmass.com/Instagram: https://instagram.com/aspensnowmassFacebook: https://www.facebook.com/aspensnowmass/Twitter: https://twitter.com/aspensnowmassResources: Pandora Expansion PSIA: https://www.thesnowpros.org/who-we-are/ Nastar: https://nastar.com/national-championshipsPlease Help Support our Podcast:Check out the Ski Pack at www.puremountainfun.com and use code SKIMOMS2022 for 20% off your orderJoin the Ski Moms Fun Community! Follow us on Instagram @skimomsfunCheck out the Ski Moms Fun Store at www.skimomsfun.comContact us sarah@skimomsfun.com

A very special guest on the podcast this week.World famous architect, Ben Wood, who, in short, cultivated serendipity against all odds… not just in how he won business, in how he changed China and architecture globally. Before he had made a name for himself, Ben, from a middle class family in rural Georgia, was winning  business that world renowned architects were competing for.He won  business nationally and globally from developing growth management strategies for Snowmass, Aspen, Telluride and Park City to authoring the master plans for the Revitalization of New York Times Square to designing developments in major cities across the United States as well as in Japan, England and throughout Europe and in China. Ben is perhaps is most renowned for being the Architect who designed Shanghai's famous Xintiandi (which means “New Heaven and Earth).Xintiandi is so successful that it has become a verb and not only in China but across the globe. Developers say to architects, ‘Can you Xintiandi this project for me?' Ben says he listens to people and culture and he sees not only the vision and design, he sees opportunity where others didn't. He's done it, not just once, again and again. We talk about Ben's life, how against all obvious odds, he cultivates serendipity.*** Don't miss Ben's book releasing soon, ‘Into the Dragon's Mouth', stories from an American Architect Who Changed China. ***Shownotes - 0:00 - Ben Wood: How to Cultivate Serendipity, Against All Odds5:02 - Ben shares his back story13:01 - Deciding to become an architect22:47 - The story of winning29:12 - Being a visionary (looking to the future, not the past)31:28 - Earning great clients38:10 - People first44:22 - Ideas48:40 - Ben's ‘BusinessFeeder', DR Bar (Shanghai)54:51 - Passion and serving people57:00 - The Final 3People/Resources Mentioned - Benjamin C. ThompsonSteven SpielbergJeffrey Katzenberg DreamWorks Animation Massachusetts Institute of Technology: MIT Harvard University National Art Gallery Time Magazine Ben's Ted Talk Elon MuskBeryl MarkhamBooks -Leonardo da Vinci - by Walter IsaacsonSteve Jobs - by Walter IsaacsonThe Dip: A Little Book That Teaches You When to Quit (and When to Stick) - by Seth Godin West with the Night - by Beryl Markham‘Into the Dragon's Mouth', stories from an American Architect Who Changed China - by Ben Wood* - Releases in 2023Quotes-He who flies highest sees the farthest… just remember, just as you needed a runway to take off, remember to consider your landing. Find something you do well, and do it almost better than anybody in the world.www.JereMetcalfPodcast.comPowered byJere Metcalf Partners404.627.7789Jere@mpartners.ioJeremetcalfpart

The 2022 National Disabled Veterans Winter Sports Clinic wrapped up in Snowmass, Colorado this spring, with disabled veterans reaching new heights in adaptive sports.

Namaste, Yoga Revealed Podcast!This is Alec Vishal Rouben & Andrew Sealy and we come to you with GRATITUDE and lots of YOGA!In this episode we talk about the synchronicity of finding acceptance no matter the challenge life brings. If You're needing to find more resilience in your life, sometimes hearing from others experiences allows us to cultivate an inner muscle of grit, in order to keep going. This episode is filled with personal story about finding resilience and maintaining the space to love life! We just finished out the incredible weekend of Drishti Beats in Snowmass, Colorado with incredible Teachers. Alongside Andrew, Alec, Annie Dee Coyle, Shakti Bird, Bryant Wood (IkarWood), Jonah Kest, Rob Loud, and Maurice Daniels all taught. It was a wonderful time to be together!Andrew and I will be together in august and we will be creating our very first program--- 100 days of YOGA! stay tuned and get ready to transform your life with the practice and supportive tool that is yoga! Until next time, Please keep practicing and making a difference like you do! Love Life See acast.com/privacy for privacy and opt-out information.

Yoga Revealed Podcast this is Alec vishal rouben, so happy and grateful to welcome you back to another episode!Today I am excited to introduce you to two powerful souls in my community of Colorado. Kevin and Amanda, co facilitate habitual roots, weaving together the medicine that sangha brings- through yoga, meditation, breath-work, retreats, and many other events that we all know make a difference living in this wild world today.Please join me as we dive DEEP into a conversation around how yoga has elevated their journeys and how it can also support you in yours. And don't forget that Drishti beats festival is happening July 8-10th in Snowmass aspen, and all three of us, and MANY of the yoga revealed interviews over the years will be there teaching and presenting and loving life. You can sue YRBEATS as a 20% discount code to reserve your tickets! https://festival.drishtibeats.com/tickets/ Thank you for tuning in. If you found as much value from this episode as I did, please leave us a 5 star review, drop a comment on our Instagram page and share this to your stories! We are SO excited to gather during this potent time of life. Celebrate with music, one another and the wisdom of yoga pulsing through us all. Follow Amanda on IG @tiedyealldayFollow Kevin on IG @kevinsrootsFollow Habitual Roots on IG @habitualrootsStay tuned and see you all at Drishti Beats!! See acast.com/privacy for privacy and opt-out information.

Namaste and welcome back to another inspiring and insightful episode of the yoga revealed podcast! This is your brother, coming from beautiful boulder Colorado with a powerful conversation with Lori Lowell, who is the founder of Drishti Beats. this episode INSPIRE YOU, someone who has a dream, vision, and a desire to SERVE, to know that there is no better time that NOW to start. You can also join Lori, Myself, and the yoga revealed team this summer, July 8-10th in Snowmass village of aspen Colorado for first ever Drishti Beats festival! I am teaching two classes and LAPA and Dj Taz Rashid are Dj'ing for me, Andrew Sealy will also be teaching there. YRBEATS is a discount code and you can snag your tix at https://festival.drishtibeats.com/tickets/Thank you for taking time to tap into Lori's magic. IF you received as much value from this episode as I did, please leave us a 5 star review and share the episode on your social media and tag us! We at yoga revealed are inspired by opportunity, solutions, intentions, and ways to uplift the world that we live in and we believe that LIVING Yoga and embodying truth in every way is the key to healing this world and ourselves. Thank you for doing your deep work in this world. If you are called to join us at Drishti beats, the moment is now for your to book your tickets to this epic festival with an incredible musical lineup like Desert dwellers, polish ambassador, Random rab, frameworks, and other exciting teachers like Jonah Kest, Maurice Daniels, Rob loud, Annie Dee coyle, shakti bird, Bryant Woods, and so much more, most of which have been on yoga revealed as well! Remember to use YRBEATS as a discount code on your check to save some dollars. head to www.festival.drishtibeats.com to secure your tickets!Infinite love from your brother Alec, rooting for you as you consciously create your very best life. From my heart to yours, namaste and aloha! See acast.com/privacy for privacy and opt-out information.

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Organizations can email skiing@substack.com to add multiple users on one account at a per-subscriber enterprise rate.WhoNadia Guerriero, Vice President and Chief Operating Officer of Beaver Creek, ColoradoRecorded onMarch 25, 2022About Beaver CreekClick here for a mountain stats overviewOwned by: Vail ResortsBase elevation: 7,400 feet at Arrowhead Village; 8,100 feet at Beaver Creek VillageSummit elevation: 11,440 feetVertical drop: 3,340 feet (continuous)Skiable acres: 2,082Average annual snowfall: 325 inchesTrail count: 150 (39% advanced, 42% intermediate, 19% beginner)Lift count: 24 (12 high-speed quads, 1 chondola, 2 gondolas, 1 triple, 1 double, 7 conveyors - view Lift Blog’s inventory of Beaver Creek’s lift fleet)Uphill capacity: 48,264 skiers per hourWhy I interviewed herAmerica may or may not have suspected, when Beaver Creek flipped the power on in 1980 with three double chairs and three triples, that we were nearing the end of big-time ski resort construction in the United States. In the previous decade, Keystone (1970), Snowbird (1971), Copper Mountain (1972), Kirkwood (1972), Northstar (1972), Powder Mountain (1972), Telluride (1972), and Big Sky (1973) had all come online. Breckenridge (1961), Crested Butte (1962), Vail (1962), Park City (1963), Schweitzer (1963), Steamboat (1963), Crystal Mountain Washington (1964), Mt. Rose (1964), Purgatory (1965), Diamond Peak (1966), Jackson Hole (1966), Mission Ridge (1966), Snowmass (1967), Sierra-at-Tahoe (1968), and Grand Targhee (1969) had materialized out of the wilderness the decade before. This was a country that thought big and acted big, that crafted the tangible out of the improbable: a high-end ski resort, buffed smooth as an interstate and hemmed in by the faux villages of aspirational America, rising 3,000 feet out of the Colorado wilderness. The resort would be Vail’s answer to Aspen, high-end and straight down, without the drive to the end of the world.But after Deer Valley cranked to life the following year, big-mountain ski area development mostly broke down in the United States. The mammoth Yellowstone Club – all private, exclusively for individuals who consider automobiles to be single-use disposables – didn’t open until 1997. Tamarack, Idaho, was the next entrant, in 2004. The private Wasatch Peaks should open soon, and Mayflower may follow. But for the most part, this is a nation that, for better or worse, has decided to make do with the ski resorts it has.So what? Well, I lay this history out to make a simple point: Beaver Creek is about the best illustration we have of how and where we would build a ski resort if we still built ski resorts, with all our modern technology and understanding. The fall lines are incredible. The lift network sprawls and hums. The little walkable villages excise vehicles at exactly the right points. The place is just magnificent.The aversion to large-scale mountain construction did not, fortunately, temper Beaver Creek’s ambition. That simple half-dozen lifts multiplied to the west until the network overran and absorbed the formerly independent Arrowhead ski area. In 1991, Beaver Creek ran a high-speed quad up Grouse Mountain, one of the best pure black-diamond pods in Colorado. This year, the ski area added McCoy Park, a terrific high-altitude beginner pod, which complements the green-circle paradise off the Red Buffalo Express, already some of the most expansive top-of-the-world beginner terrain in America.Not that Beaver Creek got everything it wanted. A long-imagined 3.8-mile gondola connection to Vail, with a waystation at the long-abandoned Meadow Mountain ski area in Minturn, has been stalled for years. A lift up from Eagle-Vail would also be nice (and would eliminate a lot of traffic). But this isn’t the Alps, and the notion of lifts-as-transit is a tough sell to U.S. Americans, even in a valley already served by 55 of them (Vail Mountain has 31 lifts on top of Beaver Creek’s 24). They’d rather just drive around in the snow.Whatever. It’s a pretty fine complex just the way it is. And it’s one with a big, bold, ever-changing present. Beaver Creek is, along with Whistler and Vail Mountain, one of Vail Resorts’ three flagships, a standard-setter and an aspirational end-point for all those Epic Pass buyers around Milwaukee and Minneapolis and Detroit and Cleveland. This one has been on my list since the day I launched The Storm, and I was happy to finally lock it down.What we talked aboutWhy Beaver Creek is closing a bit later than usual this season; Guerriero’s early career as an agent for snowsports athletes, including Picabo Street and Johnny Moseley; night skiing at Eldora; working at pre-Vail Northstar; reactions to Vail buying Northstar; taking the lead at Beaver Creek; the differences between running a ski resort in Colorado versus Tahoe; what it means to get 600-plus inches of snow in a season; what elevates Beaver Creek to alpha status along with Vail Mountain and Whistler among Vail’s 40 resorts; going deep on the evolution and opening of McCoy Park, Beaver Creek’s top-of-the-mountain gladed beginner oasis; why the mountain converted McCoy to downhill terrain when it already had the excellent Red Buffalo pod on the summit of Beaver Creek Mountain; once again, I go on and on about green-circle glades; thoughts on the mountain’s lift fleet and where we could see upgrades next; why Beaver Creek doesn’t tend to see monster liftlines and the weird un-business of the ski area in general; the status of the long-discussed Vail Mountain-to-Beaver Creek gondola; thoughts on the rolling disaster that is Colorado’s Interstate 70; how Arrowhead, once an independent ski area, became part of Beaver Creek; the surprising sprawl and variety of Beaver Creek; potential future terrain expansions; the mountain’s high-end and rapidly evolving on-mountain food scene; cookies!; watching the evolution of the Epic Pass from the inside; whether Vail would ever build another ski area from scratch; Vail’s deliberate efforts to create leadership opportunities for women within its network; the mountain-town housing crisis; thoughts on Vail’s massive employee and housing investment; and Guerriero’s efforts to address the mountain-town mental health crisis.Why I thought that now was a good time for this interviewTwo words: McCoy Park. I recall skiing past this oddly wide-open and empty bowl, perched atop the mountain like some snowy pit-mine, years ago and wondering what was going on in there. The trailmap explained. For a long time, it was a Nordic and snowshoeing center. But this year, Beaver Creek finally finished a long-planned project to drop a new beginner center into the bowl. Two lifts and a clutch of blues and greens, some ungroomed, a contained adventure center for the graduated-from-the-carpet set that’s craving top-of-the-mountain adventure without the whooshing crowds or oops-I-just-skied-into-a-mogul-field regrets. Reviews have been solid. There’s one more thing: Vail has quietly built a very deep roster of women mountain leaders. Four of the company’s five Colorado resorts, and eight of its 40*, are led by women. Women hold approximately 45 percent of Vail’s corporate leadership roles, and half of its 10 board of directors members are women. Also, according to a Vail spokeswoman, CEO Kirsten Lynch is the only female CEO among travel and leisure companies listed on the 2021 Fortune 100 list.These gender-diversity efforts are, Vail Resorts’ Director of Corporate Communications Jamie Alvarez told me, “intentional and explicit. The ski industry has traditionally been male-dominated, particularly in senior leadership roles. As a company, Vail Resorts has prioritized creating an environment that encourages and enables growth opportunities for women at all levels of the company. This isn’t just in corporate, but also throughout our operations. We are proud of our industry-leading accomplishments and are committed to continuing to accelerate women at our company and in our industry.”They should be.*The eight current women heads of Vail Resorts are: Jody Churich at Breckenridge, Nadia Guerriero at Beaver Creek, Beth Howard at Vail, Tara Schoedinger at Crested Butte, Dierdra Walsh at Northstar, Belinda Trembath at Perisher, Sue Donnelly at Crotched, and Robin Kisiel at Whitetail. Vail recently promoted Mount Snow GM Tracy Bartels to VP of mountain planning, projects, and maintenance, overseeing maintenance and mountain-planning efforts across the portfolio.Questions I wish I’d askedI’ve always found it interesting that Alterra chose to leave Deer Valley off the unlimited tier of the Ikon Pass, while Vail granted unlimited Beaver Creek access on its comparatively cheap Epic Pass (Deer Valley’s season pass is $2,675). Both ski areas have similar philosophies around grooming, on-mountain food, and delivering a high-end experience. My guess is that this model works at Beaver Creek because it’s just a little bit harder to get to, while you can fall off your patio in Salt Lake City and end up at the top of Deer Valley’s Empire Express. Since Alterra just limited Deer Valley access even more, yanking it off the Ikon Base Pass, I’m guessing they’re fairly committed to that model, but it’s still an interesting contrast that I’d like to explore more at some point.What I got wrongNadia and I discussed one of the more tedious meta-critiques of Vail, which is that the company makes all its resorts the same. I don’t agree with this narrative, but the example I gave on the podcast was, to be honest, pretty lame, as I couched my counterpoint in a discussion of how Beaver Creek and Northstar differ operations-wise. Which, of course. No one is comparing Kirkwood to Mad River, Ohio from a snowfall and terrain point of view. What I should have done instead is to ask Guerriero what makes each resort culturally distinct. That’s on me.I also made the assertion that skiers could drop into McCoy Park from the top of the Bachelor Gulch lift, which is untrue. The three lifts with McCoy access (aside from the two lifts within the bowl intself) are Strawberry Express, Larkspur Express, and Upper Beaver Creek Express. I made a bad assumption based on the trailmap.Why you should ski Beaver CreekLiving in New York, I find myself in a lot of casual conversation with skiers pointed west for a week at Vail. I don’t know why (actually I do know why), but New Yorkers are drawn to the place like cows to grass. Like hipsters to $9 coffee drinks. Like U.S. Americans to 18-wheel-drive pickups. Like… well, they really like Vail, OK? And every time someone tells me about their long-planned trip to Vail, I ask them how many days they plan on spending at Beaver Creek, and (just about) every time, their answer is the same:Zero.This, to me, is flabbergasting. A Storm reader, Chris Stebbins, articulated this phenomenon in an email to me recently:“Beaver Creek is the single biggest mystery in skidom in my humble opinion. On Epic. On I-70.  Just 12 minutes past Vail. 15 high-speed lifts strung across six pods, suiting every ability. A huge bed base, with a mountain ‘village.’ And I’m making 15-minute laps on Centennial. On a perfect blue-bird day. After 16 inches of snow. On a Saturday. During Presidents’ Week.”I don’t get it either, Chris. But there it is. I’ve been having similar experiences at Beaver Creek for almost 20 years. Enormous powder days, lapping Birds of Prey and Grouse Mountain, no liftlines all day. Maybe here and there on Centennial. Once or twice on Larkspur or Rose Bowl. The entirety of the Arrowhead and Bachelor Gulch side deserted, always, like some leftover idyll intact and functional after an apocalyptic incineration of mankind. Once, on Redtail, or maybe it was Harrier, I crested the drop-off at mid-day to catch the growling hulks of half a dozen Snowcats drifting out of my siteline. Ahead of me a corduroy carpet, woven and royal, the union of all that is best in nature and best in technology. And no one to fight for it. I stood there perched over the Rockies just staring. Like I’m in a museum and contemplating something improbably manmade and ancient. Glorious. And 18 years later I still think about those turns, the large arcing sort born of absolute confidence in the moment, those Rossi hourglass twin-tips bought at an Ann Arbor ski shop and buried, for an ecstatic instant, in the test-lab best-case-scenario of their design.Look, I love Vail Mountain as much as anyone. It’s titanic and frenetic and pitch-perfect for hero turns on one of the most unintimidating big mountains in North America. I could spend the rest of my life skiing there and only there and be like, “OK well if it has to be one place I’m just relieved it’s not Ski Ward.” But the dismissive attitude toward 2,082-acre Beaver Creek, with its 3,340-foot vertical drop and zippidy-doo lift fleet and endless sprawling trail network, is amazing. The terrain, especially on Grouse, is steep and fall-line beautiful. My last trip to Beaver Creek – a midwinter pow-day Sunday where I never so much as shared a chair with another skier – was a dozen runs off Grouse, eight of those in the tangled wilds of Royal Elk Glades.All of which is a long way of suggesting that you work at least one Beaver Creek day into your next Vail run. It may be right down the road from Vail and an Epic Pass headliner, but Beaver Creek feels like it’s on another planet, or at least lodged within another decade.Oh yeah, and the cookies. Just trust me on this one. Go there.A pictorial history of Beaver Creek’s developmentBeaver Creek opened with six chairlifts, all on the main mountain, in 1980. By the next season, a triple ran up Strawberry Park. McCoy Park is a named section of the ski area more than four decades before it would enter the downhill system:The Larkspur triple came online in 1983. Two years later, McCoy Park is defined on the trailmap as a Nordic center:In 1991, Grouse Mountain opened:In 1997, Beaver Creek as we know it today came together, with lift connections from Rose Bowl all the way to Arrowhead, which was once an independent ski area. Beaver Creek purchased the small mountain in 1993 and eventually connected it to the rest of the resort via the Bachelor Gulch terrain expansion. Here’s what the mountain looked like in 1998:The Storm publishes year-round, and guarantees 100 articles per year. This is article 31/100 in 2022. Want to send feedback? Reply to this email and I will answer. You can also email skiing@substack.com. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Snowmass Mountain was the topic of discussion in the latest episode of the Non-Standard 14er Podcast.  Recent 14er Finisher and longtime listener NatDog joins JacerJack, TayJack, Short-Rope and AWOL Pat to talk about his experience on the S-Ridge and the Geneva Lake Side.  We compare the standard route from Snowmass Lake to the S-Ridge in an attempt to influence TayJack's decision on the best way to tackle Snowmass.

Doug Leibinger is one of the top 125 real estate agents in the world selling some of the most significant homes in Aspen and Snowmass. A native Coloradian he has been able to blend his passion for skiing, fly-fishing and luxury mountain resort living into a lucrative real estate career. He was the founding agent for Compass Aspen and has lived in the Aspen Valley for over 30 years. On any given winter day you may find Doug having a listing appointment at the AJAX Tavern at the top of the hill or skiing a few runs with his clients. In the summers he is hiking, bike riding and fly-fishing on the roaring fork or frying pan all in between showing and selling some of the most spectacular mountain estates in the world. This is what it is like to do what you love, and love where you live!  School is in session. If you like what you hear Please subscribe and comment and tell a friend to do the same at The Deal with Danny Brown on Youtube, Apple Podcast, Spotify, Amazon and anywhere you consume your content.   Subscribe! Apple Podcasts YouTube Doug Leibinger Instagram Website Danny Brown Website Danny Brown IG Podcast IG   It's not Who sold the most homes, it's Who sold YOUR HOME for the most.

We are back talking shop! Will went sledding, Ryan has a couple stories, and we announce our new campaign to emigrate Hasbulla to the United States. Tap in! Be sure to checkout fridaybeers.shop for all your suckdown related needs. Be sure to follow us! IG @bachelorsbspodcast twitter @bachelorsbs tiktok @bachelorsbspod

In this week's episode, I met with Lea Cloud who is a co-founder and partner of CDR Studio with Victoria Rospond. She shared with me her experience working on several projects, including working on the Bushwick townhouse in Brooklyn as well as a residential project in Snowmass, Colorado. Prior to co-founding the firm, she gained experience working at PKSB Architects where she was project architect for two New York State University projects, a library addition and renovation at the Fredonia Campus. Lea also shares how she is able to succeed as a designer with a diverse work portfolio. Her expertise has led her to work on multiple projects in Passive House, sustainable design, architectural design, interiors and comprehensive planning. She continues to use this experience in large-scale, complex educational and commercial facilities to implement forward-thinking design solutions. The Bushwick townhouse project in Brooklyn incorporates the concepts of connectivity and openness into its design layout. Lea also shares with us how she rethinks the role of stairs in this architectural design. Join me as we explore these topics and much more in this week's episode of American Building. About the Guest:Lea Cloud is a co-founder and partner at CDR Studio Architects, a full-service design firm in New York. Prior to starting the firm, she was at PKSB Architects, where she had an opportunity to work on the renovation of the famous Seagram Building designed by Mies van Der Rohe, Phillip Johnson, Ely Kahn and Robert Jacobs. Lea serves along with me as a city planning commissioner in Hoboken, New Jersey. She is a graduate of the Rhode Island School of Design. We will be talking about her Bushwick townhouse project in Brooklyn and more broadly about how to rethink the role of stairs in architectural design.Listen to the episode on Apple Podcasts, Spotify, Google Podcasts, Stitcher, TuneIn, or on your favorite podcast platform. Topics Covered:Lea's experience co-founding CDR Studio Architects with her business partner Victoria RospondHer experience designing projects and working at PKSB How to succeed as a designer with a diverse work portfolioThe idea behind the design of the Bushwick townhouse Lea's experience designing a residential project in Snowmass, Colorado About Your HostAtif Qadir is the Founder & CEO of REDIST, a technology company making it easy for commercial real estate professionals to find and use the $100B of real estate incentives given out every year in the US.Resources and LinksLea Cloud's LinkedInLea Cloud's Company LinkedInCompany WebsiteGrab our exclusive guide Seven Tips on How to Stand Out in Your FieldLearn more on the American Building websiteFollow us on InstagramConnect with Atif Qadir on LinkedInLearn more about Michael GravesLearn more about REDIST

Andrew Ernemann is the #1 broker in Aspen and the top performing agent for Sotheby's International in the world. The Real Trends annual rankings list - The Thousand - recently named Andrew the #4 broker in the United States out of 1.4 million licensed realtors. Accolades aside, Andrew's unique position that sets him apart is about having great data and the ability to provide information to his clients and colleagues that cannot be found anywhere else, or in a format they haven't seen before. He is a trusted advisor to his clients and friends, and in the season finale of Selling The Mountains, Andrew's point of view and super successful approach to the business of real estate comes through with precision and clarity.  In our conversation we discussed current trends heard from guests during Season 01 driving the mountain real estate economy. We dove into topics like the sustained demand and continued decline in inventory to the psychological permission sellers now have to list their properties of intrinsically high value given a new high-water mark has been set. We covered the pocket listing phenomena and public IPO's of local brokerage firms. Lastly, we talked about marketing trends, mentorship, partnerships, and the keys to long term success that any broker should adhere to when entering the business, or sustaining a presence, in a market like Aspen. ----- This episode is brought to you by SH Building Group. The experienced team of professionals at SH Built, consists of client, site, accounting, subcontractor, design, and craft building specialists. They integrate the latest construction management technology into every project and offer Home Guardianship Services and Advanced inspections. Start planning your project today, call (970) 438-0925 or visithttp://shbuilt.com/ ( http://shbuilt.com/). ----- This episode is brought to you by Obermeyer Wood Investment Counsel — an independent investment advisory and financial planning firm based in Aspen and Denver with roots dating back to 1982. Their team of experienced investors, thoughtful financial advisors, and focused problem-solvers would like to offer all listeners a complimentary, no-pressure investment portfolio review. To schedule an appointment and learn more about their services, visithttps://obermeyerwood.com/ ( https://obermeyerwood.com/). ---- This episode is brought to you by One Snowmass Residence Club — located in the heart of the new Snowmass Base Village. This limited collection of ski-in/ski-out residences lets you choose any ownership plan that fits your family's lifestyle. With two-, three- and four-bedroom options available, you can select the size that makes sense for you and how much time you want to spend in Snowmass. To learn more, visithttps://onesnowmassresidenceclub.com/ ( https://onesnowmassresidenceclub.com/). ----- Thanks for listening to this episode of Selling The Mountains. You'll never miss an episode if you follow the show on Apple Podcasts, Spotify, or your listening platform of choice. If you liked what you heard, please leave a short review and share it with a friend. Sign up for the free Selling The Mountains newsletter to get exclusive content, episode recaps, sponsor offers, and more — visithttps://www.sellingthemountains.com/ ( https://www.sellingthemountains.com/).  You can follow the show on Instagram or Facebook @SellingtheMountains. You can follow the host on Twitter @Christianknapp, LinkedIn @ChristianKnapp, or Clubhouse @christian_knapp. This show was produced in collaboration with Dustin H. James at Podboarder.  Selling The Mountains is a production of Moment of Truth, LLC - all rights reserved.  

BGBS 062: Dr. Sarabeth Berk | More Than My Title | What Do You Do??Dr. Sarabeth Berk is the leading expert in hybrid professional identity, and a hybrid professional herself. She was featured in Forbes and is a TEDx speaker, author, and recipient of a Colorado Inno on Fire award for her innovative work. Through a decade of research and coaching, Sarabeth developed a one-of-a-kind approach that takes personal branding to a whole new level. Her hybrid title is Creative Disruptor because she blends her artist/researcher/educator/designer identities together to lead and create innovative strategies that radically connect resources and people in new ways. Sarabeth obtained her PhD from the University of Denver, and has degrees from the School of the Art Institute of Chicago and Rhode Island School of Design. Her background includes directing major initiatives in K-12, higher education, startups, and nonprofits. In this episode, you'll learn…Reflective tips and tricks to start identifying your uniqueness/hybridity How to answer the daunting question of “What do you do?” The benefits of finding your professional hybrid identity to pinpoint who you are at the intersection of your many strengths ResourcesInstagram: @morethanmytitle Facebook: More Than My Title LinkedIn: Sarabeth Berk Website: morethanmytitle.com Quotes[16:03] My entire background has been about interdisciplinarity, and crossing things that are unrelated together, and finding new things at the intersection. So this has always been a heartbeat. And it comes from my creative background. It comes from experimenting with making meaning. I think that's really who I am. [22:48] Your hybridity is your special blend of spices that is unique to you. No one else has combined identities that way and that's what makes you unique and strong in whatever you're doing for work. [26:50] The reason hybridity matters is because when you know the different parts that are important and you know why they fit together, then you know your uniqueness, you know why you're different than all the other “roses” and “fish” and “dogs” because we're all using these generic labels to try and just fit into boxes. Have a Brand Problem? We can help.Book your no-obligation, Wildstory Brand Clarity Call now. Learn about our Brand Audit and Strategy process Identify if you need a new logo or just a refresh Determine if your business has a branding problem See examples of our work and get relevant case studies See if branding is holding your business back and can help you get to the next level Book Your Brand Clarity Call TODAY Podcast TranscriptSarabeth Berk 0:02 And the zone of genius is a place where you're in flow, you're at your best, you're most energized, alive, things are effortless. And in those moments, people were actually explaining without knowing they were saying it, how their parts, their different identities were being activated, if at the same time. So this one teacher was like, you know, I'm being an empath by hearing the problems with my students and giving them guidance and counseling, but I'm also sharing knowledge and also bringing in creativity. And I'm also this and also this. And I was like, Oh, my gosh, that's the intersection. Like, is this really how it works that when we feel our best, and our work, we're in the intersection of our of our work. And I started knowing I was onto something like that was the beginning of a hunch. So I kept checking it out testing it, right. Like I was trying to understand do more people have this too, and sure enough, they do. Marc Gutman 0:58 Podcasting from Boulder, Colorado. This is the Baby Got Back story Podcast, where we dive into the story behind the story of today's most inspiring storytellers, creators and entrepreneurs. I like big Back stories, and I cannot lie. I am your host Marc Gutman. And on today's episode of Baby Got Back story, I want to know, what do you do? Really? What do you do? If this question gives you pause? Or if you've ever felt anxious at a party or event? When someone asks you, what do you do? And there's no real great way to say it? Not really, then stay tuned, because this episode is for you. And before we get into the show, here's a reminder, if you like and enjoy the show, please take a minute or two to rate and review us over at Apple podcasts or Spotify, Apple and Spotify use these ratings they really do as part of the algorithm that determines ratings on their charts. And we like ratings. So please go ahead and give us a review. If you like the show. Today's guest is Dr. Sarabeth Berk. In that question. What do you do? was a tough one for her to answer. She did many different things from design to research to innovation. And she never had a good answer to that. That question. I don't know about you. But when I don't have a good answer, I Google for it. Then I maybe read a blog. But Sarabeth, she went full researcher on the question, discovered that work professionals have many different identities and where those identities intersect. Well, that's where the magic happens. Today, Dr. Sarabeth Berk is the leading expert in hybrid professional identity, and a hybrid professional herself. She has been featured in Forbes and is a TEDx speaker, author and the recipient of a Colorado inno on fire Award for her innovative work. Sarabeth's hybrid title is Creative Disruptor because she blends her artist, researcher, educator designer identities together to lead and create innovation strategies that radically Connect resources and people in new ways. Sarabeth obtained her PhD from the University of Denver, and has degrees from the School of the Art Institute of Chicago, in the Rhode Island School of Design, so she knows what she's talking about. Her background includes directing major initiatives in K through 12, higher education, startups and nonprofits. And this is her hybrid story. I'm here with Sara Berk, the Creative Disruptor at More Than My Title, Sara, thanks for coming on the show. And let's get right into it. What is a Creative Disruptor? Sarabeth Berk 4:10 Hey, Marc, thanks for having me. Ah, the Creative Disruptor question. Well, essentially, I didn't know what to call myself. I was more than my job title. And I did all this work, which we can talk about reflecting on like, Who am I really like, what do I want to be called? And I noticed I'm a person that challenges and pushes and changes information because I see it differently. And that was like that disrupter inside of me. But then also, I'm super creative. I come from an art background. And I'm always like visually, orienting things and making sense of like pictures and images. And I was like, I'm not just a disrupter. I'm like really creative and how I do it because I am like playing with tools and using design. And that's me in a nutshell, like that term is my identity in my work. And that's why I call myself a Creative Disruptor. I'm changing things for the good. Marc Gutman 5:10 Yeah, so thank you. And I neglected when I introduced you to, I forgot that you are Dr. Sarabeth Berk. And then I think that's relevant. That's important. We'll talk about that. Because you're a researcher, and an academic. And a lot of what we're talking about is rooted in that research and that background. But you, you started that with saying, I didn't know what to call myself, like, why did that even matter? What why was that coming up as a problem for you like what was happening in your life where not knowing what to call yourself was an issue? Sarabeth Berk 5:42 Marc, I don't know how many parties you've been to, or networking events. But ultimately, everyone says, Hey, what do you do? Hey, nice to meet you. What do you do? And this, what do you do? Question plagued me, it really became the bane of my existence. Because I got super anxious. I was in a space in my life, where I wasn't really secure in what my career was and what I was doing for work. I was finding myself and going through, like a job search career transition process. So I didn't have an answer to that question. Like something solid, where I was like, yeah, I'm Sarabeth. I'm the blah, blah, blah. So when I was struggling with how to answer that question, I finally realized I was having an identity crisis, I have like, literally didn't know who I was. And that, to me launched this whole series of events where I got really curious on Who am I like, I'm not what people are calling me. I'm not just a teacher or designer. Like, there's something else here. And I really wanted to figure that out. Marc Gutman 6:40 This idea and the word that you just used in that story about identity? And has that's been something you've always been interested in, like when you were growing up, were you, you might not have used those words, you might not have framed it as identity. But Was that something that that always either perplexed, confused or interested you? Sarabeth Berk 7:01 I, I would say no, like, this isn't something that was on my mind for years and years, it's something that I realized was the root problem. I was circling around, but I never had a name for it. Like when I was trying to figure out what I was doing after college and how to build my career. The advice I often got from people as well figure out what you're passionate about, like, let's let's talk about what your strengths, let's figure out, you know, what you love to do and make your work fit that. So it was always about the what do you do and why? And how are you going to do it? No one ever stopped and asked me about who are you like, Who do you think you are? Like, what do you call yourself? That's a different question. So this notion of identity came to me much later, because I realized, we were talking about something we weren't really talking about, like there's another piece of the puzzle that was missing. Marc Gutman 7:56 And so that's interesting. Let's talk about that. So when you were growing up, what was your identity? Like? What did you think? Your let me rephrase? Who were you at the time? And then where would you think you're gonna end up doing? What were you hoping to do? Sarabeth Berk 8:07 Yeah, I mean, I was this perfect student, I was the straight a girl. I loved academics and art, that was really what I was up to. And so my identity for you know, the first 20 some years of my life was student, you know, like, you are a student. That's what people tell you. And then you graduate high school or college or wherever you finish your degree, and you lose that identity. And literally, that's when I dropped into my first identity crisis. But people told me Oh, you're just burned out? Or, oh, you know, you're just going through like a quarterlife crisis or something. No one ever said, you are having this identity moment. And so that first transition of going from student to Well, what am I now Who am I now? And then trying to figure out like, okay, who's gonna hire me? Like, I don't even know how to take my degree and turn it into a job. I was a ski instructor after I graduated. Because I literally was like, where do I start. And then I eventually went back to grad school got a degree in art and design, when it's a classroom worked for some nonprofits, and boom, then I felt a little more secure. Because what we usually do in society is you define yourself by your job. So when you're in a job, you have security around your identity, you're like, Oh, I'm Joe, the marketing manager, and I'm Sally, the coder and like you just have this sense of who you are based on what you do, because we spend the majority of our lives in our jobs. And literally research says that when you lose a loved one, go through divorce or lose a job. Those are the three biggest moments where you lose a sense of yourself. And I until you go through that you don't realize how powerful you associate yourself with the thing you're doing. So that was a little bit of how I started noticing I was having an identity crisis is when I lost it. Marc Gutman 9:55 Yeah. And what I heard there is that like this idea of our identity and our identity changing and even being between identities. It's, it's not something like that happens just once it doesn't just happen, you know, between our 20, you know, matriculating from through college to the working world, it can happen a lot of different times. And I think that, you know, at least my self, you know, I think about, like, how I approach it. Like, I feel guilty about that, or I feel like I'm doing something wrong, or and you and I have talked about this, I feel like shame that like, I don't know how to identify, identify myself. Did you experience that at all? While while you were going through that transition? Sarabeth Berk 10:35 100%? Yes. I mean, there's so much wrapped up, I felt like a failure, I thought, vulnerable, full of guilt, my self worth my self confidence. We're just all in the pits. I really was just like, I felt lost and confused. It's a dissociative moment is what like psychology would say, and you just feel disconnected because you don't know. Like, like your roots anymore. Your your foundation got taken from you. And so it's a process of rebuilding and reinventing and finding yourself again. And I think it's part of growth. I think life, like you just mentioned, puts us through these tests at different times. It's not just once, I'm actually going through my fourth identity crisis right now. Like I've mapped them, and I'm on four right now. So they keep coming. Marc Gutman 11:24 Yeah. And the Pro, the the leading expert, I hybridity and identity crisis is going through an identity crisis, which is great. You know, it's like, it's this isn't like exclusively to other people. And so it's something that we all go through. And so were you originally from Colorado? No, I was born on the east coast and Pennsylvania. And my family wanted to be in the West. They love the mountains. So I moved out to Colorado when I was in elementary school. Right. And then I want to go back to that moment when you were a ski instructor. So you wanted to be a ski instructor. Like, tell me about that? Like, what what was that? Like? Sarabeth Berk 12:01 You know, I saw I graduated from undergrad I was in Chicago at the time I came back home to be with my parents. Everything just fell off kilter. And I became a barista at a coffee shop. And that was like the fall season. And I had done some summer camp, teaching with like people that were ski instructors, because I grew up in the Roaring Fork Valley by Aspen and Snowmass. So I had some contacts in the ski industry. And sure enough, I called them up and said, what does it take to be a Scottish doctor and they said, Come on down, apply, we're hiring. And I made it as a rookie that year. So it was really just kind of going with the flow of life. But it was really good for me, because I, as I mentioned, I was so academic, when your ski instructor, it's really about safety of the kids First, we always said the order is safety, fun, and then learning. And a lot of it was just letting go of structure and homework and research and like deep thinking it was like, go just be like have a job. That's so much about enjoying life and meeting people and going skiing with kids all day. It was great. Marc Gutman 13:12 Yeah. And so this is so interesting to me. So you and I've met recently, and certainly, the identity I know about you is, you know, an expert on hybridity and this topic of being, you know, trying to find, you know, how do I talk about myself, but like, when I look at your bio, this is kind of funny to me, because you and I did an event together. And I was super impressed with how like, you're cranking out these these beautiful design assets and all this stuff. I was like, Wow, that's really good. This, I didn't realize that and I feel silly, because you always refer to yourself as an academic and you talk a lot about academics and, and research. And that's, that's how I categorize you. That's how I see you and your identity. But you have this crazy background where you went to the Art Institute of Chicago and risk D, the Rhode Island School of Design, like, talk to me a little bit about that because just even that like you, you started saying like I was really into academics, academics, but you're also really you were like a very serious like art student like how, like, talk me through that a little bit. Sarabeth Berk 14:18 Yeah, I mean, I was a wallflower in high school, I need to go back to that moment. But my my creative outlet was art class, I always needed to take art every semester and I fell in love with my high school art teacher just because she was such an inspiration and just opened my eyes to like mediums and ideas I never seen. Like she didn't let me get into senior studio, which is like the pinnacle of the high school experience because that was only for the most talented students. So I had this sense that I actually wasn't good enough. So I tried to like focus on something more academic in college but eventually noticed. I love graphic design. I love interior design. I love drawing In painting, and I actually loved book art, I thought I wanted to be a book artists like paper making and bookbinding. And I said, screw it. I had started at one university, and I transferred and went to art school because that was such a deep desire that kept calling me. So I picked a major in my undergrad that was actually 50/50 art and critical thinking, like I took any studio major I wanted, I didn't have to focus on one, screen printing, puppetry fashion design, letterpress printing, I was all over the map. And then I was going into these classes, one was called trans modalities. And the professor Joseph Greg Lee, he's actually deaf. And so he would talk to us about, he could speak but he had a translator about things like, how do you know the taste of a cigar, or the taste of wine when it's written down on these cards, and my brain was going crazy with like making sense of translating information from one modality to another. And yet I'm doing these art forms where I'm doing mixed media practice. So my entire background has been about interdisciplinarity, and crossing things that are unrelated together, and finding new things at the intersection. So this has always been a heartbeat. And it comes from my creative background. It comes from experimenting with making meaning I think that's really who I am. Marc Gutman 16:23 That's great. And thank you so much for sharing that. And so, you know, you went to the arts to Chicago, you went to RisD like it, what point did you then start to think, Hey, I'm gonna like research this whole question of who am I and how do I talk about myself? Because I, you know, it's one thing to be like, oh, I've got this problem. And I don't like going to cocktail parties. And people say, what do you do? And I don't, you know, and maybe you'd read some books. But you went a little further like, like, why? Like, why, like, what, how did that all transpire? And what drove you to really dive deep into the subject? Sarabeth Berk 16:59 I think I started to feel like I was compartmentalizing myself. So I was in the classroom teaching art. And I got her crossroads, I knew I was ready to do more. I wanted to have leadership, I wanted to transform education, like I'm a person that wants to blow shit up and create new school systems. And like, you know, universities, k 12. None of it's working. Let's start over. I'm an innovator that goes back to the disrupter too. And in order to do that, I needed people to see me as more than an art teacher like that was how people saw me serve if you teach art, and I was like I do. But I'm also actually on the side creating websites. And over here I'm making and selling art on Etsy. And, oh, I'm starting to learn about research because I was taking grad school on the side. And in order to leave the classroom, I started applying to jobs that weren't teaching jobs. And in my cover letter, I noticed I started writing, I'm Sarabeth, and I'm an artist slash educator slash designer, I started using slashes. Because I needed people to see I have different sides to myself, because the teacher part was so strong and dominant. And by putting slashes, I was like, well, it's not a comma. It's not an and I'm like, I'm all of this mashed together. I don't know how else to grammatically write it for people to see, like what I'm trying to explain. So that was me, like, I don't know if you've heard of the slash movement. But that's like a thing people use. There's also like the multi hyphen, people that put dashes. So I was already feeling that in myself, I just didn't know, other people did this, too. And then I got to grad school, I decided to work on my doctorate full time, and I was working in an entrepreneurship creativity program on the side. And it was in my doctoral program where I really felt like, I just don't know who I am anymore. Like, I'm not just a teacher. And yet, what am I? And then I learned from honestly, the race, class and gender studies class, about intersectionality, that you actually are the sum of the intersection of all your different identities. And it was like, that's interesting. Yeah, of course, I'm white, middle class woman, and blah, blah, blah, like all these identities, but what about my professional identity? Like I had this moment where I said, Can I ask that question? Just in the professional side of my life? Like, are there intersections between being an artist, designer, teacher, researcher, that became my research question. So because I was in a doctoral program where we're learning to think and act this way, and we're doing quantifiable research, I needed to pick a research topic. So it all kind of dived in that moment of like, my personal pain, the work I was learning to do, and then this curiosity that formed and then so as you as you got interested in this, like, what did you find? Yeah, it was like, where do we start with this? I couldn't go around and ask people like, what are your intersections? Like, how do you see intersectionality Marc in your work because this was like two weird of a question that even i had never been asked before i didn't know how to answer it. so i started a case study of like five different individuals that i followed and observed and interviewed about their work because i thought am i just experiencing this or other people and how do i have a study around that and so i went and started talking to individuals about okay your title is blank you know this thing but what do you really do in that job and very quickly i started hearing people explain the different parts of themselves and then the theme that i started getting across all these interviews and observations was moments when people are just in their zone of genius you and i've talked about that before i love this this discussion and the zone of genius is a place where you're in flow you're at your best you're most energized alive things are effortless and in those moments people were actually explaining without knowing they were saying it how their parts their different identities were being activated if at the same time so this one teacher was like you know i'm being an empath by hearing the problems of my students and giving them guidance and counseling but i'm also sharing knowledge and i'm also bringing in creativity and i'm also this one also this and i was like oh my gosh that's the intersection like is this really how it works that when we feel our best and our work we're in the intersection of our of our work and i started knowing i was on to something like that was the beginning of the hunch so i kept checking it out testing it right like i was trying to understand do more people have this too and sure enough they do. Marc Gutman 21:37 so this is really interesting to me and something that i don't think we've really talked about so i didn't realize that effectively and correct me because i'm going to i'm going to kind of make a statement here that hybridity or that the spirit of it is really looking for that intersection and when you're at your best at work do i have that right so that that's really what we're talking about here? Sarabeth Berk 21:59 Yeah so my focus that i described today currently is hybrid professional identity that as humans we are already hybrid we're a combination of all kinds of identities social personal political everything but i just examine the vein of your professional life and what you do for your work and when people say i do marketing oh but i also do sales and i also do events oh and i'm good at design i'm good at this suddenly you start to hear all the elements all the parts of them and what i've learned is that there's a hybrid space in the professional side of people's life that they don't know how to articulate the best way i heard this explained yesterday with someone i was talking to you she says it's your special blend like when you have all those spices and you combine your spice drawer to make something your hybridity is your special blend of spices that is unique to you no one else has combined identities that way and that's what makes you unique and strong in whatever you're doing for work Marc Gutman 23:03 a common question i get all the time is Marc, can you help me with our brand? yes we help companies solve branding problems and the first step would be to schedule a no obligation brand clarity call we'll link to that in the show notes or head over to wildstory.com and send us an email we'll get you booked right away so whether you're just getting started with a new business or whether you've done some work and need a refresh or whether you're a brand that's high performing and wants to stay there we can help after you book your brand clarity call you'll learn about our brand audit and strategy process will identify if you need a new logo or just a refresh will determine if your business has a branding problem and you'll see examples of our work and get relevant case studies we'll also see if branding is holding your business back and can help you get to the next level so what are you waiting for build the brand you've always dreamed of again we'll link to that in the show notes or head over to wildstory.com and send us an email now back to the show. So when you— that's really interesting to me like that you have all these special ingredients that become your your hybridity like like i get that like we want to activate what makes us special but like why is it so important that we're focused on this like like why why does it matter? Sarabeth Berk 24:41 totally yeah. i'm gonna reflect it back to you for a second and say Marc, when you tell people you do branding or your you have a brand agency Wildstory like don't a lot of people do that like why do they come to you? Marc Gutman 24:56 They do and you know i'm really this is really a question because i've struggled with this most people come to us because of our background in storytelling and things like that but i spent a lot of years talking about that like i'm a storyteller i you know this and that we're storytelling agency and it wasn't exactly leaning into the the idea of hybridity and what you do but what i did find is really confusing to a lot of people you know and they you know and so they didn't get they didn't get that and they meant different things to different people and so you know from a linguistic standpoint i've really gone back and forth on this topic and i've really thought about like do you use words that are already a schema that people understand to like have them understand what you do and then kind of talk about this idea of why or what makes us special or do you lead with that? And so you know again i'd love to know like why so i guess what you're saying and when you when you put it back on me is it matters because it helps you stand out and it helps you to differentiate but i mean have you experienced any of that yourself? Like where it becomes like a little bit like do you do you follow the norms and say i'm a marketer or do you say or you know do you say i'm a you know something else? Sarabeth Berk 26:16 This is exactly what i've been looking at i've been doing it more on a personal like human level and i think you do it more for businesses and organizations i think the dilemma is pretty much the same essentially yes as humans our brains want to make sense of things we categorize things we label them so that we have that schema of understanding like this is a rose and that's a dog that's a horse but you know shakespeare said a rose by any other name would smell a sweet right like we just gave it that name to give it a name. So essentially, the reason hybridity matters is because when you know the different parts that are important like those special ingredients and you know why they fit together then you know your your uniqueness you know why you're different than all the other roses and fish and dogs because we're all using these generic labels to try and just fit into boxes like you do marketing and you do branding and i do research but then the question is what kind like what kind of branding do you really do and who do you do for and how are you different and what makes you unique? So the hybridity is articulating in a clear way that isn't confusing this is it. This is why we stand out and you can point to it now i still think the notion of hybridity is that it defies language like that is literally one of the things i found in the research when you're in the intersection of multiple things so my primary identities are being an artist, researcher designer, and educator that i put into a venn diagram and then i go okay who am i at the middle of that venn diagram there is no one right or wrong way to name that it's up to me but once i do i sort of give myself a new label and then the way that i help people understand sir about the Creative Disruptor because that's my hybrid title is i say i work at the intersection of being an artist researcher designer and educator which then enables me to radically create innovation strategies and systems for organization and people. and that like three part That's my intro essentially is a give a hybrid title which is my unique label i break it down into the parts because that's what's familiar people know what those parts are but then i describe the relationship of how those parts fit together which is the meaning like why i do it how i'm being an artist educator designer what's the point of that in the world so by giving an explanation of that degree it really actually changes the way people see me they're like they hear my name they see my parts and then they see this is her definition of herself and that's different than all the other artists and educators and researchers we've ever met it's a unique combination i think businesses need that too right like what are the parts and services of what they do and why do they do those things together what what is the relationship between the things and then you start to find those hybrid spaces Marc Gutman 29:23 absolutely and i love that explanation that definition thanks for clarifying that because that to me that makes a lot more sense that you know a bit of the process is to to do the internal workings for you you know it's not necessarily external at first and then it's about it's about helping create that definition and that translation for the external world of like hey this is what my title means and so yeah that makes total sense i love it and and i think that's great and so as you're going through all this research and you were like aha like all right there's this intersectionality like we don't define language like, that's all cool. But like, are you then like, like, what do you do with it? You're like, Okay, I've got this thing. Like, like, now what? Sarabeth Berk 30:10 It's like you're reading my mind. Marc Gutman 30:11 Yeah, this great discovery like you've discovered something amazing! Now what? Sarabeth Berk 30:17 I mean, at the time, I didn't really know if I had discovered anything amazing to me. I thought it was like the best thing I'd ever found. But I didn't know if anybody else cared, right? It's sort of when you invent something, and then you're like, but now what? So essentially, that became my dissertation. So it became this huge document that, you know, maybe 100 people on the world have read. And then it went dormant. Because what was happening was, I was getting more comfortable with being a hybrid, like, I had to own it, and walk into it and live it right? you, you can talk about it, but then it's another thing to be it. And I didn't have the confidence yet. I was like, people are gonna think I'm crazy. If I say I'm Sarabeth, I'm a hybrid. And they'd be like, What are you talking about? So it took me a few years, and I needed that time to socialize and do more observation with more people. Like, I started just networking for my own work, because I was doing innovation strategy with K 12 schools at the time, I'd have coffee meeting, and I was meeting people in the community. And I'd learned about them, and what do they do? And slowly but surely, again, and again, I was noticing people are more than their job titles, they have all these different parts. And they're not good at identifying which parts are the most important to them, nor are they good at explaining how those parts fit together. So I kept seeing the same issues and other people I met. And I would throw it out there and say, you know, have you ever thought you might be a hybrid? And people would be like, what, like, What are you talking about? And then I'll explain a little, and then go, Wow, that's that is me. That's, that makes a lot of sense. So I was validating, it's like any entrepreneur, when you have a new product, like do people want this, does it mean anything to them. And so after a couple of years of that I knew in my heart, I wanted to write a book someday about this. And then getting these stories and more, you know, understanding of how this looked in the world, it helps me find my voice. And it helped me start to see the shape of how do I need to explain this to the mainstream public because I wasn't in the university land anymore. And so that's what I did, I decided to write a book. And honestly, I didn't have a vision. After that, I was like, I'll write the book, and then see what happens. And literally, I published the book came out April 2020. The title of the book is More Than My Title, the power of hybrid professionals, and a workforce of experts in generalists. And the fact that I'd use the term hybrid professional. At the same year, the world was going through a pandemic, and everything was becoming hybridize, work and learning and the events and like all sectors, it was really a moment of just serendipity that I was already thinking about this, and the world started talking about it. So that it's led to a number of interesting conversations. Because Another thing I want to bring up, I didn't know that you can tell me how much you know about it is category creation. Category creation, from what I've learned is when you invent a whole new type of product that the market didn't know they need it. So they're not searching for it yet, like athleisure. That's my favorite example. like nobody knew they needed athletic apparel that could be worn outside and exercised in but now it's everywhere. Yeah. And so hybrid professionals, and hybrid professional identity is a new category of workers, and a new way of thinking about the workforce. And so people aren't searching for this. So the adjacent ways people are still talking about it, is personal branding, and career development. And then the academics that identity research piece. So I'm living in a zone of joining conversations in those other circles, showing them and getting them to think about, don't you mean, hybridity? Aren't we talking about identity here? Like? How does that factor into your career development and the way you brand yourself like that, to me is now how I'm bringing this idea into the world. Yeah, and I think that like, even this idea of personal branding, I mean, for me, like it was kind of an icky word couple years ago, it's like who? personal branding. But it's almost like now to be a modern professional, you have to brand yourself personally, whether you're an entrepreneur, whether you're an executive, I mean, you have this identity, to your point, outside of your title. And people are looking to that to be like, well, what else are you talking about? What else are you thinking about? How are you putting your own interesting perspective on the world? And so that that's also just this other kind of thing that's intersecting with this, this time that you're in right now and why hybridity is so Marc Gutman 35:00 So relevant and so cool. And so you wrote a book, like, what was that? Like? I mean, did you it's not an easy process. And you're in, you know, you've just written a huge dissertation, not just but you've written a huge dissertation. So you've already spent some time in the sort of the ooey, gooey middle of this topic. And then you decide to write a book. I mean, did you have doubts as you're writing that book that anyone was even going to be interested or care about this topic? Sarabeth Berk 35:29 Oh, my gosh, the journey to the book was really interesting. Because I, if you hadn't noticed, I'm the high achiever overachiever. Like I set a goal for myself, and I go for it. And I literally just accomplish it. I don't just talk about things I do. Um, and so I gave myself a year after finishing grad school, to take a break. And then I was like, I'm gonna start writing the book. And I didn't know what I was doing. And every Sunday I was forcing myself to sit down and log hours. And it was painful. Because what I didn't see at the time, I just, I didn't know it yet. Like, I didn't know what I was trying to write and say, Yeah, I hadn't found it. So after a few months of just putting myself through the ropes, I stopped and laid it down. I think I also got distracted by work projects. And my other goal at that point was, I need a book agent, right? Like, I need a literary agent to be a serious author. I'm not going to self publish. So I took a little bit of time trying to send proposals and get an agent and I got some bites. But I learned quickly, it's about the size of your audience. They're like, how many followers do you have? How big is your email list, your Instagram, all of that. And I didn't have a presence yet. And they said, come back to us when you have x 1000. It was like 10 or 20,000, it was pretty high. So I was feeling defeated. And I kept talking to more authors. How did you do it? What did you do, and it's just a really crazy journey. It's one of the most opaque industries on how you publish books. And everyone's story was different. Essentially, you either self publish, or you get a giant house like Penguin Random House. And somewhere in the middle is independent publishing, which is actually called hybrid publishing. So long story short, I found a woman who is in the independent publishing world, she became a book coach for me. By the time I found her, I had validated and had a lot more confidence, I'd done a TEDx. I gotten asked to do some big speaking. In those speaking engagements, I was talking about this idea to audiences that I had no touch points with right there were cold. So I was starting from scratch with them. And by the end, they were just blown away, like the comment I get the most is, my mind is blown right now. And to me, that meant Wow, this was a really impactful idea that I'm sharing, then. So the questions they started asking me things like, Well, how do you figure this out? How do I do this myself? What are the Venn diagrams? How do I look at the intersections that started giving me the fuel of these are the questions I need to write about in the book, this is what people want to know. And this is how they want to know it, I just need to find the best way to share it. So suddenly, I had a lot more inspiration, I knew my audience, I had this book coach, the writing the book, honestly, Marc, I did it in four to five months, like I started around Thanksgiving of 2019. I have the manuscript, final draft by like February, because I was aiming to polish by April. So it was like, that's what happened. Marc Gutman 38:26 That's a good experience and once you're aligned, that it all happened. And so when you think about this topic, and you think about people who are struggling with this idea, are intrigued by this idea, or their minds are just they're listening to this for the first time, and their minds are blown, as you say, what, like, what's the first step they can take? Like? What's the like? What's something someone can do to start to explore this further? Sarabeth Berk 38:51 Yeah, no, great question. Because I do have a whole process, right? Um, the first thing is really to start with where you are right now, current state, what do you call yourself? What do other people call you? What are your kids call you, your friends, like notice all these different ways you're being labeled, and the names you're using? Then you start to brainstorm a list of all those different identities. And it's really important to know that identities and actions are different. So when you ask someone, what do you do, they start telling you actions like I do some marketing and branding, I help people I mentor, a coach on the side. Those are all actions. So convert that back to an identity. Who are you when you do that thing? Just because people are doing marketing or helping with branding? Do they call themselves a marketer? Are they a brander? And sometimes it's one to one they're like, yes, of course, when I do marketing, I am a marketer. And other times are like, actually, when I'm doing this branding thing, I'm I'm more of an i via navigator, or I'm a wayfinder or I'm I'm crystallizing, I'm a catalyst. So you realize there's other identities you are that you're not showing or talking about if that makes sense so it's really the first step is taking an inventory and doing a really big brainstorm on all the identities you're showing up with and that you're using and then the next big step is to narrow down you go through and you see which identities i call them are your primary and which are your non primary or like really like your secondary tertiary and the biggest difference between primary and non primary is your primary ones are the ones you use most frequently like every day because they bring you joy you feel alive they're the expertise you want to be known for. For me it's the artist researcher educator designer like that is my core foundation of course i'm still doing like graphic design and event planning and these other things but i don't use those every day and that's not my best identity so you look at your brainstorm list and then narrow it to your primary ones and you have to have at least two to be a hybrid right like two identities combined will make one intersection three identities is sort of the sweet spot i think three is what most people are usually in for is the upper limit if you have more than four primary identities you've got to keep narrowing because there's just too many intersections so that is the beginning of this work the second part i call investigating the intersections that is where things get really hard like time and again that's where people struggle because it is literally a space if that's unconscious and you've never thought of who am i in my intersections like that's a whole different conversation we need to have. Marc Gutman 41:41 love it thank you i feel like that's that's so actionable and you know you talk about struggle i mean like what's hard about it you know like what were what is hard for everyone to wrap their minds around like what don't we know about this this whole hybridity thing? Sarabeth Berk 41:59 Yeah well let me play with that with you for a second if i walked up to you and said hey Marc, tell me how you're unique how are you unique in your work ready go like what would you say? Marc Gutman 42:09 Well i would say there's a whole list of things so i think that'd be my first challenge you know there'd be like it but then there's also this thing i don't like talking about myself you know and i don't like in that way you know and saying these are the things and i don't know if you encountered that a lot but like these are the things i'm good at like it's it's truly hard for me to to say that and i encounter a lot of people that also struggle with it but that's me personally. i don't know if that holds up in your experience as well. Sarabeth Berk 42:38 i would just say like rule of thumb the majority of people if they were confronted and asked in this moment to explain how they're unique and different in whatever they do they would either a kind of like draw a blank like be caught off guard i don't know i need a moment b they would be unsure they'd be like i it's hard to describe or like i know i am unique but like how do i put it into words or the the other one is just your uniqueness is it's just it's like the wrong way to approach this because like you need tools to see yourself and to be able to read oh i know what i was gonna say the third one is they get to general they'll say something like i'm really good at problem solving like my superpower is asking really great questions and it's like what does that even mean right? Like these are really broad things like everyone says they're good at problem solving i'll be honest i hear that a lot so the trick that i use and this is another strategy i have it's called your first best or only. and so instead of approaching it with where are you unique which is ultimately what we're trying to suss out in finding your intersections and your hybridity. If you look at yourself and go okay where have i been the first on something like the first project i did the first client i landed the first it started a new process it could be on a team or in a company or the best like you were the top in your group the top in a region and the only you were one of a kind no one else has even done this thing yet right pull out those stories try and get like one per category and that will start to reveal this is you in a moment of uniqueness so i was like the first to launch and lead this innovation ecosystem around early childhood wow okay so let me break that down what was i doing who was i in that moment to do that thing what identities were showing up when i was in that first moment if you so going into my research hat for a moment there's a notion of triangulation what triangulation means is when you're collecting data if you only have one data point you don't know what that means, if it's good or bad and if you have two data points then one might be good one might be bad so you don't know which it is but if you have a third it's the tiebreaker right it's like okay two of them are good or two are bad so you know you're leaning more this direction. that's how it goes, I think in learning about your hybridity. So if you can think of three stories that represent your first best or only, then you can start to say which identity showed up in story number one, which identities are number two, which are number three, and you start to look for identities that are consistent across these moments to figure out, Oh, those are the identities that are really true to me, like these are the ones I'm using the most. And they're important. And that is just one way to start to find your uniqueness. There's a lot of tools and tricks I use in this work, because this is a very deeply reflective process. I did a crash course this weekend with individuals and one of the participants that if the best he said, Sarabeth, this work, is like feeling muscles you didn't know you had after a really hard workout. Like I start asking people questions they have literally never been asked before. And that's why their minds are blown. They're like, Oh, my head hurts. And I have to give them a break. Like we can't do the whole thing in a day or in an hour. It's kind of broken into segments. And this is why, I'm literally making you step out of yourself. Like it's metacognition like watching what you're doing, and who you are, when you're doing it, to start to see patterns and start to truly notice what specifically you're doing that other people don't do, which then creates that recipe back to the ingredients of who you are in your hybridity. Marc Gutman 46:28 I don't think I'm supposed to ask you this. Because probably like, children, you're not supposed to say your favorite hybrid titles. But could you share a couple of your favorites that you've either helped to bring out of people or they just have have come your way? Like, what are some of your favorite titles that we can leave the audience with? Sarabeth Berk 46:51 Yeah, no, totally. It's a great, great, great question. And I think examples are really important. So I'm so glad you asked. So yeah, it's not a bad question. One gentleman I got to work with. He was describing himself as a project manager, essentially. And he was unhappy with with his work and just felt like not all the parts of him were being used. So we went through this journey and unpacked and by the end of it, he realized he was really the tension methodologist. He was balancing energy and projects or resources, and he was managing tension, but he had a methodology to it. And he's like, That is me the tension methodologist. Someone else I worked with, she is the methodical Weaver of wonder. She's really good at pulling visions out and weaving them together. And she again, has a really special way she does it. this other guy, he's the human hitmaker, someone else call themselves a serial adju agitator. He was merging two words education and agitator together. And another one is the spiritual sparkplug. Those are a few off the top my head. Marc Gutman 47:57 I love it. I love it. Well, where can our listeners learn more about you and dive deeper on this topic? We'll make sure to link to everything in the show notes. But why don't you go ahead and let people know where they can learn more about how to how to like, kind of dive deeper on this topic. Sarabeth Berk 48:12 Yeah, I would love that. So I'm on clubhouse a lot. So I hope to see you in rooms there if you are. But MoreThanMyTitle.com is my website, all kinds of goodies and freebies, a lot of tools, like the word list is up there and Venn diagrams. And then I'm on Instagram at @MoreThanMyTitle as well. And I just started doing some LinkedIn live so people can see me, I'm really talking to people about their stories of being hybrid. So I'm a little bit of everywhere, like you. Marc Gutman 48:39 Awesome. And as we come to a close here, Sarabeth, I want you to think back to that, as you described it the the wallflower version of you in high school. And you know that that version of you that was told that you weren't good enough to get into that art program. And, you know, if she were able to see you today, what do you think she'd say? Sarabeth Berk 48:59 I mean, my first reaction is all like just really a lot of surprise and shock. Because this, this is something I would have never ever ever envisioned on myself. There's no way. I don't know where it came from still like, I think I've surprised myself a lot. Yeah, great question. Marc Gutman 49:23 And that is Dr. Sarabeth Berk, Creative Disruptor at More Than My Title. I've often struggled with fitting in and how to describe myself. That, in Sarabeth's words, there was no language for the intersections of my identities. Hearing Sarabeth's insights and methodologies has allowed me to see myself in a different light, and I hope it's helped you as well. I also loved your actionable teaching, especially the first best only exercise. I'll be working on that one this weekend over a journal and some coffee. A big thank you to Dr. Sarabeth Berk and the More Than My Title team. We will link to all things Sarabeth and More Than My Title in the show notes. If you know of a guest who should appear on our show, please drop me a line at podcast at wildstory.com. Our best guests like Sarabeth come from referrals from past guests and our listeners. Well that's the show. Until next time, make sure to visit our website www.wildstory.com where you can subscribe to the show in iTunes, Stitcher or via RSS so you'll never miss an episode a lot big stories and I cannot lie to you other storytellers can't deny Transcribed by https://otter.ai ‍

So much excellent information on this episode of the Family Vacationer. Thanks to our special guest, Sonia Bekhaazi.Aspen gets 300 blue sky days a year. Couple that with legendary powder that comes largely from natural snowfall, this is one exciting place to ski.There are four mountains within the Aspen/Snowmass complex: Aspen, Aspen Highlands, Buttermilk, and Snowmass. Free transportation will get you from mountain to mountain and they are all on the same lift ticket.There is a Kid's Hideout on Buttermilk and Sonia pointed out that Snowmass is the largest of the four mountains and a good place to go when you have skiers of varying skill levels.Summer turns the mountains into a haven for Gold level fly fishing, Jeeping, Hiking, Biking, Golfing, Horseback Riding and more.LodgingAspen offers all types of lodging from chains to condos. Interestingly in Snowmass, 95% of the rooms are Ski in, Ski out lodging which means you literally leave your lodging and skill right on and off the slopes. Very convenient. Sonia signaled out the Limelight Hotel as a particularly family friendly hotel.Food! You know we won't forget about the restaurants. Sonia suggested places like Venga Venga, The Artisan, The Stew Pot on Snowmass. Aspen has over 100 restaurants. Sonia suggested Jimmy's (she singled out the Mac and Cheese), L'Hosteria, CP Burger (connected to an ice skating rink and mini-golf), 520 Grill, and Brunelleschi's.EventsAspen's event calendar is an exciting one. Buttermilk has offered a drive in theather and Snowmass has an art installment called Luminescence. Additionally, the Snowmass Balloon Festival and Labor Day Music Festival are both on for this year. For more information on the events calendar, click HERE.Aspen Snowmass, is working hard to keep visitors safe. If you order your lift ticket seven days before your arrival, it will be delivered to your place of lodging. You can also use their QR Delivery to keep you out of the ticket office. All of their lift tickets use RFID techonology, so you can put it in your pocket and proceed to the lift. For more information on the Aspen Snowmass COVID-19 operating procedures, click HERE.If you're ready to start planning your Aspen Snowmass vacation, I would love to help you. My services as a travel agent are always free to my clients. Just drop me a line at rjones@starstufftravel.com. Thanks for listening!