Podcasts about frauenliebe

durée : 00:12:17 - Le Disque classique du jour du vendredi 11 avril 2025 - Kate Lindsey a choisi de graver ces deux cycles ; l'un, "Frauenliebe und Leben" de Schumann assez connu, l'autre, "La Chanson d'Ève" de Fauré, beaucoup moins enregistré.

durée : 00:12:17 - Le Disque classique du jour du vendredi 11 avril 2025 - Kate Lindsey a choisi de graver ces deux cycles ; l'un, "Frauenliebe und Leben" de Schumann assez connu, l'autre, "La Chanson d'Ève" de Fauré, beaucoup moins enregistré.

This weekend, Interlochen collaborative pianist Hyemin Kim presents the first recital in a yearlong series at the Music House Museum. It's called "Women's Life and Love," and Kim will perform with soprano Yeseul Choi. Kim and Choi visited IPR's Studio A to give a musical preview of this weekend's recital. They performed two songs from Robert Schumann's cycle "Women's Life and Love," or "Frauenliebe und Leben." The series is called "Classical Voyage: Intimate Musical Storytelling at the Museum" and will include at least three more recitals in 2024.

Die Staatsgalerie Stuttgart zeigt erstmals Auszüge der neu erworbenen Fotografie-Sammlung Siegert, mit einem Schwerpunkt auf Neuer Sachlichkeit und dem Bauhaus: Ein fantastisches Konvolut aus den einschlägigen Big Names, völlig Unbekanntem.

11am-12pm Dave McCarthy of McCarthy & Associates Woodquay is here with some financial advice. Tara Duffy tells us all about Galway's first not-for-profit yoga studio. Helen Hancock joins us to give us a flavour of her upcoming performance of Schumann's iconic ‘Frauenliebe und -leben' this coming Sunday And Eithne Verling is the latest guest on history talks as she discusses a new computer simulation which shows historical sites from 17th century. 'Galway Talks with John Morley' broadcasts every weekday morning from 9am on Galway Bay FM.

Hedda Høgåsen-Hallesby forteller deg om de tre verkene forestillingen Blåskjeggs borg består av: Frauenliebe und -leben, Hertug Blåskjeggs borg og En florentinsk tragedie. Her får du høre om de tre komponistene Schumann, Bártok og Zemlinsky - og også om denne oppsetningen regissert av Tobias Kratzer.

Erica Fischer wird am 1. Januar 1943 in St. Albans bei London geboren, wohin ihre Eltern vor den Nazis aus Wien geflüchtet sind. Später wächst sie in Wien auf und studiert am Dolmetsch-Institut der Universität Wien. 1972 ist sie eine der Mitbegründerinnen der autonomen Frauenbewegung in Wien. Die Feministin der ersten Stunde wird Schriftstellerin und Verfasserin des Weltbestsellers Aimee & Jaguar, der Geschichte einer verbotenen Frauenliebe in der NS-Zeit. Von Melahat Simsek.

In this week's episode, Kim Soby examines a poem, written by a man, about love, from a woman's perspective, and questions in what ways might a composer's gender play out musically?.This episode was produced by Jennifer Beavers.SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season02/.

Katja wächst im weltoffenen Berlin auf. Ihr Leben war also schon immer mit der bunten Vielfalt einer Großstadt gesegnet. Doch das sie auf Frauen stehen könnte, diesen Gedanken gestattete sie sich selbst lange nicht. Warum ein schöner Frauen-Po nicht reichte, um ihre sexuelle Orientierung zu erkennen? Was die Polyamorie in Katjas Leben bedeutete? Das und vieles mehr erfahrt ihr in dieser schönen Folge. Außerdem hat Katja all ihre frühere Recherchearbeit und heutigen Tipps für euch zur Verfügung gestellt! Viel Spaß beim Hören, Lesen und Schauen!

In dieser Folge widmen wir uns endlich Filmen und einer Fernsehserie, die sich mit der Liebe unter Frauen befassen. Wir spielen erstmal eine Runde "F*ck, Marry, Kill" mit lesbischen Protagonistinnen, um uns dann mit Schmackes in die Folge der Woche zu vertiefen. Wir sprechen über "Emergency Room", "Blau ist eine warme Farbe", "Aimée und Jaguar", "Grüne Tomaten" und "Portrait einer jungen Frau in Flammen". So viele wirklich gute Filme. Babrie fragt sich, ob der lesbische Film sich einfach eine langsamere Erzähstruktur leistet (was ganz toll ist), Tatjana fragt sich, ob die Lesbe an sich eher eine treue Seele ist, oder auch vom hungrigen, untreuen Fleisch gelenkt wird, und Paul stellt die kontroverse These auf, dass lesbische Filme eine weitaus bessere Representation haben, als gemeinhin immer behauptet... Ihr seht eindeutig: muss Frau hören. Und alle anderen auch.

In der heutigen Folge berichtet Eva über ihren Weg vom frühen Entdecken ihrer sexuellen Identität bis hin zu Ihrem „Stück-für-Stück-Coming-Out“. Zwischen ihren ersten Erfahrungen mit einer Frau bis zum Outing bei ihrer Arbeit liegen 15 Jahre. Warum die Meinung des Dorfs dabei bremste und das Erwarten des ersten Kindes beschleunigte? Und wie verrückt es eigentlich sein kann, wenn Menschen ungeoutet nebeneinanderher leben. Dies und noch einiges mehr, erfahrt ihr in dieser Episode.

Mezzo soprano singer and pastoral musician Jamie Caporizo visits the pod to share something a little different: a research hole she would like to go down, but hasn't started the research part yet. On the way, she teaches us plenty of other things, including the age when a female's voice fully matures, what the Bel canto style of singing is, and a little bit about Leider. Take a drink every time Jamie says “another research hole” if you want to get tanked. SHOW NOTES: The Singer's Ego: Finding Balance Between Music and Life is a book by professional singer Lynn Eustis about the “psychological conflicts that make up a singer's world.” Did you know that sisters and nuns are not the same thing? According to the website Simply Catholic, a nun typically spends her life in prayer and work and silence in a cloistered convent, while a sister may or may not live in community, and lives an active life typically serving in health care or educational institutions. Sisters of the Holy Cross is a Catholic congregation of religious sisters that Jamie worked with as a choir director in South Bend, Indiana. Ministry is an important part of their mission. They also acknowledge and speak out against modern racism, have publicly disavowed some of Trump's refugee policies, and aim to combat climate change. You can read their statements on various issues on their website. Jamie is still working with sisters in her role as the Senior Director of Mission and Ministry at Alvernia University. You can read the story of how the Bernadine Franciscan Sisters wound up in Reading on the Alvernia U website. In my vague attempt to explain the concept of scaffolding in education, I only managed to explain a small part of it. Upeople.edu has a broader breakdown of the concept in their article What is scaffolding in education? According to Brittanica, Frauenliebe und-leben (German for “Woman's Love and Life”) song cycle by Robert Schumann, written in 1840, with text by the French-born German poet Adelbert von Chamisso. The text of the songs is written from a woman's perspective. The text of the songs is written from a woman's perspective, and all of Schumann's songs for this cycle were written for the female voice. For "Love in Stages," Jamie's concert-to-be: Here are some links to performances of the songs Jamie mentioned: Frauenliebe und-leben: https://www.youtube.com/watch?v=Ym9mHHsXvGI If I Were a Bell from Guys and Dolls: https://www.youtube.com/watch?v=KMLq68cMMNk What I Did for Love from A Chorus Line: https://www.youtube.com/watch?v=dZ4VL2u6Yw4 The song Jamie sang on the episode was E amore un ladroncello from Cosi fan tutte. Visit JamieCaporizo.com to listen to more recordings of her gorgeous voice!

Heute spreche ich mit Monika. Sie ist laut eigener Aussage „Late-Late-Bloomerin“. Mit Ende Vierzig, als die Kinder schon groß waren, hat sie endlich Zeit herauszufinden, wer sie wirklich ist. Die Serie L-Word war maßgeblich daran beteiligt, dass ihr bewusst wurde, dass sie für Frauenliebe empfänglich ist. Die hessische Frohnatur erzählt in der heutigen Episode, warum sie glaubt, dass sie so lange für das „Erwachen“ gebraucht hat. Was ihr dabei auf keinen Fall verpassen dürft, ist ihre Kennenlerngeschichte mit ihrer heutigen Partnerin. Diese Situation unter zwei Latebloomerinnen ist eigentlich filmreif. Aber hört selbst.

In dieser aktuellen Ladylike-Podcast-Folge begrüßt Nicole Yvonne mit den Worten „Na, Du kleine Muschi!“ und damit sind unsere beiden Podcasterinnen mitten im Thema. Ihre Podcast-Hörerin Anne hat an Ladylike geschrieben mit der Frage nach Begriffen für die weiblichen Geschlechtsorgane. Denn jetzt erst mit Mitte 40 hat sie ihre Liebe für Frauen entdeckt. Yvonne begrüßt Anne in der Welt der Frauenliebe, während Nicole schon grübelt und meint, es gebe gar nicht so viele gute Begriffe für weibliche Geschlechtsorgane. Sie selbst suche nach einem schönen erwachsenen Wort, das nicht schmutzig klingt. Bei Männern können sich Yvonne und Nicole neben dem Fachbegriff „Penis“ sehr schnell auf „Schwanz“ einigen. Bei Frauen sei das schwieriger. Yvonne hat recherchiert und schlägt „Einflugschneise“, „Muschi“ oder „Scheide“ vor. Nicole erzählt, dass in der Kita ihrer Töchter Wert daraufgelegt wurde, Geschlechtsorgane zu benennen. Das fand Nicole gut, während in ihrer Kindheit nur von „da unten“ und „untenrum“ die Rede war. In ihrer Familie hat sich inzwischen „Muschi“ durchgesetzt, ein freundliches Wort, das nicht abwertend klingt, findet Nicole, allerdings nicht so wirklich erwachsen. Yvonne schlägt weitere Begriffe vor, die Nicole kommentiert: Fortpflanzungsorgan oder Genital (zwar richtig, aber zu neutral), Möse (schlimm!), Brunnenwiese (zu blumig), Familiengruft (nein!) oder Begriffe aus der Obst-Welt wie „Kirsche“, „Pflaume“ oder „Papaya“. Das finden Nicole und Yvonne beide gut. Auch das tantrische Wort „Yoni“ kommt bei beiden gut an. Hört einfach rein, in die aktuelle Ladylike Podcast-Folge, in der Yvonne und Nicole sich über „Lusthöhle“ und „magisches Dreieck“ unterhalten und sich ganz neue Begriffe ausdenken! Habt Ihr selbst erotische Erfahrungen, eine Frage oder Story, über die Yvonne & Nicole im Ladylike-Podcast sprechen sollen? Dann schreibt uns gern an @ladylike.show auf Instagram oder kontaktiert uns über unsere Internetseite ladylike.showHört in die Folgen bei AUDIO NOW, iTunes oder Spotify rein und schreibt uns gerne eine Bewertung. Außerdem könnt ihr unseren Podcast unterstützen, indem ihr die neuen Folgen auf Euren Kanälen pusht und Euren Freunden davon erzählt.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

#DiePodcastin blutig: Isabel Rohner & Regula Stämpfli über Menstruation, Mansplaining, MediaToo und Männer-Metaphern mit einem grossen Plädoyer für Sex, Säfte und Frauenliebe.& Books: Laurie Penny, Fleischmarkt, Naomi Wolf, Mythos Schönheit und ganz viele mehr: Doch hier nochmals KAUFT ENDLICH TAUGENIXEN VON ISABEL ROHNER: DIE GESAMTE KRIMIREIHE BITTE, sonst wird laStaempfli böse. Die Krimis von der Rohnerin sind nämlich IRREGUT und haben NETFLIX-HOLLYWOOD-MUBI-POTENTIAL: Musst hier auch wieder mal stehen.

Jonas und Jana, beide 12, sind keine gewöhnlichen Geschwister. Sie haben unterschiedliche Mütter, jedoch denselben Vater. Gleichzeitig sind ihre Mütter ein Paar. Angefangen hat es folgendermaßen: Wolfgang und Corinna H. (38) sind ein Paar. Ihr Glück währt nicht lange, eines Tages fängt an zu kriseln. Corinna beginnt Wolfgang zu misstrauen und findet zudem heraus, dass sie schwanger ist.
Als Corinna Wolfgang von dem bevorstehenden Babyglück erzählt, haut er einfach schnurstracks ab. Ganze drei Tage später taucht er wieder auf und gesteht selbst: Die Affäre, mit der er sie seit einiger Zeit betrüge, erwarte zufälligerweise auch ein Kind von ihm. Überfordert von der Welt lässt er beide Frauen sitzen. 
Wie es das Schicksal so will, begegnen sich Ex-Freundin Corinna und Ex-Affäre Ilona in einem Bistro in der Stadt. Einen Orangensaft und ein Missgeschick später, liegen sich die beiden Schwangeren schon in den Armen und tauschen hormonelle Gemeinsamkeiten aus. Noch nicht ahnend, dass sie nicht nur das selbe Schicksal teilen, sondern sogar das Kind desselben Mannes in ihren Bäuchen tragen, beschließen die Weggefährtinnen, dass sie sich schon bald wieder sehen wollen. Schnell wird klar, dass sie auf einer Wellenlänge schwimmen und beschließen sich zu solidarisieren und sogar zusammen zu ziehen. Als sie sich unter der Dusche näher kommen, müssen sich die Frauen eingestehen, dass sie das perfekte Match füreinander sind.

Extraits : II. Er, der Herrlichste von Allen IV. Du Ring an Meinem Finger V. Helft Mir, Ihr Schwestern VI. Süsser Freund, du blickest mich verwundert an VII & VIII. An meinem Herzen, an Meiner Brust & Nun hast dur mir den Ersten Schmertz getan Avec : Martine Dumont-Mergeay, La Libre Belgique Aurore Tillac, cheffe du chœur de la Garde Républicaine Laurianne Corneille, pianiste

Zum Staffelfinale nehme ich euch wie versprochen mit auf Kneipentour durchs lesbische Berlin der 1920er Jahre! Wir beginnen im Damenklub Violetta, blättern nach einem erbaulichen Ausflug in die Begriffsgeschichte ein wenig in der Freundin und der Frauenliebe und tanzen anschließend bei Mondschein auf dem Müggelsee bis zum Morgen. Um zahlreiches Erscheinen wird gebeten! Verwendete Literatur: Hacker, Hanna: Frauen und Freundinnen. Studien zur "weiblichen Homosexualität" am Beispiel Österreich 1870-1938, Weinheim und Basel 1987. Krafft-Ebing, Richard v.: Psychopathia sexualis. Eine klinisch-forensische Studie, 2. und 7. Auflage, Stuttgart 1891 und 1892. Schader, Heike: Virile, Vamps und Wilde Veilchen. Sexualität, Begehren und Erotik in den Zeitschriften homosexueller Frauen im Berlin der 1920er Jahre, Königstein/Taunus 2004. ... und natürlich die Frauenliebe und die Freundin. Hat dir die Folge gefallen? Unterstütze die Frauen von damals auf https://ko-fi.com/frauenvondamals oder mit einem Abo auf Steady: https://steady.de/frauenvondamals! . #frauengeschichte #frauen #lgbtq #lesbengeschichte #weimarerrepublik #berlin #deutschland #neueregeschichte #homosexualität

Zwei Männer versichern sich ihre Liebe, sie machen sich voreinander nackt und küssen sich, haben einander lieb wie das eigene Leben. Bis einer stirbt und der andere liebend klagt: „ich habe große Freude und Wonne an dir gehabt; deine Liebe ist mir wundersamer gewesen, als Frauenliebe ist.“ Das steht in der Bibel? Lasst Euch überraschen!

Die Schmetterlinge im Bauch waren enorm. Das Herz hüpfte bei jeder neuen Nachricht von Antje. Aber gleichzeitig war da auch ganz viel Schweres. Heute erfahrt ihr, wie mein damaliger Mann auf die Nachricht reagierte, dass ich jemanden kennengelernt hatte. Wie wichtig mal wieder meine Freundinnen für mich waren und wie schön es sich anfühlte, von einer Frau begehrt zu werden.

Estudiando las relaciones de la cantante con dos pianistas fieles como John Newmark y Phyllis Spurr, damos paso a una serie de bellos recuerdos, a un fragmento de la entrevista mantenida con ella en la CBC de Montreal en marzo de 1950 y a la escucha de los siguientes pentagramas: Helft mir, ihr Schwestern (nº 5 del ciclo Frauenliebe und leben) y Widmung, op. 25/1 de Schumann, Auf ein altes Bild (de los Mörikelieder de Wolf) y Saphische Ode y Rapsodia para contralto, coro masculino y orquesta de Brahms. Histórico de emisiones: 26/05/2013 Escuchar audio

Today we celebrate the botanical illustrator who was wrongfully fired from his first job and the French botanist who spent a month in California with a boatful of Russians. We'll learn about the botanical name of the city where people leave their hearts, and we’ll fall in love with a classic garden writer from Bronxville, New York. Today’s Unearthed Words feature an English poet who loved gardens and wrote many poems about them. We Grow That Garden Library™ with a book that talks about the revolution that will save our food. I'll talk about a garden item that I have WAY too many of - but, then again, can you really have too many? I digress. And, then we’ll wrap things up with the story of the woman who wrote a flora dictionary anonymously - signing her work very  mysteriously with the words “by a Lady.” But first, let's catch up on a few recent events.   Subscribe Apple | Google | Spotify | Stitcher | iHeart   Curated Articles Good Decisions by @papaver Good Decisions in the garden -Alison Levey ("Lee-Vee") - The Blackberry Garden  " I planted them and whispered to the nearby ants 'when you wake up, take the seeds and spread them throughout the garden.'”   The Plight of the African Violets — In Defense of Plants The Plight of the African Violets — In Defense of Plants — "their numbers in captivity overshadow a bleak future for this genus in the wild. Many African violets are teetering on the brink of extinction."   Now, if you'd like to check out these curated articles for yourself, you're in luck, because I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. There’s no need to take notes or search for links - the next time you're on Facebook, search for Daily Gardener Community and request to join. I'd love to meet you in the group.   Important Events 1708 Today is the birthday of the botanist and the incomparable botanical illustrator Georg Dionysius Ehret. Georg was born in Heidelberg, Germany, to Ferdinand Christian Ehret, who was a gardener and also had a talent for drawing. He taught his son both skills- gardening and drawing - before he died. Georg made his way to Regensburg. There, he met an apothecary who hired him to draw of specimens from his herbarium and garden. Georg earnestly took on the job, creating over 500 pieces in one year. Taking advantage of his young employee, the apothecary fired Georg and told him he should have completed 1,000 drawings. It was basically the apothecary's way of avoiding paying Georg. After this dreadful experience, Georg made his way to England and worked at the significant botanical gardens - Including Chelsea Physic. Isaac Rand, the first director of the Chelsea Physic Garden in London, told Georg to paint the rare plants in the garden. The uniqueness of the specimens added to the demand for Georg's work. As a result, Georg was on friendly terms with the plant collectors and naturalists of his time. Chelsea was formative professionally and personally for Georg; He married the head gardener's sister-in-law, Susanna Kennet. In The Art of Botanical Illustration, Wilfrid Blunt noted that, “By the middle of the century he had become a popular figure in London society: the highest nobility in England clamored to receive instruction from him,” Indeed, the wealthiest woman in England, Margaret Cavendish Bentinck (the Duchess of Portland), gladly retained Georg as a drawing instructor. Struck by the luminescence of his work, and ultimately she would buy over 300 of his paintings. In 1737, Georg was hired to draw by Sir Charles Wager, First Lord of the Admiralty. In August of that year, Wagner's personal garden is where Georg first observed the Magnolia grandiflora flowering. The bloom was so inspiring that Georg walked for an hour each way, from Chelsea to Wagner's house (in Fulham), to see and sketch every stage of the Magnolia grandiflora; from bud to full flower. Georg's work provided the world with the first Magnolia to be illustrated in England. Beyond his work in England, Georg traveled throughout Europe in pursuit of his craft. He met Linnaeus in Holland when he was visiting the botanical garden in Leiden. Linnaeus taught Georg exactly how he wanted plants to be dissected and drawn. By this time, Georg felt that his drawings were already aligned with Linnaeus, but the calibration didn't hurt; Georg's work made it possible for Linnaeus to show the differences between plants for his books. When Linnaeus released his catalog of rare plants, "Hortus Cliffortianus," in 1737, it featured 20 meticulous plates made by Georg. As a result of partnering with Linnaeus, Georg understood plant structure on a level that rivaled most botanists. Georg's style of drawing is referred to as the Linnaean style. Ehret's father could have never predicted the impact of teaching his son both gardening and drawing, but the two skills had come together in Georg in an extraordinary way. One expert wrote that, "[Ehret] was the greatest artist-illustrator that Linnaeus had." Today, Georg's work is difficult to source. Given the rarity of an Ehret drawing, they are expensive to acquire; pieces generally start around $1k (if you can find one.) Just this past year, the NYBG organized an exhibit called "Georg Ehret: The Greatest Botanical Artist of the 1700s.” They featured 48 Ehret watercolors and engravings.   1781 Today is the birthday of French-German poet, naturalist, and botanist Adelbert von Chamisso ("Sha-ME-So"). Born into a French Noble family, Chamisso’s family fled to Germany after the French Revolution. Chamisso is remembered for a number of different accomplishments. His creativity was captured in a novella called Peter Schlemihl’s Wonderful History, published in 1814. The story is about a naturalist who travels around the world thanks to a pair of seven-league boots and who sells his shadow to the devil in exchange for a bottomless wallet. Seven-league boots were a common part of European folklore and allowed the wearer to walk seven times further than an average stride, making the wearer possess super-human speed. Chamisso established himself as a Romantic poet with his poem Frauenliebe und leben, The poem’s English translation is A Woman's Love and Life and is actually a series of poems describing a woman’s love for a man from their first meeting, through their married life together and ultimately to the time after his death. Robert Schumann later set Chamisso's poem to music in his Opus 42. It takes a soprano opera singer 30 minutes to sing all the poems in the Opus from start to finish.  After surviving the french revolution and the war between France and Prussia, Chamisso eagerly joined a round-the-world voyage aboard a Russian ship called the Rurik. It would be the greatest adventure of his life. The trip was financed by a Russian Count named Nikolay ("NEE-co-LIE") Rumyantsev ("Roo-myan-sev"), who was eager to find a route around North America by water - which would later be called the Northwest Passage. Chamisso was the ship’s naturalist, and Johann Friedrich Eschscholtz was the ship’s doctor and botanist. When the Rurik ended up in the San Francisco Bay area in 1816, Chamisso and Eschscholtz ended up exploring in California for about a month. One of his discoveries was the California poppy, which he named Eschscholzia California after his friend, the botanist Johann Friedrich Von Eschscholz. In return, Eschscholz named a bunch of plants after Chamisso - a little quid pro quo. The California Wild Rose (Rosa californica Chamisso and the California Blackberry (Rubus vitifolius Chamisso) are named for Chamisso. In 1903, the botanist Sarah Plummer Lemmon put forth a successful piece of legislation that nominated the golden poppy (Eschscholzia californica) as the state flower of California. During his three year Journey on the Rurik, Chamisso collected over 12,000 species of plants. Today his collection is preserved at the Russian Academy of Sciences in St Petersburg. It was Chamisso who said, “In pain, a new time is born.”   1847Today the city of Yerba Buena ("YAIR-Bah Byoo-Nah") is renamed San Francisco. San Francisco was originally known as Yerba Buena - Spanish for "good herb" - a small mint-like plant early explorers found. Over the years, people have left their hearts in San Francisco. The author Rudyard Kipling said, "San Francisco has only one drawback – ’tis hard to leave." Paul Kanter of Jefferson Airplane said, "San Francisco is 49 square miles, surrounded by reality." Ashleigh Brilliant, author and cartoonist, said, "There may not be a Heaven, but there is San Francisco." The writer William Saroyan said, "If you’re not alive, San Francisco will bring you to life."   1878 Today is the birthday of one of America's greatest Garden writers and one of the 20th Century's most famous horticulturists, Louise Beebe Wilder. Louise was born into a wealthy family in Baltimore. After marrying an architect named Walter Wilder, they bought a country place - a 200-acre estate in Pomona New York; they called BalderBrae. Louise set about adding fountains, terraces, arbors, walled gardens, and pathways. Her book called "My Garden" shared Louise's experiences learning how to garden at BalderBrae, where one of her first flower beds was bordered with clothespins. At BalderBrae, Louise and Walter created a garden and a stone garden house that was made famous in Louise's book "Color in My Garden" - which came out in 1918 and is generally regarded as her best work. In the book, Louise was the first garden writer to write about gray as a garden color. Louise was also the first person to write about Moonlight Gardens, and she wrote about looking at plants under the light of the Moon. After World War I, Walter and Louise settled in suburban Bronxville, New York. Louise created a personal Eden on a single acre of land complete with stone pillars and a long grape arbor. It was here that Louise began rock gardening. After 1920, most of her garden writing focused on rock gardening. Louise inspired both women and men to rock garden. By 1925, Louise founded a local Working Gardeners Club in Bronxville, and she also had steady work as a garden designer and as a garden writer. Her experiences gave her material for her writing. Louise included so many people from Bronxville in her writing that her columns were referred to by locals as "a Bronxville Family Affair." In all, Louise wrote eleven books about gardening. Her voice is pragmatic and pointed, which is why they were popular; gardeners appreciated her no-nonsense advice. For instance, Louise was not a fan of double flowers. In her book, "The Fragrant Path" from 1932, she wrote: “Some flowers are, I am sure, intended by a wise God to remain single. The hyacinth doubled, for instance, is a fat abomination.” Louise wrote for a number of publications, and her writing was published in many prominent periodicals like the Journal of The Royal Horticultural Society of England and the New York Times. House and Garden alone published close to a hundred and fifty articles by Louise. Many of Louise's columns were collected and published as books. A year before she died, Louise was honored with the Gold Medal for Horticultural Achievement from the Garden Club of America. It was the pinnacle moment in her career, and it came as Louise and her children were still grieving the loss of her husband. In the Spring of 1934, Walter had committed suicide after a long battle with mental illness. Louise wrote prolifically about gardening and plants. Her experiences resulted in increasing the awareness of different plant species, gardening practices, and she helped shape the gardens of her time. Louise gave us many wonderful garden quotes. On Snowdrops: “Theirs is a fragile but hardy celebration…in the very teeth of winter.” On Rosemary, “It makes a charming pot plant, neat, svelte, with its dark, felt-lined leaves held sleek against its sides. The smell… is keen and heady, resinous, yet sweet, with a hint of nutmeg.” On Roses: “Over and over again, I have experienced the quieting influence of rose scent upon a disturbed state of mind.” On gardening: “In the garden, every person may be their own artist without apology or explanation. Each within their green enclosure is a creator, and no two shall reach the same conclusion.” Louise is buried with her parents in lot 41 in Lakeside Cemetery in Wakefield, Massachusetts. It was a shock to read that her grave is unmarked and to see that it is completely unadorned - without any flowers - nor does it rest under the shade of a tree.   Unearthed Words 1782Today is the birthday of the English poet and literary critic Ann Taylor. Her sister Jane was a poet as well. Ann famously said, “The most important thing is to wear a smile.” Here's a collection of poems about the garden by Ann Taylor.   Come And Play In The Garden Little sister, come away, And let us in the garden play, For it is a pleasant day. On the grass-plat let us sit, Or, if you please, we'll play a bit, And run about all over it. But the fruit we will not pick, For that would be a naughty trick, And very likely make us sick. Nor will we pluck the pretty flowers That grow about the beds and bowers, Because you know they are not ours. We'll take the daisies, white and red, Because mamma has often said That we may gather then instead. And much I hope we always may Our very dear mamma obey, And mind whatever she may say.   The Gaudy Flower Poem Why does my Anna toss her head, And look so scornfully around, As if she scarcely deigned to tread Upon the daisy-dappled ground? Does fancied beauty fire thine eye, The brilliant tint, the satin skin? Does the loved glass, in passing by, Reflect a graceful form and thin? Alas! that form, and brilliant fire, Will never win beholder's love; It may, indeed, make fools admire, But ne'er the wise and good can move. So grows the tulip, gay and bold, The broadest sunshine its delight; Like rubies, or like burnished gold, It shows its petals, glossy bright. But who the gaudy floweret crops, As if to court a sweet perfume! Admired it blows, neglected drops, And sinks unheeded to its doom. The virtues of the heart may move Affections of a genial kind; While beauty fails to stir our love, And wins the eye, but not the mind.   The Field Daisy I'm a pretty little thing, Always coming with the spring; In the meadows green, I'm found, Peeping just above the ground, And my stalk is covered flat With a white and yellow hat. Little Mary, when you pass Lightly o'er the tender grass, Skip about, but do not tread On my bright but lowly head, For I always seem to say, "Surely winter's gone away."   Grow That Garden Library The Seed Underground: by Janisse Ray The subtitle of this book is: A Growing Revolution to Save Food. Ray writes: “There is no despair in a seed. There's only life, waiting for the right conditions-sun and water, warmth and soil-to be set free. Every day, millions upon millions of seeds lift their two green wings.” Ray's book takes us to the frontier of seed-saving. She shares beautiful stories from gardeners around the country who are working to preserve our food by growing old varieties, heirlooms, and eating them. Gardeners will love this book because, as a gardener, Ray is relatable, and her stories feature ordinary gardeners who are trying to save open-pollinated varieties of old-time seeds - the true treasures in our Gardens. Ray's book is not just about gardening, but also about preserving our food by saving seeds before they disappear. Ray helps us understand why seeds are under threat and why a lack of seed diversity is something that should concern all of us. Ray is a writer, naturalist, and poet. This is one of my favorite books on this topic, so I hope you'll check it out. You can get a used copy of The Seed Underground: A Growing Revolution to Save Food by Janisse Ray and support the show, using the Amazon Link in today's Show Notes for under $4.   Great Gifts for Gardeners Stonebriar 9 Inch Clear Glass Dome Cloche with Rustic Wooden Base, Antique Bell Jar Display Dome, For Plants, Succulents, Fairy Lights, Photos, Medals, Decorative Fill, and More, Medium $31.99 Add a rustic touch to your home decor with Stonebriar's clear glass bell-shape cloche with a wooden base. This cloche features a clear glass dome with the decorative knob so you can easily remove it. The rustic wooden base measures 6.1 inches in diameter and is the perfect size to display your favorite pillar candles, flowers, succulents, medals, photos, and fairy lights. This glass cloche is small enough to use in any room in your home but big enough to make a statement. Add your favorite filler and create a unique centerpiece for your kitchen or dining room or place filled cloche on your mantel for a little added decoration. This cloche is also the perfect party decoration. Buy multiple cloches for rustic tabletop display. This decorative cloche is the perfect size for any tabletop measuring 9" in height, and the wood base with metal trim measures 6.1" in diameter Glass dome inner measurements are 4.7" in diameter and 6" in height. It can easily fit your favorite pillar candles, flowers, succulents & more Rustic wooden base cloche is available in 2 separate sizes. Buy one size or buy both sizes and create your own unique display set.   Today’s Botanic Spark 1784Today is the birthday of the American Floral Dictionary writer, Elizabeth Wirt. Elizabeth was the second wife of William Wirt, who served as an attorney general of the United States. They had ten children. In 1829, Elizabeth wrote her floral dictionary.  She published it anonymously, using the very mysterious name ‘by a Lady.’ Wirt featured lovely tidbits in her dictionary - quotes and prose by poets and writers accompanied the information for each plant. Her dictionary also included extraneous information that would be of interest to gardeners in the early to mid-1800s: the Structure of Plants, the Structure of Flowers, and a sketch on the Life of Linnaeus. Elizabeth shared all she knew about the history of each flower she featured in her dictionary. Gardeners adored her book. It was republished every two years. In the 1835 edition, Elizabeth finally felt confident enough to publish the book using her name "Mrs. E. W. Wirt of Virginia.”The final edition of her book was published in in 1855 it was the first book of its kind in the United States to feature colored plates. You can see a copy of Wirt's dictionary online for free.

Schumanns berühmter Liederzyklus zeichnet – ganz dem Frauenbild des 19. Jahrhunderts verpflichtet - den Lebensweg einer Ehefrau und Mutter nach.

Attention! Attention! In today's episode we cover a composer other than Schubert… This is not a drill! I repeat: this is NOT a drill!!! In a special episode of the gender-bending variety, Mandee and special guest Dr. Tyler Reece discuss Tyler's DMA dissertation “Liebe und Leben: Exploring Gender Roles and Sexuality in Nineteenth Century Lieder.” Complete with a live performance from Tyler's final DMA recital, we discuss issues including gender roles in early 19th century Germanic society, Berlin and the birthplace of the modern gay rights movement, the moral purity movement, gendered performance practices, and Tyler's dramatic integration of the gay male perspective into this beloved cycle. Chances are, you've never heard it performed quite like this! Recorded at UCSB Karl Geiringer Hall, 4 May 2019 Dr. Tyler Reece, baritone Mandee Madrid-Sikich, piano  Link to Tyler's dissertation here... "Liebe und Leben: Exploring Gender Roles and Sexuality in Nineteenth Century Lieder" 

Hier kommt ihr auf den Geschmack eines ehrlichen Gesprächs über Frauenliebe und warum Frauenrechte nicht ohne diese auskommen. Guten Appetit – es ist aufgetischt!

Liebe ist… Ja was denn eigentlich? Isabella glaubt Liebe ist, wenn man jemanden nicht verlieren möchte. Und Isabella liebt nicht nur ihren Sohn und ihren Mann, sondern auch Cappuccino, Sommer und die Klamotten von Rabens Saloner. Eve findet das nicht gut. Inflationär ist ihre Liebe nicht. Eher etwas ganz Besonderes, für ganz wenige, ganz besondere Menschen. Warum würde Isabella ihren Mann vor den Bus schubsen? Ist Liebe für immer? Gehören Liebe und Sex zusammen? Ich liebe Dich - für wen sind diese magischen drei Worte bestimmt? Wissenschaftler haben herausgefunden, wenn die drei magischen Worte bei einem Mann nach dem Sex fallen, dann ist es echte Liebe! Aber wie oft darf man sagen „ich liebe dich!“ Mit all diesen Fragen beschäftigen wir uns in dieser Folge vom Weiberkram und es bleiben ehrlich gesagt mehr Fragen als Antworten übrig. Aber mal Hand aufs Herz - könnt Ihr so spontan sagen, was Liebe ist? Schreibt uns sehr gern: weiberkram@antenne.com, aus all Euren Meinungen machen wir eine Fortsetzung dieser Folge. Übrigens: Die Liebe von Mamas zu ihren Kindern ist gerade auch Thema bei unseren Kolleginnen Sabrina und Verena im Mama-Talk. "Was wir an unseren Kindern lieben und was wir total blöd finden!" - hört mal rein.

Robert Schumann was born in this month in 1810, so we have Krista River and Judith Gordon performing  Schumann's great song-cycle, "Frauenliebe und Leben", "A Woman's Love and Life", composed in 1840, the year Schumann married Clara Wieck.  Also on the program, Schumann's Three Romances for Oboe and Piano, played by oboist Keisuke Wakao with pianist Christoph Eschenbach. Robert Schumann: Frauenliebe und Leben, Op.42 Krista River, mezzo-soprano; Judith Gordon, piano Recorded in a live broadcast at WCRB's Fraser Performance Studio on February 4th, 2008. Robert Schumann: Three Romances, Op. 94 Keisuke Wakao, oboe; Christoph Eschenbach, piano Recorded in a live broadcast at WCRB's Fraser Performance Studio, March 1st, 2012

Mezzo-soprano Susan Graham describes the background of "Frauenliebe und -leben Variations," and pianist Javier Perianes talks about performing Falla's "Nights in the Gardens of Spain" with the Boston Symphony Orchestra.

von Josef Maria von der Ewigen WeisheitElegien der Frauenliebe, aber auch der Knabenverehrung und der Männerfreundschaft. Siebzehn Elegien im elegischen Versmaß. Nachahmung von Tibull und Properz. Download MP3

Wir möchten euch herzlich zur vierten Episode der sechsten Staffel des Kurzgeschichten-Podcasts Clue Cast begrüssen. Sie basiert auf der Story „Verbrannte Erde“ von Sarah. Hinter uns liegt nichts als verbrannte Erde. In dieser Geschichte wurden die vorgegebenen Clues „Gras, Mandeln, Prokrastinator, Frauenliebe“ und „Luxusproblem“ vertextet und sie spielt am Setting „Garage“. Die Sprecherin dieser Episode … „S06E04 | Verbrannte Erde“ weiterlesen The post S06E04 | Verbrannte Erde first appeared on Clue Writing.

Erica Jeal recommends a recording from the available versions of this great song cycle.

Back to German Diction, with the texts to Strauss' "Zueignung" and the first two poems of Schumann's Frauenliebe und -leben. Our guests this week are Rainer Mühlbach and Stephanie Atanasov, and we review some sounds that we've already talked about, like Äs and Ls, and also talk about the prefix ZU- (so that no one will ever mispronounce "Zueignung" again!) and the suffix -IG. Texts for these songs can be found at The LiederNet Archive. If you have any questions or comments for me, feel free to leave them here, at the Facebook page or write me directly at ellen@ellenrissinger.com