Podcasts about jukin

Show #973 Turkey Day Blues 01. Willie Kent - Check It Out (5:03) (Ain't It Nice, Delmark Records, 1991) 02. Joe Zaklan - There Ain't No Better Time (3:44) (There Ain't No Better Time, Zak 'n Blue Records, 2010) 03. Tiny Legs Tim - Cold Turkey (3:29) (Missy Sippy All Stars Vol. 1, Sing My Title, 2020) 04. Arthur Migliazza - Thank You Blues (2:49) (Laying It Down, self-release, 2014) 05. Robbin Kapsalis & Vintage #18 - Jukin' (2:46) (Soul Shaker, Bird Song Records, 2021) 06. Doug Pinkston - Thanksgiving Blues (3:11) (YouTube, self-release, 2017) 07. Little Eva - Let's Turkey Trot (2:29) (45 RPM Single, Dimension Records, 1963) 08. Katvanger - You Hear The Damnedest Things In The Middle Of The Night (4:48) (Single, Aldora Britain Records, 2022) 09. Christone 'Kingfish' Ingram - Something In The Dirt (3:34) (662, Alligator Records, 2021) 10. Turnip Greens - Two Sets Of Rules (2:16) (Carry Me Down The Aisle, Black & Tan Records, 2006) 11. Kenny 'Blues Boss' Wayne - Wild Turkey 101 Proof (4:05) (An Old Rock On A Roll, Stony Plain Records, 2011) 12. Spoonful Of Blues - Hellraiser (4:35) (Single, Bluestown Records, 2022) 13. NuBluzReview - Thanksgiving Blues (2:51) (Single, self-release, 2022) 14. Handsome Harry Company - Turkey Jump (3:43) (Come On Jump!, self-release, 1994) 15. Blue Jay Slim & The Tone Blasters - Hangin' By A Thread (4:07) (Leaving The Cold Behind, self-release, 2014) 16. Popa Chubby - Good Thing (3:12) (The Catfish, Verycords Records, 2016) 17. Danny B. Harvey & Mysti Moon - Walkin' After Midnight (3:31) (Single, self-release, 2021) 18. Fried Bourbon - Turkey In The Corn (4:32) (Boogie Blend Blues, Music Arena, 2007) 19. Sunset Travelers - One Day (3:40) (For The Sake Of It, Black & Tan Records, 2002) 20. Dionne Bennett - Spy Me (4:02) (Sugar Hip Ya Ya, Hunnia Records, 2021) 21. Plastic Ono Band - Cold Turkey (5:01) (45 RPM Single, Apple Records, 1969) 22. Kevin Ayers - Thank You Very Much (3:17) (Still Life with Guitar, Market Square, 1992) 23. Anthony Stauffer - Thanksgiving Ballad (5:11) (YouTube, Texas Blues Alley, 2013) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Skogmo began his media career working as a casting intern for big budget films such as Batman Begins and then worked for the creator of Judge Judy in the mailroom, where he sorted through audience-submitted VHS tapes (the “old-school” way of sourcing content). Now the premiere, fast channel enterprise, Jukin Media wasn’t always an empire. It began as a start-up in Skogmo’s apartment, where his entrepreneurial spirit led him to license and monetize video clips. However, Skogmo made his fortune in obtaining the IP for video clips and selling them to broadcast channels. Jukin Media developed into an international company with offices in London, Los Angeles, New York, and New Delhi, becoming the ultimate generated content curator when it comes to video channels. Thus establishing Skogmo as one of the most successful and innovative content curators in tech history. Jukin Media owns and programs fast channels such as People are Awesome, Fail Army, Pet Collective, and Weather Spy. Jukin also owns the licensing and rights to over 100,000 videos clips, including the viral sensations “Chewbacca Mom,” “Pizza Rat,” and “Tori Burns Her Hair.” Skogmo shares his experience in producing more than two hundred hours of TV programming for networks such as MTV, Discovery, Fox, and TruTV and divulges his predictions for how media and technology will either clash or converge for network channels. ----------- This episode is presented by: Stubbs, Alderton & Markiles. Contact: salderton@stubbsalderton.com ----------- Hosted by: Richard Wolpert Produced by: AJ Moseley A CurtCo Media ProductionSee omnystudio.com/listener for privacy information.

Playlist: Snatch It Back and Hold It – Junior Wells; Downtown With the Devil – Ilana Katz Katz; Shake It Baby – Robbin Kapsalis & Vintage #18; Won't Pass Me By – Ilana Katz Katz; Lost Souls – Robbin Kapsalis & Vintage #18; Woman, Play the Blues – Ilana Katz Katz; Boogaloo, Silver Spoon – Robbin Kapsalis & Vintage #18; Bad Child – Ilana Katz Katz; Fever – Robbin Kapsalis & Vintage #18; In My Mind – Ilana Katz Katz; Jukin' – Robbin Kapsalis & Vintage #18; Nine Souls – Ilana Katz Katz; You Don't Deserve Me – Robbin Kapsalis & Vintage #18; It's Time to Go – Ilana Katz Katz. Escuchar audio

Today is a special day for Diecast Breakdown. We're joined by special guest co-host, Jay of Jay's Diecast Creations while Mark McHotwheel is off getting married and looking for more Hot Wheels. Jay talks about how his love of diecast started on an actual race track, plus he breaks down what technical customizing is and shares some of the building techniques behind some of his most iconic custom diecast cars. Then we juke off to sunny northern England to chat with diecast wunderkind Rapid Nismo who shares what it's like growing up now as a diecast enthusiast, what the hunting and collecting scene is like in small-town UK, and where he sees the hobby going. It's a diecast double feature you won't want to miss. Be sure to subscribe and ring the bell to make sure you know when all future episodes of Diecast Breakdown are coming!   Diecast Breakdown is:  Datsunman Diecast: https://www.youtube.com/c/DatsunmanDiecast TWYCE Diecast: https://www.youtube.com/channel/UC66jmM_tcruyX2Mamb8X-eQ Kimber: https://www.instagram.com/_kimberw/ Chuck: https://www.instagram.com/flyingvaliant/  Referenced in this video:   @Jays Diecast Creations  : https://www.youtube.com/c/JaysDiecastCreations Free The Ferraris Playlist: https://www.youtube.com/watch?v=Wnyt4hxdZ_0&list=PLUENE3-5IawX5FtYyU52C0QE31FbzN4Rh&ab_channel=JaysDiecastCreations Rapid Nismo: https://www.youtube.com/c/RAPIDNISMO and https://www.instagram.com/rapid_nismo/ Diecast Clown: https://www.youtube.com/channel/UCSddPr7BQ2oBlkVmdLphEDg Aussie Model Builders: https://www.youtube.com/channel/UCQRnl0Du2JMPf7LcsR4UyrA1/64  Diecast & Dioramas Group: https://www.facebook.com/groups/620199675144112 Johnny Lightning Racing Club: http://www.ljlrc.com/ @Hansen's Speed Shop  : https://www.youtube.com/c/HansensSpeedShop   @Honest Diecast  https://www.youtube.com/c/HonestDiecastk   @HewittzHotWheelz  : https://www.youtube.com/channel/UCDgu4tOdMeWQdAgDg8ZObrw   @Championdjk  : https://www.youtube.com/c/Championdjk   @3Dbotmaker  : https://www.youtube.com/c/3Dbotmaker   @Outlaw Speed Shop  : https://www.youtube.com/c/OutlawSpeedShop2001 Diecast Renegades and Hoodlums Facebook Group: https://www.facebook.com/groups/DCRAH   @Danny's Diecast Disasters  : https://www.youtube.com/c/DannysDiecastDisasters Round 2: https://www.round2corp.com/ Shorter's Diecast https://www.youtube.com/channel/UCWtlTjQa6pCWJ5ERB_U97MQ   @2AHD Cat  : https://www.youtube.com/channel/UCOxMkVXmrjl4C0uLGcJUISw Hot Wheels Collectors Convention: https://www.hwcollectorsnationals.com/ Greenlight Collectibles: https://www.greenlighttoys.com/ Diecast Direct: https://www.diecastdirect.com/ Model Airplanes: https://www.aliexpress.com/item/1005001511363221.html   @Three Blind Mice Diecast  : https://www.youtube.com/c/ThreeBlindMiceDiecast Four Horsemen Diecast: https://www.youtube.com/channel/UCVr3po6FE0ZA8c9tlnWcoHw Gaslands UK Car of the Month: https://www.youtube.com/c/GaslandsUKCarOfTheMonth Gaslands Game: https://gaslands.com/ Alex Colesanto Racing: https://www.youtube.com/watch?v=zfV3Tt4IJ1o Dane Self: https://www.youtube.com/channel/UCGLtyKF6WX2Sskdh-oO9NwQ Craigs164WorldUK: https://www.instagram.com/craigs164worlduk/   @Diecast Dude  : https://www.youtube.com/user/daanharpe

158 DOWN SOUTH JUKIN'!The gang discusses loving your neighbor and other universal truths. Also: Moonfall, Nightmare Alley, and The Scary of Sixty First. Support the show (https://www.buymeacoffee.com/strangeaeonsr)

This is an update to an episode we did a while back in April of 2020. And we're doing an update because Jonathan Skogmo, founder of Jukin Media, has some pretty big news… recently he sold his company for a reported $140 million dollars. In this episode we take a behind the scenes look at that 9 figure deal, and try to understand emotionally what it's like to sell a company you've built from your apartment over the last decade. A bit more about Jon: He's the founder of Jukin which is an innovative media company that focuses on user-generated content. What is user-generated content? Well, it's stuff like a video of a mom laughing hysterically while wearing a Chewbacca mask. That video is known as Chewbacca mom and the original video alone received over 140 million views. In fact, the video became so popular that this Chewbacca mask completely sold out around the world. Although the Chewbacca mom, otherwise known as Candace Payne, technically owns the video, the right to license that video belongs to Jukin. By acquiring viral videos, like this one, Jukin media has amassed 200 million fans and receives 3 billion views every month. Subscribe to our Newsletter! https://findingfounders.co/subscribe Website: findingfounders.co Follow Sam: https://www.instagram.com/samueldonner/ Follow Finding Founders IG: https://www.instagram.com/findingfounderspodcast/ --- Support this podcast: https://anchor.fm/finding-founders/support

Estrenamos el año 2022 con los destacables nuevos álbumes de las blueswomen Ilana Katz Katz ("In My Mind" – Regina Royale Records) y Robbin Kapsalis y su banda Vintage #18 ("Soul Shaker" – Bird Song Records). Playlist: Snatch It Back and Hold It – Junior Wells; Downtown With the Devil – Ilana Katz Katz; Shake It Baby – Robbin Kapsalis & Vintage #18; Won't Pass Me By – Ilana Katz Katz; Lost Souls – Robbin Kapsalis & Vintage #18; Woman, Play the Blues – Ilana Katz Katz; Boogaloo, Silver Spoon – Robbin Kapsalis & Vintage #18; Bad Child – Ilana Katz Katz; Fever – Robbin Kapsalis & Vintage #18; In My Mind – Ilana Katz Katz; Jukin' – Robbin Kapsalis & Vintage #18; Nine Souls – Ilana Katz Katz; You Don't Deserve Me – Robbin Kapsalis & Vintage #18; It's Time to Go – Ilana Katz Katz. Escuchar audio

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Screens in bars, restaurants and all kinds of venues have been part of the mix for decades, and there have been all kinds of different takes on what to put on those screens that not only entertains and occupies guests, but also has  tangible business impacts. Straight-up digital signage solutions give venue operators the ability to fully manage what appears on the screens, but then those operators have to do the work to keep the system running and content fresh. Boxes and software that squeeze a broadcast signal can allow operators to run in-house ads below and on the side of the screen from cable TV feeds, but the legal side of that can be more than a bit shaky. Widely available high-speed internet and over-the-top streaming technology advances have opened up a new way to keep screens fresh and interesting, and a well-funded Austin, Texas spinout company called Atmosphere TV is going hard at the opportunity. Launched in 2019, Atmosphere has more than 50 streaming content  channels that are in 14,000 venues and reach some 25 million sets of eyeballs monthly. There are curated channels full of cute pets and funny misadventures, but there's also a newsroom that produces carefully selected news that manages to straddle the increasingly polarized political divides of the U.S. The particularly interesting kicker is that the service is free to users, with Atmosphere even sending operators free, pre-staged Apple TV boxes that just need to be plugged in and connected to broadband. I had a great chat with Blake Sabatinelli, the company's Chief Operating Officer, about how things work and where Atmosphere is going. TRANSCRIPT Blake. Thank you for joining me. What is Atmosphere TV all about?  Blake Sabatinelli: Atmosphere at its core is a place-based television platform and we think at Atmosphere that we're here to help inform and inspire people who are watching our platform, and we do that through any one of our 54 channels that are on our platform, whether it's Atmosphere News, which we just launched or Chive TV, which is the the engine that built Atmosphere as a whole before we spun it out on its own. But we're everything from entertainment to information to digital signage and really just here to make sure that we're getting people to look up in the venues that they're sitting in, instead of staring down at their phone and engaging with the world around them.  So the simpleton explanation would be that this is something you would use in place of putting TVs in a venue and putting CNN or Fox or whatever on and just letting that run?  Blake Sabatinelli: A hundred percent. We look at our content in a whole different light that I think what you see in the traditional cable space, and if you go back to the genesis of our company, Leo and John, our founders were sitting in a bar, there was ESPN on mute, there was Judge Judy on mute and they were looking around and no one was really paying attention and they realized that no one was really programming television for out-of-home, and that audio is a huge consideration.  In both places, if you go to a sports bar here in the states, you'll see a football game that's usually the primary audio or a baseball game or something, but there's also 15 other TVs in the venue, and all of them are running captions that are really small, that you can't see from 30 feet away on content that's not engaging if you don't have the audio on, on content that honestly isn't engaging even if you have the audio on. And in some cases, especially if you're talking about the news, Fox News or CNN, MSNBC, that's angering half the audience there. So we're coming at television from a totally different perspective.  We programmed it for eyes and not ears, which is not a native thing for anyone coming from television. You have to do both and ensure that it's something that everyone can lean into and enjoy and be engaged with. You mentioned that you've launched a news product among the many channels you already have. When I look at Atmosphere TV, and I've been familiar with it for a while, it's primarily soft content, it's curated social media videos, and that sort of thing. News is a very different animal! Blake Sabatinelli: Yeah, you're telling me. I spent 15 years in the news business before joining Atmosphere and ran a company called Newsy for seven years prior to this, and there's a whole different world from what traditionally is published on Atmosphere to what a news channel is. But if you really break it down, it's really not all that different. On the entertainment side of our business, it's engaging short form videos, programmed in such a way that you want to lean in and really watch, and with news, we're really trying to take the same approach. Keep people informed about what's going on around them. Tell them the things that they need to know, do it all in an audio off capacity, which is a challenge out the gate and also sprinkle in some things that inspire and entertain them along the way, because it's a pretty dark world out there and news can be a dark platform. So we feel like we can come at this a little bit differently. Get people to smile, get people to nod and understand what's happening and not feel bad after watching it at the same time.  Is it a function in certain respects of the political polarization that's out there, particularly in the United States, where you have auto dealer showrooms, where they may have one TV and you get arguments breaking out about the fact that it's on CNN or it's on Fox, and as you said, 50% of the people are unhappy? Blake Sabatinelli: I mean, look, I can tell you now that if you watch our network, there are no opinions. There's no commentary, there's only context and information, and that really does come to the point that you're making that the political environment here in the United States is challenging right now. There's no way to make everyone happy. So our view on the way to make this work is to strip out all the things that make people angry and just report facts and just really hammer home the headlines and straight news. There's plenty that happens in Washington on a daily basis that's factual and incredibly important. There's plenty that happens in Washington DC, if you watch Fox News, CNN, or MSNBC on a daily basis, that's filler, that's conjecture and opinion that people for the most part really don't care about.  So I would imagine with some of the other channels that you have, where it's cute pet videos or extreme sports or whatever it may be that, you've got content curators who are scanning YouTube and whatever for material.  Is it different for the new side where you have a quasi news room?  Blake Sabatinelli: Yeah, we do have a newsroom. So we actually hired Michael Grimes, the former head of social for NBC News to come in and join us and lead our newsroom, and we have a team of producers that sit just out in front of my office and are producing news on a 24/7 basis at this point. So yeah, while it's not our normal curation process, there's a news room out there and it's exciting to see and I like the buzz. How do you gather this news? Do you get feeds from the Associated Press and so on, like everybody else?  Blake Sabatinelli: Yeah, that's correct. So we actually partner with a number of down the middle, highly respectful of these organizations, like the Associated Press, AFP, Reuters, and others to ensure that we're aggregating and collecting the best news that's out there and packaging it in such a way that it can be enjoyed on our platform.  So on the other hand with the softer content, how does that work?  Blake Sabatinelli: Yeah. So we have a team of producers that work on each of our channels. Not all that different than what you mentioned that are out actively seeking out content on the most popular social platforms, whether it's TikTok or YouTube or Facebook and working with these content creators to license their content and get it on our platform to then produce it with a very specific formula that we generate for each channel and get it up on our platform when it's ready to go.  If you use material from YouTube or Facebook or TikTok or whatever it may be, are you talking to those platforms for the rights to that material or do you go right to the content creators?  Blake Sabatinelli: We work directly with the content creators and we work with them in such a capacity that it's a mutually beneficial relationship. Most of these content creators are really looking to extend their reach and ensure they're going to get as many eyeballs on them as a creator as possible to build up their businesses, and we ensure that all of our content creators get a significant amount of showcasing in each of the videos that we air there, so when people see something amazing happening on screen, they're able to look up and say, I want to go to Instagram and follow that guy. So we've built these relationships in such a way that we have an active ongoing discussion with the content creators and when something new pops up in their feed and they're sending it out, they're reaching out to us as well. I guess chasing down certain material from somebody who's in the business or wants to be in the business of creating content that generates income for them that way, they're probably pretty easy to chase down. But on the other hand, you have the serendipitous stuff where somebody took a video of some weird weather event or whatever, I suspect it is probably a lot harder to get them?  Blake Sabatinelli: Yeah, that can be challenging, but we also work with the licenses agencies that those folks work with most predominantly. So whether it's your Stringers or Jukin or others, so wildly large, and when I say large, the vast majority of our content comes from the creators themselves. We also have to work with the licensing agencies as well to ensure that we're gathering all those amazing pieces and putting them in one place.  So technically if I am a restaurant operator, bar operator, and I want to use Atmosphere's one or two or many channels on it, how do I do that?  Blake Sabatinelli: Great question! You generally just give us a call. We have a box delivered to you. It's a self-install. We have everything set up for you. So you call us, we will send you a fully provisioned device. We have onboarding steps delivered with the box so you can plug in and get set up on the internet, and once you turn your TV and the box on, it's up and running.  Everything is managed by us from a cloud capacity. So our IT team and our engineering teams push updates and manage the devices remotely, and if you ever have any issues, you can call our customer service team. They're there 24/7 to make sure that any issue that crops up is able to be taken care of immediately.  So it's pretty much set it and forget it? Blake Sabatinelli: That's right, and that's why we love the platform so much, and that's why our operators that use the platform love it so much. It's robust, it's highly engaging and it's easy to use.  And this is an Apple TV bow? Blake Sabatinelli: It's a provisioned Apple TV box, that's correct.  If you had a smart TV, like a Samsung or an LG Smart TV that has apps and everything else, could you use that instead?  Blake Sabatinelli: So we actually do everything through our own device. We found that our device is far more robust, easier to keep up and running and just decided to go that direction.  Yeah, and the Apple TV boxes, they've got pretty good third-party device management and things like that. So you can remedy things, and as you said, push up new firmware and everything else.  Blake Sabatinelli: Yeah, a hundred percent. The entire Apple ecosystem is robust, and we've found a great deal of success in working with both third-party management platforms and on the Apple TV platform broadly.  I'm thinking five-six years ago, this would have been a lot harder to do. Over the top streaming capabilities have progressed massively in that time space, right? Blake Sabatinelli: A hundred percent. The proliferation of high-speed internet has been a key catalyst in the growth of the business. You couldn't necessarily deliver gigabytes upon gigabytes of information across a slow 128 kilobytes a second DSL line, that was challenging. And the additional infrastructure that's been built along the way to support services like Netflix and Amazon, HBO Max, and others has really benefited our business as well. There's a digital signage component, I guess you could call the whole thing related to digital signage as well, but there's the ability for the owner-operator of a venue that's using this to go in and add advertising, right? Blake Sabatinelli: That's right.  So we give our venue partners the opportunity to add a couple 30s spots every every couple ad breaks into the channel feeds itself. Everything that we hear back from our partners at this point is that it is a great tool for them to be able to advertise specials, upcoming events, you name it for their venue and it's just really helps complete that fortuitous circle of keeping butts in seats longer, bringing them back more frequently, spending more money, etc. How do they do that? Is there an app or a desktop application?  Blake Sabatinelli: Great question. We actually have a portal with a digital signage manager that allows you to either upload your own assets, or we have a tool that allows them to create their own assets on the fly within the ecosystem itself. So if you have an agency and you've been working with them, or you have a creative team and you work with them to create assets, that's great. But if you don't, you're at a small bar or a restaurant, or a dental office and you need to get something done. We have a tool in there to help you build this.  With templates and things like that? Blake Sabatinelli: Yeah, we have templates, both video and still, and a ton of options in there.  Do you work at all with third party digital signage CMS software platforms or is it that either you're going down this path or you go down that path. You can't really merge the two?  Blake Sabatinelli: So primarily we work within our own platform. So all of our tools are built custom for our device and custom for our platform as a whole.  If there is an opportunity for us down the road to work with third-party software operators, whether that's for queuing or for other signage options? A hundred percent, but right now we've been operating and developing all our own software.  Do you get beyond the simple component of throwing ads every three minutes or whatever it may be and enable a venue operator to do things like, ”Hey, we're hiring!” or things like that that get into messaging as opposed to advertising? Blake Sabatinelli: Whatever they want to run in those spots, it's up to them. We're not in the business of policing how businesses operate their own signage option. So if they're looking to post that they're hiring, which I know every restaurant in America is right now, then we would encourage them to use the tool to do that as well. It's a subscription, right?  Blake Sabatinelli: So our platform as a whole is actually free. If you want to use the digital signage option, it's $50 a month.  So you send them a free Apple TV box?  Blake Sabatinelli: That's right. We send people a free Apple TV box and we ask very few questions of them. Our goal is to get people on board and running and streaming and getting people enjoying the content as fast as possible, and while it sounds too good to be true, it's not.  We give you a free Apple TV box. We pay for that Apple TV box by providing advertising. So we're advertising a sport or business, it's a vast majority of our revenue stream, and we find it works for both us and for our partners.  Okay. So there's a programming wheel and there's interruptions in that programming wheel that are both for booked advertising, that your team or the Atmosphere team has sold or is through programmatic platforms of some kind, but if you want to do local on-premise venue specific advertising, that's an opportunity as well, and you pay $50 a month for that?  Blake Sabatinelli: You hit the nail on the head there, and we end up offsetting some of those advertising slots that we normally would sell on a national or local capacity for the venue operators themselves. What's your built-out footprint at this point?  Blake Sabatinelli: We're over 15,000 venues right now, reaching I want to say 48 million unique visits on a monthly basis at this point. Did some of that transfer over from Chive or is that starting from scratch a couple years ago? Blake Sabatinelli: So some of that definitely transferred over from Chive. Chive was an incredible catalyst and test case for us to be able to understand product market fit and the dynamics of the marketplace. We have doubled our footprint over the last year and have seen tremendous growth post COVID. Now if you look back at back in the Chive TV days, we were primarily focused on only bars and restaurants and bars and restaurants are still our bread and butter at this point, they make up 60% of our venue footprint but we've definitely diversified significantly and learned a lot post COVID too.  Now there's any number of Software companies and solutions companies that sell into hospitality, sell into restaurants and bars and all those kinds of venues, as well as clinic waiting rooms and so on. They would sell a software solution that would enable the operators to go in and do all of their on-premise messaging and everything else but they would then have to subscribe to a third party content service, like a ScreenFeed, or one of those kinds of companies to provide the other content for the wheel.  Is that something you sell against or are you finding people are saying, “You know what, I love the ScreenFeed material and everything else, but we just can't keep up with all this. We don't want to manage it. If we could just get something that just shows up, that would be better”?  Blake Sabatinelli: Yeah. So there's a couple of constituencies that we sell against.  Primarily for us as is against the pay television ecosystem. There's not a lot of great options that exist for waiting rooms or public spaces that exist in the pay TV ecosystem. Some of the contents are wonderful with the audio on, but when the audio is off, it's not, and there's also no signage options in there, which clearly is a challenge. There's also the folks that are endemic to the space, to your point, the operators that work with the waiting rooms, especially around point of care and we do hear a lot that people just really want to make sure that the perceived wait times are going down and they can provide signage options, and for us, making sure that our venue operators have higher net promoter scores that proceed wait times are lower in bars or in restaurants, that you're staying for longer is really the key. Beyond that, the additional messaging is a bonus.  I'm going to assume that you guys have done the work to try to develop and highlight some of those metrics, right? Blake Sabatinelli: That's a hundred percent correct. So we've worked with in-market to understand dwell time and other metrics within our restaurant venues, we work closely with our metrics partner Epicenter on how people are engaging and activating with our content, and then a number of case studies along the way to really drive down the funnel, the efficacy of the platform and everything.  So what does happen? Does it increase dwell times if I'm ordering a second round of drinks or another plate of nachos or whatever?  Blake Sabatinelli: Our last study showed that we had 16% longer dwell time in bars and restaurants and 18% higher return frequency amongst customers and a lot of our venue partners who shared back some of their net promoter scores have gone up based on our content being in place.  So really there's no argument against it. If they're going to have flat panel displays, whether they're TVs or commercial displays in their venues anyways, and if they get the Apple TV box free, then you know, I would imagine it's hard to say no? Blake Sabatinelli: Like I said, we've grown really fast the past 18 months post COVID and the business has been booming. So I agree with you. It's hard to say no.  The biggest challenge that we have, and it's really about getting people to understand that this thing that they didn't know existed in a segment that really doesn't have anyone else playing in it. It exists and it's going to be beneficial to their business. Once they understand how this fits into their restaurant experience or their waiting experience, it's an easy close.  So you mentioned how the growth happened in the past 18 months, I keep saying 18 months, it's probably like 20 months now. Blake Sabatinelli: It's been a long time. I've lost count at this point. I think everybody has, as I'm sitting in my home office saying that.  COVID was an interesting thing for our business. Look, I don't think anyone in the media space would say that things didn't go a little haywire in April of 2020 but it did also give us the opportunity to evaluate our business model, our distribution strategy, and to really think about how we could expand and pivot a little bit. So while bars and restaurants were closed, aftermarket auto and doctor's offices, dentists offices, and others still had people coming into them, especially outside of California and New York, so expanding our distribution strategy has allowed us to not only keep up and running through COVID, but to dramatically increase the velocity of our distribution as we've gone out of the initial wave of COVID and into the present day.  Is there a type of a vertical category type of venue that seems to adapt it more so than others? Blake Sabatinelli: I'll be honest with you. We've seen strong growth in that across a number of categories. So everything from traditional bars and restaurants to QSR, we've seen explosive growth in gyms, in aftermarket auto, in point of care. Moving now pretty aggressively into airports and other spaces. We've just seen strong, measured growth across every category and every segment that's been incredibly encouraging.  When you onboard new clients or new venue clients, do you do any work to audit the type of audience that they may have and make recommendations about the channels that suit them best? Because I'm really curious whether a venue puts in a channel that's about cute puppies or whatever, and the audience would be saying, “Why are you showing that?” Or “Why are you showing news? I don't want to see the news.”  Blake Sabatinelli: There's plenty of venues that Chive TV works really well in, but in veterinarian offices, Paws TV plays better and so we make that recommendation. The same goes for news in airports in the doctor's weightings rooms. So we're incredibly thoughtful about how we present our content and where we think it should play, and our customer service and account management teams work closely with our venue partners to ensure that they know new options are available and that options they may not know about that may suit their venue better are available as well. Do you try new content channel formats and try them out with test partners and sometimes just throw them out, cause that doesn't work?  Blake Sabatinelli: We wouldn't be a tech driven platform if we weren't doing a significant amount of AB testing. Our product team and content teams were constantly working within new partners to do tests and learn to better understand product market fit of a channel or a new format and to better understand how we can continue to improve the product. It's a constant process and it's just part of operating in the ecosystem that we do.  Have you learned things about length of material, like duration of material?  Blake Sabatinelli: We actually have and there's a reason that if you look at the content on our platform, it's formatted the way that it is. People want to quickly move from one thing to an X and I think that's partly a by-product of this new world that we live in where short form, highly addictive, highly engaging video is the norm. You're used to looking down and getting that dopamine rush. So fitting that format onto a big screen is important for us. And then just people are really looking for variety too. That's why we have custom playlist features that allow you to compile a number of different options into one because not everyone wants to see the same thing for a long period of time. So we try to keep the format moving, we try to keep the content moving. We try to keep it varied and engaged as much as we possibly can again, to reduce perceived wait times on one end or in some cases to ensure people are sticking around the same. I'm hoping I can get another round of people doing amazing things.  How do you deal with portrait material, stuff shot in portrait mode? Blake Sabatinelli: At this point pretty much everything is shot in a vertical format. So you get pretty used to working with curtains. We've done a good job of being able to cycle back and forth between the vertical and horizontal formats as effectively as possible, and I think people have gotten used to seeing video shot both vertically and horizontally. Ten years ago, I remember you would shoot a video on a cell phone while working in the news business, you would be screaming in the control room. Why didn't they turn their camera sideways? In this instance, everyone's used to this, this is the new normal and it's really not that big of a concern.  And I guess the advancements of camera sensor technology and smartphones has been good news for you guys as well. Like you say, 10 years ago, I remember I had a Blackberry about 10 years ago and that camera was dreadful.  Blake Sabatinelli: 320x240 resolution and if you watch that on my little MacBook that's sitting in front of me right now, I believe the kids would say it looks like it was shot on a potato.  Look, the advancements in camera technology have just really been a boon to businesses like ours. I have one of the crappier iPhones in my pocket and I think it's probably a higher resolution camera than the SLR that's sitting in my closet that I've never used. So it's been fantastic for us.  Yeah, that's exactly right. I've got a mirrorless camera, nice SLR, and I never use it because it's just so much easier to whip out my phone, take a shot, and it's got like a 16 megapixel sensor and it looks great!  Blake Sabatinelli: Yeah. What a time to be alive that I don't have to carry a giant camera or a camera bag around with me anymore. So I'm not going to complain.  You recently announced, I believe that you are expanding Atmosphere TV into Canada, right?  Blake Sabatinelli: That's correct. We're actually moving aggressively there right now.  When I look at your installation map, it throws me off a little bit. It looks like you already have a lot of points of presence in Canada, or is that just the way the map looks? Blake Sabatinelli: So we do have some presence in Canada to start off with, but now we're making a concerted effort to actually come in and take as many shares as we possibly can in the marketplace. But early on we were testing, are we a hundred percent sure that the content is going to work just the same as it does in Canada? It does. Is our distribution and sales model gonna work exactly the same? It will. Is the ad sales model exactly the same? It is, and so at that point, we all sat down and made the decision to make a more concerted effort to move into Canada, to take more share and to really replicate the model that we have down here in the States. Yeah, that would be the easy one. The harder one would be going South.  Blake Sabatinelli: Yeah. Look, our primary target out the gate is English speaking countries. We have Canada, Australia, New Zealand, there's plenty of others that'll be coming down the pipeline. But moving into second languages is definitely going to be a focus for us, especially as we start to understand what the economics look like in each market, how we can program in those markets in such a way that we do here in the United States and in Canada, and then we'll continue spreading in that direction.  How big is the company at this point?  Blake Sabatinelli: The headcount changes every single day. I think we're at 220 people. We've about tripled our head count since I joined in March, I think I was employee number 84.  So there's 110 plus people who you've not met yet because you're working out of your bunker?  Blake Sabatinelli: I go into the office four days a week and I am incredibly thankful that I'm able to go in and actually see people face to face and so we have a large contingency here in Austin, satellite offices now that are popping up in New York and LA, and Chicago is on the roadmap. While we're almost all here, there's a decent chunk of us that are external, and I've had the pleasure of meeting everyone in person. How much of that would be Editorial versus Sales versus IT or Ops, I guess you'd call it?  Blake Sabatinelli: Editorial', probably a quarter of our company. IT and Operations, probably another quarter, and then the rest is spread across Distribution and Ad Sales and GNA, and other. Has it been hard to manage all this largely virtual? Blake Sabatinelli: So we've been back in the office since March at this point. There has been a significant amount of growth with all of us virtual. I'm not going to tell you that there hasn't been a growing pain or two and that it's all easy, and this is a cakewalk, Dave, but our team's incredible, our HR team, our finance folks, recruiters, everyone that works on our team to find, identify and bring and onboard new employees, they're wonderful and so it hasn't been as bad as I'd think as other experiences I've heard across the industry.  My twenties and thirties were spent in newspaper newsrooms and I struggle to wrap my head around the idea that you would have a dispersed newsroom where you're only talking to each other by video meetings and Slack. Blake Sabatinelli: We did it in April of 2020. The entirety of our Newsy at home and we spun up live operations in people's living rooms and it was absolutely bananas, and that was as difficult as you would imagine, and was ripe with challenges, but that team got it done too and made it look easy. I think one thing that I've learned in this new COVID world is to truly expect the unexpected, and so long as you're comfortable with that, and so long as you know that something's going to blow up at some point in time and you're ready for it, then it's not that bad. So what can we expect from Atmosphere TV in the next year, are you going to be launching more products?  Blake Sabatinelli: Yeah. So I think you're going to see a pretty significant expansion in our content offering. We've had the opportunity over the last year to really understand product market fit, to do a significant amount of tests and learn, to gather the data that we need and really prepare ourselves to start running. I feel like we've been at a full sprint, but now it's time to move like Usain Bolt for the next couple of quarters. So a significant expansion in our content offering in the size and scale of our company and our distribution footprint. We have big plans ahead and I expect you'll be able to watch Atmosphere pretty much everywhere you go here soon.  Are you still hiring people?  Blake Sabatinelli: We are hiring like crazy and have plans to continue at a pace like we are now through the next two years.  Great. All right, Blake, thank you so much for spending some time with me. Blake Sabatinelli: It's my pleasure. Thanks for the time Dave.

In this week's episode our token grump discusses his discovery that someone else shares the same pet peeve as he, but there can be only one! After that we juz Juke around, you know, juz Jukin. Anyway, we love you.

Jon Skogmo, founder & CEO of Jukin' Media -- one of the leading media companies in the world of user-generated content -- joins Peter for a live conversation and CREATV University Q&A about Jon's entrepreneurial journey and what it takes to innovate and succeed in the ever-changing world of media and tech. Jon candidly discusses what he has learned along the way -- the good, the bad, the ugly - including raising capital, building teams, scaling businesses, and trying to stay sane amidst it all. Jon, one of Peter's favorite and most authentic entrepreneurs, gives important insights into choosing an entrepreneurial life that follows a road less traveled. You can learn more about CREATV University at http://www.creatv.media/creatv-university.

DR002 - K-Rai - Jade Tiger Devine Records Digital Release Series

First, a story about the ideal first encounter.    Michael Franks - When She Is Mine (1985) His first album was on the Brut label. WAMPUS DOESN'T SOUND SO BAD NOW, DOES IT??? The players on his albums are pretty much the same studio cats on every yacht rock act's harder-to-play stuff. Chicago, Steely Dan, Boz Scaggs, Dan Lewis, everyone. But it's a testament to that cadre of professionals that they can do something as laid back and open as Franks' music AND Steely Dan. I hear the difference. You do, too, if you listen to this show. But...they ruined Chicago. And for that, I will never forgive David Foster. I LOVE this song. I can even forgive the couplet, "She's a virtuoso in amoroso..." No purist, I.  Manhattan Transfer  -  Walk In Love (1976) Michael Franks - Tiger In The Rain (1979) The Brighter Side Of Darkness - Love Jones (1972) Brighter Side of Darkness was a short-lived American R&B/soul group. They were formed in 1971 at Calumet High School in Chicago, Illinois. Their lead singer was 12-year-old Darryl Lamont. "Love Jones" was a #16 hit in the US in December 1972, and was certified gold by the RIAA. They released an album, Love Jones, in 1973. "Love Jones" was parodied as "Basketball Jones" by Cheech and Chong in 1973. The parody was released as a single in August 1973 and reached #15 on the Hot 100. The parody got higher than the original. Oh well, as long as the checks clear. I don't think they all did. They broke up after this.  Manhattan Transfer  - It Wouldn't Have Made Any Difference (1976)  This album Coming Out featured Popsicle Toes by Michael Franks. Michael Franks - The Lady Wants To Know (1977) Manhattan Transfer - Chicken Bone Bone (1971) Manhattan Transfer Phase 1 I guess. Wikipedia: Jukin' remained an orphan in the Manhattan Transfer's catalog. Issued on a different label than their future successes, with a different line-up and sound from what became their trademark, Jukin' is not acknowledged on the band's official website, nor have any of its tracks been anthologized on compilations. The revised group re-recorded the track "Java Jive" on the group's next album. It is the re-recorded version, not the version found on Jukin' , that can be found on multiple compilation albums. FOR ALL YOU MANHATTAN TRANSFER PURISTS OUT THERE.  Don Ellis - Excursion Part 2 (1970) Written by the same fellow that wrote "Walk In Love" which you'll recall from earlier in my show.  Don Ellis - Pussy Wiggle Stomp (1970) Jay Graydon on guitar. He produced Manhattan Transfer and played that one-of-a-kind solo on "Peg" by Steely Dan.  Graydon has written over 200 songs. His catalog includes the Grammy winners "Turn Your Love Around" (co-written with Steve Lukather (Toto) and Bill Champlin (Chicago)) as performed by George Benson and "After the Love Has Gone" (co-written with David Foster (who ruined Chicago) and Bill Champlin (who stood by and watched)) as performed by Earth, Wind & Fire, many songs written with and for Al Jarreau (including "Mornin'", "Breakin' Away", "After All", etc.), and several hits with... Manhattan Transfer.    So, Donny Jenczka...I auditioned for your band in 1985. I sang the song "After All". What was wrong with my performance? Why didn't I get into the band?   Mike Sheridan’s Lot - Make Them Understand (1965) Roy Wood's first recorded song.  Michael Franks - Can't Seem to Shake This Rock and Roll (1973) Michael Franks had a strange take on the Rock. To be....frank? HAAHAHAHAHHA LOL    Sick Man of Europe - Mandocello (1972) Cheap Trick before the mighty Robin Zander grabbed the mic from these idiots.  Nature’s Way - Zander and Kent (1973)  Muse - Across The Skies (1970) Cheech and Chong  (featuring Tyrone Shoelaces) - Basketball Jones (1974) Serendipity! George Harrison plays on this. So does Klaus Voorman. My sister had this album. Read the Wiki.  Weldon Irvine - Love Jones (1974) This record got zero stars in the 1981 Rolling Stone Record Guide, so I had to check it out. If you use the RSRG to help inform your purchases, please take care to note the person doing the reviews. There are (were) many, and I think the guy that reviewed Gentle Giant was a big punk fan. Notable on this particular release is my favorite bass player, George Murray, before his stint with David Bowie. I never would have known that without the shitty RS review!  Manhattan Transfer - The Twilight Zone (1979)  Mahogany Rush -  Maxoom (1972) The worst band to be signed to a major label.  Mahogany Rush - Buddy (1972)  In an effort to gain press attention, the original record company created a fictional story that Frank Marino, prior to starting the band, had spent time in a mental institution after taking LSD and was visited by Jimi Hendrix in a vision. This gave him his inspiration to play as he did on the first album which very closely mirrored the style of Jimi Hendrix. By the time the third album, Strange Universe was recorded, this approach to filling the public desire to purchase newer Jimi Hendrix-styled music had been perfected.  Rock and Roll will MESS YOU UP. 

Wir gehen mal in die Zukunft. Swuuuusch. “2 Jahre später” steht auf einer großen Kinoleihnwand danach ist Marcus Maak aka Vinylizer in klassischer Drei-Punkt-Ausleuchte zu sehen. Er erzählt von seiner persönlichen Reise durch die Bassmusikwelt. Marcus säbelte los: “Es fing vor 30 Jahren an. Ich gründete 1992 die Radiosendung Black is Black.” Die Sendung beschäftigte sich vor allem mit HipHop, dabei machte er seine ersten Erfahrungen als Radiomoderator. Schnell wurde Herr Maak etwas bewusst und ergänzte seinen Satz sofort. “Ich merkte aber, dass mir ein Genre nicht reicht. Es ist mir zu eindimensional.” Daraufhin gründete er BTTB - Back To The Basics, ebenfalls im Jahre 1992. Inhaltlich soll sich die Sendung mit mehreren Genres beschäftigen: HipHop, House und Acid Jazz, aber schon schnell kamen UK-Ravetunes und Jungle hinzu. Der Grundtenor von BTTB bestand aber immer aus einer entscheidenden Komponente: BASS. -Kino Off- Nur mal ein kleiner Gedankengang, was Vinylizer im Jahre 2022 von sich geben könnte. Es folgen zahlreiche weitere Projekte, die sich mit Bassmusik beschäftigen, wie die Crew WobWob!, eine regelmäßige Sendung auf ByteFM (BTTB), jährliches Auftreten auf dem Fusion und Feel Festival und die Internetseite recordstore.love. Wir freuen uns endlich ein Mix von Vinylizer in unseren digitalen Händen zu halten und ihn euch präsentieren zu können. Er ist ein Urvater für die Bassmusik-Community und wie keiner immer noch so leidenschaftlich bei der Sache. Marcus, danke für diesen wunderschönen Mix! Traxman - "The Robot" (Planet Mu 2012) DJ Manny - "Computer World" (unreleased 2012) Warlock - "Computer Madness" (Free Toons 2012) DJ Rashad - "IIIIIII HIIIIIIII" (Ghettophiles 2011) Modul8 - "Strange Games" (Through These Eyes 2020) EQ Why - "4567" (Equalized 2020) Fracture + Sam Binga - "Chessington" (Astrophonica 2020) Kabuki - "Iceberg" (Kabuki 2020) TMSV - "Visions" (TMSV 2020) Soundbwoy Killah - "All Night Long" (Sneaker Social Club 2019) Modul8 - "Acceler8ed" (Through These Eyes 2020) Kabuki - "Albatross" (unreleased 2020) Addison Groove - "Dreamscape 12" (Gutterfunk 2020) FFF - "Backstreet Dub" (Foxy Jangle 2020) RTR - "Reward (Om Unit Remix)" (Analogical Force 2020) TMSV - "All The Yous That Have Been" (TMSV 2019) Cadenza - "The Darkest Hype (Philip D. Kick Remix)" (Dummy 2011) The Widdler - "Goldeneye Watch Theme (Widdler Refix)" (Free Toons 2011) Addison Groove - "TeknoJuke" (Gutterfunk 2020) DJ Rashad - "We're Jukin' Out" (Juke Trax Online 2008) Alex Reece - "Pulp Fiction" (Metalheadz 1995) Nphonix - "Fk The Pitch" (Loose Squares 2014) DJ Rashad + DJ Manny - "Drums Please" (Hyperdub 2013) Sully - "Rotten (Sam Binga Remix)" (Rua Sound 2016) DJ Rashad + DJ Spinn + Taso - "Cream VIP" (Teklife 2014) Modul8 - "2L8" (Through These Eyes 2020) FFF - "No Ice Cream" (Foxy Jangle 2020) Zinc - "Forest Gate Funk" (Rinse 2013) A$AP Rocky + Skepta - "Praise The Lord (Da Shine)" (RCA 2018) Rebound X - "Rhythm 'n' Gash (Landlord's House Coat Footwork Edit)" (Free Toons 2015) Angel Haze - "Werkin' Girls" (True Panther 2012) Skream - "FNKONOMIKA" (Tempa 2011) Addison Groove - "Out Of Nowhere" (Gutterfunk 2020) Rose Royce - "You Abandoned Me (LNTG Rework)" (Lightspeed 2011) Links: instagram.com/recordstores.love wobwob.net vinylizer.net

Wir gehen mal in die Zukunft. Swuuuusch. “2 Jahre später” steht auf einer großen Kinoleihnwand danach ist Marcus Maak aka Vinylizer in klassischer Drei-Punkt-Ausleuchte zu sehen. Er erzählt von seiner persönlichen Reise durch die Bassmusikwelt. Marcus säbelte los: “Es fing vor 30 Jahren an. Ich gründete 1992 die Radiosendung Black is Black.” Die Sendung beschäftigte sich vor allem mit HipHop, dabei machte er seine ersten Erfahrungen als Radiomoderator. Schnell wurde Herr Maak etwas bewusst und ergänzte seinen Satz sofort. “Ich merkte aber, dass mir ein Genre nicht reicht. Es ist mir zu eindimensional.” Daraufhin gründete er BTTB - Back To The Basics, ebenfalls im Jahre 1992. Inhaltlich soll sich die Sendung mit mehreren Genres beschäftigen: HipHop, House und Acid Jazz, aber schon schnell kamen UK-Ravetunes und Jungle hinzu. Der Grundtenor von BTTB bestand aber immer aus einer entscheidenden Komponente: BASS. -Kino Off- Nur mal ein kleiner Gedankengang, was Vinylizer im Jahre 2022 von sich geben könnte. Es folgen zahlreiche weitere Projekte, die sich mit Bassmusik beschäftigen, wie die Crew WobWob!, eine regelmäßige Sendung auf ByteFM (BTTB), jährliches Auftreten auf dem Fusion und Feel Festival und die Internetseite recordstore.love. Wir freuen uns endlich ein Mix von Vinylizer in unseren digitalen Händen zu halten und ihn euch präsentieren zu können. Er ist ein Urvater für die Bassmusik-Community und wie keiner immer noch so leidenschaftlich bei der Sache. Marcus, danke für diesen wunderschönen Mix! Traxman - "The Robot" (Planet Mu 2012) DJ Manny - "Computer World" (unreleased 2012) Warlock - "Computer Madness" (Free Toons 2012) DJ Rashad - "IIIIIII HIIIIIIII" (Ghettophiles 2011) Modul8 - "Strange Games" (Through These Eyes 2020) EQ Why - "4567" (Equalized 2020) Fracture + Sam Binga - "Chessington" (Astrophonica 2020) Kabuki - "Iceberg" (Kabuki 2020) TMSV - "Visions" (TMSV 2020) Soundbwoy Killah - "All Night Long" (Sneaker Social Club 2019) Modul8 - "Acceler8ed" (Through These Eyes 2020) Kabuki - "Albatross" (unreleased 2020) Addison Groove - "Dreamscape 12" (Gutterfunk 2020) FFF - "Backstreet Dub" (Foxy Jangle 2020) RTR - "Reward (Om Unit Remix)" (Analogical Force 2020) TMSV - "All The Yous That Have Been" (TMSV 2019) Cadenza - "The Darkest Hype (Philip D. Kick Remix)" (Dummy 2011) The Widdler - "Goldeneye Watch Theme (Widdler Refix)" (Free Toons 2011) Addison Groove - "TeknoJuke" (Gutterfunk 2020) DJ Rashad - "We're Jukin' Out" (Juke Trax Online 2008) Alex Reece - "Pulp Fiction" (Metalheadz 1995) Nphonix - "Fk The Pitch" (Loose Squares 2014) DJ Rashad + DJ Manny - "Drums Please" (Hyperdub 2013) Sully - "Rotten (Sam Binga Remix)" (Rua Sound 2016) DJ Rashad + DJ Spinn + Taso - "Cream VIP" (Teklife 2014) Modul8 - "2L8" (Through These Eyes 2020) FFF - "No Ice Cream" (Foxy Jangle 2020) Zinc - "Forest Gate Funk" (Rinse 2013) A$AP Rocky + Skepta - "Praise The Lord (Da Shine)" (RCA 2018) Rebound X - "Rhythm 'n' Gash (Landlord's House Coat Footwork Edit)" (Free Toons 2015) Angel Haze - "Werkin' Girls" (True Panther 2012) Skream - "FNKONOMIKA" (Tempa 2011) Addison Groove - "Out Of Nowhere" (Gutterfunk 2020) Rose Royce - "You Abandoned Me (LNTG Rework)" (Lightspeed 2011) Links: instagram.com/recordstores.love wobwob.net vinylizer.net

Wir gehen mal in die Zukunft. Swuuuusch. “2 Jahre später” steht auf einer großen Kinoleihnwand danach ist Marcus Maak aka Vinylizer in klassischer Drei-Punkt-Ausleuchte zu sehen. Er erzählt von seiner persönlichen Reise durch die Bassmusikwelt. Marcus säbelte los: “Es fing vor 30 Jahren an. Ich gründete 1992 die Radiosendung Black is Black.” Die Sendung beschäftigte sich vor allem mit HipHop, dabei machte er seine ersten Erfahrungen als Radiomoderator. Schnell wurde Herr Maak etwas bewusst und ergänzte seinen Satz sofort. “Ich merkte aber, dass mir ein Genre nicht reicht. Es ist mir zu eindimensional.” Daraufhin gründete er BTTB - Back To The Basics, ebenfalls im Jahre 1992. Inhaltlich soll sich die Sendung mit mehreren Genres beschäftigen: HipHop, House und Acid Jazz, aber schon schnell kamen UK-Ravetunes und Jungle hinzu. Der Grundtenor von BTTB bestand aber immer aus einer entscheidenden Komponente: BASS. -Kino Off- Nur mal ein kleiner Gedankengang, was Vinylizer im Jahre 2022 von sich geben könnte. Es folgen zahlreiche weitere Projekte, die sich mit Bassmusik beschäftigen, wie die Crew WobWob!, eine regelmäßige Sendung auf ByteFM (BTTB), jährliches Auftreten auf dem Fusion und Feel Festival und die Internetseite recordstore.love. Wir freuen uns endlich ein Mix von Vinylizer in unseren digitalen Händen zu halten und ihn euch präsentieren zu können. Er ist ein Urvater für die Bassmusik-Community und wie keiner immer noch so leidenschaftlich bei der Sache. Marcus, danke für diesen wunderschönen Mix! Traxman - "The Robot" (Planet Mu 2012) DJ Manny - "Computer World" (unreleased 2012) Warlock - "Computer Madness" (Free Toons 2012) DJ Rashad - "IIIIIII HIIIIIIII" (Ghettophiles 2011) Modul8 - "Strange Games" (Through These Eyes 2020) EQ Why - "4567" (Equalized 2020) Fracture + Sam Binga - "Chessington" (Astrophonica 2020) Kabuki - "Iceberg" (Kabuki 2020) TMSV - "Visions" (TMSV 2020) Soundbwoy Killah - "All Night Long" (Sneaker Social Club 2019) Modul8 - "Acceler8ed" (Through These Eyes 2020) Kabuki - "Albatross" (unreleased 2020) Addison Groove - "Dreamscape 12" (Gutterfunk 2020) FFF - "Backstreet Dub" (Foxy Jangle 2020) RTR - "Reward (Om Unit Remix)" (Analogical Force 2020) TMSV - "All The Yous That Have Been" (TMSV 2019) Cadenza - "The Darkest Hype (Philip D. Kick Remix)" (Dummy 2011) The Widdler - "Goldeneye Watch Theme (Widdler Refix)" (Free Toons 2011) Addison Groove - "TeknoJuke" (Gutterfunk 2020) DJ Rashad - "We're Jukin' Out" (Juke Trax Online 2008) Alex Reece - "Pulp Fiction" (Metalheadz 1995) Nphonix - "Fk The Pitch" (Loose Squares 2014) DJ Rashad + DJ Manny - "Drums Please" (Hyperdub 2013) Sully - "Rotten (Sam Binga Remix)" (Rua Sound 2016) DJ Rashad + DJ Spinn + Taso - "Cream VIP" (Teklife 2014) Modul8 - "2L8" (Through These Eyes 2020) FFF - "No Ice Cream" (Foxy Jangle 2020) Zinc - "Forest Gate Funk" (Rinse 2013) A$AP Rocky + Skepta - "Praise The Lord (Da Shine)" (RCA 2018) Rebound X - "Rhythm 'n' Gash (Landlord's House Coat Footwork Edit)" (Free Toons 2015) Angel Haze - "Werkin' Girls" (True Panther 2012) Skream - "FNKONOMIKA" (Tempa 2011) Addison Groove - "Out Of Nowhere" (Gutterfunk 2020) Rose Royce - "You Abandoned Me (LNTG Rework)" (Lightspeed 2011) Links: instagram.com/recordstores.love wobwob.net vinylizer.net

Wir gehen mal in die Zukunft. Swuuuusch. “2 Jahre später” steht auf einer großen Kinoleihnwand danach ist Marcus Maak aka Vinylizer in klassischer Drei-Punkt-Ausleuchte zu sehen. Er erzählt von seiner persönlichen Reise durch die Bassmusikwelt. Marcus säbelte los: “Es fing vor 30 Jahren an. Ich gründete 1992 die Radiosendung Black is Black.” Die Sendung beschäftigte sich vor allem mit HipHop, dabei machte er seine ersten Erfahrungen als Radiomoderator. Schnell wurde Herr Maak etwas bewusst und ergänzte seinen Satz sofort. “Ich merkte aber, dass mir ein Genre nicht reicht. Es ist mir zu eindimensional.” Daraufhin gründete er BTTB - Back To The Basics, ebenfalls im Jahre 1992. Inhaltlich soll sich die Sendung mit mehreren Genres beschäftigen: HipHop, House und Acid Jazz, aber schon schnell kamen UK-Ravetunes und Jungle hinzu. Der Grundtenor von BTTB bestand aber immer aus einer entscheidenden Komponente: BASS. -Kino Off- Nur mal ein kleiner Gedankengang, was Vinylizer im Jahre 2022 von sich geben könnte. Es folgen zahlreiche weitere Projekte, die sich mit Bassmusik beschäftigen, wie die Crew WobWob!, eine regelmäßige Sendung auf ByteFM (BTTB), jährliches Auftreten auf dem Fusion und Feel Festival und die Internetseite recordstore.love. Wir freuen uns endlich ein Mix von Vinylizer in unseren digitalen Händen zu halten und ihn euch präsentieren zu können. Er ist ein Urvater für die Bassmusik-Community und wie keiner immer noch so leidenschaftlich bei der Sache. Marcus, danke für diesen wunderschönen Mix! Traxman - "The Robot" (Planet Mu 2012) DJ Manny - "Computer World" (unreleased 2012) Warlock - "Computer Madness" (Free Toons 2012) DJ Rashad - "IIIIIII HIIIIIIII" (Ghettophiles 2011) Modul8 - "Strange Games" (Through These Eyes 2020) EQ Why - "4567" (Equalized 2020) Fracture + Sam Binga - "Chessington" (Astrophonica 2020) Kabuki - "Iceberg" (Kabuki 2020) TMSV - "Visions" (TMSV 2020) Soundbwoy Killah - "All Night Long" (Sneaker Social Club 2019) Modul8 - "Acceler8ed" (Through These Eyes 2020) Kabuki - "Albatross" (unreleased 2020) Addison Groove - "Dreamscape 12" (Gutterfunk 2020) FFF - "Backstreet Dub" (Foxy Jangle 2020) RTR - "Reward (Om Unit Remix)" (Analogical Force 2020) TMSV - "All The Yous That Have Been" (TMSV 2019) Cadenza - "The Darkest Hype (Philip D. Kick Remix)" (Dummy 2011) The Widdler - "Goldeneye Watch Theme (Widdler Refix)" (Free Toons 2011) Addison Groove - "TeknoJuke" (Gutterfunk 2020) DJ Rashad - "We're Jukin' Out" (Juke Trax Online 2008) Alex Reece - "Pulp Fiction" (Metalheadz 1995) Nphonix - "Fk The Pitch" (Loose Squares 2014) DJ Rashad + DJ Manny - "Drums Please" (Hyperdub 2013) Sully - "Rotten (Sam Binga Remix)" (Rua Sound 2016) DJ Rashad + DJ Spinn + Taso - "Cream VIP" (Teklife 2014) Modul8 - "2L8" (Through These Eyes 2020) FFF - "No Ice Cream" (Foxy Jangle 2020) Zinc - "Forest Gate Funk" (Rinse 2013) A$AP Rocky + Skepta - "Praise The Lord (Da Shine)" (RCA 2018) Rebound X - "Rhythm 'n' Gash (Landlord's House Coat Footwork Edit)" (Free Toons 2015) Angel Haze - "Werkin' Girls" (True Panther 2012) Skream - "FNKONOMIKA" (Tempa 2011) Addison Groove - "Out Of Nowhere" (Gutterfunk 2020) Rose Royce - "You Abandoned Me (LNTG Rework)" (Lightspeed 2011) Links: www.instagram.com/recordstores.love www.wobwob.net www.vinylizer.net

The program all about TV. Our guests: INSP executive vice president of marketing Hayes Tauber, Cinedigm Networks president Erick Opeka and Jukin Media founder-chief executive officer Jonathan Skogmo.

http://tvotshow.com - TVOT/ITVT is pleased to present another episode of “Televisionation,” our new video/audio podcast exploring the advanced/interactive-TV industry in the Coronavirus/Covid-19 Era. This episode features Jonathan Skogmo, Founder and CEO of Jukin Media, a company that works with entertainment companies, brands, agencies and other players to develop shows and campaigns that utilize user-generated content (UGC). Among other things, he explains Jukin’s business model; describes how the company finds and licenses content from creators, and how it then repurposes that content for its clients; discusses new trends it is seeing in the generation and consumption of UGC; casts light on a couple of new projects it is working on; outlines its strategic priorities going forward; and more. (Note: If you would like to share your thoughts on how the Coronavirus/Covid-19 crisis will change the TV and advertising industries, and tell us what your company—or you yourself—are doing to prepare for this new reality, please contact us at tracyswedlow@gmail.com.) Subscribe http://itvt.com/subscribe

Usually, we interview an inspirational entrepreneur, but today we decided to break down User Generated Content, or UGC. It was brought up briefly on our episode with Jonathan Skogmo, founder of Jukin, and with Kevin Ramsey founder of Warren James, but UGC has a long rich history that continues to impact us today. Every day people post billions of pictures and videos of failures, triumphs, and all of life's most spectacular and ridiculously mundane moments. If you have ever posted a personal video or photo onto Facebook, YouTube, Instagram, TikTok, Twitter, Reddit, Vimeo, or any other social media platform, you have posted User Generated Content. And with each post you make, you are contributing to the rapid evolution of UGC. But before we go any further, we need to know, what exactly is User Generated Content?

Today on the show we talk to Jonathan Skogmo. He’s the founder of Jukin which is an innovative media company that focuses on user-generated content. What is user-generated content? Well, it’s stuff like a video of a mom laughing hysterically while wearing a Chewbacca mask. That video is known as Chewbacca mom and the original video alone received over 140 million views. In fact, the video became so popular that this Chewbacca mask completely sold out around the world. Although the Chewbacca mom, otherwise known as Candace Payne, technically owns the video, the right to license that video belongs to Jukin. By acquiring viral videos, like this one, Jukin media has amassed 200 million fans and receives 3 billion views every month. We’ll get into all this and Jonathan’s current entrepreneurial ventures soon enough, but first, let’s go back to his first venture.

YouTuber "MxR Plays" was not the first to be served with a"Notice of Settlement Fees" from viral video licensor Jukin Media, and it certainly looks like they won't be the last. Now, YouTuber Tyrone Magnus has come forward in his video "Jukin Media Did It to Me Too!" to claim that one of his videos has been struck (not claimed) by Jukin. Mr. Magnus claims that the video he made was clear commentary on top of a parody created by fellow YouTuber Tony Baker Comedy? Will that matter? And how does the language of the DMCA and the case of Lenz v. Universal Music combine to create perverse incentives for both copyright holders and YouTube? We hope our analysis *isn't* seen as parody...in Virtual Legality. CHECK OUT THE VIDEO AT: https://youtu.be/78pRWB9nNkM #TyroneMagnus #JukinMedia #MxR *** Discussed in this episode: "YouTube’s “MxR Plays”: Fair Use, Extortion, and the Muddy Middle of Copyright (VL155)" YouTube Video - January 10, 2020 - Hoeg Law https://youtu.be/VtV_nYZT-mg "Jukin Media Did It To Me Too!" YouTube Video - January 15, 2020 - Tyrone Magnus https://youtu.be/CPWpAKtrV4E "Feed the Cat! (Official Tony Baker Voice Over Compilation)" YouTube Video - June 5, 2018 - Tony Baker Comedy https://youtu.be/7Hd8_xkXCgk "Try Not To Laugh - AL BUNDY GREATEST HITS/// MARRIED WITH CHILDREN - Reaction!" YouTube Video - December 28, 2019 - Tyrone Magnus https://youtu.be/QH4wI4lsaug "More Information on Fair Use" US Copyright Office Website https://www.copyright.gov/fair-use/more-info.html "EQUALS THREE, LLC v. JUKIN MEDIA, INC." 139 F.Supp.3d 1094 https://www.leagle.com/decision/inadvfdco160726000572 "Limitations on liability relating to material online" 17 USC 512 (the DMCA) https://www.law.cornell.edu/uscode/text/17/512 Lenz v Universal Music 801 F.3d 1126 (9th Cir. 2015) https://emedia-law-insider.lexblogplatform.com/wp-content/uploads/sites/323/2015/09/Lenz-v.-UMG-9th-Circuit.pdf *** FOR MORE CHECK US OUT: On Twitter @hoeglaw At our website: https://hoeglaw.com/ On our Blog, "Rules of the Game", at https://hoeglaw.wordpress.com/

When YouTuber "MxR Plays" was served with a $6,000 "Notice of Settlement Fees" from viral video licensor Jukin Media, they (and others) immediately called the notice "extortion". What are MxR accused of? Why did Jukin pick them to send their letter to? How did Jukin arrive at that $6,000 ($1,500 per clip) amount? How does the law of Copyright describe infringement? How does the concept of Fair Use serve as a defense? How does the court determine when either will apply? And how and when can the threat of a lawsuit be deemed extortionate? We've got a lot to cover. We're always balancing factors...in Virtual Legality. CHECK OUT THE VIDEO AT: https://youtu.be/VtV_nYZT-mg #MxRPlays #JukinMedia #FairUse *** Discussed in this episode: "We're being extorted for all our money and we don't know what to do anymore" YouTube Video - January 9, 2020 - MxR Plays https://www.youtube.com/watch?v=bwMPSdTOfQA "Here are the charges Jukin media gave me." Tweet - January 9, 2020 - @mmoxreview https://twitter.com/mmoxreview/status/1215493310711644160 "Copyright strike basics" YouTube Help https://support.google.com/youtube/answer/2814000 "An attractive woman was arrested. This was her ridiculous response." YouTube Video - December 9, 2020 - MxR Plays https://www.youtube.com/watch?v=JLmrMboZSR4 "Volcano Eruption in Papua New Guinea" Jukin Media Group https://www.jukinmedia.com/licensing/view/12475 "Exclusive rights in copyrighted works" 17 USC Section 106 https://www.law.cornell.edu/uscode/text/17/106 "Limitations on exclusive rights: Fair use" 17 USC Section 107 https://www.law.cornell.edu/uscode/text/17/107 "More Information on Fair Use" US Copyright Office Website https://www.copyright.gov/fair-use/more-info.html "Interference with commerce by threats or violence" 18 USC Section 1951 https://www.law.cornell.edu/uscode/text/18/1951 "Michael Avenatti and Nike: When does a lawful threat cross into extortion?" NBC News - March 26, 2019 - Danny Cevallos https://www.nbcnews.com/news/us-news/michael-avenatti-nike-when-does-lawful-threat-cross-extortion-n987256 "Ninth Circuit Says Fair Use Must be Considered Before Sending a DMCA Takedown Notice" Jones Day Insights - September 2015 https://www.jonesday.com/en/insights/2015/09/ninth-circuit-says-fair-use-must-be-considered-before-sending-a-dmca-takedown-notice *** FOR MORE CHECK US OUT: On Twitter @hoeglaw At our website: https://hoeglaw.com/ On our Blog, "Rules of the Game", at https://hoeglaw.wordpress.com/

Brendon Mulvihill, SVP - Head of Licensing at Jukin Media joined the show to discuss all things UGC! Jukin licenses content for shows like Tosh.0 and Ridiculousness and also owns their own sub-brands: Fail Army, People are Awesome and The Pet Collective which have millions of followers and subscribers between YouTube and Instagram. Brendon breaks down best practices, how to avoid getting into trouble and how the right UGC strategy can take your brands marketing strategy to the next level. User Generated Content runs the internet, but it's a little bit like the wild west in its current state. "People are using copyrighted material, is it fair us? Is it parody law? There's still a lot of grey area there." FOLLOW THE GUEST, Brendon Mulvihill  LinkedIn: https://www.linkedin.com/in/brendonmIG: @bmulvihill FOLLOW THE HOST, David Brickley: Twitter: https://twitter.com/DavidjBrickley Instagram: https://www.instagram.com/davidjbrick... YouTube: https://www.youtube.com/channel/UC6yZbmTvJfjY8h79Wpm49Zw LinkedIn: https://www.linkedin.com/in/brickley/ An STN Digital Production: STN is a Social Media Marketing Agency trusted by the largest Sports & Entertainment properties in the world. https://stndigital.com FOLLOW STN DIGITAL: Facebook: https://www.facebook.com/STNDigital/ Instagram: https://www.instagram.com/stndigital/ Twitter: https://twitter.com/STNDigital LinkedIn: https://www.linkedin.com/company/stn-...

Brendon Mulvihill, SVP - Head of Licensing at Jukin Media joined the show to discuss all things UGC! Jukin licenses content for shows like Tosh.0 and Ridiculousness and also owns their own sub-brands: Fail Army, People are Awesome and The Pet Collective which have millions of followers and subscribers between YouTube and Instagram. Brendon breaks down best practices, how to avoid getting into trouble and how the right UGC strategy can take your brands marketing strategy to the next level. User Generated Content runs the internet, but it's a little bit like the wild west in its current state. "People are using copyrighted material, is it fair us? Is it parody law? There's still a lot of grey area there." FOLLOW THE GUEST, Brendon Mulvihill  LinkedIn: https://www.linkedin.com/in/brendonmIG: @bmulvihill FOLLOW THE HOST, David Brickley: Twitter: https://twitter.com/DavidjBrickley Instagram: https://www.instagram.com/davidjbrick... YouTube: https://www.youtube.com/channel/UC6yZbmTvJfjY8h79Wpm49Zw LinkedIn: https://www.linkedin.com/in/brickley/ An STN Digital Production: STN is a Social Media Marketing Agency trusted by the largest Sports & Entertainment properties in the world. https://stndigital.com FOLLOW STN DIGITAL: Facebook: https://www.facebook.com/STNDigital/ Instagram: https://www.instagram.com/stndigital/ Twitter: https://twitter.com/STNDigital LinkedIn: https://www.linkedin.com/company/stn-...

The crew talks about Andrew Luck's surprise retirement, Dwight Howard returning to the Lakers, the rules to donating sperm, Jeezy's new project and more. Follow on instagram @brazybunchpodcast and submit all comments or topics to brazybunchpod@gmail.com.

From life as a little boy in Memphis to navigating a community where gang members were friends. He had the realization that he was not just a dancer but a master of Jukin. From ballet school to performing with Madonna and YoYoMa to becoming the face of brands, he has formed artistic partnerships with Apple to massive fashion conglomerates. He Co- created MovementArtIs (where social justice is expressed and discussed through art and dance). We barley could cover it all in our Season 2 Premier with Charles “Lil Buck” Riley. There’s no other way to put it - this man is an artist, a master mind, and does it all with a heart of gold. Please take a moment to hear him tell his inspiring story on this weeks episode.

Jukin Media is a global entertainment company built on the belief that the future of storytelling is user generated. Jukin provides a wide range of solutions that allow premium brands, publishers, and media networks, to commercially utilize user -generated video content. Jukin produces original content for TV, the web, and emerging platforms, and is owner/ operator of a portfolio of social video properties that includes FailArmy, People Are Awesome, The Pet Collective, and JukinVideo; the properties combine for more than 100 million fans online and 3+ billion monthly video views. https://www.jukinmedia.com https://twitter.com/JukinMedia https://www.youtube.com/user/JukinMedia

There’s quite a bit of Tampa history in this episode as DJ Ekin and Tampa Tony discuss everything from his start as a DJ, the Tampa music scene and the “jook” sound, being gone from the game, and if he can really make a comeback in this “new” era of (social media) hip hop. Keep […] The post Southern Hospitality: “Keep Jukin” w/ the King of Jook City Tampa Tony appeared first on Radio Influence.

This week Lisa Treacy and Dave Coyne join Garry Kelly to discuss the Widows, Fantastic Beasts: The Crimes of Grindelwald, and what is happening in the Irish Film industry. This week's special guest is Vice-President of Jukin Media, Chris Miller. Produced by GK Media Ltd.

Jeff Ponchick is the Co-Founder and CEO of Repost Network, a music distributor on a mission to help independent artists make a living from their work. Prior to Repost, Jeff was an early employee at Jukin and Fullscreen. In this episode, we discuss digital’s tremendous impact on the music industry, though it still has a long way to go. Jeff explains that only 12% of music’s $38B annual revenues are paid out to artists, largely due to unnecessary intermediaries and systemic inefficiencies for claiming royalties. But new technologies like blockchain offer promising solutions to the complex rights issues, while new monetization approaches offer independent artists more opportunities to earn a living than ever before. Finally, we evaluate the value gap between ad-supported and subscription-based streaming services and comment on the resurgence of touring and music festivals. Host: James Creech ABOUT THE SHOW All Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world’s leading video networks and engage in thought-provoking debates about the key issues shaping the next generation of entertainment. From the short-form content revolution to the rise of multi-channel networks (MCNs) and the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital video. Follow All Things Video on Facebook, Twitter, and LinkedIn for new episodes and updates! ABOUT THE HOST James Creech is an entrepreneur focused on technology, online video, and digital media. He is the Co-Founder & CEO of Paladin, the essential influencer marketing platform for media companies, agencies, and brands. OUR SPONSOR This episode is brought to you by Toonstar, an animation tech startup that produces snackable, interactive content experiences for mobile audiences. To learn more, visit toonstar.com or download the Toonstar app. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Mark "Porkchop" Holder & MPH Showcase par une Let It Slide Disappearing Hambone My Black Name *Gettin' Your Bell Rung* Let It Slide Reprise No Doctor Stagger Lee Pirate of The Culinarians Down Down Down Might Be Right *Big Pharma* Baby Please Don't Go Big Boat *Rock Band With a Blues Singer* Coffin Lid Sad Days & Lonely Nights **To Be Continued

Join us as we talk about Far Cry 5, Diablo 3 Season, Monster Hunter and Bringing Jesus to the every day

show#694 06.03.17 Nearly Spinner Time In The USA !!! 1. Paul Dougherty - I'm a Long Gone Daddy from Spankin' Hankin' 2017 Bake It Back Records (3:36) 2. Johnny Dyer - Johnny's Boogie from Jukin' 1995 Blind Pig (2:18) 3. Barry Levenson Featuing Johnny Dyer - Hard Times Won from Hard Times Won 2003 Storyville (5:55) 4. Gina Sicilia - Damaging Me from Tug Of War 2017 Blue Elan (4:38) 5. Boogie Patrol - Let's Get Randy from Man On Fire 2017 CD Baby (2:53) 6. Randy McAllister - $127.00 Sandwich from Dope Slap Soup 2007 Reaction (5:55) 7. Peetie Wheatstraw - Crazy With The Blues [1937] from Out Came The Blues 1964 Ace Of Hearts (3:13) 8. Kyle Wooten - Red Pig [1930] from Old Time Harmonica Classics 1991 County (3:03) 9. Bob Clifford (= Cliff Carlisle) - Ash Can Blues [1932] from Blacks Whites And Blues 1970 CBS (2:55) 10. Bo Carter - Pussy Cat Blues [1931] from Bill Wyman's Blues Odyssey 2001 Document (2:53) 11. Big Joe & the Dynaflows - You Can't Keep a Big Man Down from You Can't Keep a Big Man Down 2011 Severn Records (3:11) 12. Big Joe Shelton & The Black Prairie Blues Ambassadors - Got So Hot from Ridin' A Chicken 2017 ALT 45 (5:47) 13. Charles Brown - A Virus Called The Blues from All My Life 1990 Bullseye Blues (6:52) 14. Cathy Lemons and Johnny Ace - Shoot to Kill from Lemonace 2017 Vizztone (8:02) 15. Andy T Band featuring Alabama Mike - Sad Times from Double Strike 2017 American Showplace Music (4:27) 16. Skyla Burrell Band - Jace from Blues Scars 2014 Vizztone (4:09) 17. Chris Bouchillon - Born In Hard Luck [1927] from The Original Talking Blues Man 1987 Old Homestead (3:16) 18. Lonnie Johnson - The Best Jockey In Town [1931] from Rude Dudes 2003 Document (2:55) 19. Tommy McClennan - Brown Skin Girl [1939] from Bill Wyman's Blues Odyssey 2001 Document (2:44) 20. Sloppy Henry & Peg Leg Howell - Canned Heat Blues [1928] from Booze & The Blues 1996 Columbia (3:17) 21. Omar Kent Dykes/Jimmie Vaughan - Dream Girl from Big Town Playboy 2009 Ruf Records (4:02) 22. The Strikes - Watch Yourself from Bathroom Acoustics 2004 Cool Buzz Records (5:04) 23. Lonnie Johnson - Big Leg Woman from Blues By Lonnie Johnson 1960 Bluesville (3:12) 24. Jef Lee Johnson Blues Anatomy - Careless Love from Rediscovering Lonnie Johnson 2008 Range Records (4:20) 25. Margaret Webster - You've Got To Give Me Some [1929] from Rude Dudes 2003 Document (2:46) 26. Frank Stokes - What's the Matter Blues [1928] from Bill Wyman's Blues Odyssey 2001 Document (2:59) 27. Johnnie Temple - Louise Louise Blues [1936] from Out Came The Blues 1964 Ace Of Hearts (3:00) 28. State Street Swingers - You Drink Too Much [1937] from Booze & The Blues 1996 Columbia (3:16) 29. Kid Andersen - I'm Broke from Rock Awhile 2004 Blue Soul (3:42) 30. Chevvy Chase - Ya 'Know Sumthin" Beardo from National Lampoon's Lemmings LIVE at The Bottom Line 1973 (0:15)

The New Age of Influencer ContentWed. April 26| 11:00 AM - 11:45 AM | Advanced Advertising TheaterIt has been nearly 100 years since Proctor & Gamble found that new types of content, not simply brand promotion and product placement was a great way to leverage popular forms of entertainment to capture household and overall market share unlike anyone had seen before….. Join this session as some of the powerhouses in the influencer and content space explore the usage, unique relationships and challenges of new audience engagement models based on the cultural phenomena of the 'influencer'.

איך אפשר לעשות כסף מלהיות ויראלי, מה חדש ב-Windows S ופייסבוק מתעוררת ומפסיקה לשדר רצח   בן קול עשה כסף מלהיות ויראלי בן ואינה קול יצרו מערכון קצר באינטרנט ופירסמו אותו בפייסבוק ובאימגור. באופן רגיל הם היו נחשפים בעמוד פייסבוק פופולרי בישראל, מקבלים הרבה לייקים וצפיות שנספרים באותו עמוד, ו-0 אגורות, כי, ובכן חשיפה. אלא שקול קיבל פניה מחברת Jukin שמפיצה סרטים ברשת, גובה עליהם כסף ונותנת 70 אחוז ליוצרים (ולוקחת לעצמה עמלה של 30 אחוז). הסרטון הופיע בכל מיני עמודים גדולים באנגלית, חלפו כמה שבועות והוא קיבל לפייפאל שלו 132 דולר על הסרטון. שוחחנו עם בן – האזינו לו. מה חדש ב-Windows S ב-2.5 מיקרוסופט הכריזה על גרסה חדשה וקלילה יותר למערכת ההפעלה שלה – Windows 10 בשם Windows S. הגרסה החדשה מיועדת בעיקר למערכות החינוך השונות בעולם, כשהיא מוצעת עם מגוון לפטופים קלילים וזולים. יש כמה דוגמאות טובות מאייסר, דל ו-HP כשהדגם הזול ביותר מתחיל ב-190 דולר.   המגבלה היחידה שיש למערכת הזו היא שניתן להתקין עליה אך ורק אפליקציות שיש בחנות של מיקרוסופט, כלומר כל הקונספט של ווינדוס והיכולת להתקין מה שרוצים נעלמת. מצד שני, ההגבלה הזו מאפשרת למיקרוסופט ליצור סביבה מאובטחת, שבה כל התוכנות הקיימות על המחשב עברו ביקורת וסריקת אבטחה, כך שהן ידועות ככאלה שהן בטחות למחשב ולא מכילות וירוסים – וזה דבר חשוב מאוד לאירגונים. כדי לאפשר התקנה של כל התוכנות יש לשדרג לגרסה הרגילה של ווינדוס 10, לבתי הספר זה בחינם וללקוחות פרטיים זה יעלה 50 דולר. כרגע השימושיות במחשבים שכאלה מוגבלת למדי, אמנם יש גרסה מיוחדת של אופיס 365 בחנות והיא יכולה לרוץ יופי על המחשבים האלה, אך ניתן להתקין רק את דפדפן Edge של מיקרוסופט שהוא אומנם הטוב ביותר של החברה עד כה אבל זה לא אומר שהוא באמת מוצלח. מיקרוסופט מקווה שמערכת הפעלה שכזו תעזור לשכנע חברות תוכנה ליצור אפליקציות או לפחות גרסאות ייעודיות של התוכנות הפופולריות שלהן, כדי שיתאימו על המחשבים הללו. אחד היתרונות הבולטים בהיעדר ההיצע הוא, ובכן, שאין מה לדחוף למחשב שעולה אוטומטית כמו עם הווינדוס הרגיל, כלומר אין Bloatware שזה נפלא. הגרסה החדשה צפויה לצאת הקיץ. פייסבוק משדרת רצח, יש לה איך לעצור את זה? לפני 21 שנה, אישה בשם ג'ניפר רינגלי, אז בת כ-20 החלה לשדר את החיים שלה באמצעות מצלמת רשת. היא קראה לאתר ג'ניקאם, הפכה לסופר פופולרית והייתה מחלוצות הוידאו בלוגינג והלייב באינטרנט. היא הייתה ייחודית ונדירה, והיה די מסורבל טכנית לשדר את עצמך.   חלפו השנים, ועכשיו פייסבוק מאפשרת לכל מי שיש לו ביד סמארטפון וחיבור לרשת לשדר את עצמו. בכל מקום שאנשים מצלמים את עצמם יהיו גם דברים מחרידים כמו רצח ואלימות. המקרים שבהם שודר משהו אלים ומזעזע הם ספורים, אבל הם עושים המון רעש בתקשורת, ובאמת מזעזעים. למרות שמדובר סטטיסטית במספר זניח, כל מקרה כזה לא עושה טוב לפייסבוק בפרט ולשידורי לייב בכלל. מצד שני, פייסבוק כן חוסמת אנשים שכותבים כושי או קוקסינל. אז בשביל לנסות לתקן את דרכיה, פייסבוק הודיעה שתשכור עוד 3,000 אנשים בנוסף ל-4,500 שכבר יש בסינון תוכן. האם זה יעזור לה? המלצה בדקה: אהוד על המערכונים של שלישיית שחר ממליץ על The Mars Generation – סרט תיעודי של Time על הדור הבא של הטסים למאדים שמתאמנים כבר עכשיו ב-Space Camp.   The post ווינדוס מפסיק לשדר רצח ויראלי בפייסבוק 096 appeared first on Low Battery.

The New Age of Influencer ContentWed. April 26| 11:00 AM - 11:45 AM | Advanced Advertising TheaterIt has been nearly 100 years since Proctor & Gamble found that new types of content, not simply brand promotion and product placement was a great way to leverage popular forms of entertainment to capture household and overall market share unlike anyone had seen before….. Join this session as some of the powerhouses in the influencer and content space explore the usage, unique relationships and challenges of new audience engagement models based on the cultural phenomena of the 'influencer'.

It’s a different kind of guest – but its really about time. In the unscripted world, we’ve been slow to get into the digital space and today’s guest is one of its huge success stories. Josh Entman is the co-founder and Chief Development Officer for Jukin Media. Jukin has been in the news a lot […]

Fabian Geyrhalter is the Founder and Principal of FINIEN, a Los-Angeles based consultancy specialized in turning ventures into brands. Fabian has been published internationally by the likes of The Washington Post, Graphis and The Huffington Post and he has written about branding for publications including Mashable and Entrepreneur and is a columnist for Inc. His consultancy has worked on branding projects for startups like Jukin, Survios, Bandito Brothers and Vimmia to large companies like Evolution Juice, The Bill & Melinda Gates Foundation and W Hotels. Show notes at http://hellotechpros.com/fabian-geyrhalter-unplugged/ What You Will Learn In This Episode Why it's a good thing that we are constantly "ON" about business. How to work harder with less stress. A process that will allow you to filter through the thoughts in your head, reduce your anxiety and get clear on the most important actions you need to take. Why your stress levels increase when your mind and body are out of balance. How to determine which activities you can safely stop doing by finding and aligning to your purpose.  

Lee Essner is the President and COO of Jukin Media, a global entertainment company powered by user-generated video content. Jukin receives more than one billion monthly views across digital platforms and is the leader in discovering, acquiring, and curating the web's most compelling UGC videos for brands and media companies to license for commercial use.In this episode, Lee recounts his transition from a corporate attorney to an early-stage startup employee and later, founder of his own company. He offers advice for those in transactional roles who want to become operators, encourages entrepreneurs to be realistic (“hope should not be part of the strategy”), and reminds us that it’s just as important what you say “No” to than what you say “Yes” to. Finally, he predicts continued global growth in the online video industry and the transformative impact of VR and live streaming.Host: James CreechABOUT THE SHOWAll Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world’s leading video networks and engage in thought-provoking debates about the key issues shaping the next generation of entertainment. From the short-form content revolution to the rise of multi-channel networks (MCNs) and the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital video. Subscribe for new episodes and updates!ABOUT THE HOSTJames Creech is an entrepreneur focused on technology, online video, and digital media. He is the Co-Founder & CEO of Paladin Software, the premier technology provider for the world's leading video networks and next-generation media companies.OUR SPONSORThis episode is brought to you by Paladin, the premier technology provider for multi-channel networks and digital media companies, including Maker Studios, AwesomenessTV, Studio71, and more. The Paladin platform streamlines processes, increases efficiency, and grows revenue for media companies that represent more than 200,000 content creators and a collective 15 billion monthly views. Visit paladinsoftware.com to learn more or request a product demo. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jonathan Skogmo is the Founder & CEO of Jukin Media, a global entertainment company powered by user-generated video content. Jukin receives more than one billion monthly views across digital platforms and is the leader in discovering, acquiring, and curating the web's most compelling UGC videos for brands and media companies to license for commercial use. In this episode, Jonathan shares the pain points in traditional rights clearance and clip licensing that motivated him to look for easier content acquisition methods online. In 2005, he came across a nascent video site called YouTube and began contacting channel owners to license their content. At one point, he began buying a few videos on his own to make some extra money – a part-time project that evolved into his first venture: ChiWay Entertainment. Eventually, he transitioned into the business full time, building Jukin Video as a scrappy startup out of his 2-bedroom apartment. Hosts: James Creech and Luke Wang ABOUT THE SHOW All Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world’s leading video networks and engage in thought-provoking debates about the key issues shaping the next generation of entertainment. From the short-form content revolution to the rise of multi-channel networks (MCNs) and the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital video. Subscribe for new episodes and updates! ABOUT THE HOSTS James Creech is an entrepreneur focused on technology, online video, and digital media. He currently serves as the SVP, Growth for Bent Pixels, the premier technology provider for the world's leading video networks and next-generation media companies. Luke Wang is a digital consultant and entrepreneur in the online video business. Most recently, he spent two years as VP of Business Operations at Omnia Media, a YouTube MCN that generates two billion views per month. Prior to joining Omnia, Luke worked at CAA and then served as a Network Affiliate Manager at Machinima. OUR SPONSOR This episode is brought to you by TubeBuddy, the complete toolkit for YouTube channel management. This power-packed browser extension helps with everything from bulk metadata edits and trending keyword suggestions to thumbnail optimization, fan engagement tools, and so much more. Visit www.TubeBuddy.com to meet your new best friend on YouTube. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The 79th episode of New World Show is set to air on the 30th of November, 2013 click ‘read more’ to get the Playlist and link to download: Small Change and DJ Reaganomics – I’m Jukin’ Sonido Berzerk – Coconut (NXTLYF Remix) DIPLO – Biggie Bounce ft. Travis Porter & Angger Dimas (TWRK remix) Stas … Continue reading New World Show on WESU Episode 79 →

show#49406.15.13 Tip Jar Time!!! 1. Rick Estrin & The Nightcats - Desperation Perspiration - 2012 - from One Wrong Turn (3:33)2. Kid Andersen - Jumping at Shadows - 2006 - from Greaseland (4:08)3. Finis Tasby & Kid Andersen - Thank You, Pretty Baby - - from Snap! Your Fingers (4:06) Help defray Finas medical bills and buy this great CD!! HERE!!4. Lucinda Williams - Wrap My Head Around That - 2007 - from West (9:06)Spinner's Section....straight from The Hague:5. Johnny Nocturne Band: lemon twist (3:00) (Wild & Cool, Bullseye, 1998)6. Rolling Stones: route 66 (2:20) (-, Decca, 1964)7. Bobby Troup: route 66 (2:16) (The Julie London Show, Live in Japan, May 1964)8. Julie London: cry me a river (2:44) (In Person At The Americana, Liberty, 1964)9. Jimi Hendrix: freedom (3:26) (Experience Hendrix, MCA, 1997)10. Studebaker John & the Hawks: dirty business (5:00) (Nothin' But Fun, Double Trouble, 1990)11. Dunn-Packer Band: I don't care (3:31) (Love Against The Wall, Tramp, 1990)12. Otis Spann: evil ways (3:53) (Delta Blues, WG, 2005)13. Jim Wake & Sleepwalker: don't shout (3:23) (Whatever It Is I'm Against It, self-release, 2012)14. Tim Elliott & the Troublemakers: hobo blues (3:21) (-, Tramp, 1993)15. Eddie Boyd: be careful (5:25) (7936 South Rhodes, Blue Horizon, 1968)16. Duster Bennett: risk it for a biscuit [1974] (3:10) (Comin' Home, Indigo, 1999)Back To Beardo:17. Paul Filipowicz - "Fat Richards" Blues - 2013 - from Saints And Sinners (3:50)18. Davina and the Vagabonds - Black Cloud - 2011 - from Black Cloud (2:24)19. Hazmat Modine - Cicada - 2011 - from Cicada (4:52)20. Guitar Mikey & The Real Thing - It's Goin' Down - 2012 - from Out Of The Box (6:01)21. James Hunter - Strange But True - 2008 - from The Hard Way (3:16)22. Maurizio Pugno - Drownin' on Dry Land - 2010 - from Kill the Coffee (3:20)23. Roomful Of Blues - Blind Love - 1995 - from Turn It On! Turn It Up! (4:06)24. Monster Mike Welch - Linda Lou - 2003 - from Sugar Ray & the Bluetones Featuring Monster Mike Welch (4:53)25. The Nighthawks - Bring Your Sister - 2012 - from Damn Good Time (2:35)26. Johnny Dyer - TWO HOUND DOGS - 1995 - from JUKIN' (3:44)27. Barry Levenson Featuing Johnny Dyer - Chasing the Monay - 2003 - from Hard Times Won (4:56)

One hour live radio show featuring interviews about and songs from Papa Jukes new CD, Jukin at Jacks. See www.papajuke.com to buy the CD, selected tracks or download the free ringtone.