Podcasts about Kindle Direct Publishing

How can you get your books surfaced when readers ask an AI what to read next? What are the hallmarks of authors and businesses that last more than a decade in the indie author industry? Ricardo Fayet gives his marketing tips after more than a decade at Reedsy. In the intro, Expanding Your Book's IP through Merchandising [Wish I'd Known Then]; Guide to writers conferences [Kindlepreneur]; Rick Rubin and Stephen Pressfield on resistance and the muse [Tetragrammaton]; Pulitzer Prize winners disclose AI usage [Nieman Lab]; My new rebuilt fiction site JFPenn.com. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Ricardo Fayet is the co-founder and chief marketing officer of Reedsy, a marketplace for writers to find vetted freelancers, author training courses, and lots more. He's also the author of How to Market a Book and Amazon Ads for Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How AI search actually finds and ranks the books it recommends Why keywords and search volume are disappearing as marketing metrics Building an internet footprint so your book is worth recommending Why Claude leans on Goodreads while ChatGPT and Gemini lean on Reddit Product is more important than marketing, and how to find your comp titles Passion, business sense and resilience in the authors who last You can find Ricardo at Reedsy.com. Transcript of the interview with Ricardo Fayet Jo: Ricardo Fayet is the co-founder and chief marketing officer of Reedsy, a marketplace for writers to find vetted freelancers, author training courses, and lots more. He's also the author of How to Market a Book and Amazon Ads for Authors. So welcome back to the show, Ricardo. Ricardo: Thank you, Jo. It's been a while. Jo: It has been a while. As we were saying, it's been a decade, which is crazy, because you and I see each other at events and things. For anyone who doesn't know you— Tell us a bit more about you, where you're from, and also, what is Reedsy these days and how have things changed? Ricardo: Yes, sure. I think I'm hard to dissociate from Reedsy because my only background really is Reedsy. We started Reedsy right after business school for most of the founders. There are four founders, and I'm one of them. We've been going since 2014, so it's been 12 years. We started around the same time, and you started even earlier than we did, but we've had the chance to meet at quite a few conferences since. I think the main thing we're still known for is our marketplace. Since the very beginning, Reedsy is a curated marketplace where authors can come in and look for editors, cover designers, marketers, ghostwriters, literary translators, author website designers, pretty much any freelancer you would ever need to hire throughout your writing career. That's how we started. That's our main source of revenue and our main business. Since then, as you mentioned, we've also added courses, live events, so we've got a membership under Reedsy Learning. The main thing we're proud of right now is our writing tool, Reedsy Studio, because we've been pouring a lot of engineering talent into it over the past five, six years, and I think it's a really cool writing tool that is 90% free. It also does the formatting, so it's a good alternative to Vellum or Atticus for those who haven't purchased those tools. So there's a lot of things that Reedsy does at this point, which always makes it hard for me to describe what we do. Jo: But you generally serve writers. That's probably the crux of it. Ricardo: Exactly, yes. We're mostly at the production stage. The thing we say is we help authors make beautiful books, right? That's a little bit the tagline that applies to 90% of what we do, though we also help a little bit with the marketing side of things. Jo: And then just tell people where your accent is from. Ricardo: So I'm half French, half Italian from my parents, and I was born in Spain. So depending on my mood and the moment, it might be anywhere from French, Italian, Spanish. It's anyone's guess, really, at this point. Jo: Yes, exactly. You've been part of the indie author ecosystem, as you said, since 2014. You're often at the author conferences, and you stay abreast of everything that's going on. So what are the biggest changes you've seen in the industry since you started out? Like you said, you guys came from business school. You chose to come into the industry at a particular point, and yet things have changed. So what do you think are the biggest changes, and how have you seen authors adapt? Ricardo: It's crazy, the amount of things that happened in the past 10 years. Obviously we came into the industry as a result of Amazon launching Kindle Direct Publishing, and then the Kindle Store becoming one of the number one places where people buy books. That's what enabled self-publishing in the first place as an industry, and obviously we wouldn't exist without self-publishing being a thing. But then I think probably one of the biggest changes that happened was the introduction of Kindle Unlimited and various other subscription models. Perhaps as a response to that, afterwards, I would say direct sales is the other massive change that happened in the industry. The ability for authors to sell direct to their readers via their websites, or running Kickstarters, or basically the ability to reach your customers directly. Now, obviously, artificial intelligence is probably the biggest change of them all, not just in publishing, across every industry, but of course it's going to affect publishing very strongly, or it has already started making big waves. So I would say those are the three main changes that we've seen happening in the industry. Jo: Just interestingly, given that you're French, Italian, Spanish, European— Has the pace of change been the same in mainland Europe? Because you and I have also met up at European conferences, but I just get the sense that each individual European country, the UK included, as I include the UK in Europe, goes at a different speed. Ricardo: No, they definitely do. Our market at Reedsy is all in English. We only have an English website, and I would say 70% of our market is US, then 15% UK, and then Australia, New Zealand, et cetera. We do have clients in continental Europe, but they're mostly going to be American or British expats. A lot of retired people who write books and use Reedsy services. I think the main reason for that is that self-publishing as an industry hasn't really grown in Spain, France, Italy the way that it's grown in the US and the UK, probably because these are countries where book buying habits are a lot more traditional. So all my friends from high school and university in France, they all buy books, they all buy paper books. They all buy from bookstores. They don't really buy from Amazon that much. They love the smell of paper, all these sorts of things. So obviously that makes it harder for indie authors in those countries because they cannot place their books in the places where people buy them, which is traditional brick-and-mortar bookstores, or at least it's much harder. So there is an indie movement in those countries, but it's much smaller. I would say Germany is maybe the exception in Europe, where I've seen more and more full-time indie authors, but I don't think it's a market that's comparable even to the UK. Jo: Interesting. Okay, so let's go to marketing, because you love marketing, you have a newsletter about it, and you have a book, How to Market a Book, same title as mine, and we've found each other in our Also Boughts over the years. You have, however, updated yours several times. 2025 was your last update. Mine was 2016, so yours is definitely the most up-to-date one. So what are your thoughts on how authors can reach readers now? And let's split this into two. Let's start with some tips for new authors who just have maybe one book and are really just starting out. Ricardo: Yes, first of all, sorry for stealing your title. Jo: Oh, you know, it's never been a problem. Ricardo: We were trying to come up with something… I know, I know, I know. But still, we wanted something more original, and then we realised that for SEO purposes, that's the title we should really go for. The good thing is, if you search “how to market a book” on pretty much any retailer, you're going to find your book or mine in any order really, but those are going to be the top two books to this day, thankfully, so I'm good with that. I think in terms of marketing tips for new authors who have just the one book, I'd say, despite all the changes in the industry, the basics of marketing still stay the same. One of my big mantras when it comes to marketing is that product is more important than marketing. So having a great book is going to be more important, in my opinion, than being a great marketer. Having a great product. By that, I generally don't talk about literary value or prose or anything like that, just because I'm not a book critic. I'm not an editor. My opinion on whether a book is good or not is worth zero. From a marketing standpoint, for me, a good book is one that resonates with its intended audience. So the first step for newer authors is to basically figure out who they wrote this book for, right? Have an idea of who their target market is. A great way to do that, without entering into marketing jargon like proto-personas and stuff like that, is to think in terms of comp titles, comparable titles. I think that's probably the base of any marketing, whether traditional publishing houses or indie authors, to think, “Okay, which other books out there are similar to mine?” If your book is completely unique, you have, I would say, 99.9% chance of not selling, because your market doesn't exist, and 0.01% chance of creating your own market and completely dominating it, right? So being unique is not necessarily a bad thing, but I would say 99% of the time, it is. Obviously being unique within an existing niche, within an existing market, that's completely different, but you need to work on some comparable titles. So I would say that's where I would start, and that's one of the things that AI is great at. If you even just plug in your book into an AI chat that has enough context, if you're comfortable doing that of course, or if you plug in a synopsis, like a long synopsis, you can basically ask the AI chats, “Okay, what would be some comp titles?” Either you'll have heard of those books, and you'll think, “Okay, they're good comps,” or you may not have heard of them, in which case I would really recommend buying them and reading them and seeing whether they're comps or not. I think that's where marketing starts. Jo: Yes, and we might come back to that for book discoverability. Well, let's just talk about it now, because I now pretty much use Claude for discovering books as well. I just find that the Amazon search, for nonfiction it works really well, right? As you said, if you want to learn how to market a book, you just search “how to market a book”, and our books are very well titled for that. But for fiction, it's so difficult to find new books and comp titles, especially if you don't write in a clear genre, which I don't. I know lots of people do. So we're writing cross-genre. So in terms of book discoverability, I know you've been looking into SEO for books and all of that. What are your thoughts on how authors can more effectively have their books surfaced if people are using the AIs for finding books? Ricardo: That's a very big topic. That's one of my favourite topics right now. That's what I talk about in my marketing newsletter, and I want to start a Substack on the topic as well, because I think it is the future of book discoverability. As you say, search on Amazon isn't great, and if it's not great on Amazon, you don't even want to imagine on Google Play, Kobo, all these sorts of places, right? If you search on Kobo or Apple Books or Google Play for witch cozy mysteries, the top 10 books are going to have exactly “witch cozy mystery” in the title or the subtitle or the series title, right? Jo: Yes. Ricardo: Search is very simple on those sites, so it's very easy to game, but it's terrible as an experience for readers. So I do think that a big part of search is going to move to AI, and now you have Rufus within Amazon itself that appears as a chatbot and encourages you to talk with it, to ask for recommendations. In the beginning Rufus was really terrible, but now I recommend authors play with it. In general, I recommend when it comes to AI discoverability that authors play with all the AI search tools. So it's going to be Claude, ChatGPT, Gemini, Google's AI Overviews and AI Mode, Rufus within Amazon. Just like we talked about comp titles, right, ask for something like, “What would you recommend for fans of this book? Which other books would you recommend?” Or if you're looking for something specific that describes your book, what books would you recommend on… I think one of your examples was fiction around masonry or something like that, right? Jo: I always say, for example, if you ask for action adventure thrillers on pretty much anywhere, you're going to get 20 books by male authors. For those of us who are female authors, but also who have female main characters, you can then be far more granular. That's just not something that necessarily works on Amazon. So, action adventure thrillers with female protagonists written by female indie authors, which is very specific. That will work in AI, whereas that definitely won't work on Amazon. Ricardo: Exactly. So one of the great things about AI search, and terrible things at the same time, is that the concept of keyword is lost, right? So we title our books How to Market a Book because the keyword that people would search for is “how to market a book”, or “book marketing for authors”. Those were the two keywords that had the biggest search volume if we looked at Google Keyword Planner, or any search tools that give you keyword volume. When it comes to AI search, since it's conversational, and it's very personalised, and it can go as niche as you want, keywords are going to disappear, and search volume as a metric is going to disappear. The search you just told me about, maybe there are 10 people who are going to run it exactly. Most people are going to run variations of that. Since you can go as granular as you want, it's going to be very long phrases, very long sentences. So the whole concept of keywords, search volume, SEO, is going to disappear in favour of what some people call GEO, generative engine optimisation, AIO, AI optimisation, AI search optimisation. There's a bunch of names for it, but it is a different discipline. It still works on the basis of Google SEO because what most of these search engines will do is they're going to search the internet, right? They've been trained on a lot of information, but not all of that information is current. Most of these models have been trained on documents and web pages before 2021. That's why when you used the very early versions of ChatGPT, and you asked it about current events or current books, it didn't find it. It didn't have that information. Now all these models have the ability to search the web, and they do that really effectively. So the first thing they're going to do if you run a search like that is they're going to run dozens of different searches on Google or a similar search engine. Action thriller books with female protagonists. Action thriller books with female protagonists by indie authors. Action thriller books by indie authors. They're going to create what I call a corpus, so a massive document of information with candidates, books that probably meet those criteria that they have found through regular web searches. Then they're going to go through all those books and determine which are the most relevant to recommend, and they'll return with that. Then they'll usually have a verification layer as well, which is, okay, I have these five books that I want to recommend to this user, but I just want to make sure first that they are written by indie authors, that they do have a female protagonist, et cetera. And if I'm not able to verify that, I'll flag it in my answer to them. So there are these three layers. Web search, then ranking of the book candidates, and finally a verification layer, and then they serve you the answer. Obviously, that's really powerful. If that's the way that search is headed, which I firmly believe, then we as authors need to learn how to get our books in there. Jo: Yes. It's so interesting, and I do this all the time. Really niche stuff, like a thriller about anatomical Venuses, which are these models from anatomy museums and stuff like that, with an edge of the supernatural. What is brilliant is that you can find the books that come up. I actually got one that I read and reviewed, and it was fantastic. So I love the more granular thing, but we're really in the very long tail now, right? It feels like you can write a very nuanced book, and it will be surfaced, but only by a few people. So do we have to write our books and then try to not even retrofit them in the way that we used to? We used to try and figure out the seven keywords and all of that kind of thing, and now I almost feel like we just get to be grownups, where you just get to write the book and put it out there, and these things are more intelligent than the search terms. Ricardo: Yes, absolutely. I think in terms of the variety of books that are going to be read and discovered, that's amazing. A little bit like the whole indie publishing movement was amazing, because if you remove the traditional publishing gatekeepers, then suddenly zombie books aren't dead anymore. Zombies are alive again. They've… Jo: Come to life. Ricardo: They've come alive, and so you get a bunch of zombie books again. It's not a small niche audience. It's actually a pretty big niche audience that loves zombie books, and suddenly they have those to consume. This is a little bit similar on a much, much bigger and more granular scale, because anyone can find exactly the kind of book that they're looking for, with the tropes they want, with the type of characters they want, with the type of author they want, and you can basically use any kind of filter. So for discoverability on the side of the reader, that's great. For the authors, it doesn't mean that you can just write whatever you want and then rest, and readers will find them. Because your books still need to have generated a certain internet footprint and a certain review footprint in order to become interesting or recommendable to AI search engines, right? Unless you're the only book that an AI search engine can recommend for that specific search, and yours was very specific, so it might have been the only one. If there are other candidates, the AI search engines are pretty smart. They're going to recommend the candidates that have more reviews, better reviews, or are more famous, that have more, when I talk about internet footprint, more pages talking about them on the internet. That's for me the big finding I've seen. The more pages you have on the internet talking about your book, so that could be book review sites, that could be Goodreads lists, Listopia lists, anywhere on the internet where your book is mentioned, that creates a footprint for it. The more footprints, the more famous your book looks to AI search engines, and so the more worthy of recommendations it is to them. Jo: Yes, and this is one reason why I now ask people, especially when you sell direct, or say you have a Kickstarter and you want reviews, I ask people if they can review on Goodreads. Obviously Goodreads is owned by Amazon, but it is far more searchable by the bots than Amazon is. I sometimes find that Amazon gets blocked. Or Amazon blocks some of the bots, let's put it that way. They might change over time. They own 15% of Anthropic or something. But Goodreads I feel like does get indexed, and I'm not willing to engage on Reddit. I know Reddit is another popular one. Just be very clear on social media, because some people think, oh, I just need loads of influencers to talk about my book, and that will impact the AIs. But I find that social media just almost isn't even there. Ricardo: It depends on which social media. For me, Reddit is a social medium, right? It's a very weird one, but it's obviously the number one social medium used by AI search engines, and it's pretty dodgy stuff with lots of conflicts of interest, because Google has a paid partnership with Reddit. I think Sam Altman has shares in Reddit. So both OpenAI and Google Gemini heavily rely on Reddit for their AI answers, right? If you ask anything from ChatGPT or Gemini, I'd say there are very high chances that in the sources and the citations of the answer, you're going to find Reddit, right? That goes for books as well. Every time you ask for book recommendations, Reddit is going to be big for those two AI search engines. Claude, it's a little bit different. They do have a little bit of a relationship with Reddit, but I don't think it's as big. I found that Claude relies heavily on Goodreads, not Reddit. To me, Goodreads is another social medium at the end of the day, right? It's not the kind of social medium we think of, like… Jo: It's not TikTok. Ricardo: It's not TikTok. TikTok is surfaced a little bit, but not that much. It might become more surfaced in the future, but right now what I've found is, it's really Reddit and Goodreads. Facebook, LinkedIn, but LinkedIn is big for nonfiction topics more than fiction, because there are just not a lot of fiction readers, sorry, talking about their favourite books on LinkedIn. They usually go to other places for that. Jo: Yes, it's really interesting. So obviously TikTok has its own BookTok thing, so some people are finding books on BookTok, and some people like me are finding books through asking Claude, and that's just my overwhelming feeling about the industry. We talked earlier about what's changed. When I started, so 2006, there wasn't even KDP, and then KDP arrives, then you came in 2014, and probably until maybe a few years after that, there was one way to self-publish. Then what's happened since is this kind of splintering. There are so many ways to self-publish. There are so many ways to reach readers. There are so many ways to market. So someone, for example, could sell direct on TikTok Shop, only market through TikTok, and you wouldn't even know that they existed over in another ecosystem, right? So do you feel like that's happened too, this total splintering? Ricardo: Absolutely. I think there are so many different ways in which you can reach your audience now and monetise it as well, that it's absolutely possible. We both know examples of authors who are only visible to their TikTok niche, right? I think the big difference is also monetisation, because earlier you also had different ways of becoming well-known. Like you had Facebook, you had potentially Twitter, back when it was Twitter. Various social media, word of mouth. But where people bought books was Amazon. So that was your monetisation. It was either selling your book on Amazon, or potentially getting KU reads after that when KU launched. Now you can sell on TikTok, you can sell direct, you can run Kickstarters, you can start a Patreon or Substack and make your money through there. There are pretty much infinite ways through which you can monetise your content as a creator. Most of those places will also have a discoverability engine built in, so you can not only sell through there and make money through there, but also grow an audience there. That's probably the biggest competition that Amazon has ever had to face, is this sort of splintering. For us authors and content creators in general, it's amazing, because it's a bunch of different opportunities. Jo: Yes, and I think probably that's circling back to marketing. As we've said, some things have changed, some things stay the same. Is the email list still the number one way to market, do you think, for authors who want a long-term career? Ricardo: I think so. It's just the one thing you really own that allows you to communicate with readers, right? Because even if you build a following on TikTok, TikTok can change. The things we said about Facebook 10 years ago, if you build your Facebook group, Facebook can change, and Facebook changed. Facebook destroyed the reach of pages, and now groups also aren't amazing, et cetera. So the same thing that happened to Facebook can happen to TikTok, can happen to any other social media. Substack is a bit of a hybrid because it is a newsletter, it is a mailing list, but it also has a discoverability engine built in. So I still wouldn't really go all in on Substack. The great advantage there is that you do own the emails, right? So you can move away from it at some point. For me, the email list is the one thing that you are completely in control of. Personally, the main thing I check is my emails every day. I spend more time in my inbox than anywhere else, and I think that's probably the case for most people. So I do think, despite the influx of mails that readers are getting in their inbox, I still think it's one of the most important marketing tools for authors. Jo: Yes, and I still remember when I started my list in December 2008, and I still have people on the list who've been with me that whole time, and have moved email list services several times as well. So I think that's important too. The care of that list too is so important. One of the things that I am annoyed about with Substack, I don't have a Substack, but when I follow some people's, it's always constantly trying to get you to sign up to other people's lists, trying to subscribe you to this or that or the other. I'm like, “That's so annoying.” Now I've found on all these email services they're trying to pair you with other creators and cross-promote and all of this. So it feels like even the email list is becoming a difficult place unless you really protect it. So just protecting your list, I think, and remembering that those are people. Those are people who've bought your books, or people who read your emails. Like people listening to this, these are humans. Sure, some bot might be looking at the transcript, but humans listening to this are individual humans with individual email lists. We tend to forget that, don't we, as you get a bigger list. You think about it as a big number, whereas it's still individual people. Ricardo: Yes, it becomes a number, it becomes metrics, the open rate, the click rate, and all that. But the great thing about email is that you get replies in your inbox. There you remember that they're actual human beings who write you back. I think for readers, the ability to write back to an author and get a response is just amazing, right? If you write to your favourite author and they write back to you, that's the best feeling ever as a reader. So I think email is still one of the best ways to turn your readers into fans and into super fans of your brand, by just interacting with them and answering them. Because yes, you can answer comments on TikTok, Facebook, and all those places, but it doesn't feel the same as an author answering you in your inbox, I feel. So you do get that ability to create a real connection with readers directly through email. Jo: Yes, and I think that trust and the reputation is so important. Just in terms of seeing the authors that you've seen over the years, like I said, you've been going to a lot of the author conferences. You know a lot of the authors in the industry. A lot of people will know you from events. But you've also seen authors come and go, and you've seen vendors come and go. Both of us have seen people arrive, and we'd be like, “Oh, yes, I wonder how long they're going to last.” Then some people do and some people don't. So what are some of the elements that you've noticed about the businesses that last more than a decade? Ricardo: I think they need to solve a genuine problem, or offer a genuinely better solution than one that already exists. I see a lot of businesses come in and they do what another vendor already does, without doing it necessarily better. Those businesses tend to disappear, or linger there, but you don't really hear about them again. When they solve a real need… I still remember when BookFunnel came out, and they've since become massive with one very, very basic thing, which is, “We will take care of delivering your ebook files to readers.” That's how they started, and that's how they became massive. To me at the time, I was like, “That seems like a very small problem,” because I can just email an ebook file. I didn't realise that it was so complicated for a lot of readers to upload files to their Kindle or other devices, and that having a service that takes care of that for you is just massively helpful. I realised that when I published my books, actually. So businesses that solve even micro or apparently very small problems, but they really solve them effectively, they stay. Others that surf on trends, they tend to disappear when the trend disappears. When there's a new marketing trend, and that trend stops working, then those businesses tend to go. Jo: Yes, and what about the authors who last? Because let's face it, most of us don't solve a problem in a different way. Maybe you could say we solve your entertainment problem in a different version to your last book. What about the authors who last long term? What have you noticed about them? Ricardo: Two things. So the first one… Maybe three things. First one is passion. I always say to people who are looking to start self-publishing, I always say that publishing in general is probably one of the worst ways to make money. It's awful. You can pick up any other occupation and it's probably going to be easier to make money. So writers who make a career do it because they need to write, because they have a passion for writing. So a lot of people who come into the industry thinking, “I've heard about all these self-publishing success stories. Surely I can write a book and I can market it. It's not that hard. So that's going to be a great way to make quick bucks,” those generally don't last, because they don't have that genuine passion. The first hurdle they're going to face—and there's going to be a bunch of them along the way—they're going to quit. The second thing is business sense, or business education, the basics of business, right? Thinking in terms of marketing, thinking in terms of who's my reader, unit economics. If I'm selling my books at $3.99, I shouldn't be spending a ton of money. If I just have one book at $3.99, I cannot afford to pay $5 on ads to generate a sale. So those kinds of basic economics or business knowledge, I think, if not a requirement, it's a massive plus. The third thing is resilience. The industry has changed a lot, as you mentioned. There are a bunch of ways now to reach an audience. There are a bunch of ways to make money. It can also be distracting, because you go to one of these conferences and you go back thinking, “Oh, I've got to create my own website, sell direct. I've got to launch my Substack. I have to use Claude Code for my ads,” and three more things, “and I have to set up my TikTok Shop and do TikTok Lives to sell books,” right? Jo: All of those by next week. That's why we go to the conference. Ricardo: Exactly. All those by next week, right? And during that one week after the conference, you have the energy to start implementing all those things, but afterwards you lose that energy and you go back to, “I just want to quit.” So you need to have some sort of resilience, and the business sense of, “Okay, I'm going to try this for the next six months, and I'm going to stick to it, and I'm going to see whether it works or not. And if it doesn't work, I'm not just going to despair. I'm going to try something else.” That goes for marketing tactics, but also goes for books. Most authors I know who make a living writing, they didn't get there with their first book or even their first series. A lot of times I see authors who write a couple of series, and those series do okay. They sell a little bit, but not much, and it doesn't afford them to quit their day job. Then suddenly, based on what they've learned with those first two series and what they've learned potentially going to conferences or listening to podcasts like this, et cetera, they write a third series that's a hit. That's a hit, and that's instantly much easier to market, and that's when they can afford to go full time and write full time, because they've found that sort of product market fit. And product market fit for me is the main thing for marketing in general and for authors in particular. Until you find that, everything is really difficult from a marketing perspective. But finding it usually requires writing more than one book and more than one series, because you're rarely going to get the big lottery ticket on the first try. Jo: Or ever. I think it's really important. I've never had a breakout book, but I've made good money every year. I think, and Hugh Howey said this, that the real story of self-publishing is not the people who make seven figures a year, it's the people who can go on a holiday once a year, or the people who can just put a bit towards their mortgage or whatever. So you may never have a breakout series. I think that's really important, too. Ricardo: That's true. Jo: That's true. You can just keep writing and make all right money and be what we call in the mid-list. Ricardo: Yes, but you've got to keep going. You've got to have that resilience to keep going, probably because it's your passion. Exactly. You're not chasing that seven figure series. You're writing because you need to write. Jo: Yes, and you can't stop, and you get the bug. I think when you're writing that first book, I'm not sure if people understand that you either get the bug or you don't, I think. You've written a couple of books now. Do you think you have the bug, or is it more about the business? Ricardo: I don't have the bug. I definitely don't have the bug. I would've kept writing otherwise. Jo: You're a technologist, right? Ricardo: Yes. I'm more of a technologist, more of a marketer. To write my first book, How to Market a Book, I actually had to write newsletters, because that I can manage, right? One newsletter a week. Now I don't even manage that. I send it once every two weeks when I can even manage that pace. But back then I did one newsletter a week, and that's how I wrote my first book. I then put all these newsletters together, and that was before the age of AI, so I couldn't just dump all that into ChatGPT and tell it, “Create me a book based on that.” I had to do it myself. Jo: Oh, terrible. Ricardo: Terrible, I know. The days when we had to work. No, but that was a really good experiment. The second book, Amazon Ads for Authors, I actually wrote it from scratch, and I didn't love the experience. I loved the finished product, I'm very proud of it, but I didn't enjoy the experience of writing it. Amazon Ads is not the most exciting topic in the world. Even for people like me, who actually enjoy Amazon Ads, it's not super exciting to write about. The fact of having to write that whole book from scratch, I didn't love the experience. So now I do want to write a third book at some point, but I think it'll probably be in the format of the first one. Like, when I finish my series of newsletters on AI search and AI discoverability, I might do a booklet or something around it, but we'll have to see. It's not my favourite thing. It's a good thing I don't need to. Good thing I'm not an author, basically. Jo: No, but I think that's really great to recognise. You actually have written books that support your business, and that is very common for nonfiction writers. That's completely normal for nonfiction authors. So I think that's another important thing for people to recognise, is that the reasons we write are different, the reasons we market are different, and we all have different approaches. As we wind up, and obviously you talked a bit there about how easy it is to generate books with AI, and that is probably one of the biggest things that people are worried about. Now, those of us like you and I have been talking about AI at conferences and things for years now. Neither of us are afraid of it, I think basically because both of us use it, and we're technologists, so we just get on with it. There is so much fear in the community. There's so much negativity. You mentioned Substack, and now they've integrated Pangram, which is renowned for false positives around what is written with AI, and so people are very worried. If we look forward and we look at the next decade, this is not going away. This is going to change a lot of things. So how should authors be thinking about AI, do you think, if they want to prepare for the next decade? Ricardo: I think they need to play around with it, because you and I know that until you actually use it, you don't realise what it's capable of. We've both had these moments of “Oh my God, I'm going to be out of a job,” or “Oh my God, this is incredible,” the kind of things it's able to do. You also realise by using it the things it's not great at, or the things it can be good at but needing a lot of human input. There are courses out there, there are books, there are a lot of things, but for me, the most important thing is to start playing around with it. So you can pick one specific topic to play around with. Either something that you've been meaning to get into for years and haven't done, or something that really annoys you. Looking at the results of your Facebook ads, for example. If you run Facebook ads in the first place, and when you log into your Meta dashboard you cannot make sense of it, take screenshots or download the data, feed it to an AI chat, and talk with it. One of my biggest tips when talking to AI chats is asking them questions rather than asking them for things to do. Because if you just feed it your advertising data and you tell it, “Tell me what I should do,” the chat has no context about what your ads are about, what your goal is, et cetera, et cetera. If you feed it just a screenshot and you say, “Here are my ads. I would like you to help me make sense of them. What do you need to know from me in order to help me with this?” Then it's going to start asking you questions. “Okay, what are you advertising?” They're books. “Okay, what kind of books? Where are you selling? Are your ads going straight to Amazon or retailers, or are they going to your website? If you sell direct, okay, are these conversion ads?” Et cetera, et cetera. So you build that context, and they can help you with it. So that's just one example, but I would pick one thing that you want to test AI with, with zero expectations. Don't expect that by the end of the week you'll have a full system for understanding your Meta ads thanks to AI. You might get to that or you might not, but at least you'll play with it and you'll understand its capabilities, and have a sort of understanding of how it works and how you can potentially use it for other things. I think that's the best way to adapt, because once you play with it, you start thinking. You're walking the dog and you're just thinking, “Ha, I could maybe use it for this thing or that other thing,” and that's how you progressively become more familiar with it. I think there are a lot of worries around AI, but as you say, it's there to stay. So far, I think I was looking at data this morning, and the unemployment rate in the US has stayed stable ever since ChatGPT was introduced two years ago. So there are a lot of narratives out there around how it's going to replace humans, it's going to replace jobs, et cetera, which it might do. I'm not great at predictions usually, but so far it hasn't. What it will definitely do, however, is completely change the way we work. Obviously AI was one of our big reckonings at Reedsy, because we run a marketplace. Our main business model is the marketplace, where authors come in and look for editors, for marketers, for cover designers, for translators, and some of these domains and services are being transformed by AI, right? AI translations are massive right now. We haven't really seen a decline at all on the Reedsy marketplace, but we're prepared for it. It might very well happen, but what we think is happening, or is going to happen, is professionals using AI tools to provide a better output or a faster output or a cheaper output, or all three of these things. So for example, we now have literary translators who say they're open to editing AI translations, right? So you can come in, you can have your book translated with AI, whichever tool or method you choose for that. Then if you want a set of human eyes on it, you can hire a literary translator who's open to working on an AI-translated manuscript, and that's obviously going to be much, much cheaper than paying 10 cents per word from scratch for a literary translator. I'm not necessarily recommending you completely bypass literary translators, or that you go this way, but you have options, right? You have options for different sets of budgets. I think all these human editors, narrators, translators, designers, et cetera, they're not going to disappear, but they might have to reinvent the way they work in the future. Jo: As we all are doing. As you say, for me mostly it's the business side, getting Claude to help me with business stuff. Like even bookkeeping. There are bills that we've all been paying for years that we can now maybe reduce, and reducing costs as well as increasing profit is obviously good business sense. So, interesting times. But just as we wrap up, what are you excited about in what's coming? How do you see Reedsy shaping up in the next decade? What is coming for you and Reedsy? Ricardo: We're really excited about the decade to come, because obviously 10 years for a startup is a long time. I think most startups after 10 years, the founders are gone. Jo: Yes. Ricardo: Or they've exited or they've sold or whatever. We've stayed, we're the same founders, and we're still as excited because I think we have new products, right? We're working on new things. As I mentioned at the beginning of the episode, Reedsy Studio, our writing tool, is probably one of the things we're most excited about, because first, it's getting adopted very fast. It has startup-like growth that we hadn't seen for other products in a long time, and it has very cool technology built in. We probably have a team of 10, 15 engineers now working full time on it and adding a lot of things. So we've added templates for plotting your book, with relationships within different characters and places and magic systems and things like that. We've added writing goals and writing statistics. We still have the free exports. One very cool thing we've added is real time collaboration. So just like Google Docs, you can write in real time with a co-author, or you can get an editor to work in there live with track changes. So you could have an editor working on chapter one while you're writing chapter three, for example. That kind of thing. It's really powerful technology, and that's one of the things we're really excited about for the future. A business, just like authors, we've got to reinvent ourselves. We've got to find ways to keep things exciting and keep motivated, and that is definitely one of them. When adoption goes along with it, then that's obviously super satisfying. Jo: Brilliant. So where can people find you and Reedsy online? Ricardo: So Reedsy you can find at reedsy.com, R-E-E-D-S-Y.com. And there you'll find the whole suite of tools and services. For me, you can find me mostly by email, as I mentioned. That's the one place I check consistently every day, and my email address is ricardo@reedsy.com. So again, R-E-E-D-S-Y.com and ricardo@reedsy.com. You can email me any questions you have about this episode, about AI book discoverability, about marketing, about Reedsy. I always try to answer every email I get, because I think when we started Reedsy, I really appreciated people like you, and some other agents and editors and authors we contacted who were influential in the industry, who actually answered us and took the time to do that. So now I try to answer every email I get, because I feel like we've been very lucky in the beginning to have those people answering our emails, so we should do the same. Jo: Oh, well, thanks so much for your time, Ricardo. That was great. Ricardo: Thank you, Jo. Thanks for having me again.The post Book Marketing, AI Book Discoverability, And Resilience, With Ricardo Fayet first appeared on The Creative Penn.

Migliaia di guide di viaggio su Amazon sembrano “normali”: copertina curata, impaginazione pulita, 300 pagine e prezzo da 7-10 euro. Il problema è che molte sono firmate da autori inesistenti, con biografie inventate e foto generate dall'IA. Dentro, testi plausibili ma pieni di errori: orari e prezzi sballati, indirizzi sbagliati, ristoranti chiusi da anni, itinerari che ignorano la sicurezza dei sentieri o dei quartieri. Il caso riportato da Futurism (2024) racconta di una turista che, seguendo un percorso di trekking “facile” indicato da una guida sospetta su Santorini, si è ritrovata in una situazione pericolosa ed è stata soccorsa dalle autorità locali.Il punto non è solo la truffa del singolo libro: è un fallimento di mercato. Con l'asimmetria informativa descritta da George Akerlof (il “mercato dei bidoni”), se l'acquirente non sa distinguere qualità e spazzatura, il prezzo medio scende e i contenuti fatti bene diventano economicamente insostenibili. Kindle Direct Publishing abbassa a quasi zero il costo di produzione, mentre i controlli restano reattivi: molte rimozioni arrivano solo dopo segnalazioni manuali. Quando “good enough” basta per vendere, la qualità esce dal mercato e resta l'automazione.00:00 Guide IA e autori inesistenti00:00:39 Il caso Santorini: trekking pericoloso00:01:18 Come nascono le guide su KDP00:02:23 Controlli Amazon e segnalazioni00:03:06 Akerlof e il mercato dei bidoni00:05:01 Perché la piattaforma non certifica00:07:17 Come riconoscere una guida affidabile#AmazonKDP #Akerlof #GuideViaggioIA~~~Ciao Internet! - Il primo e più seguito canale di TECH POLICY in italia, con Matteo FloraINFO E AZIENDE: https://matteoflora.comIl CORSO di AI: https://zero.matteoflora.comNewsletter: https://link.mgpf.it/nlSocial: https://io.matteoflora.comEnglish: https://www.youtube.com/@CiaoInternetPrivacy » https://privacy.matteoflora.comAI Policy » https://privacy.matteoflora.com/aiMail #adv: sales (at) matteoflora.com

In this episode of The Writing Life Podcast, award-winning writer Pip Landers-Letts discusses her experience self-publishing her action-packed novel Pyg – a queer retelling of George Bernard Shaw's play Pygmalion.    Pip Landers-Letts is an emerging queer author of contemporary sapphic fiction. Her work explores themes of love, loss and transformation, by blending emotional honesty with warm, character-driven storytelling. Her published titles include The Weight of What Was (2024), Pyg (2025), and Chameleon (2026). In 2025, she won the Kindle Storyteller Award for Pyg.   Pip sat down with fellow writer Grace Murray to share her journey through self-publishing, offering advice and insights into the process, and reflecting on how winning the Kindle Storyteller Award helped her feel recognised as a writer. Their conversation also covers working with sensitivity readers, lesbian representation in literature, and the experience of writing multiple books set within the same fictional world.    Self-published authors can enter a book of any genre into the Kindle Storyteller Award for the chance to win £20,000. To be eligible, simply publish your story via Kindle Direct Publishing by Monday 31 August 2026.

THE ORACLE AT FIRESIDE LAKE Mallory has been reading tarot and casting spells inside her metaphysical store for years. 2025, however, brought more than its fair share of romance and intrigue as the moon waxed and waned above Fireside Lake, Minnesota. Can Mallory overcome the year's challenges, both normal and paranormal, and keep herself, her family, her friends, and Oracle Shoppe afloat? Find out in another cozy tale of occult romance and suspense from Colleen McManus Hein. LEARN MORE TOPICS OF CONVERSATION The real-life inspiration behind The Oracle at Fireside Lake and how a small-town sewing shop in Ely, Minnesota sparked Mallory's world Colleen's lifelong fascination with tarot, the supernatural, and how she weaves real readings and simmer pot rituals into the story Using holidays, seasons, and moon cycles as a writing framework to structure each chapter and beat the blank page Drawing from real relationships with friends, mothers, daughters, and grandmothers to bring authenticity to the characters The joys and struggles of indie authorship, from Goodreads reviews to writing as a creative escape from everyday life ABOUT THE AUTHOR Colleen McManus Hein lives and writes in Illinois. She has published in Poetry Cram, Highland Park Poetry, East on Central, The Sports Scribe, The Packingtown Review, and Inkwell. She self-publishes novels, short stories, and poetry collections through Amazon's Kindle Direct Publishing. When not reading, crocheting, or walking her dog, you might find her turning tarot cards or holding a seance by candlelight. Learn more and connect with Colleen on her Author page at Amazon.com.  

In this week's episode, we take a look at eight common ebook formatting errors and how to correct them. This coupon code will get you 25% off the ebook of Ghost Exile: Omnibus One at my Payhip store: EXILE25 The coupon code is valid through April 6, 2026. So if you need a new ebook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 296 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 27th, 2026 and today we are looking at eight ebook formatting problems that readers hate and how to fix them. Before we get into our main topic, we'll have Coupon of the Week and a progress update on my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off the ebook of Ghost Exile: Omnibus One at my Payhip store. That coupon code is EXILE25. And as always, you can get the coupon code and the links to my Payhip store in the show notes. This coupon code will be valid through April 6th, 2026. So if you need a new ebook as we leave winter and head into spring, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. As of this recording, I am currently 97,000 words into Blade of Wraiths, and I'm hoping to get to the 100,000 word mark by the end of today. You will note that if you read the first three books in the series, this will make it longer than the first three by good bit, which is part of the reason why it's taking so long. I was hoping to have it published by now, to be honest, but between the length and the variety of things I've had to do in real life before I can get to writing have slowed me down a bit. I have made progress and I am hoping to finish the rough draft before the 31st, if all goes well. Then it will be time to write a tie-in short story that newsletter subscribers will get for free when Blade of Wraiths is published, and then on to editing. So I'm hoping to have the book out in the second half of April, if all goes well and the creek doesn't rise, so to speak. I'm also 12,000 words into Dragon Mage, which will be the sixth book in the Rivah Half-Elven Thief series. I'm hoping that will be out in May because that will become the main project once Blade of Wraiths is finished. In audiobook news, as I mentioned before, recording of Blade of Storms (as excellently narrated by Brad Wills) is complete. I think as of right now, you can get it at my Payhip store, Google Play, and Kobo. Audible, Amazon, Apple, and a few of the other major stores should hopefully be coming along before too much longer. Recording is done on Wizard Assassin, which you may recall is the fifth book in the Rivah series, and that is narrated by Leanne Woodward. We just have to proof that, and then it'll be time to submit it for processing at the stores. So hopefully you'll be able to get your hands on that before too much longer. I believe next week, Hollis McCarthy will start recording on Cloak of Illusion, the 12th book in the Cloak Mage series. Since a few people have asked about this, I thought I'd mentioned here there will be a Cloak Mage: Omnibus Four in audio that will combine Cloak of Embers, Cloak of Titans, and Cloak of Illusion. I will probably start working on that one month after Cloak of Illusion comes out in audio. So that will probably be along sometime this summer, if all goes well. So that's where I'm at on my current writing, publishing, and audiobook projects. We've got good things coming up for you soon. 00:03:18 Main Topic: ebook Formatting That Readers Hate Now let's move on to our main topic this week, and it's something I have quite a bit of experience with, I have to say, is ebook formatting that readers hate. Today, we're going to talk about issues with ebook formatting, a topic that people have very strong opinions about. I am going to talk about eight issues in particular and then discuss how we can fix or prevent or best of all, avoid them. First of all, what do we mean by ebook formatting? Formatting is the term to describe the layout, text, and images of the book. Back in the print book days, this was a complicated but fairly fixed thing. In the very old days, you would have to lay it out the books manually. A few decades ago, they had programs like QuarkXPress and Adobe InDesign where you could use these software applications to prepare finished files for sending to the printer to be printed as books. But nowadays, in an age where books are electronic files read on dozens of possible devices and apps, it's much more difficult to predict every possible thing that can go wrong with formatting. For example, with a print book in the old days, you would set the layout, and that is the way the layout would look. Every single book (ideally) printed would look the same. But in the modern age, if you have an ebook, it could be read on a Kindle, a Kindle Color, the Kindle app on the phone, a Barnes and Noble Nook, a Google tablet, on Apple iBooks on an iPod, on Apple iBooks on an iPhone, on the Kindle app on an iPhone. There are literally dozens of different potential combinations where an ebook file could be read and therefore dozens of different potential complications that can arise for ebook formatting. If there are formatting problems, readers will not be able to understand or even physically be able to read the text at worst, and more likely will be deeply annoyed by the issues that feel like road bumps such as extra line breaks and will express their displeasure in reviews. There are also an abundance of ebooks out there that are hastily converted from PDF or Word docs that make for an extremely difficult reading experience. Many of the problems we're going to talk about today arise from when that happens, including the first several. So with that in mind, here are eight ebook formatting errors to avoid and how to deal with them. #1: Illustrations, charts, and maps. Some of the most common issues are that these aren't legible in grayscale (like an e-ink reader, like the Kindle or the various Kobo devices) or have too small fonts or a poor quality or low resolution. This is a very common problem, and it's kind of a problem across all ebooks. Like for example, think of the map of Middle Earth from J.R.R. Tolkien's The Lord of the Rings. It's a very complicated map with a lot of different names on it. Now imagine trying to read that map on a six inch black and white Kindle screen. You probably aren't going to be able to do it very well. People using dark mode are most likely going to have problems with seeing images in the same way. So if you have an image heavy book, it's a good idea to test that. So how to fix this? What I've done myself, because I write a lot of fantasy novels and fantasy novels traditionally need maps, is I will put the full color maps on my website and then in the author's note at the beginning, say a map of Owyllain or a map of Andomhaim is available at the author's website on this link. I had a few people ask if I could put the maps in the books and the nearest thing I've done is including the maps with some of the direct sales of my Payhip store. I think the system works very well because those map pages are consistently some of the most visited pages on my website. And to be honest, it would be a lot easier to look at the map on, for example, your tablet or your computer instead of on your phone when you're trying to use the e-reader application. And even if you are looking at the map on my website on your phone, you can pinch zoom in the browser in the way you probably can't in the ebook reader. So that is the quick and easy solution for it. For more image intensive books like textbooks, for example, you just have to take great care and make sure they use large, high resolution images that aren't going to get pixelated. It may be a good idea to set up a website that has these images that the readers can refer to. This would be a bit of extra expense and work, obviously, but it would go a long way to making your readers happy, like I have done with the maps on my website. #2: Paragraphs that aren't indented or unneeded spaces between indented paragraphs. This is one of the biggest pet peeves that people have when reading ebooks. Indented paragraphs are important and if they're properly indented, then space isn't needed between the paragraphs and this will look odd to readers. This was in fact a problem I did have the first couple of years of my ebook publishing career because I used Sigil for my primary ebook formatting and that is the default way Sigil renders ebooks. In time, I started to switch to using Vellum for ebook formatting and that solved the problem. So what I did at that point was I just went through all my entire library, reformatted the ebooks in Vellum, and then re-uploaded them to the various ebook store platforms and that took care of the problem. And that's what I've been doing ever since. I've been using Vellum for ebook formatting since at least 2018 at this point, I think. So how to fix? The easiest way to fix this is to spend a little money on a tool like a Vellum or Atticus or a similar program that does ebook formatting for you because that will make sure your paragraphs are indented properly and then you can spot check as well to make sure that the table of contents is working and the chapters are working and that the paragraphs are being indented properly. #3: Our third issue is hard to read fonts. Some people enjoy fonts that are very stylized, but let's be honest, most readers don't. It's also an accessibility issue if the serifs or the flourishes are too elaborate. How to fix? Honestly, the easiest way is to not use custom fonts for your book unless you have a really, really, really and I emphasize really good reason to do so because part of the appeal of ebooks and ereaders is that you can adjust the font size to whatever you want, which is also particularly important as people get older and it becomes harder to read small print. So if you have a font that is inherently difficult to read in your book, that is going to be a serious, serious speed bump to readers enjoying the book. So my advice for custom fonts is avoid if possible, and even if not possible, still try to avoid. #4: Our fourth issue is basically the same as the third issue, except worse. Font sizes that can't be changed/hard coded text size. A bad font choice is made much worse if the ebook is hard coded to a certain font. This can happen if you use certain exporting tools to export your print book layout into an ebook layout, and sometimes the font size carries over with that. People have strong feelings about fonts and some are more accessible than others, so it's very important not to do this. So how to fix this problem? Don't do it to begin with. It's bad and people will be mad at you. Do not hard set the font size in your ebook, and if you do it by accident, fix it if at all possible. That is my advice in this situation. #5: A fifth potential ebook formatting issue is random hyphens in the middle of words that shouldn't be there. Random hyphens in the middle of words can happen if you convert a book from a PDF file to an EPUB file, and this means it's a very preventable formatting issue. The best way to avoid this is not to upload a PDF file or a Word file to Kindle Direct Publishing and the other ebook platforms, because while they do have automated tools for converting a PDF and a Word document to an EPUB, there's often weird formatting glitches that pop up like the random hyphenations. The best way to avoid this is to use a proper tool to format your ebook like Vellum, Atticus, maybe Scrivener, maybe Kindle Create. So that is the best way to do that by preparing your own EPUB file and uploading that directly. #6: A sixth issue is footnotes or bibliography or endnotes that don't link back to the original page. This also really annoys people. Footnotes and other links within books either need to be popups or linked back to the original page otherwise, readers will be deeply annoyed trying to return to their place each time and even fewer people will read them. And the best way to fix this is to make sure you have set up the footnotes, bibliography, or endnotes properly in a formatting program so that the links work. If you try to do this using a PDF or Word document you upload to the ebook platforms, it's probably not going to work. So it's best to, again, to create your own EPUB and upload it directly. #7: A seventh thing that annoys readers is books without chapters or books without numbered chapters. Books without chapters or unnumbered chapters is a very annoying thing for readers, but most formatting software will help to create and number chapters. Now, how to fix? The technical explanation of this is an EPUB file is essentially a zipped version of several XHTML files and each XHTML file in the sort of zipped package should be its own chapter. The way an EPUB generates table of content files is that every chapter heading should have a H1 HTML key, and that it lets the EPUB know which heading should be chapters. Now you can hand code all this in a program like Sigil, but again, it's much easier to use a program like a Vellum, Atticus, or Kindle Create that will automatically create a proper table of contents for you rather than you having to go through with a XHML or EPUB editor like Sigil and then hand code the H1 tag. It's much easier to automate this and there are applications that will do this for you. #8: The eighth formatting problem that annoy readers is quotation marks the wrong way. What do we mean by that? Quotation marks come in two styles, straight and curly. Curly ones look like flipped commas, while straight quotation marks look more like two lines. Most word processing programs like Word will default the curly quotation marks and convert straight ones. Although curly quotations can sometimes create garbled formatting, they're considered to be the standard. How to fix? Honestly, the easiest way to fix this is to, if it's a problem for you, is to do a find and replace or a find and search. Just if you find that usually what happens is that if you hold down the shift key for too long while you're thinking and then you hit the quotation marks. Sometimes in certain operating systems, it'll convert it to straight quotation marks instead of curly ones. So if you are worried about a few of the wrong type of quotation marks showing up in your document, the easiest way to fix it is just a quick search through the document for straight quotation marks and then remove any ones that you see. We've talked a lot about formatting ebooks and tools for formatting ebooks. So I thought I would suggest the three most popular applications for formatting ebooks, and those would be Vellum, Atticus, and Kindle Create. Vellum is most expensive, but I think it has most features, whereas Kindle Create is pretty simple, but it's free. Vellum is Mac only. As I've mentioned before on the show, I started using it for print layout and then liked it enough that I switched over to using it for all my ebook formatting and that's been true for like the last eight years now. It's very easy to learn. It has excellent features and excellent support. I've never had any technical problems with it whatsoever. I'd say the biggest liabilities for it are that it's the most expensive of the options and it's Mac only. So if you don't have access to a Mac, you would need to choose another option. The next option would be Atticus, which the advantage for Atticus is that it's cross platform. It will work on Windows, Mac, and Linux because it is foundationally a web application. It's also very collaborative in that you can invite other users to use it. The creator of the program, the guy who runs Kindlepreneur named Dave Chesson, has said he wants to create an all- in-one ebook creation, writing, and formatting tool with Atticus, and I think he's taken a pretty good stab at it. I'd say the biggest weakness for Atticus is that it does have a bit of a learning curve because there are so many different functions packed into it. The free option would be Kindle Create, which is a program put out by Amazon. Kindle Create is pretty basic, but it does have everything you need and you can use it to create both files optimized for the Kindle platform and generic EPUBs that you can use on other platforms. I'd say its biggest weakness is that it's fairly simple and that it's produced by Amazon, which some people have strong feelings about, but it is free, which is hard to beat. In Episode 251 (about a year ago), I talked about ebook formatting software and offered pros and cons for each. There isn't one perfect option, so it's good to look over the details for each one of them and watch one of the many available reviews or overviews available online to get a feel for how each one works differently. And now the three strategies for finding formatting issues before your readers do. #1: Test your ebook in each file format (PDF/EPUB) and on multiple devices. It's impossible and prohibitively expensive to test on every possible device, but try some of the most common devices and apps. It's important to test on a Kindle, an actual Kindle and not just on the app, for example. #2: Check the page and chapter breaks in particular. These are the spots where odd formatting tends to cluster. Check all of them to make sure there's nothing weird that you need to fix. #3: Check for legacy things from the print version like page numbers, the table of contents, and so forth. And I find that the easiest way to do all three of these at once is in my final phase of editing a book, I will have my computer read it aloud to me with text to speech and I find that's a good way to find any remaining typos. It's also a very good way of spotting formatting issues since you'll be looking over the entire book one more time and if there's like a weird gap or a line break or something of that nature, you're probably going to have a good chance of spotting it. So in conclusion, ebooks can be a bit difficult to format, but there is dedicated software and a slew of tutorials and guides to help you do it. Learning a little bit of HTML and CSS can help, but it's not a requirement at this point. If you're self-publishing, having a well formatted book is important because readers either won't enjoy or won't even start a poorly formatted ebook. I hope these tips help you with knowing where to start with improving your ebook formatting. So that is it for this week. Thank you for listening to the Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your view on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.  

AbbeyoftheArts.com Abbey of the Arts Wisdom Council member Jo-ed Tome reads Kathleen Schwab and Therese Kay and invites you into 5 minutes of contemplative silence to hold a loving intention for peace, justice, and compassion to flourish in the world. Credits: All texts under fair use or with permission. Kathleen Schwab and Therese Kay, A Healing Journey: 14 Daily Devotionals for Those Dealing with Grief, Pain, or Anxiety. (Kindle Direct Publishing, 2018), no page number in Kindle AbbeyoftheArts.com

Episode 675 - David Niemitz - Writer and Teacher - Guild Mage,  a serial fantasy novelWriter and teacher David Niemitz joins the show from Connecticut to talk about his dual life in the classroom and on the page, and how both worlds feed each other. He shares how teaching “film as literature” to high school seniors, using stories like Star Wars, The Matrix, Moana and The Princess Bride to explore the Hero's Journey, keeps him immersed in narrative structure, character arcs, and mythic storytelling. That daily engagement with story craft feeds directly into his own writing.David explains the practical realities of publishing, contrasting the limited data and delayed royalty statements that come with working through traditional and small publishers with the detailed dashboards and page-read metrics available to indie authors on Amazon's Kindle Direct Publishing and Kindle Unlimited. He talks frankly about the trade-offs: more support and distribution versus more control and information, and how audio rights and sales data can be even more opaque when handled by audio publishers.The conversation then dives into his path to becoming an author. A lifelong reader raised in a house full of science fiction and fantasy, David rediscovered his passion for writing when he pursued a creative writing master's degree while teaching full time and parenting a toddler. That intense season led to his first self-published science fiction novel, set on Europa and grounded in real-world technology and hard science principles. From there, he evolved his craft, ultimately launching Guild Mage, a serial fantasy novel that became his flagship series.Guild Mage began as serial fiction following Liv, the daughter of a castle cook, who slowly discovers her otherworldly heritage and magical powers over many years. David wanted to explore what it means to age more slowly than those you love, watching human friends grow up, marry, and die while you remain “behind.” He layers in his own experience raising an autistic son, using Liv's slower social-emotional development and sense of being left out as an emotional core, then gradually raising the stakes as she moves from bullied child to powerful adult in a complex fantasy world.Community is at the heart of his process. Early chapters of Guild Mage release first on Patreon, where a devoted Discord community offers feedback, catches continuity errors, and even helps shape cover art concepts that his publisher then passes to illustrator Ben Moran. David describes this as “open development” for fiction, heavily influenced by decades of tabletop roleplaying games where he learned to watch what players love, adjust pacing, and keep tension high so no one gets bored.He also unpacks his hybrid “pantser with prep” approach to plotting using worldbuilding notes, bullet lists, and physical note cards for complex multi-POV battles, while still leaving room for discovery and reader-driven emphasis. https://www.facebook.com/p/David-Niemitz-Author-61558007085046/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Self-publishing expert Rodney Miles reveals proven strategies for entrepreneurs ready to publish their first book without traditional gatekeepers. After helping create 300+ books over 14 years, Rodney shares insider knowledge on Amazon KDP, realistic publishing costs, and critical launch mistakes that kill book success before it starts. Busy entrepreneurs can complete professional business books in weeks instead of years using strategic interview methods and content repurposing. Rodney breaks down the complete self-publishing process: choosing between ghostwriters and collaboration models, navigating ISBN requirements, copyright registration, and Library of Congress cataloging. You'll understand why your email list matters more than social media followers, how to generate authentic Amazon reviews without violating terms of service, and the psychology behind book covers that convert browsers into buyers. This episode covers essential publishing infrastructure including Kindle Direct Publishing, IngramSpark for wide distribution, and audiobook production economics. Perfect for entrepreneurs, coaches, and consultants who recognize that business books open doors to speaking engagements, premium client acquisition, and industry authority. Rodney addresses beta reader strategies, advance review coordination, forward selection for credibility, and modern book launch strategies that work in the digital age.

In this week's episode, we share five tips for effectively using Amazon Ads for indie authors. This coupon code will get you 25% off the ebooks in the Sevenfold Sword series at my Payhip store: SEVENFOLD25 The coupon code is valid through January 19, 2026. So if you need a new ebook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 285 of The Pulp Writer Show. My name is Jonathan Moeller. Today is January the 9th, 2025 and today we are discussing five tips for Amazon ads for authors. We will also have Coupon of the Week and a progress update on my current writing and publishing projects. So let's start off with Coupon of the Week. First up is Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Sevenfold Sword series at my Payhip store. That coupon code is SEVENFOLD25. And as always, the coupon code and the links to my Payhip store will be available in the show notes for this episode. This coupon code will be valid through January the 19th, 2026. So if you need a new ebook for this winter, we've got you covered. And now for an update on my current writing and publishing and audiobook projects. As of this recording, I am about 68,000 words into Blade of Storms, which will be the third book in my Blades of Ruin epic fantasy series. I think the book will be about 100,000 words, give or take, so that means I'm 68% of the way through. And I'm really hoping I can finish the rough draft by the end of the week of the 12th, if all goes well. So hopefully finishing up the rough draft by the 16th or the 17th, if all goes well, but we'll see if I can get there or not. I am also 9,000 words into Cloak of Summoning, which will be the 14th book in the Cloak Mage series. Hopefully that will come out a month or so after Blade of Storms. I'm hoping Blade of Storms will come out in January, but it might be tight. And then Cloak of Summoning will come out the month after that. In audiobook news, Brad Wills is working on recording Blade of Shadows, the previous book in that series and Hollis McCarthy will start recording Cloak of Titans, the 11th book in the Cloak Mage series, at the end of this month. And a few people asked if Wizard-Assassin was going to have an audiobook. It will. Leanne Woodward will record it in March, if all goes well. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:12 Main Topic of the Week: 5 Tips for Amazon Ads for Indie Writers And now let's move on to our main topic of the week, five tips for Amazon ads for indie writers. And let's not beat around the bush here. Amazon ads for writers can be extremely difficult to figure out, especially when you're just starting out. The advice you'll find online can be contradictory or confusing, and it doesn't help that books tend to act very strangely in terms of advertising compared to other products. A while back, I was chatting on Facebook with someone else who does Amazon ads, and he mainly does cosmetics reselling, and he was shocked by how much a click for an ebook would cost compared to a click for say like a six pack of shampoo or whatever. And that's just the nature of the market category that ebooks are in. Because of that, the advice you'll find online can be contradictory or confusing. Some Amazon ad experts insist that you devote at least an hour or even two a day to managing your ad results and then have intricate formula-filled spreadsheets for doing so, while others advise you to set them and forget them. Advice about the bids and spending vary wildly. It can be very easy to get overwhelmed or overspend starting out, but that doesn't have to be the case. I will say that compared to Facebook ads or BookBub ads, it is a lot harder to accidentally lose a lot of money on Amazon ads because regardless of how you configure your Facebook ads or your BookBub ads, Facebook in particular will cheerfully spend your ad budget and give you nothing in return if you haven't configured or targeted your ad correctly. By contrast, an Amazon ad that doesn't work tends not to display and therefore doesn't spend any of your money. So when I'm talking ad platforms for beginners, I tend to recommend that beginners start out more on Amazon ads just because it's much harder to lose money, but it's not impossible, which is something to keep in mind as we get into that. I'm not going to get into the individual specifics of how to set up Amazon ads today, since there's many other people out there who provide that information and probably do a better job than I would. That said, I'm going to just focus on broad principles based on things I've learned instead of providing a specific step-by-step guide for the topic. So without further ado, here are five lessons I've learned about Amazon ads for writers in the last eight or nine years that I've been learning them. #1: Do your research before you start. It can be tempting to dive in right away, but before you spend a single cent on Amazon ads, you should take the time to learn how the bidding process works and how keyword and category ads work. You should also familiarize yourself with other books and trends in your categories. Your book and its ad copy should feel like it belongs with the others in your category and genre. For example, having a neon pink, high heel boot, and flowers [on a cover] in the political thriller category doesn't match the colors since most political thriller books tend to have a solitary dark figure walking in the opposite direction of the camera and many, if not most of the books in the genre have that kind of cover design. Optimizing your book cover for the category before you start doing ads can make a huge difference in the ad results you see. And this is true on many levels as well since when indie authors ask, "Why isn't my book selling?", the number one thing to fix in like 90% of the cases is a bad cover that looks like it was done in Canva or was slapped out of an AI like Copilot or ChatGPT or something that is immediately off-putting to the reader because it's not attractive. You should also make a set budget before you start out and make sure that your daily budgets for your campaigns reflects that budget instead of using whatever daily budget or bids that Amazon suggests for your ad campaigns. Amazon likes to suggest pretty high suggested bids in daily spending limits, which isn't a great use of money if you're just starting to learn how the ads work. And as always, in business it is very, very, very good advice and a very good idea not to spend money that you don't actually have. #2: Targeting is everything. We've all seen baffling book results when browsing on Amazon. For example, once when I was searching for space opera books, a book on visiting Wisconsin Dells as a tourist showed up as a sponsored result in my search, which is insane because I was searching for space opera books. Sometimes an author will choose to advertise in too many categories or choose ad keywords that don't represent their book well. That's the most likely reason why you see things like that Wisconsin Dells book in search results that don't match it. I've told this story before on the podcast, but our transcriptionist once was taking a class on Amazon ads and heard someone say that they wanted to advertise their gritty memoir in every possible category because everyone should read their book. And I think that is a small-scale example of hubris because someone shopping for children's picture books or Spanish language technical manuals is very unlikely to buy that book. Someone looking for a romance novel might be actively annoyed if they start reading that gritty memoir expecting a happily ever after love story and might leave a negative review since they didn't get the book content that they expected. One of the foundational principles of book marketing is that your book is not in fact for everyone. Your book is for a subset of the reading population. The key to successful advertising is to find a way to advertise that book to the subset of the reading population that would actually be interested in reading your book. There's a reason that when you are publishing your book through Kindle Direct Publishing, Amazon wants you to pick three categories for your book and that is in part because they know books do their best when they're paired with other books in the specific topic or genre. It's not a bad thing to focus your desired audience for a book when marketing it. In fact, ad targeting will save you time and money and help people to find your book. Your goal isn't to find every possible reader for your book. It's to find the readers who are most likely to be interested in your book in the subset of the reading population that I was talking about earlier. The more focused that your category targeting is, the better this process will be. For example, picking romance as a category is so broad and so competitive that you might not get any traction at all on a small bid. Choosing a more targeted category like "Amish romance" or "clean and wholesome romance with a happily ever after ending" that is more targeted is better both for helping readers to find your work and for getting good results on your ads. #3: Start small. My best advice is to ignore Amazon's suggested bid amounts and start out with a small per click bid and daily budget. It may take a few weeks to see results using that method, but it's best to start small and gain some understanding of Amazon ads before you spend lots of money that you may not be able to earn back. Some smaller categories like children's books and technical manuals actually do pretty well with very small bids. Aggressive bids make more sense when you have the data to know that they're going to work well and reach the exact audience that you want to see them. As a new author, it's not your best bet to chase the biggest authors in your category as keyword targets. Bids for those authors will be extremely high and competitive. It's most likely better to find comparable authors in your categories with less expensive bids starting out. Amazon will suggest you advertise in a wide variety of countries (in fact, every country in which they currently offer the Amazon ads platform), but it's probably wisest to start out with just the US before expanding to other countries. Starting with Amazon's largest market will provide you with a lot of ad result data that you can use to refine your ads before you try them in other countries. If you're based outside the US, it may make more sense to start out with the country you're most familiar with. For example, if you're a UK author or a German author, you might have better luck starting advertising your books in Amazon Germany or Amazon UK than in Amazon US. #4: Be patient. And I have to admit this is the hardest one, whether you are just starting out or like me, if you've been self-publishing for almost 15 years because you want to see results now, now, now, but that's often not the case and the best results usually come with applied effort over a span of time. If you're just starting out and your bids are small, it will most likely take at least a few weeks to see a significant amount of impressions on your ads. Don't adjust for anything for at least a couple of weeks unless an ad is spending more than you'd like or is getting a lot of poorly targeted searches to it, which can frequently happen with autotarget ads. #5: Check your Amazon ads dashboard regularly. It's important to review your ad spending regularly and to keep an eye on it, not to maybe obsessively deep dive into it but to keep an eye on it. Sometimes an ad can go a bit haywire and start spending more than you want, seemingly at random. It's good to go into ads that are doing this and see if they need some negative targeting added to them or something needs to be adjusted. The reverse of that is to not check the dashboard obsessively. It can be tempting to do that, but it's what I call a writing adjacent activity that can take too much time away from your actual work of writing. For myself, what I do to check Amazon ads is I just glance at the dashboard at least once a day to make sure that the spending isn't out of control or there isn't something big and obvious that I need to fix. And then at the midpoint of the month and the end of the month, I do take about an hour to do a deep dive into each of the campaign groups I have running to make sure that they are turning a profit, which is the main point after all, and to make sure that nothing is going wrong. And I've been doing that schedule for a couple of years now and that works pretty well for me. Check the dashboard once a day and then a deep dive twice a month to make sure that nothing is going berserk or that something is broken that I need to fix. Now, your ad results can also teach you how people are searching for your books and what other topics and authors are searching for, and this can be a great source for creating keyword ads. I found in the last few years that keyword ads really work a lot better with nonfiction books. And if you're going to use them for fiction books, you need, at least in my experience, at least a very focused keyword ad list with like less than 10 keywords. But as always with anything in Amazon ads, your mileage may vary. So those are my five broad lessons for creating Amazon ads for your book. It can be a frustrating process and there is a bit of a learning curve, but it can also teach you a lot about your potential readers and how they are trying to find your books or what appeals to them about your books specifically. Like many things in life, there are many ways to do it and succeed, but these are a few of the things I've noticed make a difference when working with Amazon ads and I hope you will find them helpful. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.

Kindle Direct Publishing announced two major updates that authors need to understand. Changes to digital rights management are raising questions, while a new ebook pre-order feature could reward authors who are prepared. We also cover AI entering the reading experience, audiobook discovery tied to BookTok, platform updates, and opportunities authors should watch heading into 2026. YouTube Channel Memberships – https://DaleLinks.com/Memberships KDP: New eBook Download Options for Readers Coming in 2026 - https://www.kdpcommunity.com/s/article/New-eBook-Download-Options-for-Readers-Coming-in-2026?language=en_US TechCrunch: Amazon changes how copyright protection is applied to Kindle Direct's self-published e-books - https://techcrunch.com/2025/12/10/amazon-changes-how-copyright-protection-is-applied-to-kindle-directs-self-published-ebooks/ KDP: eBook pre-orders will soon show a reading sample on Amazon – Update - https://www.kdpcommunity.com/s/article/eBook-pre-orders-will-soon-show-a-reading-sample-on-Amazon-Update DigitalTrends: Google Play Books may soon let you ask Gemini questions while you read - https://www.digitaltrends.com/phones/google-play-books-may-soon-let-you-ask-gemini-questions-while-you-read/ Amazon's New Kindle Feature Raises Concerns | Self-Publishing News (Dec. 16, 2025) - https://youtu.be/ozboaJlwhiw Bookvault – https://bookvault.app – Use coupon code BVDALE to waive three upload fees PublishDrive – Save 25% off all annual distribution plans - https://publishdrive.com/save-25-on-publishdrive-annual-plans-forever?fpr=dale10 (affiliate link) – Offer ends December 31, 2025 Audible and TikTok Bring Best of #BookTok Sensations Direct to Listeners - https://www.audible.com/about/newsroom/audible-and-tiktok-bring-best-of-booktok-sensations-direct-to-listeners Get Authentic Book Reviews – https://GetAuthenticBookReviews.com Spoken – https://Spoken.press Payhip: Ecommerce Payment Gateways for Digital Products - https://payhip.com/payment-gateways?fp_ref=lym89 (affiliate link) Authorbase – https://DaleLInks.com/Authorbase (affiliate link) Written Word Media: Author Branding for Self-Published Authors: How to Build a Brand Readers Love (Without Feeling Icky About It) - https://www.writtenwordmedia.com/author-branding-for-self-published-authors Outstanding Creator Awards: 2025 Clash of Champions Contest (results) – https://www.outstandingcreator.com/winners--2025-clash-of-champions.html Reader Views Awards: "Email Marketing for Authors" by Dale L. Roberts - https://readerviews.com/reviews/email-marketing-for-authors-roberts/ Self-Publishing with Dale (book series) – https://DaleLinks.com/SelfPubWithDale  Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

In "Beyond FBA: Unlocking Amazon's Fulfillment for Retailers", Joe Lynch and Wainwright Yu, the General Manager and Director for Amazon's externalized fulfillment services, including Buy with Prime and Multichannel Fulfillment, discuss how retailers can scale their brands by leveraging Amazon's global logistics and the Prime badge to drive multi-channel growth. About Wainwright Yu Wainwright Yu is a technology executive and leadership coach who currently serves as the General Manager and Director for Amazon's externalized fulfillment services, including Buy with Prime and Multichannel Fulfillment. Over a distinguished thirteen-year tenure at Amazon, he has launched transformative products for Kindle and Amazon Logistics while training emerging leaders through executive development programs. As a scholar-practitioner and father to four multi-exceptional children, he brings a unique, personal perspective to cognitive diversity in the workplace. Through his diverse work in global business operations and private coaching, Wainwright remains dedicated to his mission of establishing mindful, compassionate leadership as the standard for the modern professional world. About Amazon Amazon is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Amazon strives to be Earth's Most Customer-Centric Company, Earth's Best Employer, and Earth's Safest Place to Work. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Career Choice, Fire tablets, Fire TV, Amazon Echo, Alexa, Just Walk Out technology, Amazon Studios, and The Climate Pledge are some of the things pioneered by Amazon. For more information, visit amazon.com/about and follow @AmazonNews. Key Takeaways: Beyond FBA: Unlocking Amazon's Fulfillment for Retailers In "Beyond FBA: Unlocking Amazon's Fulfillment for Retailers", Joe Lynch and Wainwright Yu, the General Manager and Director for Amazon's externalized fulfillment services, including Buy with Prime and Multichannel Fulfillment, discuss how retailers can scale their brands by leveraging Amazon's global logistics and the Prime badge to drive multi-channel growth. Leveling the Playing Field with MCF: Wainwright explains how Multi-Channel Fulfillment allows any retailer—whether they sell on Amazon or not—to tap into Amazon's global network of 200+ fulfillment centers. This turns Amazon into a high-performance 3PL that handles picking, packing, and shipping for orders from your own website, Shopify, or even social media stores. The "Halo Effect" of Buy with Prime: A major focus is how Buy with Prime allows D2C (Direct-to-Consumer) sites to offer the familiar Prime logo and checkout experience. By providing the same fast, free delivery promise shoppers trust on Amazon, retailers have seen an average 25% lift in conversion rates on their independent sites. Unified Inventory Management: Wainwright discusses the strategic advantage of a single pool of inventory. Instead of splitting stock between various warehouses, retailers can keep all their products in Amazon's centers to fulfill both Amazon.com orders (via FBA) and off-Amazon orders (via MCF), drastically reducing out-of-stock risks. Frictionless Checkout via Amazon Pay: With Buy with Prime, the checkout process is streamlined using the customer's existing Amazon account details. This reduces "cart abandonment" because shoppers don't have to enter credit card or shipping info, making the purchase as simple as a few clicks. Unbranded Packaging Options: A common concern for retailers is brand identity. Wainwright highlights that MCF orders can be shipped in unbranded, "blank box" packaging, allowing the retailer's brand to remain front and center rather than being overshadowed by Amazon's smile logo. Trust-Building through Reviews: Through Buy with Prime, retailers can now display their Amazon.com star ratings and reviews directly on their own websites. This social proof helps "new-to-brand" shoppers feel confident enough to buy from a site they may be visiting for the first time. Predictable, All-In Pricing: Wainwright clarifies that both services offer a simple, transparent fee structure that includes storage, picking, packing, and shipping. For many brands, this eliminates the hidden costs of managing private warehouses and allows for more accurate margin forecasting. Learn More About Beyond FBA: Unlocking Amazon's Fulfillment for Retailers Wainwright Yu | Linkedin Amazon | Linkedin Relentless.com Amazon MCF Amazon MCF Case Study: JLab Recent News The Logistics of Logistics Podcast If you enjoy the podcast, please leave a positive review, subscribe, and share it with your friends and colleagues. The Logistics of Logistics Podcast: Google, Apple, Castbox, Spotify, Stitcher, PlayerFM, Tunein, Podbean, Owltail, Libsyn, Overcast Check out The Logistics of Logistics on Youtube

Self-published authors Anne Ditmeyer and Martin Lake share what it really takes to go indie, from choosing platforms and budgeting for editing, design, and ISBNs to redefining success, avoiding scams, and playing the long game of finding readers and building a sustainable writing life.  You'll learn:Why Anne and Martin chose self-publishing over traditional routes and how they framed readers as their gatekeepers.How both authors define success beyond bestseller lists, from “book as business card” to improving the craft across 25 books.The real timelines of an indie career, including slow early sales, backlist effects, and why self-publishing is a marathon, not a sprint.What a realistic budget looks like for editing, design, typesetting, audiobooks, and print on demand, plus where they chose to DIY or outsource.How they use platforms such as Kindle Direct Publishing, Lulu, IngramSpark, Draft2Digital, and Shopify, and why most sales still come through Amazon.Practical approaches to marketing that do not require a huge following, including series, mailing lists, events, workshops, and using your existing communities.The role of ISBNs, imprints, metadata, and print on demand for getting into libraries and bookstores, and why in-store placement is harder than it looks.Red flags to watch for with third-party “publishing services” and why due diligence can save you thousands in fees and frustration.   Resources and Links:

Thanks for watching and listening!Gordon introduces the You're Entitled to Your Opinion podcast, part of the Capitalize Your Best Podcast Network, which features different shows on Mondays through Fridays. He mentions that the podcast is casual and covers topics like genre reviews, sci-fi, and horrorGordon discussed self-publishing options, particularly through Kindle Direct Publishing, and shared his experience with publishing both fiction and business books. He explained the pricing strategy for author copies and autographed books, noting that shorter works in specific genres like horror and sci-fi can be more profitable. Gordon emphasized the importance of self-promotion and mentioned that his recent release "Glue" has been more successful than his business fable, though both are part of his ongoing publishing efforts.

Amazon continue d'intégrer l'intelligence artificielle dans l'ensemble de ses services. Après le shopping, après Amazon Music, c'est désormais au tour des liseuses Kindle d'entrer dans cette nouvelle ère. Le géant du e-commerce vient de dévoiler Kindle Translate, un service de traduction automatique pensé pour aider les auteurs indépendants à toucher un public international — sans supporter les coûts souvent prohibitifs d'une traduction professionnelle.Le programme, encore en phase bêta, n'est accessible qu'à une partie des auteurs utilisant Kindle Direct Publishing, la plateforme d'autoédition d'Amazon. Pour l'instant, seules trois combinaisons linguistiques sont disponibles : anglais, espagnol et allemand. Un champ d'action limité, mais qui pourrait rapidement s'élargir. Amazon justifie ce lancement par un constat : moins de 5 % des livres disponibles sur sa boutique américaine existent dans plus d'une langue. L'entreprise promet donc de combler cette lacune grâce à l'automatisation.Chaque manuscrit traduit via Kindle Translate passera par une évaluation automatique de la qualité avant publication. De plus, le lecteur sera informé par un étiquetage dédié que l'ouvrage provient d'une traduction générée par IA. L'auteur aura de son côté la possibilité de prévisualiser, ligne par ligne, le résultat final. Mais l'initiative soulève déjà plusieurs interrogations. Car la traduction littéraire ne se résume pas à transposer des mots : c'est un véritable travail d'interprétation culturelle, d'humour, de rythme et de sous-texte. Les risques d'erreurs subtiles, de nuances perdues ou de contresens demeurent élevés, même avec les meilleurs systèmes actuels. S'ajoute une autre inquiétude : l'impact sur les traducteurs professionnels. Depuis l'explosion des IA génératives il y a trois ans, la profession se trouve déjà fragilisée. Le lancement de Kindle Translate pourrait accentuer cette pression en habituant éditeurs et auteurs à des traductions rapides, bon marché… mais parfois très éloignées de l'exigence littéraire d'un travail humain. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The U.S. reportedly won't allow Nvidia to sell its B30A chip to China, Tesla shareholders approve a $1 trillion compensation package for Elon Musk, and Amazon introduces an AI-powered translation service for Kindle Direct Publishing authors. MP3 Please SUBSCRIBE HERE for free or get DTNS Live ad-free. A special thanks to all our supporters–without you,Continue reading "Ford Contemplates Discontinuing Its F-150 Lightning Electric Pickup Truck – DTH"

KDP just expanded its print distribution to new global markets, giving authors more reach than ever before. Meanwhile, Amazon Ads opened up Sponsored Brands access for every author, even if you only have one book. There's also plenty happening around the publishing world, from major events to author opportunities you won't want to miss. Tune in for the latest industry updates, insights, and surprises in this week's Self-Publishing News. The Final 3: Your Publishing Playbook, Rewritten (Kickstarter) - https://DaleLinks.com/Kickstarter MK Williams - https://1mkwilliams.com/ KDP Forum: Distribute your print books in the Republic of Ireland and Belgium marketplaces - https://www.kdpcommunity.com/s/article/Distribute-your-print-books-in-the-Republic-of-Ireland-and-Belgium-marketplaces?language=en_US&forum=KDP%20Forum Book Bounty:

Andrew Jedlicka is the Founder of The Andrew Frank Group, LLC, in which he has been a booking agent and marketing business manager for celebrities and influencers since 2019. Before the Andrew Frank Group, Andrew worked on Wall Street in the financial services sector for companies like Citigroup. Andrew is on an advisory committee at Mercy University in New York City, and is an adjunct professor at New York University for graduate-level business courses. Andrew has an MBA in International Business and a BBA in Business Management from Hofstra University-Frank G. Zarb School of Business. James McCusker is an award-winning author from the Atlantic City area of New Jersey. His first book, Atlantic City Nights, an epic crime drama, was published in 2013 by Amazon's Kindle Direct Publishing. Since then, he has published 3 other novels (Left in the Sand, Black McCool and The Edge) in addition to 5 children's stories in a 10-year span. His latest work, The Edge, a mystery thriller, won the PenCraft Authors award in 2023 in the Fiction-Drama category. James is a 2009 graduate of Delaware Valley University. In addition to being a full-time writer, James is a top-performing and award-winning sales executive in the IT staffing industry, working with mid-market and enterprise-level companies in the Philadelphia and New York City metro areas.

In the much-delayed final episode of our series on mindset for writers, we take a look at when writers should change course, and talk about the importance of mental flexibility. This coupon code will get you 25% off the ebooks in the Frostborn series at my Payhip store: AUGUSTFROST The coupon code is valid through September 8, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 265 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 22nd, 2025, and today we are considering when a writer should change course. This is a new episode. It's the third and final one in the mindset series that I had hoped to finish in June, but it was a very busy summer, and so I ran quite a few reruns of old episodes over the summer, but today I have time to record a full length episode, so we're going to do that and wrap up this series on mindset that we've been doing this summer. We will also do Coupon of the Week and an update on my current writing and audiobook projects. First up is Coupon of the Week and this week's coupon will get you 25% off ebooks in the Frostborn series at my Payhip store, and that code is AUGUSTFROST. As always, the coupon code and the store links will be available in the show notes for this episode, and this coupon code will be valid through September 8th, 2025. So if you need a new ebook to read as we wrap up summer and head into fall, we have got you covered. Now let's do an update on my current writing projects. I'm pleased to report to that Ghost in the Siege, the sixth and final book of the Ghost Armor series, is out. You can get it at Amazon, Barnes and Noble, Kobo, Apple Books, Google Play, Smashwords, and my Payhip store. And with that, my Super Summer of Finishing Things is finally complete because I have finished the Shield War series, the Stealth and Spells trilogy, and now the Ghost Armor series. So now that those three series are done, what is next? Right now my main project is Blade of Flames, the first book in a new epic fantasy series that will be set in the Kingdom of Owyllain from my Sevenfold Sword series and I am 29,000 words into that. My secondary project right now is Cloak of Worlds, the 13th book in the Cloak Mage series, and I am 1,000 words into that. So hopefully we will have Blade of Flames come out towards the end of September and Cloak of Worlds come out towards the end of October, if all goes well. So my plan now that I have only three unfinished series is that the Blades of Ruin series (of which Blade Flames is the first one) will be my flagship series, and I'll do one of those every other month and then the month in between I will alternate between writing a Cloak Mage book and a Half-Elven Thief book. I will continue that schedule until one of those series is completed and then I will start a new one because what I learned through 2024 and the first two thirds here of 2025 is that having five unfinished series at the same time is too many. It's hard to keep up in my head and it makes for a really long wait for the readers between the individual entries in the series. So I'm going to stick to just three from now on and as I said, I'll have a flagship series and then two that I will alternate back and forth between in the months between the releases for the flagship series. So that is probably what I'll be doing for the rest of 2025 and hopefully most of 2026, if all goes well. In audiobook news, recording is underway for Shield of Power, which will be excellently narrated by Brad Wills. I've been listening to some chapters from that. Work has just started by Hollis McCarthy on recording Ghost in the Siege, so that will hopefully be an audiobook before too much longer. So that's where I'm at with my current writing and publishing and audiobook projects. 00:03:29 Main Topic: Mindset Series: Changing Course And now to our main topic, the final episode in our mindset series and we talk about changing course. In previous episodes on this topic, I've talked about some of the practical ways to help with distractions, procrastinating, and managing time wasters. In this episode, I'm going to focus on things that derail writers from a mindset perspective. Today we're going to wrap up this series by talking about mental flexibility, knowing when to change course, and how to make those types of decisions without spiraling out. First, we'll discuss a few reasons why mental flexibility is an important attribute to possess and then provide you with five examples of times it has been important for me in my writing career. First, why is having mental flexibility and the ability to change course important? With how fast things change in publishing, you have to be willing to change strategies or discard a strategy that's not working for you. An example is that many people who are familiar with Amazon ads swear by using Amazon keyword ads. After much experimentation, I concluded they weren't very helpful for fiction. The reason for that is I found that for most books that are sold off Amazon, people will sit down and type, for example, “Brandon Sanderson latest book” or “J.D. Robb latest book” or “Stephen King latest book” and so on. If you bid high enough, you can get top of search for those where if you pay $2 a click or $2 for the bid and someone types in “Stephen King latest book”, you can get your book to appear at the top of the page with the ad. However, in practice, what actually happens is the person who sat down to look for “Stephen King latest book” isn't looking for your book, he's looking for Stephen King's latest book. So he or she will simply scroll past the ad result with your book and then click on Stephen King's book. The only way I found that keyword advertising works for fiction is if you write towards very specific tropes and are willing to pay a lot of money for those clicks. For example, you write a romance that's a “slow burn, no spice, enemies to lovers romance”, and there are people who search for exactly those tropes, and if you use keyword ads to bid for that, you could get it, but it's very expensive and it's very difficult to turn a profit. Because of my experiments with this, I saw that although many people say keyword ads are essential, I didn't cling to that piece of advice and switched my Amazon ad focus to having a few more category ads and Audible ads for each title, and that has been pretty nearly profitable most of the time, certainly more profitable than just relying on keyword ads would be. I should note the one exception for that would be that keywords ads do work very well for nonfiction where, for example, my Linux Command Line book, I can pretty easily run ads to it for search terms like “Linux Command Line” or “Linux Command Prompt.” And because people are looking for a nonfiction book on that topic without looking for a specific author, that can work. In keyword ads, I found that for fiction, people are looking for a specific author and want that specific author, whereas for nonfiction, they're looking for the topic and don't care so much about the author, so long as the book has good reviews and looks like the author knows what he or she is talking about. Another reason to be mentally flexible is that something new might actually make things easier for you. I used to work in IT support, and so I fairly often encountered someone who stubbornly clings to the way they learn something. I knew numerous people who memorized a specific way to do a task on their computer and then just stuck to that and avoided doing anything easier, such as, for example, not learning to use keyboard shortcuts. And as you know, if you do a lot of office work, learning keyboard shortcuts like Control + C for copy, Control + V for paste, or Control + Z to undo can save you a whole lot of time over compared to very laboriously clicking through the menus with your mouse. People like that very frequently resist a learning curve in favor of a slower approach because it's working for them, but then they lose out on a faster and easier way to do something. Change is not always good, but sometimes change can be good. And the thing about indie publishing is that change is constant. In a field where change is constant like indie publishing, you can't cling to something that first worked when you started out. Trying new software, learning new skills, and keeping up with changes in ebook platforms is something self-published writers must do. Another reason to retain mental flexibility is you might be missing out on a source of revenue. If you're not willing to change sales strategies when the market changes, you might be missing out on potential readers. For example, as people are tightening their budgets in these times of economic uncertainty, they might be less likely to buy individual books and focus their book spending on a subscription like Kindle Unlimited or Kobo Plus. If you don't have content on those platforms for readers, you're missing out on readers who have shifted their spending. For myself, I only have some of my books on Kindle Unlimited because of the exclusivity requirement, but everything I have on Kobo should be available through Kobo Plus, and typically on any given month on Kobo, at least 60% of my revenue tends to come from Kobo Plus instead of Kobo direct book sales. So that was a place where it was necessary to have the mental flexibility to make a pivot. Another good reason to be mentally flexible is that you might be missing out on something important that the data is showing you. One of the big advantages of being self-published is having access to complex and real-time data instead of having to wait for biannual royalty statements that don't provide information. There are some criticisms that can be leveled at Amazon for how much data they show authors. However, this is light years ahead of the kind of sales data that comes out of traditional publishing for writers where royalty statements were often quite arcane and difficult to understand by design, so the publishers could get away with paying the authors as little as possible. And because you have access to this data, you have basis for solid information, solid decision-making. For example, if one of my series is starting very strong in the UK in its first week of release, I can shift some of my ad spending to UK specific ads. Looking at sales and ad data gives you an opportunity to respond and change your approach. And sales data, even more than reviews, tells you if a book, series, or genre is working for you or if it's time to try something new. It's important not to fall prey to what's called the sunk cost fallacy, where you throw even more time and money on something that isn't profitable in hope of recouping the money that you've already spent. Sometimes it's wise to know when to cut your losses and run. It's probably a better use of your time to focus on the next book or series. Data can tell you which book or series that readers are most excited to see from you. Now that we've talked about the various good reasons that mental flexibility is important, I thought it'd be helpful to show you five times that I've had to use mental flexibility and change course over the course of my career as a writer. #1: Self-publishing. For all that I've been a proponent of self-publishing for the last 14 years, that wasn't always the case. I started out with the goal in the late ‘90s and early ‘00s of being traditionally published. Demonsouled actually was traditionally published along with some short stories. However, for a variety of reasons that I've talked about before, this turned out to be a dead end. Traditional publishing at that time was not interested in fantasy series like mine. I felt like traditional publishing was a dead end, and then I changed my efforts to blogging on computer-based topics. I'm still quite proud of the fact that in 2010, I made a good bit of money from Google Ad Sense off my tech blog, a feat which was difficult then and would probably be impossible now. Then I started to hear about self-publishing through Amazon, which at the time was a very new phenomenon. I started hearing about that in 2009/2010, thereabouts, and I initially wasn't very impressed and I wasn't very impressed with the idea of ebooks altogether. At the time, I had a huge collection of paper books and well, I don't have as many now. I still do have a fair bit of paper books, but at the time, I didn't think that ebooks could be a substitute for traditional paper books. Then at the end of 2010, in fact, the week after Thanksgiving, I bought my first Kindle, a third generation Kindle that was famously called the Kindle Keyboard because they had that little keyboard at the bottom, and I was very impressed with the device. I thought there has got to be a way to make money off this. As I started reading various writers groups, I came across Kindle Direct Publishing, and finally in April of 2011, I decided to give it a go and republished Demonsouled through it, and that's where it all began for me. #2: Learning new skills and adapting. I think one of the biggest parts of why I've been fortunate enough to be able to do this for as long as I have is the willingness to take the time and effort to learn or try something new. I've had to teach myself how to format ebooks in several different programs, how to start first the LLC and then a S Corp, which finally involved realizing I couldn't do it myself and hiring people familiar with the appropriate documentation to do it for me, how to hire narrators and proof audio, how to file 1099s for narrators (that was a whole experience, lemme tell you), how to create a direct sales platform on Payhip, how to create my own book covers in Photoshop, how to make various 3D images myself for those book covers, how to maintain and update my website, how to do Amazon ads, how to do BookBub ads, how to do Facebook ads. So in the past 14 years I've been doing this, I think it's fair to say I've acquired quite a few new skills along the way. Each time I weighed out if not having this skill was holding me back. For example, creating my own covers became an absolute necessity for me after a while because even the most experienced cover designers could not create covers at the pace I published. Well, they could, but it's more accurate to say that the cover designers, the really good cover designers, the ones I wanted to hire, worked so far out in advance that you had to book them nine months to maybe a year in advance. And I eventually came to find that very rigid and constraining to my writing process. A couple of my books have titles that are totally unrelated to what the book is about, just because I had to pick the title like nine months, twelve months out in advance. And while they were very good covers, I did find it a little bit constraining that I had to try and keep the book at least close to what the cover was. If I hadn't changed course and learned how to do it myself, it would've limited how many books I could publish in a year, and likely it would've cost me many thousands a year in lost revenue. Therefore, having the mental flexibility to learn new things is a major skill in self-publishing. And the thing I'm contemplating learning right now is something with video, because short form video seems to be a good way that many authors are connecting with their readers and their audience. It's just that I don't personally use short form video a lot, so I'm wondering if it'd be worth the effort to learn. I think it'd probably be worth the effort to learn, but I haven't decided on how to do that and need to do some more reading, which is another aspect of mental flexibility. #3: Changing pricing strategies. Permafree pricing book for free on ebook platforms was not as common of a strategy when I first started self-publishing in 2011. I mean, people were doing it, but not as many as now. At the time (and to this day, in fact), many people were outraged that thought of giving out an ebook for free and opine that it would devalue their work. The argument was that if you take a year to write a book and then people should at least be willing to pay as much as they would for, for example, a fancy Starbucks coffee. However, this overlooks the reality of economics where that something is only as valuable as people are willing to pay for it. And that in fact is, a good way to get people to pay for your remaining books is if they read the first one for free and then they like it enough that suddenly the remainder of the books in the series will have value for them and hopefully they will buy it. But back in 2011, I decided to give permafree a try because I had series instead of standalones, and it has been one of the most significant ways that people have found my work. If I listened to the sort of old school traditional thinking about pricing ebooks, I would've missed out on this opportunity. #4: Doubling down on audio. At one point, towards the end of, actually towards the middle of 2023, I was considering and had almost decided to give up on producing my own audiobooks due to the significant expense and how much time having to proof them was taking away from my writing. Instead, I thought about ways to make the workload easier. I hired someone to proof the audiobooks for me and then found ways to promote them through deals on platforms like BookBub and Chirp. I started to create more Amazon ads for them and focus on making audiobook anthologies because these are very attractive to people trying to get the most out of their Audible credit each month. Although it's still mainly a tax deduction for me at this point in terms of business value, I would've lost out on a growing revenue source and a big piece of the publishing market if I had given up on audiobooks. #5: And fifth and finally, as I've talked about before, the Stealth and Spells series. This series really challenged me because I had a very specific plan for a multi-book series (I was thinking like seven or eight books originally) and enjoyed writing the first one. However, there were a few problems with it that forced me to take a hard look at the series and change my original plans quite drastically. The series was originally called Sevenfold Sword Online, which confused fans of the original Sevenfold Sword series. I made the choice to change the title to Stealth and Spells Online to make the separation clearer, even though it's a pain to change titles, and that came with some confusion of its own. I also changed the covers to resemble some of the other LitRPG books because it was originally closer in look to some of my epic fantasy covers. These changes did help, but I had to take a cold hard look at the data. Sales and ad data clearly showed that it was time to cut my losses and focus on more profitable series. So I changed my series plans to wrap everything up in the third and final book rather than a multi-book series as I had originally planned and based on reader reception to the third book, I think it went pretty well. Ultimately, you can only plan so much as a writer, and you have to accept that those plans might need to change. One of the best gifts you can give yourself as a writer is the ability to be mentally flexible and not stick with plans, books, or attitudes that aren't working for you. Well, I hope you have enjoyed this mindset series and found it useful to your own situation. So that is it for this week. Thank you for listening to the Pul Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes athttps://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.      

Your KDP dashboard just got a quiet update—and if you breeze past it, your ebook might lose out on visibility. In this week's Self-Publishing News, we break down what Amazon added, why it matters, and how it ties into a much bigger conversation around accessibility. Plus, we cover new promo tools, AI changes, and a warning about scammers targeting indie authors. It's a busy week, and you don't want to miss what's shifting under your feet. Subscribe to The Self-Publishing Hub - https://TheSelfPublishingHub.com Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Sources: How to See Another Book's Keywords in Amazon - https://kindlepreneur.com/how-to-see-another-books-keywords/?affiliate=selfpubwithdale Publisher Rocket - https://DaleLinks.com/Rocket (affiliate link) Reach 45,000+ New Readers with BookDoggy - https://www.writtenwordmedia.com/press-release-written-word-media-partners-with-bookdoggy-to-expand-author-reach/ ALLi News Podcast: Anthropic Lawsuit Advances, Senate Grills Tech on AI Use, Kindle Colorsoft Gets Update - https://selfpublishingadvice.org/podcast-anthropic-lawsuit/ KDP: Accessibility for eBooks - https://kdp.amazon.com/en_US/help/topic/GBPE3QVZ2J3HLQ4B?mc_cid=0c2de47626&mc_eid=433332c881 Digital Accessibility: The Right Thing, The Smart Thing, The Required Thing - https://us02web.zoom.us/webinar/register/WN_zNsXzo2TTjmK5xD0a6zP1w?_ics=1753722149922&irclickid=~4-dhmkhb736-ahgnlmuAqhia51UV0RHNLEADEuvnld861XUMFAxn&_gl=1*1f0r9qg*_gcl_au*NzMwMjczNTY0LjE3NTIwODY2NjY.*_ga*NjY4OTcyMDQuMTc0NDIzMDkzOA..*_ga_L8TBF28DDX*czE3NTM3MjIwNDAkbzI0JGcxJHQxNzUzNzIyMTQ5JGo2MCRsMCRoMA..&mc_cid=0c2de47626&mc_eid=433332c881#/registration Create personal illustrated storybooks in the Gemini app. - Storiad - https://DaleLinks.com/Storiad (affiliate link) - use code DALE50 to get 50% off Storiad Pro.  Author Nation seeking volunteers - https://form.smartsuite.com/so8pqexh/D9a8mbe9ZM?kuid=64cf94e2-3c33-4be6-81ed-cf16b78d7ff4-1754943998&lid=31108&kref=nrBqRWv4lEXc Author Nation - https://DaleLinks.com/AuthorNation (affiliate link) - I'll be speaking, emceeing, and hosting video interviews. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Today I discuss why I decided to publish my book on Amazon through Kindle Direct Publishing. I share how the whole process works and what I've learned so far. I also talk about why I finally decided to do a paperback and e-book, and why I've decided to enroll my novel in Kindle Unlimited.LinksCheck out my novel, Critical Balance.Lex Out Loud is now on Spotify.Check out my Guide to Novel Formatting in Word.Join my Book Club.How to get free ebooks & audiobooks from your library.J.J. Ackernecht Book of the New SunCulture SeriesMurderbot showThe Murderbot DiariesStorygraphSupport the show.Join my Discord server.Call My Voicemail: 951-465-5391

In this week's episode, we take a look at the major self-publishing platforms that I use, and examine the pros and cons of each. This coupon code will get you 50% off the audiobook of Dragonskull: Doom of the Sorceress, Book #8 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: DOOM50 The coupon code is valid through June 24, 2025. So if you need a new audiobook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 253 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 30th, 2025, and today we are looking at the current major self-publishing platforms and what they offer indie authors. Before we get to our main topic, we'll have Coupon of the Week and an update on my current writing projects.   So let's start with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Doom of the Sorceress (book number eight in the Dragonskull series, as excellently narrated by Brad Wills) at my Payhip store. That code is DOOM50. And as always, we will have the coupon code and the links to the store in the show notes. This coupon code is valid through June 24th, 2025. So if you are setting out on summer travels this summer and you need an audiobook to listen to while you're in the car or plane, we have got you covered. So now for an update on my current writing and audiobook projects. Ghost in the Corruption (as I mentioned last week) is now out and available at all the ebook stores: Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, and Payhip. It is selling well. So thank you all for that. Now that Ghost in the Corruption is finished, what am I working on next? Well, back in 2023, I finished the Dragonskull and The Silent Order series back to back, so I declared Summer 2023 to be my Summer of Finishing Things. Well, it looks like Summer 2025 is going to be the Super Summer of Finishing Things because I intend to finish three series back to back.   First up is Shield of Power, the sixth and final book of The Shield War series. As of this publishing, I am 26,000 words into it, which puts me on Chapter 6 of 29. So I think it's going to end up being around 100,000-110,000 words long, and I am hoping it will be out in June, though it might slip to July depending on how things go. Once that is done, the next one up will be Stealth and Spells Online: Final Quest, which will be the third and very definitely final book of the Stealth and Spells Online trilogy. Believe it or not, I have been working on Final Quest on the side for so long that I passed the 100,000 word mark in that book this week. In fact, it's been a side project for so long that I don't remember how long I've been working on it, and I had to look up the metadata to check that I indeed started chipping away on it on October 18th, 2024. So I am very pleased that I'm nearly done with the rough draft and because of that reason, if all goes well, it'll come out very quickly after Shield of Power, since I think the rough draft will end up at about 125,000 to 130,000 words or in that neighborhood. Once Stealth and Spells Online: Final Quest is finished, I will then write Ghost in the Siege, which will be the sixth and final book of the Ghost Armor series. I am 1,500 words into that and hoping for that to come out in August or September, if all goes well. Once The Shield War, Stealth and Spells Online, and Ghost Armor are finished, I will finally be free to return to the Rivah and Nadia series. I realized that through all of 2024 and the first half of 2025, I had five unfinished series at the same time, and that was just too much for me to keep track of as a writer, and I think it may have been too much for the readers because it was too much of a wait between the different series as I worked my way through them. So five series at the same time is too much, so hence the Super Summer of Finishing Things. Going forward, I've decided that three unfinished series at the same time will be my maximum, which after the Super Summer of Finishing Things will be Cloak Mage, Half-Elven Thief, and a new epic fantasy series that I will set in the realm of Owyllain.   In audiobook news, Brad Wills started working on Shield of Battle this week and Hollis McCarthy started working on Ghost in the Corruption, so hopefully before probably about July or thereabouts, we will have those audiobooks available for you to listen to. So that is where I'm at with my current writing projects.   00:03:49 Main Topic of the Week: Self-Publishing Platforms for Ebooks [Note: Information in this Episode is Very Likely to Change]   So now let's move on to our main topic for the week, which is the main self-publishing platforms for ebooks. Today we will do a brief overview of the self-publishing platforms I currently use: Amazon/KDP, Barnes & Noble, Kobo, Google Play, and Draft2Digital/Smashwords. The reason I wanted to do this is because there are many scammy platforms for self-publishing out there, but fortunately there are also many legitimate ones. Today we'll compare several of the most popular ones for ebooks. Just to make things easier for comparison, we'll be using the term platform to discuss both retailers and aggregators and we're not going to talk about options for self-publishing print or audio formats today. We're going to focus solely on ebooks.   First of all, what should you look for in a publishing platform? The first thing is to make sure you retain complete ownership of your content in all formats. Some of these scammer ones try to claim all rights to anything you try to post or sell through them, so that is definitely a red flag to watch out for. Make sure that you understand any exclusivity requirements of any programs that you sign up for such as KDP Select, such as if other formats like audio are also included in their requirements, how long exclusivity lasts, et cetera. If the platform requires exclusivity, that is definitely something to pay attention to. Make sure you do your research carefully to understand how pricing, royalties, and payments work on each individual platform. Sometimes some of them will pay quarterly, some of them pay monthly, and some of them pay you last month's royalties at the end of the month. Some of them like Amazon run like two months behind.   Finally, and this is a big one, you should not have to pay any money in order to upload your work. If they are asking for money upfront, it is probably a scam. Now, there are some aggregators that don't take a percentage and instead charge you a yearly fee. I'm not talking about them in this podcast episode because I don't use them, but they are out there. One example would be Book Funnel, which does charge a yearly fee for you to use but provides a valuable service in being a backend for running your own store on like Payhip or Shopify, and there's a couple of other useful services in that way, but they're not a storefront and they don't take a percentage of any royalties. They just charge a yearly fee. So they're not the topic with this episode.   All the platforms I've talked about today do not have any fees in order to upload. Reputable sites like Amazon or Kobo will instead take a percentage of each book's sale. It's also good to have a few realistic expectations before you start using self-publishing platforms, and one of them is that the platform is not a marketer. For example, many people complain that KDP doesn't showcase their books and they get lost in the millions of books available. However, none of these services are promising that you'll make the front page of their site just by publishing there. It's a common delusion among new indie authors that when you publish your first book, that's all you have to do and people will flock to it. Unfortunately, it doesn't work that way.   In fact, since Amazon makes a small fortune off book ads, it's not in their interest to give away screen space for free, and this isn't to knock on Amazon, that's just the way the retail industry works. For example, if you go into a Target or a Walmart or another big box retailer, note the products that are prominently displayed on the aisle displays or the endcaps of the aisles. They didn't just get there randomly. The manufacturers of those products paid big money to Amazon and Target and Walmart and the other big box retailers to have their products featured there. In many cases, online commerce is no different.   Getting your book uploaded onto a platform is just the first step. Promoting and marketing the book is up to you and strategies for those will vary based on which ones you choose to use. For example, if you choose to make your work exclusive to just one platform, it's not a good idea to run Facebook ads in countries where that platform either doesn't exist or where it's not terribly popular. Today we're going to be just focusing on comparing the platforms, not how to best to market from them. So what are the options?   #1: First up is the most common platform people use and it's the 800 pound gorilla in the self-publishing space, and that is Amazon's Kindle Direct Publishing. And what are the pros and cons of KDP?   Pro: They are the biggest force in ebook publishing in many countries, including the United States. Some authors find that as much as 80 to 95% of their ebook sales come from Amazon, even if they are not exclusive with Amazon. For myself, it's usually about 50 to 60% of my sales on any given month are from Amazon and the rest come from the other retailers.   Heavy readers are generally very familiar with the Kindle Store interface and Library setup, and many readers are kind of locked into Amazon because they own Kindle devices, subscribe to Kindle Unlimited, and have large Kindle Libraries. So those are all the pros of publishing with KDP.   Cons: If you're expecting a large portion of your sales to come from the print version of your book or if print sales are very important to you, be aware that many bookstores and libraries either can't or won't buy print books from Amazon, so you should find an additional platform for the print version such as Ingram Spark or maybe Barnes & Noble's print division. One big concern about going exclusive with Amazon is that you're losing readers who don't have Kindle books in their countries, people who are boycotting Amazon for a variety of reasons, people who are locked into another platform such as Apple or Kobo, or people who want to self-archive their ebooks since Amazon doesn't allow that anymore. If you're already wide, you'll have to look carefully at what percentage of your sales are non-Amazon and if this percentage is an amount you'd be comfortable risking losing in order to be exclusive. Occasionally authors do complain about the customer service available to KDP, especially if it's urgent. For myself, I've not personally had any huge problems with KDP customer service. That said, I think you should expect a lead time of about one to two business days on anything you ask because I usually go through the email form.   Does KDP offer a subscription service? Yes. Kindle Unlimited (KU) readers pay a set amount and can read an unlimited number of books each month, although they're limited as to how many they can have in their library at any one time. Promotions happen regularly, usually based around big sales like Prime Day, and it can make a subscription as cheap as $0.99 for a three month period. Some also receive free subscriptions by buying certain Amazon products such as a new Kindle or Kindle Fire.   The downside of being in Kindle Unlimited is the exclusivity. You can't be in KU without being exclusive with Amazon, or at least the specific book in question has to be exclusive. Not all of your books have to be exclusive, and many authors such as myself will usually put one series in KU and then make sure everything else is wide. You must agree to be exclusive with them for ninety days and that time period is renewable.   What does KDP pay in terms of royalty? For $2.99 to $9.99, they give you 70% of the sale price. Under $2.99 and above $9.99, it's 35%. So that is sort of an encouragement from Amazon to price your ebooks in the $2.99 to $9.99 range. Currently I price new novels at $4.99 and do short stories at $0.99 cents.   What do I do? I have all of my titles available through KDP. I have a smaller portion of my collection exclusive through KDP Select/KU, and I have only recently increased that amount of Select titles due to the economic downturn. I suspect that KU users are likely to hold onto their subscriptions while cutting other expenses because honestly, KU is a pretty good deal for readers and the monthly subscription costs is about the same as one tradpub frontlist ebook, but with a KU subscription, they could read thousands of books for the same price. The value of KU is really very strong for frequent romance, LitRPG, science fiction, and fantasy readers. There's a strong population in the KU subscriber base often referred to as binge readers. They care more about variety, discovering new books, and the ability to read a lot over the ability to read specific authors or stories.   So overall, I think if you are self-publishing and even if you don't like Amazon very much or don't plan to go exclusive, it's still in your best interest to publish your ebook with them, even if you are wide and intend to do all the other retailers just because Amazon really is the biggest ebook platform out there at the moment. #2: Now, the next self-publishing platform we're going to look at is Barnes & Noble Press, which as the name implies, belongs to Barnes & Noble. The Pros: some people are never, ever going to let go of their Nooks or they already have a large personal ebook library through the Nook so they feel locked into that platform. These readers are the majority of people buying ebooks through Barnes & Noble, but fortunately that group tends to read a lot. There's also a lot of trust in Barnes & Noble as a brand, and that inspires people to continue buying from them.   In fact, for a while in the indie author space at the end of the 2010s and the start of the 2020s, it was a regular prediction that Barnes & Noble was going to go out of business soon, but then the company was bought by a private equity firm, and while private equity firms often have a deserved bad reputation for stripping a company of assets and then selling it off at a bargain basement price (such as the fate of Red Lobster), that does not seem to be the case of what happened with Barnes & Noble and the company really has been strengthening in recent years. So they may be here to stay for a while.   The downsides of publishing with Barnes & Noble Press is that Barnes & Noble is relatively a minor player in the ebook market, though usually in the top four of most indie author ebook sales if they're wide. They have shifted their focus to selling print books instead of Nook devices, especially in the retail space.   Do they offer a subscription service? They do not. However, nothing about Barnes & Noble requires exclusivity, which is nice, and the royalty structure is pretty good. It's 70% over all titles over $0.99. So if you want, you could price your ebook at $0.99 or $19.99 and still make 70%, which you couldn't do with those prices on Amazon.     #3: The next self-publishing platform we'll look at is Kobo Writing Life, which is the ebook platform to publish on Kobo, which is owned by Rakuten. Pros: Kobo is strong in the international market and will help you to reach readers in many countries. Based on my sales data, in Canada and Australia, Kobo is significantly bigger than Amazon for ebook sales. Kobo has also had a surge of recent media attention in the US as people seek out alternatives to Amazon and Kindle devices.   The Con of Kobo, and this is a fairly small one, is that their US market share is still fairly small compared to Amazon or Barnes & Noble or some of the others. But as I mentioned, they're a lot stronger in Canada and Australia, and they do reach a lot of different countries, more than Amazon does.   Does Kobo have a subscription service? Yes, Kobo Plus. Kobo Plus is significantly less expensive than Kindle Unlimited, and there's an additional tier that allows you to add audiobook content to the plan. The library isn't quite as extensive as KU though, though. I should note that in the years since Kobo has been introduced, I'd say about half of my revenue from Kobo (sometimes 60% of my revenue from Kobo) comes from Kobo Plus and not from direct ebook sales. So it's getting to the point where the majority of their ebook revenue I suspect, is coming from Kobo Plus and not direct Kobo sales.   Do they require exclusivity? No, which is another strong selling point for Kobo Plus. For their royalty structure, ebooks over $2.99, you get 70% and any books over below $2.99, you get 45%, which is a more generous term than Amazon in terms of the royalty rate for below $2.99 and above $9.99.   So what do I do? I currently use it as one of the platforms for my ebooks. It's been a pretty strong seller for me consistently over the years, and every Kobo book that I have is also available in Kobo Plus, which probably explains the revenue split I was talking about earlier. #4: The next platform we'll look at is Draft2Digital/Smashwords, which we'll do as one because Draft2Digital and Smashwords are in the process of merging. Draft2Digital is technically what's called an aggregator, where you upload your book and then they can publish on a variety of different platforms for you, and in exchange, they take a small cut of the sales. Draft2Digital is, in my opinion, probably the most effective way to get your ebooks through Apple and Smashwords. Apple does have its own direct uploading service, but I've never used it because there are a bit too many hoops to jump through.   Draft2Digital does, as I mentioned, have a way to publish on multiple storefronts at once while managing uploads and sales reporting through just one interface. They're not a storefront in and of themselves, although since Draft2Digital does own Smashwords, Smashwords essentially acts as their storefront for them. Although Draft2Digital lists Amazon, Kobo, and Barnes & Noble as an option, most authors will upload to these sites separately, and in fact, that's what I do for myself.   The Pros of Draft2Digital is that it's a definite time savings using Draft2Digital to publish across multiple platforms, especially with platforms like Apple that are more difficult or time consuming to learn. This is also a convenient way to make your work accessible to library platforms like Overdrive/Libby, Hoopla, and Bibliotheca, if that is important to you. Library sales have never been a huge priority of mine, but I've never been opposed to them either, so I usually just flip those switches on and then don't think about it again.   The Cons for Draft2Digital are that there was a period after the Smashwords migration where they received complaints about customer service and difficulty in setting up tax information, though I think that is mostly ironed out now.   One potential hazard for Draft2Digital with a very specific subset of writers is that if you are a writer of, shall we say, very hard erotica, the sort that ends up in very restricted categories on most stores, you will probably have trouble publishing through Draft2Digital. This is not, however, a problem that's unique to Draft2Digital. Amazon has what is called the “erotica dungeon”, where if you publish certain kinds of, like we said, very harsh erotica, your book isn't searchable on the Amazon store. You can link to it directly, but it will never show up on any search results. Kobo in particular has had problems with erotica.   Back in the 2010s, Kobo was also distributing ebooks to some British retailers, and these British retailers suddenly got upset when they noticed that these kinds of hard erotica were showing up on their store pages, which was not a good look for the company. And so there was a kerfuffle until that was all sorted out. My frank opinion with that is if you are writing these kinds of erotica, the big stores and Draft2Digital will never be on your side, and so you are better off pursuing a sort of a Patreon/running your own store on Shopify or Payhip strategy, but that is a bit of a digression.   So in terms of royalties, Draft2Digital takes 10% of the book's retail price per copy sold, which is in addition to whatever amount is taken by the specific storefront. So you are paying a bit of money in exchange for convenience for just uploading your book to Draft2Digital and having it push out the book to all the different stores for you.   What I do is I use Draft2Digital for Apple mainly because for a while I was using Smashwords, but Smashwords in the 2010s was a bit more persnickety than is now, and you needed to prepare a specially formatted doc file to publish on Smashwords and sometimes getting it through the Smashwords processing onto Apple was a bit of a pain. Draft2Digital took epub files, which are much easier to work with, and after a while I switched over all my Apple publishing to Draft2Digital entirely. So that's why I use Draft2Digital for Apple and for various library services that tend to be a minor amount of sales. Because of the difficulties on publishing direct to Apple, I do find that that 10% is good trade off in terms of selling books on Apple for me.   #5: Now onto Google Play's ebook self-publishing platform, which is, I think its full name is the Google Books Partner Center, which lets you publish books to the Google Play Store for sale on Android devices.   The Pros are that for writers interested in the international market, Google Play is another strong choice for a platform since the international mobile device market is very Android heavy. The iPhone (Apple) tends to be concentrated mainly in the US and a few of the wealthier countries like the UK and Canada, but Android has a much more international reach in general than the iPhone. Google Play also has some interesting promotional options for ebooks, such as offering the buyer a chance to subscribe to a specific series.   The cons are that some authors report that their sales reporting doesn't always consistently generate reports, and others are annoyed that it only generates a CSV file, (which isn't that much of a hardship for people who are familiar with Excel).   For myself, I found that there is a bit of a reporting lag on Google Play where it will sometimes take as long as five or six days for sales to show up on the dashboard, though usually it's only a delay of two days, though sometimes during the month you'll get these bigger lags and sometimes processing new material on the Google Play Store can be slow, and it can sometimes take two to three days for things to appear, though it usually gets worked out in the end. Does Google Play have a subscription service? It does not, nor does it require exclusivity, which is another point in its favor. And the royalties, the data is quite nice here. It is 70% for all price points in the countries listed on their support page, which only excludes a handful of countries like India, South Korea, and Japan (because of currency conversion regions or other local laws).   So those are the ebook publishing platforms that I currently use, and because I use them myself, I would recommend them. Hopefully that is helpful to you as you are looking for places to self-publish your book as you set out to become an indie author.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the backup episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

So you wrote a book, congrats! Skip the waiting game with publishers. You can do it yourself with Kindle Direct Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the final episode of the Creativity Miniseries! In this conversation, Emily Sutherland and I open up our personal creativity toolkits and share the resources and strategies that help us bring our ideas to life. Working on this miniseries with Emily has been an absolute joy. She's not just an incredible creative and coach—she's also become a trusted friend and advisor throughout the development of Wrestling a Walrus, my first children's book. I truly could not imagine doing this without her. Interestingly, we didn't plan on recording another discussion on the creative process, but that's exactly where our behind-the scenes, warm-up conversation led us. So, we left it in. I think you might find some usefulness in this bonus material as we share our thoughts on the value of authenticity, the importance of differentiating yourself, and the surprising relationship between uncertainty and clarity.  A huge thank you to Emily for her wisdom and generosity, and to you for joining us as part of the creative community.  SPECIAL MENTIONS Emily Sutherland's Storytelling for Business (April 4, 2025) and Nurturing Your Creative Self (May 9, 2025) - https://www.emilysutherland.me/events Storytelling Community (Substack) - https://open.substack.com/pub/storytellingcommunity The Secret Lies Within by “Auntie Anne” Beiler and Emily H. Sutherland - http://bit.ly/3FmIxPT Betsy B. Murphy - https://substack.com/@betsybmurphy or http://betsybmurphy.com/ Vanessa Marin, sex therapist on IG @vanessaandxander PROCESS TOOLKIT Write it down when you feel it (and be prepared in the middle of the night). Be ready for the idea. Be discerning about what, when, and who to share your idea with.    When your idea is at a tender stage, who are your tender people? Do you need an editor or a cheerleader? Journaling. Let the creative juices flow without requiring an outcome. The more you write, the more ideas will come. Immerse yourself  and trust the process.  Try on new ideas to see if they go anywhere. “I make what I like, and they eat it how they want to eat it.” - Erykah Badu to Donald Glover ELECTRONIC TOOLS Manuscript Software - Scrivener - affiliate link: https://www.literatureandlatte.com/scrivener/overview?fpr=emilysuth Google Docs, YouTube, and Apps (e.g., voice memo, talk-to-text, notes) IngramSpark - https://www.ingramspark.com/  Kindle Direct Publishing - https://www.amazon.com/stores/author/B008241EAQ Storytelling Workshops - https://www.emilysutherland.me/events PHYSICAL TOOLS  Fine Tip Sharpie Pen or The Pilot G2 (in multiple colors!) Big Magic by Elizabeth Gilbert - https://www.elizabethgilbert.com/books/big-magic/ Bird by Bird by Anne Lamott - https://writingforyourlife.com/bird-by-bird-some-instructions-on-writing-and-life/ The Artist's Way by Julia Cameron - https://juliacameronlive.com/books-by-julia/ Rifle Paper Company little notebooks (great for lefties!) - https://riflepaperco.com/ The Treasured Journal - https://danielleireland.com/journal DANIELLE IRELAND, LCSW Thank you for your support and engagement as part of the Don't Cut Your Own Bangs community. Feel free to reach out with questions, comments, or anything you'd like to share. You can connect with me at any of the links below. Website - https://danielleireland.com/ The Treasured Journal - https://danielleireland.com/journal Substack - https://danielleireland.substack.com/ Blog - https://danielleireland.com/blog/ Instagram - https://www.instagram.com/danielleireland_lcsw Facebook - https://www.facebook.com/danielleireland.LCSW Podcast on YouTube - https://www.youtube.com/@danielleireland8218/featured        

Send us a textKendra Collier shares her journey from horseback riding enthusiast to published children's book author. Her book "Amber's Equestrian Alphabet" began as a high school senior project but quickly became a passion project combining her love for animals with new writing skills.• First fell in love with horses during a trail ride in Tennessee just three years ago• Competes in show jumping and earned second place in her first competition• Created "Amber's Equestrian Alphabet" to teach children the ABCs through horse-themed content• Published through Kindle Direct Publishing with both print and e-book versions available on Amazon• Designed book with rhyming text and horse jokes to keep children engaged• Planning to study wildlife biology in college and hopes to work in animal conservation• Dreams of owning her own farm with horses and creating personal riding trails• Book launch event scheduled for March 29th from 11am-2pm at the Oconee LibraryVisit www.aeabookseries.com for more information or email info@aeabookseries.com to connect with Kendra.

Let us know what you think!Unlock the secrets of turning your family's rich history into a dynamic digital treasure trove with the help of Amazon's Kindle Direct Publishing. Discover how digital publishing not only facilitates easy distribution but also creates a lasting resource for family reunions.1. Prepare Your Book for Publishing2. Publish via Amazon Kindle Direct Publishing (KDP)3. Choose Distribution Settings4. Set Your Pricing5. Share the Book with Your Family6. Gifting Copiesorder copies of your book at the author's cost (for print books) send gift copies of the Kindle versionFor Document conversions:Website: https://calibre-ebook.com/Related Blogs:"Reads over Royalties""EPUB with InDesign, Page Breaks""Secrets with the Trees" by John A BrandtBe sure to bookmark linktr.ee/hittinthebricks for your one stop access to Kathleen Brandt, the host of Hittin' the Bricks with Kathleen. And, visit us on YouTube: Off the Wall with Kathleen John and Chewey video recorded specials. Hittin' the Bricks is produced through the not-for-profit, 501c3 TracingAncestors.org.

At the beginning of the year, Dave and Brad made a series of predictions and set some personal goals for the year. The year is over, and it's time to see how they fared.Predictions for 2024BRAD: Twitter will crash in 2023 2024DAVE: Social media will remain distributed over five or six platformsBRAD: Web users will begin to pivot away from social mediaDAVE: Patreon will move closer to an IPOBRAD: Kickstarter will remain #1 by continuing to avoid mentioning blockchainDAVE: SDCC will return to normal after an abnormal '23... and profits will plummet for creatorsThings we DIDN'T see coming!AI snuck up on us in 2024 — No one predicted that!Bluesky snuck up on us, too!Goals for 2024DAVE: Launch "Pickles" Kickstarter in Jan/Feb, launch "Drive 4" Kickstarter in summerBRAD: In Q1, Kickstart an Evil Inc book paired with an After Dark edition. Kickstart another book — Webcomics Handbook, Evil Inc After Dark or collection of single-panel comics — in Q2/Q3DAVE: Prepare for a 5-15% sales drop at Comic-Con InternationalBRAD: Personal appearances, including SDCC and NCSDAVE: ComicLab Across AmericaBRAD: Use NON-social-media alternatives to drive Patreon.DAVE: Revisit KIndle Direct PublishingBRAD: Start prepping website for a post-Patreon futureDAVE: Build the ComicLab Patreon to 500 members   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

“In El Salvador, I dropped $5 out of my pocket at the border, and some guy came running up to me. At the beginning of the trip I would have been surprised by that. But by that point I would have been surprised if it didn’t happen.” —Matt Savino In this episode of Deviate, Rolf and Matt talk about how the first version of his travel book was way too long, and what he ended up editing out (6:00); the origins of Matt’s Central America road trip, why he ended up turning it into a book, and how he ended up taking Rolf’s Paris class (12:00); how Matt’s “Spreadsheet of Pain” helped him edit his book down to manageable size, and how historical research helped his narrative (17:00); how he wrote about a road trip that didn’t actually reach its objective, and how he tried to model his narrative on Bill Bryson’s writing (26:00); how Matt used a hybrid publisher to get his travel book into the world in two years (31:00); the challenges, idiosyncrasies, and creative joys that come with creating a hybrid published book (39:00); how AI bots determined that Matt had “plagiarized” what turned out to be his own book (54:00); and Matt’s advice for people interested in hybrid publishing (60:30). Matt Savino (@ushuaia_or_bust) is the author of Land Without a Continent: A Road Trip through Mexico and Central America. He can be contacted via his website. Notable Links: Paris travel memoir writing workshop (Rolf’s writing classes) Matt’s Spreadsheet of Pain (note explainer tab at the bottom) No Baggage Challenge (Rolf’s 2010 blog and video series) Justin's elephant-poop cold remedy (2010 video) Walking every single street in NYC (Deviate episode) The Sweet Superstition of Rooting for the Royals, by Rolf Potts (essay) Van Life Before #VanLife (Deviate episode) Developmental editing (pre-publication writing support) Hybrid publishing (assisted self-publishing) Jew (comedy special by Ari Shaffir) Perhapsing (nonfiction narrative strategy) Illumify Media (hybrid publisher) Cliff Clavin (fictional character on Cheers) IngramSpark (self-publishing book company) Kindle Direct Publishing (e-book publishing platform) Authors, books, and agents mentioned: Bill Bryson (author) Julie Pesano (travel writer and teacher) Cole Kazdin (writer and writing coach) Who Killed the Bishop? by Francisco Goldman (book) Blood of Brothers, by Stephen Kinzer (book) Turning the Tide, by Noam Chomsky (book) A Walk in the Woods, by Bill Bryson (book) Chloe Cooper Jones (author) Eddy L. Harris (travel author) James Faccinto (book publicist and former Paris student) April Eberhardt (literary agent and publishing consultant) AWOL on the Appalachian Trail, by David Miller (book) Pati Jinich (chef, author, and TV host) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

“In El Salvador, I dropped $5 out of my pocket at the border, and some guy came running up to me. At the beginning of the trip I would have been surprised by that. But by that point I would have been surprised if it didn’t happen.” —Matt Savino In this episode of Deviate, Rolf and Matt talk about how the first version of his travel book was way too long, and what he ended up editing out (6:00); the origins of Matt’s Central America road trip, why he ended up turning it into a book, and how he ended up taking Rolf’s Paris class (12:00); how Matt’s “Spreadsheet of Pain” helped him edit his book down to manageable size, and how historical research helped his narrative (17:00); how he wrote about a road trip that didn’t actually reach its objective, and how he tried to model his narrative on Bill Bryson’s writing (26:00); how Matt used a hybrid publisher to get his travel book into the world in two years (31:00); the challenges, idiosyncrasies, and creative joys that come with creating a hybrid published book (39:00); how AI bots determined that Matt had “plagiarized” what turned out to be his own book (54:00); and Matt’s advice for people interested in hybrid publishing (60:30). Matt Savino (@ushuaia_or_bust) is the author of Land Without a Continent: A Road Trip through Mexico and Central America. He can be contacted via his website. Notable Links: Paris travel memoir writing workshop (Rolf’s writing classes) Matt’s Spreadsheet of Pain (note explainer tab at the bottom) No Baggage Challenge (Rolf’s 2010 blog and video series) Justin's elephant-poop cold remedy (2010 video) Walking every single street in NYC (Deviate episode) The Sweet Superstition of Rooting for the Royals, by Rolf Potts (essay) Van Life Before #VanLife (Deviate episode) Developmental editing (pre-publication writing support) Hybrid publishing (assisted self-publishing) Jew (comedy special by Ari Shaffir) Perhapsing (nonfiction narrative strategy) Illumify Media (hybrid publisher) Cliff Clavin (fictional character on Cheers) IngramSpark (self-publishing book company) Kindle Direct Publishing (e-book publishing platform) Authors, books, and agents mentioned: Bill Bryson (author) Julie Pesano (travel writer and teacher) Cole Kazdin (writer and writing coach) Who Killed the Bishop? by Francisco Goldman (book) Blood of Brothers, by Stephen Kinzer (book) Turning the Tide, by Noam Chomsky (book) A Walk in the Woods, by Bill Bryson (book) Chloe Cooper Jones (author) Eddy L. Harris (travel author) James Faccinto (book publicist and former Paris student) April Eberhardt (literary agent and publishing consultant) AWOL on the Appalachian Trail, by David Miller (book) Pati Jinich (chef, author, and TV host) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

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Dave Kellett discusses the three phases of art. First, you're just trying to make it work. Then, you try to make it right. And after you've mastered those, you can begin to make it fast.On today's show:Make it work, make it right, make it fastUPDATE: Danielle Corsetto's lettering tipsUPDATE: Substack Notes adviceUPDATE: KDP and Global ComixSummaryThe hosts discuss the stages of artistic development in comics, starting with making it work, then making it right, and finally making it fast. They compare this progression to the process of building a shelf, where you start by making it functional and then refine it over time. They estimate that it takes about 3-5 years to make it work, 10-15 years to make it right, and even longer to make it fast. They emphasize the importance of putting in the time and effort to reach each stage of development. In this part of the conversation, Brad and Dave discuss the different stages of their careers in comics and how they have evolved over time. They talk about the importance of making it right before making it fast and how their skills and speed have improved over the years. They also discuss the idea of never being as good as their heroes but striving to be the best version of themselves.Additionally, they share a lettering tip from Danielle Corsetto and discuss the potential of Substack. Brad and Dave discuss their experiences with Substack and Kindle Direct Publishing (KDP) in this conversation. Brad shares his positive experience with Substack, highlighting its features and the potential for audience growth. They also discuss the drawbacks of KDP, including discoverability issues and the difficulty of dealing with Amazon. Brad recommends Global Comix as an alternative platform for building an audience. The conversation concludes with a discussion of upcoming projects and the excitement for the future.TakeawaysThe process of artistic development in comics involves three stages: making it work, making it right, and making it fast.Making it work is about creating a functional comic while making it right involves refining the details and improving the quality.Progressing through each stage takes time and effort, with estimates of 3-5 years to make it work, 10-15 years to make it right, and even longer to make it fast.Putting in the work and consistently creating comics is essential for growth and improvement as an artist. It is important to focus on making it right before trying to make it fast.Skills and speed improve over time with practice and experience.Strive to be the best version of yourself rather than trying to be as good as your heroes.Consider flipping and printing the artwork on the back to create perfect hand-lettered original art.Substack has the potential to be a valuable platform for comic creators. Substack offers a great platform for artists to share their work and build an audience.KDP may not be the best option for indie creators due to discoverability issuesGlobal Comix is a promising alternative platform for building an audienceIt's important to focus on creating joyful and engaging content on social media platforms  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Welcome to Day 1 of the 3-Day Planner Publishing Challenge Series! To get the most out of this challenge and get your free workbook along with direct 1:1 feedback from me as you develop your profitable planner idea, register over at publishaplanner.com/challengeSarahSend us a Text Message.Find more resources over at SarahSteckler.comCome say hi on Instagram @sarahsteckler

Join me for a 3-Day Planner Publishing Challenge starting August 26th! Trainings will be dropping right here on the Mindful Productivity Podcast but if you want to get the most out of the experience I highly recommend registering over at publishaplanner.com/challenge so you can get access to our video trainings, workbook, and direct 1:1 feedback from me to help you narrow down your focus for your profitable planner idea!Register here -->See you then!SarahSend us a Text Message.------Join me starting August 26th for a 3-Day Planner Publishing Challenge where I'll be walking you through generating your profitable planner idea & planner publishing options. Register here -->------Find more resources over at SarahSteckler.comCome say hi on Instagram @sarahsteckler

Hello, and welcome to another episode of the podcast. But before we get started, I want to talk for a minute for those of you who have recipes that you have collected or written that you want to publish in a book. Did you know that with a few simple tools, you can easily format and publish your book in about 3 months? This is exactly what I teach in my course Cookbooks on KDP. I help food bloggers and recipe collectors learn how to format and publish their recipes in a book using Amazon's Kindle Direct Publishing platform. So if you have recipes ready to publish and want to publish them in a book before Christmas, we will start our next cohort in September. Get on the waitlist, and I will email you more information.  Today, on the podcast, I have an interview with Ben Tish. Ben Tish is the Chef Director of Cubitt House, a hospitality group in London, England where he oversees the food offerings across a number of London's best pubs and eateries. With an undying love of Mediterranean food and history, Ben is passionate about recreating the flavors and dishes of his travels to the Mediterranean in his own home, cookbooks,  and restaurants. He is the author of five cookbooks, and today we're here to talk about his newest book Mediterra: Recipes from the islands and shores of the Mediterranean. Enjoy this episode as Ben and I take a deep dive into the Mediterranean basin, which includes 18 distinctive countries and a discussion of some ingredients and cooking techniques you might not expect in Mediterranean cooking. Ben shares his philosophy for recipe development and ingredient procurement for his cookbooks, his writing routine when he's actively working on a cookbook project, as well as a discussion of Ben's unique and favorite recipes from each section of the book based on the Northern, Eastern, and Southern Shores, and Islands in the Mediterranean.  Things We Mention In This Episode Do you have Recipes Ready to Publish? Join the waitlist for Cookbooks on KDP Chef Ben Tish Mediterra: Recipes from the Islands and Shores of the Mediterranean Crazy Water and Pickled Lemon Diana Henry Moro The Cookbook Samuel and Samantha Clark  

In this episode, we welcome the Kindlepreneur himself, Dave Chesson for a chat about selling books on Amazon and Kindle Direct Publishing. Dave has devoted huge amounts of time and effort into helping authors sell books and reach readers. We chat about the latest changes Amazon has made to its book category system, how selling books on Amazon works, how you can use Amazon ads to great effect, and what best practices authors can follow (like using keywords) to find more success. The book marketing advice you'll find here will help you sell both fantasy fiction books, non-fiction books, and books of all genres. Dave reveals all about how Amazon works for selling books here. As always, if you have any questions, comments or requests, please email us at thefantasywriterstoolshed@gmail.com JOIN THE COMMUNITY ⁠⁠⁠⁠⁠https://mailchi.mp/395aa89d6ec0/join-richie-billings-community-of-writers⁠⁠ GET FANTASY WRITING CLASSES AND BOOKS https://www.patreon.com/TheFantasyWritersToolshed ABOUT OUR GUEST Learn more about Dave Chesson: https://kindlepreneur.com/ Get Dave's free Amazon Ads course: www.amscourse.com ABOUT RICHIE BILLING www.richiebilling.com

Welcome to the SaaS Fuel podcast, where we dive deep into the world of online business and investing. In this episode, Kyle Kuderewski shares insights into key trends and risks in online business models, including content sites, FBA, Kindle Direct Publishing, and agencies.Kyle and Jeff, explore the increasing competition and risks associated with artificial intelligence and SEO updates. They discuss the surge of FBA during COVID-19 and the challenges it now faces. You'll also learn about Kyle's journey from engineering to entrepreneurship and his favorite travel destinations and dive sites.Stay tuned for valuable insights on online business and investing.Key Takeaways00:00 Awkward leader conversations in past workplaces.05:16 Upgraded wardrobe, taught laundry care, made progress.09:00 Entrepreneurial spirit leads to vacation rental venture.13:37 Facilitating investment in online businesses, scaling portfolios.16:32 Option to sell businesses after working with us.19:13 Acquisition search continues, cautious about AI impact.23:40 Challenges of AI and ranking in content.25:29 Kindle Direct Publishing offers diverse, creative opportunities.29:16 Seeking private companies with good fundamentals and profit.32:30 Creating a platform for investing and legal considerations.34:36 Attractive remote work culture with strong connections.40:58 Share the episode, get a fearless filter and meet amazing founders.42:03 SaaS Fuel: Listen, follow, subscribe, rate, review.Tweetable QuotesMonetization Strategies in Business Acquisitions: "The investors continue to get, you know, the exit is a big part of the profit plan." — Kyle Kuderewski 00:16:32The Future of Content Marketing: "I don't think that model is going away anytime soon, but it's something that we're being more cautious with." — Kyle Kuderewski 00:24:05Viral Topic: The Future of FBA Businesses“So if you're gonna be an FBA operator in general or with us, I you know, you need to be really an expert at it. It's not nearly as easy as it used to be." — Kyle Kuderewski 00:25:20Viral Topic: Self-Publishing and AI Writing"So we do have, some operators with, onboard with WebStreet that have been very successful with KDP, and that doesn't even necessarily have to be fiction, nonfiction type books." — Kyle Kuderewski 00:25:38Elevating Leadership Through Difficult Conversations: "Embrace the discomfort, wield empathy and honesty, and watch as your leadership reaches new heights." — Jeff Mains 00:06:55Viral Topic: Augmented Reality Visor for Leadership Challenges"It's an augmented reality visor that overlays your daily challenges with visual cues of success, boosting your resolve to tackle those leadership challenges head on." — Jeff Mains 00:41:07SaaS Leadership Lessons1. Emphasize Scalability and Profitability: The episode emphasizes the importance of focusing on scalable and profitable SaaS businesses. This lesson highlights the significance of building a business that can grow sustainably while maintaining profitability, a crucial aspect for SaaS leadership. 2. Skillful Operators and Competitive Advantage: Successful SaaS leadership requires skillful operators and the creation of a strong competitive advantage to stay ahead in a crowded market. Recognizing and nurturing skilled operators within the organization and building a defensible moat around the product are essential components for success in the SaaS industry.3. Handling Difficult Conversations: Jeff Mains shares a 3-step framework for handling tough talks, which includes preparing with empathy and clarity,...

The Kindlepreneur rolled out updated details for Kindle Direct Publishing keywords. PublishDrive announces huge new feature where artificial intelligence produces your metadata. And, Amazon is testing out a new Book Trends Data feature on the sales pages; could this equal more sales? All that and more in the self-publishing news! Subscribe to my email newsletter - https://DaleLinks.com/Signup Subscribe to The Self-Publishing Hub - https://TheSelfPublishingHub.com Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@DaleLRoberts Sources: How to Fill in Your 7 Kindle Keywords: 2024 UPDATE! - https://youtu.be/vinXgGNxEzk?si=nXWNVGv2n1z3P4pc Book Trends Data - https://kdp.amazon.com/en_US/help/topic/G3WC49TM63DUM4VW?mc_cid=1c5f63597e&mc_eid=433332c881 PublishDrive: Mastering Metadata - Unveiling Our AI-Publishing Assistant - https://streamyard.com/watch/PjVM9ebWhxj7 BookBaby: 9 Writing Roadblocks and How to Overcome Them - https://us06web.zoom.us/webinar/register/WN_5TZKcqCvQOuSbwlskPOt0A#/registration  Getpremades: Premade Cover Party on May 30th - https://www.facebook.com/groups/getpremades/ ALLi: Email Marketing Tips for Indie Authors - https://selfpublishingadvice.org/podcast-email-marketing/ Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) Credit: The Hot Sheet - https://hotsheetpub.com Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

How can selling your book on Amazon both elevate and challenge your author experience?In this week's episode, podcast host Susan Friedmann discusses the pros and cons of publishing and selling books on Amazon. She goes into detail about the many benefits of using Amazon's platform and some of the challenges that can come with it. Key Takeaways:Ease and Speed of Publishing: Discover how Amazon makes it easy for authors to publish their work with tools like eBooks and print-on-demand so they can get their books out there quickly and easily.Visibility Challenges: Learn about the challenges authors face in getting their books noticed among millions on Amazon and strategies to boost discoverability.Alternative Sales Platforms: Understand the advantages of selling books through your website, which can give you direct customer interaction and valuable data that Amazon doesn't offer.Leverage Print-on-Demand Services: Learn about Amazon's Kindle Direct Publishing and other services like BookBaby, which handle printing and distribution, making it easy for authors to publish their work.Using Local Resources and Events: Find out how connecting with local bookstores, events, and media can help you reach a wider audience.Tune in to learn the pros and cons of selling books on Amazon and develop a strategy for maximizing your success in this competitive marketplace.*************************************************************************Sponsored by Aviva Publishing. For over 30 years, we've dedicated ourselves to support nonfiction authors on their journey to publish and sell their books in bulk. Our mission is to empower you to establish yourself as a leading authority in a niche market. Learn my Top 5 Book Marketing Tips! Sign up for the “Book Marketing Kickstarter 5-Day Challenge”—it's free!*************************************************************************

In today's episode, Patrick Donley (@JPatrickDonley) sits down with Nick Di Fabio who, prior to discovering Amazon KDP, had 30 jobs before the age of 30. He has since gone on to make over $1 million in Amazon KDP royalties, had a successful exit, and is now helping others clone his self-publishing strategies. You'll learn how to get started in Kindle Direct Publishing , how to select profitable niches, how AI is changing the publishing landscape, how to 80/20 your marketing efforts and so much more! Nick discovered Amazon KDP while working a 6 pm to 6 am job and has since gone on to publish over 250 books that continue to make him royalties. He also runs Publishing Profits Academy where he teaches others how to build a self-publishing business. IN THIS EPISODE, YOU'LL LEARN: 00:00 - Intro 02:12 - What Amazon KDP is. 06:56 - How Nick found his niche in self-publishing. 07:58 - What are the demographics of people who pursue Amazon KDP. 10:02 - How publishing has changed in the past decade. 13:09 - How Nick selects niches to write about. 21:56 - How AI will continue to change the publishing landscape. 29:10 - What to do to 80/20 your marketing efforts. 35:47 - How to create an exit strategy in publishing. 42:46 - Why do people create a book as a business card. 49:26 - How Publishing Profits Academy was born and what people learn in it. *Disclaimer: Slight timestamp discrepancies may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive TIP Mastermind Community to engage in meaningful stock investing discussions with Kyle and the other community members. Checkout: 1000 True Fans by Kevin Kelly. Books mentioned: The 80/20 Principle by Richard Koch. Books mentioned: Deep Work by Cal Newport. Books mentioned: 50th Law by Robert Greene. Books mentioned: 48 Laws of Power by Robert Greene. Books mentioned: On the Shortness of Life by Seneca. Books mentioned: Slow Productivity by Cal Newport. Books mentioned: Outwitting the Devil by Napoleon Hill. Check out the books mentioned in the podcast here. Enjoy ad-free episodes when you subscribe to our Premium Feed. NEW TO THE SHOW? Follow our official social media accounts: X (Twitter) | LinkedIn | Instagram | Facebook | TikTok. Check out our Millennial Investing Starter Packs. Browse through all our episodes (complete with transcripts) here. Try Kyle's favorite tool for picking stock winners and managing our portfolios: TIP Finance. Enjoy exclusive perks from our favorite Apps and Services. Stay up-to-date on financial markets and investing strategies through our daily newsletter, We Study Markets. Learn how to better start, manage, and grow your business with the best business podcasts. SPONSORS Support our free podcast by supporting our sponsors: Toyota Monarch Money Airbnb Meyka NerdWallet Fundrise Yahoo! Finance NetSuite Range Rover Connect with Patrick: Twitter Connect with Nick: LinkedIn |  Twitter  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

What's going on in the planner industry? Are people still buying planners? Is it still a good time to self-publish and create your own journal or planner?Tune in to hear my thoughts on:What's changed in the planner industry and marketWhat trends I'm seeing in purchasing and consumerism Self-publishing alternative options and why I still recommend using Kindle Direct PublishingWhy creating a Pocket Planner can be the best option for new creators!22 Pocket Planner ideas to inspire you!An invitation to our Pocket Planner Creation Round that kicks off May 13thJoin us inside Publish with Purpose: https://www.publishaplanner.com/enroll/Take a look inside my Pocket List Planner --->Questions about the program? Hit me up on Instagram @sarahsteckler xoxoSarahFind more resources over at SarahSteckler.comCome say hi on Instagram @sarahsteckler

50 People Get Killed by Dogs in US Alone. Any Bozo Can Bribe, Beat or Buzz Your Dog into Listening. Dogs Are More Spoiled and Dangerous than Ever. Why do you think that is?Zeddicus King's book,  DOGS DECODED - Your Dog's Mindset vs Your Attitude & Beliefs is finally here! https://www.amazon.com/DOGS-DECODED-Mindset-Attitude-Beliefs/dp/B0CW1SBBLTPrepare to have your perceptions of dog psychology radically shifted as I share the insights from my new book, "Dogs Decoded." It's been a rollercoaster of a decade, writing and re-writing, to bring you this comprehensive guide that's already wagging its tail on the bestseller list. The shocking truth behind dog-related fatalities and the rise of pampered pooches sets a bold backdrop for a conversation that might just help you see the world through your dog's eyes.This episode isn't your ordinary run-of-the-mill dog talk; it's an exploration that challenges the heart and habits of every dog owner. Discover if you're guilty of overindulgence with our "spoiled dog test," and learn why emotional responses in training often overcome logic. Plus, I walk you through the '10 biggest lies in dog training,' and how grasping the real truths can earn you a 'black belt in dog psychology.' From the 'biggest scam' to the '99% sweet, 1% psycho' dog, our discussion is packed with anecdotes and advice that will leave you pondering and possibly chuckling about the dynamics of your pet relationship.As our time together draws to a close, my heart overflows with gratitude for the tidal wave of support and engagement from listeners and readers like you. With a nod to Amazon's Kindle Direct Publishing, I share how it provides a nimble platform for content updates, ensuring our materials stay as fresh as a puppy's breath. I'm sending out a virtual pat and a scratch behind the ears to all our furry friends and their humans, with the promise of more revealing discussions to come. Keep your leashes at the ready, and your minds open for what's to come! https://www.amazon.com/DOGS-DECODED-Mindset-Attitude-Beliefs/dp/B0CVVKZWJ4/ref=sr_1_5?crid=3IUWIVC2EBZA6&dib=eyJ2IjoiMSJ9.Xdh5m2q-8rgWSDc0t4TggWKrXQUyOlqHl8EYQhkeYtVYfHhvzo7QVuZC-0flY-eyn5-eyX1lDabMai7PdgEjq5utk1cpFaNt3LStiVs87GHRGJ9WNXBFVX8YBIy0OlVLLiXRtTL9MZJcb-sPW6ROe0faqbJrrBPpbq65RroJqBsWaodTTSk9yCBaPAPRV0x14JghaW3jHEFuE_HKUT0HEZmLQD0BegqPpEhrcrTFLSo.x9YLHr3eWXE7lCa6L6Df5IuHP0pR0A7tJxw-AyKgMkE&dib_tag=se&keywords=dogs+decoded&qid=1709613410&sprefix=dogs+decoded%2Caps%2C250&sr=8-5To Hire Zeddicus for Phone/Zoom Consultation, In-Home Lessons or His Doggie Boot Camp in Los Angeles, Paw at: https://DogSecrets.com

TusCon 50 Panel Formatting for Kindle Direct Publishing Recorded live at TusCon 50 Sunday – Ballroom 11:00 am 12:00 pm  https://tusconscificon.com/timetable/event/formatting-for-kindle-direct-publishing/ Publishing isn't just books anymore. But each format is different. How do you keep everything looking right no matter what? Bruce Wiley, Cameron D Blackwell, Jessica Feinberg Bruce Wiley, Cameron D Blackwell, http://Cameron Blackwell books.square.site http://blackwellserials.wordpress.com Jessica Feinberg RareDragons.Shop And a huge Thank you to the TusCon Board, Panelists, Volunteers, and fantastic Con Suite hosts! Chek out more about TusCon at https://tusconscificon.com/ Please support our shows at www.patreon.com/cppn and even join us in some games! Also keep an eye at the new things on our now affiliated Twitch channel: https://www.twitch.tv/creativeplayandpodcast Also follow us on Facebook at https://www.facebook.com/CreativePlayandPodcastNetwork Would you be interested if we hosted D&D and Edge of Empire games on Roll20 for you to join? Email us at Creativeplaypodcastnet@Gmail.com #TusCon50    

Join us as your host, David, dives deep into the extraordinary journey of Ty Cohen, a figure whose life story is a testament to turning adversity into triumph. Ty, a former morning talk show personality turned publishing maven, internet marketer, and personal development guru, shares his incredible path from facing life's toughest challenges to achieving unparalleled success.In this intimate and inspiring series, Ty opens up about his early years in one of the northeast's most notorious housing projects and his battle with sickle cell anemia. Discover how a life-altering prognosis at the age of 12 became the catalyst for his unbreakable spirit and relentless pursuit of greatness.With wisdom gleaned over decades, Ty takes us through his evolution from quitting a secure corporate job to embarking on a risky entrepreneurial venture that would eventually generate millions in sales and transform not just his life but those of countless others. Learn the ins and outs of his simple yet powerful formula for leveraging life's obstacles into financial opportunities, enabling you to reach your fullest potential.This podcast is more than just a dialogue; it's a masterclass in resilience, innovation, and the power of self-belief. Ty shares the secrets behind his success in the digital publishing world, making upwards of 50K a month through Amazon's Kindle Direct Publishing and beyond. Whether discussing his first venture into the world of comic book selling, navigating the complexities of the music industry, or his groundbreaking strategies in digital marketing, Ty's story is a testament to what's possible when you dare to dream big."Unveiling Brilliance: The Ty Cohen Story" is not just an exploration of one man's journey to the top; it's a beacon of hope and a roadmap for anyone looking to discover, develop, and distribute their unique gifts to the world. Tune in to be educated, inspired, and empowered to take action towards your dreams, with Ty Cohen guiding you every step of the way.

Dive into the world of Barnes & Noble Press and explore how it compares to KDP. Learn about the options for printing hardcover books, the self-publishing process, and whether Barnes & Noble Press is a valuable alternative to Kindle Direct Publishing. Discover if you should self publish on Barnes & Noble Press and if it's worth considering for your book. Barnes & Noble Press - https://press.barnesandnoble.com/ Subscribe to The Self-Publishing Hub - https://TheSelfPublishingHub.com Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord  Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

I wrote a ‘little' book and just recently got it up for sale on Amazon. I even recorded it myself as an audio book for Audible which syncs the book on Amazon. It's called:  "How To Talk To Strangers Advice from a Professional Stranger Talker"  (And I'm a roll with 5 star reviews! Good reviews mean everything to an author)  I could not have done it without the help of Donna Kozik, a book coach gal pal out in San Diego,CA  who I've been featuring for years on my radio show because I love her style and how she shows people how to get a book done.  Meanwhile even though it sounded doable, and even though I do know how to write - Donna knows that I tried for a few years but kept not getting it done. I kept backing off. Why? I don't know. I didn't think what I wrote was good enough. I didn't think it was compelling enough. I had imposter syndrome. Then came the pandemic and the totally wrong timing for the topic. And of course, then there were the never ending barrage of life distractions. Finally, with Donna's help and unwavering encouragement, I did it! Whew! Feels Good!   I knew nothing about the process of publishing an ebook or soft cover book, but Donna helped me get it into the right format, helped me with the proofreading, helped me get the cover art done, educated me about Kindle and how to upload it on Amazon and was always available for my zillion email questions.  I had no idea how to set the right price (learned an eBook sweet spot price is $2.99), or the importance of getting reviews, or how to navigate Amazon's Kindle Direct Publishing system for the first time.   I'm just deciding how I am going to market the book now that the audio I recorded separately with fabulous Al Hemberger at The Loft Recording Studios in Bronxville, N.Y., was approved by Audible. (Who knew they reserve the right to set the price based on the length of the audio?) That was another thing that took way longer than I had anticipated but, finally got that done too! Whew! Personal accomplishment!   I'm hoping my new ‘little' book will be as Donna calls it "My Big Business Card".  Utilizing a Book as a Business Tool  Donna Kozik book coach extraordinaire, says, a book IS a "Big Business Card" and there are various ways to leverage it for building credibility, obtaining speaking engagements, and promoting one's expertise.  'Short books' she says are the way to go, especially in today's information-saturated world. A short book can be easily read and can still carry a powerful message, making it a good option for authors and readers alike.  My book, "How To Talk To Strangers Advice from a Professional Stranger Talker" is 62 pages, and the audio book is 47 minutes. It's a little book with a big message. You'll get my point, get some laughs and get some tips in under an hour.  I'd love my book to lead to some speaking engagements about teaching people how to connect and communicate better in person. I really do think I have some sage knowledge to share in a fun way. I will now be looking to share it with some event planners, etc. who might be looking for someone like me to speak about this.  Encouragement for Aspiring Authors  I invited Donna Kozik back to join me on my radio show so we could discuss the self-publishing process now that I've been through it, so we could share information with those of you who might have a book in you too!  Donna says many potential authors face the same challenges as I mentioned I had above, and that procrastination or life events should not discourage them. She said, once a book is published, people do not focus on how long it took. (Did I mention I started this book idea 5 years ago? LOL)  Besides her great advice for listeners who may want to write a book, Donna offers a step-by-step approach to getting started, including making the decision, taking action, creating a structure. Her program "Write a Book in a Weekend," her group coaching, and her Business Authors Association, offer support and promotion for new authors. She suggests aspiring writers start with her FreeBookPlanner.com. Oh and she made a big point about avoiding talking about the book you haven't finished writing yet too much, to prevent creating an emotional payoff for yourself without making any progress. (Oh boy, I did this 1000X.) Enjoy this podcast of our live conversation about how to really get a book done on The Debbie Nigro Show.  Tune in to The Debbie Nigro Show 11-12 EST weekdays in the NY/CT area on 1490 WGCH or Listen from Anywhere on WGCH.com Just hit the 'listen live' button.

If you're publishing your ebooks and print books through Amazon KDP, then you can't overlook the importance of keywords in the discoverability of your content. Whether you're using free or premium tools, keyword research requires a better strategy than what you find in a cursory search. Finding the right keywords for Kindle Direct Publishing - whether fiction, nonfiction, or low content - is half the battle, and you'll find out how it's so much different in 2023 regardless of what tool you use to get the job done. Tune in for more details. Publisher Rocket - https://DaleLinks.com/Rocket  (affiliate link) Amazon Keywords for Books - https://DaleLinks.com/KeywordsBook Kindlepreneur article on the 7 backend keywords - https://DaleLinks.com/7KindleKeywords  Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) Join Channel Memberships - https://www.youtube.com/channel/UCl9CjdZQtzufqgYx0CidSbA/join Join my community at: Discord - http://dalelinks.com/discord Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Between KDP, IngramSpark, Lulu, and many other print on demand companies, authors and self-publishers have a lot of choices. Even still, the companies still have limited printing options and show no signs of exploring print on demand products like spiral bound notebooks, a customized game card deck, or flash drives. Enter Vervante, a place you can get your books self published and build a business on or off Amazon through ecommerce stores like Shopify. If you're tired of what Kindle Direct Publishing has to offer and are playing around with the idea of selling more than just a book, then Vervante might be your solution. Listen into this interview with founder of Vervante, Cindy Tyler, as she shares more about how the company works and why it's a great solution for more ambitious author projects. Vervante - https://www.vervante.com/ Vervante on YouTube - https://www.youtube.com/@vervante9243 Join Channel Memberships - https://www.youtube.com/channel/UCl9CjdZQtzufqgYx0CidSbA/join Join my community at: Discord - http://dalelinks.com/discord  Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

USA Today Bestselling Author Nick Thacker has published over forty fiction books and is sharing his insights into how he launches his books. Find out what Nick does to prepare each book launch, what secrets he has that sets him apart, and how he manages sales after launching a bestselling books on Amazon KDP, USA Today, and beyond. You'll love Nick's refreshing honesty and blunt approach to leveraging platforms like Kindle Direct Publishing and beyond to reach more readers. The 200th Episode Broadcast - https://youtube.com/live/KWArp8ZcKsk  Nick Thacker - https://www.nickthacker.com/  Book Career in a Year - http://bookcareerinayear.com/ Nick Thacker on YouTube - https://YouTube.com/@AuthorNickThacker  Join Channel Memberships - https://www.youtube.com/channel/UCl9CjdZQtzufqgYx0CidSbA/join Join my community at: Discord - http://dalelinks.com/discord  Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Going into 2023, I'm armed with a new strategy for publishing on KDP and beyond. Find out how I plan to leverage Kindle Direct Publishing and IngramSpark and what marketing strategies I'll be using. We'll discuss my ideas for self publishing a novel series on Amazon, and when I plan to release my first fiction publication via e book, paperback, hardcover, and audiobook. Get all that and more tips for indie authors looking to publish on Amazon KDP in 2023. Mentioned sites: Miblart Giveaway - https://DaleLinks.com/Giveaway Book Promo Sites List - https://DaleLinks.com/BookPromos Victory Editing's NetGalley Co-Op - https://victoryediting.com/services/netgalley-co-op/  StoryOrigin - https://DaleLinks.com/StoryOrigin eBookFairs - https://DaleLinks.com/eBookFairs Join Channel Memberships - https://www.youtube.com/channel/UCl9CjdZQtzufqgYx0CidSbA/join Join my community at: Discord - http://dalelinks.com/discord Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Are you looking for ways for book marketing on Amazon KDP with no money? Are you one of many struggling authors looking for ways to self publish and promote a book for free? Then, find out how to market and promote your books through Kindle Direct Publishing. You'll find out it's possible to sell more books with these tips and strategies for book promotion. Book Promo Sites: https://DaleLinks.com/BookPromos  Join Channel Memberships - https://www.youtube.com/channel/UCl9CjdZQtzufqgYx0CidSbA/join Join my community at: Discord - http://dalelinks.com/discord   GetCovers Giveaway - https://DaleLinks.com/GetCoversGiveaway 

Replacing Her Corporate Salary With Content Creation With Alex From Mallorca Under the Sun This week we are joined by Alex from the Mallorca Under the Sun YouTube channel. We talk about how she has grown her channel quickly, tips and tricks of being a creator, replacing her corporate salary with content creation, and SO much more! About Alex: After losing her job during the global pandemic, British-born Alex is an expert and authority on one of Europe's favorite holiday destinations, Mallorca in Spain. She creates vlogs, travel guides, news, travel tips, and live streams for anyone wanting to holiday or move to the island. Her greatest achievement, though, is creating a fantastic community. Before setting up the Youtube channel in 2020, Alex was a travel and tourism professional with 20+ years of experience in Marketing and Public Relations. As well as her Youtube channel, Alex has gone on to build a website and has replaced her corporate salary through a mixture of freelancing, Youtube Adsense, website income (Ezoic Adsense and affiliate income), and has just secured her first video sponsor. She has launched her first digital product - an ebook on Kindle Direct Publishing called "Living in Mallorca Under the Sun." TubeBuddy – A tool that makes your YouTube Life EASIER and Helps grow your channel. CLICK HERE for a FREE 30-DAY TRIAL. Go here if you want to submit your YouTube Channel to be a potential guest on the podcast.  Support the show on Patreon here for day-to-day interaction with myself and the community on discord. Connect With Alex Here: YouTube /// Website /// Facebook Group Links Discussed In This Episode Fiverr – Hire the right people for the jobs you need to make your YouTube life and workflow easier! Bluehost – If you need a website use this link to get a Free Domain Name and a great deal on hosting