Podcasts about roll animal

Send us a message, so we know what you're thinking!Why do you like the music you do?  Is it as simple as “It's what I heard on the radio”? Or something deeper? People with elder siblings may be exposed to music earlier than first children.   Jeff had an older brother, so was exposed earlier to cool music - Beatles, Janis, Hendrix, and so on.  Mick was the eldest in his family and had to find his own taste. (No surprise considering what he listens to!) Were you bullied as a child?  Influence!  Did you share music with your friends?  Influence!  Did you have access to a good radio station?  Or print media?  Influence!! We talk about our early influences – musical & otherwise – and look at how they played a role in what we listen to today.    In Rock News, Ringo has released a country album, and Toto is touring.  Oh well, shouldn't take them long to play their 3 hits. You know Jeff's obsessed with AI, so he asked three AI brands to nominate the greatest albums of 1971.  Not much variation, really.  One day, we may ask them to understand quality, rather than sales figures, and see what they give us.    Our Album You Must Listen to Before you Die is “Blue” by Joni Mitchell - an top grade album that deserves to be here.  Mick references Atlantic Records' sampler called “Very Together” which featured “Carey” from this album, and pointed out a link between Joni Mitchell and Scottish hard rock band, Nazareth. How did YOUR tastes develop?  Drop us a line & let us know. Enjoy! References:  RAM Magazine, Rock Australia Magazine, Countdown, Molly Meldrum, 2DoubleJay, The Magus/Holger Brockman, Chris Winter, Mac Cocker, “Never Mind the Bollocks”, The Sex Pistols, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie, “Five Years”, “Room to Move”, Chris Winter, “Starman”, “Rock'n'roll Suicide”, Birdland, Weather Report, Joe Zawinul, Brian Eno, “Another Green World”, “Zawinul Lava”, “Rock'n'Roll Animal”, Lou Reed, Steve Hunter, “Sweet Jane”, “Heroin”, “Rock'n'Roll”, Berlin, Alice Cooper, Velvet Underground, Peter Gabriel, “Car”, “Stranded”, Roxy Music, Bryan Ferry, “Song for Europe”, “Street Life”, “Psalm”, Sisters of Mercy, XTC, Nico, REM, Television, Patti Smith, “Sgt Pepper's Lonely Heart Club Band”, The Beatles, "Within You Without You”, “Tomorrow Never Knows”, Bob Dylan's Greatest Hits, Like a Rolling Stone”, Revolver, Bridge Over Troubled Water, Simon and Garfunkel, Pearl, Janis Joplin, Tapestry, Carole King, Slade Alive, Hot August Nigh”, “Goodbye Yellow Brick Road”, “Dark Side of the Moon”, “Led Zeppelin IV”, “Silk Degrees”, Box Scaggs, “Journey to the Centre of the Earth”, Rick Wakeman, “Woodstock”, “Monterey Pop”, “The Song Remains the Same”, “The Last Waltz”, The Guitar Spa, Redeye Records, John Foy, bootleg records, “His Master's Voice”, “Sheetkeeckers”, Australian electronica/dance music store, Hipgnosis, Pink Floyd, Peter Gabriel, Regurgitator, “I like your old stuff better than your new stuff", DeepSeek, ChatGPT, Google Gemini, Blue, Joni Mitchell, Henry Lewy, “Very Together”, “This Flight Tonight”, Nazareth  Episode Playlist  The first song played by 2DoubleJay - “You Just Like Me ‘Cos I'm Good in Bed” 

Andy Warhol starb 1987. Bei einer Trauerfeier begegneten sich die früheren Freunde John Cale und Lou Reed das erste Mal seit den 70er Jahren wieder. Sie beschließen, gemeinsam ein Erinnerungsalbum für ihren verstorbenen Mentor Warhol aufzunehmen. „Songs for Drella“ enthält sparsam instrumentierte Erzählungen von seiner Arbeit, von Traumfantasien und auch von persönlichen Begegnungen mit dem Künstler. Eine kurzfristige Zusammenarbeit der beiden als „The Velvet Underground“ gemeinsam mit Mo Tucker und Sterling Morrison hält nicht lange. Die Wege trennen sich wieder: Lou Reed liefert in den folgenden Jahren mehrfach Musik für Theaterwerke von Robert Wilson. Lou Reed stirbt schließlich 2013. John Cale komponiert weiterhin Soundtracks wie ebenso Rock- und Popmusik, und veröffentlicht diese, hoch anerkannt und verehrt, als Meister vieler Klassen. Bis heute führt er sie scheinbar unermüdlich auch live auf. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Becoming The Beatles / https://1.ard.de/beatles-podcast?cp

John Cale und Lou Reed suchten in den 70er Jahren stets neue Formen für ihre Musik. Cale produzierte neben Nicos Alben auch „Horses“ von Patti Smith und das Debütalbum der Stooges. Sein Album „Paris 1919“ stach heraus und ließ sein musikalisches Wissen und Können aufscheinen. Lou Reed lieferte mit „Berlin“ eine durchgehende Erzählung in Liedern, mit „Metal Machine Music“ ein verstörendes Noise- und Industrial-Werk, das sein Publikum eher verschreckte. Danach wechselte er wieder ins leichtere Fach und hatte mit „Coney Island Baby“ Erfolg. Cale etablierte sich mit raffinierten, leicht zugänglichen Balladen Mitte der 1970er Jahre auch als Solo-Popmusiker, ohne jedoch seine Lust an zeitgenössischer klassischer Musik zu vergessen. Lou Reed kehrte mit den Alben „Blue Mask“ oder „New York“ zu seinen typischen Songreportagen zurück, in denen er erneut distanziert Szenen und Originale der Straße musikalisch einfing. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Das Wissen / https://1.ard.de/swr2_wissen_cp

The Velvet Underground lieferten mit ihrem zweiten Album einen noch düsteren Einblick in den New Yorker Underground und die dazugehörigen Rockwelten. Lou Reed blieb der Kopf der Band, Nico und John Cale gingen eigene Wege. Danach zerfloss die Idee der Band zunehmend, nur noch einzelne Lieder der weiteren Alben hatten weiter die Sprengkraft der ersten, die Band wurde schließlich aufgelöst. Auch eine Reunion in den frühen Neunzigern hinterließ bei den Akteuren und Fans einen Kater. John Cale half Nico, sich als eigenständige Künstlerin zu etablieren, Cale selbst experimentierte mit Stilen und Ideen. Lou Reed dagegen schuf 1972 sein Meisterwerk „Transformer“ und den Welthit „Walk on the wild side“. Musikliste: The Velvet Underground: The Velvet Underground & Nico (1967) White Light/White Heat (1968): Here she comes now, Sister Ray The Velvet Underground (1969): Candy says, Pale blue eyes, Beginning to see the light Loaded (1970): Who loves the sun, Sweet Jane, Rock & Roll, Oh! Sweet nuthin‘ VU (1968/69,1985): Stephanie says, Foggy notion Le Bataclan'72 (Lou Reed/John Cale/Nico 1972, 2004) Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Starthilfe / https://www.ardaudiothek.de/sendung/starthilfe-der-musik-podcast-mit-den-stars-von-morgen/94673504/

Diese Band lieferte das Gegenteil von Flower Power und Hippie-Seligkeit: The Velvet Underground, 1965 in New York gegründet von Lou Reed und John Cale. Düster, laut, gegen die Erwartungen von Wohlklang und Harmonie. The Velvet Underground vertonten den Alltag von Junkies und Prostituierten, von Gosse und Gewalt. Andy Warhol konnte ihren Klang gut gebrauchen für seine Vernissagen und Film-Happenings, das berühmte Album mit der Banane drauf war das Ergebnis. Er hatte ihnen die deutsche Sängerin Nico dazugestellt, das Ergebnis sind bis heute anziehende, gefährliche Lieder. Kommerziell nicht erfolgreich, zog das Album zuerst in Europa weite Kreise. Musikliste: The Velvet Underground: The Velvet Underground & Nico (1967) White Light/White Heat (1968): Here she comes now, Sister Ray The Velvet Underground (1969): Candy says, Pale blue eyes, Beginning to see the light Loaded (1970): Who loves the sun, Sweet Jane, Rock & Roll, Oh! Sweet nuthin‘ VU (1968/69,1985): Stephanie says, Foggy notion Le Bataclan'72 (Lou Reed/John Cale/Nico 1972, 2004) Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Pop & Rewind / https://www.ardaudiothek.de/sendung/popundrewind-der-nachtmix-podcast/10314695/

Tercer capítulo de la trilogía para homenajear discos publicados en 1974 y que cumplen 50 años en 2024. En este caso obras maestras de diversos estilos infaltables en cualquier colección. Rendimos pleitesía a esta docena de discazos ordenados por fecha de publicación. Relájate y disfruta con: JONI MITCHELL - Help Me - Court and Spark (3´24") STEELY DAN - Any Major Dude Will Tell You - Pretzel Logic (3´07") BIG STAR - You Get What You Deserve - Radio City (3´08") LOU REED – Heroin - Rock ´n´ Roll Animal (12´58") CAMEL - Lady Fantasy - Mirage (12´44") LYNYRD SYNYRD - Workin´for MCA - Second Helping (4´49") RICHARD AND LINDA THOMPSON - The End of the Rainbow - I Want to See the Bright Light Tonight (3´55") NEIL YOUNG - Revolution Blues - On The Beach (4´03") GENE CLARK - From a Silver Phial - No Other (3´41") SUPERTRAMP – Rudy - Crime of the Century (7´21") KING CRIMSON – Starless – Red (12´25") GENESIS - The Chamber of 32 Doors - The Lamb Lies Down on Broadway (5´45") GENESIS - In the Cage - The Lamb Lies Down on Broadway (8´13")

Tercer capítulo de la trilogía para homenajear discos publicados en 1974 y que cumplen 50 años en 2024. En este caso obras maestras de diversos estilos infaltables en cualquier colección. Rendimos pleitesía a esta docena de discazos ordenados por fecha de publicación. Relájate y disfruta con: JONI MITCHELL - Help Me - Court and Spark (3´24") STEELY DAN - Any Major Dude Will Tell You - Pretzel Logic (3´07") BIG STAR - You Get What You Deserve - Radio City (3´08") LOU REED – Heroin - Rock ´n´ Roll Animal (12´58") CAMEL - Lady Fantasy - Mirage (12´44") LYNYRD SYNYRD - Workin´for MCA - Second Helping (4´49") RICHARD AND LINDA THOMPSON - The End of the Rainbow - I Want to See the Bright Light Tonight (3´55") NEIL YOUNG - Revolution Blues - On The Beach (4´03") GENE CLARK - From a Silver Phial - No Other (3´41") SUPERTRAMP – Rudy - Crime of the Century (7´21") KING CRIMSON – Starless – Red (12´25") GENESIS - The Chamber of 32 Doors - The Lamb Lies Down on Broadway (5´45") GENESIS - In the Cage - The Lamb Lies Down on Broadway (8´13")

Sorry we've been gone so long, we're working getting back to the swing of things, but it is what it is. This week, Jace and Ray are stuck to a wall, Danny summons frogs, and Maylee touches a magic rock and angers a god. Thank you for listening to Cookie Dice!! This podcast is a. Family Friendly Podcasts production. Check out our website at familyfriendlypodcasts.com Family Friendly Podcasts - Our Safe Listening Space AJ as DM. Liz as Danny. Japheth as Jace. Kailene as Maylee. Sam as Ray.

Een podcast over Lou Reed. En ook een beetje over zijn vriend David Bowie. Een week geleden was het Record Store Day, en ter gelegenheid van dat evenement kwam er een album uit: The power Of The Heart, A Tribute To Lou Reed. En het zijn niet de minsten die Lou Reed willen eren: Keith Richard, Rufus Wainwright, Rosanne Cash, Ricky Lee Jones. Blokhuis duikt in de carrière van de rock & roll animal.

Esta semana dedicamos la tertulia a The Black Keys, quienes hace unos días publicaban 'Ohio Players', un nuevo disco en el que han contado con un montón de colaboradores y que no ha acabado de convencer a sus seguidores. Por eso nos preguntamos: ¿Han perdido The Black Keys su mojo? Para debatirlo hemos invitado a JF León (Rock'n'Roll Animal podcast, Onda Cero, Ruta 66) y a Sergio Alarcón, guitarrista de The Limboos. Y como siempre también hacemos un repaso a algunas noticias destacadas de la semana, la agenda de conciertos, los charts y nuestras recomendaciones de Oído, Visto, Leído. Enjoy!

There was nobody like Lou Reed, and there is no Sunny Song like Dirty Blvd: a black and white hellscape, described by a cynic past being surprised by any indignity - yet, still managing to extract beauty and hope out of the filthy miasma. When the Statue of Bigotry says: “give me your hungry, your tired, your poor, I'll piss on them” you know this Jeremiah is decrying the bitter truth about our present times. Still, at the very last moments of his life, Lou was doing poetic Tai Chi moves on his deathbed to ease himself into the portal of eternity.In the song, the cursed, downtrodden boy, Pedro finds a book of magic in a trashcan and dreams of flying away from the dirty blvd. For an urban portrait this grim, it's amazing how uplifting the song becomes, and as the final chorus swells and Dion jumps in to add: “fly, fly away…” my spirit is soaring.  Lou was a Rock n Roll Animal through and through, but he was also a serious artist who aspired to lift the genre to the heights of great literature. And, on Dirty Blvd., those two poles are fused and magnetized, creating a Dante-esque journey from hell to heaven.  He had gotten to the place artistically where he could say anything, in language so direct and stark, and still get you to sing along. 

Ceci est la troisième partie d'une quadrilogie d'épisodes consacrés à Lou Reed, il est donc fortement conseillé d'écouter les deux premières parties avant celle-ci ! Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour le montage voix, et à Pomme et Lily pour la relecture ! Jetez vous sur leurs podcasts respectifs : Mauvais Travail, Choixpitre et Doctor What. Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtisPerfect Day, An Intimate Portrait of Life With Lou Reed – BettyeKronstadTransformer – Ezra FurmanWhite Light White Heat – Richie UnterbergerThe Velvet Underground – Jim DeRogatisLou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick KentPlease Kill Me – Legs McNeil & Gillian McCainLes articles de Lester Bangs :Sourd-muet dans une cabine téléphonique : une parfaite journéeavec Lou Reed (1973)Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975)Comment je me suis castagné avec Lou sans m'endormir une seule fois(1975)Comment devenir tortionnaire sans effort (1976)Le plus grand album jamais enregistré (1976) Des disques : Berlin (1973) *Rock'n'Roll Animal (1974) Sally Can't Dance (1974) Lou Reed Live (1975) Metal Machine Music (1975) ?????Coney Island Baby (1975) *Rock'n'Roll Heart (1976) Street Hassle (1978) *The Bells (1979) Growing Up In Public (1980) The Blue Mask (1982) **Legendary Heart (1983) *New Sensations (1984) Mistrial (1986) *

Grabado en directo la noche del 23 de diciembre de 1973, en el Howard Stein’s Academy of Music de Nueva York (futuro Palladium), y editado en febrero de 1974. Se cumple medio siglo de “Rock’n’Roll Animal”, uno de los discos que consolidaron a Lou Reed como estrella del rock de su tiempo. Reed se vio arropado por las musculosas guitarras de dos figuras de la escena de Detroit como Dick Wagner y Steve Hunter, junto a la poderosa sección rítmica formada por Prakash John al bajo y Pentti Glan a la batería -ambos compañeros de gira con Steppenwolf-. Al año siguiente se lanzó el disco “Live”, registrado en el mismo concierto y con las canciones que habían sido descartadas para el primer disco.Playlist;(sintonía) LOU REED “Intro-Sweet Jane” (Rock 'n' Roll Animal, 1974)LOU REED “Heroin” (Rock 'n' Roll Animal, 1974)LOU REED “White light, white heat” (Rock 'n' Roll Animal, 1974)LOU REED “Lady day” (Rock 'n' Roll Animal, 1974)LOU REED “Rock’n’Roll” (Rock 'n' Roll Animal, 1974)LOU REED “Vicious” (Live, 1975)LOU REED “Walk on the wild side” (Live, 1975)Escuchar audio

This episode starts with a grunge.com article about albums released in '74, and turning 50, but The Imbalanced Boys realized there was much more to 1974 than the writer covered. How can you fail to include Rock n' Roll Animal by Lou Reed, as an example. So, Markus and Ray dive into that rabbit hole in the second half of this week's podcast. Starting with Joni Mitchell's Court And Spark, and rolling through the year, and capping things with a special release by a RRHOF group, who changed the sonic landscape that year! Incredible releases from Steely Dan, Rush, Frank Zappa, Lynyrd Skynyrd, Stevie Wonder and many more. A few artists (David Bowie, Kiss and Queen chief among them) had two releases in '74! So kick back in your bell bottoms and your favorite throwback bright vertical striped shirt, fire up the bong, and let's hop into the Imbalanced Time Machine: Set to 1974! Two things: -We are excited to be part of the party on 2/10/24 as Crooked Eye Brewing in Hatboro, PA marks 10 years of fun & brews with a huge party at the brewery featuring The Crooked Eye Band!!! We will be there, recording for a special episode marking their 10th, and our 5th in March!!! -Punk Rock Month '24 is in the works...stay tuned for more about a kickass April! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode starts with a grunge.com article about albums released in '74, and turning 50, but The Imbalanced Boys realized there was much more to 1974 than the writer covered. How can you fail to include Rock n' Roll Animal by Lou Reed, as an example. So, Markus and Ray dive into that rabbit hole in the second half of this week's podcast. Starting with Joni Mitchell's Court And Spark, and rolling through the year, and capping things with a special release by a RRHOF group, who changed the sonic landscape that year! Incredible releases from Steely Dan, Rush, Frank Zappa, Lynyrd Skynyrd, Stevie Wonder and many more. A few artists (David Bowie, Kiss and Queen chief among them) had two releases in '74! So kick back in your bell bottoms and your favorite throwback bright vertical striped shirt, fire up the bong, and let's hop into the Imbalanced Time Machine: Set to 1974! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ceci est la deuxième partie d'une trilogie d'épisodes consacrés à Lou Reed, il est donc fortement conseillé d'écouter la première partie avant celle-ci ! Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour son studio et son excellente interprétation du journaliste malmené (allez écouter son podcast https://podcastaddict.com/podcast/mauvais-travail/3097211 ) Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtis Perfect Day, An Intimate Portrait of Life With Lou Reed – Bettye Kronstad Transformer – Ezra Furman White Light White Heat – Richie Unterberger The Velvet Underground – Jim DeRogatis Lou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick Kent Please Kill Me – Legs McNeil & Gillian McCain Les articles de Lester Bangs : Sourd-muet dans une cabine téléphonique : une parfaite journée avec Lou Reed (1973) Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975) Comment je me suis castagné avec Lou sans m'endormir une seule fois (1975) Comment devenir tortionnaire sans effort (1976) Le plus grand album jamais enregistré (1976) Des disques : Berlin (1973) ***** Rock'n'Roll Animal (1974) *** Sally Can't Dance (1974) *** Lou Reed Live (1975) *** Metal Machine Music (1975) ????? Coney Island Baby (1975) **** Rock'n'Roll Heart (1976) ** Street Hassle (1978) *****

Minisode Mailbag!!! This one is real fun! Back with Book 11 next week!@anidorkspod on twitter! Send questions to anidorkspod@gmail.com.New episodes every Wednesday!!!Hey! For real though: Leave us a 5 star review and we'll read it on the air!Support the show

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Lou Reed, byname of Lewis Allan Reed, (born March 2, 1942, Brooklyn, New York, U.S.—died October 27, 2013, Southampton, New York), was a singer-songwriter whose place in the rock pantheon rests primarily on his role in guiding the Velvet Underground, a New York City-based quartet that produced four poor-selling but enormously influential studio albums under Reed's direction from 1965 to 1970.After quitting the Velvets, he reemerged as a solo performer in England, where he was adopted by admirers such as glam rock pioneer David Bowie, who produced and performed on Reed's breakthrough hit, “Walk on the Wild Side” (1973), and Mott the Hoople, who covered Reed's Velvets classic “Sweet Jane.” His albums embraced everything from rote pop to heavy metal and included an orchestrated song cycle about a sadomasochistic love affair, Berlin (1973), and a double album of guitar drones, Metal Machine Music (1975), that are among his most notorious works. At the onset of the 1980s, Reed recruited his finest post-Velvets band, including guitarist Robert Quine and bassist Fernando Saunders, and reimmersed himself in raw guitar rock on The Blue Mask (1982), addressing his fears, ghosts, and joys with riveting frankness. No longer bedeviled by his addictions, Reed adopted a more-serious if less-daring tone on his recordings, peaking with three releases that were less concept albums than song cycles: New York (1989), about the spiritual death of his hometown; Songs for Drella (1990), an elegy for his 1960s mentor, Pop art conceptualist Andy Warhol, done in collaboration with former Velvets bandmate John Cale; and Magic and Loss (1991), inspired by the deaths of two friends. A romantic relationship with American performance artist and musician Laurie Anderson rejuvenated him again in the mid-1990s, resulting in the playful Set the Twilight Reeling (1997) and the harder-hitting Ecstasy (2000).In 2000–01 Reed collaborated with director Robert Wilson to bring to the stage POEtry, which was based on the work of Edgar Allan Poe. The songs from the show were also packaged, with spoken-word interludes, on The Raven (2003)—an ambitious if critically panned experiment. It was followed by Animal Serenade(2004), an excellent live recording that echoed Reed's landmark 1974 concert album Rock 'n' Roll Animal. In 2006 Reed celebrated New York City in a book, Lou Reed's New York, which collected his photography. Reed was inducted into the Rock and Roll Hall of Fame as a member of the Velvet Underground in 1996 and as a solo performer in 2015.From https://www.britannica.com/biography/Lou-Reed. Previously on The Quarantine Tapes:“I'll Be Your Mirror”: https://www.youtube.com/watch?v=ZudHYTya-dQ“I'll Be Your Mirror Lyrics”: https://genius.com/The-velvet-underground-ill-be-your-mirror-lyrics“Lou Reed, 1942-2013”: https://www.nytimes.com/2013/10/28/arts/music/lou-reed-dies-at-71.html

Bandaaaaa!!! En el episodio de esta semana Piro tiene a un gran invitado: Jorge Fratta. Músico multiinstrumentista, compositor, cantante y productor, un creativo en toda la extensión de la palabra. También en este episodio, Piro nos habla de Rock 'n' Roll Animal, el disco más rocanrolero de Lou Reed. ¡Pasen a escuchar y a ver, están cordialmente invitados! ¡Por acá los veo!

David Allan Coe [00:22] a side: "The Ride" b side: "Son of a Rebel Son" Columbia Records 38-03778 1983 A fine if slightly goofy ghost song on the a-side. The b-side, well... interesting definition of freedom there, but perhaps my perspective as a son of a son of a Yankee son is different. Sam the Sham and the Pharaohs [06:44] a side: "Ring Dang Doo" b side: "Don't Try It" MGM Records K13397 1965 Some mighty fine Tex Mex (https://youtu.be/8JLhj9NFu48). Cymarron [12:11] a side: "Rings" b side: "Like Children" Entrance Records ZS7 7500 1971 This is the first single on Columbia's Entrance label, a short-lived country rock label. The Standells [18:59] a side: "Riot on the Sunset Strip" b side: "Black Hearted Woman" Tower Records 314 1967 Heck yeah. If you're the sort who enjoys American International Pictures exploitation flicks from the 60s, check out the film of the same name (https://youtu.be/Z32goIG0axU). The riots are also mentioned in The Source Family documentary. Rush & Attack [25:11] a side: "Road Rash/Every Night/About Me" b side: "Bike/Dreams/Black Smoke" Three Ring Records TRR079 2013 Truly the best 6 minutes of your day. The Gants [31:06] a side: "Road Runner" b side: "My Baby Don't Care" Liberty Records 55829 1965 Meep meep. A fine cover, but Bo knows (https://youtu.be/9Hy6EiiNUmA) best. Detroit with Mitch Ryder [36:28] a side: "Rock 'N Roll" b side: "Box of Old Roses" Paramount Records PAA-0133 1971 A cownbell rocker from fka The Detroit Wheels, featuring the guitar work of Steve Hunter who would go on to play with Lou Reed and whose hot licks can be heard on Reed's Rock and Roll Animal. The Clash [42:57] a side: "Rock the Casbah" b side: "Long Time Jerk" Epic Records 34-03245 1982 The ubiquitous sound of popular music tastes in American changing. Music behind the DJ: "Caravan" by Thelonius Monk.

Audio Moodcheck Tracklist:   Grand Master Flash & the Furious Five – Adventures of Grandmaster Flash on the Wheels of Steel Healer – Poder Jovem Healer – Sete Anos de Dor Healer – Calamidad Healer – Aparicoes Doces Healer – Extremo Oeste Dare – Dare Dare – Time’s Up Charles Bronson – As Fucked as a Gator Charles Bronson – The Story of My Life SS Decontrol – Fight Them SS Decontrol – Headed Straight Saccharine Trust – We Don’t Need Freedom Saccharine Trust – Community Lie Dank Goblins – Gassed Sabbat – The Clerical Conspiracy Sabbat – Mythistory Despise You – Cry to the Bleeding Sky Despise You – You Can’t… Against – Obsession for Power Hellbent – Meat for the Grinder Against – Against Dio – Eat Your Heart Out Ill Repute – President Ill Repute – It’s Not Gonna Happen to Me Husker Du – Erase Today Tom Troccoli’s Dog – Todo Para Mi Life’s Blood – Never Make a Change Life’s Blood – Not for the Weak Keel – Rock ‘n’ Roll Animal

Wassup Rockers?! I'll be at Houston Zine Fest this weekend - Sat, Nov 17, at the Lawndale Art Center. If you're in the area come on through and say Hi.  I'll have all my normal zine and tape stuff, as well as a new collection of, ahem, poems. I know, it sounds stupid right? They're good poems though. Or, at the very least, not horrible poems... You know what, let's not worry about the right now. Here's some pure fuckin' rock. Sorry about the sound quality - all these songs come off crappy old LPs from back when vinyl wasn't cool. Peace! -Nathan Tracklist: Scorpions – Speedy’s Coming Keel – Speed Demon Dio – I Speed at Night Ratt – Sweet Cheater Raven – Mind Over Metal W.A.S.P. – Love Machine TNT – Tell No Tales Stryper – Co’Mon Rock Kick Axe – Stay on Top Loudness – Face to Face Rough Cutt – Cutt Your Heart Out Autograph – She’s a Tease Black ‘N Blue – Great Guns of Fire Krokus – Ready to Burn Accept – Gaurdian of the Night Keel – Rock and Roll Animal www.hotdogdayz.bigcartel.com

This week were talking about the amazing Lou Reed and his live album Rock N Roll Animal. Check it out and see what we thought about this one.

Hace un par de días nos despertamos con la trágica noticia de su fallecimiento y le dedicamos este programa especial, repasando sus mejores canciones y colaboraciones con otros artistas.

Luís Araújo recebe Ricardo Stabolito ("Jumper Brasil") para tentar entender o que significou a vitória do Cavs sobre o Celtics na briga pelo topo do Leste, além de discutir a temporada de Russell Westbrook e a classe de 2017 do Hall da Fama. Tem ainda entrevista com Jimmy, ala do Mogi das Cruzes no NBB. A trilha sonora desta vez é o "Rock and Roll Animal", álbum lançado pelo Lou Reed em 1974. Os principais tópicos da discussão aparecem a seguir: 0:48 – Projeto do Triple-Double no apoia.se 1:50 – Tracy McGrady, Jerry Krause e a classe de 2017 do Hall da Fama 6:45 – Russell Westbrook, os triplos-duplos e o impacto dele nesta temporada além dos números 22:24 – A briga pelo topo do Leste: que tipo de mensagem a vitória fácil do Cavs sobre o Celtics pode passar? 31:56 – Entrevista com Jimmy: prós e contras do descanso nas oitavas, a evolução do sistema defensivo de Mogi das Cruzes, a maior responsabilidade dentro do time nesta temporada, quem é o jogador mais difícil de se marcar no NBB e o desafio de chegar a uma final inédita

March 6, 2013 Dick Wagner’s songs and lead guitar have been featured on more than 200 renowned albums, garnering more than 35 Platinum and Gold records, BMI songwriter awards, Emmys, and numerous prestigious international awards. The Detroit area native helped define an era in rock history by playing lead guitar or writing songs for Alice Cooper, Aerosmith, Kiss, Lou Reed, Peter Gabriel, Meat Loaf, Steve Perry, Etta James, Rod Stewart, Tina Turner, Air Supply, Hall & Oates, Ringo Starr, Guns & Roses, Tori Amos, Frank Sinatra, and dozens of others. Legendary for his groundbreaking collaborations with Alice Cooper, Wagner was musical director, lead guitarist and co-writer of the icon’s biggest hits, including Only Women Bleed, You and Me, and Welcome To My Nightmare. Wagner was Cooper’s right hand man on such groundbreaking albums as, Welcome to My Nightmare, Alice Cooper Goes to Hell, Lace and Whiskey, From the Inside, and DaDa. Together, Cooper and Wagner co-wrote the majority of Alice Cooper’s top selling singles and albums, including more than 50 songs featured on 57 Alice Cooper albums released worldwide. As a teenage musician living an hour north of Detroit Michigan, Dick Wagner enjoyed his first taste of “big time show biz,” when he was asked to play guitar as backup for some of his musical heroes, including Jerry Lee Lewis, Roy Orbison and Little Richard. Great balls of fire! The Michigan public first took notice of Wagner’s talent in 1964, when he formed the band The Bossmen, whose songs likeBaby Boy were #1 radio favorites in Michigan. Soon Wagner was writing and producing for other Michigan bands. In the late 1960s, as Wagner’s work became more complex and featured a harder edge, he formed the wildly popular band, The Frost, recording three Billboard charted albums and drawing enthusiastic crowds to hear songs likeMystery Man and Rock N’ Roll Music.  Wagner moved to New York to form Ursa Major, a seminal rock band and power trio that recorded one, self-titled, defining album for RCA. The raw musical power and artistry of Ursa Major inspired a generation of rock musicians and remains an influential album for today’s musicians. Little known factoid: the original Ursa Major lineup included Wagner on guitar and Billy Joel on keyboards, but dramas in Billy’s personal life intervened and he left the band. Wagner’s guitar virtuosity captured the attention of Lou Reed, and he was invited to play on Lou’s European Berlin tour in 1973. Wagner assembled a powerhouse band including Steve Hunter and Wagner on dueling lead guitars, Prakash John on bass, Pentti Glan on drums and Ray Colcord on keyboards. The live album, Rock N’ Roll Animal, recorded at the Brooklyn Academy of Music, remains one of the most celebrated and influential guitar albums in rock history. Lauded by Rolling Stone, Billboard, and the international press, Rock ‘N’ Roll Animal was described by renowned music critic, Robert Christgau: “This is a live album with a reason for living.” Writer Joe Viglione, in his book, A Study of Lou Reed’s Berlin and Rock N’ Roll Animal Albums, describes the guitar stylings of Hunter and Wagner: “Steve Hunter and Dick Wagner were as potent a duo as Keith Richards and Mick Taylor, and the four make-up the “Golden Era” of both The Rolling Stones and Lou Reed, that period when the recordings were beyond magical…. Lou’s 9/1/73 show still rates as numero uno in my book, for presentation, drama, craftsmanship and sheer rock and roll energy.” In September 2010, nearly 40 years after the release of Rock N’ Roll Animal, Gibson.com honored Dick Wagner and Steve Hunter among the Top 50 Guitar Solos of All Time, for their guitar performances on Intro to Sweet Jane. Amid the prestigious company of Jimi Hendrix, Eric Clapton, Jimmy Page, Jeff Beck and other renowned guitar greats, The Hunter-Wagner team appeared twice, with honors as well for their “ghost” guitar work on Aerosmith’s Train Kept A Rollin from their first platinum selling album, Get Your Wings. In 1972, producer Bob Ezrin brought Wagner in to play lead guitar solos on Alice Cooper’s breakthrough School’s Out album. Uncredited at the time, Wagner’s guitar solos were attributed to the Alice Cooper band. The Cooper-Wagner songwriting collaboration began with I Love the Dead, released on Cooper’s Billion Dollar Babies album.  Cooper and Wagner began a prolific collaboration that spanned several decades. Together, the Cooper-Wagner songwriting team wrote 7 out of 9 of Cooper’s Top 10 hit records. Leaving Lou Reed in 1974, Wagner moved the entire Rock N Roll Animal band over to play with Alice Cooper. The first full album written and recorded by the Cooper-Wagner team, “Welcome to My Nightmare,” spawned a number of Top 10 singles. The Welcome to My Nightmare tour, with a road crew of more than 45 persons, private jets, technical wizardry, theatrical showmanship, and extravagant staging and lighting, became the biggest and highest grossing rock tour of its time. Shock rock was born. With Wagner’s studio walls lined with gold and platinum awards, he writes with the observant eye of a world traveled artist. In the late 1980’s, Wagner was commissioned to write music by the San Antonio Commission on Child Abuse. Wagner’s poignant composition,Remember the Child, painfully reflects the pain of child abuse. Renowned author/lecturer John Bradshaw discovered the song and chose it as his theme for the Emmy nominated PBS special,Homecoming. The song has since become the anthem for tens of thousands who have been scarred by child abuse, and is a catalytic tool used by many therapists in helping their patients access their hidden suffering of childhood trauma. Returning to Michigan in early 1994, Dick formed two bands, The Dick Wagner Band, and The RAW Emotion Rock Orchestra. Both later evolved into Dick Wagner and The Souls Journey Band. In 2005, Wagner relocated to Phoenix to form a new production company,Desert Dreams Productions, LLC with partners, Suzy Michelson and Alex Cyrell, entrepreneurs and founders of Omnimount Systems and Future Primitive Designs.  A full service record label and artist management company, Desert Dreams specializes in “Music Production and Artist Development for the extraordinary Artist.” More than forty years after launching his storied and dynamic career, hit songwriter, guitar virtuoso, producer and arranger, Dick Wagner, remains a brilliant, prolific and vibrant force in American music.  Whether rock, blues, country, jazz or spiritual, Wagner’s songs continue to detail the essence of life. His guitar playing continues to inspire guitarists worldwide, and his production values recall the era of great songs with great melodies and universally accessible lyrics. Visit   Dick Wagner   on   FaceBook      ”Give Me A Break” Radio Hour Podcast is supported by donations from listeners like you! … Please Click the PayPal Donate button  to help keep great programming free for all to enjoy.       Donate to GIVE ME A BREAK Radio  Share the Love!       Open Door Productions’   Cyber Studio For Songwriters  … to help you and all others who love songwriting.

Las novedades discográficas se suceden, también las giras, pero una de nuestras bandas favoritas ha anunciado su disolución...

In a Rock n Roll Radio Reunion of sorts, a fellow 97 GTR Rock n Roll Animal co-hosts a preview of the upcoming Button South Class Reunion in September in Ft. Lauderdale. We chat by phone with Tommy Vincent from … Continue reading → The post BMS S02E13 MADMAN MIKE Last Call At Button South appeared first on Bill Murphy Show.

In a Rock n Roll Radio Reunion of sorts, a fellow 97 GTR Rock n Roll Animal co-hosts a preview of the upcoming Button South Class Reunion in September in Ft. Lauderdale. We chat by phone with Tommy Vincent from … Continue reading → The post BMS S02E13 MADMAN MIKE Last Call At Button South appeared first on Bill Murphy Show.

El prestigioso crítico musical nos ha visitado, pero no ha venido sólo a hablar de su libro -apasionante y muy muy entretenido, por cierto-, porque de su mano hemos repasado algunos clásicos de los sesenta y del power pop

Todavía sobrecogidos por las muertes de Lemmy Bowie arrancamos el año recordándoles, por supuesto, además de informando de la reunión de 091 y Cooper resucitando el cancionero de Los Flechazos.

La poderosa banda vikinga ha anunciado que este verano se les podrá ver actuando en, al menos un festival sueco, con Dregen empuñando la segunda guitarra. Estamos ya orando a los festivales españoles para que no nos obliguen a emigrar a Escandinavia dentro de unos meses...

Podcast de Rock & Roll Animal con JF León. La lujosa y jugosa reedición del 'Sticky Fingers' nos permite disfrutar de la guitarra de 'Mano Lenta' junto a 'Sus Satánicas Majestades'… Y dentro de la órbita stoniana disfrutamos también de lo nuevo de Keith Richards, Pretty Things y el box set de los nunca bien ponderados Faces, la banda de Rod Stewart y Ronnie Wood.

El Dr. Soul en persona nos acompaña en esta edición especial del programa para celebrar la edición de su libro “El muelle de la bahía. Una historia del Soul”, ¡la biblia del género!