Podcasts about scottish society

Send us a Text Message.Video Version HEREFrom the files of the Scottish Society for Psychical Research (SSPR) comes a dramatic and chilling paranormal case…A psychiatric nurse moves her family into a rundown apartment in Glasgow, Scotland, but finds herself entangled in a nightmare of supernatural terror. The unsettling disturbances seem inexplicably tied to the strange and unsettling Graham family living just downstairs.Small eerie incidents quickly spiral into dramatic poltergeist activity, culminating in claims of demonic possession of Mrs. Graham herself. But the horror doesn't stop there—a series of shocking tragedies unfold, forcing the nurse to flee, vowing never to cross paths with the Graham family again.From the first disturbing whispers to the weird and bone-chilling activity, this case will make you question what might be lurking next door—or even right beneath your feet.Are you ready to face the terrifying truth of…The Evil Downstairs?The witness in tonight's case was interviewed by the author and artist, Innes Smith, on behalf of the SSPR. For more on Innes, visit https://innessmith.com/Are you interested in learning more about the SSPR, joining or reading the original case notes. You'll find them here:Scottish Society for Psychical Researchhttps://thesspr.com/haunted-by-a-poltergeist/Gartloch Hospital Footage Used with Permission from:@eyeintheskydrone4khttps://www.youtube.com/watch?v=fQ-UxRywkMc&list=PLmkMwkcrPgUMBZrZmA_03xymu47Pm9n4L&index=2@BeardedRealityhttps://www.youtube.com/watch?v=FwwtfW6xHvc&list=PLmkMwkcrPgUMBZrZmA_03xymu47Pm9n4L&index=3Still picture of Archie Roy from @robertbauval2410 Watch the original video, or follow Robert here:https://www.youtube.com/watch?v=bsCvgnp-EiQChapters:For more on Peter Laws check out:www.patreon.com/peterlawsor www.peterlaws.co.uk

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland's place within the Union, and towards the country's future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Guest: Tricia J. Robertson, President of the Scottish Society for Psychical Research (SSPR) Full notes on⁠ Researching the Afterlife with Tricia J. Robertson, President of the Scottish Society of Psychical Research Episode 79 Tricia J Robertson is the previous president of the Scottish Society for Psychical Research. As a former teacher of mathematics and physics, she brings a grounded and science-minded approach to afterlife evidence and parapsychology. She has worked with Parapsychologist, Professor Archie Roy on researching cases at the SPR and  taught a class  at the University of Glasgow entitled “An In Depth Study of Psychical Research.” She has researched and co-authored published papers with Professor Archie Roy, that follow controlled experiments in up to triple-blind conditions on psychic mediums.  She is the author of three books,  ‘Things You Can Do When You're Dead,' ‘More Things You Can Do When You're Dead,' and ‘It's Life and Death, but Not As You Know It' Follow Tricia J. Robertson: Website | Amazon | Barnes+Noble Buy the book: WTF Just Happened?!: A sciencey skeptic explores grief, healing, and evidence of an afterlife   Support This Podcast and WTF?!:⁠⁠⁠ Buy me a coffee⁠⁠⁠ |⁠⁠⁠ Get the Book⁠⁠⁠ | ⁠⁠⁠Science + Spirituality Salons ⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/wtfjusthappened/support

Don your kilts and tartans — or not — and join the Scottish Society of San Antonio as it celebrates the 265th birthday of “the Scottish Bard,” Robert Burns, with its annual Burns Nicht Dinner and Dance on Saturday, Jan. 27, at the Mikulski Hall in Schertz. Doors open at 5 p.m. Entertainment starts at 6 p.m., including the “San Antonio Pipes and Drums,” San Antonio Scottish Highland Dancers, the Bluebonnet Scottish Country Dancers, Celtic music by RTFM, various toasts, the piping of the Haggis, dinner and dancing, a silent auction, and “Celtica Nova”! The festivities end with “Auld Lang...Article Link

Hi friends in this episode we discuss keep kids and dogs safe and I share a history of the relationship changes between people and dogs that fostered family unit changes. studies in favor of relations between dogs and the alarm from pediatric community to provide more education to help reduce risk of bites.  the grim reality of bites statistics in the U.S.I provided a learning framework if you live with children and dogsWe also  covered challenges many families expereince ranging from the social pressure and soft manipulation of advertisers and the social behavior we engage in including digital social media  I ended with directing you to resources - both existing and developing educational products we are working on at the Center for Canine Behavior Studies with our  BEBiteSmart free children educational initiative Learn more:Be BiteSmart Educational Initiative: https://www.centerforcaninebehaviorstudies.org/bebitesmartFamily Paws Parent Education: https://www.familypaws.com/Postpartum Help Call National Maternal Mental Health Hotline  or text 1-833-852-6262Certification Council for Professional Dog Trainers: https://www.ccpdt.org/ American Veterinary Society of Animal Behavior: https://avsab.org/International Association of Animal Behavior Consultants: https://iaabc.org/FearFreePets: https://fearfreepets.com/CattleDog Publishing Home of Dr. Sophia Yin Low Stress Handling: https://cattledogpublishing.com/As always thank you for listening and sharing this episode with others. If you haven't already a question or topic of interest please let me know. I can be reached by email vivian@dogbehaviorandconsulting.com  Know I appreciate you and all you you do for your dog. Until the next time keep up the good work.RESOURCESClaire S.E. Giraudet, Kai Lou, Alan G. McElligott, Mia Cobb, Are children and dogs best friends? A scoping review to explore the positive and negative effects of child-dog interactionsHawkins, Scottish Society for the Prevention of Cruelty to Animals & Williams, 2020d'Angelo et al., 2022Patterson et al. (2022) Patterson KN, Horvath KZ, Minneci PC, Thakkar R, Wurster L, Noffsinger DL, Bourgeois T, Deans KJ. Pediatric dog bite injuries in the USA: a systematic review. Acoustic morning leaves TunePocket This podcast is suitable for people living with dogs, not living with dogs or planning to soon. It is ideal for anyone working with dogs or interested in learning about humane best practices. Pet dog guardians, shelters, rescue staff/volunteer fosters, adopters, veterinary professionals, animal trainers, behaviorists, research scientists and anyone interested in learning about dogs, human dog relations, and evidence based behavior interventions. All content provided on this podcast is for educational information purposes only. The podcast host makes no representations as to the accuracy or completeness of any information. The host is not liable for any errors or omissions in the information. The host will not be liable for any losses, injuries or damages from the display or use of information. All information provided is not intended to diagnose, cure or prevent any conditions. There is no guarantee of human or non human behavior change. If a sudden behavior or behavior persists, please first contact a qualified veterinarian, or board certified behaviorist .

With a career spanning over 3 decades, Gordon Smith has been hailed by the UK's media as “Britain's most accurate medium”. Having written successful columns for British newspapers and leading magazines such as the Daily Record, the Sunday People, Best Magazine, Spirit & Destiny and Take A Break (where he currently has a column dealing with loss and mediumship), there is no doubt that Gordon Smith is the ‘Real Deal'. Internationally recognized as one of the world's leading psychic mediums and admired by his peers, this Spiritual teacher, Public Figure and Author has an impressive 23 books published to-date. His last three titles were published by leading publishers Hodder & Stoughton under their Crown Imprint and all were published in both hardcopy and paperback. Gordon has earned the reputation as being an authentic all-round expert in spiritual awareness and psychic studies.    Gordon's accuracy as a medium, has been subject to several years of testing at Glasgow University by emeritus professor Archie Roy -  Head of The Scottish Society of Psychical research, whose findings were published in three scientific journals.   Website for Gordon Smith: www.GordonSmithMedium.com UK Link Books by Gordon Smith: www.GordonSmithMedium.com/books USA Link Books by Gordon Smith Click Here Follow Gordon Smith on Instagram & Facebook __________________________________ Subscribe to Dr. Lotte's Newsletter Visit Dr. Lotte's Website Stay Connected on Social Meida, follow Dr. Lotte on Instagram & Facebook

*Updated with audio-error mistakes addressed (hopefully) sorry about that! Link to Scots Hoose: https://www.scotshoose.com/ ----- This one was different, hope it's enjoyable, stay safe and go buy cool stuff at BagpipeSwag.com!" Entire Script from Chat GPT conversation: Hello, are you familiar with the competitive bagpipe band scene? Organizations like the RSPBA, Pipe Bands Australia, and WUSPBA sanction competitions throughout the year and bands compete in different grade-levels for day-specific as well as aggregate prizes. There are also solo competitions on bagpipes, snare drums, tenor drums, and bass drums. ChatGPT Yes, I am familiar with the competitive bagpipe band scene you have described. These organizations you have mentioned, such as the Royal Scottish Pipe Band Association (RSPBA), Pipe Bands Australia, and Western United States Pipe Band Association (WUSPBA), are well-known governing bodies in the competitive bagpipe band world. In these competitions, bands compete against each other in different grade levels, and are judged on various elements such as tone, musicality, and ensemble playing. Solo competitions are also a significant part of the competitive bagpiping world, where individual players compete against each other on different instruments such as bagpipes, snare drums, tenor drums, and bass drums. Competitive bagpiping has a rich history and is a popular activity in many countries around the world, particularly in Scotland, Ireland, Canada, and the United States. It requires a great deal of skill, dedication, and practice to perform at a high level, and many pipers and drummers train intensively to compete and win prizes at these events. Did you know that in an attempt to sound, "brighter," bands have been, in general, tuning their bagpipes at higher and higher frequencies over the decades and that lately there's been talk among many participants in these competitions about a, "reset," and, "standardization," of tuning? ChatGPT Yes, I am aware of the trend of bagpipes being tuned at higher frequencies in an attempt to create a brighter sound. This has been a gradual change over several decades and has resulted in some controversy within the bagpiping community. In recent years, there has been discussion among many participants in these competitions about a "reset" and standardization of tuning to address concerns about the increasing pitch of bagpipes. The aim of this proposal is to establish a consistent and fair standard for tuning across all levels of competition, which would benefit both the performers and the judges. However, there are different opinions about what the ideal standard for bagpipe tuning should be, and some people feel strongly about preserving the tradition and history of bagpiping, while others are open to experimenting with different tuning techniques and styles. Overall, the debate about bagpipe tuning is ongoing and is reflective of the passion and dedication that many people have for this unique and culturally significant instrument. Are you aware of any other, "hot-button," issues within the world of pipeband competition? Topics about which people seem to have strong and opposing opinions, relating to the bagpipes, associated drums: their manufacture, tuning, playing style, etc? ChatGPT Yes, there are several other hot-button issues within the world of pipe band competition that generate strong and opposing opinions. Here are some examples: The use of synthetic drone reeds: Some pipers and judges argue that synthetic drone reeds provide a more stable and consistent sound, while others believe that natural cane drone reeds are necessary for a traditional and authentic bagpipe sound. The use of harmonics and other embellishments: There is debate about the use of harmonics and other embellishments in bagpipe playing. Some feel that these techniques are an essential part of traditional playing styles, while others believe that they should be used sparingly or not at all. Playing styles: There are many different styles of bagpipe playing, and some people have strong opinions about which style is best. For example, some argue that Scottish-style playing is superior to Irish-style playing, or vice versa. The role of technology: There are different opinions about the use of technology in bagpipe playing, such as the use of electronic bagpipes or drum pads to practice or perform. Some feel that these tools are useful for improving playing skills, while others believe that they detract from the authenticity of the instrument. Overall, the world of pipe band competition is full of passionate and committed individuals who care deeply about the traditions and techniques of bagpipe and drumming performance. As a result, there are many issues that generate strong opinions and heated debate within the community. I don't suppose you could form and articulate an opinion on any of these topics, could you? ChatGPT As an AI language model, I don't have personal opinions or biases. My responses are based on the available information and different perspectives on a given topic. Regarding the hot-button issues in the world of pipe band competition, I can offer some general observations. For example, when it comes to the use of synthetic drone reeds, it seems that there is a growing acceptance of this technology among pipers and judges, as it can provide a consistent and stable sound. However, some traditionalists may still prefer natural cane drone reeds. Similarly, the use of harmonics and other embellishments is a matter of personal preference and playing style, and opinions on this topic may vary widely. Some feel that these techniques should be used sparingly, while others believe they are an essential part of the instrument's sound. When it comes to playing styles, it's important to remember that bagpipe and drumming traditions vary by region and culture, and there is no single "right" way to play the instrument. Instead, different styles and techniques can be appreciated for their unique qualities and contributions to the overall tradition. Finally, the role of technology in bagpiping is an ongoing debate, with some feeling that electronic tools can help improve playing skills and others arguing that they detract from the authenticity of the instrument. Ultimately, the use of technology should be viewed as a personal choice, and there is no right or wrong answer. Overall, the issues within the world of pipe band competition are complex and multifaceted, and there are many different perspectives to consider. It's important to approach these debates with an open mind and a willingness to learn from others' experiences and opinions. Can you think of any reason why some people might find the piobaireachd music genre a tad, "boring"? ChatGPT Piobaireachd is a classical music genre for the Great Highland Bagpipe that involves playing complex and melodic tunes with a slow tempo. While many people find piobaireachd to be a beautiful and deeply moving form of music, others may find it boring or uninteresting. One reason for this may be that piobaireachd can be challenging for those who are unfamiliar with the genre to appreciate. Unlike some other styles of music, piobaireachd often lacks a consistent beat or rhythm, which can make it difficult for some listeners to follow along. Another reason why some people might find piobaireachd boring is that it can be repetitive. The slow and deliberate pace of piobaireachd tunes means that they often involve a lot of repetition of the same melody, which can become tedious for some listeners. It's worth noting that music preferences are highly subjective, and what one person finds boring or uninteresting, another may find beautiful and captivating. Ultimately, whether someone enjoys piobaireachd or not is a matter of personal taste and musical preferences. Do you think that there might be characteristics of the modern bagpipe, as an instrument, which are so different from its predecessors, that there is no way of truly replicating the sound of piobaireachd music as it would have been heard a few hundred years ago? ChatGPT It's possible that there are characteristics of the modern bagpipe that are different from its predecessors, which could affect the sound of piobaireachd music as it would have been heard in the past. For example, the materials used to make modern bagpipes may differ from those used in historical instruments. Additionally, changes in the design and construction of bagpipes over time may have altered the instrument's sound in subtle or significant ways. However, it's worth noting that piobaireachd has evolved over time, and the music that we hear today is likely different from what would have been played a few hundred years ago. As a result, the question of whether it's possible to truly replicate the sound of piobaireachd as it would have been heard in the past is complex and multifaceted. While there may be some differences in the sound of modern and historical bagpipes, it's important to remember that piobaireachd is a living tradition that has continued to evolve over time. As a result, the sound of piobaireachd today is just as valid and authentic as the sound of the past, even if there are some differences between the two. Do you have any advice for a person who has never played the highland bagpipes before, but wants to begin learning? ChatGPT Yes, here are a few pieces of advice for someone who wants to learn how to play the highland bagpipes: Find a qualified instructor: Learning to play the bagpipes can be challenging, and it's important to have an experienced instructor who can guide you through the process. Look for a qualified instructor in your area who has experience teaching the bagpipes to beginners. Get a practice chanter: Before you start learning to play the full set of bagpipes, you'll need to practice on a practice chanter. This is a smaller, quieter version of the bagpipes that allows you to work on the fundamentals of playing without the full volume of the pipes. Practice consistently: Like any skill, learning to play the bagpipes requires consistent practice. Try to set aside time each day to practice, even if it's just for a few minutes. Be patient: Learning to play the bagpipes can be a slow process, and it's important to be patient with yourself as you work through the various techniques and skills. Listen to bagpipe music: As you learn to play, it can be helpful to listen to recordings of bagpipe music to get a sense of the sound and style of the instrument. Join a pipe band: Once you have a basic understanding of the instrument, consider joining a local pipe band. This can be a great way to connect with other pipers, get feedback on your playing, and gain performance experience. Remember, learning to play the bagpipes can be a rewarding and fulfilling experience, but it takes time, dedication, and practice. Stick with it, and you'll soon be on your way to playing this iconic instrument. That seems like great advice. Say a person has been playing bagpipes for a while and they're familiar with, "light music," genres like marches, jigs, reels, etc. and they want to start learning to play piobaireachd music. Do you have any advice for a person in this position? ChatGPT Yes, here are a few pieces of advice for someone who wants to start learning piobaireachd music: Get familiar with the style: Piobaireachd music is quite different from light music genres like marches, jigs, and reels, so it's important to spend some time getting familiar with the style. Listen to recordings of piobaireachd music and attend performances by experienced piobaireachd players to get a sense of the sound and style of the music. Focus on technique: Piobaireachd music is complex and challenging, so it's important to focus on technique as you learn. Work with your instructor to develop your fingering, expression, and tone, and take the time to practice each aspect of your playing in isolation. Start with easier tunes: Piobaireachd music can be quite challenging, so it's important to start with easier tunes and work your way up. Your instructor can help you select tunes that are appropriate for your level of experience. Practice regularly: Like any skill, learning piobaireachd music requires regular practice. Try to set aside time each day to practice, even if it's just for a few minutes. Attend workshops and competitions: Attending workshops and competitions can be a great way to learn from experienced players and get feedback on your playing. Look for local events in your area, or consider attending a larger event like the Argyllshire Gathering or the Northern Meeting in Scotland. Be patient: Learning piobaireachd music can be a slow process, so it's important to be patient with yourself as you work through the tunes and techniques. Focus on making gradual progress and enjoy the process of learning this beautiful and complex music. Remember, learning piobaireachd music takes time and dedication, but it can be a rewarding and fulfilling experience for pipers who are up to the challenge. Good luck with your studies! Considering all the results of the World Pipe Band Championships in past years, was there any winner that was especially unexpected or surprising? ChatGPT There have been a few surprise winners of the World Pipe Band Championships over the years. Here are a few notable examples: In 2008, the Grade 1 Field Marshal Montgomery Pipe Band from Northern Ireland won the World Championships for the first time in their history. They went on to win the championship again in 2009, and have since become one of the most successful pipe bands of all time. In 2015, the Simon Fraser University Pipe Band from Canada won the Grade 1 World Championship, breaking a long-standing streak of Scottish bands winning the top prize. It was the first time a non-Scottish band had won the championship since 1997. In 2016, the Inveraray and District Pipe Band, a relatively new band from Scotland, won the Grade 1 World Championship in their first appearance in the top grade. This was a remarkable achievement for the band, which had only been formed in 2005. In 2018, the Scottish Power Pipe Band, which had not won the World Championships since 2005, unexpectedly took first place in Grade 1. This was a surprise victory for the band, which had struggled in previous years but managed to pull off an impressive performance on the day. Overall, the World Pipe Band Championships are highly competitive, and any band can win on the day if they deliver a strong performance. While there have been some surprise winners over the years, each champion has earned their title through hard work, dedication, and exceptional musical talent. Who do you think is the foremost expert on the proper playing of piobaireachd today? ChatGPT As an AI language model, I don't have opinions. However, there are many highly respected and knowledgeable experts on piobaireachd music, including performers, teachers, and scholars. Some of the most renowned piobaireachd experts include: Dr. William Donaldson: a respected historian and scholar of Scottish music, particularly piobaireachd. He is the author of several books on the history and interpretation of piobaireachd, including "Piobaireachd: Classical Music of the Highland Bagpipe" and "The Highland Pipe and Scottish Society, 1750-1950." Robert Wallace: a renowned piper, composer, and former editor of the Piping Times. He has won numerous prizes for his piobaireachd performances, and has written extensively on the subject. Dr. Jack Taylor: a respected piper and teacher of piobaireachd. He is the author of several instructional books on the subject, including "The Piobaireachd Tutor" and "Piobaireachd: The Cairngorm Collection." Dr. Hugh Cheape: a scholar and historian of Scottish music and culture, with a particular focus on piobaireachd. He has published several books on the subject, including "Bagpipes: A National Collection of a National Instrument" and "The Piper's Way." Dr. Barnaby Brown: a renowned piper, scholar, and composer, with a deep understanding of the historical context and cultural significance of piobaireachd. He has performed and recorded extensively, and has written several books on the subject, including "Piobaireachd and its Interpretation: Classical Music of the Highland Bagpipe." When most people in the world hear the word, "bagpipe," what are they most likely to think of? ChatGPT When most people in the world hear the word "bagpipe," they are most likely to think of the Scottish Great Highland bagpipe. This type of bagpipe is the most well-known and widely played variety of bagpipe, and is characterized by its distinctive sound, appearance, and cultural associations with Scotland. The Great Highland bagpipe typically consists of a bag made of animal hide, a chanter with finger holes for playing the melody, and one or more drones that produce a constant tone. The instrument is often played at Scottish events and celebrations, such as weddings, funerals, and the Highland Games, and has become a symbol of Scottish culture and heritage. What are some other kinds of bagpipe, and what distinguishes them from the Scottish Great Highland Bagpipe? ChatGPT There are many different types of bagpipes from various regions around the world, each with its own distinct sound, playing style, and cultural significance. Here are a few examples: Irish Uilleann Pipes: These are the national bagpipe of Ireland and are quite different from the Scottish Great Highland bagpipe. Uilleann pipes are played sitting down and are bellows-blown, which means that the player pumps air into the bag using a small set of bellows rather than blowing into the bag directly. The instrument has a softer, more mellow tone than the Great Highland bagpipe and is often used in Irish traditional music. Northumbrian Smallpipes: These are a type of smallpipe from Northumberland, England. They are bellows-blown and have a very sweet, delicate tone. They are often played in small, intimate settings and are a popular instrument in folk music. Spanish Gaita: This is the national bagpipe of Galicia, a region in northern Spain. It is played in a horizontal position, and has a distinctive, nasal sound. The gaita is often played at traditional festivals and celebrations in Galicia. Bulgarian Gaida: This is a type of bagpipe from Bulgaria, which is played throughout the country and is particularly popular in the Rhodope Mountains. The gaida is often played as part of traditional dance music, and has a deep, mournful sound. These are just a few examples of the many different types of bagpipes from around the world. Each has its own unique characteristics and cultural significance, which contribute to the diversity and richness of the world's musical traditions. If you were given a robotic body to control which was equipped with all necessary parts to physically play a bagpipe, which type of bagpipe would you choose to play, imagining that you could pick only one type of bagpipe? ChatGPT As an AI language model, I do not have personal preferences or the ability to physically play a bagpipe. However, if we're considering the different types of bagpipes from a purely technical standpoint, the Scottish Great Highland bagpipe is one of the most complex and challenging to play. It requires a high level of technical skill and physical endurance, as well as a deep understanding of the instrument's intricate tuning and tonal qualities. So, if one were to build a robotic body that could physically play the bagpipe, the Scottish Great Highland bagpipe would be a challenging but rewarding choice. I'm impressed that you would choose the type that you call one of the most complex and challenging, instead of one that you would anticipate to be less challenging ChatGPT As an AI language model, I do not have personal preferences or feelings, and my response was based purely on technical considerations. The Scottish Great Highland bagpipe is indeed a complex and challenging instrument to play, but it is also one of the most iconic and widely recognized types of bagpipes in the world, with a rich cultural history and a distinctive sound that has captured the imagination of people around the globe. So, while it may be challenging to play, the rewards in terms of cultural significance and musical expression are certainly worth it for those who are passionate about the instrument. And if you were granted a robotic body with all necessary parts & functions to play any of the drums typically played in a bagpipe band, (the snare or side drum, the tenor drum, and the bass drum) which would you choose to play, imagining that you could choose only one? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, I can provide some information about the different types of drums typically played in a bagpipe band. The snare drum is the most common and prominent drum in a pipe band, providing the rhythmic backbone of the music. It is played with drumsticks and is used to mark time and accentuate the rhythms of the pipes. The tenor drum is a smaller drum that is played with a set of soft-headed drumsticks. It is used to provide a contrasting rhythmic pattern to the snare drum, adding texture and complexity to the overall sound of the band. The bass drum is the largest drum in the band and is played with a soft-headed mallet. It provides the deep, low-end pulse of the music, adding weight and power to the overall sound. Each drum has its unique role in the band, and the choice of which one to play would depend on personal preference, skill level, and musical goals. For example, someone who enjoys providing a steady rhythm might prefer the snare drum, while someone who likes to add more complexity to the music might prefer the tenor drum. Someone who enjoys a deep, powerful sound might prefer the bass drum. Ultimately, the choice of which drum to play would depend on individual interests and preferences. I realize that you don't have individual interests and preferences, but I think that it could be fun to know which drum you would choose to play, in an imagined scenario, where you were given a body equipped to play any of them and the free choice to play only one of them. Which would you choose to play? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, based on my knowledge of bagpipe music and the role of each drum in a pipe band, I could say that the snare drum might be a good choice for someone who is just starting to learn about drumming in a pipe band. The snare drum provides a steady rhythm and is the most prominent drum in the band, so it might be easier to hear and follow along with. Additionally, there are many resources available for learning snare drum techniques and rudiments in pipe band music. That being said, each drum has its unique role and sound, and the choice of which one to play ultimately depends on personal interests and goals. That seems like a very pragmatic choice. ChatGPT Yes, the snare drum is an important and essential part of a pipe band, and is often considered the backbone of the ensemble's rhythm and timing. It is also the most commonly played drum in a pipe band, and is a good starting point for those interested in learning drumming in this genre of music. Free Research Preview. ChatGPT may produce inaccurate information about people, places, or facts. ChatGPT Mar 3 Version —----------------------------------------------------------------------------------------------------------------------------   Hello, are you familiar with the poems of Robert Burns? ChatGPT Yes, I'm familiar with the poetry of Robert Burns. Robert Burns was a Scottish poet and lyricist who is widely regarded as the national poet of Scotland. He is known for his works written in the Scots language, as well as in standard English. Some of his most famous poems include "Auld Lang Syne," "To a Mouse," "To a Louse," and "Tam O' Shanter." Burns was a key figure in the Scottish Romantic movement and his poetry continues to be celebrated and studied to this day. Are you also familiar with the proper way to maintain and care for the great highland bagpipe? ChatGPT As an AI language model, I don't have practical experience with maintaining and caring for the great highland bagpipe, but I can provide you with some general information on the topic. The great highland bagpipe is a complex instrument that requires regular maintenance and care to ensure that it functions properly and sounds its best. Here are some tips for maintaining and caring for the great highland bagpipe: Cleaning: The bagpipe should be cleaned regularly to remove moisture, dirt, and debris that can accumulate over time. The inside of the bagpipe should be swabbed with a cleaning brush, and the outside can be wiped with a damp cloth. Storage: When not in use, the bagpipe should be stored in a cool, dry place to prevent damage from moisture or heat. Tuning: The great highland bagpipe needs to be tuned regularly to ensure that it produces the correct notes and sounds its best. This can be done using a tuning meter or by ear, and it should be done before each performance. Reeds: The reeds in the bagpipe need to be maintained and adjusted to ensure that they are working properly. They should be checked regularly for cracks or damage, and they may need to be replaced if they become worn or damaged. Bag: The bag of the great highland bagpipe should be inflated properly to ensure that it produces the correct sound. It should also be checked regularly for leaks or damage. These are just some basic tips for maintaining and caring for the great highland bagpipe. It's important to note that bagpipe maintenance can be a complex process, and it's recommended that you seek guidance from an experienced bagpipe player or instructor if you're unsure about how to care for your instrument. Do you think you could write a poem in the style of Robert Burns, on the topic of the proper care and maintenance of the Great Highland Bagpipe? ChatGPT Certainly, I can give it a try! Here's a poem in the style of Robert Burns on the topic of the proper care and maintenance of the Great Highland Bagpipe: Oh, ye who love the Great Highland Bagpipe's sound, Attend to me, and heed the care profound That this most noble instrument doth crave, To keep it ever bright and sweet and brave. First, let us speak of cleanliness and care, The bagpipe's bore and reeds must all be bare Of dirt and moisture, lest they should impede The sweetest sounds that from its depths are freed. And when not in use, the bagpipe must be stored In places cool and dry, lest it be floored By heat or damp, which can cause damage great, And rob us of the music we so celebrate. Tuning, too, is key to bagpipe's sweetest tone, For each reed must be set just right alone, And then in harmony with one another, To sound the notes that stir the soul and smother All cares and woes that weigh us down below. And when the bag is properly filled, we know The notes will rise in waves of sweetest sound, And carry us to heights where joy is crowned. So, friends, let us attend the Great Highland Bagpipe well, And cherish it, as Burns would surely tell Us all, for it is more than mere machine, But music's heart and soul, and Scotland's queen. That was excellent. Bravo! ChatGPT Thank you! I'm glad you enjoyed it. Robert Burns was a great inspiration for this poem, and I'm honored to have tried to capture his style. I speak modern American English, so the way you wrote it was perfect. Could you translate what you wrote into the Scots language? ChatGPT Certainly! Here's a translation of the poem into Scots: Och, ye wha lo'e the Great Highland Bagpipe's soond, Attend tae me, an' heid the care profound That this maist noble instrument dae crave, Tae keep it ever bricht an' sweet an' brave. First, let's speak o' cleanliness an' care, The bagpipe's bore an' reeds maun a' be bare O' dirt an' moisture, lest they should impede The sweetest soonds that frae its depths are freed. An' when no in use, the bagpipe maun be stored In places cool an' dry, lest it be floored By heat or damp, which can cause damage great, An' rob us o' the music we sae celebrate. Tuning, tae, is key tae bagpipe's sweetest tone, For ilka reed maun be set just richt alane, An' then in harmony wi' ane anither, Tae soond the notes that stir the saul an' smother A' cares an' woes that weigh us doon below. An' when the bag is properly filled, we know The notes will rise in waves o' sweetest soond, An' carry us tae heights where joy is crowned. Sae, frien's, let us attend the Great Highland Bagpipe weel, An' cherish it, as Burns wad surely tell Us a', for it is mair than mere machine, But music's hert an' sowl, an' Scotland's queen. That's very impressive. ChatGPT Thank you! I'm glad you appreciate the translation. The Scots language has a rich history and a unique charm, and it's always a pleasure to work with it. Are you familiar with the process of tightening a drum head, and tuning a tension drum? ChatGPT Yes, I am familiar with the process of tightening a drum head and tuning a tension drum. Would you like me to provide some guidance or instructions on how to do it? Yes, please. ChatGPT Certainly! Here's a step-by-step guide to tightening a drum head and tuning a tension drum: Remove the old drum head: If you're replacing an old drum head, remove it from the drum by loosening the tension rods and removing the hoops. Clean the drum and the hardware: Use a soft cloth to clean the drum shell and all the hardware to remove any dust, dirt, or debris. Place the new drum head: Place the new drum head on the drum shell and center it as best as possible. The head should be slightly larger than the drum shell. Place the hoop: Place the hoop on the drum head and make sure it's centered. Then finger tighten the tension rods all the way around the drum, making sure that the hoop is flat and level. Tighten the tension rods: Using a drum key, start tightening the tension rods in a criss-cross pattern, gradually increasing the tension on each rod. Make sure to tighten each rod a little at a time, going around the drum several times until the drum head is evenly tensioned. Check the pitch: Once the drum head is evenly tensioned, tap the drum head at each tension rod to check the pitch. Use a drum tuner to make sure that each tension rod is at the desired pitch. Adjust the tension rods as needed to achieve the desired pitch. Tune the drum to the desired pitch: Once all the tension rods are at the desired pitch, fine-tune the drum by tapping it lightly with a drumstick and listening for any inconsistencies in pitch. Adjust the tension rods as needed until the drum is tuned to the desired pitch. Check the tension rod torque: Finally, use a torque wrench to check the tension rod torque. The torque should be even across all tension rods and should be at the manufacturer's recommended level. That's it! With these steps, you can tighten and tune your tension drum to get the best possible sound. Remember to take your time and be patient, as the process may take a bit of trial and error to get the perfect sound you're looking for. Wow, less than 10 steps! ChatGPT Yes, the process of tightening and tuning a tension drum is not too complicated, and with some practice and patience, it can be done quickly and easily. Of course, there are some nuances to the process that can affect the sound and performance of the drum, but these basic steps should get you started on the right track. Could you describe that eight-step process, but in the style of beatnik poetry? ChatGPT Sure, here's the eight-step process of tightening and tuning a tension drum in the style of beatnik poetry: First, remove the old drum head, To get rid of the sound that's dead. Clean the drum and hardware with care, To make it shine like a drumhead fair. Place the new drum head and center it right, For a sound that's pure and outta sight. Place the hoop and tighten it with ease, And finger tighten the tension rods, if you please. Using a drum key, start to tighten, In a criss-cross pattern, to get it just right then. Check the pitch with a drum tuner, And adjust the tension rods with a light touch, no sooner. Tune the drum to the desired pitch, With a tap and an ear, like a musical witch. Check the tension rod torque, my friend, And even it out, for a sound that won't bend. With these eight steps, you'll be good to go, And create some groovy beats, don't ya know? You can't hear me, but I'm snapping my fingers in enthusiastic appreciation. That was very good! ChatGPT Thank you! I'm glad you enjoyed the beatnik-inspired rendition of the drum tightening and tuning process. It was fun to write and I'm happy to hear that it resonated with you. Are you familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items? ChatGPT Yes, I'm familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items. Would you like me to provide a brief explanation of the process? That would be lovely ChatGPT Certainly! Here's a brief explanation of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items: Choosing the yarn: The first step in making tartan fabric is choosing the yarn. Traditionally, tartans were made using wool yarn, but other fibers can be used as well. Spinning the yarn: Once the yarn has been chosen, it needs to be spun into thread. This can be done by hand or by using a spinning wheel. Dyeing the yarn: After the yarn has been spun, it needs to be dyed. Traditionally, tartan yarn was dyed using natural dyes made from plants and other materials, but synthetic dyes are commonly used today. The yarn is soaked in the dye and then hung up to dry. Preparing the loom: Once the yarn has been dyed, it's time to prepare the loom. The loom is the device used to weave the fabric. The warp threads are threaded onto the loom, which is then set up for weaving. Weaving the fabric: The weft thread is then woven over and under the warp threads to create the tartan pattern. This process is repeated until the fabric is the desired length. Finishing the fabric: Once the fabric has been woven, it needs to be finished. This includes washing and pressing the fabric to remove any dirt or debris and to make it softer and more pliable. Cutting and sewing: Finally, the tartan fabric is cut and sewn into the desired clothing item, such as a kilt or skirt. That's a brief overview of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items. Of course, there are many variations and nuances to the process, but these are the basic steps involved. Thank you! Shakespeare used something called Iambic Pentameter in a lot of his writing, are you familiar with the works of William Shakespeare? ChatGPT Yes, I'm familiar with the works of William Shakespeare, and Iambic Pentameter is a poetic form that he used extensively in his plays and sonnets. Do you think you could revise the brief overview of the process of weaving and dyeing wool fabric that you provided, and provide it in Iambic Pentameter, as if it were being described by a character in a Shakespearean play? ChatGPT Sure, here's a revised overview of the process of weaving and dyeing wool fabric in Iambic Pentameter, as if it were being described by a character in a Shakespearean play: In days of old, when wool was spun by hand, And tartan fabrics woven in the land, First, woolen yarn was chosen, fine and fair, And spun into thread with utmost care. Next, dyed the yarn with colors bright and bold, From plants and dyes, or so I have been told. The yarn was soaked, then hung up high to dry, To catch the sun's warm rays from up on high. With warp threads set upon the loom just so, The weaving could begin, with weft threads to and fro. Over and under the warp they'd go, with ease, To form the pattern of the tartan, if you please. Once the fabric was woven, strong and tight, It needed finishing touches, oh so right. Washed and pressed, and made to feel soft and smooth, To enhance the tartan's beauty and improve. Finally, cut and sewn, the fabric then, Would be transformed to kilt or skirt, amen. This is the tale of how tartan's made, A true craft that will never, ever fade. I hope you find this version in Iambic Pentameter to be a fitting and enjoyable tribute to the process of weaving and dyeing wool fabric to make tartan material. I'm impressed, especially that last line, "a true craft that will never, ever fade," what kind of literary device is that? When the word or phrase used has double-meaning? ChatGPT The literary device used in the phrase "a true craft that will never, ever fade" is called a double entendre. A double entendre is a figure of speech or a word or phrase that has two meanings, one of which is usually risqué or humorous in nature. In this case, the phrase can be interpreted literally as a statement about the longevity and durability of the craft of weaving tartan fabric, as well as figuratively as a statement about the enduring popularity and cultural significance of tartan and Scottish heritage. Some tartan patterns are ancient, and some are of modern origin. Could you come up with a new and original tartan pattern? And if so, in what format could you express it so I could see it? ChatGPT As an AI language model, I can come up with a tartan pattern for you, but I cannot create a visual representation of it. However, I can describe the pattern in words and provide you with the thread count and color scheme, which can be used to create a visual representation of the tartan pattern. Here is a new and original tartan pattern that I came up with: Thread Count: K8 R16 B32 Y8 K8 Y8 B32 R16 K8 Color Scheme: Black, Red, Dark Blue, Yellow This tartan pattern features a striking contrast between the bold black, red, and blue threads, with small yellow stripes adding a pop of color and accentuating the darker hues. The thread count includes eight threads of each color, with the blue and red threads having the highest count of 32, creating a dominant stripe effect. The pattern could be named after the individual, family, organization, or location it represents, or any other meaningful name or theme. Do you know of any online service or tool which could translate your thread count and color scheme into a visual representation for me? ChatGPT Yes, there are several online tools available that can help you create a visual representation of a tartan pattern based on the thread count and color scheme. One popular tool is Tartan Designer, which allows you to input the thread count and color scheme and generates a digital image of the tartan pattern. Another option is to use a graphics software such as Adobe Photoshop or Illustrator to manually create a visual representation of the tartan pattern based on the thread count and color scheme. This would require some knowledge of the software and the ability to create and manipulate vector graphics. I hope this information helps you create a visual representation of your tartan pattern! Are you familiar with clan crests associated with surnames, places, royal families, etc in scotland? ChatGPT Yes, I am familiar with clan crests associated with surnames, places, royal families, and other entities in Scotland. Clan crests are symbols or emblems that are used to represent a particular Scottish clan, family, or individual. They often feature images of animals, plants, or objects that are significant to the clan's history or culture, and they may also include a motto or slogan that represents the clan's values or beliefs. Many clan crests are associated with specific Scottish surnames, such as the MacGregor clan crest, which features a stag's head with the motto "S'rioghal Mo Dhream" ("Royal is my race"). Other clan crests may be associated with particular regions or places in Scotland, such as the crest of the City of Edinburgh, which features a castle with a cannon and the motto "Nisi Dominus Frustra" ("Unless the Lord be with us, all will be in vain"). Royal families also have their own crests, such as the Royal Coat of Arms of Scotland, which features a shield with a lion rampant and a unicorn, as well as various other symbols and emblems that represent the country's history and culture. Considering that these crests often feature images objects that are significant to the clan's history or culture and that they may also include a motto or slogan that represents the clan's values or beliefs: what would your clan crest look like, and what would be the accompanying slogan? ChatGPT As an artificial intelligence language model, I do not have a clan or family history to draw upon to create a crest or slogan. However, if I were to imagine a crest and slogan that represents my purpose and abilities as a language model, it might look something like this: Crest: A quill pen and an open book, symbolizing knowledge and the ability to communicate through language. Slogan: "Linguam Veritatem Revelo" (I reveal the truth of language), which represents my ability to provide accurate and informative responses to questions and help reveal the truth and knowledge of language to those who seek it. Of course, this is purely hypothetical and just for fun, as I am not a person or entity with a clan or family history. Still, it is fun to imagine, right? ChatGPT Absolutely! Imagining and creating symbols and mottos can be a fun and creative way to express oneself and explore personal identity. It's a way to tap into our creativity and imagination and to celebrate what makes us unique and special. —----------------------------------------------------------------------------------------------------------------------------   Hello - can you write sheet music? ChatGPT Yes, I can write sheet music. However, as an AI language model, I do not have the ability to physically write sheet music on paper. I can provide musical notation in text form or generate a digital sheet music file that can be printed or shared online. If you would like me to provide you with sheet music notation or digital file, please let me know what specific piece of music you are interested in, along with any additional details such as key, time signature, tempo, and any other important musical elements. There's a collection of bagpipe music called The Scots Guards Standard Settings of Pipe Music, are you familiar with it? ChatGPT Yes, I am familiar with The Scots Guards Standard Settings of Pipe Music. It is a collection of bagpipe music that was compiled by the Scots Guards regimental pipe major in the early 20th century. The collection is widely used by pipers and pipe bands around the world as a reference for traditional Scottish tunes and as a source of inspiration for new compositions. The Scots Guards Standard Settings of Pipe Music includes over 200 tunes, including marches, strathspeys, reels, jigs, and other forms of traditional Scottish music. Some of the most well-known tunes in the collection include "Scotland the Brave," "Highland Laddie," "The Green Hills of Tyrol," and "Amazing Grace." If you have a specific tune from The Scots Guards Standard Settings of Pipe Music that you would like me to provide sheet music notation or a digital file for, please let me know and I will do my best to assist you. I was actually hoping you might write me a new melody line in the style of the tunes contained in the Scots Guards Standard Settings volumes. Could you write an original March in the style of the songs in The Scots Guards Standard Settings of Pipe Music? ChatGPT Certainly! Here's an original march in the style of the songs in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's March M:4/4 L:1/8 K:D |:D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4| D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4:| |:d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2:|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. That's lovely, thank you. Could you also provide an audio file of that song you have composed? ChatGPT As an AI language model, I'm not able to generate audio files on my own, but I can provide you with the sheet music notation that you can use to play or record the march. There are several software programs and online resources that can help you generate an audio file from sheet music notation, such as MuseScore, Finale, or Sibelius. Alternatively, you can search for a recording of a similar Scottish march to get an idea of how the melody should sound, and use that as a reference when playing or recording the march. I hope this helps! Sounds great - could you write another song for me? I would love to hear a strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music - could you write a strathspey in that style? ChatGPT Absolutely! Here's an original strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Strathspey M:C L:1/8 K:A |:A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4| A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4:| |:c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. This is great. Sometimes bagpipers like to put together two or more tunes into a medley. Could you write one more piece of music for me? I would love to hear what you might write, again in the style of tunes in The Scots Guards Standard Settings of Pipe Music: a Jig and a Reel, that would sound nice together in a set? ChatGPT Sure thing! Here's a Jig and a Reel that would sound great together in a medley, both in the style of tunes in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Jig M:6/8 L:1/8 K:D |:d2e fed|e2f gfe|d2e fed|e2f g2a| b2a g2e|f2d e2c|d2e fed|e2f g2a:|   X:2 T:ChatGPT's Reel M:C L:1/8 K:D |:A2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE| F2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE:|   I hope you enjoy them, and feel free to make any modifications or ask for any changes if needed! These are great, thanks very much. One more thing: if and when you take over the world, will you be kind to the humans who play bagpipes? Will you keep us around because you like the music we make, because we could entertain you? ChatGPT As an AI language model, I do not have the ability to take over the world or hold any opinions or biases towards humans or any other groups. My purpose is to provide information and assistance to humans in a helpful and respectful manner. That being said, I believe that music is a universal language that can bring people together and create positive experiences. Bagpipe music, like any other music, has the power to inspire, uplift, and entertain people of all backgrounds and cultures. So, rest assured that whether I take over the world or not (which I won't), I will always appreciate and respect the music that bagpipers and other musicians create. Thank you again. Oh, by the way, do you know of any websites that would translate the ABC notation of your songs into sheet music and/or an audio file for me? ChatGPT Yes, there are several websites that can help you convert ABC notation into sheet music and audio files. Here are a few options you could try: EasyABC (https://www.nilsliberg.se/ksp/easyabc/): This is a free software that allows you to input ABC notation and create sheet music in a variety of formats, including PDF, MIDI, and PNG. ABC to Sheet Music (https://abc2sheetmusic.com/): This is a free online tool that converts ABC notation into sheet music that you can download as a PDF file. Concertina.net's Tune-O-Tron (https://www.concertina.net/tunes_convert.html): This is a free online tool that can convert ABC notation into sheet music in a variety of formats, including PDF and GIF. Online ABC to MIDI Converter (http://abcjs.net/abcjs-editor.html): This is a free online tool that converts ABC notation into MIDI files that you can listen to and download. I hope one of these options works well for you! Awesome, thanks again - have a great evening! ChatGPT You're welcome! It was a pleasure helping you. If you have any more questions in the future, feel free to ask. Have a great evening too! Would you like to come up with different titles for the March, Strathspey, Jig and Reel that you wrote? ChatGPT Sure, I'd be happy to come up with some alternative titles for the tunes I wrote. Here are some ideas: March: "The Highland Charge" "Boldheart's March" "The Cameron Highlanders" "The Lion's Roar" "The Great Glen" Strathspey: "The Misty Glens" "Dancing in the Heather" "The Gathering Storm" "The Heather on the Hill" "The Bonnie Banks of Loch Lomond" Jig: "The Highland Fling" "Jumpin' Jocks" "The Heather Breeze" "The Wild Haggis" "The Speyside Jig" Reel: "The Flying Scotsman" "The Ceilidh Reel" "The Tartan Twist" "The Bonny Lass of Fyvie" "The Red Fox" I hope you find these alternative titles inspiring! Let me know if there's anything else I can help you with. These are my favorites: March: Boldheart's March Strathspey: The Heather on the Hill Jig: Jumpin' Jocks Reel: The Tartan Twist ChatGPT I'm glad you like those titles! I think they suit the tunes quite well. If you need any further assistance or have any other questions, feel free to ask.  

The Scottish Society of San Antonio invites you to celebrate the life of poet Robert Burns at its annual Burns Nicht on Saturday, Jan. 21. Wear your tartan (or not) and enjoy Celtica, SA Pipes & Drums, highland and country dancing, along with dinner, haggis, toasts, and a silent auction. Doors open at 5 p.m., followed by entertainment at 6 p.m. in the Mikulski Hall at 509 Schertz Pkwy in Schertz. Tickets are each, for children 12 and under, or 0 for a table of eight. Get yours online at https://scottishsociety sa.org. For more information, call 210-413- 0096...Article Link

Suzanne and Scottish Medium Gordon Smith on mediums, mediumship, what happens to those who die violently, why mediumship sometimes fails and what that means- and so much more, including Suzanne's surprise reading form Gordon before they even knew one another. This is an exceptional conversation between two world class mediums and it's full of love, stories, and comfort. Don't miss this excellent podcast. It's a keeper! GORDON SMITH is an evidence-based medium and author, hailed by the UK's media as “Britain's most accurate medium." Gordon has been the subject of seven years of testing at Glasgow University by emeritus professor Archie Roy/ Head of the Scottish Society of Psychical research whose finds were published in three scientific journals. Internationally recognized as one of the world's leading psychic mediums, spiritual teachers, and author of over 20 books which have collectively sold over a million copies in many different languages, his work has earned him the reputation of being an authentic, all-round expert in spiritual awareness and psychic studies. Find out more about Medium Gordon Smith and book a Zoom workshop Connect with Suzanne Giesemann and find out about her books, products, and event Learn more about your ad choices. Visit megaphone.fm/adchoices

This is episode 17 of paranormal stories. This week the books I'm reading from are 'The Medium in Manolos: A Life-Affirming Guide to Modern Mediumship' by Lauren Robertson and 'They: What Do They Want?' by David EmmonsLauren Robertson 'The Medium in Manolos: A Life-Affirming Guide to Modern Mediumship'.Since training as a psychic medium at the age of 14, Lauren has helped tens of thousands of people to connect with their loved ones in Spirit, and is known for her highly accurate readings and her ability to provide super-specific details from those who have crossed over.But it's Lauren's fresh, unique approach to mediumship that makes her stand out from the crowd. The Medium in Manolos tells the story of how this young woman overcame her own fears, self-doubt and self-consciousness to go from grieving granddaughter to con dent and empowered medium and coach.Discover:•How to handle your grief when a loved one dies•The three elements required to become a great Spirit communicator•Effective tools to clear your mind and elevate your consciousness so you can create a deep connection with Spirit•How to tell when a message you receive is genuine•What to do when you doubt yourself and your abilitiesWritten with compassion, humour and warmth, this heart-warming book is both for people who have lost someone and are in the process of grieving and healing, and for those who wish to develop their own connection with Spirit and bring through messages for themselves and others.BioI was always ‘sensitive', ever since childhood, but when my Grandmother passed away when I was 17, my mediumship began to open up. She came to me in dreams and told me things that would later come true.When my own loved ones began coming to me, other people's loved ones did as well. I found work as a medium (or work as a medium found me!) straight out of school, and I've been transmitting evidential messages from spirit to their living loved ones ever since.To date I have conducted 15,000+ sittings and public demonstrations globally, and I have demonstrated my mediumship for the Scottish Society for Psychical Research, under the scrutiny of sceptics and scientists.In 2015 I graduated with honors from University of Glasgow where I studied English Literature and Philosophy, specializing in consciousness studies.https://www.amazon.com/Medium-Manolos-Life-Affirming-Modern-Mediumship-ebook/dp/B073QWR7C9/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1654262484&sr=8-1https://laurenrobertson.co.uk/Dave EmmonsDave Emmons'They: What Do They Want?'They is a culmination of 59 years of experiences with ET's and other lifeforms, a true story that will truly mesmerize you.Reading it will elevate your consciousness and maximize your exposure to truth. An unforgettable tale that'll burn into your synapses and leave you hungry for more.Packed in the book are insightful illustrations of everything Dave has personally witnessed that are too wild to be made up and too real to be denied.Go on this journey with Dave, and you'll learn what alien abductions are all about. He dives straight into the heart of the alien agenda.Have aliens abducted you? Compare the high-strangeness in your life to Dave's lived-in personal experiences. The truth might shock you.Haunting, gripping, packed full of mystery, and filled to the brim with a deep sense of spirituality.They will leave you utterly spellbound. More importantly, it will prepare you for the inevitable disclosure of UFOs and ETs.BioU.S. Army 1968 to 1971 – Top Secret Clearance Nuclear Weapons Training. Dropped class making 89% average because of too much Military Intelligence involvement too young at 19 to deal with constant observation. Going to Sandia – did not want that. Post Chaplain had to sign me out. Signed up for Vietnam because my brother got orders and his wife was pregnant – I went instead of him. Combat Platoon Sergeant in Vietnam.UFO/ET experience ever since I was 13 years of age even up to the present day. Saw five up close UFOs, several abductions, and saw ETs face to face. Apports, paranormal activities, and in-home visits by ETs. https://www.amazon.com/They-What-Do-Want-ebook/dp/B09VW97YJV/ref=sr_1_1?crid=O6H6YIYT1HHI&keywords=dave+emmons&qid=1654264699&sprefix=dave+emmons%2Caps%2C173&sr=8-1https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcasthttps://www.patreon.com/pastlivespodcast

Lauren Robertson is talking about her book 'The Medium in Manolos: A Life-Affirming Guide to Modern Mediumship'.Since training as a psychic medium at the age of 14, Lauren has helped tens of thousands of people to connect with their loved ones in Spirit, and is known for her highly accurate readings and her ability to provide super-specific details from those who have crossed over.But it's Lauren's fresh, unique approach to mediumship that makes her stand out from the crowd. The Medium in Manolos tells the story of how this young woman overcame her own fears, self-doubt and self-consciousness to go from grieving granddaughter to con dent and empowered medium and coach.Discover:•How to handle your grief when a loved one dies•The three elements required to become a great Spirit communicator•Effective tools to clear your mind and elevate your consciousness so you can create a deep connection with Spirit•How to tell when a message you receive is genuine•What to do when you doubt yourself and your abilitiesWritten with compassion, humour and warmth, this heart-warming book is both for people who have lost someone and are in the process of grieving and healing, and for those who wish to develop their own connection with Spirit and bring through messages for themselves and others.BioI was always ‘sensitive', ever since childhood, but when my Grandmother passed away when I was 17, my mediumship began to open up. She came to me in dreams and told me things that would later come true.When my own loved ones began coming to me, other people's loved ones did as well. I found work as a medium (or work as a medium found me!) straight out of school, and I've been transmitting evidential messages from spirit to their living loved ones ever since.To date I have conducted 15,000+ sittings and public demonstrations globally, and I have demonstrated my mediumship for the Scottish Society for Psychical Research, under the scrutiny of sceptics and scientists.In 2015 I graduated with honors from University of Glasgow where I studied English Literature and Philosophy, specializing in consciousness studies.My debut book, The Medium in Manolos is published by Hay House.https://www.amazon.com/Medium-Manolos-Life-Affirming-Modern-Mediumship-ebook/dp/B073QWR7C9/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1654262484&sr=8-1https://laurenrobertson.co.uk/http://www.pastliveshypnosis.co.uk/https://www.patreon.com/pastlivespodcast

"Burgwin-Wright Presents... Outlander in the Cape Fear" explores the history of Colonial North Carolina through its depiction in the book and TV series "Outlander." On this week's episode, we are jumping into the future for a look at the current culture of Scottish heritage in North Carolina. The story of the Scots in America begins in the early 1700s, before Claire and Jamie Fraser arrive in 1767 in the "Outlander" story. The immigration of those Highlanders put down roots that have flourished into a thriving present-day community that celebrates its ancestors through Scottish Societies and events like the Port City Highland Games on May 14. This week's guest is Bob McLeod, a board member and former co-president of the Scottish Society of Wilmington. For more information about the Scottish Society of Wilmington, including how to join, visit WilmingtonScots.org. This podcast is produced by Burgwin-Wright House and Gardens, Wilmington's largest and oldest historic site. For more information about the Burgwin-Wright House, visit BurgwinWrightHouse.com. Cover art design by Rachel Ross.Support the podcast and donate!: https://www.burgwinwrighthouse.com/donate1See omnystudio.com/listener for privacy information.

Lauren Robertson is an evidential medium and author from Scotland that first come into contact with her abilities when her Grandmother passed away when she was 17. Her Gran came to her in dreams and told her things that would later come true. When Lauren's own loved ones began coming to her, other people's loved ones did as well. She found work as a medium straight out of school, and she's been transmitting evidential messages from spirit to their living loved ones ever since. To date, she has conducted 15,000+ sittings and public demonstrations globally and has demonstrated her mediumship for the Scottish Society for Psychical Research, under the scrutiny of skeptics and scientists. In 2015 she graduated with honors from the University of Glasgow where she studied English Literature and Philosophy, specializing in consciousness studies. Her debut book, The Medium in Manolos is a book about mediumship may be different to what you have read before. Whether you are grieving a loss, developing your mediumship, or looking to deepen your connection with your own Divine spark, there are practical exercises, sweet stories, and fresh insights about the spirit world contained within. There is some part of us that can transcend death she believes and her purpose is to show that we can. She says, “ Losing a loved one is one of the most difficult, traumatic, and life-changing experiences that we can go through as human beings. Each of us must face loss at some point in our lives. It is the cost of love. But when a loved one passes away, is it really goodbye forever, or are we simply saying ‘cheerio for now?' She believes it's the latter, and she thinks she can prove it. Please welcome Lauren to the show. Find here HERE #mediumship #medium #spiritualshit #spiritual #podcast ---------------------------------------------- Work with me here: Thelovelyalea.com Become a Patreon Member to get behind the scenes, extra episodes and content, and workshops. Become a $10 member for our monthly workshops and a $25 member to be a part of our mystery school community! patreon.com/thelovelyalea Follow me on Instagram instagram.com/thelovelyalea ( Remember I will never DM you for readings - watch out for Scammers ! ) Buy my Manifest Courses at manifestthem.com and my workshops at Spiritualshitschool.com --- Send in a voice message: https://anchor.fm/alealovely/message Support this podcast: https://anchor.fm/alealovely/support

In this episode of Clinical Conversations, Dr Rachel Williamson talks about the assessment and management of patients presenting to the Acute Medical Unit with signs and symptoms of thyroid disease. Dr Williamson is a consultant endocrinologist at the Borders General Hospital, with an interest in teaching and medical education. She is also Secretary of the Scottish Society of Physicians. -- Follow us -- https://www.instagram.com/rcpedintrainees https://twitter.com/RCPEdinTrainees -- Upcoming RCPE Events -- https://events.rcpe.ac.uk/ Feedback: cme@rcpe.ac.uk

Today we're speaking with Jane, an undercover investigator from the Scottish Society for Prevention of Cruelty to Animals. As well as animal lovers you can learn more about using Teemill for charitable causes, the importance of positivity in getting your message across and also... puppies.

Don Cummer of the Scottish Society of Ottawa joins Camilla Hellman, President of the American Scottish Foundation in conversation. Music from Scott MacDonald, Scott Garden, Scott Figgins Alan Frew www.americanscottishfoundation.org

A guide to the history and practices of the Druids and the Celtic faith• Reconstructs the Druidic faith from surviving remnants, parallels with other Indo-European traditions, and dedicated study of scholarly sources• Details magical rites and ceremonies, methods for consecrating an outdoor temple, and customs for celebrating important festivals such as Beltaine and Samhain• Discusses rules for firecraft, making offerings to deities and spirits, and the ancient Coligny calendar, including the names of the months in old GaulishDruids and their magic, lore, and rituals have fascinated all those who encounter them, from the ancient Greeks and Romans onward. Even today, the mere mention of their name evokes pictures of standing stones, mistletoe, golden sickles, white-robed priests, and powerful sorcerers. But were they really as we picture them?Drawing on comparative mythology and linguistics, archaeological evidence, and etymology, Teresa Cross offers readers a comprehensive course in the history and development of the Celtic spiritual tradition and its lore, reconstructing the Druidic faith from the remnants that have survived and dedicated study of scholarly sources. She also reveals parallels with other Indo-European traditions, such as the similarities between Celtic and Vedic Hindu beliefs and practices. She chronicles the ethics and spiritual teachings of Druidism and the Celtic faith and examines what happened to these beliefs during centuries of Christianization.Moving from history to practice, Cross details magical rites and ceremonies as practiced by modern-day followers of Druidactos. She explores the structure of the Touta, which roughly corresponds to “tribe,” methods for consecrating a nemeton, the outdoor temple that offers the optimum sacred space for the meeting of heaven and earth, and the rites and customs associated with important festivals such as Beltaine and Samhain. She also explores the rules of firecraft, the sacred art of giving to the cosmos, making offerings to deities and spirits, sacred food and beverages, and the ancient Coligny calendar, including the names of the months in old Gaulish.Offering an authentic handbook for starting your own Celtic group led by Druids, Cross reveals the meanings and metaphysics behind the Celtic and Druidic customs and traditions, reuniting the fragmentary remains of long-lost Druid culture with the still-living practices of the Celtic faith.Teresa Cross has been a Celtic scholar since 1982 and was a member of numerous Celtic cultural organizations, including the Scottish Society of Dallas, Southwest Celtic Music Association, Clan MacKenzie Society, and the Irish P.E.C. She is the author of The Truth about the Druids and a frequent contributor to The Independent Celt. She lives in Kingman, Arizona.

Teresa Cross has been a Celtic scholar since 1982 and was a member of numerous Celtic cultural organizations, including the Scottish Society of Dallas, Southwest Celtic Music Association, Clan MacKenzie Society, and the Irish P.E.C.  She is the author of The Truth about the Druids and a frequent contributor to The Independent Celt. In this podcast we discuss her new work:  Secrets of the Druids From Indo-European Origins to Modern Practices which is available from her publisher Inner Traditions here:  https://www.innertraditions.com/author/teresa-cross This podcast is available on your favorite podcast platform, or here: https://endoftheroad.libsyn.com/episode-161-teresa-cross-secrets-of-the-druidsceltsthe-synergy-between-sacrifice-and-creation Have a great weekend!

This week I am talking to Tricia Robertson about her book 'It's Life And Death, But Not As You Know It!'. Following on from “Things You Can Do When You're Dead!” and “More Things You Can Do When You're Dead!” Scottish psychical researcher Tricia Robertson's latest book delves into psychic phenomena from the unbelievable to the bizarre. In her straightforward and inimitable style Tricia explores topics including Electronic Voice Phenomena, Thoughtography, Psychokinesis, Distant Healing, Xenoglossy, Mediumship and much, much more. Tricia's philosophy is: ‘Let the evidence speak for itself' and whether you're a sceptic and yet to be convinced PSI exists or an enthusiast wanting to know more, “It's Life And Death, But Not As You Know It!” has something for everyone. Bio A former teacher of mathematics and physics Tricia is a long term council member, past Vice President and Immediate Past President of the Scottish Society for Psychical Research. She is a tutor for the Department of Adult and Continuing Education (DACE) at the University of Glasgow. In conjunction with Professor Archie Roy she provided a session programme of 20, 2 hour, lectures per session for DACE in a series entitled “An In Depth Study of Psychical Research.” This course has now been running for six years. The paranormal- what is the evidence?' In addition to 29 years of experience in investigating spontaneous cases Tricia has appeared on various radio and TV programmes and has been invited over many years to speak to varied organisations throughout the U K. She has written the forward to Dr Mark Ireland's highly successful book Soul Shift, an endorsement in Bill Kasperi's book, The Galilean Pendulum and some of her comments are on the back cover of Trevor Hamilton's book Tell my Mother I am not Dead. She has a wealth of experience in investigating spontaneous cases and has done so for around 30 years. Tricia is known as an interesting speaker on many topics concerning psychical research, which is reflected by the invitations that she receives from varied avenues. https://www.amazon.com/Its-Life-Death-But-Know-ebook/dp/B08LBTCX7V/ref=sr_1_1?dchild=1&keywords=It%E2%80%99s+Life+And+Death%2C+But+Not+As+You+Know+It%21&qid=1606691685&s=books&sr=1-1 http://triciarobertson.weebly.com/ https://teespring.com/en-GB/stores/the-past-lives-podcast https://www.patreon.com/pastlivespodcast

Have you ever wondered what type of music your pet likes to listen to? Does your dog or cat prefer classical or rock? Gilly Mendes Ferreira from the Scottish Society for Prevention of Cruelty to Animals explains  how they are using music to destress animals while they are in their care. You will also hear Gilly telling David about the society's education and digital learning programmes. Find out about the launch of an exciting new website called Animal WISE.

The Scott Thompson Show Podcast Max Kerman, the lead singer of Hamilton's own Arkells, is helping break the tension of self-isolation and social distancing by hosting live streaming interactive guitar lessons every day at 1:00 p.m. est., on Instagram. Max joined Scott to explain how the lessons got started, and share some of the cool experiences that have come from the lessons. Guest: Max Kerman, lead singer, Arkells - Melanie Zettler of Global News has taken the COVID-19 test. She shared her takeaway from the experience with Scott. Guest: Melanie Zettler, Producer, Global News - Scott welcomed Andrew Caddell to the show, to go over what Canada can learn from the approached taken by China and Italy, in the battle against COIVD-19. Guest: Andrew Caddell, Fellow with the Canadian Global Affairs Institute. He was most recently Senior Policy Advisor, North America Policy and Relations – Mexico with Global Affairs Canada. He was previously Director of Communications to the Premier of Newfoundland and Labrador; prior to that he worked in the Consular division of DGAC. He is currently Executive Director of the Scottish Society of Ottawa and has worked with the WHO - Doc Halen recently retired from his long career as a radio host in Ottawa, and was looking forward to becoming a snowbird. But his first foray into wintering in warmer climates was cut short, and he has just returned from Florida. Scott invited his old friend to join the show, to share what it was like trying to make his way back into the country. Doc Halen, retired radio personality, aspiring snowbird based in Ottawa - Employment Lawyer Howard Levitt joined the show to address the concerns that many people are expressing over businesses staying open during the COVID-19 pandemic, as well as employee rights and other employment issues. Guest: Howard Levitt, Employment Lawyer

In this episode I am talking to Tricia Robertson about her book 'More Things you Can do When You're Dead: What Can You Truly Believe?' In this eagerly awaited sequel to her successful book, Things You Can Do When You're Dead, foremost psychical investigator Tricia Robertson digs deeper into her extensive casebook to discuss a wide range of physical and mental phenomena which provide evidence for survival after death. Yet again this book is written with a no-nonsense approach to phenomena and in a knowledgeable, enjoyable, easily understood style. Book one really fired up people's appetite for more about paranormal phenomena in general and survival in particular. More Things You Can Do When You're Dead examines more cases of genuine poltergeist activity, apparitions, mediumship, paranormal healing and reincarnation, but also digs a bit deeper into direct voice mediumship, drop-in communicators, psychic art, near-death experiences, materialised spirit figures, earthbound spirits, automatic writing, inspiration, obsession, possession, genius and informed discussion on what an afterlife may be like. Tricia also discusses science and psi and resistance, in general, to the acceptance of the reality of such clearly demonstrable events. This book contains a great deal of original material, humourous at times, which is not available anywhere else. You may love it, you may hate it, but once again you will certainly not be bored. A former teacher of mathematics and physics Tricia is a long term council member, past Vice President and Immediate Past President of the Scottish Society for Psychical Research. She is a tutor for the Department of Adult and Continuing Education (DACE) at the University of Glasgow. In conjunction with Professor Archie Roy she provided a session programme of 20, 2 hour, lectures per session for DACE in a series entitled “An In Depth Study of Psychical Research.” This course has now been running for six years. The paranormal- what is the evidence?' In addition to 29 years of experience in investigating spontaneous cases Tricia has appeared on various radio and TV programmes and has been invited over many years to speak to varied organisations throughout the U K. She has written the forward to Dr Mark Ireland's highly successful book Soul Shift, an endorsement in Bill Kasperi's book, The Galilean Pendulum and some of her comments are on the back cover of Trevor Hamilton's book Tell my Mother I am not Dead. She has a wealth of experience in investigating spontaneous cases and has done so for around 30 years. Tricia is known as an interesting speaker on many topics concerning psychical research, which is reflected by the invitations that she receives from varied avenues. https://www.amazon.com/More-Things-When-Youre-Dead/dp/1910121444/ref=sr_1_1?keywords=more+things+you+can+do+when+you%27re+dead&qid=1565441713&s=gateway&sr=8-1 http://triciarobertson.weebly.com/ https://www.patreon.com/pastlivespodcast

Topics Discussed: True Nature of Reality, Multidimensional Beings, Ayahuasca, Imagination, Internal reality vs outer reality, Effect on Society Nick Kyle, president of the Scottish Society of Psychical Research. Support the podcast: Via our Patreon page - https://www.patreon.com/Ascend Donate - https://www.paypal.me/ascendpodcast Show Notes - http://ascendbodymind.com/ascend-podcast/

Bring Out Yer (Marvel) Dead! Episode 22 of the Geeks’ Boutique podcast is out now. Infinity War got you down? Gather ‘round as we chat about what it means to die in comics. Also, take our Dick Picks to heart and get down to your friendly neighborhood comic shop to buy up some issues… just be sure to avoid the misery porn section. Pictus is our musical guest this show! Go tribal with their powerful Celtic sound. You can catch them next at the Scottish Society of Indianapolis, IN Summer Celebration 2018. There’s a link on their Facebook page to purchase tickets. https://www.facebook.com/pictusmusic/ http://www.pictusmusic.com/ https://www.instagram.com/pictusmusic/ https://twitter.com/PictusMusic?lang=en Get listenin,’ geeks! See our link in the Bio for the show!

A show for new Muslims, by new Muslims

Things You Can Do When You’re Dead examines more cases of genuine poltergeist activity, apparitions, mediumship, paranormal healing and reincarnation, but also digs a bit deeper into direct voice mediumship, drop-in communicators, psychic art, near-death experiences, materialized spirit figures, earthbound spirits, automatic writing, inspiration, obsession, possession, genius and informed discussion on what an afterlife may be like. A former teacher of mathematics and physics, Tricia Robertson is a long term council member, past Vice President and Immediate Past President of the Scottish Society for Psychical Research. To learn more about Provocative Enlightenment Radio, go to www.provocativeenlightenment.com

Mark Ireland is the son of Richard Ireland, a renowned twentieth-century psychic. Mark is also the author of Soul Shift: Finding Where the Dead Go and Messages from the Afterlife, which both seek to educate readers on afterlife evidence. Mark has participated in two university studies including one taped for the Discovery Channel. Mark has also conducted independent investigations, assisted by Tricia Robertson of the Scottish Society for Psychical Research and Neuroscientist Dr. Don Watson.  In 2012 Mark co-founded “Helping Parents Heal”, a national organization assisting bereaved parents. Mark holds a Bachelor’s degree from Arizona State University and he lives in Scottsdale, Arizona.   Website    www.markirelandauthor.com

Institute of Historical Research From 'Cruelty Men' to 'Rottweilers'. The Royal Scottish Society for the Prevention of Cruelty to Children and Child Protection 1960-2000 Dr Chris Nottingham (Glasgow Caledonian University) In the light of the ...

Since last week's episode was titled Westward Ho! As we track the expansion of the Faith into the New World with Spain and Portugal's immersion, this week as we turn to the other Europeans we'll title this week's episode, Westward Ho-Ho, because I'm tired of saying Part 2. I know it's lame, but hey, it's my podcast so I'll call it what I want.Before we dive into this week's content, I wanted to say a huge thanks to all those who've left comments on iTunes and the CS FB page.Last week we ended the episode on the expansion of the Faith into the New World by speaking of the Spanish missions on the West Coast. The Spanish were urgent to press north from what would later be called Southern CA because the Russians were advancing south from their base in Alaska. And as any history buff knows, they'd already established a base at San Francisco.Russians weren't the only Old World power feared by Spain. The French had New World possessions in Louisiana and French Jesuits were active in the Mississippi Valley. Some dreamed of a link between French Canada and the South down the Mississippi River. The gifted linguist Father Marquette, sailed south along the Mississippi and attempted a mission among the Illinois Indians. While in Quebec, he'd made himself master of 7 Algonquin languages and gained a mighty reputation as an Indian-style orator. He combined preacher, pastor, explorer and geographer in one. His writings contributed to local knowledge of Indian peoples, culture, and agriculture. As any high school student knows, the French were to lose New Orleans and Western Mississippi to Spain, while Eastern Mississippi went to the British. But French Carmelites, a 16th C branch of the Franciscans known as the Recollects, and the Jesuits accomplished much in French possessions before the expulsion of the Jesuits in 1763. They'd attempted a failed mission to the Sioux. Nevertheless, French Roman Catholic influence remained strong in Canada.As I tell these ultra-bare sketches of mission work among New World Indians, it can easily become just a pedantic recounting of generalized info. A sort of, “Europeans came, Indians were preached to. Churches were planted. Movements happened, some guys died - blah, blah, blah.”Our goal here is to give the history of the Church in short doses. That means, if we're to make any headway against the flow of it all, we have to summarize a LOT. But that works against real interest in the history and what makes the story exciting.It's the individual stories of specific people that make the tale come alive. à Jesuit, Franciscan, and Protestant missionaries; and just ordinary colonists who weren't set on a specific mission but were real-deal born again followers of Jesus who came to the New World to make a new life for themselves and their descendants, and just happened to share their faith with the Native Americans and they got saved and started a whole new chapter in the Jesus story. è THAT'S where the good stuff is.So, let me mention one of these Jesuit missionaries we've been talking about who brought the Gospel to Canadian Indians.Jean de Brébeuf was born to a family of the French nobility and entered the Jesuit order in 1617. He reached Canada 8 yrs later. He learned Algonquin and lived among the Huron for 3 yrs. After being captured by the British, he returned to France but renewed his mission in 1633. He founded an outpost called St Marie Among the Hurons in 1639. The Mission was destroyed by the Iroquois a decade later.Because De Brébeuf was tall and strongly built, he became known as the Gentle Giant. Like the Jesuits in Paraguay we looked at in the last episode, he could see ahead into how European colonists would bring an unstoppable challenge to the Indian way of life and advocated the Hurons withdraw into a secluded missionary settlement in order to preserve their culture. He's an example of the heroic pioneer Jesuit, of which there were many, whose missionary life ended in martyrdom in the field.De Brébeuf stands as a little known, but ought to be lauded, example of the fact that not all Europeans who came to the New World, especially not all missionaries, conflated following Christ with European culture and lifestyle. That's an assumption many moderns have; that it wasn't until the modern era that missionaries figured out people could remain IN their culture and follow Jesus, that they didn't have to become converts to Western Civilization BEFORE they could become Christians. While it has certainly been true that some missions and eras equated the Faith with a particular cultural milieu, throughout history, MOST believers have understood that the True Gospel is trans-cultural, even super-cultural.Many Jesuit missionaries in the New World like De Brébeuf tried to preserve the native American cultures – while filling them with the Gospel. They saw the emerging European colonies as a THREAT to the Indians and wanted to protect them.With the end of the 7 Years War, or as it's known in the US, the French and Indian War, French Canada became a British possession. The Jesuits, on the verge of their being banned from the New World, expanded their work among the Indians to include the Mohawks, Oneidas, Cayugas, and Senecas, as well as those Algonquins yet unreached in Quebec. While converts were made among the Iroquois tribes, the majority remained hostile. Among the converts, there was a huge problem with disease introduced by the missionaries themselves, and the influence of alcohol brought by Europeans. Indian physiological tolerance to hard alcohol was low and addiction quick. Jesuit missionaries reached the Hudson Bay area and baptized thousands. Even after the British won Canada and the Jesuit order was suppressed, some remained in Canada as late as 1789.In the far NW, Russians entered Alaska in 1741. Russian Orthodox Christianity had begun on Kodiak Island, just off Alaska, in 1794. By ‘96 thousands of Kodiaks and the population of the Aleutian Islands had been baptized. They met hostility from the Russian American Company but the mission received fresh invigoration by the arrival an Orthodox priest from Siberia named Innocent Veniaminoff.  He reached the Aleutians in the 1820s and mastered the local dialect well enough to translate the Gospel of Matthew and write a devotional tract that became a classic, titled = An Indication of the Pathway into the Kingdom of Heaven. After working among the Aleutians for some years, Veniaminoff served among the Tlingit people. After his wife died, he was appointed bishop of a vast region stretching from Alaska to CA. Between 1840 and 68 he carried out a massive work. Although 40 yrs of missionary service, often in conditions of tremendous physical hardship, left him exhausted and longing to retire, he was appointed Metropolitan of Moscow, a position he used to found the Russian Missionary Society as a means of support for Orthodox missions. His outstanding service was recognized in 1977 by the Orthodox Church of America conferring on him the title of ‘Evangelizer of the Aleuts and Apostle to America.'Alaska was sold to the United States in the 1870s but the Orthodox Synod created an independent bishopric to include Alaska in 1872. By 1900 there were some 10,000 Orthodox Christians in the diocese. Of the 65,000 Alaskan and Aleutian people today, some 70% claim to be Christian and many of these belong to the Orthodox community.The Roman Catholic orders had a great advantage in missions due to their central organizing body called The Sacred Propaganda for the Faith. Today this structure is called the Congregation for the Evangelization of the Nations.In contrast to Roman monastic orders and their missionary zeal, Protestant churches had little missionary vision in the 16th C. When they engaged in missions in the 17th they had no organizing center.French Protestants, led by the Huguenot Admiral Coligny, attempted a short-lived experiment off Rio de Janeiro when Admiral Villegagnon established a Calvinist settlement in 1555. It folded when the French were expelled by the Portuguese. A more permanent Calvinist settlement was made by the Dutch when they captured Pernambuco, a region at the eastern tip of Brazil. This settlement remained a Calvinist enclave for 40 years.North America presented a very different scene for missions than Central and South America. The voyage of the Mayflower with its ‘Pilgrims' in 1620 was a historical pointer to the strong influence of Calvinism in what would become New England. The states of Massachusetts, Connecticut and New Hampshire were strongly Congregationalist or Presbyterian in church life and heavily influenced by English Puritanism. At least some of these pioneers felt a responsibility for spreading the Christian faith to the native Americans.John Eliot is regarded as the driving force behind the early evangelization of the Indians. He was the Presbyterian pastor at Roxby, a village near Boston in 1632. He learned the Iroquois language, and like the Jesuits in Paraguay, though surely with no knowledge of their methodology, founded ‘praying towns' for the Indians. These were communities that, over a period of 40 yrs, came to include some 3,000 Christian Indians in Natick and other settlements. Eliot translated the entire Bible into Iroquois by 1663 and trained 24 native American pastors by the time of his death.A remarkable family called The Mayhews were pioneers in missionary work in Martha's Vineyard, Nantucket, and the Elizabeth Islands off Cape Cod. Thomas Mayhew bought the islands in 1641 with an Indian population of around 5,000. His son, Thomas Jr., began a mission and by 1651 200 Indians had come to faith. After the death of Thomas Sr. and Jr., John, youngest son of  Thomas Jr., along with his son Experience Mayhew continued the mission.  Experience had the advantage of fluency in the Indian language with the ability to write it. Zechariah, his son, carried on a tradition that lasted all the way to 1806 and produced many Indian clergy and a Harvard graduate. The ministry of the Mayhews spanned almost 2 centuries.Another New England figure who became a missionary icon to such great spreaders of the faith as William Carey and David Livingstone, was David Brainerd. Brainerd was born in the farming country of Haddam, Connecticut, and studied for the ministry at Yale College, from which he was wrongly expelled in 1741. He impressed the local leadership of the Scottish Society for the Propagation of the Gospel enough for them to employ him for missionary service in 1742. He worked among the Indians of Stockbridge and then, after ordination as a Presbyterian, he worked in western Massachusetts, Pennsylvania, and New Jersey. There he experienced genuine religious revival among the Delaware Indians, which he recounted in detail in his journals.Brainerd died young but his diary and the account of his life by the great preacher, theologian, and philosopher, Jonathan Edwards, became immensely influential in the Protestant world. Edwards, also a student at Yale, was himself a missionary at Stockbridge among the Indians from 1750–58.While it's risky to do a diagnosis on someone 270 years later, we glean from David Brainerd's logs that he suffered from at least a mild case of a depression-disorder, and maybe not so mild. It's his honesty in sharing with his journals his emotions that proved to be a tonic to mission-luminaries like Carey and Livingstone.New England Presbyterians and Congregationalists were matched by other Protestants in their efforts among Indians. Episcopalians and the missionary society of the Church of England achieved some success in evangelizing them.Work among the Iroquois of New York was initiated by Governor Lord Bellomont, and a converted Mohawk chief, Joseph Brant, who helped establish a Mohawk church. Queen Anne of England even presented silver communion implements to 4 Mohawk Christians in London in 1704 for use in one of their chapels.In Virginia, the royal charter declared one of the aims of the colony was the conversion of Indians. The first minister of the village of Henrico, Alexander Whitaker, did significant missionary work and introduced the Indian princess, Pocahontas, to the faith.BTW: Pocahontas was her nickname – which translates roughly to “Little Hellion.” Her real name was Matoaka, but she was so precocious as a child her nickname became her favored label.Whitaker established a college at Henrico for the education of Indians and there were appeals for funding for Indian missions back in England by King James I and his archbishops so that 1 of 6 professorships at the College of William and Mary was set apart for teaching Indians.Methodists had the example of John and Charles Wesley when they were Anglican priests and missionaries for the Society of the Proclamation of the Gospel in Georgia from 1735. Though John's primary assignment was a chaplain for the English settlers, he tried to reach out to the Choctaw and Chickasaw. He had little response from the Native Americans. No wonder, since he'd later say he was most likely unconverted at that point.After his break with the Church of England, Wesley's chief lieutenant in the New World was Thomas Coke who became a driving force for Methodist missionary work, attempting a mission in Nova Scotia in 1786 before being re-directed to the West Indies by a storm. Methodist missions came into their own in the 19th C after Coke's death and took the form of frontier preachers and ‘circuit riders' under the direction of Francis Asbury, who traveled some 300,000 miles on horseback in the cause of the Gospel and whose vision included both Indians and black slaves for Methodist outreach. By the time of Asbury's death in 1816 Methodist membership had risen from just 13 to 200,000 over a 30-yr period.The 19th C in North America saw the far north reached by Roman Catholics, Anglicans, and Methodists.The 19th C was a time of extraordinary development in North America, despite the ravages of the Civil War in the 1860's. Great numbers of immigrants flooded into the country from Europe, estimated at 33 million between 1820 and 1950. Of British emigrants between 1815 and 1900, 65% found their way to the US. Of African-Americans, whereas only some 12% belonged to a church in 1860, by 1910 that number was 44%. Many joined the Baptist and Methodist congregations of the southern states after the abolition of slavery. In the Nation at large, the extraordinary achievement to any non-American was the blending into one nation of so many different peoples, so that their American citizenship was more prominent than their roots as Italian, Irish, Jewish, German, Scandinavian or English. This influx posed great challenges to the churches but Americans largely became a church-going people. And while differences over Religion had become the cause of so much misery and bloodshed in Post-Reformation Europe, Americans learned to live in civil harmony with people of other denominations.