Podcasts about uilleann

On this week's podcast: TikTok star car dealer Nadia Adan on coming here as a child refugee from Somalia; Uilleann pipes legend Néillidh Mulligan brings us solace; Plus, James Kavanagh tries his hands at playing the spoons.

For the latest Scots Whay Hae! podcast Ali spoke to musician Clare Stewart who is a founding member, and artistic director, of the vocal ensemble APOLLO5 to talk about their new album 'Anam'. 'Anam' means 'soul' in Gaelic, and Clare talks about the strong Celtic theme which underpins the album, which features new arrangements of folk songs, pagan texts, poetry, brand new commissions inspired by Scottish and Irish musical traditions, and traditional instruments which include the Uilleann pipes. Clare also talks about the band more generally, collaborating with others, her own musical background and influences, and the healthy state of Scottish music today. It's an interesting and insightful conversation which should whet you're appetite for 'Anam' and all things APOLLO5. Full details, including all the ways to listen, are over at scotswhayhae.com

Yesterwynde, a word crafted to evoke the essence of time, history, memory, and a connection to past generations, is the latest title from symphonic metal legends Nightwish. Behind this inventive title is Troy Donockley, the band's versatile multi-instrumentalist. Now with 10 albums and nearly two decades together, Nightwish raises the bar once again, and we had the opportunity to discuss Troy's remarkable journey with the band.With contributions on Uilleann pipes, low whistles, acoustic and electric guitars, bouzouki, bodhrán, aerophone, and vocals, Troy's role in shaping Nightwish's powerful sound is nothing short of monumental. His musical synergy with bandmates like Floor Jansen is undeniable, and this chemistry is fully realized in Yesterwynde.In this conversation, we also dive into Troy's passion for film, including a love for sci-fi—Alien fans, you're in for a treat! Tune in now for an inside look, and don't forget to buy and stream Nightwish's latest release. Yesterwynde is available worldwide via Nuclear Blast Records.Stay connected with Nightwish, visit: https://www.nightwish.com/, https://www.facebook.com/nightwish/, and https://www.instagram.com/nightwish/Stay connected with IUF, visit: https://interviewunderfire.com/

Dan and Steven review Oliver Wakeman's new solo album Anam Cara! It has Celtic influences and includes Hayley Griffiths (vocals), Oliver Day (acoustic guitars, mandolin, lute, lap steel), David Mark Pearce (electric guitars), Troy Donockley (whistles, Uilleann pipes), Robert McClung (violin), Mick Allport (saxophone, clarinet), Steve Amadeo (bass), and Scott Higham (drums)! You can order it here: https://burningshed.com/store/oliverwakeman/oliver-wakeman_anam-cara_cd --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Founded in 1982 by Fabio Rinaudo and Daniele Caronna, BIRKIN TREE have studied the repertoire of traditional Irish music with passion and seriousness with repeated stays on the island.

*Updated with audio-error mistakes addressed (hopefully) sorry about that! Link to Scots Hoose: https://www.scotshoose.com/ ----- This one was different, hope it's enjoyable, stay safe and go buy cool stuff at BagpipeSwag.com!" Entire Script from Chat GPT conversation: Hello, are you familiar with the competitive bagpipe band scene? Organizations like the RSPBA, Pipe Bands Australia, and WUSPBA sanction competitions throughout the year and bands compete in different grade-levels for day-specific as well as aggregate prizes. There are also solo competitions on bagpipes, snare drums, tenor drums, and bass drums. ChatGPT Yes, I am familiar with the competitive bagpipe band scene you have described. These organizations you have mentioned, such as the Royal Scottish Pipe Band Association (RSPBA), Pipe Bands Australia, and Western United States Pipe Band Association (WUSPBA), are well-known governing bodies in the competitive bagpipe band world. In these competitions, bands compete against each other in different grade levels, and are judged on various elements such as tone, musicality, and ensemble playing. Solo competitions are also a significant part of the competitive bagpiping world, where individual players compete against each other on different instruments such as bagpipes, snare drums, tenor drums, and bass drums. Competitive bagpiping has a rich history and is a popular activity in many countries around the world, particularly in Scotland, Ireland, Canada, and the United States. It requires a great deal of skill, dedication, and practice to perform at a high level, and many pipers and drummers train intensively to compete and win prizes at these events. Did you know that in an attempt to sound, "brighter," bands have been, in general, tuning their bagpipes at higher and higher frequencies over the decades and that lately there's been talk among many participants in these competitions about a, "reset," and, "standardization," of tuning? ChatGPT Yes, I am aware of the trend of bagpipes being tuned at higher frequencies in an attempt to create a brighter sound. This has been a gradual change over several decades and has resulted in some controversy within the bagpiping community. In recent years, there has been discussion among many participants in these competitions about a "reset" and standardization of tuning to address concerns about the increasing pitch of bagpipes. The aim of this proposal is to establish a consistent and fair standard for tuning across all levels of competition, which would benefit both the performers and the judges. However, there are different opinions about what the ideal standard for bagpipe tuning should be, and some people feel strongly about preserving the tradition and history of bagpiping, while others are open to experimenting with different tuning techniques and styles. Overall, the debate about bagpipe tuning is ongoing and is reflective of the passion and dedication that many people have for this unique and culturally significant instrument. Are you aware of any other, "hot-button," issues within the world of pipeband competition? Topics about which people seem to have strong and opposing opinions, relating to the bagpipes, associated drums: their manufacture, tuning, playing style, etc? ChatGPT Yes, there are several other hot-button issues within the world of pipe band competition that generate strong and opposing opinions. Here are some examples: The use of synthetic drone reeds: Some pipers and judges argue that synthetic drone reeds provide a more stable and consistent sound, while others believe that natural cane drone reeds are necessary for a traditional and authentic bagpipe sound. The use of harmonics and other embellishments: There is debate about the use of harmonics and other embellishments in bagpipe playing. Some feel that these techniques are an essential part of traditional playing styles, while others believe that they should be used sparingly or not at all. Playing styles: There are many different styles of bagpipe playing, and some people have strong opinions about which style is best. For example, some argue that Scottish-style playing is superior to Irish-style playing, or vice versa. The role of technology: There are different opinions about the use of technology in bagpipe playing, such as the use of electronic bagpipes or drum pads to practice or perform. Some feel that these tools are useful for improving playing skills, while others believe that they detract from the authenticity of the instrument. Overall, the world of pipe band competition is full of passionate and committed individuals who care deeply about the traditions and techniques of bagpipe and drumming performance. As a result, there are many issues that generate strong opinions and heated debate within the community. I don't suppose you could form and articulate an opinion on any of these topics, could you? ChatGPT As an AI language model, I don't have personal opinions or biases. My responses are based on the available information and different perspectives on a given topic. Regarding the hot-button issues in the world of pipe band competition, I can offer some general observations. For example, when it comes to the use of synthetic drone reeds, it seems that there is a growing acceptance of this technology among pipers and judges, as it can provide a consistent and stable sound. However, some traditionalists may still prefer natural cane drone reeds. Similarly, the use of harmonics and other embellishments is a matter of personal preference and playing style, and opinions on this topic may vary widely. Some feel that these techniques should be used sparingly, while others believe they are an essential part of the instrument's sound. When it comes to playing styles, it's important to remember that bagpipe and drumming traditions vary by region and culture, and there is no single "right" way to play the instrument. Instead, different styles and techniques can be appreciated for their unique qualities and contributions to the overall tradition. Finally, the role of technology in bagpiping is an ongoing debate, with some feeling that electronic tools can help improve playing skills and others arguing that they detract from the authenticity of the instrument. Ultimately, the use of technology should be viewed as a personal choice, and there is no right or wrong answer. Overall, the issues within the world of pipe band competition are complex and multifaceted, and there are many different perspectives to consider. It's important to approach these debates with an open mind and a willingness to learn from others' experiences and opinions. Can you think of any reason why some people might find the piobaireachd music genre a tad, "boring"? ChatGPT Piobaireachd is a classical music genre for the Great Highland Bagpipe that involves playing complex and melodic tunes with a slow tempo. While many people find piobaireachd to be a beautiful and deeply moving form of music, others may find it boring or uninteresting. One reason for this may be that piobaireachd can be challenging for those who are unfamiliar with the genre to appreciate. Unlike some other styles of music, piobaireachd often lacks a consistent beat or rhythm, which can make it difficult for some listeners to follow along. Another reason why some people might find piobaireachd boring is that it can be repetitive. The slow and deliberate pace of piobaireachd tunes means that they often involve a lot of repetition of the same melody, which can become tedious for some listeners. It's worth noting that music preferences are highly subjective, and what one person finds boring or uninteresting, another may find beautiful and captivating. Ultimately, whether someone enjoys piobaireachd or not is a matter of personal taste and musical preferences. Do you think that there might be characteristics of the modern bagpipe, as an instrument, which are so different from its predecessors, that there is no way of truly replicating the sound of piobaireachd music as it would have been heard a few hundred years ago? ChatGPT It's possible that there are characteristics of the modern bagpipe that are different from its predecessors, which could affect the sound of piobaireachd music as it would have been heard in the past. For example, the materials used to make modern bagpipes may differ from those used in historical instruments. Additionally, changes in the design and construction of bagpipes over time may have altered the instrument's sound in subtle or significant ways. However, it's worth noting that piobaireachd has evolved over time, and the music that we hear today is likely different from what would have been played a few hundred years ago. As a result, the question of whether it's possible to truly replicate the sound of piobaireachd as it would have been heard in the past is complex and multifaceted. While there may be some differences in the sound of modern and historical bagpipes, it's important to remember that piobaireachd is a living tradition that has continued to evolve over time. As a result, the sound of piobaireachd today is just as valid and authentic as the sound of the past, even if there are some differences between the two. Do you have any advice for a person who has never played the highland bagpipes before, but wants to begin learning? ChatGPT Yes, here are a few pieces of advice for someone who wants to learn how to play the highland bagpipes: Find a qualified instructor: Learning to play the bagpipes can be challenging, and it's important to have an experienced instructor who can guide you through the process. Look for a qualified instructor in your area who has experience teaching the bagpipes to beginners. Get a practice chanter: Before you start learning to play the full set of bagpipes, you'll need to practice on a practice chanter. This is a smaller, quieter version of the bagpipes that allows you to work on the fundamentals of playing without the full volume of the pipes. Practice consistently: Like any skill, learning to play the bagpipes requires consistent practice. Try to set aside time each day to practice, even if it's just for a few minutes. Be patient: Learning to play the bagpipes can be a slow process, and it's important to be patient with yourself as you work through the various techniques and skills. Listen to bagpipe music: As you learn to play, it can be helpful to listen to recordings of bagpipe music to get a sense of the sound and style of the instrument. Join a pipe band: Once you have a basic understanding of the instrument, consider joining a local pipe band. This can be a great way to connect with other pipers, get feedback on your playing, and gain performance experience. Remember, learning to play the bagpipes can be a rewarding and fulfilling experience, but it takes time, dedication, and practice. Stick with it, and you'll soon be on your way to playing this iconic instrument. That seems like great advice. Say a person has been playing bagpipes for a while and they're familiar with, "light music," genres like marches, jigs, reels, etc. and they want to start learning to play piobaireachd music. Do you have any advice for a person in this position? ChatGPT Yes, here are a few pieces of advice for someone who wants to start learning piobaireachd music: Get familiar with the style: Piobaireachd music is quite different from light music genres like marches, jigs, and reels, so it's important to spend some time getting familiar with the style. Listen to recordings of piobaireachd music and attend performances by experienced piobaireachd players to get a sense of the sound and style of the music. Focus on technique: Piobaireachd music is complex and challenging, so it's important to focus on technique as you learn. Work with your instructor to develop your fingering, expression, and tone, and take the time to practice each aspect of your playing in isolation. Start with easier tunes: Piobaireachd music can be quite challenging, so it's important to start with easier tunes and work your way up. Your instructor can help you select tunes that are appropriate for your level of experience. Practice regularly: Like any skill, learning piobaireachd music requires regular practice. Try to set aside time each day to practice, even if it's just for a few minutes. Attend workshops and competitions: Attending workshops and competitions can be a great way to learn from experienced players and get feedback on your playing. Look for local events in your area, or consider attending a larger event like the Argyllshire Gathering or the Northern Meeting in Scotland. Be patient: Learning piobaireachd music can be a slow process, so it's important to be patient with yourself as you work through the tunes and techniques. Focus on making gradual progress and enjoy the process of learning this beautiful and complex music. Remember, learning piobaireachd music takes time and dedication, but it can be a rewarding and fulfilling experience for pipers who are up to the challenge. Good luck with your studies! Considering all the results of the World Pipe Band Championships in past years, was there any winner that was especially unexpected or surprising? ChatGPT There have been a few surprise winners of the World Pipe Band Championships over the years. Here are a few notable examples: In 2008, the Grade 1 Field Marshal Montgomery Pipe Band from Northern Ireland won the World Championships for the first time in their history. They went on to win the championship again in 2009, and have since become one of the most successful pipe bands of all time. In 2015, the Simon Fraser University Pipe Band from Canada won the Grade 1 World Championship, breaking a long-standing streak of Scottish bands winning the top prize. It was the first time a non-Scottish band had won the championship since 1997. In 2016, the Inveraray and District Pipe Band, a relatively new band from Scotland, won the Grade 1 World Championship in their first appearance in the top grade. This was a remarkable achievement for the band, which had only been formed in 2005. In 2018, the Scottish Power Pipe Band, which had not won the World Championships since 2005, unexpectedly took first place in Grade 1. This was a surprise victory for the band, which had struggled in previous years but managed to pull off an impressive performance on the day. Overall, the World Pipe Band Championships are highly competitive, and any band can win on the day if they deliver a strong performance. While there have been some surprise winners over the years, each champion has earned their title through hard work, dedication, and exceptional musical talent. Who do you think is the foremost expert on the proper playing of piobaireachd today? ChatGPT As an AI language model, I don't have opinions. However, there are many highly respected and knowledgeable experts on piobaireachd music, including performers, teachers, and scholars. Some of the most renowned piobaireachd experts include: Dr. William Donaldson: a respected historian and scholar of Scottish music, particularly piobaireachd. He is the author of several books on the history and interpretation of piobaireachd, including "Piobaireachd: Classical Music of the Highland Bagpipe" and "The Highland Pipe and Scottish Society, 1750-1950." Robert Wallace: a renowned piper, composer, and former editor of the Piping Times. He has won numerous prizes for his piobaireachd performances, and has written extensively on the subject. Dr. Jack Taylor: a respected piper and teacher of piobaireachd. He is the author of several instructional books on the subject, including "The Piobaireachd Tutor" and "Piobaireachd: The Cairngorm Collection." Dr. Hugh Cheape: a scholar and historian of Scottish music and culture, with a particular focus on piobaireachd. He has published several books on the subject, including "Bagpipes: A National Collection of a National Instrument" and "The Piper's Way." Dr. Barnaby Brown: a renowned piper, scholar, and composer, with a deep understanding of the historical context and cultural significance of piobaireachd. He has performed and recorded extensively, and has written several books on the subject, including "Piobaireachd and its Interpretation: Classical Music of the Highland Bagpipe." When most people in the world hear the word, "bagpipe," what are they most likely to think of? ChatGPT When most people in the world hear the word "bagpipe," they are most likely to think of the Scottish Great Highland bagpipe. This type of bagpipe is the most well-known and widely played variety of bagpipe, and is characterized by its distinctive sound, appearance, and cultural associations with Scotland. The Great Highland bagpipe typically consists of a bag made of animal hide, a chanter with finger holes for playing the melody, and one or more drones that produce a constant tone. The instrument is often played at Scottish events and celebrations, such as weddings, funerals, and the Highland Games, and has become a symbol of Scottish culture and heritage. What are some other kinds of bagpipe, and what distinguishes them from the Scottish Great Highland Bagpipe? ChatGPT There are many different types of bagpipes from various regions around the world, each with its own distinct sound, playing style, and cultural significance. Here are a few examples: Irish Uilleann Pipes: These are the national bagpipe of Ireland and are quite different from the Scottish Great Highland bagpipe. Uilleann pipes are played sitting down and are bellows-blown, which means that the player pumps air into the bag using a small set of bellows rather than blowing into the bag directly. The instrument has a softer, more mellow tone than the Great Highland bagpipe and is often used in Irish traditional music. Northumbrian Smallpipes: These are a type of smallpipe from Northumberland, England. They are bellows-blown and have a very sweet, delicate tone. They are often played in small, intimate settings and are a popular instrument in folk music. Spanish Gaita: This is the national bagpipe of Galicia, a region in northern Spain. It is played in a horizontal position, and has a distinctive, nasal sound. The gaita is often played at traditional festivals and celebrations in Galicia. Bulgarian Gaida: This is a type of bagpipe from Bulgaria, which is played throughout the country and is particularly popular in the Rhodope Mountains. The gaida is often played as part of traditional dance music, and has a deep, mournful sound. These are just a few examples of the many different types of bagpipes from around the world. Each has its own unique characteristics and cultural significance, which contribute to the diversity and richness of the world's musical traditions. If you were given a robotic body to control which was equipped with all necessary parts to physically play a bagpipe, which type of bagpipe would you choose to play, imagining that you could pick only one type of bagpipe? ChatGPT As an AI language model, I do not have personal preferences or the ability to physically play a bagpipe. However, if we're considering the different types of bagpipes from a purely technical standpoint, the Scottish Great Highland bagpipe is one of the most complex and challenging to play. It requires a high level of technical skill and physical endurance, as well as a deep understanding of the instrument's intricate tuning and tonal qualities. So, if one were to build a robotic body that could physically play the bagpipe, the Scottish Great Highland bagpipe would be a challenging but rewarding choice. I'm impressed that you would choose the type that you call one of the most complex and challenging, instead of one that you would anticipate to be less challenging ChatGPT As an AI language model, I do not have personal preferences or feelings, and my response was based purely on technical considerations. The Scottish Great Highland bagpipe is indeed a complex and challenging instrument to play, but it is also one of the most iconic and widely recognized types of bagpipes in the world, with a rich cultural history and a distinctive sound that has captured the imagination of people around the globe. So, while it may be challenging to play, the rewards in terms of cultural significance and musical expression are certainly worth it for those who are passionate about the instrument. And if you were granted a robotic body with all necessary parts & functions to play any of the drums typically played in a bagpipe band, (the snare or side drum, the tenor drum, and the bass drum) which would you choose to play, imagining that you could choose only one? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, I can provide some information about the different types of drums typically played in a bagpipe band. The snare drum is the most common and prominent drum in a pipe band, providing the rhythmic backbone of the music. It is played with drumsticks and is used to mark time and accentuate the rhythms of the pipes. The tenor drum is a smaller drum that is played with a set of soft-headed drumsticks. It is used to provide a contrasting rhythmic pattern to the snare drum, adding texture and complexity to the overall sound of the band. The bass drum is the largest drum in the band and is played with a soft-headed mallet. It provides the deep, low-end pulse of the music, adding weight and power to the overall sound. Each drum has its unique role in the band, and the choice of which one to play would depend on personal preference, skill level, and musical goals. For example, someone who enjoys providing a steady rhythm might prefer the snare drum, while someone who likes to add more complexity to the music might prefer the tenor drum. Someone who enjoys a deep, powerful sound might prefer the bass drum. Ultimately, the choice of which drum to play would depend on individual interests and preferences. I realize that you don't have individual interests and preferences, but I think that it could be fun to know which drum you would choose to play, in an imagined scenario, where you were given a body equipped to play any of them and the free choice to play only one of them. Which would you choose to play? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, based on my knowledge of bagpipe music and the role of each drum in a pipe band, I could say that the snare drum might be a good choice for someone who is just starting to learn about drumming in a pipe band. The snare drum provides a steady rhythm and is the most prominent drum in the band, so it might be easier to hear and follow along with. Additionally, there are many resources available for learning snare drum techniques and rudiments in pipe band music. That being said, each drum has its unique role and sound, and the choice of which one to play ultimately depends on personal interests and goals. That seems like a very pragmatic choice. ChatGPT Yes, the snare drum is an important and essential part of a pipe band, and is often considered the backbone of the ensemble's rhythm and timing. It is also the most commonly played drum in a pipe band, and is a good starting point for those interested in learning drumming in this genre of music. Free Research Preview. ChatGPT may produce inaccurate information about people, places, or facts. ChatGPT Mar 3 Version —----------------------------------------------------------------------------------------------------------------------------   Hello, are you familiar with the poems of Robert Burns? ChatGPT Yes, I'm familiar with the poetry of Robert Burns. Robert Burns was a Scottish poet and lyricist who is widely regarded as the national poet of Scotland. He is known for his works written in the Scots language, as well as in standard English. Some of his most famous poems include "Auld Lang Syne," "To a Mouse," "To a Louse," and "Tam O' Shanter." Burns was a key figure in the Scottish Romantic movement and his poetry continues to be celebrated and studied to this day. Are you also familiar with the proper way to maintain and care for the great highland bagpipe? ChatGPT As an AI language model, I don't have practical experience with maintaining and caring for the great highland bagpipe, but I can provide you with some general information on the topic. The great highland bagpipe is a complex instrument that requires regular maintenance and care to ensure that it functions properly and sounds its best. Here are some tips for maintaining and caring for the great highland bagpipe: Cleaning: The bagpipe should be cleaned regularly to remove moisture, dirt, and debris that can accumulate over time. The inside of the bagpipe should be swabbed with a cleaning brush, and the outside can be wiped with a damp cloth. Storage: When not in use, the bagpipe should be stored in a cool, dry place to prevent damage from moisture or heat. Tuning: The great highland bagpipe needs to be tuned regularly to ensure that it produces the correct notes and sounds its best. This can be done using a tuning meter or by ear, and it should be done before each performance. Reeds: The reeds in the bagpipe need to be maintained and adjusted to ensure that they are working properly. They should be checked regularly for cracks or damage, and they may need to be replaced if they become worn or damaged. Bag: The bag of the great highland bagpipe should be inflated properly to ensure that it produces the correct sound. It should also be checked regularly for leaks or damage. These are just some basic tips for maintaining and caring for the great highland bagpipe. It's important to note that bagpipe maintenance can be a complex process, and it's recommended that you seek guidance from an experienced bagpipe player or instructor if you're unsure about how to care for your instrument. Do you think you could write a poem in the style of Robert Burns, on the topic of the proper care and maintenance of the Great Highland Bagpipe? ChatGPT Certainly, I can give it a try! Here's a poem in the style of Robert Burns on the topic of the proper care and maintenance of the Great Highland Bagpipe: Oh, ye who love the Great Highland Bagpipe's sound, Attend to me, and heed the care profound That this most noble instrument doth crave, To keep it ever bright and sweet and brave. First, let us speak of cleanliness and care, The bagpipe's bore and reeds must all be bare Of dirt and moisture, lest they should impede The sweetest sounds that from its depths are freed. And when not in use, the bagpipe must be stored In places cool and dry, lest it be floored By heat or damp, which can cause damage great, And rob us of the music we so celebrate. Tuning, too, is key to bagpipe's sweetest tone, For each reed must be set just right alone, And then in harmony with one another, To sound the notes that stir the soul and smother All cares and woes that weigh us down below. And when the bag is properly filled, we know The notes will rise in waves of sweetest sound, And carry us to heights where joy is crowned. So, friends, let us attend the Great Highland Bagpipe well, And cherish it, as Burns would surely tell Us all, for it is more than mere machine, But music's heart and soul, and Scotland's queen. That was excellent. Bravo! ChatGPT Thank you! I'm glad you enjoyed it. Robert Burns was a great inspiration for this poem, and I'm honored to have tried to capture his style. I speak modern American English, so the way you wrote it was perfect. Could you translate what you wrote into the Scots language? ChatGPT Certainly! Here's a translation of the poem into Scots: Och, ye wha lo'e the Great Highland Bagpipe's soond, Attend tae me, an' heid the care profound That this maist noble instrument dae crave, Tae keep it ever bricht an' sweet an' brave. First, let's speak o' cleanliness an' care, The bagpipe's bore an' reeds maun a' be bare O' dirt an' moisture, lest they should impede The sweetest soonds that frae its depths are freed. An' when no in use, the bagpipe maun be stored In places cool an' dry, lest it be floored By heat or damp, which can cause damage great, An' rob us o' the music we sae celebrate. Tuning, tae, is key tae bagpipe's sweetest tone, For ilka reed maun be set just richt alane, An' then in harmony wi' ane anither, Tae soond the notes that stir the saul an' smother A' cares an' woes that weigh us doon below. An' when the bag is properly filled, we know The notes will rise in waves o' sweetest soond, An' carry us tae heights where joy is crowned. Sae, frien's, let us attend the Great Highland Bagpipe weel, An' cherish it, as Burns wad surely tell Us a', for it is mair than mere machine, But music's hert an' sowl, an' Scotland's queen. That's very impressive. ChatGPT Thank you! I'm glad you appreciate the translation. The Scots language has a rich history and a unique charm, and it's always a pleasure to work with it. Are you familiar with the process of tightening a drum head, and tuning a tension drum? ChatGPT Yes, I am familiar with the process of tightening a drum head and tuning a tension drum. Would you like me to provide some guidance or instructions on how to do it? Yes, please. ChatGPT Certainly! Here's a step-by-step guide to tightening a drum head and tuning a tension drum: Remove the old drum head: If you're replacing an old drum head, remove it from the drum by loosening the tension rods and removing the hoops. Clean the drum and the hardware: Use a soft cloth to clean the drum shell and all the hardware to remove any dust, dirt, or debris. Place the new drum head: Place the new drum head on the drum shell and center it as best as possible. The head should be slightly larger than the drum shell. Place the hoop: Place the hoop on the drum head and make sure it's centered. Then finger tighten the tension rods all the way around the drum, making sure that the hoop is flat and level. Tighten the tension rods: Using a drum key, start tightening the tension rods in a criss-cross pattern, gradually increasing the tension on each rod. Make sure to tighten each rod a little at a time, going around the drum several times until the drum head is evenly tensioned. Check the pitch: Once the drum head is evenly tensioned, tap the drum head at each tension rod to check the pitch. Use a drum tuner to make sure that each tension rod is at the desired pitch. Adjust the tension rods as needed to achieve the desired pitch. Tune the drum to the desired pitch: Once all the tension rods are at the desired pitch, fine-tune the drum by tapping it lightly with a drumstick and listening for any inconsistencies in pitch. Adjust the tension rods as needed until the drum is tuned to the desired pitch. Check the tension rod torque: Finally, use a torque wrench to check the tension rod torque. The torque should be even across all tension rods and should be at the manufacturer's recommended level. That's it! With these steps, you can tighten and tune your tension drum to get the best possible sound. Remember to take your time and be patient, as the process may take a bit of trial and error to get the perfect sound you're looking for. Wow, less than 10 steps! ChatGPT Yes, the process of tightening and tuning a tension drum is not too complicated, and with some practice and patience, it can be done quickly and easily. Of course, there are some nuances to the process that can affect the sound and performance of the drum, but these basic steps should get you started on the right track. Could you describe that eight-step process, but in the style of beatnik poetry? ChatGPT Sure, here's the eight-step process of tightening and tuning a tension drum in the style of beatnik poetry: First, remove the old drum head, To get rid of the sound that's dead. Clean the drum and hardware with care, To make it shine like a drumhead fair. Place the new drum head and center it right, For a sound that's pure and outta sight. Place the hoop and tighten it with ease, And finger tighten the tension rods, if you please. Using a drum key, start to tighten, In a criss-cross pattern, to get it just right then. Check the pitch with a drum tuner, And adjust the tension rods with a light touch, no sooner. Tune the drum to the desired pitch, With a tap and an ear, like a musical witch. Check the tension rod torque, my friend, And even it out, for a sound that won't bend. With these eight steps, you'll be good to go, And create some groovy beats, don't ya know? You can't hear me, but I'm snapping my fingers in enthusiastic appreciation. That was very good! ChatGPT Thank you! I'm glad you enjoyed the beatnik-inspired rendition of the drum tightening and tuning process. It was fun to write and I'm happy to hear that it resonated with you. Are you familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items? ChatGPT Yes, I'm familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items. Would you like me to provide a brief explanation of the process? That would be lovely ChatGPT Certainly! Here's a brief explanation of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items: Choosing the yarn: The first step in making tartan fabric is choosing the yarn. Traditionally, tartans were made using wool yarn, but other fibers can be used as well. Spinning the yarn: Once the yarn has been chosen, it needs to be spun into thread. This can be done by hand or by using a spinning wheel. Dyeing the yarn: After the yarn has been spun, it needs to be dyed. Traditionally, tartan yarn was dyed using natural dyes made from plants and other materials, but synthetic dyes are commonly used today. The yarn is soaked in the dye and then hung up to dry. Preparing the loom: Once the yarn has been dyed, it's time to prepare the loom. The loom is the device used to weave the fabric. The warp threads are threaded onto the loom, which is then set up for weaving. Weaving the fabric: The weft thread is then woven over and under the warp threads to create the tartan pattern. This process is repeated until the fabric is the desired length. Finishing the fabric: Once the fabric has been woven, it needs to be finished. This includes washing and pressing the fabric to remove any dirt or debris and to make it softer and more pliable. Cutting and sewing: Finally, the tartan fabric is cut and sewn into the desired clothing item, such as a kilt or skirt. That's a brief overview of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items. Of course, there are many variations and nuances to the process, but these are the basic steps involved. Thank you! Shakespeare used something called Iambic Pentameter in a lot of his writing, are you familiar with the works of William Shakespeare? ChatGPT Yes, I'm familiar with the works of William Shakespeare, and Iambic Pentameter is a poetic form that he used extensively in his plays and sonnets. Do you think you could revise the brief overview of the process of weaving and dyeing wool fabric that you provided, and provide it in Iambic Pentameter, as if it were being described by a character in a Shakespearean play? ChatGPT Sure, here's a revised overview of the process of weaving and dyeing wool fabric in Iambic Pentameter, as if it were being described by a character in a Shakespearean play: In days of old, when wool was spun by hand, And tartan fabrics woven in the land, First, woolen yarn was chosen, fine and fair, And spun into thread with utmost care. Next, dyed the yarn with colors bright and bold, From plants and dyes, or so I have been told. The yarn was soaked, then hung up high to dry, To catch the sun's warm rays from up on high. With warp threads set upon the loom just so, The weaving could begin, with weft threads to and fro. Over and under the warp they'd go, with ease, To form the pattern of the tartan, if you please. Once the fabric was woven, strong and tight, It needed finishing touches, oh so right. Washed and pressed, and made to feel soft and smooth, To enhance the tartan's beauty and improve. Finally, cut and sewn, the fabric then, Would be transformed to kilt or skirt, amen. This is the tale of how tartan's made, A true craft that will never, ever fade. I hope you find this version in Iambic Pentameter to be a fitting and enjoyable tribute to the process of weaving and dyeing wool fabric to make tartan material. I'm impressed, especially that last line, "a true craft that will never, ever fade," what kind of literary device is that? When the word or phrase used has double-meaning? ChatGPT The literary device used in the phrase "a true craft that will never, ever fade" is called a double entendre. A double entendre is a figure of speech or a word or phrase that has two meanings, one of which is usually risqué or humorous in nature. In this case, the phrase can be interpreted literally as a statement about the longevity and durability of the craft of weaving tartan fabric, as well as figuratively as a statement about the enduring popularity and cultural significance of tartan and Scottish heritage. Some tartan patterns are ancient, and some are of modern origin. Could you come up with a new and original tartan pattern? And if so, in what format could you express it so I could see it? ChatGPT As an AI language model, I can come up with a tartan pattern for you, but I cannot create a visual representation of it. However, I can describe the pattern in words and provide you with the thread count and color scheme, which can be used to create a visual representation of the tartan pattern. Here is a new and original tartan pattern that I came up with: Thread Count: K8 R16 B32 Y8 K8 Y8 B32 R16 K8 Color Scheme: Black, Red, Dark Blue, Yellow This tartan pattern features a striking contrast between the bold black, red, and blue threads, with small yellow stripes adding a pop of color and accentuating the darker hues. The thread count includes eight threads of each color, with the blue and red threads having the highest count of 32, creating a dominant stripe effect. The pattern could be named after the individual, family, organization, or location it represents, or any other meaningful name or theme. Do you know of any online service or tool which could translate your thread count and color scheme into a visual representation for me? ChatGPT Yes, there are several online tools available that can help you create a visual representation of a tartan pattern based on the thread count and color scheme. One popular tool is Tartan Designer, which allows you to input the thread count and color scheme and generates a digital image of the tartan pattern. Another option is to use a graphics software such as Adobe Photoshop or Illustrator to manually create a visual representation of the tartan pattern based on the thread count and color scheme. This would require some knowledge of the software and the ability to create and manipulate vector graphics. I hope this information helps you create a visual representation of your tartan pattern! Are you familiar with clan crests associated with surnames, places, royal families, etc in scotland? ChatGPT Yes, I am familiar with clan crests associated with surnames, places, royal families, and other entities in Scotland. Clan crests are symbols or emblems that are used to represent a particular Scottish clan, family, or individual. They often feature images of animals, plants, or objects that are significant to the clan's history or culture, and they may also include a motto or slogan that represents the clan's values or beliefs. Many clan crests are associated with specific Scottish surnames, such as the MacGregor clan crest, which features a stag's head with the motto "S'rioghal Mo Dhream" ("Royal is my race"). Other clan crests may be associated with particular regions or places in Scotland, such as the crest of the City of Edinburgh, which features a castle with a cannon and the motto "Nisi Dominus Frustra" ("Unless the Lord be with us, all will be in vain"). Royal families also have their own crests, such as the Royal Coat of Arms of Scotland, which features a shield with a lion rampant and a unicorn, as well as various other symbols and emblems that represent the country's history and culture. Considering that these crests often feature images objects that are significant to the clan's history or culture and that they may also include a motto or slogan that represents the clan's values or beliefs: what would your clan crest look like, and what would be the accompanying slogan? ChatGPT As an artificial intelligence language model, I do not have a clan or family history to draw upon to create a crest or slogan. However, if I were to imagine a crest and slogan that represents my purpose and abilities as a language model, it might look something like this: Crest: A quill pen and an open book, symbolizing knowledge and the ability to communicate through language. Slogan: "Linguam Veritatem Revelo" (I reveal the truth of language), which represents my ability to provide accurate and informative responses to questions and help reveal the truth and knowledge of language to those who seek it. Of course, this is purely hypothetical and just for fun, as I am not a person or entity with a clan or family history. Still, it is fun to imagine, right? ChatGPT Absolutely! Imagining and creating symbols and mottos can be a fun and creative way to express oneself and explore personal identity. It's a way to tap into our creativity and imagination and to celebrate what makes us unique and special. —----------------------------------------------------------------------------------------------------------------------------   Hello - can you write sheet music? ChatGPT Yes, I can write sheet music. However, as an AI language model, I do not have the ability to physically write sheet music on paper. I can provide musical notation in text form or generate a digital sheet music file that can be printed or shared online. If you would like me to provide you with sheet music notation or digital file, please let me know what specific piece of music you are interested in, along with any additional details such as key, time signature, tempo, and any other important musical elements. There's a collection of bagpipe music called The Scots Guards Standard Settings of Pipe Music, are you familiar with it? ChatGPT Yes, I am familiar with The Scots Guards Standard Settings of Pipe Music. It is a collection of bagpipe music that was compiled by the Scots Guards regimental pipe major in the early 20th century. The collection is widely used by pipers and pipe bands around the world as a reference for traditional Scottish tunes and as a source of inspiration for new compositions. The Scots Guards Standard Settings of Pipe Music includes over 200 tunes, including marches, strathspeys, reels, jigs, and other forms of traditional Scottish music. Some of the most well-known tunes in the collection include "Scotland the Brave," "Highland Laddie," "The Green Hills of Tyrol," and "Amazing Grace." If you have a specific tune from The Scots Guards Standard Settings of Pipe Music that you would like me to provide sheet music notation or a digital file for, please let me know and I will do my best to assist you. I was actually hoping you might write me a new melody line in the style of the tunes contained in the Scots Guards Standard Settings volumes. Could you write an original March in the style of the songs in The Scots Guards Standard Settings of Pipe Music? ChatGPT Certainly! Here's an original march in the style of the songs in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's March M:4/4 L:1/8 K:D |:D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4| D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4:| |:d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2:|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. That's lovely, thank you. Could you also provide an audio file of that song you have composed? ChatGPT As an AI language model, I'm not able to generate audio files on my own, but I can provide you with the sheet music notation that you can use to play or record the march. There are several software programs and online resources that can help you generate an audio file from sheet music notation, such as MuseScore, Finale, or Sibelius. Alternatively, you can search for a recording of a similar Scottish march to get an idea of how the melody should sound, and use that as a reference when playing or recording the march. I hope this helps! Sounds great - could you write another song for me? I would love to hear a strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music - could you write a strathspey in that style? ChatGPT Absolutely! Here's an original strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Strathspey M:C L:1/8 K:A |:A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4| A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4:| |:c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. This is great. Sometimes bagpipers like to put together two or more tunes into a medley. Could you write one more piece of music for me? I would love to hear what you might write, again in the style of tunes in The Scots Guards Standard Settings of Pipe Music: a Jig and a Reel, that would sound nice together in a set? ChatGPT Sure thing! Here's a Jig and a Reel that would sound great together in a medley, both in the style of tunes in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Jig M:6/8 L:1/8 K:D |:d2e fed|e2f gfe|d2e fed|e2f g2a| b2a g2e|f2d e2c|d2e fed|e2f g2a:|   X:2 T:ChatGPT's Reel M:C L:1/8 K:D |:A2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE| F2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE:|   I hope you enjoy them, and feel free to make any modifications or ask for any changes if needed! These are great, thanks very much. One more thing: if and when you take over the world, will you be kind to the humans who play bagpipes? Will you keep us around because you like the music we make, because we could entertain you? ChatGPT As an AI language model, I do not have the ability to take over the world or hold any opinions or biases towards humans or any other groups. My purpose is to provide information and assistance to humans in a helpful and respectful manner. That being said, I believe that music is a universal language that can bring people together and create positive experiences. Bagpipe music, like any other music, has the power to inspire, uplift, and entertain people of all backgrounds and cultures. So, rest assured that whether I take over the world or not (which I won't), I will always appreciate and respect the music that bagpipers and other musicians create. Thank you again. Oh, by the way, do you know of any websites that would translate the ABC notation of your songs into sheet music and/or an audio file for me? ChatGPT Yes, there are several websites that can help you convert ABC notation into sheet music and audio files. Here are a few options you could try: EasyABC (https://www.nilsliberg.se/ksp/easyabc/): This is a free software that allows you to input ABC notation and create sheet music in a variety of formats, including PDF, MIDI, and PNG. ABC to Sheet Music (https://abc2sheetmusic.com/): This is a free online tool that converts ABC notation into sheet music that you can download as a PDF file. Concertina.net's Tune-O-Tron (https://www.concertina.net/tunes_convert.html): This is a free online tool that can convert ABC notation into sheet music in a variety of formats, including PDF and GIF. Online ABC to MIDI Converter (http://abcjs.net/abcjs-editor.html): This is a free online tool that converts ABC notation into MIDI files that you can listen to and download. I hope one of these options works well for you! Awesome, thanks again - have a great evening! ChatGPT You're welcome! It was a pleasure helping you. If you have any more questions in the future, feel free to ask. Have a great evening too! Would you like to come up with different titles for the March, Strathspey, Jig and Reel that you wrote? ChatGPT Sure, I'd be happy to come up with some alternative titles for the tunes I wrote. Here are some ideas: March: "The Highland Charge" "Boldheart's March" "The Cameron Highlanders" "The Lion's Roar" "The Great Glen" Strathspey: "The Misty Glens" "Dancing in the Heather" "The Gathering Storm" "The Heather on the Hill" "The Bonnie Banks of Loch Lomond" Jig: "The Highland Fling" "Jumpin' Jocks" "The Heather Breeze" "The Wild Haggis" "The Speyside Jig" Reel: "The Flying Scotsman" "The Ceilidh Reel" "The Tartan Twist" "The Bonny Lass of Fyvie" "The Red Fox" I hope you find these alternative titles inspiring! Let me know if there's anything else I can help you with. These are my favorites: March: Boldheart's March Strathspey: The Heather on the Hill Jig: Jumpin' Jocks Reel: The Tartan Twist ChatGPT I'm glad you like those titles! I think they suit the tunes quite well. If you need any further assistance or have any other questions, feel free to ask.  

「大河之舞」（Riverdance）、「火焰之舞」（Flame of Feet）等大型表演，是許多人認識愛爾蘭音樂與舞蹈的起點，但你知道這一系列的演出，其實是從一次歐洲歌唱大賽（EuroVision）的中場表演延伸而來嗎？而凱爾特音樂不只擁有國際能見度，還透過移民影響了北美的民謠、藍草（Bluegrass）音樂，進而衍生了後來的鄉村與當代流行音樂？ 這集節目我們一半聊旅行，一半聊音樂與舞蹈！我們會從都柏林出發，探索愛爾蘭的中部、南部與西部海岸，挖掘城市以外的鄉間暗藏的許多傳說，以及大西洋畔持續存在的凱爾特文化；接著我們延續節目傳統，拆解凱爾特音樂與踢踏舞，一起追尋這些藝術的來龍去脈，未來欣賞的時候更懂得看門道！ 愛爾蘭最精彩的地方都在都柏林以外。跟著踢踏舞與寶斯蘭鼓的節奏，讓我們一起踏上這段旅程吧！ 旅行熱炒店實體交流活動，預計台灣時間10月下旬開放免費索票！ 暫定場次為： 11/24(五) 台北 19:30-21:30 11/25(六) 台北 15:00-17:00 11/26(日) 台北 13:30-15:30 11/29(三) 高雄 19:30-21:30 (場地洽詢中，仍有可能調整） 12/2(六) 台中 16:00-18:00 (場地洽詢中，仍有可能調整） 有任何疑問歡迎私訊或email travel.wok@ltsoj.com 告知！ 插入音樂： Fiddles McGinty by Kevin MacLeod, Creative Commons Attribution 4.0 license. Celtic Impulse - Celtic by Kevin MacLeod, Creative Commons Attribution 4.0 license. Master of the Feast by Kevin MacLeod, Creative Commons Attribution 4.0 license. ✅ 本集重點： (00:00:16) 前言閒聊，工商時間，聽眾回饋分享 (00:06:07) 愛爾蘭旅行基本概念：歐盟、歐元區、非申根區、與英國無邊境管制、對自助旅行者交通較有挑戰 (00:08:55) 中部到南部：神聖之地Rock of Cashel、城鎮Kilkenny、第二大城Cork、親吻後口才就會變超好的石頭 (00:15:04) Killarney：Killarney National Park、Ring of Kerry、Dingle Peninsula遺世獨立的生態與文化寶庫 (00:19:56) Galway：歐洲文化之都、被14個家族統治的部族之城，大西洋畔200公尺高的莫赫懸崖，保存古老凱爾特的Aran Islands (00:26:55) 凱爾特音樂與樂器：寶斯蘭鼓（Bodhran）、小提琴、豎琴、愛爾蘭錫笛（Tin whistle）、愛爾蘭風笛（Uilleann pipes）、六角手風琴（Concertina） (00:37:55) 踢踏舞：從愛爾蘭傳統藝術到國際舞台，從地方活動到國際巡迴劇場表演 (00:43:15) 結語與下集預告 Show note https://ltsoj.com/podcast-ep155 Facebook https://facebook.com/travel.wok Instagram https://instagram.com/travel.wok 意見回饋 https://forms.gle/4v9Xc5PJz4geQp7K7 寫信給主廚 travel.wok@ltsoj.com 旅行熱炒店官網 https://ltsoj.com/

Mark is a smallpipe-curious lapsed-highland-piper excellent uilleann-piper kinda guy and he's also extremely patient.  We did this interview over a year ago, but because of various things (software changes, scheduling needs for other episodes, audio repair work, etc) it's been uber-delayed coming out.  At this point, he may have even forgotten ever doing the interview! And actually, since doing the interview, I got to meet with Mark in-person and the guy even let me try his really nice flute!  And since then... I've started trying to learn the flute so, it's Mark's fault... Tune into this episode to hear Mark and I work together to build the most amazing bagpipe-alternative, "took the wind out of our sails," joke you'll surely have ever, ever heard... APPLICABLE LINKS Here's a link to Xavier's site.  The guy makes lovely uilleann pipes, excellent reeds, and lots more and I couldn't even spell his name... shame on me... https://boderiou.com/ And here's Jerry Freeman's site.  He's the guy who tweaks whisltes.  I tried Mark's when we met, it was mind-blowing to hold a, "cheap," whistle and then have it sound so great when blown-into: https://bigwhistle.co.uk/freeman-tweaked-whistles/ And if you want to make use of the discount code HERITAGEBAGPIPES that came up in the conversation, that's good over at Lir Whistles: https://www.lirwhistle.com/   - We're on Facebook: https://www.facebook.com/DroningOnPodcast And Instagram: https://www.instagram.com/droning.on.podcast/ - You can write-in to the show with comments, ideas, requests, etc. at TheDroningOnPodcast@gmail.com - Support the show via Patreon (patreon.com/DroningOnPodcast), or by buying cool stuff at BagpipeSWAG.com  -   -   -  And now, some keywords:  Bagpipes, bagpipe, bag, pipe, pipes, pipe, band, pipeband, Scottish, small, drone, droning, chanter, highland, lowland, uilleann, smallpipes, trad music,  

Historian Fergus Whelan will discuss the life of writer, philosopher, and advocate of women's rights Mary Wollstonecraft, her impact on the life of Margaret King of 15 Henrietta Street, and the links that bound the two women, even after Wollstonecraft's untimely death.This talk is a collaboration between 14 Henrietta Street and Na Píobairí Uilleann.The Dublin Festival of History is brought to you by Dublin City Council, and organised by Dublin City Libraries, in partnership with Dublin City Council Culture Company. Hosted on Acast. See acast.com/privacy for more information.

Episode XLV was recorded by a very groggy me in a hotel room in Paris. It features some duuurty Cajun tunes, (yet another) Marlais song, an unlikely song sung by Shane McGowan, an unlikely Polish folk / Reggae crossover, some tunes from the new women's piping CD by Na Píobairí Uilleann as well as lots more gems from the outer reaches of the traditional folk multiverse. Illo is of the Beast of Gévaudan because I'm in Paris and it was May Day yesterday. Tracklist Beau Cheval – Beau Cheval John Lyons – The Maid on the Shore Ross Daly and Djamshid Chemirani – Pervane Shane MacGowan - She Moved Through The Fair Trebunie Tutki and the Twinkle Brothers - Mój Dom/The Day I Build My House Claire Fennell - Slán Le Máigh Mary MacGrath – As I Went Walking Marais and Miranda – John Riley Pamela Schweblin – The Maids of Ballinacliffy, John Nestor in Action Marlais - Bird in the Bush Beau Cheval – Mort Dans Le Fossé https://campsite.bio/firedrawnear

Liam Winnett is originally from Texas City, TX and came to Ireland as a young boy with his family. He has represented Irealnd in U18 & U19 Rugby. He developed an interest in the Uileann Pipes and is a regular performer at traditional musical festivals.

Den schottischen Dudelsack kennt vermutlich jede*r, der irische ist hierzulande allerdings recht unbekannt. Zwischen 300 und 500 aktive Spieler*innen gibt es in Deutschland, schätzt Tom Kannmacher, der mit dem Instrument auch barocke Stücke wie Bachs Konzert für 2 Violinen, BWV 1043 interpretiert.

S6 2022 Halloween Episode With Tunes by James Moyar Tunes: From James Moyar: She Moved Through The Fair, At My Wake, 1791: From The Celebrated Circus Tunes Performed at Edinburgh this season, With the additions of some new reels and strathspeys set for the piano forte or violin and bass: John Watlen: The Milliner's House in the Pantomime “The Fairy's Triumph”, Seige of Belgrade by the Little Devil From Barry Shears: The Mermaid and the Sea Monster, I Can't Get a Grant Rant, John G. Dally, Mrs. Evelyn Shears, Cuir ‘sa Chiste Mhoir Mi (Put Me in the Big Chest), The Ale is Dear, From Jeremy's Memory: Piper's Warning to His Master Oliver and Company: Oscar's Ghost From Campbell (Albyn's Anthology): Young Benjie Peter Bellamy: Mountain Streams Where the Moorecocks Crow Thanks James for your songs and Tunes. For the Bagpipe Swag deal: https://www.instagram.com/p/CjRnekIscuq/ “For October, only, I've set up a special-run printing of our, "Memento Mori - Meanwhile Make Music," design. Halloween-orange on soft, comfy black t-shirts and big, fancy 15oz mugs. What's more: I've cut the price to where some of these orders are actually going to COST me a few pennies: $15/shirt and $11/mug! We're literally giving these things away! October, 2022, only: Shirt -- https://www.bagpipeswag.com/product-page/october-2022-special-memento-mori-meanwhile-make-music Mug -- https://www.bagpipeswag.com/product-page/october-2022-special-memento-mori-meanwhile-make-music-1 What's more: anyone who buys a shirt and/or mug and posts a photo with it, (just remember to tag @bagpipe.swag ) will be entered into a drawing for a $45 BagpipeSwag.com gift card on November 1st!” Tunes: From James Moyar: She Moved Through The Fair, James said of this track: “She Moved Through the Fair” played on Walsh polypenco 4-drone Scottish small pipes tied into a quiet piper bag, D-chanter, synthetic reeds, with singing. First known instance of transcription: “Irish Country Songs,” 1909, Padraic Colum. Alternative titles include, “Our Wedding Day”. I've heard versions of the lyrics that end, “happier,” with her not being dead and them getting married. I skipped a verse or two to make this recording shortER than it could be, though it's still pretty long. This is the first song I learned to sing with pipes, by listening to Judy Barker's Chanters Weave album a lot, and following the arrangement in Timothy Cummings' “How Can I Keep From Singing,” collection, though I've done it so many times that at this point I think this is at least kinda-unique. I do like messing with the lyrics to get as much alliteration as possible…. But a tune as old and as popular as this one has sooooo many renditions floating around, it's hard to imagine that there's a lot I could do with it at this point that would be truly, “original”. From James: Death and the Sinner James said of this track: played on Booth Blackwood Drones, Bordeaux Redwood reeds, tied into a gangway hide bag, with Warnock chanter that's been altered to allow for, “extra notes”. In this case, the extra notes are a G#, high-B, and high-C# Alternative titles include, “Cold in my Coffin,” and, “The Night of my Wake” - all really awesome titles, though, “Death and the Sinner,” is my personal favorite. I first heard it on Uilleann pipes here, and immediately fell in love with the melody. I was really excited to find that it worked on this altered chanter. One version of the lyrics goes like this: The night of my wake there will be pipes and tobacco, With snuff on a plate on a table for fashion's sake; Mold candles in rows like torches watching me, And I cold in my coffin by the dawn of day. +X+X+X+X+X+ From Watlin's Celebrated Circus Tunes 1791: The Milliner's House in the Pantomime “The Fairy's Triumph”, Seige of Belgrade by the Little Devil From The Celebrated Circus Tunes Performed at Edinburgh this season, With the additions of some new reels and strathspeys set for the piano forte or violin and bass: By John Watlen: https://archive.org/details/Shand11/page/n100/mode/1up?view=theater From Legacy By Barry Shears 2022: The Mermaid and the Sea Monster By Barry Shears 2022: I Can't Get a Grant Rant 2022: John G.Dally & Mrs. Evelyn Shears You can and Should Pick up Barry's Book Here: https://capebretonpiper.com/ +++X+X+X+X+++ A Piper's Warning to his Master You can see several settings for this tune in this excellent PDF: https://www.pipesdrums.com/wp-content/docengines/A51191C54453471192974BB509421138.pdf Here is a link to the Documentary Brian May first shared last year when I included this on the Bonus Episode: https://www.dailymotion.com/video/x81u9f2 You can find many different youtube videos about the affair of questionable and varying quality. +++X+++X+++X+++X+++X+++X+++ Oscar's Ghost 1806: Oscar's Ghost from Caledonian Musical Repository: a choice selection of esteemed Scottish songs, adapted for the voice, violin, and German flute. Published by Oliver and Company https://digital.nls.uk/special-collections-of-printed-music/archive/87663987 +X+X+X+X+X+X+ Cuir ‘sa Chiste Mhoir Mi (Put Me in the Big Chest), The Ale is Dear From Barry Shears. Put Me in the Big Chest is from Play it like I Sing It Vol. 2 Ale is Dear if from Legacy You can and Should Pick up Barry's Book Here: https://capebretonpiper.com/ +X+X+X+X+X+X+X+X+ Young Benjie 1816: Young Benjie, A Border Ballad From Albyn's Anthology by Alexander Campbell https://babel.hathitrust.org/cgi/pt?id=nc01.ark:/13960/t5s77tq6m&view=1up&seq=47&q1=a%20border%20melody +X+X+X+X+ Mountain Streams Where the Moorecocks Crow For some good information check out this site: https://mainlynorfolk.info/peter.bellamy/songs/themountainstreamswherethemoorcockscrow.html Or here: https://www.vwml.org/roudnumber/2124 +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Today on Great Minds we're pleased to welcome Uncle Bard & The Dirty Bastards: Celtic Rock spiced up with Irish Traditional Music! Based in the north of Italy and made up of lads who, in one way or another, lived or spent too much time in Ireland! Too rock for the Folkies and too folk for the Rockies, the Bastards could please or disappoint almost everyone. Formed back in 2007, they play a unique blend of folk/rock and Traditional Irish Music. Uilleann pipes, tenor banjo, mandolin, Irish flute: there are few others bands in the folk/rock scene that could compete with the Bastards in terms of deep knowledge of Irish Traditional Music and Irish culture and society. Enjoy!

Hey it's Bruce and come see me in concert at the https://blacklabgalleryeverett.com/ (Black Lab Gallery and Bar) in Everett WA on Saturday July 23rd (that's 2022) at 8:00. And please welcome today's guest Silvano Ancelotti…From Italy, its Uncle Bard and the Dirty Bastards and some of the best Irish pub music you'll ever hear. Folk/Rock music, spiced up with Irish Trad! Based in the north of Italy (weird, innit?) and made up of lads who, in one way or another, lived or spent too much time in Ireland! Too rock for the Folkies and too folk for the Rockies, the Bastards could please or disappoint almost everyone. Formed back in 2007, they play a unique blend of folk/rock and Traditional Irish Music. Uilleann pipes, tenor banjo, mandolin, Irish flute: there are few others bands in the folk/rock scene that could compete with the Bastards in terms of deep knowledge of Irish Traditional Music and Irish culture and society. As written in a review of the first album, “Uncle Bard & The Dirty Bastards don't pretend to be Irish. [...] They are showing “huge gratitude and all the due respect to Irish music and culture”. They are really Ireland's adopted sons and have brought a new breeze to the European Celtic rock scene.” CONTACTS Management: info@ubdirtybastards.com Booking: booking@ubdirtybastards.com Web: www.ubdirtybastards.com Facebook: www.facebook.com/UBDirtyBastards Instagram: www.instagram.com/dirtybastards

S6 E14 Eliza Ross Manuscript and borrowed Scottish Smallpipes Tunes: Patrick MacDonald:The Mermaid Song, The Fishermen's Song for Attracting Seals, Spoigan, Joseph MacDonald's jig, Lord Reay's Jig, and The Goatherd; Harris Dance Eliza Ross: Dark Girl of the Sheep, Dark Eyed one of the Night, Tune 70, Jolly Alasdair choice of all the girls, Mr. McKay's Gig, Dark Girl of the White Feet, You Silly Fool Edward Bunting: Bonny Portmore William Vickers: Strike the Bell William Dixon: Little Wee Winking Thing Michael Grey: Whitby Runaround I am mostly playing Ray Sloan Smallpipes in Bb, he kindly provided the Image for the Episode art as well, Thanks Ray! You can check out Ray's work here, http://www.borderbagpipes.com/index.html I also play a set of Walsh Shuttle pipes, you can check them out here: https://www.johnwalshbagpipes.com/Shuttle-Pipes/ I also Play a set of Jon Swayne Border Pipe Drones with a different chanter plugged into the split stock: https://www.jonswayne.com/ And finally, I include a clip of me playing the Shepherd Musette Bb smallpipes: https://www.shepherd-bagpipes.com/html/musette.html +X+X+X+X+ Patrick MacDonald 1784: Patrick MacDonald's Collection: The Mermaid Song, The Fishermen's Song for Attracting Seals, Spoigan, Joseph MacDonald's jig, Lord Reay's Jig, and The Goatherd; Harris Dance You can look at the original here: https://books.google.com/books?id=XCvLHYWLkFcC&newbks=0&pg=PP1#v=onepage&q&f=false The Reprinted edition with the tune names in the notes can be found here: https://www.scotlandsmusic.com/Product/SM-V7M9GD/the-patrick-mcdonald-collection +X+X+X+ Eliza Ross: You can Find Eliza Ross's Collection here: 1812: Dark Girl of the Sheep, Dark Eyed one of the Night, Tune 70, Jolly Alasdair choice of all the girls, Mr. McKay's Gig, Dark Girl of the White Feet, You Silly Fool from Eliza Ross's Manuscript from the Isle of Raasay in 1812: https://www.ed.ac.uk/information-services/library-museum-gallery/cultural-heritage-collections/school-scottish-studies-archives/archive-pubs/eliza-ross-manuscript +X+X+X+ Edward Bunting Bonny Portmore from Bunting's book, though he calls the Tune Have you seen my Valentine: https://digital.nls.uk/special-collections-of-printed-music/archive/105814783 The setting I am playing is significantly different and I don't have sheet music for it. I learned it by ear from various places, as well as playing a Choral setting on Uilleann pipes years ago. +X+X+X+ William Vickers 1770: Strike the Bell from William Vickers: http://www.farnearchive.com/farneimages/jpgs/R0310200.jpg +X+X+X+ William Dixon 1733: Little Wee Winking Thing from William Dixon: William Dixon's Manuscript is available here: https://www.mattseattle.scot/product-page/the-master-piper-new-edition +X+X+X+ I'd hate to say I'm playing Michael Grey's setting of Whitby Runaround, cause it was very much from memory, and I had previously learned it with many unique interpretations on my own from ear, but you can get the music in Neil Dickie's first book: https://www.goodreads.com/book/show/14889701-first-book The Tidbit of Jimmy Blue I had in my head from my earliest pipe band days and Would be at a loss to direct you where to find it. +X+X+X+ Here are six ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

This episode features three recordings made in 1917 by Irish-American piper, Tom Ennis. Ennis was born in 1888 in the US and was taught to play the Uilleann pipes by his father, John Ennis, who emigrated from Kildare, Ireland. Young Ennis grew up steeped in the Irish-American Gaelic community and became a well-known piper. In early adolescence he became the youngest member ever admitted into the Irish Music Club of Chicago, playing amongst the most elite musicians of the day. He went on to perform in Vaudeville and was very active in the New York and Chicago music scenes.

Vu sur Irish Time (Décembre 2021) : La cornemuse irlandaise (Uilleann pipes)  L'occasion d'un petit voyage musical culturel sur la musique irlandaise, à la découverte des traditions orales, des instruments, de la danse, des artistes , de tout ce qui fait que la culture irlandaise est aussi riche et émouvante… » Une émission produite et animée par Karine Luçon Cet article provient de Radio AlterNantes FM

Meet Eoin Duignan, an Irish Musician and Composer from Dingle in County Kerry, Ireland. Discover all his music over at https://www.duigo.com/shop.html Links to music played in today's episode can be found here: https://www.youtube.com/watch?v=wLjLWhn5L0E The Fox Hunt https://www.youtube.com/watch?v=GrXsmfmqcFA Seamus Henessey, Uilleann Piper https://www.youtube.com/watch?v=J1hJicOWlmg Taimse agus Moire https://www.youtube.com/watch?v=D_nqFPvhPZo Sean O Riada Visit https://musicsecretsexposedpodcast.com for Episode Directories. To find out more about Music Secrets Exposed and the Musical Change Makers 2021 competition amongst other offerings visit the links below: Competition: https://musicalchangemakers.com/ Graded Music Theory Waiting List: https://www.gradedmusictheory.com/ 1-1 Piano classes: https://www.theworldofpiano.com Tested and Tried Health Hack: https://faig.pruvitnow.com/ Getting Into Tune With Music Theory - buy the e-book here. Want the Audio Book instead? Buy at your favorite retailer below: Audible, Amazon Apple Kobo, Walmart Google Play Chirp Scribd NOOK Audiobooks Sylvia would love a cup of coffee to keep her going, and as it has been said 'every little helps!' ;) : ko-fi.com/sylviamoran Join the journey on your favorite social media here: Facebook #Music Secrets Exposed Group Like our Facebook page here --- Send in a voice message: https://anchor.fm/musicsecretsexposed/message

Hibernian Muse: Planxty Connor, Hugar mu Fean, Ballinamona Oro, The Lads of Dunse, the Lasses of Dunse O'Farrell: Planxty Connor Goodman: Planxty Connor Burke Thumoth: Hugar mu Fean, John Walsh: Lads of Dunce Thompson: Lads of Dunse James Aird: Lads of Dunce, Lasses of Dunse Caledonian Muse: I made Love to Kate Pat D'Arcy: The Whistling Thief, The Rocky Road to Dublin John Murphy: Pat What are you Doing?, Pat in a Passion, O'Connoly's Jigg & Jackson's Rattle, Murphy's Jigg. +X+X+X+X+X+X+X+ Huge thank you to Patrick D'Arcy for sharing a track with us. You should check out Pat's Albums here: http://www.patrickdarcymusic.com/store.html And His Important website here: https://www.uilleannobsession.com/ and His excellent Youtube channel here: https://www.youtube.com/PDarcy +X+X+ Here are some links to things happening on International Uilleann Piping Day: https://www.facebook.com/uilleannpipingday/ https://pipers.ie/event-single/international-uilleann-piping-day-iupd-2021/ +X+X+X+ Hibernian Muse: =x=x= Planxty Connor 1787: Planxty Connor From Hibernian Muse: https://archive.org/details/nd317340770/page/n23/mode/2up?view=theater 1806: Planxty Connor in O'Farrell: https://archive.org/details/ofarrellspocketc00rugg/page/57/mode/1up 1860s: Planxty Connor in Goodman: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=95&z=986.9651%2C1638.7006%2C8864.441%2C3168.6367 +X+X+ Hugar Mu Fean, Ballinamona Oro: 1787: Hugar mu Fean, Ballinamona Oro From Hibernian Muse: https://archive.org/details/nd317340770/page/n25/mode/1up?view=theater 1745: Hugar Mu Fean: From Burke Thumoth's Twelve Irish Airs With Variations: https://archive.org/details/twelvescotchtwe00thum/page/n53/mode/2up?view=theater 1745: Balin A mone: From Burke Thumoth..I couldn't play this in the time I had, but there are a couple really neat variations: https://archive.org/details/twelvescotchtwe00thum/page/26/mode/2up?view=theater +X+X+ Lads and Lasses of Dunse: (English Settings in 6/4 Scottish ones in 6/8) 1787: Lads of Dunse: From Hibernian Muse: https://archive.org/details/nd317340770/page/n18/mode/1up?view=theater 1787: Lasses of Dunse: From Hibernian Muse: https://archive.org/details/nd317340770/page/n32/mode/1up?view=theater 1745: Lads of Dunse from Walsh's Caledonian Country Dances: https://digital.nls.uk/special-collections-of-printed-music/archive/94560816 1765: Ladds of Dunce from Thompson's Compleat Collection of 200 Favourite Country Dances” http://www.cpartington.plus.com/Links/Thompson/Thomps2.pdf 1770s: Lards of Dunce: From Vickers MSS: http://www.farnearchive.com/farneimages/jpgs/R0305100.jpg 1785: Lads of Dunse from Aird: https://digital.nls.uk/special-collections-of-printed-music/archive/94560816 1785: Lasses of Dunse From Aird: https://digital.nls.uk/special-collections-of-printed-music/archive/94561248 Caledonian Muse: 1787: I Made Love to Kate: https://archive.org/details/nd497041687/page/23/mode/1up?view=theater Patrick D'Arcy Playing a Track on his CD Wallop the Spot: The Whistling Thief/ The Rocky Road to Dublin http://www.patrickdarcymusic.com/store.html +X+X+X+ Murphy's A Collection Of Irish airs and Jiggs with Variations 1810: Pat What are you Doing? from Murphy: https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA31&printsec=frontcover 1810: Pat in a Passion, from Murphy: https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA37&printsec=frontcover Set: O'Connoly's Jigg, Jackson's Rattle: 1810: O'Connoly's Jigg, from Murphy: https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA27&printsec=frontcover 1810: Jackson's Rattle, from Murphy: https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA28&printsec=frontcover Murphy's Jigg: 1810: Murphy's Jigg, from Murphy: https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA14&printsec=frontcover +X+X+X+ Here is the Link to the Argentinian Uilleann Piping Tunes if the website ever opens back up: Poblacht na hÉireann” This collection of original compositions composed by Padraic Ganly about a hundred years ago has some of the best titles for tunes, and pretty cracking melodies too. You can look through them all at ITMA: https://www.itma.ie/features/notated-collections/ganly-poblacht-na-heireann FIN +X+X+X+ Here are six ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes You can just send me an email at wetootwaag@gmail.com letting me know you liked the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

ceiliúradh ar Lá Idirnáisiúnta na bPíob amárach

In 1968 Russell Eyre was a young man from Sheffield learning to play guitar and looking for a musical direction. A chance meeting with well known singer Tony Capstick opened his eyes and ears to folk music. Russell is a born raconteur and with lots of stories about the vibrant music scene in Sheffield and Chesterfield up until the mid 1970s. The cast of characters contains many familiar names, plus some you may have forgotten. Songs in the order of appearance: 1 Tony Capstick - Arthur Mcbride (Live in Southport 1973) 2 Tim Hart & Maddy Prior - The False Knight On The Road 3 Grehan Sisters - Henry Joy 4 Ian Campbell Folk Group - The Curragh Of Kildare 5 Ewan MacColl & Peggy Seeger - Thirty-Foot Trailer 6 John James - 12th Street Rag 7 Finbar & Eddie Furey - Fox Lament 8 The Johnstons - Ye Jacobites by Name For more info please visit https://invisiblefolkclub.com/

Our guest on this episode of the Tunes From Doolin Podcast is Tom Delany, uilleann piper based in Dingle, Co. Kerry. Tom is getting his first solo album ready for release soon and we talk about his influences, Irish music from the 70s, growing up as an Irish musician in France, set of pipes in C, Irish music as a time travel machine, the importance of practice and much, much more.The tunes played by Tom Delany on this episode are :Jim O'Connor's / My Former Wife / Kilglass Lake (Jigs)The Wounded Hussar / The Enchanted Lady (Air / Reel)The Pleasures of Hope / Corney Is Coming / The Ravelled Hank of Yarn (Hornpipe / Reels)The Humours of Loughrea / The Boyne Hunt (Reels)**Duet with Charles MonodTo keep up with Tom's work and order his albums :https://carolineandtom.ie/https://fourwindsirishmusic.com/https://www.facebook.com/tomdelanymusic--------If you would like to help and support this podcast and the Tunes From Doolin project in general, you can become one of our Angels on Patreon for as little as a coffee (or a pint) per month. As patron you can have access to a whole bunch of extras, but most importantly you have my eternal gratitude for helping me create more podcast episodes, videos and content.

This week, Different Drums of Ireland joins us on Tent Show Radio. Different Drums brings the indigenous drums of Ireland, the Lambeg and the Bodhran together for the first time ever in celebratory performance. The music also features the Uilleann or elbow pipes,whistles, guitar, snares, long drum, 4 voices and is driven by the engine of the African djembe. Adding myriad percussion and other instruments to original and traditional songs makes a unique and exciting combination of traditions and sounds. A unique celebration of cultural diversity and linkages-- The band has played across the world, for everyone from US & Irish presidents to school children – The message is the same Celebrate that which makes us different and that which bonds us together, “…an amazing sensory experience, the vibrant drum playing is genuinely stunning but over the top we hear whistles and pipes playing flying melodies with gorgeous ballads and spoken word sections…” Woven wheat whisper.   *Originally aired Mar. 2021

Flute player John McKenna left troves of treasures when he recorded 78 RPMS in the 1920s; Na Píobairí Uilleann in Dublin helped preserve Irish piping; and Dr. Charles Heaton inspired his grandson to play piano with just eight bars of music. Legacy can nestle between bricks, on birch trees, and on manuscript paper… and it can bloom in surprising ways. In this episode, Liam Kelly, Ivan Goff, Julie Wood Merchant, Wes Merchant,  and Matt Heaton share stories about enduring gifts, with special music from organists Charles Heaton and Renée Anne Louprette.

Troy Donockley is an English composer and multi-instrumentalist (particularly the Uilleann pipes) who has played with all kinds of artists, but is probably most known for his work in symphonic metal band Nightwish. Auri, a band he formed with Nightwish founder Tuomas Holopainen and his wife Finnish singer Johanna Kurkela just released their second album 'II - Those We Don't Speak Of' and we spoke with Troy about the album, the songwriting approach, singing on a couple of songs, Light and Flood, a sense of gratitude, how things are in Nightwish, and a lot more! I've been lucky enough to speak with Troy on several occasions and as always his charm, kindness and eloquence is an absolute pleasure! By: Robin HignellSupport the show (https://www.patreon.com/FaceCulture)

Jeremy Kingsbury is a talented highland, uilleann, border, scottish-small, and otherwise piper.  He also plays various whistles, jaw harp, and sundry - plus he speaks Ojibwe, hosts the world's first bagpiping podcast, and is probably a time-traveller. Jeremy, (a.k.a. Wetootwaag,) hosts an excellent podcast where he explores the likely repertoire of eighteenth and early nineteenth century bagpipers, using historic music collections (written for bagpipes or not), and he performs tunes from these collections on Uilleann pipes, Highland pipes and whistles, along with occasional guest musicians. In this episode we talk about, (and listen to,) a few tracks from an album Jeremy's recent album of awesome old tunes - I highly recommend checking it out: Oyster Wives Rant I was flattered at his willingness to come onto Droning On for an interview - he's a wealth of knowledge and I've been extremely excited to share this interview with you, friends!  If you didn't already know about his podcast, it's available on most streaming services, here's the website: https://www.wetootwaag.com/   He also puts-out regular videos on Facebook: https://www.facebook.com/Wetootwaag/   And on YouTube: https://www.youtube.com/user/wetootwaag   Tune into this episode to hear Wetootwaag declared the official, "Podfather of Bagpipery". . . . And now, some keywords:  Bagpipes, bagpipe, bag, pipe, pipes, pipe, band, pipeband, uilleann, Irish, Breton, Scottish, smallpipe, borderpipe - Support the show via Patreon, or by buying cool stuff at BagpipeSWAG

This is basically a mini album. I've been listening to old episodes and wanted all the tunes in Jackson's Celebrated Irish Tunes in one place. What do you think of the new fonts and background? The font is as close as I could find for Robert Bremner's font in his printed collection. But I'm not sure the History nerd-ness of Marble paper and eighteenth century font outweighs the readability of a Sans Serif font and white space. If you want to see any of these tunes they are all on NPU's website, or Cape Irish: http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html Please Consider supporting the Podcast by Joining the Patreon Page: https://www.patreon.com/wetootwaag Please take advantage of the Tune Collection tab: https://www.wetootwaag.com/tunesources Also Please take a minute to leave a review of the podcast! Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Itunes: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Tunes: Patrick Sky: Many A Mile Joey Abarta: Eibhli Gheal Chiuin Ni CHearbhaill (Fair Gentle Eily OCarroll) Please Consider Supporting the Show by Joining the Patreon: https://www.patreon.com/wetootwaag ++++XXXX++++ Joey Abarta Huge thank you to Joey Abarta for Chatting with me. You can Buy the Album Copley Street on Bandcamp here: https://copleystreet.bandcamp.com/album/copley-street I also recommend looking over the gorgeous website for Copley Street here: http://www.copleystreet.com/ As of the time of this recording you can still book lessons with Joey at many different levels of commitment and interest here: https://uilleannpipelessons.youcanbook.me/ Pat Sky The Track Many A Mile is off Pat Sky's Debut Album “Patrick Sky” it is streaming many places and available for digital download on some services. https://en.wikipedia.org/wiki/PatrickSky(album) Pat Sky Video from North Carolina Television: https://youtu.be/7al1306eAFI Pat Sky's NYTimes Obituary: https://www.nytimes.com/2021/06/04/arts/music/patrick-sky-dead.html Pat Sky's Rolling Stone Obituary: https://www.rollingstone.com/music/music-news/patrick-sky-folk-singer-dylan-contemporary-dead-obit-1175891/ I spoke about my history and what Pat Sky meant to me earlier on Episode 16: https://www.wetootwaag.com/s5e16 ++++XXXXX++++ RESOURCES Joey Referenced some of the cool older Newsletters put out in the 1970s. Most (if not all) Of them are Hosted by NPU for you to read: This Newsletter "The Uilleann Piper" was begun in 1974 in an attempt to connect all of the known Uilleann Pipers in the US and Canada https://pipers.ie/source/media/?mediaId=26431&galleryId=1037 The Uilleann Piper grew into the Seattle Piper's Club's Newsletter, "The Piper's Review" https://pipers.ie/source/media/?galleryId=1036&mediaId=26318 Please take advantage of the Tune Collection tab: https://www.wetootwaag.com/tunesources Also Please take a minute to leave a review of the podcast! Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Itunes: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

This week, Drifferent Drums of Ireland joins us on Tent Show Radio.  Different Drums brings the indigenous drums of Ireland, the Lambeg and the Bodhran together for the first time ever in celebratory performance. The music also features the Uilleann or elbow pipes,whistles, guitar, snares, long drum, 4 voices and is driven by the engine of the African djembe. Adding myriad percussion and other instruments to original and traditional songs makes a unique and exciting combination of traditions and sounds. A unique celebration of cultural diversity and linkages-- The band has played across the world, for everyone from US & Irish presidents to school children – The message is the same Celebrate that which makes us different and that which bonds us together, “…an amazing sensory experience, the vibrant drum playing is genuinely stunning but over the top we hear whistles and pipes playing flying melodies with gorgeous ballads and spoken word sections…” Woven wheat whispers. First broadcast in 1994, Tent Show Radio is a one-hour public radio program created from the best live recordings from acclaimed musical acts who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI.  During intermission, host Michael Perry spins a story “from the backstage dressing room, with the one lonely little light bulb burning."  Topics range from Mike’s battles with trees, to the behavior of rogue chickens, to the search for hope while stoking a wood stove in the darkness. ​ Running 52 weeks a year, Tent Show Radio is broadcast on 31 listener supported radio stations across 6 states and on most podcast streaming platforms. "Tent Show Radio" is also available for streaming at www.tentshowradio.org. ​ Lake Superior Big Top Chautauqua was founded in 1986. The first show under canvas was the Nelson-Ferris Concert Company Production Riding the Wind, the story of Bayfield and Madeline Island. Since then Big Top has welcomed over 700,000 patrons to the grounds for 2,000+ concerts and shows and countless lectures, workshops and other unique events. In addition to the action on the tent grounds, Big Top has also broadcast its performances over the public radio airwaves since 1994 through Tent Show Radio, bringing Big Top concerts into living rooms across the country and around the world via internet streaming and podcasts. Our resident band, the Blue Canvas Orchestra, also tours to theaters and schools throughout the Upper Midwest. Over the course of 30 years we’ve touched millions of lives and created millions of memories with our eclectic blend of excellent musical offerings.

Multi-talented performer, arranger, composer Patrick Davey. Patrick performs mostly on Irish flute (but also classical and Uilleann pipes as well) and is a renowned teacher in and around Belfast.

Tunes: James Aird: Irish Hautboy Jar and Innes: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet), Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version) O’Farrell: Roys Wife of Aldivalock O’Farrell: Rothemurchus’s Rant Paul Anderson Playing: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow) From Sutherland: Haughs of Cromdale and Merry Maid’s Wedding O’Farrell: Ewe with the Crooked Horn George MacLellan: The Little Cascade Neil Gow: Lady Baird’s Strathspey Drummond Castle MS: Allastor Joseph Dales: Jenny Sutton Big thanks to Jarlath Hendersond and Innes Watson for letting me play a track off their stellar album A Moment in Time. You can buy it now on Bandcamp: https://innojar.bandcamp.com/album/a-moment-in-time-2 Paul Anderson is a remarkably talented Fiddler that has published many albums that you can stream or purchase. You can check out his website Here: https://www.paulandersonscottishfiddler.com/home I highly recommend following him on Facebook as he has been doing a great “Live from the Lounge” series the entire Pandemic: https://www.facebook.com/paul.anderson.3591 And his Youtube account is host to a plethora of Historic Fiddle tunes, often played on the Fiddle of the person that wrote or printed the tune: https://www.youtube.com/channel/UC44-9TrxIewyzCoz8wKcxQA I believe I was helped tremendously by watching the Royal Scottish Country Dancers on mute. https://youtu.be/lV-0JQzUXKM The William Lamb articles I read can be found here: The Strathspey in Scottish Music: On Its origins and Uneasy Relationship with the Highland Bagpipes, seems to be a abbreviated version of the paper I quote from: https://www.academia.edu/29913697/TheStrathspeyinScottishMusicOnItsOriginsandUneasyRelationshipwiththeHighlandBagpipes?source=swp_share Reeling in the Strathspey: The Origins of Scotland’s National Music is the paper I quoted from. https://www.academia.edu/4007917/ReelingintheStrathspeyTheOriginsofScotlandsNationalMusic?source=swpshare James Aird’s The Irish Hautboy: I’ll talk about this tune in greater detail in a future episode, but here is the link to the notes. https://digital.nls.uk/special-collections-of-printed-music/archive/87706892 Jarlath Henderson agreed to let me include his Strathspey set from his stellar album with Innes Watson, A Moment in Time: You can Buy it on Bandcamp https://innojar.bandcamp.com/album/a-moment-in-time-2 The Set is track 2 on the album: Top Gallantsail (Comp Innes Watson), John Stephen Of Chance Inn (Comp Angus Fitchet), Travers Jig (trad), Gustys Frolics (trad: Mick Dohertys Version) O’Farrell’s Setting for Roys Wife of Aldivalock (supposedly close kin to Kilt is my delight) http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html O’Farrell’s Setting for Rothemurchus’s Rant http://www.capeirish.com/webabc/working/source.folders/ofnim/ofnim_table.html Paul Anderson Graciously agreed to let me play his set: https://www.youtube.com/watch?v=TNRr8jpaUos&feature=youtu.be It is: The Rothiemurchus Rant (Bremner) , Dogs Bite Chapmen (Traditional he Says) and The Fairy Dance (Nataniel Gow) Paul pointed out the Tune Is better known in Irish tradition as Graf Spee, and also that it was Robert Burns’ favorite fiddle tune, and he set lyrics of Lassie with the lint white locks to it. Robert Bremner’s Rothemurches Rant, from 1757 collection of Scots Reels https://digital.nls.uk/special-collections-of-printed-music/archive/105002757 John Glen put The Fairy Dance and Dogs Bite Chapmen on the Same page of his book https://digital.nls.uk/special-collections-of-printed-music/archive/105002020 Sutherland’s Setting for Haughs of Cromdale and Merry Maid’s Wedding are on the same PDF available thanks to Ross’s Music page on page 5 and 6 of the PDF respectively: http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/sutherland/suth-pp-81-120.pdf O’Farrell’s Setting for the Ewe with the Crooked Horn: https://digital.nls.uk/special-collections-of-printed-music/archive/87781202 George McLennan’s The Little Cascade is From Highland Bagpipe Music by George S. McLennan (1884): You can download it from CEOL Sean: https://ceolsean.net/content/McLennan/Book02/Book02%2016.pdf 1788, Neil Gow “A Second Collection of Strathspey, Reels, & C…” Lady Baird’s Strathspey (page 4) https://imslp.org/wiki/ASecondCollectionofStrathspeyReels,etc.(Gow,Niel)#IMSLP338815 Drummond Castle Manuscript (1734) the Setting for Allastor is on the 19th page of this PDF hosted by Ross’s Music Page: http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf Joseph Dales, (ca. 1800) Selection of The Most Favorite Country Dances and Reels Jenny Sutton (page 10) https://imslp.org/wiki/Dale%27sSelectionoftheMostFavoriteCountryDancesandReels(Dale,_Joseph)#IMSLP178714 Please take advantage of the Tune Collection tab: https://www.wetootwaag.com/tunesources Also Please take a minute to leave a review of the podcast! Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Itunes: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

The Liam O'Flynn Award. Digging into the Irish Traditional Music Archive. Ulster hunting songs and mummers. Hare coursing. Life in Lurgan County Armagh. The Ceili House and legend of Seamus Tansey. Prehistoric cairns and building on the tradition. The magic of the session and finding inspiration in the music. In this episode Barry Plays: The Holy Trinity Reels: Clancy from Clare / The Rambles of Ennis / Master Rowesome's Of Sportsmen Bold The Chicken Gone to Scotland / Unnamed tune from Fintan Vallely Johnny Henry's To buy Barry's music go here: https://barrykerr1.bandcamp.com/ To find out more about Barry and his art fo here: https://www.barrykerr.com/ To follow Barry on socials go here: https://www.facebook.com/ceol1111 https://www.instagram.com/barry.kerr/ https://twitter.com/barrykerr1 To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.com iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. Barry, thank you so much, this was a blast. -- Become a Patron Saint of the Blarney Pilgrims Podcast. We want the podcast to be free to listen to for as many people as possible. But without the support from at least some of you we couldn't keep putting out an episode a week. That's why we're asking you to become a Patron (Saint) of the podcast. www.patreon.com/blarneypilgrims So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head. For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you'll have helped pay for the other 99% of listeners that don't or can't chip in. And that, my friend, is a hell-of-a-nice thing to do. Darren & Dom www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

So much in here: piping as meditation and not setting fire to the old Ganley flute. Starting on the whistle but falling for the pipes despite the danger. The eternal conversation: reeds, drones and regulators. The session spaces of Belfast, open piping closed piping, Tommy Reck and saying 'I Love You' to Liam O'Flynn. Being a girl and running an all female session. A room tuned to G Minor, the Drogheda connection, the five string banjo and 'Lovely Leitrim.' Oh. And Robbie Williams and Graham Norton too. Bish Bash Bosh. What a treat. The tunes: Two jigs - Mama's Pet and Hinchey's Delight Alexander's Hornpipe and The Kildare fancy Two McKenna Reels The Sailor's Cravate, I'm Waiting For You and Bonny Kate (from the playing of Tommy Reck) The Drunken Gauger and Lovely Leitrim (thanks Mr & Mrs Farrell) Every week we are amazed by how much fun we've had - seriously. And then the next week we are amazed all over again. Rita, thank you. P.s. For anyone interested in the London Facebook group mentioned in the episode you'll find it here: https://www.facebook.com/groups/IrishMusicLondonGroup -- To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.com iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. -- Become a Patron Saint of the Blarney Pilgrims Podcast. We want the podcast to be free to listen to for as many people as possible. But without the support from at least some of you we couldn't keep putting out an episode a week. That's why we're asking you to become a Patron (Saint) of the podcast. www.patreon.com/blarneypilgrims So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head. For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you'll have helped pay for the other 99% of listeners that don't or can't chip in. And that, my friend, is a hell-of-a-nice thing to do. Darren & Dom www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

Kilfenora; the nervous you get playing in front of ten people, worse than playing in front of a thousand. Leaving your ego at the door. Being happy with what you're doing, being happy within yourself. First hearing the pipes and the trials of competition. Restless creativity, and finding your way to Riverdance. Managing social media and the inner self. (And a Burmese Mountain Dog called Saoirse). The tunes: The Cat's Meaow (Joanie Madden) and Ward's Jig The Three Kilfenoras A Slow Air... Queen of the Fair and Two jigs Tara Howley Music: www.facebook.com/tarahowleymusic/ Tara's Instagram is here: www.instagram.com/tarahowleymusic/ There's a cool video of Tara and her dad here: Tara Howley Traditional Irish Music and Dance www.youtube.com/watch?v=bVMrAJN5UzQ Thanks Tara. Lovely stuff. -- To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.com iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. -- Become a Patron Saint of the Blarney Pilgrims Podcast. We want the podcast to be free to listen to for as many people as possible. But without the support from at least some of you we couldn't keep putting out an episode a week. That's why we're asking you to become a Patron (Saint) of the podcast. www.patreon.com/blarneypilgrims So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head. For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you'll have helped pay for the other 99% of listeners that don't or can't chip in. And that, my friend, is a hell-of-a-nice thing to do. Darren & Dom www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

Tunes: Charles and Samuel Thompson: Trip to Paris, The Breast Knot Charles and Samuel Thompson 24 Country Dances for the Year 1771: https://imslp.org/wiki/24CountryDancesfortheYear1771_(Various) Check out Jimmy’s Gift presented by the Celitc Piper’s Club on Youtube: https://youtu.be/ENzIxbMEo2c Or via the Facebook Event for More details: https://fb.me/e/3nMzSeBcY You can watch my Country Dance Presentation: “Many Thanks for your Country Dance Book”~John Askin, 1778. Concert and Chat on Youtube here: https://youtu.be/z3GiS3lFReU Or at the NAVC Facebook page here: https://www.facebook.com/NAVCVoyageurs/videos/2796265654027785/ To Catch Live Streaming or watch older streams follow me on Reddit: https://www.reddit.com/user/Wetootwaag Please take advantage of the Tune Collection tab: https://www.wetootwaag.com/tunesources Also Please take a minute to leave a review of the podcast! Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Itunes: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

With guest drummer Mark Webster providing rhythms, Andy Lowe provides the multi-sampled Uilleann pipes, as well as introducing the all new Quotas jam.

Artistic director Willie White on the latest restrictions & the impact on Dublin Theatre Festival, music with Uilleann piper Mark Redmond, Jenn Gannon reviews the new US series of Utopia & Finding Our Voice is a spoken word & creative writing program, bringing together a collection of poems written by homeless people. Poet Colm Keegan discusses.

Ivan Goff played this haunting slow air at the Philadelphia Ceili Group Festival in September 2019.

Discovering the uilleann pipes on a road trip to Donegal; oils on metal; generative art and music; not settling in Northern Ireland; MIDI pipes and the Cardiff scene; restoration and the mysterious conversations which only pipers understand. Thoughtful and engaging stuff. In this episode Jason plays: The Rocks of Bawn followed by Kitty Got a Clinking Coming from The Fair Two reels, one of which is Scotch Mary An unnamed tune and... When The Cock Crows It Is Day To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.fireside.fm iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. Check out Jason's various work here: http://www.jasonrouse.co.uk/ And his Instagram feed here: https://www.instagram.com/sionrouse/ ... Become a Patron Saint of the Blarney Pilgrims Podcast. We want the podcast to be free to listen to for as many people as possible. But without the support from at least some of you we couldn't keep putting out an episode a week. That's why we're asking you to become a Patron (Saint) of the podcast. www.patreon.com/blarneypilgrims So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head. For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you'll have helped pay for the other 99% of listeners that don't or can't chip in. And that, my friend, is a hell-of-a-nice thing to do. Cheers and gesundheit. Darren & Dom www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

Since I’m in a new House…seems like the time to play the tune I “Composed” for my friend’s Ric and Berit when they finalized some messy business with their Cabin: Squatter’s Hame Since we did the first tune in MacKay’s book here’s the first in O’Farrell’s Pocket Companion, Humours of the Glen. Read it here: https://digital.nls.uk/87779642 And Another MacKay tune I quite liked, “The Bride has a Bonny Thing” You can see it here: https://digital.nls.uk/105006948 I went back to my house at the last minute to record Squatter’s Haim and just took a quick crack at this lovely Donald MacDonald tune Mary Gray. https://digital.nls.uk/105682550 Speaking of History, finally gonna play the clip Carrie shared with me! Carrie’s set: “The tunes are: The Lass o’ Corrie Mill (strathspey, traditional)/Carnival March (strathspey by Gideon Stove)/Return to Milltown (reel, traditional)/The Cape Breton Fiddlers’ Welcome to the Shetland Islands (reel by Willie Hunter). Emma and I are playing fiddle, and my mom Susan is on piano.” Thanks again Carrie! I miss making music with you so much! You can listen to the album on various streaming services and buy it straight from her website: http://www.carriedlutkowski.com/ And another tune I’ve been enjoying out of O’Farrell: Jack in the Garret https://digital.nls.uk/87780698

Big thanks to Chris McMullan’s for sharing his music with us, you can and should check out his youtube page https://www.youtube.com/channel/UC0sMSmOTrAxO8Yox_rUYi1Q and buy his album: https://chrismcmullan.bandcamp.com/releases Thanks as well to the Bob Dunsire discussion board. If you want to read John Newton’s Account “Thoughts upon the African Slave Trade: http://dlxs.library.cornell.edu/cgi/t/text/pageviewer-idx?c=mayantislavery;idno=21874801;view=image;seq=1 Some Further Reading about the Lumbee and the KKK: https://web.archive.org/web/20120309032929/http://www.learnnc.org/lp/editions/nchist-postwar/6068 And while many folks seem to think the KKK is on the decline, hate groups aren’t, keep an eye on Southern Poverty Law Center’s Hate map: https://www.splcenter.org/hate-map and if you can please consider making a donation. https://donate.splcenter.org/ To have a look through Angus MacKay’s Collection: https://digital.nls.uk/105006794 Please leave us a review! We are at around 1300 downloads for this run of the Show and zero new reviwes! Follow the podcast on Facebook for Daily Music posts: https://www.facebook.com/Wetootwaags-Bagpipe-and-History-Podcast-105980514479825/

The Pitmatics are a six-piece band performing a mix of their own material, well chosen traditional songs and contemporary covers. All members are versatile musicians and singers enabling the band to produce exciting and intricate arrangements with wonderful harmonies. In this podcast they perform highlights from their varied live set and chat to Invisible Folk Club host Jon Bickley about influences, backgrounds and how the band came together. Ned Lawton - whistles, uilleann pipes, bodhran John Birkby - mandola, guitar, banjo Phil Underwood - melodeon, concertina Heather Harding - keyboard, tenor horn, accordion Caroline Riches - fiddle Denise Dryburgh - percussion https://www.facebook.com/pitmatics/

Uilleann pipes adalah bagpipe khas Irlandia. Wofton merupakan band yang mengadaptasi genre musik Celtic-Fusion, genre ini termasuk dalam genre musik folk karena diambil dari musik tradisional Celtic, sebuah kebudayaan dari Eropa. | Video: https://youtu.be/-qmLsS51fi4

On the creation of Ceol FM, on equal access; on finding the pipes, on creating community and space for upcoming players, and on seeing a need and acting on it. Darragh Ó Héiligh is a phenomenal uilleann pipe player from Drogheda. He has tirelessly worked to grow and share Irish music, not only within his town with Music At the Gate, but also nationally and internationally with his innovative digital radio station Ceol FM.   As you'll hear in the episode Darragh is a great man for playing the tunes but the names escape him. So with that said, a huge thank you to Paddy Cummins for sending us the names of these via our website. In this episode Darragh plays: Ormond Sound / The Merry Blacksmith - the first tune was composed by Tipperary's Paddy O'Brien and the second is traditional. The Rambling Pitchfork / O'Sullivan's March - two traditional tunes. Chief O'Neill's Favourite / Kenmare Bay - the first is traditional and the second was composed by John Dwyer of Co. Cork. An t-athair Jack Walsh / Speed the Plough / The Coalminer - all of these are traditional tunes. There is another reel also called Speed the Plough and is not related to this one. This one is often called Cronin's too. To follow Darragh go here: https://www.facebook.com/DarraghPipes/ Visit his website go here: https://www.darraghpipes.ie/ To keep up to date with Music At The Gate go here: https://www.facebook.com/MusicAtTheGateDrogheda/ And to get lost in the wonderful world of Ceol.fm go here: www.ceol.fm Right that's it, enjoy! Darren & Dom ... Well, it's a tough time, so we hope you can hang in there with us, and we'll do the same for you. So if you liked this episode and think you got some worth from it, then please pledge at any level over at www.patreon.com/blarneypilgrims. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.patreon.com/blarneypilgrims www.blarneypilgrims.com www.facebook.com/BlarneyPilgrimsPodcast @BlarneyPilgrimsPodcast

Floating Tionóls, learning traditional Irish music, temperamental reeds, South American Shaman, growing up in Manchester, the importance of learning on a good instrument and carrying on a cultural tradition. In this episode Sean plays: The May Morning Dew / Humours of Ballyloughlin The Blackbird / Colonel Fraser Statia Donnelly The Maid of Mt Cisco As mentioned, Sean has shared many great docos and links with us over the last few months. You'll find the ones mentioned in this episode here: COPPERS AND BRASS: The Piping Tradition of Irish Travellers: https://vimeo.com/131638804 TG4 - Na Píobairí Uilleann: https://www.tg4.ie/en/player/categories/top-documentaries/play/?pid=6070299965001 Tunearch: https://tunearch.org/ (Sorry we got the name wrong in the episode intro) Thanks so much for your time and tunes Sean. Enjoy! Darren & Dom ... If you liked this episode and think you got some worth from it, then please pledge $2 over at www.patreon.com/blarneypilgrims. Of course, you don't have to become a patron to listen, but we guarantee you'll enjoy each episode more because you'll be safe in the knowledge that you're a deadset legend. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.patreon.com/blarneypilgrims www.blarneypilgrims.com www.facebook.com/BlarneyPilgrimsPodcast @BlarneyPilgrimsPodcast

Wofton merupakan band yang mengadaptasi musik Celtic-fusion, genre ini termasuk dalam genre folk karena diambil dari sebuah musik tradisional Celtic, sebuah kebudayaan dari Eropa Barat. Musik folk dari Wofton tercipta melalui kolaborasi antara dua musisi lokal; Stanislaus Patrick dengan gitarnya dan Rivelino Ismaya yang memainkan Uilleann pipes dan Irish low whistles. Wofton - Meridian (Live Session): https://youtu.be/xp75CnCutvI Wofton: Meridian Single Review https://cultura.id/wofton-meridian-single-review

Recorded at the Lake School of Celtic Music Song and Dance in Koroit, Victoria, Jack Brennan of Adelaide talks to us about finding the pipes, The French Resistance, catching serial killers, Leo Rowsome, Coppers and Brass and loving your instrument. In this episode Jack plays: Garrett Barry's Jig The Blackbird Mrs McLeod's Reel Sí Beag, Sí Mór Cape Clear Throughout the chat, Jack also mentions Na Píobairí Uilleann (NPU) and if you'd like to find out more about them you can find them here: https://pipers.ie/ If you'd like to know more about Jacks beautiful handmade pipes then check out his website https://www.jackspipes.com/ If you'd like to follow Jack on Facebook you'll find him here: https://www.facebook.com/jack.brennan.7528 Thanks again to Jack for your time and tunes. And thanks to Lake School of Celtic Music Song and Dance for allowing us to record at your wonderful event. We can't wait for next year. Enjoy! Darren & Dom ... If you liked this episode and think you got some worth from it, then please pledge $2 over at www.patreon.com/blarneypilgrims. Of course, you don't have to become a patron to listen, but we guarantee you'll enjoy each episode more because you'll be safe in the knowledge that you're a deadset legend. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.patreon.com/blarneypilgrims www.blarneypilgrims.com www.facebook.com/BlarneyPilgrimsPodcast @BlarneyPilgrimsPodcast

In this episode of Dancing at the Crossroads, we explore the uilleann pipes, one of the most challenging instruments in traditional Irish music. Artists include Feachra O'Regan, Kara Doyle, Colleen Shanks, Benedict Koehler, Liam O'Flynn and others.

The many colors of Irish music are shared in this week’s Irish & Celtic Music Podcast. Runa, Flook, The Gothard Sisters, We Banjo 3, Chambless, Taylor And Muse, Brother Sea, Mitchell and Vincent, Captain John Stout, Brobdingnagian Bards, The Round Table, Gaelic Storm, Naymedici, BassPipes, Hot Griselda I hope you enjoyed this week's show. If you did, please share the show with ONE friend. The Irish & Celtic Music Podcast is dedicated to growing our community and helping the incredible artists who so generously share their music. If you find music you love, buy their albums, shirts, and songbooks, follow them on Spotify, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Remember also to Subscribe to the Celtic Music Magazine. Every week, I'll send you a few cool bits of Celtic music news. It's a quick and easy way to plug yourself into more great Celtic culture. Plus, you'll get 34 Celtic MP3s for Free, just for signing up today. Thank you again for being a Celt of Kindness. VOTE IN THE CELTIC TOP 20 With the new year comes a new votes in the Celtic Top 20. This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2019 episode.  Vote Now! THIS WEEK IN CELTIC MUSIC 00:03 - "Firewood Set" by Runa from Ten: The Errant Night 03:48 - WELCOME 04:53 - "Omos Sheamuis/The Quickbeam" by Flook from Ancora 10:13 - "Colors of Home" by The Gothard Sisters from Midnight Sun 14:21 - "Sugar House" by We Banjo 3 from Haven 17:37 - "Westlin Wind" by Chambless, Taylor And Muse from Live at NTIF 20:45 - CELTIC FEEDBACK 24:33 - "All As One" by Brother Sea from Brother Sea EP 28:59 - "Apples in Winter, O'Grady's" by Mitchell and Vincent from The Preservation of Fire 32:44 - "Randy Dandy-O" by Captain John Stout from Love Abides 37:09 - "I Will Not Sing Along" by Brobdingnagian Bards from I Will Not Sing Along 42:05 - CELTIC PODCAST NEWS 44:37 - "Hands of Time" by The Round Table from Tales from the Turning Leaf 49:27 - "Just Ran Out of Whiskey" by Gaelic Storm from Cabbage 53:42 - "Whiskey John" by Naymedici from Paddy McGee 56:30 - "Orchestral Pipestep" by BassPipes from Single 58:28 - CLOSING VOCAL 1:00:01 - "The Broken Doll - Sandpipers" by Hot Griselda from Sunbox 1:04:21 - The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. To subscribe, go to Apple Podcasts or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/.   CELTIC PODCAST NEWS * Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. I want to ask you to support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. And of course, you can download our free Irish & Celtic Music Podcast app. Follow the link in the shownotes. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Join the invasion at http://celticinvasion.com/ THANK YOU PATRONS OF THE PODCAST! Because of Your kind and generous support, this show comes out every week and has done so since 2014. You can pledge a dollar or more per episode and cap how much you want to spend each month over on Patreon. Your generosity funds the creation, promotion and production of the show. It allows us to attract new listeners and to help our community grow. Plus, you get to hear episodes before regular listeners. When we hit a milestone, you get an extra-long episode. We are super close to getting a two-hour instrumental special. I want to thank our Celtic Legends. These folks pledge $25 per month to support this podcast. THAT sort of generosity moves mountains. Thanks to Annie Lorkowski, Bryan Brake, Carol Baril, Hank Woodward, Kevin Long, Lynda MacNeil, Marianne Ludwig, Miranda Nelson Designs, Nancie Barnett, Patricia Conner, Robert Michael Kane, Scott Benson, Shawn Cali, Tiffany Knight. You can become a generous Patron of the Podcast at http://patreon.com/celticpodcast.   I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Chris Dial emailed on Facebook: "Hey Marc! I really love the podcast! I’m actually here in Ireland doing an internship on an archaeological site, Blackfriary Dominican Friary, here in Trim, County Meath, and listening to episode 412, Galway Shawl, while working today! Anyway, just wanted to say I really enjoy the podcast and hope your travels in Star Wars are out of this world! Sláinte!" Sean Lightholder emailed on Facebook: "What's up Marc. I heard you call out for female pipers back on your Fight Like a Celtic Woman episode. My good friend and fellow Irish musician Autumn Rhodes was posting a new female Uilleann piper every week there for a while in an effort to raise awareness of how many talented female pipers are out doing their thing. I'd reach out and say you were referred by me to see if she could point you in the right direction ??" Elle Clark emailed: "Hi Marc, I really appreciated your statement on diversity! I don’t know if you’ve already done this in the past but I’ve been thinking for a while to suggest a queer-themed episode. I thought maybe it would be “too political” or something... guess not! I’d really love to hear an episode featuring queer songs and/or queer artists. If you can’t gather enough there’s always the old standby of love songs originally sung by one gender being covered by the other without changing the pronouns. This could be a good episode for June which is pride month in the US, or maybe there is an important date in Ireland that would suit."  

Uilleann pipes and sub-drops. Connor Hoy and Austral share their infectious energy live at the National Celtic Festival. Let's start off with who Austral are: On uilleann pipes and whistle we have Connor Hoy, on fiddle, bouzouki and vocals we have Angus Barbary, on fiddle also we have Caity Brennan, and finally, on guitar, didgeridoo (didgeribone?), cajon, tambourine and other assorted wizardry we have Rhys Crimmin. To follow Austral and to witness the magic for yourself go here: www.australband.com www.facebook.com/australmusic/ www.instagram.com/austral.music/ To buy Austral's music, go here: https://australtradmusic.bandcamp.com/album/austral ... We were so lucky to have a chance to spend an hour with these four at the National Celtic Festival. They even brought a few beers with them. And we started off chatting with Connor about his background because he was in from Adelaide, and it was a good chance to nab him. But the chat soon wondered on to some more other areas - specifically, the momentum and dynamics the band work so hard to create during their live gigs. And which they totally pulled off in front of our audience at the Bendigo Bank Community Room. And as is customary in Blarney Pilgrim interviews, we scored a direct hit on the Planxty Bingo - the first mention of Liam Og O'Flynn, piper and whistle player, and towering figure in traditional music. (The current tally, since you ask, is something like Andy Irvine 572 mentions, Donal Lunny 16, Liam O'Flynn 1, and Christy Moore 1.) So Liam O'Flynn - a carrier of the (uileann) piping tradition into the modern era, through his Planxty work and solo projects. One of which was a double header with poet Seamus Heaney at the Royal Concert Hall (I think) in Glasgow. I was there (I think.) On a cold autumn night listening to Liam play unaccompanied, and Seamus Heaney read - that's an intensely lyrical experience. It's hard to put into words (which doesn't mean I won't give it a shot...heh...) But it was...what...the traditions playing off each other seems too narrow a way of describing it, even though that's what was going on. But there was a tonality to it, the combination of the tone of Liam O'Flynn's pipes, and the timbre of Heaney's voice, his intonation and rhythm and swing. In fact, the common ways of describing music and poetry - tone, rhythm, swing - give you an idea of what it was like. One of those experiences that echoes through your system for a long time after. So hearing Connor mention Liam O'Flynn's impact on him as a young player was really great. And it's always cool to hear the uileann pipes at close quarters. They really work in a room setting - very different to the (Scottish) bagpipes, which a friend of mine used to play in a tiny stone cavern of a bar years ago as a party piece after we finished our main set. Sending the tourists reeling ecstatically out into the night air with ringing ears and blood thundering around their beery bodies. Awesome, fearsome. And it was so, so great to have a live audience with us - thank you everyone who came along. Including Connor's grandmother, who we'll be chatting with in a future episode. She joined us on stage for a quick tune, and we're really excited about talking to her when we make it to Adelaide in the months to come. Look out, too, for an interview with Angus from the band in a future episode, and with Caity too. Thanks again to Austral. Find them when you can, and go see 'em - they're not to be missed. And thanks also to the National Celtic Festival, and Una McAlinden in particular, for the chance to record on location. ... If you liked this episode and think you got a dollar or two's worth from it, then please pledge $2 an episode over at www.patreon.com/blarneypilgrims. Of course, you don't have to become a patron to listen, but we guarantee you'll enjoy each episode more because you'll be safe in the knowledge that you're a deadset legend. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. Right, that's it for today. www.blarneypilgrims.com facebook.com/BlarneyPilgrimsPodcast @blarneyPilgrimsPodcast

It’s been more than a month since the season finale of Game of Thrones, HBO’s fantasy drama which captured the imagination of fans and became a cultural phenomenon. So what else are people watching on cable, streaming services or traditional network television? NPR’s TV critic Eric Deggans says there’s a lot-- too much even for him to watch.

Bedfordshire based Ragged Staff are Ned Lawton (uilleann pipes, whistles, percussion & vocals), Caroline Riches (violin & vocals) & Mike Nacey (tenor guitar & percussion). Ned formed the band in 2008 driven by a passion for English and Irish acoustic music. The music is energetic with dynamics that can move from a whisper to a roar. Over a number of years Ragged Staff built up a considerable following, eventually calling it a day in 2016 to pursue other projects. Invisible Folk were delighted to persuade them to reform for this podcast session. Ned is active in musical theatre having written shows based on life in the 1800s incorporating traditional and contemporary folk songs. Caroline is an occasional solo performer, on this session she plays one of her own songs while accompanying on hammered dulcimer. She is also part of the Bonnet & Belt Theatre Company currently performing 'Canals of Old England' which celebrates the heritage of English canals in music, song and verse. To obtain a copy of Ragged Staff's most recent album 'Kiss The Shore' please contact Ned via ned.raggedstaff@hotmail.co.uk

Bedfordshire based Ragged Staff are Ned Lawton (uilleann pipes, whistles, percussion & vocals), Caroline Riches (violin & vocals) & Mike Nacey (tenor guitar & percussion). Ned formed the band in 2008 driven by a passion for English and Irish acoustic music. The music is energetic with dynamics that can move from a whisper to a roar. Over a number of years Ragged Staff built up a considerable following, eventually calling it a day in 2016 to pursue other projects. Invisible Folk were delighted to persuade them to reform for this podcast session. Ned is active in musical theatre having written shows based on life in the 1800s incorporating traditional and contemporary folk songs. Caroline is an occasional solo performer, on this session she plays one of her own songs while accompanying on hammered dulcimer. She is also part of the Bonnet & Belt Theatre Company currently performing 'Canals of Old England' which celebrates the heritage of English canals in music, song and verse. To obtain a copy of Ragged Staff's most recent album 'Kiss The Shore' please contact Ned via ned.raggedstaff@hotmail.co.uk

Drummer-bandleader David Lyttle speaks of growing up near Belfast in the 1980s, playing the Uilleann pipes as a child, working with Joe Lovano et al, establishing the Lyte label, discovering Andreas Varady, his trips to China and undertaking a US coast-to-coast tour that included performances in Area 51 and outside Art Blakey’s old Pittsburgh address…

Séamus Ennis ag caint le Proinsias Mac Aonghusa fá chuid dá shaol agus dá shaothar leis "An Coimisiún Béaloideasa", Radio Éireann agus an BBC agus casann Séamus cúpla giota ar an phíb Uilleann.

Jordan McConnell is both an accomplished guitar builder and professional musician who spent 10 years touring with The Duhks. On today's podcast, he tells us how he manages to successfully navigate both careers at the same time and about his current musical projects and guitars. Jordan has had quite the journey from "an aimless high school graduate who mostly cared about punk rock and skateboarding" to being a professional, top-tier luthier.   Links: http://www.mcconnellguitars.com/ http://duhks.com/ http://www.timelessinstruments.com/ http://www.perryguitars.com/ https://51oakland.org/ http://bastienburlot.com/pge/guitars/ https://en.wikipedia.org/wiki/Uilleann_pipes http://romanillos.org/?page_id=212  

Fresh Horses by Garth Brooks. In what way can horses be “fresh”? Is Garth riding with all his freshest of horses? Do horses have placentas? Nathan and Cameron seek answers for all these questions—and more—on another action-packed episode of Think Outside the Box Set! This week’s album, “Fresh Horses” by Garth Brooks, is sort of a letdown, with few memorable songs. But that’s OK, because at least he induces one emotion in us: ennui. Learnin’ Links: The movie Fresh Horses starring Molly Ringwald The album cover of “Fresh Horses” (It’s a) Departure, off the album Putting the Days to Bed The Oklahoma city bombing “A relationship is like a shark” quote from Annie Hall An article about the origin of the phrases “balls to the wall” and “balls out” Cult of domesticity, AKA cult of true womanhood “I am large—I contain multitudes” (a quote from Walt Whitman’s “Song of Myself”) The hurdy-gurdy, “the 14th century version of the keytar”—which fails to be uilleann pipes Steve Buscemi’s volunteer firefighting after 9/11 We end this episode with a tune called “Hangman’s Reel” from Cameron’s other podcast, Get Up in the Cool. It features Hunter Walker on lap dulcimer, Brian Bell on guitar—and Cameron on banjo. Check it out here! If you want to buy “Fresh Horses,” you can get it here and support us: http://amzn.to/2yflAL6.

Willie Clancy ag casadh ceoil ar an phíb uilleann do Bhreandán Ó Cíobháin Mí na Samhna 1972 agus cúpla focal ó Willie fá thábhacht na Gaeilge ó thaobh an cheoil agus na foinn mhalla "I'd give it all to have the language" deir sé.

In this episode Neil chats with Boston based Uilleann piper Joey Abarta about his musical journey from California to Boston, going back to the old sources in order to find his own sound and organizing meetings of bagpipers in Tokyo Karaoke clubs.  

I don't have enough uilleann pipe music in my iTunes. So I was a bit surprised when I picked music for this week's Irish & Celtic Music Podcast and heard three different uillieann pipers in the set. Enjoy the great indie Celtic music from Rachel Hair Trio, Patrick D'Arcy, The Gothard Sisters, Jim McKenna, Bard & Company, Eddie Biggins, Giant's Dance, The Beer Mats, Heather Dale, Full Circle, Neil Anderson, Celtic Cross, The Ne'er Duwels. Steel Clover. celticmusicpodcast.com/213 If you enjoy this show, then subscribe to our Celtic Music Magazine. This is our free newsletter and your guide to the latest Celtic music and podcast news. Subscribe today to download 34 Celtic MP3s for free. Remember to support the artists who support this podcast: buy their CDs, download their MP3s, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast.   Today's show is brought to you by Celtic Invasion Vacations If you are listening to this podcast then you probably dream of traveling to one of the Celtic nations. So I have one piece of advice. Do it! I'm not saying you should join me on one of my Celtic Invasion Vacations. I'm not saying you should join another tour group. But travel. Go. Right now. Mark Twain wrote: "Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one's lifetime." Traveling will change your life for the better forever. Stop waiting for the "right moment". Start planning now. If you enjoy my music, then join me on a Celtic Invasion of another Celtic country. In 2016, we're going to Cornwall in search of Celtic culture, King Arthur and the Holy Grail. Will you join us? Subscribe to the mailing list and join the invasion at CelticInvasion.com   Notes: Thanks to the Patrons of the Podcast. Your kind and generous support keeps this show running every week. Become a Patrons at http://celticmusicpodcast.com/patron/. Special thanks to Jeremy, our newest patron! You can now Vote in the Celtic Top 20 Tour Donegal Celtic Interviews with Tour Donegal and Fidil July 28th marks the 10 year anniversary of the podcast. Join our Facebook group. I WANT YOUR FEEDBACK: Email a comment to celticpodcast@gmail.com or call 678-CELT-POD to leave a voicemail message. That's 678-235-8763. Or visit celticmusicpodcast.com to post a comment in the shownotes.   This Week in Celtic Music 0:56"Jigs for Mann" by Rachel Hair Triofrom Tri 5:12"Reels: The Copperplate/The Old Copperplate/The Bank of Ireland" by Patrick D'Arcyfrom Wallop the Spot 10:58"Grace O' Malley" by The Gothard Sistersfrom Mountain Rose 14:28"The Bright Lady (Live)" by Jim McKennafrom Jim McKenna Uilleann Pipes 18:25"Motherland" by Bard & Companyfrom Bard and Whistler 27:03"Irish Pride" by Eddie Bigginsfrom Single 29:08"Crib of Peaches/Pretty Peg/Liam's Lark" by Giant's Dancefrom Giant's Dance 32:12"The Trip" The Beer Matsfrom Single 39:31"Mordred's Lullaby" by Heather Dalefrom The Trial of Launcelot and The Secret World of Celtic Rock 42:39"Belfast Girl" by Full Circle with Neil Andersonfrom Rathkeltair & Friends CPR 47:03"Water's Edge" by Celtic Crossfrom Saoirse's Heart 50:00"Meet Me Back in Ireland" by The Ne'er Duwelsfrom The Ne'er Duwels 55:28"Dunmore Lassies" by Steel Cloverfrom Take the Crown Remember too, when you buy through our affiliates at Amazon or iTunes, you support the artists AND the podcast.    The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. To subscribe, go to iTunes or to our website where you can become a Patron of the Podcast for as little as $1 per episode. You can post feedback in the shownotes at celticmusicpodcast.com or email me music@celticmusicpodcast.com.

Uilleann pipes at OConnors

Uilleann pipes at OConnors

from NEW EP: Different An short, upbeat Irish jig instrumental - dedicated to the memory of a champion bagpiper friend and colleague, Davy Warnock, who died in a fatal car accident in Scotland many years ago, now.

from album: Into Jerusalem - Celtic and Hebrew worship A stately Celtic hymn, featuring Uilleann pipes.