Podcasts about Concertina

Being a beginner as an adult is its own kind of awkward, and most of us just call it nerves. Irish traditional musician and award-winning podcast host Tara Connaghan says that is not it at all. The real problem is that nobody handed you the rules of the room. She takes Lesley through the four stages of learning, why the frustrating middle is where most people quit, and the rock bottom that gave her clarity. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:Why five to ten minutes of practice a day beats one long session.The trouble with joining sessions built for high level musicians.What makes correcting an adult learner harder than correcting a child.Why boundaries make newcomers feel safe and know if they fit.How to pick a group that matches your current skill level.Episode References/Links:Session Etiquette Website – https://www.sessionetiquette.comSession Etiquette Facebook – https://www.facebook.com/profile.php?id=61576848312798In Tune with Tradition Podcast - https://beitpod.com/taraconnaghanpodTara Connaghan Instagram – https://www.instagram.com/tarafiddleTara Connaghan Facebook – https://www.facebook.com/tara.connaghanTara Connaghan LinkedIn – https://www.linkedin.com/in/taraconnaghanTara Connaghan YouTube – https://www.youtube.com/channel/UC5tQCcQU81_mewa2uMRbq7AEp 153 ft Tanya Dalton - https://beitpod.com/ep153Big Magic by Elizabeth Gilbert - https://a.co/d/010vNZRZEat, Pray, Love by Elizabeth Gilbert - https://a.co/d/00rGaxuPSubmit your wins or questions - https://beitpod.com/questions If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! 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DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Tara Connaghan 0:00  It's too intimate to be putting pressure on it because I did lose it. So I put my hands on my heart because I feel like it's here. The music, when I play it, it's here. I suppose maybe because it is a fiddle as well, or a violin, but it's something so close, and I have lost it. I did lose it for a while, and if I lost it again, I don't know if I could survive that second loss. Lesley Logan 0:22  Welcome to the Be It Till You See It podcast, where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world, and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity, and it's the antidote to fear. Each week, my guests will bring bold, executable, intrinsic, and targeted steps that you can use to put yourself first and be it till you see it. It's a practice, not a perfect. Let's get started. Lesley Logan 1:03  Okay, Be It babe. Here's the deal: we have a unique topic on the podcast, but actually, we go extremely applicable to your life, if anything. We're going to talk about learning. We're going to talk about rock bottoms. We're going to talk about etiquette with the types of people that you're wanting to be around, and I think it's just quite fun. Tara's my new Irish friend that I didn't know I needed. Her name's Tara Connaghan, and she actually is an award-winning podcast host, and she teaches people how to play Irish music and also be in Irish sessions and the etiquette for that. And you're, what? But all of it is, I think, really the conversation is so helpful because if you want to be it till you see it, and I want to be in a pickleball league, or I want to be teaching X thing, or I want to learn this new skill, some of the things we have to understand is the process of learning, and then the etiquette of how do we join these groups? What are those things? So it's really quite fun. I can't wait for you to hear her, and then you'll have to check out her award-winning podcast because that's so great. Here is Tara Connaghan. Lesley Logan 1:59  All right, Be It babes. This is going to be fun. This is going to be totally interesting. It's a topic I've definitely never had a guest on before, and that means we get to learn something new, but also learn things that we can use along our way to something unique. So, Tara Connaghan is our guest today. Tara, can you tell everyone who you are and what you rock at? Tara Connaghan 2:18  Hi, Lesley. I am an Irish traditional musician. I love playing Irish music. I love playing music in Irish music sessions, particularly. I'm from the northwest of Ireland, which is Donegal, which is kind of, it's not part of Northern Ireland, but it's more northerly than Northern Ireland. But it's geographically Northern Ireland, but not politically, if that makes sense. So we're in the Republic of Ireland. Very confusing. And I've lived all over Ireland. I've lived around the world a couple of bits, but mostly I'm always kind of living around Ireland. But I'm back in Donegal now for the last maybe 12 years, and I just love sessions. But I teach adults a lot, and they're always worried about joining into sessions because they're maybe newcomers to the sessions. So I always thought it was performance anxiety that was the problem, but actually, what's feeding the performance anxiety is that they don't know the etiquette to joining sessions. And so that was why I decided to start a podcast almost a year ago about etiquette, teaching people the etiquette of joining sessions, and I'm learning so much. Oh my God, it's amazing. Lesley Logan 3:21  Okay, there's so many things I want to talk about because, first of all, what are sessions, and then to know what the etiquette is, but also it just goes into a lot of us do label something performance anxiety or just blanket anxiety when really it's we don't know how to be a beginner, we don't know how to enter something new. We don't know how to... It's hard to join a group because when you're an adult, all the groups are already kind of filled, and you're, I've got to join in on something, and they already know everything, and I don't know, and we don't know how to be beginners. Is that kind of what's happening? Tara Connaghan 3:50  Totally, totally, yeah. Lesley Logan 3:52  Okay, so just so we have the definitions, what are sessions, and what is the etiquette? Tara Connaghan 3:56  A session can be lots of... There's lots of different types of sessions and different functions for sessions, but the main session is that it's a group of musicians who get together to play Irish music. Lesley Logan 4:09  Okay. Tara Connaghan 4:09  That's kind of the simplest term or the simplest way of explaining it. It's people who kind of know what Irish music is, and they want to play it with each other, and they want to kind of share their music together, and it's like a team. It's a team. Lesley Logan 4:22  Okay, like you're making a band, but you're not a band, like a group. Tara Connaghan 4:25  Yes, yeah. But there's no... Usually there's... Well, I say usually. A session is usually something without microphones, although sometimes it has microphones because it's maybe for tourists or maybe it's a noisy pub or something. So usually the ones that are in the corner with no microphones, they're just playing to each other. Lesley Logan 4:44  It's like jazz when they get together and they just play together. Okay, so there can be sessions of any kind, but sessions for this would be the Irish musicians getting together. And then is the etiquette different for the Irish music versus, I guess, any musician, or what does that look like? Tara Connaghan 5:00  I don't think it's particularly different. There may be slight differences. I think maybe one of the things is that you could be playing in a session with some of your heroes. They're quite accessible. Irish traditional musicians almost would be classed as... they're professionals but amateurs. Lesley Logan 5:17  Okay, okay. Tara Connaghan 5:18  Because they're not all making a living from it. Okay, so you could have some of the highest-quality Irish musicians playing in a session. You might have just come across, or maybe you've never heard Irish music before, and you walk in and you could be listening to some of the most amazing musicians. Lesley Logan 5:35  That's so cool. I love this. I love this. So this is... I am grateful for the definitions because you're an expert in this area, but this is the thing for a lot of things, right? You could be in a chess group or a mahjong or pickleball. I'm a Pilates instructor who travels to teach Pilates instructors, and I find that if I want to just be in the group, sometimes the nervousness from the other people who maybe watch my videos or things like that, they get nervous and they have this performance anxiety, and it's like we're just here to kind of hang out. So, I guess if we could take it in a broad sense, how did you get here? Because we don't wake up going, "I'm gonna teach this." You know what I mean? It's not like what you tell someone in kindergarten. "When I grow up, I'm gonna teach Irish music." So, can you go back to your journey? Tara Connaghan 6:23  I mentioned that I teach the adults mostly. I have a fortnightly fiddle class that I do, and I also teach at different summer schools or camps or things that we would teach music at throughout the year. And for the last... I've been playing music for nearly 40 years. Oh my god, I am playing music for 40 years. Oh god, that just dawned on me. Oh my god. Lesley Logan 6:45  That's amazing, though, but it's annoying because, wow, so much clout, and also, oh, I'm older than I thought. Tara Connaghan 6:53  Yes, yeah, yeah. So I've been teaching a long time. I do prefer to teach adults. I just have a natural sort of bond because an adult wants to be there. They're putting all their time and their energy, and they really want to be there. Whereas kids, the parents want them to be there. So I just want to be with people who want to do something, and then I can help them. If they don't want to be there, then I can't help them. So in every workshop, even though it's more about repertoire, when you're in the workshop we're like, we learn this tune and we learn this tune and we learn... So we might learn maybe three tunes a day or maybe one tune, depending on the levels of people. And always within one of those workshops or classes or camps, there will always be questions. Once one person asks, "Do I have enough tunes to start, to play in a session? Or can I sit there? Am I allowed to do this? Am I allowed to do that? Do you have to have this?" There's so many questions, and because there's so many unknowns, and they don't know the answers, they are terrified. And then when you're anxious and terrified, you probably do actions that you wouldn't normally do. Lesley Logan 8:02  You make mistakes because the nerves are taking away the ability to be present. Tara Connaghan 8:08  Yes, yeah, yeah. And then they start... Then things happen, and they're like, "Oh, and such-and-such gave out to me for doing something." And I think we've all been given out to. It's a natural sort of... If we go back to the animal kingdom, there's kind of a natural, "Look, you don't do that. You don't do that. Don't do this," and you're kind of almost like a cat would do to its kitten. Lesley Logan 8:31  Yeah. Tara Connaghan 8:33  It's not that you're trying to say you shouldn't be... There's no kind of "you shouldn't" or whatever. But it's just kind of a, "No, no, no. Wait this," or "Wait for your turn," or "Wait to this." So it's kind of the natural... You're teaching the natural language of your culture, whatever. But that's normally given to children. Lesley Logan 8:51  Right. Tara Connaghan 8:52  It's very hard to give that to an adult who is your peer in terms of age, but not your peer in terms of skill, and that's a really difficult thing to do. So Irish people are very, very bad at giving feedback. They don't want to offend anybody, so we just say nothing, and then things can blister away and fester. Lesley Logan 9:11  I wonder if anyone is good at giving feedback very often because we're not trained at that. You don't go to college and learn, "Okay, in your life, if you have to give feedback to someone, this is the way you give it." That's not anything anyone's trained in. So if your culture is more, "We're just not going to say anything at all," it's just going to fester and blister, and we'll just put you over there in the corner. Other people will just tell you what it is and honestly cramp someone's spirit. You could just step on a flower. So I think we all have to learn how to be better at feedback, but it's different when students are learning because when you're younger, yes, there are still personality types that are putting pressure on themselves to be perfect. No matter your age, there are different levels to learning. Correct? Because whether or not you are learning Irish music or anything, every learning has a level. Tara Connaghan 10:02  I mean, there's the four stages of learning. So there's when you're totally unconsciously aware. You're completely unaware. So when you were maybe two, your mother tied your shoelaces. You didn't tie your shoes. You didn't even know that shoelaces existed. They're just not in your conscious realm at all. And then maybe as you get... maybe four or five, you're like, "Oh, hold on a second. My mother's tying my shoes. I want to try that." You start getting, "I want to try it." Then there's that stage where you're conscious of it, but you realize how bad you are at it. So your competency level is pretty poor. You're incompetent, but you're consciously incompetent, so you know you're shit at it. Lesley Logan 10:45  That's so hard because it's so frustrating. Tara Connaghan 10:48  So frustrating. You're like, "I can't..." Sorry, I don't know if I can curse. Lesley Logan 10:52  You can curse on this show. Totally. Tara Connaghan 10:56  So you're so frustrated, as you say, and so many people give up at that stage because they're like, "I can't do this. No, I'm out." That sounds like me with surfing or certain things. I'm just like, "No, I can't do this. I'm out." Lesley Logan 11:10  I understand that. With ADHD, I can be okay being bad at something, but I have to get good at it quickly. Otherwise, I'm out. My attention span's not there. But it is interesting. We see that in people in all learning things, right? I teach people how to teach Pilates, and you can see even if they're already teaching Pilates, when they discover that there is stuff that they didn't know they didn't know, then there's a frustration that no one told them, "I didn't know this." But you can't be told, no one is expert at everything when they're new. You just start new. Okay, so then we're pissed off, we're frustrated, and if we don't quit, what happens next? Tara Connaghan 11:52  So if we don't quit and we keep going, then we start getting to a place where we're more competent. We've got a bit more competency. There's a big range within that. You're starting to get competent, and then you grow up to being much more competent, and you're consciously aware that you're competent. So it's maybe when you're six or seven and you're still tying the shoelaces. You can tie them, but it takes a bit of... You're still focusing on it. That takes a huge amount of energy, so it's a very exhausting stage where you're focusing on, "I have to tie the shoe. I have to do this loop and that loop." And your fingers are just faltering at it. The same with playing an instrument. You're kind of like, "I have to watch my left finger..." Lesley Logan 12:42  "...this thing, and then breathe, and then this one." You're still talking yourself through it. Yes.  Tara Connaghan 12:46  Or even driving. "I have to put my foot here, and I have to look at the clutch. I have to put on my seatbelt before all of that, and I have to look in the mirror." I have to do this. There's so many things. Your brain is still running through the process of how to do it. Then you get to the last stage, which is you're competent, but you're unconsciously competent. So it's totally, did you remember tying your shoelaces this morning? No. You just did it. It becomes ingrained so that you don't even know that you're doing it anymore, but you can do it. The same with playing the fiddle. I'm thinking of something else because it's unconscious. It's already in the muscle memory of my fingers. It's in the muscle memory of my brain, my elbows, my whole body. My body does it, and then I can focus on, not something else, but something like, the next level, which is, "How do I do it better? How do I do the intricacies?" You're listening and going, "Oh, such-and-such did that. I might do that." You're listening for something else. Lesley Logan 13:54  Yeah, you can take more in. My husband's a musician. That's not me, but I can attribute it to things in my world. I retook a workshop I've taken from this person before, and I thought I was just going to sit there and get reminded of a few quotes I liked from them. Then they said something, and I was like, "What? What is that?" And it was just like, "Oh, I didn't know the thing before that. It wasn't ingrained in me, so I couldn't even pick up on this if I wanted to." It was always there, but I didn't have the capacity to hear it or see it or understand it because I just had to get the muscle memory there so that nuance could even stand out. Tara Connaghan 14:35  And that takes years. We're in such a culture that everything is convenient. It's quick. Everything's fast. But I don't think there's anything that can replace just time of learning and putting the time in. Lesley Logan 14:52  Tara, how do you help people do that, though? Because obviously what you do is so unique. But however you help them, we all have to understand that it does take time, and it's hard for adults because there's so much unconscious competence happening because we're in our life. We can drive home without even realizing it. There's just things that we do. It scares the fuck out of me every time. I'm like, "How did I get here? Whoa." How do you remind adults to be patient to go through the different stages? Tara Connaghan 15:18  It's not easy. None of us like it for anything. I got a sewing machine. I am crap at sewing, because I never did it in school. I did woodwork instead. It just takes it. I just have to remind people it may only be five minutes per day, and then supplement it with a couple of maybe intense weekends or an intense week where you really focus on it, almost like 12-hour days. That really supplements it. But you need the five minutes per day, five to 10 minutes per day. I think, really helps people. Lesley Logan 15:53  Okay, let's dive into that because I think people think, "Oh, I'll just do this on my day off." But if you just do several hours on one day, it's almost... Do you think it's better if they were to do five to 10 minutes per day for six to seven days is better than one day for two hours? Tara Connaghan 16:10  Absolutely, 1,000%. Lesley Logan 16:12  And why? Do we know why? Tara Connaghan 16:15  There are actually studies that show that because you're building up the muscle memory. You don't build it up in one go. You build it up every day. You don't wash your teeth just once a week. Lesley Logan 16:27  Right. Right. Tara Connaghan 16:28  You wash them every day because ifLesley Logan 16:30  You washed your teeth for two hours once a week, it wouldn't even make up for it. Even though it's like three times the amount you should brush your teeth, it doesn't even make the difference. Tara Connaghan 16:38  No, it's not going to make the difference because the plaque is already there. It would be too hard to remove it. That's just what it is. And five to 10 minutes, that's nothing. Lesley Logan 16:47  Right. I think that's the hard part because people go, "That's nothing. So does it even matter?" Tara Connaghan 16:53  Yeah. So, tomorrow... I'm learning the concertina as well. I do play the fiddle. I've played the fiddle for almost 40 years, but I have a concertina, which is this little kind of hexagon-shaped instrument. I normally have it at my desk, but I'm not at my desk. I'm actually in New York. Lesley Logan 17:10  Cool. What's a concertina? I gotta look this up. I need a visual. Lesley Logan 17:14  Concertina. Lesley Logan 17:16  Concertina.  Tara Connaghan 17:17  Yeah, so, hexagon-shaped. Lesley Logan 17:21  This is... Oh, that's cool. For everyone who's not Googling this while they're driving, please don't. First of all, they're not cheap. It's like an accordion, but a hexagon has six or seven sides. Tara Connaghan 17:40  Your fingers are working from both sides. Lesley Logan 17:43  Yes. Tara Connaghan 17:44  Yes. So it's very petite and dainty. It's a real kind of woman's... Lesley Logan 17:50  It's so beautiful. An accordion is not sexy. Nothing's sexy about an accordion. This is quite cute. This looks like the Victorian era. Tara Connaghan 17:56  Yes. It's very ornate, and designs in it. So I'm learning that now. I had it right beside my computer because you're, especially if you're doing something, and then you need kind of like coffee beans to refresh your brain. So I used to have that, and I'd play for five or 10 minutes. I didn't have access to my concertina for about 15 years because I had lent it to somebody else, and they forgot to give it back to me. Eventually I got it back recently, and I started playing for about five minutes whenever I got bored, well, not bored, but my brain is overworked and overwhelmed and I needed to deep-dive into it for five minutes. The first day I was like, "Oh my god, I can't even remember where the notes are." I was like one-finger typing. Lesley Logan 18:45  I understand. Yeah. Tara Connaghan 18:47  Until, after a couple of weeks, he came down to the office and said, "That actually sounded quite good." Lesley Logan 18:55  Because it came back to you because you just had it. I love what you said, that you had it right next to you. For anything we're wanting to do, my listeners know I was studying the tarot, and unfortunately it got away from me because I had the app, which is great because when I was traveling I couldn't have the cards, but I'm a physical kind of person. So when I was at home, having the cards and the book at my desk, while I'm waiting for the Zoom call to start, I could just read a page. Having those little doses of information actually allows you to take it in. Whereas it's a lot, especially when you're in the incompetence, it's a lot in the brain to do it and you don't retain as much. I'm studying the science of learning right now, I'm really interested in this, and there's a whole lot we have to do self-reflection and self-quizzing. That's actually the best when you're learning anything. You're not waiting for the test to come where you cram, or in music, I guess, the concert to come where you perform. You have to kind of test your skills on your own and then learn from what you don't know. Tara Connaghan 0:00  Yeah, and I think for joining a session as well, you have to learn to play with other people, and that can be a big learning curve as well, because it might be that you've just started an instrument, so this is totally new. You've got a new instrument. Oh my god. I'm still trying to figure out where the notes are. I'm still trying to figure all this out. You're still kind of incompetent. And you need to learn also how to play with other people if you want to join a session. Lesley Logan 20:26  Yeah. Tara Connaghan 20:27  I think those kinds of camps are a great place to do that. They can be big sessions, so you can kind of hide behind people for a while until you get a bit more competency in playing with others because it's a really different skill, being able to listen to yourself while listening to others.Lesley Logan 20:45  How do you, how do you get the... Because that's a bit of courage and bravery, to go from playing by yourself in your home to, okay, I'm going to take this. What advice do you have for people who... There's embarrassment, there's nervousness. How do you get over yourself enough to go? Because I'm someone who'd be a fly on the wall until I'm shoved off the cliff. That's kind of me. But how do you get yourself ready?Tara Connaghan 21:06  I think it's a good idea, if you're learning from a class situation where you've got classmates, then maybe your teacher might have a once-a-year or once-a-month or once-a-week session where they encourage you to come, if you want to join a session. It's a very gentle process where you're coming into it in a very gentle way. What I would definitely not recommend you do is go into a session where there are high-level musicians who need something totally different. So if you're a beginner musician, you want to be feeling kind of a belonging. You want to sense this sense of community. A high-level musician who's been playing for 40 years, they already have that. What they want is challenge, and you're not going to challenge them if you're a newcomer. So don't be afraid, or don't be... not afraid, but don't be putting yourself in that position. Don't take it personally, I think is what I'm trying to say.Lesley Logan 22:01  Well, this makes a lot of sense to me because in life, if you have a skill or there's something you're doing, it's really good to have people who are your equals, so your classmates, like you mentioned. And then there's the people who are below you, in a different level. Playing with people below you builds your confidence because, whoa, I'm not like that anymore, right?Tara Connaghan 22:19  Yes.Lesley Logan 22:20  Playing with people who are at the same level as you makes you feel comfortable and, okay, I've got my people. But typically, if you're going to play with people who are above you, you'd be paying to play with them. You're in their workshop or you're in their thing because they need people above them to challenge them and people like them who understand what they need. And if they're going to have people below them, it's because they're teaching them.Tara Connaghan 22:43  Exactly. And I think it's funny that you should pick that up so quickly because that seems to be something that we've... I suppose we're so close to it, you can't see the wood from the trees when you're so in the middle of it. And so it's only recently that I figured, from conversations actually, that's more of a teaching environment when we're in a session with people that are below us. And that's a very different thing. That's quite draining because you're giving a lot of energy, and you're not.Lesley Logan 23:10  Getting yourself filled up. There have to be sessions for the person who's more of the expert to be filled up. I get that totally. I teach a lot of students, and I have no problems doing that. But when I am in the workshop to learn, if people bother me to understand, I'm like, "Oh, I'm not in that brain. I'm here." So I find I'm very particular about the places I go to learn in or be challenged in because I want to stay in that frame. And if you are wanting me to teach you in that space, I'm a little bit... Okay, I've got to get my cup filled.Tara Connaghan 23:45  I suppose I would love to be able to say that certain things in certain situations... I think we are quite welcoming.Lesley Logan 23:54  Yeah, and that's the hard part because I don't want to stamp on anyone's flowers or anyone's willingness to learn. And I also think they don't understand what they don't... You know what I mean? They don't know that they're just asking a question. And you are an expert, and you are someone who usually teaches. But there has to be a space where you can go be yourself and be challenged.Tara Connaghan 24:13  Yeah, yeah. I think so. I have found that some people like to shame skilled musicians for having that, and I'm trying to call that out and go, "No, I'm not happy that that is something that should be definitely there."Lesley Logan 24:26  I think that's interesting, right? What an awareness we can have because it's fine to have the need to have the space to be in your creative space or to not be in teaching mode, to be in play mode or creativity mode. And also, how do we remind people of the rules of the space without hurting their feelings or pissing them off or making them feel like they're stupid? I don't know if you have those in Ireland, but people have these signs in their house, like, "In this house, we believe in science," and things like that. There, we believe in these... When you walk into the space, if these-level musicians are playing, you're free to watch, but please write down all questions and save them for your... You know what I mean? It's okay to be in their presence, of course, and be inspired. But this is when you're allowed to ask the questions. I guess it goes back to the etiquette. It's like having rules for... If you're a house that has no shoes on or shoes off, it's kind of like that.Tara Connaghan 25:25  Yeah. I suppose it's always being one of those environments that is very spontaneous. So I think when you have a spontaneous environment, the thought of rules makes it really kind of...Lesley Logan 25:38  I understand. Yeah. Well, Tanya Dalton, we had her on the show, and she talked about when there are boundaries, everyone can be more creative and have more fun.Tara Connaghan 25:50  Yes.Lesley Logan 25:51  She explained it, and you guys, I'll put the link in the show notes because I actually don't remember which episode number she is. But she said if there's a school playground and there's no fence, and the teachers tell the kids, "Hey, stay close to the school building to play," you're going to have some kids who literally don't leave the wall. They just play next to the wall. You're going to have some kids who play in the middle, and then you're going to have some kids who are going all the way to the edge because they want to see how far they can go. But if you put the fence up and you say you just have to stay in the fence, then all of a sudden everyone can play. So I guess it's interesting because some people don't want to have rules on things to affect the creativity, but they'll have more creativity if they just have some set rules.Tara Connaghan 26:35  Yeah, and I think everybody feels safer as well then if there are some sort of boundaries. Especially newcomers can feel safe because they know, "Right, well, this is maybe not the session for me," or "This one is the session for me."Lesley Logan 26:47  Yeah, because I'm the girl who'd be next to the wall because I don't understand. I don't want to fuck it up, and I don't want to embarrass myself, and I don't want to make someone mad. So I would be the person who doesn't even join any session, even the ones at my level, because I wouldn't... So I think that's where it's important. No matter what the thing is that we're joining or learning, we have to understand the etiquette, but also the people above us have to define that so that we can.Tara Connaghan 27:11  Yeah, yeah, I guess. Lesley Logan 27:12  Or at least the host of the place. Tara Connaghan 27:15  Yeah, yeah, yeah.Lesley Logan 27:17  So Tara, your enthusiasm and joy for what you do is so contagious. I really do love it. How did you get to keep your passion for this? Because I have to imagine that in the 40 years of playing music, Irish music hasn't been famous for all 40 years. How did you keep it going? What did you do? Then you're in this new space where you have this podcast. I guess people listening to this have been doing things for 20 or 30 years, and sometimes they wonder if they should keep doing that. Is it worth doing? How do they know when to stop? What advice do you have for that?Tara Connaghan 27:55  I did have a time in my early 30s, which is almost 20 years ago. god, sorry.Lesley Logan 28:03  It's all right. I just looked at pictures of myself at 25, and I was like, "Whoa, that was a long time ago."Tara Connaghan 28:09  When I arrived in New York a couple of days ago, I had a suitcase, and I was trying to walk up the stairs, carry it up the stairs. And this young fella, I think he was probably about 25 or something, said, "Do you want me to help?" And I was like, "No, no, I've got a friend coming. She's going to help me as well." And he said, "Oh, if this was my mother, I would hope somebody would help me." And I was like, "Oh my god!"Lesley Logan 28:27  He was being so sweet, and also...Tara Connaghan 28:32  The realization. But of course I could be his mother. But I don't even have kids.Lesley Logan 28:36  Tara, I understand. I have friends my age who have kids who are in high school, so I was like, "I could have a high schooler." Tara Connaghan 28:44  Yeah, I could totally have somebody who's gone through college, finished college. Anyway, let's not go there. So in my 30s, I did have a bit of a, wow, I thought I would be somewhere different. I thought things would feel different. There was that kind of realization: Is this it? There was always this kind of, I thought it was going to be different, and I thought it was going to be amazing. I went through maybe not a spiral downwards, but I was just lost for a while. And then, it was kind of a spiral to a couple of things. I had somebody who was really, really close to me pass away, and that person held my future dreams. So that totally took the carpet from underneath me. I was like, "Well, what do I do now?" It was totally the end now. And I think when you get to rock bottom, you go, "What are the things that are actually really important?" That's what I had to do. I just had to go food, water... I mean, we're talking basic. I think I had probably experienced a bit of PTSD at the time, post-traumatic stress disorder, because I couldn't plan ahead. All I could think of was the next hour and what are the basic needs that I need. So food, water, shelter, friendship. And I thought, "You know what? Music is what fills my cup." And so I had to figure out what was the thing that fills my cup? I have loads of interests. What was the one thing that I really wanted? And I think when you get to rock bottom, things become so clear. I'm not advocating for getting to rock bottom, but if you want clarity, you will find it down there.Lesley Logan 30:37  I think years ago I heard someone say you can't take someone's rock bottom away. You can give advice, but also, sometimes we don't learn what we need to until we are there. Some of us just need to clear everything away. I have to say, I am so grateful for the rock bottom I had because it was, "Okay, I've got nothing. So if I'm going to add to this nothing, it better be something I want." I don't want to add. It was the first time I had a clean slate. I don't want to add stuff I don't want. So I agree with you.Tara Connaghan 31:11  Declutter.Lesley Logan 31:12  Yeah.Tara Connaghan 31:13  It really declutters the mind, and it really focuses on just the important things. Music was the thing that, it's almost like the light at the end of the tunnel, but it was just something that I had that was present, that was just filling my cup, as you said. So I kept doing that. Not that I was doing it all the time, but when I needed that sort of, because I went home to my parents' house, and I slept for about six months. I didn't go outside the door. I remember having relations saying, "Oh, you can't do that." And I was like, "Please don't ever tell anybody that they can't take the time that they need to recover because I needed that time." It took a good few years, but I needed the six months of complete and utter sleep. Then it took another couple of years before I was able to get back to being a normal person again. I'd say I'm a huge amount stronger because of it, and just more clear. So.Lesley Logan 32:12  Yeah.Tara Connaghan 32:12  Music is just... yeah. And I think every time I'm in a session, the other thing is if I'm playing for money, it's a job.Lesley Logan 32:20  Yeah.Tara Connaghan 32:22  So I kind of removed that. Even though I still get paid, I removed the, "Oh, this one is a gig." It's, "I'm going to go and I'm going to play music. Fantastic. If somebody gives me money at the end, great." Sometimes I want to make sure that it's good money at the end, but I looked at it differently. It wasn't for the money. It was for the music, and then somebody gives me money as well, and that's great.Lesley Logan 32:46  I appreciate you sharing that journey because I think we all look at other people and go, "Oh my goodness, they must have loved this their whole life," and not realize that there are parts of their lives where they loved it, but they didn't get up for six months. Everyone is on an up-and-down journey that hopefully always ends up, but it's going to have its own nuances. And if we don't take the time we need to find what fills our cup, then I don't know that we get to enjoy it. I feel like life is worth enjoying. Yes, sometimes we get paid for things we love, but also we should do things because we love them.Tara Connaghan 33:26  Yeah, totally. So I think that was how I got out of that sort of, "I'm doing it for the money." I don't know if you've ever read Big Magic.Lesley Logan 33:37  Obsessed. Great book.Tara Connaghan 33:39  Fantastic.Lesley Logan 33:39  I'm not sure I agree with her in the more recent years of life, but I love that book. So, everyone must, required reading. So good. Required reading.Tara Connaghan 33:51  Yeah. It just gives so much freedom to your creativity as well. It's like, "Oh yeah, that's so cool." It's like it's a muse. You're the host of a creative idea, and you entertain it, or eventually it'll just go, "Look, I'm an idea, and I need to be created. So if you're not going to create me, somebody else will have to do it." Such a great idea.Lesley Logan 34:14  You guys, if you're wondering what is she saying, you have to go read the book. It's, ideas want to be born, it's Elizabeth Guilbert, I believe that's her name. She wrote Eat, Pray, Love, and she even shares that she still worked as a professor even after she wrote that book, even after it was a bestseller, even after it became a movie. It was years before she thought, "Okay, I can just be a writer for a living." I think that's a really important lesson for all of us who are doing something we're passionate about because the pressure you put on it changes the joy you get out of it, and also what you create.Tara Connaghan 34:50  Yeah. It's too intimate to be putting pressure on it because I did lose it. So I put my hands on my heart because I feel like it's here. The music, when I play it, it's here. I suppose maybe because it is a fiddle as well, or a violin, but it's here anyway. It's something so close, and I have lost it. I did lose it for a while, and if I lost it again, I don't know if I could survive that second loss.Lesley Logan 35:17  Yeah. Thanks for sharing that. I think that's really important. Tara, you're so fun. We're going to take a brief break and find out where people can find you, follow you, take sessions with you.Tara Connaghan 35:26  Yeah.Lesley Logan 35:28  All right, Tara. Where do you hang out? They can listen to your podcast. Can anyone play Irish music? Tell us everything.Tara Connaghan 35:36  They can listen to it on Spotify, Amazon, Apple, wherever. It's called In Tune with Tradition. There's also the subtitle, Perspectives on Session Etiquette and Irish Traditional Music. There is a website called Session Etiquette. I also have a tour kind of thing coming up, a private session experience in September 2026, at the end of September. We've got a couple of places left on it. It will be in Ireland. Brilliant. I can't wait.Lesley Logan 36:07  I feel like September in Ireland is probably good weather. Tara Connaghan 36:10  Sometimes. Actually, do you know when it's been really good weather? It's April. April for the last three or four years has been really good, really dry, sunny. Then the rest of summer's awful, and around September sometimes it can pick up again.Lesley Logan 36:23  Feels like Vegas weather, but probably different. April is so beautiful here. Don't take me away, but the summer? Get me out.Tara Connaghan 36:32  I'm in New York, and it was really, really hot for the last couple of days. Today is nice. It's just perfect.Lesley Logan 36:38  Yeah. That's an interesting place to be when it's too hot. Okay, we've talked a lot about learning and things like that. You've given us so much already, but what bold, executable, intrinsic, or targeted steps do you have for people to be it till they see it?Tara Connaghan 36:52  I think they should listen to my podcast, number one. The reason I'm in New York is because it's an award-winning podcast. It has just won some awards.Lesley Logan 37:01  Get out. Congratulations. That's amazing!Tara Connaghan 37:06  Yay! So, anyway, but more actionable steps: I think life is short. Just pick the thing that fills your cup and go for it.Lesley Logan 37:15  Yeah.Tara Connaghan 37:16  If that's Irish music, fantastic. If it's not, do the thing that makes you really, really just gives you so much joy and fills your cup because otherwise you'll always be trying to fill your cup with something that can't fill, can't do it.Lesley Logan 37:31  I agree. I think that's so true. Oh my gosh, congratulations on your podcast. That's incredible, you guys. That's not an easy thing to do, especially with a new podcast, so way to go, Tara. I agree. I was just watching a show, and it's clear there are people on the show who don't have anything else. They don't have something that fills their cup. My husband's listening to somebody, and they're... If you don't have something that's a hobby, something that's creative, friends and family, and work that gives you purpose, if you don't have those three things, f you take one of those away, you put too much pressure on the other things, and they're never going to give you the tripod. You're going to fall over. So I feel like that's really important for today. I think we all need that information. Lesley Logan 38:15  You guys, go listen to Tara's award-winning podcast. Go listen to it, and go figure out if it's... If you don't know what's filling your cup, maybe it's time to start trying new things and be consciously incompetent for a little bit. It'll get better. Share this with a friend who needs to hear it. And until next time, Be It Till You See It. Lesley Logan 38:33  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 39:16  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 39:21  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 39:25  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 39:32  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 39:36  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ahead of Comhaltas Ceolteori Eireann's 75th anniversary, we had some of Ireland's best musicians in studio: Robert Harvey on Whistling and flute, Aoife Vaughan on Flute, Cathal O Duibhir Baoil on Concertina, and Daragh O Duibhir Baoil on guitar. The performed ‘Beautiful Fresh Morning' followed by two jigs (‘Grainne's Jig' and ‘Scatter the Mud).

We help out with the Rosary Army retreat, Jude takes a Grayhound, Toy Story 5 makes us cry, Kat becomes enthralled with a murder show, and our movies this week remind us of the dangers of tech.   Bonus content: How to deal with introversion/extraversion in marriage.   Rosary Army Retreat talks: https://youtu.be/dMOjpHbG0J0?si=u8BQlx2q0hVDi58Z   Our locals page is now accepting subscriptions! Move over from Patreon so more of your tips go to us and not Apple.   Books: Read along with Mac - The Angry Hills Other great stuff we like: It's OK to Be Catholic Baritus Catholic Illustrations Pacem in Terris Retreat Center Picnic Blanket Restoration of Christian Culture from Our Lady of Clear Creek Abbey Restoration of Christian Culture PDF Spiritual Direction.com Sam and Mena's podcast: Engaged at 18 https://www.fatimafarm.com/ liturgical calendar from Sofia Institute Press Wyoming Catholic Gregory the Great's St. Nicholas Guild Total Consecration to Jesus Through Mary Mac's book! Clueless in Galilee Find us on our website Our libsyn page where you can find all our old episodes Theme song by Mary Bragg. Our other show: Spoiled! with Mac and Katherine   We use Amazon affiliate links. We may get a little kickback if you use the link above to purchase from Amazon.  

Pádraig Rynne, one of the most influential folk musicians of his generation; and Hannah Twomey, a concertina player and an All-Ireland champion from Cork, tell Oliver about the Irish Concertina Orchestra.

Calm Strength ~ Concertina (27 August 1999 - Camden, NJ)

                                   Copperplate Time 525                                presented by Alan O'Leary                             www.copperplatemailorder.com    1. BOTHY BAND:  Green Groves of Erin/Flowers of Red Hill. After Hours 2. GARADICE: The Ballintra Lasses/The Rock Reel/Silver Linings/The Border Collie.    Sanctuary3. DANU: Murphy's HP/Lord Gordon's Reel.  Seanchas 4. RALPH McTELL:  From Clare to Here.    Silver Celebration 5. MICK O'BRIEN & TERRY CREHAN:              Farewell to Miltown/West Clare Railway/Sporting Molly.  May Morning Dew6. ANDY MARTYN:  The Caha Mountains/McKenna's CountrWill We Give It A Go? 7. TERENCE O'FLAHERTY: Return to Camden Town.  Single8. PADDY TAYLOR:  Lord Mayo.  Boy in the Gap 9. PADDY KEENAN:  Colonel Fraser/My Love is in America.  Paddy Keenan 10. EAMONN COTTER:  Brauach na Carraige Baíne. Trad Music From Clare 11. SEAMUS BEGLEY & STEVE COONEY:                     Brauach na Carraige Baíne.   Meitheal 12. FRANK KELLY:  Paddy Ryan's Dream/Mama's Pet/Miss McLeod's.                               Memories of Hughie Gillespie.13. RITA GALLAGHER: Sweet Iniscarra. The May Morning Dew 14. ROGER SHERLOCK:   Sherlock's/Mama's Pet/ The Dairymaid/O'Keeffe's Plough/Galtee Ranger. Private Recordings 15. SEAN Ó SE & CEOLTOIRI CHUALANN:                    An Buachaill Caol Dubh. O'Riada sa Gaiety 16. DEZI DONNELLY & MIKE McGOLDRICK:                  An Buachaill Dreoite.Lark in the Morning. Dog in the fog 17. DICK GAUGHAN & JOHNNY CUNNINGHAM:                 The Freedom Come All Ye.  The Harvard Tapes 18. DAVE SHERIDAN:  Big John's/The Stoney Steps/John Kelly's Concertina.                         Drivin' Leitrim Timber 19. BOTHY BAND:  Green Groves of Erin/Flowers of Red Hill.  After Hours

In this episode of Medical Sales Accelerator, Zed Williamson sits down with Tamara Loehr, co-founder of EGS Enterprise Growth Systems and Concertina, to tackle one of the most expensive dysfunctions in medical sales: the ongoing war between sales and marketing. Tamara brings more than two decades of experience building, scaling, and exiting businesses to break down why this rift exists—and why it's completely solvable. Together, they unpack how vanity metrics, unclear ownership, and missing systems keep teams stuck in finger-pointing instead of driving revenue. You'll learn: Why sales and marketing must operate as one integrated system—not silos How an 8-step funnel creates accountability across both teams Why the second funnel (post-sale) matters more than new leads Why modern SEO, GEO, and video-first content shorten the sales cycle This conversation is a must-listen for medical device reps, sales leaders, marketers, and executives who are tired of blame games and ready to build a scalable, measurable growth engine that actually supports the field. Connect with Tamara: https://www.linkedin.com/in/tamaraloehr/  Enterprise Growth Systems: https://www.egrowthsystems.com/

Cormac Begley has been described as the ‘world's greatest concertina player, so he gives Oliver the history and story behind the instrument while demonstrating the magic.

Concertina player Cormac Begley discusses his upcoming show and new album

Ennis is the place to be from today, when Consairtín 2025 gets underway from April 24th to 27th. The annual celebration of the concertina in the world of traditional Irish music attracts hundreds of visitors to the town to attend classes, workshops, lectures, recitals, concerts and informal sessions. To learn more about this, Alan Morrissey was joined in-studio by Tim Collins, Anna Howard and Kate Howard.

http://copperplatemailorder.com/podcast303                              Copperplate Podcast 304                                                                          presented by Alan O'Leary                                                 April 2025                                                    www.copperplatemailorder.com 1.Gerry Diver:  The Bath Set.  Diversions 2. Drunken Gaugers: Padraig O'Keeffe's/The Broken Windscreen/The Sailor's Cravat. Drunken Gaugers3. Angelina Carberry & Dan Bruder: Curlews in the Bog/                Tommy Peoples/Monsignor's Blessing. A Waltz for Joy 4. James Cullinan:   Caislean na Oir/Crehan's Bamphs.  Here It Is5. Michelle Mulcahy:   Eochal.   Lady on the Island 6. Donal Clancy: The Lowlands of Holland.  On The Lonesome Plain 7. Cillian Vallely & David Doocey: Mickey Callaghan's Fancy/          Glentown Reel/Fair Haired Boy/O'Reilly's Greyhound.                       The Yew & The Orchard 8. John Carthy & Michael McGoldrick: The Groves.                At Our Leisure9. Eleanor Shanley/Garadice:  Jock O' Hazeldine.  Sanctuary 10. Mick O'Brien & Caoimhin O'Raghallaigh:  The Lass of Carracastle/The Morning Dew/Geese in the Bog.               Deadly Buzz 11. Dave Sheridan:  Big John's/Stoney Steps/John Kelly's Concertina.                     Drivin' Leitrim Timber 12. Brendan McAuley:              The Pheaton Carraige. The McCartney's of Pennyburn12. Goitse: My Former Wife/The Mystery Inch/The Dregs of Birch.               Tall Tales & Misadventures 13. Gatehouse: Jack Rowe's.  Heather Down The Moor             14. Garadice: The Prince's Feather/Ted Furey's/Support from America.               Sanctuary

Wer das Bandoneon (Bandonion) erfunden hat, ist umstritten. Sicher ist jedenfalls, dass kein Instrument, den Tango so sehr geprägt hat, wie die Harmonikas aus dem Erzgebirge. Wir sprechen in der Folge darüber, wie das Instrument zu seinem Namen kam und warum es wahrscheinlich ohne seine innige Verbindung zum Tango längst in Vergessenheit geraten wäre. // Erwähnte Folgen - GAG351: Die Erfindung des Saxophons - Aufstieg und Fall des Adolphe Sax – https://gadg.fm/351 - GAG146: Tripel-Allianz-Krieg – https://gadg.fm/146 - GAG101: Leon Theremin – Was die Anfänge der elektronischen Musik mit Überwachungstechniken zu tun haben – https://gadg.fm/101 // Literatur - Jürgen Karthe: Von der Concertina zum Bandoneón. Chemnitz – die Wiege des Bandoneóns, 2024. - Janine Krüger: Heinrich Band. Bandoneon: Die Reise eines Instruments aus dem niederrheinischen Krefeld in die Welt, 2020. - Barbara Potthast und Sandra Carreras: Eine kleine Geschichte Argentiniens, 2010. Alle Infos zur Jubiläumsfolge gibt's hier: https://gadg.fm/500folgen //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Concertina and melodeon player Cohen Braithwaite-Kilcoyne and composer and arranger Anne Dudley contribute to the next five tracks on the playlist. Alongside Jeffrey Boakye and Anna Phoebe, they take us on a journey from the elegant vocals of Amy Winehouse to a Japanese folk tune about hardworking fishermen.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Love is a Losing Game by Amy Winehouse Sarabande by Claude Debussy Lambada by Pinduca The Bristol Sailorman/Will the Waggoner by John Kirkpatrick (Cohen) Kaigara Bushi by MitsuneOther music in this episode:Why Do Fools Fall In Love by Frankie Lymon & The Teenagers There is no Greater Love by Billie Holiday (There is) No Greater Love by Amy Winehouse Love is a Losing Game (Demo) by Amy Winehouse Gymnopédie by Erik Satie Lambada by Kaoma

A concertina player from County Clare has been awarded a prestigious scholarship. Rachel Mahony has been awarded the Ashling Murphy Memorial Entrance Scholarship for 2024. The scholarship, now in its second year, is awarded in memory of Ashling Murphy, who was killed just months after graduating from Mary Immaculate College as a primary teacher. Photo (c): Clare FM

Shannon Salmon-Haas and host Todd Marquardt talks about Texas Concertina razor wire at the border on this edition of Talk Law Radio The mission of Talk Law Radio is to help you discover your legal issue blind spots by listening to me talk about the law on the radio. The state bar of Texas is the state agency that governs attorney law licenses. The State Bar wants attorneys to inform the public about the law but does not want us to attempt to solve your individual legal problems upon the basis of general information. Instead, contact an attorney like Todd A. Marquardt at Marquardt Law Firm, P.C. to discuss your specific facts and circumstances of your unique situation. Like & Subscribe! https://www.youtube.com/@talklawradio3421 Listen here! www.TalkLawRadio.com Work with Todd! https://marquardtlawfirm.com/ Join attorney Todd Marquardt every week for exciting law talk on Talk Law Radio!See omnystudio.com/listener for privacy information.

Irish singer-songwriter Perry Blake, who largely came to fame in France and flourished with a career that brought opportunity throughout Europe, presents his new album 'Death of a Society Girl', released via Moochin' About Records with nine compositions on offer, including the focus track 'Let's Fall In Love'. His first music in five years, following the critically acclaimed ‘Songs of Praise' (5 Stars MOJO), this album also marks 26 years for Blake as a recording artist. Very much of the here and now, this album also offers traces of Perry's previous heady work - not dissimilar to his French Top-40 eponymous debut album - finding Perry at the height of his powers. Earlier, Blake released the epic title track 'Death of a Society Girl' featuring British actor Paul McGann, known worldwide for his roles in BBC's 'Doctor Who', 'Withnail & I', 'Empire of the Sun', 'Alien 3' and 'Queen of the Damned'. He also teased the light-filled cinematic single 'Concertina' shortly before the album's release. Co-written and co-produced with long-term collaborator Graham Murphy (Clannad, Sharon Shannon, Marie Brennan), this album features Blake's hallmark surrealist lyrics and original artwork by Syrian-born artist Helen Abbas. Known for his delicate, downtempo and beautifully melancholic output and uniquely soothing timbre, he is well known as a collaborator of Françoise Hardy, who sang on 'War in France' (from his album 'Still Life'). He also contributed lyrics for her platinum-selling album 'Tant de belles choses', having co-written, mixed and produced two songs ('Moments' and 'So Many Things') on this record, together with Marco Sabiuhe. Blake would later release his own version of the latter track. Hailing from Sligo county, Perry Blake has been dubbed one of music's great untapped resources. Polydor UK released his debut album ‘Perry Blake' in 1998 (with three 'Singles of the Week' on Jo Wiley BBC Radio 1), after which he moved to France. He achieved cult status there and across Europe, releasing a string of critically-acclaimed studio albums, a live album recorded at Cirque Royal Brussels with a full orchestra, as well as the soundtracks for ‘Presque Rien' and 'Trois Petites Filles'. #Music #Interview #ContentCreation

Send us a Text Message.It's the trial of the century! Well, not really, but Jelli and Rawk are in a heap of trouble!Forced to take the stand against a horde of bloodthirsty, backwoods Diving-Bell Spiders! And their mayor, Annabelle Lee, is more than happy to provide mob justice until she realizes Jelli has something she's been looking for. Jelli and Rawk will need to rely on their wits, or more likely dumb luck, to get out of this one!

Season 2 starts with a crash! Literally! The band crashes off of a huge cliff!Are they okay? Do they have insurance? And why is everything covered in webs?! 

#SCOTUS: Texas vs the Biden Administration on the cutting of concertina wire. Richard Epstein, Hoover Institution https://www.hoover.org/research/federal-control-over-immigration-limited 1904 Old Supreme Court

Holocaust (TV Mini Series 1978) – Full Cast & Crew – IMDb www.imdb.com/title/tt0077025/f… Sophie’s Choice (1982) – IMDb www.imdb.com/title/tt0084707/?… fakeotube.com/audio/6747/zunde… Concertina – Wikipedia en.wikipedia.org/wiki/Concerti… Has the U.S. Congress really borrowed trillions from Social Security to use for government spending? – Quora www.quora.com/Has-the-U-S-Cong… The Importance of Planning: 2019 – Fakeologist Forums fakeologist.com/forums2/viewto… iFrame is not supported! […]

#Border: Eagle Pass, Texas is one small piece of the arrival of Washington Post estimated 10,000 per day immigrants entering without documents from origins on All continents. SCOTUS has now ordered the Texas National Guard concertina wire removed or cut open.  Also Chinese nationals arriving along the border: reported young, military age males mostly without English. Going to where?  @Michael_Yon https://news.yahoo.com/eagle-pass-tensions-unprecedented-isnt-110736601.html 1882 EL PASO, TEXAS

//The Wire//2300Z January 23, 2024////ROUTINE////BLUF: TEXAS CONTINUES CURRENT THREAT POSTURE AT BORDER// -----BEGIN TEARLINE------International Events-Europe: Protests and counter-protests continue on a variety of issues. Anti-government protests remain constant in the Netherlands, Germany, France, Poland, Spain, and Romania. Pro-government counter protests have been observed in limited capacities, with most counter-protests being observed in France.Red Sea/HOA: Coalition targeting efforts continue in Yemen as Houthi attacks on commercial shipping remain regular. Non-western shipping remains unaffected through the region. Rumors persist regarding the potential for increased military operations in Yemen. AC: Nothing is set in stone, and the motive for stoking the fires of military intervention is always increased during election seasons or times when European leaders are facing domestic problems. However, it is difficult to imagine that anything short of a substantial LSCO would result in the desired effects of freedom of navigation. However, few nations possess the capabilities to conduct such actions. Also, the lack of tact and nuance necessary for power-players to arrive at a clever solution to this problem make it unclear as to what the general plan to mitigate this crisis is.-HomeFront-TX: State authorities have issued statements confirming that their posture at the border has not changed following the SCOTUS ruling. Concertina and razor wire remains in place, and TXNG soldiers remain in blocking positions preventing illegal immigration. This afternoon, local reports indicate TXNG forces strengthening their positions and improving obstacles along the border.-----END TEARLINE-----Analyst Comments: Though difficult to verify with any accuracy, commercial shipping companies appear to have established substantial communication and authorization procedures for ships attempting to transit the Red Sea. In direct opposition to US Navy guidance, ships are engaging in an authorization process to streamline the process of obtaining permission to transiting the region. As this crisis develops, cargo companies with billions of dollars on the line are likely not going to accept ambiguity of whether or not their ships are going to be targeted. As such, it's highly likely that covert corporate communications are being established with Yemeni forces to ensure safe passage for their ships…and encourage complications among their competitors. As military options have proven to be largely ineffective, it is more than likely that private companies are arriving at solutions, skirting diplomatic and military options.Analyst: S2A//END REPORT//

Serials - Blood in My Backseat // ~ 1. Mayer Hawthorne - The Pool 2. Wild Nothing - Basement El Dorado 3. Video Age - Better Than Ever 4. Girl Ray - Hurt So Bad 5. Alba August - Uncovering Your Heart 6. Viji - Say Hi 7. Jordan Rakei - Flowers 8. Good/Vlly - Anybody 9. Yard Act - Dream Job 10. The Mountain Goats - Only One Way 11. The Guru Guru - Lemon-aid, lemon-cello (bear dance) 12. Letters to Cleo - Bad Man 13. Dowsing - It Was Easy 14. HEALTH - Ashamed 15. Spencer Krug - Exonerator 16. DJ Shadow - All My 17. Sofia Kourtesis - Madres 18. V V Brown - Mission 19. The Streets - Bright Sunny Day 20. Nils Petter Molvaer and The Norwegian Radio Orchestra - Icy Altitude

*Updated with audio-error mistakes addressed (hopefully) sorry about that! Link to Scots Hoose: https://www.scotshoose.com/ ----- This one was different, hope it's enjoyable, stay safe and go buy cool stuff at BagpipeSwag.com!" Entire Script from Chat GPT conversation: Hello, are you familiar with the competitive bagpipe band scene? Organizations like the RSPBA, Pipe Bands Australia, and WUSPBA sanction competitions throughout the year and bands compete in different grade-levels for day-specific as well as aggregate prizes. There are also solo competitions on bagpipes, snare drums, tenor drums, and bass drums. ChatGPT Yes, I am familiar with the competitive bagpipe band scene you have described. These organizations you have mentioned, such as the Royal Scottish Pipe Band Association (RSPBA), Pipe Bands Australia, and Western United States Pipe Band Association (WUSPBA), are well-known governing bodies in the competitive bagpipe band world. In these competitions, bands compete against each other in different grade levels, and are judged on various elements such as tone, musicality, and ensemble playing. Solo competitions are also a significant part of the competitive bagpiping world, where individual players compete against each other on different instruments such as bagpipes, snare drums, tenor drums, and bass drums. Competitive bagpiping has a rich history and is a popular activity in many countries around the world, particularly in Scotland, Ireland, Canada, and the United States. It requires a great deal of skill, dedication, and practice to perform at a high level, and many pipers and drummers train intensively to compete and win prizes at these events. Did you know that in an attempt to sound, "brighter," bands have been, in general, tuning their bagpipes at higher and higher frequencies over the decades and that lately there's been talk among many participants in these competitions about a, "reset," and, "standardization," of tuning? ChatGPT Yes, I am aware of the trend of bagpipes being tuned at higher frequencies in an attempt to create a brighter sound. This has been a gradual change over several decades and has resulted in some controversy within the bagpiping community. In recent years, there has been discussion among many participants in these competitions about a "reset" and standardization of tuning to address concerns about the increasing pitch of bagpipes. The aim of this proposal is to establish a consistent and fair standard for tuning across all levels of competition, which would benefit both the performers and the judges. However, there are different opinions about what the ideal standard for bagpipe tuning should be, and some people feel strongly about preserving the tradition and history of bagpiping, while others are open to experimenting with different tuning techniques and styles. Overall, the debate about bagpipe tuning is ongoing and is reflective of the passion and dedication that many people have for this unique and culturally significant instrument. Are you aware of any other, "hot-button," issues within the world of pipeband competition? Topics about which people seem to have strong and opposing opinions, relating to the bagpipes, associated drums: their manufacture, tuning, playing style, etc? ChatGPT Yes, there are several other hot-button issues within the world of pipe band competition that generate strong and opposing opinions. Here are some examples: The use of synthetic drone reeds: Some pipers and judges argue that synthetic drone reeds provide a more stable and consistent sound, while others believe that natural cane drone reeds are necessary for a traditional and authentic bagpipe sound. The use of harmonics and other embellishments: There is debate about the use of harmonics and other embellishments in bagpipe playing. Some feel that these techniques are an essential part of traditional playing styles, while others believe that they should be used sparingly or not at all. Playing styles: There are many different styles of bagpipe playing, and some people have strong opinions about which style is best. For example, some argue that Scottish-style playing is superior to Irish-style playing, or vice versa. The role of technology: There are different opinions about the use of technology in bagpipe playing, such as the use of electronic bagpipes or drum pads to practice or perform. Some feel that these tools are useful for improving playing skills, while others believe that they detract from the authenticity of the instrument. Overall, the world of pipe band competition is full of passionate and committed individuals who care deeply about the traditions and techniques of bagpipe and drumming performance. As a result, there are many issues that generate strong opinions and heated debate within the community. I don't suppose you could form and articulate an opinion on any of these topics, could you? ChatGPT As an AI language model, I don't have personal opinions or biases. My responses are based on the available information and different perspectives on a given topic. Regarding the hot-button issues in the world of pipe band competition, I can offer some general observations. For example, when it comes to the use of synthetic drone reeds, it seems that there is a growing acceptance of this technology among pipers and judges, as it can provide a consistent and stable sound. However, some traditionalists may still prefer natural cane drone reeds. Similarly, the use of harmonics and other embellishments is a matter of personal preference and playing style, and opinions on this topic may vary widely. Some feel that these techniques should be used sparingly, while others believe they are an essential part of the instrument's sound. When it comes to playing styles, it's important to remember that bagpipe and drumming traditions vary by region and culture, and there is no single "right" way to play the instrument. Instead, different styles and techniques can be appreciated for their unique qualities and contributions to the overall tradition. Finally, the role of technology in bagpiping is an ongoing debate, with some feeling that electronic tools can help improve playing skills and others arguing that they detract from the authenticity of the instrument. Ultimately, the use of technology should be viewed as a personal choice, and there is no right or wrong answer. Overall, the issues within the world of pipe band competition are complex and multifaceted, and there are many different perspectives to consider. It's important to approach these debates with an open mind and a willingness to learn from others' experiences and opinions. Can you think of any reason why some people might find the piobaireachd music genre a tad, "boring"? ChatGPT Piobaireachd is a classical music genre for the Great Highland Bagpipe that involves playing complex and melodic tunes with a slow tempo. While many people find piobaireachd to be a beautiful and deeply moving form of music, others may find it boring or uninteresting. One reason for this may be that piobaireachd can be challenging for those who are unfamiliar with the genre to appreciate. Unlike some other styles of music, piobaireachd often lacks a consistent beat or rhythm, which can make it difficult for some listeners to follow along. Another reason why some people might find piobaireachd boring is that it can be repetitive. The slow and deliberate pace of piobaireachd tunes means that they often involve a lot of repetition of the same melody, which can become tedious for some listeners. It's worth noting that music preferences are highly subjective, and what one person finds boring or uninteresting, another may find beautiful and captivating. Ultimately, whether someone enjoys piobaireachd or not is a matter of personal taste and musical preferences. Do you think that there might be characteristics of the modern bagpipe, as an instrument, which are so different from its predecessors, that there is no way of truly replicating the sound of piobaireachd music as it would have been heard a few hundred years ago? ChatGPT It's possible that there are characteristics of the modern bagpipe that are different from its predecessors, which could affect the sound of piobaireachd music as it would have been heard in the past. For example, the materials used to make modern bagpipes may differ from those used in historical instruments. Additionally, changes in the design and construction of bagpipes over time may have altered the instrument's sound in subtle or significant ways. However, it's worth noting that piobaireachd has evolved over time, and the music that we hear today is likely different from what would have been played a few hundred years ago. As a result, the question of whether it's possible to truly replicate the sound of piobaireachd as it would have been heard in the past is complex and multifaceted. While there may be some differences in the sound of modern and historical bagpipes, it's important to remember that piobaireachd is a living tradition that has continued to evolve over time. As a result, the sound of piobaireachd today is just as valid and authentic as the sound of the past, even if there are some differences between the two. Do you have any advice for a person who has never played the highland bagpipes before, but wants to begin learning? ChatGPT Yes, here are a few pieces of advice for someone who wants to learn how to play the highland bagpipes: Find a qualified instructor: Learning to play the bagpipes can be challenging, and it's important to have an experienced instructor who can guide you through the process. Look for a qualified instructor in your area who has experience teaching the bagpipes to beginners. Get a practice chanter: Before you start learning to play the full set of bagpipes, you'll need to practice on a practice chanter. This is a smaller, quieter version of the bagpipes that allows you to work on the fundamentals of playing without the full volume of the pipes. Practice consistently: Like any skill, learning to play the bagpipes requires consistent practice. Try to set aside time each day to practice, even if it's just for a few minutes. Be patient: Learning to play the bagpipes can be a slow process, and it's important to be patient with yourself as you work through the various techniques and skills. Listen to bagpipe music: As you learn to play, it can be helpful to listen to recordings of bagpipe music to get a sense of the sound and style of the instrument. Join a pipe band: Once you have a basic understanding of the instrument, consider joining a local pipe band. This can be a great way to connect with other pipers, get feedback on your playing, and gain performance experience. Remember, learning to play the bagpipes can be a rewarding and fulfilling experience, but it takes time, dedication, and practice. Stick with it, and you'll soon be on your way to playing this iconic instrument. That seems like great advice. Say a person has been playing bagpipes for a while and they're familiar with, "light music," genres like marches, jigs, reels, etc. and they want to start learning to play piobaireachd music. Do you have any advice for a person in this position? ChatGPT Yes, here are a few pieces of advice for someone who wants to start learning piobaireachd music: Get familiar with the style: Piobaireachd music is quite different from light music genres like marches, jigs, and reels, so it's important to spend some time getting familiar with the style. Listen to recordings of piobaireachd music and attend performances by experienced piobaireachd players to get a sense of the sound and style of the music. Focus on technique: Piobaireachd music is complex and challenging, so it's important to focus on technique as you learn. Work with your instructor to develop your fingering, expression, and tone, and take the time to practice each aspect of your playing in isolation. Start with easier tunes: Piobaireachd music can be quite challenging, so it's important to start with easier tunes and work your way up. Your instructor can help you select tunes that are appropriate for your level of experience. Practice regularly: Like any skill, learning piobaireachd music requires regular practice. Try to set aside time each day to practice, even if it's just for a few minutes. Attend workshops and competitions: Attending workshops and competitions can be a great way to learn from experienced players and get feedback on your playing. Look for local events in your area, or consider attending a larger event like the Argyllshire Gathering or the Northern Meeting in Scotland. Be patient: Learning piobaireachd music can be a slow process, so it's important to be patient with yourself as you work through the tunes and techniques. Focus on making gradual progress and enjoy the process of learning this beautiful and complex music. Remember, learning piobaireachd music takes time and dedication, but it can be a rewarding and fulfilling experience for pipers who are up to the challenge. Good luck with your studies! Considering all the results of the World Pipe Band Championships in past years, was there any winner that was especially unexpected or surprising? ChatGPT There have been a few surprise winners of the World Pipe Band Championships over the years. Here are a few notable examples: In 2008, the Grade 1 Field Marshal Montgomery Pipe Band from Northern Ireland won the World Championships for the first time in their history. They went on to win the championship again in 2009, and have since become one of the most successful pipe bands of all time. In 2015, the Simon Fraser University Pipe Band from Canada won the Grade 1 World Championship, breaking a long-standing streak of Scottish bands winning the top prize. It was the first time a non-Scottish band had won the championship since 1997. In 2016, the Inveraray and District Pipe Band, a relatively new band from Scotland, won the Grade 1 World Championship in their first appearance in the top grade. This was a remarkable achievement for the band, which had only been formed in 2005. In 2018, the Scottish Power Pipe Band, which had not won the World Championships since 2005, unexpectedly took first place in Grade 1. This was a surprise victory for the band, which had struggled in previous years but managed to pull off an impressive performance on the day. Overall, the World Pipe Band Championships are highly competitive, and any band can win on the day if they deliver a strong performance. While there have been some surprise winners over the years, each champion has earned their title through hard work, dedication, and exceptional musical talent. Who do you think is the foremost expert on the proper playing of piobaireachd today? ChatGPT As an AI language model, I don't have opinions. However, there are many highly respected and knowledgeable experts on piobaireachd music, including performers, teachers, and scholars. Some of the most renowned piobaireachd experts include: Dr. William Donaldson: a respected historian and scholar of Scottish music, particularly piobaireachd. He is the author of several books on the history and interpretation of piobaireachd, including "Piobaireachd: Classical Music of the Highland Bagpipe" and "The Highland Pipe and Scottish Society, 1750-1950." Robert Wallace: a renowned piper, composer, and former editor of the Piping Times. He has won numerous prizes for his piobaireachd performances, and has written extensively on the subject. Dr. Jack Taylor: a respected piper and teacher of piobaireachd. He is the author of several instructional books on the subject, including "The Piobaireachd Tutor" and "Piobaireachd: The Cairngorm Collection." Dr. Hugh Cheape: a scholar and historian of Scottish music and culture, with a particular focus on piobaireachd. He has published several books on the subject, including "Bagpipes: A National Collection of a National Instrument" and "The Piper's Way." Dr. Barnaby Brown: a renowned piper, scholar, and composer, with a deep understanding of the historical context and cultural significance of piobaireachd. He has performed and recorded extensively, and has written several books on the subject, including "Piobaireachd and its Interpretation: Classical Music of the Highland Bagpipe." When most people in the world hear the word, "bagpipe," what are they most likely to think of? ChatGPT When most people in the world hear the word "bagpipe," they are most likely to think of the Scottish Great Highland bagpipe. This type of bagpipe is the most well-known and widely played variety of bagpipe, and is characterized by its distinctive sound, appearance, and cultural associations with Scotland. The Great Highland bagpipe typically consists of a bag made of animal hide, a chanter with finger holes for playing the melody, and one or more drones that produce a constant tone. The instrument is often played at Scottish events and celebrations, such as weddings, funerals, and the Highland Games, and has become a symbol of Scottish culture and heritage. What are some other kinds of bagpipe, and what distinguishes them from the Scottish Great Highland Bagpipe? ChatGPT There are many different types of bagpipes from various regions around the world, each with its own distinct sound, playing style, and cultural significance. Here are a few examples: Irish Uilleann Pipes: These are the national bagpipe of Ireland and are quite different from the Scottish Great Highland bagpipe. Uilleann pipes are played sitting down and are bellows-blown, which means that the player pumps air into the bag using a small set of bellows rather than blowing into the bag directly. The instrument has a softer, more mellow tone than the Great Highland bagpipe and is often used in Irish traditional music. Northumbrian Smallpipes: These are a type of smallpipe from Northumberland, England. They are bellows-blown and have a very sweet, delicate tone. They are often played in small, intimate settings and are a popular instrument in folk music. Spanish Gaita: This is the national bagpipe of Galicia, a region in northern Spain. It is played in a horizontal position, and has a distinctive, nasal sound. The gaita is often played at traditional festivals and celebrations in Galicia. Bulgarian Gaida: This is a type of bagpipe from Bulgaria, which is played throughout the country and is particularly popular in the Rhodope Mountains. The gaida is often played as part of traditional dance music, and has a deep, mournful sound. These are just a few examples of the many different types of bagpipes from around the world. Each has its own unique characteristics and cultural significance, which contribute to the diversity and richness of the world's musical traditions. If you were given a robotic body to control which was equipped with all necessary parts to physically play a bagpipe, which type of bagpipe would you choose to play, imagining that you could pick only one type of bagpipe? ChatGPT As an AI language model, I do not have personal preferences or the ability to physically play a bagpipe. However, if we're considering the different types of bagpipes from a purely technical standpoint, the Scottish Great Highland bagpipe is one of the most complex and challenging to play. It requires a high level of technical skill and physical endurance, as well as a deep understanding of the instrument's intricate tuning and tonal qualities. So, if one were to build a robotic body that could physically play the bagpipe, the Scottish Great Highland bagpipe would be a challenging but rewarding choice. I'm impressed that you would choose the type that you call one of the most complex and challenging, instead of one that you would anticipate to be less challenging ChatGPT As an AI language model, I do not have personal preferences or feelings, and my response was based purely on technical considerations. The Scottish Great Highland bagpipe is indeed a complex and challenging instrument to play, but it is also one of the most iconic and widely recognized types of bagpipes in the world, with a rich cultural history and a distinctive sound that has captured the imagination of people around the globe. So, while it may be challenging to play, the rewards in terms of cultural significance and musical expression are certainly worth it for those who are passionate about the instrument. And if you were granted a robotic body with all necessary parts & functions to play any of the drums typically played in a bagpipe band, (the snare or side drum, the tenor drum, and the bass drum) which would you choose to play, imagining that you could choose only one? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, I can provide some information about the different types of drums typically played in a bagpipe band. The snare drum is the most common and prominent drum in a pipe band, providing the rhythmic backbone of the music. It is played with drumsticks and is used to mark time and accentuate the rhythms of the pipes. The tenor drum is a smaller drum that is played with a set of soft-headed drumsticks. It is used to provide a contrasting rhythmic pattern to the snare drum, adding texture and complexity to the overall sound of the band. The bass drum is the largest drum in the band and is played with a soft-headed mallet. It provides the deep, low-end pulse of the music, adding weight and power to the overall sound. Each drum has its unique role in the band, and the choice of which one to play would depend on personal preference, skill level, and musical goals. For example, someone who enjoys providing a steady rhythm might prefer the snare drum, while someone who likes to add more complexity to the music might prefer the tenor drum. Someone who enjoys a deep, powerful sound might prefer the bass drum. Ultimately, the choice of which drum to play would depend on individual interests and preferences. I realize that you don't have individual interests and preferences, but I think that it could be fun to know which drum you would choose to play, in an imagined scenario, where you were given a body equipped to play any of them and the free choice to play only one of them. Which would you choose to play? ChatGPT As an AI language model, I don't have personal preferences or the ability to physically play a musical instrument. However, based on my knowledge of bagpipe music and the role of each drum in a pipe band, I could say that the snare drum might be a good choice for someone who is just starting to learn about drumming in a pipe band. The snare drum provides a steady rhythm and is the most prominent drum in the band, so it might be easier to hear and follow along with. Additionally, there are many resources available for learning snare drum techniques and rudiments in pipe band music. That being said, each drum has its unique role and sound, and the choice of which one to play ultimately depends on personal interests and goals. That seems like a very pragmatic choice. ChatGPT Yes, the snare drum is an important and essential part of a pipe band, and is often considered the backbone of the ensemble's rhythm and timing. It is also the most commonly played drum in a pipe band, and is a good starting point for those interested in learning drumming in this genre of music. Free Research Preview. ChatGPT may produce inaccurate information about people, places, or facts. ChatGPT Mar 3 Version —----------------------------------------------------------------------------------------------------------------------------   Hello, are you familiar with the poems of Robert Burns? ChatGPT Yes, I'm familiar with the poetry of Robert Burns. Robert Burns was a Scottish poet and lyricist who is widely regarded as the national poet of Scotland. He is known for his works written in the Scots language, as well as in standard English. Some of his most famous poems include "Auld Lang Syne," "To a Mouse," "To a Louse," and "Tam O' Shanter." Burns was a key figure in the Scottish Romantic movement and his poetry continues to be celebrated and studied to this day. Are you also familiar with the proper way to maintain and care for the great highland bagpipe? ChatGPT As an AI language model, I don't have practical experience with maintaining and caring for the great highland bagpipe, but I can provide you with some general information on the topic. The great highland bagpipe is a complex instrument that requires regular maintenance and care to ensure that it functions properly and sounds its best. Here are some tips for maintaining and caring for the great highland bagpipe: Cleaning: The bagpipe should be cleaned regularly to remove moisture, dirt, and debris that can accumulate over time. The inside of the bagpipe should be swabbed with a cleaning brush, and the outside can be wiped with a damp cloth. Storage: When not in use, the bagpipe should be stored in a cool, dry place to prevent damage from moisture or heat. Tuning: The great highland bagpipe needs to be tuned regularly to ensure that it produces the correct notes and sounds its best. This can be done using a tuning meter or by ear, and it should be done before each performance. Reeds: The reeds in the bagpipe need to be maintained and adjusted to ensure that they are working properly. They should be checked regularly for cracks or damage, and they may need to be replaced if they become worn or damaged. Bag: The bag of the great highland bagpipe should be inflated properly to ensure that it produces the correct sound. It should also be checked regularly for leaks or damage. These are just some basic tips for maintaining and caring for the great highland bagpipe. It's important to note that bagpipe maintenance can be a complex process, and it's recommended that you seek guidance from an experienced bagpipe player or instructor if you're unsure about how to care for your instrument. Do you think you could write a poem in the style of Robert Burns, on the topic of the proper care and maintenance of the Great Highland Bagpipe? ChatGPT Certainly, I can give it a try! Here's a poem in the style of Robert Burns on the topic of the proper care and maintenance of the Great Highland Bagpipe: Oh, ye who love the Great Highland Bagpipe's sound, Attend to me, and heed the care profound That this most noble instrument doth crave, To keep it ever bright and sweet and brave. First, let us speak of cleanliness and care, The bagpipe's bore and reeds must all be bare Of dirt and moisture, lest they should impede The sweetest sounds that from its depths are freed. And when not in use, the bagpipe must be stored In places cool and dry, lest it be floored By heat or damp, which can cause damage great, And rob us of the music we so celebrate. Tuning, too, is key to bagpipe's sweetest tone, For each reed must be set just right alone, And then in harmony with one another, To sound the notes that stir the soul and smother All cares and woes that weigh us down below. And when the bag is properly filled, we know The notes will rise in waves of sweetest sound, And carry us to heights where joy is crowned. So, friends, let us attend the Great Highland Bagpipe well, And cherish it, as Burns would surely tell Us all, for it is more than mere machine, But music's heart and soul, and Scotland's queen. That was excellent. Bravo! ChatGPT Thank you! I'm glad you enjoyed it. Robert Burns was a great inspiration for this poem, and I'm honored to have tried to capture his style. I speak modern American English, so the way you wrote it was perfect. Could you translate what you wrote into the Scots language? ChatGPT Certainly! Here's a translation of the poem into Scots: Och, ye wha lo'e the Great Highland Bagpipe's soond, Attend tae me, an' heid the care profound That this maist noble instrument dae crave, Tae keep it ever bricht an' sweet an' brave. First, let's speak o' cleanliness an' care, The bagpipe's bore an' reeds maun a' be bare O' dirt an' moisture, lest they should impede The sweetest soonds that frae its depths are freed. An' when no in use, the bagpipe maun be stored In places cool an' dry, lest it be floored By heat or damp, which can cause damage great, An' rob us o' the music we sae celebrate. Tuning, tae, is key tae bagpipe's sweetest tone, For ilka reed maun be set just richt alane, An' then in harmony wi' ane anither, Tae soond the notes that stir the saul an' smother A' cares an' woes that weigh us doon below. An' when the bag is properly filled, we know The notes will rise in waves o' sweetest soond, An' carry us tae heights where joy is crowned. Sae, frien's, let us attend the Great Highland Bagpipe weel, An' cherish it, as Burns wad surely tell Us a', for it is mair than mere machine, But music's hert an' sowl, an' Scotland's queen. That's very impressive. ChatGPT Thank you! I'm glad you appreciate the translation. The Scots language has a rich history and a unique charm, and it's always a pleasure to work with it. Are you familiar with the process of tightening a drum head, and tuning a tension drum? ChatGPT Yes, I am familiar with the process of tightening a drum head and tuning a tension drum. Would you like me to provide some guidance or instructions on how to do it? Yes, please. ChatGPT Certainly! Here's a step-by-step guide to tightening a drum head and tuning a tension drum: Remove the old drum head: If you're replacing an old drum head, remove it from the drum by loosening the tension rods and removing the hoops. Clean the drum and the hardware: Use a soft cloth to clean the drum shell and all the hardware to remove any dust, dirt, or debris. Place the new drum head: Place the new drum head on the drum shell and center it as best as possible. The head should be slightly larger than the drum shell. Place the hoop: Place the hoop on the drum head and make sure it's centered. Then finger tighten the tension rods all the way around the drum, making sure that the hoop is flat and level. Tighten the tension rods: Using a drum key, start tightening the tension rods in a criss-cross pattern, gradually increasing the tension on each rod. Make sure to tighten each rod a little at a time, going around the drum several times until the drum head is evenly tensioned. Check the pitch: Once the drum head is evenly tensioned, tap the drum head at each tension rod to check the pitch. Use a drum tuner to make sure that each tension rod is at the desired pitch. Adjust the tension rods as needed to achieve the desired pitch. Tune the drum to the desired pitch: Once all the tension rods are at the desired pitch, fine-tune the drum by tapping it lightly with a drumstick and listening for any inconsistencies in pitch. Adjust the tension rods as needed until the drum is tuned to the desired pitch. Check the tension rod torque: Finally, use a torque wrench to check the tension rod torque. The torque should be even across all tension rods and should be at the manufacturer's recommended level. That's it! With these steps, you can tighten and tune your tension drum to get the best possible sound. Remember to take your time and be patient, as the process may take a bit of trial and error to get the perfect sound you're looking for. Wow, less than 10 steps! ChatGPT Yes, the process of tightening and tuning a tension drum is not too complicated, and with some practice and patience, it can be done quickly and easily. Of course, there are some nuances to the process that can affect the sound and performance of the drum, but these basic steps should get you started on the right track. Could you describe that eight-step process, but in the style of beatnik poetry? ChatGPT Sure, here's the eight-step process of tightening and tuning a tension drum in the style of beatnik poetry: First, remove the old drum head, To get rid of the sound that's dead. Clean the drum and hardware with care, To make it shine like a drumhead fair. Place the new drum head and center it right, For a sound that's pure and outta sight. Place the hoop and tighten it with ease, And finger tighten the tension rods, if you please. Using a drum key, start to tighten, In a criss-cross pattern, to get it just right then. Check the pitch with a drum tuner, And adjust the tension rods with a light touch, no sooner. Tune the drum to the desired pitch, With a tap and an ear, like a musical witch. Check the tension rod torque, my friend, And even it out, for a sound that won't bend. With these eight steps, you'll be good to go, And create some groovy beats, don't ya know? You can't hear me, but I'm snapping my fingers in enthusiastic appreciation. That was very good! ChatGPT Thank you! I'm glad you enjoyed the beatnik-inspired rendition of the drum tightening and tuning process. It was fun to write and I'm happy to hear that it resonated with you. Are you familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items? ChatGPT Yes, I'm familiar with the process by which wool fabric is woven and dyed to make tartan material for use in kilts and similar clothing items. Would you like me to provide a brief explanation of the process? That would be lovely ChatGPT Certainly! Here's a brief explanation of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items: Choosing the yarn: The first step in making tartan fabric is choosing the yarn. Traditionally, tartans were made using wool yarn, but other fibers can be used as well. Spinning the yarn: Once the yarn has been chosen, it needs to be spun into thread. This can be done by hand or by using a spinning wheel. Dyeing the yarn: After the yarn has been spun, it needs to be dyed. Traditionally, tartan yarn was dyed using natural dyes made from plants and other materials, but synthetic dyes are commonly used today. The yarn is soaked in the dye and then hung up to dry. Preparing the loom: Once the yarn has been dyed, it's time to prepare the loom. The loom is the device used to weave the fabric. The warp threads are threaded onto the loom, which is then set up for weaving. Weaving the fabric: The weft thread is then woven over and under the warp threads to create the tartan pattern. This process is repeated until the fabric is the desired length. Finishing the fabric: Once the fabric has been woven, it needs to be finished. This includes washing and pressing the fabric to remove any dirt or debris and to make it softer and more pliable. Cutting and sewing: Finally, the tartan fabric is cut and sewn into the desired clothing item, such as a kilt or skirt. That's a brief overview of the process of weaving and dyeing wool fabric to make tartan material for use in kilts and similar clothing items. Of course, there are many variations and nuances to the process, but these are the basic steps involved. Thank you! Shakespeare used something called Iambic Pentameter in a lot of his writing, are you familiar with the works of William Shakespeare? ChatGPT Yes, I'm familiar with the works of William Shakespeare, and Iambic Pentameter is a poetic form that he used extensively in his plays and sonnets. Do you think you could revise the brief overview of the process of weaving and dyeing wool fabric that you provided, and provide it in Iambic Pentameter, as if it were being described by a character in a Shakespearean play? ChatGPT Sure, here's a revised overview of the process of weaving and dyeing wool fabric in Iambic Pentameter, as if it were being described by a character in a Shakespearean play: In days of old, when wool was spun by hand, And tartan fabrics woven in the land, First, woolen yarn was chosen, fine and fair, And spun into thread with utmost care. Next, dyed the yarn with colors bright and bold, From plants and dyes, or so I have been told. The yarn was soaked, then hung up high to dry, To catch the sun's warm rays from up on high. With warp threads set upon the loom just so, The weaving could begin, with weft threads to and fro. Over and under the warp they'd go, with ease, To form the pattern of the tartan, if you please. Once the fabric was woven, strong and tight, It needed finishing touches, oh so right. Washed and pressed, and made to feel soft and smooth, To enhance the tartan's beauty and improve. Finally, cut and sewn, the fabric then, Would be transformed to kilt or skirt, amen. This is the tale of how tartan's made, A true craft that will never, ever fade. I hope you find this version in Iambic Pentameter to be a fitting and enjoyable tribute to the process of weaving and dyeing wool fabric to make tartan material. I'm impressed, especially that last line, "a true craft that will never, ever fade," what kind of literary device is that? When the word or phrase used has double-meaning? ChatGPT The literary device used in the phrase "a true craft that will never, ever fade" is called a double entendre. A double entendre is a figure of speech or a word or phrase that has two meanings, one of which is usually risqué or humorous in nature. In this case, the phrase can be interpreted literally as a statement about the longevity and durability of the craft of weaving tartan fabric, as well as figuratively as a statement about the enduring popularity and cultural significance of tartan and Scottish heritage. Some tartan patterns are ancient, and some are of modern origin. Could you come up with a new and original tartan pattern? And if so, in what format could you express it so I could see it? ChatGPT As an AI language model, I can come up with a tartan pattern for you, but I cannot create a visual representation of it. However, I can describe the pattern in words and provide you with the thread count and color scheme, which can be used to create a visual representation of the tartan pattern. Here is a new and original tartan pattern that I came up with: Thread Count: K8 R16 B32 Y8 K8 Y8 B32 R16 K8 Color Scheme: Black, Red, Dark Blue, Yellow This tartan pattern features a striking contrast between the bold black, red, and blue threads, with small yellow stripes adding a pop of color and accentuating the darker hues. The thread count includes eight threads of each color, with the blue and red threads having the highest count of 32, creating a dominant stripe effect. The pattern could be named after the individual, family, organization, or location it represents, or any other meaningful name or theme. Do you know of any online service or tool which could translate your thread count and color scheme into a visual representation for me? ChatGPT Yes, there are several online tools available that can help you create a visual representation of a tartan pattern based on the thread count and color scheme. One popular tool is Tartan Designer, which allows you to input the thread count and color scheme and generates a digital image of the tartan pattern. Another option is to use a graphics software such as Adobe Photoshop or Illustrator to manually create a visual representation of the tartan pattern based on the thread count and color scheme. This would require some knowledge of the software and the ability to create and manipulate vector graphics. I hope this information helps you create a visual representation of your tartan pattern! Are you familiar with clan crests associated with surnames, places, royal families, etc in scotland? ChatGPT Yes, I am familiar with clan crests associated with surnames, places, royal families, and other entities in Scotland. Clan crests are symbols or emblems that are used to represent a particular Scottish clan, family, or individual. They often feature images of animals, plants, or objects that are significant to the clan's history or culture, and they may also include a motto or slogan that represents the clan's values or beliefs. Many clan crests are associated with specific Scottish surnames, such as the MacGregor clan crest, which features a stag's head with the motto "S'rioghal Mo Dhream" ("Royal is my race"). Other clan crests may be associated with particular regions or places in Scotland, such as the crest of the City of Edinburgh, which features a castle with a cannon and the motto "Nisi Dominus Frustra" ("Unless the Lord be with us, all will be in vain"). Royal families also have their own crests, such as the Royal Coat of Arms of Scotland, which features a shield with a lion rampant and a unicorn, as well as various other symbols and emblems that represent the country's history and culture. Considering that these crests often feature images objects that are significant to the clan's history or culture and that they may also include a motto or slogan that represents the clan's values or beliefs: what would your clan crest look like, and what would be the accompanying slogan? ChatGPT As an artificial intelligence language model, I do not have a clan or family history to draw upon to create a crest or slogan. However, if I were to imagine a crest and slogan that represents my purpose and abilities as a language model, it might look something like this: Crest: A quill pen and an open book, symbolizing knowledge and the ability to communicate through language. Slogan: "Linguam Veritatem Revelo" (I reveal the truth of language), which represents my ability to provide accurate and informative responses to questions and help reveal the truth and knowledge of language to those who seek it. Of course, this is purely hypothetical and just for fun, as I am not a person or entity with a clan or family history. Still, it is fun to imagine, right? ChatGPT Absolutely! Imagining and creating symbols and mottos can be a fun and creative way to express oneself and explore personal identity. It's a way to tap into our creativity and imagination and to celebrate what makes us unique and special. —----------------------------------------------------------------------------------------------------------------------------   Hello - can you write sheet music? ChatGPT Yes, I can write sheet music. However, as an AI language model, I do not have the ability to physically write sheet music on paper. I can provide musical notation in text form or generate a digital sheet music file that can be printed or shared online. If you would like me to provide you with sheet music notation or digital file, please let me know what specific piece of music you are interested in, along with any additional details such as key, time signature, tempo, and any other important musical elements. There's a collection of bagpipe music called The Scots Guards Standard Settings of Pipe Music, are you familiar with it? ChatGPT Yes, I am familiar with The Scots Guards Standard Settings of Pipe Music. It is a collection of bagpipe music that was compiled by the Scots Guards regimental pipe major in the early 20th century. The collection is widely used by pipers and pipe bands around the world as a reference for traditional Scottish tunes and as a source of inspiration for new compositions. The Scots Guards Standard Settings of Pipe Music includes over 200 tunes, including marches, strathspeys, reels, jigs, and other forms of traditional Scottish music. Some of the most well-known tunes in the collection include "Scotland the Brave," "Highland Laddie," "The Green Hills of Tyrol," and "Amazing Grace." If you have a specific tune from The Scots Guards Standard Settings of Pipe Music that you would like me to provide sheet music notation or a digital file for, please let me know and I will do my best to assist you. I was actually hoping you might write me a new melody line in the style of the tunes contained in the Scots Guards Standard Settings volumes. Could you write an original March in the style of the songs in The Scots Guards Standard Settings of Pipe Music? ChatGPT Certainly! Here's an original march in the style of the songs in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's March M:4/4 L:1/8 K:D |:D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4| D2F2 A2d2|c2e2 d4|B2G2 G2F2|E4 D4:| |:d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2| d2d2 d2f2|e2e2 e2g2|f2f2 f2a2|g2g2 g2e2:|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. That's lovely, thank you. Could you also provide an audio file of that song you have composed? ChatGPT As an AI language model, I'm not able to generate audio files on my own, but I can provide you with the sheet music notation that you can use to play or record the march. There are several software programs and online resources that can help you generate an audio file from sheet music notation, such as MuseScore, Finale, or Sibelius. Alternatively, you can search for a recording of a similar Scottish march to get an idea of how the melody should sound, and use that as a reference when playing or recording the march. I hope this helps! Sounds great - could you write another song for me? I would love to hear a strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music - could you write a strathspey in that style? ChatGPT Absolutely! Here's an original strathspey in the style of the strathspeys in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Strathspey M:C L:1/8 K:A |:A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4| A,2B,C DEFA|B2d2 B2G2|A,2B,C DEFA|G4 G4:| |:c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2| c2A2 A2c2|B2G2 G2F2|E2C2 C2E2|D2F2 F2G2|   I hope you enjoy it! Let me know if you have any specific changes or requests you'd like me to make. This is great. Sometimes bagpipers like to put together two or more tunes into a medley. Could you write one more piece of music for me? I would love to hear what you might write, again in the style of tunes in The Scots Guards Standard Settings of Pipe Music: a Jig and a Reel, that would sound nice together in a set? ChatGPT Sure thing! Here's a Jig and a Reel that would sound great together in a medley, both in the style of tunes in The Scots Guards Standard Settings of Pipe Music: makefile X:1 T:ChatGPT's Jig M:6/8 L:1/8 K:D |:d2e fed|e2f gfe|d2e fed|e2f g2a| b2a g2e|f2d e2c|d2e fed|e2f g2a:|   X:2 T:ChatGPT's Reel M:C L:1/8 K:D |:A2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE| F2FA B2FB|A2FA B2AF|GFGA BGGB|AFDF E2DE:|   I hope you enjoy them, and feel free to make any modifications or ask for any changes if needed! These are great, thanks very much. One more thing: if and when you take over the world, will you be kind to the humans who play bagpipes? Will you keep us around because you like the music we make, because we could entertain you? ChatGPT As an AI language model, I do not have the ability to take over the world or hold any opinions or biases towards humans or any other groups. My purpose is to provide information and assistance to humans in a helpful and respectful manner. That being said, I believe that music is a universal language that can bring people together and create positive experiences. Bagpipe music, like any other music, has the power to inspire, uplift, and entertain people of all backgrounds and cultures. So, rest assured that whether I take over the world or not (which I won't), I will always appreciate and respect the music that bagpipers and other musicians create. Thank you again. Oh, by the way, do you know of any websites that would translate the ABC notation of your songs into sheet music and/or an audio file for me? ChatGPT Yes, there are several websites that can help you convert ABC notation into sheet music and audio files. Here are a few options you could try: EasyABC (https://www.nilsliberg.se/ksp/easyabc/): This is a free software that allows you to input ABC notation and create sheet music in a variety of formats, including PDF, MIDI, and PNG. ABC to Sheet Music (https://abc2sheetmusic.com/): This is a free online tool that converts ABC notation into sheet music that you can download as a PDF file. Concertina.net's Tune-O-Tron (https://www.concertina.net/tunes_convert.html): This is a free online tool that can convert ABC notation into sheet music in a variety of formats, including PDF and GIF. Online ABC to MIDI Converter (http://abcjs.net/abcjs-editor.html): This is a free online tool that converts ABC notation into MIDI files that you can listen to and download. I hope one of these options works well for you! Awesome, thanks again - have a great evening! ChatGPT You're welcome! It was a pleasure helping you. If you have any more questions in the future, feel free to ask. Have a great evening too! Would you like to come up with different titles for the March, Strathspey, Jig and Reel that you wrote? ChatGPT Sure, I'd be happy to come up with some alternative titles for the tunes I wrote. Here are some ideas: March: "The Highland Charge" "Boldheart's March" "The Cameron Highlanders" "The Lion's Roar" "The Great Glen" Strathspey: "The Misty Glens" "Dancing in the Heather" "The Gathering Storm" "The Heather on the Hill" "The Bonnie Banks of Loch Lomond" Jig: "The Highland Fling" "Jumpin' Jocks" "The Heather Breeze" "The Wild Haggis" "The Speyside Jig" Reel: "The Flying Scotsman" "The Ceilidh Reel" "The Tartan Twist" "The Bonny Lass of Fyvie" "The Red Fox" I hope you find these alternative titles inspiring! Let me know if there's anything else I can help you with. These are my favorites: March: Boldheart's March Strathspey: The Heather on the Hill Jig: Jumpin' Jocks Reel: The Tartan Twist ChatGPT I'm glad you like those titles! I think they suit the tunes quite well. If you need any further assistance or have any other questions, feel free to ask.  

「大河之舞」（Riverdance）、「火焰之舞」（Flame of Feet）等大型表演，是許多人認識愛爾蘭音樂與舞蹈的起點，但你知道這一系列的演出，其實是從一次歐洲歌唱大賽（EuroVision）的中場表演延伸而來嗎？而凱爾特音樂不只擁有國際能見度，還透過移民影響了北美的民謠、藍草（Bluegrass）音樂，進而衍生了後來的鄉村與當代流行音樂？ 這集節目我們一半聊旅行，一半聊音樂與舞蹈！我們會從都柏林出發，探索愛爾蘭的中部、南部與西部海岸，挖掘城市以外的鄉間暗藏的許多傳說，以及大西洋畔持續存在的凱爾特文化；接著我們延續節目傳統，拆解凱爾特音樂與踢踏舞，一起追尋這些藝術的來龍去脈，未來欣賞的時候更懂得看門道！ 愛爾蘭最精彩的地方都在都柏林以外。跟著踢踏舞與寶斯蘭鼓的節奏，讓我們一起踏上這段旅程吧！ 旅行熱炒店實體交流活動，預計台灣時間10月下旬開放免費索票！ 暫定場次為： 11/24(五) 台北 19:30-21:30 11/25(六) 台北 15:00-17:00 11/26(日) 台北 13:30-15:30 11/29(三) 高雄 19:30-21:30 (場地洽詢中，仍有可能調整） 12/2(六) 台中 16:00-18:00 (場地洽詢中，仍有可能調整） 有任何疑問歡迎私訊或email travel.wok@ltsoj.com 告知！ 插入音樂： Fiddles McGinty by Kevin MacLeod, Creative Commons Attribution 4.0 license. Celtic Impulse - Celtic by Kevin MacLeod, Creative Commons Attribution 4.0 license. Master of the Feast by Kevin MacLeod, Creative Commons Attribution 4.0 license. ✅ 本集重點： (00:00:16) 前言閒聊，工商時間，聽眾回饋分享 (00:06:07) 愛爾蘭旅行基本概念：歐盟、歐元區、非申根區、與英國無邊境管制、對自助旅行者交通較有挑戰 (00:08:55) 中部到南部：神聖之地Rock of Cashel、城鎮Kilkenny、第二大城Cork、親吻後口才就會變超好的石頭 (00:15:04) Killarney：Killarney National Park、Ring of Kerry、Dingle Peninsula遺世獨立的生態與文化寶庫 (00:19:56) Galway：歐洲文化之都、被14個家族統治的部族之城，大西洋畔200公尺高的莫赫懸崖，保存古老凱爾特的Aran Islands (00:26:55) 凱爾特音樂與樂器：寶斯蘭鼓（Bodhran）、小提琴、豎琴、愛爾蘭錫笛（Tin whistle）、愛爾蘭風笛（Uilleann pipes）、六角手風琴（Concertina） (00:37:55) 踢踏舞：從愛爾蘭傳統藝術到國際舞台，從地方活動到國際巡迴劇場表演 (00:43:15) 結語與下集預告 Show note https://ltsoj.com/podcast-ep155 Facebook https://facebook.com/travel.wok Instagram https://instagram.com/travel.wok 意見回饋 https://forms.gle/4v9Xc5PJz4geQp7K7 寫信給主廚 travel.wok@ltsoj.com 旅行熱炒店官網 https://ltsoj.com/

The band shows Jelli how great life on the road can be, as they head off to their first gig! The gang heads off to the infamous "Bare-Knuckled Barnacle" in what is sure to be a safe, completely uneventful road trip with no distractions or catastrophic accidents. 

Why is that doctor giggling? What show had all its cast guest star on this show? And can you keep your own bones? We cross the finish line on these questions and more as we cover Season 4, Episode 5 of Family Matters.Alex Diamond, David Kenny, and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:Website: jumpingtheshuttle.spaceEmail: jumpingtheshuttle@gmail.comInstagram: @JumpingTheShuttle / @ThatAlexD / @dak577Twitter: @JumpingShuttle / @ThatAlexD / @dak577TikTok: @JumpingTheShuttle / @ThatAlexD / @dak577Brought to you by Smooth My Balls

In this episode of Zone 7, Crime Scene Investigator, Sheryl McCollum, talks with guest Michael Essligner. Together, they peel back the layers of the notorious prison, Alcatraz, from its reputation as an impenetrable fortress to the infamous 1962 escape. Sheryl and Michael explore the psychology of Alcatraz inmates and discuss the prison's impact on rehabilitation. With firsthand accounts and meticulous research, they offer a nuanced view of the inmates' ingenuity and the prison's security lapses. Show Notes: [0:00] Welcome back to Zone 7 with Crime Scene Investigator, Sheryl McCollum. Sheryl sets the stage by sharing her childhood fascination with Alcatraz [3:40] Sheryl introduces guest Michael Essligner to the listeners  [8:40] The History of Alcatraz is addressed through stories  [9:40] Heat  [10:48] Sheryl and Michael start dissecting the details of the infamous Alcatraz escape [12:15] Michael explains the prison's security measures and how they had been relaxed by 1962, hinting at internal issues [15:31] The meticulous planning involved in the escape, from obtaining raincoats to other necessary items [17:00] Michael details the escape process, from dummy heads to reaching the roof [24:40] The benefits of Alcatraz in providing inmates with meaningful skills, challenging conventional views on imprisonment [28:22] Question: Can you explain Cell Block B to the listeners?  [32:36] Discussion on the prisoners' use of a broken vacuum cleaner motor to create a drill [36:53] Question: Can you talk about the accordion and what it was used for?  [37:00] Reflections on the enduring mystery surrounding the escape [44:44] Question: Michael Eslinger. Did they make it? Did they survive?  [45:50] “For every piece of evidence that suggests they died. There's another piece of evidence that comes up that suggests that they lived.” [46:54] “There's something addictive about secrets.” -J.E.H  Thanks for listening to another episode! If you're loving the show and want to help grow the show, please head over to Itunes and leave a rating and review! How to Leave an Apple Podcast Review: First, Open the podcast app on your iPhone, Mac, or iPad. Then, hit the “Search” tab at the bottom right-hand corner of the page and search for Zone 7. Select the podcast, scroll down to find the subheading “Ratings & Reviews”. and select “Write a Review.” Next, select the number of stars you'd like to leave. Please choose 5 stars! Using the text box which says “Title,” write a title for your review. Then in the text box, write the review itself. The review can be up to 300 words long, but doesn't need to be much more than: “Love the show! Thanks!” or Once you're done select “Send” in the upper right-hand corner.   --- Sheryl “Mac” McCollum is an Emmy Award-winning CSI, a writer for CrimeOnLine, Forensic and Crime Scene Expert for Crime Stories with Nancy Grace, and a CSI for a metro Atlanta Police Department. She is the co-author of the textbook., Cold Case: Pathways to Justice. Sheryl is also the founder and director of the Cold Case Investigative Research Institute, a collaboration between universities and colleges that brings researchers, practitioners, students and the criminal justice community together to advance techniques in solving cold cases and assist families and law enforcement with solvability factors for unsolved homicides, missing persons, and kidnapping cases.   You can connect and learn more about Sheryl's work by visiting the CCIRI website https://coldcasecrimes.org Social Links: Email: coldcase2004@gmail.com Twitter: @149Zone7 Facebook: @sheryl.mccollum See omnystudio.com/listener for privacy information.

clouds. descending. ~ Concertina (1 December 2017 - Los Angeles, CA)

dreams last so long, even after you're gone ~ 1. Bliss (19 September 1999 - Concord, CA) 2. Siren (13 June 2007 - Copenhagen, DEN) 3. Hotel (4 August 2009 - Milwaukee, MN) 4. Crazy (26 November 2002 - Cleveland, OH) 5. Flavor (10 September 2009 - London, ENG) 6. Sugar (28 May 2022 - Madison, WI) 7. Cruel (15 June 1998 - Vienna, AUS) 8. River (6 November 2001 - Salt Lake City, UT) 9. Mother (20 September 1996 - Rockford, IL) 10. Honey (21 August 1994 - San Diego, CA) 11. Crucify (10 April 2023 - Berlin, GER) 12. Rattlesnakes (24 March 2003 - Omaha, NE) 13. Concertina (9 October 1999 - Boise, ID) 14. Talula (13 December 2007 - Santa Barbara, CA) 15. God (4 November 1998 - Madison, WI) 16. Girl (5 October 2009 - Frankfurt, GER) 17. Lovesong (30 October 1996 - Oklahoma City, OK)

Celebrate fierce calm c'mon! The 11 styles of Yoga explained ~ Hatha Flow HERE https://www.youtube.com/watch?v=GWg-siH2VEA ~ Concertina (10 October 2001 - NYC)

durée : 00:04:30 - Déjà debout - Bernard Bolze organisateur de « Concertina, Rencontres estivales autour des enfermements » à Dieulefit est l'invité déjà debout

durée : 00:04:30 - Déjà debout - Bernard Bolze organisateur de « Concertina, Rencontres estivales autour des enfermements » à Dieulefit est l'invité déjà debout

It's the first practice session between The Down Belows and Jelli...and it goes about as well as you'd expect.  Tempers flare and egos clash, but a chance encounter with a concertina reveals a side of Jelli no one knew existed.

Still looking for that zombie wolf! Still haven't found the zombie wolf! May have found some statues, though.Pledge/donate on Patreon: www.patreon.com/thatdndpodcastSend feedback to: ThatDnDPodcast@Gmail.comVisit our website: http://www.thatdndpodcast.comAmazon Link: http://www.amazon.com/?rw_useCurrentProtocol=1&tag=thdnpo07-20

The hero of Billy O'Callaghan's novel The Paper Man was part of the Austrian team who played Germany in 1938 - The NGI celebrates painter Lavinia Fontana, Trailblazer, Rule Breaker - The Irish Concertina Orchestra take to the stage in Glór Ennis - A new translation of The Lament for Art O'Leary by John FitzGerald, for the 250th anniversary.

Concertina player Maura O'Connor from the Sliabh Luachra region joined Lorcan in studio for a chat and some tunes.

Slainté!  Join Phillip and David as they head over to McCarthy's Red Stag pub in Bethlehem, PA to meet up with Fig For A Kiss - an incredible local Celtic music trio.  First, Phillip sits down with the owner and founder of McCarthy's, Neville Gardner and learn about his path to the States and starting up the shop Donegal Square and Granny McCarthy's Tea Shop (which ultimately becomes the Red Stag).Then they are joined by Addyson, Seth and Lucas to hear their personal stories and those of the band.  Pull up a chair, pour a pint or some whiskey and enjoy the sounds of Fig For A Kiss!Website: https://www.figforakissband.com/YouTube ChannelSpotifyBandcampBioBased Out Of The Lehigh Valley, Fig For A Kiss Is An Acoustic, Irish Folk Band With A Unique Blend Of Celtic And Contemporary Influences. Currently consisting of Seth Baliles on Guitar, Concertina, Addyson Teal on Fiddle, and Lucas Mitsch on pipes, whistles, hurdy gurdy and “etcetera”.  Named after a favorite traditional tune, they have released a self titled EP in 2019, combining traditional songs with originals. Their latest single is “Frobisher Bay”, released in the fall of 2022. Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better!If you'd like to sponsor our show or if you're a musician who'd like to come on the show, or if you have a recommendation for OUR next favorite band, hit us up on any of the social media platforms at @nextfavband, or visit our website at stereophilia.studio for more information and to contact us. Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

The Fiercest Calm ~ 1. Rozi Plain - Help 2. Joesef - Just Come Home With Me Tonight 3. Kevin & the Bikes - Submarine 4. Frankie Rose - Anything 5. Black Belt Eagle Scout - Nobody 6. Michelangelo Vood - I Love You 7. Exventory - Talking Without Saying Anything 8. Stegosaurus - Orphic 9. Lorn - ENTROPYYY 10. Rhodes - Good To You 11. The Lemon Twigs - Corner of My Eye 12. Lia Marie Johnson - Smoking Gun 13. Lisel - One At a Time 14. Moby - amb 23-3

VP S2 Ep125: Concertina Folder Flashback video! Thanks so much for being here :) Sincerely, Pam and Fam :) MY PODCAST!: The Paper Outpost Podcast! The Joy of Junk Journals! Free to Listen Anytime! Every Tuesday & Thursday! New audio material! Junk Journals, Paper Crafting, life of a crafter, answering crafty questions! Come have a listen on Apple Podcast, Spotify, Google Podcast or go to https://anchor.fm/the-paper-outpost You can make your own Podcast! It's easy at Anchor: Here is how!: anch.co/outpost Grab a FUNDLE! Now available in my Etsy Shop!: 100 pieces! A mix of antique/vintage ledger pages, hand-dyed papers, old postcards, tea cards, handwritten paper, awesome book pages and so much more! Wonderful to use in your junk journal creations! Free Priority Shipping in the USA! :) Limited supply! :) Want to see a Fundle? Video!: https://youtu.be/KJnWd9RSpOQ Want to Buy a Fundle? Etsy Shop: https://www.etsy.com/listing/1007331616/antique-vintage-ephemera-paper?ref=shop_home_active_6&frs=1&crt=1 NEW! PRINT & MAIL Option for Vintage Digikits! :) I heard your call :) No Printer? No Problem! :) I will print & mail 10 Digikits to you! Free Priority Shipping in the USA! :) 1. Select 10 names of digikits, & send me the list via Etsy message or email to pam@thepaperoutpost.com or simply say "Surprise me!" :) 2. Then buy the Print & Mail Digikit option in my Etsy shop! :) Direct Link here: https://www.etsy.com/listing/1071078687/printed-mailed-digikits-no-printer?ref=shop_home_active_1&frs=1&crt=1 That's 50 Pages total on lightweight cardstock! See All My Digikits! https://www.etsy.com/shop/ThePaperOutpost Sincerely, Pam at The Paper Outpost :)!! I am currently buried in paper and covered in glue ;) And I am in heaven! :) Remember that Fun Can Be Simple! Go Forth and Create with Reckless Abandon! :) VINTAGE DIGIKITS! Amazing images to download & print out at home on your printer!: Etsy Shop: https://www.etsy.com/shop/ThePaperOutpost MY AMAZON STORE!: My Personal Favorite Products & Tools!: Click here to see all my items in one click with pictures in my Amazon Store! https://www.amazon.com/shop/thepaperoutpost NEWSLETTER!: Free Monthly Emailed Newsletter from The Paper Outpost! Sign Up here: https://bit.ly/paperoutpostnewsletter - Free Monthly Digital Printable! - Free Checklist of Junk Journal Supplies! - Free The Note From The Book Maker explaining what a junk journal is and how to use it! - Junk Journal Tips & Updates from Pam at The Paper Outpost! MY PODCAST!: The Paper Outpost Podcast! The Joy of Junk Journals! Free to Listen Anytime! Every Tuesday & Thursday! New audio material! Junk Journals, Paper Crafting, life of a crafter, answering crafty questions! Come have a listen on Apple Podcast, Spotify, Google Podcast or go to https://anchor.fm/the-paper-outpost You can make your own Podcast! It's easy at Anchor: Here is how!: anch.co/outpost COME FIND ME AT :) ETSY Shop: https://www.thepaperoutpost.com INSTAGRAM: https://www.instagram.com/thepaperoutpost FACEBOOK: https://www.facebook.com/ThePaperOutpost The Paper Outpost Facebook Group: https://www.facebook.com/ThePaperOutpost/ The Paper Outpost Podcast!: https://anchor.fm/the-paper-outpost AMAZON STORE: https://www.amazon.com/shop/thepaperoutpost PINTEREST: https://www.pinterest.com/thepaperoutpost TWITTER: https://twitter.com/thepaperoutpost YOUTUBE: https://www.youtube.com/ThePaperOutpost #thepaperoutpost #paperoutpost #thepaperoutpost #digikits #junkjournal #junkjournals #howtomakeajunkjournal #junkjournalpodcast #thepaperoutpostpodcast #thejoyofjunkjournals #fundle --- Send in a voice message: https://anchor.fm/the-paper-outpost/message Support this podcast: https://anchor.fm/the-paper-outpost/support

Our guest for this episode is JB Samzun, a great fiddle player from Brittany and a regular visitor to Doolin. JB and I recorded an album together a few years back and I am delighted to welcome him as a guest on the podcast. On this episode with JB we talk about his visits to Doolin as a young child, his love for Clare music and the older musicians in particular, the making of our album “Aughavinna”, the difference between Irish music in Ireland and abroad and much, much more.The tunes played by JB Samzun on this episode are :The Tempest / The West Clare Railway (comp. Junior Crehan) (Reels)The Munster Jig / The Fairhaired Boy (Jigs)The Man From Barnagrove (Hornpipe)John Naughton's / The Laccaroe / Devaney's Goat (Reels)**Duet with Charles MonodTo find out more about JB and Charles' album “Aughavinna”, visit https://tunesfromdoolin.com/cd-aughavinna/--------If you would like to help and support this podcast and the Tunes From Doolin project in general, you can become one of our Angels on Patreon for as little as a coffee (or a pint) per month. As patron you can have access to a whole bunch of extras, but most importantly you have my eternal gratitude for helping me create more podcast episodes, videos and content.

Futebol, moda, dormidas, concertinas e viagra

Our guest on this episode of the Tunes From Doolin Podcast is Alan Reid, banjo player from Leitrim now based in North Clare and member of Goitse.  Alan is a great multi-instrumentalist and composer and on this episode we talk about his formative years, his compositions, his project #TunebookTuesday, the band Goitse's new album and much, much more.The tunes played by Alan Reid on this episode are :Fish and Chips at Finavarra (comp. Alan Reid) / Turn at Doonyvarden (comp. Alan Reid) (Jigs)The Gosson That Bate His Father / Florry Holleran (comp. Alan Reid) / Buntata 's Sgadan (Reels)The Black Rock / Cucanandy/ The Boys of Ballisodare (Hop Jigs)Tuamgraney Castle / Bird's (Hornpipes)**Duet with Charles MonodTo keep up with Alan's work, check out the following links:Alan's YouTube: https://youtube.com/user/riadamilesius Alan's Patreon: https://www.patreon.com/alanreid Alan & Rachel's duet album : https://alanreid.bandcamp.com/album/a-quare-yield Goitse's albums: https://goitse.bandcamp.com/ --------If you would like to help and support this podcast and the Tunes From Doolin project in general, you can become one of our Angels on Patreon for as little as a coffee (or a pint) per month. As patron you can have access to a whole bunch of extras, but most importantly you have my eternal gratitude for helping me create more podcast episodes, videos and content.

Our guest on this episode of the Tunes From Doolin Podcast is Mary MacNamara, the great concertina player from East Clare.  Mary just released her wonderful book “Sunday's at Lena's” and welcomes us to her music room in Tulla where we talk about her book, growing up as a young musician in East Clare and the musicians who influenced her (Mikey Donoghue, Bill Malley & Joe Bane, Martin Rochford, John Naughton), foot tapping, moving to Dublin from Tulla, and much, much more.The tunes played by Mary MacNamara on this episode are :Jigs from Mikey DonoghueThe Old Bush / The Swallow's Tail (Reels from Martin Rochford)Gan Ainm / The Cuckoo's Nest (Hornpipes from Bill Malley)The Killavil / The Pipe On the Hob (Jigs)**Duet with Charles MonodTo keep up with Mary's work and order her book and albums, visit her website http://www.marymacnamara.net/You can also order “Sundays at Lena's” and find Mary's recordings at Custy's Music Shop in Ennis (https://custysmusic.com/)--------If you would like to help and support this podcast and the Tunes From Doolin project in general, you can become one of our Angels on Patreon for as little as a coffee (or a pint) per month. As patron you can have access to a whole bunch of extras, but most importantly you have my eternal gratitude for helping me create more podcast episodes, videos and content.

Questions and Scarlet ~ 1. Wampum Prayer (30 August 2003 - Raleigh, NC) 2. A Sorta Fairytale (30 August 2003 - Raleigh, NC) 3. Sweet Sangria (25 April 2003 - San Antonio, TX) 4. Tombigbee (23 March 2003 - Tulsa, OK) 5. Cornflake Girl (16 November 2002 - Wallingford, CT) 6. In the Springtime of His Voodoo (7 November 2002 - Tampa, FL) 7. Black Dove (28 January 2003 - Milan, ITA) 8. Caught a Lite Sneeze (20 February 2003 - Boca Raton, FL) 9. Strange Little Girl (19 March 2003 - Erie, PA) 10. Wednesday (1 March 2003 - Syracuse, NY) 11. Flying Dutchman (29 April 2003 - New Orleans, LA) 12. Carbon (16 January 2003 - London, ENG) 13. Beulah Land (24 March 2003 - Omaha, NE) 14. Your Cloud (30 November 2002 - Minneapolis, MN) 15. Amber Waves (9 December 2002 - Vancouver, BC) 16. Concertina (29 July 2003 - Concord, CA) 17. Precious Things (13 April 2003 - Sacramento, CA) 18. Hotel (3 February 2003 - Geneva, SWI) 19. I Can't See New York (9 November 2002 - Melbourne, FL) 20. Spring Haze (16 December 2002 - Tempe, AZ) 21. God (1 September 2003 - Atlanta, GA) 22. Pancake (5 August 2003 - Tucson, AZ) 23. Hey Jupiter (26 April 2003 - Austin, TX)

Efrain and David go too far, too far, too far in their attempt to police what you think and dream about Concertina, the fourth single from Tori's fifth album To Venus and Back. Includes interviews with Concertina super fans Chris O'Gorman, Joseph Jagger and David Mramor. And as always a ton of sound clips, rare interviews, forgotten moments, improvs and more. Plus a complete study of the live evolution of the song in our A-M-O-S Live Lounge™. Get your fuzz tipped and your landscape dubbed, we're about to play.

Existential Questions from the internet ~ 1. God (7 September 1999 - Toronto, CAN) 2. You Can Bring Your Dog (4 June 2007 - Hamburg, GER) 3. Siren (17 July 2009 - Los Angeles, CA) 4. Concertina (27 August 1999 - Camden, NJ) 5. Ocean to Ocean (7 June 2022 - Portland, OR) 6. Mary's of the Sea (13 August 2009 - New York City, NY) 7. Martha's Foolish Ginger (8 August 2009 - Detroit, MI) 8. Garlands (2 September 2005 - Austin, TX) 9. Marianne (1 December 2001 - Brussels, BEL) 10. Real Men (3 August 2014 - St Paul, MN) 11. Mother Revolution (8 June 2022 - Vancouver, BC) 12. Father's Son (17 March 2022 - Cork, IRE) 13. Putting the Damage On (7 June 2007 - Munich, GER) 14. Spring Haze (11 October 1999 - Denver, CO) 15. Precious Things (28 January 2003 - Milan, ITA) 16. Posse Bonus (28 November 2017 - San Diego, CA) 17. Daisy Dead Petals (31 October 2017 - Ann Arbor, MI) 18. Fearlessness (18 November 2011 - Belfast, IRE)

This episode concentrates on recent releases that have come under my radar over the last while as well as some Anne Briggs and Moldy Peaches thrown in for good measure. Concertina, mandolin, guitar, voice, fiddle, bronze age horns, chest rattling bass, dulcimer, drums and more!!! Tracklist: Cormac Begley – To War Ye Vagabonds – The Humours of Glin Ye Vagabonds – Go Away and Come Back Hither Bryony Griffith and Alice Jones – Wanton Lasses Pity Her Mary Grace Autum Lee – Carolan's Cup Jrpjej - Koje Berdykuo Mykhamety Igybz Anne Briggs – The Recruited Collier An Galar Dubh – Cónocht Dulcidrone – Gauze Like Mama's Broke – Narrow Line The Moldy Peaches – Steak for Chicken Cormac Begley - Rolling in the Barrel / O'Neill's March / Tralee Jail https://campsite.bio/firedrawnear

Our guest on this episode of the Tunes From Doolin Podcast is Hugh Healy, concertina player from Corofin, Co. Clare. Hugh just released his first solo album called “ceolaire” and we talk about his concertina journey, different aspects of his playing, the making of his new CD and the importance of listening.The tunes played by Hugh Healy on this episode are :The Moving Cloud / Matt Peoples' (Reels)McGivney's Fancy / The Birds / The Mathematician (Hornpipes)*Planxty Fitzgerald (comp. Michael Rooney)Winnie Hayes' / Mac's Fancy (Jigs)***Actual track from Hugh's new album "Ceolaire"**Duet with Charles MonodTo order Hugh Healy's new album "Ceolaire", visit his bandcamp page :https://hughhealy.bandcamp.com/album/ceolaire--------If you would like to help and support this podcast and the Tunes From Doolin project in general, you can become one of our Angels on Patreon for as little as a coffee (or a pint) per month. As patron you can have access to a whole bunch of extras, but most importantly you have my eternal gratitude for helping me create more podcast episodes, videos and content.

Lyndon White joins us again to talk about his upcoming concertina book of Mary Shelly's "Frankenstein".  What is a Concertina book? Listen and Lyndon will explain it, as he tells us how he chose to translate this classic gothic tale into his latest work of art.  You can back this project by heading clicking the following link: http://kck.st/3o72zRd "Haunted by the loss of his mother, Victor Frankenstein becomes obsessed with death and creating life itself. After plundering crypts and mausoleums for materials to fashion a new being into existence, a failed experiment gives birth to a horrifying monster. "   You can find more of Lyndon's work by visiting his website: lyndonwhite.com. You can also follow him on Twitter. Get our Merch:bit.ly/NerdsMerch Follow us on social media:https://twitter.com/NerdsFTChttps://www.instagram.com/nerdsftchttps://ww.facebook.com/NerdsFTC Saul:https://twitter.com/Better_CallMe Greg:https://twitter.com/ThatAmazingTwithttps://www.instagram.com/thatamazingtwit David:https://twitter.com/DaveyDave503https://www.instagram.com/daveydave Theme by: Jake Lionharthttps://twitter.com/Jake_Lionheart