Podcasts about Modern Marvels

You may have heard of Tom Slick, the man who financed many early expeditions in search of Sasquatch both the in US and internationally. But did you know he was also a scientist, military man, inventor, philanthropist, and much more? Learn the strange, fascinating and tragically short history of Thomas Baker Slick Jr. with Heather Moser, Mark Matzke and guest host Aaron Deese.  Email - Monsteropolis@smalltownmonsters.com   SHOW NOTES Monsteropolis: Tom Slick   Welcome back, you lawless knaves.    READER MAIL - got at least one - HERE IT IS, from our friend Christine! — Hi Guys,   First of all, congratulations on the success of your 10th anniversary Kickstarter!  I can't wait to see your new films, especially The Siege of Ape Canyon and The Kinderhook Creature.   I listened with interest to the Monsteropolis episode where you described the changing nature of the appearance of the Wendigo in popular culture from an emaciated human being to one with antlers and a stag's skull. In the fall last year I became aware of the legend of the Leshy of pagan Slavic culture through an excellent YA novel called "Where the Dark Stands Still" by Polish writer A.B. Poranek. When I googled the Leshy I was astounded to see images of what I recognised as the Wendigo. So this got me thinking - is there a Slavic influence at play here too? Perhaps this is something you could look in to!    I am really looking forward to the book and film regarding the Wendigo which I understand may come out next year. I have been fascinated by the Wendigo since reading Algernon Blackwood's novella and there is one passage in particular that always sticks in my mind:   "And soon after he slept, the change of wind he had divined stirred gently the reflection of the stars within the lake. Rising among the far ridges of the country beyond Fifty Island Water, it came from the direction in which he had stared, and it passed over the sleeping camp with a faint and sighing murmur through the tops of the big trees that was almost too delicate to be audible. With it, down the desert paths of night, though too faint, too high even for the Indian's hair-like nerves, there passed a curious, thin odor, strangely disquieting, an odor of something that seemed unfamiliar—utterly unknown."   Christine   (your biggest Scottish fan who lives in Germany

Davy Crockett—yes, that's his real name—is a prominent figure in the world of ultra marathoning. Along the way, he fell in love with the Grand Canyon—so much so that he decided to write a book on the history of its trails and its iconic hikes like Rim2Rim. Today, Davy and I dive into the Canyon's past, and we learn why Davy thinks it's so important for all of us to have perspective on the iconic trails we now follow. Davy's book—Grand Canyon Rim To Rim History—can be found on Amazon. ***** Please join the Grand Canyon Hiker Dude Show's private Facebook group by clicking here. Our group is a judgment-free zone full of interaction, information, and inspiration—it's simply THE place to get the best information in advance of your Canyon adventure. Join Brian, Coach Arnie, and most of the guests you've heard on the show in an environment created to answer your questions and help you have the best possible experience below the rim. It's completely free. ***** You can help support the show by considering Rim2Rim or Canyon-centric gear and apparel from Bright Angel Outfitters, the brand founded by Brian & Zeena that exists to help you hike your best hike. Check it out at BrightAngelOutfitters.com. ***** To reach Coach Arnie, you can call or text him (yes, really!) at (602) 390-9144 or send him a message on Instagram @painfreearnie. ***** Have an idea for the show, or someone you think would be a great guest? Reach out to Brian anytime at gchikerdude@brightangeloutfitters.com. ***** The Grand Canyon Shade Tracker is our gift to the Grand Canyon hiking community. This incredible interactive tool lets you see when and where you'll have precious shade on your Grand Canyon hike—every route on every hour of every day of the year. Check it out at brightangeloutfitters.com. Another free resource from Bright Angel Outfitters aimed at making your Grand Canyon adventure the best and safest it can be. ***** For more great Grand Canyon content, please check us out on the following platforms: YouTube (@GrandCanyonHikerDude) for informative and inspirational videos Instagram (@GrandCanyonHikerDude) for photos from the trail TikTok (@GrandCanyonHikerDude) for fun and informative short-form videos Facebook (@GrandCanyonHikerDude)    

Join hosts Jack and Kevin on an intriguing journey through the history of communication, as they reminisce about telegraphs, technology, and the evolution of messaging systems. Discover the fascinating story of Samuel Morse, the man behind Morse code, and his relentless pursuit of revolutionizing electronic communication. As they explore the inception of the telegraph and its profound impact during the Civil War, Jack and Kevin also delve into personal anecdotes, reminiscing about the digital age transitions from rotary dial phones to modern cell phones. Tune in for a nostalgic and insightful conversation that examines the leaps of technological advancements and their ongoing influence on our lives today.

Transcript Address: https://share.descript.com/view/YTDg5GkHmrF Beekeeping: From Ancient History to Modern PracticeIn this special episode, Steve Guerra presents a comprehensive history and background on beekeeping, starting with the earliest known apiaries and moving to modern practices. He discusses the evolution of the honeybee, references to honey in ancient texts, and provides insights into the daily life of a beekeeper. We discuss the development of the Langstroth hive and the essential role honeybees play in pollination and agriculture. Key issues such as colony collapse disorder and the impact of pests like the Varroa destructor mite are also addressed. Steve shares his journey from a novice to a successful beekeeper operating Guerra Bees in Texas, highlighting the importance of bees in global food production.00:15 History of Beekeeping: From Ancient Times to Modern Day01:29 Modern Beekeeping Practices and Equipment02:22 Personal Journey into Beekeeping04:42 Evolution and Biology of Honeybees08:59 Ancient Beekeeping: The Tel Rehov Apiary15:58 Honey in Historical and Cultural Contexts25:04 The Life Cycle and Roles of Honeybees42:36 Modern Beekeeping Challenges and Solutions47:49 Sponsor a hive! #savethebees #bees #pollinators #bee You can learn more about the History of Papacy and subscribe at all these great places:https://atozhistorypage.start.pageTo Subscribe: https://www.spreaker.com/show/history-of-the-papacy-podcast_1Email Us: steve@atozhistorypage.comSupport Us on Patreon: https://www.patreon.com/historyofthepapacyParthenon Podcast Network: parthenonpodcast.comThe History of the Papacy on YouTube: https://www.youtube.com/@atozhistoryHelp out the show by ordering these books from Amazon!https://smile.amazon.com/hz/wishlist/ls/1MUPNYEU65NTFMusic Provided by:"Sonatina in C Minor" Kevin MacLeod (incompetech.com)"Funeral March for Brass" Kevin MacLeod (incompetech.com)"Crusade Heavy Perfect Loop" Kevin MacLeod (incompetech.com)Agnus Dei X - Bitter Suite Kevin MacLeaod (incomptech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/See omnystudio.com/listener for privacy information.

Send us a textExperience Wichita like never before as I share a whirlwind three-day adventure through this fascinating city, promising insights into its rich Wild West history and modern marvels. From the legendary tales of Wyatt Earp to the authentic Old Cowtown Museum, this journey captures the essence of Wichita's past and present. We'll explore the legacy of Oscar-winning actress Hattie McDaniel, celebrated at the Kansas African American Museum, and reveal the humble beginnings of Pizza Hut, a global icon born of entrepreneurial spirit. Get ready to unlock the vibrant stories that make Wichita a treasure trove of culture and history.But that's not all—our exploration extends to Wichita's cultural offerings, where train enthusiasts will find a haven at the Great Plains Transportation Museum, and everyone can appreciate the solemn beauty of Veterans Memorial Park. Aviation buffs, prepare to be amazed at the Kansas Aviation Museum and the B-29 Doc Hangar. Feel the magic of the Keeper of the Plains sculpture, and embark on the newly established Gunsmoke Trail, connecting Wichita's Wild West heritage with the iconic TV series. Whether it's the bustling Douglas Avenue or the welcoming community, Wichita is your unexpected travel destination. Join me for this captivating episode and look forward to our next journey, where more top travel destinations await.Please subscribe and leave a review on I-Tunes. Feel free to drop me an email I would love to hear from you editor@thetravellingfool.com You can sign up for my email list Past Podcasts Follow me on social media FaceBook Twitter now X LinkedInInstagram

Legacy systems are like old trees – deeply rooted reliable, but not always adaptable to rapidly changing environments. With the advent of cloud computing, IoT, and other emerging technologies, there's pressure on businesses to innovate. But this innovation can't come at the cost of discarding these reliable legacy systems. How can companies smoothly transition and integrate newer technologies without uprooting their existing IT foundations? Guest: Helen Norris, Chief Information Officer, Chapman University Guest Bio: https://www.ciotalknetwork.com/contributor/helen-norris Guest: Hardik Bhatt, Chief Executive Officer, SDI Presence Guest Bio: https://www.ciotalknetwork.com/contributor/hardik More on this Episode: https://www.ciotalknetwork.com/marrying-legacy-systems-to-modern-marvels/ More on CXO: https://www.ciotalknetwork.com/topics/cxo-talks/ More on Leadership: https://www.ciotalknetwork.com/topics/leadership/ Visit CIO Talk Network Website: https://www.ciotalknetwork.com/ Subscribe to our Newsletter: https://www.ciotalknetwork.com/subscribe/ Nominate Guests or Sponsor: https://www.ciotalknetwork.com/contact/

This week we are breaking down the draft archetypes of Modern Horizons 3.  There are some powerful signpost uncommons that are powering interesting decks.  Get ready to jump into the Arena drafts with some knowledge.   To help support the podcast, please consider going to TCG using our link: https://casualtryhard.com/TCG Facebook: Casual Try Hard MTG X: @casualtrypod Email: casualtryhardmtg@gmail.com Patreon: Patreon.com/casualtryhardmtg Youtube: CasualTryHardMTG Discord: https://discord.gg/6uCuW79   You can find us on the Apple podcast app, Google Play, Podbean, Soundcloud, Spotify, Stitcher or YouTube just search casual try hard. Music by Juan Rodriguez II ZeeManlove.com

On today's episode, The History Guy tells two stories about important inventions that have become part of the foundation of modern life. First he tells the story of celluloid, the material that jumpstarted the plastic revolution. Then he tells the story behind nearly all of our modern electronics: Transistors.

Day one, Randy Carpenter found himself hand-digging an existing grease trap. Looking back, he's surprised he didn't quit by noon. Now, as the plumbing manager at Rescue Air & Plumbing, Randy discusses his early life in the trades, and the importance of training for making a successful tradesman.

Step into the arena of radio and entertainment with us, as we take you on a journey behind the scenes with our remarkable guest, Wood, co-host of the award-winning morning show on Wild Country 99 "Kelly & Wood".  We unpack the reality of this industry, myths, and revealing the grit required to create the magic that reaches your ears each day. Wood shares the unique challenges and advice for any aspiring radio personality. In a world where everyone has an opinion, we highlight the importance of being a good person and staying true to your beliefs.00:00 Radio Industry and Influencer Marketing Insights08:28 Personal Branding and Influencer Marketing16:11 Navigating Parenting and Honesty19:41 The Importance of Entertainment in Media23:12 Opinions, Radio Censorship, and Promotions32:53 OJ Simpson Confrontation on Sports Talk38:37 Sports Talk to Talk Radio46:31 Taking Initiative, Overcoming Rejection53:53 Public Speaking and Being a Good Person1:02:57 Kelly & Wood PodcastMuff Waders Discount Get yourself some really high quality drinking spenders. Use code ONTAP for 10% off!College Peep Show Merch Check out CPS gear and use code: ONTAP for 10% off your orderBuy our merch Supply the beer and help the boiz create content by grabbing some merch from our storeDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.This episode is brought to you by Twisted Bitch Cattle Company. Check out their website and support us by supporting them!

Sean bienvenidos a un nuevo directo en mi canal de Twitch que será luego colgado en video en mi canal de Odysee y también en formato audio en Ivoox. Allí como siempre tendrán en la descripción del podcast todos los enlaces de los artículos, videos y textos citados. Así es como empece la entradilla el dia 19 de octubre de 2023 pero a la media hora mi cuenta de Twitcht fue volatilizada y me he enterado que tanto LBRY como Odysee van a cerrar y mi cuenta va a desaparecer. No se si habrás logrado ver este video o tan solo escuchado el audio en Ivoox pero desde luego eres parte de eso que algunos denominan “la resistencia”. Ya saben que desde buscadores de la verdad huimos de la fragilidad de comentar la actualidad ya que esta es volátil y normalmente desaparece en cuanto nuevos pedazos de actualidad son vomitados por los medios masivos. Acabamos de olvidar la guerra de Ucrania porque las potencias mundiales tienen un nuevo juguete que se llama guerra de Gaza. En este caso voy a tocar de refilón todo lo que está pasando entre israelíes y palestinos para hablar sobre como nos engañan con las guerras fake y las falsas banderas. Por supuesto en todas las guerras mueren personas y se producen atrocidades a las que no deberíamos acostumbrarnos nunca. Voy a empezar con unas frases de Thierry Meyssan de su artículo “Cambio de paradigma en Palestina” ya que creo que es uno de los que mejor describen la complejidad de lo que sucede en Palestina y todos los actores que intervienen: “El sangriento conflicto iniciado en la Palestina geográfica se produce luego de 75 años de injusticias igualmente sangrientas. A la luz del Derecho Internacional, los palestinos tienen derecho –tanto como el deber– de oponer resistencia a la ocupación israelí. Los israelíes, por su parte, tienen igualmente derecho a responder a la agresión. Al mismo tiempo, nosotros tenemos, todos, la responsabilidad de ayudar a resolver las injusticias que sufren las dos partes, lo cual no quiere decir que apoyemos las crueldades y venganzas que cometen algunos individuos de ambos bandos. Por otro lado, el apoyo que merecen los pueblos palestino e israelí, no debe conducir a la impunidad de sus dirigentes respectivos por los crímenes que hayan cometido, como tampoco debe traducirse en impunidad para las potencias que los manipulan.” Hay que dejar claro desde el principio que tal como dice el sr Meyssan “la franja de Gaza es gobernada por el Hamas, la rama palestina de la Hermandad Musulmana. Los gobernantes de Gaza son individuos que no ven en el islam una forma de espiritualidad sino un arma de conquista, son asalariados, principalmente, del Reino Unido, de Qatar, de Israel, de Turquía, Irán y la Unión Europea.” Recordar a nuestros oyentes que la Hermandad Musulmana fue fundada en Egipto en 1928 por el jeque Hasán al Bana en plena construcción del canal de Suez cuando Egipto estaba lleno de extranjeros para dicha construcción. “Constructores”, ya saben, muchos de ellos masones. “En el momento de su creación, Hamas estaba financiado por el Reino Unido y tuvo el apoyo de los servicios secretos de Israel, deseoso de utilizarlo para debilitar el movimiento creado por Yaser Arafat. Israel asesinó después al líder religioso del Hamas, el jeque Yasin.” El antiguo aliado de Israel, “el Hamas palestino atacó Israel, el 7 de octubre de 2023, a las 6 de la mañana, o sea en ocasión del 50º aniversario de la “Guerra de octubre de 1973”, conocida en Occidente bajo la denominación israelí de “Guerra del Yom Kippur”.” Tenerse que creer que una de las fronteras mejor vigiladas del mundo haya sido asaltada sin prácticamente oposición y precisamente en dicho 50 aniversario es bastante ridículo, pero es que no solo han ido por mar y tierra, o utilizado el clásico lanzamiento de cohetes, esta vez debemos creer que se han introducido mediante parapentes motorizados. Curiosamente en la portada de The Economist de diciembre de 2012, hace 11 años exactos, vemos el uso de este sistema de ataque aéreo arriba del todo. Allí se están enfrentando palestinos e israelíes en medio del control del mundo por parte de los demonios. No dejen de ver esta portada. Debemos creernos que uno de los ejércitos mejor entrenados del mundo tenia solo a unos pocos soldados profesionales y un montón de gente haciendo la mili en las cercanías de dicha frontera y que el Mossad, uno de los servicios secretos mas eficaces, hizo caso omiso a pocos días del ataque a las advertencias del gobierno egipcio que había hablado en repetidas ocasiones con los israelíes sobre "algo grande", al igual que por parte de algunos rabinos ultraortodoxos. La inteligencia estadounidense advirtió la posibilidad de violencia días antes del ataque de Hamas y tampoco fue escuchada y recordemos que el ataque se produjo en el 50º aniversario de la “Guerra del Yom Kippur”, una fecha que obviamente tendrían ambos bandos señalada en el calendario. Según una investigación de CNN, los combatientes se entrenaron para el ataque en al menos seis lugares de Gaza, incluido uno situado a menos de un kilómetro y medio de la frontera con Israel. El sistema de alarma en la frontera no funcionó. Las cientos de cámaras que deben estar constantemente operativas parece que no vieron como se colaban centenares de terroristas a una hora donde ya se veía perfectamente, incluso no vieron la llegada de alguna excavadora gigante o el sonido de los enormes camiones que también utilizaron. Los sistemas electrónicos en la frontera, en cuya construcción y equipamiento Israel había invertido miles de millones de dólares, quedaron inútiles. Numerosas cámaras y sensores tampoco ayudaron a detectar y detener el ataque palestino, así como las patrullas de combate, que por alguna razón simplemente no estaban cerca. Los drones palestinos pudieron alcanzar fácilmente ametralladoras automáticas y torres de sensores, y los equipos de asalto de Hamás volaron tranquilamente la valla y cruzaron la frontera. Se ve perfectamente en algunos videos como no hay nadie en las torres de vigilancia mientras son bombardeadas con un dron. Nadie intenta atacarlos. Debido al fallo de la alarma, cientos de soldados de las FDI murieron en los campos, en los cuarteles y mientras dormían. Contrariamente a la creencia popular, los palestinos no pasaron por alto las fortificaciones y bases de las FDI. Asaltaron agresivamente tanto los puestos de control como las bases donde se encontraban soldados y vehículos blindados. Al mismo tiempo, Hamás dejó de utilizar los tanques que tenia al alcance, probablemente debido a la baja cualificación de los atacantes o tal vez a la falta de necesidad. Hay videos de los terroristas en medio de mas de media docena de tanques vacíos. Aún no está claro dónde se encontraban en aquel momento los centinelas, los guardias de seguridad y las fuerzas de cobertura. Hasta aproximadamente el mediodía del 7 de octubre, el gobierno israelí prácticamente no mostró respuesta a los combates. Tardaron siete largas horas en plantarle cara a estos terroristas que como decía el artículo de la CNN llevaban mas de 2 años planificando los ataques. La Sexta nos mostraba el otro dia campos de entrenamiento a cielo abierto pegados a la frontera israelí ensayando las técnicas de secuestros masivos a plena luz del día. ¡Sí, el telecreyente se lo traga todo hoy dia! Incluso se ha descubierto que portaban planos de las bases militares y del entorno del ataque. El Rabino Chananya Weisman afirmó que “Benjamin Netanyahu ordenó al ejército israelí que se retirara durante siete horas durante la invasión de Hamas”. En el campo es sábado por la mañana, Shabat. Sólo a las 14 o 15 horas las fuerzas de seguridad comenzaron a reunir reservistas y a organizar redadas de represalia. Sin embargo, la muerte del comandante de la brigada de infantería Nahal, Jonathan Steinberg, indica una reacción apresurada con fuerzas que de alguna manera pudieron reunirse de inmediato. Al parecer, la intervención de Nahal en las batallas contra Hamás fue iniciada por el comandante de la brigada y no fue una orden directa del Estado Mayor. Posiblemente no sabia nada de los planes que alguien había decidido para aquel dia. En cuanto al ataque de la fiesta hippie en el Kibbutz Re’im justo en la zona donde se llevaron a cabo los ataques y donde supuestamente al menos 280 participantes fueron violados y masacrados toca decir que solo tres días antes de dicha celebración se supo la zona de celebración acercándola a la frontera de Gaza. El evento SUPERNOVA SUKKOT | 06-07.10 | UNIVERSO PARALELO ISRAEL EDITION fue creado el 21 de junio en la web TRIBE of Nova y como digo no se supo la localización del evento hasta el dia 4 de octubre. En la web de dicho evento podíamos leer: “Crearás un entorno seguro para encontrar la calma interior, la paz, la armonía, el equilibrio mental, la liberación de tensiones o preocupaciones innecesarias, descansar o simplemente relajarte divirtiéndote con personas especiales y enriqueciéndote a ti mismo de una manera nueva y refrescante.” Un evento con unas 3000 personas situado a menos de 4 kilómetros de la valla que separa los territorios de Gaza, en medio de una zona desértica sin ningún soldado israelí vigilando en la zona, tan solo algunos miembros de seguridad privada. Eso era un entorno seguro para esta gente. ¿Y qué opina parte de la opinión pública israelí tras este entrecomillas “ataque sorpresa” de Hamas? Pues según el Jerusalem Post “Los israelíes culpan al gobierno por la masacre de Hamás y dicen que Netanyahu debe dimitir”. “Cuatro de cada cinco judíos israelíes creen que el gobierno y el primer ministro Benjamín Netanyahu son los culpables de la infiltración masiva de terroristas de Hamas en Israel y la masacre que siguió, según una nueva encuesta del Centro de Diálogo publicada el jueves. Una abrumadora mayoría: el 86% de los encuestados, incluido el 79% de los partidarios de la coalición, dijo que el ataque sorpresa desde Gaza es un fracaso del liderazgo del país , mientras que un asombroso 92% dijo que la guerra está causando ansiedad. Además, casi todos los encuestados (94%) creen que el gobierno debe asumir alguna responsabilidad por la falta de preparación en materia de seguridad que condujo al ataque, y más del 75% dice que el gobierno tiene la mayor parte de la responsabilidad.” Para nosotros todo esto es una nueva falsa bandera, un nuevo 11S, para salirse con la suya dentro de las Estrategias de Manipulación de las que hablaba Noam Chomsky. Crear problemas y después ofrecer soluciones. Este método también es llamado "problema-reacción-solución". En este caso parece que se buscaban tres soluciones finales: La primera sería lograr superar el bache político en el que está envuelto el primer ministro Benjamín Netanyahu por la polémica reforma judicial, que tiene el objetivo de reducir la jurisdicción de la Corte Suprema sobre las decisiones del Poder Legislativo israelí. La segunda acabar de una vez por todas con el problema del terrorismo en la franja de Gaza impidiendo que se escondan terroristas en medio de una gran ciudad haciendo que la mayor ciudad de la franja quede reducida a escombros. Recordemos que Hamas tiene cada vez más poderío militar gracias a las suculentas donaciones de entre otros la UE. Para ello Israel debe pasar a ser el indefenso que es atacado sin piedad por bestias inhumanas. ¿Creen que un ataque así favorece en algo a las reivindicaciones del pueblo palestino? Y en tercer lugar hacerse con el control de por lo menos una gran parte de la costa que ocupa actualmente la franja de Gaza para poder reclamar el acceso a los yacimientos gasísticos que se conocen desde 1990 pero que se han revalorizado a niveles estratosféricos desde el 2009. Luego hablaré más en profundidad sobre esto. Que el mundo se haya creído que una de las fronteras mejor vigiladas haya sido asaltada sin prácticamente oposición y precisamente en el 50 aniversario es bastante ridículo...pero que además las imágenes que nos ofrezcan del bando asaltante incluyan muñecos de goma como este supuesto soldado israelí es para que nos lo hagamos mirar. ¡Miren bien estas imágenes, no existen soldados con todos los huesos del cuerpo rotos haciendo guardia encima de un tanque! Esto solo puede significar dos cosas: estas imágenes son montaje del bando judío para lograr la tensión necesaria, el casus belli, el motivo de guerra…recuerden “problema-reacción-solución". O que ambos bandos en su nivel superior están en lo mismo, ambos son parte del NWO global y son utilizados con un fin. Ambas cúpulas dirigentes son parte de un culto global que cada vez asoma mas la patita. Pero es que podemos ver también campañas de desinformación con muñecos bebé simulando ser niños asesinados en los recientes bombardeos del ejército israelí o incluso el supuesto bombardeo de un convoy de civiles palestinos que intentaba desplazarse hasta la zona egipcia. En ambos casos, nosotros debemos ser neutrales. 50 años más tarde volvemos a tener un ataque histórico contra Israel, recuerden que la crisis del petróleo empezó a costa de esa crispación por la toma de los altos del Golán y la correspondiente reacción del ejército israelí que ya había demostrado en 1967 de lo que era capaz. No defiendo el uso de la violencia por ninguna de las partes. Mucho me temo que esta nueva crisis que se avecina también tendrá su componente económico mundial y sea utilizada tal vez para dar el espaldarazo final a la moneda digital de los gobiernos, las famosas CBDCs. Desgraciadamente una paz duradera y una repartición de los enormes recursos de la zona, todo el gas y petróleo de la zona suponen unos 545.000 millones de dólares, supondría un enorme beneficio para ambas partes. “La guerra es la salida cobarde a los problemas de la paz”. Thomas Mann, escritor alemán. Y ahora veamos más de cerca algunos de esos eventos de falsa bandera para comprender que hemos vuelto a ser engañados y que algunas personas que se conocen han decidido que se maten entre si personas que no se conocen para ser aún mas ricas. ………………………………………………………………………………………. Hemos visto una comparecencia del senador Ron Paul contándonos las verdades del barquero, esas cosas que la TV no suele repetir a menudo. Pero sí, podríamos decir que el terrorismo de Hamas es una creación de los Estados Unidos en unión con Israel y que toda la radicalización del mundo musulmán ha venido sobrevenida en gran parte por la injerencia de servicios secretos extranjeros para rodear con una especie de cortafuegos a Rusia. (005 Palestinos e israelíes en la cama) Pero yo voy a ir más lejos, yo creo que ambas partes la del terrorismo de Hamas y el terrorismo del sionismo que maltrata de forma inhumana a los árabes que ha encerrado en Israel están en la misma cama y son parte de la agenda 2030 del tiparraco del WEF, el señor Klaus Schwab. A Israel y a USA no les interesa que el problema palestino termine y ni mucho menos los están exterminando. Tan solo hay que ver la gráfica del crecimiento de población en la franja de Gaza. Las mujeres gazadies tienen una media de 4,5 hijos frente a los 1,2 de las españolas, bueno ya me entienden, de los niños que nacen en España gracias a la inmigración extranjera. Vamos a contarles como he dicho antes algo que no les contara el periodismo que calla, ese que miente todos los días y que trabaja para el poder-religión en la sombra. Resulta que frente a la franja de Gaza hay un enorme campo marino con petróleo y gas para aburrir. Desde que la petrolera británica BG Group descubrió en el año 2000 unos 45.000 millones de metros cúbicos de gas recuperable en el mar de Gaza no ha habido forma de ponerse de acuerdo a la hora de repartirse el pastel. Y lo más curioso es que como pueden ver en este mapa de la zona que está bloqueada y pertenece a la exploración de esa compañía, hay dos zonas bien definidas una más cerca de la Egipto y otra más al norte. “En 2019 un importante estudio de la ONU concluyó que “la ocupación sigue impidiendo a los palestinos desarrollar sus yacimientos energéticos (petróleo y gas) para explotar y beneficiarse de estos activos”. Así, al pueblo palestino se le han negado los beneficios de utilizar este recurso natural para financiar el desarrollo socioeconómico y satisfacer sus necesidades energéticas. Las pérdidas acumuladas se estiman en miles de millones de dólares.” Podemos seguir leyendo en un interesantísimo artículo que compartir en la descripción del podcast en Ivoox titulado “La multinacional Chevron saquea el petróleo de Gaza con el apoyo de Estados Unidos”: “El valor neto de estos recursos asciende a 524.000 millones de dólares, que deberían repartirse adecuadamente entre las distintas partes, incluidas Israel y Palestina: “Estos yacimientos podrían unificarse, y su desarrollo podría llevarse a cabo en nombre de todas las partes, cuyos derechos de propiedad tendrían que establecerse antes de la explotación… Los palestinos tienen un gran interés no sólo en los yacimientos situados bajo su territorio, sino en todas las reservas comunes”. Según el informe, los palestinos ya han perdido aproximadamente 2.570 millones de dólares debido a que “Israel les impide el ejercicio de su derecho a beneficiarse de la explotación de sus recursos naturales, garantizado por el derecho internacional. Cuanto más tiempo impida Israel a los palestinos explotar sus reservas de petróleo y gas natural, mayores serán los costes de oportunidad de estas reservas y los costes de la ocupación que soportan los palestinos”.” Si dividiésemos la franja de Gaza en dos se podría repartir ese gas como buenos hermanos entre Israel y los Palestinos. Y eso, señores, es la hipótesis que creo que esta debajo de esta falsa bandera que estamos padeciendo en estos momentos. Un acuerdo off the record entre las potencias implicadas Turquia, Qatar, Egipto, Palestina, Israel y Estados Unidos y el verdadero poder que se mantiene por encima de estas supuestas naciones soberanas. Dejar atrás un bloqueo histórico de esos recursos naturales con la excusa del terrorismo y mediante la guerra posterior repartirse un botín de guerra billonario. Para ello se está utilizando una fuerte campaña de Fake news y de programación mediante el trauma para hacernos caer en uno de los dos bandos. Este video no corresponde al conflicto actual entre Israel y Palestina, se trata de un documental palestino de la artista de maquillaje Mariam Salah de hace aproximadamente 6 años. Sin embargo es una de las noticias falsas que corre como la pólvora en Twitter. La desinformación campa a sus anchas y tenemos que ver supuestos bombardeos de caravanas de ciudadanos intentando huir de la zona de Gaza que los israelíes quieren controlar. Ya saben dividir en dos la franja de Gaza para poder repartirse el botín de guerra, ese mas de medio billón de dólares en gas y petróleo. Ya han visto, bueno, no han visto porque los medios censuran y pixelan las imágenes, así que vamos a verlas sin pixelar y desde la neutralidad y la tranquilidad que da saber que son parte de un teatrillo y que no ha muerto nadie. Bueno, tenemos a una doctora así que vamos a dejar que opine, pero yo veo que ningún vehículo ha sufrido daños que indiquen un bombardeo aéreo. Veo cristales impolutos, veo un camión sin daños exteriores, no veo ningún cráter de un bombardeo, en fin, veo un montaje hollywoodense como diría Pedro Bustamante. Lo curioso del tema es que ningún bando acusa al otro de colar videos falsos. Los videos como el del soldado israelí de trapo que es arrojado al suelo desde el tanque es aprovechado por los dos bandos garantizando su autenticidad. Los israelíes no denuncian que eso es un muñeco y obviamente los terroristas de Hamas tampoco dicen esta boca es mía. Ya nos la metieron doblada con la utilización de muñecos durante la Tragipandemia así que espero que no seamos tan tontos y volvamos a caer en lo mismo. ………………………………………………………………………………………. En estos momentos tan duros donde la desinformación campa a sus anchas y se busca lograr un conflicto global es bueno recordar que en las guerras siempre se miente y como Colin Powell nos mintió a todos con aquellas "armas de destrucción masiva”. Cómo nuestro entonces presidente J.M. Aznar se unió a aquella mentira y nos hizo participar en una guerra injusta. ¿Viven mejor o peor que con su anterior régimen los iraquíes? ¿Es más seguro el mundo tras aquella guerra injustificable? La verdad a veces tarda demasiado tiempo en abrirse camino. Hoy día muchos millones de personas siguen pensando en que USA hizo bien en erradicar el régimen iraquí y matar a millones de personas. Pero solo hay una verdad, con muchas vertientes, pero solo hay una. Yo llevo denunciando las mentiras de ambos bandos desde hace mucho. Cómo por ejemplo en este atentado del ISIL el 20 de marzo de 2015. ¿Bombas que no mueven del sitio libros y hojas de papel? Falsos atentados como el de Boston. Todo para aterrorizar a un público que solo ve la TV y lee los periódicos. Un público obediente que teme salirse de lo que diga el mainstream...yo vi aquel video "no oficial" y aquello fue puro teatro. La TV es experta en engañarnos. Este es Charles Jaco corresponsal en la Guerra del Golfo para la CNN. Fue muy famoso. Y sí, algunas veces estuvo allí...pero no siempre. Los televidentes norteamericanos esperaban pacientes su dosis de guerra de su periodista favorito. Pero el no estaba en Irak, estaba trabajando en un estudio con pantalla verde. ¿No me creen? He troceado estos 34 segundos para que vean que todo era falso. Las palmeras. El hotel. El fondo en llamas. ¡Todo estaba siendo grabado en un estudio! Las fotos de "este héroe" se venden por cientos de dólares. Eso es la TV. Pura propaganda de guerra. Sean todo lo neutrales que puedan y todo lo críticos que les permita su cosmovisión. Y recuerden que los verdaderos gangsters no se dejan ver...ni siquiera son los que aparecen abajo de este meme. Hago mías las palabras de Antonio Pampliega: "En una guerra, la primera víctima es la verdad y la pena es que nuestras fotografías no paren el conflicto. Lo que no se ve, no existe y hay que darle siempre visibilidad”. Pero tengan mucho cuidado con los medios de "comunicación" ya que sus intereses no son los de sus “telecreyentes". Acuérdense de la fotografía de los turistas japoneses asesinados por Isis donde solo 2 soles podían darnos una explicación lógica. Todo el mundo se creyó este video. Fíjense bien en la sombra del cuello de los turistas japoneses. Hasta la cadena FOX dijo que era un montaje. Fue tan burdo aquello que dejaron de bombardearnos con estas supuestas muertes. Muchos canales "conspiranoicos" hablaron de aquello incluso disidencia controlada como el Sr Jones. Incluso apareció un video del supuesto estudio donde se realizaban estás grabaciones del ISIS. Sé qué es muy duro enfrentarse a las emociones y ver con absoluta neutralidad y sangre fría este tipo de acciones terroristas (vengan de donde vengan) pero la realidad es una. Llevan fingiendo demasiado tiempo y por fortuna hemos empezado a pillarles su juego como en este video donde se simula la explosión de un coche bomba en un barrio de Irak en 2017 y cuyas imágenes fueron distribuidas por todo el mundo en los telediarios de la época. No caigamos en su juego. ………………………………………………………………………………………. La masacre de la Escuela Primaria de Sandy Hook fue un tiroteo escolar que ocurrió el viernes 14 de diciembre de 2012, en la escuela primaria local Sandy Hook (Sandy Hook Elementary School) de Newtown, Connecticut, Estados Unidos. Según los informes oficiales murieron, por lo menos, veintiocho personas entre ellos el niño judio Noah Pozner que casualmente podemos ver en los carteles de otro escenario en Pakistán donde al menos 132 escolares habrían muerto en un ataque talibán a una escuela. Casualmente fue el 16 de diciembre de 2014, solo dos años más tarde. Gordon Duff, un Veterano de la Infantería de Marina en Vietnam, diplomático retirado, autor y redactor jefe de Veterans Today contaba en un articulo del 2013 que “recientes revelaciones terroríficas sobre los ocupantes de una «casa de seguridad» del Mossad, en un exclusivo barrio de Greenwich Village, en la ciudad de Nueva York, involucrados no sólo en los ataques terroristas de Sandy Hook, sino también en intentos por inculpar de forma manifiesta a grupos «neonazis», se ha vuelto un desastre para Israel. No se requiere mucha imaginación para presumir que el grupo israelí planificaba inculpar a los «neo-nazis» portadores de armas por la matanza de Sandy Hook y apoyar la demanda del alcalde de Nueva York, Bloomberg, para confiscar armas a nivel nacional.” Esto nos debería hacer reflexionar sobre cómo nos han estado engañando desde hace mucho utilizando técnicas tan primitivas como el uso de maniquís. La masacre de la Escuela Secundaria de Columbine fue un tiroteo escolar ocurrido el 20 de abril de 1999 en Columbine. ¿Algo muy serio verdad? Uno de los primeros tiroteos con muertos, en este caso 10 víctimas mortales y 15 heridos. Esta tragedia se tornó viral desde el minuto uno y el director de los progres Michael Moore filmó la película documental Bowling for Columbine que ganó varios premios, entre ellos el Óscar a la mejor película documental. Todo esto se utilizó para intentar retirar el permiso de armas a la población civil. Pero veamos algunas de las imágenes que nos mostró la TV sobre aquella matanza. Sí, había un muñeco en el escenario y no pasa nada…los borreguitos siguieron viendo la TV como si nada. Pero aún tenemos un caso mas claro en el tiroteo en el aeropuerto de los Ángeles. El tiroteo se produjo la mañana del 1 de noviembre de 2013 en el Aeropuerto Internacional de Los Ángeles (LAX), y como verán la policía, los técnicos sanitarios y los cuerpos se seguridad estuvieron muy entretenidos paseando a un muñeco por allí. Pero si hay una falsa bandera importante es el 11S o 11 de septiembre en USA. En la descripción del podcast os dejaré el enlace a una pestaña de mi blog donde trato este tema dentro del apartado Cloacas del sistema. Deciros que la mayor censura que yo he sufrido ha sido por compartir un documental sobre las torres gemelas donde se hablaba sobre su construcción. En un artículo titulado “Modern Marvels. World Trade Center los minutos que desaparecen” nuestro amigo Nozick nos explicaba que en dicho documental se contaba como las Torres Gemelas fueron diseñadas para soportar el impacto de los mayores aviones diseñados en esa época. Misteriosamente dicho documental estaba desapareciendo de Youtube. Un documental que se emitió integro en todo el mundo en el canal Historia y que a raíz del autoatentado del 11S fue censurado a nivel global. Las veces que he intentado compartir el documental entero en YouTube o en Archive punto org he sido en un caso castigado con un strike y borrado el video y en el otro expulsado sin miramientos de una plataforma donde se supone que no hay censura. Podéis encontrar el documental en todos lados pero capado, esto es, sin el trozo donde salía el diseñador principal del World Trade Center, el señor A. Martini, diciendo que había diseñado las torres para resistir el impacto de los aviones mas grandes de la época. Pero oigamos de su propia voz esto. Edificios ultra resistentes que no soportan un incendio de queroseno que obviamente no puede derretir el metal ni dañarlo ya que encima se acababa de proteger las vigas para este tipo de eventos. Lo dicho, esto es lo que hay. Grandes intereses económicos y manejo de energías a nivel planetario con fines muy oscuros. Invitados: …. Dra Yane #JusticiaParaUTP Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX CANALES TELEGRAM Promocional donde hacemos los directos https://t.me/UnTecnicoPreocupado Abierto para comentarios https://t.me/MiVidaMiOxigeno Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Video en mi canal UGETUBE De guerras en Gaza y falsas banderas https://ugetube.com/watch/QL9HBGPwsTn9BYe Cambio de paradigma en Palestina https://www.voltairenet.org/article219790.html La inteligencia estadounidense advirtió la posibilidad de violencia días antes del ataque de Hamas https://cnnespanol.cnn.com/2023/10/13/inteligencia-estadounidense-posibilidad-enfrentamiento-gaza-hamas-trax/ vídeo completo de @davidicke sobre la situación actual y sus antecedentes https://twitter.com/JuGar777/status/1713333906919838150 Los israelíes culpan al gobierno por la masacre de Hamás y dicen que Netanyahu debe dimitir: encuesta https://www.jpost.com/israel-news/article-767880 Benjamin Netanyahu ordenó al ejército israelí que se retirara durante siete horas durante la invasión de Hamas https://twitter.com/Blacksh49424801/status/1713470054719705197 portada The Economist december 2012 (Hace 11 años exactos) https://img.discountmags.com/products/extras/114409-the-economist-cover-2012-december-20-issue-jpg? Tribe Of Nova Presents - SUPERNOVA SUKKOT | 06-07.10 | UNIVERSO PERALELLO ISRAEL EDITION https://www.eventer.co.il/event/novaparalellotranslate/qCqCL Localización del evento 4 octubre SUPERNOVA SUKKOT | 06-07.10 https://www.facebook.com/photo?fbid=636393125343556&set=a.387136230269248 https://www.google.com/maps/place/31%C2%B023'52.0%22N+34%C2%B028'18.1%22E/@31.4062681,34.3970073,13z/data=!4m4!3m3!8m2!3d31.39777!4d34.47168?hl=es&entry=ttu Unthinkable: Hamas Infiltration Turns Rave into Mayhem https://www.youtube.com/watch?v=Ev-clsHR61E Nuevos vídeos de la matanza de Hamas durante un festival en Israel https://www.youtube.com/watch?v=aCTFMTGs3R0 Discurso Historico de Gordon Duff en Damasco Siria https://www.youtube.com/watch?v=SfU61MjW_E0&t=4s Marine Vietnam veteran, retired diplomat, author, Senior Editor at Veterans Today, national security adviser to governments in Europe, Africa and Asia https://twitter.com/gpduf?lang=es La «cacería de brujas» israelí paraliza la libertad de expresión y al CPI https://rebelion.org/la-caceria-de-brujas-israeli-paraliza-la-libertad-de-expresion-y-al-cpi/ Campos de entrenamiento a cielo abierto pegados a la frontera israelí ensayando las técnicas de secuestros masivos a plena luz del día https://twitter.com/JuanmiGG_News/status/1713241190449983697 Senador Ron Paul: “Hamás fue creado y financiado por Israel y EE. UU.” https://www.youtube.com/watch?v=5BNDHYS79HU La multinacional Chevron saquea el petróleo de Gaza con el apoyo de Estados Unidos https://mpr21.info/la-multinacional-chevron-saquea-el-petroleo-de-gaza-con-el-apoyo-de-estados-unidos/ Palestinian film industry | Cinema | Showcase https://www.youtube.com/watch?v=hwpchsSe5dI Bonus Track: Collin Powell ante el Consejo de Seguridad https://www.youtube.com/watch?v=6U1rqFpCKCk GUERRA DE IRAK: CÓMO ESTADOS UNIDOS DESINFORMÓ SOBRE LAS ARMAS DE DESTRUCCIÓN MASIVA https://verifica.efe.com/guerra-irak-estados-unidos-desinformo-armas-destruccion-masiva/ Atentados de Saná de 2015 https://es.m.wikipedia.org/wiki/Atentados_de_San%C3%A1_de_2015 Los niños "muertos" en Sandy Hook, vivitos y cantando. https://www.burbuja.info/inmobiliaria/threads/los-ninos-muertos-en-sandy-hook-vivitos-y-cantando.488169/ Vídeo premonitorio masacre de Newton USA https://www.burbuja.info/inmobiliaria/threads/video-premonitorio-masacre-de-newton-usa.374509/ CURIOSIDADES SOBRE EL CASO SANDY HOOK - EL NIÑO QUE SE MURIÓ DOS VECES https://www.burbuja.info/inmobiliaria/threads/curiosidades-sobre-el-caso-sandy-hook-el-nino-que-se-murio-dos-veces.1625743/ Niño judío asesinado a tiros varias veces en el atentado de Newtown https://forward.com/news/167759/jewish-child-shot-multiple-times-in-newtown-rampag/?amp=1 Al menos 132 escolares muertos en un ataque talibán en Pakistán https://elpais.com/internacional/2014/12/16/actualidad/1418716401_117631.html SANDY HOOK INTELLIGENCE TEST - Ver a través de la falsa bandera con terribles actores de crisis https://odysee.com/@Gravy:7/SandyHook:5 La «cacería de brujas» israelí paraliza la libertad de expresión y al CPI https://rebelion.org/la-caceria-de-brujas-israeli-paraliza-la-libertad-de-expresion-y-al-cpi/ Masacre de la Escuela Secundaria de Columbine https://es.wikipedia.org/wiki/Masacre_de_la_Escuela_Secundaria_de_Columbine 11S https://tecnicopreocupado.com/falsas-banderas/11s/ CASTIGO EN YOUTUBE A NOZICK POR COLGAR MODERN MARVELS https://tecnicopreocupado.com/2014/06/10/castigo-en-youtube-a-nozick-por-colgar-modern-marvels/ ……………………………………………………………….. Música utilizada en este podcast: Tema inicial Heros ……………………………………………………………….. Epílogo Marichal - Retorcido Mundo https://www.youtube.com/watch?v=Rgkzz8-_baA videos 001 soldado israeli tanque 1:36 002 Bebé muñeco palestinos 0:37 004 Ron Paul dice que Hamas es Israel 2:01 010 Actores de crisis árabes en película 0:26 011 Supuesta caravana bombardeada por Israel saliendo Gaza 0 0:59 012 caravana palestina sin censurar bombardeada por Israel saliendo Gaza 2:36 013 judíos orinan en terroristas 0:21 013a Muñeco hospital anciano Covid 0:22 014 Colin Powell armas destrucción masiva 0:31 016 Bush armas de destrucción masiva Irak 0:39 021 Charles Jaco Guerra del Golfo CNN corto 0:34 025 Verdaderas noticias falsas 1 4:27 025a FOX Inteligencia americana 0:45 029a FALSO ATENTANDO PILLADOS INFRAGANTIS 1:54 030 Barcelona_Attack_HOAX_All_ISIS_vehiculos sin sangre 0:50 032 Discurso Hist rico de Gordon Duff en Damasco Siria 8:09 033 Fake news pandemia guerra Ucrania 2:19 034 Falseflag Columbine muñeco 1:20 035 LAX_SHOOTING_DUMMY__Proof_of_Hoax___LAX_ 2:46 036 Frank A Martini sobre impacto de avión 11S doblado españ 0:36 38 General Wesley Clark guerra en 7 paises en 5 años 11S 2:38

Explore the vibrant history of Tucson, AZ

Episode 01: From Classic Bricks to Modern Marvels, My 46 Year LEGO Journey Join us in the inaugural episode of the Battlegorilla LEGO Podcast as we embark on a captivating journey through the world of LEGO bricks. In this episode, your host Mike Snethen takes you back to the moment of discovery, when the distinct sound of a LEGO set sparked a lifelong passion on Christmas morning, 1977. Uncover the origins of Mike's fascination with LEGO, from his early ventures into the Classic Space theme to the introduction of Technic sets that brought motorized creations to life. Experience the highs and lows of a devoted AFOL (Adult Fan of LEGO), as Mike shares his remarkable story of creativity, adaptation, and resilience. Navigate through the twists and turns of his LEGO adventure, including encounters with licensed themes, superhero builds, and the dynamic world of LEGO conventions. Discover the pivotal role LEGO played in Mike's life during challenging times and explore how his determination led to the birth of his very own LEGO podcast. Get ready to be inspired by his unwavering dedication to the brick, whether it's coordinating superhero-themed builds, facing financial challenges, or finding innovative ways to sustain his LEGO addiction. As we delve into Mike's 46-year LEGO journey, you'll find yourself immersed in a narrative that resonates with every LEGO enthusiast, from childhood builders to seasoned AFOLs. Join us as we celebrate the power of creativity, imagination, and the timeless allure of those colorful plastic bricks. Don't miss this engaging episode filled with nostalgia, personal insights, and a hint of LEGO magic. And stay tuned for future episodes where we'll dive into exciting LEGO themes, creations, and the vibrant community that makes the LEGO world truly exceptional. Music: Intro theme - "Podcasting is Awesome" by Michael Reinsch Outro theme - "Ode to Gibberish" by Michael Reinsch

Medicine. Bridges. Glasses. Avatar 2. Space. The Wild West. The iPhone. Shoes. Human testing.

Have you ever wonder how some of the incredible things around us came to be? From amazing skyscrapers to mind-blogging technology, the world is filled with modern marvels that make our live e better , easier and more fun!

Join us on a tour of the Brentwood section of Los Angeles, known for its midcentury modern style, an abundance of iconic midcentury modern homes by renowned architects such as Richard Neutra, A. Quincy Jones, and Charles Eames. The open floor plans, large windows, clean lines, and integration with nature that characterize midcentury modern design are prevalent throughout Brentwood. This Thursday top Brentwood realtor Sheila D. Simmons co-hosts the show as we talk to celebrated modern architects Scott Strumwasser and Tash Rahbar of Enclosures Architects about L.A.'s modern roots and how that aesthetic is translated in the 21st century. Their own home is a 1964 restored Quincy Jones and they've recently restored a Rudolph Schindler design.⏩⏩ Join the discussion every Thursday at 3 pm, Use the Meeting ID: http://zoom.us/j/92135931351http://www.JohnEngel.com

In this episode, Dr's J and Santhosh once again cover all the new updates in the world of medical research, this time with an emphasis on modern marvels of medicine. ALong the way they cover musical parodies, bionic eye implants for keratoconus, study power and significance, diagnosing heart failure with apple watches, fun with statistics terms, needle filled pills for cancer drug delivery, pill based insulin models, electronic blood vessels, microchip equivalent organs and more! SO sit back and relax as we talk about whats new in the world of medical research!Further Readinghttps://scienceandstuff.com/bioengineering-breakthrough-new-implant-can-restore-sight-to-the-blind/https://www.news-medical.net/news/20221114/Study-reveals-the-ability-of-smartwatch-ECG-to-accurately-detect-heart-failure.aspxhttps://www.newscientist.com/article/2231936-pill-with-tiny-needle-for-painless-injections-passes-first-human-trial/https://cosmosmagazine.com/health/medicine/artificial-blood-vessels-with-a-little-extra/https://www.livescience.com/vagina-on-a-chipSupport Us spiritually, emotionally or financially here! or on ACAST+Twitter: @doctorjcomedy @toshyfroInstagram: @travelmedicinepodcastSpotify: https://open.spotify.com/show/28uQe3cYGrTLhP6X0zyEhTFacebook: facebook.com/travelmedicinepodcastPatreon: https://www.patreon.com/travelmedicinepodcast Supporting us monthly has all sorts of perks! You get ad free episodes, bonus musical parody, behind the scenes conversations not available to regular folks and more!! Your support helps us to pay for more guest interviews, better equipment, and behind the scenes people who know what they are doing! https://plus.acast.com/s/travelmedicinepodcast. Hosted on Acast. See acast.com/privacy for more information.

It's time ofr an all new Modern Marvels edition of X Is For Podcast! In 2020, Marvel relaunched Werewolf By Night with Jake Gomez, a Mexican and Native American take on the character, reinvigorating the classic property with a younger, hipper, and frankly fascinating new iteration! Nico & TK take a look at his complete publishing history so far (Werewolf By Night #1-4 & Marvel Voices Infinity Comic #19) as the spooky season begins! Then, turn over to the grindcore X-Adventure of X-Terminators #1 from two different angles (0:42:40 & 1:11:30)! All this and more on an all new XI4P!

Ken reviews the Kia Sorento SUV.  Back in 2009, Sorento manufacturing moved stateside to a sophisticated new assembly plant in West Point, Georgia.  The plant was so impressive, that the History Channel featured a segment about the facility on its Modern Marvels program.  Today's Sorento is even more accomplished now more than ever. 

Buckle up, this week we dabble in: Bruno Gaspar, Floor Pizza, working on the west coast numbers, Gus Tacos, a day in Kensington, vintage shopping, Marcus 'Maradonna' Edwards, Rafa retirement, simulation interview, fan assaults, talking to el duke, World cup squad, The Portuguese league, Premier league, Ligue 1, Serie A, Bundesliga, La Liga, Local Lads (Toronto FC & York United), Stonk of the Week, & Joao Wonder! Enjoy! This Episode is fueled by: Floor Pizza, Illness, & Being Man Down MAKE SURE TO LEAVE US A RATING AND REVIEW! Twitter: @joao_wonder Instagram: @theportugalcorner Link Tree: https://linktr.ee/ThePortugalCorner Google: theportugalcorner@gmail.com Anchor: https://anchor.fm/joao-wonder Spotify:https://open.spotify.com/show/3JhYDg9UQ5mpMMOkaItpwx Apple: https://podcasts.apple.com/ca/podcast/the-portugal-corner/id1553421610?l=en Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80YzM4YzQ1Yy9wb2RjYXN0L3Jzcw=

It's Modern Marvels on XI4P! First up, it's Chris Claremont returning to one of his characters he's best known for -- Gambit, with Storm, Shadow King, and a host of his Fantastic Four characters along for the ride! Then, join the X-Pack as they exmaine two different sides of Marvel Magic sans Stephen Strange -- leading to the inclusion of Loki and a host of zombies?! Check out Gambit #1 (0:00:00), Defenders Beyond #1 (0:38:00), and Strange #4 (1:15:30) and strap in for an all new XI4P – we hope you survive the experience!

GOD Provides Honor the Presence of an Old Man and Fear your GOD...GoodShepherdTraning.comhttps://www.patreon.com/GoodShepherdTraining this episode talks about how we got to where we are with modern projectiles.

The X-Pack doesn't stop all summer long as the X-Men and the Marvel Universe at large brace for Judgment Day! We kick things off on this new Modern Marvels with the issue that begins it all -- Eve of Judgment #1 (0:00:00)! The Eternals crew continues their coverage before the teams take a look a few of the final pre-Day titles with Legion of X #3 (0:40:00) & Sabretooth #4-5 (1:07:00)! Strap in for an all new AU:MC2 on XI4P – we hope you survive the experience!

XI4P rolls on through with an all new X Is For Podcast: Modern Marvels! Kick things off with an all new X-Force coverage with X-Force #29. The team examines the changes in the creative team and how it reflects changes over time throughout the X-Men (0:00:00). Then, join the crew for a look at X-Men: Red #4 where so many power players are making power moves. (0:39:30)! Lastly, follow the final issue of the adjectively main X-Title before the Hellfire Gala (releasing the same day as this episode drops -- 1:09:45)! Strap in for an all new X Is For Podcast -- hope you survive the experience.

What you'll learn in this episode: Why the best modernist pieces are fetching record prices at auction today How “Messengers of Modernism” helped legitimize modernist jewelry as an art form The difference between modern jewelry and modernist jewelry Who the most influential modernist jewelers were and where they drew their inspiration from Why modernist jewelry was a source of empowerment for women About Toni Greenbaum Toni Greenbaum is a New York-based art historian specializing in twentieth and twenty-first century jewelry and metalwork. She wrote Messengers of Modernism: American Studio Jewelry 1940-1960 (Montréal: Musée des Arts Décoratifs and Flammarion, 1996), Sam Kramer: Jeweler on the Edge (Stuttgart: Arnoldsche Art Publishers, 2019) and “Jewelers in Wonderland,” an essay on Sam Kramer and Karl Fritsch for Jewelry Stories: Highlights from the Collection 1947-2019 (New York: Museum of Arts and Design and Arnoldsche, 2021), along with numerous book chapters, exhibition catalogues, and essays for arts publications. Greenbaum has lectured internationally at institutions such as the Pinakothek der Moderne, Munich; Academy of Arts, Architecture and Design in Prague; Yale University Art Gallery, New Haven; Cooper Hewitt Smithsonian Design Museum and Museum of Arts and Design, New York; Museum of Fine Arts, Boston; and Savannah College of Art and Design Museum of Art, Savannah. She has worked on exhibitions for several museums, including the Victoria and Albert in London, Musée des beaux-arts de Montréal, and Bard Graduate Center Gallery, New York. Additional Resources: Link to Purchase Books Toni's Instagram The Jewelry Library  Photos Available on TheJewelryJourney.com Transcript: Once misunderstood as an illegitimate art form, modernist jewelry has come into its own, now fetching five and six-figure prices at auction. Modernist jewelry likely wouldn't have come this far without the work of Toni Greenbaum, an art historian, professor and author of “Messengers of Modernism: American Studio Jewelry, 1940 to 1960.” She joined the Jewelry Journey Podcast to talk about the history of modernist jewelry; why it sets the women who wear it apart; and where collectors should start if they want to add modernist pieces to their collections. Read the episode transcript here.     Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please go to TheJewelryJourney.com. Today my guest is art historian, professor and author Toni Greenbaum. She is the author of the iconic tome, “Messengers of Modernism: American Studio Jewelry, 1940 to 1960,” which analyzes the output of America's modernist jewelers. Welcome back.    Do you think that if you had looked up and seen Sam Kramer's shop, would you have been attracted?   Toni: Oh, my god, I would have been up in a shot. Are you kidding? I would have tumbled up those stairs had I known it was there. I never even knew what it was, but I was always seeking out that aesthetic, that kind of thing. Like I said, my mother would buy handmade jewelry, silver jewelry, and I loved what she bought. I would go to galleries with her. When I say gallery, they were more like shops; they were like shop-galleries, multimedia boutiques, not specifically jewelry, that would carry handmade jewelry. I loved it. Had I seen Sam Kramer's shop, I would have been up like a shot. The same thing with Art Smith. I would have been down those steps like a shot, but I didn't know they were there, and I was too busy running after boys and going to the coffee shops in Greenwich Village to look carefully.   Sharon: Out here, I don't know if you would have had those influences.   Toni: You had a few shops. You're in the Los Angeles area?   Sharon: Yeah.   Toni: There were a few shops in L.A., not so much in Northern California. There was Nanny's in San Francisco, which was a craft gallery that carried a lot of jewelers. In Southern California there were a few studio shops, but I don't know how prominent they were. I don't know how obvious they were. I don't think that they were as much on people's radar as the ones in New York.   Sharon: When you say studio jewelers, was everything one-off, handmade?   Toni: Yes—well, not necessarily one-off. Generally, what these jewelers would do—this is the best generalization—for the larger, more expensive, more involved pieces, they would make one. When they sold it, they'd make another one, and when they sold that, they'd make another one. If the style was popular, they would also have what they would think of as production lines—earrings, cuff links, tie bars that they would replicate, but they were not cast usually. At that time, very little of it was cast. It was hand-wrought, so there were minor differences in each of the examples. But unless we get into the business records of these jewelers, we don't really know exactly how many they made of each design.   Sharon: Why is it, do you think, that modernist jewelry has been so popular today?   Toni: Oh, that's a good question. That's a very good question. I think a lot has to do with Fifty/50 Gallery's promotion. Fifty/50 was on Broadway at 12th Street, and it was a multimedia gallery that specialized in mid-20th century material. There were three very smart, very savvy, very charismatic owners who truly loved the material like I love it, and when you love something so much, when you have a passion, it's very easy to make other people love it also. I think a lot of the answer to that question is Fifty/50's promotion. They were also a very educative gallery. They were smart, and they knew how to give people the information they needed to know they were buying something special. I think it appeals to a certain kind of person.    Blanche Brown was an art historian in the midcentury who was married to Arthur Danto, who was a philosopher who taught art history at Columbia. His wife, Blanche Brown, was also an art historian. She did a lot of writing, and she would talk about the modernist jewelry, which she loved. It was a badge that she and her cohort would wear with pride because it showed them to be aesthetically aware, politically progressive. It made them stand apart from women who were wearing diamonds and precious jewelry just to show how wealthy their husbands were, which was in the 1940s and 1950s, the women who would wear this jewelry. So, for women like Blanche Brown and women through the 1960s, 70s, 80s and even now—well, now it's different because we have all the contemporary jewelers—but I think it set these women apart. It made them special in a way. It set them apart from the women who were wearing the Cartier and the Van Cleef and Arpels.    You dress for your peers. You dress to make your peers admire you, if not be envious. Within the Bohemian subculture of the 1950s, within the Beat Generation of the 1950s and through the 1960s and the hippies in the 1970s, it set apart that kind of woman. Remember, also, feminism was starting to become a very important aspect of lifestyle. I think when “The Feminine Mystique” came out around 1963—I would have to check it—women were starting to feel empowered. They wanted to show themselves to be intelligent and secure and powerful, and I think modernist jewelry imparted that message when one wore it. It's not that different than people who wear the contemporary jewelry we love so much now. Art Jewelry Forum says it's jewelry that makes you think, and that is what I think a lot of us relate to in that jewelry. It's jewelry with a real concept behind it.   Sharon: That leads me to the next question. I know the biographies repeat themselves. When I was looking up information about you, they said you're an expert in modernist and contemporary jewelry. Contemporary can mean anything. Would you agree with the contemporary aspect?   Toni: I don't view myself as an expert in contemporary. I think I know more than a lot of people about it only because I study it. It's very hard to keep up because there are so many new jewelers popping up all the time. The name of my course that I teach at Pratt is Theory and Criticism of Contemporary Jewelry. Because of that, I do have to keep up to the day because it's a required course for the juniors majoring in jewelry studies, and I feel a responsibility to make them aware of what's happening right at that point I'm teaching it. Things are changing so much in our field, but I don't view myself as an expert. I just think I know a lot about it. It's not my field of expertise, and there's so much. You've got German jewelers, and you've got Chinese jewelers, and you've got Australian and New Zealand jewelers, and you've got Swedish jewelers. All over the world. You've got Estonia, a little, small country, as these major jewelers. They are each individual disciplines in and of themselves.   Sharon: How is it that you wrote the catalogue that became “Messengers of Modernism”? Were you asked to write the catalogue?    Toni: Yeah, I was hired by David Hanks and Associates, which was and still is the curatorial firm. They're American, but they work for the Montreal Museum of Fine Arts. At that time, there was a separate Montreal Museum of Decorative Arts, and that's really where Messengers of Modernism—it came under the Montreal Museum of Decorative Arts. Now, it has been absorbed into the Montreal Museum of Fine Arts. It's just one building. It was a separate building. Basically I was hired by the museum to write the catalogue.   Sharon: And how did it become a book?    Toni: It is a book.    Sharon: Yes, but how did it become—it was a catalogue.   Toni: It's a book, but it functions as the catalogue in the next edition.   Sharon: Right, but I was saying that you wrote the catalogue, and then you said it was published by Flammarion in Paris. Did they say, “Oh, let's take it and make it a book?” How did it transform?   Toni: It was always a book, but it functioned as the catalogue for a particular collection, which is their collection of modernist jewelry. Many exhibitions, even painting exhibitions, when you go to a museum and view a painting exhibition and you buy the accompanying text, it's the catalogue of the exhibition.   Sharon: Yes, but a lot of those don't become books per se. That's why I was wondering, did somebody at the publishers see your catalogue and say, “This would make a great book?” I have never seen the exhibition, but I have the book.   Toni: I think this is a semantic conversation more than anything else. It has become, as I said, the standard text, mostly because nothing else really exists, except I believe Marbeth Schon wrote a book on the modernist jewelers which is more encyclopedic. This book, “Messengers of Modernism,” first of all, it puts the collection in the context of studio craft from the turn of the century up until then, which was then the present. The book was published in 1996. I think what you're saying is it's more important than what we think of as a museum catalogue and it's become a standard text.   Sharon: Yeah.   Toni: It was always conceived as a book about modernist jewelry; it was just focusing on this one collection. What I'm saying is people would say, “Well, why isn't this one in the book? Why did you leave this one out?” and I said, “Well, I didn't leave this one out. This is a book about a finite collection that's in the Montreal Museum of Fine Arts.” If I were writing a book about modernist jewelry, of course I would have included Claire Falkenstein, but she wasn't in their collection, so it's not in that book. That was basically what I meant.   Sharon: Is there a volume two that's going to be coming out with the ones that weren't in the collection that you think should be in the book?   Toni: That book was published in 1996. We're already in 2022. People are always asking me, but one never knows.    Sharon: I guess you don't need an exhibition to write a catalogue.    Toni: No, to write a book, of course you don't.   Sharon: To write a book. What's on your radar? What do you think you have next? Is it in the realm of modernism that you would be writing about?   Toni: That's really what I write about. I lecture about contemporary jewelry to my students and occasionally to the public, but my area of expertise is modernism. There are cardiologists that have a part of their practice in general medicine, but if somebody has a gastrointestinal problem, they're going to send them to a gastroenterologist. I can deal with the broad strokes, which I do, but unless it's one specific jeweler that I would write about, I would not attempt a book about contemporary jewelry. I would stick with modernism, what I feel very confident and comfortable with.   Sharon: If somebody who's passionate about jewelry but not wealthy said they want to start building a modernist collection, where would they start?   Toni: That is another good question. First of all, they would really have to comb the auctions. If they were very serious about collecting important works, I would send them to Mark McDonald, who's the premier dealer in this material. He was one of the partners of Fifty/50.   Sharon: Right, does he still work in that area? Didn't they close the store? Yeah, they closed the store.   Toni: Yeah, two of the partners tragically died. Mark had Gansevoort Gallery after. That was on Gansevoort Street in the Meatpacking District here in New York, which was a wonderful gallery also specializing in modernist material, multimedia. Then he had a shop up in Hudson, New York, for many years, right opposite Ornamentum Gallery. That closed, but he still deals privately. He is the most knowledgeable dealer in the period that I know of. If anybody was really serious about starting to collect modernist jewelry, he would be the person I recommend they go to.   Sharon: It sounds like somebody to collaborate with if you're writing your next book.   Toni: We always collaborate. We're good friends and we always collaborate.   Sharon: Where do you see the market for modernist jewelry? Do you see it continuing to grow? Is it flat? Is it growing?   Toni: Yes, the best of it will continue to grow. There was an auction right before the pandemic hit. I think it was February of 2020, right before we got slammed. It was an auction that was organized by David Rago Auction in New Hope, Pennsylvania, and Wright, which is also an auction gallery specializing in modern and modernism from Chicago. Mark McDonald curated the collection, and the idea behind that exhibition was it was going to go from modernist jewelry from the mid-20th century up to the present and show the lineage and the inheritance from the modernist jewelers. It also included Europeans, and there was some wonderful modernist jewelry in that exhibition that sold very well—the move star pieces, the big pieces.    Then there was—I guess a year ago, no more than that—there was an auction at Bonhams auction house which was one couple's collection of modernist jewelry, artist jewelry—and by artists, I mean Picasso and Max Ernst, modernist artists. They collected a lot of Mexican jewelry and two of Art Smith's most major bracelets, his modern cuff and his lava cuff. I always forget which sold for what, but these were copper and brass cuffs. One sold for $18,000 and one sold for $13,000. I think the modern cuff was $18,000 and the lava cuff was $13,000. If anybody comes to my lecture tomorrow for GemEx, I talk about both of them in detail. This is big money. Five figures is very big money for these items, but these are the best of the best, the majors of the major by Art Smith. Art Smith is currently very, very coveted.   Sharon: Who's your favorite of the modernist jewelers? Who would you say?   Toni: Well, I have two favorites. There are three that are the most important, so let's say three favorites. One is Art Smith, and the reason is because the designs are just brilliant. They really take the body into consideration, negative space into consideration, and they're just spectacularly designed and beautiful to wear. Sam Kramer, the best of his work, the really weird, crazy, surrealist pieces like the one that's on the cover and the back of the Sam Kramer book. Margaret de Patta, who was from the San Francisco Bay area, and she was diametrically opposite to these two because her work was based upon constructivism. She had studied under Moholy-Nagy, the Hungarian constructivist painter, sculptor, photographer. Her work is architectural based upon these eccentrically cut stones. She would be inspired by the rutilations, which are the inclusions within quartz, and she would design her structures around them. I would say those are my three favorites.   Sharon: That's interesting. I wouldn't have thought of Margaret de Patta. I guess I think of her in a different category. I don't know why.   Toni: She's one of the most important modernist jewelers. She founded that whole San Francisco Bay Area MAG, the Metal Arts Guild. She was their guru.    Sharon: When I think of San Francisco at that time, I think of all the jewelry I bought when I was 16 and then I said, “What did I want this for?” Now I see it in the flea markets for 14 times the price I paid for it.   Toni: Right.   Sharon: But who knew. Anyway, Toni, thank you so much. It's been so great to have you. We really learned a lot. It's a real treat. Thank you.   Toni: I had a great time also. Thank you for inviting me. Thank you.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

XI4P rolls on through with an all new Modern Marvels! Kick things off with a return to Otherworld and the magic of Tini Howard & Bob Quinn's one-of-a-kind magic-mutant-space-romp, Knights Of X #3 (0:00:00)! Then, join the Midnight Mission as they look at the capstone to the dramatic and powerful first year of Moon Knight with issue #12 (0:33:00)! Then, turn to Marvel Voices for this year's Pride special, plus a special mention from Nico about Young Men In Love, an anthology featuring tons of Marvel Voices's queer creators plus Nico himself! Strap in for an all new X Is For Podcast -- hope you survive the experience.

What you'll learn in this episode: Why the best modernist pieces are fetching record prices at auction today How “Messengers of Modernism” helped legitimize modernist jewelry as an art form The difference between modern jewelry and modernist jewelry Who the most influential modernist jewelers were and where they drew their inspiration from Why modernist jewelry was a source of empowerment for women About Toni Greenbaum Toni Greenbaum is a New York-based art historian specializing in twentieth and twenty-first century jewelry and metalwork. She wrote Messengers of Modernism: American Studio Jewelry 1940-1960 (Montréal: Musée des Arts Décoratifs and Flammarion, 1996), Sam Kramer: Jeweler on the Edge (Stuttgart: Arnoldsche Art Publishers, 2019) and “Jewelers in Wonderland,” an essay on Sam Kramer and Karl Fritsch for Jewelry Stories: Highlights from the Collection 1947-2019 (New York: Museum of Arts and Design and Arnoldsche, 2021), along with numerous book chapters, exhibition catalogues, and essays for arts publications. Greenbaum has lectured internationally at institutions such as the Pinakothek der Moderne, Munich; Academy of Arts, Architecture and Design in Prague; Yale University Art Gallery, New Haven; Cooper Hewitt Smithsonian Design Museum and Museum of Arts and Design, New York; Museum of Fine Arts, Boston; and Savannah College of Art and Design Museum of Art, Savannah. She has worked on exhibitions for several museums, including the Victoria and Albert in London, Musée des beaux-arts de Montréal, and Bard Graduate Center Gallery, New York. Additional Resources: Link to Purchase Books Toni's Instagram The Jewelry Library  Photos Available on TheJewelryJourney.com Transcript: Once misunderstood as an illegitimate art form, modernist jewelry has come into its own, now fetching five and six-figure prices at auction. Modernist jewelry likely wouldn't have come this far without the work of Toni Greenbaum, an art historian, professor and author of “Messengers of Modernism: American Studio Jewelry, 1940 to 1960.” She joined the Jewelry Journey Podcast to talk about the history of modernist jewelry; why it sets the women who wear it apart; and where collectors should start if they want to add modernist pieces to their collections. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week.    Today my guest is art historian, professor and author Toni Greenbaum. She is the author of the iconic tome, “Messengers of Modernism: American Studio Jewelry, 1940 to 1960,” which analyzes the output of America's modernist jewelers. Most recently, she authored “Sam Kramer: Jeweler on the Edge,” a biography of the jeweler Sam Kramer. Every time I say jeweler I think I'm using the world a little loosely, but we're so glad to have you here today. Thank you so much.   Toni: I am so glad to be here, Sharon. Thank you so much for inviting me. It's been many years coming.   Sharon: I'm glad we connected. Tell me about your jewelry journey. It sounds very interesting.   Toni: Well, there's a lot you don't know about my jewelry journey. My jewelry journey began when I was a preteen. I just became fascinated with Native American, particularly Navajo, jewelry that I would see in museum gift shops. I started to buy it when I was a teenager, what I could afford. In those days, I have to say museum gift shops were fabulous, particularly the Museum of Natural History gift shop, the Brooklyn Museum gift shop. They had a lot of ethnographic material of very high quality. So, I continued to buy Native American jewelry. My mother used to love handcrafted jewelry, and she would buy it in whatever craft shops or galleries she could find.    Then eventually in my 20s and 30s, I got outpriced. Native American jewelry was becoming very, very fashionable, particularly in the late 60s, 1970s. I started to see something that looked, to me, very much like Native American jewelry, but it was signed. It had names on it, and some of them sounded kind of Mexican—in fact, they were Mexican. So, I started to buy Mexican jewelry because I could afford it. Then that became very popular when names like William Spratling and Los Castillo and Hector Aguilar became known. I saw something that looked like Mexican jewelry and Navajo jewelry, but it wasn't; it was made by Americans. In fact, it would come to be known as modernist jewelry. Then I got outpriced with that, but that's the start of my jewelry journey.   Sharon: So, you liked jewelry from when you were a youth.    Toni: Oh, from when I was a child. I was one of these little three, four-year-olds that was all decked out. My mother loved jewelry. I was an only child, and I was, at that time, the only grandchild. My grandparents spoiled me, and my parents spoiled me, and I loved jewelry, so I got a lot of jewelry. That and Frankie Avalon records.   Sharon: Do you still collect modernist? You said you were getting outpriced. You write about it. Do you still collect it?   Toni: Not really. The best of the modernist jewelry is extraordinarily expensive, and unfortunately, I want the best. If I see something when my husband and I are antiquing or at a flea market or at a show that has style and that's affordable, occasionally I'll buy it, but I would not say that I can buy the kind of jewelry I want in the modernist category any longer. I did buy several pieces in the early 1980s from Fifty/50 Gallery, when they were first putting modernist jewelry on the map in the commercial aspect. I was writing about it; they were selling it. They were always and still are. Mark McDonald still is so generous with me as far as getting images and aiding my research immeasurably. Back then, the modernist jewelry was affordable, and luckily I did buy some major pieces for a tenth of what they would get today.   Sharon: Wow! When you say the best of modernist jewelry today, Calder was just astronomical. We'll put that aside.   Toni: Even more astronomical: there's a Harry Bertoia necklace that somebody called my attention to that is coming up at an auction at Christie's. If they don't put that in their jewelry auctions, they'll put it in their design auctions. I think it's coming up at the end of June; I forget the exact day. The estimate on the Harry Bertoia necklace is $200,000 to $300,000—and this is a Harry Bertoia necklace. I'm just chomping at the bit to find out what it, in fact, is going to bring, but that's the estimate they put, at $200,000 to $300,000.   Sharon: That's a lot of money. What holds your interest in modernist jewelry?   Toni: The incredible but very subtle design aspect of it. Actually, tomorrow I'm going to be giving a talk on Art Smith for GemEx. Because my background is art history, one of the things I always do when I talk about these objects is to show how they were inspired by the modern art movements. This is, I think, what sets modernist jewelry apart from other categories of modern and contemporary jewelry. There are many inspirations, but it is that they are very much inspired by Cubism, Surrealism, Abstract Expressionism, Biomorphism, etc., depending on the artist. Some are influenced by all of the above, and I think I saw that. I saw it implicitly before I began to analyze it in the jewelry.    This jewelry is extraordinarily well-conceived. A lot of the craftsmanship is not pristine, but I have never been one for pristine craftsmanship. I love rough surfaces, and I love the process to show in the jewelry. Much of the modernist jewelry is irreverent—I use the word irreverent instead of sloppy—as far as the process is concerned. It was that hands-on, very direct approach, in addition to this wonderful design sense, which, again, came from the modern art movements. Most of the jewelers—not all of them, but most of them—lived either in New York or in Northern or Southern California and had access to museums, and these people were aesthetes. They would go to museums. They would see Miro's work; they would see Picasso's work, and they would definitely infuse their designs with that sensibility.   Sharon: Do you think that jumped out at you, the fact that they were inspired by different art movements, because you studied art history? You teach it, or you did teach it at one time?    Toni: No, just history of jewelry. I majored in art history, but I've never taught art history. I've taught history of jewelry. We can argue about whether jewelry is art or not, but history of jewelry is what I've taught.   Sharon: I've taken basic art history, but I couldn't tell you some of the movements you're talking about. I can't identify the different movements. Do you think it jumped out at you because you're knowledgeable?   Toni: Yes, definitely, because I would look at Art Smith and I would say, “That's Biomorphism.” I would see it. It was obvious. I would look at Sam Kramer and I would say, “This is Surrealism.” He was called a surrealist jeweler back in his day, when he was practicing and when he had his shop on 8th Street. I would look at Rebajes and I would see Cubism. Of course, it was because I was well-versed in those movements, because what I was always most interested in when I was studying art history were the more modern movements.   Sharon: Did you think you would segue to jewelry in general? Was that something on your radar?   Toni: That's a very interesting question because when I was in college, I had a nucleus of professors who happened to have come from Cranbrook.   Sharon: I'm sorry, from where?   Toni: Cranbrook School of Art.   Sharon: O.K., Cranbrook.   Toni: I actually took a metalsmithing class as an elective, just to see what it was because I was so interested in jewelry, although I was studying what I call legitimate art history. I was so interested in jewelry that I wanted to see what the process was. I probably was the worst jeweler that ever tried to make jewelry, but I learned what it is to make. I will tell you something else, Sharon, it is what has given me such respect for the jewelers, because when you try to do it yourself and you see how challenging it is, you really respect the people who do it miraculously even more.    So, I took this class just to see what it was, and the teacher—I still remember his name. His name was Cunningham; I don't remember his first name. He was from Cranbrook, and he sent the class to a retail store in New York on 53rd Street, right opposite MOMA, called America House.   Sharon: Called American House?   Toni: America House. America House was the retail enterprise of the American Craft Council. They had the museum, which was then called the Museum of Contemporary Crafts; now it's called MAD, Museum of Arts and Design. They had the museum, and they had a magazine, Craft Horizons, which then became American Craft, and then they had this retail store. I went into America House—and this was the late 1960s—and I knew I had found my calling. I looked at this jewelry, which was really fine studio jewelry. It was done by Ronald Pearson; it was done by Jack Kripp. These were the people that America House carried. I couldn't afford to buy it. I did buy some of the jewelry when they went out of business and had a big sale in the early 1970s. At that time I couldn't, but I looked at the jewelry and the holloware, and I had never seen anything like it. Yes, I had seen Native American that I loved, and I had seen Mexican that I loved. I hadn't yet seen modernist; that wasn't going to come until the early 1980s. But here I saw this second generation of studio jewelers, and I said, “I don't know what I'm going to do with this professionally, but I know I've got to do something with it because this is who I am. This is what I love.”    Back in the late 1960s, it was called applied arts. Anything that was not painting and sculpture was applied art. Ceramics was applied art; furniture was applied art; textiles, jewelry, any kind of metalwork was applied art. Nobody took it seriously as an academic discipline in America, here in this country. Then I went on to graduate school, still in art history. I was specializing in what was then contemporary art, particularly color field painting, but I just loved what was called the crafts, particularly the metalwork. I started to go to the library and research books on jewelry. I found books on jewelry, but they were all published in Europe, mostly England. There were things in other languages other than French, which I could read with a dictionary. There were books on jewelry history, but they were not written in America; everything was in Europe. So, I started to read voraciously about the history of jewelry, mostly the books that came out of the Victoria & Albert Museum. I read all about ancient jewelry and medieval jewelry and Renaissance jewelry. Graham Hughes, who was then the director of the V&A, had written a book, “Modern Jewelry,” and it had jewelry by artists, designed by Picasso and Max Ernst and Brach, including things that were handmade in England and all over Europe. I think even some of the early jewelers in our discipline were in that book. If I remember correctly, I think Friedrich Becker, for example, might have been in Graham Hughes' “Modern Jewelry,” because that was published, I believe, in the late 1960s.    So, I saw there was a literature in studio jewelry; it just wasn't in America. Then I found a book on William Spratling, this Mexican jeweler whose work I had collected. It was not a book about his jewelry; it was an autobiography about himself that obviously he had written, but it was so rich in talking about the metalsmithing community in Taxco, Mexico, which is where he, as an American, went to study the colonial architecture. He wound up staying and renovating the silver mines that had been dormant since the 18th century. It was such a great story, and I said, “There's something here,” but no graduate advisor at that time, in the early 70s, was going to support you in wanting to do a thesis on applied art, no matter what the medium. But in the back of my mind, I always said, “I'm going to do something with this at some point.”    Honestly, Sharon, I never thought I would live to see the day that this discipline is as rich as it is, with so much literature, with our publishers publishing all of these fantastic jewelry books, and other publishers, like Flammarion in Paris, which published “Messengers of Modernism.” Then there's the interest in Montreal at the Museum of Fine Arts, which is the museum that has the “Messengers of Modernism” collection. It has filtered into the Houston Museum of Fine Arts, Dallas, obviously MAD. So many museums are welcoming. I never thought I would live to see the day. It really is so heartening. I don't have words to express how important this is, but I just started to do it. In the early 1970s or mid-1970s—I don't think my daughter was born yet. My son was a toddler. I would sit in my free moments and write an article about William Spratling, because he was American. He went to Mexico, but he was American. He was the only American I knew of that I could write about. Not that that article was published at that time, but I was doing the research and I was writing it.   Sharon: That's interesting. If there had been a discipline of jewelry history or something in the applied arts, if an advisor had said, “Yes, I'll support you,” or “Why don't you go ahead and get your doctorate or your master's,” that's something you would have done?   Toni: Totally, without even a thought, yes. Because when I was studying art history, I would look at Hans Holbein's paintings of Henry VIII and Sir Thomas More, and all I would do was look at the jewelry they were wearing, the chains and the badges on their berets. I said, “Oh my god, that is so spectacular.” Then I learned that Holbein actually designed the jewelry, which a lot of people don't know. I said, “There is something to this.” I would look at 18th century paintings with women, with their pearls and rings and bracelets, and all I would do was look at the jewelry. I would have in a heartbeat. If I could have had a graduate advisor, I would have definitely pursued that.   Sharon: When you say you never thought you'd live to see the day when modernist jewelry is so popular—not that it's so surprising, but you are one of the leaders of the movement. When I mentioned to somebody, “Oh, I like modernist jewelry,” the first thing they said was, “Well, have you read ‘Messengers of Modernism?'” As soon as I came home—I was on a trip—I got it. So, you are one of the leaders.   Toni: Well, it is interesting. It is sort of the standard text, but people will say, “Well, why isn't Claire Falkenstein in the book? She's so important,” and I say, “It's looked upon as a standard text, but the fact is it's a catalogue to an exhibition. That was the collection.” Fifty/50 Gallery had a private collection. As I said before, they were at the forefront of promoting and selling modernist jewelry, but they did have a private collection. That collection went to Montreal in the 1990s because at that time, there wasn't an American museum that was interested in taking that collection. That book is the catalogue of that finite collection. So, there are people who are major modernist jewelers—Claire Falkenstein is one that comes to mind—that are not in that collection, so they're not in the book. There's a lot more to be said and written about that movement.   Sharon: I'm sure you've been asked this a million times: What's the difference between modern and modernist jewelry?   Toni: Modern is something that's up to date at a point in time, but modernist jewelry is—this is a word we adopted. The word existed, but we adopted it to define the mid-20th century studio jewelry, the post-war jewelry. It really goes from 1940 to the 1960s. That's it; that's the time limit of modernist jewelry. Again, it's a word we appropriated. We took that word and said, “We're going to call this category modernist jewelry because we have to call it something, so that's the term.” Modern means up to date. That's just a general word.   Sharon: When you go to a show and see things that are in the modernist style, it's not truly modernist if it was done today, it wasn't done before 1960.   Toni: Right, no. Modernist jewelry is work that's done in that particular timeframe and that also subscribes to what I was saying, this appropriation of motifs from the modern art movement. There was plenty of costume jewelry and fine jewelry being done post-war, and that is jewelry that is mid-20th century. You can call it mid-20th century modern, which confuses the issue even more, but it's not modernist jewelry. Modernist jewelry is jewelry that was done in the studio by a silversmith and was inspired by the great movements in modern art and some other inspirations. Art Smith was extremely motivated by African motifs, but also by Calder and by Biomorphism. It's not religious. There are certainly gray areas, but in general, that's modernist jewelry.    Sharon: I feel envious when you talk about everything that was going in on New York. I have a passion, but there's no place on the West Coast that I would go to look at some of this stuff.   Toni: I'll tell you one of the ironies, Sharon. Post-war, definitely through the 1950s and early 1960s, there must have been 13 to 15 studio shops by modernist jewelers. You had Sam Kramer on 8th Street and Art Smith on 4th Street and Polo Bell, who was on 4th Street and then he was on 8th Street, and Bill Tendler, and you had Jules Brenner, and Henry Steig was Uptown. Ed Wiener was all over the place. There were so many jewelers in New York, and I never knew about them. I never went to any of their shops. I used to hang out in the Village when I was a young teenager, walked on 4th Street; never saw Art Smith's shop. He was there from 1949 until 1977. I used to walk on 8th Street, and Sam Kramer was on the second floor. I never looked up, and I didn't know this kind of jewelry existed. In those days, like I said, I was still collecting Navajo.

Celebrate 350 incredible episodes of X Is For Podcast with an all new Modern Marvels! Kick things off with a quick thanks from series producer & editor Nico (0:00:00) for the last few years of amazing X-Men and Marvel titles before the crew takes look at series favorite Immortal X-Men with the title's third daring, queer, complex issue (0:03:00)! Then, hang on for the wildest issue of New Mutants yet as New Mutants #26 takes the team to the furthest reaches of Limbo with incredible storytelling and art (0:36:30). Then, close things out with the pen-ultimate issue of the newest Iron Fist's first adventure (1:08:00). Strap in for an all new X Is For Podcast -- hope you survive the experience.

It's an all new Modern Marvels -- and we're digging into the X-Men! Kick things off with X-Men Red, where the team journeys to Arakko for what is one of the most unforgettable Magneto moments of all time! From there, the issue dives deep into Arakkii mutants, grown up New Mutants, and more (0:00:00)! Then, take a look at Wolverine #22 by Ben Percy and Adam Kubert, which leads to a discussion about the bigger picture of Krakoan publishing -- can you jump on easily now? Which titles lift out to be read solo (0:39:30)? Finally, join the team as they look at the newest issue in Marvel's now long-running (by Marvel standards) Black, White, & Blood series, featuring Wolverine scribe Ben Percy and more (1:15:15). Strap in for an all new X Is For Podcast -- hope you survive the experience.

It's an all new Modern Marvels Wednesday with a triple header of excellent coverage! First, kick things off with a look at the Marvel's Midnight Suns trailer by the two guys who started it all -- Nico and Jonah -- as they share a look at the character roster, a little bit at the gameplay, and the nature of incorporating the X-Men into a larger-scale video game (0:00:00)! Then, join The Midnight Mission for Marauders #3 (0:17:15) -- a title challenging the idea of what it means to be a mutant -- IN SPAAAAACEEEE!!!!! Then, round things out with Legion Of X #2 and an attempt to understand the Krakoan Unseen in Si Spurrier's works, reflective of Excal/Knight's magic and SWORD/Red's space (0:55:15). Strap in for an all new X Is For Podcast -- we hope you survive the experience.

It's an XI4P Modern Marvels Wednesday with a dynamic double dose of the Midnight Mission as the X-Pack takes a look at the more mystical side of their coverage! Kick things off with team fav Moon Knight with the 11th issue of the title, pushing the titular hero and HIS Midnight Mission not only closer to the first year's finale, but possibly madness (0:00:00)!? Then, join the crew as they continue to examine the further evolution of two major legacy titles at Marvel under new management. First, follow the new Iron Fist through his groundbreaking new series (0:30:15) before turning things back over to another new Strange (0:59:30) as Clea continues her time as Sorcerer Supreme! Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

It's an XI4P Modern Marvels Wednesday! Kick things off with a double dose of Ben Percy's X-World with X-Force #28 & Wolverine #21 examining the mutant and machine war from all sides! Then,join the X-Pack as they enjoy an all-time fan favorite series in its third issue, The X-Cellent, continuing the beloved cult-classic X-Force/X-Statix (0:34:00). Lastly, join the team as the explore the newest special in the Marvel Voices line with Identity, a powerful look at AAPI heroes and characters throughout the Marvel Universe (1:01:30)! Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

It's an XI4P Modern Marvels not to be missed! Kick things off with a look at New Mutants from multiple angles as the groundbreaking title continues to revolutionize the X-Men well into it's fourth volume with challenging stories and art. Then, at 38:00, join the crew as they dive deep into the dark world of the Quiet Council as two powerful mutants vie for the same spot in Immortal X-Men #2, pitting Hope against Selene! Then, finish things out with a journey to Arakko in X-Men Red #2 as Storm continues to redefine what it means to be an X-Man. Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

It's an XI4P Modern Marvels Wednesday and the team has a trio of terrific titles to talk...about. Kick things off with a look at the most recent issue of Duggan and sometimes Laraz's Treehouse title, X-Men, as they take on Cordeceps Jones, Mojo, and more on the Gameworld! Then, at 33:15, take an unlimited look at some of the greenest, darkest X-Men from the world of Marvel Unlimited with X-Men Unlimited #29-33, a sequel to the X-Men: Green arc from earlier in the XMU run! Then, the Midnight Mission comes swinging in with Moon Knight: Black White & Blood #1, featuring three wild tales of the fist, vengance, and avatar of Khonshu -- Moon Knight at 1:01:00! Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

It's a Modern Marvel Wednesday and we're going hard right out of the gate. Kick things off with a check-in from series producer Nico (hey, he writes this too, so it's me, hey) and his gratitude for the growing audience for the series, the incredible response to the team's newest projects, and more! Then, the crew takes a look at Giant-Size Thunderbird #1, an issue nearly 50 years in the making! It's an in-depth look at a dynamic new character (who isn't but is). Then, stick around for Marauders #2 kicking off at 40:45. The Marauders turn their eyes towards space and so does the X-Pack, talking on Shi'ar history, hot bird people, and a lot more (and yet maybe less). Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

X Is For Podcast kicks off an all new era! X Is For Podcast reformats with XI4P AU on Mondays, MODERN MARVELS on Wednesdays, and XI4P PREMIERES on Friday, alongside CHRONOSKIMMING CLASSICS, where we take a look at classic stories. Kick things off with the first XI4P PREMIERE featuring Knights of X's Bob Quinn in an unhinged and delightful interview about a lot of things and a lot of nonsense. It's great, check it out, legit (0:00:00). Then, stick around for a major announcement (the whole new era thing above? it's just in the show too -- at 0:47:30). Then, it's the debut of our newest feature -- XI4P AU, a complete examination of an entire AU in multiple parts. Our first world tour? A 13-part look at the MC2, Universe 982, starting this episode and running every Monday for 12 weeks. Strap in for an all new era of X Is For Podcast -- we hope you survive the experience.

Hold your loved ones close because it's a wonderful trivia life on a new episode of Go Fact Yourself!Rabia Chaudry is a really accomplished journalist, author and attorney. But she may be best known for her advocacy for incarcerated individuals to receive better assistance in the justice system – topics covered on her popular podcast “Undisclosed” and book, Adnan's Story: The Search for Truth and Justice after Serial. She'll tell us what it's been like to help out so many people… and some of the other less serious projects that she's also been a part of. Rabia's upcoming book is entitled Fatty Fatty Boom Boom.Adam Richman is a TV host whose work has famously centeredl around food. He'll tell us about how he got his start on the show “Man v. Food.” where he tackled monstrous meals and described the experience for the audience. That opened the door for him to host the shows “Modern Marvels” and “Adam Eats the 80s” where he helps tell the human stories behind meals.Our guests will answer questions about family corporate dramas and family Christmas classics.What's the Difference: Pay Your TaxesWhat's the difference between tax evasion and tax avoidance?What's the difference between a tax credit and a tax rebate?Areas of ExpertiseRabia: The West Memphis Three, The TV Show “Succession,” and Punjabi Food.Adam: The 1998 France World Cup Soccer Team, The movie It's a Wonderful Life, and Traditional Jewish food.Appearing in this episode:J. Keith van StraatenHelen HongRabia ChaudryAdam RichmanWith guest experts:David Rasche, award-winning actor, with a long career on Broadway, film and TV... including playing Karl on “Succession.”Karolyn Grimes, actor and author, whose many credits include playing Jimmy Stewart's younger daughter Zuzu in It's a Wonderful Life.Go Fact Yourself was devised and is produced by Jim Newman and J. Keith van Straaten, in collaboration with Maximum Fun. Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Associate Producer and Editor is Julian Burrell.Supporting hangmanfilm.com by YOU!

From the high desert, to the Central Plains and everywhere in between, I bring you Groom Lake (Area 51) and aerospace historian Peter W. Merlin Peter W. Merlin is an aerospace historian who has been researching the history of Area 51 since 1984 and has written numerous articles on the subject. He has also appeared on such television programs as Modern Marvels, Mystery Hunters, Man-Moment-Machine, Inside Area 51, UFO: Down To Earth, Return to Area 51, Atomic Journeys, UFO Hunters, MysteryQuest, and others. As a freelance writer Merlin has published articles in a variety of periodicals, covering subjects from aerospace history to nuclear weapon accidents. He is the author of Mach 3+: NASA/USAF YF-12 Flight Research, 1969-1979 (NASA, 2001), From Archangel to Senior Crown - Design and Development of the Blackbird (American Institute of Aeronautics and Astronautics, 2008), Ikhana Unmanned Aircraft System Western States Fire Missions (NASA, 2009), "The Evolution of Remotely Piloted Research Vehicles," NASA's Contributions to Aeronautics, Vol. 2, edited by Dr. Richard P. Hallion (NASA, 2010), and X-Plane Crashes - Exploring Experimental, Rocket Plane and Spycraft Incidents, Accidents and Crash Sites, with Tony Moore (Specialty Press, 2008). He also co-authored Donald L. Mallick's autobiography, The Smell of Kerosene: A Test Pilot's Odyssey (NASA, 2003). As a founding member of the X-Hunters Aerospace Archeology Team, he also specializes in recovering historic aircraft artifacts from crash sites in the southwestern United States, especially from the areas surrounding Edwards Air Force Base, California, and Groom Lake, Nevada. He has visited over 100 aircraft wrecks including the X-1A, X-2, X-15, XP-80A, XB-51, XB-70, N-9M, YB-49, U-2, A-12, YF-12A, and SR-71. Merlin was born in Hollywood, California. He received his Bachelor of Science degree in Aeronautical Studies from Embry-Riddle Aeronautical University in Daytona Beach, Florida. Merlin is a member of the Flight Test Historical Foundation, Nevada Test Site Historical Foundation, National Atomic Museum Foundation, Nevada Aerospace Hall of Fame, and is an Associate Member of Roadrunners Internationale. He spends much of his time exploring the southwestern United States in search of ghost towns, mines, caves, prehistoric ruins and rock art, nuclear test sites, abandoned missile silos, fossils, and interesting natural features. He has also journeyed to the mountains of Baja California, Mexico, and the Tassili N'Ajjer plateau region of the central Sahara Desert in Algeria to photograph prehistoric cave paintings. Merlin occasionally lectures on aerospace history and prehistoric archeology. MY ALIEN LIFE is a podcast for those who have a story to tell and I really wish I could get to all of your stories. I promise to do my best.. I want to take a minute and talk about Patreon. What is Patreon? Think of it as an online tip jar. Patreon is a website that gives everyone in the world an opportunity to become a patron and support the artists they believe in. The great thing about Patreon is, you get to decide how much you feel comfortable contributing to each podcast. As you know, some weeks I get a burst of energy and I want to produce lots of new content… It's expensive to make a podcast. There's electronic gear, web domain fees, web hosting fees, tee-shirts, postage stamps, tin foil hats, alien assault spray and much much more.....And remember, things break. No matter what you decide, please always listen to the podcast. That's what I really want. We're a team, and your support is what keeps me going… Thank you for being amazing, and keep listening to My Alien Life the Podcast!! Patreon Page - https://patreon.com/myalienlife PLEASE - FOLLOW, LIKE, FAVORITE, SUBSCRIBE wherever you listen to podcasts. If this is important to you, you are important to me and it is so easy to CLICK This is your show! The website www.myalienlifepodcast.com Find me on Facebook https://www.facebook.com/profile.php? My Alien Life Facebook Group https://www.facebook.com/groups/69484 Follow me on Instagram @the_cameron_b_logan My alien life is written and produced for broadcast at Studio 254 in the Northern Rocky Mountains..    The music you've heard tonight is produced and created by ELEON. ELEON is changing the face of New Age with what can only be describes as "Epic Chill" on Heart Dance Record's first Electronic release. You can find all ELEON's work online at HEART DANCE records, Facebook...  

This week on GaryVee's Die Hard Dialogue, Gary takes on Adam Richman, host of Modern Marvels to see if the Jets can pull off a modern-day marvel of a game on Sunday. Then, writers Paul Kuharsky and Jim Wexell join to breakdown what should be a slugfest between the Titans and Steelers. Join the Free to Play DraftKings DFS Contest to win a 1989 Score Barry Sanders rookie card, BGS 9.5! https://dkng.co/DieHard Check out the DraftKings Sportsbook for the Odds Boost Gary selects! https://sportsbook.draftkings.com/sports/oddsboosts Follow the Die Hards! Gary: https://twitter.com/garyvee Jessie: https://twitter.com/Jessie_Coffield Adam: https://twitter.com/AdamRichman Paul: https://twitter.com/PaulKuharskyNFL Jim: https://twitter.com/jimwexell

UTP122 11S 20 años de mentiras “Nada es lo que parece, todo está oculto detrás de lo aparente. Lo real está escondido manejando la ilusión de lo cotidiano; de un modo tan magistral que no se sospecha de su existencia. Si buscas la verdad, aún no lo sabes, pero sientes en lo profundo de tu ser que algo no encaja en el puzzle de tu vida, es que comienzas a despertar tu consciencia…” Basta ya de mentiras, 20 años ya son demasiados. ………………………………………………………………………………………. Invitados Karlos Puest Cuenta de Twitter @KarlosPuest Gus de Desmontando a Babylon Cuenta de Twitter @BabylonDab Dra Yane Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. Cuenta de Twitter @ayec98_2 ………………………………………………………………………………………. Enlaces citados en el podcast: 11S ATENTADOS DE NUEVA YORK https://tecnicopreocupado.com/cloacas-del-sistema-2/11s-atentados-de-nueva-york/ El 11S en mi blog videos https://tecnicopreocupado.com/falsas-banderas/11s/ Lista en LBRY 11S y otras falsas banderas https://open.lbry.com/@tecnico.preocupado:7/11S-y-otras-Falsas-banderas:5 #11S Blanco sobre Negro (Momento en Twitter con un montón de hilos sobre el 11S) https://twitter.com/i/events/1172183735829221376 General Wesley Clark guerra en 7 paises en 5 años https://open.lbry.com/@tecnico.preocupado:7/General-Wesley-Clark-guerra-en-7-paises-en-5-an%CC%83os:9?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp 11S Larry Silverstein Torres Gemelas 1 de 2 https://open.lbry.com/@tecnico.preocupado:7/11S-Larry-Silverstein-Torres-Gemelas-1-de-2:b 11S Larry Silverstein Torres Gemelas 2 de 2 https://open.lbry.com/@tecnico.preocupado:7/11S-Larry-Silverstein-Torres-Gemelas-2-de-2:3 WTC 7 An Epic Fairy Tale https://open.lbry.com/@tecnico.preocupado:7/WTC-7-An-Epic-Fairy-Tale:6?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp&lid=51243d302723a4ba6c40138c234728cea8f30874 11 S Demolición Controlada https://open.lbry.com/@tecnico.preocupado:7/11-S-Demolicio%CC%81n-Controlada:8?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp Hilo en Twitter con la medición de los 11.111 m https://twitter.com/tecn_preocupado/status/1097936000553287686 Hilo en Twitter con el tema del amianto https://twitter.com/tecn_preocupado/status/1351234362608668676 WTC7 in Freefall- No Longer Controversial https://open.lbry.com/@tecnico.preocupado:7/WTC_7_In_Freefall_No_Longer_Controversial:0?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp Modern Marvels. World Trade Center. History Channel, 720 X 576 https://open.lbry.com/@tecnico.preocupado:7/Modern-Marvels.-World-Trade-Center.-History-Channel%2C-720-X-576:7 Frank A Martini sobre impacto de avión 11S https://open.lbry.com/@tecnico.preocupado:7/Frank-A-Martini-sobre-impacto-de-avio%CC%81n-11S-:1 "Un pozo negro de cáncer": 17 años después del 11-S siguen apareciendo todo tipo de enfermedades https://www.eldiario.es/internacional/theguardian/negro-cancer-despues-abundan-enfermedades_1_1942044.html ¿Qué es la 'enfermedad del World Trade Center', por la que han muerto ya 200 bomberos que actuaron el 11-S? https://www.20minutos.es/noticia/3708498/0/que-es-enfermedad-world-trade-center-bomberos-muertos-11s-cancer/ Más personas murieron de enfermedades derivadas del 11/9 que en el propio ataque: informe https://es-us.finanzas.yahoo.com/noticias/personas-murieron-enfermedades-derivadas-11-130026591.html 9/11 Dustification https://www.youtube.com/watch?v=70o0LgmW5Zc "2021-03-05" Armas Escalares https://open.lbry.com/@RafaASecas:d/2021-03-05-armas-escalares:2?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp BLUE BEAN 11S https://open.lbry.com/@laverdadnuncamorir%C3%A1:9/blue-bean-11s:f?r=31Hb7H5G6SgpF5tH7zo9GYphXMpknbDp edificio WTC7 cae en BBC minutos antes https://open.lbry.com/@tecnico.preocupado:7/Edificio-WTC-7-Cae-En-BBC-Minutos-Antes:6 Incendio del edificio Windsor: así ardió el rascacielos hace 15 años en pleno corazón financiero de Madrid https://www.europapress.es/sociedad/noticia-incendio-edificio-windsor-asi-ardio-rascacielos-hace-15-anos-pleno-corazon-financiero-madrid-20200212132720.html Torre Windsor https://es.wikipedia.org/wiki/Torre_Windsor PETERHOUSE PRO (Nuevo canal tras haberle borrado todos los videos Youtube) https://www.youtube.com/user/PETERHOUSEPRODUCTION El ojo que todo lo ve en la Zona Cero de las Torres Gemelas - Ritual ocultista Illuminati https://open.lbry.com/@tecnico.preocupado:7/El-ojo-que-todo-lo-ve-en-la-Zona-Cero-de-las-Torres-Gemelas---Ritual-ocultista-Illuminati:e Experto_en_demoliciones_controladas_sobre_el_edificio_7_del_WTC https://open.lbry.com/@tecnico.preocupado:7/Danny_Jowenko_Interview:9 11Septiembre https://www.youtube.com/watch?v=FkOR-1VoMdU Hilo sobre la verdad del 11-S (Andrew Jackson @ichingiking) https://twitter.com/ichingiking/status/1436730780923871236 Música utilizada en este podcast: Tema inicial Heros …………………………………… La Santa Music Prod - Todo es Mentira - Payoh Soul Rebel - Keep Up Riddim https://www.youtube.com/watch?v=6NezMOT1Zv0 Mero - Pero (La evidencia del 11 S) https://www.youtube.com/watch?v=hpONwMNzqZ8 …………………………………… Epilogo Jon Torden - Mi Libertad (Vídeo Lyric) https://youtu.be/fAOLEmiPdNc

The Delaware River Basin Commission has permanently banned natural gas drilling and fracking near a crucial waterway in the Delaware River. Schools in Pennsylvania may delay their state exams until the fall. A former administrator at a Mt. Lebanon nursing home has been indicted on charges of health care fraud. Plus, one local creamery in all its cheesy glory is featured on an episode of “Modern Marvels.” See acast.com/privacy for privacy and opt-out information.

This week Bryan and Tony discuss life, big food, Modern Marvels, Llamageddon, Vader Immortal game, Mortal Kombat trailer, Twitch censors Metallica's performance at Blizzcon, Daft Punk split, our QoftheW, and more!    Shirts: https://www.teepublic.com/t-shirt/5643020-salty-language-core-shirt Our Patreon: Patreon.com/saltylanguage   Links: 1. Big Texan challenge https://www.bigtexan.com/72-oz-steak/ 2. Llamageddon https://www.imdb.com/title/tt4642970/ 3. Mortal Kombat trailer https://www.youtube.com/watch?v=NYH2sLid0Zc 4. Twitch censors Metallica's Bilzzcon performance https://liveforlivemusic.com/news/metallica-censored-twitch-blizzcon-livestream/ 5. Woman claims sampling beer didn't make her drunk https://www.cleveland.com/community/2021/02/driver-says-sampling-beer-differs-from-drinking-middleburg-heights-police-blotter.html 6. Daft Punk call it quits https://pitchfork.com/news/daft-punk-call-it-quits/ QoftheW: What items would you find in an INconvenience store?   Subscribe / rate / review us on Apple Podcasts! Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte facebook.com/saltylanguage @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!

TV Personality & Culinary Traveler Adam Richman of Man Vs Food and more, joins the show to talk about the new season of "Modern Marvels" on the History Channel that he will be hosting. Have you ever wondered how mass produced food still tastes good, also you can find out how to help Local Restaurants!In Top Nerd News we cover the new Justice League trailer for the Snyder Cut. We also dig into the Golden Globe nominations and the fallout from Disney's firing of Gina Carano. Skungy's Pick of the Week is "Super Mario 3D World".All that and more on The Week in Geek with D Squared. Sunday nights at 7pm on WRNO.com and the Free iHeart Radio App. The Week in Geek 2/14/21

On this episode of The Mighty Beast Podcast, @sean_pierre_ and his wife Pamela introduce a new series called "Modern Marvels" where they watch and discuss the latest Marvel MCU mini series' and movies. On this episode they discuss Wandavision Episode 6 Pamela Viray Instagram: www.instagram.com/pamelaviray/ Sean Pierre Instagram: www.instagram.com/sean_pierre_/ Facebook: www.facebook.com/seanpierrephoto Visit www.seanpierre.com!!!

We are so excited to release this special episode with TV personality, culinary traveler, cook and author Adam Richman. You may know Adam from his time on the Travel Channel’s Man Vs. Food or Secret Eats with Adam Richman. In this episode, we chat with Adam about the intersection of food, history, and culture, breaking into the world of food TV, and his two upcoming series: "The Food that Built America," which premieres on the History Channel on Feb 14, and “Modern Marvels,” premiering on Sunday, Feb 21. This episode uses Royalty Free Music - (Music: www.bensound.com)

Join Andrew and Brandon as they journey to January 1995, but not before they decompress from their 12 Days of Christmas Specials. Andrew talks about Modern Marvels on the History Channel, Brandon marginalizes Star Trek: Voyager fans, and they end on a game Brandon invented for Andrew where he has to guess if the show aired on UPN or the WB. Welcome the boys into the new year and their regular programing! Like the show? Leave us a 5 star review and subscribe!Send us a tweet at @Namely90sFind us online at Namely90s.comFollow Brandon on Twitter at @bschwittyFollow Andrew on Twitter at @NamelyAndrewOutro:Pixelland by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4222-pixellandLicense: http://creativecommons.org/licenses/by/4.0/

Episode  Live With - “You are the power of yourown future. Tomorrow is going to be better than today and I know that in my heart because I am going to make it that way. “This episode is with Joesph Gagnon. Joesph is an ultra-marathon and iron man athlete who has a discipline  and consistency that is elite level.  In 2017, Joe  ran Six Marathons across Six Continents on Six Consecutive days.  He has competed in competitions such as the Tahoe 200 and was a Vice President at IBM. His combination of skillsets makes this conversation truly eye opening. Topics covered in the episode -- How to create a life of your dreams - How to have Personal breakthroughs - Why Joe chooses to run Ultramarathons and Ironmans- How can one Conquer there fear- The power of displine and consistency - The power of creating goals and follow through- Why white-collar success  wont bring deeper fullfillmentJoes Bio-  Joe Gagnon is a rare mix of entrepreneur, innovator and transformation executive who has held the role of CEO, COO, partner, and President. He is the founder of THPL, The High Performance Life, and is an avid blogger and serious endurance athlete Joe is currently CEO of Performance Tea where his mission is to help people achieve their potential. He leads a team united in a passion for uncovering the leading edges of performance, recovery and community, naturally and conveniently. Performance tea creates all natural products for better energy, better focus, better recovery, and better sleep. Joe was previously CEO of Sparkcentral a company focused on providing digital messaging solutions for customer service.Prior Joe was President of Penn Foster one of the largest online schools in the country. He served as president of e-Dialog, a leading SaaS multi-channel digital marketing organization owned by eBay that served clients focused on driving engagement and loyalty with consumers Prior to e-Dialog Joe was CEO of Exit41. He joined Exit41, from IBM where he was VP, Global Leader of IBM's Retail Industry business where he led overall strategy, direction, and business operations. He joined IBM in 2001 when the company acquired strategy consulting firm Mainspring, where Joe served as COO. Before Mainspring, Joe was a consulting partner at Ernst & Young where he spent ten years implementing new and emerging technologies. Earlier in his career, Joe led the store systems group at Mercantile Stores, an apparel retailer.Joe also provides his expertise in growth strategies to emerging companies as an advisory board member. A speaker at numerous industry conferences, Joe has also been featured in broadcast media outlets including The History Channel's Modern Marvels, CNBC's On the Money, and FOX News Live. Joe has been widely quoted in publications such as the Wall Street Journal, NY Times, and Inc. MagazineA firm believer in the parallel challenges of leading a company and pushing physical fitness limitations, Joe is also an accomplished endurance athlete. He has completed six Ironman Triathlons and over 70 marathon distance races. He recently published his book Living the High Performance Life.  Joe Gagnon's Website and Linkedin-Linkedin-https://www.linkedin.com/in/joegagnon/Website -http://www.thehighperformancelife.netTea company -https://www.performancetea.com Please follow John Foley here -Twitter - @JohnFoleyInc - https://bit.ly/2FRF3G9Instagram - @gladtobehere - https://bit.ly/2FRXo6a Facebook - @johnfoleyinc - https://bit.ly/33O

Episode 5:  Beth Thielen - Love and Freedom  Bookmakers at San Quentin. Not surprising, given "Q's" clientele. But no, we're talking about real books with real pages that are awe-inspiring works of art.  Transcript Bill Cleveland: At the time, what came to be known as the classic or a version 1.0 was considered a modern marvel. After a short wait for what was called booting up, and a few clicks, the text seemed to appear magically on a ten by twelve screens set into a plastic computer case. Eventually, the white on black text gave way to a gloriously glowing black on white. Moving through the text was accomplished using a small, palm-sized oblong disk that was endearingly called a mouse. Unfortunately, the computer was quite heavy and wired, so reading was typically a one person, one stationary screen affair. Then, the "two point oh" model with names like Kindle and Nook changed everything. It still had a screen and needed juice, but the wires were gone, and it was small and thin and light enough to take anywhere without a hassle. Going through text with the push of a button or flick of a finger on the screen made reading almost fun. There were a few downsides, though. After you paid for the machine, you still had to fork over for whatever it was you wanted to read. The thing also needed charging, and eventually, they would quit working from being dropped or just wearing out, which meant you lost whatever you were reading, which wasn't that big a deal because you actually never really owned it.   But today, with the advent of the extraordinary Codex 3.0, also known as, "a book," all that came before seems quaint. This new text delivery system has so taken the world by storm, seven in ten humans now consider reading their number one favorite personal activity. While retaining the handiness and readability of its predecessors, this new model is both less expensive and far more versatile. This is due, in part, to the fact that after you purchase it, you actually own it, which means these books can be gifted or shared or even sold. There is speculation that eventually books will be collected in repositories that some are already calling libraries and could actually increase in value over time. But the most delightful features of these clever little packages of text are embodied in their design. Now, depending on their size, which is varied, they can fit neatly in your hands or lap for easy reading. They're ingenious cover, and page feature allows you to open, feel, and manipulate the enclosed paper sheets in sequence from front to back, the reverse, or even randomly. This is called browsing. If you want to remember where you left off, you can use what is called a bookmark or even bend the corner of those little pages. It's your choice. Another improvement is its sturdiness. You can drop it, sit on it, even step on it. And it will still function like it was new. And best of all, there are no batteries, no wires, and no moving parts. Finally, each book comes with a multigenerational lifetime guarantee that stipulates that with reasonable care and handling, each book will be fully functional for hundreds, if not thousands of years.  Bill Cleveland:  Excerpted from the "Modern Marvels of the Post Pandemian Epoch" by William T. William, 2047 A.D., also referred to as 26 P. P. E.  Bill Cleveland: From the Center for the Study of Art and Community, this is Change the Story Change the World. I'm Bill Cleveland. Bill Cleveland:  Long before the advent of Books, Inc., Amazon, and the Kindle, the making of books was considered a vital and essential art form. Over many millennia, the connections forged between humans and their books were seen as both fundamental to human progress, and as sacred and dynamic relationships. Given this, if I were to add yet one more evolved stage to the oddly imagined Future Books saga I just shared, it would be embodied in both this venerable history and in... Support this podcast

The current COVID pandemic has taken its toll on performing arts organizations and performing artists. In hopes to support these artists who are critical to our success, we have created TOCA To Go. A way to support local artists and TOCA. Do you know someone who is missing the excitement of a live performance? Got a special occasion that you want to celebrate or need a special gift you want to send to someone? Try TOCA TO GO! With just a few clicks, we will send a performer to your home, place of work or to their email inbox. Laura Ellis is one of the performers you can hire. A singer, actress, and recording artist, Laura Ellis is known for her beautiful voice, her vintage vocal styling, and her sparkling stage presence Laura performs across country in her touring productions. With her retro jazz flair, she has graced cabaret and concert stages including the famed Jazz Alley in Seattle, Feinstein’s at the Nikko in San Francisco, and the Moonlight Amphitheatre in Vista, CA. Her broadcast credits include History Channel’s Route 66 and Modern Marvels documentaries, the HBO Carnivale series, and ABC’s Modern Family. In recent years, she has starred as the singing voice of the adventurous, Kat Knight, on the video game Contrast, by Compulsion Games, downloaded more than 1.5 million times. Her most recent recording, Broken, Lovely, was in consideration for a Best Vocal Jazz Grammy in 2016. Additional performers who are a part of TOCA To Go are: Janet Klein Janet is the very definition of an “old soul”. Growing up in a region of Southern California where the last vestiges of the “California Dream” were still barely in tact as strip malls proliferated, she linked historical images she’d seen of early turn-of-the century postcards with bungalows along palm lined streets, orange groves, grand Mission style hotels & onion-domed libraries- the way things were got into her blood, and today she’s the most refreshing anachronism to every materialize from the ether of the Prohibition. Klein doesn’t merely perform songs from “ lost America” –she actually lives them, and transports her audiences along the way. Klein considers herself a “musical archeologist and treasure hunter” digging up compositions by the likes of Wilton Crawley and A.P. Randolf and Robert Cloud, songs of the Victrola and lost Vitaphone films. She and her LA based band the Parlor Boys authentically resuscitate early jazz of the 1920s and 1930s with wild spirit, vigor and grand skill. SEND A TAIKO PERFORMANCE Yuta Kato Yuta Kato was born and raised in California to a Japanese speaking family.  Introduced to taiko by Kagami-Kai, a local rice-pouding group, he decided to further his studies with San Francisco Taiko Dojo at the age of 10. Since then he has been a part of UCLA Kyodo Taiko, Nihon Taiko Dojo, Getsuyoukai, and professional groups: TAIKOPROJECT, ON Ensemble, and Portland Taiko, Unit Souzou. From Fall 2007 until Winter 2011, he resided in Japan to study under masters of various traditional Japanese music. Upon returning to the US in 2011, he served as Coordinator for the 2011 North American Taiko Conference at Stanford University. Kato now focuses his attention to teaching taiko and currently resides in California serving as the principal and instructor for LATI (Los Angeles Taiko Institute) housed at  Asano Taiko US, which opened in 2013. He performs as a member of UnitOne (Torrance, CA). Isaku Kageyama Isaku Kageyama is a taiko performer, educator, and recording artist currently working with Asano Taiko US, Los Angeles Taiko Institute, and UnitOne.  His resume includes performances on networks such as NBC and VH1, venues such as Carnegie Hall, Lincoln Center, and tours of across North, South, and Central America, Asia, the Middle East and Europe. Julia Asano Trio Julia Asano, then Julia Kato, began her taiko career under the tutelage of Seiichi Tanaka as a member of San Francisco Taiko Dojo Rising Stars Dream Team.  She was also a performing member of TAIKOPROJECT in 2005 and 2006 before moving to Japan and marrying into the drum-making Asano family.  She helped found Asano Taiko U.S., teaches at Los Angeles Taiko Institute, and performs with the Asano Taiko U.S. resident ensemble, UnitOne.

In this episode, Franky and Dana introduce you to arguably magics most popular format, Modern. They discuss the history of the format, power level and power creep, the effects of the ban list on the format, then go over some of the formats most played decks. They wrap up with some tips and tricks on how you can tackle the format preparing you for your first modern event or you next for those seasoned players. All that and more on the top of the deck this week at the Top Deckers Podcast. 1st Announcement of the Modern Format: https://magic.wizards.com/en/articles/archive/latest-developments/modern-proposal-2011-05-27Formal Announcement of the Modern Format: https://magic.wizards.com/en/articles/archive/latest-developments/welcome-modern-world-2011-08-12

Peter W. Merlin is an aerospace historian who has been researching the history of Area 51 since 1984 and has written numerous articles on the subject. He has also appeared on such television programs as Modern Marvels, Mystery Hunters, Man-Moment-Machine, Inside Area 51, UFO: Down To Earth, Return to Area 51, Atomic Journeys, UFO Hunters, MysteryQuest, and others. As a freelance writer Merlin has published articles in a variety of periodicals, covering subjects from aerospace history to nuclear weapon accidents. He is the author of Mach 3+: NASA/USAF YF-12 Flight Research, 1969-1979 (NASA, 2001), From Archangel to Senior Crown - Design and Development of the Blackbird (American Institute of Aeronautics and Astronautics, 2008), Ikhana Unmanned Aircraft System Western States Fire Missions (NASA, 2009), "The Evolution of Remotely Piloted Research Vehicles," NASA's Contributions to Aeronautics, Vol. 2, edited by Dr. Richard P. Hallion (NASA, 2010), and X-Plane Crashes - Exploring Experimental, Rocket Plane and Spycraft Incidents, Accidents and Crash Sites, with Tony Moore (Specialty Press, 2008). He also co-authored Donald L. Mallick's autobiography, The Smell of Kerosene: A Test Pilot's Odyssey (NASA, 2003). As a founding member of the X-Hunters Aerospace Archeology Team, he also specializes in recovering historic aircraft artifacts from crash sites in the southwestern United States, especially from the areas surrounding Edwards Air Force Base, California, and Groom Lake, Nevada. He has visited over 100 aircraft wrecks including the X-1A, X-2, X-15, XP-80A, XB-51, XB-70, N-9M, YB-49, U-2, A-12, YF-12A, and SR-71. Merlin was born in Hollywood, California. He received his Bachelor of Science degree in Aeronautical Studies from Embry-Riddle Aeronautical University in Daytona Beach, Florida. Merlin is a member of the Flight Test Historical Foundation, Nevada Test Site Historical Foundation, National Atomic Museum Foundation, Nevada Aerospace Hall of Fame, and is an Associate Member of Roadrunners Internationale. He spends much of his time exploring the southwestern United States in search of ghost towns, mines, caves, prehistoric ruins and rock art, nuclear test sites, abandoned missile silos, fossils, and interesting natural features. He has also journeyed to the mountains of Baja California, Mexico, and the Tassili N'Ajjer plateau region of the central Sahara Desert in Algeria to photograph prehistoric cave paintings. Merlin occasionally lectures on aerospace history and prehistoric archeology. Peter W. Merlin's Website http://www.dreamlandresort.com/team/peter.html Peter's Books on Amazon.com   You can find my website at  www.myalienlifepodcast.com and our latest downloads are always at iTunes, Spotify, Stitcher at podbean.com and everywhere else fine podcasts are found…...and please follow me and like me on Facebook and Twitter... "my alien life" is written and produced for broadcast at Studio 254 in the Northern Rocky Mountains..      The music you've heard tonight is produced and created by ELEON. ELEON is changing the face of New Age with what can only be describes as "Epic Chill" on Heart Dance Record's first Electronic release. You can find all ELEON’s work online at HEART DANCE records, Facebook...   Thank YOU for listening to tonight's amazing podcast. I am Cameron Brauer and this is my alien life!

This week, I talk to a guest from past times: writer Mitch del Monico! We talk about communicating, especially with people we disagree with. This is especially important in divisive times, in which disagreements can lead to relationship rupture. Mitch recently wrote a book addressing this phenomenon, called Politically Divided, which we also talk about. You may recognize Mitch from a previous episode, when I interviewed him and co-creator Shaan Dasani about Agent of Change. He’s a writer who has also worked as a film and music video director and digital media assistant on a ship that sailed the Atlantic Ocean. His feature film, Alto, stars Annabella Sciorra, Natalie Knepp, and Diana DeGarmo. Mitch has also written for HuffPo and has researched TV shows for the History Channel, Discovery, and the American Heroes Channel, among others, including nearly a hundred episodes of Modern Marvels. Mitch has spoken on panels at Comic-Con, Wonder-Con, the LA Film Festival, and CreatorUp! and has served as a juror for the Don Thompson LGBT Film Festival for the past three years in a row.

A leading authority in the do-it-yourself home improvement field, Ron is the host of his own home improvement series, Ron Hazelton's HouseCalls, now in its twelfth season. As the former Home Improvement Editor for Good Morning America, Ron reported on a variety of topics related to home improvement, design, repair, health, and safety. He hosted the History Channel series, Hands on History and other History Channel programs including Modern Marvels and Save our History: Frontier Homes. Ron has also offered his home improvement expertise on The Oprah Winfrey Show and Inside Edition. In 1989, Ron pioneered the concept of reality-based, on-location home improvement television with The House Doctor. The series of more than 200 episodes, which he originally created, co-produced, and hosted for KGO-TV in San Francisco, aired for several years on the Home and Garden Television Network (HGTV). Ron is the founder of the online destination www.ronhazelton.com. He’s an enthusiastic supporter of the Internet and believes it to be the ideal medium for delivering on-demand, how-to content to home improvement enthusiasts. A long time safety advocate, Ron is national spokesperson for the Home Fire Sprinkler Coalition, a non-profit, fire safety organization. He is the author of Ron Hazelton's HouseCalls: America's Most Requested Home Improvement Projects, published by Time-Life books. In 2009, he authored two books in the F+W Publications’ Home Basics series: Plumbing Made Easy and Electrical Made Easy. He lives in Fairfield, Connecticut with his wife, two children, a dog, a dozen fish, and a never-ending “honey do” list.

This week we chat with author, historian, and all around great guy, Rod Pyle about his latest book, "Space 2.0: How Private Spaceflight, a Resurgent NASA, and International Partners are Creating a New Space Age." I really enjoyed this conversation and I'm looking forward to having him on again in the future! Let me know if you have any questions, email me at john@thespaceshot.com. You can also call 720-772-7988 if you'd like to ask a question for the show. Send questions, ideas, or comments, and I will be sure to respond to you! Thanks for reaching out :) Do me a favor and leave a review for the podcast if you enjoy listening each day. Screenshot your review and send it to @johnmulnix or john@thespaceshot.com and I will send you a Space Shot sticker and a thank you! You can send me questions and connect with me on Facebook, Instagram, or Twitter, by clicking one of the links below. Facebook (https://m.facebook.com/thespaceshot/) Instagram (https://www.instagram.com/johnmulnix/) Twitter (https://twitter.com/johnmulnix) Episode Links: Rod's latest books are: Space 2.0- I really enjoyed this book and I highly recommend it. You can buy it here. (https://www.benbellabooks.com/shop/space-2-0/) "Interplanetary Robots: True Stories of Space Exploration" Buy it here (https://www.penguinrandomhouse.com/books/576991/interplanetary-robots-by-rod-pyle/9781633885028/#) His two upcoming books, "Heroes of the Space Age" (releasing May 2019) and "First on the Moon: The Apollo 11 50th Anniversary Experience" (releasing April 2019) are available for preorder at fine book sellers everywhere. Preorder "Heroes of the Space Age" here. (https://www.penguinrandomhouse.com/books/604009/heroes-of-the-space-age-by-rod-pyle/9781633885240/#) Preorder "First on the Moon" here. (https://www.amazon.com/First-Moon-Apollo-Anniversary-Experience/dp/1454931973) Rod has quite the back catalogue of great books, that cover a variety of topics. Rod also writes for Space.com, Futurity, Caltech Engineering & Science, Popular Science, Huffington Post, WIRED, and Quest. He's been involved with various TV shows, from Star Trek: Deep Space Nine, to Modern Marvels, to a WWII documentary. Check out his website for more information on his books, articles, and more. www.pylebooks.com (https://www.pylebooks.com/)

The Hop-Ons Podcast is an Arrested Development review show.  Please consider supporting the podcast by becoming a patron through Patreon.  The Hop-Ons Podcast is produced by Nice Marmot Productions with assistance by The Cluttered Desk Podcast. If you have thoughts on this episode, we'd love to hear them! Email us at hoponspod@gmail.com or find us on Twitter @HopOnsPodcast. Jon's production company, Nice Marmot Productions, has an amazing YouTube Page and he's on Twitter @marmotjon. The Cluttered Desk Podcast is available here through iTunes, on Twitter @TheCDPodcast, and on Facebook. Colin is also on Twitter @ColinAshleyCox. We would like to thank Poppy & Persimmon for making shirts and stickers for our Patreon supporters.  Finally, we would like to thank Test Dream for providing The Hop-Ons Podcast's theme music. You find Test Dream at their website, testdream.bandcamp.com, on Facebook, and on Twitter @testdream.

We remember those who have wronged us, but we should remember those who have treated us with kindness. Being kind is not just niceness. Sometimes kindness is honesty. If you like the show, please check out our Official Morning Mindset Merchandise! Episode Transcription [INTRO] ♫ Trenches by Pop Evil ♫ *Alex* Welcome to Morning Mindset. A daily dose of practical wit and wisdom with a professional educator & trainer, Amazon best selling author, United States Marine, Television, and Radio host, Paul G. Markel. Each episode will focus on positive and productive ways to strengthen your mindset and help you improve your relationships, career goals, and overall well-being. Please welcome your host; Paul G. Markel. *Professor Paul*Hello and welcome back to... I almost said the other the name of my other show, but welcome back to Morning Mindset. Yes, I need to remind myself. I need to get myself in a Morning Mindset type of mood before I hit record on the digital recording software that we use here in our studio. Alright, today I'm going to share something personal with you. You're welcome. A lot of people I would say most people probably have a song or a group of songs a playlist that defines their time in high school or their time as a young person.-I have actually several songs. There are several songs that if they come on the radio or if I find them on my phone or a search for them deliberately that I can be transported right there. Right back to where I was at that time when I was listening to it, and one of those songs is Led Zeppelin's Stairway to Heaven and if you're an old codger like me, you're like, "Duh, that's everybody song." But if you're a young crumb crunching Millennial, you're like what that old classic rock song from that old band Led Zeppelin. Yeah, now the reason that I mean other than the obvious that the fact that it is a monster ballad, why Stairway to Heaven means something to me.-That's because when I went to high school in Detroit, I started high school at the time. It was the early 1980s and if you know anything about music history Stairway to Heaven was released in the late 70s, it became a monster hit and the DJ's that DJ'd is high school dances. That song was chosen to be the final dance of the Night song and I don't know how long they had been doing it before I went to high school there and I don't know how long they continue to do it after I was gone. But while I was there Stairway to Heaven and it’s a long song was the that was the signal that this is the last dance of the night. Now in modern times, people would be like, oh that's a stupid song and, you know, dance to that and the fact of the matter is it wasn't really it was a slow song but it wasn't a slow song.- It was a slow song that got faster didn't matter. It didn't matter. Now. The reason that that song means so much to me. Is I recall the Freshman mixer if you guys don't know what a mixer is. This is something that they used to do in the old days before the Advent of Facebook and Snapchat and Instagram and all of these Modern Marvels they wanted. Freshman to get to know each other and to get comfortable with their new school because why because well the fact is the majority of the people that were at the high school didn't go to elementary school or junior high together.-Now I know many areas of the country, you know, you go to elementary school with the same group of kids and then you go to Junior High with the same group of kids and you go to high school with the same group of kids and you know each other from kindergarten through graduation, but when I was going we had a lot of small parochial elementary schools all over the Greater Detroit area, and then we had just a couple handful of high schools, and so all these small parochial Elementary and that basically they went K-8 schools.-You would all get together in this one school and you only knew maybe 20 or 30 people when you actually started your freshman year. So they would have this thing called a freshman mixer and it was a dance and it was only for freshmen because they didn't want the freshmen to be overwhelmed or intimidated by the upperclassmen. Now the people who put it together in addition to teachers obviously was the student council the freshman, sophomore, junior, senior student council members. They put it together, they organized it in all that, and I remember during the Freshman mixer, asking two senior girls. I know I was 14, I asked two senior girls not the same time separately. To dance. and they both did and it was like I was dancing with angels.-I was so far out of my league, but you know what? They said. Yes, they danced with me out there on the gymnasium floor in our socks because you weren't allowed to wear Street shoes on the gym floor, and their names were Janice McPhee and Patty Duffer. He says wow, Paul. How long ago is that Ben? It's been a while take today's date and go back to the fall of 1981, and that's how long it's been. Why do I remember them and why do we remember that dancing water? Remember that because ladies and gentlemen, they were kind. To me every freshman every 13, 14, 15-year-old doesn't matter whether you're a boy or girl. You're self-conscious. You're awkward and I was no different but even though I was an awkward skinny 14-year-old freshman.-These senior girls. Do you guys remember that? Can you can you recall when you were 13 or 14 or even 15 years old looking at the seniors a high school seniors and they just seem so old and wise and mature and so far out of your league, even though today it's funny because if you look at someone that's three or four years older and you're like, yeah, whatever no big deal but back then, you know when you're that young. But those two girls and they're obviously grown women now, but they were kind to me, and I remember that kindness all these years later now kindness doesn't always have to be about just niceness or being you know, smiling and you know false niceness sometimes kindness can just be Honesty.-When I was in infantry school, and I was in the Infantry School in the Marine Corps the sergeant who was in charge of my assault section and I was in assault man so we had an assault section the sergeant who was in charge was a salty infantry marine and he took the time and I talked about him before his name was Fred Sizemore sergeant. He took the time not only to teach us what he was supposed to teach us what it said in the, you know, but he also had the 3-ring binder that said teach these kids this these are the subjects you need to cover. These are the tests. You need to give this is what you have to do according to the rules. He did more than that, and he was honest with us. He told us he said there's the way they say things are, and there's the way things really are in the Infantry in the Marine Corps.-He told us that the Marine Corps you as you might think it's big. It's a large organization. He said but the Marine Corps is a small organization in the global scheme of things and the Infantry is even smaller. He said you might think that you can screw someone over here and you'll never see them again. I said but you will be said or you could treat someone right and do the right thing because then you'll end up in a unit with them a year or two or so from now and you'll already have a relationship established with them the moment you arrived, and Fred Sizemore was absolutely right everywhere. I went in the Marine Corps every base.-I checked into or checked on to every unit I was a part of, I ended up at some point in time running into or being stationed with people, Marines, infantrymen that I had known previously. Now Sergeant Sizemore did not, he would not fit the I guess the general textbook description of kind or kindness, but he was kind to us because he was honest with us and he told us exactly what we could expect out of our new lives out of our lives as Marine Corps infantrymen, and I remember that. I remember that to this day. I remember his name and I remember how he treated us because of the staying power of kindness often. We remember and we dwell on those who have wronged us. It's human nature.-Everyone does it I do it you do we all do it. But what we should be doing is we should be dwelling on we should be remembering we should be thinking fondly of. Those who have treated us with kindness. Now those people that I just mentioned here, they probably didn't think anything of it. They probably, those wonderful young women who were kind enough to dance with an awkward freshman. They probably don't sit at home thinking about that dance or about that freshman they danced with.-Sergeant Sizemore probably had hundreds, if not thousands of young Privates and PFCs go through his school there were in his in the assault section while he was stationed with the school of the Infantry there on Camp Geiger. He probably doesn't remember me as an individual. But that's okay cuz I remember them remember them all. Things that you do that you don't think anything about May resonate with others. If you are honest, if you are kind if you are considerate to other people you have no idea that could resonate with them and stick with them for years and years. There is a definite staying power to kindness. So give it a try. Alright, ladies and gentlemen, I am your host Paul Markel and I will talk to you again real soon. [OUTRO] ♫ Trenches by Pop Evil ♫ *Alex* Thank you for spending time with us today. To get show notes, submit a topic request, for more from your host Paul G. Markel, visit MorningMindsetPodcast.com. That’s MorningMindsetPodcast.com. Please leave a review of this podcast on your favorite podcast player, we appreciate your time & effort, and we look forward to reading your honest feedback.

In this week's programme we're exploring the concept of wonder in the company of science writer Caspar Henderson, author of A New Map of Wonders. One reviewer called the book… Read More Hosted on Acast. See acast.com/privacy for more information.

Jess n' Andy review the new Avengers: Infinity War movie out in theaters now, as well as Avengers trivia and Westworld's second season starting on on HBO. BEWARE SPOILERS.

Caspar Henderson is a writer and journalist. His work has appeared in the Financial Times, the Guardian, the Independent, New Scientist, the New York Review of Books, and other publications. From 2002 to 2005 he was a senior editor at OpenDemocracy. He received the Roger Deakin Award from the Society of Authors in 2009 and the Royal Society of Literature Jerwood Award in 2010. He is the author of The Book of Barely Imagined Beings, a bestiary for the 21st Century, which was shortlisted for the 2013 Royal Society Winton Prize for Science Books. His latest book is A New Map of Wonders: A Journey in Search of Modern Marvels. See acast.com/privacy for privacy and opt-out information.

Episode 401 Rod Pyle has directed shows for the History Channel and Discovery, including "Mordern Marvels"! Rod joins us to talk about the "Space-music" heard by the Apollo 10 Astronauts back in 1969 on the back side of the moon which has been in the news lately and we talk about his books on space and more! Plus, we check out "Sing", "That Good Night" and more, on this week's On Screen and Beyond! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Paul Wilson is much more than an award winning conjuror. He's a scam artist, movie consultant and television presenter. He has studied sleight of hand, cheating and conjuring since the age of eight. He consulted on the 2004 Sylvester Stallone film "Shade"  in which he directed and starred in the highly acclaimed opening titles  which featured his expert sleight of hand with cards. In the filme, he appeared as Mr. Andrews. He also served as a magic consultant on the Joe Carnahan film "Smokin' Aces," has consulted for Criss Angel, produced A&E's television show Mondo Magic, appeared on Modern Marvels casino technology episodes, co-created, produced and starred in Court TV's The Takedown  and is the resident cheating expert on Italian television's Arcana show. Wilson is currently a writer and presenter on the BBC's The Real Hustle. The show is now a hit in the United Kingdom and is in its' eighth season.  His credits within the magic community include  The Royal Road To Card Magic, Hit the Road with Paul Wilson and Lee Asher, Knock 'Em Dead, Twists Of Fate, The Restaurant Act, and The Unreal Work with Paul Wilson and Jason England. Join us for a very thoughtful interview with magician Paul Wilson on this episode of the Magic Newswire's "Spirit of Magic" podcast!

In this episode, Bo Bennett interviews author Marshall Brain about his book, "How 'God' Works: A Logical Inquiry on Faith". From the book description: "Does God exist? Using an intellectually rigorous, scientific approach, Marshall Brain—the founder of HowStuffWorks.com and author of the How Stuff Works series—sets out to resolve the eternal debate once and for all. With a compelling sense of curiosity, he breaks down mankind's search for a higher power, tackling such quandaries as: Who is God? What are his attributes? What is God doing and why? How does God interact with humanity? And ultimately, how can humans know with certainty whether God is real or imaginary? 'How God Works' is an enlightening journey in critical thinking that challenges readers to boldly approach the subject of personal faith and put aside intuition in favor of objectivity and logic." Marshall Brain is best known as the founder of HowStuffWorks.com, and is the bestselling author of the How Stuff Works book series. He has appeared on Oprah, Dr. Oz, Good Morning America, CNN, Modern Marvels, and in many other media outlets to apply his signature approach to unraveling the mysteries of life. He is also the host of the National Geographic Channel's "Factory Floor with Marshall Brain". He lives in Cary, North Carolina.

In the Middle Ages torture was used for a variety of reasons, to gain information, to purify heretics and to punish criminals. In this lesson of the Medieval Archives Podcast we are going to explore medieval torture and the devices used by medieval torturers. Devices of pain, torment and mutilation used by the Church to punish heretics and blasphemers. You'll even find out which Pope issued a papal bull condoning the use of torture! Join us on the dark side of the Middle Ages as we explore Medieval Torture. Please send any comments, suggestions or topic ideas to podcast@medievalarchives.com If you are enjoying the podcast please considering leaving a rating on iTunes. Rate the Medieval Archives Podcast now! ...inflicted on them unutterable tortures; for never were any martyrs so tortured as they were. Some they hanged up by the feet, and smoked them with foul smoke; and some by the thumbs, or by the head, and hung coats of mail on their feet. They tied knotted strings about their heads, and twisted them till the pain went to the brains. ~Anglo-Saxon Chronicles Listen to the episode now Get your free audio book from Audible.com at: http://www.medievalarchives.com/AudioBook In this episode we discuss Medieval Torture devices like: The Rack Judas Cradle The Pear of Anguish Pillory Iron Maiden And more... Download the MP3 and listen to it on your favorite MP3 player. Subscribe to the feed so you do not miss a single episode. iTunes | Stitcher Radio | Download MP3 | RSS Feed The music was provided by Tim Rayburn. It is available at Magnatune.com Sound clips from Ancient Discoveries, Modern Marvels and Bill and Ted's Excellent Adventure

This episode features a ton of great roots, some hip-hop, and dancehall for your listening pleasure. The highlight of the show is the new release, Long Time, from Geneman. All tracks are available for purchase at WWW.GospelReggae.com. Hit me up at Boomshots@Live.com or look me up on Facebook. D Dub. Track List: 1.Geneman - Long Time (From New Release CD "Long Time") 2.Geneman - In The Morning (From New Release CD "Long Time") 3.Christafari feat. Geneman - Emancipation Proclamation (From Christafari CD "Word Sound & Power") 4.Dominic Balli - Drink For Free (From Re-Release EP) 5.Cora Russell - Enough (From New Release CD "In His Presence") 6.Good Creation - Another Lost Soul (From New Release CD "Good Creation") 7.Que - Blessed Queen (From New Release CD "New Life") 8.Stu Dent feat. DJ Allstar - That's It (From New Release CD "Nephilim:Act of God 1") 9.Theory Hazit/Tony Shift - Uncanny (From Recent Release CD "Modern Marvels") 10.Ranking Deezed - Born Again (From Re-Release CD "Sacrificial Love") 11.Que feat. Mr. Lynx - Taking Over (From New Release CD "New Life") 12.Minister Goddy Goddy - Holy Ghost (From New Release CD Compilation "Dr. Dizzle presents Call 2 Duty")