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This series tells the multigenerational story of a Coast Miwok family's eviction from their ancestral home on a cove in Tomales Bay in Northern California, and one woman's effort to bring the living history of her family back to the land. Episode Two traces the Coast Miwok's ten-plus-millennia-long presence in this landscape. Rich with interviews with a local historian and members of Theresa Harlan's family, this episode asks: How is it that ten thousand years of continuous human civilization is seemingly invisible today? And who gets to define history? Photo courtesy of Theresa Harlan. Learn more about your ad choices. Visit megaphone.fm/adchoices
This series tells the multigenerational story of a Coast Miwok family's eviction from their ancestral home in Northern California, and one woman's grassroots mission to restore their living history to the land. As we reshare this series over the coming weeks, we're adding a new fourth episode tracing recent developments in Theresa Harlan's work, its impact on the community, and the ongoing challenge of creating space for Indigenous history. In Episode One, Theresa Harlan shares the story of her family's uprooting from Tomales Bay, which ended their time there but did not sever their connection to the ancestral lands and waters of Tamal-liwa. Photo courtesy of Theresa Harlan. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textSo many new plants, birds and new species ! Join Chris and Moe as they explore this amazing State Park! A Filamint Production Stateofthestateparks@gmail.com
Today, we hear from young Native Americans on what the land back movement means to them. Then, a Coast Miwok family advocates for the native people of Tomales Bay.
New Melones kokanee; Don Pedro kokanee; Tomales Bay halibut (Dillon Beach); Upper Twin Lake kokanee and trout; Bridgeport Reservoir rainbows; mouth of Rogue River salmon; Camanche rainbows; Davis Lake rainbows; Columbia River/Cowlitz River steelhead.
Stampede kokanee; Lake Almanor trout & Veteran's fishing event; Scott Leysath-recipes-tips; Lee Vining Creek trout; Lundy Lake trout; Delta stripers; Dillon Beach halibut (Tomales Bay). Top water bass; Fishing in the city.
Sebastopol limits Zoom participation in Council meetings | Stolen truck in Petaluma | New head of Sonoma-Marin Fair | Mendocino groundwater study | Body of missing teem recovered | Tomales Bay rescue | Bountiful Petaluma | Bird flu safetyClick the icon below to listen.
On this episode of the California Now Podcast, host Soterios Johnson heads across the Golden Gate Bridge to talk with three local experts about where to eat, shop, and play in Marin County. First, Johnson talks with Alex Fox, owner of Food & Farm Tours in West Marin. Fox delves into Marin's history of sustainable and regenerative agriculture, tracing its roots back to the Gold Rush era. “A lot of people don't know Marin County was actually the very first agricultural hub of California,” she explains. Fox then elaborates on the experiences guests can expect on her tours, like shucking oysters, tasting local cheeses, and getting up close and personal with baby cows. Fox also shares her top picks for what to eat and do in the area, including where to find the best mozzarella gelato. Next up, Johnson is joined by Lauren Harwell Godfrey, an award-winning luxury jewelry designer based in Marin County. Her handcrafted, ethically sourced designs draw inspiration from ancient textiles and patterns of the African diaspora, and are highly sought after by collectors. Reflecting on her journey in building her brand, the designer mentions some notable individuals who wear her jewelry. “Kamala Harris actually has worn a lot of my pieces,” she reveals. Lauren also discusses Marin's vibrant food scene, great local shopping, and her favorite places to spend time outdoors. “It's just a very special place,” she remarks. Lastly, Johnson talks to John Finger, the CEO of Hog Island Oyster Company. Finger dives into his background as a marine biologist and what motivated him to establish his very own oyster farm in Marin County. He then shares the factors that make Tomales Bay ideal for oyster farming. “It's really about that exchange with the ocean, that nutrient-rich water, good tidal cycle in and out through the bay that really creates a great oyster,” he explains. Finger also recounts eating his crowd-favorite barbecue oysters with celebrity chef Roy Choi and director Jon Favreau on an episode of Netflix's The Chef Show. Finger also shares a handful of his go-to outdoor activities and neighborhood spots around Marin County.
In this week's episode with host Niki Sridhar, we continue our conversation with Keenan Chau-Pech on effects of aquaculture facilities in Tomales Bay on the entire ecosystem!
Today, in the final segment from Emergence Magazine's series Coming Home To The Cove, we hear why the erasure of Coast Miwok history on Tomales Bay impacts all of us. Then, we speak with Theresa Harlan about what it was like to make the series on her family's story of eviction from their ancestral lands.
November is Native American Heritage Month so today we are continuing a special series from our partners at Emergence Magazine. It's called Coming Home To The Cove, and it follows Theresa Harlan's quest to chronicle the story of her family's displacement from their ancestral lands. In this segment, we hear stories from some of the last Coast Miwok people to grow up on Tomales Bay.
In this episode, we continue the story of a Coast Miwok family's eviction from their ancestral home in Northern California and one woman's mission to bring the living history of her family back to the land. In this next segment we hear what life was like before they were displaced from Tomales Bay.
November is Native American Heritage Month. Which means, for the next two weeks, we're bringing you a series from our partners at Emergence Magazine. It's called Coming Home To The Cove, and it chronicles a Coast Miwok families' multigenerational story of displacement from their ancestral lands in Tomales Bay.
Hi there. First today: We're remembering beloved photographer Aubrie Pick, who tragically passed away last week after a battle with cancer. Aubrie's work was stunning and personal, and she was a visionary creative force in the Bay Area. Elana Kadvany writes in the San Francisco Chronicle: Pick's images — vibrant and charismatic, like the photographer herself, collaborators said — have left an indelible mark on the national food scene, and particularly in the Bay Area. Pick photographed numerous high-profile cookbooks, from celebrity chef Chrissy Teigen's “Cravings” and Bay Area chef Tanya Holland's “California Soul” to Andrea Nguyen's “Vietnamese Food Any Day.” Her photos were featured on the covers of Bon Appetit and Food & Wine magazines. She captured Chez Panisse owner Alice Waters in her Berkeley backyard, and caught the light falling just so across a set restaurant table. There is an ongoing GoFundMe to support Aubrie's husband Erik and 2-year-old daughter Romy here.
On this episode, host Niki Sridhar interviews undergraduate researcher Keenan Chau-Pech on his recent project looking at ecosystem services of aquaculture facilities in Tomales Bay. Spoiler alert: birds are attracted to habitat created by aquaculture gear!
Notes: Kate wrote "Can I Stand Here For You" after watching an Oprah show about two injured women Iraq veterans. Juanita Wilson (who had lost her hand) saw Tammy Duckworth come in (she had lost one hand and both feet). Juanita had committed herself to “standing for” any injured female veteran. She asked Tammy "Can I stand here for you?" Then she washed Tammy's hair which still contained dust from Iraq. She used her one hand and asked an orderly to help her with his two hands. Tammy was comatose, in terrible pain and Juanita stood beside her bed for 5 days. Now Tammy is a tri-athlete and was Undersecretary of Veterans Affairs for President Barack Obama, the U.S. Representative for Illinois's 8th congressional district. And was then elected to the Senate from the State of Illinois. Knowing the backstory behind some songs makes the songs even richer. As I'm thinking about how we can work toward easing loneliness, this example of two women connecting, then Kate allowing herself to be touched by the story, gives an example... and gives me a way to remember how to make the offering of standing by someone. Don't miss the chance to sing with Melanie DeMore once you've learned the song -- she sings lower, which may give you a chance to experiment with the high harmony if you found it too high in this podcast -- or maybe the melody will feel super comfortable in Melanie's range? Keep finding what feels good in your voice! Songwriter Info: From Inverness CA, Kate Munger has devoted herself for over 40 years to creating non-hierarchical, collaborative models for spirited group singing, joyful community building, and deep fellowship through rounds and parts singing. Kate has written hundreds of singable, swinging, deep songs that remind us of our best inclinations and intentions, and are sung accompaniment to and medicine for our lives. She has loved returning home to Inverness after 9 singing trips to Bali, 6 to Thailand (and the Elephant Sanctuary where singing to and with Elephants was the highlight), and one each to Russia and Spain in the past three decades. Just as the Pandemic arrived, Kate returned from a month in New Zealand with 13 singers where they offered their sung prayers to the community of Christchurch as they remembered the devastating earthquake of 2011 and healed from the horrific shooting at the Muslim Mosque in March 2019. She deeply believes that singers are the best ambassadors of peace on our planet; we show our neighbors our best selves when we travel in their land and appreciate their people, their culture, and their tragedies and show that appreciation through our singing. In 2000 she founded the first of now 220 Threshold Choirs worldwide for choral singers who are called to sing at the bedsides of people who are dying, in a coma, newborns, children in hospital, and with folks who are grieving and who are incarcerated. In honoring its innovative mission, the Threshold Choir has re-imagined what true service can look like; healing the giver as it offers comfort, presence, and ease for the receiver. Now retired from running the business of the Threshold Choir, Kate lives, swims, works, and sings along the shores of Tomales Bay, for 16 years at the Lama Foundation in New Mexico and wherever she can. Sharing Info: Please sing this with loved ones freely -- when sharing in a money-making venture, like a workshop, class, or performance, please contact Kate for permission and rates. Links: A beautiful recording by Melanie DeMore, highly recommended by Kate: https://youtu.be/iDMFt9d5NaM Threshold Choir: https://thresholdchoir.org/ Song Learning Time Stamps: Start time of teaching: 00:03:28 Start time of reprise: 00:15:52 Nuts & Bolts: 4:4 major 3-part harmony Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
In this episode, we hear how a Coast Miwok family is advocating for the native people of Tomales Bay, and we learn about how their personal journey has become part of a broader movement. Then, we re-visit the story of the Winnemem Wintu people and their work to restore salmon to their native waters. We also hear from the allies who are helping them along the way.
Ashika and Fabian are back and boy have they been busy celebrating Ashika's birthday month! From speakeasy's and country music festivals to a night in the city at one of the world's top rated bars to the freshest of oysters in Tomales Bay. Find out how your host celebrated her birthday this year!
Spanish missions, boarding schools, and ranching empires in California drove many Coast Miwok people from their ancestral land, targeting the erasure of their history and identity. This three-part series is the multigenerational story of a Coast Miwok family's eviction from their home and one woman's determination to bring the living history of her family back to the land. In Episode Three, Theresa Harlan continues her grassroots efforts to protect the last standing Coast Miwok structures on Tomales Bay. Originally released on February 8, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices
This three-part series is the multigenerational story of a Coast Miwok family's eviction from their ancestral home—on a cove in Tomales Bay in Northern California—and one woman's effort to bring the living history of her family back to the land. In Episode Two we learn that the Coast Miwok culture predates the geological formation of the San Francisco Bay. In tracing thousands of years of Indigenous presence and history, all the way through the oppressive colonial systems that have become today's mainstream culture, this episode asks: Who gets to define history? Originally released on February 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices
Across the United States, Indigenous communities are calling for sweeping revisions to stories commonly told as “history”—stories that, even today, neglect and erase Indigenous peoples and serve as justification for continued ownership of stolen Indigenous lands. This three-part series is the multigenerational story of a Coast Miwok family's eviction from their ancestral home in Northern California and one woman's mission to bring the living history of her family back to the land. Throughout this series, Theresa Harlan chronicles the story of her family's displacement from their homestead on a cove in Tomales Bay and shares her grassroots efforts to involve the wider community in protecting both the history and the future of this place. As she tells her family's story, Theresa makes a powerful claim: remembering and retelling inclusive histories has the power to create a more just future. In this series we ask: Who gets to define history? In what ways is it our responsibility to ensure that a shared history is an accurate and just representation of the places we call home? In Episode 1, Theresa Harlan shares the story of her Coast Miwok family's eviction from their homestead on a cove in Tomales Bay—an uprooting which ended her family's time there but did not sever their connection to the ancestral lands and waters of Tamal-liwa. Originally released on January 25, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to this first episode of Season Seven of the Mother's Quest Podcast! Today's episode was sparked by an experience I had on my most recent big milestone birthday. The morning of December 1st, I turned 50 and the podcast, which was a 45th birthday present to myself, turned 5. As I often do, I began my morning practice reading a book on my bedside table; the one I grabbed this time was a new one I had purchased called Wonder Seeker. Inspired by an idea within the gorgeously photographed pages, I hopped out of bed, wandered over to my bookshelf, pulled books from the shelves that were speaking to me on this occasion, and before I knew it had organized them into a pile which that became my "Manifesto for Becoming 50." There was such spontaneity, joy, and ease in this creative endeavor...qualities that emanate from the book Wonder Seeker and qualities I had long admired in Wonder Seeker's author Andrea Scher. So, when it came time to launch the new season and invite a guest to anchor our month-long Mother's Quest May invitation to reclaim our E.P.I.C. lives in the Mother's Quest Community, I knew just who to ask. What a delight it was when Andrea Scher said yes! Andrea is an author, artist, and life coach whose work is driven by her belief in the transformative power of creativity for joy and wellbeing. For nearly two decades, through her award-winning blog Superhero Journal, her Creative Superheroes podcast, and her bestselling e-courses, Andrea has thrilled others with their own power to find the magic all around them. Her new book, Wonder Seeker: 52 Ways to Wake up Your Creativity and Find Your Joy straddles the world of creativity and mindfulness - playfully inspiring readers to live more vibrant lives full of presence, joy, and connection. Like the book, I felt like this whole conversation straddled the world of creativity and mindfulness. Andrea shares with us where she developed her unique lens of looking at things through "wonder goggles" as she calls them, about the big dreams she calls Mondo Beyondo, how she loved herself and her children through her divorce, and where she's finding joy today. Talking with Andrea reminded me that our creative endeavors have ripple effects we may not even know and that we don't need permission to pursue the things that we love. I hope you love this conversation as much as I did and open yourself to seeking more wonder in your life. I also invite you to join me and Andrea in saying "yes" to our own Mondo Beyondo dreams, to our own creativity, and to creating our own Manifestos, by signing up for the Manifesto Challenge, linked in the show notes, tapping into some of the creative ideas for expression from Wonder Seeker, like the book spine poetry I drew inspiration from, and then joining Andrea and me on May 24th to celebrate what we're creating and manifesting together. About Andrea: Andrea Scher is an author, artist, and life coach whose work is driven by her belief in the transformative power of creativity for joy and wellbeing. For nearly two decades, through her award-winning blog Superhero Journal, her Creative Superheroes podcast, and her bestselling e-courses, Andrea has thrilled others with their own power to find the magic all around them. Her new book, Wonder Seeker: 52 Ways to Wake up Your Creativity and Find Your Joy (HarperCollins) straddles the world of creativity and mindfulness - playfully inspiring readers to live more vibrant lives full of presence, joy, and connection. You can learn more about Andrea on her website or follow her on Instagram! Connect with Andrea: Website | andreascher.com Instagram | @andreascher Facebook | Andrea Scher Website | Blog Website | Podcast Topics Discussed in this Episode: What Andrea means by “Mondo Beyondo” and some of our Mondo Beyondo moments. How Andrea mindfully engaged with her children through the experience of her divorce. The simple somatic practice Andrea uses when she sees something she wants more of in her life. What women were taught growing up about pursuing what we desire and what Andrea thinks we need to shift. Manifesting and creating blueprints for our life goals. How you can see things from a new perspective and from different angles. Andrea's magical journey to bringing her book Wonder Seeker to publication, something both 25 years in the making and that came to fruition in mere months. Andrea's most recent “Wonder Date” experience with bioluminescent algae on Tomales Bay. Our joint challenge to you is to create a Mondo Beyondo Manifesto of your own. Resources Mentioned: Mother's Quest May Gift Guide Episode 61: Reclaiming Ourselves in Motherhood: Revisited with Graeme Seabrook Mothers Quest: Right Livelihood, Magic, and Meaning with Lindsay Pera of the Modern Mystics Institute Wonder Seeker by Andrea Sher Andrea Sher's eCourses Sunset Bioluminescence Kayak Tour This Episode's Challenge: This Mother's Quest May, say “yes” to the annual 7-day Manifesto Challenge, which you can access in the Mother's Quest MemberVault. Then create your own Manifesto, utilizing the creative ideas, like the book spine poetry that inspired my “Becoming 50 Manifesto,” from Andrea's Wonder Seekers book. Finally, you can join me and Andrea for a celebration of our creativity, Mondo Beyondo dreams, and our Manifestos (or Manifestos still in the making!) on May 24th at noon PST. Register here. This Episode is dedicated by: Jamie Greenwood Jamie Greenwood is a self-care and leadership coach and the founder of Homecoming, a 6-month group coaching program that teaches big-dreaming, high-achieving women how to take exquisite care of themselves, without an ounce of guilt. With over 15 years of experience, Jamie specializes in helping women get really clear on who they are, how they want to live, and then actually doing it on their own terms. Jamie is also the host of The Path Home, a podcast that explores the many facets of the home, how we find a home in ourselves, and how we create a sense of home in our work, our relationships, our communities, and in the future we want to see. When Jamie's not coaching, speaking, or podcasting, you can find her running after her 5-year-old and 3-year-old daughters and wondering what's for dinner. Connect with Jamie: Website | jamiegreenwood.co Instagram | @jamiegreenwoodcoaching TikTok | @jamiegreenwoodcoaching Mother's Quest May Gift Guide Need a little inspiration to invest in yourself? Check out our Mother's Quest Mother's Day Gift Guide! Choose yourself and say yes to taking time off! Buy something meaningful to you, sign up for the Manifesto Challenge, or contribute to a cause you care about– there's something for all mothers here! Mother's Quest is a podcast for moms who are ready to live a truly E.P.I.C. life. Join in for intimate conversations with a diverse group of inspiring mothers as they share how they are living an E.P.I.C. life, Engaging mindfully with their children (E), Passionately and Purposefully making a difference beyond their family (P), Investing in themselves (I), and Connecting to a strong support network (C). Join our community of mothers to light the way and sustain you on your quest at https://www.facebook.com/groups/mothersquest/
Upriver stripers; upcoming Shasta trout/salmon derby; Scott Leysath-recipes Delta stripers; Almanor trout; False River dam; Bodega Bay salmon/rockfish; Tomales Bay halibut
Spanish missions, boarding schools, and ranching empires in California drove many Coast Miwok people from their ancestral land, targeting the erasure of their history and identity. This three-part series is the multigenerational story of a Coast Miwok family's eviction from their home and one woman's determination to bring the living history of her family back to the land. In Episode Three, Theresa Harlan continues her grassroots efforts to protect the last standing Coast Miwok structures on Tomales Bay, as their fate is being deliberated by the Point Reyes National Seashore. Learn more about your ad choices. Visit megaphone.fm/adchoices
This three-part series is the multigenerational story of a Coast Miwok family's eviction from their ancestral home—on a cove in Tomales Bay in Northern California—and one woman's effort to bring the living history of her family back to the land. In Episode Two we learn that the Coast Miwok culture predates the geological formation of the San Francisco Bay. In tracing thousands of years of Indigenous presence and history, all the way through the oppressive colonial systems that have become today's mainstream culture, this episode asks: Who gets to define history? Learn more about your ad choices. Visit megaphone.fm/adchoices
It's another lightning wife-ening episode as Phil & Jake's better halves Beth & Ali return to rank Bob Saget (R.I.P.), oysters, being a know-it-all, marriage, toilet humor, expresso with an “X”, and chest hair on the List of Every Damn Thing.If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook). We also have a subreddit!SHOW NOTES: As they brag about in the episode, Jake & Ali recently held one-day-old lambs at Toluma Farms in Sonoma County. If you only watch the show's opening credits, Full House really just seems like a tourism ad for San Francisco. Danny Tanner was America's Dad for Beth & Ali, whereas Phil & Jake's America was raised by Bill Cosby. Phil & Jake talk about a Bob Saget scene in the movie Dirty Work, but they really mean the movie Half-Baked. Here's the Saget bit that Beth watched where he talks about his dad's dirty jokes. Saget gets extra consideration for his work with the Scleroderma Research Foundation. Here's Saget's part in The Aristocrats, and here's the Gilbert Gottfried part. We apologize in advance. Ali mentions that a few hours before recording this episode, she and Jake enjoyed some oysters at The Marshall Store (on California's Tomales Bay). Jake mentions that a few years ago, they shucked their own oysters at Buck Bay Oyster Farm (on Washington State's Orcas Island). They've indulged in oysters in many places, but not yet at The Shuckery (in Beth & Phil's home town of Petaluma, CA). It's an ongoing debate as to whether vegans should justify eating oysters. Amy Schneider was Jeopardy! champion until we jinxed her by talking about it on the podcast (which was recorded two days before she lost). She's the most successful woman ever to compete on the game show. She's the good kind of know-it-all. Jake tried to look up the German "scheisse" song that Beth mentions, but all he could find was this Lady Gaga song. Here's Los Punkitos performing “Caca Culo Pedo Pis”. Phil & Beth are targeted by this Fabreze ad with miniature toilets. Phil talks about Eddie Murphy doing toilet humor in his early act, which is recounted in “Eddie Murphy Raw”. We're still the first full page of search results when you Google shirtless men wearing elaborate angel wings, gold lamé shorts & furry cha-cha heels. We bring up saxophone in rock music, inciting Beth to vocalize the sax riff from “Baker Street” by Gerry Rafferty (which is, contrary to Phil's opinion, rock music). This episode is the second time that Jake has given a free plug to Fort Point's Sfizio Italian Style Pilsner. The X-Men come up a couple of times in this episode, including when Jake speculates that– in light of Beth's pubic hair definitions– Beast is covered in pubic hair, because mutant powers manifest at puberty. Of course, Beast's full-body fur was part of a post-puberty secondary mutation, so Jake's wrong on this one. Chest hair-y men discussed include Burt Reynolds, Tom Selleck and Sam Elliot. Here's a bonus pic of young Sam Elliot from the Mission: Impossible TV show. ALSO DISCUSSED IN THIS EPISODE:America's Funniest Home Videos * Lente Loco * Cheech & Chong * “Weird Al” Yankovic * Dan Aykroyd * Jessica Rabbit * the Watchmen TV series * Sir Topham Hatt * pearls * food poisoning * shucking * Popeyes chicken * dippin' sauce * experts * feeding cats like babies * Daylight Saving Time * Jenny McCarthy * middle school * kids in restaurants * “Dancing Queen” by ABBA * A-shirts aka “wifebeaters” * scatting * farts * diarrhea * whoopie cushions * skorts * The Three Stooges * puns * Trading Places * bricks * Spaceballs * Tommy Bahama shirtsBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here).TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea bicycles - tool coffee - beverage Clement Street in San Francisco - location Prince - person It's-It - food Doctor Doom - fictional character Cher - person BOTTOM TEN:233. Jon Voight - person234. Hank Williams, Jr - person235. British Royal Family - institution236. Steven Seagal - person237. McRib - food238. death - idea239. war - idea240. cigarettes - drug241. QAnon - idea242. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was produced & edited by Jake MacLachlan, with audio help from Luke Janela. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net.
Across the United States, Indigenous communities are calling for sweeping revisions to stories commonly told as “history”—stories that, even today, neglect and erase Indigenous peoples and serve as justification for continued ownership of stolen Indigenous lands. This three-part series is the multigenerational story of a Coast Miwok family's eviction from their ancestral home in Northern California and one woman's mission to bring the living history of her family back to the land. Throughout this series, Theresa Harlan chronicles the story of her family's displacement from their homestead on a cove in Tomales Bay and shares her grassroots efforts to involve the wider community in protecting both the history and the future of this place. As she tells her family's story, Theresa makes a powerful claim: remembering and retelling inclusive histories has the power to create a more just future. In this series we ask: Who gets to define history? In what ways is it our responsibility to ensure that a shared history is an accurate and just representation of the places we call home? In Episode 1, Theresa Harlan shares the story of her Coast Miwok family's eviction from their homestead on a cove in Tomales Bay—an uprooting which ended her family's time there but did not sever their connection to the ancestral lands and waters of Tamal-liwa. Learn more about your ad choices. Visit megaphone.fm/adchoices
Second Sunday of Advent The Collect: Merciful God, who sent your messengers the prophets to preach repentance and prepare the way for our salvation: Give us grace to heed their warnings and forsake our sins, that we may greet with joy the coming of Jesus Christ our Redeemer; who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen. Old Testament: Baruch 5:1-9 or Malachi 3:1-4 1 Take off the garment of your sorrow and affliction, O Jerusalem, and put on for ever the beauty of the glory from God. 2 Put on the robe of the righteousness that comes from God; put on your head the diadem of the glory of the Everlasting; 3 for God will show your splendour everywhere under heaven. 4 For God will give you evermore the name, ‘Righteous Peace, Godly Glory'. 5 Arise, O Jerusalem, stand upon the height; look towards the east, and see your children gathered from west and east at the word of the Holy One, rejoicing that God has remembered them. 6 For they went out from you on foot, led away by their enemies; but God will bring them back to you, carried in glory, as on a royal throne. 7 For God has ordered that every high mountain and the everlasting hills be made low and the valleys filled up, to make level ground, so that Israel may walk safely in the glory of God. 8 The woods and every fragrant tree have shaded Israel at God's command. 9 For God will lead Israel with joy, in the light of his glory, with the mercy and righteousness that come from him. or 1 See, I am sending my messenger to prepare the way before me, and the Lord whom you seek will suddenly come to his temple. The messenger of the covenant in whom you delight—indeed, he is coming, says the Lord of hosts. 2But who can endure the day of his coming, and who can stand when he appears? For he is like a refiner's fire and like fullers' soap; 3he will sit as a refiner and purifier of silver, and he will purify the descendants of Levi and refine them like gold and silver, until they present offerings to the Lord in righteousness. 4Then the offering of Judah and Jerusalem will be pleasing to the Lord as in the days of old and as in former years. Psalm: Canticle 4 or 16 — The Song of Zechariah (Luke 1:68-79) Blessed be the Lord, the God of Israel; * he has come to his people and set them free. He has raised up for us a mighty savior, * born of the house of his servant David. Through his holy prophets he promised of old, that he would save us from our enemies, * from the hands of all who hate us. He promised to show mercy to our fathers * and to remember his holy covenant. This was the oath he swore to our father Abraham, * to set us free from the hands of our enemies, Free to worship him without fear, * holy and righteous in his sight all the days of our life. You, my child, shall be called the prophet of the Most High, * for you will go before the Lord to prepare his way, To give his people knowledge of salvation * by the forgiveness of their sins. In the tender compassion of our God * the dawn from on high shall break upon us, To shine on those who dwell in darkness and the shadow of death, * and to guide our feet into the way of peace. Epistle: Philippians 1:3-11 3I thank my God every time I remember you, 4constantly praying with joy in every one of my prayers for all of you, 5because of your sharing in the gospel from the first day until now. 6I am confident of this, that the one who began a good work among you will bring it to completion by the day of Jesus Christ. 7It is right for me to think this way about all of you, because you hold me in your heart, for all of you share in God's grace with me, both in my imprisonment and in the defense and confirmation of the gospel. 8For God is my witness, how I long for all of you with the compassion of Christ Jesus. 9And this is my prayer, that your love may overflow more and more with knowledge and full insight 10to help you to determine what is best, so that in the day of Christ you may be pure and blameless, 11having produced the harvest of righteousness that comes through Jesus Christ for the glory and praise of God. Gospel: Luke 3:1-6 1 In the fifteenth year of the reign of Emperor Tiberius, when Pontius Pilate was governor of Judea, and Herod was ruler of Galilee, and his brother Philip ruler of the region of Ituraea and Trachonitis, and Lysanias ruler of Abilene, 2during the high priesthood of Annas and Caiaphas, the word of God came to John son of Zechariah in the wilderness. 3He went into all the region around the Jordan, proclaiming a baptism of repentance for the forgiveness of sins, 4as it is written in the book of the words of the prophet Isaiah, “The voice of one crying out in the wilderness: ‘Prepare the way of the Lord, make his paths straight. 5Every valley shall be filled, and every mountain and hill shall be made low, and the crooked shall be made straight, and the rough ways made smooth;6and all flesh shall see the salvation of God.'”
The Phantom Ship by Peter Rowan I started the psychedelic folk band Earth Opera with David Grisman. We did the band Muleskinner for Warner Brothers. Another band, Seatrain, recorded two albums for Capitol Records. That was all within five years of leaving Bill Monroe and The Bluegrass Boys. After Seatrain, I left to reconnect in the most personal way with my brothers Chris and Lorin. David Grisman had been producing them for Columbia Records. Jerry Garcia lived up the hill, and I would just wake up in the morning living this shiftless Hippie life. Not even put shoes on, just walk through the sand dunes. It was the end of the trail. There was a 7-Eleven, Ed's Superette, a post office, and a kind of “live-and-let-live” attitude. We just gravitated there. Stinson Beach wasn't con-sidered a spiritual capital. In fact, the myth of the time was that when the earthquake comes it's going to break off at Stinson Beach and we were going out to sea. You were away from all the traffic and all the busyness over the hill. You were in this utopia and close to the elements. You had the bird-fly zone: all kinds of migrating birds coming through there. The changes in the weather. That part of the coast didn't have a fog bank; further up in Tomales Bay they have a fog bank. Stinson would have these incredible sparkling days. I'd bring my guitar to David's house and wake him up. We'd have a “little refreshment” to wake ourselves up and we'd pick. We'd already done Earth Opera, so we weren't exploring new ground if we played any of that materiel. We were just picking bluegrass and coming back to those roots. One day he remarked, very shortly after getting together, “You know Garcia lives up the hill, and he likes to pick.” I replied, “Let's go, man.” I had met Jerry on one of my previous West Coast trips. Super nice guy. We went up to his house, and there was a sign over the entrance that said “Sans Souci,” which means “without a care.” We walked into his yard and there he was, “Spud Boy,” playing the five- string banjo. He came out of the house playing; it was a joyful get together. We rehearsed and played without doing a live gig for a couple of months. Then we had John Hartford play with us; Richard Greene played with us. We played some local places with those guys on fiddle. We did some gigs, just the four of us; John Kahn on bass. Sam Cutler was living around that area, and the Grateful Dead hired him to do bookings. He said, “I got you some gigs, boys. You want to go on the road?” We were like, “Yea, OK, sounds good.” We were starting to make money playing bluegrass. That's a novelty in itself. That was because of Jerry's popularity. You talk about the aura of that time. It was one of weird magic. “Weird” meant good in those days. “Hey, far out!” The Dead itself was enough to deal with in terms of touring and logistics. Then to have another band that was going to be just like that didn't appeal to him. Jerry wanted it to be fun. He didn't want it to become work. Mountain Girl told me, even though she wasn't with Jerry at that time, “It's very important to Garcia to have this bluegrass band.” I didn't realize how much it meant for Jerry. To have an outlet that he wasn't responsible for that could provide him some happiness.
Good Samaritan tip led to the rescue of a man and his 6 dogs in Tomales Bay.
Scientists are working with ranchers to preserve the tradition of grazing cattle, while having minimal environmental impact.
Tomales Bay supports roughly 20,000 shorebirds in early winter, qualifying as a wetland of international importance by the Western Hemisphere Shorebird Reserve Network. Since 1989, Audubon Canyon Ranch has been monitoring seasonal populations of shorebirds there, and the resulting data reveal some interesting and disturbing trends. Dr. Nils Warnock, Director of Conservation Science at Audubon Canyon Ranch, presents those findings and explains their significance in the context of the Pacific Flyway and global shorebird populations.
On this episode Bob and Burns talk to one of there top listeners Morgan from Tomales Bay Pasture about his egg laying business.
Jennifer Klein joined us to talk music, Poway, Synanon and so much more. We discussed her organic creation process and capturing her emotions in song. Jennifer shared her experience making her first music video at her Poway home for her song “Lean into Joy”. We also learned about her experience making the songs “So Good” about a special relationship, “Waste of Time” about feeling not appreciated, and “Passing You By” about cell phones and her children. Jennifer also shared the thrill of doing a gig at the Belly Up Tavern in Solana Beach. Then we dove deep into Jennifer’s childhood story as a member of the Synanon community. This was a fascinating discussion of living in a commune, being exposed to Synanon’s therapy process called “The Game” and her experience as a child in a group that was considered highly controversial. Jennifer discussed having her head shaved as a child and feeling very different around others when outside the commune. In spite of some of the highly charged negative aspects of Synanon, Jennifer shared many positive experiences as a child in the community. Jennifer Klein and I also discuss many other interesting people and places including Sinead O’Connor, Alanis Morissette, Encinitas, St. Michael’s Catholic Church, Mello Yoga, Barbra Streisand, John Legend, Meghan Trainor, Kacey Musgrave, Tom Petty, Beatles, Old Poway Park, Jewel, Interchange, Pacific Beach, Capri Blue, 4S Ranch, You are Truth, What if Anything was Possible?, Passing You By, Charles Dederich, Chuck Dederich, Synanon Game, Santa Monica, Petaluma, Marin County, Tomales Bay, Oakland, Doris Day, Ralph Waldo Emerson, “Poway is Up and Coming”, Half Moon Bay, Synamilk. JRP0083 Jennifer Klein Info: Jennifer Klein: https://jenniferkleinmusic.com/ Jennifer Klein on iTunes: https://music.apple.com/us/artist/jennifer-klein/1448971389 Jennifer Klein on YouTube: https://www.youtube.com/channel/UCIwRiST58XKxZm4fo-9-PiQ Referenced Article: Synanon: https://en.wikipedia.org/wiki/Synanon Friendly Plug: Mello Yoga: https://www.melloyoga.org/ John Riley Project Info: Bookings? Inquiries? Contact me at https://johnrileyproject.com/ Donations: https://www.patreon.com/johnrileyproject Sponsorship Inquiries: https://johnrileyproject.com/sponsorship/ YouTube Channel: https://www.youtube.com/channel/UCJJSzeIW2A-AeT7gwonglMA Facebook: https://www.facebook.com/johnrileyproject/ Twitter: https://twitter.com/JohnRileyPoway Instagram: https://www.instagram.com/johnrileypoway/ iTunes: https://podcasts.apple.com/us/podcast/john-riley-project-podcast/id1435944995?mt=2 Spotify: https://open.spotify.com/show/3llrMItpbx9JRa08UTrswA Stitcher: https://www.stitcher.com/podcast/john-riley-project Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9qb2hucmlsZXlwcm9qZWN0LmNvbS9mZWVkLw Tune In: https://tunein.com/podcasts/Arts--Culture-Podcasts/John-Riley-Project-Podcast-p1154415/ Listen Notes: https://www.listennotes.com/podcasts/john-riley-project-john-riley-2l4rEIo1RJM/ Music: https://www.purple-planet.com
This week, Liam brings the Foodie Chap chat to William Tell House in Tomales Bay with Executive Chef and Partner Austin Perkins. | Each week, the KCBS Radio Foodie Chap, Liam Mayclem introduces us to the culinary stars behind the food & wine loved by so many in the Bay Area.
A trio of Northern California women (two of whom are UC Berkeley alumni) founded Salt Point Seaweed in Spring 2017 to harvest seaweed from the Pacific Ocean. They forage, farm, and do research along the California coast to offer the highest quality and most nutritious seaweed, responsibly sourced from the pristine waters of Northern California. Catherine O’Hare talks to host Lisa Kiefer about their business model, the different types of seaweed, and their commitment to ethical, sustainable solutions for humans and our environment.TranscriptLisa Kiefer: [00:00:08] This is Method to the Madness, a bi weekly public affairs show on K A L X Berkeley celebrating Bay Area innovators. I'm your host, Lisa Kiefer. And today, I'm speaking with Catherine O'Hare. She's part of a trio of female entrepreneurs who have started a company called Salt Point Seaweed. Welcome to the program, Catherine. Thank you.Lisa Kiefer: [00:00:38] I have so many questions for you about this seaweed company, first of all. Are you the only women owned seaweed company in the world?Catherine O'Hare: [00:00:45] That's a good question. I don't think so. There's a seaweed harvester up in Sonoma County who's a woman. I don't know if her business is all women owned, but there's not many.Lisa Kiefer: [00:00:55] Are you an alumni of UC Berkeley?Catherine O'Hare: [00:00:57] No. Tessa and Avery, the other two women, are alumni. They did their grad program here at UC Berkeley. Tessa and I both went to Oberlin College in Ohio for undergraduate.Lisa Kiefer: [00:01:08] How did you get started in the seaweed business? What inspired you to do this?Catherine O'Hare: [00:01:13] All three of us have a background in agriculture, so we've always been interested in food. I was a biology major and then worked on farms. So I'd always been interested in local food and healthy food. But it wasn't until moving to the bay now like five or six years ago that I got connected with the seaweed harvester and started learning about all the local seaweeds that we have here on the Northern California coast. I grew up by the ocean in Southern California. So I loved the ocean. I loved the beach. I was always looking for ways to be by the water. They were the first to get involved. Of the trio of founders. Yeah. So we all have a background in agriculture. We also all have some ties to East Africa where we've either worked before or lived before. And there we all saw seaweed farming in Zanzibar.Lisa Kiefer: [00:01:58] Were you in the Peace Corps?Catherine O'Hare: [00:01:59] No. I studied abroad there when I was in college, just doing a coastal ecology program. Tessa and Avery both did their graduate program at UC Berkeley and they did a master's in development practice. So it's kind of sustainable international development. So that brought them to East Africa.Lisa Kiefer: [00:02:17] Did you all meet up over there or did you find out later that you had.Catherine O'Hare: [00:02:22] We found out later. Tessa and I knew each other from Oberlin. We both ended up in the bay. We each had independent experiences in East Africa. And Avery and Tessa met here at UC Berkeley. And during their during Avery's program here, she did work in East Africa. So we all just kind of had these in our weaving paths. So I was just living and working in the bay, working for a small food company and kind of learning more about seaweed harvesting and doing it as a hobby. And in the meantime, I was good friends with Tessa. So we were talking all the time about all these things related to food, just tossing around ideas about local agriculture systems, herbs, seaweed, farming, like we just were tossing around all these ideas every time we met up. And seaweed was always one of those things, I think because I had seen seaweed farming in Zanzibar and she was interested in these alternative livelihood systems for women all over the world. And so it was during that time where Tessa and Avery were finishing their graduate program here.Catherine O'Hare: [00:03:23] I was working and exploring where the seaweed on our local coast that we just started delving deeper and deeper into the world of seaweed and talking to everyone we can, emailing people, trying to meet up with people just to learn more about the seaweed industry, about seaweed farming. And it just has kind of.Lisa Kiefer: [00:03:42] How to harvest and all that? Catherine O'Hare: [00:03:43] Yeah.Lisa Kiefer: [00:03:44] So what were your steps?Catherine O'Hare: [00:03:46] Well, so we're doing our pilot project with Hog Island Oyster Company there in Oyster Farm in Tamales Bay, because the legislation and regulatory agencies are you know, it's a long process to get your own aquaculture permit. So we're doing a research project. This Hog Island Oyster Farm is hosting our pilot, but Hog Island leases from the state, the state waters. So they have aquaculture permit from California Fish and Wildlife. And that's kind of one of the many, you know, permits that they have to be doing aquaculture.Lisa Kiefer: [00:04:19] Are you going to be a pilot for a long time or how long does that last before you actually have to get your own permits independently?Catherine O'Hare: [00:04:27] We're still figuring it out. We first talked to Hog Island over two years ago where we just showed up and kind of bounce this idea off them of, you know, we're interested in doing a little pilot to farm seaweed to see how these native species of seaweed grow. Have you ever thought about that? Would you be interested? And so those conversations happened kind of over the course of a year. Meanwhile, we were trying to apply for grants to fund this, I think because Tessa and Avery had this grad school academic background that was kind of the framework that that we knew of how to try to do a project like this.Lisa Kiefer: [00:05:04] So you got your funding via grant?Lisa Kiefer: [00:05:06] We applied for one grant through NOAA that was big. It like gave us the structure to really dive in and figure out all the details. We did not get that one, but because it had set us up to really have a project. Then Hog Island was still on board to do this. So we were like, OK, we'll find we'll find other funding. So then we got a smaller grant from California Sea Grant, which is like an affiliate of Noah. And that gave us ten thousand dollars That development grant is just to prepare mostly academics to go after a bigger grant. So it's kind of this like small bundle of money. So we were awarded that and then that really funded the pilot.Lisa Kiefer: [00:05:48] Have you continued to just use grants or or did you go out into the private equity?Catherine O'Hare: [00:05:53] No. We. We all put in a little bit of our own money to start. We got another business, small business grant from Oberlin College where Tessa and I went. That was great. That was a huge help. We just finished a Kickstarter a few weeks ago. And other than that, we've just been getting some revenue from our product line of our wild harvested seaweed. So we're kind of...Lisa Kiefer: [00:06:16] So you're keeping your mission in tact, keeping outsiders out.Catherine O'Hare: [00:06:19] Yeah. So far, we're also growing very slowly because of that, which is okay with us. We're not we're definitely not the traditional Bay Area business, I think. But yeah. So far, there's no other investment in the company.Lisa Kiefer: [00:06:32] Okay. This oyster company. What is the relationship between oysters and seaweed?Catherine O'Hare: [00:06:38] It's a really beautiful symbiotic relationship. Oysters are also filter feeders, so they're filtering the water and making it less cloudy and less murky. So more light can reach the seaweed. And seaweed is a really beneficial. You know, seaweed is just the term for marine macro algae. So any algae that's growing in a marine environment that's like seaweed is kind of this big, vague term.Lisa Kiefer: [00:07:02] So it's kelp and there's all kinds.Catherine O'Hare: [00:07:04] Yeah. There's all kinds, kelp or brown seaweeds. There's also green algae and red algae. So what seaweeds do just like land plants, their primary producers, they're absorbing carbon and nitrogen to grow. And so unlike a land plant, that carbon and nitrogen is coming from the water. So in seaweeds, growing in an environment, it's, you know, kind of taking out some of those excess nutrients. Too much carbon in the water is what's leading to ocean acidification. And that's one of the factors that can inhibit shellfish growth. So if the water's too acidic, it's hard for their shells to form when they're young.Lisa Kiefer: [00:07:39] And seaweed helped with that.Catherine O'Hare: [00:07:40] Right. So seaweed is making the water. You know, so far the studies done show that it's just in a local area.Catherine O'Hare: [00:07:46] So right where you're growing the seaweed, there's hope that you can be moderating the P.H. of that water. So making it a little bit less acidic, making the water chemistry a little more balanced for lack of a better word. And also by absorbing nitrogen that helps, you know, too much nitrogen in a marine environment is what causes those harmful algal blooms, though. So the thought is by growing the type of seaweed that you want and then harvesting and getting it out of the environment, you're helping to kind of capture some of that nitrogen before it leads to. It's like using it for the seaweed you want instead of the algae that.Lisa Kiefer: [00:08:21] It's kind of like seaweed farming.Catherine O'Hare: [00:08:23] Yeah. What we're doing is technically under the umbrella of aquaculture, but there's a lot of different ways that aquaculture can look. Seaweed and shellfish farming are pretty low input like you need to put physical equipment in the water column. But then there's no feed, there's no additives, there's no additional fertilizer or anything. It's just, you know, they're using sunlight in the case of seaweed, sunlight and the water aquaculture on the other end of the spectrum can be fish farming can be these bigger, more intensive systems. Some of those fish farms, you need to get fish to feed the fish. You have to I mean, I'm sure some add a lot of additives. So, yeah. This word aquaculture really has a big range.Lisa Kiefer: [00:09:06] OK. Are you testing the water daily? What have you discovered in the short time that you've been in this business about the quality of the Pacific Ocean?Catherine O'Hare: [00:09:15] That's a great question.Catherine O'Hare: [00:09:17] We have had to kind of scale back our pilot based on money and time and resources. But the wonderful thing is that Hog Island has been doing partnerships with but Bodega Marine Lab through UC Davis that they get water quality measurements every day. They have these monitors in the water that are constantly giving them feedback. So through that, we've been able to see how the salinity is changing, the PH, the temperature. They're measuring all these things every day.Lisa Kiefer: [00:09:44] And what are you discovering?Catherine O'Hare: [00:09:45] Our pilot ran from April of last year till November. So a pretty small window. And really what we saw were just seasonal variations. So like seasonal temperature changes and PH changes not related to our pilot. I think there is concern just in general about ocean acidification. But our pilot was a little too small scale.Lisa Kiefer: [00:10:05] But you will continue to see any changes. So that's really valuable.Catherine O'Hare: [00:10:10] Yeah. So right now, that pilot wrapped up in the fall. And just because everything is so unknown, we're kind of taking a pause to see what's next. We're still working with Hog Island, but we're kind of in conversation about what phase two will look like. So, yeah, I think if it were easier to get an aquaculture permit in California, that would be the direction we would want ahead. It's a long and expensicve process in California and, you know, rightfully so we have this beautiful protected coastline.Lisa Kiefer: [00:10:48] If you're just tuning in, you're listening to Method to the Madness, a bi weekly public affairs show on K A L X Berkeley celebrating Bay Area innovators today, speaking with Catherine O'Hare of Salt Point Seaweed.Lisa Kiefer: [00:11:09] If you could just walk me through the process of I guess you'd call it farming the seaweed. What would a typical day be like for you three?Catherine O'Hare: [00:11:18] It's about to be harvest time for our wild harvested products. For the seaweed farming pilot, we harvested mostly in September and October because the species that we grew, we grew throughout the summer and then harvested in the fall. A lot of the kelp farms on the East Coast grow throughout the winter and then harvest in the spring. But the type of seaweed that we did for this pilot is a type of red algae. So not the big long kelps, but a type of red algae called grass grassaleria. It's also called ogo. It's like a kind of a red spindly seaweed. We chose it because it's native to Tamales Bay. It's edible. It's pretty easy to propagate because we were doing this very low tech. And so how we did it was we created little bundles of seaweed.Lisa Kiefer: [00:12:09] So do you go out there and cut it? Or how do you do it?Catherine O'Hare: [00:12:11] So we had a permit to wild harvest the initial, you know, seed stock. And then so we harvested we created cut little bundles. And this seaweed is a type that will propagate vegetative. So just by cutting it, it can grow more. So we created little bundles and then out there already, Hog Island had big, long lines that were floating on the surface of the water and anchored to the bottom. You know, there are buoys and each of those buoys were anchored to the bottom. Each of those bundles that we created, we kind of un-twisted the long line to create a little gap in the long line and then shoved the bundle through. And as we let go, the tension of the line would hold the bundle in place. So that's the basic, our basic propagation method. So it was originally wild and then that's how we farmed it onto a line. So then we had a long line out there in Tomales Bay and the bundles of seaweed were kind of growing down from the line. So we were measuring growth rate. So each month we would come back and harvest it and see how much grew. You know, we have this little fishing boat and we just use scissors. We can get really close to the line and just use scissors.Lisa Kiefer: [00:13:19] And so you don't actually get in the water.Catherine O'Hare: [00:13:22] Not for this farming pilot. We stayed on a boat. So we're kind of have this split personality where we're all so wild harvesting seaweed and that we do get in the water, that we go at low tide to these rocky coves up on the northern coast and still just using scissors in our hands. But we're on foot and kind of exploring the intertidal when it's really, really low tide.Lisa Kiefer: [00:13:47] And what kind of seaweed is that called?Catherine O'Hare: [00:13:49] The re were harvesting three species. Two are kelps. One is a lemonaria. We call that California kombu. And then alaria is California wakame. And then we're also harvesting Nori, which are actually many species that look almost identical. So it's hard to kind of say for sure the exact species, but they're on the genus Pyropia. So those are the three wild harvested seaweeds. We don't harvest any of the giant kelps. Yeah, although species can be sustainably harvested. So you're just kind of pruning the species, so you're cutting it to a certain level and then they'll regrow and regenerate.Lisa Kiefer: [00:14:29] And so you bring it back to the shore and then what happens?Catherine O'Hare: [00:14:32] Usually when we're harvesting is far from any road because, you know, we're choosing the most pristine area. So then we hike it up because it's so misty and cold and wet on the coast. We have a drying location that's inland about 45 minutes or an hour so that it's, we can get the hot sunny afternoon and then we dry it in the sun and seaweed roll on a good day, dry by the end of the day. And so that's why the sun is really important.Lisa Kiefer: [00:14:59] So you can have it in a truck ready to go to market in 24 hours?Catherine O'Hare: [00:15:03] Selling dry, the low tides are low for many days in a row. So we like, do you know, day after day. But yeah, after harvesting one early morning. By the next day, we could have product ready to go when you're done with that process.Lisa Kiefer: [00:15:20] When you are done with that project, you have a warehouse here?Catherine O'Hare: [00:15:20] We have a small storage location in Oakland.Lisa Kiefer: [00:15:24] OK, yeah. And is that the place from which it's distributed to end users?Catherine O'Hare: [00:15:29] Yes. Basically, we have so many locations because we're trying to scrape together affordable places, but we have a commercial kitchen that we sublease where we do all the food production so that it's up to California health code.Lisa Kiefer: [00:15:44] And where is that located?Catherine O'Hare: [00:15:45] That's in South Berkeley. It's at the Berkeley Kitchens. It's an amazing group of food businesses. We sublet from Cult crackers who make those really amazing gluten free crackers. So we're using their kitchen on nights and weekends. That's where we make our food products. So from there, we, you know, have another storage location where we can do all the shipping and distribution.Lisa Kiefer: [00:16:07] So do you have to do packaging as well?Catherine O'Hare: [00:16:09] Mm hmm.Lisa Kiefer: [00:16:09] There's a lot of pieces to this.Catherine O'Hare: [00:16:10] There's a lot of pieces to it.Lisa Kiefer: [00:16:12] How would I find your product as an end user here in the East Bay?Catherine O'Hare: [00:16:16] We just got into Berkeley Bowl, which was a exciting development a few weeks ago, we're at two farmers markets, the Fort Mason market in the city in San Francisco and every other week we're at the Kensington Market both on Sundays and then when a few stores.. it's growing. But Berkeley Bowl in the city, you we're in Rainbow Grocery. We're at Far West Fun guy's booth in the Ferry Building. We're at Oak Town Spice Shop in Oakland, preserved in Oakland. The whole list is on our Web site. So you can also buy products on our website, which is SaltPointSeaweed.com.Lisa Kiefer: [00:16:52] You also have recipes on there for using seaweed.Catherine O'Hare: [00:16:55] Yeah, we have recipes.Lisa Kiefer: [00:16:56] You also post your research notes or anything.Catherine O'Hare: [00:16:59] So we're creating this public report from the pilot. We're trying to get it done as soon as possible. And then, yes, that's gonna be on our website. We're kind of gonna distribute that widely because we want the results of this pilot with Hog Island to be distributed and open for people to see. We want it to kind of help tell the story of what seaweed farming could do and how it could, in theory, be a positive benefit to the environment.Lisa Kiefer: [00:17:23] Tell me about using seaweed. I don't think most people know about the nutrients in seaweed.Catherine O'Hare: [00:17:30] Each species has slightly different nutritional profile, but in general, seaweeds are just very nutrient dense. So there's a lot of minerals. Almost all seaweeds have iodine and that's a hard especially for vegans. It's a rare mineral to find in high concentrations. Seaweed has vitamin B, calcium, iron. It's just kind of like the super dense food. Seaweeds also have these mineral salts. So instead of sodium chloride, which is table salt, they have these other mineral salts like potassium, which kind of just give it a unique flavor. And I just read this article about the scientists who discovered you umami in Japan back in the nineteen, early nineteen hundreds. That flavor umami is attributed to the glutamate. I hope I'm getting this right, that seaweed is high in. So seaweeds also aside from the nutrition, give food this really savory umami flavor. Partially because of those minerals.Lisa Kiefer: [00:18:28] So it must be really good in soups.Catherine O'Hare: [00:18:30] It's great in soups. Yeah. So the types that we sell the kombu is this great bass for broth, for stews, for soups. It's high in that umami. It's high and iodine. So it's adding,I throw it at anything I cook just because it's giving it minerals, nutrients. And this kind of savory flavor combo also helps break down the carbohydrates and beans and legumes that sometimes give us digestive problems. So it helps make beans easier to cook and digest. Kombu's an easy one to to throw in a lot of dishes without thinking about it too much. We also sell California wakame, which is a thinner kelp. It's more mild. It's like Kombu is hard to eat. Just raw because it's thick. Wakame is thinner, so it's easier to just cut up and then throw the pieces in like a stir fry.Lisa Kiefer: [00:19:19] Or a salad?Catherine O'Hare: [00:19:20] So yeah, it's great to rehydrate and then make a seaweed salad with. We have some of those recipes on our website. A lot of people come up and take samples at the farmer's market and they're like, oh, that's not, you know, that's not the superintense seaweed flavor I was expecting. I always say that I think the varieties that we harvest here in California are a little bit more mild or maybe it's that they're fresh.Lisa Kiefer: [00:19:40] I was going to ask you that. What would be the taste difference between the Atlantic Ocean, the Pacific and, you know, any other bodies or what have you noticed? Have you done a tasting?Catherine O'Hare: [00:19:48] You know, I this is a maybe a sad confession. I haven't done too much tasting of East Coast Atlantic seaweeds, just haven't spent much time on the East Coast. Chefs tell us that they can taste a difference between Japanese and Korean grown seaweed and the type that we're growing here. The Nori that we harvest here, they tell us that there's a more mineral, kind of like wild rich taste compared to the Nori that's coming from Japan and Korea. Out of the three of us, Avery has the most culinary background. She was a chef and has background in culinary. I'm learning how to put more culinary words to seaweed. But sometimes, you know, that's a, that's a muscle I'm trying to build.Lisa Kiefer: [00:20:31] That's when you just say, I like it.Catherine O'Hare: [00:20:33] Yeah. I love it. I love eating it. Can I describe the differences? I'm working on it.Lisa Kiefer: [00:20:38] Speaking of Japan and that area, do people worry about the fallout from the Fukushima radioactivity in the waters? Is that a concern?Catherine O'Hare: [00:20:48] Yeah, we get a lot of questions about that. That's one of the reasons why we're excited and interested in providing California seaweed, because it's harder to trace the seaweed that's coming from Japan and Korea.Lisa Kiefer: [00:21:00] Don't most seaweeds come from Asia?Catherine O'Hare: [00:21:02] Yeah. Most edible seaweeds are coming from Korea, China and Japan. There's seaweed grown all over the world, but in the US, over 95 percent of the seaweed eaten is coming from overseas and other, other places. UC Berkeley actually was part of this consortium of UCs that after the two thousand eleven Fukushima disaster started testing the kelp beds from the coast of, like off San Diego to Canada. So for years they were testing the kelp beds and looking for radioactive isotopes and they didn't find any being picked up by the kelp beds.Lisa Kiefer: [00:21:40] Great.Catherine O'Hare: [00:21:41] Yeah. So that's good news. And we have you know, we so far can't do our own testing, but we turn to that third party. I'm so grateful that now that they have done that and if anyone's interested, it's called Kelp Watch and you can go to the website and they have all the information there.Lisa Kiefer: [00:21:55] And a lot of people are allergic to oysters. If your seaweed is in a bed of oysters, do they have to worry about that at all?Catherine O'Hare: [00:22:03] Good question. We rinse every all the seaweed in saltwater. So if someone's allergic to shellfish, like on our products right now, we have a disclaimer that because it's a wild product, there might be some small sea crustacean that, you know, we can't ever 100 percent confirm that there's no traces of shellfish, but it's not like they're touching or intermingling. We rinse all of the seaweed in fresh seawater.Lisa Kiefer: [00:22:29] And I wanted to ask you about the challenges that you three have faced in entering this field, whether it's being an all woman business or finding money. You've talked a little bit about that. What are some of the major challenges?Catherine O'Hare: [00:22:44] Gosh, I think there's a couple different categories. One is that we did start this very slowly and organically and didn't take funding. So we all were working other jobs for the last two years. You know, it's kind of a feedback loop, right? We were working other jobs so grew slower, but it grew slower because we're working other jobs. But just finding access to funding that we would feel good about and that we would still have control of our company. That's been one. I think the Bay right now is a really supportive place to be a woman known business. So we've felt a lot of enthusiasm and encouragement from that. But sure, there are always people who don't take you seriously or don't give you the time of day because you don't look like the typical business person. A big challenge with the seaweed farming pilot that we're doing is that the regulatory process to get our own aquaculture permit is just so long and expensive. That was one of the reasons to do the pilot is to take the results of the pilot. How much carbon and nitrogen the seaweeds absorbing and show it to these regulatory agencies. So have a document that you can go to Fish and Wildlife and California Coastal Commission. But that's been a big challenge because if that were easier, I think we'd be in a different place. And we're definitely supportive of the regulatory agencies. They have a big job and a hard job and are doing the good work of protecting our coast and our resources. You know, I think there's a number that there's been no new aquaculture leases granted offshore in 25 years or 30 years. So there's just no precedent. So that's a big challenge that we're trying to we're trying to address by sharing the results of this pilot.Lisa Kiefer: [00:24:27] And are you making any money on your product?Catherine O'Hare: [00:24:29] We are. Right now, we're about breaking even.Lisa Kiefer: [00:24:32] That's pretty good in a short time.Catherine O'Hare: [00:24:34] Yeah, I mean, we have low expenses. We're being very scrappy. And, you know, just being at farmers markets mean we have regular sales and regular income and we sell online. We sell our products online. And then we also sell bulk to food restaurants and food businesses. There's a few restaurants that are ongoing supporters and then some businesses like a kimchi company and a bone broth company. So there's been regular sales. So we've been able to keep ourselves going on the wild harvested products and and really, you know, show that there's demand for seaweed and help build the education and awareness around seaweed.Lisa Kiefer: [00:25:12] Do you have any competitors in this marketplace?Catherine O'Hare: [00:25:14] There are other wild harvested seaweed companys.Lisa Kiefer: [00:25:16] Local?Catherine O'Hare: [00:25:17] Most based in Mendocino County, and they're amazing. Some of them have been doing it since the 80s or the 70s. There's a few other groups, you know, they feel like collaborators who are also trying to do seaweed farming. So there's a duo down in San Diego trying to farm seaweed in the port of San Diego. There's a company called Farmer C in Santa Barbara who's head by Dan Marquez, and we know him really well. So there's other people who are trying to farm seaweed in California, but so far all are at the research stage or the preliminary stage because it's hard to get those permits.Lisa Kiefer: [00:25:53] So you all share information, I would assume so far.Catherine O'Hare: [00:25:56] Yeah, it's been very collaborative. We're all trying to you know, we kind of see it like a rising tide, lifts all boats, like it would benefit us all to have easier access and sharing resources. And then there's a lot of Kelp farms starting on the East Coast. Most farms on the East Coast are farming sugar kelp, especially the state of Maine, has made it really streamlined and much easier to get aquaculture permits and start kelp farms. So it's really exciting to see all the progress happening over there. There's kelp farming that's being started in Alaska, so it's starting... California, I think it's gonna be a little bit slower to take off in California because of the regulatory agencies.Lisa Kiefer: [00:26:33] You're doing a lot of your harvesting in public water. There's boats and you know, the whole idea that there could be motorboats and oil in the water. Yeah, you know, it's complicated.Catherine O'Hare: [00:26:44] It's definitely complicated. And seaweed. You know, a lot of aquaculture happens in mixed areas like that.Lisa Kiefer: [00:26:51] So I don't mind a little bit more regulation as a consumer, if it means a higher quality product.Catherine O'Hare: [00:26:57] Yeah. And seaweeds can absorb you know, they absorb what's in the water. So that's why it's really important that our waters are clean and pristine and as protected as we can have them.Lisa Kiefer: [00:27:07] What have been some of your best accomplishments?Catherine O'Hare: [00:27:10] Someone gave us the advice like keep a list in your journal or on your phone of other little firsts like, oh, first time someone emailed about having an internship. So I think we've done a mediocre job at that. But there's been a lot of little accomplishments that feel great. The Kickstarter last month was a big one. We rais..we set our goal at $25000. And I think we ended up raising $42000. And it was really emotional to see so much support come in. So that felt like a very tangible success.Lisa Kiefer: [00:27:40] Have you gotten any awards or recognition?Catherine O'Hare: [00:27:42] We have bee n featured in Vogue and on the the website Goop. But it's funny, like the little like Berkeleyside just did a feature on us and that I think resulted in more sales and attention. So you never know which ones are going to end. The Kickstarter did also help with that. It's kind of like this concrete little time pressured event that really helped spread the word. So I think like there are publications that we reached out to for the Kickstarter, but it just resulted in more awareness. But yeah, winning some of these small business grants felt like big accomplishments and we had to, like the one at Oberlin was a competition. So we had to pitch and get judged and people emailing to ask if you're hiring. It's like, I have to be one day, that we can you know, there's like lots of things that feel like accomplishments.Lisa Kiefer: [00:28:30] What are some of the things coming up? Maybe if you project out a couple of years? Catherine O'Hare: [00:28:33] So we're definitely still talking with Hog Island about phase two of the pilot. So we're still trying to do research on seaweed farming. We're looking for more grants to fund that, because really what we want to do next is partner with the academic institution and kind of go for a bigger scale project. You know, we're kind of split personality because we're still running the business and creating these food products. Just our time and resources are limited. So we're looking for partners for that. But we hope to be finding ways to sustainably scale, sustainably source our seaweed. We feel like as if we continue to grow our presence and our market demand, that will only help us be in a better position to, you know, to take on some of these issues around seaweed farming.Lisa Kiefer: [00:29:22] What is your website and can people reach you if they have questions?Catherine O'Hare: [00:29:25] Yes. So our website is SaltPointSeaweed.com. You can also follow us on Instagram. That's where we give the most updates. We're @SaltpointSeaweed. Yeah, you can reach us on our website. There's an email form. We have products on there. We have recipes. We send out email newsletters. You can sign up for that on our website, too, or we'd send out little fun articles and pictures of our harvest and stuff like that. Seaweed is this amazing resource that grows without land or freshwater. It can be farmed and harvested sustainably. It can be grown abundantly. And I think as the world changes, we're going to need food sources that are sustainable, that are locally grown and that are nutritious. So for us, seaweed is this wonderful resource for that reason.Lisa Kiefer: [00:30:14] Well, thank you, Katherine, for being on Method to the Madness.Catherine O'Hare: [00:30:17] Thank you so much for having me.Lisa Kiefer: [00:30:22] You've been listening to Method to the Madness, a bi weekly public affairs show on K A L X Berkeley celebrating Bay Area innovators. You can find all of our podcasts on iTunes University. We'll be back again in two weeks. See acast.com/privacy for privacy and opt-out information.
In San Francisco selbst kommt man mit Ridesharing (Lyft, Uber) zwar recht weit und braucht auch dank der vielzähligen Delivery Apps (Postmates, Instacart) kein Auto, um einzukaufen. Die vollkommene Freiheit beginnt allerdings erst im Cabrio oder SUV auf dem Highway 1 nach Tomales Bay oder Santa Cruz :) Wir sprechen über die ersten Schritte durch die amerikanische Bürokratie, wie man eine Sozialversicherungsnummer (Social Security Nummer) bekommt, den Führerschein macht und sich ein Bankkonto und eine Kreditkarte organisiert. Wir freuen uns auf dein Feedback! Links: Social Security Nummer beantragen Zum Antrag benötigt man zwei der vier folgenden Unterlagen: Greencard oder anderes Visum (Arbeitserlaubnis) Geburtsurkunde Steuernummer (falls vorhanden) Department of Homeland Security Dokument (I-551, I-94, I-766) Ein Bankkonto eröffnen und eine Kreditkarte bekommen (Kaliforniakati) Credit Karma Führerschein machen (Kaliforniakati) Termine: Schriftlicher Test Fahrprüfung Lernmaterial: Handbuch Video DMV Online Tests Bob Said Online Tests California DMV App Die richtige Krankenversicherung wählen (Kaliforniakati) Keywords: SSN, Kredithistorie, DMV, Führerschein, Krankenversicherung
Terry Sawyer, co-owner of Hog Island Oyster Company, board foundation member of the Tomales Bay Watershed Council and elected board member to the Marin Resource Conservation District talks about what projects are happening to address the health of Tomales Bay. As a stakeholder and oyster farmer, the health of the bay is of utmost importance, learn about upstream conservation actions and downstream monitoring activity that are helping all stakeholders learn more about this incredible body of water that is stewarded by NOAA/Greater Farallones National Marine Sanctuary, Point Reyes National Seashore, CA State Parks and others.
Albert Straus is the founder and CEO of Straus Family Creamery and an advocate for organic dairy production, environmental stewardship, and family farms. He grew up on his family’s dairy farm on Tomales Bay, near Point Reyes National Park. He took over management of the farm in the 1970s, and when he founded the creamery in 1994, it was the first 100% certified organic creamery. His business has provided a model for many organic, farm-to-bottle dairy businesses around the world. Albert continues to be a leader in sustainability, with projects that include independent verification that his feed is GMO-free, a methane digester and a water reuse system. His carbon farming program is a model for the Marin Carbon Project and the California Healthy Soils Initiative. At the invitation of Vandana Shiva, he is consulting with farmers in India on organic milk production. In this episode, Albert talks with Devon about building a sustainable, organic food system and revitalizing rural communities. See acast.com/privacy for privacy and opt-out information.
Evolve! Nurturing the New in Consciousness, the Arts, and Culture hosted by : Robin White Turtle Lysne, M.A., M.F.A., Ph.D. Evolve! brings you people and ideas on the cutting edge of change opening the shells of the past to move our culture into the now. We are all in great need of sustainable ideas for change. The arts and evolving consciousness are how we are bringing that change to the culture at large. This show will bring you the wise, the foolish and the heart-based to help us meet the challenges of the times we are in. This month’s show features artist Christine DeCamp. A resident of Tomales Bay for 25 years, Christine DeCamp has always been near the wild. She grew up in Allegheny National Forest in NW Pennsylvania. Since she was a child she has painted and worked in other mediums as well. She attended school in the east and moved to San Francisco in the 1980’s and then to Pt. Reyes and Inverness in the Tomales Bay region near the Pt. Reyes National Seashore. Her paintings are usually acrylic on canvas and often mixed media with gouache and watercolor on paper with gold leaf. The images in her paintings and drawings reflect her love of myth, story and shamanism. Recently she published a divination card deck when she launched her Wild Spirit Wisdom Oracle Deck in 2014. The images are of her paintings while the story on each card gives a little bit of her wisdom and inspiration from the image. In our conversation we delve into the meaning of myth, animal nature, and shamanism.
This episode is an excerpt of a live, free-flowing panel discussion at the recent Writing by Writers Conference in Tomales Bay, California between poet, novelist, and National Book Award finalist Dorothy Allison, memoirist, journalist, fiction writer, and teacher Steve Almond, and award winning writer, teacher, and Writing by Writers co-founder Pam Houston. Links: Dorothy Allison - http://www.dorothyallison.net/ Steve Almond - http://stevealmondjoy.com Pam Houston - http://pamhouston.net Faculty Intros by UC Davis, Masters in Creative Writing students - http://english.ucdavis.edu/graduate/masters-creative-writing Season One Partner, Writing By Writers - http://writingxwriters.org Produced & Hosted By: Ben Hess - http://ben-hess.com
Tyler and his corporate Chef Erik Harrelson, take a motorcycle trip up the coast to Tomales Bay where they talk …Continue reading →
Scenic Marin County in California is home to two thriving industries that were once in conflict – oyster farming and dairy farming. In order to grow healthy and marketable oysters, the farmers depended on clean water in Tomales Bay. But regulations meant to protect the bay from cattle runoff were so strict that dairy farmers feared they could no longer stay in business. Now, with help from scientists at UC Cooperative Extension, these two communities have found creative solutions that allow both kinds of farmers to share this beautiful and fertile region. Series: "UCTV Prime cuts" [Agriculture] [Show ID: 23978]
Scenic Marin County in California is home to two thriving industries that were once in conflict – oyster farming and dairy farming. In order to grow healthy and marketable oysters, the farmers depended on clean water in Tomales Bay. But regulations meant to protect the bay from cattle runoff were so strict that dairy farmers feared they could no longer stay in business. Now, with help from scientists at UC Cooperative Extension, these two communities have found creative solutions that allow both kinds of farmers to share this beautiful and fertile region. Series: "UCTV Prime cuts" [Agriculture] [Show ID: 23978]
Kate Munger and the Threshold Choir Making Kindness Audible through the Gift of Song Threshold Choir is a network of a cappella choirs of primarily women’s voices: a community whose mission is to sing for and with those at the thresholds of living and dying. Founded in 2000 by Inverness resident Kate Munger, beauty and strength now bloom in the more than 100 choirs worldwide who provide singers at no cost when invited to the the bedsides of folks who are struggling. During this event, Kate talks with Commonweal Executive Director Susan Braun about Threshold Choir—the practice, the history, and the future. There will be opportunities for the audience to join with choir members to become a spontaneous Threshold Choir: coming together to sing a few of the many songs in their repertoire. Kate Munger Kate has devoted herself for over 35 years to creating non-hierarchical, collaborative models for spirited and contemplative group singing, joyful community building, creative problem solving, and deep fellowship through rounds and parts singing. In 2000 she founded the first of now more than 100 Threshold Choirs worldwide. This singing ministry has re-imagined what true service can look like: healing the giver as it offers comfort, presence and ease for the receiver. Kate lives, swims, works, and sings along the shores of Tomales Bay in CA where she lives with her husband, son, and daughter-in-law and her precious grandsons Dillon and Rory. Find out more about The New School at tns.commonweal.org.
I find Northern California to be steeped in fascinating broadcast history. There's the Marconi transmission and receiving centre in Tomales Bay. Check out this link. Then you there is the mission control centre for the This Week in Tech network in Petaluma, with Chief twit Leo Laporte. The photo shows the cottage which I visited in February 2010 and posted this video. But so much for the present... In 1998 Diana Janssen and I visited San Franscisco where we met Brian Cooley who was heading up CNET radio at the time. 11 years later, Brian is still with CNET but doing video. The radio bulletins are over. This show marked Media Network's 17th anniversary since it hit the airwaves in 1981 and to celebrate we decided to visit a radio station that hadn't got a transmitter but it has got a beautiful view of the San Francisco bay area. There are not many studio windows that look out on the famous island of Alcatraz. This programme formed part of a trip to examine what was happening in Silicon Valley.
A drive around Tomales Bay takes us to a duck and oyster farms
A drive around Tomales Bay takes us to a duck and oyster farms
HOW TO FIGHT CLIMATE CHANGE WITHOUT SOAKING THE MIDDLE CLASS Peter Barnes, Tomales Bay Institute, Co-Founder of Working Assets