Podcasts about Virginia Woolf

« La littérature ressemble à un labyrinthe rempli des bruits que font les histoires qui n'ont pas été racontées », clame Nathacha Appanah dont le premier roman, « Les rochers de Poudre d'Or », sort l'année de ses 30 ans (Gallimard, 2003). Un premier tour de piste qui résonne comme un tour de force, pour évoquer les malheurs méconnus de centaines de milliers d'Indiens et d'Indiennes venu(e)s chercher fortune dans les Antilles ou sur l'île Maurice, et n'y récoltant qu'un travail forcé dans les champs des colons. L'ouvrage reçoit le prix RFO et se vendra, au fil des années, à vingt mille exemplaires.Prolifique et, dit-elle, « sentimentale », celle dont les ouvrages dépassent rarement deux cents pages veut « prendre des risques de livre en livre », dans le fond comme dans la forme. Ce deuxième épisode aborde la tragédie passionnelle de « Blue Bay Palace » (2004), l'amitié initiatique du « Dernier frère » (2007, L'Olivier) ou le brutal récit choral de « Tropique de la violence », sur l'extrême précarité des mineurs isolés de Mayotte, 101e département français où l'autrice vécut deux ans. Vendu à 130 000 exemplaires, adapté au cinéma, au théâtre et en bande dessinée, ce roman reste la référence littéraire pour comprendre ce territoire malmené de notre République. « J'ai toujours peur que les mots m'échappent », dit pourtant celle dont le patronyme contient trois h, comme autant de haches aptes à trancher les clichés.L'autrice du mois : Nathacha AppanahNée en 1973 à Mahébourg (île Maurice), Nathacha Appanah est une romancière, journaliste et traductrice dont l'œuvre reflète depuis 2003 « la vie des non-puissants, des outsiders, la vie qui passe parfois comme un ruban gris, sans aspérités, sans saveur ». Traduite en dix-sept langues, récompensée par vingt-trois prix littéraires dont treize pour « Tropique de la violence » (Gallimard, 2016), cette grande admiratrice de Virginia Woolf et d'Annie Ernaux a confié, à propos de son art de l'incarnation : « J'aspire à déployer une trame aussi délicate et complexe qu'une toile d'araignée, où je serais un vieux, un ado en taule, une mère célibataire, une meurtrière ou une taiseuse et que ce soit tellement bien écrit que l'on m'oublie, moi. » Elle vit à Paris et publiera fin août « La nuit au cœur », un roman sur trois femmes « qui courent, qui luttent », victimes de la violence de leur compagnon. Enregistrement avril 2025 Entretien, découpage Richard Gaitet Prise de son, montage Mathilde Guermonprez Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Voix, percussions Charles-Baptiste Illustration Sylvain Cabot Remerciements Céline Develay-Mazurelle, Vanadis Feuille, Mina Souchon

À ses débuts, Nathacha Appanah croyait que « l'écriture est une île ». Elle prendra vite conscience des « bourrasques extérieures » d'une existence dédiée à « travailler sur la langue, sans étouffer sa géopolitique ». Pour elle, « l'inspiration, c'est comme l'amour, ça se nourrit, ça s'assèche, ça prend des tournures auxquelles on ne s'attendait pas. » Or, après quatre premiers romans publiés entre 2003 à 2007, l'autrice d'« En attendant demain » traverse huit ans de doutes, sans ajouter une ligne à sa bibliographie. Nathacha, hôtesse de son art, s'est formée seule, en interrogeant parfois consœurs et confrères, pour comprendre comment « construire un texte qui serait visible de loin : de la complexité à l'envers, de la simplicité à l'endroit ».Sa simplicité subtile s'exprime pleinement dans « Rien ne t'appartient » (Gallimard, 2021), plongée dans l'enfer moral d'une pension pour « filles gâchées », qu'elle mit seize ans à écrire, après des frissons dans la jungle d'un reportage au Sri Lanka. Focalisées sur la trajectoire d'une jeune femme à qui la société veut interdire de danser, de rire ou d'aimer à gorge déployée, ces 173 pages, écoulées à 30 000 exemplaires, ont de quoi faire pousser des frangipaniers dans l'œil des autorités religieuses de toute obédience. Avec cette certitude : les mots « ont le pouvoir du pied de biche ou du marteau : celui d'ouvrir les narrations closes ». Dans ce troisième et dernier épisode, Nathacha Appanah lève aussi une part du voile sur ce mystérieux conclave de Saint-Germain-des-Prés : le comité de lecture de Gallimard.L'autrice du mois : Nathacha AppanahNée en 1973 à Mahébourg (île Maurice), Nathacha Appanah est une romancière, journaliste et traductrice dont l'œuvre reflète depuis 2003 « la vie des non-puissants, des outsiders, la vie qui passe parfois comme un ruban gris, sans aspérités, sans saveur ». Traduite en dix-sept langues, récompensée par vingt-trois prix littéraires dont treize pour « Tropique de la violence » (Gallimard, 2016), cette grande admiratrice de Virginia Woolf et d'Annie Ernaux a confié, à propos de son art de l'incarnation : « J'aspire à déployer une trame aussi délicate et complexe qu'une toile d'araignée, où je serais un vieux, un ado en taule, une mère célibataire, une meurtrière ou une taiseuse et que ce soit tellement bien écrit que l'on m'oublie, moi. » Elle vit à Paris et publiera fin août « La nuit au cœur », un roman sur trois femmes « qui courent, qui luttent », victimes de la violence de leur compagnon. Enregistrement avril 2025 Entretien, découpage Richard Gaitet Prise de son, montage Mathilde Guermonprez Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Voix, percussions Charles-Baptiste Illustration Sylvain Cabot Remerciements Céline Develay-Mazurelle, Vanadis Feuille, Mina Souchon

Novena temporada de Librero SonoroEpisodio 17Conducción: Ingrid Hernández y Roberto Domínguez Este episodio conmemora el centenario de La señora Dalloway, la novela emblemática de Virginia Woolf que revolucionó la narrativa del siglo XX. Publicada en 1925, esta obra sigue a Clarissa Dalloway mientras prepara una fiesta, pero también traza, con delicadeza y profundidad, las tensiones internas, los recuerdos, los silencios y las heridas invisibles que cruzan la vida de sus personajes en un solo día. Esta novela es recordada y discutida por su innovador uso del monólogo interior, su crítica sutil a la sociedad británica de entreguerras y la manera en que Woolf entrelaza lo íntimo y lo político, lo cotidiano y lo trascendente. Cien años después, La señora Dalloway no solo sigue vigente sino que sigue desafiándonos a escuchar lo que el tiempo, la ciudad y la conciencia susurran.Pistas utilizadas:1- Biblioteca compuesta por Ana Leyva Luna y Amaury Pérez Vega.2- "Juan Sánchez - Blue Nights" está bajo una licencia Creative Commons (CC BY-NC-SA 3.0) Música promocionada por Breaking Copyright: https://bit.ly/bkc-blue-nights

No episódio de hoje, Afonso Borges te conta um pouco sobre a nova edição da obra "Profissões para mulheres", da premiada escritora Virginia Woolf. Ouça!See omnystudio.com/listener for privacy information.

People. This is when things get fun. Kimberly breaks down a bunch of aspects of the work: figurative language, the unique structure, patriarchy v. matriarchy, the very nature of creativity and the essence of what it is to be human (!!).  Want to get more out of this insanely great book? Treat yourself now. 

On episode 289 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast. Fasten your seatbelts, it's going to be a bumpy night. While everyone is settling into the summer blockbuster season and recovering from the Cannes Film Festival from the month of May, the AW team turn to the month of June by going back to a favorite exercise from last year, an extensive tier ranking of an Oscar category. After doing Best Director last year, the team moves the most popular category the Oscars has for the team; Best Actress and its 98 winners. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. Only 49 of the winners are discussed on this episode, including Vivien Leigh in Gone with the Wind, Liza Minnelli in Cabaret, Jessica Chastain in The Eyes of Tammy Faye, Judy Holliday in Born Yesterday, Elizabeth Taylor in Who's Afraid of Virginia Woolf?, Marion Cotillard in La Vie en Rose, Loretta Young in The Farmer's Daughter and Sally Field in Norma Rae, with the rest covered next week. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. It adds a fun wrinkle for the team to try and figure out when they get to their final rankings. It may only be part one, but it's a great episode and we hope you all enjoy it and listen next week to part two. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 3h58m. We will be back in next week for part 2 of our Best Actress tier ranking episode. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

A Haunted House by Virginia Woolf was inspired by the home into which she moved in 1911 called Asham House. It was a retreat and intended to alleviate her stresses and mental health issues. She was plagued with mental health issues in her older years. Some speculate that they may stem from having been sexually abused when younger by her half-brother Gerald Duckworth, an event she revealed in an essay in 1939.These are the pains of Virginia Woolf, yet there was also a lot of love. She loved her husband even though their marriage was unconventional. She loved many friends and a few of them intimately. She was an artist, a trend-setter and a creator of movement and style. She was an activist and an inspiration.She could have lived longer but she chose not to. She will forever be remembered.This very short story reveals a little of how she saw the world around her and is a gentle way to slip into that world of Virginia Woolf.TwoandaMic#BeCurious #RiseUpI welcome opinions of every kind so please come and find me on social media at:Instagram: TwoandaMicTwitter: TwoandaMic1Should I really have to ask?

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the original submission.A path to healingRuth Sloven is a St. Paul-based artist. She recommends the group exhibition “WITNESS עֵד,” a group art show by Jewish artists for Palestinian liberation, at Modus Locus in Minneapolis.Ruth says: This exhibit includes ceramics, sculpture, community, quilting, painting and video. Many of the works are traditional Jewish subjects, which have been repurposed in non-traditional ways. What I'm excited about is that it's a doorway into experiencing and expressing the grief about the destructive war in Israel and Gaza, and hopefully can be part of a path to healing.— Ruth SlovenStop, collaborate and listenJoseph “JoJo” Howsley is a music enthusiast based in Fargo. He recommends a showcase by Human Artistic Collaborations on Saturday, May 31, starting at 6 p.m. at Brühaven in Minneapolis.Joseph says: I met Kyle Krause last weekend. He is the head of Human Artistic Collaborations, whose aim is primarily to champion human-led art in a space that's constantly being inundated by artificial intelligence.They're doing an event with one of my favorite producers in the scene. His name is Deerskin, and they have over, I believe he said, 12 artists who will be showcasing and selling their art.— JoJo Joseph HousleyEpp squaredKari Olk is a Brooklyn-based teaching artist who grew up in Minneapolis. She recommends “Orlando: A Rhapsody,” playing at the Southern Theater in Minneapolis through June 8.Carrie says: “ORLANDO: A Rhapsody” by Vinora Epp and Steven Epp is a thoughtful reflection about art, gender, storytelling. It's both based on Virginia Woolf — a few of her writings: “The Waves,” “A Room of One's Own” and, of course, “Orlando” — and it's also combined with writing from Vinora and Steve. To see them working together is really special. And so it's really exciting to see her directorial debut, and it's really exciting that she's doing this work with her dad, Steve. The story of “Orlando” is a story about a person who, over 300 years, goes back and forth between being a young woman and a young man, and they both perform as Orlando, and they both perform as versions of themselves.— Carrie OlkCorrection (May 29, 2025): An earlier version of this story misspelled Kyle Krause. The story has been updated.

Virginia Woolf (1882-1941) är en av den litterära modernismens portalfigurer. Med sina djärva berättargrepp och nyskapande perspektivskiften bidrog Woolfs böcker starkt till skapandet av den moderna romanen. Men som för många kvinnliga författare i historien har biografin ibland ställts i vägen för författarskapet. Om Woolf berättas lika ofta om hennes psykiska ohälsa och slutliga självmord som om hennes banbrytande litteratur, trots att Woolf själv insisterade på litteraturens frihet. Hur blev det så? Bildningspodden diskuterar mytbildningen kring Virginia Woolf och närläser hennes viktigaste böcker. Gäst i studion är litteraturvetaren Maria Trejling. Samtalsledare: Hedvig Ljungar Klippning: Lars in de Betou. Producent: Magnus Bremmer

With her bewitching and beautiful novel NEVERMORE (Seagull Books, translated from French by Tess Lewis, who joins our conversation), Cécile Wajsbrot takes us on a tour of Chenobyl's Forbidden Zone, the High Line in NYC, Dresden, Paris, under the shadow of the Time Passes section of Virginia Woolf's To The Lighthouse. We talk about the challenges of writing a first-person novel about translation, the strange ways Woolf has followed Cecile throughout her careers as author & translator, and how it felt to see her novel about translating Virginia Woolf into French get translated into English. We get into her literary career, how Time Passes became a stand-in for her fascination with destruction, why she's translated Woolf's The Waves three times over thirty years (and whether the first one got her into the bad graces of the editor of Le Monde de Livres), what it was like to subvert the translator's typical role of invisibility with this novel, and the language she wishes she had. We also discuss mourning and the ways we try to keep conversation alive with those we've lost, the time I impressed the Princess of Yugoslavia by transliterating the Cyrillic on her family's jewels, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Esta tarde hay música y dibujo al mismo tiempo en el programa. Nos visita el músico Kevin Johansen para interpretar algunas de sus canciones más conocidas mientras el historietista, ilustrador, pintor y editor argentino, Liniers, improvisa con sus pinceles y recrea esas canciones en dibujos en tiempo real. Este proyecto, que aúna música e ilustración, lleva en marcha más de quince años y recientemente ha tomado forma en el disco 'Desde que te Madrid', grabado en vivo en el Teatro Albéniz.Con Víctor Mora, en nuestra sección Género fluido, abordamos 'Orlando', la novela de Virginia Woolf, a través de varias obras que se han inspirado en ella. Primero, el documental del filósofo Paul B. Preciado, titulado también Orlando, estrenado en 2023. Y después, la adaptación cinematográfica dirigida por Sally Potter en 1993. Entre ambas películas hay 30 años de diferencia, pero la historia escrita hace casi un siglo por Woolf mantiene su vigencia y frescura.El compositor francés David Letellier, conocido como Kangding Ray, ha recibido el premio Cannes Soundtrack a la mejor banda sonora por su trabajo en Sirat, película del cineasta español Oliver Laxe. El filme también ha sido galardonado con el Premio del Jurado del Festival de Cannes 2025, compartido ex aequo con Sound of Falling, de Mascha Schilinski. Hoy, en el pueblo natal del director gallego, se ha proyectado la película y él mismo ha hablado con la prensa.Cerramos el programa con un viaje al Renacimiento veneciano. Paolo Veronese, figura clave del siglo XVI junto a Tiziano y Tintoretto, es el protagonista de una gran exposición antológica en el Museo del Prado. La muestra, que se inaugura hoy, es la principal apuesta primaveral del museo y ofrece un recorrido completo por la obra de este maestro del color, la elegancia y las composiciones monumentales. Nos lo cuenta Ángela Núñez.Escuchar audio

Sube a bordo de El Cocodrilo con Sergio Almazán, donde te espera un paseo por el chisme. La pasajera invitada de esta emisión es Magali T. Ortega, creadora de la famosa cuenta Chismecito literario en TikTok. Escucha esta charla que explora el universo de las escritoras, desde la más taquilleras como Virginia Woolf o Rosario Castellanos hasta aquellas no tan conocidas, pero no menos importantes, como Marvel Moreno o María Luisa Bombal. Magali nos presenta el segundo volumen de Chismecito Literario, libros que sus seguidores han llevado al éxito. Con ese estilo único que caracteriza a Magali, no sólo nos da cotilleo literario, también nos ofrece grandes recomendaciones para nuestras próximas lecturas. Únete a la comunidad de El Cocodrilo con Sergio Almazán en su sitio web y redes sociales: www.sergioalmazan.com X: @salmazan71 https://x.com/salmazan71 IG: @ElcocodriloMVS https://www.instagram.com/elcocodrilomvs/ Facebook: El Cocodrilo MVS https://www.facebook.com/ElCocodriloMVSSee omnystudio.com/listener for privacy information.

Comenzamos A vivir Madrid desde el escenario del Teatro María Guerrero, sede del Centro Dramático Nacional, para descubrir una de las propuestas más arriesgadas y sensoriales de la temporada: Orlando, una versión contemporánea de la novela de Virginia Woolf, adaptada por Marta Pazos y Gabriel Calderón, que celebra la fluidez, desafía etiquetas y cuestiona las normas de identidad, género y tiempo.

On the May 20 edition of Georgia Today: Macon police are investigating two recent shootings which claimed the lives of four people;tThe Savannah Pride Center trains city police on how to identify and respond to LGBTQ hate crimes; and in an Atlanta author's new memoir, she compares her story with that of legendary English novelist Virginia Woolf.

La productrice à France Inter, journaliste et essayiste Giulia Foïs est notre invitée pour son livre "Pas tous les hommes quand même ! #notallmen. Une mise au point salutaire" (Éditions La Meute). Le 23 mai 2014, le Californien Elliot Rodger tue six personnes – des femmes, pour la plupart. Dès les tout premiers jours de l'enquête, la police met au jour des contenus violemment misogynes relayés par le jeune homme. Sur la toile, un premier hashtag apparaît, « #YesAllWomen », par lequel les femmes dénoncent les insultes et agressions dont elles sont continuellement victimes. Très vite, en réaction, fleurit un deuxième hashtag, « #NotAllMen », diffusé par des hommes qui, cette fois, protestent d'une seule voix contre ce qu'ils perçoivent comme d'odieux amalgames : tous les hommes ne cognent pas, tous les hommes ne violent pas, tous les hommes ne harcèlent pas. Certes – pour ne pas dire « encore heureux ». On était trois avant #MeToo. Or, sept ans plus tard, on en est encore là : #NotAllMen, #NotAllMen, #NotAllMen. À chaque viol annoncé dans les journaux, #NotAllMen. À chaque agression, #NotAllMen. À chaque féminicide, #NotAllMen. N'empêche : #AlwaysAMan. Ce dernier hashtag, lui, accompagne souvent une flopée de chiffres qui vont tous dans le même sens : l'écrasante majorité des violences (routières, conjugales, intrafamiliales) sont commises par des hommes. 80 à 99 %, suivant les cas. On pourrait essayer de comprendre pourquoi. On pourrait essayer de voir comment en sortir. On pourrait, toutes et tous, ensemble, avancer. Mais #NotAllMen… Défiant toute logique, épais comme le déni de masse, ce hashtag est une ultime preuve de ce que Virginia Woolf, déjà, soulignait : l'histoire de l'émancipation des femmes est au moins aussi intéressante à étudier que la résistance à l'émancipation des femmes. Si, au moment où l'une d'elle vous dit « J'ai été violée », vous lui répondez « Not all men », c'est que vous n'entendez pas, c'est que vous n'écoutez pas. Vous la niez, une deuxième fois, et, à travers elle, vous ignorez, volontairement, ou pas, les violences faites à toutes les femmes. Formule réflexe qui ne passe même pas par le cortex tant elle fuse. Elle dit la peur, elle dit la paresse intellectuelle, elle dit aussi, plus profondément encore, une sourde culpabilité qui, à son tour, empêche le dialogue. À moins de le décortiquer, ce #NotAllMen. En comprendre les tenants et les aboutissants, les pourquoi et les comment. À moins de le dégommer, ce #NotAllMen. En déjouer les effets pervers, en défaire les nœuds qui étouffent la pensée, qui obstruent le cerveau. À moins de le désosser, à moins de le dépecer, à moins de le hacher menu. Le hashtag, pas (tous) les hommes. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cartas a Ricardo, publicado originalmente en 1994 y recientemente por UNAM en la colección Vindictas, es un compendio de las cartas que Rosario Castellano le escribe a Ricardo Guerra Tejada. Son cinco cartas y el telegrama aquí publicados entre 1951 y 1952 que nos asoman a la vida de esta importante escritora mexicana a la altura de Virginia Woolf y más. Son también una ventana para saber más sobre la escena literaria y cultural de la mitad del siglo XX. Celebramos 100 años de su nacimiento, regresando a ella y su obra. La lectura es bilingüe entre una de las especialistas en su obra Nancy Jean Ross y la fundadora de Hablemos escritoras, Adriana Pacheco. Los invitamos a escuchar y leer en www.hablemosescritoras.org

Rosemary Cline, Andrew Botsford, George Loizides and Cameron Eastland join Heart of The East End Gianna Volpe on WLIW-FM to talk 40 years of HTC and the local troupe's first time bringing “Who's Afraid of Virginia Woolf” to storied theater space on Quogue's Jessup Lane.Listen to the playlist on Apple Music

Kat StewartActor Kat Stewart has built a reputation as one of Australia's most outstanding actors. Renowned for her exceptional performances across a diverse range of unforgettable characters on both stage and screen, Kat has played leading roles on productions including Five Bedrooms Offspring and Underbelly One Night, Black Snow (series 2), Mr and Mrs Murder, Tangle (Series 1-3), Newstopia (Series 1-3), Supernova (Series 1-2)and the original Underbelly. Her many guest credits include Get Krack'n, Orange is the New Brown, No Activity, True Story with Hamish and Andy and Jack Irish. Film credits include Little Monsters, West of Sunshine, Sucker and My Melbourne. Her work on stage includes Melbourne Theatre Company's Admissions, Heisenberg, Disgraced, The Speechmaker, Frost Nixon and Festen. She was an active member at Red Stitch Actors Theatre for ten years with credits including Creditors, The Little Dog Laughed, The Shape of Things, Bug, Dirty Butterfly and Loyal Women.  Kat's historic return to the company in 2023 to play Martha in the highly acclaimed sell-out season of Who's Afraid of Virginia Woolf? led to a further successful commercial season at Melbourne's Comedy Theatre in 2024 and an upcoming remount for the Sydney Theatre Company for their 2025 season at the Roslyn Packer Theatre. Among many nominations, Kat received an AACTA Award for Offspring and both an AFI and Logie for Most Outstanding Actress in Underbelly.She is a proud Ambassador for The Magical Getaway Foundation (MGF) and Australian Literacy and Numeracy Foundation (ALNF).Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

Cem anos depois da publicação de “Mrs Dalloway”, o mais conhecido romance de Virginia Woolf (1882-1941), a escritora inglesa ganha novas edições da sua ficção e novos olhares sobre seus ensaios. Neste episódio, dois tradutores de Woolf, a escritora Sofia Nestrovski, que traduziu “Um Quarto Só Para Mim”, e o poeta Leonardo Fróes, que verteu “Ensaios Seletos”, ambos pela Editora 34, falam de como foi traduzir a prosa revolucionária da autora britânica e da atualidade dos escritos de Virginia. O episódio foi realizado com apoio da Lei Rouanet – Incentivo a Projetos Culturais. Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451  

Novelist Elif Shafak, artist and writer Edmund de Waal and Professor Rachel Bowlby join Samira to discuss the centenary of Virginia Woolf's Mrs Dalloway. As the Semi Finals of Eurovision start tonight in Basel, Switzerland, Paddy O'Connell talks about this year's contest. Four hundred leading British Artists such as Paul McCartney and Kate Bush have been giving their support to a campaign to try and stop tech films being able to use their work for AI training. Film director and peer Baroness Beeban Kidron talks about leading a successful amendment to this Data bill in the House of Lords. Morcheeba's Skye Edwards and Ross Godfrey are celebrating 30 years in the music business with new album Escape the Chaos. Formed in 1995 the band, who have been called trip hop pioneers, have had 3 top ten albums and gained global success. They perform, for the first time, an acoustic version of Call For Love from their forthcoming album. Presenter: Samira Ahmed Producer: Claire Bartleet

Daily QuoteTo write a work of genius is almost always a feat of prodigious difficulty. (Virginia Woolf)Poem of the DayA Kumquat for John KeatsBy Tony HarrisonBeauty of Words冬牧场李娟

for the full episode join the Patreon [patreon.com/fashiongrunge]What a WILD ride. This was Charles' pick for the 'Back Track' series this month. It had been a while since we explored the classics and this certainly is nothing short of a perfect film. There are so many moments that will remain in my head forever and I've never seen acting like this in my life.This being my first Liz Taylor and Richard Burton film, I was beyond transfixed. With just a four person cast, there are so many ebbs and flows and the story structure and verbage throughout was was just insane in the best way,Off-Topic rants include: other casting possibilities, Kirsten Dunst, the Simpsons, and dramatic readings throughout---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie  & Charles @charleshaslamFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

En butte, comme beaucoup de femmes de la société victorienne, à la domination masculine, Virginia Woolf a contracté dans son enfance une soif d'indépendance. Son essai Une pièce à soi est considéré comme un jalon important de l'histoire du féminisme. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode of our Mike Nichols Marathon we are moving onto the 1973 The Day of the Dolphin. Over the course of our conversation we will attempt to understand how a movie about George C. Scott talking to dolphins fits in the catalogue of someone who brought Hollywood into the new age with Who's Afraid of Virginia Woolf? and The Graduate, whether this movie had a chance of succeeding in the first place and if it should be taken seriously at all. We also talk about the magic of emoting in a scene where a dolphin's voice is produced by Buck Henry, the ultimate failure of political plotting in an otherwise family movie and much more!Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Why did Charles Darwin, Virginia Woolf, and Henri Poincaré all follow the same four-hour rule? In this episode, bestselling author Oliver Burkeman returns to explain why three to four hours of focused work might be the secret to productivity and peace. Access the bonus episode: https://nudge.kit.com/d4e55ac69d You'll learn: The 3–4 hour rule: why it worked for Darwin, Trollope, and Dickens and still works today. How to tackle overwhelming tasks with a simple mental trick called “just go to the shed.” Why keeping a “done list” might be more motivating than a to-do list (feat. Marie Curie). How inboxes, perfectionism, and productivity guilt trap us in modern-day Sisyphus cycles. The two-part system Oliver uses to stay focused, without feeling overwhelmed by the chaos of life. ---  Access the bonus episode: https://nudge.kit.com/d4e55ac69d Sign up to my newsletter: https://www.nudgepodcast.com/mailing-list Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew-22213187/ Watch Nudge on YouTube: https://www.youtube.com/@nudgepodcast/ Oliver's book Four Thousand Weeks: https://www.oliverburkeman.com/fourthousandweeks Oliver's book Meditation for Mortals: https://www.oliverburkeman.com/meditationsformortals ---  Sources:  Burkeman, O. (2021). Four Thousand Weeks: Time Management for Mortals. Farrar, Straus and Giroux. Burkeman, O. (2024). Meditations for Mortals: Four Weeks to Embrace Your Limitations and Make Time for What Counts. Farrar, Straus and Giroux.

Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. Pour les deux, aimer c'est tout se dire. Dans leur échanges, elles se racontent sans artifices, échangent leur doutes les plus profonds. Une correspondance de 18 ans, sans doute la relation la plus importante de leur vie. Une histoire de livres, de lettres et de sentiments, une histoire d'amour. Learn more about your ad choices. Visit megaphone.fm/adchoices

En su pequeño ensayo «¿Cómo debería leerse un libro?», Virginia Woolf trata de dar una respuesta a esa complicada cuestión.La autora, sabiamente, comienza indicando que esa pregunta tiene tantas respuestas como lectores y que, en principio, cada lector debería seguir su propio instinto, utilizar su sentido común y llegar a sus propias conclusiones.Mejorar la calidad de la propia obra es algo que interesa a todo escritor, luego parece apropiado reflexionar acerca de cómo se debe abordar la lectura de un texto literario; y, como autor, cómo debes leer tus propios textos para que esa lectura te permita mejorar su calidad.A todo ello le vamos a dedicar este episodio.-----Si te ha gustado este contenido, recuerda puntuarnos con 5 estrellas, comentar y compartir el episodio; así nos ayudarás a llegar a más escritores y conseguir crear una gran comunidad.-----✉️ Todas las semanas publicamos nuevos artículos en exclusiva solo para nuestros suscriptores. Si quieres recibirlos gratis en tu correo suscríbete aquí: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.sinjania.com/suscripcion-newsletter/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On today’s episode, Matt Tamanini is in conversation with Cate Damon, who is currently playing Martha in “Who’s Afraid of Virginia Woolf?” at the Maltz Jupiter Theatre in Jupiter, Florida. In their conversation, the pair talks about just how many drinks Martha consumes during the course of the show, how read more The post Special Episode: Cate Damon on the love story in ‘Who’s Afraid of Virginia Woolf?’ appeared first on BroadwayRadio.

Choreographer Sir Wayne McGregor is one of the most acclaimed, innovative and influential figures in contemporary dance. His works are often the result of creative collaborations with artists, musicians, filmmakers, or with scientists to explore technological issues. In 2006 he was appointed as Resident Choreographer at the Royal Ballet. He has created more than 20 new works at Covent Garden in that time, including Chroma, set to music by Joby Talbot and The White Stripes, and Woolf Works, a full-length ballet based on the life and writings of Virginia Woolf. More recently, McGregor brought the post-apocalyptic vision of Margaret Atwood to the stage in his ballet MaddAddam, based on the writer's acclaimed trilogy of novels. He has worked as a movement director on films including Harry Potter Goblet Of Fire and Mary Queen Of Scots, collaborated with bands including Radiohead and Chemical Brothers, and choreographed the virtual concert, ABBA Voyage. In October 2025, Somerset House in London will mount a landmark exhibition dedicated to McGregor's trailblazing collaborations that have radically defined how we think about performance, movement, and the body. Having won numerous awards, including two Oliviers, Sir Wayne McGregor was knighted in 2024.Wayne McGregor talks to John Wilson about his childhood in Stockport, where he took dance classes and was inspired by John Travolta's moves in Saturday Night Fever. He recalls the house and techno music of the late 80s when he was a student, and how the freedom of expression he felt on nightclub dance-floors informed his style of choreography. Whilst living in New York after leaving university, Wayne came across an open-air performance by the legendary American choreographer Merce Cunningham, whose company was dancing to live music conducted by the avant-garde composer John Cage. It was a chance encounter that had a profound impact on McGregor. He also discusses how science and technology has been a major thematic influence on much of his work in recent years, and how AI has been used to create new works through analysis of physical movement and artistic expression.Producer Edwina Pitman

The Drunk Guys go to the alehouse this week when they read To The Lighthouse by Virginia Woolf. They Woolf down: 18-Watt by Singlecut, Summer Sue by Toppling Goliath, and (a beer called) $60 Nachos by Hoof Hearted Brewing. Join the Drunk Guys next Tuesday when they read Hurricane Season

This episode of Kermode on Film was recorded live at the BFI Southbank on 15 May 2023, marking the 80th edition of MK3D. This is Part 2 of that show, in which Mark Kermode is joined by the brilliant Sanjeev Bhaskar to talk about his role in the acclaimed drama series Unforgotten, reflecting on its emotional depth and his experience working with a stellar cast.They also dive into the classic film Who's Afraid of Virginia Woolf?, discussing its intense performances, sharp dialogue, and why it remains so powerful decades after its release.Sit back and enjoy Part 2 of this MK3D show, recorded live at the BFI Southbank.Part 1 of this MK3D was uploaded last week, featuring Nina Menkes on Brainwashed and Jenny Seagrove on Local Hero.Thanks for listening!People mentioned in this episode:Nina MenkesSanjeev BhaskarWilliam FriedkinElizabeth TaylorRichard BurtonFrancis Ford CoppolaJenny SeagroveCelia JohnsonDavid LeanLittle RichardFilms, plays and TV series mentioned in this episode:Brainwashed: Sex-Camera-PowerThe ExorcistUnforgottenWho's Afraid of Virginia WoolfThe OfferLocal HeroThe GuardianThe Exorcist (Stage Play)Brief EncounterThe Girl Can't Help ItLittle Richard: I Am EverythingLittle Richard: The King and Queen of Rock ‘n' Roll Hosted on Acast. See acast.com/privacy for more information.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

‘Now it was time to move, and, as a woman gathers her things together, her cloak, her gloves, her opera-glasses, and gets up to out of the theatre into the street, she rose from the sofa and went to Peter…' This week, we join Sally reflecting on the arrangement of character. Listen for a journey, via Virginia Woolf's Mrs Dalloway (1925) through perspectives, cityscapes, and the means by which we navigate everyday life. The music accompanying the initial discussion of Mrs Dalloway is ‘Friday', by Paul Sebastian. More about Paul and his work can be found here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

Der gemeinsame Nenner der beiden Filme, die in dieser Podcast-Episode besprochen werden? Vielleicht sind sie beide Variationen von „Virginia Woolf“ – einmal als Spionage- und einmal als Survival-Drama? Wir werden es herausfinden – und womöglich auch, was das alles mit Full Frontal zu tun hat …

Fall asleep fast to the continuation of Night and Day by Virginia Woolf. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

For nearly as long as we've been waging war, we've sought ways to chronicle it. “Warfare,” a new movie co-directed by the filmmaker Alex Garland and the former Navy SEAL Ray Mendoza, takes an unorthodox approach, recreating a disastrous real-life mission in Iraq according to Mendoza's own memories and those of the soldiers who fought alongside him. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how “Warfare” 's visceral account brings us closer to a certain kind of truth, while also creating a space into which viewers can project their own ideologies. The hosts consider how artists have historically portrayed conflict and its aftermath—referencing Virginia Woolf's depiction of a shell-shocked soldier in “Mrs. Dalloway” and Vietnam-era classics such as “Apocalypse Now” and “Full Metal Jacket”—and how “Warfare,” with its emphasis on firsthand experience, marks a departure from much of what came before. “That personal tinge to me seems to be characteristic of the age,” Cunningham says. “Part of the emotional appeal is, This happened, and I'm telling you. It's not diaristic—but it is testimonial.”Read, watch, and listen with the critics:“Warfare” (2025)“Apocalypse Now” (1979)“Full Metal Jacket” (1987)“Beau Travail” (1999)“Saving Private Ryan” (1998)“The Hurt Locker” (2008)“Zero Dark Thirty” (2012)“Barry” (2018–23)“Mrs. Dalloway,” by Virginia Woolf“In Flanders Fields,” by John McCraeNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Casuals discuss the film Who's Afraid of Virginia Woolf?

On this episode, we're joined by writer and fashion critic Charlie Porter to discuss our Fiction Book of the Month, Nova Scotia House—a powerful love story that summons a lost generation, set against the backdrop of the UK AIDS crisis and its aftermath throughout the 1980s and '90s.Our discussion of the novel's vivid characters and cultural history offers a fascinating window into queer life in London at the close of the 20th century—and into Charlie's own personal journey toward living without fear.In true form, we also cover everything from Virginia Woolf and the Bloomsbury Group to the feud over “punk” between British artist and filmmaker Derek Jarman and fashion icon Vivienne Westwood. Charlie also shares his love of Proust and 19th-century literature, despite his improbable hatred of Madame Bovary.Finally, we discuss the resurrection of the UK AIDS Memorial Quilt—consisting of 42 twelve-foot-by-twelve-foot panels—which Porter has helped present at Tate Modern in London this summer.Signed copies of the book are available in-store and on our website. Listeners of The Hatchards Podcast can receive 15% off at checkout with the code “NOVA15.”Hosted by Ryan Edgington and Olivia Robinson. 

durée : 00:28:10 - Les Nuits de France Culture, archives d'exception - par : Mathias Le Gargasson - L'écrivaine Nathalie Sarraute a été fortement influencée par James Joyce, Virginia Woolf et Marcel Proust. Dans "Les chemins de la connaissance", en 1974, elle explique en quoi son travail participe lui aussi de cette écriture de l'intériorité développée tout au long du 20e siècle. - réalisation : Thomas Jost - invités : Nathalie Sarraute Écrivaine (1900 - 1999)

durée : 00:22:20 - Les Nuits de France Culture, archives d'exception - par : Albane Penaranda - La bonne nouvelle nous vient de Virginia Woolf, elle s'intitule La marque sur le mur. On la trouve dans le recueil La mort de la phalène et le grand comédien qui nous la donne, en un peu plus de vingt minutes, c'est Michael Lonsdale. - réalisation : Virginie Mourthé - invités : Michael Lonsdale

Is genuine originality a realistic goal for artists?From fashion to fantasy, entertainment to enterprise, we seek the 'new' as the means to originality, change, and creativity. And for the most part, we imagine the new is always identifiable as a radical break from the past. But the nature of the new is more elusive and unknown than it first appears. Is the new an illusion, and the search for originality a mistake? Should creative endeavour be focussed on other goals, such as the timeless, the provocative, and the beautiful? Or is the new an essential part of life, creativity and action, without which we would have mere passive re-orderings of the known?Martin Puchner is a literary critic and philosopher. He is the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University. Claire Hynes is Associate Professor in Literature & Creative Writing at the University of East Anglia, and an author of fiction and creative non-fiction. Stanley Fish is a literary critic, legal scholar, and public intellectual. Renowned for his role in developing reader-response theory in literary studies, Fish has written on a wide range of topics including the poetry of John Milton, the distinction between free speech and academic freedom, and the doctrine of liberalism. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cassandra, Hildegard of Bingen, Virginia Woolf, Ann Sexton...the link between visionary minds and what classifies as 'mental illness' is key to opening doors of perception. Join Karen Marker as she talks with Julia Chiapella about her new book, Under the Blue Umbrella, and a family history of schizophrenia as both stigma and chimera. Beneath the Blue Umbrella can be found here.

This week, we're joined by Harriet Baker, winner of the Sunday Times Young Writer of the Year Award; and Helen Scales tunes into the sonic marvels beneath the surface of the sea.'Rural Hours: The country lives of Virginia Woolf, Sylvia Townsend Warner and Rosamond Lehmann', by Harriet Baker'Sing Like a Fish: How sound rules life under water', by Amorina KingdonProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Ugens Radio Information handler om Trump-regeringens udvisninger, om Netanyahus motiver for at genoptage angrebene i Gaza og om en ny kunstudstilling om skønhed som modstand mod krig og undertrykkelse --- 8. marts blev den tidligere studerende og pro-palæstinensiske Mahmoud Khalil hentet uden for sin dør i New York af agenter fra de amerikanske immigrationsmyndigheder og sat i detentionscenter med henblik på udvisning. Det på trods af, at han har Green Card, altså opholds- og arbejdstilladelse i USA, og på trods af, at der ingen kriminelle anklager er blevet rejst imod ham. Rune Lykkeberg udlægger sagen og dens perspektiver for ytringsfriheden i Trumps USA.  Khalil var sidste år et af ansigterne på de omfattende studenterprotester mod Israels fremfærd i Gaza. Og kritik af Israels krigsforbrydelser er der ikke blevet mindre brug for, efter at landet tidligt tirsdag morgen brød våbenhvilen med massive luftangreb og siden med operationer på landjorden i Gaza. Men hvad får Benjamin Netanyahu til at genoptage den – også i Israel – upopulære offensiv? Anton Geist udlægger den aktuelle situation. Men det skal også handle om skønheden i verden. På Nivågaards Malerisamling kan man nemlig lige nu se en udstilling med og om den engelske Bloomsbury-gruppe. Gruppen, der bl.a. talte medlemmer som forfatter E.M. Forster og Virginia Woolf, hendes søster, maleren Vanessa Bell, og økonomen John Maynard Keynes, var et kunstnerisk og intellektuelt kraftcenter i England i begyndelsen af 1900-tallet, som eksperimenterende søgte efter intet mindre, end at gøre hele livet til kunst. Vores kunstanmelder Maria Kjær Themsen havde lyst til at flytte ind i den aktuelle udstilling, men valgte heldigvis i stedet at komme ind og fortælle om den i vores studie.   Og så hæng på til slut, for her fortæller Lærke Cramon om den 25-årige Salma, som for tiden ugentligt skrive breve i Moderne Tider fra Damaskus. Om drømme og håb og hverdagen i Syrien efter Assad-regimets fald. Læs eller lyt til alle hendes breve HER.

Sigrid Nunez, one of our most celebrated literary voices, joins Rhett for a conversation about writing, adaptation, and the creative process. She shares her experience of seeing her novels adapted for the screen and reflects on how film adaptations, much like cover songs, bring a new vision to a writer's work. The two discuss her writing process, transition to short stories, and the unofficial trilogy formed by her last three novels, including "The Vulnerables." Drawing wisdom from her career and the influences of writers like Toni Morrison and Virginia Woolf, she provides a candid look at what it takes to sustain a life in writing. When asked what advice she would give her 21-year-old self, her response is simple: keep writing. Follow Sigrid Nunez https://sigridnunez.com Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Editing by Matt Dwyer. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven.  This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, The Milk Carton Kids, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zzzz . . . Conk out to this midweek Virginia Woolf short story – "An Unwritten Novel" zzz For an ad-free version of Sleepy, go to patreon.com/sleepyradio and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. GreenChef: GreenChef.com/sleepyfree and use code "sleepyfree" to get FREE Salads for two months plus 50% off your first box. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at https://www.oneskin.co/ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

From To The Lighthouse to Mrs Dalloway, the writing of Virginia Woolf shook up literary norms and challenged societal ideas about what it meant to be a woman. In this 'life of the week' episode, Francesca Wade discusses the impact of Woolf's work, and the key moments of her life – from her late-night soirées with the Bloomsbury Group and love affair with Vita Sackville-West, to her long struggles with her mental health. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zzzz . . . Sleep soundly to this Virginia Woolf short story – "The Mark on the Wall" zzz For an ad-free version of Sleepy, go to patreon.com/sleepyradio and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. GreenChef: GreenChef.com/sleepyfree and use code "sleepyfree" to get FREE Salads for two months plus 50% off your first box. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at https://www.oneskin.co/ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices