English modernist writer known for use of stream of consciousness
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Theatre and opera director Katie Mitchell talks to John Wilson about her career and formative influences. She is renowned for her experimental storytelling on stage, her feminist perspective, and for contemporary reframing of classic plays, she has directed more than 100 productions over more than 30 years. She has worked at the Royal Shakespeare Company, the Royal Opera House and the National Theatre, where - as associate director - she staged bold new versions of work by a wide range of writers including Aeschylus, Virginia Woolf, Chekhov and Sarah Kane. For many theatre goers, she is one of Britain's most important and innovative living directors.Producer: Edwina Pitman
Welcome to Episode 252, where we share LISTENER TOP TEN READS of 2025! In past years, there hasn't been much of a spread between the first and second place books on the list. But this year there is a 15-point spread between the first and second books! As usual, the first-place book was a novel, but the second-place book was nonfiction—a first ever for that. Usually, nonfiction doesn't show up until well into the list's mid-teens. Thanks to everyone who shared their top tens– you help grow our TBR lists! Reminder that we have a Top 10 shelf on our Bookshop.org page for purchase and for you to learn more about each of the books. We also talk about our 2026 Reading Intentions. These are often works in progress, which is a good thing, because after recording, we both realized we had forgotten a couple of intentions. It had been a longer-than-usual time span since we last recorded a regular episode, so we had some catching up to do in our “Just Read” segment, which includes: BETH IS DEAD by Katie Bernet PRACTICAL MAGIC by Alice Hoffman A BACKWARD GLANCE by Edith Wharton BODYWORK: The Radical Power of Personal Narrative by Melissa Febos POSTMORTEM and BODY OF EVIDENCE by Patricia Cornwell THE AUTHOR WEEKEND by Laura Zigman (release date 5/5/2026) A TANGLE OF OBSIDIAN by Lydia M. Hawke THEO OF GOLDEN by Allen Levi We had some wonderful Couch Biblio Adventures, but we also managed to get out into the world. Emily visited Slackline Press in Branford, Connecticut, and Davoll's General Store in Dartmouth, Massachusetts, where she saw Catherine Newman in conversation with Emily Franklin. Chris was in Huntsville, Alabama, and visited The Snail on the Wall bookstore, named after Virginia Woolf's short story, “The Mark on the Wall.” She also checked out the Huntsville-Madison County Public Library. Happy listening, take care of yourself, and stay safe out there. Until next time, we wish you lots of Happy Reading!
She makes the ordinary radiant.
Heidi and Ellen welcome Aquarius, the season of gathering in the name of PROGRESS. This is the sign of HUMANITY. This is the sign of democracy and equality. We are in distressing times. But we are also in a time when huge change and reinvention is possible. This is a call to gather, a call to make new choices, a call to think outside the box, a call to dig deep. They celebrate the birthdays of Virginia Woolf and Toni Morrison. Heidi read the poem Shedding the Old by Samantha Thornhill. Chart Your Career Instagram: @chartyourcareerpodcast To connect, visit: Ellen Fondiler, Career & Business Strategist: ellenfondiler.com, IG: @elfondiler Heidi Rose Robbins, Astrologer & Poet: heidirose.com, IG: @heidiroserobbins
Synopsis What exactly is authority? Where does it come from? How do you get it? Can you move authority from St. Paul, MN to the south side of Chicago? Join Em and Jesse for a wide-ranging chat on the subject. Notes 1/ Of course, many people in addition to women have a hard time getting others (i.e. non-group members) to pay attention to their authority. For example, trans and nonbinary people have a hard time getting anyone to listen to them speaking about their own lived experiences. 2/ I’ve published four novels and a novella since this was recorded, and people actually do think I’m an authority on some topics for some reason. 3/ The story about Aristotle’s phony translators comes from here, I think: https://historyofphilosophy.net/translation-movement Pseudopigrapha: from pseudo, false, and epigraphe, name or inscription. A falsely attributed text. U of Michigan’s Galileo text: “After an internal investigation of the findings of Nick Wilding, professor of history at Georgia State University, the library has concluded that its “Galileo manuscript” is in fact a 20th-century forgery. We’re grateful to Professor Wilding for sharing his findings, and are now working to reconsider the manuscript’s role in our collection.” Also, “Wilding concluded that our Galileo manuscript is a 20th-century fake executed by the well-known forger Tobia Nicotra.” (The quotes are from the linked website.) 4/ According to the Virginia Woolf society, the actual quote is: “I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” (From ch 3 of A Room of One’s Own.) Pseudo-Dionysius the Areopagite (5th/6th century CE)) Pseudo-Pseduo-Dionysius is anyone once thought to be Pseudo-Dionysius but now recognized (by modern scholars) to be someone other than Pseudo-Dionysius. Confused? 5/ Pseudo-Bonaventure (14th century CE) wrote Meditations on the Life of Christ. 6/ I’ve become a bit more familiar with copyright law in the three years(!) since we recorded this, since I’ve published three going on four books of my own since then. A really good example of a point I think past Em is trying to make is Sherlock Holmes, who has recently passed into public domain. He’s a neat character and everyone wanted to play with him (look at the adaptations of recent memory: the Robert Downey Jr. films, the BBC’s Sherlock, the American Elementary). But because of copyright law, this was fairly difficult and confusing until very recently, despite the character’s creator having been dead since 1930. These cases raise many questions of authorship vs ownership and how long someone should really be able to make money on an idea. (Patent Law is, if anything, worse, from what I understand.) 7/ It was a photograph of Prince! Since we recorded this, the Supreme Court sided against Andy Warhol’s estate: https://www.npr.org/2023/05/18/1176881182/supreme-court-sides-against-andy-warhol-foundation-in-copyright-infringement-cas Girl Talk is awesome: https://www.youtube.com/watch?v=kSoTN8suQ1o I mention him because there was a really good documentary about copyright called RiP! A Remix Manifesto that discussed his work (including a discussion of it with the head of the copyright office of the Library of Congress). 8/ Just to clarify, “fair use” is kind of a complicated issue. When you are a non-commercial educational podcast (ahem), you can use things (like samples of YouTube performances) without having to pay licensing fees. You can also fairly quote sections of things for criticism, news reporting, and research. You can therefore quote lines from songs or poems in textbooks, but not in novels because they aren’t considered teaching. Parody (hello, Weird Al!) can be a weird gray area, because a parody obviously has to be somewhat transformative but still retain enough of a likeness that people will know what you’re parodying, and on this question hangs a lot of lawsuits. (Not toward Weird Al though, as far as I know. But Margaret Mitchell’s estate did try to sue to block the publication of The Wind Done Gone.) See also: Why does Ulysses (in Em’s novels) wear so many band T-shirts and occasionally mention songs and artists, but there are zero song lyrics in the books? Because you can’t copyright band names or album/song titles. Steamboat Willie has actually entered public domain since we recorded this! [So amazing!–Jesse] Peter Pan actually first appeared in 1902! Also, sorry, “Peter Pan is a psychopomp” is somehow not a sentence I had on my bingo card. I guess it has lost a bit in its translation to the screen… On the plus side, SIDS rates have dropped dramatically since 1902? “I can rewrite Macbeth if I want to.” Or a really complex riff on The Bacchae? Em of 2022 did not know what was coming, lol. 9/ Notably, Spivak also quotes primarily women. The episode on Hrotsvit: Episode 22 10/ For more on Juliana of Cornillion and the Feast of Corpus Christi, see Episode 6. 11/ Wife of Bath’s Prologue and Tale are HERE. (Also, Chaucer was not, as far as we know, toxic like Joss Whedon!) 12/ Incidentally, violent, in-the-moment reactions to mistreatment by another person are called reactive abuse, and they’re often used by abusers to shift the blame onto their victims. If you are being abused or wondering if you are and want to talk to someone, check out the National Domestic Violence Hotline (https://www.thehotline.org/), or look for local programs. Here in Madison, for instance, we have Domestic Abuse Intervention Services (https://abuseintervention.org/).
Sophie B. Hawkins performs “Not Beating Around the Bush” (recording of her original song made exclusively for “This Way Out”) and reads an excerpt from “Mrs. Dalloway” by Virginia Woolf. SOPHIE B. HAWKINS is a U.S.-born singer-songwriter whose commercial success has been matched by her passionate advocacy for animal rights, and the equality of women and the queer community. In 1925, VIRGINIA WOOLF introduced the world to “MRS. DALLOWAY”, a groundbreaking novel that explores a single day in the life of an upper-class woman in post-World War I England. With its innovative stream-of-consciousness narrative, “Mrs. Dalloway” remains a landmark in modernist literature. In “NewsWrap” 106 people are roughly arrested in a late December raid on a gay nightspot in Baku, the capital city of Azerbaijan; ten people in France are convicted of online bullying for “maliciously” claiming that First Lady Brigitte Macron is transgender; a U.S. federal judge rules that teachers or other school officials can out trans students to their parents without their consent; while a different federal judge decides that “devoutly Christian” parents can prevent their children from learning about the mere existence of LGBTQ people in school; under pressure from the Trump administration and a lawsuit filed by “devoutly Christian” foster parent applicants, Massachusetts replaces policies specifically requiring foster parents to support LGBTQ children in their care with the more innocuous “based on their individual identity and needs”; and her wife Becca remembers Renee Nicole Good (written this week by GREG GORDON, edited by TANYA KANE-PARRY, produced by BRIAN DeSHAZOR, and reported by RET and MARCOS NAJERA). (written this week by GREG GORDON and TANYA KANE-PARRY, reported by RET and MARCOS NAJERA, and produced by BRIAN DeSHAZOR).
In this episode, we look ahead to 2026, not with resolutions or reading quotas, but with curiosity about what we're drawn to next. We talk about a handful of upcoming releases we're excited for, and then share some longer, looser reading plans for the year ahead, including big novels, rereads, and ongoing projects we're hoping to live with slowly.Along the way, we acknowledge the heaviness many people are feeling right now and talk about why reading, conversation, and community continue to matter. Whether you're planning your own reading year or just looking for company, we're glad you're here.2026 Novella Book ClubWe have announced the four novellas we will be reading for The Mookse and Gripes Novella Book Club in 2026!* January: Daisy Miller, by Henry James* April: An Episode in the Life of a Landscape Painter, by César Aira* July: The Hour of the Star, by Clarice Lispector* September: Prelude, by Katherine MansfieldDiscussions will be hosted at The Mookse and the Gripes Discord (see below!).We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 125: Flannery O'Connor* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib MahfouzThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!ShownotesUpcoming Releases Mentioned* Vigil, by George Saunders* Now I Surrender, by Álvaro Enrigue, translated by Natasha Wimmer* The Glorians: Visitations from the Holy Ordinary, by Terry Tempest Williams* Vilhelm's Room, by Tove Ditlevsen, translated by Jennifer Russell & Sophia Hersi Smith* The Beginnings, by Antonio Moresco, translated by Max Lawton* Theodorus, by Mircea Cărtărescu* Five, by César Aira, translated by Chris Andrews* Ada, by Mark HaberReading Projects & Plans Discussed* The NYRB Classics Big Books project* Currently reading: Bomarzo, by Manuel Mujica Láinez, translated by Gregory Rabassa* On deck: Effingers, by Gabriele Tergit, translated by Sophie Duvernoy* Reading Pilgrimage (Dorothy Richardson's Pilgrimage)* Monthly conversations and resources; videos posted online as a long-term archive by Brad Bigelow* The website* Shakespeare! Up next: King Lear* Trevor's 2026 “in the mix” authors/projects:* Henry James (next up The Ambassadors)* Charles Dickens (Everyman editions; weighing Bleak House vs. other Christmas gifts)* Émile Zola (returning to the Rougon-Macquart project)* Virginia Woolf journals + moving toward Mrs Dalloway* NYRB Women readalong with Kim McNeil (starting with Lolly Willowes)* Library book club (next up: Loved and Missed, by Susie Boyt)* Paul's year-long/slow-burn plans:* Pilgrimage alongside the community project* Continuing Flannery O'Connor and Cormac McCarthy* Deeper into Mircea Cărtărescu, William H. Gass, and Clarice Lispector* Potential Big Classics like The Count of Monte Cristo, by Alexandre Dumas and Vanity Fair, by William Makepeace Thackeray* Bookstore book club focus on translated fiction/small presses* Taiwan Travelogue, by Yang Shuangzi, translated by Lin King* Time Shelter, by Georgi Gospodinov, translated by Angela Rodel* Woman Running in the Mountains, by Yūko Tsushima, translated by Geraldine HarcourtBooks Also Mentioned* In Search of Lost Time, by Marcel Proust* The Magic Mountain, by Thomas Mann* The Comfort of Crows: A Backyard Year, by Margaret Renkl* The Land in Winter, by Andrew MillerJoin the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also just now in the first novella book club of 2026, where we're reading Daisy Miller, by Henry James. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.The Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe
Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry
In Into Being Lily Dunn explores the ways in which writing one's life has the potential to transform it; how writing, if done well, can produce “symbolic repair.” We look at Virginia Woolf's notion of “moments of being” as a means and method to find the form that best fits your specific story to tell. We […] The post Lily Dunn : Into Being : The Radical Craft of Memoir and Its Power to Transform appeared first on Tin House.
EPISODE 120 - “REEL REFLECTIONS: STEVE & NAN'S FAVES IN CLASSIC CINEMA” - 12/29/25 As we say goodbye to 2025, Steve and Nan are wrapping up the year and ringing in the new one with much refection. In this fun episode, join the discussion as they talk about some of their favorite films, movie stars, and directors in a series of fun lists. Get to know our intrepid hosts better and find out just who they think was the Best Villain or Best Screen Kiss or Most Beautiful Actress in the golden era of Hollywood. Steve, Nan, Lindsay, and J.P. also want to thank you all for the steadfast support and kindness throughout the year. May 2026 bring great things to all of you beautiful listeners out there! SHOW NOTES: Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ladies of Leisure (1930); Platinum Blonde (1931); Lady for a Day (1933); Alice Adams (1935); Stella Dallas (1936); My Man Godfrey (1936); These Three (1936); Dodsworth (1936); Come and Get It (1936); Mr. Deed Goes to Town (1936); The Awful Truth (1937); Night Must Fall (1937); Stella Dallas (1937); The Adventures of Robin Hood (1938); You Can't Take It With You (1938); Jezebel (1938); Love Affair (1939); Mr. Smith Goes to Washington (1939); Wuthering Heights (1939); Dark Victory (1939); The Return of Frank James (1940); The Letter (1940); Citizen Kane (1941); Penny Serenade (1941); Suspicion (1941); Western Union (1941); Meet John Doe (1941); The Little Foxes (1941); Mrs. Miniver (1942); Casablanca (1942); Now, Voyager (1942); Talk of the Town (1942); The Spider Woman (1943); Double Indemnity (1944); Going My Way (1944); The Woman in the Window (1944); Phantom Lady (1944); Christmas Holiday (1944); Ministry of Fear (1944); Woman In the Window (1944); Arsenic & Old Lace (1944); The Bells of St. Mary's (1945); Brief Encounter (1945); Leave Her to Heaven (1945); Mildred Pierce (1945); Our Vines Have Tender Grapes (1945); The Great Flamarion (1945); Two O'Clock Courage (1945); The Strange Affair of Uncle Harry (1945); Scarlet Street (1945); The Spiral Staircase (1946); It's a Wonderful Life (1946); Notorious (1946); Gilda (1946); The Best Years of Our Lives (1946); Kiss of Death (1947); The Bishop's Wife (1947); T-Men (1947); Nightmare Alley (1947); I Remember Mama (1948); Raw Deal (1948); Cry of the City (1948); They Live By Night (1948); Come to the Stable (1949); Criss Cross (1949); The Heiress (1949); White Heat (1949); Sunset Boulevard (1950); Harvey (1950); Side Street (1950); Winchester '73 (1950); The File on Thelma Jordan (1950); A Place in the Sun (1951); Clash By Night (1952); In a Lonely Place (1953); From Here to Eternity (1953); The Big Heat (1953); Shane (1953); The Clown (1950); White Christmas (1954); A Star Is Born (1954); The Night of the Hunter (1955); The Man From Laramie (1955); A Face in the Crowd (1957); An Affair to Remember (1957); The Tin Star (1957); Giant (1956); Elmer Gantry (1960); Splendor In the Grass (1961); The Manchurian Candidate (1962); Take Her, She's Mine (1963); The Sound of Music (1965); The Singing Nun (1966); Who's Afraid of Virginia Woolf? (1966); Once Upon a Time in the West (1968); The Way We Were (1973); The Godfather Part II (1974); Ordinary People (1980); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
When Jesse Wente was a kid, he was given a stuffed penguin as a gift. He decided to name his penguin Danger Eagle, the stunt performing stuffy. Decades later, Danger Eagle has taken center stage in Jesse's first ever children's book. Since wrapping up his term as chair of the Canada Council for the Arts and with a bestselling memoir under his belt, he joins the show to share the stories that have influenced his own life the most. Plus, musician Girl Ultra recommends A Room of One's Own by Virginia Woolf.Books discussed on this week's show include:Watership Down by Richard AdamsThe Monster At the End of This Book by Jon StoneSteering the Craft by Ursula K. Le GuinIndian School Days by Basil H. JohnstonDanger Eagle by Jesse WenteA Room of One's Own by Virginia Woolf
So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.
So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.
durée : 00:59:31 - Le Book Club - par : Mathilde Wagman - Le comédien et réalisateur Nicolas Maury déballe pour nous ses rayonnages littéraires. ONous y découvrons ses écrivaines fétiches : Marguerite Duras, Virginia Woolf, Paula Cox ou encore Natalia Ginzburg. - réalisation : Cassandre Puel - invités : Nicolas Maury Cinéaste et comédien
Where have WE been? Where have YOU been!? This week, we sipped another Winc wine as we discussed Season 2 Episode 6: “Who's Afraid of Cory Wolf?” A red blend called “Illusion” paired perfectly with an episode we…sort of wish was just an illusion. If you don't want this one to go right over your head, we recommend watching the 1941 black-and-white film, “The Wolf Man”. Having seen Edward Albee's 1962 play, “Who's Afraid of Virginia Woolf?” won't help—and neither will having read William Golding's 1954 novel, The Lord of the Flies, though both are superficially referenced in this bewildering episode in which Cory believes he's turning into a werewolf. While it's obvious to viewers that it's all an allegory for puberty, no one in the BMW-universe seems to pick up on that… Grab the remote and get ready to be…a little confused!
A Burglar's Christmas by Willa Cather w/Tom Libby---00:00 - Welcome and Introduction - A Burglar's Christmas by Willa Cather.04:25 - Opening A Burglar's Christmas by Willa Cather.08:21 - Willa Cather Wrote at the Crossroads of Modernity.12:43 - Setting Goals and the Vagaries of New Year's Resolutions.18:01 - Check Out Jesan's Time Management Training Videos on YouTube. 25:24 - Joan Didion, Virginia Woolf, and What We Don't Say About the Patriarchy. 31:13 - Leaders Avoid Hiding in the Word Salad. 32:47 - Willa Cather's Story, with Hunger and Envy. 42:12 - Seinfeld's "The Strike," Festivus and The Death of Black Friday.45:04 - Societal Grievances, Commercialism, and Festive Celebration. 51:55 - Leaders Provide the Freedom to Voice Grievances without Repercussions.01:02:13 - Nietzsche, Cather, and the Myth of Eternal Return.01:06:14 - Millennials, Gen-Zers, and Gen X-ers.01:13:10 - The Potential of the Internet Needs to be Reconsidered. 01:20:47 - Drivers For Success When You Have Children vs. When You Don't Have Children 01:32:34 - Leaders Maintain a Consistent Culture on Teams.01:37:06 - Introspection and Goal Setting. 01:43:29 - Leaders Genuinely Care About People, Teams, and Success. 01:44:27 - Staying on the Leadership Path with A Burglar's Christmas by Willa Cather.---Opening and Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the 2022 Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/channel/UCJvVbIU_bSEflwYpd9lWXuA/.Leadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlb ★ Support this podcast on Patreon ★
Agnès Desarthe publie son nouveau roman «L'oreille absolue» : un conte lumineux dans lequel la Mort cesse de faire mourir… C'était un hiver lumineux et sec. Ainsi commencent la plupart des chapitres du roman d'Agnès Desarthe ! Un choix littéraire pour dire la répétition des jours, mais également celui de la musique, comme un refrain. Tout commence dans un village, près de la mer, un 18 décembre vers 15h15. Il n'y a plus de place au cimetière. Les habitants décident alors de ne plus mourir… Un petit garçon intenable rencontre un homme au bout du rouleau. Une femme retrouve son amant disparu. Un musicien prépare un concours avec un jeune prodige qui ne sait pas lire une note. Deux adolescents filent à moto sans casque. Ces personnages – et bien d'autres encore – semblent n'avoir aucun lien entre eux, si ce n'est que tous appartiennent à la même harmonie municipale. Tous préparent le concert de Noël. Un roman choral aux allures de partition – à cinquante personnages dans lequel les destins sont liés les uns aux autres. Agnès Desarthe est née en 1966, elle est traductrice de l'anglais. Romancière, outre de nombreux ouvrages pour la jeunesse, elle a publié notamment : Un secret sans importance (prix du Livre Inter 1996), Dans la nuit brune (prix Renaudot des lycéens 2010) ou encore Une partie de chasse. Elle est également l'auteure d'un essai consacré à Virginia Woolf avec Geneviève Brisac, V.W. Le mélange des genres, d'un essai autobiographique, Comment j'ai appris à lire (Stock, 2013), et d'une biographie consacrée à René Urtreger, Le Roi René (Éditions Odile Jacob, 2016). Elle a publié onze romans aux Éditions de l'Olivier, dont Un secret sans importance (prix du Livre Inter 1996), Dans la nuit brune (prix Renaudot des lycéens 2010), Ce cœur changeant (Prix littéraire du Monde 2015), L'Éternel fiancé et Le Château des rentiers (en lice pour le Goncourt 2023). Son dernier roman : «L'oreille absolue» a été publié aux éditions de l'Olivier. Elle publiera en janvier 2026 un nouveau roman : Qui se ressemble, aux éditions Buchet-Chastel, coll. «La Résonnante» et consacré à la chanteuse égyptienne Oum Khalthoum. Programmation musicale : Le groupe Bonbon Vaudou avec le titre Gourmandises Amoureuses, extrait de leur nouvel album «Épopée Métèque».
Agnès Desarthe publie son nouveau roman «L'oreille absolue» : un conte lumineux dans lequel la Mort cesse de faire mourir… C'était un hiver lumineux et sec. Ainsi commencent la plupart des chapitres du roman d'Agnès Desarthe ! Un choix littéraire pour dire la répétition des jours, mais également celui de la musique, comme un refrain. Tout commence dans un village, près de la mer, un 18 décembre vers 15h15. Il n'y a plus de place au cimetière. Les habitants décident alors de ne plus mourir… Un petit garçon intenable rencontre un homme au bout du rouleau. Une femme retrouve son amant disparu. Un musicien prépare un concours avec un jeune prodige qui ne sait pas lire une note. Deux adolescents filent à moto sans casque. Ces personnages – et bien d'autres encore – semblent n'avoir aucun lien entre eux, si ce n'est que tous appartiennent à la même harmonie municipale. Tous préparent le concert de Noël. Un roman choral aux allures de partition – à cinquante personnages dans lequel les destins sont liés les uns aux autres. Agnès Desarthe est née en 1966, elle est traductrice de l'anglais. Romancière, outre de nombreux ouvrages pour la jeunesse, elle a publié notamment : Un secret sans importance (prix du Livre Inter 1996), Dans la nuit brune (prix Renaudot des lycéens 2010) ou encore Une partie de chasse. Elle est également l'auteure d'un essai consacré à Virginia Woolf avec Geneviève Brisac, V.W. Le mélange des genres, d'un essai autobiographique, Comment j'ai appris à lire (Stock, 2013), et d'une biographie consacrée à René Urtreger, Le Roi René (Éditions Odile Jacob, 2016). Elle a publié onze romans aux Éditions de l'Olivier, dont Un secret sans importance (prix du Livre Inter 1996), Dans la nuit brune (prix Renaudot des lycéens 2010), Ce cœur changeant (Prix littéraire du Monde 2015), L'Éternel fiancé et Le Château des rentiers (en lice pour le Goncourt 2023). Son dernier roman : «L'oreille absolue» a été publié aux éditions de l'Olivier. Elle publiera en janvier 2026 un nouveau roman : Qui se ressemble, aux éditions Buchet-Chastel, coll. «La Résonnante» et consacré à la chanteuse égyptienne Oum Khalthoum. Programmation musicale : Le groupe Bonbon Vaudou avec le titre Gourmandises Amoureuses, extrait de leur nouvel album «Épopée Métèque».
Hva er likheten mellom Lily Allens snakkisalbum West End Girl og Sigrid Undset, Sylvia Plath, Miranda July og Mary Shelley?Den britiske popartisten Lily Allens skilsmissealbum West End Girl har skapt storm siden det kom i oktober, så til de grader at vi nå befinner oss i en såkalt «West End Girl Winter».De fjorten sangene forteller om eksmannen og Stranger Things-skuespilleren David Harbours svik og parets påfølgende skilsmisse, i et brutalt og selvransakende oppgjør med tiden de hadde sammen og med samfunnets forestillinger om den moderne kvinnen. I musikkens verden er oppbruddsplater en lang tradisjon, og Allen selv har omtalt albumet som autofiksjon – fiksjon tett knyttet til egne erfaringer.Forfatter og litteraturprofessor Janne Stigen Drangsholt mener derimot at albumet ikke enkelt kan leses som et stykke virkeligheteslitteratur, og vil i dette foredraget heller trekke linjer mellom Allen og forfattere som Mary Shelley, Virginia Woolf, Sigrid Undset, Sylvia Plath og popmusikkens Taylor Swift. Hva har alle disse til felles? Finnes egentlig den moderne kvinnen?Litteraturliste fra foredraget:W. H. Auden – «Letter to Lord Byron» (1937)Jane Austen – Pride and Prejudice (1813) Zygmunt Bauman – Liquid Modernity (2000)Charlotte Brontë – Jane Eyre (1847)Emily BrontëSabrina CarpenterCharles DarwinFriedrich EngelsWilliam Godwin Ted HughesMiranda July – All Fours (2024)Immanuel KantKarl MarxJohn Stuart Mill – The Subjection of Women (1869)Toril Moi – «Kjærlighetstortur. Torborg Nedreaas' Av måneskinn gror det ingenting. Kultur og liv på 1950-tallet» (2020)William MorrisMaggie NelsonSylvia Plath – “Words Heard, By Accident, Over The Phone” (1962)Sylvia Plath – The Journals of Sylvia Plath (1982)Sylvia Plath – The Bell Jar (1963)Jean-Jacques RousseauAnne SextonMary ShelleyPercy Bysshe ShelleyTaylor Swift – The Life of a Showgirl (2025)Sigrid Undset Mary Wollstonecraft – A Vindication of the Rights of Women (1792)Virginia Woolf – To the Lighthouse (1927)Virginia Woolf – A Room of One's Own (Women & Fiction) (1929) Hosted on Acast. See acast.com/privacy for more information.
In this heartfelt and reflective episode of Inspiration Nation, Lee and Jose dive deep into the timeless wisdom of Virginia Woolf's quote: “There's no need to hurry. There's no need to sparkle. There's no need to be anyone but oneself.” Together, they unpack the importance of self-acceptance, authentic communication, and staying true to your unique voice—even when societal pressures push for conformity. From Jose's personal growth stories to Lee's musical discovery of “Make Your Own Kind of Music” by Cass Elliot, the duo highlights how embracing your true self not only sparks genuine connection but also fuels innovation, creativity, and inner peace.Whether you're navigating workplace dynamics, tough conversations, or public presentations, this episode offers practical tools and powerful anecdotes on how to stay grounded in your identity while still evolving. As Jose aptly puts it, “You sparkle most when you're not trying.” Packed with leadership insights, emotional intelligence tips, and Jefferson Fisher-inspired communication strategies, this conversation will leave you inspired to show up more confidently as you.
durée : 00:58:33 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - "Mrs Dalloway" ou comment Virginia Woolf critique subtilement les conventions sociales de la petite bourgeoisie et la société londonienne, à travers la journée d'une femme de la haute société, dans l'Angleterre de l'après Première Guerre mondiale. Une évocation de l'œuvre avec Belinda Cannone. - réalisation : Nicolas Berger - invités : Belinda Cannone Docteur en littérature comparée, romancière et essayiste
Mario Fortunato"Magnolia Quartet"Aboca Edizioniwww.abocaedizioni.itScritto nel tono di una confessione spietata, alternando allegria a cupezza, Magnolia quartet si legge con lo stesso divertimento, con lo stesso allarme con cui si affronta un giro sulle montagne russe.Scandito in quattro movimenti (Allegro, Adagio, Scherzo e Rondò) secondo il più classico dei canoni musicali, Magnolia quartet è il racconto di un'amicizia – ora candida come un fiore di magnolia, ora inebriante e sensuale come il suo profumo – tra un pittore cinquantenne ossessionato dal proprio fallimento e tre giovanissimi chef per i quali fallire non è un'opzione: non a tavola e – santo cielo! – neppure a letto. Da Roma a Londra, da un passato che non passa a un presente più insidioso e labile di un tranello, i quattro protagonisti della storia corrono lungo le pagine di questa commedia, con un'energia e forse una disperazione che talvolta azzera le distanze generazionali e altre volte le moltiplica con chirurgica precisione. Quale è il senso, o il segreto, del loro rapporto? E riusciranno le loro voci a trovare un accordo, una comune melodia? Scritto nel tono di una confessione spietata, alternando allegria a cupezza, Magnolia quartet si legge con lo stesso divertimento, con lo stesso allarme con cui si affronta un giro sulle montagne russe.Mario Fortunato è nato in Calabria e a lungo ha vissuto a Londra, dove è stato direttore dell'Istituto Italiano di Cultura. Ha collaborato con Bbc, “The Guardian”, “Le Monde” e “Süddeutsche Zeitung”. Per molti anni critico letterario del settimanale “L'Espresso”, traduttore di autori come Maupassant, Virginia Woolf, Evelyn Waugh e Francis Scott Fitzgerald, è autore di romanzi, saggi e memoir. Il suo ultimo libro si intitola Il giardino di Bloomsbury (Bompiani, 2024). Tra gli altri ricordiamo anche, editi da Bompiani: Sud, Quelli che ami non muoiono e I giorni innocenti della guerra (nel 2007 secondo classificato al Premio Strega). Con Aboca è già uscito nel 2023 Vita immaginaria di un alloro (di prossima pubblicazione negli Stati Uniti).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Jessica was the good Mitford sister. The English aristocrat who fought against fascism in the Spanish Civil War, then came to America and dedicated her life to social justice. According to her biographer Carla Kaplan, Mitford had the fierce, unruly life of a great muckraker. She was a Troublemaker in the best sense of the word. Unlike prudes like Upton Sinclair or Ralph Nader, she was hysterically funny—her voice as distinctive as Jane Austen's or Virginia Woolf's. She understood that bullies are driven by insecurity and paranoia, and she knew exactly how to punch them in the nose with her sharp upper-class English humor. So where are you now, Jessica Mitford? When the left desperately requires a good dose of humor and the right needs to be laughed at?Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Did you think we already knew everything there was to know about Virginia Woolf? Think again! In this episode, Jacke talks to scholar and editor Urmila Seshagiri about The Life of Violet: Three Early Stories, which presents three interconnected comic stories chronicling the adventures of a giantess named Violet, which Woolf wrote in 1907, eight years before she published her first novel. The story of Seshagiri's discovery is nearly as fantastical as the stories themselves. PLUS literary biographer Jake Poller (Christopher Isherwood: A Critical Life) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1908, Virginia Woolf wrote that she hoped to revolutionise the novel and ‘capture multitudes of things at present fugitive'. ‘To the Lighthouse' (1927) marks perhaps her fullest realisation of the novel as philosophical enterprise, and not simply because one of its central characters is engaged with the problem of ‘subject and object and the nature of reality'. In the final episode of their series, Jonathan and James consider different ways of reading Woolf's great novel: as a satirical portrait of her father through Mr Ramsay, as a study of creative expression through Lily Briscoe, or as a mystical, Platonic quest in which form and style respond to philosophical propositions, and the truth of human experience is to be found in movement, conversation and laughter. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrcip In other podcast apps: https://lrb.me/closereadingscip Read more in the LRB: Jacqueline Rose: Where's Woolf? https://lrb.me/cipep13woolf1 Virgina Woolf: The Symbol https://lrb.me/cipep13woolf2 John Bayley: Superchild https://lrb.me/cipep13woolf3
SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Pre-order Brian's book The Optimists! It's so good!– In Future Posts– Minor Tiresias– & Juliet by Max Martin and David West Read– Chicago by John Kander, Fred Ebb, and Bob Fosse– Six by Toby Marlow and Lucy Moss– Beetlejuice the Musical by Eddie Perfect– Little Bear Ridge Road by Samuel D. Hunter– Steppenwolf Theatre Company– Who's Afraid of Virginia Woolf? by Edward Albee– Horace & PeteFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena Feder– David YezziOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah Perseus BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith
Actress|Director from New ZealandKiwi actress, Morgan Bradley began her career in New Zealand as a child, fueled by a vivid imagination and a farm upbringing that taught her grit and a love of nature. She opens up to Margie about being bullied for standing out in a culture shaped by “tall poppy syndrome,” and how her curiosity—and refusal to shrink—shaped who she is.Morgan speaks candidly about navigating depression, discovering her self-worth, and learning to elevate her frequency by saying “yes” to life. Her career spans hosting Kid Zone to starring in Closer, Who's Afraid of Virginia Woolf, and Rent, where she lived inside Mimi's fierce yet hopeful spirit.She shares her leap to America, her directing journey, and creating the life of philanthropist Marjorie Merriweather Post.This episode leaves you lifted—reminding you to find your joy, stand tall, and never stop saying yes.
Spy's Mate: A Conversation with Bradley W. Buchanan About Chess, Cold War Intrigue, and the Stories That Save UsAfter a few months away, I couldn't stay silent. Audio Signals is back, and I'm thrilled that this conversation marks the official return.The truth is, I tried to let it go. I thought maybe I'd hang up the mic and focus solely on my work exploring technology and society. But my passion for storytellers and storytelling—it cannot be tamed. We are made of stories, after all, and some of us choose to write them, sing them, photograph them, or bring them to life on screen. Brad Buchanan writes them, and his story brought me back.I'll admit something upfront: I'm not particularly good at chess. I love the game—the strategy, the mythology, the beautiful complexity of it all—but I'm no grandmaster. That's what made this conversation so fascinating. Brad has created an entire fictional world where chess isn't just a game; it's a matter of life and death, set against the backdrop of Cold War espionage and Soviet propaganda.His debut novel, Spy's Mate, weaves together two worlds I find endlessly intriguing: the intellectual battlefield of competitive chess and the shadow games of international espionage. But what makes this book truly compelling isn't just the plot—it's the man behind it.Brad is a retired English professor from Sacramento State, a two-time blood cancer survivor, and what he calls a "chimera"—someone whose DNA was literally altered by a stem cell transplant from his brother. He was blind for a year and a half. He nearly died multiple times. And through it all, he held onto this story, this passion for chess that manifested in literal dreams where the pieces hunted him across the board.When we spoke, what struck me most was how deeply personal this novel is beneath its spy thriller exterior. The protagonist, Yasha, is an Armenian chess prodigy whose mother teaches him the game before falling gravely ill. In a moment that breaks your heart, young Yasha asks his mother to promise she'll live long enough to see him become world chess champion—an impossible promise that drives the entire narrative.Brad wrote Spy's Mate after his own mother's death from blood cancer in 2021. When he told me he was crying while writing the final pages, I understood something essential about storytelling: we write to process what life won't let us finish. He gave Yasha the closure he wished he'd had with his own mother.But this isn't just a meditation on loss. Brad brings genuine chess expertise and meticulous historical research to create a world where the KGB manipulates tournaments, computers calculate moves at the glacial pace of one per hour, and Soviet chess dominance serves as proof of communist superiority. He recreates famous chess games with diagrams so readers can follow the battlefield. He fictionalizes Soviet leaders (his Gorbachev character is named "Ogar," his Putin figure has "the nose of a proboscis monkey") but keeps the oppressive atmosphere authentic.What I love about Brad's approach is that he wrote this novel almost like a screenplay—action and dialogue, visual and kinematic, built for the screen. Having taught Virginia Woolf while secretly wanting to write page-turning thrillers tells you everything about the tension between academic life and creative passion. Now, finally free to write full-time after early retirement due to his medical challenges, he's doing what he always wanted.We talked about the hero's journey, about Joseph Campbell's mythical structure that still works because it mirrors how our minds work. We reminisced about the 1982 World Cup and Marco Tardelli's iconic scream (we're the same generation, watching from different continents). We discussed whether characters should plot their own paths or whether writers should map everything from the beginning.As someone who writes short, magical stories with my mother, I understand the pull toward something bigger, something that requires more than 1,200 words can contain. Brad waited 55 years to publish his first novel. I'm 56 and still working up to it. There's hope for all of us yet.Spy's Mate is available now, with an audiobook coming after Thanksgiving. And yes, I can absolutely see this as a Netflix series—chess looks incredibly sexy on screen when the stakes are high and the lighting is good.Welcome back to Audio Signals. Let's keep telling stories.Learn more about Bradley and get his book: https://www.bradthechimera.comLearn more about my work and podcasts at marcociappelli.com and audiosignalspodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Spy's Mate: A Conversation with Bradley W. Buchanan About Chess, Cold War Intrigue, and the Stories That Save UsAfter a few months away, I couldn't stay silent. Audio Signals is back, and I'm thrilled that this conversation marks the official return.The truth is, I tried to let it go. I thought maybe I'd hang up the mic and focus solely on my work exploring technology and society. But my passion for storytellers and storytelling—it cannot be tamed. We are made of stories, after all, and some of us choose to write them, sing them, photograph them, or bring them to life on screen. Brad Buchanan writes them, and his story brought me back.I'll admit something upfront: I'm not particularly good at chess. I love the game—the strategy, the mythology, the beautiful complexity of it all—but I'm no grandmaster. That's what made this conversation so fascinating. Brad has created an entire fictional world where chess isn't just a game; it's a matter of life and death, set against the backdrop of Cold War espionage and Soviet propaganda.His debut novel, Spy's Mate, weaves together two worlds I find endlessly intriguing: the intellectual battlefield of competitive chess and the shadow games of international espionage. But what makes this book truly compelling isn't just the plot—it's the man behind it.Brad is a retired English professor from Sacramento State, a two-time blood cancer survivor, and what he calls a "chimera"—someone whose DNA was literally altered by a stem cell transplant from his brother. He was blind for a year and a half. He nearly died multiple times. And through it all, he held onto this story, this passion for chess that manifested in literal dreams where the pieces hunted him across the board.When we spoke, what struck me most was how deeply personal this novel is beneath its spy thriller exterior. The protagonist, Yasha, is an Armenian chess prodigy whose mother teaches him the game before falling gravely ill. In a moment that breaks your heart, young Yasha asks his mother to promise she'll live long enough to see him become world chess champion—an impossible promise that drives the entire narrative.Brad wrote Spy's Mate after his own mother's death from blood cancer in 2021. When he told me he was crying while writing the final pages, I understood something essential about storytelling: we write to process what life won't let us finish. He gave Yasha the closure he wished he'd had with his own mother.But this isn't just a meditation on loss. Brad brings genuine chess expertise and meticulous historical research to create a world where the KGB manipulates tournaments, computers calculate moves at the glacial pace of one per hour, and Soviet chess dominance serves as proof of communist superiority. He recreates famous chess games with diagrams so readers can follow the battlefield. He fictionalizes Soviet leaders (his Gorbachev character is named "Ogar," his Putin figure has "the nose of a proboscis monkey") but keeps the oppressive atmosphere authentic.What I love about Brad's approach is that he wrote this novel almost like a screenplay—action and dialogue, visual and kinematic, built for the screen. Having taught Virginia Woolf while secretly wanting to write page-turning thrillers tells you everything about the tension between academic life and creative passion. Now, finally free to write full-time after early retirement due to his medical challenges, he's doing what he always wanted.We talked about the hero's journey, about Joseph Campbell's mythical structure that still works because it mirrors how our minds work. We reminisced about the 1982 World Cup and Marco Tardelli's iconic scream (we're the same generation, watching from different continents). We discussed whether characters should plot their own paths or whether writers should map everything from the beginning.As someone who writes short, magical stories with my mother, I understand the pull toward something bigger, something that requires more than 1,200 words can contain. Brad waited 55 years to publish his first novel. I'm 56 and still working up to it. There's hope for all of us yet.Spy's Mate is available now, with an audiobook coming after Thanksgiving. And yes, I can absolutely see this as a Netflix series—chess looks incredibly sexy on screen when the stakes are high and the lighting is good.Welcome back to Audio Signals. Let's keep telling stories.Learn more about Bradley and get his book: https://www.bradthechimera.comLearn more about my work and podcasts at marcociappelli.com and audiosignalspodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This is the second episode in a series called THE SPIRIT-ERA & ITS AFTERMATHS in which I look at the way spiritual, technological, and occult flourishings at the turn of the 19th into 20th century are still with us today.In the second installment in the series, I talk with ALLAN JOHNSON Professor of English Literature at University of Surrey, meditation coach, and author of the excellent book, The Sacred Life of Modernist Literature: Immanence, Occultism, and the Making of the Modern WorldIn that book, Allan states: “The occult has always walked the perilous line between desiring a textual form while resisting the possibility that this form can ever be completely achieved.”One of my big frustrations with spiritual influencers is that most of them don't seem to have a good grasp of art, but particularly literature. They do something like this: they read literature that has magical CONTENT and create metaphors and analogies that - all-too conveniently - mirror the lessons of their own esoteric view. And they generally reach for the usual suspects: Tolkien, Le Guin, Coehlo, etc.But the location of esoteric strength in literature is less in the content and much more in its FORMS and STYLES. These forms were brought to us most prominently in modernist fiction - in James Joyce, Virginia Woolf, Franz Kafka, and more. But also by poets like TS Elliot, Ezra Pound, and WB Yeats.In the works of modernist writers, the reader's involvement is demanded to complete the text. These are writers who initiate us as we read their works.This conversation with Allan offered the chance to explore ideas I'd been longing to talk about for years, I'm so excited to share them with you here.SUPPORT THE SHOW ON PATREONBuy Allan's book
Heart the Lover by Lily King is a gripping story of family, identity, life and love from the bestselling author of Writers & Lovers. Lily joined us live at B&N Upper West Side to talk about crafting an emotional arc, writing little moments between characters, details, process, vulnerability and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Heart the Lover by Lily King Writers & Lovers by Lily King The Pleasing Hour by Lily King The English Teacher by Lily King Father of the Rain by Lily King Euphoria by Lily King The Evening of the Holiday by Shirley Hazzard Mrs. Dalloway by Virginia Woolf To the Lighthouse by Virginia Woolf
Award-winning author Lily King joins us from the road during her book tour to explore how women finding themselves and love are such big topics in her favourite books. Plus, she tells us the novels she returns to over and over again for comfort; and why Virginia Woolf has been such an important writer in her life. Lily has written six novels which have been published in 28 languages. Her 2020 novel, Writers & Lovers, won the New England Society Book Awards, was a New York Times Notable Book and was chosen as a top-ten best book of 2020 by The Washington Post, NPR, People Magazine, and The LA Times. Her 2014 novel Euphoria won the Kirkus Award, the New England Book Award, and was a finalist for the National Book Critics Award, as well as being named one of the 10 Best Books of the year by The New York Times Book Review. Her latest novel, Heart the Lover, was released in October and was an instant New York Times bestseller. Lily's book choices are: ** It's Not the End of the World by Judy Blume ** To the Lighthouse by Virginia Woolf ** I Capture the Castle by Dodie Smith ** Mrs Dalloway by Virginia Woolf ** The Transit of Venus by Shirley Hazzard Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's BookshelfiePodcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years. Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org - every purchase supports the work of the Women's Prize Trust and independent bookshops. This podcast is sponsored by Baileys and produced by Bird Lime Media.
Daily Quote It's no use going back to yesterday, because I was a different person then. (Lewis Carroll) Poem of the Day To a Cat Jorge Luis Borges Beauty of Words Virginia Woolf to Ethel Smyth
Daily Quote A life spent making mistakes is not only more honorable, but more useful than a life spent doing nothing. (George Bernard Shaw) Poem of the Day Why Flowers Change Colour Robert Herrick Beauty of Words Mrs. Dalloway Virginia Woolf
Drift off to the next chapters of Night and Day by Virginia Woolf. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off Hosted on Acast. See acast.com/privacy for more information.
Who were the men who built the Empire State Building? Glenn Kurtz returns to the show to tell their story with MEN AT WORK: The Empire State Building and the Untold Story of the Craftsmen who Built It (Seven Stories Press). We talk about how he accidentally fell into this project, how "turn every page" led him to a key discovery about Lewis Hine's photos of the Empire State construction, how his experience researching and writing THREE MINUTES IN POLAND helped him with this book, his childhood connection with the Empire State, and how identifying their subjects affects the mythic aura of Hine's photographs. We get into the corporate perspective of the building and how it dehumanizes the workers who built it, and similarly how that heroic collectivist notion of The Worker devalues workers as people, whether craftsmanship and artisanship survived the transition into mass production during the skyscraper era, Hine's authorial fallacy and the genius of his portraits, and what the Empire State says about the immigration-dynamics of the workforce and the role of unions, We also discuss the question of context and how the question, "What are we looking at?" can reveal the world, the resonance of Hine's Icarus/Sky Boy pic, the messiness of history, the joy of Virginia Woolf's diaries, why Glenn just wants to write a novel without it inspiring a nonfiction project, and more. Follow Glenn on Instagram and Facebook • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Nous sommes le 22 décembre 1880 au cimetière de Highgate au nord de Londres. C'est là que l'on vient d'inhumer Mary Ann Evans mieux connue sous le nom de George Eliot. Son jeune mari avait rêvé pour dernière sépulture, du « Coin des poètes » dans l'abbaye de Westminster, mais pour une femme ayant transgressé toutes les convenances de la très rigide société victorienne, c'était impensable. Des « scènes de la vie du clergé » à « Daniel Deronda » en passant par « The Mill and the Floss », « Middelmarch » et quelques autres, celle qui s'inventera son nom de plume, George Eliot, n'aura eu cesse de témoigner des grandes questions de son temps : l'industrialisation, la foi, l'éducation , l'antisémitisme et, déjà, les inégalités entre les sexes. Adepte d'un changement de société dans la douceur, elle refusait le progrès rapide et brutal, ce qui déplut au féministe qui la suivront. D'elle, , l'auteur des « Ailes de la Colombe », écrira : « elle était d'une magnifique laideur ; elle avait une tête chevaline , une allure de bas-bleu ; Je ne sais pas en quoi réside son charme, mais dans cette grande laideur réside une beauté puissante. » De cette laideur George Eliot fera sa force. Partons sur les traces d'une femme qui, après avoir connu tous les honneurs et quelques déshonneurs, sera oubliée avant que ne la redécouvre une certaine … Virginia Woolf. Partons sur les traces de George Eliot. Invitée : Myriam Campinaire, traductrice et interprète. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Tunnel-building technology has come a long way in recent years, but creating a tunnel under a bustling city is still a difficult task. Plus, the local news for November 13, 2025, and newfound writings from Virginia Woolf. Credits: This is a production of Nashville Public RadioHost/producer: Nina CardonaEditor: Miriam KramerAdditional support: Mack Linebaugh, Tony Gonzalez, LaTonya Turner and the staff of WPLN and WNXP
Katherine Mansfield's writing, said Virginia Woolf, "was the only writing I was ever jealous of." In this episode, Jacke talks to author Gerri Kimber about Katherine Mansfield: A Hidden Life, which explores the life and work of one of literary modernism's most significant writers. PLUS Jacke takes a look at the unusual friendship between poet W.H. Auden and the sex worker whom he hired, was robbed by, and befriended. And Kenneth Sacks (Emerson's Civil Wars: Spirit and Society in the Age of Abolition) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Before you make plans to invite your friends over or plan that family dinner party, hear what we have to say about Mike Nichols' 1966 drama Who's Afraid of Virginia Woolf? in which Elizabeth Taylor and Richard Burton host the dinner party from Hell! Amber Lewis welcomes "The Authority on the Golden Age of Cinema" Robert Burnett back to the show!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! Check out our YouTube Channel and subscribe now!www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.
Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)
Support the podcast on Patreon where you get every episode a week early, plus access to every 280 Mysteries episode! https://patreon.com/372pages Find out how this book compares to the works of Tolstoy, Virginia Woolf and Rush. And while you're at it, follow the exploits of Hot Sexton and her father Senator Sexton Sedgewick. Does triple … Continue reading "372 Pages #195 – Deception Point Ep 3 – Conor Admits to Performing Rocket Man!"
Virginia Woolf called George Eliot's novel, Middlemarch “one of the few English books written for grownups.” It's a book full of characters asking: is it a good thing to live a life of duty, or is it ridiculous? Even after 150 years since the book was published, it provides up-to-date lessons in how to live a modern life. *This is part one or two-part series. It originally aired on April 6, 2022.
It's October, the perfect month to celebrate the master of mystery and the macabre. In this episode, Jacke talks to author Richard Kopley about his book Edgar Allan Poe: A Life, a comprehensive critical biography that combines a narrative of Poe's enduring challenges (including his difficult foster father, poverty, alcoholism, depression, and his numerous personal losses) with close readings of his works. PLUS we look at Virginia Woolf's view of what made Jane Austen so great even at the age of 15, and Christopher Herbert (Jane Austen's Favourite Brother, Henry) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Jacke talks to author David Denby about his new book, Eminent Jews: Bernstein, Brooks, Friedan, Mailer, a group biography (loosely inspired by Lytton Strachey's Eminent Victorians) that describes how four larger-than-life figures upended the restrained culture of their forebears and changed American life. PLUS in honor of War and Peace, which lands at #13 on the list of the Greatest Books of All Time, Jacke takes a look at an early essay by Virginia Woolf that explains what made Tolstoy's works so great. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.
Emily Brontë only published one full-length book before dying at the tragically young age of 30. But that book, Wuthering Heights, which tells the story of obsessive and vengeful love on the rugged moors of Yorkshire, is still considered one of the pinnacles of English literature, landing at #15 on the list of Greatest Books of All Time. In this episode, Jacke takes a deep look into Emily Brontë's classic "bad boy" novel, with assistance from Virginia Woolf, Elizabeth Hardwick, Joyce Carol Oates, Anne Tyler, Alice Hoffman, Charlotte Brontë, and others. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Each quarter, Stig Brodersen sits down with his friend and co-host William Green, author of Richer, Wiser, Happier. Together, they reflect on the lessons and stories that have made them Richer, Wiser, or Happier over the past few months. From investing insights to timeless ideas about how to live well, this conversation is an invitation to join them on the journey toward a more meaningful life. IN THIS EPISODE YOU'LL LEARN: 00:00 - Intro 05:35 - Whether universal truths about a good life really exist 07:43 - What we can — and can't — learn about living well from other people 47:54 - Why happiness often comes more from the absence of negative emotions than from positive ones 50:24 - What William has learned about money and happiness from some of the wealthiest people on earth 01:17:33 - Why spending money on others may increase your own happiness 01:27:29 - Why Stig has deliberately constrained himself from reading new books this past quarter Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive TIP Mastermind Community to engage in meaningful stock investing discussions with Stig, Clay, Kyle, and the other community members. William Green's book Richer, Wiser, Happier – read reviews of this book. Check out their episode on being Richer, Wiser, and Happier in Q2 2025, Q1 2025, Q4 2024, Q3 2024, Q1 2024,and Q3 2023. William Green's interview with Hagstrom. Sarah Bakewell's book, How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer. Michel de Montaigne's book, Essays. David R. Hawkins' book, Letting Go. Ray Dalio's book, How Countries Go Broke. Ray Dalio's book, Principles for Dealing with the Changing World Order. Patrul Rinpoche's book, Words of My Perfect Teacher. John Milton's book, Paradise Lost. Virginia Woolf's book, A Room of One's Own. Related books mentioned in the podcast. Ad-free episodes on our Premium Feed. NEW TO THE SHOW? Get smarter about valuing businesses in just a few minutes each week through our newsletter, The Intrinsic Value Newsletter. Check out our We Study Billionaires Starter Packs. Follow our official social media accounts: X (Twitter) | LinkedIn | Instagram | Facebook | TikTok. Browse through all our episodes (complete with transcripts) here. Try our tool for picking stock winners and managing our portfolios: TIP Finance Tool. Enjoy exclusive perks from our favorite Apps and Services. Learn how to better start, manage, and grow your business with the best business podcasts. SPONSORS Support our free podcast by supporting our sponsors: SimpleMining HardBlock AnchorWatch Human Rights Foundation Linkedin Talent Solutions Vanta Unchained Onramp Netsuite Shopify Abundant Mines Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm