Podcast appearances and mentions of Gabriela Montero

Nommée parmi les meilleurs musiciens en-dessous de 30 ans selon la CBC, la pianiste Chloé Dumoulin est appréciée pour son jeu sensible, sa sonorité colorée et sa grande fougue. Elle jouit d'une carrière internationale, qui l'a amenée à jouer au Canada, aux États-Unis, en Europe, et en Chine, où elle a récemment fait sa première tournée solo en Asie. Elle a fait ses débuts à la Maison symphonique de Montréal sous la direction de Jacques Lacombe en 2021 et s'est produite comme soliste avec l'Orchestre Métropolitain en 2016. Lauréate du 3e grand prix du Concours Prix d'Europe 2024, Chloé est également récipiendaire d'un prix de la Fondation Sylva-Gelber, de la Fondation du Conservatoire, la Fondation Desjardins, les Fonds AIDA des Jeunesses musicales du Canada et la Worshipful Glass Sellers Company. Chloé Dumoulin a assuré la première partie de nombreux orchestres tels que l'Orchestre symphonique de Montréal et l'Orchestre Métropolitain. Elle a entre autres été invitée en récital à la Chapelle historique du Bon-Pasteur, au Festival de Lanaudière, aux Concerts Lachine, à la St James's Piccadilly (Londres) ainsi qu'au Festival de musique de chambre de Montréal à la Salle Bourgie. Pianiste aux qualités de chambriste remarquables, elle collabore régulièrement avec instrumentistes et chanteurs. Depuis septembre 2023, Chloé se perfectionne à la Guildhall School of Music and Drama à Londres (UK), où elle est lauréate de la Leverhulme Arts Scholar, bourse complète, pour y compléter un Artist Diploma sous la tutelle du pédagogue réputé Ronan O'Hora. Diplômée du Conservatoire de musique de Montréal, Chloé y a complété une double maîtrise en piano auprès d'André Laplante et de Claire Ouellet. Elle a notamment travaillé auprès de Louis Lortie, Richard Goode, Gabriela Montero, Robert Levin, Dame Imogen Cooper, Éric Le Sage, Ilya Poletaev, Anton Nel, Angela Cheng et Daniel Shapiro.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La pianista Gabriela Montero pide el boicot en contra de las orquestas juveniles venezolanas  Elon Musk y Donald Trump, ¿un binomio explosivo?  La espectacularidad y el dolor de la selva amazónica El futuro de la mariposa monarca se decidirá en Washington Daniel Craig se mete en la piel de William Burroughs 

Programa dedicado a explorar algunas de las más notables composiciones creadas para dúos de instrumentistas de música clásica.  Producción y selección realizada por Carolina Valdés con la locución de Sergio Morales. Martes a las 12:00 hrs en el 95.1 FM y www.radioudec.cl  

Grammy nominated Venezuelan pianist Gabriela Montero is celebrated for her exceptional musicality and her ability to improvise complex pieces on themes suggested by her audiences at live performances. The best-selling recording artist, Latin Grammy Award winner, and human rights activist discusses recording at Abbey Road Studios, seeing her album poster-size Tower Records near Lincoln Center, and what she discovered about her brain when she performs spontaneously. Gabriela reminisces about learning to play the piano at eight-months old, performing Haydn D Major at age nine, her desire to leave the piano behind in her early thirties, and her ultimate return to the instrument. She shares with David how her music influences her political activism and what it meant to her to perform with Itzhak Perlman, Yo-Yo Ma, and Anthony McGill at the inauguration of President Barack Obama.Check out Gabriela Montero on Facebook, Twitter, YouTube, Spotify, Apple Music, or the web.As discussed in the interview, you can see Gabriela perform Haydn D Major at age nine here.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Thanks to our good friends at Ravinia for helping to make this interview possible.Photograph of Gabriela by Anders Brogaard.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Grammy nominated Venezuelan pianist Gabriela Montero is celebrated for her exceptional musicality and her ability to improvise complex pieces on themes suggested by her audiences at live performances. The best-selling recording artist, Latin Grammy Award winner, and human rights activist discusses recording at Abbey Road Studios, seeing her album poster-size Tower Records near Lincoln Center, and what she discovered about her brain when she performs spontaneously. Gabriela reminisces about learning to play the piano at eight-months old, performing Haydn D Major at age nine, her desire to leave the piano behind in her early thirties, and her ultimate return to the instrument. She shares with David how her music influences her political activism and what it meant to her to perform with Itzhak Perlman, Yo-Yo Ma, and Anthony McGill at the inauguration of President Barack Obama.Thanks to our good friends at Ravinia for helping to make this interview possible. Get your tickets here to see Gabriela Montero perform live at Ravinia on July 21st. Check out Gabriela Montero on Facebook, Twitter, YouTube, Spotify, Apple Music, or the web. As discussed in the interview, you can see Gabriela perform Haydn D Major at age nine here. Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

We're back with three more inspiring conversations featuring pianist Gabriela Montero, pianist Jeremy Denk, and cellist Alisa Weilerstein.Thanks to our good friends at Ravinia for helping to make these interviews possible. To see these guests perform live this summer, check out Ravinia's calendar.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This trailer has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Un día como hoy, 10 de mayo: Acontece: 1508: en Roma, Miguel Ángel inicia la pintura de los frescos de la Capilla Sixtina. Nace: 1604: Jean Mairet, escritor y dramaturgo francés (f. 1686). 1697: Jean-Marie Leclair, violinista y compositor francés (f. 1764). 1843: Benito Pérez Galdós, escritor y dramaturgo español (f. 1920). 1888: Max Steiner, compositor de música para cine, director de orquesta y pianista austriaco (f. 1971). 1899: Fred Astaire, cantante, actor y bailarín estadounidense (f. 1987). 1916: Milton Babbitt, compositor y educador estadounidense (f. 2011). 1970: Gabriela Montero, pianista venezolana. Fallece: 1849: Hokusai, pintor e ilustrador japonés (n. 1760). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

#contigopuebla #arte #cultura #artecontemporáneo Habitando, la luz como principio y fin, una creación colectiva, este 15, 22 y 29 de abril en #CasaTripulantes de #Puebla. La invitación con Gabriela Montero.

Probablemente hayas escuchado el término "síndrome del impostor", pero ¿qué es? Alexa y su invitada de esta semana, Gabriela Montero, comienzan definiendo el síndrome. También discuten ¿cuáles son las características de alguien con el Síndrome del Impostor? ¿Algo específico causa este síndrome? ¿Y cómo puede alguien arreglar su síndrome del impostor? ** Los episodios ahora son cada dos semanas ¡Recuerda suscribirte a nuestro nuevo canal! Una de las primeras 1,000 personas en suscribirte a nuestro canal (https://www.youtube.com/@lobuenolomalopodcast) se pueden ganar un hoodie de NO PASA NADA.* Necesitamos su apoyo! Aquí hay algunas maneras de ayudar. Encuéntranos en Patreon en www.Patreon.com/NoPasaNadaOficial o SINPE 7199-6040 NUEVO MERCH: shop.nopasanada.com! Si su empresa está interesada en anunciarse en nuestros programas o crear contenido de marca, envíenos un correo electrónico a anuncios@nopasanada.com  ⚠️  Alexa Jiménez es psicóloga, tiene una licenciatura en psicología de la Universidad de Costa Rica y está incorporada en el CPPCR. Es un buen momento para recordarles que NO PASA NADA, nuestros podcasts, y todo el contenido es solo para fines informativos y / o de entretenimiento y no sustituye el asesoramiento, diagnóstico o tratamiento médico. Todas las conversaciones y la información intercambiada durante la participación en el podcast, programas, funciones o interacción NO PASA NADA, Alexa (y los sitios web afiliados y las páginas sociales) tienen únicamente fines informativos y / o de entretenimiento. Página de Alexa: https://www.instagram.com/almasana___/   Página de Gabriela Montero: https://www.instagram.com/psicogabymontero/https://www.instagram.com/psicogabymontero/ ⚡️RRSS YouTube: https://www.youtube.com/channel/UCo8erU8O2XxqTusrTpRsJCg Insta: https://www.instagram.com/lobuenolomalopodcast/ TikTok: https://www.tiktok.com/@lobuenolomalopodcast Facebook: https://www.facebook.com/lobuenolomalopodcast *Sorteo del hoodie finaliza el Marzo del 2023. Solo válido para personas en Costa Rica o dispuestos a pagar envió internacional. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lobuenolomalo/message

Te presentamos nuestro *Boletín # 190*. 14 al 20 de febrero 2023 Cifras del Instituto Nacional de Migración (INM) señalan que en enero ingresaron a Honduras más de 1.865 migrantes venezolanos Amnistía Internacional publicó el informe Curazao: Pocas mejoras en la protección de las personas venezolanas, donde concluye que la situación de los venezolanos que buscan protección en Curazao no ha mejorado Jesús María Casal ratificó que sí habrá elección primaria La Comisión Nacional de Primaria anunciará el este miércoles el cronograma y fecha de la elección primaria La Comisión Nacional de Primaria informó al país que recibió una respuesta favorable por parte del del CNE para instalar una comisión técnica conjunta Gabriela Montero dio un concierto en Nueva York, que dedicó al tema de la emigración Reseñamos el artículo Defensa del Voto, Tarea Primaria, de Ismael Pérez Vigil Comunicado: Proyecto de ley intenta suprimir el derecho de libre asociación en Venezuela Reponemos nuestra conversación con Lolita De Sola, @lolitadesola, sobre su trabajo y más reciente tema: La noche entera

This episode is also available as a blog post: https://thecitylife.org/2023/01/27/92ny-presents-gabriela-montero-piano-westward-a-program-exploring-the-immigrant-experience/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

#Educación #educaciónartística #adultos #jóvenes #CasaTripulentes ofrece una amplia oferta de talleres: #Yoga, #Danza, #Teatro, #Pintura y ¡Muchos más! Nos invita Gabriela Montero, bailarina y docente.

La conocida pianista y compositora venezolana pasó por la capital francesa para un único concierto en la Casa de la Radio de París. En entrevista con Radio Francia Internacional, se refirió a lo que ha sido su lucha para denunciar la grave crisis en Venezuela. Gabriela Montero toca el piano desde sus cuatro años de edad. A los 12 años era capaz de interpretar una obra tan exigente para su instrumento como es el Concierto No 1 para piano y orquesta de Piotr Tchaikovski. Esa obra la ha acompañado toda su vida y es la que escogió para su debut con orquesta en la “Ciudad Luz” junto a la Orquesta Nacional de Francia, este jueves en la Casa de la Radio. Pero Gabriela Montero también tiene un talento innato para la composición y la improvisación, lo que se ha convertido en una de las actividades que más la caracteriza. De hecho, suele terminar sus conciertos con alguna improvisación, o publicar sus improvisaciones en redes sociales. “Es un ejercicio que siempre me acompaña. Improviso desde muy pequeña, y todavía hoy, cuando me siento frente al piano, le hablo e improviso. Ha sido una herramienta maravillosa para plasmar en música lo que me pasa, las historias de mi vida. Utilizo la improvisación también para hablar sobre Venezuela y lo que les pasa a los venezolanos, sobre todo en los últimos años”, declaró. Tras la llegada del chavismo al poder en Venezuela, y la crisis social, económica y política que se desató desde 1999, Gabriela Montero ha utilizado su posición, su visibilidad y las entrevistas que concede a los medios del mundo, para denunciar la destrucción de su país natal. Lo que le ha valido numerosos apoyos, pero también, una avalancha de críticas. “Ha sido desgastante, muy duro. Pero seguiré porque (en Venezuela) tengo el corazón, no puedo evitarlo. Uno actúa de acuerdo a su naturaleza. Y esa siempre ha sido mi naturaleza”, concluyó.

durée : 01:59:45 - Musique matin du jeudi 16 juin 2022 - par : Jean-Baptiste Urbain - La pianiste et compositrice vénézuélienne Gabriela Montero est de retour en France pour un concert Tchaïkovski, avec l'Orchestre National de France à la Maison de la Radio et de la Musique. - réalisé par : Figaro Freslon Le Floc'h

Venezuelan-born Gabriela Montero is not only a world-famous pianist, she's also a human rights activist who has been an outspoken opponent of her homeland's Chavist government. That activism has expressed itself in Gabriela's first composition, Ex Patria - a powerful tour-de-force for piano and orchestra which portrays the violence and corruption that has overtaken her native country.

De la mano de Angie Chevalier y de Anami Velasco entérate de los temas de novedad dentro de ámbitos como el arte y la sociedad a las 14:00 horas de lunes a viernes en La Conjura de los necios. En El invitado, Gabriela Montero, bailarina, presenta la agenda cultural del centro cultural independiente Casa Tripulantes.

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it's the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it's a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it's the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it's a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it's the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it's a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it's the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it's a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it's the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it's a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

In music and in life, when someone makes a creative choice “in the moment” its called improvising. Join host Liz Lyon as we explore ways composers and musicians have played with improvising in their music. Episode 76 playlist Johann Sebastian Bach: Musical Offering Ricercar a 3 — Bach was well known for his improvising skill. This piece was composed through the use of improvisation and was based on a musical theme.LISTEN — Johann Sebastian Bach: Musical Offering Ricercar a 3 Johann Sebastian Bach: Musical Offering Ricercar a 3 by Wolfgang Amadeus Mozart: Allegretto - Variation — Mozart was skilled at composing music on the spot. He would improvise pieces in public. For example, he closed the premiere of his Prague Symphony with a half-hour improvisation.LISTEN — Wolfgang Amadeus Mozart: Allegretto - Variation Wolfgang Amadeus Mozart: Allegretto - Variation by Gabriela Montero: Improvisation No. 2 — Gabriela Montero is a Venezuelan pianist known best for her real-time improvisation of complex musical themes and pieces suggested by her audiences during live performances.LISTEN — Gabriela Montero: Improvisation No. 2 Gabriela Montero: Improvisation No. 2 by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

Chequia condena ataque a central nuclear de Zaporiyia. Facilidades legales en Chequia para refugiados ucranianos. Entrevista a la pianista venezolana Gabriela Montero.

Chequia condena ataque a central nuclear de Zaporiyia. Facilidades legales en Chequia para refugiados ucranianos. Entrevista a la pianista venezolana Gabriela Montero.

Foto Calli, con la conducción de Joaquín Ríos Martínez, es un espacio dedicado a la imagen en el arte, a la fotografía, a las artes plásticas, a la música y a la literatura, que se transmite todos los sábados a las 18:00 horas. ¡Bienvenidx a la casa de la fotografía! En la emisión número 253 se presenta la agenda cultural y se entrevista a la Mtra. Gabriela Montero, coreógrafa y bailarina, acerca de la danza contemporánea, la imaginación y la imagen.

We conclude this 2021 year with a thoughtful interview with Ravi Venkatesan. On this podcast so far, we have discussed with Entrepreneurs, VCs and Thought leaders to better understand some of the aspects of building companies. There is another aspect of entrepreneurship which is to be a force for positive societal change.This is for this purpose that Ravi Venkatesan has created India's Global Alliance for Mass Entrepreneurship. He is interviewed here by Klaus Liegener from the TUM-Venture Lab Central team. Entrepreneurial Realities will take a break for the end of year and will be back the second week of January. We wish you wonderful end of year vacations, do recommend that you all get boosted and vaccinated and wish you an entrepreneurial happy new year. Thanks to Dominik Reuter, for doing an amazing job as producer of the podcast. Again thanks to the magical pianist Gabriela Montero whose unique fascinating improvisational skills have created the music of the podcast and who, like our guest Ravi Vekatesan, is both an amazing talent and a force for good.

We conclude this 2021 year with a thoughtful interview with Ravi Venkatesan. On this podcast so far, we have discussed with Entrepreneurs, VCs and Thought leaders to better understand some of the aspects of building companies. There is another aspect of entrepreneurship which is to be a force for positive societal change.This is for this purpose that Ravi Venkatesan has created India's Global Alliance for Mass Entrepreneurship. He is interviewed here by Klaus Liegener from the TUM-Venture Lab Central team. Entrepreneurial Realities will take a break for the end of year and will be back the second week of January. We wish you wonderful end of year vacations, do recommend that you all get boosted and vaccinated and wish you an entrepreneurial happy new year. Thanks to Dominik Reuter, for doing an amazing job as producer of the podcast. Again thanks to the magical pianist Gabriela Montero whose unique fascinating improvisational skills have created the music of the podcast and who, like our guest Ravi Vekatesan, is both an amazing talent and a force for good.

Die Pianistin Gabriela Montero setzt sich auf und neben der Konzertbühne dafür ein, dass die Welt von den Menschenrechtsverletzungen in ihrem Heimatland Venezuela erfährt. Nur wenige Musiker der Klassik-Szene äussern sich öffentlich zu politischen Themen. Warum eigentlich? Gabriela Montero hat sich die Rolle als politische Aktivistin für ihr Heimatland Venezuela nicht ausgesucht. Doch als sie sich weigerte, für die Machthaber zu musizieren, musste sie sich als Regimegegnerin öffentlich positionieren. Heute lebt sie im Exil und kämpft dafür, dass ihr Land nicht vergessen wird. Mit ihrem politischen Engagement ist sie ziemlich allein. Warum ist der Konzertsaal eine weitestgehend politikfreie Bühne? Ist die Klassik-Szene zu einer Wohlfühloase geworden, einem Zufluchtsort? Die Musikwissenschaftlerin Yvonne Wasserloos gibt Antwort.

University of Arkansas music professor Lia Uribe this week explores the sounds of Venezuelan composers. We hear compositions by Aldemaro Romero, Teresa Carreño and Gabriela Montero,

durée : 01:57:47 - Le Bach du dimanche du dimanche 31 octobre 2021 - par : Corinne Schneider - Au programme de cette 180e émission : une première heure au piano en compagnie de Gabriela Montero et la découverte des Suites Anglaises de Vladimir Ashkenazy (nouveauté du label Decca) ; une deuxième heure en compagnie de Masaaki Suzuki pour la fête de la Réformation avec les Cantates BWV 79-80-192 - réalisé par : Céline Parfenoff

A cura di Fabio Barbieri. Musiche: Miles Davis, Thomas Stronen, Ayumi Tanaka, Marthe Lea, Paolo Fresu, Richard Galliano, Jan Lundgren, Gavin Briars, Christopher Hobbs, Gerry Mulligan, Gillian Welch, David Rowlings, Evan Parker, Transatlantic Art Ensemble, Luciano Biondini, Seabuckthorn, Tru, Lloyd McNeill Quartet, Trio Beyond, Duo Zuber, Manuel Blancafort, Gabriela Montero, Bertrand Chamayou, Kenny Wheeler Quintet.

A cura di Fabio Barbieri. Musiche: Miles Davis, Thomas Stronen, Ayumi Tanaka, Marthe Lea, Paolo Fresu, Richard Galliano, Jan Lundgren, Gavin Briars, Christopher Hobbs, Gerry Mulligan, Gillian Welch, David Rowlings, Evan Parker, Transatlantic Art Ensemble, Luciano Biondini, Seabuckthorn, Tru, Lloyd McNeill Quartet, Trio Beyond, Duo Zuber, Manuel Blancafort, Gabriela Montero, Bertrand Chamayou, Kenny Wheeler Quintet.

Nicola Campogrande"MiTo Settembre Musica 2021"http://www.mitosettembremusica.it/itMiTo Settembre Musica 2021: "Futuri"Diversità e continuità in un programma ambizioso: a Milano e a Torino di nuovo musicisti da tutta Europa, e musiche dal passato al presente guardando al futuro #soloamito: 126 concerti pensati appositamente sul tema della quindicesima edizione, “futuri”, in un cartellone comune per le due città.Si apre con l'Orchestra Sinfonica Nazionale della Rai diretta da Fabio Luisi, insieme al pianista Francesco Piemontesi, e si chiude a Milano con l'Orchestra del Teatro Regio di Torino diretta da Pablo Heras-Casado e a Torino con la Filarmonica della Scala diretta da Riccardo Chailly Tra gli altri ospiti, i pianisti Ivo Pogorelich, Brad Mehldau, Gabriela Montero, Michail Lifits; il violinista Sergej Krylov; il tenore Ian Bostridge; la fisarmonicista Ksenija Sidorova7 prime esecuzioni assolute, tra cui una commissione del Festival, 12 prime italiane e più di 60 compositori viventi coinvolti. Nel giorno dei cori, tredici concerti a ingresso gratuitoContinua la collaborazione con Rai Radio3, che trasmette molti concerti in diretta o differita,e Rai Cultura, che realizza un documentario sul festival«Dopo l'edizione dello scorso anno - dicono i Sindaci di Torino e Milano Chiara Appendino e Giuseppe Sala - tutta volta a valorizzare e impiegare i talenti del nostro Paese per troppo tempo rimasti fermi a causa della pandemia, quest'anno MITO SettembreMusica riguadagna quella dimensione e quella vocazione autenticamente internazionali che lo hanno sempre caratterizzato. Il coinvolgimento di talenti da tutta Europa diventa quindi simbolo di quell'apertura alla dimensione globale della cultura a cui siamo stati costretti a rinunciare nell'ultimo anno, ma della quale oggi sentiamo più che mai forte la necessità».Si intitola “futuri” ed è dedicata a Fiorenzo Alfieri, Assessore alla Cultura di Torino recentemente scomparso, la quindicesima edizione del Festival MITO SettembreMusica, che si svolgerà a Milano e a Torino dall'8 al 26 settembre 2021, con 126 concerti nelle due città.Un hashtag eloquente, #soloamito, per identificare un cartellone articolato e vario ma al tempo stesso compatto e coerente, che fonde e mette in comunicazione fra loro proposte diverse per ascoltatori diversi, nomi illustri e realtà spontanee, capolavori consacrati e proposte inedite, per i grandi e per i piccoli, per il pubblico più preparato e per quello meno abituato alla musica. Tutti programmi ideati apposta ed esclusivamente per un festival unico, declinando il tema che li riunisce in uno sforzo creativo eccezionale, realizzato grazie alla stretta collaborazione con gli artisti coinvolti, pur nel costante rispetto dei protocolli sanitari. Anche quest'anno non mancano le introduzioni ai concerti, curate da Stefano Catucci, Enrico Correggia, Luigi Marzola, Carlo Pavese e Gaia Varon.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Un día como hoy, 10 de mayo: Acontece: 1508: en Roma, Miguel Ángel inicia la pintura de los frescos de la Capilla Sixtina. Nace: 1604: Jean Mairet, escritor y dramaturgo francés (f. 1686). 1697: Jean-Marie Leclair, violinista y compositor francés (f. 1764). 1843: Benito Pérez Galdós, escritor y dramaturgo español (f. 1920). 1888: Max Steiner, compositor de música para cine, director de orquesta y pianista austriaco (f. 1971). 1899: Fred Astaire, cantante, actor y bailarín estadounidense (f. 1987). 1916: Milton Babbitt, compositor y educador estadounidense (f. 2011). 1970: Gabriela Montero, pianista venezolana. Fallece: 1849: Hokusai, pintor e ilustrador japonés (n. 1760). Una producción de Sala Prisma Podcast. 2021

Conduce: José-María Álvarez Entrevista realizada en la Ciudad de México en junio de 2014. Contenido: Moisés Moleiro: Joropo Antonio Estévez: Ancestro I, Ancestro II, Toccatina Ernesto Lecuona: Y la negra bailaba Gabriela Montero: Mi Venezuela llora Gaspar Sanz: Canarios (Improvisación de Gabriela Montero)

Gabriela Montero, Lang-Lang, Yuja Wang, Daniil Trifonov y —porque el piano no es como el fútbol, en el que los más veteranos pasan al banco de relevos— Maurizio Pollini, que a sus 78 años sigue siendo uno de los más activos e influyentes pianistas del mundo.

#DanzaConServicioAdomicilio, una intervención dancística para todos los hogares; un proyecto del Grupo Tripulantes, en una conversación con la bailarina Gabriela Montero.

Michael Shapiro in conversation with pianist Gabriela Montero about her pianism, compositions, and improvisational skills. www.michaelshapiro.com www.gabrielamontero.com

“Lo mas importante es trabajar en equipo y relacionarte con la gente." Ricardo Quintero, MixedbyRQ. Ricardo nos cuenta cómo empezó en la industria de la música clásica y el proceso que paso hasta ganar un Grammy al mejor álbum clásico del 2015, por su trabajo con Gabriela Montero. Luego del Grammy y buscando nuevos retos, da un giro a su carrera e incursiona en el mundo de la música urbana, donde es in-house recording and mixing engineer para Miami's Rebel Eleven Studios y Mix Masters Studios. Ricardo ha colaborado con los mejores artistas de este género, como Bad Bunny, Maffio, Nicky Jam, Chino y Nacho, French Montana, Leslie Shaw, Darkiel, Shaggy, Kymani Marley, Guaynaa, Tainy, Rvssian, Nicki Nicole, y muchos más. Nos habla acerca de cómo toco muchas puertas para poder lograr lo que siempre quiso, estar en lo mas alto de la industria. Definitivamente una historia que merece ser escuchada. Instagram: @mixedbyrq Website: www.mixedbyrq.com

durée : 01:53:41 - Vert - par : Corinne Schneider - Un lundi après-midi au vert avec la musique de Fauré, Franck, Liebermann, Rossini, Barbara Strozzi, Vivaldi, Wagner… en compagnie de Bertrand Chamayou, Mailys de Villoutreys, Riccardo Chailly, Gabriela Montero, Marcus Creed, des Voix bulgares et des Polyphonies corses… - réalisé par : Antoine Courtin

Gabriela Montero inspires audiences to sing and artists to act.

Gabriela's latest album on Orchid Classics is available on Spotify (https://open.spotify.com/album/6bpic8St4QDMkaAMiYe0rD?si=b2W6EVeRRpGaJY6rVY3cjA) . She performs with the Bournemouth Symphony Orchestra on 26 February 2020. https://bsolive.com/events/artist-in-residence-recital/

Sean Rafferty is joined by the choir Ex Cathedra and folk supergroup The Melrose Quartet. He also pays tribute to Mariss Jansons, and Gabriela Montero improvises at the In Tune piano.

durée : 01:57:29 - En pistes ! du mercredi 04 décembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu : Trois œuvres ludiques de Gulda, Prokofiev et Poulenc par le Giraud Ensemble Chamber Orchestra, Thomas Zehetmair s'approprie les sonates et partitas pour violon seul de Bach, Gabriela Montero réunit son Concerto "latin" au célébrissime concerto de Ravel - réalisé par : Lionel Quantin

In our December 2019 podcast, we pay tribute to the late soprano Jessye Norman and listen to one of her best recordings. We also discuss the new 'Music for Trees' app created by the Royal Parks in conjunction with the Royal Academy of Music. The app follows the roaming user as they walk around Regent's Park, playing corresponding compositions by RAM students. Plus, we take a look at this year's shortlist for the RPS Awards.We flick through the latest issue of BBC Music Magazine and listen to our superb Recording of the Month. As Hildegard von Bingen is our Composer of the Month, we discuss what it is about her music that has stood the test of time and has made it so adaptable for musicians across all genres. Plus, we explore the new phenomenon of implanting movie-style age ratings on operas.As usual, we all bring along our favourite new recordings from the last month, including Gabriela Montero's new 'Latin' piano concerto and a new disc from the Choir of St John's College, Cambridge.Recordings:Black Voices Rise: African American Artists at the Met, 1955-1985Wagner: Tannhäuser – 'Dich, teure Helle'Met Opera ProductionsThe Sun RisingThe BelovedShostakovich24 Preludes: V. Allegro vivaceAndrey Gugnin (piano)Hyperion CDA68267Jeremy's choice:MagnificatGlen Dempsey (organ), Choir of St John's College, Cambridge/Andrew NethsinghaSignum SIGCD588Michael's choice:Hanns Eisler: Leipzig SymphonyMDR Sinfonieorchester Leipzig, Kammersymphonie Berlin/Jurgen BrunsCapriccio C5268Freya's choice:Gabriela Montero & Ravel: Piano ConcertoGabriela Montero (piano), Orchestra of the Americas/Carlos Miguel PrietoOrchid Classics ORC100104Stories:Royal Philharmonic Society Awards 2019 shortlists announced: http://www.classical-music.com/news/royal-philharmonic-society-awards-2019-shortlists-announcedMusic for Trees mobile app: https://www.royalparks.org.uk/parks/the-regents-park/things-to-see-and-do/music-for-trees-mobile-app See acast.com/privacy for privacy and opt-out information.

Sam unveils Owen Wilson's new Steve Reich biopic, Tim gets lost in a sylvan wonderland, and both catch up with Snoop Dogg – fresh from his performance at the grand opening of Hotbox Farms.Music Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever The World Orchestra performing music written by AI under Sergey Smbatyan ‘Mr Big Stuff' by Joseph Broussard, Carrol Washington and Ralph George Williams performed by Jean Knight Latin Concerto, Mov. 3 by Gabriela Montero, performed by the composer with the Bournemouth Symphony Orchestra Jean Sibelius, Symphony No. 5, Mov. 3 performed by Timmy Fisher Donate to Decca's new bursary: https://www.justgiving.com/Decca90Gabriela Montero does an improvised encore:https://www.classicfm.com/artists/gabriela-montero/improvisation-habanera-joplin/Link to the score for ‘Glory to Hong Kong': https://musescore.com/user/10411781/scores/5706562Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

La pianista venezolana Gabriela Montero nos habla de su segundo álbum del sello Orchid Classics en donde interpreta dos conciertos para piano y orquesta; su composición original Concierto Latino en el cual nos describe musicalmente el complejo mosaico sociocultural de Latinoamérica a través de ritmos originales de nuestro continente, y el concierto en sol de Ravel.

Gabriela Montero, the exhilarating Venezuelan pianist, is playing in Miami. She is renowned for her live improvisations, a form of classical music that’s rarely heard in concert halls today. Produced for The BBC World Service

Gabriela Montero, the exhilarating Venezuelan pianist, is playing in Miami. She is renowned for her live improvisations, a form of classical music that’s rarely heard in concert halls today. Produced for The BBC World Service

Venezuelan pianist Gabriela Montero's talent for real-time improvisation has earned her many followers around the world.  She explains how she uses music to respond to the current political crisis in her home country.

In this episode, I chat with with Anthony McGill, principal clarinetist with the NY Philharmonic.  We have a great conversation about attention and presence, in both practice and performance. Among other things, we discuss his journey to the NY Phil, the importance of absolutely loving music in choosing it as a career, how to nurture focus and make practice more efficient, and how to work towards having more flow in performance. Anthony elaborates on: His musical path, from the Southside of Chicago to the NY Phil The various institutions he attended – the Merit School, the Interlochen Academy, and the Curtis Institute How important the community that surrounds us is as we develop as musicians/artists/people How to nurture focus: The importance of how loving what you do is in fostering focus The quote that really articulated that concept for him How focus starts from figuring out if you truly love what you do Cultivating quality presence, awareness, and curiosity in the practice room are the keys to solid focus How to make practice efficient How he primes and prepares for a practice session How wanting to practice, having a plan, being aware, and being methodical are at the core of a good practice session How he “tricks” himself to practice (which is similar to the trick I talk about in this blog entry: https://www.mindoverfinger.com/blog/commit-to-ten) How listening to music is important Focus in performance: How to work towards flow and overcome mistakes How important it is to develop our public speaking and self-marketing skills Why we should develop an interest in a hobby outside of music   MORE ABOUT ANTHONY: Website: http://www.anthonymcgill.com/ Find some YouTube videos about Anthony HERE Instagram: https://www.instagram.com/mcgillclarinet/ Facebook: https://www.facebook.com/Mcgillab/   Biography Clarinetist Anthony McGill is one of classical music's most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra's first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.   McGill's 2018-19 season includes performances of concertos by Bolcom, Copland, Mozart, and Strauss with the New York Philharmonic, Los Angeles Chamber Orchestra, Tallahassee Symphony, Vermont Symphony, and Austin Symphonic Band. He will also collaborate together with soprano Miah Persson in a performance of Schubert's “The Shepherd on the Rock” together with Iván Fischer and the New York Philharmonic. Additional performances include a collaboration with the Dover Quartet for the Philadelphia Chamber Music Society and a recital with soprano Julia Bullock for the Metropolitan Museum of Art, along with collaborations with the Brentano Quartet for Princeton University and a tour of Asia with the Chamber Music Society of Lincoln Center.   McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.   In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.   A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR's St. Paul Sunday Morning, and Mr. Roger's Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers' inspirational story.   A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, Bard College's Conservatory of Music, and the Manhattan School of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

Mit Gabriela Montero ist zum ersten Mal eine Frau mit dem Internationalen Beethovenpreis für Menschenrechte ausgezeichnet worden. Die venezolanische Pianistin wurde geehrt für ihr gesellschaftliches und politisches Engagement. Montero setzt sich für die Menschen in ihrem Heimatland ein.

Gabriela Montero zu Gast beim MDR-Sinfonieorchester. Im Gespräch mit André Sittner spricht sie über ihren Weg zum Klavier, Mozart als Improvisator und von ihren Sorgen über die Entwicklungen in ihrer Heimar Venezuela.

En stad där den klassiska musiken har fått starkt stöd av samhället. Här delas även ett av världens mest prestigefyllda konstmusikpris ut, Léonie Sonnings Musikpris, på 100.000 Euro år 2017. Birgitta Tollan gör självsvåldiga nedslag i musiklivet i sex städer: Reykjavik, New York, Oslo, Helsingfors, Berlin och Köpenhamn. Har vardera stad en speciell musiksjäl? Vi möter musiker, tonsättare, operachefer, operasångerskor, ensembler, programläggare, kritiker, festivaldirektörer och musikvetare. Det är dags för Köpenhamn! Prestigebyggena, det nya operahuset och Danmarks Radios nya konserthuset, i Köpenhamn har skrivit in skeppsredare och kulturministrar i musikhistorien. Trots gigantiska överdrag av budgeterna. Danmarks Radio tvingades avskeda en massa medarbetare och kanalen P2 hotades. Men finns det pengar över till själva musiken?  - Operahuset använder stora delar av sin budget till att driva det gigantiska huset. Vi skulle hellre vara utan prestigehusen om vi fick möjlighet att förverkliga våra konstnärliga ambitioner och ha ett mer varierat utbud, säger violinisten Alexander Øllgaard, som spelar i operaorkestern Det Kongelige Kapel, i Kroger Kvartetten och i Trio Aristos.   - De fria medlen har blivit färre. Smala genrer har fått det sämre. Jag undrar hur många symfoniorkestrar man kan hålla igång på bekostnad av mindre experimenterande grupper som arbetar oavhängigt, säger saxofonisten och komponisten Lotte Anker, en av de främsta inom dansk experimenterande nutida musik och jazz. - Det saknas kvinnliga lärare och kvinnliga instrumentalister i jazzutbildningen vid det Rytmiska Konservatoriet, så vi har startat danska IMPRA, ett nätverk och en föreningen för kvinnliga improvisationsmusiker efter svensk förebild.   Svenska flöjtisten Kristina Ersson utbildade sig på Musikkonservatoriet i Köpenhamn och har under fyra år varit anställd som soloflöjtist i Sjællands Symfoniorkester som på somrarna kallas Tivolis Symfoniorkester. - Den stora klassiska publiken i Köpenhamn är konservativ och över 40 år. Därför är det svårt att sälja biljetter till alltför okända, moderna program. Vi vill nå en yngre publik och vi vill utbilda publiken. Därför erbjuder vi extrapriser för serier där speciella s k Farliga konserter ingår. Vi använder även hemsidan, udda konserttider och olika jippon för att locka annorlunda publik, säger Kristina Ersson.   Nikolaj Koppel är chef för all musikverksamhet vid Tivoli i Köpenhamn, som drivs kommersiellt. Han kommer ur den välkända musiksläkten Koppel som startade med pianisten och tonsättaren Herman D Koppel. Nikolaj Koppel var tidigare konsertpianist och satsar återigen på en kammarmusikserie Pianoforte, där världskända klassiska pianister framträder, t ex Gabriela Montero, Murray Perahia, Lang Lang, Emanuel Ax, Marc-André Hamelin och Marta Argerich m fl. - Det är inte vår största uppgift att promovera nutida musik, säger Nikolaj Koppel. Men vi satsar mycket på att få ut musiken på udda ställen, t ex hörde 25 000 människor på Roskildefestivalen förra året musik av Sjostakovitj och Stravinskij. Vi vill nå dem som är mellan 15 och 26 år, alltså människor som ännu inte stiftat familj, säger Nikolaj Koppel.   Dessutom medverkar Lotte Bichell, kulturjournalist på Berlingske Tidende.   Låtlista: Untitled In CoF Minor A Valentine To Sherwood Anderson Mikhail/Gertrude Stein Mikhail. Gertrude Stein. DJ Spooky Remix Utgiven med boken Sound Unbound   Stråkkvartett i D-dur, op 63. I Allegro Moderato. Niels W Gade Köpenhamns Stråkkvartett   Dansk musik i 1000 år - en antologi Dacapo 8.224185   Berber Lotte Anker Lotte Anker, alt- och tenorsaxofoner. Craig Taborn, piano. Gerald Cheaver, Trummor Live at the Loft, Inspelad live i Köln ILK 148CD       String Quartet No. 8 'Night Descending Like Smoke' (1995-97), III: Voyage Per Nørgård The Kroger Quartet Nørgård: String Quartets No. 7-10 DACAPO 8.226059   Der Er et Yndigt Land Adam Oehlenschläger, text. H. E. Krøyer, musik Pia Raug & Steve Dobrogosz Hjertesproget / Pia Raug og Steve Dobrogosz  Exlibris EXL40 30050   Symfoni nr 3, op 27 Expansiva. I Allegro Espansiva Carl Nielsen Danska radiosymfonikerna. Michael Schönwandt, dirigent Dansk musik i 1000 år - en antologi          dacapo CD 7 8.224184-96   Symphony No. 7 (2004-2006) I Per Nørgård Thomas Dausgaard, conductor. Danish National Symphony Orchestra,   Danish National Vocal Ensemble,  Danish National Chorus Per Nörgård: Symphony 3 & 7 Dacapo 6220547    Tjenerindens fortælling, The Red Centre Assembly Hall Poul Ruders Danska kungliga operans kör och orkester. Michael Schönwandt, dirigent Tjenerindens fortælling Dacapo 2 CD 8.224165-66   Symphony #16, BVN 417, "Syndflod Af Sol" (Sun Deluge) - 2. Scherzo (1950-51) Rued Langgaard Thomas Dausgaard; Danish National Symphony Orchestra Langgaard (R): Symphonies #15 & 16      Dacapo 6.2000001   Champagne Galoppen H C Lumbye Tivolis Symfoniorkester. Giordani Bellincampi, dirigent Dansk musik i 1000 år - en antologi Dacapo 8.224186                 Listen Benita Haastrup Benita Haastrup, percussion Sunrise Calibrated CAL1080   Stråktrio op 9, Nr 2 Beethoven Trio Aristos: Alexander Øllgaard m fl Privat inspelning   String Quartet No. 8 'Night Descending Like Smoke' (1995-97), II: Man Animal Per Nørgård The Kroger Quartet Nørgård: String Quartets No. 7-10 DACAPO 8.226059   Morning Dove Anker, Courvoiser, Mori Sylvie Courvoiser / Ikue Mori / Lotte Anker Alien Huddle INTAKT CD 144   Simmering Anxiety Part 1 Pernille Bévort Bévort, saxofoner. Marie-Louise Schmidt, piano Playground +1 Calibrated CALI 059   November Anker, Cronholm, Mazur Lotte Anker,saxofonister. Marilyn Mazur, slagverk. Josefin Cronholm, sång ANKER / CRISPELL / MAZUR: Poetic Justice Dacapo DCCD 9460   Untitled In CoF Minor A Valentine To Sherwood Anderson Mikhail/Gertrude Stein Mikhail. Gertrude Stein. DJ Spooky Remix Utgiven med boken Sound Unbound

Am 2. Juli tritt die venezolanische Pianistin Gabriela Montero in Ingolstadt auf. Im Interview spricht sie über die Kunst der Improvisation, mit der sie ihr Publikum stets aufs Neue begeistert und die sie schon als Kind beherrscht hat.

La verdad puede olvidarse ante la gravedad de las injusticias, pero siempre permanece allí, dentro de todos nosotros. “La obra no es un recetario de los cuentos de hadas, sino un instrumento para quien cree que es necesario que la imaginación tenga su lugar en la educación, para quien confía en la imaginación infantil, para quien conoce el poder de liberación que puede tener la palabra”. Gianni Rodari. Jaime de Cristal es sólo una de los 58 historias en el maravilloso “Cuentos por teléfono”, publicado por la Editorial Juventud a la que damos gracias por permitirnos su lectura. También agradecemos a Gabriela Montero y a Warner Music por el uso de la pieza Handel Largo del disco Barroco para la musicalización de la narración y a la banda Blanket Music por la utilización de su pieza “Sólo nosotros” en los créditos. Narrado por Gabriel Naranjo. Ilustrado por Sylvia Agudelo. Edición de sonido de Valentina Armas Naranjo. Muchas gracias a ti por escucharnos, recuerda suscribirte a nuestro podcast en tu aplicación favorita para recibir los nuevos cuentos que publicaremos.

[08/05/2017] El magazine de Clásica FM abre sus puertas en edición de lunes en la que comentamos la polémica que se ha creado entorno al vídeo de Dudamel contra el régimen venezolano. Repasamos la contestación que hace al mismo el también director Manuel Hernández Silva y que incluye comentarios de Gabriela Montero. Además, Clarificando con un reciente ganador de una plaza en la Banda Municipal de Santander.

[08/05/2017] El magazine de Clásica FM abre sus puertas en edición de lunes en la que comentamos la polémica que se ha creado entorno al vídeo de Dudamel contra el régimen venezolano. Repasamos la contestación que hace al mismo el también director Manuel Hernández Silva y que incluye comentarios de Gabriela Montero. Además, Clarificando con un reciente ganador de una plaza en la Banda Municipal de Santander.

Gabriela Montero, the exhilarating Venezuelan pianist, is playing in Miami. She is renowned for her live improvisations, a form of classical music that is rarely heard in concert halls today. Her spontaneous compositions on stage are inspired by musical motifs, sung or hummed to her by a member of the audience, often drawn from the classical repertoire, but also from the local folk traditions of any given audience.

En una casita, aislada en el campo, mora una viejita, que le teme a todo.Este cuento de la escritora María de la Luz Uribe, editado por primera vez por Ekare en 1981, es uno de nuestros cuentos favoritos. Llenas de humor y ternura por el personaje, las ilustraciones de Fernando Krahn y su diseño le dan una rítmica especial a los textos de la autora. “Doña Piñones” fue reeditado en 2006, con nuevas ilustraciones a color: vale la pena tenerlo en tu bliblioteca.Valga la presente para agradecer especialmente a Ediciones Ekaré por permitirnos compartir este cuento con ustedes, a Gabriela Montero por el uso de la pieza Vivaldi:Invierno del su disco Barroco para la musicalización de la narración y a la banda Blanket Music por la utilización de su pieza “Sólo nosotros” en los créditos.Narrado por Margarita Naranjo y Gabriel Naranjo. Ilustrado por Isabella Flores Naranjo. Edición de sonido de Valentina Armas Naranjo.Muchas gracias a ti por escucharnos, recuerda suscribirte a nuestro podcast en tu aplicación favorita para recibir los nuevos cuentos que publicaremos.

Séptima hora de El Ático 100, momento de repasar dos de los mejores momentos de los 99 programas anteriores: las entrevistas a Pablo Ferrández y a Gabriela Montero. Además, repasamos la actualidad con la música que se alzó con el Goya 2017 a la mejor banda sonora y hablamos con Aida Company, agredida por denunciar los impagos de la Unió Musical de Vallada, quien nos cuenta en directo todos los detalles.

Séptima hora de El Ático 100, momento de repasar dos de los mejores momentos de los 99 programas anteriores: las entrevistas a Pablo Ferrández y a Gabriela Montero. Además, repasamos la actualidad con la música que se alzó con el Goya 2017 a la mejor banda sonora y hablamos con Aida Company, agredida por denunciar los impagos de la Unió Musical de Vallada, quien nos cuenta en directo todos los detalles.

Two world-renowned pianists from Venezuela and Georgia talk to Kim Chakanetsa about their personal and musical journeys. Gabriela Montero grew up in Venezuela and could pick out a tune on a toy piano before she could speak. She made her concert debut aged eight and has gone on to become an award-winning and best-selling performer, who played at the inauguration of President Obama in 2009. Gabriela now lives in Spain but in recent years has begun to compose her own music, and is using her artistic voice to highlight the terrible problems facing her native Venezuela. Georgian pianist Khatia Buniatishvili began her musical studies at the age of three. Hailed as a child prodigy she began touring internationally aged 10, and hasn't stopped since. However she says she was never pressured to have a career in music - it's simply what she loves to do. As well as gaining a reputation for a dramatic playing style, Khatia's revealing outfits have also attracted attention. She says she will continue to wear what she wants on stage, and that these comments are attempts to belittle her intellect and musical talent by focusing on her image. (Photo: (L) Khatia Buniatishvili. Credit Gavin Evans, and (R) Gabriela Montero. Credit Shelley Mosman)

Venezuelan pianist Gabriela Montero chooses the Schumann Fantasie performed by Clifford Curzon and Quintet Opus 18 by Mieczyslaw Weinberg, performed by the Borodin Quartet

Actor and broadcaster Tony Robinson joins Aasmah Mir and Rev. Richard Coles to talk about his life onstage, the impact of playing Baldrick, and the unusual way his love of history developed. Gemma-Louise Stevenson shares the art of wheelchair dancing. Saturday Live Listener Dr.Ciaran O'Keeffe reveals how Ghostbusters inspired him to become a Parapsychologist. Writer Jonathan Harvey meets up with JP Devlin and explains why he's decided to return to his hometown of Liverpool. Venezuelan pianist Gabriela Montero shares her Inheritance Tracks. She has chosen The Schumann Fantasie performed by Clifford Curzon and Quintet Opus 18 by Mieczyslaw Weinberg, performed by Borodin Quartet NASA Astronaut Mike Massimino talks about venturing into space, repairing the Hubble Telescope and his intergalactic playlist. Tony Robinson's autobiography No Cunning Plan is out now. Jonathan Harvey's latest novel The History of Us is out now. Mike Massimino's book Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe is out now. Producer: Claire Bartleet Editor: Karen Dalziel.

Anthony McGill is one of the greatest clarinetists in the classical music field today. He's been the Associate Principal Clarinet of the Cincinnati Symphony Orchestra, the Principal Clarinet of the Metropolitan Orchestra, and currently serves as Principal Clarinet of the New York Philharmonic. Several months ago, Anthony's older brother, Demarre McGill, was featured on the show. What an honor to have the opportunity to talk to Anthony, whom I've known since he was a student at Curtis. In addition to his remarkable achievements in the orchestral world and collaborations with some of the greatest classical musicians, Anthony performed with Itzhak Perlman, Yo-Yo Ma and Gabriela Montero at the inauguration of President Barack Obama back in 2009. On a tangential note, Anthony was actually partially responsible for inspiring me to become a paperless musician, and start a little company called “AirTurn” to create wireless page turning pedals for reading digital sheet music hands free. Links Anthony's website: http://www.anthonymcgill.com/ Mozart Clarinet Quintet in A major, K. 581: I. Allegro Mozart Clarinet Concerto in A major, K. 622: II. Adagio Brahms Clarinet Quintet in B minor, Op. 115: IV. Con moto Poulenc Sonata for Clarinet and Piano: II. Romanza Anthony's blog article "Why I Do What I Do" New York Philharmonic website: http://nyphil.org/ AirTurn    

I programmet diskuteras bl.a. Jennifer Higdons opera "Cold Mountain", orkestermusik av Enescu och Rachmaninovs andra pianokonsert med solisten Gabriela Montero. Sofia Nyblom möter Lang Lang. I panelen: Boel Adler, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:GRIEG NIELSEN SIBELIUS STENHAMMAR Violinsonater Baiba Skride, violin Lauma Skride, piano Orfeo C 913 161 ARACHMANINOV GABRIELA MONTERO Pianokonsert nr 2 c-moll Ex patria op 1, Improvisation nr 1-3 Gabriela Montero, piano YOA Orchestra of the Americas Carlos Miguel Prieto, dirigent Orchid Classics ORC 100047JENNIFER HIGDON Cold Mountain, opera efter filmen med samma namn. Nathan Gunn, Isabel Leonard m.fl. Santa Fe-operans orkester, Miguel Harth-Bedoya, dirigent Pentatone PTC 5186 583GEORGE ENESCU Symfoni nr 4, Nuages dAutomne sur les Forêts, Kammarsymfoni Nordtyska radions filharmoni, Hannover Peter Ruzicka, dirigent CPO 777 966-2Sofia möter Lang Lang Sofia Nyblom har träffat den kinesiske världspianisten Lang Lang för ett samtal i samband med att han gästade Stockholms konserthus för en recital i mars tidigare i år. Andra i programmet nämnda eller rekommenderade inspelningar: Nielsens andra violinsonat med Cecilia Zilliacus och Bengt Forsberg på märket dB Productions. Stenhammars violinsonat med Nils-Erik Sparf och Bengt Forsberg på Musica Sveciae. Enescus kammarsymfoni med Tammerfors stadsorkester ledd av Hannu Lintu på Ondine. Exempel på filmer som blivit opera: Hitchcocks Notorious med musik av Hans Gefors samt Ang Lees Brokeback Mountain tonsatt av Charles Wuorinen. Svepet Johan sveper över 2 CDr: Orkestermusik ur Franz Schrekers operor med Kungliga hovkapellet under ledning av Lawrence Renes utgiven på Bis, ur vilken vi hör förspelet till Gezeichneten samt över ett album med 4 skivor och båda böckerna med Das Wohltemperierte Klavier framförda av Niklas Sivelöv på skivmärke HVB Records. Ur den spelas Preludium nr 1 C-dur ur första boken.   

Venezuelan-born Gabriela Montero is not only a world-famous pianist, she's also a human rights activist who has been an outspoken opponent of her homeland's Chavist government. That activism has expressed itself in Gabriela's first composition, Ex Patria - a powerful tour-de-force for piano and orchestra which portrays the violence and corruption that has overtaken her native country.

Broche de oro para el final de la Tercera Temporada de Clásica FM y para celebrar el programa nº 50 de El Ático: las inspiradoras palabras de Gabriela Montero, una de las pianistas más reconocidas y brillantes de la actualidad mundial, recientemente ganadora de un Grammy, con la que charlamos sobre música, sobre Venezuela y sobre la vida.

Broche de oro para el final de la Tercera Temporada de Clásica FM y para celebrar el programa nº 50 de El Ático: las inspiradoras palabras de Gabriela Montero, una de las pianistas más reconocidas y brillantes de la actualidad mundial, recientemente ganadora de un Grammy, con la que charlamos sobre música, sobre Venezuela y sobre la vida.

Despedimos la tercera temporada, como es costumbre, con un nombre muy relevante del panorama musical. En esta ocasión nos visita Gabriela Montero, reciente ganadora de un Grammy Latino al mejor album, que comparte con nosotros sus experiencias y opiniones. Imperdible!

Despedimos la tercera temporada, como es costumbre, con un nombre muy relevante del panorama musical. En esta ocasión nos visita Gabriela Montero, reciente ganadora de un Grammy Latino al mejor album, que comparte con nosotros sus experiencias y opiniones. Imperdible!

Sergej Rachmaninow: Klavierkonzert Nr. 2 c-Moll, op. 18 | Gabriela Montero: "Ex Patria"; Improvisationen | Gabriela Montero (Klavier) | YOA Orchestra of the Americas | Leitung: Carlos Miguel Prieto

Hoy invitada Gabriela Montero con el tema: Movimiento que habla

Hoy invitada Gabriela Montero con el tema: Movimiento que habla

Improvisation is a nearly obsolete art in classical music these days. But virtuosos used to improvise all the time. Mozart freely improvised on his own tunes, Liszt would strike up an aria from a Wagner opera and embellish it. Even legendary piano showmen of the 20th century made it part of their performance practice early in their careers – people like Vladimir Horowitz, Arthur Rubinstein and Leopold Godowsky. In this week's episode, Clive Brown, a professor of applied musicology at University of Leeds in England, explains why it's fallen by the wayside. He believes that modern recordings, music competitions and regimented conservatory instruction have all contributed to suppressing this practice. "One of the factors that makes classical music seem stuffy and less interesting to young people is this rigidity with which we play it now," said Brown. "More or less every performance is tied to the notation." Gabriela Montero, pianist (Colin Bell) There are a few performers who have taken up the improvisation mantle, including pianist Gabriela Montero. In both recitals and as concerto encores, she spins out elaborate original creations based on a given theme; sometimes she even asks audience members to sing melodies on which she elaborates. But she notes that despite public interest, this has become a double-edged sword, with some music executives mistakenly labeling her a crossover artist. "There are so few of us that do it on the concert platform that you become an oddity," Montero said. "The way the business is set up, people pigeonhole you and they have to find a label for you. So if you improvise, you're too creative or too free to be a classical concert pianist, which is absolute nonsense." Montero maintains that artists must resist "the pressures of careers or the imaginary limitations that people impose on themselves." Listen to the full segment at the top of this page and share your thoughts below: Do you think classical musicians should be freer with their interpretations and improvise?

Anthony McGill, just named Principal Clarinet of the New York Philharmonic beginning in September 2014, held the same position with the Metropolitan Opera Orchestra since 2004. He was chosen to perform with Yo-Yo Ma, Itzhak Perlman, and Gabriela Montero at President Obama’s inauguration in January of 2009. Performances throughout the United States, Europe, Asia and South Africa in recital, chamber music and as a soloist with orchestras consistently receiving rave reviews. As an educator, McGill is on the faculties of The Juilliard School, Peabody Conservatory, Manhattan School of Music and Bard College Conservatory. From Chicago, McGill attended The Curtis Institute of Music and is a recipient of an Avery Fisher Career Grant, as well as the first Sphinx Medal of Excellence. See www.anthonymcgill.com

As the Los Angeles Philharmonic arrives in New York to give a pair of concerts on March 16 and 17 at Lincoln Center, its music director, Gustavo Dudamel, faces an increasingly difficult political situation back in his native Venezuela. It’s been a month since violent clashes between opposition demonstrators and government forces in Venezuela first grabbed global headlines. Protests rage on with no sign of ending. Dudamel himself has been pressured to speak out on the situation, notably by a fellow Venezuelan musician, pianist Gabriela Montero. Montero and others have said that Dudamel should use his global stature – and exercise his ethical responsibility as an artist – to take a stronger stand against what they see as a repressive government. But others argue that Dudamel can’t afford to get involved in partisan politics because of his close ties to El Sistema, Venezuela’s vast, state-funded national music education system. Tricia Tunstall, author of Changing Lives: Gustavo Dudamel, El Sistema, and the Transformative Power of Music, says that El Sistema’s mission has always been “to stay out of partisan politics and to continue in the work that is their highest priority, which is to work with hundreds of thousands of Venezuelan children, giving them safe haven, musical training and an environment where they can learn to be productive citizens.” El Sistema was founded in 1975 by Jose Antonio Abreu, a musician and economist, and it has flourished under eight different governments while aiming to keep many impoverished kids on the straight and narrow. “Yes, they are funded by the government but [Abreu] does not identify the Sistema with any political program and that is why the Sistema has been able to flourish, survive and grow from eleven kids in 1975 to almost 600,000 kids in 2014,” Tunstall added. Mark Swed, the classical music critic of the Los Angeles Times, interviewed Dudamel after the conductor led a controversial concert in Venezuela on February 12, the same day that three people died in anti-government protests there. Dudamel told him that he was unaware of the nearby protests, and insists that he’s firmly opposed to any violence from either side of the conflict. “Ultimately, we have no idea how Dudamel, maestro Abreu and others are functioning in El Sistema,” Swed said. “Abreu’s way of working has always been to try and influence the politics subtly from the inside. The second he takes a public stand, he can’t do that anymore.” Meanwhile, other musicians are taking a firm political position, albeit from a distance. Venezuelan conductor Carlos Izcaray is organizing a “Concert for Peace and Liberty” in Berlin this Sunday, which will feature a number of fellow expats including Gabriela Montero. Izcaray says that the goal of the concert is to raise awareness for victims of political violence, including several musicians who he says have been “detained, beaten, tortured and threatened by the national police.” Izcaray says he doesn’t hold any bad feelings towards Dudamel or other Venezuelan musicians who aren’t speaking out, noting that being a musician in Venezuela means usually relying on the government for support. “I’m pretty confident a lot of this has to do with fear of losing support for the institution, maybe they’ll cut their funding or be fired.” He adds: “As far as artists go, we do have to defend each other.” Listen to the full podcast above and tell us what you think below: what is the responsibility of artists in times of political unrest? Should art and politics remain separate or do creative people have a duty to speak out? Photos: 1) People shout slogans as they protest against the government of Venezuelan President Nicolás Maduro in front of riot policemen outside the Cuban embassy in Caracas on February 25, 2014 (Juan Barreto/AFP/Getty Images) 2) Gustavo Dudamel, Jose Antonio Abreu and Venezuelan president Nicholas Madura.

Something of a lost art, improvisation in classical music is making a comeback in a big way thanks to composers like Steven Snowden, Don Malone, and Aaron Johnson. Teaming up with fantastic performers, they prove that improvisation very much has a place in the modern concert hall. Hosted by Seth Boustead Produced by Jesse McQuarters Playlist ◦ Bach/Montero: Toccata in d minor, Gabriela Montero, p.EMI 64647 ◦ Song of Cerberus, Ens./Thompson Dane recordings 0062 ◦ Repercussions, Agrell, hn.; Masunik, p.Wildwind Records 1001 ◦ Anon: Sumer is Icumen In, DuendeMSR 1158 ◦ Aaron Krister Johnson: Diabolical Suite, I & II, Johnson, p. ◦ Don Malone: Prelude & Toccata (excerpt), David Schrader, p.(live performance) ◦ Steven Snowden: Ground Round, Steve Parker, trombone ◦ Noam Sivan: Improvised introduction to Chopin's Piano Sonata No. 3, Sivan, p. ◦ David Darling: Chorale, Darling, vc. ◦ Gunnelpumpers: Symphonie Improvisé

1 - "Joropo" (Moisés Moleiro). Gabriela Montero, piano. 2 - Aria "Vibro il ferro", da/from opera "Ipermestra" (Vivaldi). Vivica Genaux, soprano. Europa Galante. Fabio Biondi, regente/conductor. 3 - Canto do coleiro capricho/ Coleiro carpicho birdcall 4 - "Divertimento para vibrafone e violão" (Ney Rosauro). Ney Rosauro, vibrafone/vibraphone. Douglas Lora, violão/guitar. 5 - "Hedwig´s Theme" (John Williams). 6 - "Por una cabeza" (Carlos Gardel/Alfredo Le Pera). LiberTango.

WPAS speaks with conductor Benjamin Zander about Youth Orchestra of the Americas and their upcoming performance at The Music Center at Strathmore on August 7th at 8pm. They'll perform Bernstein's Candide Overture, Beethoven's 5th Symphony and Rachmaninoff's Piano Concerto No. 2 with guest pianist Gabriela Montero. Tickets at 202-785-WPAS or WPAS.org.