Podcasts about Nisei

The Krewe sits down with Amy Hever, Executive Director of the MLB Players Trust, and Chris Capuano, former MLB pitcher & Chair of the Players Trust Board, to explore how MLB players give back through community-driven initiatives. Discover the mission of the MLB Players Trust, player-led philanthropy, & how baseball continues to bridge cultures between Japan & the United States through youth programs, education initiatives, & meaningful cross-cultural engagement beyond the field.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ About MLB Players Trust ------MLB Players Trust WebsitePlaymakers Classic Info & TicketsMLB Players Trust on IGMLB Players Trust on X/TwitterMLB Players Trust on LinkedInMLB Players Trust on Facebook------ Past KOJ Traditional Japan Episodes ------Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E5)Meet the J.League ft. Dan Orlowitz (S6E4)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Scott A. Mitchell is the Dean of Students and Faculty Affairs and holds the Yoshitaka Tamai Professorial Chair at the Institute of Buddhist Studies in Berkeley. He teaches and writes about Buddhism in the West, Pure Land Buddhism, and Buddhist modernism. As of 2010, there were approximately 3-4 million Buddhists in the United States, and that figure is expected to grow significantly. Beyond the numbers, the influence of Buddhism can be felt throughout the culture, with many more people practicing meditation, for example, than claiming Buddhist identity. A century ago, this would have been unthinkable. So how did Buddhism come to claim such a significant place in the American cultural landscape? The Making of American Buddhism (Oxford UP, 2023) offers an answer, showing how in the years on either side of World War II second-generation Japanese American Buddhists laid claim to an American identity inclusive of their religious identity. In the process they-and their allies-created a place for Buddhism in America. These sons and daughters of Japanese immigrants-known as “Nisei,” Japanese for “second-generation”-clustered around the Berkeley Bussei, a magazine published from 1939 to 1960. In the pages of the Bussei and elsewhere, these Nisei Buddhists argued that Buddhism was both what made them good Americans and what they had to contribute to America-a rational and scientific religion of peace. The Making of American Buddhism also details the behind-the-scenes labor that made Buddhist modernism possible. The Bussei was one among many projects that were embedded within Japanese American Buddhist communities and connected to national and transnational networks that shaped and allowed for the spread of modernist Buddhist ideas. In creating communities, publishing magazines, and hosting scholarly conventions and translation projects, Nisei Buddhists built the religious infrastructure that allowed the later Buddhist modernists, Beat poets, and white converts who are often credited with popularizing Buddhism to flourish. Nisei activists didn't invent American Buddhism, but they made it possible. Dr. Victoria Montrose is an Assistant Professor of Religion and Asian Studies at Furman University.

Bonjour à toutes et à tous, et bienvenue dans la 11e année de Anime No Melody, votre podcast dédié aux musiques qui ont marqué (ou pas) l'histoire de l'animation. Aujourd'hui, nous allons partons à la conquête d'une œuvre très connu au pays du soleil levant: BABEL II !Bonne écoute à tous !

Send us a textIn this engaging episode of the Japanese America Podcast, hosts Michelle and Koji take listeners on a nostalgic journey through the vibrant summer festivities of Japanese American culture. They share delightful anecdotes from events like Obon and Nisei Week, highlighting the unique traditions and foods that make these celebrations special. The episode features a captivating interview with Helen Ota, the 2025 Nisei Week Foundation President, who discusses her leadership journey and contributions to the community, including her work with the Cold Tofu improv group. For more information about the Japanese American National Museum, please visit our website at www.janm.org. CREDITSThe music was created by Jalen BlankWritten by Koji Steven SakaiHosts: Michelle Malazaki and Koji Steven SakaiEdited and produced by Koji Steven Sakai in conjunction with the Japanese American National Museum

The discovery of “black goo” on a boat in Ohio has created a lot of speculation, especially after it was studied by the University of Minnesota Duluth and found to have “20 DNA sequences... including one that was completely novel.” Black Goo has been seen in countless movies, tv shows, music videos, and even commercials. At its core, the black represents void and abyss, the goo being nothing but an amorphous substance or blank canvas on which to paint anything. On a more literal level, this goo is real, be it faulty asphalt or raw sewage. In the case of what was found in Ohio, it is something very genetically mysterious.  From the X Files and Prometheus the substance is an alien virus or mutagenic pathogen. In District 9 it is a biological agent. In Venom it is a symbiot. In Star Trek it is a conscious of malevolence. In Lucy the substance is a drug that eventually allows for evolution of the chapter into a super-advanced intelligence transcending space and time as a black goo computer - when IBM unveiled their quantum computer it appeared as black goo in a clear black box. A few days previous there were two reports about a creature existing between life and death, and small xenobots operating in human cells after the body has died. The strange creature was called “Sukunaarchaeum mirabile,” a name coming from Japanese mythology: Sukuna & Bikona.  Sukuna translates as “lesser name” or “small" Bikona translates as “divine” or “renown.” The name represses the deity Sukunabikona's diminutive stature and humble or lesser status. It is often depicted as a small figure riding in a tiny boat or working alongside the more prominent deity Ōkuninushi. Boats are vessels of guidance across rivers like Nile or Styx, and they also bring civilizers like Oannes, Osiris, and Quetzalcoatl. A Japanese movie called The Boy and the Heron is the recent release from Studio Ghibili, featuring a heron that acts like Charon on the river Styx. The boat in Ohio that passed black goo was also called the Blue Heron. This black substance can also be found in Princess Mononoke, Howl's Moving Castle, and Spirit Away. The Japanese connection is made strange when learning that scientists from that country were working on the hybrid creature in the X Files episode Nisei, which also means second generate, relating it to the Sukuna and that which generates secondarily. In other words, Sukunabikona and Nisei are the Japanese version of homunculus, or little diminutive human which in biology acts as a symbol of sperm in the microcosm. In the macrocosm it is the comet. It must not be coincidence that since 2017 we have seen three interstellar objects pass  through our solar system: Oumuamua, Borisov and Atlas in July 2025. The latter two were comets, made distinct by their tail, essentially making them sperm - “panspermia” means the chaotic distortion of life from the sperm comet to the egg planet. The black substance has also been part of the Covid narrative, due to something called black fungus that people have coughed up. It is therefore strange to find black substances in Moderna vaccines that were pulled from the market in several prefectures in Japan. We just learned this month that AG Pam Bondi just stopped an investigation into Pfizer, a company she was once legal counsel for. This comes after her dropping the Epstein client list, part of a large intelligence gathering operation and blackmail ring largely run by the MOSSAD of Israel. Things get even strange when considering that Epstein was working on a human engineering project with scientists and genetic researchers. It must not be a coincidence that the Trump administration on day one initiated the next stage of the Stargate project, pertaining to universal cancer shots or that RFK Jr. at the HHS authorized universal and flu vaccine development. The top four leaders at Pfizer and Moderna are 75% Jewish with ties to Israel, just as the Stargate Project is 50% the same. And to top it all off, on July 4, the President existed a black cube with his wife wearing a white dress and a black strap, both of which appear to represent the Tefillin worn by Jews, the very group RFK Jr. says are the least effected by Covid. That cube also appeared to display what looks like the entity in Mission Impossible, i.e., a truth eating digital parasite.   *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

In Episode 72, we talk with filmmaker Darren Haruo Rae about NISEI (2023). NISEI , written and directed by Rae, is the first historical drama short film featured on the podcast. The film shines a light on an all-Japanese-American troop of soldiers who fought in World War II for a country imprisoning them and their families in internment camps because of their ancestry. The film is inspired by Rae's Japanese American grandfather's experiences during the war.Stream NISEI (film) from the Omeleto YouTube channel.------TIMESTAMPS0:55 - Background and Introduction to NISEI film4:05 - Darren Haruo Rae explains Nisei and importance to his grandfather's generation9:20 - Historical Context and Research17:14 - Symbolism and Themes in Nisei: American flag, identity, home20:36 - NISEI Impact with Japanese veterans and community25:557 - Challenges in Production for the NISEI film30:55 - Future Projects and Historical Stories34:54 - Where to stream NISEI35:08 - Subscribe, Like, Share Historical Drama with The Boston Sisters36:33 - Disclaimer------SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platformENJOY past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

Jason and Brenda condense two episodes into one discussion because they were two-parter episodes AND the first part wasn't worthy of a long discussion. But we do talk about VHS quality videos, pointless Scully subplots, and murder mysteries on trains!Check out all of our podcasts on our home website www.rabbitholepodcasts.comSupport us by giving us a dollar! patreon.com/rabbitholepodsQuestions, comments, concerns? Email Jason at whateverjasonsoto@gmail.com

NISEI, a short film written and directed by Darren Haruo Rae, (our guest for Ep. 72), shines a light on an all-Japanese-American troop of soldiers who fought in World War II for a country imprisoning them and their families because of their ancestry. The story is inspired by the filmmaker's Japanese American grandfather's WWII experiences in the 442nd Regimental Combat Team. In the preview, Darren Haruo Rae talks about uncovering his family story while making NISEI.The complete podcast conversation with Darren Haruo Rae is available May 13, 2025. Subcribe to Historical Drama with The Boston Sisters® on your favorite podcast platform so you won't miss a single episode.

In this episode, we're discussing alien autopsies, Mulder not listening to Scully and Skinner being uptight. That's right, we're taking a deep dive into season three episode nine, Nisei. Thank you to everyone who got involved in this week's episode. If you'd like to feature in our next episode then tweet us @TheMSRFilesPod or send your emails to TheMSRFilesPodcast@GMail.com where you can also send in your own paranormal stories to feature in our next Do You Think I'm Spooky? Segment. Also, don't forget to check us out on Instagram and TikTok @TheMSRFilesPodcast Discord: https://discord.gg/GYChzt5f

 Junior history minor Grace McCord joins Hollie to discuss Nisei Women in Japanese Internnment camps in the US during WWII. Second-generation Japanease -American women, or Nisei women, faced significant challenges during WWII in Japanese Internment camps, but their experiences also foreced a shift in the structure of their families, allowing them some measure of independence from traditional expectations. Through education, vocational training, and military volunteer opportunities, Nisei women displayed agency and resilence. 

Does your favorite sci-fi show have an episode where protagonists pulverize protocols?  For Stella Cheeks, it's the Star Trek TOS episode "The Apple" and for Erin Cline it's the X-Files episodes "Nisei" and "731." Join Stella and Erin as we discuss first kisses and writing misses.   --- About the podcast: Erin Cline and Stella Cheeks have been friends for over a decade but have never seen each other's favorite TV show. Seeking to rectify that grievous error (seriously, they used to live together), X-Treks was born! Each week the duo choose one episode from Star Trek: The Original Series and one episode from The X-Files that fits a previously chosen cinematic theme, watch them together, and share their feelings! Alongside producer Bobby Hoffman, they discuss their first impressions, how the episodes fit into the larger fan lore, and fascinating behind-the-scenes facts. 

A discussion about Nisei with Dr. Mitchell Maki.

Send us a textIn this insightful podcast episode, we delve into the incredible stories of Japanese American Nisei veterans who displayed extraordinary bravery and patriotism during World War II. Led by David Ono, a renowned anchor from KABC-TV, the episode highlights the heroics of units like the 442nd Regimental Combat Team, the 100th Infantry Battalion, and the Military Intelligence Service. These soldiers faced significant prejudice and the injustice of incarceration, yet they chose to serve the United States with unparalleled valor, as exemplified by their swift capture of a strategic hill in Italy. The episode also honors figures such as Senator Daniel Inouye, whose leadership and courage left an indelible mark on history. Through poignant storytelling and personal reflections, the podcast not only celebrates these unsung heroes but also explores the broader Japanese American experience, emphasizing the enduring legacy of the Nisei soldiers and their significant contributions to America's diverse heritage.ABOUT USDavid Ono is the co-anchor for ABC7 Eyewitness News at 4 pm and 6 pm and was recently named Anchor of the Year in the U.S. by Broadcast and Cable.David joined ABC7 in 1996 and, during that time, has witnessed history worldwide, covering Hurricane Katrina, Haiti's earthquake, and Japan's tsunami. He traveled across Europe and Asia, chronicling the brave acts of the Nisei soldier from World War II.David has produced multiple award-winning documentaries, two of which have made their way to the Smithsonian Institution.David has won 12 Edward R. Murrow awards, 31 Emmys, 2 RTDNA National Unity Awards, 6 AAJA National Journalism Awards, and was honored with the Distinguished Journalist Award by the Society of Professional Journalists. He has also received both the Journalist of the Year as well as the Lifetime Achievement Award from the LA Press Club.For more information about the Japanese American National Museum, please visit our website at www.janm.org. CREDITSThe music was created by Jalen BlankWritten by Koji Steven SakaiHosts: Michelle Malazaki and Koji Steven SakaiEdited and Produced by Koji Steven Sakai in conjunction with the Japanese American National Museum

Our guest today Xander Soren who is the founder of Xander Soren Wines https://xandersorenwines.com/ .  Xander Soren Wines is a unique boutique California Pinot Noir producer whose mission is to create wines that pair exceptionally well with sushi and other Japanese foods without overpowering them. Equally unique is Xander's background. He spent 20 years at Apple where he played a pivotal role in helping to develop digital music products like GarageBand, iTunes, and iPod.  Since the winery launched in Japan in 2023, top restaurants like 3-Michelin-starred Sushi Saito, NO CODE and KOKE have included Xander's wine on their lists. Also here in the U.S., his wine became available in the summer of 2024 and is on the lists of notable restaurants on the West Coast such as n/naka, Single Thread and Nisei. In this episode, we will discuss how Xander's love for Japanese food started, why he decided to make his own wine to pair with Japanese food, why Pinot Noir goes very well with Japanese food, tips to pair Japanese food with wine and much, much more!!!

I'd love to hear your thoughts - send me a text hereAfter representing Hawaii as an officer in the 442nd Regimental Combat Team, Daniel Inouye went on to serve Hawaii in the US Senate for nearly 50 years, becoming the second-longest serving Senator in that chambers history. During that time, his Distinguished Service Cross from World War II was upgraded to the Medal of Honor.This week's Ghost of the Pacific is Army Captain and US Senator Daniel Inouye - Section D, Grave 391-A.Next week, we will leave the National Memorial Cemetery of the Pacific behind and return to Arlington National Cemetery.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.The outro music this week is the DC Area Hardcore Punk band Marginal Man's Missing Rungs. Inouye's son Kenny was their guitarist in the 1980s.As always, a very special thanks to the Commando Pando Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

Freedom and Equality: What Does it Mean to Be an American?The United States has long held a curious and ambivalent relationship with freedom. The American founding fathers learned much about freedom and equality from Native Americans, who lived in truly egalitarian societies, but later confined the original Americans to reservations. The founding ideals of the United States – liberty, equality, and natural rights, came largely from Native America. It was Chief Canasatego, the Onondaga chief of the great Iroquois (Haudenosaunee) Confederacy, who originally gave the colonists the idea to unite, beseeching them to “Be like the Haudenosaunee, to never fall out with one another,” to be stronger together than apart. Our national motto comes from the Latin E Pluribus Unum (“From the many, one”) but we have never fully lived in accord with that slogan.  The political nation began with a beautiful document, The Declaration of Independence, which declared “All men are created equal,” but the writer of that document, Thomas Jefferson, owned 600 slaves, and by then slavery had already been practiced in the New World for more than 150 years. The young nation had Dutch, English, French, Spanish, German and other influences, and was dependent upon immigration to survive and thrive. Eventually, the whole world started to come to America, including immigrants from Asia, fueled by the West Coast Gold Rush of the mid-19th century. Then, came the backlash from those already here.  In 1882, President Arthur signed the Chinese Exclusion Act into law, the first of many anti-Asian discrimination bills, followed by the Gentleman's Agreement of 1908, which limited Japanese immigration to the wives, children, and relatives of residents already living within the United States. It was not until 1952 that Japanese Americans could become US citizens, even as women and Native Americans achieved suffrage in 1920 and 1924, respectively.  The most egregious action ever taken by the US government against Japanese Americans occurred during WWII.  As many are aware, it was February of 1942 when Franklin Delano Roosevelt signed Executive Order 9066, followed by subsequent orders that enforced the removal of all Japanese Americans from the West Coast to “relocation camps”.  What is lesser known is that the Department of Justice initiated pickup of 'enemy aliens' of Japanese descent on December 7, 1941, for eventual confinement in 4 government prison sites in New Mexico.The full consequences and ramifications of this sordid chapter of American history are still not openly discussed in mainstream circles. In New Mexico and elsewhere, our guests today have been educating the general public about what occurred and its relevance to today's outreach toward liberty and justice for all. We will discuss all this and more, on this edition of Circle for Original Thinking entitled "Freedom and Equality: What Does it Mean to Be an American?"Nikki Nojima Louis (originally Shirley Sadayo Nojima) is a second-generation (Nisei) Japanese American and childhood survivor of Camp Minidoka, Idaho. Her fourth birthday was on December 7, 1941, the day her father was taken by the FBI in Seattle, Washington, and held in DOJ camps in Lordsburg and Santa Fe from 1942-46.  Nikki grew up in Chicago, performed as a teenage dancer, was active in multicultural theater in the 1980s and 1990s as a writer, performer, and producer of projects on peace-and-justice and women's themes. In 1985, she wrote her first oral history play, Breakingthe Silence, to benefit the civil liberties trial of Gordon Hirabayashi. It continues to be performed. As a theatre artist, Nikki has received commissions from many sources, including the Smithsonian Museum, Women's International League for Peace and Freedom; NW Asian American Theatre, and Seattle Group Theatre, where she served as education director of its National Multicultural Playwrights Festival.  In 2002, at age 65, Nikki entered a Ph.D. program at Florida State University. Graduating at age 70, she traveled west for a three-month residency at the Santa Fe Art Institute and a teaching job at the University of New Mexico. Since 2014, Nikki has created living history programs on the Japanese American experience for the New Mexico Japanese American Citizens League (JACL). Her readers theater group, JACL Players, often collaborate with project CLOE (Confinement in the Land of Enchantment), which includes a traveling exhibit and community forums on New Mexico's WWII Japanese American prison camps. Nikki has co-produced an award-winning documentary, Community in Conflict: The Santa Fe Internment Camp Marker, with Bay Area director Claudia Katayanagi. Victor Masaru Yamada is Current Director of Confinement in Land of Enchantment project, about Japanese Americans confined in internment camps in New Mexico during WWII. Became director of the project during Phase III, setting up traveling exhibits promoting awareness of the history. Involved in giving presentations to international, national, state & local organizations. (Phases I / II planning & installation of historic markers, preparation of outreach publication, and development of website).    His family has 19th century roots in Hiroshima, Japan – His maternal grandparents moved to Seattle area in 1906 and his father moved to Seattle in 1919.  His parents became US citizens in 1954. Before then, his parents and siblings (three brothers and a sister) moved from Washington to eastern Oregon as part of government's ‘voluntary evacuation' program March 1942. Later in 1942, several of his family members were moved to the Minidoka Internment Camp. One of my uncles joined Army 442nd Unit and fought in European campaigns.

I'd love to hear your thoughts - send me a text hereDanny Inouye wanted to be a doctor when he grew up - specifically, he wanted to be a surgeon. When he was a senior in high school he was a Red Cross volunteer. When the Japanese attacked Pearl Harbor he saw the planes flying over Honolulu and rushed to an aid station where he treated civilians injured by falling anti-aircraft shells. As soon as he could, Danny enlisted in the army and was sent to Italy with the 442nd Regimental Combat Team. The war shattered his dream of becoming a doctor but a fellow wounded veteran, Bob Dole (yes, that Bob Dole) told him of his plan to become a lawyer and a politician in Kansas. Danny liked the sound of that, returned to Hawaii and entered politics as well. Little did he know he would become arguably the most influential politician in the history of Hawaii, whether the Kingdom, the Republic, or the State.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.The outro music this week is the DC Area Hardcore Punk band Marginal Man's Missing Rungs. Inouye's son Kenny was their guitarist in the 1980s.As always, a very special thanks to the Commando Pando Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

I'd love to hear your thoughts - send me a text hereA native of Kauai who put his live on the line to serve his country as a member of the 100th Infantry Battalion, and who then dedicated the remainder of his life serving Hawaii, first as a state legislator, then a US representative, and finally a US Senator, Spark Matsunaga earned his epitaph as a Son of Hawaii.Today's Ghosts of the Pacific is US Senator and Army Lieutenant Colonel Spark Masayuki Matsunaga - Section V, Grave 334-B.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to the Commando Pando Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/ 

I'd love to hear your thoughts - send me a text hereThis week we get the first Nisei General Officer in both the Army National Guard and the Army Reserves and a humble Medal of Honor recipient who didn't tell his family about the medal (or his battlefield promotion and two subsequent promotions).This week's Ghosts of Pacific are:1. Army Brigadier General Francis Shigeo Takemoto - Columbarium Court 3, Row 300, Niche 304 2. Army Captain Allan Masaharu Ohata  - Section III, Grave 474The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to the Commando Pando Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

I'd love to hear your thoughts - send me a text hereToday's episode covers the lives of eight men named Nakada. The first seven were all brothers who served in the Army in World War II - the most of any family in the United States. The final Nakada, Captain Pershing Nakada, was the senior Nisei officer and only Nisei commander in the 442nd Regimental Combat Team. He commanded and along with his seven Nisei lieutenants led the 442nd's 232rd Combat Engineer Company.All eight of these men survived the war and two of them would eventually be buried at Arlington National Cemetery.This week's Ghosts of Arlington are: 1. Army Technician 5th Grade Minoru Paul Nakada - Columarium 5, Row 13, Niche 52. Army Lieutenant Colonel Pershing  - Section 68, Grave 4146The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to the Commando Pando Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

John Giordano's life story is one of incredible transformation. He overcame the stigma of childhood sexual abuse, homelessness, and severe addiction to become a renowned addiction expert with 39 years of sobriety. He founded his own holistic treatment center with just $300, which he later sold for $45 million. Currently, John is the co-owner of ... John Giordano – Nisei Gōjū-ryū – Ep178

Braves woes, Merrifield's gruesome injury, Nacho, possible trade, Skenes 1st loss, Nisei soldiers & MLB, Olbermann's insane & inane tweet, players back Trump on the field, Mike Trout injury, David Pollack trolls Vols? Rose Bowl stuck in past, Bryce Young is Charlie Brown, whence Randy Gregory? Tiger's leg & son, Canada vs New Zealand gets ugly, Snoop Dogg carries a torch, Cocaine Shark coming to a beach near you, 2 million dollar bet, esports in Olympics, don't say popsicle, Bob Lilly, Walt Bellamy, Steve Grogan, Kevin Butler, a cricket game to die for, Lou Gehrig steals home! Dizzy Dean held up by bandits, Branch Rickey praises a young Willie Mays, Hank Greenberg, Jewish hockey players, the spitting image of Ted Williams, Casey Stengel at Toots Shor's, Hoyt Wilhelm passes Cy Young, Roberto Clemente, Billy Martin fired by Steinbrenner again, Tom Seaver number retired by Mets, Vince Coleman injures kids with M-80, tooth brushing records, singing the National Anthem whilst getting a prostate exam (Moon River!), Varitek vs Arod, Matt Olson grand slam, Buck O'Neil inducted in Cooperstown, Pete's Tweets, This Day in Sports History, Ripley's Believe It or Not!, plus quotes from Vida Blue, Roger Kahn, Robert Benchley, Humphrey Bogart, and Thomas Boswell 

This week I return to the Wyoming International Film Festival. WYOIFF has easily become one of my top festival picks and I encourage filmmakers and film goers to check it out. The festival takes place July 9-14, 2024 in Cheyenne, Wyoming. If you find yourself anywhere near eastern Wyoming this week, find the time to see some of these incredible films. Thanks for listening! Kyler --- Inspired by stories from the director's grandfather, 'Nisei' follows the journey of two Japanese-American brothers during World War II, Minoru and John Miyasaki. Stripped of their citizenship and placed in internment camps, they volunteer for the 442nd Regimental Combat Team, an all Japanese-American unit that sacrificed everything, to prove their loyalty to a country that doesn't want them. Torn between country and family, they must face the enemy overseas along with adversity back home." --- Episode Links: Film Website IG: @niseithefilm Film Trailer

I'd love to hear your thoughts - send me a text hereAfter losing a leg, two fingers, and the site in one eye, Ken Otagaki tries to return to his life before the war, hopes that his girlfriend will still be there for him, and tries to figure out how to support himself despite his severe injuries.This week's Ghosts of Arlington is Army Corporal Dr. Kenneth Kengo Otagaki, Columbarium Court 7, Row C, Neche 512.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

I'd love to hear your thoughts - send me a text hereKen Otagaki grew up poor on a sugar cane plantation on Hawaii's Big Island, but after seeing how oppressed his father was by the overseers, he vowed that he would make his own way in the world and, despite cultural and familial expectations, he would not follow in his father's footsteps.In his early teens he moved by himself to Oahu, put himself through high school and the University of Hawaii, and more-or-less laid the foundations for the life of his dreams. That all came crashing down, first with the arrival of his draft notice when he should have been exempt due to his job in the agriculture industry, and second when Japan attacked Pearl Harbor thrusting the United States into war and making Otagaki - and all Nisei - personae non gratae in their own homes.Transferred to the 100th Infantry Battalion, Otagaki had to deal with being an infantry soldier and a stretcher bearer when he had absolutely no desire to be in the military at all.

Sucio Talks To Haley Garabato who is A Sous Chef at Nisei in San Francisco, and also the founder of Feed The People Collective. FTPC is aimed at helping distribute food to those in need in the Bay Area. We Sucio Talked about Being Born and Bred in the Bay Area Justice In Kitchens Working Outside the US Asian Fundamentals VS. French Fundamentals Chef Culture & Kitchen Politics Raw Talk Only On Chef Sucio Talks! Available Everywhere Podcasts Are Found https://open.spotify.com/show/0ZDzei6DP1HSQscEd1fKlp?si=00940fcbccee4015 #chefpodcast #chef #cooks #cooking #bayarea #michelin #jbf #restaurants #popups #thailand #australia #filipino --- Support this podcast: https://podcasters.spotify.com/pod/show/suciotalk/support

I'd love to hear your thoughts - send me a text hereWe recently lost another pioneer of the space race so the episode begins with a eulogy for astronaut Bill Anders, who took one of the most famous photographs in history, and ends with the life of Isaac Akinawa, arguably the most respected medic in the 100th Infantry Battalion.This week's Ghosts of the Pacific are:Ambassador & Air Force Major General William Anders - burial information TBDArmy Technician Fourth Grade Isaac Akinaka - Section E, Grave 133-AYaiko Gwen Yamaki Akinawa - Section E, Grave 133-AThe Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

I'd love to hear your thoughts - send me a text hereYoung Oak Park was likely the first (maybe the second) Korean American officer in the US Army and was assigned to the 100th Infantry Battalion in World War II, mainly because the army didn't know where else to put a non-Japanese Asian officer. He distinguished himself with the 100th and when war broke out in Korea, he volunteered to serve so he could help defend his father's homeland. In so doing, he became the first minority officer to leave a combat battalion in wartime.Today's Ghost of the Pacific is: Army Colonel Young Oak Park - Columbarium CT9, Wall G, Site 458.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

I'd love to hear your thoughts - send me a text hereMuch of what the Nisei linguists did during World War II remained classified for decades after the war. Eventually, their stories came out and as more people learned of their great efforts to defeat the Axis powers, monuments and memorials spring up honoring their service.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

Recognizing the importance of trained and competent linguists, during World War II, the US Army's Military Intelligence Service trained foreign language speakers to help with the war effort. Many were Japanese speakers and most of those were Nisei. These Nisei were the only Japanese Americans to fight in the Pacific, and according to Douglas MacArthur's chief intelligence officer, their service was so valuable that it shortened the war by at least two years.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

No one believed in them when the unit was first stood up, but after a short time in combat, the 442nd Regimental Combat Team proved their mettle and soon had commanders at the army and corps level negotiating for their service. Because of this, they left Italy for France, saved a cut off battalion, and then came back to Italy to spearhead the finally victory against the Axis in that country. Its artillery battalion was detached to become a roaming battalion, the only Nisei unit to fight in Germany where it helped to liberate a satellite location of the Dachau death camp. The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

Thanks in part to the 100th Infantry Battalion blowing all their doubters's expectations out of the water during their training, FDR and the War Department decided to stand up another segregated Nisei unit - the 442nd Regimental Combat Team - made up of Nisei volunteers from Hawaii and the mainland (most of the 1200 volunteers from the mainland were interned at the time) and like the 100th before them, they did everything the Army asked of them and more while fighting in Italy against the German and Italian militaries.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

After Pearl Harbor, many Nisei were kicked out of the military. All those that were retained were sent to Hawaii. A few new Japanese Americans were allowed to enlist, but most were deemed as "enemy aliens" by recruiting boards. By 1943, all new Nisei recruits were barred from entry. Those few that had already been stationed in Hawaii were formed into a single infantry battalion, the 100th Infantry Battalion (Separate), sent to the mainland for training, and then sent to Italy to fight for the country that had interned more than 100,000 Americans of Japanese descent. They were subjected to racism and doubt but they proved their naysayers wrong every step of the way.This Week's Ghosts of the Pacific are:1. Army Lieutenant Colonel Farrant L. Turner - Section U, Site 11742. Helen Van Inwegen Turner - Section U, Site 11743. Army Colonel Albert F. "Bert" Turner -                    Hawaii State Veterans Cemetery, Section 121 -B, Grave 10The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

After the Japanese attacked Pearl Harbor, an irrational fear struck the United States that its relativly small population of Japanese immigrants and the native born US citizen children of those immigrants posed a threat to national security. They made up too much of the population on Hawaii to do anything about them but those living on the mainland west coast were rounded up and moved into internment camps, which is a nice way to say concentration camps. Nevertheless, those US citizen interrned on the mainland and their Hawaii-based counterparts longed for the chance to prove their loyalty to their homeland. They were eventually given the change and the two (nearly) all-Japanese American units of World War II - the 100th Infantry Battalion and the 44nd Regimental Combat Team - went on to become the some of the highest decorated units in US Army history. Today begins the multi-part podcast of their story.The Ghosts of the Pacific Theme is Ukulele and Love Birds by emjaydabayou, with a few Waves of Hawaii added for ambiance.The Ghosts of the Pacific Transition music are some Uke Chords by turkitron.As always, a very special thanks to Mountain Up Cap Company for its continued help to spread the word about the podcast on Facebook at: https://www.facebook.com/MountainUpCapCompany Climb to Glory!For more information about the podcast visit: ·       The GoA website: https://www.ghostsofarlingtonpodcast.com    ·       Facebook: https://www.facebook.com/ghostsofarlingtonpodcast·       Twitter: https://twitter.com/ArlingtonGhosts·       Instagram: https://www.instagram.com/ghostsofarlington/

Send us a Text Message.The Pan Am Museum Foundation recognizes the month of May as Asian American, Native Hawaiian and Pacific Islander Heritage Month and in this episode we explore the history of Pan Am's “Nisei” Stewardesses with Dr. Christine R. Yano, retired professor of anthropology at the University of Hawai'I and author of the book, Airbourne Dreams: “Nisei” Stewardesses and Pan American World Airways.This book is the story of an unusual personnel program implemented by an American corporation intent on expanding and dominating the nascent market for international air travel. That program reflected the Jet Age dreams of global mobility that excited postwar Americans, as well as the inequalities of gender, class, race, and ethnicity that constrained many of them.The Japanese word “Nisei” means second generation Japanese American.  In 1955, Pan Am began recruiting Japanese American women to work as stewardesses on its Tokyo-bound flights and for the airline's celebrated round-the-world flights. Based in Honolulu, these women were informally known as Pan Am's “Nisei” stewardesses, even though not all of them were Japanese American or even second-generation. They were hired for their Japanese-language skills, but in reality…few spoke Japanese fluently.However, the main reason for the hiring of these women was to enhance the airline's image of exotic cosmopolitanism and worldliness as the iconic American company pioneered new frontiers of race, language, and culture. These young women left home to travel the globe with Pan Am, forging their own cosmopolitan identities in the process.In 2014, Chantelle Rose Acorda, Kim Nguyen, and Jasmine Pigford made a well-done student film and interviewed Hawaii state senator Glenn S. Wakai and Pan Am veterans Ailenn Sodetani and Mae Takahashi. The Japanese Cultural Center of Hawaii produced a short educational film, Pan Am Ambassadors, with interviews of Pan Am "Nisei" stewardesses. Support the Show. Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

This week on the Here's What We Know Podcast, our host Gary Scott Thomas welcomes back our special guest, Darren Haruo Rae, the brilliant director and creative force behind the short film “Nisei,” which won the grand jury prize for ‘Best Dramatic Short Film' at the Cinequest International Film Festival, making it an Academy Award-qualified film. Darren shares the behind-the-scenes journey of how the film was created despite having a limited budget and producing on their own.This episode is not just about the professional wisdom of creating a magnificent film but highlights personal connection as it is based on Darren's family history, specifically his grandfather's experience and the Japanese-American community during World War II. Tune in now!In this Episode:Darren shares exciting news about "Nisei" winning the grand jury prize for best dramatic short at the Cinequest International Film Festival in San Jose. This win has made the "Nisei" Academy Award qualified and a chance to get nominated.Darren shares about the process of becoming Academy Award-nominated, including academy voting members' involvement and 'For Your Consideration' events planned in Los Angeles and San Francisco.Insight into how Darren found out about winning: a mix of confusion, excitement, and disbelief while watching an Instagram livestream from home.Discover Darren's connection to "Nisei" as it tells a story close to Darren's family history—his grandfather's experience fighting for the US in WWII while his family was in internment camps.Hear serendipitous aspects of filmmaking emerge through stories like finding a period-correct bus just after restoration or connecting with costume designers who had authentic resources linked to their heritage.This episode is sponsored by:Winchester Western Wear (Be sure to tell them Gary sent you so you can save 20%!)Dignity Memorial (Mention Gary & receive a Thank You Gift)GymGuyz (#1 In-Home Personal Training)Bio:Darren Haruo Rae is a Japanese-American producer/director based in Los Angeles who co-founded the boutique production company Roann Films. He has directed high-profile commercials and branded content for clients such as Western Digital, Airbnb, and Cisco. Rae's directorial debut, Park Arcadia, garnered Best Screenplay at the 2014 International Film Festival Cinematic Arts in Los Angeles. His latest film, Nisei, inspired by his Japanese-American grandfather's WWII experiences in the 442nd Regimental Combat Team, earned Best Drama and Audience Choice at the 2023 Poppy Jasper Film Festival and continues its festival circuit, screening at Indy Shorts by Heartland Film, LA Shorts International Film Festival, HollyShorts Film Festival, and Cinequest Film Festival. Currently, Rae is the series producer for the MasterClass G.O.A.T. Original Series and is producing the feature film Surrender, starring Andrea Bang. Surrender was selected as one of Film Independent's Fast Track fellowship program's top 10 narrative fiction features and is slated for production in 2023.Website: https://www.dhrae.com/Instagram: https://www.instagram.com/darrenhrae/Nisei Film Instagram: https://www.instagram.com/niseithefilm/Facebook: https://www.facebook.com/RoannFilmwww.GaryScottThomas.com

Go For Broke might be a saying we here when gambling, but in World War II it meant something very different. Tune into hear about the Nisei and the 442nd Regimental Combat Team.  It's eclipse time and you just know we have to see how ancient civilizations handled this spectical.

On this day in 1945, Private First Class Sadao Munemori was killed in action near Seravezza, Italy.See omnystudio.com/listener for privacy information.

On this day in 1945, Private First Class Sadao Munemori was killed in action near Seravezza, Italy.See omnystudio.com/listener for privacy information.

Aj discusses racism in america while Dee shits on texans and the french.   Our Website The Store Insta Reddit Patreon  

In this final part of his interview, Kim talks about the Battle of Anzio, earning the Distinguished Service Cross, and his feelings about the war.  – Young Oak Kim was born in Los Angeles to a Korean family in 1919. He tried enlisting prior to World War II, but was denied due to his race. When war finally broke out in Europe, Congress passed the Selective Training Service Act of 1940, requiring all men between the ages of 21 and 45, regardless of race, to register for the draft. Kim was among the first group of men allied up, and he entered the Army in January 1941. Racism, exacerbated by Japan's role in the war, was commonplace both in and out of the military. Despite proving himself to be an exceptional shooter during training, Kim was initially denied the opportunity to fight in the war because he had the “wrong color skin and wrong color eyes”. Eventually, Kim's skill was recognized by his superiors and he was elected for Officer Candidate School, graduating in February 1943. From there, Kim was assigned as the second platoon leader of Company B, 100th Infantry Battalion. The 100th was a racially segregated unit composed mostly of second generation Japanese Americans (known as Nisei) from Hawaii. Following the Attack on Pearl Harbor, the 100th was removed from Hawaii and sent to the mainland for training.  Kim and the 100th Infantry Battalion were sent to Italy in September of 1943. They fought in the Battle of Monte Cassino and the Battle of Anzio, and earned the nickname “The Purple Heart Battalion” due their high casualty rate. Kim was awarded a Distinguished Service Cross for an incredible midnight infiltration mission, which he talks about in the next episode.  After leaving Italy, the 100th Infantry Battalion became part of the 442nd Regimental Combat Team, another segregated Nisei regiment, and sent to France. Kim was injured by enemy fire at Biffontaine, and was sent back to the US, later earning a Silver Star and the French Croix de Guerre for his actions in France. Germany surrendered before he was able to return. Kim left the Army following World War II, but when war broke out in Korea, he rejoined. He commanded a South Korean guerrilla unit, and was awarded another Silver Star for his actions there.  Kim left Korea in 1952. He then worked as an instructor at Fort Benning, and at the U.S. Army Command and General Staff College at Fort Leavenworth. He retired in 1972 at the rank of colonel as one of the most highly decorated Asian American soldiers in U.S. history with a total of 19 medals.  The 100th also made history, becoming one of the most highly decorated units of World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first part of his interview, COL Kim talks about joining the Army, serving as a Korean American in World War II, and the Battle of Monte Cassino – Young Oak Kim was born in Los Angeles to a Korean family in 1919. He tried enlisting prior to World War II, but was denied due to his race. When war finally broke out in Europe, Congress passed the Selective Training Service Act of 1940, requiring all men between the ages of 21 and 45, regardless of race, to register for the draft. Kim was among the first group of men allied up, and he entered the Army in January 1941. Racism, exacerbated by Japan's role in the war, was commonplace both in and out of the military. Despite proving himself to be an exceptional shooter during training, Kim was initially denied the opportunity to fight in the war because he had the “wrong color skin and wrong color eyes”. Eventually, Kim's skill was recognized by his superiors and he was elected for Officer Candidate School, graduating in February 1943. From there, Kim was assigned as the second platoon leader of Company B, 100th Infantry Battalion. The 100th was a racially segregated unit composed mostly of second generation Japanese Americans (known as Nisei) from Hawaii. Following the Attack on Pearl Harbor, the 100th was removed from Hawaii and sent to the mainland for training.  Kim and the 100th Infantry Battalion were sent to Italy in September of 1943. They fought in the Battle of Monte Cassino and the Battle of Anzio, and earned the nickname “The Purple Heart Battalion” due their high casualty rate. Kim was awarded a Distinguished Service Cross for an incredible midnight infiltration mission, which he talks about in the next episode.  After leaving Italy, the 100th Infantry Battalion became part of the 442nd Regimental Combat Team, another segregated Nisei regiment, and sent to France. Kim was injured by enemy fire at Biffontaine, and was sent back to the US, later earning a Silver Star and the French Croix de Guerre for his actions in France. Germany surrendered before he was able to return. Kim left the Army following World War II, but when war broke out in Korea, he rejoined. He commanded a South Korean guerrilla unit, and was awarded another Silver Star for his actions there.  Kim left Korea in 1952. He then worked as an instructor at Fort Benning, and at the U.S. Army Command and General Staff College at Fort Leavenworth. He retired in 1972 at the rank of colonel as one of the most highly decorated Asian American soldiers in U.S. history with a total of 19 medals.  The 100th also made history, becoming one of the most highly decorated units of World War II.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode marks the conclusion of our series, Resilience: The Wartime Incarceration of Japanese Americans. During the postwar era, a new generation was born to the Nisei as they returned to their lives outside of incarceration camps. This third generation, the Sansei, were raised by parents who endured years of discrimination and incarceration, but they themselves came of age during the 1960s and 70s–a time in America's history that saw the of both civil unrest… and transformation. Hosted on Acast. See acast.com/privacy for more information.

Today we continue our exploration of the incarceration of Japanese Americans during World War II. Let's learn about what life was like for the Japanese immigrants who settled along the West Coast–how they assimilated into American culture, raised their families, and flourished, despite the barriers of restrictive laws and policies and the open hostility from Japanese exclusionists.Passages read by Kimi Cunningham Grant from her memoir, Silver Like Dust. Hosted on Acast. See acast.com/privacy for more information.