American personal luxury car model
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2 episodes with Cadillac Eldorado
2 episodes with Cadillac Eldorado
2 episodes with Cadillac Eldorado
2 episodes with Cadillac Eldorado
Heute im Fokus: Lange, gerade Linien, eckige Kanten, ein doch fließendes Design in cremeweiß mit verchromten Details und zwei Ottifanten. In der Husumer Autogalerie Lorenzen steht ein ganz besonderes Cabriolet: Otto Waalkes Cadillac Eldorado, der seit 1989 im Besitz des Kult-Komikers war. Mehr zum Verkauf in Husum, gibts im Schwerpunkt von Guten Morgen SH zu Hören.
Send us a textWhat happens when your trusty co-host bails on you last minute? Well, you embrace the chaos and steer the ship solo! Join me, Scott McLean, as I embark on an unexpected adventure through the global soundscape without my usual partner-in-crime, Jack. Our "dysfunctional podcast relationship" takes center stage with a hearty dose of humor and a touch of introspection, as I dive into the world of music genres, from the electrifying riffs of metal to the rhythmic beats of reggaeton. You won't want to miss the nostalgic laughter over my classic Cadillac Eldorado tales and the quirky banter with our loyal listeners like Big Head Todd and Patty.Ever wondered what unites salsa dancers and metalheads? It's the universal language of music, and we're charting it all—a melodic journey through ten genres that shape our world. Take a sonic tour that kicks off with metal's thunderous allure, glides into alternative and indie's eclectic vibes, and sways to the Latin and reggaeton rhythms. Whether it's the storytelling soul of country or the infectious energy of EDM, each genre is a chapter in the global playlist, and we're here to celebrate it with personal anecdotes and a bit of comic relief.As we crescendo into the top spots, witness the transformative power of hip-hop and rap, and revel in the catchy dominion of pop music, the reigning champ. I'm here to share not just the music but the memories and stories that give each note its heartbeat. With Morrissey's words echoing, "the pleasure, the privilege is mine," this episode closes with gratitude and anticipation for our next rendezvous. So, tune in for a mix of music, humor, and heartfelt connection that promises to strike a chord with every listener.
Ever wonder how some states manage to drain your wallet at the gas pump? Tune in to our latest In Wheel Time Car Talk Show as we uncover the Top Ten States with the highest gas taxes and what that means for your travel plans. Get ready to uncover insights about the new Buick Encore Sport Touring, a subcompact SUV that combines style with city-friendly features, making it a must-consider option for those who want performance without breaking the bank. This episode promises to equip you with fascinating insights into the financial landscape of car ownership and travel.Get ready to shift gears as we explore the glitz and glamour of classic car auctions. We break down the allure of vintage vehicles like the 1976 Cadillac Eldorado convertible and the 1948 Buick Estate Wagon, speculating their auction prices and sharing why these timeless beauties continue to capture hearts. Nitto tires take center stage in our discussions, as we explore why these sticky wonders are beloved by car enthusiasts. Whether you're a seasoned classic car collector or just dream of cruising down the highway in a vintage gem, our conversation will leave you longing for your own piece of automotive history.But that's not all—our episode is packed with events and essential updates to keep your automotive journey smooth. From the Tailpipes and Tacos cruise-in to Gulf Coast Auto Shield's Car Social, we're spotlighting gatherings that bring car lovers together. Plus, stay informed about the latest recalls affecting Honda, Toyota, Ford, and Mercedes-Benz, ensuring your ride is as safe as it is stylish. With our trademark lighthearted banter and engaging anecdotes, this episode is set to be a joyride for every car enthusiast.Be sure to subscribe for more In Wheel Time Car Talk!The Original Lupe' Tortilla RestaurantsLupe Tortilla in Katy, Texas Gulf Coast Auto ShieldPaint protection, tint, and more!ProAm Auto AccessoriesProAm Auto Accessories: "THE" place to go to find exclusive and hard to find parts and accessories!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.---- ----- Want more In Wheel Time Car Talk any time? In Wheel Time Car Talk is now available on iHeartRadio! Just go to iheartradio.com/InWheelTimeCarTalk where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Car Talk and check out our live broadcast every Saturday, 10a - 12noonCT simulcasting on iHeartRadio, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Car Talk podcast can be heard on you mobile device from providers such as:Apple Podcasts, Pandora Podcast, Amazon Music Podcast, Spotify, Google Podcasts, iHeartRadio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.iheart.com/live/in-wheel-time-car-talk-9327/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Car Talk, email us at info@inwheeltime.comTags: In Wheel Time, automotive car talk show, car talk, Live car talk show, In Wheel Time Car Talk
Join Sean Oliver and Kevin Nash for an exciting new episode of "Kliq This" where the dynamic duo dives into a whirlwind of topics. This week, Kevin shares his recent adventure in classic car shopping, revealing his latest acquisition – a stunning 1974 Cadillac Eldorado convertible. From reminiscing about his beloved Mustang to the intricate process of finding and upgrading classic cars, Kevin's automotive stories are as captivating as they are humorous. The conversation also veers into politics and social commentary, with Kevin and Sean sharing their candid opinions on current events, the political climate, and the impact of immigration on the economy. Their no-holds-barred discussion is sure to provoke thought and perhaps a few laughs along the way. As always, the episode is sprinkled with personal anecdotes, including Kevin's heartfelt tribute to his wife's unwavering support and the unique bond they share. The duo's chemistry shines through, making this episode a perfect blend of humor, insight, and nostalgia. Tune in for a ride through classic cars, candid political talk, and the everyday musings of two legendary figures in the wrestling world. Don't miss out on this engaging and entertaining episode of "Kliq This!" Follow us: Twitter: @KliqThisPodcast Instagram: @KliqThisPodcast Facebook: /KliqThisPodcast Cremo-You can find Cremo Men's Body Wash at Walmart or Walmart.com. Blue Chew-Try BlueChew FREE when you use our promo code NASH at checkout--just pay $5 shipping. That's BlueChew.com, promo code NASH to receive your first month FREE Get Blitzed-Save 15% at Get-Blitzed.com by entering the code KLIQ at checkout. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Sean Oliver and Kevin Nash for an exciting new episode of "Kliq This" where the dynamic duo dives into a whirlwind of topics. This week, Kevin shares his recent adventure in classic car shopping, revealing his latest acquisition – a stunning 1974 Cadillac Eldorado convertible. From reminiscing about his beloved Mustang to the intricate process of finding and upgrading classic cars, Kevin's automotive stories are as captivating as they are humorous. The conversation also veers into politics and social commentary, with Kevin and Sean sharing their candid opinions on current events, the political climate, and the impact of immigration on the economy. Their no-holds-barred discussion is sure to provoke thought and perhaps a few laughs along the way. As always, the episode is sprinkled with personal anecdotes, including Kevin's heartfelt tribute to his wife's unwavering support and the unique bond they share. The duo's chemistry shines through, making this episode a perfect blend of humor, insight, and nostalgia. Tune in for a ride through classic cars, candid political talk, and the everyday musings of two legendary figures in the wrestling world. Don't miss out on this engaging and entertaining episode of "Kliq This!" Follow us: Twitter: @KliqThisPodcast Instagram: @KliqThisPodcast Facebook: /KliqThisPodcast Cremo-You can find Cremo Men's Body Wash at Walmart or Walmart.com. Blue Chew-Try BlueChew FREE when you use our promo code NASH at checkout--just pay $5 shipping. That's BlueChew.com, promo code NASH to receive your first month FREE Get Blitzed-Save 15% at Get-Blitzed.com by entering the code KLIQ at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices
His hero was DB Cooper. So he imitated his skyjacking ransom down to the letter. Only Martin McNally had never used a parachute before he became a skyjacker. And he never expected someone to play the hero with a '71 Cadillac Eldorado.See omnystudio.com/listener for privacy information.
In this On the Move, hosts Matt Avery and John Kraman dive into the results of Mecum Glendale. The high seller of the five-day auction was a 1967 Chevrolet Corvette L88 Coupe which sold for $1,815,000. Painted Sunfire Yellow, the classic sports car was one of 20 L88 Corvettes produced that year and the only Duntov and Triple Diamond-awarded 1967 L88 still equipped with its original engine. John shares his surprise about a 1969 Cadillac Eldorado that was bought new by Elvis Presley. The Caddy was used by the King and Priscilla at their Beverly Hills, California, home until 1973. It sold at the auction for $253,000. Matt also shares his memorable Glendale moments including the sale of the 1969 Ford Torino Talladega GPT Special. The one-of-a-kind custom, featured at the SEMA Show and in the "Furious 7" movie, sold for $440,000. Next the guys turn their attention to the upcoming Mecum Houston auction, to be held April 4-6. John's standout consignment is a 1963 Ford Galaxie 500XL Convertible equipped with a 427 CI V-8 and a 4-speed manual transmission. Matt's pick is one of the collections: the Plendl Brothers Bowtie Classics. This group of 25 black Chevrolet classics are selling at no reserve with many showing ultra-low miles. Wrapping up, Matt and John discuss the latest Dodge news, detailing the next-generation 2024 Charger. The all-new muscle car comes with both an electric powertrain along with an internal-combustion engine option and will be available in both two- and four-door body styles.
What's on Craigslist? 7-31-2023 …For Sale: 1988 Cadillac Eldorado with a Trunk Full of Playboy Mags from the 80's …Professional Cuddler Looking for Victims (I mean, People who want to Cuddle) …Black Force Sneakers with Street Cred …Sock Models Needed
Dan & Steven return with new guy Laec for an all new season! Much vehicular catching up is done and Dan's new and fantastic Malaise Car Club of Oregon is introduced! MCCoO member Laec talks about his Mazda named Tomo and the noble quest to pick up the juiciest Cadillac Eldorado of all time --sight-unseen-- for Dan. IG: @corinthian_cowboyshttps://www.facebook.com/CorinthianCowboyshttps://www.facebook.com/groups/453295002598271https://www.youtube.com/channel/UCpukJy7K1i-mefgYJn_USPgMerch: https://tinyurl.com/CowboysShop---------------------------------------------------------Steven's LinksIG: @steverado87https://www.youtube.com/watch?v=yVfVRW-FQDo&ab_channel=RegularCars ---------------------------------------------------------Laec's LinksIG: @doctor_robert1966https://www.youtube.com/channel/UC9dAxmYkeK8V0BziDL8taKg
LA MALLE AUX SILLONS, rediffusion pour les feignant(e)s de l'épisode consacré à The War on Drugs. Adam Granduciel vénère sa guitare et les sons stratosphériques qu'il lui arrache, il aime à lui lâcher la bride et la laisser filer, comme une grosse Cadillac Eldorado décapotable sur une route sans fin entre deux portions de désert parsemés de cactus géants. Magnifique, aérien et délicat.. Artiste : The War on Drugs. Genre : classic rock, rock psychédélique, atmosphérique, épique, épique et colégram.. Époque : de 2008 à maintenant. De 1 à 10, probabilité que tu connaisses : 4.. Numéro de l'épisode : #18 redifPour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici si tu utilises Deezer ou encore ici si tu utilises Spotify.Pour me contacter, pour me dire que tu as adoré (ou pas du tout mais j'y crois pas) ou encore me suggérer un artiste pour le prochain épisode, tu peux m'écrire à contact@lavoixdessillons.comGros Naze te souhaite une très bonne écoute. On se retrouve dans un prochain numéro de La Voix des Sillons, en attendant café et à la messe !Pour soutenir gratuitement le podcast :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toiEt pour le soutenir pas gratuitement :Alimenter ce podcast prend beaucoup de temps, sans compter les coûts induits. Alors, si tu prends du plaisir à écouter ces chroniques, si tu te marres, si tu apprends des choses, si tu découvres de nouveaux artistes, aide-moi à continuer, tout apport sera le bienvenu. Rendez-vous sur Tipeee ou Paypal. Tu peux aussi suivre la sortie des prochains épisodes sur mon site internet, sur ma page Facebook et sur mon compte Instagram. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Hoy dedicamos nuestro programa al inigualable Sugar Ray Robinson, para muchos el mejor boxeador de la historia. Y lo hacemos centrándonos en un período mágico y fundamental en su carrera. Diez frenéticos meses que incluyen dos inimaginables giras por Europa, cuatro viajes transoceánicos en barco, 16 combates en siete países diferentes, que incluyen tres de sus más célebres campeonatos del mundo. Un programa lleno de anécdotas que definen la personalidad de nuestro inimitable protagonista y que incluyen un entourage con peluquero, profesor de golf, guardaespaldas enano y, por supuesto… un Cadillac Eldorado color rosa flamingo, el coche más molón libra por libra de todos los tiempos. Corte 1: “Pretty flamingo”, Manfred Mann Corte 2: “Hey hey sugar Ray”, Jimmy Binkley Corte 3: “C'est pas la mer a boire”, Les Negresses Vertes Corte 4: “Walk me home”: Sugar Ray and the Bluetones Corte 5: “The Sugar Ray Robinson / Randolph Turpin Fight”: Steve Benbow Corte 6: “Sugar, sugar”, The Cadillacs
It's another pile of gearhead supersauce. ...Learning to read vehicle dynamics and understand where your car's "squish" is (and some thoughts on how to tune that thing so it goes left and right right). ...How Occum's Razor applies to traffic "circles" (the illustrious round-about, another thing that should have stayed in England) and why people keep dying on them. ...The basic math of salt water + electric components + vacuous elites ("elite" at what, exactly?) = car goes BOOM and house goes FLOOM. Also, a little bit of detail on how Kalifornistan has turned on Tesla (they can only take away what they gave you). Have some: Zach Wilde, Anthrax, drunk Jim Bowie, the Cadillac Eldorado, and RIP Dietrich Mateschitz.
It's another pile of gearhead supersauce. ...Learning to read vehicle dynamics and understand where your car's "squish" is (and some thoughts on how to tune that thing so it goes left and right right). ...How Occum's Razor applies to traffic "circles" (the illustrious round-about, another thing that should have stayed in England) and why people keep dying on them. ...The basic math of salt water + electric components + vacuous elites ("elite" at what, exactly?) = car goes BOOM and house goes FLOOM. Also, a little bit of detail on how Kalifornistan has turned on Tesla (they can only take away what they gave you). Have some: Zach Wilde, Anthrax, drunk Jim Bowie, the Cadillac Eldorado, and RIP Dietrich Mateschitz.
*Lake County State's Attorney Eric Rinehart shares why he believes the SAFE-T Act will actually make Illinois safer. *Will County State's Attorney Jim Glasgow takes the opposite side of the debate, discussing his issues with the Act. *John plays an audio montage that draws a correlation between VP Kamala Harris and Selina Meyer of 'Veep.' *David Roeder of the Chicago-Sun Times breaks down why LaSalle Street is in need of a major facelift. *Plus, author Wayne Clingman discusses the 40th anniversary of Frank “Lefty” Rosenthal's Cadillac Eldorado exploding.See omnystudio.com/listener for privacy information.
*Lake County State's Attorney Eric Rinehart shares why he believes the SAFE-T Act will actually make Illinois safer. *Will County State's Attorney Jim Glasgow takes the opposite side of the debate, discussing his issues with the Act. *John plays an audio montage that draws a correlation between VP Kamala Harris and Selina Meyer of 'Veep.' *David Roeder of the Chicago-Sun Times breaks down why LaSalle Street is in need of a major facelift. *Plus, author Wayne Clingman discusses the 40th anniversary of Frank “Lefty” Rosenthal's Cadillac Eldorado exploding.See omnystudio.com/listener for privacy information.
Multimedia artist Jaqueline Valenzuela introduces us to her alter ego La Play Girl, a 1975 Cadillac Eldorado. Afterwards she tries to convince us she's not a ‘car girl', you be the judge. Check out Jaquline's art here Dope merch from Lover's Only Anti-Racist Art Teachers Edited & mixed by Emdognightmare Hugs, thank you & high fives to Greg Meleney for the killer tunez!
Farver er vigtige. Sindssygt vigtige. Ikke mindst når man er bilsnob. Nogle er endda så vilde, at farven betyder mere end motoren – så man som bilsnob gerne går på kompromis, og tager en mindre model hvis bare farvekombinationen er den rigtige.Men hvad er så de rigtige farver? Det kommer selvfølgelig an på bilen. Alle farver (bortset fra måske én) klæder selvfølgelig en Porsche 911. Til gengæld er der slet ingen farver, der får en Suzuki Ignis til at se godt ud. Og helt grundlæggende er der direkte skrækkelige farvekombinationer, andre som bare er kedelige og fantasiforladte mens nogle sammensætninger bare rammer plet. Næsten hver gang.Lyt med når Bilsnobben og ekspertpanelet – bestående af Mikkel Brodin, Thomas Nedergaard og Adam Estrup – kaster sig ud i en voldsom dechifrering af de mest solgte farver i Europa, efterfulgt af en tur rundt i de forskellige bilfabrikkers bestræbelser på at opfinde gode farvenavne. Der bliver drukket vin i alle farver, når de fire bilsnobber slutter af med en tur rundt i egne bedste og værste farvekombinationer. Som eksempelvis Mikkel Brodins laksorte Cadillac Eldorado og en gul Fiat Stilo, hør med, og hør hvilken han mener var den bedste og den værste ad de to Og jo, der findes rigtige bilsnob-farver. Dem er der lige præcis fire af.
For today's movie review:A cocaine dealer wants to get out of the game, but corrupt officials have other plans, as Ron O'Neal stars in Super Fly! Adam and Andy take at look at this funky 1972 action film, so hop in the Cadillac Eldorado and ride along!Check out Super Fly (1972)Show Notes:Viewer's Question:What are our favorite movies centered around drugs or drug dealers?Comment/email your answers.Chapters:(~0:00:08) Introduction(~0:00:44) Featured Review(~0:17:49) Viewer's Question(~0:27:53) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.
Adam Granduciel, âme de The War On Drugs, vénère sa guitare et les sons stratosphériques qu'il lui arrache, elle occupe une grande place dans la structure des morceaux du groupe. Souvent il aime à lui lâcher la bride et la laisse filer, comme une grosse Cadillac Eldorado décapotable sur une route sans fin entre deux portions de désert parsemés de cactus géants. Du coup il fait durer le plaisir, la moitié de ses chansons dépassent allègrement les 5 ou 6 minutes. À vrai dire elles devraient toutes durer des heures tellement cette guitare, wow… Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
The Herle Burly was created by Air Quotes Media with support from our presenting sponsor TELUS, as well as CN Rail and the Ontario Real Estate Association.Today's special guest is former premier of Saskatchewan, Brad Wall. Mr. Wall served as the 14th premier of Saskatchewan from 2007 until 2018. In the 2011 provincial election, Wall's Saskatchewan Party, a coalition of former provincial Progressive Conservative and Liberal Party members, won the largest vote share in Saskatchewan's history with 64% of the popular vote and 49 of the 58 seats in the legislature.In our conversation we'll discuss the lives and interests of Western Canadians, including the energy sector and the environment, as well as the shape of Conservative party politics and how the federal party should campaign to attract votes and win.As a treat, he'll takes us into his garage for a look at what used to be country music legend Waylon Jennings's 1973 Cadillac Eldorado.Thank you for joining us on #TheHerleBurly podcast. Please take a moment to give us a rating and review on iTunes, Spotify, Stitcher, Google Podcasts or your favourite podcast app.Watch conversations from The Herle Burly on YouTube.
The late sixties were a strange time for many reasons. Not the least of which was the regularity that planes were hijacked. Between 1968 and 1972, more than 130 flights in the United States were hijacked, and in June 1972, it happened on a flight out of St. Louis. Just press play to hear the whole story. ------ Click on search links to explore episodes with related content: Adam Kloppe, Crime, Transportation, Aviation, Altercations,------ Podcast Transcript: I'm Adam Kloppe, Public Historian at the Missouri History Museum and Here's History on 88.1 KDHX. ------ On June 23, 1972, a 30-year-old St. Louis businessman named David Hanley was at a bar listening to the news and getting upset. The top story on the local news that evening was the story of yet another airplane hijacking. This time, the hijacking was based out of St. Louis. Frustrated, Hanley told his friend to be prepared for something that would rock the world and then he left the bar.------ The hijacking on June 23rd started in a way fairly typical for that period in American history. As unsettling as this may seem to us today, aircraft hijacking was a fairly common crime at the time. In fact, between 1968 and 1972, more than 130 flights in the United States had been hijacked. The June 23rd hijacking started when a 28-year-old man named Martin McNally boarded a flight in St. Louis. As the plane was beginning its descent into Tulsa, McNally pulled out a gun and approached a flight attendant. He handed her a note demanding $500,000, a shovel, and five parachutes. If he received these things, he said, no one would be hurt.------ The pilots turned the plane back towards St. Louis, where authorities began gathering McNally's ransom money and planning for a way to catch McNally once all the hostages were free. When the plane landed back in St. Louis so that authorities could hand off the cash to McNally, a crowd gathered outside Lambert Airport to take in the scene firsthand.------ As the onlookers watched, the plane began to taxi to a runway after the money was exchanged. They saw something incredible. Suddenly, a Cadillac Eldorado barreled through the safety fence and begin careening toward the hijacked plane at 80 miles an hour. The car was driven by David Hanley, the man who had promised to rock the world. As Hanley pulled even with the nose of the plane, he smashed into the front wheels and ended up jammed under the left wing, stopping the plane in its tracks.------- Hanley's car was badly damaged, though Hanley would suffer only minor injuries, and would later claim that he had no recollection of any of the evening's events. However, for all the excitement of the crash, Hanley hadn't actually put an end to the hijack. No one on board the plane had been hurt, and McNally quickly demanded another plane or else he threatened people would be killed. Authorities found him another 727 which took off from St. Louis in the early morning hours of June 24th. McNally jumped from that plane over Indiana, but lost his bag of money during the descent. Authorities recovered the bag a few days later. McNally himself was arrested five days later in Detroit with only $13 to his name. He was released from federal prison in 2010.------ Here's History is a joint production of KDHX and the Missouri History Museum. I'm Adam Kloppe and this is 88.1 KDHX St. Louis.
This week's selections from https://www.BringATrailer.com (BringATrailer.com) for John McMullen and Todd Bianco feature some sportiness, some luxury and even one pick that works better, in part, on water than asphalt! John's picks: A 1967 Cadillac Eldorado, a 1937 Ford Convertible Restomod, a 1964 Pontiac GTO, a 1977 Datsun 280Z, and a 1969 Pontiac GTO Convertible. https://bringatrailer.com/listing/1967-cadillac-eldorado-14/ (https://bringatrailer.com/listing/1967-cadillac-eldorado-14/) https://bringatrailer.com/listing/1937-ford-convertible-restomod/ (https://bringatrailer.com/listing/1937-ford-convertible-restomod/) https://bringatrailer.com/listing/1964-pontiac-gto-25/ (https://bringatrailer.com/listing/1964-pontiac-gto-25/) https://bringatrailer.com/listing/1977-datsun-280z-50/ (https://bringatrailer.com/listing/1977-datsun-280z-50/) https://bringatrailer.com/listing/1969-pontiac-gto-23/ (https://bringatrailer.com/listing/1969-pontiac-gto-23/) Todd's picks: A 1965 Lamborghini 350GT, a 1999 Nissan Skyline GT-R, a 2003 BMW Z8 Alpina, a 2008 Bugatti Veyron 16-4, a 1976 Mercedes-Benz 450SEL, and a 1960 Morris Minor Traveller with boat. https://bringatrailer.com/listing/1965-lamborghini-350gt/ (https://bringatrailer.com/listing/1965-lamborghini-350gt/)https://bringatrailer.com/listing/1999-nissan-skyline-gt-r-3/ (https://bringatrailer.com/listing/1999-nissan-skyline-gt-r-3/)https://bringatrailer.com/listing/2003-bmw-z8-alpina-8/ (https://bringatrailer.com/listing/2003-bmw-z8-alpina-8/)https://bringatrailer.com/listing/2008-bugatti-veyron-16-4/ (https://bringatrailer.com/listing/2008-bugatti-veyron-16-4/)https://bringatrailer.com/listing/1976-mercedes-benz-450sel-5/ (https://bringatrailer.com/listing/1976-mercedes-benz-450sel-5/)https://bringatrailer.com/listing/1960-morris-minor-traveller-7/ (https://bringatrailer.com/listing/1960-morris-minor-traveller-7/)
The name Al Pacino calls to mind some of the most memorable performances in the history of film, from The Godfather and Scarface to Scent of a Woman and Heat. In this week’s “Sunday Sitdown,” Willie Geist gets together with the Hollywood icon to talk about his legendary career, including his Oscar-nominated performance in The Irishman and his Amazon series Hunters. Plus Willie takes Al for a cruise around Beverly Hills in a 1976 Cadillac Eldorado. (Original broadcast date: February 23, 2020)
“Every imagination is distinct,” says Dan Hunter. “It is a conglomeration of what you’ve experienced, what you want to achieve, and what you remember.” Can imagination be measured, and what does it have to do with creativity and invention? How do teachers develop imagination in their students, and how is it elicited in the workplace? Host Richard Miles talks to Dan Hunter, the inventor of the Hunter Imagination Questionnaire, known as H-IQ, the first assessment of individual imagination and ideation. Dan is also an accomplished playwright, author, songwriter, teacher, and comedian. TRANSCRIPT: Intro: 0:00Inventors and their inventions. Welcome to Radio Cade, a podcast from the Cade Museum for Creativity and Invention in Gainesville, Florida. The museum is named after James Robert Cade who invented Gatorade in 1965. My name is Richard Miles. We’ll introduce you to inventors and the things that motivate them. We’ll learn about their personal stories, how their inventions work, and how their ideas get from the laboratory to the marketplace. Richard Miles: 0:00Imagination. What does it really mean? Can it be measured? And what does it have to do with creativity and invention? I’m your host, Richard Miles, and my guest today via the miracle of Zoom is Dan Hunter, the inventor of the Hunter Imagination Questionnaire known as H-IQ, the first assessment of individual imagination and ideation. He’s also accomplished playwright, songwriter, and teacher. Welcome to the show, Dan. Dan Hunter: 0:00Thank you, Richard Richard Miles: 1:04So, Dan. This show is produced in Florida. I live in DC, You live in Massachusetts and we’re conducting the interview via a technology created in San Jose, California. Imagine that. Dan Hunter: 1:04Yes, exactly. Richard Miles: 1:17So I neglected to mention in introducing you that you are probably the world’s foremost authority on what makes Iowa funny. Dan Hunter: 1:25I’ll claim that honor. Yeah, I am a native of Iowa and lived there until about 20 years ago. Richard Miles: 1:32And you’ve written a couple of books on it as well. Sort of specifically humor and Iowa, right? Dan Hunter: 1:36Yeah, Three books. “Let’s Keep Des Moines a Private Joke,” “The Search for Iowa” and “We Don’t Grow Potatoes,” and, the last one is, “Iowa. It’s a State of Mind.” Richard Miles: 1:47Is this taken well by native Iowans that they like the ribbing? Or do you get some push back? Dan Hunter: 1:52No. I made my living for about 17 years, performing throughout the Midwest and primarily Iowa. I think Midwesterners, they appreciate humor about themselves, and they recognize that they have a calm humility about them, for the most part. Occasionally you get a crackpot, I mean one person once sent me back one of my books stapled 100 times. Richard Miles: 2:14Like I said, that’s an interesting side hustle. But I guess it wasn’t a side hustle a while. Dan Hunter: 2:20No, it was my main work at the time. Richard Miles: 2:22So, this is not a show dedicated to Iowa humor, as much as we, we could talk about that, but to showcase the stories of inventors and entrepreneurs, and at the root of most of those narratives are seeds of imagination and creativity. But the problem is imagination, sort of one of those amorphous words that a lot of people use and a lot of them use it differently, I thought. Let’s start by defining imagination itself, How would you give a fairly precise definition of imagination? And then we’ll go on after that to talk about the questionnaire you develop. Dan Hunter: 2:54I think it’s very important to distinguish between imagination, creativity, and innovation. Imagination is what happens inside a person’s mind and imagination is something that we all have. It’s part of being Homosapiens. It’s part of our evolution, and people use their imagination every day, often unaware that they are using their imagination. So the concise definition of imagination is, it is the ability to predict outcomes, visualized scenarios, and to engage in counterfactual thinking. So those three aspects are part of our daily life. I mean, you might be thinking, What am I gonna have for lunch? Should I go to downtown tomorrow? Where should we go on vacation? All of those involved predicting an outcome and visualizing this scenario, and it’s universal. Everybody does it now, you might ask yourself then, Well, what’s the difference between, say, me and Albert Einstein? Now, if you are trying to visualize where you left your car keys and you might visualize, Gee, do I see them in my mind on the kitchen counter? How do I see them by the back door? You’re using the same channels of visualization that Albert Einstein used because there’s no special channel for visualizing the universe. And the difference between most of us and Albert Einstein is that Albert Einstein practiced this his whole life, and he channeled his imagination to achieve his goals. He was able to visualize how light moved through the universe and how it might be bent by an orb or a solid body. He could actually visualize that in his mind, and that was the key to his success. So what about creativity? Creativity is defined as something that’s original, novel, of value, either aesthetic or utilitarian. And so it is actually a designation, and not of what goes on inside your mind, where you generate ideas, your imagination. It’s a designation that applies to your idea. Bringing your idea forward. Creativity is a designation given by others. It could be in your domain, it could be in your family. But the designation of creativity is not from you, can I use a metaphor? Richard Miles: 5:04Sure, of course, I love metaphors. Dan Hunter: 5:06This is a baseball metaphor, but then again, we are in America. Richard Miles: 5:10This is as close, as we’ll come baseball, probably in 2020. So go ahead. Dan Hunter: 5:14So imagination, creativity, and innovation. Imagination is when the batter is on deck in that little batter circle and warming up. Now, he or she could be thinking about anything, but we hope that she’s planning on a strategy, an idea to implement at the plate. She might be thinking ill bunt it down the third baseline, or I’ll try to hit it over the right field. Or maybe I’ll try to hit a home run. However, this is internal thinking imagination. She could be thinking about anything. She could be thinking about chicken pot pie, Cadillac Eldorado. It’s all internal at that point. Now, we hope that she is applying her imagination towards the goals of the game. Now, when she comes to bat, that is the chance to implement her idea. Now they’re too arbitrary white lines in baseball that extend into infinity, in theory. Those are the foul lines, and if you hit the ball outside of the foul line, no matter how powerful you hit it, it doesn’t count. Now it’s the same way with creativity. Your idea has to fall within the expectations of your domain within the expectations of society, be within the rules of the game. And so creativity, then, is when your idea works, and it’s recognized by people that it works and that it adds value within the game. Innovation is then when you have a tangible result the success like reaching first base air coming around the home plate. Now what I started to say is, the DaVinci is a very good example of this Leonardo DaVinci because we know from his notebooks that he had extraordinary ideas for somebody who lived in the late 15th early 16th century. Among them were human propelled helicopter, a set of flying wings. Now those ideas were only in his notebooks. They never were produced. The Duke of Milan could see no value in them, and so they were not useful. They weren’t deemed creative. They weren’t in the expectations of the Duke of Milan. Now skip to the second half of the 19th century, when a lot of his notebooks were found after being lost and during the end of the 19th century the question was not, can human beings fly? The question was when, because from about 1850 on, there was a great race to become the first self-propelled flying machine, and we know who finished first, which was the Wright Brothers. But so the time when they found these notebooks it was great excitement because the expectation was we will be able to fly and DaVinci’s ideas are considered creative. And in retrospect, in the last 20 years of the 21st century, museums have built replicas, particularly of the helicopter, and it doesn’t fly. But nonetheless, it’s what’s interesting about that. So all ideas begin in imagination, they can’t begin anywhere else. And therefore, if you channel your imagination, if you use your imagination, you will have ideas that maybe recognizes creative or they may not depending on the audience and the time of society. Richard Miles: 8:19You talked about, Einstein talked about DaVinci so clearly there are people who develop this skill better than others. but It’s not something that someone is totally lacking imagination. Just give an example from the other end of the spectrum. We have, ah, a brand new eight-month granddaughter, and what’s fascinating is to see her develop. And you can kind of see her understanding the world increase, including imagination. One example, where in the last month to six weeks she now understands that if somebody disappears from the room, they don’t disappear from the world. When she hears, noises or footsteps coming from outside the world, she looks expectantly so clearly she knows that somebody is gonna pop around the corner based on the steps. So that’s the prototype of beginning to imagine yourself right in different spatial areas or different time periods and so on. So you and others have developed a questionnaire that can really get at the fine tuning assessment of somebody’s. Is it their potential to imagine? Or is it just a snapshot of where they are on that spectrum of, say, being an eight-month-old baby who figures out that people exist outside of the room? And Einstein or DaVinci? Dan Hunter: 9:26First, let me address one of the differences between Einstein and DaVinci and most people. Everything that goes on in your brain is neural connections. Neural networks, where the synapses process an electrical charge inside the neuron converts it to a chemical at the synapse, and then it goes to the next one. What we know about the plasticity, the neural plasticity, the brain is that the brain strengthens how you use it. In other words, practice improves that network in your brain. There’s a classic study of 24 jugglers, and 12 of them had to learn how to juggle, and the other 12 had the great challenge of not learning how to juggle, what happened? Well, there’s actually an increase in the gray matter on the dorsal lateral side of those who learned how to juggle the brain structure itself changed by the learning. The non-jugglers had no change then. This is curious because, of course, the jugglers, the new jugglers, they did it for the month that they were required to do. And most of them stopped because they realized that being able to juggle was not going to increase their chance of passing on their DNA to anyone. So they stop juggling they came back six months later, and that growth in the brain in the gray matter had disappeared. The brain had rerouted that gray matter, those neurons for other tasks. So if you want imagination, you have to practice it, like Einstein did. Or like DaVinci, who walked the streets with his notebook constantly drawing constantly writing his ideas. Now HIQ, which I developed as a solo project. It does not compare your imagination to mine, and the reason for that is is that every imagination is distinct. Even identical twins who share the same genome will not have a similar imagination. It’s that imagination is that conglomeration of what you’ve experienced, what you want to achieve, what you remember. So it’s those three aspects and, you know, from literature and elsewhere that people remember events quite differently, so they have their own understanding of it that informs their own imagination. So the HIQ. The idea came to me when I was working to try to increase the importance of creative work in the schools, and my first thought was, well, we need to have some way of keeping score because Americans value what we can measure, particularly in the schools, and so those things that are immeasurable, such as creativity. They get overlooked or sidelined because they don’t fit into the equation. They don’t fit into the algorithm. So my thought was, if we could establish a measurement that would increase the importance of the creative work, I won’t go into my original idea, which was almost implemented in Oklahoma. But it was similar to something the CDC does. A CDC examines at-risk populations like postnatal, neonatal elderly, youth at risk. They actually measure behaviors to determine potential outcomes. And that’s what the original index was going to do. But as I thought about it, I realized couple of things one. The most important thing is how you use your imagination and getting students to channel their imagination towards their goals. And so the HIQ is based on four sessions, none longer than eight minutes. So it’s easiest schedule inside of a classroom, and you can do it shorter doesn’t have to go the full eight minutes and has very simple prompts. There’s no secret sauce just like that, no secret sauce between Einstein visualizing and you. It is the same skills, so that prompts ask, you know what are you doing with your imagination? What do you want to do? What do you hope to achieve? And then at the end of the first session, if you’re invited to write as many ideas as you can and it’s not an English test, you don’t need to be grammatically correct as long as you can remember your ideas from what you write at the end of the first session, the software seals your ideas up in a virtual envelope on stores it. Then you have an incubation period 3 to 7 days. Now, if you didn’t like your ideas in the first session, doesn’t matter because you’re gonna have three more sessions and the human brain being what it is. You will either consciously or subconsciously ask yourself, Why didn’t I have any ideas so it gets easier as you go along? Second session is visualization. The third session is on change and invention and discovering again every time your ideas air sealed and stored at the end of the fourth session, all your ideas come back to you. And you assess the idea is on a liquored scale, 1 to 10. That’s what gives you the score. It’s not a diagnostic test. It doesn’t say you’re creative and you’re not because we all have imagination. What it actually measures is how engaged you are with your ideas Now that is valuable to the individual. It’s also a former metacognition because you examine in that time period how you generate ideas where you get your ideas and you focus on the notion that, yeah, I can generate ideas. That’s my responsibility. For the schools they get a score in the aggregate, what that allows them to do. And here’s the measurement part that allows them to determine what changes occurring with these students in terms of their imagination. So you have on opening sessions, say, at the beginning of the year, and that’s a benchmark. You can take it again at the end of the semester or at the end of year. One school wants to start with the incoming freshman, and so it’s a very distinctive questionnaire and is very different from existing creativity tests. I’m sure you’ve seen some of those the nine-dot test and others, but the thing that puzzles me about the other creativity tests is that they are designed by an expert, administered on one day, and then evaluated by that same expert. So aren’t we really measuring whether or not you fit the experts’ idea of creativity? There’s no chance for you to find your own imagination, which is what HIQ does for you. Richard Miles: 15:24So, Dan, I think I understand how the test works. But let me just see if I do understand. If I were to sit and take the test and in session one, what exactly is the questions? Like what I wanted to believe Is that kind of Dan Hunter: 15:35what do you hope to do, create, or achieve in the next few months? Richard Miles: 15:38So let’s say I said, okay, I’ve got a great idea on a manned mission to Mars, right? Okay, and then in session two, I could say either that was a stupid idea. That’s not going anywhere, or I come back and say, Well, I’ve done some thinking about it, and we need to establish a base on the moon first, and then we need to build stuff on the moon. And would that be evidence that I was engaging with my idea as opposed to just tossing it out? Or where would I fall on the spectrum then of imagination? Dan Hunter: 16:06I would say that you are engaged with your imagination when you get to that point, when you’re starting to ask yourself what else? If you just say, go to Mars and those are the sorts of ideas that floats through your mind quite frequently. But it’s far better that, as you point out, that when you become engaged with the idea and you start exploring the ramifications, what are the nuances? What are the different angles? And you feel yourself gaining interest in momentum. That’s when you’re engaged with your imagination. Now let me share with you what high school students at Conquer Academy wrote when they first did the HIQ, one student wrote that she wanted to write an in-depth essay on the treatment of adolescence and state mental hospitals. She also wanted to develop an algorithm to imitate Stuxnet and to see if it will could be damaged by a computer virus. Now those were pretty ambitious. Then the next questions answer Right after that, I want to get pretty your glasses. I need new blue jeans. Now, the point of that is that that’s how imagination works. It’s not something you reserve for the glory ideas. It’s something that occurs every day, and the glory ideas come along, too. Not that often, but something you use every day Richard Miles: 17:15You used earlier the great analogy of hitting between the foul lines. You could power the ball over the left-field bleachers, but if it’s left of the foul line, people may be impressed. But it doesn’t go. How does imagination translate into the type of curriculum that we teach, if at all, or testing or improving imagination and then in the workplace? Because you can imagine no pun intended, you could be in that workplace, have all these great ideas. But if your employer says I want X, Y and Z from you 9 to 5 and you go hey no, no, I got a great idea for M. They don’t want to listen, that’s not what they’re paying you for. You have somebody like that would give up or they don’t do it. Dan Hunter: 17:52In that case, M, would be a foul ball. Richard Miles: 17:55Right, exactly, yeah. So let’s start with schools. Are there types of schools that do this better in terms of encouraging that imagination to develop into creativity to develop in the action or are they all getting a failing grade? Dan Hunter: 18:07I don’t think they get a failing grade. Really. It comes down to the individual teacher when I give workshops to teachers and I asked them or I suggest ways that they can increase student imagination. One of the touchstones I come back to is if you give an assignment to your students and you know ahead of time what it’s gonna look like when it comes back, then you’re not increasing their imagination. So I’ll tell you a story. That’s a good example of how you could teach for creativity. When I was in fifth grade, I had a science teacher, Miss Dixie Douglas, and she wanted to teach us the anatomy of the human body, and she could have had us memorized the bones. But instead, she said, make a skeleton. How do you do that? We can’t make a skeleton, she said. You can use anything you want on. She gave us a break, she said. The skull, which has 40 some bones in it. We could just have one piece for the whole skull and it’s extra bones, so people went out and I got a coat hanger and straight out, I put empty spools of thread for the vertebrae, little pieces of felt for the pad in between. I used the inside rollers of paper towels for the arms, the only in the femur, and everybody had a different approach. Now my head was the hardest one to do, and so I kind of tried to shape it out of Styrofoam. It didn’t look very good, but she didn’t say how to do it. She just said, come back with it. Well, at the end, one friend of mine came in and hit the skull ahead. That he had on his skeleton was a head of lettuce, and again, who could have predicted that? And again, it’s a head, so it works. So my reaction is that people who are teaching for creativity are allowing students to be responsible for their ideas and moving the responsibility for imagination off the teacher and onto the student. Another good example of that was a high school teacher in Oklahoma who got tired of high school students complaining about high school. Well, she said, that’s it, I’ve had it, plan your own high school. You got six weeks, everything from the ground up, and stopped, so they had to figure everything out. And so what you see in that process is taking in questions, recognizing where you need information, exchange, and collaboration with each other and it’s very much like a business should work. I’m going back to the business part about the guy who came up with M when they wanted X, Y and Z. The biggest short come in any group of humans is the failure to listen. And so, that person, maybe his idea may be completely whack-a-doo, but somebody at least has to listen to him. Richard Miles: 20:41Then let’s talk about some of the variables in the aggregate that you think may influence the stock of imagination, creativity, and a given country or culture. Are there things that you see happening on a large scale that seem to point towards well, that is good in enhancing or missing more creative, imaginative responses, Whereas that is not, one example that I’m sure you’ve seen a lot as well is when my wife when I first started the Cade Museum, we talked to a lot of inventors and entrepreneurs, and we go to their offices and we asked him for over their origin story of the invention. And we noticed on their bookshelf the books that they had were all over the map. They weren’t just on their particular discipline. They had books on history and the arts and cooking and sports and everything. The other thing that we did notice and it wasn’t s significant relation, but an awful lot of particularly the physicians and engineers and we talked to were amateur musicians. And so it seemed to us on our very small sample side of several dozen, maybe up to 100 of these folks, that this ability to see outside of your particular training seemed to have an effect because again, we’ve got a lot of great researchers. But not very many of them actually become inventors. There was an additional variable of play in spurring them on to the next level of actually creating a new technology or product or idea whatever. And our thesis was that it was training in the arts of the ability to see outside of their own training, that supercharged the creativity you had. Do you see anything like that? In your experience, in your research playing out citywide or statewide, globally, in terms of the variables that go into this? Dan Hunter: 22:16That’s difficult, I don’t see anything that happens consistently in schools or government or business. I think that there’s a lot of lip service to wanting this so called innovative workforce. But I don’t see a concentrated effort to get there, which I believe would involve changing fundamental attitudes in the schools. I think that is essential mean that has to happen because we are teaching students preparing them for jobs that don’t yet exist using technologies that haven’t been invented. So what should we teach them? We should teach them the ability to generate their own ideas, and as you point out, combine disparate items to see something freshly, to see something new. I think that when you talk about the inventors and engineers and doctors you talked about with the variety of books on their shelves playing music, I think it comes back to the word curiosity. That if you have a natural and innate curiosity, you’re gonna try things and find things that other people don’t, and you have to be able to look. In one of my creative workshops. I used to talk about how much the subconscious controls our moment to moment daily lives. And to exemplify that, I would ask everybody in the room to be quiet and still, this would usually be in a classroom or some kind of business room, and say, do you hear any sounds that you hadn’t heard before? Well, there’s usually a very strong buzz from the fluorescent tubes, and they all hear that now on. My point is that’s been there since you first walked in. And I once did that with a group of composers, and they had all already heard it because that’s their bent in life is listening to sounds. But yes, I think it’s very important to have a broad interest and the aspect of music to get back to that something very interesting about music. But I don’t think we fully understand why. But when you play music and sometimes when you listen to music, it engages almost all of your brain when you do that and they’re not many functions that do that, and we don’t really know why it does that. But it has a powerful effect on music is a great mystery. Another point I might make about the connection between musicians and ideas. When you play music, you have to focus and it takes you out of the current world, and your entire conscious mind is focused on playing the music. The next notes on ideas often come when we shift our focus away from the problem itself. And I think that’s something that music does. Or people say they get their ideas in the shower. I have a friend in New Mexico who gets his ideas mowing the lawn. It’s almost as if you shut down the conscious activity and your brain will generate ideas. However, I would point out Pastor who said ideas Air favored by the fertile mind. You have to have a prepared mind to get ideas. In other words, I’m not going to get an idea about how to do a Mars Rover. I don’t think about it, but I think about plays and so I’ll get an idea for that. Or I’ll think about how to talk about creativity, and I’ll get an idea for that. Richard Miles: 25:20So one of the things that I’ve been wanting to do, at the Cade Museum and this, this will warm your heart. Dan is I’ve always thought comedy was a fascinating example of creativity and invention. In that every joke, at least when it’s told the first time, by definition is a surprise, right that if you land a punch line, you’ve got to take people by surprise. And that’s what triggers that laughter and so on. And it’s why comics have to change their material right because if you never change your material, you’d be out of business after a couple of years or sooner. Dan Hunter: 25:48It’s very interesting, because how to understand comedy is also a mystery. We don’t really know why we laugh or why we laugh from an evolutionary point of view. There was a scholar in Alberta, Canada, who claimed that he found the 10 most funny words in English, and his view was that if you just be used those words, people will laugh. Well, I wrote a piece on In all 10 words are on there, and it’s not funny has to do with the lack of surprise right on the funny word. If it’s put in the right place and surprises you, it can. I think comedy is very close to that, because again, in comedy, you have disparate things, put together reversals or the unexpected twist. And I think it’s the same with inventions that to use a cliche that moment of what if we did this in this in this or what? If we didn’t do this, how would that surprise us? How would that change things? And I think again it goes back to curiosity. I used to work with farmers and carpenters and there was always this, let’s just try this, what the hell, see if that works, you get a kick out of it if it doesn’t. Richard Miles: 26:54right? Yeah, and the other interesting about comedy too is it’s context matters, right? You’re not gonna really land a joke unless people see a little bit of themselves or their neighbor, their family member in that joke, which is one generally doesn’t usually transfer across cultures or nations very well, because people have no idea what they’re making fun of. Dan Hunter: 27:11Well, I give you a very interesting example. I was once doing a show in northeastern Missouri for 800 farmers sitting on folding chairs, drinking coffee in a high school gymnasium. I was supposed to make them laugh, and I started it, and I have been doing it for a few years, so I had an idea what worked with farmers and what didn’t. So I started up my usual show and nothing, still throughout the room. I could feel cold sweat rolling down my back. What? They’re not laughing, so I didn’t know what to do. So suddenly I just stopped and I hit the guitar and I muffled the cord silence across the room and I looked out around everybody, and I said, I leaned on the microphone I said, You know, this stuff is funny and one woman, about 12 rows back started to giggle, and then it spread all over the room, and that was fine for the rest of the show, so they didn’t know it was supposed to be funny that they were supposed to laugh. Richard Miles: 28:06They were taking you seriously. Dan Hunter: 28:07Yes, yeah, and when you talk about context, every performance, even exchanging jokes on the street, everybody has to know their role. And we all know that we’ve laughed at jokes that weren’t that funny because we were in a social situation and trying to make people feel good. But that context is everything. Ah, lot of communication resides in the listener, and the listeners expectations. Richard Miles: 28:31So, Dan, my last question was going to tell me a joke. I can’t lift past the opportunity. We are recording this in April 2020. We’re in the midst of this Covid19 pandemic. I wanted to give you a chance to share your thoughts. If you have any on the role of creativity, for better or worse and time are going through, I’ll just give a couple of examples. I mean, obviously a lot of people are trying to work on things like vaccines or new types of treatments. But at the other end of the scale, you have entire ballet companies choreographing things online or symphony orchestra in the same thing. How is creativity playing a role in the extraordinary circumstances we find ourselves right now. Dan Hunter: 29:11What is pretty consistent in this is that the creativity doesn’t disappear, doesn’t go underground and vanishes. It’s there one of the pieces I wrote in my newsletter or about the homemade masks and the way people use them to express their individuality. The act of being home alone is an active imagination. How are you going to deal with yourself? What you gonna think about? How do you pass the time. I think there’s a lot of opportunity for people to maintain their imagination and even increase it going to your library shelf, getting the variety of ideas out of there. There is one area I would like to speak out against, though, if I can. I think online education. We’ve been thrown into this national experiment completely unprepared as teachers, parents and students for online education, and I think that is a chilling prospect. First off, I know from the surveys the students don’t like it. Some teachers don’t really object to it. But the heart of the matter is that school is a place where you generate ideas and where you think about issues and where you learn. The home is a place where you play with your dog or yell at your brothers and sisters. I think that we can’t let whatever success or money can be saved by online education. We can’t let that disrupt regular classroom education when the virus passes by, because so much of what we do in school is not just learning skills or data or content. We also learn how to make friends how to get along with each other, how to resolve conflicts. We watch teachers as they model being an adult. So I think that the online education is merely a temporary parachute. Richard Miles: 30:52Well, we’re certainly gonna have lots of testimonials from parents, said Wow. This is a lot harder than we thought, trying to do that also with supplementing various online things. And so I think there may be a little thirst to get back to the very personal with others and in front of others. Dan Hunter: 31:06Yes, and I think for parents to realize how hard it is gives him a better appreciation for teachers. And we need to go back to the question of what’s wrong with our schools. It’s not the curriculum, it’s not the books. It’s. We need to pay teachers more to get good teachers. And if we care about education, then teachers should be well paid. Richard Miles: 31:26Well, I can’t think of a better note that ended on that. So Dan, thank you very much for joining me this morning and hopefully the next interview we could do in person and best of luck to you and look forward to talking to you in the future. Dan Hunter: 31:30Thanks, Richard. Take care. Outro: 31:31Radio Cade is produced by the Cade Museum for Creativity and Invention, located in Gainesville, Florida, Richard Miles is the podcast host and Ellie Thom coordinates inventor interviews. Podcasts are recorded at Heartwood Soundstage and edited and mixed by Bob McPeak. The Radio Cade Theme song was produced and performed by Tracy Columns and features violinist Jacob Lawson.
It was billed as the most expensive demolition derby in history. Vehicles like a Rolls Royce, Cadillac Eldorado, and loads of late model cars were pitted in a battle to the death in the LA Coliseum preceding an Evel Knievel motorcycle jump. Incredibly race drivers like Mario Andretti, Parnelli Jones, and Bobby Unser drove in it and all lost. This is the first Dork-O-Motive "Short-o-Motive" a quick look back at an awesome and obscure event in gearhead history. Enjoy!
The name Al Pacino calls to mind some of the most memorable performances in the history of film, from The Godfather and Scarface to Scent of a Woman and Heat. In this week’s “Sunday Sitdown,” Willie Geist gets together with the Hollywood icon to talk about his legendary career, including his Oscar-nominated performance in The Irishman and his new Amazon series Hunters. Plus Willie takes Al for a cruise around Beverly Hills in a 1976 Cadillac Eldorado.
Host Tom Appel and co-host Jill Ciminillo start the show by discussing the reveal of the Cruise Automation Origin ride-hailing concept vehicle. The conversation includes an overview of autonomous-vehicle development companies Waymo and Argo AI. Jill shares impressions of her current test vehicle, the 2020 Lexus NX 300 F Sport. Collectible Automobile Magazine Editor-in-Chief John Biel joins the team to talk about the June issue of the publication. Tom, Jill, and John talk about the 1971-1978 Cadillac Eldorado, featured in the June edition. Tom surprises Jill and John with the first-ever Car Stuff Podcast Car Sales Power Quiz. Tom runs down the latest posts on the Consumer Guide CG Daily Drive blog, including a new post about Chinese automaker Geely and the company's surprising recent acquisitions. Also discussed was an article written by Jill regarding your car and the security of your digital information. The crew wraps up the show with a discussion about their least favorite auto features.
The boys celebrate the 50th episode by inviting some of our regular guests - Chris from Kollector Kafe, Avo hosted the shindig at Parramatta Prestige and with Jack Attack and his race car M3. George Ronis popped in to talk about 50 years in business. The boys also invited some listeners George Hourani and Louie Tapalis. Chris drove in with his 1960 Cadillac Eldorado. Ross finally gets his boat licence and cruises on an empty stretch of water in Sydney Harbour - um that's the runway for the boat plane!! The boys debate electric cars and Hourani argues that owning an electric car will stop Kambucha sales at the servo. Listen to our tips on how to save fuel. Rate us and review us. Follow us on Instagram and Facebook and email us at alltorque@outlook.com.au
Alanis Morissette – Ironic Ottawa. Sleðaferð. Þreföld ógn. Flannel. Cadillac Eldorado. Gleðin er endalaus. Kakó í lokin. Atlantis týndist. Alanis líka. Hún var gerð að níugríninu. Kanadíski go-2 brandarinn. En nú rís hún upp á ný. Það er háflóð. Kakóið streymir upp úr Tim Hortons bollunum. Þið getið reynt að synda. Þið getið reynt að […]
We finally take another look at Blacksad, as he travels the south. We review Last Stop on the Red Line #2, Sabrina The Teenage Witch #3, and the Dark Phoenix movie. Plus, what is going on with that Spider-Man teaser? Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS https://www.bleedingcool.com/2019/06/17/marvel-posts-another-spider-man-teaser-dispelling-all-prevailing-theories/ REVIEWS STEPHEN LAST STOP ON THE RED LINE #2 Writer: Paul Maybury Artist: Sam Lotfi Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: June 19, 2019 Another passenger falls victim to the phantom killer on the Boston Orange Line. This sparks Detective Torres and her new partner to investigate evidence which incriminates Yusef. Meanwhile, Yusef must control his unearthly visions while on the run to avoid being captured by the determined detectives. [rating:3/5] MATTHEW SABRINA THE TEENAGE WITCH #3 Writer: Kelly Thompson Artist: Veronica Fish Publisher: Archie Comics Cover Price: $3.99 Release Date: June 19, 2019 As danger intensifies and mysteries deepen in Greendale, Sabrina finds it increasingly difficult to keep her own secrets. And while the whole town is on edge from the most recent "monster" attack, Sabrina has tracked the source of the disturbances back to her high school. It may be up to Sabrina to save her new town by solving this one her own...but when the secrets she uncovers hit too close to home she'll have to make some very tough choices. [rating:3/5] ASHLEY DARK PHOENIX Director/Writer: Simon Kinberg Studio: Fox/Marvel Studios Release Date: June 7, 2019 This is the story of one of the X-Men's most beloved characters, Jean Grey, as she evolves into the iconic DARK PHOENIX. During a life-threatening rescue mission in space, Jean is hit by a cosmic force that transforms her into one of the most powerful mutants of all. Wrestling with this increasingly unstable power as well as her own personal demons, Jean spirals out of control, tearing the X-Men family apart and threatening to destroy the very fabric of our planet. The film is the most intense and emotional X-Men movie ever made. It is the culmination of 20 years of X-Men movies, as the family of mutants that we've come to know and love must face their most devastating enemy yet -- one of their own. [rating: 3.5/5] DISCUSSION Blacksad: Amarillo Writer: Juan Diaz Canales Artist: Juanjo Guamido Publisher: Dark Horse Comics Hard-boiled feline detective John Blacksad is back in the latest tour de force from the multiple-award-winning duo of writer Juan Díaz Canales and artist Juanjo Guarnido! Taking a much-needed break after the events of A Silent Hell, Blacksad lands a side job driving a rich Texan's prized yellow Cadillac Eldorado across 1950s America, hitting the back roads from New Orleans to Tulsa. But before long, the car is stolen and Blacksad finds himself mixed up in another murder, with roughneck bikers, a shifty lawyer, one down-and-out Beat generation writer, and some sinister circus folk! When John Blacksad goes on the road, trouble is dead ahead! CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends! Closing music comes from Ookla the Mok.
We finally take another look at Blacksad, as he travels the south. We review Last Stop on the Red Line #2, Sabrina The Teenage Witch #3, and the Dark Phoenix movie. Plus, what is going on with that Spider-Man teaser? Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS https://www.bleedingcool.com/2019/06/17/marvel-posts-another-spider-man-teaser-dispelling-all-prevailing-theories/ REVIEWS STEPHEN LAST STOP ON THE RED LINE #2 Writer: Paul Maybury Artist: Sam Lotfi Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: June 19, 2019 Another passenger falls victim to the phantom killer on the Boston Orange Line. This sparks Detective Torres and her new partner to investigate evidence which incriminates Yusef. Meanwhile, Yusef must control his unearthly visions while on the run to avoid being captured by the determined detectives. [rating:3/5] MATTHEW SABRINA THE TEENAGE WITCH #3 Writer: Kelly Thompson Artist: Veronica Fish Publisher: Archie Comics Cover Price: $3.99 Release Date: June 19, 2019 As danger intensifies and mysteries deepen in Greendale, Sabrina finds it increasingly difficult to keep her own secrets. And while the whole town is on edge from the most recent "monster" attack, Sabrina has tracked the source of the disturbances back to her high school. It may be up to Sabrina to save her new town by solving this one her own...but when the secrets she uncovers hit too close to home she'll have to make some very tough choices. [rating:3/5] ASHLEY DARK PHOENIX Director/Writer: Simon Kinberg Studio: Fox/Marvel Studios Release Date: June 7, 2019 This is the story of one of the X-Men’s most beloved characters, Jean Grey, as she evolves into the iconic DARK PHOENIX. During a life-threatening rescue mission in space, Jean is hit by a cosmic force that transforms her into one of the most powerful mutants of all. Wrestling with this increasingly unstable power as well as her own personal demons, Jean spirals out of control, tearing the X-Men family apart and threatening to destroy the very fabric of our planet. The film is the most intense and emotional X-Men movie ever made. It is the culmination of 20 years of X-Men movies, as the family of mutants that we’ve come to know and love must face their most devastating enemy yet -- one of their own. [rating: 3.5/5] DISCUSSION Blacksad: Amarillo Writer: Juan Diaz Canales Artist: Juanjo Guamido Publisher: Dark Horse Comics Hard-boiled feline detective John Blacksad is back in the latest tour de force from the multiple-award-winning duo of writer Juan Díaz Canales and artist Juanjo Guarnido! Taking a much-needed break after the events of A Silent Hell, Blacksad lands a side job driving a rich Texan’s prized yellow Cadillac Eldorado across 1950s America, hitting the back roads from New Orleans to Tulsa. But before long, the car is stolen and Blacksad finds himself mixed up in another murder, with roughneck bikers, a shifty lawyer, one down-and-out Beat generation writer, and some sinister circus folk! When John Blacksad goes on the road, trouble is dead ahead! CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends! Closing music comes from Ookla the Mok.
As we continue highlighting the awesome 2019 Future Classic Cars Show, we spend some time with Nick Calderone of the national hit TV show Right this Minute, and contributor for the DRIVEN series at ClassicCars.com. Check out his review of the gorgeous 57 Cadillac Eldorado http://bit.ly/2DeuwRC. Nick discusses his passion for early 80's vehicles like the not so popular maybe, Mitsubishi Starion and all years everything Toyota Supra, while offering his take on the explosive car culture appeal amongst millennial generations. Make sure to connect with the new DRIVEN series offered by ClassicCars.com http://bit.ly/2T0etMA as they do an incredible job highlighting some pretty incredible rides!
Thanks for joining us, this is part two of The Memphis Destination Guide.Now, if you already haven't figured out, Memphis is huge when it comes to music and there is no better place to visit than the Sun Records Studio, where rocknroll all began. Sun Studio is known worldwide as “The Birthplace of Rock’n’roll”. It is the discovery location of musical legends and genres of the 50’s from B.B. King and Elvis Presley to Johnny Cash and Jerry Lee Lewis; from Blues and Gospel to Country and Rock’n'roll.You will be able to stand in the very same spot that Elvis first recorded. Your tour guide will tell you the inside stories of B.B. King, Howlin' Wolf and Ike Turner, Elvis, JohnnyCash, Carl Perkins, Jerry Lee Lewis, & Roy Orbison who were all drawn to the new SunSound.You'll get to see the priceless memorbillia from the musical legends that blended blues and country music to explode in the "big bang" of Rock'n'roll.The funny and entertaining tour includes outtakes from recording sessions from early Blues to Elvis himself.The studio is open for 45 minute guided tours every day from 10am to 6pm. The tour is $14 for adults, $12 for students and free to kids ages 5-11. Insider tip: There is free, limited parking behind the studio and the Sun Studio also operates a free shuttle service to and from Graceland, The RocknSoul Museum and of course Sun Studio.You should arrive early for your tour, to get tickets in hand, because this place can fill up quickly, especially when a bus tour arrives. Make your way into the Sun Studio Cafe (located next door) and have a seat on the iconic barstools and order up a malt milkshake. A lot of online review sites mix up this restaurant for the one at the airport (which, according to reviews should be avoided). But don't worry, this little cafe is pretty decent. While you wait for your tour time there are some artifacts on the walls, souvenirs to buy and a small old record collection to dive into and staff are friendly and attentive. You will be relieved to have a seat and cold drink when the room fills in up wall to wall.The tour takes you upstairs and into various rooms to show artifacts and tell the story of Sun Records. It eventually ends in the Sun Records Recording Studio where the energy and vibe of that Sun Sound hits everyone. Even though the cafe is swarming with bodies, each tour only accepts a certain amount of people, so it doesn't feel overly crowded.Next up, another great museum dedicated to music, hustle and talent – The Stax Museum of Soul Music. You start your tour in the true birthplace of soul music – a modest country church. Just as Stax’s music found its roots in the sounds of Southern gospel music, the museum opens in a real, circa-1906 Mississippi Delta church that has been carefully reassembled inside the museum. As the museum tour progresses you'll find yourself in a dance hall where you are encouraged to dance and singalong. You will move along toward a large collection of period recording equipment in the control room, then stand in Studio A, an exact replica of the legendary converted movie theater where Stax artists cut records. Next, you'll see the wall of sound – literally thousands of hit records recorded at Stax. But there is something even more flashy just around the corner.The Superfly! Isaac Hayes’ glittering custom Cadillac Eldorado, which was purchased as part of his renegotiated deal with Stax in 1972. The car, which was purchased for $26,000 (or, $143,000 in 2013 dollars), is fully equipped with unique amenities like a refrigerated mini-bar, television, 24-carat gold exterior trim and white fur carpeting on the floorboards. Admission is $13 and free for those under 8.Even though Isaac Hayes could afford a six figure automobile with gold trim, the color of his skin ultimately determined his social status. Our next stop is the National Civil Rights Museum. Slavery. Separate but equal. Boycotts. Assassinations. Black power. The museum tells of the history of the uprising that pushed national and international civil rights forward. The Museum is located at the Lorraine Motel, the site of the assassination of Martin Luther King. The museum offers 260 artifacts, more than 40 films, oral histories, interactive media and external listening posts that guide visitors through five centuries of history — from the beginning of the resistance during slavery, through the Civil War and Reconstruction, the rise of Jim Crow, and the seminal events of the late 20th century that inspired people around the world to stand up for equality. Admission is $16 and there is parking on site.On our next episode we'll go easy on your wallet and showcase some more relaxing activities that are also good for families with younger children. See acast.com/privacy for privacy and opt-out information.
Welcome to our Memphis Travel Guide, this is part 5 of this series. On this episode we will provide you with information about visiting Memphis' top attraction - Graceland.Graceland Farms was originally owned by Stephen C. Toof, founder of S.C. Toof & Co., the oldest commercial printing firm in Memphis, who was previously the pressroom foreman of the Memphis newspaper, the Memphis Daily Appeal. The "grounds" (before the mansion home was built in 1939) was named after Toof's daughter, Grace. She inherited the farm/grounds from her father in 1894. After her death, the property was passed down to her niece Ruth Moore, a Memphis socialite, who together with her husband, Thomas Moore, built a 10,266 square foot Colonial Revival style mansion in 1939.After Elvis Presley began his musical career, he purchased a $40,000 home for himself and his family at 1034 Audubon Drive in Memphis. As his fame grew, especially after his appearances on television, the number of fans that would congregate outside the house multiplied. Presley's neighbors, most of whom were happy to have a celebrity living nearby, soon came to find the constant gathering of fans and journalists a nuisance. After several complaints, Presley decided it was necessary for him to move to a property more suitable.In early 1957, Presley gave his parents, Vernon and Gladys Presley, a $100,000 budget, and asked them to find a "farmhouse" type property to purchase. At the time, Graceland was located several miles beyond Memphis' main urban area. In later years, Memphis would expand with housing, resulting in Graceland being surrounded by other properties. Presley purchased Graceland on March 19, 1957 for the amount of $102,500. which is nearly million in today's money.Graceland would remain Elvis' home until he died in 1977 and today remains one of the best kept rock n roll museum-homes of all time. Elvis fans flock to the house to get a peek into Elvis' life and those not too fond or too young to remember the music, the actor and the entertainer, will also be surprised that this is a fun tour with a lot to see and do. Even if you are travelling with younger children, you will find that the house and museum is accommodating, and includes personal ipads with children specific themes.And that is what is great about Graceland – it is very accessible for the young, the old and those with physical disabilities.Graceland is open from 9-5 each day, but there are specific days and holidays in which it is closed, or that the hours of operation change. It is best to check with the official web site for updates and special schedules.The ticket office opens promptly at 8:30 and staff are more than welcoming, engaging and helpful in determining what tour you should do.Once you have your ticket in hand you can proceed to a waiting area in which while waiting to board a motorcoach, you are provided headsets and a personal ipad. The ipad will offer up an interactive experience once you enter through Graceland's doors. It is narrated by actor John Stamos and provides information, insight and interactive elements such as photos and videos. It is really simple to use and is an outstanding inclusion on the tour.The bus ride to Graceland takes less than 5 minutes from the ticket boarding area. Once inside you are guided through the house, at your own pace.Once inside Graceland you are immersed in Elvis' personal world. John Stamos naarrates the salient events of Elvis’s life and introduce the relics that adorn the rooms and corridors. The story celebrates the life of an extraordinary man, emphasizing his generosity, his kindness and good fellowship, how he was at once a poor boy who made good, an extraordinary musical talent, a sinner and substance abuser, and a religious man devoted to the Gospel and its music. One is able to visit the entire house, except for the top floor which is off limits. The rooms in the upper floor have been kept a sanctuary and left just the same as Elvis had had them when he died. They also decided to not allow tourists on the top floor because they did not want the focus on the house to be on the bathroom floor where Elvis had collapsed and died.After visiting the main house you can also tour parts of the yard, the swimming area, Vernon's Office, the record room, and the racquetball court area. The entire house tour can take up to 2 hours and once you are completed you can board a bus back to the main ticket area where you will now begin to go through a series of brand new museums and buildings dedicated to Elvis.First up is the Elvis The Entertainer Career Museum where you immerse yourself in Elvis’ incredible career through hundreds of artifacts and photos from significant events in his life, as you tour the extensive Graceland Archives, including Elvis’ amazing collection of gold and platinum records, his stunning jumpsuits, and other clothing, memorabilia from his movies, and more! The museum is massive so be prepared to do a lot of walking.Up next is the Presley Motors Automobile Museum where you walk among some of Elvis’ favorite automobiles, including his iconic Pink Cadillac, Stutz Blackhawk, 1956 Cadillac Eldorado, Dino Ferrari, Mercedes Benz limousine, Rolls Royce sedans and more. Elvis had some great taste in cars and he had some of the most unusual as well. This is a fantastic museum that is very open so crowds will not be an issue.And there is theElvis Discovery ExhibitsIt is a themed discovery space showcase Elvis’ influences, important facets of his incredible life, and his role in launching a music and pop culture revolution. Elvis Discovery Exhibits include:Presley Cycles ExhibitIcons: The Influence of Elvis Presley ExhibitMystery Train: Celebrating Sam Phillips ExhibitElvis’ Tupelo ExhibitHollywood BacklotThe Country Road to Rock: The Marty Stuart CollectionPrivate Presley ExhibitArchives ExperienceElvis Fashion ExhibitGraceland Soundstage AThe whole area is enclosed and is designed to look like an old fashioned street and includes restaurants and cafes as well as a lot of souvenir shops. Some of the restaurants include Vernon's Smokehouse, Glady's Diner, and Minnie Mae's Sweets.You will find all the dining options to have inflated prices and the food quality is not that great. Likewise all the merchandise is priced higher than in other retail locations.For the best priced souvenirs I would suggest visiting Boulevard Souvenirs which is just a short walk from the main gates of Graceland. Here you will find great customer service as well as the very best prices.For dining options I would wait until outside of the museum area and head to Marlow's Ribs and Restaurant just south of Graceland.Just outside the main museums is another section devoted to some of Elvis' planes. Step aboard Elvis’ customized airplanes to see how he traveled in luxury. The Lisa Marie includes a living room, conference room, private bedroom and features gold-plated seatbelts, leather-covered tables and 24-karat gold-flecked sinks. Plus, you can take a glimpse at Elvis’ smaller Lockheed Jetstar, the Hound Dog II. There is an additional charge to see the planes, but it is certainly worth it.The museums will take an extra 2 to 3 hours to visit and be prepared to do a lot of walking.Graceland is a very, very busy attraction, being the second most visited home in the United States, the first being The White House. We arrived first thing in the morning and got our tickets promptly at 8:30 and yet, we were the second full motorcoach to arrive at the house. Behind us the lines and buses were full. I would suggest visiting in the morning or at 2pm when the crowds have already built up and gone through. During Elvis week and other key celebrations be prepared for long lines and crowded rooms. You can also avoid ticket lines by buying tickets online.Parking at Graceland is $10, which includes security. There is also free parking a short distance away by the RocknRoll Cafe and the shops around it – called Graceland Crossing. There are about 80 spaces, but keep in mind, these businesses pay for the parking area and it would be kind of you to visit them on your way in and out of Graceland. Additionally, you can also get a free shuttle from Sun Studios if you are visiting that attraction avoiding driving and parking fees.If you don't want to visit any of the museums and interior of the Graceland mansion, you can still stop by the iconic front gates and get a photo. You can also visit the meditation garden, where Elvis and his family are buried free of charge.There is currently a $4 off per ticket coupon available online and in the past there have even been 50% off coupons available. It is best to check online before you make any purchases. Only coupons from Graceland itself are accepted.A visit to Memphis without a visit to Graceland, to some is sacrilegious. It is an absolute must do attraction for any Elvis fan or for anyone who loves music and rock-n-roll. For some of those on the tour with us, it was their 50th visit to the home. It is easy to see why it is so popular. It is fun, educational, inspiring and motivational.Until Next time, happy travels. See acast.com/privacy for privacy and opt-out information.
Matt and Michael and the MGoGals return to update the preview of the Michigan/MSU in-state tilt this Saturday. First place is a Cadillac Eldorado. Second place...set of steak knives. Music: "Roll Me Away" Bob Seger "Wildflowers" Tom Petty RIP Tom Petty
SPECIAL GUEST: Ray Arondoski III, owner 1971 Cadillac EldoradoUP FOR DISCUSSION:- Concours d'Elegance of America at St. John's- More Chinese buying pickups- McElroy's Future Classics- VW US Marketing to name next SUV- FCA under investigation for sales reportingAll that and more with host John McElroy from Autoline.tv, and guest panelists, Todd Lassa with Automobile, and Chris Paukert of Roadshow by CNET.
Lane, Warren and Bryan chat about cars. Aboard Cold "Turkey"Dave Matthews poo27' Catalina sail boat w/ the atomic 4the ins and outs of boatingHide! Watch out! We're going to try this...Canepa cars and coffee reviewBMW E12, Porsche 944, RUF RGT, Audi TT-RS, Porsche GT3 RS, Plymouth Coupe997 GT3= perfect?RUF RGT in viper green2 Ferrari Lusso's in the crowdA great DWA day...cars and cocktails, slippery slopeThe woes of cars and coffeeFerrari 575 Superamerica, 6 non-F1 carsWhat do we think of Italian cars?Ferrari 308GT4 Dino, Alfas, Fiats, etc.Funky ass wheel, Bryan likesHave you driven a FiatBuying a Fiat Panda in ItalyMcQueen racing bio summary by Lane1973 Porsche 911s, a tale of two pricesBrand new '77 Bettle and the $50k mark upbuying a car you can't driveF40 market reportthe undervalued million dollar car288 GTO, BMW M1, 2000GT Toyota, 240Z, XJ220, Carrera GT, BMW Z82002 update- hostile take overE46 M3, CSL tribute, another hostile take overearly Celica GTS convertible, handling comparo with a 944investment grades and the dabbling enthusiastDWA warehouse neededloving the 1953 Cadillac Eldorado convertiblework of art- details and the most beautiful cars of all timeTRIVIA TIME- boat editioncaptain hat and boat shoesjet skiing nightmares
Welcome to the Street Smart Wealth Podcast, show 70, and on today’s show, we will hear a very special interview with Glenn W Turner, who some might consider the GodFather of Network Marketing….. Today, we have Glenn W Turner, who started in Network Marketing in the late 60s and you will be blown away by the income earnings that he shares from that time. High by today’s standards but even more powerful based on the times. His first 3 months are outstanding. My good friend , Donnie Walker, who I interviewed on show 60 is the one who introduced me to Glenn, and I just knew YOU needed to hear from him too. First, let’s hear from today’s show sponsor Is it really possible to build a network marketing business online? To have people come to me, already sold on a business? To become the hunted, by your prospects and not the hunter? Yes, and you can Visit SocialMediaBackstagePass.comfor details on this complete coaching and training program. Thanks to those of you who have taken the time to review my show over on iTunes - Debby Griffin writes - So glad I stumbled across Jackie’s podcast. She has lots of great info! Has motivated me tremendously! Keep up the great work. And, Dale Callahan who says - All those people I know doing network marketing and making nothing happen should be listening to this. Common sense advice from someone who knows how to make it happen. So, if you have people on your team who you want taking action, refer them to the podcast! And, make sure your name is entered in the drawing for a free month of Social Media Backstage Pass coaching by completing your review! Go to http://JackieUlmer.com/itunes Donnie Walker introduces Glenn W Turner Glenn: I belong to the greatest nation in the world - Determi-NATION. I dropped out of school in 8th great, in South Carolina and started selling sewing machines door to door, until I was 32 years old. Met a 19 year old fellow who had made $16,000 in 30 days in 1966 and he recruited me. My dad and uncle put up $5000 for me to get started, and that’s what I did. My second month I earned $28, 500, third month $80,000. Back then, I bought a Cadillac Eldorado for $7,000. Went into business for himself after 8 months with a company called Holiday Magic. First month - $67,000 in sales, second month earned $33,000 and by the third month I was at $342,000 and went up from there and by second year I was doing $33 million. And, then highest year was $150 million and that was when money was more! Then, I opened a company called Koscot, a cosmetic company. From there I owned 78 corporations, owned 19 aircraft flying around the country and we put on presentations. It was $5,000 to attend a seminar and it was motivational. Less than 1% complaints, but some of my competitors didn’t like it. The president of my Board of Directors was 23 years old. Everyone made money except this who sat around and complained about what was going on in the world. Had one of the first black president’s of a major company. 7 women became millionaires in four years in my company and one was a black woman, a maid! Many became multi millionaires and hundreds became wealthy. Developed many preachers and priests. Started Dare to be Great in 1969. About confidence, goal setting, attitude and how to become a public speaker. Lived in the village of “Anything is Possible.” Didn’t worry about those who said bad things about us - we had a choice, let it in or keep it out. I decided to keep it out. Jackie: you have a huge passion about personal development and mindset. Were you raised this way or how did it develop? Glenn : I love people and have no prejudice. Color, race, gender - it doesn’t matter to me. Trying to get even with people who stick it to you is a waste of time. If you had their mod, dads, teachers and backgrounds, you’d be sticking it to you, too. My website is GlennWTurner.com - I sell positive mindset CDs. I am 80 years young, don’t drink or smoke and my goal is to help more people before I die than any man who has ever lived outside of Jesus Christ. Jackie: Sounds like you are well on your way. You ran into some legal challenges with Network Marketing. Tell us about that. Glenn: There were no laws so the government accused me of making laws. Finally, I settles on a misdemeanor and after speaking in Arizona, to make a long story short, they indicted me on aiding and abetting running a pyramid scheme. I didn’t take it seriously because I was running for United States Senate and almost got it. I had also run for Congress. Spent 4 years and 8 months in the prison system, and it was the best time of my life. I became a driver, I finished my high school education and was paid 15 cents an hour by the prison. I became a janitor and was paid 25 cents and hour and the third year I headed up the library and was paid 35 cents. The fourth year I became a state driver and was paid 60 cents an hour, so I tripled my income in 4 years. Jackie: What did you do when you came out? Glenn: I had a year probation, so I couldn’t do much of anything, but a lot of my friends helped me while I was in there. They would ask me if I was running a scam. I started doing some public speaking for different companies. I got out in 1992 and never had any trouble then. Jackie: What would you say the secret to your own personal success is? Glenn: Never quit, no matter what. If your gonna quit cause it rains, you’re going to quit. If you are going to quit because your husband or wife doesn’t like it, something is always going to make you want to quit. Stickability - the ability to stick like a postage stamp until you reach your destination yet. Jackie: People struggle with fear, especially about Network Marketing, what do you have to say about that? Glenn: If it was a woman and you were a man, what would you do? Would you have fear or keep at it until she says I’ll marry you. You have to have the same desire! The body is more powerful than the mind but you have to get the mind in charge again. Jackie: How did you go about starting your business? Glenn: In Holiday Magic, when I got within 3 foot of anyone, I was excited. You wouldn’t be on this earth if someone didn’t get excited. When you are excited, people want to know what you are excited about; they want to be excited, too. They want to be happy like you. If you aren’t happy, you gotta pretend you are happy until you get happy! Donnie: You crack me up, Glenn. Glenn: Well, it’s true and Donnie you are one of the most fascinating young men. Donnie: I first met Glenn he was speaking in Florida and I had no idea who he was. He had one liner after one liner. I had heard of him but never met him and when I heard, I thought “wow, you gotta be kidding!” We were instantly drawn to each other. Jackie: What were some of your takeaways Donnie? Donnie: His tenacity and desire, he’s been knocked down so many times and most people would have quit. But, his desire to go, keep it up…that’s what draws me to Glenn Turner. I had a grandfather figure who was like that. I get that old knowledge and that experience. It’s inspiring, when you call him he is never down, always upbeat and never down. We face a lot of adversity in this world but not with Glenn. I want to learn more about how that works. Glenn: Confidence is a bull fighter who goes into the bull ring with mustard already on his sword. Life is too short to be unhappy. Happiness comes from within and not without. Nobody can make you happy but yourself. God Almighty but you on this earth to be a special king or queen of the earth. Jackie: Did you have that confidence when you were little? Glenn: People laughed at the way I talked because I was born with a hairlip. So, I told jokes, sang songs through my nose and people would laugh at me and I pretended they were laughing with me. When I got grown, I wanted people to love me. I never had a pair of shoes until I was 9. We were poor with an outhouse. I had 4 brothers and a sister, and I was the oldest. But I was blessed. I had a handicap but I got it out of my mind and out on the lip where it belongs. Everyone has a handicap, some of us are too fat, too skinny, too black, too white, too Greek, too Jewish. We gotta hang up our hangup. Jackie: Any advice for someone getting started today, knowing your struggles and yet great successes? Glenn: In order to be a success don’t give up first. You gotta lay out a goal, make so may calls a day, use the phone. Although I like things in person. It’s so easy to be a multi millionaire. There is no shortage of money, some people just hold onto it. People are worried about the economy, and Obama, George Bush, Bill Clinton. IF you don’t like them, vote them out! Donnie: Glenn is having an 80th birthday party in August, the week of the 19th. Glenn: It’s on my website and my Facebook page. Donnie: He’s hitting 80 years old, and he’s one of the oldest networkers out there! Glenn: I’ll still be doing this when I’m 169. Donnie: He already has a network built in the big world. Glenn: Be sure and look me up when you come to Orlando, Donnie has my number. Jackie: I’ll make sure all of that is in the show notes, any final thoughts? Glenn: Everyone wants to be somebody, help them, don’t hang em! Bye! Here are a few other things you need to know about Glenn W Turner. In that first company, Holiday Magic, Zig Ziglar was also a distributor but Glenn was outselling Zig so he didn’t go to Zig’s training classes. He was already making $30,000 monthly. According to Glenn, Zig told him he probably wouldn’t make it! Glenn’s philosophy is to help someone get their money back and then it’s up to them. 30% will make it. Whatever you put in your mind is what comes out. It’s like learning a language. If your parents speak to you in Russian, you speak Russian. What you feed your head is what comes out. Good stuff to keep in mind. So, some action steps for YOU! ACTION STEPS: Do a mindset check up. What are you complaining about? Have you quit before you’ve really started? Layout some goals and commit to your daily actions! Show notes jackieulmer.com/070 Questions for the podcast? How to contact me JackieUlmer.com/question Has this been helpful? I would REALLY appreciate it if you would rate the podcast on iTunes or Stitcher, or wherever you listen. Just go to JackieUlmer.com/iTunes - click to view in iTunes and you’ll see the link to reviews And, share the link with friends and team partners! On Stitcher - JackieUlmer.com/stitcher I truly appreciate it and you! I'll see you on next week's podcast
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