Podcasts about Desert Heat

Mike takes a look at the major issues at the southern border.

In episode 70 of "G'DAY FROM THE USA," host Lady Amanda and co-host Chelsea discuss the experiences of an Australian living and working in the USA. We chat about life coaching and guess the Aussie word!An Australian living life and working in the USA. Reach out to us on -Facebook: https://www.facebook.com/GDAYfromtheUSAYouTube: https://www.youtube.com/@GDAYfromtheUSAhttps://www.tiktok.com/@gdayfromtheusaVoicemail: https://www.speakpipe.com/GDAYfromtheUSABuy us a coffee: https://www.buymeacoffee.com/gdayusa

Surviving and thriving in desert heat require a combination of knowledge, preparation, and vigilance. Understanding the immediate dangers, recognizing early symptoms of heat injuries, and taking practical precautions can help ensure safety for everyone venturing into these extreme conditions. By sharing these insights, we can better equip ourselves and our communities to handle the increasing temperatures and enjoy the desert's unique beauty responsibly.Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

In this On the Move, hosts Matt Avery and John Kraman dive into the results of Mecum Glendale. The high seller of the five-day auction was a 1967 Chevrolet Corvette L88 Coupe which sold for $1,815,000. Painted Sunfire Yellow, the classic sports car was one of 20 L88 Corvettes produced that year and the only Duntov and Triple Diamond-awarded 1967 L88 still equipped with its original engine. John shares his surprise about a 1969 Cadillac Eldorado that was bought new by Elvis Presley. The Caddy was used by the King and Priscilla at their Beverly Hills, California, home until 1973. It sold at the auction for $253,000. Matt also shares his memorable Glendale moments including the sale of the 1969 Ford Torino Talladega GPT Special. The one-of-a-kind custom, featured at the SEMA Show and in the "Furious 7" movie, sold for $440,000. Next the guys turn their attention to the upcoming Mecum Houston auction, to be held April 4-6. John's standout consignment is a 1963 Ford Galaxie 500XL Convertible equipped with a 427 CI V-8 and a 4-speed manual transmission. Matt's pick is one of the collections: the Plendl Brothers Bowtie Classics. This group of 25 black Chevrolet classics are selling at no reserve with many showing ultra-low miles. Wrapping up, Matt and John discuss the latest Dodge news, detailing the next-generation 2024 Charger. The all-new muscle car comes with both an electric powertrain along with an internal-combustion engine option and will be available in both two- and four-door body styles.

This week on the Erotic Awakening Podcast, @dananddawn interview Noa, CEO of the Bloom Community, a new platform for alternative peoples.    Plus, they share a response about erotic comic books from a podcast listener and share what it's like to be in the desert for the winter…..so far, hot!  Links mentioned on the show: Bloom Community      https://bloomcommunity.com/ Yes, Roya   https://www.goodreads.com/book/show/30334051-yes-roya   Discounts on our books, free eBooks, weekly exclusive content, and support Dan & dawn https://www.patreon.com/eroticawakening   Find us on YouTube, Discord, Facebook, for our Podcast and our books and events! https://linktr.ee/eroticawakening  

//SALT FLATS, DESERT HEAT, A NOT-QUITE-ABANDONED GAS STATION //SOMETIMES YOU GOT TO STOP FOR DARTS //SOMETIMES YOU COME AWAY WITH A LITTLE BIT MORE “DARTS” A NEW EPISODE FROM WRONG STATION --Written by Alexander Saxton, and performed by Anthony Botelho. Support The Wrong Station Pledge Drive by subscribing at www.patreon.com/thewrongstation. The Wrong Station contains explicit content and mature themes. Episode-specific warnings can be found at www.wrongstation.com/c-w. Learn more about your ad choices. Visit megaphone.fm/adchoices

Round 1 of our Buffalo Wild Wings Tournament of Sauces concludes with 2 heated matchups—Hot vs. Wild, and Buffalo vs. Desert Heat.The guys have a candy draft and select their top 5 candies and learn something new about how flavor is composed in your brain. Share your Top 5 candies with us on Instagram, Threads, or our YouTube page!Instagram: @wingsthingspodThreads: @wingsthingspodYouTube: YouTube.com/wingsthingspodCall the Wingchasers community hotline with your wing review: 770-580-3758This episode is hosted by Eric Crosby, with Executive Producer Rob and Associate to the Producer David Howard.Recorded and edited by Cory Welch at Grove House Studios. Hosted on Acast. See acast.com/privacy for more information.

Yojimbo by way of Van Damme and directed by Avildsen (Karate Kid, Rocky). Mystic, confusing, and hot, Will and Matt get down and crazy with ventriloquist acts, ghosts, and motorcycles - bonus: saran wrapping bodies! DISCLAIMER: Language and Spoilers!INFERNOdir. John G. Avildsenstarring: Jean-Claude Van Damme; Danny Trejo; Pat Morita

Back from his recent trip to LA, did Chid experience "Desert Heat?"Chid's coming in hot with a long overdue Chid's Soccer Corner Update *horn sound* How are his "Universal Soldiers" doing? Is Chid betting on his son's 6U Soccer Squad? This week we welcome in a old friend of the show "Lionheart" Wobbly Greg (@WobblyGreg)Greg is a fan of the Boston Red Sox baseball team, we briefly discuss the team and how they're "Missing in Action." Is it "Timecop" to serve them a "Death Warrant" in early June? Did the Rounding Down curse cause Chris Sale's "Sudden Death?" If you didn't read the title of the episode or haven't picked up on any of the hints yet, Greg is really here to talk about Jean Claude Van Damme! Does Sigh think JCVD is actually Steven Seagal? Do the fellas have an earnest discussion about JCVD or do they get "Derailed?"What's the over/under on how many JCVD VHS tapes @WobblyGreg owns?Plus Greg's 2023 World Series prediction!Tune in this week and don't miss the ole Chid&Sigh "Double Impact" on your heart. Follow Greg on Twitter:https://www.twitter.com/WobblyGregSupport the showFollow us on Twitter: @CHIDSPIN / @SighFieri / @RoundingDownRate and review us on Apple Podcasts or wherever you listen to podcasts!

Ever wondered what Sara and Doug's desert living was like? we have answers! Welcome to EntertainHer, the Desert Edition: featuring the girls living their best boozy brunch, pickleball, and career-changing conversation. The heat is on with this honest conversation!

Lots of action in the desert this week as Super Bowl XVII and The Waste Management PGA Championship dominated media on Sunday. We discuss how Christian's Eagle fell a little short, and how Scottie Sheffler has climbed to the top of the World Golf Rankings once again.  The Show takes one last swing through Florida as we are pleased to bring you The Traveling Golfer - Tony Leodora's almost world famous - Tony's Top 10. See omnystudio.com/listener for privacy information.

Also known as Inferno, this desert based romp for Jean Claude Van Damme starts with a stolen motorcycle and then it ends with a lot of people getting kicked in the face. Danny Trejo gives him a foot massage and the rest of the desert pays for their transgressions. What do the guys make of this strange remake of Yojimbo? Bad Movies Rule is a movie podcast about the movies you love even if no one else does.You can support Bad Movies Rule on Patreon here.You can join our community on Facebook and TikTok.You can email the show any movie related questions for our mailbag episodes here.

It's hot, Los Angles. We hear how people dealt. Plus, Chinatown is a food desert. The neighborhood is home to a lot of low income seniors and there is no local grocer that serves them. The new LA River Farmers' Market that opened up in nearby the LA State Historic Park hopes to fill some of the void. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The Phillies saw their playoff hopes start to sink on their trip to AZ last year. Are we seeing history repeat itself? Aaron Nola and the Phillies get blown out for a 2nd night in a row by the AZ Diamondbacks. The Philadelphia Eagles landed their other starting safety yesterday as they went out and got Chauncey "C. J." Gardner-Johnson from the NO Saints. Has Howie had the best offseason of any GM in the league?Thank you to our sponsors:- Manscaped | Use promo code "FARZY" for 20% off and FREE shipping at https://www.manscaped.com- BlueChew | https://bit.ly/3RQcGbS- Steven Singer Jewelers | https://www.ihatestevensinger.com/- Freestone Farms CBD | Use promo code "FARZY" for 20% off at https://www.freestonefarmscbd.com- Sky Motor Cars | https://www.skymotorcars.com/- PHLSportsNation | https://phlsportsnation.com- Versus Game App | https://versusgame.com/app/user/farzyshowFollow the show:Subscribe to the channel: http://youtube.com/farzyshowSubscribe to the podcast on Apple: https://podcasts.apple.com/us/podcast/the-farzy-show-with-marc-farzetta/id1550616181Subscribe to the podcast on Spotify: https://open.spotify.com/show/6cHilqGlRZr49KJY9wXmMX?si=37d69233f3bb4712Subscribe to Twitch: https://www.twitch.tv/farzyshowVisit the website: https://www.FarzyShow.comMake sure to follow on all platforms: https://linktr.ee/farzyshow

Results:- Oleksandr Usyk Vs Anthony Joshua 2 And undercard. Alberto Puello vs Botirzhon Akhmedov. Emanuel Navarrete vs Eduardo Baez. Schedule including Murat Gassiev continues his Heavyweight campaign and new on Naoya Inoue/ Paul Butler.

Hello and welcome! Today on the show we wrap up March much more successfully than we started it, and our mouths are thanking us for it.

In this episode Mike, Rich and Steve are joined by irregular regular Sean Malloy of I MUST BREAK THIS PODCAST, who joins us to talk about two particular films that bookend the show... we start with one of the most anticipated films of the past 6 months: Scott Adkins and Ryan Philipoe starring in ONE SHOT, a film made to look like its one continuous unedited sequence from start to finish.  Next is A VIOLENT MAN, starring Craig Fairbrass as a murderer serving a life sentence who finds his simple existence turned upside down with the arrival of a new cell-mate. Our next film was a huge surprise - CAUGHT IN TIME is  period police procedural from China starring Daniel Wu as the head of a gang of armed robbers who always seem a step ahead of the police. GLASSHOUSE is a post apocalyptic movie with a Victorian aesthetic, about a group of young women trying to protect their home from marauders. Out Short Shot is MARGARET and all you need know going in is that its directed by Larnell Stovall, who's worked with both Scott Adkins and Michael Jai White in the past. And if you like that, please also check out ATOPRHN. Our DTV Throwback stars Jean-Claude Van Damme in DESERT HEAT, aka Inferno. The plot is very similar to that of The Stranger, which we covered back in episode 182! Its officially free to watch on Youtube so clicking the link will take you straight to the film! Follow the Short Shots TWITTER page, where we will be linking to a short film every day!  Don't forget to also check out our main show, the DTV DIGEST on TWITTER and FACEBOOK      

It's time to crown a champion! Is it going to be the dominant #5 of Kyle Larson, the defending champion #9 of Chase Elliott, the 2017 champion of #19 Martin Truex Jr, or the bridesmaid #11 Denny Hamlin? It will all be determined in the Desert Heat at Phoenix Raceway! In today's episode, we will look at the Top Dogs, Pretty Good Guys, and teams to take a gamble on for the final race of the 2021 season.Music From this PodcastAcid Trumpet by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3340-acid-trumpetLicense: http://creativecommons.org/licenses/by/4.0/District Four by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3662-district-fourLicense: http://creativecommons.org/licenses/by/4.0/   

"Hot Van Damme" month really is heating up the Spoiler Room. The Crew talk about the surreal, wild and wooly film that is "Inferno a.k.a. Desert Heat". They talk about the problematic casting, the crazy script and of course the Danny Trejo foot massage. Yes you read that right. This one is a doozy. Crew in the Room: Derrick, Angelique and Mark "The Movieman". Don't forget to check out our Patreon Page, subscribe to us on Itunes, twitter @specialmarkpro and @spoilerroompdcs. Email us at spoilerroom.smp@gmail.com

MLS Los Angeles FC Striker Danny Musovski broke into The Freak Nation Sunday night. He found a friend i Kenny Sargent, a D1 soccer player in college. Musovski was a two-time all-American in college at UNLV where he was the WAC Conference Player of the Year. He brings that resume into the MLS where he sharing some of the spotlight with the Los Angeles FC. A great chat with Kenny. Listen...

Please go to https://tantrapunk.com for more info!

While the Pacific Northwest was setting new records for high temperatures in June, many other places across the globe also experienced unprecedented heat.  Places in Russia and Scandinavia, including locations above the Arctic Circle, set new records for temperature. The heatwave in Europe was the result of a persistent northward bulge in the polar jet […]

Welcome back all our fan's to HMP New Session ✔

Welcome back all our fan's to HMP New Session ✔

Mark and Nathan discuss the 1999 film Desert Heart (AKA Inferno), Directed by John G. Avildsen (Rocky, The Karate Kid), and starring Jean-Claude Van Damme, Pat Morita, Jaime Pressly, and Danny Trejo, the film focuses on what happens when a group of dumb people steal JCVD's motorcycle. In this episode, they discuss drunk acting, spin kicks, and movies with multiple titles.

Our Beat Writer Series continues with Jess Root, site editor for Cards Wire, as we go to the Arizona desert for answers on the Cardinals. Kyler Murray could take another step forward as a passer by stepping a little back on the running. DeAndre Hopkins is still elite, and could score more TDs. The backfield has some questions, starting with if someone will take the lead caballo role. Has this entire roster taken a step forward as a team? This team could be caliente! Twitter: @senorjessroot / @jorgemartin17 / @FamiliaFFB

Let's heat things up with some desert heat! With a bit of a mix of new commercial and pop remix, main room bangers and some bouncy vocal circuit, this one has a bit of everything! Support this podcast: https://www.paypal.me/joelbylucas You can also support by sharing to your facebook or instagram walls! Thanks! Facebook for gigs and live streams: https://www.facebook.com/djjoelby/live/ or https://www.twitch.tv/djjoelby All podcast episodes also: search "joelby" in Overcast // itunes // Soundcloud // googleplay // mixcloud // podomatic // google, or go to http://www.joelby.co.uk Insta/Twit: @djjoelby Featuring: 1 - Clean Bandit and Mabel feat 24kGoldn - Tick Tock (CraigWelsh Remix) 2 - Karen Harding, L'Tric & Future Kings -Rely (Future Kings 7" Mix) 3 - L Devine - Don't Say It (Tobtok Remix) 4 - 5west - Stars About You (Cahill Mix) 5 - Todd Terry, Tobtok, Oliver Nelson & Richard Judge - All Of Me (Future Kings Extended Remix) 6 - Lady Gaga - 911 (MAGIXX Chromatica Remix) 7 - Manovski feat. Jay Prior - Where I Belong (Extended Mix) 8 - Cahill feat. Craig Smart - Only You (Extended Mix) 9 - Dua Lipa - Hallucinate (Russ Rich and Andy Allder Piano House Mix) 10 - Ellie Goulding - Power (Dario Xavier Remix) 11 - Alex Gaudino and Jerma - Little Love (Alex Gaudino and Hiisak Extended) 12 - Kylie Minogue - Magic (Dario Xavier Remix) Until next time...!

  I sat down with my dear friend, the great Hammond B3 organist, Papa John DeFrancesco. When I first starting exploring the music scene in Phoenix, AZ after moving here in 2004, I came across this cool club called Bobby C's near downtown Phoenix. On Sundays, they would serve the most amazing Southern food and they had Papa John and band playing jazz that I hadn't heard since I left New York City. Papa John, if you haven't already guessed, is the father of the great organist Joey DeFrancesco. Papa John and I took to each other right away and he used to let me sit in and we became life long friends. When the drum chair opened up with his band, I got the call and we've been playing together ever since. I hope you enjoy this conversation with this beautiful person and amazing jazz organist. He's a treasure and I'm honored to call him a friend and mentor. Connect with Papa John DeFrancesco: Personal Facebook Page: https://www.facebook.com/john.defrancesco3 Facebook Fan Page: https://www.facebook.com/Papa-John-DeFrancesco-101631944618/ Papa John's CDs: "Desert Heat" - https://amzn.to/2BXx9JF "All in the Family" - https://amzn.to/39V5aH2 "Comin' Home" - https://amzn.to/3ibVnj4 "Big Shot" - https://amzn.to/33oo5sJ "A Philadelphia Story" - https://amzn.to/2XrsFm6 "Hip Cake Walk" - https://amzn.to/3fC4nfH "Walkin Uptown" - https://amzn.to/3keUMyz "Jumpin'" - https://amzn.to/33ooiw1 "Doodlin" - https://amzn.to/3ftpmB2 Podcast Music By: Andy Galore, Album: "Out and About", Song: "Chicken & Scotch" 2014 Andy's Links: http://andygalore.com/ https://www.facebook.com/andygalorebass If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. For show notes and past guests, please visit: https://joecostelloglobal.com/#thejoecostelloshow Subscribe, Rate & Review: I would love if you could subscribe to the podcast and leave an honest rating & review. This will encourage other people to listen and allow us to grow as a community. The bigger we get as a community, the bigger the impact we can have on the world. Sign up for Joe's email newsletter at: https://joecostelloglobal.com/#signup For transcripts of episodes, go to: https://joecostelloglobal.com/#thejoecostelloshow Follow Joe: Twitter: https://twitter.com/jcostelloglobal Instagram: https://www.instagram.com/jcostelloglobal/ Facebook: https://www.facebook.com/jcostelloglobal/ YouTube: https://www.youtube.com/channel/UCUZsrJsf8-1dS6ddAa9Sr1Q?view_as=subscriber Transcript Papa John: Right now, I'm praying. Joe: Hey, everybody, welcome to the Joe Costello show. I'm really happy that you're here and you are giving me your ears and listening to the podcast. I have a very special dear friend, special guest, amazing jazz musician, my dear friend, Papa John DeFrancesco. Welcome, Papa John. How are you doing, man? Papa John: Yes, I'm doing good, I'm talking to you. Joe: So Papa John: My Joe: Nice Papa John: Main Joe: To see your Papa John: Man. Joe: Face there. Papa John: Good to see you, Joe. Joe: Yeah, man, so how are you doing? Papa John: Then. Joe: How are you doing? Papa John: I'm doing good, Joe. Every day is a better day. Man. Joe: That's good, yeah. Papa John: I got the say Angel me so she's Joe: I Papa John: Like. Joe: Know, I know Papa John: Putting up with my crap Joe: You Papa John: The. Joe: And you're doing Papa John: The. Joe: Some swimming, right? You're staying cool. Papa John: Yeah, in the past, we had Joe: Yeah, Papa John: A big bathtub Joe: Yeah, Papa John: Man, Joe: Is it warm? Papa John: The pool was like ninety seven man eighty nine the other day. Joe: Oh, my gosh. Papa John: I know you when you first go in, you cool off Joe: Yeah, Papa John: And then you get warm. Joe: Yeah. Papa John: And then you come out and you're cool for about 30 seconds. Joe: Welcome to Arizona. Papa John: Is beautiful that. Joe: Yeah, so, man, I'm really excited, I want to give my own quick sort of history of you and I and and then and then I want to kind of go back to where you started and how we both actually had similar influences with our our fathers being Papa John: I Joe: Musicians Papa John: Saw that Joe: And stuff. Papa John: In. Joe: Yeah. Yeah. So for me, so I moved to I moved to Arizona, Scottsdale, Arizona in two thousand four, didn't really know what the scene was, did and didn't play much, didn't go out to do anything. And then all of a sudden I heard about this cool place called Bobby C's Papa John: Oh, my God, that was the place, man. Joe: Yeah, and I walk in the door and it's just all Southern cooking and you're behind the B3 and you have all these great musicians playing with you. And I just say, WOW!. And I think we started making it a Sunday ritual that we would go there every Sunday Papa John: Yeah, Joe: And hang out. Papa John: You Joe: Yeah, Papa John: Were there Joe: Yeah. Papa John: With Joe: And Papa John: Their Joe: Then Papa John: Brother. Joe: And everybody was nice enough to some point I got to sit in and then I got to got to sit in a little bit more and Papa John: We Joe: Then Papa John: To talk. Joe: Yeah. Papa John: And Joe: We Papa John: You Joe: Had. Papa John: Would never say you were a drummer when I found that out. Get your butt off your back. Joe: I was keeping it on the down low, there was a lot of Papa John: Yeah. Joe: Great players there. I didn't want to, you know, Papa John: Your Joe: I wanted Papa John: Great Joe: That Papa John: Player, Joe: Just Papa John: Joe. Joe: Thanks man. That means a lot coming from you, as you know. Papa John: Now we play, I tell you what, I enjoy working with the. Joe: Well, thank Papa John: You're Joe: You. Papa John: You're you're one of the very few people you played music with that listen. Joe: Well, thank Papa John: You Joe: You. Papa John: Know that deal, you get up there and nobody is listening Joe: Yeah, well, Papa John: Everybody Joe: I appreciate Papa John: Playing in Joe: It. Papa John: A different place played a different band Joe: Yeah, Papa John: And. Joe: Yeah, well, Papa John: Well, let's Joe: That Papa John: Go, let's go, Joe: I Papa John: Let's Joe: Appreciate Papa John: Go. Joe: That and yeah, and I feel the same way because literally I didn't know many people around town but you and you and I've said this to you before and but I don't think it has sunk into your thick skull that you literally gave me like a chance and a more opportunity Papa John: Oh, Joe: Than Papa John: My God. Joe: Most people have ever given me in my musical career. Papa John: Oh, Joe: And that's Papa John: My Joe: The truth. Papa John: God, Joe: It's the truth. Papa John: You're going to make me cry live Joe: No, Papa John: In. Joe: No, no, it's the truth, I was nobody I was in and after sitting in for a while and you would always let me sit in and then and then we started playing together, like, regularly. Papa John: Yeah, Joe: Right. And Papa John: Yeah. Joe: That was cool. I was like, wow, I'm playing with one of the jazz greats on the B3. And it means a lot to me. And my father Papa John: Na Joe: Was proud. Papa John: Na Joe: My parents Papa John: Na, Joe: Were Papa John: Then Joe: Proud. Papa John: Your Joe: Yeah. Papa John: Dad was cool man Joe: Yeah, it meant a lot. So Papa John: We had a Joe: Yeah, we had a blast. Papa John: Mutual man like we got into some nice grooves. Joe: Yeah, we did, Papa John: Now, Joe: Yeah, we Papa John: Boy, Joe: We had some nice gigs. Papa John: Nice, nice gig, Joe: Well, Papa John: Good Joe: Hopefully, Papa John: Music. Yeah. Joe: Hopefully there'll be more coming up once the world gets back to some sort of Papa John: And. Joe: Whatever. I don't know what it's going to be, but. Right. Papa John: God help us to get back, Joe: All right, Papa John: It Joe: Cool. Papa John: Always does by then I'll be one hundred and forty cases of that. Joe: They long as you're here with us, that's cool. We Papa John: Ah Man Joe: Don't care, so. Papa John: Beautiful Joe Joe: So let's go back and tell me how this started for you, because I know besides music, like I said, we we talked about what what part of this you want to talk about. And if it's all Papa John: Would Joe: Music Papa John: Anyone? Joe: Or you want to you want to talk about anything else. So tell me about your father or how this music started for you. Papa John: It's very similar, I guess, here, but I was I wanted to play man, and so he said I told him I wanted to play the saxophone. I was about six five. He said it's too big for you, so he started me out on clarinet. I started playing clarinet and then I heard this guy named Louis Armstrong. Trumpet player. I saw I play trumpet. He said I got 15 million saxophones in there. You want to play trumpet? Though he got when I bought me a trumpet, I was about 10 years old i guess. He taught me how to play. And. Next person I saw that kind of play school band in school, and there is a lot of good friends I met when I was a junior in high school and Joe: And where was Papa John: The next. Joe: This, was this all Philadelphia? Papa John: Niagara Falls, New Joe: Oh, Papa John: York. Joe: That's right, I totally forgot Niagara Papa John: And Joe: Falls. Papa John: A New York woman, we're Joe: That's Papa John: Both from Joe: Right. Papa John: New York Joe: I know, Papa John: State. Joe: But I forgot that's where you started out. Papa John: Niagara Falls, New York, man, it was a real beautiful city at one time. And I was always but I dug it,  I love airplanes and cars Joe: I know Papa John: And Joe: You like cars. Papa John: Yeah, and music was right at the top three. I love and you know, it was cool about the music my dad taught me, but it would also take me to all these air shows because, you know, I, liked airplanes my mom about you coming Jen, Jenny my mom. Where, to look at airplanes and I go shopping or something. So but most of my my life is the music that you go out and you hear somebody and you go nuts. And then my next biggest thing was in 1959 when I saw Jimmy Smith Joe: Where was that? Papa John: That was in Buffalo, Kleinhans Music Hall, The Trio too, Donald Bailey and Kenny Burrell, Joe: WOW! Papa John: Stanley Turrentine came later. But I saw, man those cats were dealing. Holy Cow!, that organ, ya know, it's spiritual side. And it just grabbed me, but Joe: That was Papa John: I Joe: Fifty Papa John: Didn't get. Joe: Nine, you said. Papa John: Yeah, and I didn't do nothing till the 60's with the organ, but I was playing trumpet the whole time. Big band singing, all that, you know the deal. Then, I got married and the kids started coming, so I was still playing. But not the full-time I was like, well, not for three or four nights a week. Places were jumping then, you know. Joe: And this was all still Niagara Falls. Papa John: Niagara Falls, the left Niagara Falls in 1967, went to Philly, went to Philly in '57. Joe: What made you go there? Papa John: I was I was my uncle has got to get a job at Boeing aircraft, and he asked me for Niagara Falls is starting to go down and. It was on the ground, and so, yeah, I worked on airplanes and cars, so, you know, it got that bad. I met a bunch of horn players down there. Right. I was in town for two months and I met a guy at work, Am I talking to much Joe? Joe: No, this is what you're here to do. You're here to tell your story, I want to hear it in this. This is all at Boeing. Papa John: Now and I wish you could play organ man. Absolutely. I know you went downtown one time for a session and in Chester you can't get an organ player with him and said this cats gotta go. If you go, you've got to come up here, man. And then we did a lot of road thing at that time. They had Cabaret's they use to call them Cabaret's I did a ton of those Joe: So Papa John: Other people, man. Joe: So when did you start the organ? Papa John: Nineteen sixty three, wait, sixty four Joe: Sixty four. Papa John: I come home from work day and  my wife had one,  she got it for me. Joe: Oh, wow. And this is still Niagara Falls because you didn't go to Philly Papa John: No. Joe: Until 67. Papa John: Yeah, it was still there. She thought of all of this, too bar in organ called My house was never the same since man. Joe: And are you completely self-taught? Papa John: Yes, and the organ yeah, on my dad, I had a basic knowledge of me, but, you know, horn, not chords you're playing chords like, I was trying to transfer all that Joe: Right. Papa John: And it was tough, but. Joe: Well, then the tough part, too, especially for the B3 players, is the independence in the left hand right playing the base line and then being able to solo over it. Papa John: Split your brain in half man. And you thinking and you do it too. Joe: Explain to me how the organ ended up in, I know you said Laurene bought one, but was it because you saw like were you listening people like Jimmy Smith? Papa John: Oh, Joe: Was that after Papa John: Man. Joe: You saw him? You were just bit by the bug. And that was Papa John: Not Joe: That. That was it. Papa John: Every album that would come out, I get from Jimmy and then I tell Jack McGuff and there was a lot of burner's out there Ganpati. I mean there was a ton then, you know, Charles Earling and I met all these guys so now we're out doing some serious. I learned so much. Joe: So what was that first organ that was in the house? Papa John: Or the spin it. Joe: He has no say couldn't have been a full B3. I like Laurene. Papa John: Now, it was a Spinet Joe: Ok. Papa John: And then I bought Leslie. But it still wasn't a B man. And I found a B for sale, so I sold all my stuff, but B and then that's how I really learned how to play like on this thing man [plays organ] Joe: Exactly. So what was your first real gig on it? It was somewhere in Philadelphia with this when you met these guys. Papa John: On the organ?, on the B?, back in Niagara Falls, I had the organ in Niagara Falls, yeah. Once I got to B3, I got out and started playing, I love a man, I was still learning. I mean, the coordination, the coordination is tough Joe Joe: The coordination is tough, the hauling the thing around is tough. Papa John: Well, that's why I had to get surgery on my back. No, that wasn't much but you're hauling that son of a gun man, Joe: Yeah. Papa John: You know, I bought vans. I bought my old van, used to be rented trailer, mostly with trailer till I came out with vans and got a van. You know, it was it was funny, man. You go, well, I've got to move organ, the drummer said "I go get a pack of cigarettes." Joe: Exactly. Papa John: I'll be right back because I get to go get a loaf of bread. I'll be right back. Joe: Yeah, Papa John: Yeah, Joe: Yeah. Papa John: But it was quite experience lugging that monster. Joe: Yeah, so did you bring so you had a B3 in Niagara Falls, did you bring that with you to Philly? Papa John: Yes. Yeah, Joe: And then Papa John: That's. Joe: Where is that where is that now? Papa John: And at the Musical Museum. Joe: That's the original one. Papa John: Yes, the one that we played that night when we when we did the gig. Joe: Yeah. Papa John: At my first box man. Joe: Oh, my gosh, I didn't even realize that. Papa John: Nineteen sixty six by. Joe: Wow. Papa John: That's Joe: Yes, Papa John: My Joe: So Papa John: Yeah. Joe: So everybody for everybody listening in here in Phoenix, Arizona, there's the Musical Instrument Museum. It's called The MIM for short. Papa John's original B3 is there on display. They probably move it in and out on display. Right. Sometimes they'll do it's not permanent. Papa John: Yeah, Joe: They keep it there. Papa John: There, but it was Joey's first organ too ya know Joe: That's Papa John: That. Joe: Really cool. Papa John: Yeah, well, my fathers horns there at one time now playing them, yeah, was that was the first to go that the number one man we had redone. It was like. From being out on the road, being banged around, we had a guy redo it, that's the one man. Joe: Well, I didn't know that, so that that night we did that concert there, that was your we literally play it on your very first B3 organ. Man, Papa John: We're going, yeah, Joe: Oh man, Papa John: Man. Yeah. Joe: I didn't know that. I just thought that was just one of them. I didn't know that was THEE one. Papa John: That's the one I never got rid of it, never. Joe: Wow, Papa John: Never, Joe: That's incredible. Papa John: I would not you know, I could have sold that, that's Daisy, we had a name and we know what the name was, "Oh, boy." Joe: Oh, boy, Papa John: Yeah, Joe: Nice. Papa John: Come on, we had to go Ol Boy Joe: That Papa John: Mad, Joe: Is Papa John: Matt. Joe: So funny, so in those days when you weren't playing out, that was, was it always inside the house the way yours is now in your house, like you're literally sitting behind your B3 three now at your house? Papa John: And I am. It was Joe: Or. Papa John: Either in the house or in the van. Joe: Ok. Papa John: You know, one or the other, and mostly if if it was along, never had much time to take it out of the van, you know, Joe: And Papa John: It was Joe: A lot, Papa John: A go. Joe: Right? Papa John: Yeah, the only time I'd bring it down would be maintenance. You replace tubes, do the wiring and it was traveling. Joe: Did you work on it yourself, because I know a lot of you B3 organ players, man, you know Papa John: They're. Joe: You know that instrument because you can't trust that anybody else in the room is going to know what's going on. Papa John: That's right, Joe: Right, we've had Papa John: The. Joe: A member of Bobby C's, we had like something weird happen one day. Papa John: And try to remember what? Joe: And I remember you just you took off the front lid and people were in there and not people, Papa John: Yeah. Joe: But but you were kind of telling somebody, hey, just try this or whatever, and next thing you know, it's working again. Papa John: That's from years and years and years of that, putting that instrument through its bad. I mean, patience. I got a story we were playing upstairs, so we took the organ upstairs. We were taking it up. So we put two by fours on each side so we could slide it up Joe: Oh, Papa John: And Joe: Like. Papa John: A rope and the leg and the guys up front in the back pushing and all of a sudden the rope broke. I said, what? So I run down, jump. It was like lined up with a door outside door, so I jumped out the door, jumped out the door. I heard it coming down, breaking all there was Joe: Oh, Papa John: There was lights on the sides Joe: Oh, Papa John: Broke every one. Joe: My God. Papa John: Everyone came flying out almost out the door on its back. Joe: My gosh, that's like those those cartoons, that piano like it's like the Three Stooges move in a piano. Papa John: It is, it is, Joe: Oh, Papa John: And Joe: My gosh. Papa John: Flipped it over, put the tubes back in they were all loose and brought it back and went right to work, Joe: I'm sure Papa John: Played a Joe: It's Papa John: Delayed. Joe: Amazing, it's amazing. Papa John: Now it's cursing everybody, Joe: Oh, Papa John: man. Joe: Gosh. So when you you started playing in Niagara Falls on Papa John: Right, Joe: The organ and Papa John: Right. Joe: You were still playing trumpet at the same time. Papa John: Yes. Joe: Ok, and then were you also maybe while you were playing organ in a band on stage, did you ever actually pull out the trumpet, play a trumpet solo also? Papa John: Yes, yes, Joe: You did. It's called. Papa John: Because I was still learning to organ man that and I said, man, I, I've got to do something else, throw me out the gate. Joe: Oh, my Papa John: So Joe: Gosh. Papa John: I was vocalizing and playing hard, but little by little. Left, left, left. the B captured my soul, man. I just I love the instrument man. Joe: So when you were first starting to play and you had to deal with the whole left hand independence and then laying down the chords and then potentially even soloing with your right hand over the left hand bass, Papa John: They Joe: Did you? Papa John: Move in all the time. Joe: Yeah. Papa John: Yeah. Joe: Did you have in your early groups that you played in, were there bass players in those groups where you Papa John: With Joe: Didn't have Papa John: The Joe: To worry? Papa John: organ. Joe: Yeah. Papa John: Not when I got the organ man. Joe: Really? So you never. Papa John: Even with that, even with the Spinet of playing the pedal, playing the pedal. Joe: Really? Papa John: So I thought that's how you played the B3 until I got hip. I never once I got the organ. Maybe a couple times in the beginning. Yeah, I have to admit, it was a couple few gigs, man. Yeah, couldn't Joe: Yeah, Papa John: Play it, I mean. Joe: I would think you'd want that safety net in the beginning when Papa John: I Joe: You're not. Papa John: Did. You brought it back, you brought it, you just brought that guy had a base electric base, he had like a fender, I guess. Yeah, because I was like sloppy Joes and, you know. Not you Joe: No, no, no, no. Papa John: Might think my hands were going like the bottom is trying to play with the top and it can I tell you, if you lay off of this a while, your coordination takes a minute to come back. Joe: That instrument will kick your ass. Papa John: Oh, double time. And. Joe: So these gigs early on in Niagara Falls, where they were a trio gigs, were they like organ Papa John: Quartet. Joe: Or organ guitar, drums or what was the combo? Papa John: That mostly that, and then it got to Jack's one word that good, I saw it again man, you know, so then it was Jack's trio with the guitar and then we got the sax it was a quartet Joe: Ok, so let's go ahead now back to Philly and you're there, you're you're working for Boeing, right? And you are working on airplanes and helicopters. Wow, OK. Papa John: Chinooks. Joe: And then and your playing out at night, about four or five nights a week. Papa John: Yeah, but yeah, but it got very hectic, they were it was during Vietnam that. Now, where they started working 12 hour days, 6 days a week 7. So I still played on the weekends and I have to keep playing, I would be I'd be kind of mental, Joe: Yeah, now I hear Papa John: You Joe: You Papa John: Know. Joe: And at this point, do you have any kids yet? Papa John: Yeah, have two. Joe: So you had did you have any before you left Niagara Falls? Papa John: Cheryl and Johnny Joe: You did so they were born in Niagara Falls and then was Papa John: Joey Joe: Joey Papa John: You're was born here. Joe: In Philly. Got Papa John: Yeah. Joe: It. OK. All Papa John: And Joe: Right. Papa John: then then reality started to coming around Joe: Yeah, yeah. Papa John: Oh, I got to do this traveling, babies. You know what I got to say? This man, my wife never gave ultimatums. I've been blessed a lot. So I just feel so blessed man. Go through all this stuff and the kids all turned out great. Lucky, I'm blessed! people say they're lucky and blessed and lucky. Joe: We're in Philly, you're working really hard for Boeing because the Vietnam War is happening, you Papa John: Yeah. Joe: Have you have two children. I know Johnny is the oldest or Papa John: Cheryl. Joe: The Cheryls's the oldest. Papa John: Johnny Second. Joe: Then Johnny is the middle. That's why Johnny and I get along, because we're both middle Papa John: Those middle Joe: See! Ballbusters Papa John: Aged. Joe: Both of us just Papa John: Now, Joe: Right in the middle. Papa John: What about the baseball bat boy? He Joe: And Papa John: Was Joe: Then Papa John: A big Joe: And Papa John: Bob. Joe: Then Joey enjoys the youngest. Papa John: We did just go. You're going to be 50 this year. Joe: Wow. Papa John: Johnny is fifty five and Cheryl's fifty eight. Joe: So she and I are the same age. Papa John: Yeah, 1962. Joe: Yeah. Papa John: Now, October, she was born. Joe: Yeah, I was February, so Papa John: There Joe: I'm even Papa John: Is a Joe: I'm even older than her see Papa John: Couple months, and you could have been my kid man! Joe: Yeah, there you go. Papa John: Now lighting up! Joe: All right, sorry. Papa John: Nah man Joe: So we're there, we're in Philly, you're working, playing Papa John: Yeah. Joe: A little bit, but works, you know, a lot of work going on. So you're busy. Do you remember who was the first, most famous person you played with? Papa John: You try to think of, well, I played with Jimmy Smith, we played together Bobby C's to do what we did, an organ thing man. That was to me, that's my favorite. That was my. Joe: So that was Papa John: I Joe: Like, Papa John: Love the cat and Joe: Yeah. Papa John: Then George Benson and Steve Gadd. Now all them guys, I dug all those guys other cats too Jack McDuff God, he was a neat person, man. We did a lot jams, me, Jack, Gene Ludwig. Joe: I used to go see Jack McDuff up in Harlem when I lived in New York. Papa John: You were going to the right spot man that cat, what a soulful player he was. A lot of the guys that come up and play, you know, Bobby C's, we would cats come there and once they tell me name, Oh, Joe: I know Papa John: We Joe: It was. Papa John: Get a lot of cats came in like there was a guitar player there one day that played with Miles Davis . Joe: Now, we used to get a lot of incredible Papa John: Yeah, Joe: People, it was, you know, Papa John: It was a great spot. Joe: Yeah, we need another another place like that. Papa John: But that would be that wouldn't that be fun Joe: Yeah, Papa John: To Joe: But Papa John: Trade bands in and out Joe: But you played with a bunch of people like well before you came to Arizona, I mean, you're with all those Papa John: The. Joe: Heavyweights in Philly and you were telling me how even Dennis Chambers and you were really good Papa John: Dennis. Joe: Friends, right? Yeah, Papa John: Yeah, yeah, it's a real good. Joe: Right. Papa John: Your Joe: And Papa John: Good friends. Joe: And I remember when I was at the NAMM Show out in Anaheim, you had that residency gig during the week of the NAMM Show at Steamers. Papa John: Yeah, I did. Yeah, we just played the. Joe: Arturo Sandoval was on it, Papa John: Yeah, and Joe: Right, Ramon Papa John: No, Joe: Banda right? Papa John: He passed away, man. Ramone played, yeah, there was a guitar player can't think of his name, but he was a heavyweight too Joe: Oh, yeah, Papa John: Like Joe: Yeah. Papa John: We all get our shots. How about Joe Pesci? Joe: That's right, he sang, he Papa John: Yeah, Joe: Sang that night I was there sitting Papa John: Yeah, Joe: Right in front. Papa John: Yeah, Joe: That's a Papa John: Joe. Joe: Night that actually you let me sit in that night. So I got to play with Arturo and the rest of the guys. Yeah. Papa John: get your as up! Joe: Yeah, yeah, that was fun because there are a lot of I think I think that night, to be honest with you, I think if I remember correctly, Marcus Miller was sitting in the audience. Papa John: Yeah he was Joe: So Papa John: Were. Joe: Like when you pointed and I was already looked around the room and Joe Pesci was singing with you and I'm like, whoa, wait a second. But it was fun. I had it was a good time. Papa John: Joey too. Joe: That's right, Joey was on stage to right? Papa John: Yeah, yeah, what a night everybody was up there. That place is closed man. Joe: Yeah, Papa John: Is Joe: Yeah, Papa John: damn shame Joe: I know. Papa John: damn shame Joe: Yeah, so when you were in Philly, did you get up to New York, much to play. Papa John: Played a little bit in New York. Yeah, not not a lot, but a lot. I met a lot of cats in New York, I a lot of good players, but I did play there trying to think of some of the rooms. Joe: I know Philly had such a strong scene that, you know, Papa John: Ah man Joe: You probably Papa John: It Joe: Never Papa John: Was. Joe: Had to leave there to go play New York because it had its own. Papa John: We had and then I played to shore. I played in Atlantic City, I played at the Club Harlem with Manny Cambell and the Fiestas, and it was great man the ban was good too. He Be played vibes. We had a conga drummer, drummer, a horn player and a woman singer man, and in the back room there was a front room. We were playing in front of the bar, the back room, Sammy Davis Jr. playing with big band back there. Yeah, I mean, Club Harlem, Kentucky Avenue man. Across the street, Gracie,  Wild Bill Davis was there. Joe: And this was a separate room from any of the casinos. Papa John: Yeah, there was no casinos man this is 1966, '67 Kentucky was like all the clubs, like you went to Harlem or Buffalo and all that, that that's what Kentucky Avenue was all, had all the bands and mostly organ groups that was hot thing, man I got pictures, my wife and I got picture with her of people coming around and get a picture,  remember that? Yeah, you got a picture taken, Joe: Oh, you mean Papa John: There were. Joe: Like at the table, like they would do that, yeah, yeah, yeah, yeah, yes. It's also. Papa John: Back in the old days man, the old days man, let's see, you were just a baby because you were my daughter's age, I use to take the kids. I could get them into places. I'd take um. Joe: Yep, yeah, my father would do the same. Papa John:  Yeah man people would look, he was cool, he knew? He Joe: Yeah, Papa John: Knew. Joe: Yeah, it's the only way, right? It's the exposure. Papa John: Now, the kids loved it, Johnny played, Joey played, Cheryl played for a while, Joe: What she Papa John: You Joe: Play. Papa John: Know, Alto sax yeah in junior high. Joe: Yeah, and it was Johnny always drawn to the guitar. Papa John: Yeah, in fact he played trumpet for awhile. Yeah, and my dad was my dad was living with us, and then he got guitar and my dad could play his ass off too my dad, one of those old time musicians man Joe: Yeah, did he play in the in the army or the in the war during the war time or. No. Papa John: Too old man. He played with all the big bands like back, and he played with the Dorsey Brothers before the were famous when they were together, he told me they would argue from morning till night. I said, you sure they Joe: Yeah, Papa John: Weren't Italian? Joe: Exactly. Oh, nobody has seen anything until they see you and Joey and Johnny together in the same room. That right Papa John: Up Joe: There, that is gold reality TV right there, if I if I can produce that show. Papa John: Get a show, get one! Joe: Oh, Papa John: The. Joe: My gosh. Papa John: You are. Joe: Oh, my gosh. Papa John: We have to make you a part of it that you couldn't just sit out there and produce. Joe: So let's talk about your CDs, because I want to make sure I have the count right, but I count nine. Papa John: Nine. Joe: Yeah, Papa John: You Joe: That's Papa John: Got Joe: What I. Papa John: It, I got it, my wife put him in a picture frame. Joe: So do you have nine too is that, is that the count you have? Papa John: I that's that's what I have nine Joe: Yeah, because I have Papa John: That's on my own. Joe: So if I go from 19, so the first one I have is 1990 for "Doodlin". Is that correct? Papa John: That's it. That's the one that Joe: Yeah, Papa John: Was ninety Joe: It says nine. Papa John: Nine, Joe: It says Papa John: Yeah. Joe: 94. And then "Comin' Home" was released in 95. Papa John: That's the next one. Joe: And then "All in the Family" was ninety eight, and then I have "Hip Cakewalk", which was Papa John: That's Joe: Two thousand Papa John: It Joe: Two Papa John: For Joe: Thousand Papa John: Us, Joe: One. Papa John: Right? Joe: Right, and then I have "Walking Uptown" two thousand four. Papa John: That's one of my favorite one to go. Joe: And then there's two in two thousand six. There Papa John: "Jumpin'", Joe: Is. Papa John: "Jumpin'". And dadaji. Joe: "Desert Heat". That's correct, and then then we have two thousand nine, which is "Big Shot." Papa John: "Big Shot". Yeah, Joe: And then Papa John: I Joe: The Papa John: Forgot Joe: "Philadelphia Papa John: About that, Joe: Story" in 2011. Papa John: Yeah. That's the last one. Joe: That's the last one you put up a post, I think, on Facebook that that cool album cover. Does that mean there's something in the works? Papa John: I did that, I did that picture, by the way, I have an app that said, I'm going to go out here and start, man. I must have got a million hits. Joe: I know, Papa John: One day I'm coming out. We'll get it. Joe: See? Papa John: I just that's what I was doing, that somehow this is our clock. Joe: Oh, I see it moving in the background. Papa John: Yeah, my sister-in-law got it for us. I forgot about it. I would I would have turned it off and we had we had a dog and it's got all the Joe: That's Papa John: It's Joe: Also. Papa John: Got all the seasons on it Christmas. I don't know what that is pretty but I got them all memorized Joe: Yeah, Papa John: [scats] Joe: Yeah, how it Papa John: It's Joe: Long ago Papa John: Over. Joe: How long is that going to play? You know, we Papa John: It's Joe: Only Papa John: Over right now. Joe: We only have an hour. Papa John: There it goes. Hey, man, we only have an hour. Lighten up, take a break, you Joe: It's Papa John: Union Joe: Take a break. Papa John: Take a break? Joe: Is there any thoughts of, I mean or any conversation of a new new CD? Papa John: Yeah, I talked to Clark, Clark calls me about once a month. Wants to know how you feelin' and then he says, well, "When you come in the studio, Pop?", I got a bunch of stuff too I could do. I mean, I've been I don't you get ready now and have your ass in there. Unless you don't have time for. Joe: I always whataya kiddin' me...it would would be an Papa John: I Joe: Honor. Papa John: Love Joe: I'm Papa John: The. Joe: Looking at the names of all these people on these CDs and I'm like, damn, my name's not on that one, wait a second, my name's not on that one, no I'm only, kidding. Papa John: They were all done on the East Coast except Desert Heat and was with the Banda Brothers. Joe: Yeah, yeah, that Papa John: That Joe: Was special. Papa John: Was yeah, that was 05, I think, wasn't it, '06 Joe: In desert, he was '06, Papa John: Yeah, Joe: Yeah, Papa John: That's when I moved here Joe: Oh, that's when it was so it was two years after I moved here. Got it. Papa John: Yeah, that's right. You know how happy I am for you when I see all the stuff you're doing, man, I pray for this stuff for you. Joe: I'm just hustling, man, I got Papa John: Now, Joe: To just keep Papa John: Why Joe: I Papa John: You Joe: Don't Papa John: Got Joe: Like Papa John: The right? Joe: I don't like I don't like letting any grass grow under my feet. Papa John: And Joe, that's why you're going to do it, man. Joe: Yeah, well, you know what, it's I'm Papa John: That's Joe: Getting pretty Papa John: Why you're Joe: Old Papa John: Going to do Joe: If Papa John: It. Joe: Something doesn't happen soon. Papa John: Well, you can't go by now, what's going on, you knowthe epidemic or whatever the hell it is that's messed up, and the politicians, they're Joe: Yeah, Papa John: All nuts. Joe: Yeah. Papa John: I mean, so. And you're still making it. You're still doing it, man. So Joe: Well... Papa John: This is like a piece of cake after everything's straightens out. Joe: Let's hope so. We got to get back to playin' is what we had to do. Papa John: Love to man Joe: It's like Papa John: Our. Joe: Oxygen for us, you know, taking this away from us is this brutal. Papa John: You know, come here and playin' myself, and after a minute, like I tried a drum machine and I want to throw it through the window. Yeah, I try I just want to have something to play with somebody just. Joe: That's what we should do. I just throw my stuff in the car, come down there, we'll just do a little Sunday pasta dinner, but we'll Papa John: Yeah. Joe: We'll work up an appetite before that. Papa John: That would be fun Joe, I'm in! Joe: Swim a little bit. Papa John: It is our masks mandatory? Joe: No, I haven't been anywhere, you haven't been anywhere, right? Papa John: I feel like cabin fever, man, but I want to stick it out Joe: Yeah, you just Papa John: I'm Joe: Got to stay Papa John: Going Joe: Safe. Papa John: Nowhere. Joe: Yeah, both of you just need to stay safe. And Papa John: Yeah, Joe: How are Papa John: You, Joe: You going Papa John: Too. Joe: Out? Are you going out to get groceries and things like that or you having them delivered or what are you doing? Papa John: Laurine calls ahead and she goes, they throw him in the car in Joe: Good, Papa John: The back and Joe: Good, Papa John: Then she drives off Joe: Good. Papa John: Right now. Everybody out there that masks everybody Joe: Yeah, Papa John: Down here. Joe: Now Papa John: So. Joe: We wear it wherever we go, so Papa John: So do we... Joe: We'll cold, so did I miss anything that you wanted to talk about? I mean. Papa John: Well, just talking about my time on the railroad, Amtrak. Joe: Amtrak, that's right, that was after Boeing. Papa John: Way after I was playing in between all of that and then I went to Amtrak was the big one...I started as an electrician man, I start I had to learn, you have to go to school and stuff. And we needed I had my kids all grown up. And you're, like starting to go through grade school and middle school as Laurene and I are going to hang out, man. The railroad had a friend she had friends, lot of people on the railroad, and I got the job on the railroad in nineteen seventy seven. Joe: And there was a gap in between Boeing and that, so why did you leave Boeing? Just tired Papa John: Layoffs Joe: Of it. Papa John: Every 10 minutes. Government, government job and I went to Seven-Up for a while to the district sales manager and playing constantly, playing down the shore six nights. At Amtrak I became a supervisor at a big job, kept movin' and I was there 20, almost 30 years. Joe: As an electrician for Amtrak? Papa John: Let's do it in the beginning and end with electrical supervisor. We built substations, took care of all the new construction, but I was still playing Joe. I mean, my job, I was playing constantly. I had to come in to work, Saturday morning, we had to work every once in a while and I come in. Where are we? What is this? Where you go to get playin' and go to have breakfast or have a cup of coffee? So by the time you got home... Joe: Time to go right to the job. Papa John: Great. The music never stopped me, but thank God I went to the railroad because the railroad retirement is ridiculous. Joe: Yes, Papa John: So Joe: Something to be said for that, right? You know. Papa John: Yeah. I mean I never expected that. Never. That was so far from any of my thoughts. My Joe: Help. Papa John: Dad used to say when your dad said go to school, put something in that back pocket Joe: That's Papa John: What do Joe: Right, Papa John: You mean, good news, right? Joe: Yeah. Papa John: I was at your school, Fredonia, man. Joe: Yeah, because you were right out there, right? Papa John: Yeah, yeah, yeah, yeah, I, Joe: Yeah. Papa John: I worked, I did gigs there, I played yeah, well, I knew the guy who ran the station WBZ or something Joe: We forget what it is now. Papa John: Yeah, Fredonia is when I was out there, Don Menza was there, all cats who played with big bands, but that's a great music school man. Joe: Yeah, it was good when when I went, we were we were at at the peak of of what was happening with, you know, we had a student run jazz ensemble and competed at the Notre Dame Collegiate Jazz Festival, and those were run by the school. And we ran it ourself, you know. Papa John: The students you guys had a couple Joe: Yeah, it was fun. Papa John: You had some good players there, singers, players, if you wanted have somebody, go to the school, you had a great reputation Joe: Yeah, I got Papa John: And Joe: To play Papa John: Then. Joe: At the Tralfamadore Papa John: But Joe: Or. Papa John: Tralfamadore? Joe: Right. Papa John: The Tralf?. Joe: Isn't that what it was, The Tralf? That's what we called it. Right. For short, The Tralf. Yeah. Papa John: That's something man! Joe: And I spent when I was at Fredonia, I spent a summer in the Canadian side of Niagara Falls Papa John: Oh, Joe: Playing Papa John: Yeah, Joe: At that Papa John: We're. Joe: Amusement park that's right on the other side. Papa John: Right on the other side, I know, right off Lundie's Lane Joe: Yeah, and we played this little we did this doo wop show, it was Papa John: Of Joe: All Papa John: The. Joe: This company came and auditioned people at all the music schools for summer Papa John: Yeah, Joe: Jobs. Papa John: And Joe: So Papa John: You Joe: We Papa John: Got Joe: Got to hire. Papa John: Your. Joe: We got hired as a band. So it was my buddy on trumpet and a bass Papa John: The. Joe: Player friend, the sax player friend. And then we went there and played and we backed up these these two couples, that guy and girls Papa John: Right. Joe: That were doing this doo wop dancing and singing on the stage. Papa John: Ha Joe: We were Papa John: That's cool! Joe: The backup band behind them. We played a place called Lilly Langtry's Papa John: I know that is, oh Lilly...that's on Lundie's Land, you go up Lundie's Lane, the wax museum and. Joe: Correct, That's right. We actually were friends, so when we were when we were there because we lived there for the summer and these little apartments, the I think it was the either the tallest man in the world or tallest woman in the world. We Papa John: The woman. Joe: Literally yeah, we became friends with her and we would actually hang out at her apartment. And Papa John: She was cool man Joe: That's so Papa John: Or Joe: Funny. Papa John: That boy or girl, rah Joe: Yes, Papa John: Rah Joe: Yes. Yes, Papa John: Is just great Joe: Yes. Papa John: To leave it to me, to remember that stuff. Joe: It's so funny. Papa John: Remember the yard of beer? You went to the Yard In The Park when you had a yard of beer. Joe: I don't I don't know if I remember that. Papa John: The glass was a yard long filled it up. Joe: It's like those things that they walk around Atlantic City with, I mean, Papa John: Yeah, Joe: Las Papa John: Where Joe: Vegas, Papa John: They get Joe: Those huge. Papa John: Yard In The Park, it was called, Joe: That's so funny. Papa John: I played all over the place and Toronto, but you had a good gig. Joe: I don't know about that, but Papa John: It was a good gig. Joe: It was it was OK for at the time we had some fun. So. Papa John: What year was that Joe, do you remember? Joe: It had to be eighty two or three. Papa John: Oh, you are young. You're like my daughter. Joe: Yeah, I yeah, I'm surprised, I remember that I don't remember stuff that far back, but. Papa John: I remember not if it's if I want to remember that Joe: Yeah, Papa John: This done that, then  Joe: Yeah. Papa John: Railroad, I retired. The pension is crazy. Joe: And what was this what year was that, Papa John: '05 Joe: And then literally a year later, you moving out to Arizona? Papa John: Yes Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe: There's our organ guitar trio once Johnny gets out here and a couple of years, Papa John: Yeah, Joe: Right. Papa John: We'll have some serious fun when. Joe: Hopefully we won't run out of places to play once we get kicked out of each one for being crazy. Papa John: Hopefully we WILL get kicked out. No, no, no, gigs are special you know,  we keep maintain part of the business man. You don't want to screw that up. Joe: So cool. So 2006, you retire Amtrak two thousand five, you pack up, move out two thousand six Papa John: Sold Joe: And Papa John: The crib back home, I Joe: You're. Papa John: Had a nice I had a nice crib too, that. Joe: But then you come out here and then and then we finally get to meet at one point, and then we play a bunch of gigs around town and. Yeah. Papa John: Yeah, we did. We played a lot man. You have to gigs you were getting gigs left and right. I went out there and start hustling your ass off. Joe: Hey, you have to, right? Papa John: Yeah. Joe: Can't sit by the phone. Papa John: No, what!? Joe: That's the that's the one thing that I just Papa John: Is Joe: Can't sit Papa John: All Joe: By the phone. Papa John: We'd be dead now you can use got to go out after man, but if you wait for the apple to drop off the tree, you'll starve to death, you got to go up and get it. His big thing was education and save your money Joe: And Papa John: To Joe: Save your money, well, you made Papa John: Get Joe: Him Papa John: An Joe: Proud Papa John: Education. Joe: Because you listen, you got yourself a nice a nice retirement package, right? Papa John: Well, I got lucky on that one man God, Thank Joe: You still Papa John: You. Joe: You still were able to maintain playing, Papa John: Yeah, Joe: You got an education Papa John: Oh, Joe: In the electrical field. Papa John: But Joe: What kind of car you have now? Papa John: Oh. Thirty nine Pontiac Joe: Yeah, Papa John: Hot Rod Joe: Yeah. Papa John: Yeah, man's got a big motor in three fifty chevy. All reworked, everything, everything's new and it's like a new car. Joe: How many times you get it out? Papa John: Well, right now, Johnny comes out, we take it out to terrorize the neighborhood, him and I put that car together. Joe: Oh, yeah. Papa John: Yeah, cut the frame off for a new frame underneath, it has disc breaks, power steering, Joe: What is Papa John: Big Joe: It again? Papa John: Motor, a thirty nine, nineteen thirty nine Pontiac, two door sedan. It's just it's a duplicate of a thirty nine Chevy. Joe: What is it like, is it blue or purple, one of the two, Papa John: Yeah, Joe: Which Papa John: Blue. Joe: One? Blue. Papa John: Yeah, Joe: Yeah. Papa John: Well, when you come down, will have to go out for a cruise man Joe: Yeah, I'd love to take that thing out. Papa John: It's fun man Joe: All right, Papa John: It's. Joe: We'll do it. We have a plan now. So we have a Papa John: Yeah. Joe: We have a Sunday pasta dinner. Papa John: A Sunday dinner, baby. Joe: But we jam first. And then we hop in the pool, get cooled off, then we come in and we eat our faces off. Papa John: Right, Joe: And then we Papa John: And. Joe: Go out for a little cruise when it gets Papa John: That's Joe: Cool Papa John: Right, Joe: Out, there Papa John: That's Joe: You go. Papa John: Well when we get done eating, we might not be able to move. Joe: That's true. So you might want to get everything done before we wat. Papa John: That one day you were making something, what was braciole that you make braciole? Joe: I have Papa John: You Joe: No. Papa John: Were cooking something, man. I don't know what it was Joe: I have no idea. I just made a killer designer for Jo Ellen's birthday Papa John: That. Joe: A couple of weeks ago. Yeah. Oh, maybe that's what it was. I put up Papa John: Yeah, Joe: The pot of the Papa John: I Joe: Sauce, Papa John: Love that Joe: The sauce boiling or the gravy, as we call it. Papa John: You call gravy. Joe: Yeah. I don't know if Papa John: You Joe: We're Papa John: Sauce Joe: Not Papa John: Tomato, Joe: Sure Papa John: Tomato, potato, potato, Joe: Exactly. Papa John: But some. Joe: You got to let us know if you're going to do a new recording so we can make sure we let everyone know. And like I said, as soon as all this pandemic stuff Papa John: No. Joe: Disappears, we see if we can get ourselves a gig or a concert somewhere again and get going. Papa John: Concert, Joe: Right. Papa John: I'd like to do that, yeah. Joe: We should get back at The MIM. Do another show up Papa John: I Joe: There. Papa John: Like the yeah, man, we could Joe: Yeah. Yeah. Papa John: Get a yeah, it was okay last time with nice man. Joe: Is there anything else that I missed? Papa John: Yeah, the gig in Albuquerque, wherever we were. Joe: Oh, my gosh. Papa John: Should have made a left turn at Albuquerque Joe: Oh, my gosh. Papa John: The Las Cruces Joe: Right, then we drive all the way there, we set up and then it poured Papa John: It rained Joe: And we couldn't play, right? We couldn't Papa John: That Joe: Play Papa John: They paid and Joe: And Papa John: We got Joe: They play. Papa John: Paid. Joe: So it was basically like a paid little two day trip. Papa John: Two day trip with pay Joe: Yeah, yeah, yeah, well, Papa John: That was terrible. I wanted to play. Joe: No, I know. Papa John: Well, I know we weren't going to play when a guy took the B3. He said it's raining, you guys aren't playing, put it in a van. They left. I guess we're not playing. Joe: Remember, we tried to even talk one of the bars around that outdoor stage to let us play. Papa John: Across the street, yeah. Joe: Yeah, it's like we're already got paid, so just move it all into your place in play inside. Oh, gosh. Papa John: We didn't get. Joe: We can't say we didn't try. Papa John: That's where I met that trumpet player, he's on the East Coast now. Joe: Cool! Papa John: This has been a nice pod... Joe: Thanks, Papa John: Of Joe: Man. Papa John: Spaghetti meatballs. Joe: They go Papa John: And little braciole Joe: Right? Papa John: Yeah, Joe: I'm Papa John: My Joe: Really Papa John: Wife Joe: Excited Papa John: Made Joe: That you Papa John: It. Joe: Came on what'd she say. Papa John: My wife made angel hair bolognese Sunday Joe: Nice. Papa John: Scrambled meat. Joe: Yeah. Papa John: I'm glad I came on too Joe Joe: Yeah, man, it's nice Papa John: I Joe: To Papa John: Love Joe: See your face Papa John: That you Joe: That Papa John: Like that and I like Joe: I Papa John: Your face too Joe. Joe: Haven't seen you in so long, so. Papa John: I know there Joe: Yeah. Papa John: Has been a year!? Joe: I don't know. Could be, gosh. Papa John: No Joe: Like Papa John: Time. Joe: I said, my brain doesn't go backwards too well, so Papa John: Time man time Joe: I know Papa John: Is. Joe: I hear Papa John: Time Joe: Yeah. Papa John: Is on my mind, yes it is Ya know what, we should do all that stuff, do I get all those coveres I Joe: Yeah, Papa John: Love doing it to. Joe: Yeah, Papa John: My favorite Joe: Well, Papa John: Was Sly, Sly and the Family Stone. Joe: Um. Papa John: I use to love those...cover that stuff Joe: Yeah, Papa John: [sings] You might have... Joe: Well, we'll we'll have a chance again. Papa John: I hope so, man. Joe: We will. So, listen, man, I really appreciate you doing this. Papa John: Anything for, you know, you're the man, you're my friend, one of my best friends. Joe: It's nice to see you. It really is, it's nice to talk with you. Papa John: Nice to talk to you, too, man Joe: Yeah, man. All right. Well, again, thank you. You you're one of the best. And Papa John: No. Joe: You you've you've been incredible to me. So I appreciate you and I love you. And I thank you for being here. Papa John: Thank you, Joe, Joe: Ok, Papa John: And Joe: Man. Papa John: I love you, too, brother. Joe: All right, and we'll talk soon and we'll play soon Papa John: Hopefully has, God Bless! Joe: All right, man, thank you. Papa John: All right, bye bye... Joe: Bye...

In part two of Jaime's interview, we talk about stereotypes, Mexican food, and what's on everyone's mind: the HEAT. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Arizona Diamondbacks and MLB Network Radio broadcaster Mike Ferrin joins the show to discuss the three proposals for MLB's return that we know of, what changes he'd like to see made in the modern baseball broadcast and his journey from DJ to play-by-play. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bank One Ballpark is the setting for this showcase pitching matchup between the ’75 Red Sox and ’01 Diamondbacks. Yaz and Rice and Lynn didn’t beat Don Gullett in Game 7 of ’75 but how will they fare against the Big Unit in a one-game winner take-all?  Mark Grace and Luis Gonzalez lead the 5-seed Snakes vs the 12-seed BoSox.  Commentary from Jon Miller precedes guest appearances from Tiant and Peter Gammons later in the broadcast. Reminisce, remember, and join this growing community of true baseball fans by downloading, subscribing, and jumping on our website, TheThrowbackLeague.com

Tony and Mike review Super-Showdown and Revolution, they also talk about the two mania matches that were made official, a few new AEW signings, the War Report and much more! --- Support this podcast: https://anchor.fm/championsadvantage/support

In this pigisode, Brian returns from his gaycation in Palm Springs for Desert Heat and shares his piggy adventures at CCBC Resort, All Worlds and the DILF Party. Rick discusses upcoming events Pig Week FTL, Circuit Miami and the other parties for the year. Rick and Brian discuss cruising culture from cruise bars to sex parties. The boys wrap up with announcement for upcoming Dirty Gay Fun parties with special porn star, Stephen Raw coming next month

It’s my favorite time of year… Halloween — aka: gay Christmas! I don’t know about you, but I’ve been quite busy putting together the requisite 4 costumes required by all gay men in order to celebrate on no less than 5 different nights… beginning 3 weeks before Halloween night. (while allowed to recycle at least one lewk from a previous year, of course!) Just thinking about it is daunting…. so, here’s a new soundtrack to dance around and listen to while gettin’ ready! HAPPY HALLOWEEN, Y’ALL! Here’s where you can hear me before the end of the year. Oct. 26th – HALLOWEENIE XIII, The Belasco, DTLA Oct. 27th – Twisted Halloween, Calgary (Canada) Nov. 2nd – Private event, Seattle Nov. 3rd – Black Tie Dinner (AfterBlack), Dallas, TX Nov. 4th – Desert Heat, Palm Springs Pride Nov. 16th – EVITA, Nightingale, West Hollywood Nov. 26th – TBA Nov. 27th – TBA Dec. 1st — The Chapel at The Abbey, West Hollywood Dec. 8th – The Teddy Bear Party, Dallas, TX Follow my thoughts, dreams, remixes & insights, online here: Facebook: https://www.facebook.com/djblacklow Soundcloud: https://soundcloud.com/djblacklow Web: http://www.djblacklow.com/ Tracklist: 1) American Horror Story Halloween Twisted Intro (DJ Blacklow Edit) 2) Get Up (Original Mix) - Menini & Viani 3) Bingo Bango (Tom Staar and Kryder Extended Mix) – Basement Jaxx 4) Berimbau (Original Mix) – Stefano Pain 5) I Like Sonido Latino (Lucas Flamefly What's His Name Mashup) - Cardi B vs. Starclubbers 6) Dinero (Danny Verde Kiki In Miami Remix) – Jennifer Lopez 7) Paradise (Alessander Gelassi Colombian Remix) vs. So Emotional - Luis Erre, DJ Joy vs. Whitney Houston (DJ Blacklow Mash) 8) Electricity (Adrian Lagunas Remix) - Silk City & Dua Lipa feat. Diplo & Mark Ronson 9) DIVADRAG ft. Cdamore (VMC Remix) - Las Bibas From Vizcaya 10) Music & Love (Bruno Knauer Mix) - Marcos Carnaval & Daishi Dance 11) Turn Me Out (Mauro Mozart Rework) - Jossep G, Kathy Brown, and GSP 12) Deep Inside (Junior Silverio Remix) - David Penn, Rober Gaez feat. Sheilah Cuffy 13) Shiny Disco Ball (Brett Oosterhaus Remix) - Who Da Funk 14) I Feel Lola (Original Mix) - Nacho Chapado, Ivan Gomez 15) Thriller's Rolling Over (DJ Blacklow Mashup) - Jesus Montanez vs. MJ vs. Yeah Yeah Yeahs 16) Secrets (Toy Armada & DJ GRIND Remix) – P!nk 17) Shallow (Brian Cua Tribal Remix) - Lady Gaga, Bradley Cooper 18) I Don’t Want to Miss A Thing (Dario Xavier Club Mix) - Aerosmith 19) Made For Now (Joe Gauthreaux & Leanh Club Remix) – Janet Jackson

Not every podcast can be all peak-hour beats and I’ve had a number of requests lately for a new pop music mix that can work for a house party that isn’t necessarily an after-hours soiree. While I’ll have a new progressive circuit set coming before Halloween, here’s some lighter listening to put on as the weather starts to cool down a bit. However, my fall is just starting to heat up… here’s where you’ll be able to catch me over the next few months: Oct. 14th – The Chapel at The Abbey, West Hollywood Oct. 26th – HALLOWEENIE XIII, The Belasco, DTLA Oct. 27th – Twisted Halloween, Calgary (Canada) Nov. 2nd – Private event, Seattle Nov. 3rd – Black Tie Dinner (After Black), Dallas, TX Nov. 4th – Desert Heat, Palm Springs Pride Nov. 16th – EVITA, Nightingale, West Hollywood Nov. 26th – TBA Nov. 27th - TBA Dec. 8th – The Teddy Bear Party, Dallas, TX Follow the rest of my thoughts, dreams, remixes & insights online... here: Facebook: https://www.facebook.com/djblacklow Soundcloud: https://soundcloud.com/djblacklow Web: http://www.djblacklow.com/ Tracklist: 1) Lost in Music (DAZZ 2k18 Club ReRub) - Sister Sledge vs. Dimitri from Paris 2) Be Without You (MOSE Remix) – Mary J. Blige 3) Electricity (Charlie Lane & Mark Jay Remix) - Silk City feat. Dua Lipa 4) I'll Be There (Charlie Lane & Mark Jay Remix) – Jess Glynne 5) Never Be The Same (WestFunk Remix) - Camila Cabello 6) My Feelings (Original Mix) - Block & Crown, Pete Rose 7) I Begin To Wonder (Luca Debonaire & Xenia Ghali 2k18 Clubmix) – Danni Minogue 8) I Like It (Kue Remix) - Cardi B, Bad Bunny & J Balvin 9) Level Up (Colin Jay Remix) - Ciara 10) Made For Now (Barry Harris Mix) – Janet Jackson 11) Curious (Nathan Jain Remix) – Hayley Kiyoko 12) All For You (Billy Da Kid Remix) – Years & Years 13) Bloom (Barry Harris Club Enhanced) – Troye Sivan 14) God Is A Woman (Andrew Marks Remix) – Ariana Grande 15) Batshit (Denis First And Reznikov Remix) – Sofi Tukker 16) Remind Me To Forget (Cristian Poow Club Mix) – Kygo feat. Miguel 17) Call My Life (Dave Aude Extended Club Remix) – Blair St. Clair 18) House Gangsters (Original Mix) - Scotty Boy, Block & Crown 19) Like An Egyptian (Original Mix) - VASSA 20) Big Love (Savin My Lovin) (Luca Debonaire & Pico Bello 2k18 Remix) – Pete Heller 21) Honey - Robyn

For two guys who do a B Movie podcast, it’s rare to come by a Jean-Claude Van Damme movie we haven’t seen. But leave it to our faithful listeners to find such a movie and a very weird one at that. Just as JCVD started losing some steam with duds like Double Team and Universal Soldier: The Return, he starred in one of his first direct to video features, Inferno (aka Desert Heat). This is not only a very weird movie that starts off with a very serious tone and ends up being a comedy of sorts, but it also has Pat Morita spew out a line I never thought I would hear him say. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bmoviebreakdown/support

"Left for dead. Burning for revenge."

"Left for dead. Burning for revenge."

After Chase dropped the Sword of Vandammecles, the gang was forced to watch Jean-Claude Van Dammes 'Desert Heat'!  This is the one that supposedly broke Blake folks. Listen as we discus whether this movie was terrible or AMAZING, whats up with the old couple that run the motel, and whether Danny Trejo is actually real or some sort of spirit animal. Chase & Blake face off in the quiz to wrap up this truly surprising episode!

Deardra Shuler talks with American actress, singer and vocal coach, Peggi Blu. Peggi has sung, wrote, co-produced and co-arranged recordings in movies and on stages for countless stars such as Bob Dylan, Barbra Streisand, Burt Bacharach, Edwin Hawkins, The Staples Singers, Imelda Papin, Quincy Jones, Adam Sandler,  Luther Vandross, The Crystals, The Sandpebbles, Phyllis Hyman, Stephanie Mills, Aaron Neville,et.al.  She performed at the 1993 & 1997 inaugerations of President Bill Clinton and appeared in a Barbra Streisand special.   Her albums and singles include “I Got Love,” “I Want It All Now,” Girls It Ain't Easy and her critically acclaimed cd “Blu Blowin,’” “Livin’ On Love,”"Love Is The Magic", “What About You,” "When We Loved" & "I See You" with the group Cool Million and a host of duets with major stars. Peggi is the 1986 Female Vocalist Grand Champion of Star Search and Vocal Coach for American Idol.  She wrote three one-woman shows and received rave reviews for her show “Sinatra In Blu.” She won the Malibu Music Award for Best Vocalist, and was a presenter and performer at the 2014 NAACP Awards. She has numerous movie soundtracks to her credits such as “Set It Off” with Queen Latifah “The Hurricane” starring Denzel Washington and “Desert Heat” starring Jean Claude Van Damme. She appeared on stage in The Wiz as Aunty Em. Ms Blu will be appearing at the Metropolitan Room, on August 11th, 2017 @ 7pm, located at 34 West 22nd Street NYC. 

Sometimes you need to go out to the desert to clear your mind. Or give your buddy an Indian motorcycle and kill yourself. Either way, make sure you don’t run into any drug dealers or else you’ll end up like Jean-Claude Van Damme in Desert Heat. John and Jeff are back talking about this 1999 […]

Mash 'play' for a personal crash-course in local economic development -- with high-value tools, tips and insider knowledge -- in this special, extended episode featuring a couple of pros who know both sides of the business -- public and private -- and where they can pair up to make a difference for cities and towns of any size. It's important to recognize that economic development isn't just one thing. It can take one of many directions, each with its own terrain and set of tools for positive outcomes. Our expert guests, Mac McCarley and Ron Kimble -- among spotlight speakers at the League's recent CityVision 2016 conference, where the bulk of this episode was recorded -- break it down for us and offer hugely important know-how. Anyone can learn from this episode, whether you're a locally elected official, a town administrator or resident curious about what all goes into business recruitment or downtown development. Don't miss this one. Show notes: Ron Kimble - http://charlottenc.gov/CityManager/AboutUs/Pages/Interim%20City%20Manager%20Ron%20Kimble.aspx Mac McCarley - http://www.parkerpoe.com/attorneys/dewitt-f-mccarley CityVision 2016 coverage - https://www.nclm.org/PROGRAMS-SERVICES/PUBLICATIONS/LINCED-IN/2016/Pages/default.aspx?issue=38 Followup notes from Episode 10: New report/manual, 11/16, "Selecting Trees to Grow in Cities" - http://www.srs.fs.usda.gov/compass/2016/11/03/selecting-trees-to-grow-in-cities/ CityLab article, "The Big Green Payoff From Bigger Urban Forests" - http://www.citylab.com/design/2016/10/the-big-green-payoff-from-bigger-urban-forests/505913/ Smithsonian.com, "Why Public Health Researchers Are Looking to Urban Trees" - http://www.smithsonianmag.com/science-nature/why-public-health-researchers-are-looking-urban-trees-180960985/?no-ist Governing article, "Phoenix's Ambitious Plan to Beat the Desert Heat" - http://www.governing.com/topics/transportation-infrastructure/gov-phoenix-shade.html

We enter a better kind of urban jungle on this episode all about the science and economics of trees in cities -- way more interesting than you might think at first. Yep, there's a big economic argument for more trees in our cityscapes. Our guests here apply scientifically backed dollars-and-cents appraisals to the trees that line our streets or green our downtowns. And they discuss tools you can access to tally such values where you live. And, yes, we also discuss the much-harder-to-quantify relationship that humans and trees have shared since the dawn of man -- and what that means for city neighborhoods lacking in greenery. A lot to think about -- and surely a few surprises -- in the episode. Show notes: Greg McPherson - http://www.fs.fed.us/psw/programs/uesd/staff/gmcpherson/ Report, "Structure, function and value of street trees in California, USA" -http://www.fs.fed.us/psw/publications/mcpherson/psw_2016_mcpherson004.pdf David Nowak - http://www.nrs.fs.fed.us/people/dnowak iTree - http://www.itreetools.org Adam Dale - https://adamgdale.org Report, "Forecasting the Effects of Heat and Pests on Urban Trees: Impervious Surface Thresholds and the 'Pace-to-Plant' Technique" - http://ecoipm.org/wp-content/uploads/2016/05/Dale_2016_Arb.pdf Jill Jonnes, "Urban Forests: A Natural History of Trees and People in the American Cityscape" - http://jilljonnes.com UPI story, "Tree growth slows as cities heat up" - http://www.upi.com/Science_News/2016/10/05/Tree-growth-slows-as-cities-heat-up/2081475676027/ Report, "Urban warming reduces aboveground carbon storage" -http://rspb.royalsocietypublishing.org/content/283/1840/20161574 OpenTreeMap - https://www.opentreemap.org City of Raleigh Urban Forestry Division - http://www.raleighnc.gov/community/content/ParksRec/Articles/Programs/UrbanForestry/UFDivision.html NEWS AND REPORTS SINCE THIS EPISODE'S AIRING: New report, 11/16, "Selecting Trees to Grow in Cities" - http://www.srs.fs.usda.gov/compass/ CityLab article, "The Big Green Payoff From Bigger Urban Forests" -http://www.citylab.com/design/2016/10/the-big-green-payoff-from-bigger-urban-forests/505913/ Smithsonian.com, "Why Public Health Researchers Are Looking to Urban Trees" - http://www.smithsonianmag.com/science-nature/why-public-health-researchers-are-looking-urban-trees-180960985/?no-ist Governing article, "Phoenix's Ambitious Plan to Beat the Desert Heat" -http://www.governing.com/topics/transportation-infrastructure/gov-phoenix-shade.html

DJ LF ( Desert Heat ) HipHop/R&B Mix Vol.2 by DJ LF

The Desert Heat team (Anthony, Julian, Gabe, Dee) joins us to talk about the origin and purpose of their “Hip Hop culture website”, www.desertheat.biz. They share some of their goals and future projects. We also get to see the first ever rap battle on Sweet Jesus Radio between Gabe and Anthony!

“In the real world, Halloween is when kids dress up in costumes and beg for candy. In Girl World, Halloween is the one day a year when a girl can dress up like a total slut and no other girls can say anything else about it.” – "Mean Girls" “I own Halloween. It's my jam! Halloween is the most important day of the year. It’s the one day on the Gregorian calendar where you’re allowed to go around terrifying children and not be branded a psychopath." - Scream Queens Fall is my favorite time of year and no holiday makes me more excited than Halloween! I’m honored to return for the fourth year to DJ my close friends’ Fred & Jason’s 10th annual HALLOWEENIE party, presented by Brian & Chad. This incredible “Party with a Pur­pose” ben­e­fits GMCLA’s pro­gram­matic work, includ­ing: Alive Music Project, and the "it gets bet­ter" Tour! This year’s Halloweenie takes place on Friday, October 30th at our new location of The Majestic Downtown. Once again, I’ll be playing the whole party – opening for Dave Audé on the main floor before taking to the catacombs for the second half of the night. And of course, the next night, catch me at Halloween New Orleans alongside Joe Gauthreaux. Get your costumes ready, because 2015 is going to be one for the record books! The Tracklist: 1) Chanel-O-Ween (“Scream Queens” Halloweenie Intro) - DJ Blacklow 2) St. Elmo's Fire (George Figares & DJ Blacklow Remix) - Toy Armada & DJ GRIND feat. Jason Walker 3) Andale (Yinon Yahel Remix) - Altar & Jeanie Tracy 4) Heaven (Beautiful L!fe) (Mike Cruz Tribal Remix) - Punch !nk 5) Ye Mele In Ghost Town (J Warren Mashup) - Divolly & Markward vs. Showbiz vs. Madonna vs. Eduardo Lujan 6) Can't Feel My Face (Eduardo Lujan Remix) - The Weeknd 7) Carry On (Nacho Chapado and Ivan Gomez Club Mix) - Coeur De Pirate 8) Everybody Dance Now (Original Mix) – Hoxton Whores 9) Levels (Steven Redant Club Mix) – Nick Jonas 10) Drag Me Down (Dave Aude Extended Mix) – One Direction 11) Run On Love (Dave Aude Club Remix) - Lucas Nord Featuring Tove Lo 12) Shine (Thiago Antony Club Mix) – Years & Years 13) American Oxygen (Dario Xavier Remix) – Rihanna 14) Sparks (Danny Mart & Carlos Gomix Remix) – Hilary Duff 15) Firestone (Mark Alvarado Remix) – Kygo 16) We'll Be Coming Back (Fabio Codato Mix) - Calvin Harris feat. Example 17) Eyes (Abel Ramos Supper Club Remix) - Kaskade feat. Mindy Gledhill 18) You Are My Family (Toy Armada & DJ GRIND Anthem Mix) - Joe Gauthreaux feat. Inaya Day Upcoming Gigs: Oct. 18th — SIZE Sundays, Here lounge, West Hollywood Oct. 23rd — Stripper Circus, SHARE nightclub, Las Vegas Oct. 25th — Sunday Fun-Gay brunch, Greenleaf Hollywood, LA Oct. 30th — HALLOWEENIE X, The Majestic, Downtown LA Oct. 31st — HALLOWEEN NEW ORLEANS Nov. 8th — DESERT HEAT, The Saguaro Hotel, Palm Springs Pride Nov. 12th — Event (TBA, somewhere on the west coast!) Nov. 13th — Stripper Circus, SHARE nightclub, Las Vegas Nov. 26th — Thanksgiving Night event, (TBA, somewhere on the west coast!) Bookings: Michael Benedetti - michael@executiveprandtalent.com (206-915-9393) Twitter and Instagram: @DJBlacklow | www.facebook.com/DJBlacklow | www.soundcloud.com/DJBlacklow | www.mixcloud.com/DJBlacklow | www.hearthis.at/DJBlacklow

If you're on the west coast you know the band called  Luxxe. Described as Pop Folk Music straight from the desert heat they are seriously burnin' down the house on a stage somewhere nearly every night of the week. Once again we got lucky when they found Madame Perry on Twitter and shared a link to their music. When I produced a cable entertainment show I could predict which of my guests was going to be big. Luxxe is going to be big. Get to know them here, listen to their smokin' hot tunes and put them on your playlists. Band member roll call: Seth Smades- Guitar, Vocals Tracy Haddad- Bass Nullin Hasan - Keys, Flute Devon Quartullo- Drums   Theme music for Madame Perry's Salon, Miss E's Vacation, is written and performed by Denton Perry. Follow on Twitter @lonewolfjenn and on Facebook.        

19 APRILE 2015 Andrzej Korzyński - Third Part Of The Night Czolownica The Lucid Dream - Unchained Gnod & White Hills - Well Hang Goat - Hide From The Sun (Anton Newcombe remix) Spectres - Family Sonic Jesus - Triumph Hippies vs. Ghosts - Droogs Fogbound - Castles In A Sandbox Sundowners - Back To You New Candys - Overall The Chemistry Experiment - A Good Wind Desert Heat - Cat Mask At Huggie Temple

DJ Heat - Desert Heat Mix 1 (aired 7-30-2013) 1. Anthum - Team Jesus (Remix) ft. K-Drama and D-M.A.U.B. 2. G.O.M. - God Over Money Team Freestyle (Bizzle, Bumps INF, FLO, Selah the Corner) 3. Battleground City - Lower Case I 4. Transparent - One Way 5. D-M.A.U.B. - Back At It 6. Pray Area Movement - Like Him 7. W.L.A.K. - Coward (feat Alex Faith & Christon Gray) 8. Lecrae - Round of Applause ft. B.O.B 9. Andy Mineo - Uno Uno Seis (feat. Lecrae) 10. Lecrae - Fakin' (feat Thi'sl) 11. (Bonus) Mercy Diamonds & DJ Heat - God's is Gangsta HeadzUp FM - KHDZ Los Angeles, CA, USA web: www.HeadzUpFM.com "Heaven's Official Hip-Hop Radio Station" the FaceBook: http://www.facebook.com/headzupradio the Twitter: http://twitter.com/headzupradio the MySpace: http://myspace.com/headzupfm