Podcast appearances and mentions of Glen Keane

Giuseppe Castellano talks to The Bancroft Brothers about how they approach character design; which lesser-known animation greats deserve more love; what it means to animate from the heart; and more.Listen to The Bancroft Brothers Animation Podcast at bancroftbros.libsyn.com, or wherever you listen to podcasts.Artists mentioned in this episode include: Alex Hirsch, Peter de Sève, Carter Goodrich, Glen Keane, Gustaf Tenggren, Retta Scott, Floyd Norman, Hayao Miyazaki, Jin Kim, Bill Peet, Gene Deitch, Randy Haycock, Mark Henn, Eric Goldberg, and Stephen Silver If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Drew Taylor & Jim Hill start off this week's show by offering birthday greetings to a modern animation master. They then welcome Neil O'Brien, author of “After Disney,” to discuss what it was like to work on the Burbank Lot back in the Late 1970s / Early 1980s Throughout this episode, listeners will learn about: When did “BOOP: The Musical” do its out-of-town try-out in Chicago How long after Charles Dickens' death was his short story, “Life of Our Lord,” published When did Glen Keane first begin working at Walt Disney Animation Studio Which song from DreamWorks Animation's “The Prince of Egypt” wound up winning an Oscar Who did Andreas Deja share a room at Disney Studios with during the development of The Black Cauldron” Learn more about your ad choices. Visit megaphone.fm/adchoices

Drew Taylor & Jim Hill start off this week's show by offering birthday greetings to a modern animation master. They then welcome Neil O'Brien, author of “After Disney,” to discuss what it was like to work on the Burbank Lot back in the Late 1970s / Early 1980s Throughout this episode, listeners will learn about: When did “BOOP: The Musical” do its out-of-town try-out in Chicago How long after Charles Dickens' death was his short story, “Life of Our Lord,” published When did Glen Keane first begin working at Walt Disney Animation Studio Which song from DreamWorks Animation's “The Prince of Egypt” wound up winning an Oscar Who did Andreas Deja share a room at Disney Studios with during the development of The Black Cauldron” Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Stein, Atari's Encyclopedia Project   Bob Stein worked at Atari Research for 18 months beginning in 1981. He was hired by Alan Kay. He worked almost exclusively on an encyclopedia project, a potential collaboration between Atari and Encyclopaedia Britannica that never went anywhere.   I learned about Bob after he uploaded an item called The Atari Drawings to Internet Archive. It's a collection of nine colorful pencil drawings, drawn in 1982 by Disney animator Glen Keane. The drawings depict futuristic scenarios where people use a computerized encyclopedia to get information: for instance, "An earthquake wakes a couple in the middle of the night. The Intelligent Encyclopedia, connected to an online service, informs them of the severity of the earthquake and makes safety tips readily available." and "A mother and her children looking into a tidepool in Laguna ask the Intelligent Encyclopedia about the plants and animals that they see."   Bob described the collection of art in his introduction to the document:   "In 1982 executives from Warner, Inc., Atari's parent company, were scheduled to visit the Research Lab where the Encyclopedia Project was located. Brenda Laurel and I came up with these scenarios to give the execs a sense of what we were working toward. The drawings were made by Disney animator, Glen Keane.   When you look at these, remember they were made 16 years before Google and 12 years before Yahoo, even 8 years before the earliest web-based search engines.   That said, one of the most interesting things about these scenarios as seen today, is that with the exception of the image of the architect and the teacher none of them indicated any inkling that the most important element of the web to come was that it would bring people into contact with each other. What we see here is almost entirely people accessing content from a central server, no sense that we would be communicating with each other or uploading our own contributions to the collective culture. My own explanation for this lapse focuses on the print-era mentality that saw readers purely as consumers of content."   Bob saved and scanned a large number of materials from his time at Atari, and uploaded them to Internet Archive. In addition to the scans of Keane's Atari Drawings, the documents include memos about the encyclopedia project and a transcript of a 1982 seminar for Atari Research featuring Charles Van Doren. Check the show notes for those links.   After Atari, Bob was co-founder of The Criterion Collection, which restores and distributes important classic films; and co-founder of The Voyager Company, the first commercial multimedia CD-ROM publisher. In 2004, he co-founded The Institute for the Future of the Book, a think tank "investigating the evolution of discourse as it shifts from printed pages to networked screens."   This interview took place December 16, 2023.   Video version of this interview at YouTube   The Atari Drawings   ANTIC Interview 420 - Brenda Laurel, Atari Research   Whither The Encyclopedia Project - Atari Encyclopedia Project memos   Back to the Future -- In honor of Encyclopedia Britannica giving up its print edition (Wayback machine)   Stein Kay Atari Memos Pt 1   Stein Kay Atari Memos Pt 2   Exchange With Steve Weyer And J. David Bolter 1983   Hadley Letter 1980-12-01   Atari...Ifugao Question Journal, Michael Naimark   CVD Atari Seminar 20 December 1982   Encyclopedia And The Intellectual Tools Of The Future . . . November 1981   Bob Stein Archives at Stanford   The Digital Antiquarian — Bob Stein and Voyager   Charles Van Doren in Wikipedia   Bob Stein wants to change how people think about the book (2010)

Thailand's most popular party, which disbanded on Wednesday, is reconstituted as the People's Party. And the US becomes Germany's largest trading partner. We'll also check in with our correspondents in Ukraine and at Copenhagen Fashion Week. Plus: Disney animator extraordinaire Glen Keane.See omnystudio.com/listener for privacy information.

In this episode, I sit down with Glen Keane, a legendary 38-year animator and Academy Award winner behind beloved characters like The Little Mermaid, Aladdin, and The Beast. Glen shares stories about his family, his time at Disney, his collaboration with Kobe Bryant on "Dear Basketball," and how he skillfully weaves the gospel through his art. Join me for an inspiring conversation that delves into the heart of creativity and faith. Don't miss it!Social Media: Glen Keane Productions: https://glenkeaneproductions.com/Glen Keane Productions LinkedIn: https://www.linkedin.com/company/glenkeaneproductions/Glen Keane Productions Facebook: https://www.facebook.com/glenkeaneproductions/IMDB: https://www.imdb.com/name/nm0443855/bio/?ref_=nm_ql_1X: https://x.com/GlenKeanePrd Contact Glen Keane: contact@glenkeane.comSponsors:Saving Innocence: https://savinginnocence.orgRed Letter Challenge: https://redletterchallenge.comRed Letter Challenge Free Resources: https://redletterchallenge.com/free-resourcesBooks:After Amen Book: https://pastorrustygeorge.square.site/product/after-amen/157?cs=true&cst=customPurchase Rusty's Friend of God book: https://pastorrustygeorge.square.site/product/friend-of-god/155Episode 168: https://chrt.fm/track/D97B37/op3.dev/e/dts.podtrac.com/redirect.mp3/media.transistor.fm/1aca626a/1eafbeb0.mp3

The Rise of Glen Keane!  In this episode, the Brothers Bancroft discuss one of their favorite topics: the legendary animator Glen Keane!  But, they don't discuss the part of his career that is what eveeryone know him from - the The Little Mermaid to the present day- BUT they do a deep dive (okay, more shallow and not researched) in THE EARLY DAYS OF GLEN KEANE!  We talk about the first 4-5 films that he was involved in and how he got noticed at Disney.  This is the MAKING of Glen Keane episode!  You WILL learn something new!  

Lauren Hersey & Jim Hill start off this edition of “I Want That Too!” by talking about 90s Con. They then take a look at the merch that was offered at this year's International Flower & Garden Festival at Epcot Over the course of this episode, listeners will learn about: Which national tragedy tripped the original theatrical release of Disney's “Sword in the Stone” Who was originally supposed to be Mickey Mouse's neighbor in the original version of Toontown at Disneyland Park in Anaheim What was some of the corporations who originally signed on to be Walt Disney World sponsors How did Chuuby the bird in “Mickey & Minnie's Runaway Railway” get his name Which sequence from a Disney animated feature from the 1960s do John Lasseter, Glen Keane & Andreas Deja cite as a reason that they pursued careers in animation Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen along as we discuss Netflix's two hundred and ninety-sixth film, the 2020 animated musical ‘Over the Moon' directed by Glen Keane starring the voices of Cathy Ang, Phillipa Soo, Ken Jeong, John Cho, Ruthie Ann Miles, Margaret Cho and Sandra Oh.   Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'Have you eaten mooncake?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'Holidate', so check out the film before then. You can see the trailer here.    Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Karl Gnass is a master draftsman with an expert understanding of the human and animal forms. His grasp of movement, anatomy, and energy has made him an in demand advisor to an animation industry eager to infuse more authenticity into its character and creature designs. Gnass (pronounced guh-nahss) has developed facial anatomy and character expressions and consulted on anatomical authenticity for such films as I Am Legend, Watchmen, The Polar Express, Hollow Man, as well as Disney's Tangled and Moana. Of particular note, he developed the character expressions and anatomical breakdowns for Stuart and other animals in Stuart Little and Stuart Little 2, and creature breakdowns in Harry Potter and the Sorcerer's Stone.  Gnass has been at the forefront of helping animators translate drawing skills to new technology. Legendary Disney animator and Tangled co-director Glen Keane engaged Gnass to develop a Dynamic Figure for Maya class to help computer animators incorporate authentic movement with the then-emerging 3D rendering technology. In other industry arenas, Gnass has storyboarded for Disney Television Animation, and several of his figure drawings and paintings are in private celebrity collections. Gnass also served as a judge in choosing the film and TV storyboard artist and director nominees for the Annie Awards (animation's highest awards).Watch the Podcast on YouTube | Read the DiariesHost, Author of Diary of an Actress,. Executive Producer: Rachel BailitEditor, Producer : Max BugrovYouTube: @diaryofanactresspodcastInstagram: diaryofanactresspodcastTikTok: @diaryofanactresspodcastFacebook: diaryofanactress

Former Disney animator Aaron Blaise discusses his rapid journey to animating major characters at 21, losing his wife and leaving Disney, and starting an art education website to pass on artistic knowledge. Blaise also talks about his lifelong obsession with drawing animals, gaining inspiration from mentor Glen Keane, and the traditional hand-drawn animation process at Disney. Aaron Blaise - creatureartteacher.com Learn to Draw - www.proko.com Stan Prokopenko - instagram.com/stanprokopenko Learn more about your ad choices. Visit megaphone.fm/adchoices

By popular request!  The Bancroft Brothers are opening our archives to some of our most popular and hard to find classic episodes!  Our first “retro” release is Podcast 8- our first Glen Keane interview!  Enjoy hearing us geek out about Glen and his amazing career!

This week I sit down with Disney Director Gary Trousdale. Gary is Co-Director for Beauty and the Beast, Hunchback of Notre Dame and Atlantis. In this chat we talk about how he got on to Beauty and the Beast, Little Mermaid and working with Glen Keane, Howard Ashman and his brilliance and so much more. I hope you enjoy the episode! Follow Gary: https://m.facebook.com/526833352/ Follow Gary: https://www.garytrousdale1.comFollow and Subscribe to the What's In My Head Podcast across all social media platforms and wherever you listen to podcasts! Apple: https://podcasts.apple.com/us/podcast/whats-in-my-head-podcast/id1604643239 Amazon: https://www.amazon.com/Whats-In-My-Head-Podcast/dp/B09WZVF55F/ref=mp_s_a_1_3?keywords=Julian+Hester&qid=1660599356&sr=8-3 Facebook: https://www.facebook.com/nmyheadpod Google: https://podcasts.google.com/feed/aHR0cHM6Ly9tZWRpYS5yc3MuY29tL25teWhlYWRwb2QvZmVlZC54bWw Instagram: https://www.instagram.com/nmyheadpod Spotify: https://open.spotify.com/show/7lKoC7V7kfuNUhCxKZSxsL?si=MqtwMp2UTUmLdshs8_9d9Q Stitcher: https://www.stitcher.com/show/whats-in-my-head-podcast Twitter: https://twitter.com/nmyheadpod Youtube: https://www.youtube.com/c/WhatsInMyHeadPodcast/featured Don't forget to subscribe and follow us across all social media platforms.

October 24, 2022 - As global superstars put everything on the line for a special one-night-only concert, they face struggles both cultural and personal that threaten to dismantle one of the industry's hottest labels. Featuring a cast of K-pop and musical theater stars, with 18 Broadway debuts, KPOP is a multimedia experience that explores the relentless discipline, raw talent, and commercial ambition behind the international sensation. KPOP has the distinction of being the first musical on Broadway celebrating Korean culture and it is the third Broadway musical that highlights API heritage with API representation in the cast and creative team. Join us for a conversation with the creative team behind the scene and cast members as they prepare to make their Broadway debut. About the Speakers: HELEN PARK (Music & Lyrics, Music Production & Arrangements) is best known for her work as composer-lyricist and music producer for the upcoming Broadway musical, KPOP, for which she is a three-time Drama Desk nominee and recipient of a Lucille Lortel Award and Richard Rodgers Award. Additionally, Park co-wrote songs for the Oscar-nominated Netflix animated musical film Over the Moon, directed by Academy Award-winning animator Glen Keane. She holds an MFA from NYU's Graduate Musical Theater Writing Program and is an alumnus of the advanced BMI Lehman Engel Musical Theater Workshop. BOHYUNG (Tiny) is proud to be making her Broadway debut in KPOP. She is a veteran K-Pop star, debuting as a member of SPICA as well as performing as a solo artist. She has performed at KCON LA, KCON Abu Dhabi, Rainbow Festival, Immortal Songs, King of Mask Singer, amongst others. @bohyungkim KEVIN WOO (Jun Hyuk) is honored to make his Broadway debut in KPOP. As a successful Korean-American singer-songwriter and former member of K-pop boy band U-KISS, he dedicates this to his South Korean heritage. @kevinwoo_official For more information, please visit the link below: https://koreasociety.org/arts-culture/item/1623-kpop-the-broadway-musical

Episode SummaryIn pursuit of another Oscar-worthy animated feature, Disney chose a culturally significant protagonist and pumped up the romance for Pocahontas (1995).  Unsurprisingly, good intentions didn't prevent a group of white men from creating a hugely problematic film, rife with gross historical inaccuracies, racism, and misogyny! Pocahontas underperformed at the box office, and the only Oscar went to Alan Menken and Stephen Schwartz for best original song.Episode BibliographyAleiss, A. (1995, June 24). Maidens of Hollywood: Pocahontas is the pure expression of filmmakers' fantasies about Indian women. Los Angeles Times. https://www.latimes.com/archives/la-xpm-1995-06-24-me-16519-story.htmlAllen, B. (2013). Female leadership in Powhatan Indian tribes: Changes from first contact with the Europeans to the present day [Poster presentation]. https://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=1012&context=urespostersBodenner, C. (2015, June 30). Does Disney's Pocahontas do more harm than good? Your thoughts. The Atlantic. https://www.theatlantic.com/entertainment/archive/2015/06/pocahontas-feminism/397190/Bradley, D. (1995, June 23). Disney gives Pocahontas sexiest cartoon image ever. The Free Lance-Star, 26.Červinka, P. (2015, April 21). The making of Pocahontas — A legend comes to life. YouTube. https://www.youtube.com/watch?v=oJApIC4BIhMChief Roy Crazy Horse. (n.d.). The Pocahontas Myth. Powhatan.org. Retrieved June 15, 2022, from https://web.archive.org/web/20131024050146/http://powhatan.org/pocc.htmlChief Seattle Speech – The Suquamish Tribe. (n.d.). The Suquamish Tribe. https://suquamish.nsn.us/home/about-us/chief-seattle-speech/Cochran, J. (1995, June 16). Pocahontas needed an ethnic look. Entertainment Weekly. https://ew.com/article/1995/06/16/pocahontas-needed-ethnic-look/Custalow, L. L., & Daniel, A.L. (2016). The true story of Pocahontas: The other side of history. Fulcrum Publishing. Disney Magazine: Cast and Crew Interviews. (1995, July 31). The Waterfalls: A Pocahontas site. Retrieved June 19, 2022, from https://cbl.orcein.net/pocahontas/misc/interviews.htmDundes, L. (2001). Disney's modern heroine Pocahontas: Revealing age-old gender stereotypes and role discontinuity under a facade of liberation. The Social Science Journal, 38, 353-365. Dutka, E. (1995, June 11). The Angriest Actor: Native American activist Russell Means focused his fierce will at Wounded Knee. Can a revolutionary co-exist with 'Pocahontas'? Los Angeles Times. https://web.archive.org/web/20150524095505/http://articles.latimes.com/1995-06-11/entertainment/ca-11761_1_native-americanEbert, R. (1995, June 16). Pocahontas movie review & film summary (1995). RogerEbert.com. Retrieved June 15, 2022, from https://www.rogerebert.com/reviews/pocahontas-1995Ebert, R., & Siskel, G. (2019, January 6). Congo, The Glass Shield, Pocahontas, Fluke, 1995 – Siskel and Ebert Movie Reviews. Siskel and Ebert Movie Reviews. Retrieved June 15, 2022, from https://siskelebert.org/?p=3485Edgerton, G., & Jackson, K. M. (1996). Redesigning Pocahontas: Disney, the “White Man's Indian,” and the Marketing of Dreams. Journal of Popular Film & Television, 24(2). doi: 10.1080/01956051.1996.9943718Gilbert, S. (2015, June 23). Revisiting 'Pocahontas' at 20. The Atlantic. Retrieved June 11, 2022, from https://www.theatlantic.com/entertainment/archive/2015/06/revisiting-pocahontas/396626/Gleiberman, O. (1995, June 16). Pocahontas. Entertainment Weekly. https://ew.com/article/1995/06/16/pocahontas-4/Goldberg, E., & Gabriel, M. (1995). Pocahontas [Film]. Walt Disney Pictures. Green, R. (1975). The Pocahontas perplex: The image of Indian women in American culture. The Massachusetts Review, 16(4), 698-714. JSTOR. https://www.jstor.org/stable/25088595Kempley, R. (1995, June 23). 'Pocahontas': A hit or myth proposition. The Washington Post. https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/pocahontas.htm#kempleyKutsuzawa, K. (2000). Disney's Pocahontas: Reproduction of gender, Orientalism, and the strategic construction of racial harmony in the Disney empire. Asian Journal of Women's Studies, 6(4), 39-65. doi: 10.1080/12259276.2000.11665893Mallory, M. (2012, February 23). Pocahontas and The Mouse's Gong Show. Animation Magazine. https://www.animationmagazine.net/top-stories/pocahontas-and-the-mouses-gong-show/Ness, M. (2016, February 18). The uneasy mix of prestige and a cute raccoon: Disney's Pocahontas. Tor.com. https://www.tor.com/2016/02/18/the-uneasy-mix-of-prestige-and-a-cute-raccoon-disneys-pocahontas/Ono, K. A., & Buescher, D. T. (2001). Deciphering Pocahontas: Unpackaging the commodification of a Native American woman. Critical Studies in Media Communication, 18(1), 23-43. doi: 10.1080/15295030109367122Pewewardy, C. (1996). The Pocahontas paradox: A cautionary tale for educators. Journal of Navajo Education, (Fall/Winter). http://www.hanksville.org/storytellers/pewe/writing/Pocahontas.htmlPocahontas (1995 film). (n.d.). Wikipedia. Retrieved June 5, 2022, from https://en.wikipedia.org/wiki/Pocahontas_(1995_film)Rickey, C. (1995, June 11). Disney takes over N.y. park for premiere of 'Pocahontas' to Many, the four-screen event was woodstock for the family. philly.com. Retrieved June 15, 2022, from https://web.archive.org/web/20140728162302/http://articles.philly.com/1995-06-11/news/25692966_1_disney-standards-pocahontas-central-park-conservancyRickey, C. (1995, June 18). Disney's 'Pocahontas': Is it fact or fiction? What did she wear? Did she style her hair? Were she and John Smith a pair? philly.com. Retrieved June 11, 2022, from https://web.archive.org/web/20150626153346/http://articles.philly.com/1995-06-18/entertainment/25692271_1_pocahontas-irene-bedard-powhatan-confederacyRountree, H.C. (1998).  Powhatan Indian women: The people Captain John Smith barely saw. Ethnohistory, 45(1), 1-29. https://doi.org/10.2307/483170Rountree, H. (2020, December 7). Marriage in Early Virginia Indian Society – Encyclopedia Virginia. Encyclopedia Virginia. https://encyclopediavirginia.org/entries/marriage-in-early-virginia-indian-society/Sito, T. (1996). Fight to the death, but don't hurt anybody! Memories of political correctness. Animation World Network. https://www.awn.com/mag/issue1.7/articles/sito1.7.htmlSmith, J. (1624/1907). Generall historie of Virginia, New England & the Summer Isles: Together with the true travels, adventures and observations, and a sea grammar. Macmillan.Stack, P. (1995, June 18). Disney's new animated feature / Meryl who? Pocahontas has summer's steamiest romance. SFGATE. Retrieved June 11, 2022, from https://www.sfgate.com/entertainment/article/Disney-s-new-animated-feature-Meryl-Who-3030920.phpSteed, K. (2014, October 7). Interview with Glen Keane, Disney veteran and legendary animation artist (Part 1). Skwigly. Retrieved June 19, 2022, from https://www.skwigly.co.uk/glen-keane-interview/Sterbenz, C. (2014, April 5). The real story of Pocahontas is much darker than the Disney movie. Business Insider. https://www.businessinsider.com/the-real-story-of-pocahontas-2014-4Strong, P. T. (1995, June 30). Review of Pocahontas [Blog post]. Popular Culture and American Culture Associations/H-Net Discussion List.Ziebarth, C. (2005, December 19). A conversation with Eric Goldberg. Animated Views. https://animatedviews.com/2005/a-conversation-with-eric-goldberg-2/Thanks to Katie Seelen for her research assistance. 

The Bancroft Brothers go back to the "well" in this follow up to one of our most popular podcast subjects: Telling some stories about when we were at Disney in the 90s to 2000s.  In this episode, Tom finally tells his "Wedding story" that almost ended his marriage before it started and all of it was planned by Tony and the Disney crew!  Stay till the end when the brothers share their favorite Glen Keane moments too!  

No. 15: The Story of Disneyland auction; Glen Keane Contact us at comments@mousetalgia.com. Team Mousetalgia discusses the hobby of collecting Disneyana this week as we talk with Mike Van Eaton, the proprietor of Van Eaton Galleries, about his current exhibition titled "The Story of Disneyland," a massive auction of a single collector's treasure trove of nearly 1,800 pieces including Disneyland props, ephemera, souvenirs and memorabilia. Van Eaton discusses the exhibition, and also shares his personal story about getting into the animation art business, then passes on some tips for new collectors just getting into the hobby. Also, Jeff reports from the Walt Disney Family Museum on a talk featuring Disney animation legend Glen Keane, who animated characters including Beast, Ariel, Tarzan, Pocahontas, and more. Keane spoke about his animation background, his experiences at the Walt Disney Animation studio, his time spent with Walt's "Nine Old Men," and his latest project called "Duet," an interactive animated short created in conjunction with Google. Plus - the team talks about our favorite collectibles, a listener reports on a recent art exhibition - and more!

A l'occasion de la sortie de son 4e roman, Petiote, l'équipe d'Happy Hour reçoit Benoit Philippon, auteur et réalisateur pour parler de son travail autour d'un apéro. Et ensemble, on revient sur l'actu pop culture du mois. Programme : 00:00 Introduction 01:23 Petiote et le travail de Benoit Philippon (Roman) 52:40 Franz Ferdinand - Hits to the Head (Musique) 1:00:45 Dans les Bois (Série) 1:18:00 Severance (Série) 1:38:05 Euphoria (Série) 1:57:32 Jack White - Fear of the Dawn (Série) 2:13:45 Conclusion Lien utile  Le court métrage Nephtaly de Benoit Philippon et Glen Keane avec Marion Barbeau https://www.youtube.com/watch?v=wsQ4--X2ls4 Happy Hour est un podcast produit par CloneWeb et membre du Label Bonus Tracks. http://www.cloneweb.net https://www.bonustracks-podcasts.com/ 

Illustrator Wesley Layne is on the Creatively Christian podcast, interviewed by Brannon Hollingsworth. Brannon and Wesley chat about the value of constructive criticism, pricing yourself correctly, and overcoming fear as a self-taught artist. He also tells his personal story about how he decided to pursue creativity full-time, including tips for others on making the jump. After years of working different jobs, from fixing printers to being a licensed financial advisor, Wesley Layne made a calculated leap to pursue his passion for illustration in February 2021. Since then, his client work has ranged from illustrating children's book covers, to simple logos. Wesley is a self-taught artist and is constantly looking for new projects to challenge himself, grow his experience, and most importantly, honor God with his abilities. This episode can also be found on YouTube. Please consider supporting the show by going to https://www.patreon.com/creativelychristian. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliates, meaning we earn a commission if you buy through the link. Adventures of Adam Racoon by Glen Keane- https://amzn.to/3gPwryS [Affiliate]Will Terry's art channel - https://youtube.com/user/willterryart Learn More About Our Guest You can follow this guest on several platforms, including: Wesley's website - https://bluecollarillustration.comGab - https://gab.com/bluecollarillustrationInstagram - https://instagram.com/bluecollar1987Facebook - https://www.facebook.com/bluecollar1987Give to Wesley - http://liveglobal.org/wesley Credits This show is produced by Theophany Media. The theme music is by Bill Brooks and Andrea Sandefur. Our logo is by Bill Brooks. This show is hosted by are Brannon Hollingsworth, Andrea Sandefur, Dave Ebert, and Rachel Anna. Jake Doberenz produces. Follow Theophany Media and the podcast on Facebook, Twitter, or Instagram.

Episode SummaryJoin Erin and Rachel under the sea for the first princess film in 30 years! The Little Mermaid (1989) marked the beginning of the Disney Renaissance, a period of renewed investment in animation at the Disney Corporation. With musical numbers from Broadway dynamos Howard Ashman and Alan Menken, the film smashed the box office, but did Princess Ariel smash the patriarchy?Episode BibliographyAndersen, H.C. (1836). The little mermaid. Retrieved December 21, 2021 from http://hca.gilead.org.il/li_merma.htmlBarnd, N. B. (2013). White man's best friend: Race and privilege in Oliver and Company. In J. Cheu (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality and disability (pp. 67-82). McFarland.Bell, E. (1995). Somatexts at the Disney shop: Constructing pentimentos of women's animated bodies. In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 107-124). Indiana University Press. Clements, R., & Musker, J. (Directors). (1989). The Little Mermaid [Film]. Walt Disney Pictures.Cohen, C. (2013, September 24). Interview with Actor Samuel E. Wright: Little Mermaid, The Lion King, Dinosaur and more. YouTube. Retrieved November 20, 2021, from https://www.youtube.com/watch?v=Y06cu-PCI_ADavis, A. M. (2007). Good girls and wicked witches: Women in Disney's feature animation. John Libbey & Company.Ebert, R. (1989, November 17). The Little Mermaid. RogerEbert.com. Retrieved November 7, 2021, from https://www.rogerebert.com/reviews/the-little-mermaid-1989Hahn, D. (Director). (2010). Waking Sleeping Beauty [Film; Disney+]. Buena Vista Home Entertainment.Howard Ashman. (n.d.). Wikipedia. Retrieved November 14, 2021, from https://en.wikipedia.org/wiki/Howard_AshmanThe Little Mermaid (1989 Film). (n.d.). Wikipedia. Retrieved November 7, 2021, from https://en.wikipedia.org/wiki/The_Little_Mermaid_(1989_film)#cite_ref-WDFAtimeline_21-2MacKisack, M. (2021, June 26). How Disney artist Glen Keane draws when he has aphantasia. Fast Company. Retrieved November 18, 2021, from https://www.fastcompany.com/90649913/the-unusual-creative-process-of-the-artist-behind-the-little-mermaid-and-beauty-and-the-beastMaking The Little Mermaid. (2020). 80s Movies Rewind. Retrieved November 7, 2021, from https://www.fast-rewind.com/making_littlemermaid.htmMaslin, J. (1989, November 15). Review/Film; Andersen's 'Mermaid,' by Way of Disney. The New York Times. Retrieved November 7, 2021, from https://www.nytimes.com/1989/11/15/movies/review-film-andersen-s-mermaid-by-way-of-disney.htmlMcIntosh, N. (2018, July 17). The Making of the Little Mermaid 1989 - Treasures Untold - Retro N8. YouTube. Retrieved November 14, 2021, from https://www.youtube.com/watch?v=XdMMg6OSn1QMikkelson, D. (1996, August 2). Does the Minister in ‘Little Mermaid' Get an Erection? Snopes. Retrieved November 7, 2021, from https://www.snopes.com/fact-check/the-aroused-minister/Mikkelson, D. (1998, November 30). Was a Phallus Purposely Added to the Artwork for ‘The Little Mermaid' VHS Cover? Snopes. Retrieved November 7, 2021, from https://www.snopes.com/fact-check/phallus-purposely-added-artwork-little-mermaid-vhs-cover/Murphy, P. D. (1995). "The whole wide world was scrubbed clean": The androcentric animation of denatured Disney.  In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 125-136). Indiana University Press. Ness, M. (2015, December 10). Disney's Renaissance: The Little Mermaid. Tor.com. Retrieved November 14, 2021, from https://www.tor.com/2015/12/10/disneys-renaissance-the-little-mermaid/Neuwirth, A. (2003). Makin' Toons: Inside the Most Popular Animated TV Shows and Movies. Allworth Press. https://archive.org/details/makintoonsinside0000neuw/page/46/mode/2upOriginal Walt Disney Storyboard Drawing From The Little Mermaid featuring Ariel and the Shark. (n.d.). Animation Sensations. Retrieved November 18, 2021, from https://www.animationsensations.com/original-disney-production-drawing-ariel-wdpclm06-4Sells, L. (1995). "Where do the mermaids stand?" Voice and body in The Little Mermaid. In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 175-192). Indiana University Press. Siskel, G. (1989, November 17). 'Steel Magnolias' Uneven Version of Popular Play. Chicago Tribune. Retrieved November 7, 2021, from https://www.chicagotribune.com/news/ct-xpm-1989-11-17-8903100378-story.htmlTattoli, C. (2014, May 2). Disney's animated zombies: How classic stories are lost in reinvention. Salon. Retrieved November 7, 2021, from https://www.salon.com/2014/05/02/disneys_animated_zombies_how_classic_stories_are_lost_in_reinvention/Trites, R. (1991). Disney's sub/version of The Little Mermaid. Journal of Popular Television and Film, 18(4), 14-5-59.Variety Staff. (1988, December 31). The Little Mermaid. Variety. Retrieved November 7, 2021, from https://variety.com/1988/film/reviews/the-little-mermaid-1200427784/Wright, S. (2018, September 19). Disney's Fascination with The Little Mermaid. WDW Info. Retrieved November 18, 2021, from https://www.wdwinfo.com/disneylandcalifornia/disneys-fascination-with-the-little-mermaid/

Hey KidMin Creatives! This week we are taking a look at some of our favorite books for our Nursery, Preschool, and Early Elementary spaces at church! There are so many great books out there, so we wanted to give you our Top 5 books in three different categories: Nursery, Preschool, and Christmas. We'll also dive into some tips and tricks for using picture and board books in your ministry settings and how best to keep kids engaged while you read to them. Some of the books we mention in this episode: Frolic Books: https://www.wearesparkhouse.org/store/category/286738/Frolic Baby Believer Series: https://www.catechesisbooks.com/ Shh...Baby Jesus is Sleeping by Lisa Tawn Bergen: https://www.amazon.com/dp/0593232925/ The Christmas Quest by Janet Surette: https://www.amazon.com/dp/1087746418/ Cocoa's Cranky Christmas by Beth Hughes: https://www.amazon.com/dp/1400221943/ Tiny Blessings for a Merry Christmas by Amy Parker: https://www.amazon.com/dp/0762462094/ The Silent Noisy Night by Jill Roman Lord: https://www.amazon.com/dp/1535923733/ Adam Raccoon Series by Glen Keane: http://www.adamraccoon.com/ Deborah and the Very Big Battle: https://www.amazon.com/dp/1784985562/

First Draft Episode #336: Elissa Sussman and Arielle Jovellanos Elissa Sussman and Arielle Jovellanos, author and illustrator, respectively, of YA contemporary novel Drawn That Way. Elissa is also the author of Burn, Stray, and the upcoming adult novel, Funny You Should Ask. Arielle illustrated Evil Thing, a Cruelle de Ville backstory novel written by Serena Valentino, as well as graphic novel Black Star, written by Eric A. Glover. This episode is brought to you by Revision Season, a seven-week virtual master class in novel revision led by award-winning author Elana K. Arnold. The Fall 2021 Session of Revision Season will run Oct 10 – Nov 28, and enrollment is now open! Links to Topics Mentioned In This Episode: Hear Elissa's First Draft interview here Glen Keane, 38-year veteran of Walt Disney Feature Animation and creator of Disney characters such as The Little Mermaid, Aladdin, The Beast, Tarzan, and Rapunzel. Howard Ashman, Oscar-winning lyricist, playwright, and stage director who wrote the lyrics for The Little Mermaid Frederator, an independent animation and media studio who produced Adventure Time, Bee and PuppyCat, and Bravest Warriors Pendleton Ward, creator of Adventure Time LAIKA studios, an animation production studio that created Coraline (movie) The Avengers (movie) Chris Evans, actor who portrays Captain America Babs Tarr, American illustrator and comic book artist who drew a run for Batgirl for DC Annie Wu, American illustrator and comic book artist who drew a run of Hawkeye for Marvel Janelle Asselin, former editor of DC comics Kevin Wada, illustrator Fresh Romance, the anthology which includes Arielle's comic, “School Spirit” Percy Jackson and the Olympians by Rick Riordan The Heroes of Olympus by RIck Riordan Elizabeth Bewley, literary agent at Sterling Lord Literistic, Inc. Waking Sleeping Beauty (documentary) Janet Sung, illustrator, designer, colorist

After an accident, a jazz pianist desperately wants his situation to return to normal so he can enjoy the big career break he's finally received in Pete Docter and Kemp Powers' animated film SOUL. Also, a girl builds her own rocket ship and sets sail for a lunar landing in Glen Keane and John Kahrs' animated musical OVER THE MOON. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ SOUL clip courtesy Walt Disney Studios Motion Pictures OVER THE MOON clip courtesy Netflix Music: "Parasail" by Silent Partner Recorded December 14, 2020.

Glen Keane, a 38-year animator and Academy Award winner who created many beloved characters such as The Little Mermaid, Aladdin, The Beast, and more, joins Rusty on Leading Simple. They talk about everything from his family, time at Disney, animation, including working with Kobe Bryant on Dear Basketball, and how he weaves the gospel through his art.

In this episode of “Masters of the Craft,” author and screenwriter Brian McDonald is joined by animator and director Glen Keane, best known for his work on Disney classics like “The Little Mermaid,” “Beauty and the Beast,” “Aladdin,” and “Pocahontas.” Glen shares how he “taps into childhood discovery” to properly create his characters—and why he believes mentorship is foundational to animation.

In this episode of “Masters of the Craft,” author and screenwriter Brian McDonald is joined by animator and director Glen Keane, best known for his work on Disney classics like “The Little Mermaid,” “Beauty and the Beast,” “Aladdin,” and “Pocahontas.” Glen shares how he “taps into childhood discovery” to properly create his characters—and why he believes mentorship is foundational to animation.

Drugi odcinek Netflix Studio pt. ”Kto to narysował” to wejście w głąb animacji, które od ponad 30 lat rozgrzewają nam serca. Porozmawiamy z osobami odpowiedzialnymi za stworzenie tych baśniowych światów i postaci oraz podyskutujemy o tym, co sprawia, że nie możemy o nich zapomnieć. Gośćmi odcinka są: Szymon Biernacki, Marcin Jakubowski - Production Designerzy w The SPA Studios, współtwórcy filmu animowanego Netflix pt. Klaus Glen Keane - reżyser filmu animowanego Wyprawa na Księżyc, animator postaci w Walt Disney Animation Studios dla filmów fabularnych, takich jak Mała Syrenka, Piękna i bestia, Aladyn, Pocahontas, Tarzan i Zaplątani Jagoda Murczyńska - organizatorka Azjatyckiego Festiwalu Filmowego Pięć Smaków, z którą porozmawialiśmy o animacjach Studia Ghibli Prowadząca: Katarzyna Borowiecka

Gentenaar Marlon Nowe begon in 2006 te werken voor de Walt Disney Animation Studios, exact op het moment dat er sprake was de boel te sluiten. Maar onder leiding van nieuwe bazen - dezelfde van Pixar - kreeg de oerstudio weer zuurstof en werd er jong talent aangeworven, waaronder Marlon. Hij werkte onder meer op ‘Bolt', ‘Wreck It Ralph' en ‘Frozen'. Maar vooral op ‘Tangled' (bij ons uitgekomen als ‘Rapunzel'). Een film waar hij mocht werken met animatielegende Glen Keane. Een waarvan de nieuwe garde vooral wou vermijden een tweede ‘Chicken Little' te maken. Hij heeft het over het haar van Rapunzel dat altijd in de weg ligt, waarom ze een pan als wapen gebruikt, hoe hij Flynn Rider heeft benaderd als Indiana Jones, en de complimenten die John Lasseter hem daarvoor heeft gegeven. En toch besluit hij tien jaar later de studio te verlaten. Opnieuw met een spectaculaire passage voor plein publique, waarin hij The Walt Disney Company verweet zijn eigen waarden niet voorop te stellen voor zijn werknemers: namelijk familie voorop stellen. Vandaag is hij oprichter van online animation workshops bij Animsquad, opleidingshoofd van de animatietak van de Art Center College of Design in Pasadena, en hij werkte recent mee aan de videogame ‘Overwatch 2'. Oh, en het gaat ook even over de dingen waar België bekend om staat in Hollywood: bier, chocolade en... wapens van FN.

What do you get when you combine Disney royalty, like Glen Keane and Alan Menken, with groundbreaking computer generated animation technology? Why, 2010's Tangled, of course! Join us as we marvel at the depth and complexity of the hair technology used for this film, explore the history of "Girl in a tower" tales, and use Mother Gothel as a lesson in gaslighting, narcissism and emotional abuse. FUN! No, but really, this episode is a blast, and has one of the most fun GAME TIMES yet! Can you name movies in the style of "Tangled" and "Frozen?" Pick an adjective, and GO! Historical Links: https://atomtickets.com/movie-news/how-tangled-changed-disney-animation/ https://www.sciencefriday.com/videos/untangling-the-hairy-physics-of-rapunzel-4/ https://www.tor.com/2016/06/16/magic-and-choices-disneys-tangled/ https://aminoapps.com/c/disney/page/blog/the-making-of-tangled/5BM0_1MWtVuPmkMXzvVjJoWKxg4x3Eem0EQ https://en.wikipedia.org/wiki/Tangled https://www.cntraveler.com/galleries/2015-01-11/8-real-world-locations-that-inspired-disney-movies-frozen-brave-aladdin https://www.pookpress.co.uk/project/rapunzel-history/ https://en.wikipedia.org/wiki/Rapunzel Psychological Links: https://www.psychologytoday.com/us/blog/communication-success/201602/10-signs-narcissistic-parent https://www.psychologytoday.com/us/blog/here-there-and-everywhere/201701/11-red-flags-gaslighting-in-relationship https://www.youtube.com/watch?v=Efua__7B7j4&ab_channel=CinemaTherapy https://www.youtube.com/watch?v=lDJfoVWu3O0&ab_channel=TheFangirl --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

“You were my new dream.” Adina and Rachel celebrate their 30th episode, and finale of season 2, with Adina's pick, Tangled. Rachel pairs this classic German fairy tale with a traditional German varietal, a Riesling from Washington's Columbia Valley. Adina shares the surprising iterations of this movie before its final form, and Rachel shares insights from a gorgeous book called “The Art of Tangled.” Together they not only honor Glen Keane for everything he did to make this movie possible but they also enjoy how far they've come on their podcasting journey. So pour yourself a glass, light yourself a lantern, and rewind back to Tangled. Cheers! Website: www.disneyrewined.com Patreon: www.patreon.com/disneyrewined Instagram: www.instagram.com/disneyrewined Facebook: www.facebook.com/disneyrewined

Join along for The Rescuers podcast as we discuss Glen Keane, Trashy people, a Cruella Crossover and more in episode 214 of the Animation Addicts Podcast!  Find all the show notes and links at rotoscopers.com/214 Join the RotoNation community on Patreon and get ad-free episodes, exclusive content & more!  Follow us at Rotoscopers.com and on social media with Instagram and YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

The 2002 Disney science-fiction epic Treasure Planet (Ron Clements & John Musker, 2002) is the focus of Episode 78 of the podcast, which looks at the melding together of the Disney formula with space fantasy in this swashbuckling adaptation of Robert Louis Stevenson's 1883 adventure novel Treasure Island. Joining Chris and Alex for this bumper episode are two very special guests: Ron Clements and John Musker, who aside from writing and directorial duties on Treasure Planet are known as a filmmaking duo absolutely central to the renaissance of Disney animation in the 1980s and 1990s. They are the writers and directors of a number of Disney feature films, including The Great Mouse Detective (1986), The Little Mermaid (1989), Aladdin (1992), Hercules (1997), The Princess and the Frog (2009) and Moana (2016), as well as Treasure Planet, the Mouse House's 43rd animated feature film and one of the studio's rare turns to the codes and conventions of science-fiction storytelling. Listen as they trace the industrial origins of Treasure Planet and the film's initial pitching' to Disney chairman and chief executive Michael Eisner, Jeffrey Katzenberg, Roy E. Disney and Thomas Schumacher; the evolution of the story from Ron and John's early treatment to the first draft of the script; the nature of adaptation and the creative affordances of an animated re-telling; the ‘cyborgian' identity of Treasure Planet in its combination of traditional technique and digital processing (including its use of the digital painting tool Deep Canvas), and where the film's ethos of 'something old, something new' sits in relation to the landscape of Hollywood animation of the 1990s; the creative contributions of animator Glen Keane to the development of John Silver; and remembering the ‘tough period' for Disney Feature Animation that surrounded Treasure Planet's 2002 release and subsequent lukewarm critical reception.

How do I break into the film business? That is the number one question we get asked, so we figured maybe it was time to finally answer it. For the past few months, we've asked some of the top professionals in the fields of cinematography, animation, sound, producing, and directing how they got their start and the answers were surprising even to us!  "The world has a way of opening doors and closing doors on you. I basically ended up - through poverty and desperation - back in England as a news sound man, to begin with. Just trying to get a job anywhere I could. And [I] did freelance sound for the American networks for about a year. Which I was actually very, very bad at. And so it was kind of suggested that I do something else. And I kept telling the networks, 'well, I can shoot.' [Then] the Falklands war broke out in 1982 and there suddenly weren't enough cameramen in England to cover it. [So] they very reluctantly - CBS - moved me up to cameraman." —Sean Bobbitt, B.S.C. Many thanks to Sean Bobbitt, Kori Rae, Dan Scanlon, Peilin Chou, Glen Keane, Gennie Rim, Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett for sharing your superhero origin stories with us. If you enjoyed this episode, please let us know. We might just make this a recurring series! You can follow Glenn on http://twitter.com/glennkiser (Twitter) or you can leave us a rating & review on the https://podcasts.apple.com/us/podcast/sound-image-lab-the-dolby-institute-podcast/id1549901182 (Apple Podcasts app). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts) - https://linktr.ee/dolbyinstitute (https://linktr.ee/dolbyinstitute)  Connect with Dolby:  Visit the Dolby WEBSITE: https://www.youtube.com/redirect?event=video_description&v=OidX02HgXVs&q=https%3A%2F%2Fwww.dolby.com&redir_token=QUFFLUhqbTFWcXBKblltZi10VTZFRTBoVWJ1eGhKd2NvZ3xBQ3Jtc0ttdVdJbzhiTzdRd3ZFOHlsenZGelQ0Z1pDNEtoSDVLN2JXVjExODg1Y3pTaWNmTTFIWTh5UnBIM0dKWFhNMEROZjFOR21peVY3VHYyZnZUemZkaU1YN0ZfdE5VNEFIM0gtZUJWX2M2Qkdwd0pYb1ByYw%3D%3D (https://www.dolby.com)  Like Dolby on FACEBOOK: https://www.youtube.com/redirect?event=video_description&v=OidX02HgXVs&q=https%3A%2F%2Fwww.facebook.com%2FDolby%2F&redir_token=QUFFLUhqbUh3S2pEZTNyd3VQLWF1YlVPUXVvN185QXZUQXxBQ3Jtc0tuZEFCRV9ob2RFemZsWlNXMldiQ3dJUUxIRHkzeGhhUXRwekRUUk9hRGYyUE1DbDZFZmtwVE5KT0UtX2tHU3YxZmxHMERnLTUxbHRYSHBRZ3NVV1ZsUmZHdkZOcG56emdIQ0dLSDRReFk0TjNGSzh0cw%3D%3D (https://www.facebook.com/Dolby/)  Follow Dolby on TWITTER: https://www.youtube.com/redirect?event=video_description&v=OidX02HgXVs&q=https%3A%2F%2Ftwitter.com%2FDolby&redir_token=QUFFLUhqbnJjWFFqVDN0YmF5T3lIa1RYeDU3MnZHeUJGUXxBQ3Jtc0tucnFqb0paR01KQjBxSi1KVXI1UkRnanlxZ1RNQThSQ1pYZE53RUJzS0xuNjUxeTVIcVRLb2NMckl2cnZmdmI4VERVeU1PdVBQYjlwN0x4RGJqREhVVDc2RENZOUhDWXFJNy1HZ2VJdS00bXF4MGVSQQ%3D%3D (https://twitter.com/Dolby)  Follow Dolby on INSTAGRAM: https://www.youtube.com/redirect?event=video_description&v=OidX02HgXVs&q=https%3A%2F%2Fwww.instagram.com%2Fdolbylabs%2F&redir_token=QUFFLUhqbUlxNFZxUjFLM0k0TDZFS3dIOHFjTWc1NHQyQXxBQ3Jtc0tuQ3RGb2hJc0ZtSmg0eGNyaFNBWFQxbE1UWkRaaEU3ZWNSdF9DWmRxazNjbTlxazRBbnJMWXN0SzhPOWNzZkY2b2FMWGdodERhdWkyakItcnM5MU95MmFPblJmTFNRMElhY09POW16NkJ3QlZ2ZUJlcw%3D%3D (https://www.instagram.com/dolbylabs/)  Follow Dolby on LINKEDIN: https://www.linkedin.com/company/dolby-laboratories (https://www.linkedin.com/company/dolby-laboratories)

Be radically humble. Identify those people who have the right situational knowledge or experience or who sit in a position that you want to be in. To do that, you have to be one thing: radically humble. Realize that most people love to give. Most people freely give their advice to those that value it. Most people love to share their experience, their situational knowledge. Even their relationship capital— most people love to give to those they emotionally connect with. The reason they love to give is ego based. It's really not a humble thing at all. They feel separate or superior when they're giving, and in a scarce world, they feel better about themselves when they give. You can always identify humble people because not only can they give unconditionally (without expectation or trading) but they can also ask for help. When it comes to humility, I like to talk about how the practice of humility opens your world to new skills and knowledge, key components for people who strive for great-ness in their decision making. Take Kobe Bryant, for example. Most know him as one of the best scorers in NBA history, a champion by any definition of the word. But Bryant did not let his previous successes cloud his judgment when starting the media portion of his career. He was humble enough to call upon others who had different skill sets and a different knowledge base, and that's why his early forays into media, such as his Oscar Award–winning short film Dear Basketball, have been such a hit with audiences. In an interview with Jimmy Fallon on The Tonight Show, Bryant shared the simple, humble way that he was able to attach such respected names as composer John Williams and animator Glen Keane to his project: he asked. As Bryant told the audience, when it comes to learning any skill or gaining knowledge when you are unsure, “the best way to learn is to reach out and ask.”1 Even one of sports' all-time greats understands that the practice of humility will help leaders avoid the traps that their egos are apt to send them into. Tweet me @davidmeltzer your favorite takeaway from today's episode and come ask me questions live every Friday at 11:00 am PST / 2:00 pm EST. Text me at (949) 298-2905 or email me at david@dmeltzer.com to join! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Diane and Sean discuss Disney's first PG-rated "princess movie", Tangled. Episode music is "Something That I Want", by Grace Potter, from the OST.-  Our theme song is by Brushy One Stringhttp://www.brushyonestring.com-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublichttps://www.teepublic.com/stores/why-do-we-own-this-dvd?ref_id=21424-  Follow the show on social media:-  IG: @whydoweownthisdvdhttp://www.instagram.com/whydoweownthisdvd-  Twitter: @whydoweownthis1http://www.twitter.com/whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantshttp://www.instagram.com/lookitmahplantsSupport the show (https://www.buymeacoffee.com/dvdpod)

Do you know your purpose in life? Are you fulfilled? Dave Jewitt developed a process called Your One Degree that helps men discover just that. He has coached men at the top of their field, including Glen Keane, considered the top animator of all time, to have greater impact and fulfillment by focusing on the talents, passions and interests that God has given them.  He has a remarkable story that outlines how he is able to coach men for free, and was generous enough to give us his direct email. If you are in this place of wanting to find your purpose, you can connect with Dave at dajewitt1@gmail.com. You can also reach out to me with any questions you might have: Instagram: @nathanroypeterson facebook: @themanalivepodcast

Welcome to Episode 1 of the Asian American History 101 Podcast. In this episode, co-hosts Gen & Ted Lai introduce ourselves before diving into the main segment on Who are Asian Americans? We end with a segment about what we're reading and watching from Asian American creatives and artists. A few of the things we mentioned we're reading: Ornamentalism by Anne Anlin Cheng. Find it on Apple Books or Amazon. The Third Degree by Scott Seligman. Find it on Apple Books or Amazon. A few of the things we mentioned we're watching: Over the Moon by Glen Keane, starring Cathy Ang, Phillipa Soo, and Ken Jeong Never Have I Ever by Mindy Kaling, starring Maitreyi Ramakrishnan, Poorna Jagannathan, and Richa Moorjani The Broken Hearts Gallery by Natalie Krinsky, starring Geraldine Viswanathan, Dacre Montgomery, and Utkarsh Ambudkar

In this episode, I review the film Over The Moon and recap what season 2 of the podcast has been like for me. Production Companies Netflix Animation Pearl Studio Dentsu Entertainment Sony Pictures Imageworks Glen Keane Productions It is the first international film to be directed by Keane, who served as an animator for Walt Disney Animation Studios; and the second film produced by Pearl Studio, after DreamWorks' 2019 animated film Abominable.  Directed by Glen Keane and co-directed by John Kahrs is an American animator, author, and illustrator. He was a character animator at Walt Disney Animation Studios for feature films including The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan, and Tangled. ----- Movie trailer https://www.youtube.com/watch?v=26DIABx44Tw One Small Step Film https://vimeo.com/255698341 ----- Hosted by: Monique Henry-Hudson #Simplyrobotixpod Twitter - https://twitter.com/SimplyRobotix Instagram - instagram.com/simplyrobotix/ Simplyrobotix.com Wish List https://www.amazon.com/hz/wishlist/ls/CIZZATRYQSAG?ref_=wl_share Discord Link https://discord.gg/C6HDucx4 Patreon Link https://www.patreon.com/simplyrobotix --- Send in a voice message: https://anchor.fm/simplyrobotixpod/message Support this podcast: https://anchor.fm/simplyrobotixpod/support

Glen Keane animated lead characters in Beauty and the Beast, The Little Mermaid, Pocahontas and many other classic Disney characters as he became a master of his craft. With his signature enthusiasm and optimism, Keane tells us the story of how this background led him to eventually directing his first feature film for Netflix: the heartwarming Over the Moon. Of course Keane had already become a director in his own right, winning an Oscar in 2018 for his short Dear Basketball, a collaboration with the late, great legend Kobe Bryant. Keane discusses his unique, inspired collaboration with Bryant in the intimate setting of his home animation studio. Don't miss this rare chance to hear insights from one of the masters of the craft. Also, Over The Moon is currently streaming on Netflix, go check it out. More about animation below! How Disney's Iconic Multiplane Camera Changed Animation How 'The Land Before Time' Made It Okay for Kids to Cry Again Watch: Preview the 10 Enchanting Animations Shortlisted for the 2018 Oscars How to Shoot Stop Motion at Home 'Spider-Verse' Director Reveals How You Can Survive Studio Politics Learn more about your ad choices. Visit podcastchoices.com/adchoices

Confira os destaques do caderno Na Quarentena desta segunda-feira (26/10/20)See omnystudio.com/listener for privacy information.

The Sports Movies Tournament of Champions finale is here – after watching and bracketing ~300 sports movies over the past ten months, it all comes down to the remaining 16 movies as they contend for the crown of best sports movie of all time. Here is the tourney bracket updated through Sweet 16. Here is the clean bracket from the start of the 64-movie tourney. Our guest judges for the finale are two baseball savants and movie experts, Will Leitch (@williamfleitch) and Cliff Corcoran (@CliffCorcoran). Cliff was the overwhelming choice of listeners to return after joining us for the Balboa Region. Make sure to check out his baseball writing at The Athletics, Baseball Prospectus for his upcoming series on baseball movies, as well as his collaboration on the baseball podcast, The Infinite Inning. The founder of Deadspin, Will's comments on sports, movies and culture at large can be found at New York Magazine, MLB.com, the Grierson & Leitch Movie Podcast, as well as his personal website. Don't miss Will and Tim Grierson's write-up in Vulture of the 50 best sports movies. Check out our podcast for episodes covering the earlier rounds in this tourney, as well as the episodes devoted to movies for each sport – baseball, basketball, Olympics, boxing and so much more. To nerd out, you can see the full movie list here, including the results, rankings and critics grades for all the sports movies we watched over the last year. Outré: "Dear Basketball" (2017) Kobe Bryant, Glen Keane, John Williams

Artista, Gaditana, y nominada a «ilustradora bella», Laura es la autora de mi nueva caricatura.Influenciada por disney, Glen Keane, japon y las PinUps, hacen que Laura García o «Dennia» puedan hacer realidad sus ilustraciones con su propio estilo. Su blog es un torbellino de arte de varias influencias que transmite en cada una de sus lineas que acompañan a alguna de sus creaciones. Cuando contacté con ella hace unos meses, nadie sabia todos los cambios que Laura iba a experimentar, cada mensaje de contacto era el capitulo nuevo de una novela! jajaja, para conocer los detalles, tendréis que escuchar el podcast que acompaña a éste articulo. Mi caricatura es un personaje con el que me siento totalmente identificada, vaya, que si tuviese que hacer una película de animación sobre mi, ya tendría el personaje totalmente definido! En sus detalles está la personalidad de su creadora, detalles que van al milímetro, desde el pañuelo del cuello, el iPhone plata, el detalle de las gafas, el corte del pelo, la faldeta, las botas, incluso el pebble, el anillo, y la pulsera que suelo llevar que me regalaron para mi cumpleaños! Es perfecta para definirme mas disney y Dennia que nunca! Además… me encanta la expresión de la cara y la forma de la nariz, estoy segura de que quien me conozca de verdad no podrá negar que Dennia ha sabido extraer en lineas de ésta caricatura, toda mi esencia! Además, adoro Disney, y verme transformada en un personaje me hace sentir… tan… no sé… no puedo describirlo! Laura o Dennia, además es una chica humilde y llena de sorpresas, para ello, aquí os regalo la entrevista escrita y el podcast al que podéis dar al PLAY aquí o escucharlo directamente desde iTunes o iVoox. --- Send in a voice message: https://podcasters.spotify.com/pod/show/labischita/message

In today's show, we will demonstrate how Disney is good at making you cry and smile at the same time, who never sang: "Hakuna Matata is beautiful to say, Hakuna Matata will understand ..." Yeah, the Disney classic songs pass from generation to generation and we are not tired of listening to them, for this we have brought passionate people to talk about unforgettable songs that have marked their childhood and mark you until today. Come and be thrilled and reminiscent of classic Disney songs and movies, we talk about the curiosities behind the movies, songs and about the composers. We talk about the emotions we feel when we listen to the songs and when we watch the movies. "Beauty and the Beast - Feelings are ..." https://www.youtube.com/watch?v=qOvmpZuYoys "Cinderella - Bibidi Babidi Bo" https://www.youtube.com/watch?v=ZQoBfg0EU40 "A Dream Is A Soul's Desire" https://www.youtube.com/watch?v=ilv7ZbZEn2M "Snow White and the Seven Dwarves (I go)" https://www.youtube.com/watch?v=w_lIfw-YaRI "Mogli - The Wolf Boy - Only the Necessary" https://www.youtube.com/watch?v=oItdtxDggn4 "Mogli - The Boy Wolf - Trust in Me" https://www.youtube.com/watch?v=VEgkBetZY-M "Tarzan - You'll be in my heart" https://www.youtube.com/watch?v=qZSwuz7BMgA "The Lion King - Hakuna Matata" https://www.youtube.com/watch?v=q9TyHwBEWlo "The Lion King - What I Want Is More Being King" https://www.youtube.com/watch?v=bDLJJHnKd-w "The Lion King - The Cycle of Life" https://www.youtube.com/watch?v=in3iOKtZD5w "The Lion King - Dance of the Hula, Timon and Pumbah" https://www.youtube.com/watch?v=XZvbYxhpIsQ "The Little Mermaid (Here at sea)" https://www.youtube.com/watch?v=OXZLzieBYXM "Mulan - I'll make a man out of you" https://www.youtube.com/watch?v=d6IYt2qMj1A "Pinocchio - When You Wish Upon a Star" https://www.youtube.com/watch?v=0oyxywZJsIs 'Waking Sleeping Beauty' - Howard Ashman, Jodi Benson & Glen Keane. https://www.youtube.com/watch?v=y04xePQaDgA https://www.youtube.com/watch?v=l70W1cYZeRA Participants: Eloi , Jujuba , Renatinha , Ck and Jack . Join #SetCast, leave your  review comments (I.e. DO NOT LEAVE TO ACCESS [LINK] Facebook - NoSet Page [LINK] NoSet Twitter Duration:  as far as you can hear! SIGN NOSET AT ITUNES Access here:  https://itunes.apple.com/podcast/setcast/ DO YOU WANT THE FEED TO ADD TO YOUR ANDROID OR WINDOWS PHONE? Add Our  Feed SUGGESTIONS, CRITICS AND QUESTIONS Send e-mails to:  contato@noset.com.br Android app tips!  - Then click on  Feed !

Guest: Glen Keane, author and artist, The Adventures of Adam RaccoonFathers, do not provoke your children to anger, but bring them up in the discipline and instruction of the Lord. Ephesians 6:4We hope you are having a meaningful Thanksgiving weekend, thanking God for His abundant blessings on our land and your home.As families get together at Thanksgiving and Christmas, let's be reminded that the Christian call to discipleship starts with the children and grandchildren in our own homes. Scripture is replete with exhortations to train and teach our children about God and His Word (e.g. Deuteronomy 6:4-9, Proverbs, Ephesians 6:1-4).This aligns with our mission at The Christian Worldview and so we like to feature programs, guests, and sound biblical resources that will help all of us raise our children and grandchildren “in the discipline and instruction of the Lord” (Ephesians 6:4).This weekend, we will be joined by Glen Keane, who has animated some of the most well-known characters in Disney films such as The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan and Tangled.A follower of Christ, Keane is also the artist and author of an excellent eight-book children's series entitled, The Adventures of Adam Raccoon. Each book features a parable based on Scripture and the relationship between a lion named King Aren (Jesus Christ) and a raccoon named Adam (us).

We speak with legendary Disney animator, Glen Keane, about his years at Disney, taking up the torch from the fabled "nine old men" and carrying it through an amazing career that touched such features as The Rescuers, The Little Mermaid, Beauty and the Beast, Aladdin, Tarzan and Tangled, and his recent work with Google. These decades saw disruptive technological leaps from analog to digital and beyond, and we discuss the nurturing of creativity amidst such change.

http://thesparkandtheart.com/137 – We talked to animator Andrew Ford a couple years ago and the theme of that episode was Reach your goal and keep learning. Andrew's goal was to work at Disney and now that he's done it you can hear how his philosophy hasn't changed. Even after getting to Disney he still want to just get better.  **- Links for this episode -**Andrew Ford - http://www.cbc.ca/news/canada/saskatoon/saskatchewan-animator-andrew-ford-disney-1.3936095Glen Keane - https://en.wikipedia.org/wiki/Glen_KeaneMilt Kahl - https://en.wikipedia.org/wiki/Milt_KahlEric Goldberg - https://en.wikipedia.org/wiki/Eric_Goldberg_(animator)Mark Henn - https://en.wikipedia.org/wiki/Mark_HennRandy Haycock - http://disney.wikia.com/wiki/Randy_HaycockJohn Musker - https://en.wikipedia.org/wiki/John_MuskerMari-Mac by Great Big Sea - https://www.youtube.com/watch?v=3AT07v9V4-wPatio Lanterns by Kim Mitchell - https://www.youtube.com/watch?v=SbSuEQXX2C0 

For over 50 years, the Children's Hospital of Orange County has provided state of the art pediatric care to children throughout Southern California. Walt Disney himself was among the many community leaders who championed the need for an area children's hospital in the early 1960s and helped make it a reality. CHOC Children's, as it's known today, has grown from a 62-bed children's hospital into a complete pediatric health care system with numerous facilities serving multiple counties. CHOC Children's has been recognized nationally for both its critical care and nursing excellence. Each year, the Disneyland Resort partners with CHOC Children's to put on the CHOC Walk in the Park, the largest single pediatric fundraising event in the country. It's a three-mile stroll through Disneyland, Disney California Adventure and Downtown Disney that draws thousands of participants annually. Since 1990, the CHOC Walk has raised over $24 million to support the health and well-being of children. Joining Tim in The Mouse Castle Lounge today is Zach Abrams, director of special events and corporate relations for the CHOC Children's Foundation. He's going to tell us everything we need to know about this year's event coming up on October 11th. Before we get to Zach, though, Tim wraps up part two of his fascinating conversation with author, historian and former Disney animator Tom Sito. Last week, Tom shared stories about his memorable animation career, where he worked alongside many of the greats including Richard Williams, Shamus Culhane, Art Babbitt, Glen Keane and Eric Goldberg. Tom appeared recently on the PBS American Experience documentary “Walt Disney” and last week he talked at length about the documentary and its portrayal of Walt, his life and his legacy. Tim and Tom pick up that part of the conversation by looking at one of more persistent—and false—rumors that continues to dog Walt Disney's reputation.  www.TheMouseCastle.comRSS Feed: http://themousecastle.libsyn.com/rss

  For ten years in the 1970s and 80s, Steve Hulett was a story man at Disney Animation, following in the footsteps of his father, longtime Disney artist Ralph Hulett. Steve was with the company during the most unique of times, the period after Walt Disney's death--when his company was struggling to find its identity--until it came back in a big way under the leadership of Michael Eisner, Jeffrey Katzenberg and Frank Wells. It was a time when the old guard of Disney animation, the Nine Old Men, were making way for the new blood of Disney Animation, people like Glen Keane, Don Bluth, John Lasseter and Tim Burton.  In his book, "Mouse in Transition," Steve Hulett tells candid tales about his years at Disney where he worked on such films as "The Fox and the Hound," "The Black Cauldron" and "The Great Mouse Detective." In addition to recalling the creative work, Steve shares plenty of stories about the office politics and ego clashes that went on behind the scenes. In part one of Tim's conversation with him today, Steve touches on a few of those stories, as well as a memorable encounter with Hollywood legend Mickey Rooney.  www.TheMouseCastle.comRSS Feed: http://themousecastle.libsyn.com/rss

Glen Keane is a gifted animator, filmmaker and Disney Legend. Most importantly, though, the man who brought to life such great characters as Ariel, the Beast, Tarzan, Pocahontas and Ratigan is an artist. After 40 years in animation, he remains passionate and humble about his craft and takes no time to rest on his laurels. Still championing hand-drawn animation while embracing new animation technology, Glen has animated and directed "Duet," a short film that's been nominated for an Annie Award and could be nominated for an Oscar. Tim Callaway talks to Glen about "Duet" and his legendary career at Disney. www.TheMouseCastle.com