Podcast appearances and mentions of Grace Jones

Parshat Toldos is not just the story of two brothers. It's a blueprint of history, and a mirror of the times we're living through right now. The Torah tells us that even before Yaakov and Eisav were born, they were already struggling inside their mother. This was the very first expression of two completely different ways of looking at existence. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

A life bound to Hashem does not end; it merely changes form. What appears as an ending is, in truth, a revelation of what life always was — attachment to eternity. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Après avoir longtemps écouté le " Nightclubbing " de Grace Jones, Sandor sʹest retrouvée sous les projecteurs avec " Bar de nuit ". Loin des lieux interlopes où la musique sʹécoute en dansant, elle revient avec un album piano-voix titré " Antichambre ", une relecture sans artifices des morceaux qui en ont fait une des artistes romandes que la francophonie nous envie.

Label: Island 99963 djYear: 1982Condition: MLast Price: $12.50. Not currently available for sale.This is a new, unplayed promo copy, in its original Island Records factory sleeve. There were so many really, really great funk grooves laid down in the early 1980s! Where did they come from, and where have they gone? This one was from the amazing, rarely heard followup to Jones' hit "Pull Up To The Bumper," and really socks it to ya. It's another rare example of a woman basically telling her man to take a hike, and tough if he don't like it. :-) This promo has the "Short" edit of the 5:55 album track on one side (which is what appears on retail copies) and a somewhat longer "Long" edit unique to the promo on the other. Note: This 45 record has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio). By the way, the audio is awesome... taking full advantage of the 45's ability to store so much more waveform information because of its faster spin and smaller diameter. (See our online book, "The Joy of 45 Collecting," for details.) The sound is very loud but crisp and clear as can be.

Vi berättar om vinnarna från Prisma Litteraturpris som hölls i lördags, samt om evenemanget "Tillsammans mot Tidöregeringens migrationspolitik - Migration Scholars in Global Solidarity" igår (11/11) och vi tipsar om Arbetarfilmfestivalen (Nordic Labour Film Festival) som äger rum nu i helgen. Och så blir det Nyheter och fler tips i Det händer förstås! Länk till namninsamling: https://www.mittskifte.org/petitions/stoppa-forslaget-om-att-omvandla-permanenta-uppehallstillstand-till-tillfalliga Filmfestivalprogrammet: https://www.nlff.se/wp-content/uploads/2025/11/NLFF-2025-SCHEMA-ALLA-DAGAR-2025-11-09.pdf Musik i programmet: Ice Ice Baby, Vanilla Ice Blood, Butch Baby 9 to 5, Dolly Parton Arthouse, Nemo La Vie En Rose, Grace Jones

Mark and Kenny celebrate the end of Season Seven with a wide-ranging conversation about the Rebel Heart Tour - and it's Heart Rebel companion, Tears of a Clown. Topics include Q-Tips, thumb ailments, the comment flurry, Saturday Night Online, bathrooms, Grimes, ART, Billions, Bar Six, diehard fan finances, Kyle Richards, Kevin Antunes, Semtex Films, Michael Jackson, cages, union rope pullers, distancing vocals, Shogun, the Monte mullet, postulants and prophets, the power of red, leather caps and chiseled abs, pretzels, ukuleles, reuniting with Sean Penn, One Battle After Another, John Mulaney, the delight (and danger) in revisiting the hits, spiral staircases and subway escalators, casseroles, Cirque du Soleil and ABBA, cape nods, cafeteria politics, the MEDLEY, boxing in Detroit, David Bowie, Let's Dance, Labyrinth, Mick Jagger, Annie Lennox, detours, Paris, clowns, cast albums, Jerry Lewis, Grace Jones, deep cuts, cosmopolitans, Charlie Chaplin, thinking about Mirwais, raising money in Miami, covering Britney Spears, disrespectful fans, sandwiches, Valencia Gamble, flappers and scene work, slides, Edith Piaf, suffeRING, special guest bitches, flags, a special visit to Minneapolis, and how Madonna uses her speech at the Billboard Women in Music awards to begin to define her future. PLUS – the grading system returns, Kenny has a brand-new podcast idea, Mark brings back the Tribal Talking Stick, and Madonna takes to the streets with her guitar. “Joan of Arc said I could do it ALL!” Special Thank You to Simon Delaney for his Tears of a Clown memories. Dedicated to the memory of the brilliant and life-changing David Bowie.Rebel Heart Tour video directed by Semtex Films (2016)Rebel Heart Tour video directed by Billy “BigasBilly” Riegelmann

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kan vist godt tillade mig at karakterisere 'Sejrstimen' som generelt seriøs i både temaerne, numrene og oplæggene. Men denne uge tager jeg en afslappende "pause", for her handler det kun om en lille finurlighed som fællesnævner. Der er simpelthen tale om, at alle temaet's titler også er navnene på en anden gruppe end dem jeg faktisk spiller. Vil først nævne dagens aktuelle artister og derefter titler, så kan I selv teste, hvad passer sammen (og evt. kendes) ARTISTER: Alphaville, Laurie Anderson, Bel Canto, Betty, Bowie, Bryan Ferry Orchestra, Coldplay, Marianne Faithfull, Peter Gabriel, Genesis, Grace Jones, Led Zeppelin, Marillion, Moloko, Muse, The Nits, Simon & Garfunkel, David Sylvian + Yello. TITLER (+ bands): Alphaville, America, Ballet Mecanique, Blink, Darkness, Enigma, Explorers, Fashion, Gangway, Gazpacho, Kashmir, The Knife, Love & Money, Poison, Red Guitar, Rolling Stone, Rush, The Tender Trap + Yes.

Paris-born Wally Badarou traces his ancestry to Benin, West Africa—but he is thoroughly and unmistakably French. When it comes to music, however, his inspiration reflects a rich blend of international influences. A pioneering keyboardist, producer, and session musician, Wally has long embraced technology as an integral part of his creative process—one of the key motivations that led him to collaborate with the band Level 42. If you've heard their music, you've heard Wally's touch: his musical structures, melodies, and productions are woven into many of their biggest hits. Although he was never an official member of the band, he co-wrote many of their more prominent songs, shaping the band's signature sound. Beyond that, his remarkable career includes collaborations with legends such as Herbie Hancock, M, Talking Heads, Grace Jones, Robert Palmer, and many others. It's the story of a truly global musician—one who views music through an international lens. Inside MusiCast proudly welcomes Wally Badarou.

How to be the perfect host. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

CAS founder Colleen 'Cosmo' Murphy and French-African musician, producer and songwriter Wally Badarou explore his cult classic 1984 solo LP 'Echoes' in this podcast in an interview taken from a Classic Album Sundays event at KEF Music Gallery.Badarou's 1984 solo LP features Balearic and club classic ‘Chief Inspector' and ‘Mambo', memorably sampled by Massive Attack on their classic single ‘Daydreaming'. They discuss Badarou's illustrious career as a de facto member of Level 42, his collaborations and productions with Marianne Faithfull, Fela Kuti and Salif Keita, and his run as a member of Island Records' Compass Point All-Stars for which he performed on records by Grace Jones, Talking Heads, Mick Jagger, Gwen Guthrie, Robert Palmer and Sly & Robbie amongst many others. He also scored music for films including Kiss of the Spider Woman and more recently the award-winning documentary Dahomey.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Nick and Evan are getting spooky and sinking their prepubescent commentary fangs into Vamp! Grace Jones! That poor man's George Clooney/Luke Perry mashup guy! An Asian guy you might remember from the 80s! Enjoy!

Wolfgang Valbrun Wolfgang Valbrun é um cantor e compositor nascido e criado no estado de Nova York, cuja carreira musical floresceu na Europa, particularmente em Paris, França.Sua educação musical veio de sua mãe com os sons icônicos de Bob Marley, Bobby McFerrin, Billy Joel, Elton John até o estilo eclético de Charles Aznavour e Grace Jones, tudo infundido com um toque de Kompa, um fascinante sabor musical haitiano.Seus primeiros anos foram marcados por períodos tumultuados, pois ele se mudava regularmente entrediferentes países. Foi para Paris na adolescência, e sua vida tomou um rumo decisivo. A transição para uma nova cultura e ambiente exigiu adaptação, deixando para trás os marcos familiares;guiado pela mão encorajadora de seu primo mais velho, ele se afastou do rock americano e mergulhou no mundo cativante do soul, jazz e música brasileira. Artistas como Erykah Badu, The Roots, Seu Jorge deixaram muito em sua música. Com o fim do ensino médio se aproximando, Wolfgang buscou uma mudança de ares. Passou um ano na Venezuela, onde as batidas encantadoras da salsa, o balanço rítmico do merengue, a vibrante cumbia e as cadências deliciosas do calipso o encantaram.Ao retornar à França, fez um teste para integrar a banda de funk parisiense "Marvellous", onde conheceu Thierry Lemaitre, com quem compõe e toca desde então. Wolfgang conheceu seus futuros companheiros de banda, James Graham e Adam Holgate, tocando ao vivo com uma banda de soul britânica chamada Hannah Williams & the Tastemakers. A compositora e líder da banda, Olive Mondegreen, convidou Wolfgang para integrar seu novo projeto, "Ephemerals", como vocalista principal.O Ephemerals gravou seu primeiro álbum em sete dias em um estúdio londrino e o lançou de forma independente, só assinando com uma gravadora quando o álbum já estavadisponível e havia conquistado uma base de fãs entusiasmada. O álbum Nothin Is Easy, conta com o neo soul clássico e um elemento-chave: emoção. Mais três álbuns efêmeros se seguiram — cada um deles um movimento corajoso e desafiador.2020 trouxe novos desafios para todos os músicos, levando Wolf a repensar sua trajetória musical. Incentivado por seus companheiros de banda e pela gravadora, ele começou a compor suas próprias músicas, planejando um álbum e uma turnê pela primeira vez com seu próprio nome.O resultado é "Flawed By Design", uma coletânea de músicas intensamente pessoais, inspiradas em amor, relacionamentos, agitação social e crescimento pessoal.O álbum foi gravado no Fishpond Studio Bristol e no Rockfield Studio Wales com Thierry Lemaitre, James Graham, Adam Holgate, Damian McLean-Brown, Charlie Fitzgerald, Rhii Williams, Matt Brown e Jai Widdowson – músicos extremamentebrilhantes.  

How to achieve calm and tranquility in a world that constantly stresses you out. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

The legendary Grace Jones stars in one of the greatest cult classic vampire films of all time, Vamp!

Hola Creatures of The Night, A Halloween Special Edited for Your Listening Delight.  2 Hours of the best music (Nina Simone, Grace Jones, Laura Nyro...) bedded with Part Time's spooky Neverending Nightmare Album. We count down 5 of the spookiest things of the day.... from (5) The Theremin, (4) The Job Market, (3) Social Media, (2) Inevitable Passing of Time, (1) Listen and find out! With your host, Sofia Kent Padilla. Kia ora!

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Die letzte Oktoberwoche gehört traditionell dem Sounds!-Rückblick auf jene Musik, die vor exakt vier Jahrzehnten erschienen ist. Bis und mit Freitag hören wir ausschliesslich Musik aus dem Jahrgang 1985: New Order, Prefab Sprout, Kate Bush, The Cure, und und und. Es war ein Jahr, in dem Synthesizer und britische Unterkühltheit gemeinsam die Klanglandschaft prägten: Auf der einen Seite New-Wave-Hits von Tears for Fears, den Simple Minds und auch die Pet Shop Boys standen bereits in den Startlöchern, auf der anderen Seite die düstere, goth-y Melancholie von The Smiths, The Cure, The Sisters of Mercy oder Killing Joke. Wir laden euch herzlich dazu ein, im Verlaufe der Woche mit uns Tracks von Prince, Prefab Sprout, Tom Waits, The Jesus and Mary Chain, Grace Jones, Sade und vielen mehr (wieder) zu entdecken. Wie immer ist unser Flashback thematisch aufgeteilt: Morgen Dienstag gibt's z. B. den Rückblick auf die Metal- und Punkkracher aus dem Jahrgang 85.

House, funk, soul, disco, reggae, hip hop, afrobeats, UKG, drum & bass and all manner of beats for open-minded listeners, fresh releases and classic gems, presented by DJ D'Francisco. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist: Carrtoons - Labour of Love ft. Haile Supreme Sharon Jones/The Dap Kings - 100 Days & 100 Nights Geater Davis - My Love Is So Strong For You Kirby - Na$ty Alice Russell - A Fly In The Hand Kool & The Gang - Funky Stuff (Parts 1 & 2) Boddhi Satva & Ayoola - Mister Heavy Paul Simon - Diamonds (Tango Terje Dub) Grace Jones - Feel Up (12" Mix) New Car Smell - SM311 U L8r ft. Amy True Dat Brass & Dubba Dutch - Yes Dude Hot 8 Brass Band - Sexual Healing LL Cool J - To Da Break of Dawn DJ Swingsett & J. Warrin - Doesn't Make It Right (featuring Lisa Shaw) (Kid Sublime Remix) Namebrandsound & Sonar's Ghost -  Souled - What Reason Do I Have To Go Back Soul II Soul - A Dreams A Dream (Ron Trent Remix) Tsuruswing - Fever (Crackazat Remix_ Groove Committee - I Wannt You To Know Hedex / Maverick Sabre - I Knew That This Was Love TRAC - Late Night Connection Omni Trio - Nu Birth Liquid Liquid - Optimo (Auntie Flo's tribute to Keith Mix) S-Express - Theme from S-Express

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Even though you have felt sad and lonely this Sukkot, Hashem never rejects a contrite and humble heart! In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years. -- Originally Recorded Sep 27, 2013 Corona Queens born, but with a long formative stretch growing up in Nebraska, and from Jamaican roots, (Derrick Harriott is an uncle), Brooklyn's Duane Harriott is as unique and specific as that trajectory indicates. One of our longtime NY peeps, Duane has always taken his own path and carved out a meaningful sensibility away from the various trends that come and go. (bearded hipster take note!) One of the founding residents of NYC's famed APT, Duane has played at pretty much every significant NY spot high and low for the past 15 years. Look for Duane's edit and remix work on the Stilov4music, Lumberjacks in Hell, and Intimate Friends labels amongst others.(Released under the monikers Devin Dare w/ Sean Marquand Bim Marx w/ Jorge West, Desiree West, & 2BAN) Also check out his weekly radio show on WFMU every Wednesday from 12-3pm, it is also archived. The first person we mentioned the "podcast" idea to, we are gassed to finally have him on board. For all things Dr. Duane go to: http://www.wfmu.org/playlists/DH https://soundcloud.com/dj-duane-harriott https://www.facebook.com/duane.harriott?fref=ts One of the leading producers and remixers in contemporary dance music, Cambridge raised Ray Mang, (Raj Gupta) hardly needs an intro. Under the name Ray Mang, (also under Laj, Sir Raymond Mang, Block 16, & Motif) he has written and recorded tracks with people like Jon Lucien, Bim Sherman, Jhelisa, Kier Kerby, Robert Owens and Mozez. He has also remixed tracks for disco heroes like Roxy Music, Banda Black Rio, Terry Callier, Freddie Mercury, Beck, Shirley Bassey, Bryan Ferry and Grace Jones amongst others. You can find his remixes and original material on labels like Bearfunk, DFA, Eskimo, Under the Shade, Noid, and his own Mangled label. Raj is a busy man with tons of stuff coming out, so we are very happy he made time for this great set. At this writing Raj was locked in a house filled with seven year olds and flying spaghetti, we hope he survives! Look for his work, hope to see him DJ in your town, and get your fix of Mang here: https://soundcloud.com/ray-mang http://www.discogs.com/artist/ray+mang

This is a two-part episode: the first interview with Cole Haden of Model/Actriz and the second interview with The Molotovs!Cole Haden of Model/ActrizOn this episode of Lipps Service, Scott Lipps sits down with Cole Haden, the magnetic lead singer of blistering noise rock band Model/Actriz. The conversation spans the band's meteoric rise, from sold-out shows in Brooklyn to high-profile festival appearances, such as Coachella. Cole opens up about the band's beginnings in Boston, the members' time at Berklee College of Music, and the evolution of the band's distinctive sound: raw, theatrical, and defiantly unorthodox. They dive into the origins of the band's name, their unique approach to performance, and what it means to create music without traditional melody or chords. With a candid discussion about identity and vulnerability in lyricism, Cole offers an unfiltered look into both the personal and artistic layers of Model/Actriz. The episode also touches on dream collaborations, chaotic live moments, working with Miley Cyrus, and shoutouts to iconic influences like Gwen Stefani, Grace Jones, and Last Gaga. The interview concludes with Cole listing his top 5 frontmen/women and his favorite NYC-bred artists. Tune into an insightful chat with Cole Haden of Model/Actriz! For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player.  CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC  0:00:00 - Start 0:00:12 - Sold out Brooklyn shows0:00:33 - Coachella 0:01:49 - Formation in Boston0:02:17 - Band name origins0:03:40 - Berklee School of Music0:04:28 - Childhood friends0:04:55 - Berklee/Boston scene 0:05:35 - Aerosmith 0:05:59 - Creating a band with “no melody and no chords” 0:06:30 - A flair for the theatrics0:07:33 - Musical influences 0:08:28 - Peter Pan 0:09:08 - Christopher Guest0:09:30 - Spinal Tap0:09:50 - Band chemistry 0:10:52 - Death Grips0:11:31 - Being considered “A New York band”0:12:30 - 10 years of Model / Actriz0:13:20 - Costume changes 0:13:30 - Playing festivals vs shows 0:14:41 - Versatility of band name 0:16:30 - Defining the sound of Model/Actriz0:16:48 - Lady Gaga0:18:00 - Stage theatrics0:18:46 - Letters on Lady Gaga's concert 0:20:17 - Growing up in a conservative area0:20:44 - Family support0:21:00 - Chrismukkah 0:23:16 - Karaoke 0:24:08 - New album, Pirouette0:24:21 - Meaning behind “Cinderella”0:24:40 - Accepting identity and femininity 0:26:46 - Vulnerability through lyricism 0:28:08 - Making a noise rock album0:​​29:08 - Meaning of “Pirouette” 0:29:50 - What to expect at a Model/Actriz show 0:31:21 - On working with Miley Cyrus 0:33:34 - Dream collaborations0:35:03 - Upcoming tours0:35:57 - Craziest live show moment0:39:34 - Top 5 frontmen/women0:39:53 - Gwen Stefani0:42:49 - Fred Schnieder 0:43:45 - Grace Jones0:44:23 - Top 5 New York artists 0:45:13 - Scissor Sisters0:49:00 - Frost Children0:50:35 - Talking Heads–––––––––––––––––––––––––The MolotovsOn this episode of Lipps Service, Scott welcomes the explosive sibling punk trio The Molotovs for a raw and raucous conversation about their rise in the modern rock scene. The band shares what it's like playing shows across the US, how being siblings affects their dynamic, and the early influences that shaped their sound, from growing up with hairdresser parents to discovering bands like Green Day. They talk about their journey from busking on the streets of London to sharing stages with legends like Iggy Pop and Paul Cook of the Sex Pistols. With stories of gritty street performances during lockdown, unexpected support from punk royalty, and climbing to #1 on the UK physical charts, the band opens up about their passion, persistence, and the rebirth of rock in today's music landscape. Scott delves into their thoughts on the meaning of punk rock, shares their strangest gigs, recounts the craziest tour experiences, and recounts some weird fan encounters. To close, the Molotovs reveal their top punk albums and funniest sibling fights. Tune into an electric chat with one of the UK's best punk projects today – The Molotovs!0:00:00 - Start0:00:08 - Playing in the US0:00:59 - Pros and cons of being a sibling duo0:03:23 - Early influences0:04:23 - Hairdresser parents0:04:39 - Green Day0:05:10 - Record Store Day0:06:00 - Kevin Roland0:06:20 - Breaking through in America0:07:55 - The Libertines0:08:58 - “A long way from home”0:09:19 - The origins of The Molotovs0:11:13 - From busking to opening for Iggy Pop0:13:34 - London street crowds0:15:29 - Busking during COVID0:16:57 - Support from music legends (Green Day, Blondie, Sex Pistols)0:17:43 - Performing with Paul Cook0:19:25 - The Sex Pistols0:21:46 - Number 1 on the UK physical chart0:23:02 - The resurgence of Rock0:24:27 - Mainstream music0:26:10 - The strangest gig 0:28:08 - Craziest tour moment0:31:03 - CBGB fest0:34:00 - Media in today's world0:35:29 - Tour and creating content0:38:18 - Capturing energy on the new album0:39:43 - The meaning of punk rock0:42:37 - Weirdest fan interaction0:45:02 - Top 5 punk rock albums0:49:35 - Anarchy in the UK0:51:13 - Top 3 sibling fights

A wonderful story about how sometimes Hashem gives us a little 'smile.' In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Parashat Ha'Azinu is not merely a poem; it is a shirah — a Divine song. The combination of words and music gives song the power to express simultaneously joy and sorrow, exile and redemption, judgment and compassion. That is why Moshe, on the last day of his life, chooses a song to seal the Torah's message for eternity. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Mercury-nominated vocalist, composer and producer ESKA talks about her favourite studio gear and how her background as a live jazz musician shapes her approach to writing and recording.Chapters00:00 - Introduction01:30 - ESKA's Journey Into Music06:21 - Using Tech To Tell A Story14:23 - Approaching Each Track Individually16:35 - Developing A Sonic Identity20:18 - Live vs Studio Artist Methods26:59 - Solo Albums And Soundtracks31:47 - Exploration And Improvisation32:43 - Collaborating With Musicians 38:57 - Live Performances With Ableton#CamelCrusher #NeumannTLM103 #NeumannU87 #PrismLyra2 #AbletonLive Eska BiogESKA is a Mercury Award nominated singer, songwriter, composer and producer. Her music blends elements of folk, soul, psychedelia and electronica, shaped by years of live performance and a strong jazz influence. She has released acclaimed projects including her self-titled debut album ESKA and her more recent release, The Ordinary Life of a Magic Woman. Her work has received radio support from Gilles Peterson, Lauren Laverne and John Kennedy, and her debut EP was named one of Bandcamp's Best Releases of 2013.Alongside her solo career, ESKA has collaborated with artists such as Grace Jones, The Cinematic Orchestra, Zero 7, Bobby McFerrin, Esperanza Spalding, Shabaka Hutchings and Kae Tempest, and her credits include theatre and film scores as well as performances at major venues and festivals.https://www.eskaonline.com/https://www.instagram.com/eskaonline/https://www.facebook.com/eskaonline/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Frank sets the FFAA time machine back to the decadent and "dancetastic" 1970s as comedian-author Frank DeCaro ("Disco: Music, Movies and Mania Under the Mirror Ball") and Grammy-nominated singer Cory Daye (Dr. Buzzard's Original Savannah Band, Kid Creole and the Coconuts) celebrate the songs, artists, movies, nightclubs and cultural impact of the disco era. In this episode: Dr. Buzzard meets James Bond, Ethel Merman records a camp classic, Frank weighs in on Disco Demolition Night and Cory recalls the heyday of the legendary Studio 54. PLUS: Mike Douglas! ABBA trading cards! The genius of Paul Jabara! "Playboy's Roller Disco & Pajama Party"! Frank interviews the Queen of Disco! And Cory hangs with RuPaul, Grace Jones and Cab Calloway! Subscribe now on  Apple ⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/fun-for-all-ages-with-frank-santopadre/id1824012922⁠⁠⁠⁠⁠ Spotify ⁠⁠⁠⁠⁠https://open.spotify.com/show/18EQJNDwlYMUSh2uXD6Mu6?si=97966f6f8c474bc9⁠⁠⁠⁠⁠ Amazon ⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/13b5ed88-d28d-4f0c-a65e-8b32eecd80f6/fun-for-all-ages-with-frank-santopadre⁠⁠⁠⁠⁠ YouTube ⁠⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLgvlbF41NLLPvsrcZ9XIsYKkH_HvUXHSG⁠⁠⁠⁠⁠ iHeart ⁠⁠⁠⁠⁠https://www.iheart.com/podcast/269-fun-for-all-ages-with-fran-283612643/⁠⁠⁠⁠⁠ TuneIn ⁠⁠⁠⁠⁠http://tun.in/pxOWO Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

The spice that keeps couples married forever In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Shane and Andrew dive into the 1985 James Bond film 'A View to a Kill,' marking the end of Roger Moore's tenure as 007. They discuss the iconic character of May Day played by Grace Jones, the film's shortcomings and its place in the Bond franchise.#AViewtoaKill #JamesBond #RogerMoore #GraceJones #80sfashion #filmreview #actionmovies #Bondgirls #queernessinfilm

One of the things that intrigued me when I became Torah-observant was that I met frum people who were fascinated to know what some of the so-called stars that I had met were like. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

What's the main thing to look for in a marriage partner? In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed “Bohemian Rhapsody”. His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band “Foreigner” (1976). American Top ten singles from this album included, “Feels Like The First Time”, “Cold as Ice” and “Long, Long Way from Home”. Other production work included “The Enid – In the Region of the Summer Stars”, “The Curves”, and “Nutz” as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In this episode of The Other Half podcast, the boys and HoneyBees watched the final Roger Moore movie, A View to a Kill! Roger Moore would have gone out with a bang, but he's completely overshadowed by Mayday, played by Grace Jones. Even the actual Bond girl in this movie is but a BLIP in the marketing artwork. Grace Jones is just that good. Pair her with Christopher Walken and you've got yourself one of the best pairs of villains you can find in a Bond film. Well, at least since Mr. Wint and Mr. Kidd!But how is it actually as a movie? Is the plot good? Are the action scenes compelling? We get into all of this in more detail in one of our longest episodes for the podcast EVER!Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this wild and wonderful follow-up, powerhouse actress and former attorney Stacie Greenwell returns to join Pol' Atteu and Patrik Simpson for an unforgettable episode of hot tea, Armenian Coffee, deep truths, and fierce fashion. From lawsuits to lube, no topic is safe!

It's time for another Story Report by Mrs Pearlmania! This month she read Disco Witches of Fire Island by Blair Fell, a story of magic, love, mermaids, Grace Jones, gay sex, and somehow the city of Phildelphia.  You don't have to have read the book to enjoy this episode, as Mrs. P is going to explain the plot to Alex for your listening pleasure. If you enjoy the story, request the book from your local library or buy it from a local book store.   

In this episode of Working Class Audio, Matt welcomes engineer and producer Mark Pistel. His extensive credits include influential work with Disposable Heroes of Hiphoprisy and Consolidated, as well as notable collaborations with artists such as Meat Beat Manifesto, Grace Jones, Hercules and Love Affair, Chuck Prophet, Rykarda Parasol, Machines of Loving Grace, Holly Herndon, Los Mocosos, and many others. In This Episode, We Discuss: Growing up in Duluth Vibrant San Francisco Scene Sampler Revolution Disposable Heroes Album Production Jack Dangers Adapting to Industry Changes Union Work Links and Show Notes: https://www.markpistel.com Matt's Rant: Differences Credits: Guest: Mark Pistel Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes engineer and producer Mark Pistel. His extensive credits include influential work with Disposable Heroes of Hiphoprisy and Consolidated, as well as notable collaborations with artists such as Meat Beat Manifesto, Grace Jones, Hercules and Love Affair, Chuck Prophet, Rykarda Parasol, Machines of Loving Grace, Holly Herndon, Los Mocosos, and many others.In This Episode, We Discuss:Growing up in DuluthVibrant San Francisco SceneSampler RevolutionDisposable Heroes Album ProductionJack DangersAdapting to Industry ChangesUnion WorkLinks and Show Notes:https://www.markpistel.comMatt's Rant: DifferencesCredits:Guest: Mark PistelHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Nothing says Tori Spelling like Rocky IV, The Punisher, Universal Soldier, and Masters of the Universe, but she LOVES Dolph Lundgren and he is here for a surprisingly heartfelt chat about fame, fatherhood, and why tough guys like him always end up with daughters (a.k.a. the “fighter’s curse”). He spills behind-the-scenes sTORIes from Rocky IV, dishes on his wild days with Grace Jones, and that one time he crossed paths with Andy Warhol. Plus, Dolph talks about launching his own vodka brand, insuring his biceps, and TORI goes where no conversation has gone before … IKEA Swedish meatballs. Come for the nostalgia, stay for the Stallone impression. And, see Tori try to BREAK this He-Man {PS… think she warmed his heart!}See omnystudio.com/listener for privacy information.

Nothing says Tori Spelling like Rocky IV, The Punisher, Universal Soldier, and Masters of the Universe, but she LOVES Dolph Lundgren and he is here for a surprisingly heartfelt chat about fame, fatherhood, and why tough guys like him always end up with daughters (a.k.a. the “fighter’s curse”). He spills behind-the-scenes sTORIes from Rocky IV, dishes on his wild days with Grace Jones, and that one time he crossed paths with Andy Warhol. Plus, Dolph talks about launching his own vodka brand, insuring his biceps, and TORI goes where no conversation has gone before … IKEA Swedish meatballs. Come for the nostalgia, stay for the Stallone impression. And, see Tori try to BREAK this He-Man {PS… think she warmed his heart!}See omnystudio.com/listener for privacy information.