Podcast appearances and mentions of melissa kaplan

Play Episode Listen Later Oct 13, 2022 49:31

This episode originally aired on December 16, 2021. We've hosted some incredible Talkhouse Podcast conversations in 2021, and for our final brand-new episode of the year, we've got two people responsible for some of the best records of this year: Julien Baker and Aaron Dessner. Baker released her third album, Little Oblivions, back in February, and it's a doozy. Expanding her sonic palette massively, Baker delivered her powerful, vulnerable songs with much bigger sounds. That might have felt like a gamble, but it paid off massively—she produced it herself and pushed herself into new spaces. Dessner is of course a founding member of the National, with whom he's played for the past 20+ years. While his main band slowed down over the past couple of years, Dessner has been operating at hyperspeed. He was one of the main co-writers and producers on Taylor Swift's Folklore and Evermore albums. He won an Album of the Year Grammy for the former, and was nominated for five more Grammys for the latter. He somehow also found time to release a new album with Bon Iver's Justin Vernon under the name Big Red Machine called How Long Do You Think It's Gonna Last? In addition to loads of guest singers, that record features Dessner on occasional lead vocals. These two have a fantastic conversation about creativity and, specifically, production: Aaron has done a lot of producing for other artists, and Julien is just getting into it. Julien talks about what it's like to have a full live band backing her, rather than being a quote-unquote masochist and playing alone. They talk about what it was like to be deprived of live audiences for so long, and Aaron gets into how his studio setup has changed over the years. Also, they both know what it's like when music can make you cry—that's the kind of thing we love here at Talkhouse. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Julien Baker and Aaron Dessner for having such a wonderful chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting service and social media channels--we're everywhere. This episode was produced by Melissa Kaplan and Keenan Kush, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Revisited: Michelle Zauner (Japanese Breakfast) with Rostam

Play Episode Listen Later Jun 2, 2022 54:55

Hello Talkhouse listeners; this week we're resurfacing a talk featuring a frequent Talkhouse contributor who seems to be having yet another career moment: Michelle Zauner, aka. Japanese Breakfast. You may have caught Zauner and her band on the season finale of SNL, or playing your local theater, or on every playlist worth a dang. This talk, which originally ran on June 3, 2021—around the time the latest Japanese Breakfast album, Jubilee, came out—features Zauner in conversation with Rostam, the musician and producer best known as part of Vampire Weekend. If you like what you hear, there are two more Zauner-led Talkhouse Podcasts in the archives, one with Alex Cameron, and the other with Rachel Goswell of Slowdive. -------- Today's Talkhouse Podcast started with a little bit of serendipity in the form of album release dates: Both of our guests, Michelle Zauner of Japanese Breakfast and producer/musician/former Vampire Weekend guy Rostam, have excellent records coming out on June 4. They're also fans of each other's work, so we figured it made plenty of sense to put them together. Zauner's album, her third under the Japanese Breakfast name, is called Jubilee, and as you'll hear in this conversation, it took a deliberate turn toward slightly happier themes than her first two. It comes hot on the heels of Zauner's first book, a heartbreaking memoir called Crying In H Mart, that deals with her mother's death—also a theme in her early music—and food, lots of food. It's a really touching read, and an ideal companion to her musical catalog, which grew in really compelling ways with Jubilee. Rostam is best known as a founding member of Vampire Weekend, and even though he officially left the band a few years ago, he still contributes some songwriting and production work. He's kept plenty busy otherwise, producing records and writing songs with an incredible array of other artists, from Hamilton Leithauser to HAIM to Clairo. His first proper solo album is the gentle, string-filled, fantastic Half-Light, which came out in 2017, and now he's releasing Changephobia, which as you'll hear ditches the string section and brings in a sax, among other things. These two jump right into a conversation that flits around from silly to deep: On one hand, they talk about childhood loves of chess and fencing and the importance of song five on an album. On the other, Zauner gets rightfully annoyed at interview questions she gets that other people don't, and Rostam talks about being Persian in a band that was sometimes pegged as particularly white. It's a funny, smart chat. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse theme was composed and performed by The Range.

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Lex Luger with Michael Vincent Waller

Play Episode Listen Later Jan 13, 2022 41:29

For the first new Talkhouse Podcast episode of the new year, we've got an unlikely pairing—which is one of our favorite kinds of pairings. But it wasn't exactly our idea to connect Michael Vincent Waller and Lex Luger, it was theirs. The contemporary classical composer and the extremely prolific hip-hop producer made a really cool record together that came out in 2021, called Classic$. Waller is not your typical classical composer, he's a real musical searcher. His compositions range from avant-garde to minimalist to slightly more classic-sounding classical music. But over his career he hasn't stayed in one place musically for very long. He made a record back in 2019 with electronic producer JLin, which you may have read about in an interview with the pair right on this very website. So maybe it's no surprise at all that Waller didn't let genre get in the way of his love for hip-hop when he reached out to Luger for an assist on Classic$—which I should note is credited to MVW, rather than Waller's full name, in case you have trouble finding it on your favorite streaming service. The two collaborated on the music, as you'll hear, and they brought in a bunch of voices to help flesh things out. Luger has had an incredible career in hip-hop. For the last decade-plus, he's been a go-to producer for some huge names, starting with Waka Flocka Flame—who he connected with via MySpace—and Rick Ross, but running through tracks by Jay-Z, Kanye West, and Snoop Dogg, among many, many others. He famously used to make hundreds of beats at a stretch: If you didn't like one of his spooky trap sounds, he had a dozen others ready for you. I guess the place that Luger and Waller might intersect is that Luger's beats often feature symphonic elements: They can sound, at times, like horror-movie scores. In this conversation, Luger and Waller talk about how working together affected them: It was more than just another job for Luger, who feels like he learned something valuable from Waller's acoustic-first approach. They also talk about what music actually means to them, which is a very Talkhouse-friendly subject. They clearly want to work with one another again, which says something about the deep connection they made on Classic$. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Lex Luger and Michael Vincent Waller for chatting. Be sure to follow Talkhouse on your favorite podcasting services and social media outlets. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by The Range.

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Aaron Dessner with Julien Baker

Play Episode Listen Later Dec 16, 2021 47:43

We've hosted some incredible Talkhouse conversations in 2021, and for our final brand-new episode of the year, we've got two people responsible for some of the best records of this year: Julien Baker and Aaron Dessner. Baker released her third album, Little Oblivions, back in February, and it's a doozy. Expanding her sonic palette massively, Baker delivered her powerful, vulnerable songs with much bigger sounds. That might have felt like a gamble, but it paid off massively—she produced it herself and pushed herself into new spaces. Dessner is of course a founding member of the National, with whom he's played for the past 20+ years. While his main band slowed down over the past couple of years, Dessner has been operating at hyperspeed. He was one of the main co-writers and producers on Taylor Swift's Folklore and Evermore albums. He won an Album of the Year Grammy for the former, and was nominated for five more Grammys for the latter. He somehow also found time to release a new album with Bon Iver's Justin Vernon under the name Big Red Machine called How Long Do You Think It's Gonna Last? In addition to loads of guest singers, that record features Dessner on occasional lead vocals. These two have a fantastic conversation about creativity and, specifically, production: Aaron has done a lot of producing for other artists, and Julien is just getting into it. Julien talks about what it's like to have a full live band backing her, rather than being a quote-unquote masochist and playing alone. They talk about what it was like to be deprived of live audiences for so long, and Aaron gets into how his studio setup has changed over the years. Also, they both know what it's like when music can make you cry—that's the kind of thing we love here at Talkhouse. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Julien Baker and Aaron Dessner for having such a wonderful chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting service and social media channels--we're everywhere. This episode was produced by Melissa Kaplan and Keenan Kush, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Steve Earle with Jay Farrar

Play Episode Listen Later Dec 9, 2021 36:00

This week's Talkhouse episode features a pair of legends from the alt-country or country or No Depression or Americana worlds—you pick. It's Jay Farrar of Son Volt along with singer-songwriter (and many other things) Steve Earle. Jay Farrar started his career as part of the seminal band Uncle Tupelo alongside another noted songwriter (and frequent Talkhouse guest) Jeff Tweedy. After their split, Tweedy went on to Wilco while Farrar formed the band Son Volt, which has since released an impressive catalog—their tenth and latest album was recorded during pandemic downtime, and you can hear it in the deliberateness of the songs. It's called Electro Melodier. Steve Earle is one of those guys who makes you feel lazy. He's not only an incredibly accomplished singer and songwriter with literally dozens of albums to his credit, he's also a producer, an actor—most notably on The Wire—a novelist, a Sirius XM DJ, and as you'll hear here, an aspiring TV show creator. His 2020 album Ghosts of West Virginia was spun off from an off-Broadway show he worked on, while this year's J.T. is a tribute to his talented son, Justin Townes Earle, who passed away just last year. As you'll hear, he's got even more projects in the works, including a tribute to singer-songwriter Jerry Jeff Walker. As you'll hear, Steve Earle loves to chat, while Jay Farrar is a bit more subdued—a fact that these friends acknowledge right off the bat. But they get into a great conversation about their favorite subject: music—what they listened to growing up, the great shows that Earle saw as a kid, and even selling some weed to Leslie West of Mountain. Steve talks about missing the whole genesis of alt-country for good reason—he was in jail—but catching up with it, and with Son Volt in particular. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Jay Farrar and Steve Earle for chatting. If you liked what you heard, please follow Talkhouse on all your favorite podcasting services and social media channels. This week's episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Jeff Tweedy with Mountain Man

Play Episode Listen Later Dec 2, 2021 48:04

On this week's Talkhouse Podcast, we've got a lively conversation between some people whose relationship got off to kind of a rocky start, but who've since become friends: Jeff Tweedy of Wilco and all three members of Mountain Man: Amelia Meath, Alexandra Sauser-Monnig, and Molly Sarle. Now the occasion for this conversation is the recent reissue of the first Mountain Man record, 2010's Made the Harbor, which features new liner notes written by Tweedy. This gorgeous, strange record was made back when these three women were just getting to know each other as college students in Vermont. Somehow, as if by magic—you'll hear about that in this chat—their voices perfectly intertwined, and some of the very first songs that any of them wrote ended up becoming these timeless little gems. And then they went their separate ways for quite a long time: Meath ended up as half of Sylvan Esso, most notably. They've since regrouped for shows and more excellent music, most recently a live album called Look at Me, Don't Look at Me. The members of Mountain Man first met Jeff Tweedy when they played Wilco's Solid Sound Festival—and apparently snubbed Tweedy when he introduced himself. No offense was taken and a friendship was eventually formed, though as you'll hear, Tweedy still finds himself a little intimidated in their presence. Tweedy's latest entry in an incredibly prolific career is a deluxe edition of Love is the King, the album he recorded and released during the first part of the pandemic. It's now getting a bonus disc called Live is the King, which as you may have guessed, features live renditions of these excellent songs. Tweedy and Mountain Man will meet again in person in January during Wilco's Sky Blue Sky festival in Mexico. Presumably they will recognize him this time. In this funny, winding conversation, they begin by talking about seasonal depression, pivot quickly to a discussion of candy, and then move on to the serious business of creating music—and what that means to them. So we've got everything from Mountain Man's magical discovery of their own voices—like a unicorn in the woods—to Jeff's story about the time he thought he could lose weight by eating only Snickers. One minute, Amelia Meath is talking about sexy lumberjacks on TikTok, the next Jeff Tweedy is pining for an honorary Bachelor's Degree. Won't somebody give him one? We're looking at you, Southern Illinois University Edwardsville. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Jeff Tweedy and Mountain Man for chatting. If you liked what you heard, follow Talkhouse on your favorite podcasting platform and all relevant social channels. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time.

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Bush Tetras with Thurston Moore and Jim Jarmusch

Play Episode Listen Later Nov 18, 2021 53:48

On this week's Talkhouse Podcast, we've got a roundtable of old friends who are also, as it happens, all New York City legends: Cynthia Sley and Pat Place of Bush Tetras with Sonic Youth's Thurston Moore, and director Jim Jarmusch. Cynthia and Pat — vocalist and guitarist, respectively — started the “groove-centric” post-punk band Bush Tetras in 1979 with Laura Kennedy on bass and Dee Pop on drums. They broke up just a few years later, but over the decades they've reunited periodically, and are back in action now — though, sadly, without Kennedy, who died in 2011, and Dee Pop, who passed away last month after the recording of this conversation. But as Cynthia told the New York Times, “Bush Tetras is a force that cannot be stopped.” Their pioneering work lives on, archived in a new box set called Rhythm and Paranoia: The Best of Bush Tetras, which came out on Wharf Cat last week and includes three LPs and a booklet featuring essays by Moore, Jarmusch, members of The Clash and Gang of Four, and many others. Thurston Moore was a founding member of Sonic Youth. Now based in London, he performs and records solo — his latest album is last year's By The Fire. Jim Jarmusch is the director of films like Stranger Than Paradise, Down By Law, Coffee and Cigarettes, and so many more. He's also a musician, and currently performs with the avant-rock band SQÜRL. As Cynthia says at the beginning of their conversation, they have about 40 years of friendship between the four them, but this is the first time all four of them have gotten to talk together. Their decades-in-the-making conversation covers a lot, including Pat's influence on Thurston as a guitarist, Tier 3 and Mudd Club memories, and an era of New York when there were still chicken slaughterhouses on Prince Street. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Bush Tetras, Thurston Moore, and Jim Jarmusch for chatting. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Rosario Dawson with Talia Lugacy

Play Episode Listen Later Nov 11, 2021 47:06

On the latest episode of the Talkhouse Podcast, longtime friends and collaborators Rosario Dawson and Talia Lugacy sit down for a chat, on the occasion of the release of their latest film together, This is Not a War Story, the moving drama about combat trauma which Lugacy wrote, directed and stars in and Dawson executive produced. In a wide-ranging conversation, the two started off by talking about the recent tragic death of Halyna Hutchins on the set of Rust and how it connects with persistent problems in both indie and studio filmmaking, and moved on to touch on everything from the human aspect of cinema, art as therapy and Rosario's thoughts on directing, to their time as teenagers at the Lee Strasberg Institute with Scarlett Johansson and Hayden Christensen, the changing of the guard that is currently taking place in Hollywood, and the journey they have taken together, both creatively and personally. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme music is composed and performed by the Range.

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Nick Lowe with Matthew Houck (Phosphorescent)

Play Episode Listen Later Nov 4, 2021 47:50

On this week's Talkhouse Podcast, we've got a little more focused conversation than usual, as Matthew Houck—the driving force behind the band Phosphorescent—chats with legendary songwriter Nick Lowe, largely about Lowe's recently reissued 2001 album The Convincer. Even if Nick Lowe's name isn't super familiar to you, some of his songs almost certainly are. He's had an incredible career that stretches back to the late 1960s, with his biggest mainstream moment coming via his dear friend Elvis Costello, who covered Lowe's “(What's so Funny ‘Bout) Peace Love and Understanding” and made it a hit. Lowe also produced Costello's first five albums, as well as a bunch of other classic British records, in addition to his solo work and his time with the band Rockpile. Today's conversation is focused largely on Lowe's 2001 album The Convincer, which was something of an artistic rebirth for him. He wanted to age gracefully and continue to challenge himself, which he did with a trilogy of albums that ended with this one. It's a beautifully written and performed set of songs that didn't set the commercial world on fire, but which has quietly found its way into many people's hearts over the past two decades. The song “I'm A Mess” is the reason for this conversation. Matthew Houck, who has been making incredible music of his own under the name Phosphorescent since the early aughts, is an obsessive fan of The Convincer, so much so that he's been working on a cover of “I'm A Mess.” A mutual friend of Houck and Lowe's sent Lowe a copy of the song, which isn't available yet, and they chat about it here. The most recent Phosphorescent release is the BBC Sessions EP, and it strips a set of Houck's songs down to their barest essentials—much of his studio material is far more gussied up, and this is a great chance to hear them naked. As you'll hear in this conversation, Houck is a huge fan of Lowe's, and specifically of The Convincer. They get into specifics about a bunch of the songs—and you'll find out if Lowe agrees that this was indeed his finest hour. You'll also hear about how The Bodyguard soundtrack changed Lowe's fortunes forever, how his onetime girlfriend Margot Kidder made her way into a song, and how Wilco helped him win fans in Indianapolis. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Nick Lowe and Matthew Houck for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting services and social media outlets. This week's episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time!

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Patterson Hood (Drive-By Truckers) with Buffalo Nichols

Play Episode Listen Later Oct 28, 2021 41:36

On this week's Talkhouse Podcast, we've put together a pair of tourmates—past and present—who are separated by decades but united by a deep respect of American music: Patterson Hood and Carl Nichols. Patterson Hood has been in rock bands since he was a pre-teen, and he's been the co-leader of Drive-By Truckers since 1996. The band has explored the sounds and ideas of Southern rock—Hood is from Alabama—over the years, with sounds and lyrics that stretch the boundaries well beyond the world of Lynyrd Skynyrd. As you'll hear in this conversation, Hood is a nuanced thinker and writer. You'll also hear that, of course, on his records, both as a solo artist and a Drive-By Trucker. The band actually released two albums last year, The Unraveling back in January, and then its companion, The New OK, in October. Carl Nichols, aka Buffalo Nichols, toured with Drive-By Truckers in the past, and he's in the midst of another touring opening for them now. Nichols, as you'll hear, has an interesting musical history of his own—he's been more of a genre jumper than his friend Patterson, playing in punk bands early on and then in the Milwaukee folk-ish duo Nickel and Rose. He just released his debut as Buffalo Nichols, and it takes a turn toward what Rolling Stone called “existential blues.” It's just out on the venerated Fat Possum label. Nichols and Hood—that sounds like a great name for a duo, come to think of it—talk here about the protests in Portland, where Hood now lives; how Hood's politics drove off a certain percentage of his audience; and a mutual love of Outkast. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Patterson Hood and Carl Nichols for chatting. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time.

Tim Burgess (The Charlatans) with Joan Wasser (Joan as Police Woman)

Play Episode Listen Later Oct 21, 2021 43:56

This week's Talkhouse conversation features a pair of performers who came up in the ‘90s, and who have followed each other's careers since: Tim Burgess of the Charlatans, and Joan Wasser, aka. Joan as Police Woman. Tim Burgess has had a fascinatingly diverse career: He first came to prominence as singer of the Charlatans, who were part of the early '90s Madchester scene along with the likes of The Stone Roses and Happy Mondays. But unlike many of their contemporaries, the Charlatans have had a long and prosperous career, releasing more than a dozen albums in addition to Burgess' solo output. This week sees the release of a massive Charlatans box set called A Head Full Of Ideas that spans their career and includes hits and rare tracks. In addition to the box set, a Charlatans tour that's just about to start, and a solo album slated for next year, Burgess has kept himself busy through the pandemic with a fun concept he named Tim's Twitter Listening Party. It's simple enough: He coaxes other musicians to essentially live-tweet their own albums, and it's resulted in literally hundreds of sessions with everyone from his UK contemporaries like Oasis and Blur to a session with Sir Paul McCartney himself. A hundred of those parties have now been gathered into a hardcover book, which also includes rare photos from the participants and lots more. One of those hundred is Joan Wasser, who also got her start in a ‘90s band—the Dambuilders—and subsequently launched an incredibly varied career. She was in Antony and the Johnsons for a bit, and she's recorded a bunch of great records under the name Joan As Police Woman. The first of those, 2006's Real Life, knocked Tim Burgess over when he first heard it—as you'll hear in this conversation. Wasser is just about to release an incredible collaborative album that she made with Dave Okumu and Afrobeat pioneer Tony Allen, not long before Allen's death last year. It's called The Solution is Restless, which is a pretty perfect title, and it'll be out in November. These two have a great chat: Tim is super chill and loves to meditate; Joan is a total firecracker. They talk about how Joan's album “knocked Tim for six,” the myth of Lou Reed—Tim met him as a fan, Joan toured with him—and how Tim, in addition to everything else, has a coffee business. Sort of. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Tim Burgess and Joan Wasser for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting services and social media outlets. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Kurt Vile with Julia Shapiro (Chastity Belt)

Play Episode Listen Later Oct 14, 2021 44:17

For this week's Talkhouse Podcast episode, we rounded up a pair of friends who deeply admire each other's playing and songwriting—and who ultimately met because of a different episode of the Talkhouse Podcast: Kurt Vile and Julia Shapiro. Kurt Vile first came into music fans' consciousness as part of The War On Drugs, though it wasn't long before he decided to dedicate his time to his solo material. He's released a string of incredible albums since, including 2013's instant classic Wakin' On A Pretty Daze and 2018's Bottle It In. As you'll hear in this conversation, he's been hard at work, writing "too many" songs for a new album. In 2017, Vile collaborated with Australian singer Courtney Barnett on an album called Lotta Sea Lice, and it was Barnett who turned him onto Julia Shapiro and her band Chastity Belt. When Barnett and Shapiro chatted on this very podcast back in 2017, that sealed the deal for Vile, who became a huge Chastity Belt fan—and eventual friend of Shapiro's. Now Chastity Belt, which started life about a decade ago in Washington State, has released four powerful albums over the years, most recently a self-titled set in 2019. But the occasion for this conversation is actually Shapiro's second album as a solo artist. It's called Zorked, a word that means kind of what you might think: extremely stoned, or maybe just completely out of it. That's how Shapiro felt after moving to Los Angeles at the beginning of the pandemic, where her social circle was smaller and the world kind of closed in on her. The result is a weird, incredible set of songs Shapiro co-produced with her roommate Melina Duterte—aka Jay Som. That might sound a little serious, but Julia and Kurt have a fun chat here, talking about how they met, how Kurt mistook Chastity Belt for another band at first, how Julia once crowdsurfed at one of Kurt's shows, and Julia's love of TikTok. She even tries to convince Kurt to sign up. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Kurt Vile and Julia Shapiro for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcast and social media outlets. This episode was produced by Melissa Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time!

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A. C. Newman (The New Pornographers) with Liam Kazar

Play Episode Listen Later Oct 7, 2021 46:56

On this week's Talkhouse Podcast we've got a pair of songwriters separated by a generation, but united by a serious dedication to the craft: Carl Newman and Liam Kazar. Carl Newman—aka. AC Newman—is best known as the gravitational center of The New Pornographers, the lark of a supergroup that he started back in 1997 but that quickly found great enough success that it became his main gig. As you perhaps already know, the band also features the prodigious talents of Neko Case and Destroyer's Dan Bejar, though Newman does the vast majority of the songwriting. The band's latest album is 2019's In The Morse Code of Brake Lights, but as you'll hear—maybe for the first time?—in this conversation, they've spent part of the pandemic working on a new one. If that's not enough, the band's classic debut Mass Romantic has just been reissued on vinyl, and in November and December the New Pornographers will do a tour on which they perform both that album and 2005's Twin Cinema in their entirety. Newman has also been spending some time on Twitter in the past couple of years, and that's how he heard about Liam Kazar's song “Shoes Too Tight.” Another Talkhouse guest from this year, Eric Slick, tweeted about the song, and Newman heartily endorsed it. It's from Kazar's debut solo album Due North, which came out earlier this year on Kevin Morby's new label, Mare Records. And while it may be his first album as a solo artist, it's far from the first thing Kazar has done: He was part of the Chicago collective Kids These Days, which also featured Vic Mensa, and he's part of the band Tweedy with his pal Spencer Tweedy and Spencer's famous dad, Jeff. But Due North is the first time that Kazar has been front and center as a songwriter, and he sounds like an old soul. Newman and Kazar talk a lot about songwriting on this podcast, and they also get into social media, Liam's talented family, and lots more. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Carl Newman and Liam Kazar for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting services and social media channels. Today's episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range.

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Mac McCaughan (Superchunk) with Amber Tamblyn

Play Episode Listen Later Sep 23, 2021 43:39

On this week's Talkhouse Podcast we've got a couple of friends who both happen to have new but very different projects out this month: Amber Tamblyn and Mac McCaughan. Tamblyn is an actor-writer-director-poet-activist with a wildly diverse resume. She may be best known for roles on Joan of Arcadia and Two and a Half Men, but that's only the tip of a pretty incredible iceberg. She's written well received books of poetry—including 2015's Dark Sparkler. She directed the 2016 film Paint it Black, which features a score by today's other guest. She's one of the founders of the Time's Up movement and the author of a book about feminism and activism called Era of Ignition. And now she's starring the FX/Hulu adaptation of the comic book Y: The Last Man, in which every man on earth suddenly dies—except one. It's pretty awesome so far, and she's great in it. Mac McCaughan also wears many hats, chiefly as singer-guitarist of the long-running band Superchunk and co-owner of the righteously vaunted independent record label Merge. During the pandemic—after suffering a sort-of writer's block—McCaughan wrote and recorded a solo album, though he didn't exactly do it alone. The Sound of Yourself features a bunch of guests that Mac wrangled over the internet—one of the only good uses for that damn thing—including Mackenzie Scott of Torres, Michael Lerner of Telekinesis, and many more. It's a quietly contemplative record that mixes McCaughan's perfect pop with some more ambient instrumental passages—something he and Tamblyn talk about in this podcast. Elsewhere in this lively conversation, we get to hear about how Mac and Amber didn't quite cross paths during the pandemic, when he graciously loaned his house to Amber, her husband David Cross, and their young daughter. They also chat about writer's block, and whether that exists, what it was like for Tamblyn to play an ultra-conservative in Y The Last Man, and their other recent projects, which include the score for Amy Poehler's movie Moxie (for Mac), and a bunch of new books (for Amber). They also connect about ambient music and the sheer power of Bob Mould. Enjoy. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Kathy Valentine (The Go-Go's) with Sadie Dupuis (Speedy Ortiz)

Play Episode Listen Later Sep 16, 2021 56:31

On this week's Talkhouse Podcast, we've got a fabulous cross-generational conversation between two women separated by a good number of years but united by a punk spirit: Kathy Valentine of The Go-Go's and Sadie Dupuis of Speedy Ortiz and Sad13. It's no overstatement to say that Kathy Valentine has a massive place in music history as part of The Go-Go's, who burst from the L.A. punk scene of the late ‘70s and into the musical mainstream in the early ‘80s. They were the first (and still only!) all-woman band who wrote and performed their own songs to top the Billboard charts, and their debut album Beauty And The Beat remains a classic to this day. It's been an amazing career for Valentine and her band, some of which she recalls in her excellent memoir, called All I Ever Wanted, which came out last year. If you're more of a viewer than a reader, there's also a great Go-Go's documentary on Showtime that covers the remarkable band's career. This year—finally, after being eligible for 15 years—the Go-Go's have been voted into the Rock and Roll Hall of Fame. They'll be inducted next month alongside Foo Fighters, Todd Rundgren, Jay-Z, Tina Turner, and Carole King. Good company. These days, Valentine lives in Austin, makes her own music when she's not writing or doing charitable work, and occasionally gigs with The Go-Go's. Sadie Dupuis lived in Austin very briefly—the two get into that—not long before she started the band that would launch her career, Speedy Ortiz, in Massachusetts. With Speedy, she's released three albums—the latest is 2018's Twerp Verse—and as Sad13, she's released another two, including last year's fully vibing Haunted Painting. She's also released a book of poems called Mouthguard, and perhaps most importantly, she's been dissecting every episode of the Gossip Girl reboot exclusively for the Talkhouse newsletter. Yes, you should subscribe. Valentine and Dupuis have a great conversation about everything from Sadie's punk-rock parents—and her dad's odd connection to the Rock Hall—to the Greenbrier alternative school to the soundtrack that Valentine created to go along with her book. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Kathy Valentine and Sadie Dupuis for chatting. If you like what you heard, please follow Talkhouse on all your favorite podcast providers and social media channels. This episode was produced by Melissa Kaplan, and the Talkhouse theme was composed by the Range. See you next time!

Margo Price with Tristen

Play Episode Listen Later Sep 2, 2021 48:18

On this week's Talkhouse Podcast, we've got a lively conversation between a pair of Nashville friends who also happen to be incredible songwriters and performers: Margo Price and Tristen. Price grew up in small town Illinois, but made her way to Music City and played in a couple of pop-leaning bands before giving into the allure of country music. (It can be hard not to, and she's great at it.) After going solo, Price released a pair of albums on Jack White's Nashville-based Third Man Records and built up a loyal fanbase with amazing songs and even better live shows. For album number three, she moved to a new label and engaged some incredible session musicians to help her out, including Benmont Tench, Matt Sweeny, Pino Palladino, and her old pal Sturgill Simpson, who co-produced. It's called That's How Rumors Get Started. Tristen also grew up in Illinois and made her way to Nashville, though her musical journey has taken her to more out of the way sounds than her friend Margo over the course of five albums. She's one of those songwriters and performers absolutely beloved by other musicians, and for good reason. She's a risk-taker in the studio, venturing out into unknown territory and pretty much always finding something at least interesting, and often incredible. Her latest album is this year's Aquatic Flowers. Tristen and Margo get into it right away, talking about the financial realities of today's music industry, how working with their significant others works, and “the trick of capitalism at its core.” That might sound heavy, and sometimes it is, but it's also super informative and fun. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Margo and Tristen for chatting. If you liked what you heard, definitely check out their recent records—and of course check out Talkhouse on all your favorite social channels. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

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beabadoobee with Nina Persson (The Cardigans)

Play Episode Listen Later Aug 26, 2021 44:12

This week on the Talkhouse Podcast we've got one of those fun conversations where the reverence is on full display from the get-go. When we asked singer-songwriter Beabadoobee who she'd be interested in speaking with for the podcast, she immediately responded Nina Persson of The Cardigans—one of her heroes, as you'll hear. For those unfamiliar with Beabadoobee, she was born in the Philippines, raised in London, and found fame over the past couple of years via social media platforms like TikTok. Canadian rapper Powfu built his song “Death Bed” around Bea's song “Coffee,” giving her a huge hit with what was essentially the first song she ever wrote. She followed that with a string of really strong EPs, and then dropped her proper debut album, called Fake It Flowers, in October of last year. It's a fantastic set of fuzzy pop songs that clearly found a ton of inspiration in the music of the 1990s—bands like The Sundays, Pavement, Belly, and even Daniel Johnston have bandied about in reviews. Beabadoobee is hitting the road this year with her fantastic labelmates Blackstar Kids; you can see all the tour dates down below. And maybe if you're listening closely you'll hear a little bit of the Cardigans in there as well, another band that found fame in those alternative-nation days. The Swedish band had a huge hit in 1996 with the song “Lovefool,” whose chorus was imprinted on a generation, and released a string of excellent albums right up through 2005, when they went into a sort of semi-retirement, emerging occasionally to play shows. At the front of the band was charming lead singer Persson, who went on to form a band called A Camp, as well as release a solo album. She's also, admiringly, enjoying not being all that busy. She plays the occasional show but also teaches and does pottery. Sounds nice. Bea and Nina had a really lively cross-generational conversation: You can hear the admiration in Bea's voice, and the real interest from Nina about how things are different as a twentysomething woman in the music business now versus when she was topping the charts. They also talk about social media, Nina's favorite moments from the Cardigans catalog, red pandas, and gross hotel rooms with shag carpet, sperm, and toenails. Yuck. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Nina and Bea for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting platforms and social channels, and don't forget to check out all the great written content at Talkhouse.com. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Richard Marx with Jakob Dylan (The Wallflowers)

Play Episode Listen Later Aug 19, 2021 45:09

This week's Talkhouse Podcast features a couple of names you almost certainly know, because each of these guys has had a pretty incredible career in music: Richard Marx and Jakob Dylan. Marx, of course, wrote and performed some of the most indelible pop hits of the late '80s and early '90s, including “Endless Summer Nights,” “Hold on to the Nights,” and the super smash “Right Here Waiting,” which comes up in this conversation. But even as the era of mullets and frosted jeans faded, Marx couldn't be stopped—or rather Marx's songs couldn't be stopped. He's continued releasing music over the years, and his influence can be felt deeply to this day: Just check out the audio and visual vibe of John Mayer's latest album, which basically pays tribute. And it's not just music: Marx recently released a funny, candid memoir called Stories To Tell, in which he details some of the incredible memories he's made in the music business over the years. And that's where Jakob Dylan enters the picture, as you'll hear. Though the two didn't know each other, Dylan went on Joe Rogan's podcast to praise Marx's book, and a friendship was born. Dylan is no slouch in the music department, either—you can't be, with that family name. He's been the main creative force behind the Wallflowers for the past 30 years, releasing seven Wallflowers albums, two solo sets, and criss-crossing the globe. The latest Wallflowers record, Exit Wounds, just came out, and its lyrics and vibe are reflective of the times we're living in, which is to say it's a bit harrowing but also incredibly catchy. A bunch of the songs feature Shelby Lynne on backing vocals as well, which is a great bonus. In this chat, the two songwriters talk about process, about how writing a book is different than writing a song, a special moment Marx recently dedicated to his ailing mother, and how Barbra Streisand has no regrets about not recording Marx's biggest hit. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Richard Marx and Jakob Dylan for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting service as well as all your favorite social media services. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range.

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Max Richter with Perfume Genius

Play Episode Listen Later Aug 12, 2021 32:39

On this week's Talkhouse Podcast, we've got a great conversation between two guys who don't necessarily have a ton in common musically, but who approach creativity in similar ways—and who happen to be great fans of each other's work: Mike Hadreas of Perfume Genius, and composer-performer-multi-hyphenate Max Richter. Hadreas, whom you've hopefully heard on the Talkhouse Podcast in the past, has been recording and performing under the name Perfume Genius since 2008, and he's one of those artists whose music just inexplicably gets better with each passing day—even when you think it couldn't. His records are this incredible combination of fearlessness and joy, whether he's singing about dealing with homophobia or just making bodies move. The latest Perfume Genius record, which came out right as Covid was entering the world's consciousness, bears the fantastic title Set My Heart On Fire Immediately. Perfume Genius will start playing shows again next month; check out perfumegenius.org for dates. As for Max Richter, it would take far more than this limited space allows just going over his resume. From contributing to a classic Future Sound of London album back in the ‘90s through his incredible score for HBO's The Leftovers to a dozen other things, the musician/composer has an incredibly full plate. He composed an eight-hour minimalist classical piece called Sleep, which was performed for audiences that were provided with beds and encouraged to, y'know, fall asleep. (It's now an app, too!) His latest release, just out last week, is called Exiles, and it features a lengthy new track that he composed for a ballet alongside some reimaginings of pieces he's composed over the years. In this conversation, Richter and Hadreas talk about how making music is about articulating what can't otherwise be articulated, where to start when you're working on a soundtrack, and the joys of being influenced by other music. Enjoy. This episode was produced by Melissa Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time!

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John Darnielle (The Mountain Goats) with Maggie Smith

Play Episode Listen Later Aug 5, 2021 41:02

This week's episode of the Talkhouse Podcast began somewhere not particularly known for good or fruitful ideas: Twitter. That's where the poet Maggie Smith dropped a funny notion, which songwriter John Darnielle of the Mountain Goats picked up and ran with. Smith, whose was in the process of splitting up with her husband, suggested a photo essay in which she'd take her old wedding dress on a tour of the country, Weekend at Bernie's style, only the dead thing isn't a guy—it's her marriage. Never one to shy away from life's darkest moments, Darnielle jokingly suggested—or at least it seemed like a joke—that there was a song in Smith's idea, and he suggested calling it “Picture of My Dress.” And then, wouldn't you know it, he went and wrote the song, releasing it on last year's excellent album Getting Into Knives. It probably shouldn't come as a surprise that Darnielle came up with the song: He's so prolific that it makes the average person—meaning me—really jealous. The Mountain Goats released two studio albums and a live album in 2020, and another new album this year, called Dark In Here. He's also an accomplished novelist and served as a judge for the 2020 National Book Awards. Speaking of writers, Maggie Smith had the unusual distinction of being a poet who broke through to the wider world with a poem called “Good Bones” back in 2016. Last year, she released the well received essay collection Keep Moving: Notes on Loss, Creativity and Change, and just last month released a poetry collection called Goldenrod. All are well worth your time, and Smith is on a sort of virtual book tour at the moment: You can check out the details on that at her site, maggiesmithpoet.com. In this conversation, Darnielle and Smith talk about the unusual nature of their kinda-sorta collaboration, a delightful thing she calls “the cake sound,” John's failed attempt at writing a song about NASCAR, and much more. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Maggie Smith and John Darnielle for chatting. If you liked what you heard, please follow us wherever you get your podcasts and/or your social media. This week's episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Mike Mills (R.E.M.) with Jason Narducy (Superchunk, Bob Mould)

Play Episode Listen Later Jul 29, 2021 32:48

Jason Narducy is a Chicago guy, but he spends a ton of his time—or at least he used to—on tour, playing bass for both Bob Mould and Superchunk. In early 2020, a local theatre mounted a production of a musical called Verboten, which was based on Jason's life—specifically his time as a pre-teen in a punk band. As a grown-up, in addition to providing the low end for those other great folks, he fronts his own band, Split Single. Under that moniker, Narducy writes the songs and recruits incredible musicians to record and play with him. For the excellent new Split Single album, Amplificado, Narducy once again asked Superchunk's Jon Wurster to play drums, and he summoned the bassist from a certain famous Athens, Georgia band to play as well. That'd be R.E.M.'s Mike Mills, who fleshes out the Split Single sound with his bass and backing vocals on Amplificado, which the trio recorded here in Chicago before the pandemic ground everything to a halt. Mills has kept himself busy since R.E.M. split up about ten years ago, playing with the Baseball Project and playing golf, as you'll hear. (He's earned it, right?) In this conversation, he also talks about a long-gestating solo album, a project that incorporates classical music, and his rescue pooch. In case you missed it, Mills' R.E.M. bandmate Michael Stipe was on the Talkhouse Podcast just six weeks ago—we're two for four! Elsewhere in this conversation, Mills and Narducy talk about the pandemic, of course, as well as hope for the future, passing the baton to the next generation, and the majesty of working with excellent drummers—specifically Jon Wurster and Bill Berry. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse theme is composed and performed by The Range. Thanks for checking it out!

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Chet Faker (Nick Murphy) with Soulwax

Play Episode Listen Later Jul 22, 2021 40:47

Nick Murphy is best known for his downtempo electronic project Chet Faker, which is confusing because it also sounds like a guy's name—but which released one of the best albums of 2014, Built On Glass. But as you'll hear in this Talkhouse chat, Murphy put the Chet Faker name on a shelf at the height of its popularity in order to go in a more organic route under his own name. He subsequently released a pair of albums—including one initially through a meditation app, which is very 21st century and awesome. This year, he decided to bring the Chet Faker name and sound out of the attic, and he's just released a killer new record called Hotel Surrender. And that's where the Belgian musicians/DJs Stephen and David Dewaele come in. The two are the principal players in a band called Soulwax, but they've made a massive second career as a DJ duo called 2 Many DJ's. Back in the early aughts, 2 Many DJ's reignited the mash-up trend with a classic mix called As Heard on Radio Soulwax Part 2. That's right, they incorporate the name of their band right in with their other lives as DJs. They also recently opened a studio called DeeWee. Oh, and did I mention that they're super in-demand, Grammy-nominated remixers as well? They are. And they remixed a song from the new Chet Faker album called “Whatever Tomorrow," which is what brought them together for this chat. This intercontinental conversation—Murphy is Australian but lives in New York, the Dewaele brothers are from Belgium—gets into a lot of great stuff really quickly, including the confusing but smart way both acts can diversify, how Murphy initially found the whole idea of EDM distasteful, and a little something called “spacebar energy.” I won't tell you what it is, but I'll say that you probably want your songs to have it. Thanks for listening to the Talkhouse Podcast and thanks to Nick, Stephen, and David for chatting. Check out their various guises—you won't be disappointed. This week's episode was produced by Melissa Kaplan, and special thanks to Keenan Kush for stepping in to record it. The Talkhouse theme song is composed and performed by the Range.

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Dorian Electra with Claud

Play Episode Listen Later Jul 15, 2021 36:42

On this week's Talkhouse Podcast, we've got a pair of incredible young songwriter-performers whose music isn't super similar, but who both embrace a sort of ultra-modern mish-mash of styles: Dorian Electra and Claud. Claud was the first performer signed to Phoebe Bridgers' new label, Saddest Factory, after spending some time in a duo called Toast. Claud's debut album, Super Monster, is most often described as “bedroom pop”—that term is brought up in this chat—but that's only a small part of it. There are hints of all kinds of sounds here, from vaguely Latin-esque to pop-punkish on the delightful “That's Mr. Bitch to You.” Dorian Electra has been at it a bit longer than Claud, having made a splash around ten years ago with playful, politically charged songs about money and gender fluidity, among many other things. Electra was featured on the Charli XCX track “Femmebot” a few years back, and in 2020 released their second album, My Agenda, which features everyone from Pussy Riot to Village People. Electra and Claud have a great conversation, tackling everything from the importance of Spotify playlists—which played a role in each of their success—to college to the complicated commercialization of Pride Month. Enjoy. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Liz Phair with Zella Day

Play Episode Listen Later Jul 8, 2021 48:30

Liz Phair crashed into the indie-rock world in a huge way in the early ‘90s with her instant classic album Exile In Guyville, and she was already the talk of the town—in this case Chicago—before she had even performed publicly. It was an auspicious start to a fascinating career that went from indie-world stardom to Lilith Fair to composing for films and TV to a consciously pop-leaning album to a fantastic memoir called Horror Stories. And it comes full circle, sort of, with her new album Soberish, which she created with the help of producer Brad Wood, with whom she worked on her early albums, including Exile. Zella Day took a very different path in her music life, starting out very young—at age 15—trying to write songs and make it in Nashville. That led to a revelation that she'd rather perform herself, and eventually a record deal and 2015's pop-centric album Kicker. She played Coachella and other huge festivals, but wasn't fully satisfied with where she was artistically, as you'll hear in this chat. After relocating to L.A., she fell in with a slightly more serious crowd, included pals like Lana Del Rey and Weyes Blood, and her music shifted a bit. She's currently working on an album with producer Jay Joyce, and recently released a song with Natalie Mering of Weyes Blood called “Holocene.” Phair and Day hit it off right away in this conversation, diving right into a conversation about restarting their careers post-COVID—Phair's dad is a retired infectious diseases expert, which gave her some unique insight—as well as the challenges of not giving too much of yourself during an album's promotional cycle. They also tackle the meaning of the word “sober-ish,” which is pretty great. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Liz Phair and Zella Day for chatting. This episode was produced by Melissa Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time!

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Morgan Simpson of Black Midi with Bill Bruford (King Crimson, Yes)

Play Episode Listen Later Jul 1, 2021 51:28

This week on the Talkhouse Podcast we've got a special treat for the drummers and drum geeks out there: a conversation between Morgan Simpson of Black Midi and Bill Bruford of, as he says in their chat, about 101 bands. That number for Bruford isn't too far from reality. Over a 40+ year career, he played with some incredible names in the world of progressive music, most notably Yes and King Crimson, but also his own projects, including Earthworks. He's an astoundingly versatile and musical drummer, and we were delighted to hear that he's still got his ear to the ground all these years later, as a fan of the relatively young band Black Midi. You can hear it in Morgan Simpson's voice that he's both pleased and excited to make Bruford's acquaintance as part of the podcast—and it's actually the first episode we've recorded in quite some time where the participants are in the same room with each other! Simpson pays Bruford the ultimate drummer compliment when he says that he can recognize his playing within a couple of seconds, and Bruford isn't shy about his love for Black Midi. He even compares them—rightfully so—to King Crimson. Bruford himself actually retired from performing about 10 years ago, while Black Midi is just getting started. The band released their second album, Cavalcade, in May, and it's a massively eclectic, fantastic collection of songs—a little more focused than their first, perhaps, but no less rangy and striking. They'll hit the road for a huge tour this fall, kicking off with a slot at Pitchfork Fest in Chicago. Bruford and Simpson have a lot of fun, as you'll hear, talking about other drummers—Phil Collins, Billy Cobham, etc—as well as the similarities in their own playing. If you've never realized that a snare drum could sound like you're quote “being slapped around the head with a wet kipper,” then this conversation is for you. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks so much to Bill Bruford and Morgan Simpson for chatting. If you like what you heard, follow Talkhouse on your favorite podcasting service, and all available social channels. This episode was produced by Melissa Kaplan, and the Talkhouse theme was composed and performed by the Range.

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Edgar Wright with Ron and Russell Mael (Sparks)

Play Episode Listen Later Jun 17, 2021 41:39

On the latest episode of the Talkhouse Podcast, director Edgar Wright chats with musicians Ron and Russell Mael of the beloved cult band Sparks, who are the subject of Wright's deeply enjoyable new documentary, The Sparks Brothers. In a wide-ranging conversation, the friends and collaborators veer from gripping discussions about food to in-depth explorations of the Mael brothers' longstanding love of their other creative passion, cinema, which finally resulted in Leos Carax directing their film Annette – which opens the Cannes Film Festival next month! They also discuss record-store hijinks, the genesis of past projects, compare notes on trailers, and much, much more. A veritable smorgasbord of an episode, it's a real pleasure to listen to three people who so obviously relish each others company. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. This episode was produced by Melissa Kaplan. The Talkhouse theme is composed and performed by the Range.

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Meghan Trainor with VINCINT

Play Episode Listen Later Jun 10, 2021 20:39

Meghan Trainor burst into the public consciousness with her 2014 hit “All About That Bass,” which was accompanied by a triple-platinum album and loads of subsequent success. Two more albums followed, as did judging roles on the British version of The Voice, and perhaps more important to this conversation, a singing competition called The Four, where she was on a panel with Sean Combs and DJ Khaled. That show is where Trainor first encountered the spectacular singing voice of VINCINT, who wowed her and the other judges with his incredible stylistic range, culminating in a cover of Radiohead's “Creep” that was all around the internet a couple of years ago. VINCINT has since released a bunch of songs, and he's finally ready to drop a proper debut album: There Will Be Tears is packed with what sound like future hits, and includes guest spots from Tegan and Sara, Parson James, Qveen Herby, and more. You'll be hearing a ton more from VINCINT this month and year: He's going to be on the Today Show, as you'll hear in the chat, and he's headlining HBO Max's Pride programming. Trainor is awfully busy herself, having recorded and released a holiday album during quarantine and, in bigger news, signed a huge cross-platform deal with NBCUniversal that will include a comedy series at NBC. But she was so psyched about VINCINT's album that she made some time to chat about it with him, and about their favorite songwriters, mutual acquaintances, and advice on dealing with stardom. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse theme was composed and performed by The Range.

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Michelle Zauner (Japanese Breakfast) with Rostam

Play Episode Listen Later Jun 3, 2021 51:52

Today’s Talkhouse podcast started with a little bit of serendipity in the form of album release dates: Both of our guests, Michelle Zauner of Japanese Breakfast and producer/musician/former Vampire Weekend guy Rostam, have excellent records coming out on June 4. They’re also fans of each other’s work, so we figured it made plenty of sense to put them together. Zauner’s album, her third under the Japanese Breakfast name, is called Jubilee, and as you’ll hear in this conversation, it took a deliberate turn toward slightly happier themes than her first two. It comes hot on the heels of Zauner’s first book, a heartbreaking memoir called Crying In H Mart, that deals with her mother’s death—also a theme in her early music—and food, lots of food. It’s a really touching read, and an ideal companion to her musical catalog, which grew in really compelling ways with Jubilee. Rostam is best known as a founding member of Vampire Weekend, and even though he officially left the band a few years ago, he still contributes some songwriting and production work. He’s kept plenty busy otherwise, producing records and writing songs with an incredible array of other artists, from Hamilton Leithauser to HAIM to Clairo. His first proper solo album is the gentle, string-filled, fantastic Half-Light, which came out in 2017, and now he’s releasing Changephobia, which as you’ll hear ditches the string section and brings in a sax, among other things. These two jump right into a conversation that flits around from silly to deep: On one hand, they talk about childhood loves of chess and fencing and the importance of song five on an album. On the other, Zauner gets rightfully annoyed at interview questions she gets that other people don’t, and Rostam talks about being Persian in a band that was sometimes pegged as particularly white. It’s a funny, smart chat. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse theme was composed and performed by The Range.

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Chris Gethard with Jeff Rosenstock

Play Episode Listen Later May 27, 2021 47:48

Chris Gethard is a comedian whose stories are often so serious and touching that they make people cry, and Jeff Rosenstock writes and sings heartfelt songs that are also witty and funny enough to make you laugh. So it’s no wonder that these two are friends and comrades in arms: From practically the moment they met, they could tell they were on the same page. Gethard has had a boundary-defying career that I’ll try and fail to quickly encapsulate here. He’s been a stand-up comedian, but perhaps more importantly the host of a public access show bearing his name that eventually ran for three seasons on a couple of different cable networks and was, to put it bluntly, kind of insane. He spun his stand-up into an off-Broadway show about depression, alcoholism, and suicide called Career Suicide, which later became an HBO special produced by Judd Apatow. Somewhere in there, he started several podcasts, the most popular of which is Beautiful/Anonymous, wherein he spends an hour with an anonymous stranger telling him their deepest secrets. I have yet to mention his books, his other podcasts, his appearances in movies and TV shows like Broad City and The Office, and more. The occasion for this conversation is the release of Gethard’s newest thing, called Half My Life, which is sort of a hybrid tour documentary and stand-up special that he recorded at ten venues around the country, including one with an audience of live alligators. It’s available on demand starting June 1. Jeff Rosenstock has been making music in various guises and with lots of people since the late 1990s, when he was in a ska-punk band called the Arrogant Sons of Bitches. He went on to greater renown in Bomb the Music Industry before launching a pretty incredible solo career, in which he combines super thoughtful, personal and political lyrics with catchy, genre-blending sounds. So maybe it shouldn’t have been a surprise when, earlier this year, he released a song-for-song reworking of his 2020 album No Dream called Ska Dream, on which he re-recorded every track… but ska. He roped in amazing guests, too—from Angelo Moore of Fishbone to members of PUP and Deafheaven. In this conversation, Gethard and Rosenstock are, unsurprisingly, both funny and serious. They’ve got doubts about whether audiences will be there when they return from lockdown, but they’ve also got a relentless desire to create art and to do the right thing. It’s refreshing, and I hope you enjoy it. This episode was produced by Melissa Kaplan. The Talkhouse theme was written and performed by The Range.

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Nick Sanborn (Sylvan Esso) with Blake Mills

Play Episode Listen Later May 20, 2021 42:10

Blake Mills has the kind of resume that might make the average person feel really lazy. Not only is he an active musician, but also a Grammy-winning producer (for Alabama Shakes’ 2015 album Sound and Color), a collaborator to the stars—including the likes of Fiona Apple and Bob Dylan—and most recently, one of the guys in charge of the legendary Sound City studio in L.A. Mills’ newest musical project is a collaboration with legendary bassist Pino Palladino called Notes With Attachments. Just prior to that, it was the Pitchfork Best New Music designee Mutable Set, from 2020. Nick Sanborn is half of Sylvan Esso, along with Amelia Meath. The duo recorded their third and latest album, the excellent Free Love, while they were constructing a brand new studio, called Betty’s, on their farm in North Carolina. The album came out in September of last year, which obviously meant touring was off the table, but Sanborn got plenty busy with production work, including helping to create the most recent Flock of Dimes record with recent Talkhouse guest Jenn Wasner. Since the album’s release, Nick and Amelia have kept busy, releasing videos, a killer remix of their song “Numb,” and a live album called WITH. And now they’ve rescheduled a big tour for this fall, kicking off at Bonaroo, where they’ll host the Super Jam. Check out sylvanesso.com for tour dates. Sanborn and Blake get right into it in this conversation, covering the intimate relationships that make for good records, the joy and trepidation about returning to public stages, and even how weird it is to do the Talkhouse Podcast. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme is composed and performed by the Range.

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Revisited: Mac DeMarco with Dayglow

Play Episode Listen Later May 13, 2021 39:03

This week, we revisit a chat from last year, featuring Mac DeMarco and Dayglow's Sloan Struble. The second Dayglow album, Harmony House, comes out May 21. Check it out! ------------------- On this week’s show, a young gun picks a veteran’s brain. A youngish veteran, admittedly — Mac DeMarco’s only 30, but compared to 21 year old Spotify-wunderkind Sloan Struble, aka Dayglow, he’s already spent a lifetime in the music industry trenches. The two take in a lot in this conversation. We hear Mac’s origin story, and get a nice overview of his career. We get insight into what it’s like finding fast fame online in 2020, and the two dissect the term “DIY” and the changing definition of “indie.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer This week’s talk was originally produced by Mark Yoshizumi and Elia Einhorn. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme song was composed and performed by The Range.

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Mary Lattimore with Sarah Neufeld (Arcade Fire)

Play Episode Listen Later May 6, 2021 32:56

The way that Mary Lattimore and Sarah Neufeld met is kind of a rock and roll dream. Lattimore went to see Neufeld’s band, Arcade Fire, before they were huge stars, and they got to talking. When Lattimore mentioned that she’d be moving to Philadelphia soon, Neufeld and her bandmates asked her to perform with them—so her first time playing on stage outside a more classical setting was in front of a huge Arcade Fire crowd, and it gave her the performing bug. Both Neufeld and Lattimore have released fantastic records recently: Lattimore’s Silver Ladders came out last year on the Ghostly International label, and it met with widespread acclaim. Sarah Neufeld’s brand new record, Detritus, was born via a collaboration with Canadian dancer Peggy Baker. Neufeld wrote the songs that would become this album to accompany Baker’s choreography, and she even went on the road to accompany the dance performances. She later went into the studio and, with help from her Arcade Fire bandmate Jeremy Gara, set to recording them. It’s an incredible collection that blends her primary instrument with ambient electronics, drums, and other sounds. In this conversation, Neufeld and Lattimore talk about the night they met and subsequent nights they don’t remember, a harp that lives in Prague, writing music to accompany dance, and how a harp might actually help induce labor in an expecting mother. Enjoy. This episode was produced by Melissa Kaplan. The Talkhouse theme was composed and performed by The Range.

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Revisited: Kevin Parker (Tame Impala) with Dan Snaith (Caribou)

Play Episode Listen Later Apr 8, 2021 54:10

It might feel like a lifetime ago, but it was just over a year ago in February of 2020 when we got new albums from both Tame Impala and Caribou. For Kevin Parker, The Slow Rush was his fourth full-length record following an extended break after Currents. Caribou fans had a slightly longer wait for Dan Snaith's tenth record, Suddenly. Now both artists have rereleases in 2021. Kevin Parker and company recently celebrated ten years since their debut record, Innerspeaker. There's a new behind-the-scenes short film chronicling the 2010 recording process, a box set, and an upcoming livestream performance later this month, April 21 (more info on tickets here), of the full album from the Wave House. Dan Snaith has also been in the news recently, releasing Suddenly Remixes, featuring reworked tracks by Toro y Moi, Four Tet, Floating Points, and others. This conversation, which originally aired in October of 2020, never has a dull moment and features the pair chatting about how and when they first met, having confidence as an artist, and their "de facto lockdown albums." Don't forget to subscribe to the Talkhouse Podcast wherever you get your podcasts. —Keenan Kush, Talkhouse Director of Operations This week's talk was originally produced by Mark Yoshizumi and Elia Einhorn. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme song was composed and performed by The Range.

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Sharon Van Etten with Jamie Stewart (Xiu Xiu)

Play Episode Listen Later Apr 1, 2021 36:23

Sharon van Etten and Jamie Stewart met a few years ago, when producer John Congleton recommended the Xiu Xiu frontman as a contributor to the singer-songwriter's 2019 album, Remind Me Tomorrow. Though their music isn't super similar sounding, each traffics in a kind of emotional honesty that's difficult to pull off but incredibly rewarding. Van Etten contributed vocals to the song "Sad Mezcalita" on Xiu Xiu's new all-duets album, OH NO, and the two chat about that collaboration here, along with the creative process, being open in their songwriting, and much more. This episode was produced by Melissa Kaplan. The Talkhouse theme is composed and performed by the Range.

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Hang Up: Is Curt Schilling a Hall of Famer?

Play Episode Listen Later Feb 2, 2021 77:14

Joel Anderson, Stefan Fatsis, and Josh Levin talk about the latest NFL hiring cycle, where just one Black coach got hired to run a team. They also assess Australia’s tennis quarantine and discuss whether Curt Schilling will break the baseball Hall of Fame. NFL coaches (01:52): What if anything can be done to get Black coaches more opportunities? COVID (20:52): Sports in Australia vs. sports in the pandemic-ravaged United States. Curt Schilling (35:56): Should writers consider his “character” when casting their Hall of Fame ballots? Afterballs (54:14): Josh on Jackie Robinson vs. sportswriter Bill Keefe and Melissa Kaplan on the Phillie Phanatic. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Is Curt Schilling a Hall of Famer?

Hang Up and Listen

Play Episode Listen Later Feb 1, 2021 77:14

Joel Anderson, Stefan Fatsis, and Josh Levin talk about the latest NFL hiring cycle, where just one Black coach got hired to run a team. They also assess Australia’s tennis quarantine and discuss whether Curt Schilling will break the baseball Hall of Fame. NFL coaches (01:52): What if anything can be done to get Black coaches more opportunities? COVID (20:52): Sports in Australia vs. sports in the pandemic-ravaged United States. Curt Schilling (35:56): Should writers consider his “character” when casting their Hall of Fame ballots? Afterballs (54:14): Josh on Jackie Robinson vs. sportswriter Bill Keefe and Melissa Kaplan on the Phillie Phanatic. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Trumpcast Finale

Play Episode Listen Later Jan 30, 2021 65:39

For our series finale, Virginia Heffernan kicks off the show with Jay Rosen, a professor of journalism at NYU, who talks about why and how journalists came to normalize the extreme wrongs of the Trump presidency. Trumpcast producer Melissa Kaplan then joins Virginia for a series wrap, or Trumpcast cast, remembering some of our best shows and lessons learned. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Trumpcast Finale

Outward: Slate's LGBTQ podcast

Play Episode Listen Later Jan 30, 2021 65:39

For our series finale, Virginia Heffernan kicks off the show with Jay Rosen, a professor of journalism at NYU, who talks about why and how journalists came to normalize the extreme wrongs of the Trump presidency. Trumpcast producer Melissa Kaplan then joins Virginia for a series wrap, or Trumpcast cast, remembering some of our best shows and lessons learned. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Interview with Melissa Kaplan of Gecko Designs

Tell Us Something

Play Episode Listen Later Dec 22, 2020 44:05

Tell Us Something director Marc Moss worked with the team at Gecko Designs to rethink the Tell Us Something website back in 2017 and they have been providing hosting and routine maintenance for the website ever since. Join head honcha Melissa Kaplan and Marc for an in-depth vist about Gecko Designs, the Tell Us Something experience, and telling a story on the Tell Us Something stage. After the conversation, you can hear the story as she shared it with her husband and head honcho of Gecko Designs, Gabriel Silverman. Melissa Kaplan Silverman & Gabriel Silverman met in Chicago in 2005. Gabriel grew up in Missoula and enjoys all forms of biking and skiing, building things with his hands and creating world-class websites. Melissa is a Detroit-born Missoulian-at-heart who enjoys running and baking. Melissa has been an organizational leader within Gecko Designs since 2005. In addition to her expertise in the customer service and project management arena, Melissa is always the last person to see a final project before it is sent to the client, allowing her to give a thorough and unbiased opinion. Together, Melissa and Gabriel run a graphic design and marketing firm. Tugboat, their Golden Retriever, can be seen sunbathing in the glass window of their office on Higgins when they are not working from home. A stolen road bike leads Gabriel Silverman & his then-girlfriend Melissa Kaplan to embark on their own little episode of Cops to reclaim the goods. Their story was recorded in front of a live audience on August 6, 2016, at The PEAS Farm in Missoula, MT. The theme that night was “That’s Not How it Happened”. They call their story “You Stole My Bike!”

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We’re Here, We’re Married, We’re Employed

Play Episode Listen Later Jun 17, 2020 72:21

This month, Christina, Bryan, and Rumaan spoke with Mark Joseph Stern about the fifth anniversary of marriage equality, the future of LGBTQ rights in the United States, and the recent Supreme Court decision about employment discrimination. Then we’ve got our live show from June 3, when Bob the Drag Queen joined the crew to discuss the Black Lives Matter movement, police violence, and the healing power of the new HBO series We’re Here. This podcast was produced by Daniel Schroeder and Melissa Kaplan. Slate Plus members get bonus segments and ad-free podcast feeds. Sign up now. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Outward: We’re Here, We’re Married, We’re Employed

Play Episode Listen Later Jun 17, 2020 72:21

This month, Christina, Bryan, and Rumaan spoke with Mark Joseph Stern about the fifth anniversary of marriage equality, the future of LGBTQ rights in the United States, and the recent Supreme Court decision about employment discrimination. Then we’ve got our live show from June 3, when Bob the Drag Queen joined the crew to discuss the Black Lives Matter movement, police violence, and the healing power of the new HBO series We’re Here. This podcast was produced by Daniel Schroeder and Melissa Kaplan. Slate Plus members get bonus segments and ad-free podcast feeds. Sign up now. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Bank That Backed Trump

Play Episode Listen Later Mar 10, 2020 57:36

Virginia Heffernan welcomes David Enrich, a reporter for the New York Times and author of the book Dark Towers: Deutsche Bank, Donald Trump, and an Epic Trail of Destruction. Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Follow @realTrumpcast on Twitter / https://www.twitter.com/realTrumpcast Learn more about your ad choices. Visit megaphone.fm/adchoices

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Trumpcast: The Bank That Backed Trump

Play Episode Listen Later Mar 10, 2020 57:36

Virginia Heffernan welcomes David Enrich, a reporter for the New York Times and author of the book Dark Towers: Deutsche Bank, Donald Trump, and an Epic Trail of Destruction. Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Follow @realTrumpcast on Twitter / https://www.twitter.com/realTrumpcast Learn more about your ad choices. Visit megaphone.fm/adchoices

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Trump’s Mind Control Madness

Play Episode Listen Later Mar 6, 2020 60:26

Virginia Heffernan welcomes back author and leading cult expert, Steven Hassan, to talk about his latest book, The Cult of Trump, and about his own experience being lured into and then recovering from a cult. Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Follow @realTrumpcast on Twitter. Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Trumpcast: Trump’s Mind Control Madness

Play Episode Listen Later Mar 6, 2020 60:26

Virginia Heffernan welcomes back author and leading cult expert, Steven Hassan, to talk about his latest book, The Cult of Trump, and about his own experience being lured into and then recovering from a cult. Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Follow @realTrumpcast on Twitter. Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Trumpcast: Coronavirus and the Democratic Primary

Play Episode Listen Later Mar 3, 2020 39:37

Virginia Heffernan talks to Dr. Greg Dworkin, a Daily Kos contributing editor and the Chief of Pediatric Pulmonology and Medical Director of the Pediatric Inpatient Unit at Danbury Hospital in Danbury, CT. They discuss pandemic preparedness, where to find facts, and how the eerily similar the Coronavirus and the Democratic primary election are reported. Follow @realTrumpcast on Twitter Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Coronavirus and the Democratic Primary

The Authority: Exploring the Worlds of His Dark Materials

Play Episode Listen Later Mar 3, 2020 39:37

Virginia Heffernan talks to Dr. Greg Dworkin, a Daily Kos contributing editor and the Chief of Pediatric Pulmonology and Medical Director of the Pediatric Inpatient Unit at Danbury Hospital in Danbury, CT. They discuss pandemic preparedness, where to find facts, and how the eerily similar the Coronavirus and the Democratic primary election are reported. Only Slate Plus members get to listen to every Trumpcast episode in full. Sign up now to get access to every Trumpcast episode and support the show. Follow @realTrumpcast on Twitter Podcast production by Phil Surkis and Melissa Kaplan. Engineering help from Merritt Jacob. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Betrayal

Play Episode Listen Later Dec 24, 2019 56:28

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing the season finale, “Betrayal.” Plus, a closer look at New Line’s 2007 attempt to film The Golden Compass with Nicole Kidman and Daniel Craig. Why did that movie fail so badly? Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan and Asha Saluja.

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The Authority: Betrayal

Play Episode Listen Later Dec 23, 2019 56:28

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing the season finale, “Betrayal.” Plus, a closer look at New Line’s 2007 attempt to film The Golden Compass with Nicole Kidman and Daniel Craig. Why did that movie fail so badly? Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan and Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Authority: Betrayal

The Authority: Exploring the Worlds of His Dark Materials

Play Episode Listen Later Dec 23, 2019 56:28

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing the season finale, “Betrayal.” Plus, a closer look at New Line’s 2007 attempt to film The Golden Compass with Nicole Kidman and Daniel Craig. Why did that movie fail so badly? Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan and Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Fight to the Death

Play Episode Listen Later Dec 17, 2019 50:07

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 7, “The Fight To The Death,” in which Lyra travels to Svalbard and meets lofur Raknison, the ruler of the panserbjørne. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan.

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The Authority: The Fight to the Death

Play Episode Listen Later Dec 16, 2019 50:07

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 7, “The Fight To The Death,” in which Lyra travels to Svalbard and meets lofur Raknison, the ruler of the panserbjørne. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Authority: The Fight to the Death

Play Episode Listen Later Dec 16, 2019 50:07

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 7, “The Fight To The Death,” in which Lyra travels to Svalbard and meets lofur Raknison, the ruler of the panserbjørne. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Slate Live: Women of Slate

Play Episode Listen Later Nov 22, 2019 59:47

Virginia Heffernan joins the women of Slate for a political panel on the night of the Democratic debates. Recorded live at the Bell House in Brooklyn on Weds. Nov 20, 2019. First segment: What Next host Mary Harris moderates Amicus host Dahlia Lithwick and Slate staff writers Ashley Feinberg and Julia Craven. Second segment: Trumpcast host Virginia Heffernan moderates Thirst Aid Kit host Nichole Perkins and Slate staff writer Christina Cauterucci. Live show produced by Faith Smith. Engineering and editing by Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Slate Live: Women of Slate

Play Episode Listen Later Nov 22, 2019 59:47

Virginia Heffernan joins the women of Slate for a political panel on the night of the Democratic debates. Recorded live at the Bell House in Brooklyn on Weds. Nov 20, 2019. First segment: What Next host Mary Harris moderates Amicus host Dahlia Lithwick and Slate staff writers Ashley Feinberg and Julia Craven. Second segment: Trumpcast host Virginia Heffernan moderates Thirst Aid Kit host Nichole Perkins and Slate staff writer Christina Cauterucci. Live show produced by Faith Smith. Engineering and editing by Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Waves: Stiff Upper Lip

The Waves: Gender, Relationships, Feminism

Play Episode Listen Later Nov 21, 2019 56:30

On this week’s episode of the Waves, Christina, June, Marcia, and Nichole discuss the newest season of The Crown, where Olivia Colman takes the throne as a middle-aged Queen Elizabeth II. Then, they break down a few sexist moments during the impeachment hearings. Finally, the panel dives into a recently published study on hookup culture that explores the relationship between casual sex on college campuses and race. In Slate Plus: Is it sexist to dismiss YA fiction as just for girls? Other items discussed on the show: “How the Man Behind ‘The Crown’ Made the Monarchy Relevant Again,” by Giles Harvey, The New York Times Magazine Recommendations Nichole: Farsáli Skintune Blur Perfecting Primer Serum June: The podcast Poem Talk. (Stay tuned for June’s upcoming appearance on the podcast!) Christina: Slate columnist Rich Juzwiak’s Jezebel essay “The Strange, Sad Story of the Ken Doll’s Crotch.” Marcia: Erica Armstrong Dunbar’s latest book She Came to Slay: The Life and Times of Harriet Tubman. This podcast was produced by Sara Burningham. Production assistance by Rachael Allen. Recording assistance for this week’s show from Asha Saluja and Melissa Kaplan. Send your comments and recommendations on what to cover to thewaves@slate.com. And please call in with your “Is It Sexist” questions at (973) 826-0318‬. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The "Stiff Upper Lip" Edition

Play Episode Listen Later Nov 21, 2019 56:30

On this week’s episode of the Waves, Christina, June, Marcia, and Nichole discuss the newest season of The Crown, where Olivia Colman takes the throne as a middle-aged Queen Elizabeth II. Then, they break down a few sexist moments during the impeachment hearings. Finally, the panel dives into a recently published study on hookup culture that explores the relationship between casual sex on college campuses and race. In Slate Plus: Is it sexist to dismiss YA fiction as just for girls? Other items discussed on the show: “How the Man Behind ‘The Crown’ Made the Monarchy Relevant Again,” by Giles Harvey, The New York Times Magazine Recommendations Nichole: Farsáli Skintune Blur Perfecting Primer Serum June: The podcast Poem Talk. (Stay tuned for June’s upcoming appearance on the podcast!) Christina: Slate columnist Rich Juzwiak’s Jezebel essay “The Strange, Sad Story of the Ken Doll’s Crotch.” Marcia: Erica Armstrong Dunbar’s latest book She Came to Slay: The Life and Times of Harriet Tubman. This podcast was produced by Sara Burningham. Production assistance by Rachael Allen. Recording assistance for this week’s show from Asha Saluja and Melissa Kaplan. Send your comments and recommendations on what to cover to thewaves@slate.com. And please call in with your “Is It Sexist” questions at (973) 826-0318‬. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Spies

The Authority: Exploring the Worlds of His Dark Materials

Play Episode Listen Later Nov 19, 2019 46:15

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 3, “The Spies,” with a closer look at the relationship between Lyra and the Gyptians. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan.

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The Authority: The Spies

Play Episode Listen Later Nov 18, 2019 46:15

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 3, “The Spies,” with a closer look at the relationship between Lyra and the Gyptians. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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His Dark Materials: The Spies

The Authority: Exploring the Worlds of His Dark Materials

Play Episode Listen Later Nov 18, 2019 46:15

Welcome to The Authority, Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing Episode 3, “The Spies,” with a closer look at the relationship between Lyra and the Gyptians. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Idea of North

Play Episode Listen Later Nov 12, 2019 49:18

The Authority is Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 2, The Idea of North”, studying the relationship between Lyra and Mrs. Coulter, and a closer look at daemons. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan.

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The Authority: The Idea of North

Play Episode Listen Later Nov 11, 2019 49:18

The Authority is Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing episode 2, The Idea of North”, studying the relationship between Lyra and Mrs. Coulter, and a closer look at daemons. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

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His Dark Materials: The Idea of North

Play Episode Listen Later Nov 11, 2019 49:18

The Authority is Slate’s deep dive into the world(s) of HBO’s His Dark Materials. Each week, Slate’s scholars of experimental theology Dan Kois and Laura Miller discuss the new HBO series and Philip Pullman’s original trilogy. This week, they’re discussing Episode 2, The Idea of North”, studying the relationship between Lyra and Mrs. Coulter, and a closer look at daemons. Join the conversation: Email: asktheauthority@slate.com Dan Kois on Twitter: @dankois Laura Miller on Twitter: @magiciansbook Podcast production by Phil Surkis, with engineering assistance from Melissa Kaplan. Learn more about your ad choices. Visit megaphone.fm/adchoices

hbo north authority idea slate materials his dark materials coulter philip pullman laura miller dan kois melissa kaplan phil surkis

Trumpcast: How Populist Messaging Obscures Conservative Policy

Play Episode Listen Later Aug 23, 2019 36:21

Virginia Heffernan talks to Paul Waldman about how the Trump administration reconciles a fiscal policy that favors the rich with a populist message aimed at the working class. Podcast production by Melissa Kaplan and Ethan Brooks, with help from Danielle Hewitt. Learn more about your ad choices. Visit megaphone.fm/adchoices

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How Populist Messaging Obscures Conservative Policy

Play Episode Listen Later Aug 23, 2019 36:21

Virginia Heffernan talks to Paul Waldman about how the Trump administration reconciles a fiscal policy that favors the rich with a populist message aimed at the working class. Podcast production by Melissa Kaplan and Ethan Brooks, with help from Danielle Hewitt. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Trumpcast: The Hidden Evangelical Power in Washington

Play Episode Listen Later Aug 21, 2019 44:26

Virginia Heffernan talks to journalist Jeff Sharlet, author of The Family: The Secret Fundamentalism at the Heart of American Power. Netflix recently released a documentary series based on his reporting. Podcast production by Melissa Kaplan and Ethan Brooks, with help from Danielle Hewitt. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Hidden Evangelical Power in Washington

Play Episode Listen Later Aug 21, 2019 44:26

Virginia Heffernan talks to journalist Jeff Sharlet, author of The Family: The Secret Fundamentalism at the Heart of American Power. Netflix recently released a documentary series based on his reporting. Podcast production by Melissa Kaplan and Ethan Brooks, with help from Danielle Hewitt. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Political Gabfest BONUS: The "No Conspiracy, No Collusion, Full Exoneration" Edition

Play Episode Listen Later Mar 24, 2019 11:08

Emily Bazelon, John Dickerson, and David Plotz discuss special counsel Robert Mueller’s investigation and the summary Attorney General William Barr submitted to Congress. The full version of this special bonus episode is only available to Slate Plus members. To hear it, sign up for a free trial at slate.com/gabfestplus. Topic ideas for next week? You can tweet suggestions, links, and questions to @SlateGabfest (#heygabfest). (Tweets may be quoted by name unless the writer stipulates otherwise.) Become a fan of the Political Gabfest on Facebook. We post to the Facebook page throughout the week, so keep the conversation going by joining us there. Or follow us @SlateGabfest. The email address for the Political Gabfest is gabfest@slate.com. (Email may be quoted by name unless the writer stipulates otherwise.) Podcast production by Jocelyn Frank with production assistance from Melissa Kaplan. Links compiled by Bridget Dunlap. Learn more about your ad choices. Visit megaphone.fm/adchoices

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BONUS: The "No Conspiracy, No Collusion, Full Exoneration" Edition

Political Gabfest

Play Episode Listen Later Mar 24, 2019 11:08

Emily Bazelon, John Dickerson, and David Plotz discuss special counsel Robert Mueller’s investigation and the summary Attorney General William Barr submitted to Congress. The full version of this special bonus episode is only available to Slate Plus members. To hear it, sign up for a free trial at slate.com/gabfestplus. Topic ideas for next week? You can tweet suggestions, links, and questions to @SlateGabfest (#heygabfest). (Tweets may be quoted by name unless the writer stipulates otherwise.) Become a fan of the Political Gabfest on Facebook. We post to the Facebook page throughout the week, so keep the conversation going by joining us there. Or follow us @SlateGabfest. The email address for the Political Gabfest is gabfest@slate.com. (Email may be quoted by name unless the writer stipulates otherwise.) Podcast production by Jocelyn Frank with production assistance from Melissa Kaplan. Links compiled by Bridget Dunlap. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Waves: The "Grandmother's Fart" Edition