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Today's episode discusses the symptoms, causes, and treatments for sleep paralysis. Again, a special thank you to Maria for joining this discussion! Watch on Youtube: ⁠https://youtu.be/Sg-gXLDwd6sThank you for listening! If you liked what you heard, we would truly appreciate it if you could give us a 5-star rating and leave us a positive review. Get strange with us! Please send us your feedback, episode suggestions, movie/documentary review suggestions, or inquiries to be a guest on the show.Email: itsastrangeworldafterall@gmail.com Please follow us:⁠@ITSASTRANGEWORLDPODCAST -Instagram⁠⁠It's A Strange World After All (@itsastrangeworldafterall) | TikTokSources:https://magischola.threadless.com/designs/soucriant-boo-hag/mens/t-shirthttps://www.sleepcycle.com/sleep-paralysis/sleep-paralysis-what-was-that-thing-in-my-room/https://www.sleepcycle.com/sleep-paralysis/understanding-sleep-paralysis/https://www.elpasotimes.com/story/entertainment/movies/2019/04/18/the-curse-la-llorona-movie-2019-mexican-legend/3488125002/https://www.rottentomatoes.com/tv/sleepy_hollowhttps://www.reddit.com/r/distractible/comments/tkoq47/in_cryptids_are_scary_mark_mentioned_a_shadow/https://www.tripadvisor.com/LocationPhotoDirectLink-g155032-d1102072-i110062400-Hotel_Zero_1-Montreal_Quebec.htmlhttps://www.reddit.com/r/cedarpoint/comments/10hi5ia/going_to_cp_by_astral_projection_is_the_best_way/https://www.nytimes.com/2023/02/25/well/mind/rem-sleep-benefits.htmlhttps://www.sleepcycle.com/sleep-paralysis/what-is-sleep-paralysis/

Recorded Live at Rohr Chabad NDG in Montreal Quebec on September 25 2024. In this interactive workshop, we explore the deeper aspects of dating through the lens of Jewish wisdom. Many of us approach dating with misguided intentions—often treating it as casual entertainment rather than a meaningful journey toward marriage. In this class, we'll uncover the ten most important secrets to dating with purpose. Topics include the power of self-confidence, the search for your soulmate, and how to have serious conversations early on. Rabbi Dov Harroch and Rabbi Yosh Berkowicz join Rabbi Yisroel Bernath for a dynamic Q&A session to answer your questions and provide actionable advice for dating success. Key Takeaways: Purpose-Driven Dating: Shift your mindset from dating for fun to dating for long-term commitment. Self-Confidence Over Looks: Cultivate a quiet self-assurance that attracts genuine connections. Soulmate vs. Partner: Understand the difference between finding a soulmate who completes you spiritually and a partner who simply complements your skills. Serious Conversations Matter: Discuss life goals, values, and plans early in a relationship to ensure compatibility. Stop Keeping Score: Relationships flourish when you give without expecting something in return. Jewish dating, soulmate, self-confidence, purposeful relationships, marriage, intentional dating, relationship advice, dating workshop, Rabbi Yisroel Bernath, Rabbi Dov Harroch, Rabbi Yosh Berkowicz, love

The CFL Gambling Podcast (@CFLGamblingPod) on the Sports Gambling Podcast Network react to another wild week of CFL football as Week 3 comes to an end. Pick Dundee aka (@TheColbyD) & Justin Mark (@JMarkFootball) break down each and every game from the Week 3 slate and key in on just what every result means for the rest of the CFL season. Are Cody Fajardo and the Montreal Alouettes on another level than the rest of the CFL? How did it come to this with Zach Collaros and the Winnipeg Blue Bombers being 0-3?Is Corey Mace of the Saskatchewan Roughriders the clear cut CFL coach of the year thus far? Will the Hamilton TigerCats and Bo Levi Mitchell ever be able to close out a game? How should evaluate the Calgary Stampeders three weeks into the season? Has Cameron Dukes been elite as QB for the Toronto Argonauts and can Ryan Dinwiddie and the Argos win with that pass defense? What will it take for the Edmonton Eskimos to win a game after several close calls? Are the BC Lions and Vernon Adams by far the best offense in the CFL? We talk it all and more on this CFL Week 3 reaction edition of The CFL Gambling Podcast. JOIN the SGPN community #DegensOnlyExclusive Merch, Contests and Bonus Episodes ONLY on Patreon - https://sg.pn/patreonDiscuss with fellow degens on Discord - https://sg.pn/discordDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSUPPORT us by supporting our partnersRithmm - Player Props and Picks - Free 7 day trial! http://sportsgamblingpodcast.com/rithmmUnderdog Fantasy code SGPN - Up to $250 in BONUS CASH - https://play.underdogfantasy.com/p-sgpnRoyal Retros code SGPN - 10% off - https://www.royalretros.com/Gametime code SGPN - Download the Gametime app, create an account, and use code SGPN for $20 off your first purchase - https://gametime.co/Football Contest Proxy - Use promo code SGP to save $50 at - https://www.footballcontestproxy.com/ ADVERTISE with SGPNInterested in advertising? Contact sales@sgpn.ioWATCH the Sports Gambling PodcastYouTube - https://sg.pn/YouTubeTwitch - https://sg.pn/TwitchFOLLOW The Sports Gambling Podcast On Social MediaTwitter - http://www.twitter.com/gamblingpodcastInstagram - http://www.instagram.com/sportsgamblingpodcastTikTok - https://www.tiktok.com/@gamblingpodcastFacebook - http://www.facebook.com/sportsgamblingpodcastFOLLOW The Hosts On Social MediaSean Green - http://www.twitter.com/seantgreenRyan Kramer - http://www.twitter.com/kramercentricGambling problem? Call 1-800-GAMBLER CO, DC, IL, IN, LA, MD, MS, NJ, OH, PA, TN, VA, WV, WY Call 877-8-HOPENY or text HOPENY (467369) (NY) Call 1-800-327-5050 (MA)21+ to wager. Please Gamble Responsibly. Call 1-800-NEXT-STEP (AZ), 1-800-522-4700 (KS, NV), 1-800 BETS-OFF (IA), 1-800-270-7117 for confidential help (MI)

Let's welcome the debut of a brand new special guest DJ PAUL RANDOM originally from Montreal Quebec and now residing in Baltimore. Turn this up nice and loud as he takes you on a journey throughout the 90s with the most electric dance tunes. Tune into our weekly LIVE shows on TWITCH http://twitch.tv/euronationlive

In this episode our guest is Mr. Alexandre Chadi. Alexandre is a community pharmacist, a clinical instructor and diabetes specialist. He came to the cafe to share the many ways that pharmacists can help us, how to manage our medications, what to do if we want to stop a medication and so much more!. Grab your warm drink and tune in for a great conversation!Some key takeaways:A pharmacist does so much more than simply dispense medicationWhen in doubt askKeep a list of your medicationsYou can make a plan to stop your medication safelyBuild a relationship with your pharmacistAbout Alexandre ChadiAlexandre Chadi is a community pharmacist, a clinical instructor at Montreal University and diabetes specialist. Through his work, he is passionate about helping his patients managing their medication through a humane approach. Alexandre recently completed a master's degree in pharmaceutical sciences and wrote a thesis on the vaccination of vulnerable populations in community pharmacies. He also participates in many interdisciplinary committees such as the Local Pharmacists Table of the Central-Western CIUSSS, the Montreal Regional Committee for Pharmaceutical Care and the professional committee of Diabetes Quebec. The Good Health Cafewww.thegoodhealthcafe.comFacebook and Instagram: @thegoodhealthcafeSign up for our mailing list: https://www.thegoodhealthcafe.com/submit-your-questionThe Good Health Cafe Feedback Formhttps://www.thegoodhealthcafe.com/submit-your-question@thegoodhealthcafe on Instagram and FacebookSponsor Info:The Good Health Candle Companywww.goodhealthcandle.com@goodhealthcandle on Instagram and Facebook

***Start Your Realty Ninja Real Estate Website*** Free Trial and 20% Off your first year: https://www.realtyninja.com/tom Why is it when we talk about Canadian real estate and its crazy prices, we only seem to focus on Toronto and Vancouver? In this week's episode of The Tom Storey Show, Steve Karrasch and Tom Storey sit down with David Tardif of Royal LePage in Montreal Quebec to discuss the often forgotten or over looked french speaking market. Connect with David: Web: https://www.equipetardif.com/ #montrealrealestate - - - *** Need Home or Property Insurance? *** Use SQUARE ONE: Tenants, Landlords and Home Owners Save $20 with Square One Insurance using this link: https://www.squareone.ca/thetomstoreyshow?offer_code=TTSS

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs.******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewpaper.com

CanadianTroutBum Podcast #3 - Owner Remi from Salmo Nature Fly Shop in Montreal, Quebec Canada

Interested in joining the REI Masters Mentorship Program? Head to www.reimasters.ca Or email us at info@reimasters.ca   Got a question you'd like answered on the show? Email us at info@reimorningshow.com   1 on 1 Coaching Call with Wayne Hillier: 30 minutes - https://calendly.com/wayne-hillier-coaching/30-mins 60 minutes - https://calendly.com/wayne-hillier-coaching/60-minutes

Interested in joining the REI Masters Mentorship Program? Head to www.reimasters.ca Or email us at info@reimasters.ca   Got a question you'd like answered on the show? Email us at info@reimorningshow.com   1 on 1 Coaching Call with Wayne Hillier: 30 minutes - https://calendly.com/wayne-hillier-coaching/30-mins 60 minutes - https://calendly.com/wayne-hillier-coaching/60-minutes

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs.

Homegrown talent professional wrestler, Zondra Lee has had impressive showings against the likes of Divya, Nova and most recently Impact Wrestling's Jody Threat! Now the tenacious spitfire finds herself facing the debuting Vanna Black at the GREAT CANADIAN CLASH .From Sucker Ditch Ontario, Zondra Zee, made her wrestling debut in 2021. Zee, has wrestled for 2 years with all kinds, a skill levels both male and female. Zondra Zee, was trained by Dann Jarris, and her wrestling style is always to hit harder then the next person in the ring. Zondra Zee, will be participating in Jacques Rougeau's Lutte Academie/Wrestling Academy (3 way match) on Sunday, August 20th in Montreal Quebec, in the semi-finals to see who goes onto the Final in September.#zondrazee #wrestler #northlandwrestling #northbayontario #wrestlingacademy #jacquesrougeau #zoesager #kcrufiospinelli #livewithcdp #sportstalk #guest #host #chrispomay #livestream #youtube #facebook #twitter #twitch #linkedin #audio #applepodcasts #spotifyforpodcasters #spotify #iheartradio #amazonmusic #linkedin #radiopublic #castbox #stitcher #tunein #pocketcasts #wqee #radio #barrycullenchevrolet #sponsorship

On Limb Lengthening LIVE Episode 89 - we're joined by Dr. Marie Gdalevitch, a renowned limb lengthening surgeon from the Canadian Limb Lengthening Center (CLLC) in Montreal, Quebec, Canada. In this discussion, Dr. Gdalevitch will share her expertise and insights on the limb lengthening procedure, her approaches, and the latest advancements in the field. Don't miss this opportunity to learn from a leading expert in the industry and gain valuable knowledge about limb lengthening surgery. Contact info for Dr. G - 1) https://gdalevitch.thec4llective.com/ 2) https://cllcenter.com/ ________ Audio Podcast Version: will be available within 24-48hrs after stream ends Timestamps: will be available within 24-48hrs after stream ends ________

Danielle Murrell Cox is from Montreal Quebec. She is a creator of all things. She graduated from Dawson College in 2011, and is now a graphic designer, illustrator, freelancer, and business owner. Danielle is best know for her self-published coloring books Black Queens and Black Kinds, which went viral on social media and gave her the opportunity to have a segment on NowThisHer, amongst many other platforms. On ItsPersonal, Danielle chats about growing up in Canada, “speaking French”, her love for art, and her supportive Black momma. Website: https://dmcox.co/ Instagram: https://www.instagram.com/dmcox_/ Twitter: https://twitter.com/dmcox_

When you think about success in roasting coffee, you will more than likely be concerned first and foremost with quality. While quality is critical, it is not the only factor. And success itself is more than a measure of your businesses profit, but how your business profits others. A new and more expansive view of quality and success is one of the things that characterizes today RoR guest. In this episode of Rate of Rise we are going to be talking with, David Lalonde of Rabbit Hole Roasters! David is the co-founder (along with biz partner Sophie) of Rabbit Hole Roasters in Montreal, Quebec. Roasting tasty coffee is obviously important for him, but challenging the coffee status quo is what drives him. By learning about coffee's inequalities, building long lasting relationships at origin and centering small holder farmers, he hopes to change the narrative, one that is not based primarily on cup score. Rabbit Hole Roasters is known for hight quality coffee, accessible offerings, and a desire to create momentum for equity along the entire value stream.  Rabbit Hole is also the Roast Magazine 2023 Mirco-Roaster of the Year! In our conversation we will be talking about David's entry into coffee, starting rabbit Hole, and the mission to take on the important and hard topics of the coffee industry through conversation and through the operation of Rabbit Hole Roasters itself.  In our conversation we cover: Entering the coffee scene Developing the ethos and values choosing import partners crafting an accessible and impactful offering Longterm relationships and farmer commitments Why quality is not the most important thing Running a successful business  Developed coffee and expanding our marketing Asking the hard questions and giving a platform to needed conversations  Links: www.rabbitholeroasters.com Rabbit Hole Roasters in IG: @RABBITHOLEROASTERS Related Episodes: Sustainability Series #2 : Importing & Roasting RoR #17 : Evolving Our Approach to Cupping w/ Charlie Habegger of Royal Coffee 376: Career, Coffee Quality, and Advancing the Industry w/ Mat North, of Raw Material 393 : The Tyranny of Taste w/ Kosta Kallivrousis 223 : Building a Financially Resilient Business w/ Andrew Carroll RoR #6: Buying Less and Doing More w/ Ever Meister Visit our sponsor ROAST MAGAZINE and subscribe! 

This is the third in our series on Revenue Operations, which also gets called Marketing Ops, or if you prefer, Mops.  Our guest grew up on the west coast and received his degree from the University of California at Berkeley.  Over the course of his 20 year professional career, Vito Mazzarino has been both a company owner and an employee brought in to help with Marketing and Business Development. While doing that, he grew to love using automation to streamline marketing & sales processes.  By the middle of the 2010s, he knew the automation tools well enough to implement them. He took this, along with a move to the other coast, specifically Montreal Quebec, as a signal that he should start his own agency.   Growth Geyser was born in 2018 to strategize and deploy automation that grows a company's  customer base and  hits their sales targets.   

Asa recaps "WWE SmackDown" from Feb. 17, 2023.

Recently, 190 countries met in Montreal Quebec to hammer out a deal to protect biodiversity in thirty percent of our globe.  While climate change and extreme weather events seem to capture most of the press and attention, disappearing biodiversity on our planet is also a result of man with even more impact. CHANGE IS COMING TO THE ROADWORTHY DRIVE MOMENTS PODCAST! We are working on changes and upgrades that we believe you will love. WATCH THIS SPACE for more information.

The original version of "Wild Horses" is difficult to find. Outside of the music video on YouTube, it's not available on any streaming service or for sale electronically. Stranger still, Wikipedia has no entry for the song or its corresponding album. This is a shame - "Wild Horses" is an incredible song. In this episode, we give you all the information (and more) that we could find out on the song and video, from mystical experiences in Peru to a shaman named Jamie in Arizona and ties to the Getty family. Sit back and enjoy. It's Gino time! Helpful links: Original Video Mixtape Boom 97.3 Interview (Behind the Vinyl) You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript: Frank: [0:00] So today on Bill and Frank's Guilt-Free Pleasures, we're going to talk about Gino Vannelli's "Wild Horses." We're going to discuss his determination in getting a record deal, his connection with a shaman named Jamie, and also his connection with the Getty dynasty. Bill: [0:17] But before we get to that, cut to the theme music. Frank: [0:22] Take it away, Ian McGlynn. Bill: [0:44] In this episode, we are pushing Frank Pearson to the limit. Because today's song is a mysterious song. It's a song that seemingly has disappeared from all streaming services. It is difficult to find any information on. Frank: [1:07] Yeah, there's no Wikipedia page specifically for this song. There's no song facts page for it. I have not been able to go to either of my main resources to look up information for this song. Bill: [1:21] And I realized this as I was doing my deep dive and I thought wow they even scrubbed the album from Wikipedia So today's episode is on Gino Vannelli's "Wild Horses." So turn up the heat, pour yourself a glass of red wine. Frank: [1:39] Sit back and enjoy. Bill: [2:04] As we mentioned, this is a challenge. Frank: [2:08] Oh my goodness, like I have so many tabs open on my computer right now and each of them has just a little bit of a nugget of information for the song or for Gino Vannelli and I mean I'm going to, be honest I'm probably not going to refer to any of them I'm just going to make it all up as I go along but yeah researching this was a little bit of a little bit of a chore for me I'm glad I had a little bit of time off over the holidays so I could dedicate some time to it. Bill: [2:38] So why don't you give us a little history of Gino Vannelli anyways that you could find anyways on as far as the artist goes. Frank: [2:45] Gino Vannelli was born to his parents, has brothers and sisters, and is a musician. Oh wait, it's only brothers, isn't it? Bill: [2:53] You sure he's got any sisters? Yeah, okay. All right. Maybe maybe I'll have to take over, He's coming out of Montreal Quebec and so we also featured another musician at a Montreal named Andy Kim, who also had a similar backstory in that they went to the big city in the States. For Andy Kim, it was New York. For Gino Vanelli, I believe it was LA? Frank: [3:20] It was Hollywood actually. So this is one of the things that I actually found, I think it was a YouTube interview that he did. They booked tickets to go to Hollywood and they get there and they realize they're in Hollywood Florida, not Hollywood California. He went with his brother Joe. And this is according to Gino Vannelli in a YouTube interview. This is something that I find interesting too, because some musicians have varying like origin stories or Genesis stories that that changed from interview to interview. So you kind of wonder which which is true and which is a bit of an embellishment. Anyways, according to Gino, he and Joe had tickets booked to go to Hollywood, but end up in Hollywood, Florida and then have to book a separate trip from Florida to California. they end up in Hollywood proper. Bill: [4:13] And while they're in Hollywood, he's being supported by his family. His parents are good to him. Like in terms of the story, his mother was sending money. But what ended up happening is his mother sent money to Hollywood, Florida instead of Hollywood, California. Was that what happened? Yeah. So I don't know if they went to, I mean, I didn't hear the story about them landing in Hollywood, Florida, but his mom had sent money to Hollywood, Florida and they were stuck. They had no money. They'd been trying to make things work. And he was kind of at the end of things. as far as making his dream happen. Frank: [4:46] Yeah, it was down to like his last $5. Bill: [4:48] Yeah, so he went into a church, he said, and sat in this church sometime in the early morning hours. It was open, sat in there, and just, I think he fell asleep. He said the quietness of the place, not so much some sort of mystical thing. He was really quick to say that, even though we'll talk about his spirituality later, I'm sure, but he said the quiet sort of space helped him to know what he needed to do. And then he went over to where Herb Alpert's studio was. And he sat there while the guard who is slightly injured, so he couldn't run so fast, but the guard's like, you stay there. And Gina Vannelli said, I'm allowed to stay here. It's on public property. And he said, don't you dare try to run over and talk to anybody. And Gina Vannelli's like, yep, yep, yep. And then he sees Herb Alpert come out and then he darts across the parking lot to get to him. Frank: [5:41] And Herb Alpert, sorry, is one of the co-owners of A&M Records. Bill: [5:45] Exactly, and so the guard is saying, damn you, he's trying to get him, pulls out his gun apparently, because Herb Alpert's wife has been stalked. Frank: [5:51] Oh, jeez. Bill: [5:55] Or something like that, so Herb Alpert's wondering what's going on. So in this moment, Herb Alpert's thinking this could be the stalker, Gino Vannelli's taking his life in his hands, and then he just says to Herb Alpert, I have all these songs, I want to try these things. And Herb Alpert says to the guard, like, hey Joe, relax, it's okay. And the guard is so angry. And he says to Gino, come back in half an hour. And so Gino Vannelli comes back in half an hour, plays the songs for him. And then Herb Alpert said, welcome to A&M Records. Frank: [6:27] Yeah, and it's similar to the Andy Kim story where he had a similar instance. He was in New York, but same thing, regular exec just waited, waited, waited, and finally kind of ambushed the exec. And I will apologize that my confusion with the Hollywood Florida versus Hollywood California story in my typical research fashion, I was, you know, 100% into it. I was a had the YouTube video playing while I was scrolling through Tinder. So it's. Bill: [7:01] Wait, wait a sec. Did you make up the Hollywood Florida story? Frank: [7:03] No I thought that I heard that I think it might be true. I'm not sure. Bill: [7:07] Okay, but you know, he's gonna be so angry when he listens to this. So there's something about Montreal singers who have the sort of moxie to just go for it. Frank: [7:10] I know right. [7:16] Yeah, yeah, they got a lot of guts and especially to run through a parking lot, with the security guard chasing you like that's like going all in on your dream. Bill: [7:27] The guns pointed. Yeah, hopefully Joe was a bad shot. Well, hopefully he didn't kill curb Alpert. Yeah, these are tough times. Oh. Frank: [7:28] Yeah. [7:33] Yeah I know I like to think that the the guard was probably distracted by Gino of Nellie's amazing hair. Bill: [7:39] Yeah, he's a very good-looking man and in 1970s Gino Vannelli hair is something else now Gino Vannelli is very successful in the 70s, He had his big album. I think was this I was his third album or fifth album brother to brother Yeah, and the song was I just want to stop written by Ross Finnelli. I believe is one of his brothers I thought I was written by Gino was actually written by his brother. Gino is a songwriter. Yeah. Frank: [8:04] Make sense brother to brother. Bill: [8:06] But well, yeah, there we go. And that's a huge rock song and also I mean he just Did huge business in the 70s we head into the 80s and now it's a different time Gino cuts his hair. Frank: [8:10] Well, yeah, because the 70s are different from the 80s. Bill: [8:21] They are but there's a sound new wave has come in and Gino purposely ends up making an 80s record before this one so, He gets into a fight with CBS records or Arista one of these record companies of what he's with and they won't let him Release his music. So there's this, Lengthy period where he doesn't release anything. So you have Nightwalker has come out in 81 and then it takes until until 1984 for Black Cars to come out. And Black Cars is an 80s synth album. And he knows what he's doing. And then the follow up to that three years later, his big dreamers never sleep. You'll see on your Wikipedia page in front of you, Frank, there is no hyperlink. No one has published a Wikipedia entry. Now, of course, the question is, will we be the people who publish that Wikipedia entry? Frank: [9:12] I'm going to include the story of him traveling to Hollywood, Florida. Bill: [9:16] Yeah, and so we'll see if within half an hour someone changes it, we'll know it's false. So Big Dreamers Never Sleep, 1987, this album comes out and it's as usual produced by Gino Vannelli and his two brothers, Joe and Ross, and it includes kind of his last major hit, which is "Wild Horses," the song we're doing today. And then this sets in motion his future, I think. Cause by then now he can become a touring thing. He's got all these songs and "Wild Horses" is one of those regular songs he sings. Frank: [9:49] Yeah, yeah. Bill: [9:52] Yeah. So as I said earlier, I really pushed this episode. So I apologize, Frank. I'm like, we're doing Gino Vannelli, we're doing Wild Horses, it's happening. And Frank didn't realize I bought the CD online because you can't get an MP3, you can't buy a legit copy of this online. So I went and bought the actual album. So I got the CD and it's that old CD thing where you open the booklet and like, oh, here's a list of songs and a list of performers, no lyrics, it's thin. And the back page is all about how great a compact disc is. Oh, seriously? Oh yeah. Frank: [10:24] Oh seriously? Bill: [10:26] So I think I have an original copy. I think it might be a German pressing even. Yeah. Frank: [10:30] Yeah. Bill: [10:31] So it's fine. It's very 1980s in its production. There's a couple tracks that really stand out for me, but Wild Horses, Far and Away is a big one. Now it's written by Gino Vannelli and Roy Freeland, which I don't have a lot of information on Roy Freeland. I would have liked to have dove more into this, but he's done a lot of work with other songwriters. So it's hard to know, this frustrates me, when a songwriter doesn't talk about his co-writer. So when Gino Vannelli talked about writing the song, and talk about Roy Freeland's involvement. Frank: [11:08] I mean, it is a Gino Vannelli song. So, you know, it's tough to take that away from Gino. But at the same time, you know, throw the man a bone. Bill: [11:18] Yeah, now to be fair, I think both you and I when we talk to others about the podcast we don't even mention each other. Frank: [11:26] Oh, no, I call it my podcast. Who's this Bill guy? It's just a character I do. Bill: [11:31] Yeah, he's the other guy but anyways while I was making this. Frank: [11:34] One stop. Yeah. There is a Wikipedia page for that song. Thank goodness. Bill: [11:35] So, okay this brings us to the song There's so much to talk about with Gino Vannelli and he's so interesting in this way that I want to talk more about Gino finale and hopefully we do an episode on I just want to stop. Yeah, that's gonna happen. Yeah. And I have this working theory or interest in Italo Canadian rock stars. Someday I'm going to write a paper on this, publish it in our scholarly journal that we publish semi annually. Frank: [11:58] Yeah. [11:58] Oh, yes. [12:06] You mean our show notes? Bill: [12:07] Yeah, our show notes. But I'm not there yet. But I just want to note also Italo Canadian when this comes up in our future episodes this year. All right, did you find anything on the song? Gina Vannelli talking about it. Frank: [12:20] Yes, like the inspiration for it. Yeah, yeah. So, oh, it's a classic mysticism rock star move. So Gino Vannelli is in Peru and he's hiking to Machu Picchu. And he doesn't say it specifically, but it's 100% assumed that he's in Machu Picchu. He takes part in one of those ayahuasca ceremonies, which is, it's like a tobacco. It's like a cannabis sort of, well, it's not cannabis, sorry. It's a... Bill: [12:58] It's not peyote, is it? No. Okay, so did you find an article? Like, I was looking high and low for, I found one interview. Frank: [13:04] Well, I read an interview, I read an article and I listened to the one interview and he. Bill: [13:11] Yeah, okay, go ahead. Keep going on the Ayahuasca thing, yeah. Frank: [13:14] Doesn't say specifically that he was doing ayahuasca but you look at Machu Picchu and he said he was involved in a sort of spiritual awakening and then when you research Machu Pichu, yeah, they do these ayahuasca ceremonies, which sort of healers and shaman or whatever in Machu Picchu, it's part of the ceremony, it's supposed to open up your mind. Bill: [13:41] Gotcha. Okay, so I couldn't find an article on that stuff. That's good research. Good job. Frank: [13:46] He doesn't get an answer through this whole ceremony and through his whole experience. Bill: [13:51] But something has happened to him right he's had some sort of spiritual awakening. Frank: [13:55] Awakening. So he goes home and then he starts talking about it just like I need an answer for what happened in Peru. So he hears about the shaman in New Mexico. Bill: [14:07] In New Mexico, Jamie the shaman. So Jamie the shaman is in New Mexico and he flies to Albuquerque and then has to drive. Frank: [14:10] The shaman. [14:20] Yeah, Jamie. Bill: [14:22] To the fun is it Santa Fe is that in New Mexico is something like that. Frank: [14:23] To find the shaman. [14:27] Yeah. Bill: [14:28] So he's driving and a convertible. So this is just to me is like, first he's a rock star who went to Peru while there was like all this civil unrest. People are getting murdered and stuff. Frank: [14:38] Yeah, they're oh yeah. Bill: [14:39] He's like, but I had to be there. I'm like, Oh, this is so rock star has this experience on a mountain top. And then buys a flight to New Mexico from LA. I think that's where he was at that point gets a convertible because of course you get a convertible and then drives at like a hundred miles an hour down these roads, which is super dangerous. Frank: [15:00] The whole time he's kind of tapping out the beat of the song on the steering wheel. And he's saying like, I gotta get to that. I gotta get to the shaman. I gotta get to shaman Jamie. Bill: [15:11] He did. Frank: [15:13] I have to get there. It's like nothing's gonna keep me away from shaman Jamie. So he's booting along and I don't even again, I was probably scrolling Tinder, But did even he was talking about getting lost. Did even find Jamie. OK. Yeah. Bill: [15:28] He got to Jamie, but he never got the answers to what he needed, but he got this song that he had in his head. By the time he got there, he had the chorus kind of mapped out and so he had wild horses in his head and he had the drum beat going. Frank: [15:41] Yeah. Bill: [15:41] And so I imagine Roy Freeland probably helped in fleshing out these songs that he'd have them and he'd be like, not a ghostwriter, but the sort of person who comes in and helps kind of clean things up. That's my guess. Roy, you can reach out to us though. Frank: [15:52] Tell us your ayahuasca story. [15:57] But yeah, so the whole time when he's tapping it out on the steering wheel and he's coming, he's like, he's saying, I need to get there. wild horses aren't going to keep me away from getting an answer to my questions, to getting an answer for my vision. Bill: [16:11] Right, so this song in interesting ways, because you can see this as a love song, but this could also be a song about his seeking the divine. And so wild horses couldn't drive him away from this experience. But of course we're gonna dive into these lyrics. Frank: [16:28] Yeah, so the lyrics kind of indicate it's more of a romantic thing, but I think it's, This also, it also parallels nicely with his like dogged determination and his experience with Herb Alpert and getting a record contract back in the 70s. Bill: [16:47] Yeah, that's good analysis. Frank: [16:50] That is good analysis. Bill: [17:12] Alright, now it's time to dive into "Wild Horses" The Song. As the sun goes down on the Arizona Plane and the wind whistles by like a runaway train, Hey hey hey, it's a beautiful thing. Well it's me and you and a flatbed truck, my heart kicking over like a white tail buck. hey hey hey in the middle of spring. [17:59] So, whitetail buck, deer, middle of spring is they want to get some dates. They got like the Tinder thing going on for deer. Frank: [18:09] Yeah, the the the the bucks are on their Tinder. Right. What's deer Tinder? What do you think that? I wonder what that was? Yeah. Yeah. Bill: [18:13] You just always swipe right. Yeah. Always. I saw a bunch of whitetail buck actually in the woods and we followed it. Frank: [18:22] Oh, yeah, by by your place, eh? Bill: [18:22] Yeah. But then following it, I realized they're probably coyotes, which is a really bad idea to be trying to follow a group of coyotes. It was the total setup. Frank: [18:31] Wait, so you saw kairi's that were dressed as deer. Bill: [18:33] I gotta go see the optometrist. Frank: [18:35] This is sounding like a Looney Tunes episode. What I like about that opening lyric and we were talking about this when we were listening to the song beforehand is there's the and the wind whistles by like a runaway train, the drums, it's that clickety clack. It's that train sort of you get that real feeling that imagery of a train. So again, this is something that that the lyrics represent what the sound is. Bill: [19:04] Exactly. And they make sure to have like such perfect production for this. They have some of the best session players around, I think anyways, because the drummer and the drums are the key. It's those, it's those brushes on the drums. And that's Dave Garibaldi, who's the drummer for Tower of Power. And it's incredible. And so as you listen to it, those drums drive it. But there's also this bassist named Jimmy Haslip, who's on the bass. And if you go through, through his like website, you can see he just plays, he's just a session player. And he just came in for this one song and holy cow, that bass moves and then you have Joe Vannelli on the xylophone. Frank: [19:46] Thank you! Bill: [19:47] So those things altogether make this song what it is. And then Gino's voice is this sort of, I don't know, I'm trying to think of, he does something with it. It's different from I Just Wanna Stop. What are you thinking? Frank: [20:01] I get huge how this feels. feels. Bill: [20:03] So there's some Roy Orbison Elvis and other performers who I was thinking of that have that but the Elvis thing is really what I was thinking too. Frank: [20:15] That that hey hey hey like it's that. Bill: [20:18] Yeah. And so it's that lustiness, right? Like Elvis, even though now, at least for us growing up, I never thought of him as the this sort of sex symbol thing, but he was that thing in the 50s. And then Gino has that feel he's bringing to the table. And then you got, okay, the next section there, you can cut me deep, you can cut me down, you can cut me loose, it's okay. Yeah, yeah, it's okay. And then he goes to, you can kick and scream, you can slap my face, you can set my wheels on a high-speed chase, oh you, no matter what you do. And we go into that chorus. Is it... Frank: [20:56] No means no. Bill: [21:21] It's kind of creepy But this is the nature of these songs of that era, especially before. So it feels like it's harkening back to a 50s, 60s feel. And that's where you have this notion of this chase. There is something to it when you read these things like, ah, I don't know if I'd sing I'm saying that now, but that's not our styles when we're trying to woo women. Frank: [21:45] That is Gino style. Gino doesn't give up. again the whole Herb Alpert thing and you know speeding to see Shaman Jamie. Bill: [21:54] Yeah, "Wild horses could not drag me away from you." It is such a great line, and it works so well with all the sounds around it. And when I was a kid, I remember, this is the first time I heard a song about wild horses. And then of course years later I'm like, oh, there's a Rolling Stones song? Oh, I guess Gino was just singing a Rolling Stones song. And now the Rolling Stones song goes like this, wild horses couldn't drag me away. Frank: [22:22] Yeah. Well, it's a common saying though, too, right? Bill: [22:23] Okay. Yeah, I guess it is, yeah. And then, you know, there's, so there is a whole thing about wild horses in song. So Gino's got the, he's got the moxie to say, I'm gonna use this that Rolling Stones have used, I'm gonna use it in my song. only to be taught by Bono who's gonna use it a few years later. Frank: [22:42] The. [22:42] Yes. The feel of the song is a very Southwestern feel. Like I said, the clickety clack of the drums almost has a bit of a country edge to it. rock edge to it. Bill: [23:20] Yeah. And there's this, uh, I have written down here, evocative, erotic imagery, right? There's this sort of notion of like, it's me and you in a flatbed truck in a foot of mud, just my luck. Is that bad luck or good luck? Cause he's stuck in mud in a flatbed truck. That kind of insinuates that that's not a bad thing for him. Is it? Frank: [23:43] Yeah, I mean, if he's with her, it's a good thing because, you. Bill: [23:48] Is it? [23:48] It's a flatbed truck. Frank: [23:49] Know. Yeah, exactly. And the horses are going to get stuck in the mud too, so they can't even drag him away from her at that point. Bill: [23:54] Yeah, exactly. [23:54] Right, they could probably help to get that truck out of the mud though. Frank: [23:56] Yeah, maybe. Yeah, just get a team of horses like a chuckwagon kind of a thing. Bill: [24:02] So we have the second verse has a nice balance to it where he says, well, as the sky falls down, right? And then that's where it begins. I guess the other one is the sun is going down. Now the sky falls down from the midnight blue, spitting like bullets on a hot tin roof. Hey, hey, hey, it's a beautiful sound. And I know that sound, the sound of rain coming down on a hot summer night on a tin roof. Frank: [24:27] Yeah. Oh, yeah. Like bullets. Yeah. Like he says. Bill: [24:29] Oh yeah, like bullets. Yeah. Like he said. Exactly, yeah. Oh well, it's me and you in a flatbed truck and a foot of mud, just my luck, 100 miles out of town. And so again, I guess that's good luck. Although if the rain's coming down, I don't know if you want to be in a flatbed truck. Frank: [24:46] Well, they might be inside the cab of the truck. Bill: [24:48] Okay. Frank: [24:51] Just just because it's a truck, does it in a flatbed truck doesn't mean you have to be outside in on it. Bill: [24:55] Right. If I was going to go literal, he has a tin roof on that truck and it was too hot. Don't touch the tin roof. [25:25] Again, these are images and we learn from Richard Fry. Literalism isn't needed here. just get the picture and get the feel. Frank: [25:34] Yeah, exactly. It paints a picture. Bill: [25:36] And then from there, it goes to the same line. I'm all, it's different here. He says, yeah, you can call me a fool. Frank: [25:42] No, it's different. Yeah. Bill: [25:44] You can call me blind. You can call it quits. I can't hear a word that you said, what you said. Cause if I had you once, I'm gonna have you twice. Ah, okay. I'm gonna follow my heart instead of good advice. Frank: [25:58] No, I have is that good advice. Bill: [26:03] I think it makes more sense to say instead of good advice. my heart instead of good advice. Frank: [26:08] So my reading of it was, I'll follow my heart is that good advice. It's a question. And I'm going to tell Gino here, for someone who's been a fool in love and has been blinded by love, sometimes following your heart is not good advice. You do that too often you end up like me researching while you're on Tinder. Bill: [26:31] Stuck in a foot of mud. Yeah. And then of course we go on to the wild horses. there's repeats and stuff but the feels just come through and it's incredible just the sounds of the song. Frank: [27:10] The sounds in the imagery that it paints you can feel the song. Yeah, it's very textual. Bill: [27:18] Yeah definitely I was wondering this should textual is but what was the other word you said earlier remember what was it yeah definitely not a word yeah. Frank: [27:21] Yeah, definitely not a word. [27:29] Shakespeare in Vengeant Words, why can't I? Bill: [27:34] Oh, you're not Shakespeare. Frank: [27:36] Could be. The instrumental is that syncopation? It's got to. Bill: [27:38] All right. I was wondering if this should just become a category. Take it to the bridge. So the bridge in this song must be that part where he sings a bit and then it moves to the brushes doing. It's got to be something like that. And it just is perfect because it just brings you to the end and all the good stuff going on there. And the brushes, you know, clean the floor. They do. Ah, that sounds a lot. Frank: [27:57] Be syncopation. There's a definite divide between the, song and then the ending and that just sort of takes you on a little journey. It does. The bass goes for a walk and it takes you along with it. [28:17] Yeah, yeah, I was gonna say the brush has set the pace. Bill: [28:21] Better than me going through man madry. Yeah, it's phenomenal. [28:55] Do you remember the first time you heard this song? Frank: [28:57] It's got to be early 90s, the first time that I really paid attention to it. Because I know that I've heard it, I must have heard it back in the 80s. But it was probably the early 90s when, I'm just starting to get into music and understand music. Starting to gain a small appreciation for, the stuff my parents listened to, in terms of like the Rolling Stones. So I probably heard it. and thinking it's like, that's not "Wild Horses." That's by the Rolling Stones. And then, hearing it again and listening to it. And the more I preferred this version or this the song to the Rolling Stones "Wild Horses." And I love the Rolling Stones "Wild Horses." Bill: [29:41] Yeah, I'm with you on that. I love this version. This is the version, And I would have heard it probably in the late 80s on video hits on cbc. Frank: [29:49] Oh, okay. Yeah. Bill: [29:51] Because this didn't do well in america, but with cancon regulations in canada you had to. Frank: [29:53] Because it had to have no choice but to do good. Bill: [29:59] And this is an example where cancon is great because the song is great, So for whatever reason it didn't make it over there, but we heard it over here I feel like I've heard it on the radio and they would play it on the radio I just never knew it was Gino Vannelli I wouldn't know who he was anyways then but it was a song I remember hearing cuz I played it for Ashley, This is a big test of course, Ashley's sitting next to me and I said, okay We're gonna do this song next and I play it and all I could think of is like yeah She has no idea about the song and she hears it. She goes. Oh, yeah. Yeah. I know this song. Frank: [30:32] She says that about a lot of songs, Bill. Bill: [30:34] But no, she was like she started humming the xylophone part She was like, whatever, I want to hum it. Yeah, and so she had it, like, okay, she knows this song. And so it is a song where people know it, even though when I say Wild Horse's Gino Vannelli, I feel like people might not be aware until they hear it and they're like, oh, I I know this. Frank: [30:53] Yeah, and even to mention Gino Vannelli, you're like, I know the name, but I have no idea what he sings. But then you say like wild horses, and you start, singing a bit of the song or I just want to stop. People know that song. So they know who Gino Vannelli is. They just don't, know who he is. Bill: [31:13] The music video is iconic. Frank: [31:16] Well, yeah. I want to say that there's a new move that I'm going to add to my dance floor repertoire. And we talked about like, there is a, There's a subtle eroticism about the song. And in the video, it's just Gino Vanell, like there's the one movie that he does where he he takes his fists and he's not pelvic thrusting, but he's just like slamming his fists on his, upper thighs and he just like and like to the beat and just like that's a new dance floor move for me. Like that that's a little bit of a transition move, but it's going to come out next time I'm on the dance floor. Bill: [31:51] You. [31:51] It's great. And so those who haven't seen the video, of course, you'll see the show notes. They'll be there, That's the only place you can hear the song if you're looking online. Frank: [32:00] Yeah, unless you buy the CD. Bill: [32:01] Unless you buy the cd like I did I would like to buy the vinyl me. I'll look for the vinyl next So let me set the picture for you. It's black and white, he's wearing A white billowy shirt not quite the pirate shirt that we would have seen in seinfeld but not too far removed from it very 80s, He's got those jeans that are they may be acid washed or stonewashed. I'm not sure Is that a stonewashed like acid wash or not at all? Wait, I think they're acid washed. Frank: [32:30] You're asking me fashion questions and I really have no answer to that. Bill: [32:33] Okay, so they're acid washed jeans I think or they're the blue acid wash style at least of that era and He's got some lighter Western boots on perhaps brown perhaps white hard to tell, So when you see him snap his fingers and then pump his fists against his thighs, he's moving with the beat, he's got the two-hand snap back and forth two-hand snaps sometimes hitting his thighs and, He's got, great hair. Frank: [33:04] Because I have it kind of playing here. Well, while we're talking about it. Everyone is sweaty. Yeah, it's the Arizona plate. Bill: [33:10] It's hot it's at least it looks hot I mean Arizona plate. It's hard to know like I keep thinking it's a carnival, but the scenes are like they're in the backyard of a hot Arizona town. Frank: [33:25] I think like raising Arizona like there's a there's a because the the laundry's out on the on the line and everything. Yeah. Bill: [33:32] Yeah, that's right because that's the background is these bedsheets that are hung up. There's a woman just sitting in her like bikini that looks like she's from the 50s maybe chewing gum and not. Frank: [33:42] Yeah, sunglasses. Yeah. Bill: [33:43] Interested. But there's also this fan beside her like those fans you see at the top of buildings that spins around. What type of fan is that? Yeah, so the condenser fan is right at her feet so it's like are they on top of a roof? But then you have a band behind him and it seems like at least one. Frank: [33:50] Well, that would be a condenser fan for an air conditioning unit. Bill: [34:02] Or two bass players at once. There's someone playing xylophone, someone playing drums, but there's, three iterations of this band. It keeps changing to these people who look like players because they don't look like anybody you would hire to act. Frank: [34:15] I'm looking at there's there's the one like bigger drummer, like he's balding wearing glasses and everything like, and I'm not here to shame, but he's not a Hollywood like attractive, man that you would like feature in a video. Bill: [34:31] There's only one person who is both out of place and totally in place and that is the it girl, So she's playing harmonica or appearing to play harmonica I'm not sure we can even see a harmonica and she's just moving with the rhythm and she is striking and She is sweating. Yes, like she's probably sweating the most which of course is very 80s. Frank: [34:45] Yeah, dancing and clapping. Yes. Yeah. Bill: [34:53] Yeah, and so Juno belly's kind of sweating but she is sweating and she's kind of like moving and and he's not, like this is the interesting thing for me in the video, is they're not set up as love interests. She's dancing around him to the music and he'll look over at her kind of, but he's not interested in her in that sort of way. Frank: [35:13] Main character of this video is the song. Bill: [35:17] And so they're moving to it and she's just kind of this character that as a viewer you're drawn to. She is totally fascinating. Alright, so here is some deep research. Two in the morning, I wake up, can't sleep. Maybe thinking about the video, I don't know. And like, I gotta figure out who this person is. So I find this article online. And let me just read the title because the title says it all. MTV It Girls. Who's the girl in the video? This is the article. Frank: [35:51] So you went, okay, you read the article, but then you went all the way through the comments. Bill: [35:52] They go through iconic ones. And then in the comment section, someone says, who's the girl in "Wild Horses?" [36:03] The comments. Yeah. Yeah, I mean, I kind of typed into the search engine and then it said it had. Frank: [36:04] To find this information. Bill: [36:09] Something written there, but I had to look through and there's nothing on it. But several people wrote in the comments, who's the girl and "Wild Horses?" So clearly there are people wanting to know. So I get this name Rosetta Millington. And looking it up, like, who is she? I click on it. It's like, it's not Rosetta Millington. Someone named Rosetta Getty. Who's Rosetta Getty? So I'm I'm looking at this I see a picture of this person like well, that's her but there is nothing Linking her to the video. She is not, Unfamous She is married to Balthazar Getty who is the great-grandson of Jay Paul Getty, I believe it's Jay Paul Getty who is the richest man in the world Do you remember that movie all the money in the world? Where's about the kid who got kidnapped? That's Getty. Frank: [36:57] Yeah. Yeah, yeah. Okay. Did they invite? Did they invent Getty images? Like when you? Bill: [37:00] And so his father Balthazar's father. [37:06] Yeah, the Getty no, it's all connected. Yeah, it's all connected. So. Frank: [37:09] Is it? Yeah. Okay. I was trying to be hilarious. Bill: [37:11] Yes, I think so. Anyways, I at least from what I know because there's this Getty Museum and stuff. Frank: [37:15] Oh, that's unfortunate. Bill: [37:16] And So Balthazar Getty's father is the guy who got kidnapped, in that and had his ear cut off by the mafia and all that and then had a pretty tortured life and died young. Frank: [37:27] Yeah, yeah. Yeah. Oh, that's unfortunate. Bill: [37:28] So Balthazar Getty was a son who never really had you know, a good father figure anyways. This is kind of going off on the side here, but it's all gonna come together. He marries Rosetta Millington who becomes Rosetta Getty who has her own clothing line. Frank: [37:42] So how does she end up in this video? Bill: [37:43] And she's like a fairly big deal from everything I see and they're worth a ton of money, like 300 million. This is before they're married. So there's no mention, she's online and everything, no mention of this video. But when you see her, that is Rosetta Getty. And she has her own line of gowns and stuff. And you can watch these videos where they talk about their life together. And the reason I'm bringing this up is She maybe inadvertently follows the theme of this song, because Balthazar Getty was not an easy person to live with because he had this very public affair with Sienna Miller in 2008. Frank: [38:26] Oh, that's right. Bill: [38:28] Oh, that's right. So everyone knew this. He had kids, like they had three or four kids, I think. And he was off for a long time with Sienna Miller and they got back together and they're still together, because wild horses could not drive Rosetta Getty away from her husband despite, yeah, very public. Frank: [38:45] His infidelity. Yeah, very public. Wow, that's crazy. Bill: [38:48] So it's crazy. So that was my deep dive research and it's totally her. And there is no connection. So I don't know if she's used her money to push down "Wild Horses." I don't know why, because it's fascinating. And as far as eight girls in a video, she's not exploited, I don't think. I mean, it's, we're guys talking about beautiful woman in a video, but she's just this fascinating figure. Frank: [39:13] Yeah, yeah. And she's not I mean, it's not an overt objectification of her in the video. It's not her front and center writhing in a bikini on a car or something like that. Bill: [39:25] No, she's not wearing the bikini the person wearing the bikini is just sitting there. Yeah, I. Frank: [39:28] Yeah, and she's completely uninterested. It's almost like a David Lynch film. Bill: [39:32] Was Heather in down yeah, that's great. It is like a David Lynch film If anything, this is what Wild at Heart should have used maybe I mean, of course, what am I saying? Frank: [39:34] I would be down. Do you know that? [39:43] Yeah, well, why would a hard? Bill: [39:44] Chris Isaac, but this has a total lynching feel and belt is our getty said David Lynch. This is not connected but is is he sees David Lynch as kind of a surrogate father to him. All these weird connections. Frank: [39:56] But. Bill: [39:59] Yeah. Either way, this video feels like Lynch. Frank: [40:03] Yeah. [40:03] It's all six degrees of Gino Vannelli. Bill: [40:06] Yeah. Thank you, Gino for Twin Peaks. So that video is so watchable. I've, I've watched it over and over again, but I also can't help but see Eugene Levy playing Gino Vannelli from the SCTV. Frank: [40:14] So. [40:20] In an SCTV parody of this, yes. Bill: [40:20] Yeah. Yeah. They did a parody of it. I just want to stop where he keeps singing and growing more and more chest hair. So that would be like when we talk about categories, if we're even heading there, we might as well. Frank: [40:26] Yeah. Bill: [40:32] Hallmark movie is like, well, it's a David Lynch movie. This belongs in a David Lynch movie. Frank: [40:35] Yeah. in David Lynch movie. Yeah. Bill: [40:37] So I can't see it as a Hallmark thing, but I can see it as a David Lynch movie. Frank: [40:41] Can we talk about Gino Vannelli in more recent pop culture history? So in 2008, Boston Celtics would play a clip of Dick Clark's American Bandstand and it's just like music playing and a bunch of people dancing and it was like you know panning through the crowd and everything and the end of this clip that they would play at Celtics games and it was always during a blowout win for the Celtics. The end of it was this bearded man wearing a very, very tight t-shirt with Gino Vannelli on it. It just said Gino, and they call it Gino time. So in 2008, Gino Vannelli is thrust into the forefront of the Boston like sort of sports pop culture history because everyone knows the guy who's dancing in video and everyone knows the shirt that he's wearing so it's Gino time so Gino Vannelli has this small little resurgence in 2008 and that's also the year that they won their last championship was 2008 so Gino Vannelli has a part of the Celtics 17th championship in the NBA. Bill: [41:53] All right, let's talk some categories. Okay. Michael Bolton. Could Michael Bolton sing this? Okay, I was actually thinking he could if he toned it down. Frank: [42:08] But you're asking a bird not to fly. Bill: [42:10] I was gonna say at the end, but he could not by the end. He just go wild. He is the wild horse. Frank: [42:15] He is the wild horse. Bill: [42:17] Now I do have another category unfair because I didn't tell you about this. But who who else could sing this and I have one person who I feel could sing this and that's Chris Isaac. Frank: [42:25] Yeah. It's fine. Oh, yeah. Well, it has that that sort of, like. Bill: [42:28] Oh yeah. Yeah. Frank: [42:30] I said, that southwestern almost rockabilly feel to it. So, yeah, who else would who else would would be able to do that? maybe John Bon Jovi and his like cowboy rock stage or Kid Rock? Okay, like Enya? Bill: [42:44] Or I could see it being like a female voice who makes it feel kind of ethereal. So maybe. Yeah. Yeah, she could. Maybe Anya. Maybe like a Phoebe Bridges or a Tori Amos? Could she do it? I'm just trying to think. Someone could do something with it. Could Jule sing this? Frank: [43:14] Yeah, I can hear Jewel singing this. Yeah, Jewel. This is your challenge. And we know you listen to the episode. So we challenge you to sing Gino Vannelli's Wild Horses and send it over to us and maybe hang out with me. Bill: [43:15] Yeah, all right, Jule. The challenge is on. [43:49] Another category here what season of the year and what time of the day does this song work best? Frank: [43:56] End of summer in the evening. Bill: [43:58] You got it, that's the answer. All right one more for you. What part of the date do you play this song on? Frank: [44:05] Okay, it's not a first date song. You know what, it's a third date song after you have a mild misunderstanding. If you're really into her, but without, you know, going creepy. Bill: [44:14] Oh, okay, Okay, because I have getting fresh written down. Not mild misunderstand. To me it seems like that would be your kind of go-to kissing song. It's a kissing song. That's a game. Frank: [44:21] Okay, well that's usually third date. [44:29] It's a kissing song. And a flatbed truck. Bill: [44:33] Yeah, all right. I mean there's one more major category we gotta get to of course. Mixed tape. Mixed tape. You got a mixed tape going? I have a mixed tape. Okay, I'll let you go first. Frank: [44:40] Okay, yeah. Mix tape. Okay. I have a mix tape. Okay, so my mix tape, the theme I went with was songs that have animal names. Bill: [44:51] Animal names? animals Okay, all right, all right, gotcha, okay. Frank: [44:51] Animals in the title. So, Like a Bird on a Wire, the Neville Brothers, Barracuda by Heart, Rock Lobster, the B-52s, A bit of an outlier here and this is just because I love the band but also the song is beautiful. Transient Whales by Toad the Wet Sprocket. Pony by Genuine. And I am ending this just for you Bill hands by Jewel. Bill: [45:30] Hands is not an animal. It's not funny anymore. This is like four, I don't know how many episodes you've done this to me, whether I've kept it in or cut it out. Okay. Frank: [45:40] No, no, no, I do have an ending for you and this one honestly is just for you. by crazy town. Bill: [45:42] Oh yeah. [45:47] Yes. Oh, what an ending. Oh, that's a great transition into my stuff. So my mixtape went with texture to quote you actually actually from an earlier episode. So after you know, Wild Horses plays or I guess your part. I'm on fire Bruce. Frank: [46:01] Oh yes! Oh good call! Bruce Springsteen can sing me a song. Bill: [46:08] Springsteen. Yeah. Oh, good. Yeah, I got the feel. Yeah. Oh, he could totally sing this. I just died in your arms tonight cutting crew. Okay. Drive the cars. Wicked Game Chris Isaac. Frank: [46:18] I will listen to this mixtape. Bill: [46:24] And then I'm gonna end with Yeah, who's gonna ride your wild horse is you too, because it has that feel and not the one that's on Octon baby, but the mix that was actually the single. It has that sort of feel as well. And it's like a scale, back Bono. And I really like that song and the wild horses fits within the Gino wild horse world. So it feels like the Gino finale is like wild horses won't drive me away. And Bono is like. Frank: [46:47] Yes, yeah. Bill: [46:53] Who's gonna ride your wild horses? There's there's something going on there. It is the Gino verse. Yeah, I felt really good. I spent a lot of time on this. I do have something else. Gino is so weird. When he's interviewed, he doesn't Frank: [46:56] It's all in the Genoverse. Yeah. That's a great mixtape. Bill: [47:09] even bother talking about "Wild Horses". He only wants to really talk about his spiritual journey. I just don't want to hear about it. I want to hear about "Wild Horses," Gino! I don't want to hear about the ego and you're Carl Jung. I just want to hear - Frank: [47:20] I just want you to stop and tell me all the things about you baby.   Bill: [47:24] Exactly. So I am so glad we got to talk about a song that's not easy to find on Spotify, that's, not easy to find anywhere. Yeah, that you'd have to go on Amazon and look for dreamers never sleep if you wanted to get a CD copy of this. Frank: [48:00] Yeah, or write Bill, he might be able to send you his. Bill's like a CD library. He can he lends them out and they do come back sometimes. Yeah, and the song I think is critically. Bill: [48:09] They do. You know what? are still an awesome way of listening to music. Frank: [48:17] Critically underappreciated. Like we said, it did very well in Canada, but in the broader North America really didn't chart but such a such a good song such a really really good song and a visceral song, you can feel it. You can feel everything that he's singing. It is so good. Bill: [48:39] Yeah, I can't help but gush over this and so, you know, we don't do irony anyways, We like to joke around we don't do irony and this song is incredible. So if you're out there And you know this song but haven't been able to sort of place it anywhere. We're here for you, and, We want you to know that no matter what's going on in the world, wild horses won't drag us away from bringing guilt-free pleasures to you. Frank: [49:13] Thank you for listening.  

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EX38 - The Box - From Montreal Quebec Canada - Closer Together and Carry On - External Version The Box is a new wave group from Montreal, Quebec. Founded in 1981, they achieved commercial success in Canada, recording four charting albums and 10 charting singles between 1984 and 1990. The group broke up in 1992, but a new line-up was founded in 2005. This iteration of the group has released two further albums. The band was formed in 1981 by Jean-Marc Pisapia, an early member of Men Without Hats. He recruited guitarist Guy Florent and bassist Jean-Pierre Brie and, before they settled on calling themselves The Box, the group was known as Checkpoint Charlie. https://theboxband.com/ The Box - Closer Together (Official Music Video) The Box - Carry On (Official Video) ___ Add to My Playlist Website The Add to my Playlist YouTube Channel

The fifth biennial ICSAA - International Conference of secular Alcohlics Anonymous was online. Originally booked for Washington DC, health concerns prompted committee members to meet on Zoom this year. Previously, we have been to Santa Monica (2014), Austin (2016) and Toronto (2018). Our first attempt to meet in Washington was 2020 and as all members of peer to peer support groups for people with addiction know, COVID-19 has steered us to better use of technology such as Zoom meetings. We offered simultaneous translation in Spanish/English and French/English this year, finding a way to reduce barrier and build bridges with current technology. Mario from Montreal Quebec and Chantal of Greek/French heritage both share their story. Also, we hear about the history of the leaflet The “God” Word: Agnostics and Atheists in AA which started in Great Britain and is now available in Spanish, French and English.https://aasecular.orgEmail us at secularaa@gmail.com More audio recordings of agnostics, atheists, and freethinkers in recovery: https://secularaa.buzzsprout.com/  #secularAA,  #AAwithoutGod,  #atheistAA,   #ICSAA,  #ICSAA2022

Bloc Quebecois leader Yves Franclois Blanchet writes a letter to his Canadian "neighbours" making the case that it's time for Canada to shed its allegiance to the monarchy of a foreign country (England).  - Blanchet also revealed in parliament this week his oath of office was tainted. "my oath to the British crown was insincere." Guest: Nino Colavecchio. Montreal Quebec sovereignist, former PQ candidate, political consultant and radio talk show host. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Journey es una banda de rock creada en 1973 en San Francisco, Estados Unidos, por el teclista Gregg Rolie y el guitarrista Neal Schon, integrantes originales de Santana. De estilo rock progresivo en sus inicios, fue cambiando a un estilo más melódico con la incorporación del vocalista Steve Perry en 1978, quien con su voz convirtió a la banda en una de las más destacadas de los años 1980, con ventas de más de 75 millones de discos en todo el mundo convirtiéndolos en uno de los artistas más exitosos de todos los tiempos​ Journey alcanzó la cima del éxito en 1981 con el álbum Escape, que contenía canciones como «Open Arms», «Who's Crying Now» y «Don't Stop Believin'». Durante ese período, la banda lanzó una serie de canciones de éxito, incluyendo «Don't Stop Believin'» de 1981, el más vendido en la historia de iTunes​​​ Las raíces de Journey se encuentran en San Francisco, donde en 1971 el representante de Carlos Santana, Walter Herbie Herbert, decidió organizar una banda de músicos, originalmente llamada The Golden Gate Rhythm Section. Insatisfecho con la dirección musical que buscaba Santana, el teclista/vocalista Gregg Rolie y el guitarrista Neal Schon dejaron la banda en 1972. Prairie Prince de The Tubes, el bajista Ross Valory de Frumious Bandersnatch, y el guitarrista rítmico George Tickner fueron añadidos al nuevo proyecto. Tras un infructuoso concurso radial que buscaba un nombre para el grupo, Jack Villanueva​ sugirió el nombre "Journey.".​ La primera aparición pública del grupo fue en Winterland en la víspera de año nuevo en 1973. Al día siguiente volaron a Hawái a tocar en el Crater Festival. A comienzos de 1973, Prairie Prince se reunió con su antiguo grupo, The Tubes, así que Herbert trajo a Aynsley Dunbar, un baterista que había tocado con John Lennon, Frank Zappa, John Mayall, Jeff Beck, Bonzo Dog Band, Mothers of Invention, Lou Reed, y David Bowie. El 5 de febrero de 1974, la nueva conformación del grupo debutó en el Great American Music Hall, asegurando un contrato con Columbia Records. Journey lanzó su álbum homónimo en 1975. Ese mismo año Journey invitó a Albert King a uno de sus conciertos. El disco mostraba el considerable talento de la banda para la música jazz-fusión y el rock progresivo. El guitarrista rítmico Tickner dejó la banda poco antes de la grabación del segundo álbum del grupo, Look into the Future (1976), el cual le bajó el tono al sonido progresivo del primer disco, pero retuvo su base de jazz-fusión. El siguiente disco, Next, intentó reducir la duración de sus canciones para apelar a una mayor audiencia, e incluyó a Neal Schon cantando varias de las canciones, pero aun así, el éxito comercial seguía eludiéndoles. Con las ventas mediocres de Next el grupo fue presionado por el estudio para cambiar de dirección y buscar un nuevo cantante. Como resultado, Journey trajo a Robert Fleischman. Nativo del sur de California, Fleischman había estado tocando con un grupo de Chicago cuando su representante, Barry Fey, lo trajo a Denver en 1977 para una entrevista con ejecutivos de un estudio. "Estaba nevando mucho y no sabíamos si los ejecutivos iban a lograr llegar a la reunión, pero luego aparecieron muchas personas de la Costa Oeste y de la Costa Este" recuerda Fleischman.​​ Él fue "descubierto" por un ejecutivo de la CBS en dicha reunión, y un par de semanas después, fue enviado a San Francisco para una audición con Journey. A Fleischman le fue notificado que la banda buscaba un estilo más popular, similar al de Foreigner o Boston, por lo que Fleischman supo que su vocalización inspirada por Robert Plant de Led Zeppelin sería un extra. Sin embargo, la potencia de la banda a la que él se intentaba unir, lo impresionó. En su primera sesión de estudio juntos, Fleishman señala, "Era como... tener fuegos artificiales en la bolsa de atrás. Ellos llevaban tanto tiempo tocando juntos, y lo hacían tan bien, que era grandioso tocar con gente así".​ Dichas sesiones produjeron el tema "For You," que luego aparecería en Time, y "Wheel in the Sky," que luego fue re-editada sin Fleischman para el disco Infinity. Fleischman salió de gira con la banda a inicios del año siguiente, pero su lugar en el grupo tenía las horas contadas. Mantuvo a su propio representante, Barry Fey, lo cual demostró ser una constante confrontación con el representante de Journey, Herbie Herbert. Adicionalmente, Herbert parecía no estar dispuesto a dejar que la nueva dirección de la banda saliera a relucir de inmediato, lo cual terminó en situaciones como que Fleischman tenía que agitar una pandereta mientras el resto del grupo seguía tocando sus canciones antiguas para su grupo de seguidores jazz-fusión. Fleischman también chocó con otros miembros del grupo debido a que, aparentemente, no era un escritor de canciones muy productivo.​ El representante Herbie Herbert había oído mencionar al cantante Steve Perry, quien había pasado recientemente por la ruptura de su grupo Alien Project. Tras oír una demo de Perry (que Jack Villanueva le había hecho llegar), Herbie supo que había que hacer un cambio. Tras un interesante entretiempo durante el que Perry fue presentado a la banda (se le dijo a Fleischman que Perry era el primo portugués de Villanueva), Fleischman fue despedido. Perry hizo su debut público con Journey en el Old Waldorf en San Francisco, el 28 de octubre de 1977. Perry conoció a Schon, y la pareja rápidamente escribió su primera canción, "Patiently", que aparecería en el disco Infinity de 1978. Perry aportó su voz de contratenor, limpia y poderosa, a canciones como "Lights," "Wheel in the Sky," y "Anytime." Además, el productor de Queen, Roy Thomas Baker (originalmente traído por Fleischman) ayudó a darle más capas al sonido de la banda. Los cambios funcionaron, y Journey saltó al estrellato. Infinity llegó al puesto Nº 21 en ventas de discos y le dio a Journey su primer disco de platino. Sin embargo, no todos los miembros del grupo estaban felices con la nueva dirección musical. En septiembre de 1978, el baterista Aynsley Dunbar fue despedido y reemplazado por Steve Smith,​​ quien había estudiado jazz en la prestigiosa escuela Berklee en Boston, Massachusetts. El siguiente álbum de la banda, Evolution produjo el primer sencillo Top 20 de Journey, "Lovin', Touchin', Squeezin.'" El álbum Departure (1980) extendió el ascenso del grupo, llegando al n.º 8 en ventas de discos. «Any Way You Want It» fue un éxito Top 25 con amplia difusión en la radio. Luego, Journey fue a Japón a grabar la banda sonora de la película Dream After Dream, a petición del director de dicho filme. En este punto, los conciertos en vivo eran llenados por fanáticos que favorecían la nueva dirección musical del grupo, con algunos celebrando a Perry como alguna vez se hizo con Elvis Presley (sin embargo, el grupo tocaba sus viejas canciones durante los descansos de Perry tras bambalinas). Journey estaba destinado al éxito en gran escala, y a inicios de 1981 lanzó un disco en vivo llamado Captured, grabado durante los conciertos de la gira Departure en 1980. Las primeras 5 canciones del disco fueron del concierto del 8 de agosto en el Fórum de Montreal (Quebec). Otras 2 fueron de conciertos en Tokio y el resto del Cobo Hall en Detroit. Exhausto de tanto salir de gira, Rolie dejó el grupo, siendo esta la segunda vez que abandonaba una banda exitosa en su carrera.​ Recomendó a Jonathan Cain de The Babys para que lo reemplazara.​ Como si pudiera predecir el ambiente musical de los 1980s, Cain favoreció el uso del sintetizador por encima del órgano Hammond de Rolie. El grupo sabía que se les estaba uniendo un gran teclista, pero ignoraban lo poderoso de las habilidades de Cain para escribir canciones. En 1981, el séptimo disco de estudio de Journey, Escape llegó al n.º 1 de las listas, y finalmente se convirtió en su disco más vendido y popular, siendo 9 veces disco de platino. Los sencillos «Who's Crying Now», «Don't Stop Believin'» y «Open Arms» llegaron al Top 10. El trabajado sonido de la banda, encabezada por el distintivo sonido (y pronto, ampliamente imitado) de Steve Perry, se convirtió en una presencia popular en la radio. El canal MTV grabó uno de sus dos conciertos a sala llena en Houston, Texas, el 6 de noviembre de 1981 en frente de más de 20.000 aficionados.​ En particular, «Don't Stop Believin'» mostraba lo bien logrado del rango de contratenor de Perry en conjunto con el piano de Cain y la dinámica guitarra de Schon. «Open Arms», que estuvo 6 semanas en el n.º 2 en las listas de popularidad, ayudaron a establecer a Journey como el estándar del rock de los años ochenta. Tal éxito le valió poco a Journey con los críticos de música. La Rolling Stone Record Guide de 1983 le dio a cada uno de sus discos solo una estrella, y el crítico Dave Marsh escribió que «Journey era un callejón sin salida para el rock de San Francisco... excesiva trivialidad... banalidad... una explotación de un acto cínico». Marsh luego añadió Escape como uno de los peores discos en llegar al n.º 1 en la historia. Con justicia o no, los críticos a menudo categorizaban a Journey con otros actos de rock corporativo como Foreigner, Asia y Survivor. Journey también fue uno de los primeros grupos en ser patrocinado por una empresa grande, Budweiser, al cual mencionaban en las portadas de sus discos. Esto contribuyó a su imagen negativa de rock corporativo, o más precisamente, rock patrocinado por empresas. El representante Herbie Herbert, sin embargo, comentó al respecto que «se debe sembrar mientras dure la primavera»[11] La banda claramente había cortado con sus raíces hippies de Haight-Ashbury. En 1982, la banda aportó la canción «Only Solutions» a la película Tron de Disney. Casualmente, ese mismo año Journey se volvió el primer grupo en inspirar un videojuego: el arcade Journey por Bally/Midway, y Journey Escape de Data Age, para el Atari 2600. El próximo disco de Journey, Frontiers (1983), continuó su éxito comercial. Llegó al n.º 2 de ventas, y produjo 4 sencillos exitosos, de los cuales «Faithfully» y «Separate Ways» llegaron a n.º 12 y 8, respectivamente. La presencia de Cain continuó siendo fuerte en este disco, tanto por ser cantautor (él solo escribió «Faithfully») como por su uso de sintetizadores. Había llegado la era de MTV, y la popularidad de Journey se incrementó por un vídeo musical de corte documental acerca de «Faithfully», que mostraba a varios miembros del grupo con sus familias de gira, y que ayudó a que la canción se ganara un lugar, junto con «Turn the Page» de Bob Seger y «The Load's Out» de Jackson Browne, como una canción favorita para conciertos. Las escenas del documental fueron rodadas en Estadio JFK en Filadelfia, Pensilvania, con más de 80.000 aficionados presentes.​ Poco tiempo después, la banda recibió una petición de un joven moribundo de 16 años llamado Kenny Sykaluk, quien luchaba contra la fibrosis quística. Kenny quería conocer a la banda. Journey honró el deseo de Kenny, y no sólo lo visitaron en su cama, sino que le obsequiaron un walkman con su último sencillo, «Only the Young». Kenny murió en menos de un día después. En el episodio de Behind the Music de Journey, Jonathan Cain lloró al recordar la visita a Kenny, mientras que Neal Schon dijo que dicha visita «cambió mi forma de ver la vida». El cantante Steve Perry recibió mucho del crédito por el éxito de Journey. En 1984, lanzó un disco como solista, Street Talk, el cual tuvo éxito y lanzó un sencillo popular, cuyo vídeo fue emitido en MTV, llamado «Oh Sherrie». Perry también grabó Don't Fight It (1982), con Kenny Loggins. El guitarrista Neal Schon produjo dos discos con Jan Hammer en 1981 y 1983, y en 1985 fue parte del proyecto Hagar Schon Aaronson Shrieve (junto a Sammy Hagar, Kenny Aaronson y Michael Shrieve). Tras el lanzamiento de su disco en solitario, Perry tomó el control de la dirección musical en estudio de la banda. Para decepción del representante Herbie Herbert, el bajista Ross Valory y el baterista Steve Smith fueron despedidos de la banda por diferencias musicales y profesionales, y en 1986 Journey lanzó su álbum Raised on Radio como un trío Perry, Schon, y Cain. Varios músicos de estudio llenaron las dos vacantes, entre ellos el ahora jurado de American Idol, Randy Jackson y el establecido músico de estudio Larrie Londin. La producción se detuvo constantemente, debido a la decadente salud de la madre de Perry, Mary Pereira. Al final, el álbum vendió dos millones de copias. Una truncada gira le siguió, presentando a Jackson en el bajo y a Mike Baird en la batería. Luego, Perry, exhausto de tantas giras, sufriendo por la reciente muerte de su madre (con quien tuvo una relación muy cercana) y el colapso de su relación de 6 años con Sherrie Swafford, dejó Journey en 1987, terminando el recorrido de la banda en la cima. A pesar de trabajar en un proyecto en solitario en 1989 titulado Against The Wall, el cual finalmente fue desechado, Steve Perry abandonó la industria musical por varios años antes de grabar «For the Love of Strange Medicine» en 1994 y lanzar un compilado de grandes éxitos en 1998. Neal Schon y Jonathan Cain hicieron equipo con los ex-Babys (la antigua banda de Cain), John Waite y Ricky Phillips, formando Bad English con el baterista Deen Castronovo en 1988. Además, cada uno grabó discos en solitario. Luego, Schon y Castronovo se unieron al grupo del cuñado de Schon, Hardline. Steve Smith se metió de lleno en su proyecto de jazz, Vital Information, el cual eventualmente llegó a desarrollar un grupo de fanáticos de tamaño respetable. En 1991, Ross Valory, Steve Smith, y Greg Rolie se unieron a The Storm con el cantante Kevin Chalfant y el guitarrista Josh Ramos. De 1987 a 1995, Journey observó cómo crecía la venta de sus discos. Lanzaron tres recopilatorios, los cuales lograron excelentes ventas. En 1993, Kevin Chalfant (de The Storm) tocó con los miembros de Journey en algunos conciertos, y Schon, Cain, Valory, Smith y Rolie consideraron brevemente una reunión bajo el nombre de Journey con Chalfant como cantante, pero al final tal proyecto no fructificó. Ese año, Steve Perry propuso volver a la banda bajo la condición de que se cambiara de representante. Herbie Herbert fue despedido y se eligió a Irving Azoff, y en 1995 Perry volvió una vez más a Journey. En 1995, la formación que tenía Journey en 1981 volvió a juntarse. Perry, Schon, Smith, Cain, y Valory volvieron al estudio y produjeron el famoso disco Trial by Fire en 1996, que incluye los éxitos «When You Love a Woman» y «Message of Love», nominado a un Grammy. Tras el éxito de Trial by Fire, los miembros de Journey se prepararon para una gira prometedora. La sensación causada en los medios y la emoción alrededor de volver a ver a la banda de gira fueron intensas, pero todo esto llegó a un abrupto final cuando Perry se lastimó la cadera en una caminata en Háwai. Perry probablemente iba a necesitar un reemplazo de cadera. A pesar de esto, le fue difícil tomar una decisión respecto a su estado de salud (pues le era imposible presentarse en el escenario sin someterse a dicha cirugía), pero en 1998 la banda lo presionó para que tomara una decisión. Cuando Perry rehusó a operarse, Cain y Schon decidieron continuar la banda sin él. El baterista Steve Smith decidió dejar la banda en esa misma época, para volver a Vital Information. En febrero de 2001, la banda participó en un episodio de Behind the Music en VH1, pero algunos comentarios hechos durante la grabación del programa contribuyeron a calentar los ánimos entre Perry y el resto de la banda. Ese mismo año, Herbie Herbert ofreció una entrevista en la que él daba su propia opinión acerca de la historia del grupo.[12] Luego, en 2003, Robert Fleischman comentó su propia participación en el grupo.[13] En 1998 Journey se vio buscando baterista y cantante. La plaza de baterista fue llenada por Deen Castronovo, compañero de Schon y Cain en Bad English, y que entonces tocaba con Hardline. El nuevo cantante fue Steve Augeri, anteriormente de Tyketto y Tall Stories. Augeri había abandonado el negocio de la música y trabajaba como gerente en una tienda de The Gap en Nueva York. Augeri recibió una llamada telefónica de Schon, quien había escuchado su demo. Schon lo invitó a audicionar para la banda y, a pesar de no haber cantado mucho en tiempos recientes, impresionó a los miembros de Journey lo suficiente como para obtener el trabajo. El parecido de Augeri con Perry, tanto visual, vocal, y hasta en su nombre, causó cierto revuelo entre los fanáticos más antiguos, ayudado por la popularidad de internet y sus foros. Algunos fanes rechazaron a un Journey sin Steve Perry. Otros se volvieron verdaderos fanes de Steve Augeri, culpando a Perry por la decaída popularidad de la banda. Pero la mayoría de los fanáticos dudaron del cambio y (tras oírlo en vivo o en disco) aceptaron a Steve Augeri. Además de su talento, esto tenía mucho que ver con la personalidad del nuevo cantante: era extremadamente amable y simpático con cada nuevo fanático que conocía. La nueva formación de Journey rápidamente volvió a trabajar, grabando una canción para la película Armageddon llamada «Remember Me». En 2001, lanzaron su siguiente disco de estudio, Arrival. El disco originalmente fue publicado en Japón a finales de 2000, pero debido a que algunas de las canciones del disco se filtraron y terminaron en internet con comentarios mayormente negativos de los fanes por su sonido de balada, Journey decidió demorar un poco el lanzamiento de dicho disco en Estados Unidos y añadir dos canciones más pesadas para la versión estadounidense. «All the Way», de dicho disco, se convirtió en un éxito menor. En 2003, la banda lanzó un CD con cuatro canciones titulado Red 13, cuyo diseño de portada fue escogido en un concurso de fanes. En 2005, la banda se embarcó en su gira de 30 aniversario, regalando copias promocionales de su último lanzamiento de estudio, Generations para ganadores seleccionados en cada concierto. Tales conciertos, que duraban tres horas, eran divididos en dos partes: la primera con material de la época de su mayor fama (algunas de esas canciones, tocadas en vivo por primera vez en décadas), mientras que la segunda parte comprendía Escape y otros. La reputación de Journey ante la crítica no mejoró al cabo del tiempo: la edición de 2004 del Rolling Stone Album Guide llama a Journey el «acto de karaoke perfecto», y no le da más de dos estrellas y media (de cinco posibles) a ninguno de sus discos. Varias bandas tributo de Journey se han formado por todo Estados Unidos, con distintos grados de éxito (usualmente en escala local), y el cantante Kevin Chalfant de The Storm ocasionalmente se juntaba con The Gregg Rolie Band para tocar algunos éxitos de Journey de la época 1978-1980. Aunque ha sido criticado como un grupo de orden corporativo, Journey ha retenido una masa de fanes fiel a lo largo de su carrera; su música aparece en programas de TV y películas. La radio a menudo toca sus éxitos, exponiendo su música a nuevas generaciones de oyentes. Journey ganó nuevas atenciones en la década del 2000, debido a que Randy Jackson, tras su participación con Journey, se convirtió en un ejecutivo musical muy exitoso, y luego en juez de American Idol. Vídeos de Jackson con la banda se han mostrado en el programa, y varios de los participantes han intentado cantar canciones de Journey. Los más recordados han sido Clay Aiken cantando «Open Arms» en una semifinal (y luego a dúo con Kelly Clarkson en una gira de conciertos), y Elliott Yamin, también con dicha canción, en la semifinal de 2006. Judy Torres lanzó una versión del sencillo «Faithfully» en 2005. La canción «Don't Stop Believin'» se convirtió en un himno de batalla de la Serie Mundial de 2004, donde los campeones Medias Rojas de Boston ganaron la serie tras ir abajo 3 juegos a 0 contra los Yankees en la serie de división de la Liga Americana y también en 2005, donde en el desfile de la victoria de los Chicago White Sox, Steve Perry fue invitado para que cantara con miembros del equipo. El 6 de febrero de 2005 «Don't Stop Believin'» salió en un anuncio de FedEx, en el que salía Burt Reynolds y que fue programado durante el Super Bowl XXXIX. En diciembre de 2005, «Don't Stop Believin'» llegó al n.º 13 en la lista Hot Digital Songs, y fue nominada para dos categorías en unos premios de VH1. En julio de 2007, la canción apareció en la escena final de la serie de HBO The Sopranos. Petra Haden lanzó un cover de la canción en septiembre de 2007. En 2003, Journey fue admitido al Salón de la Fama de la Música de San Francisco. A la ceremonia asistieron Gregg Rolie, Jonathan Cain, Steve Smith, Ross Valory, Neal Schon, Aynsley Dunbar, Deen Castronovo, y Steve Augeri. Dos años más tarde, el 21 de enero de 2005, Journey recibió una estrella en el Paseo de la Fama de Hollywood, y Steve Perry apareció de sorpresa en la ceremonia. Las relaciones con el resto del grupo mejoraron, pero Perry dijo que no había posibilidad de una reunión con su antigua banda en el futuro cercano. Diez miembros de Journey se juntaron ese día: Perry, Augeri, Cain, Castronovo, Dunbar, Fleischman, Schon, Smith, George Tickner, y Valory. En 2009, la serie Glee, del canal Fox, hace varias referencias a Journey en diferentes capítulos de la primera temporada, siendo Don't Stop Believin' la canción principal del primer capítulo de la serie. En la temporada final, se realiza un «Journey Medley». En julio de 2006, Steve Augeri comenzó a experimentar problemas con su voz y fue obligado a renunciar. Anunció que dejaría la banda por un tiempo debido a una infección en la garganta que requería que dejara descansar a sus cuerdas vocales.  La banda trajo a Jeff Scott Soto para sustituirlo. Además, Deen Castronovo, quien llevaba tiempo cantando los coros e incluso sustituyendo a Augeri como cantante, cantó en power ballads como «Faithfully» y «Open Arms». El 19 de diciembre de 2006 la banda emitió un comunicado en su página oficial, donde nombraban a Soto como vocalista permanente.​ Sin embargo, el 12 de junio de 2007, Journey anunció la salida de Soto.​ El breve periodo de Jeff Scott Soto como vocalista se parece al igualmente breve periodo de Robert Fleischman en la misma posición en 1977, de la cual salió la decisión de contratar a Steve Perry. Los fanes especulan​ que la banda persigue la misma cadena de sucesos que hace 30 años les dio resultado. En septiembre de 2007, empezaron a circular fotos del poco conocido cantante Arnel Pineda con Journey. En el sitio oficial de Journey se da el comunicado oficial que Arnel Pineda será el nuevo vocalista oficial. Pineda tocaba con el grupo The Zoo​ el cual se dedicaba a tocar versiones de varias bandas. Neal Schon lo encontró por YouTube. Se contactó con él y luego de una soberbia audición fue incorporado a la banda. Su primera presentación oficial con Journey se realizó el 21 de febrero del 2008 en el Festival Internacional de la Canción de Viña del Mar en Chile con una transmisión televisiva en conjunto para 80 países y en vivo por señales locales, de cable y el afamado canal A&E. Pineda derrochó energía y logró cautivar a todo el público con su voz muy parecida a la de Steve Perry y su gran presencia escénica, rejuveneciendo a la banda y dejando en segundo plano su carácter de absoluto novato. Los periódicos y sitios de Internet de foros audiovisuales tipo YouTube se plagaron a los pocos minutos de sendos elogios para el nuevo vocalista y a su vez la prensa especializada nacional como extranjera alabó la presentación del grupo.​ Journey dio luego un concierto en el Estadio San Carlos de Apoquindo de Santiago, Chile, el 23 de febrero del 2008 junto a Peter Frampton y Earth, Wind & Fire, constituyéndose Chile en la única parada que se realizaría en Sudamérica con un gran éxito. Su siguiente álbum, Revelation, debutó en el n.º 5 en las listas de Billboard, vendiendo más de 196.000 unidades en sus dos primeras semanas y manteniéndose en el top 20 durante 6 semanas.​Journey también encontró el éxito en las listas contemporáneas, donde el sencillo «After All These Years» pasó más de 23 semanas alcanzando el número 9.​ Los ingresos procedentes de la gira del 2008 la convirtieron en una de las más taquilleras del año, recaudando más de 35 millones de dólares.​ El 18 de diciembre de 2008, el álbum Revelation fue certificado disco de platino por la RIAA.​​ El segundo álbum de la banda con Pineda, Eclipse, fue lanzado el 24 de mayo de 2011, y debutó en el n.º 13 en el Billboard 200.​ En noviembre de 2011, Journey lanzó su segunda recopilación de grandes éxitos, titulada Journey: Greatest Hits: Volume 2, que incluye canciones escogidas por el exvocalista Steve Perry. Durante la gira del año 2015, el baterista Deen Castronovo fue reemplazado por el músico de sesión Omar Hakim.​ Luego la banda anunció que Steve Smith retornaría nuevamente a ocupar el puesto de baterista en Journey. 25 de Junio 2021 nuevo single de Journey «The Way We Used To Be» es la primera canción que se estrena con la formación actual de Journey, compuesta por el guitarrista Neal Schon, el cantante Arnel Pineda y el teclista Jonathan Cain junto con las últimas incorporaciones: el batería Narada Michael Walden, el bajista Randy Jackson y teclista y cantante Jason Derlatka. A lo largo de diferentes entrevistas, el guitarrista Neal Schon ha dado a entender que esta nueva entrega discográfica está bastante avanzada, y que con suerte verá la luz antes de que termine el presente ejercicio. “Ya tenemos como seis temas rockeros», comentaba Schon en una entrevista con Rock & Review de FOX17 a finales del pasado año, y añadía que publicaran unos tres singles antes de estrenar el álbum completo e iniciar su gira de presentación. 29 de Julio de 2021 Deen Castronovo vuelve a Journey El guitarrista de Journey, Neal Schon, ha confirmado en las redes sociales que el ex baterista Deen Castronovo se ha reincorporado a la banda. Schon confirmó el regreso de Castronovo en una serie de comentarios en Facebook debajo de una historia del San Francisco Chronicle sobre Journey, que compartió el miércoles. Un fan comentó en la publicación, «Entonces, ¿Deen Castronovo está de vuelta en la banda ahora a tiempo completo?» a lo que Schon respondió simplemente, «Sí». Respondiendo a otro fan que imploró a la banda que «traigan de vuelta a Deen de nuevo», escribió Schon, «Deen ha vuelto. Ahora somos dobles (2) bateristas con Narada [Michael Walden, que se unió a la banda en 2020]». Schon no reveló hasta qué punto Castronovo participará en los espectáculos de Journey inmediatos y futuros. El guitarrista insinuó del regreso de Castronovo el martes cuando tuiteó una foto que parecía ser de los ensayos del concierto del viernes por la noche de la banda en el Aragon Ballroom en Chicago, que precede a la actuación del domingo de Journey en Lollapalooza. «Ok … Doble problema Chicago @NaradaMWalden @DeenTheDrummer Narada Michael Walden y el regreso de Deen Castronovo a la batería @AragonBallroom @lollapalooza», subtituló Schon en su publicación.​ Don't stop believin Monster «Any Way You Want It» - Caddyshack (1980)

In this episode, we're doing something we've never done before on The Health Detective Podcast... We're analzying real lab results! Our guest today, Barbara Madimenos, is an experienced FDN who has been on the show before to share her story of how she dealt with osteoporosis, anorexia, and missing periods. You can click the link here to listen to that episode now.  We hope you enjoy this different format, and if you'd like us to do it in the future with other types of labs, leave us a comment or shoot us a DM on our IG page, @fdntraining! About Barbara: Barbara Madimenos is a functional health coach located in Montreal Quebec with a focus on women's metabolic and endocrine disorders. How she ended up working in this space with this specialty all started when she was just 13 years old and diagnosed with anorexia nervosa. In the midst of her disorder she also developed severe hormonal imbalances such as amenorrhea, hypothyroidism, anxiety, alcohol and drug abuse, as well as self harm coping mechanisms, all in which led her down a hole. Where to find Barbara: You can find her on Instagram by going to @barbaramadimenos Thinking about becoming a certified Functional Diagnostic Nutrition Practitioner and analyzing labs like Barbara and Detective Ev? Try the course for FREE (no credit card required) by going to fdntraining.com/tryfdn. 

For episode 1 of The Dreaming Arts, Layman Pascal meets with teacher, dream guide, and co-author of Integral Dreaming, Daniel Deslauriers, to lay some of the groundwork for this new Integral Stage series. Together they discuss Daniel's early formative experiences with dream work; his work on developing an integral approach to dreaming; dreaming as a relational practice; the cross-cultural history and multiple methods of dream work; the somatic and neurochemical dimensions of dreaming; lucid dreaming; Freudian dream analysis; the dream lives of non-human beings; dreaming as philosophy; and much more. Daniel Deslauriers, PhD, received his doctorate (1989) in Psychology from the University of Montreal (Quebec) and conducted research at the University of Auckland (New Zealand) and the Chronopsychology Laboratory, Carleton University (Ontario). He lived in Indonesia and has studied the religion and sacred arts of Bali, and trained in Gamelan music and Balinese dance. He was co-founder of the Montreal Center for the Study of Dreams. Daniel co-authored Le rêve: sa nature, sa fonction et une methode d'analyse (P.U.Q., 1987), has published articles on epistemology and narrative research, and and has co-authored (with Fariba Bogzaran) Integral Dreaming (SUNY Press, 2012). His professional interests in consciousness studies include: traditional and contemporary approaches to dreams and imagination, altered states of consciousness, spiritual intelligence, and integral psychology. He is also a practitioner and teacher of Unity in Motion, a bodymind integrative practice. Integral Dreaming https://www.amazon.com/Integral-Dreaming-Holistic-Approach-Studies/dp/1438442386/ Please consider supporting The Integral Stage on Patreon to make more of these conversations possible! https://www.patreon.com/theintegralstage

#crowdfunding #entrepreneuer #nomad CONVERSATIONS WITH CALVIN WE THE SPECIES NEW: GUYLAINE BEUACHEMIN; Entrepreneur, NOMAD (Native women community); Dream Makers; Supernaturally Healed….. 172 Interviews. GLOBAL Reach. Earth Life. Amazing People. PLEASE SUBSCRIBE (You can almost find any subject you want) https://www.youtube.com/c/Conversatio... ** GUYLAINE BEAUCHEMIN; Entrepreneur NOMAD (Native women community); Dream Makers; Crowdfunding Consultant; Producer & Broadcaster for entrepreneurs; Supernaturally (Healed); LIVE FROM MONTREAL, QUEBEC YouTube: https://www.youtube.com/watch?v=uLEXYh8aLYw CONTACT: LinkedIn: https://www.linkedin.com/in/guylaine-... Email: info@makersdereves.com Email: guylainebeauchemin@makersdereves.com Crowdfunding Platform: www.dreammakerscrowdfunding.com Web TV Platform: www.lequebecendirect.tv Podcast: https://smartlink.ausha.co/les-makers... WhatsApp: +1-450-848-4135 ** BIO: Guylaine Beauchemin has been an entrepreneur for 33 years. Entrepreneur and artist at heart, she has been an artistic director, choreographer, Latin dance teacher, professional dancer, and singer while managing her three dance studios. It was at the end of 2010 that her professional life fell apart. She discovered that she had type B lymphoma cancer in the small intestine. She underwent surgery and then experienced the chemotherapy protocol. She agreed to undergo nine treatments but only did two. She decided to stop the protocol. It was too difficult. She had a supernatural experience that would change her life by determining to live instead of die. Eleven years of rebuilding to accept her mission to see herself wealthy enough to provide work for others or improve the financial quality of their lives. In 2012, she began her online studies in Web Marketing in the United States. Passionate about entrepreneurship, she created a WebTV production dedicated to positive TV on entrepreneurship in 2014 and became a broadcaster. In 2016, she made her first crowdfunding campaign, which she repeated in 2017. She loves it so much that she created the Crowdfunding Academy in 2018 and solidified her business model in 2021 by setting up the crowdfunding platform Dream Makers. She surrounds herself with a great team that continues to grow to encourage self- employed people by offering work mandates that challenge them to continue being free and happy. And above all, to provide excellent services to its entrepreneurial clients. Its mission is to support entrepreneurs creating crowdfunding campaigns to finance business projects that make a difference in the world. ** ALSO ON AUDIO: SPOTIFY http://spoti.fi/3bMYVYW GOOGLE PODCASTS http://bit.ly/38yH3yP edits by Claudine Smith- Email: casproductions01@gmail.com ** PLEASE SUBSCRIBE (You can almost get any subject interview you want) #animalwelfare #animalrescue #climatechange #ONEHEALTH #womenshealth #popculture #military #singersongwriter #clerks #GenZ #Nutrition #Comedy #Filmmaking #Sport #NASA #Law, #Dyslexia #Military

This week is all about Montreal, Quebec!! This city and province as a whole is extremely slept on. It sort of feels like you've flown to Europe, sort of sounds like you're in France, yet is only a few hours north, BY CAR!! This hidden gem of the continent truly has a unique culture of its own that is worth experiencing for yourself! Tune in to hear all about the 4 day adventure we just completed, and by the end of this episode you'll be looking up AirBnb prices for this weekend! Love yall!!   rarewaterstudios.com instagram.com/bobby.keefe tiktok.com/@bobby.keefe

This week, Renee and Marie discuss the murder of Joe Rose. This case takes place in Montreal Quebec.Every week we donate to an organization relevant to the case we discussed. With that being said, this week we are donating to Canadian Aids Society.This is from their website ( https://www.cdnaids.ca/donate/) :Created in 1986, the Canadian AIDS Society (CAS) represents our members at the national level, guided by the voice of people living with HIV/AIDS. We are a movement built at the grassroots level and we are proud of those roots. We are devoted to the idea of people working together with a certain knowledge that the stakes have never been higher and the humble notion that we can work together to dramatically change the outcomes of HIV in Canada.Merch: https://www.etsy.com/ca/shop/terribletruecrimeCase Sources:Joe Rose (activist) - Wikipedia30 years later, Montreal's gay community reflects on the murder of Joe Rose | CBC News (loving quotes)John MacFarlanPrejudice to pride: The forgotten murder of Joe Rose | Montreal GazetteCity to consider naming public square after slain LGBTQ activist | CTV NewsCBC podcast called the village the montreal murders season 3 ep1Joe+Rose.pdf (squarespace.com)https://www.saltwire.com/atlantic-canada/news/cape-breton-born-mans-1989-murder-fuelled-intensified-lgbt-activistism-in-quebec-100621579/ Nicole Sullivanhttps://www.canada.ca/en/public-health/services/diseases/hiv-aids.html https://www.news-medical.net/health/When-Does-HIV-Become-AIDS.aspxA brief history of AIDS activism in Canada | socialist.ca Tim McCaskell

This tragic incident where nine Charleston Firefighters died was a very significant moment in the North American Fire service. Join us and our special guest host, Assistant Chief J Gordon Routley PE, MPA, IFE of the city of Montreal Quebec and the Lead investigator of the Routely Report commissioned by the City of Charleston SC after the incident. We will review and discuss this incident in great detail on this episode.

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs. www.DreamsBehindTheMusic.com www.AppliedDreaming.com To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv *** AND NOW *** The ‘X' Zone TV Channel on SimulTV - www.simultv.com The ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs. www.DreamsBehindTheMusic.com www.AppliedDreaming.com To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv *** AND NOW *** The ‘X' Zone TV Channel on SimulTV - www.simultv.com The ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs.www.DreamsBehindTheMusic.comwww.AppliedDreaming.comTo listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Craig is also a widely-traveled speaker and musical artist who has done pioneering lucid dream research at Stanford, and designed peak performance devices distributed worldwide. His book, The Dreams Behind the Music, reveals little-known dreams that inspired tremendous success for over 100 famous artists, and highlights principles and techniques anyone can use to harvest their own dreams for significant breakthroughs.www.DreamsBehindTheMusic.comwww.AppliedDreaming.comTo listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Dr. Jean-Guy Daigneault, a native of Montreal Quebec, Canada, is a Doctor of Chiropractic today due to the phenomenal care he received during his fifteen year Hockey career finishing at the Quebec Major Junior level. His first studies were in Physical Education at McGill University in Montreal and then received a Bachelor Science in Nutrition and his Doctor of Chiropractic from Life University in 1999. He, also, hold an Advanced clinical nutrition certificate and practices chiropractic biophysics in Lansing Michigan for 21 years with his wife, Dr. Denise Rassel. In 2010 he received the CBP Chiropractor of the year and currently is an associate professor at the University of Three Rivers in Quebec, Canada. Dr.Jean-Guy became a Christian in 2004. He is married to Denise, and they have 5 children as well as 7 grandchildren. Dr. Jean-Guy is the owner of Rassel-Daigneault Holistic Health Center and the director of Gilead Healing Center since 2017. Connect with Dr. Jean-Guy Daigneault: achiro.net www.gileadhealingcenter.com Have questions? Guest recommendations? Connect with Dr. Aaron Tressler: www.in8life.com Facebook & Instagram: @in8life drtressler@gmail.com Please share this episode & leave us a 5-star review to help us reach more people looking to improve their health, naturally!

#MrFretz reviews WWE Smackdown from May 16, 2002 in Montreal Quebec, 3 days away from Judgement Day. Tajiri defends the Cruiserweight Title against The Hurricane & Billy Kidman, The Hurricane has a Hurri-Stalker, Reverend D-Von vs Main Event Maven and a swimsuit competition with Stacy vs Torrie. Follow Fretz on Twitter/Instagram/Tiktok @Fretzlemania Follow WAR on Twitter @Addict_Wrestle Join our EXCLUSIVE $5 Patreon: www.patreon.com/wrestleaddictradio Merch: https://fretzlemania.myteespring.co/ Patreons get 15% off! Read our exclusive blog with reviews, fan fiction and more! https://writteninwar.wordpress.com/ Join our Discord Server: https://discord.gg/hWUGvp85 --- Send in a voice message: https://anchor.fm/wrestleaddictradionetwork/message

#MrFretz reviews WWE Smackdown from May 16, 2002 in Montreal Quebec, 3 days away from Judgement Day. Tajiri defends the Cruiserweight Title against The Hurricane & Billy Kidman, The Hurricane has a Hurri-Stalker, Reverend D-Von vs Main Event Maven and a swimsuit competition with Stacy vs Torrie. Follow Fretz on Twitter/Instagram/Tiktok @Fretzlemania Follow WAR on Twitter @Addict_Wrestle Join our EXCLUSIVE $5 Patreon: www.patreon.com/wrestleaddictradio Merch: https://fretzlemania.myteespring.co/ Patreons get 15% off! Read our exclusive blog with reviews, fan fiction and more! https://writteninwar.wordpress.com/ Join our Discord Server: https://discord.gg/hWUGvp85 --- Send in a voice message: https://anchor.fm/fretzlemania/message

#MrFretz reviews WWE Smackdown from May 16, 2002 in Montreal Quebec, 3 days away from Judgement Day. Tajiri defends the Cruiserweight Title against The Hurricane & Billy Kidman, The Hurricane has a Hurri-Stalker, Reverend D-Von vs Main Event Maven and a swimsuit competition with Stacy vs Torrie. Follow Fretz on Twitter/Instagram/Tiktok @Fretzlemania Follow WAR on Twitter @Addict_Wrestle Join our EXCLUSIVE $5 Patreon: www.patreon.com/wrestleaddictradio Merch: https://fretzlemania.myteespring.co/ Patreons get 15% off! Read our exclusive blog with reviews, fan fiction and more! https://writteninwar.wordpress.com/ Join our Discord Server: https://discord.gg/hWUGvp85 --- Send in a voice message: https://anchor.fm/wrestleaddictradionetwork/message

In this episode of The Produce Industry Podcast w/ Patrick Kelly we have Nate Montgomery "The Produce Champion" on assignment in Montreal Quebec at the Canadian Produce Marketing Association!!! Nate attended the show with family in arms, cherries to sale and the podcast to report back to! Nate travels through the trade show floor while interviewing guests, talks about the networking, and overall what CPMA 2022 meant to him in 3 WORDS!!!! Join Nate and Patrick Navigate through the CPMA recap and give some shout-outs to some very recognizable people in the produce and supply chain industry!!!! Thank you; Sev-Rend, Equifruit, Loop Mission, Pure Flavor, Altar Produce, Westfalia, Highline and Deville for the time at the show!!! FANCY SPONSORS: Ag Tools, Inc.: https://www.agtechtools.com, Flavor Wave, LLC.: https://flavorwavefresh.com, Noble Citrus: https://noblecitrus.com, Buck Naked Onions/Owyhee Produce, Inc.: http://www.owyheeproduce.com and John Greene Logistics Company: https://www.jglc.com CHOICE SPONSORS: Indianapolis Fruit Company: https://indyfruit.com, Equifruit: https://equifruit.com Arctic® Apples: https://arcticapples.com Sev-Rend Corporation: https://www.sev-rend.com and Golden Star Citrus, Inc.: http://www.goldenstarcitrus.com STANDARD SPONSORS: London Fruit Inc. https://londonfruit.com, Fresh Cravings: https://www.freshcravings.com/ and Freshway Produce: https://www.freshwayusa.com

Tens of millions worldwide are affected by close to 7,000 rare diseases, some of them cancers. Oftentimes, they have little in the way of support where diagnosis, treatment and aftercare are concerned; but they have a friend in the Rare Disease Interest Group, based at McGill University in Montreal, Quebec, Canada.

Barbara Madimenos is a functional health coach located in Montreal Quebec with a focus on women's metabolic and endocrine disorders. How she ended up working in this space with this specialty all started when she was just 13 years old and diagnosed with anorexia nervosa. In the midst of her disorder she also developed severe hormonal imbalances such as amenorrhea, hypothyroidism, anxiety, alcohol and drug abuse, as well as self harm coping mechanisms, all in which led her down a hole. Finally, in October of 2018, she was diagnosed with osteoporosis,  and at the end of her rope, she decided to try and recover on her own by educating herself on the foundations of what it is to heal metabolically. Today, at 28, she has successfully recovered and is passionate in educating women on doing the same through a food first approach with lifestyle and supplemental modifications.  You can find out more about Barbara by going to www.barbaramadimenos.ca. You can also find her on Instagram by going to @barbaramadimenos You can find out more about FDNthrive by going to www.fdnthrive.com. 

When you think of Montreal sports, you probably think of hockey and Stanley Cup championships. This is for good reason, but the intersection of politics and sports in this Quebec city is far more complex than you might've guessed. Journalist and commentator Dave Kaufman joins us to discuss how hockey changed the way forward for French Canadians, as well as the history (and future?) of baseball in Montreal. Check out Dave's new podcast through McGill University's Desautels Faculty of Management by visiting: https://delve.mcgill.ca/listen/Follow Dave Kaufman on Twitter @TheKaufmanShow or on Instagram @DaveKaufman1Follow us on Twitter or Instagram @SportsTownsPodQuestions, comments, recommendations? Email us at GreatestSportsTowns@gmail.com!Hosts: Billy Puckett and Alex KacikProducer: Tim Corpus (timcorpus.net)Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nicole is an electron microscopist and multimedia artist living in Montreal, Quebec. Her childhood was spent investigating the forests, lakes, rivers, and the rugged beauty of the Atlantic Ocean on the island of Cape Breton, Nova Scotia. This early experience, combined with a career analyzing the micro world, resulted in a fascination of finding beauty in the small details.Through woodturning, Nicole explores natural forms and textures, inviting you to take a closer look. Photos of her work can be found @elocin.handmade on Instagram.Support the show

Bush just got off working night shifts.  We talk Stanley Cup finals, tear away jeans and Rez Hockey merchandise.  With special guest Mike Auksi who currently resides in Montreal Quebec.  

Episode Title: The Journey That Played Out Just Right Feat Steve PageotIn this episode Durell is joined by Grammy award winning audio engineer and music producer Steve Pageot. Durell starts off the episode asking Steve about his experience being born in New York but growing up and spending many years in Montreal Quebec. Steve talks about how he developed a love for music by watching the TV show FAME as well as watching the Jackson 5. He shares that his dad also is a musician and has a love for music and wanted to have kids that were in a singing group but the only problem with that was that Steve was the only “Jackson”.Steve shares a great story about winning the Canadian Music Competition at the age of 16 as a concert flutist. He had a dream to go to Juliard School. He shared how difficult it is having hatian parents and trying to convince them to attend. He then decided to initially pursue a career in computer programming instead of pursuing music. He got a job after graduation as a PCB designer where he then started to buy equipment to start producing music.He talked about his meeting with Puff Daddy in 1993 and being told that his music wasn't good enough and so he went back to Canada and then he moved back to New York years later in 1997 to pursue his dreams and goals of making it in the music industry and eventually meeting Ron Lawrence who was a part of the production group the “Hit Men”. Steve's hard work and perseverance ultimately led to him being a part of the Platinum album Thug Mentality in 1999.Steve has also had the opportunity to work with some of America's most recognizable brands as a jingle producer. Steve shares how fortunate he was to have the opportunity and experience of working with the “Queen Of Soul” Aretha Franklin.Steve has also been a veteran in the Sync Licensing and has had music placed in several reality shows because he inked a deal with MTV. He also talked about his experience being a judge on BET's 106 & Park's “Freestyle Friday”.Steve was also slated to work with Michael Jackson on his final studio album for Michael Jackson. Although it didn't happen due to his passing he still looked at the opportunity as a blessing to even be considered and felt real validation as a producer.Steve and Durell end the episode by discussing some of his mentorship programs and guest lectures at SAE and his passion for artist and music production development.For more info on Steve Pageot please visit his website:https://www.stevepageot.com/

Frederique Leblanc joins the show this week from Montreal Quebec. Currently, Frederique is a Brand Ambassador for Diageo's Reserve Portfolio in Montreal.  Frederique had an interest in mixology at an early age. When Frederique was in her early teenage years, she was already having fun making the most extravagant hot chocolate and Shirley Temples filled with quirky garnishes. Frederique's parents encouraged this talent over the years and when she turned 18, her parents offered her the opportunity to take a bartending class. At that point in time, Frederique was hooked - she fell in love with the creative side of modern cocktails.  At the time, Frederique didn't think she could make a career in the hospitality world, mainly because by nature she was a very shy and reserved person. Nevertheless, Frederique decided to go work in a bar while continuing her studies in cinema. She started as a barback at Datcha, a small Russian bar. Frederiique fell in love again - this time in the bar world. Her bar manager, Simon Lespérance, believed in Frederique before she even believed in herself. Simon provided Frederque with all of his knowledge and especially his passion. It was the beginning of a beautiful love story between Frederique and the bar world. This new found confidence allowed Frederique to overcome her shyness and became someone she really liked when she was behind the bar. Links Instagram:  @reserve.fred https://www.breakthrubev.com/canada https://www.diageo.com/en/our-brands/brand-introduction/ Podcast Artwork by Zak Hannah @zak.hannah

This week Rena Kozak joins Robbie and Jordan from her studio in Montreal. Rena is an audio engineer, (former) tour manager, musician, and aspiring electronics technician in Montreal Quebec. She was diagnosed officially with ADHD in 2015 and has been enjoying learning how to make the most of her unique brain ever since. At the moment it is helping her create music as Child Actress, run her recording studio - Studio StZo, study electronics, and look after her two precious cats, Bob and Maurice, all at the same time. Rena discusses her diagnosis at 34, her 14-month journey trying various medications, the ways in which ADHD benefitted her working life, sorting out the overlapping symptoms of grief, depression and ADHD, going viral on TikTok, and how the enormous changes to the live music industry in the past 12 months have impacted her life. Written and hosted by Robbie McDonald and Jordan Lane. Production and music by Jordan Lane. Rena: patreon.com/childactress tiktok.com/@soundpony instagram.com/soundpony/ instagram.com/childactress/ twitter.com/soundpony twitter.com/childactress HSIHADAD: patreon.com/holyshitihaveadhd anchor.fm/holyshitihaveadhd Robbie: twitter.com/robertadinvan Jordan: linktr.ee/thefresheye --- Send in a voice message: https://anchor.fm/holyshitihaveadhd/message

September has arrived and this week's episode of The Voice & The Coach is a doozy. This week Dan O'Connor and Mark Holick are joined by former NHLer Ron Flockhart who played parts of nine seasons in the NHL (1980 - 1989), before beginning a coaching career that spanned six seasons. In 1993-94, Flockhart coached Mark in his final season of pro hockey in the CHL with the Dallas Freeze.Halfway into the show, a few additional former players of the Ron Flockhart-led 1993-94 Dallas Freeze (Wayne Anchikoski and Joey Mittelsteadt) join the conversation to share a few laughs and memories.If you watched the NHL in the 1980's, or even if you didn't, you'll love this conversation. Ron speaks candidly and passionately about his playing career and addresses a number of hot button topics including:- The Broad St. Bullies of Philadelphia. Did they get too much leash and hold back some of the younger up-and-comers towards the end of their tenure in the NHL?- His 12-game cameo with Mario Lemieux during his rookie season in Pittsburgh.- The Montreal/Quebec rivalry from the mid-80's.- Much more!*If you haven't already, please RATE, SHARE, COMMENT and SUBSCRIBE to this podcast.*Song: SiestaArtist: JahzzarAlbum: Traveller's Guide(CC BY-SA 3.0)

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