Podcast appearances and mentions of arthur jafa

Arthur Jafa talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Jafa 's work in film, sculpture and installation explores Black being with an unflinching eye for systemic and historic inequity and violence and an exuberant harnessing of disparate manifestations of Black—and particularly African American—culture. Jafa has only garnered major art world attention in the past decade, but in that time he has been prolific in creating landmark works that have shocked, stirred and moved his audiences, including Love is the Message, the Message is Death (2016), The White Album (2018) and his latest film, BEN GAZARRA (2024, formerly known as *****), which reimagines the climactic scenes in Martin Scorsese's Taxi Driver. He discusses how, when he was a child, he was profoundly affected by seeing James Brown in concert and reading Jack Kirby's creations for Marvel Comics. He explains how he feels inspired and challenged by Anne Imhof's work, and how Jean-Michel Basquiat is an ongoing point of reference. He also describes the sheer power of seeing another transformative performance as a child: Mahalia Jackson singing in a Mississippi church. Plus, he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?Arthur Jafa, Sprüth Magers, Los Angeles, 14 September-14 December; Arthur Jafa: Works from the MCA Collection, Museum of Contemporary Art, Chicago, until 2 March 2025; Arthur Jafa, Galerie Champ Lacombe, Biarritz, France, until 5 September. Hosted on Acast. See acast.com/privacy for more information.

Ep. 256: Amy Taubin on Leos Carax's It's Not Me, The Shrouds, Charles Atlas, Arthur Jafa, Man Ray, and More Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The one and only Amy Taubin comes back to The Last Thing I Saw for a wide-ranging conversation about what she's been watching. That includes at least a couple of Cannes titles—Leos Carax's It's Not Me and David Cronenberg's The Shrouds—and New York repertory highlights from the spring: the enormous Charles Atlas retrospective at Anthology Film Archives (which is still ongoing through June), the Man Ray restorations touring with new Jim Jarmusch–led score, and Arthur Jafa's shattering reimagining of the brutal ending to Taxi Driver, titled “*****”, shown at the Gladstone Gallery. There are also shout-outs to the Antoinetta Angelidi revival in Prismatic Ground, a new Blu-ray of Too Much Sleep, and more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith. Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum's vision, Beckwith's career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem. Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024. But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can't wait to find out more. -- LINKS: Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection https://www.guggenheim.org/about-us/staff/naomi-beckwith https://www.sengasenga.com/ https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/ https://www.youtube.com/watch?v=DutixbTscWM https://www.moma.org/calendar/exhibitions/5078 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Dominique talks about her recent The Most episode with Colin H. van Eeckhout of AMENRA. Together with Immi, she then discusses Tremaine Emory boldly releasing the Arthur Jafa collab that was previously shelved by Supreme through his own Denim Tears label. The duo also toasts to the Nike x Patta Running Team launch, marvel at its Dover Street Market installation and D's new Friends & Family status. Moving on to low/high stakes-TV, Immi needs to talk about the recent VCU (Vanderpump Cinematic Universe) expansion and gets an introduction to 'Baby Reindeer'. 0:00 COPING MECHANISMS CHECK 2:53 THE COLIN H. VAN EECKHOUT AFTERMATH 12:10 IMMI'S FRAZZLED PRAYER TO BEYONCÉ 15:31 DENIM TEARS X ARTHUR JAFA: THE CULTURE VS JJ 26:22 PATTA DOING CIRCLES AROUND EVERYBODY: NIKE X PATTA RUNNING TEAM  31:57 THE VDP CINEMATIC UNIVERSE EXPANDS 32:38 BABY REINDEER, WTF 39:36 STAKES IS LOW TV 45:01 ZONE OF NOT INTERESTED AND IMMEDIATELY YES TO ‘MONKEY MAN' 1:01:50 FAMOUS LAST WORDS: Y'ALL WANT A BOOTLEG COLOUR ANALYSIS? This episode is a Patreon Exclusive - Become a member now!  FULL EPISODE only on www.patreon.com/wethemost 

Welcome to fly out szn. This week, Jimmy and Larry are getting together on a Friday as penance to talk about the giveaway of the year, pointing fingers, why you're not yourself when you're hungry, Tremaine Emory's unceremonious exit from Supreme, where office politics meet personal feelings, token hires, all private correspondence is public, White Fragility, streetwear's systemic racism vs. educational platform, Black Twitter takes on the controversial work of Arthur Jafa, puns and emojis, a MF Doom fan rates the Supreme collab, the Tabi theft heard round the world, 2023's perfect storm, is stealing a grail a bridge too far for jawnz enthusiasts, unprofessional scamming, an early TF x Mr Porter round 2 tease, OnlyFans photoshoots at the tennis court, baking at the US Open and the joys of eating Asian food in Flushing, The Strokes ripping an antagonistic performance at J.Crew's 40th anniversary party, what goes down in VIP, Bruce Springsteen reaffirming life live at MetLife Stadium and much more. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

In our latest episode we are joined by two acclaimed artists, multidisciplinary visual artist, filmmaker Arthur Jafa and director of design, Akin McKenzie. The emotive and intuitive cinematographer Shawn Peters hosts this discussion where we explore a design process intent on channeling ancestral vibrations. In this fascinating conversation they discuss the human pattern through history, the relationship of continuity, praising the shadows, the art behind The Woman King and the moving image as a tool to destigmatize. Enjoy!!!

Black people know this: There's a difference between what you say and what you mean. It's been a matter of survival for us. For over 30 years, American visual artist and cinematographer Arthur Jafa has captured the histories and experiences of Black Americans with projects that exemplify both the universal and particular facets of Black life. In the second part of this masterclass in Black thought, Jafa continues his free-from improvisation through his breadth of knowledge and understanding of visual culture — embedded with all the references, rhetorics, and personal reflections of someone who has spent a lifetime dedicated to centralizing the varied experiences of Black Being. 

I don't want to be the prisoner in a box, even if it's a box I made. For over 30 years, American visual artist and cinematographer Arthur Jafa has captured the histories and experiences of Black Americans with projects that exemplify both the universal and particular facets of Black life. In this masterclass in Black thought — the first episode in a two-part series — Jafa shares a free-from improvisation through his breadth of knowledge and understanding of visual culture — embedded with all the references, rhetorics, and personal reflections of someone who has spent a lifetime dedicated to centralizing the varied experiences of Black Being.

We are closing out 2022 with highlights from eight incredible artists that graced the show this year. Tune in to hear the voices of Gary Hill, American Artist, WangShui, Meriem Bennani, Alan Michelson, Tourmaline, Arthur Jafa, and Hito Steyerl discussing how they think about the preservation and documentation of their work, as well as intimate inside glimpses into their practice and studios. Sending a huge heartfelt thanks to everyone all of the listeners that made 2022 such a memorable year for the show – wishing you all the best and see you in the new year! xoGet access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Ben Luke talks to Theaster Gates about his influences—including writers, musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Gates is an artist whose every gesture is transformative, whether that's in the form of social projects in his native Chicago, works repurposing found materials from significant disused spaces in the city, presentations honouring and reimagining collections of materials he's gathered over time, or the ceramic sculptures that were his earliest medium and remain at the heart of his work today. He discusses his engagement with artists as diverse as El Lissitzky, Agnes Martin and Arthur Jafa; his transformative encounters with Martin Puryear and bell hooks; how he came to be custodian of Chicago House pioneer Frankie Knuckles's personal vinyl collection; and his abiding passion for ceramics, which, he says, are “made for the eternal as much as they are made for tea”. Gates also gives insight into his life in the studio and answers our usual questions, including the ultimate one: what is art for?Theaster Gates: Young Lords and Their Traces, New Museum, New York, until 5 February 2023; Vestment, Gagosian, New York, until 23 December; A Movement in Every Direction: Legacies of the Great Migration, Baltimore Museum of Art, until 29 January 2023. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:52:38 - L'Heure bleue - À la suite de sa rétrospective à Arles cet été, le grand artiste vidéaste américain Arthur Jafa est l'invité de l'Heure bleue...

This week on the show we're in the artist's studio visiting the one and only Arthur Jafa. From his extensive work in cinema, to his video art, sculpture, and other mixed media work shown in a contemporary art context – AJ's work is often an embodiment of Black identity in America, and he is often cited with being a leader among a generation of artists creating defining a distinctly Black cinematic language. This extends as well into current projects on the more infrastructural / business side of the film industry in the form of his project Sun Haus. Visiting with AJ and hearing his story was a real treat, and it is one with many twists and turns – in our chat we trace his story all the way from growing up in Tupelo Mississippi in the 60s and 70s to today. and he takes us deeply inside the full kaleidoscope of influences, vibrations, and inspirations that he picked up along the way, and has integrated into his work as an artist and film maker: From gospel music – to James White and the Contortions, and from Oscar Micheaux to 2001 a Space Odyssey. Tune in to hear AJ's story!This episode is brought to you thanks the generous support of the Kramlich Art FoundationLinks from the conversation with Arthur Jafa> SunHaus: https://sunhaus.us/> Gladstone Gallery: https://www.gladstonegallery.com/artist/arthur-jafa/worksGet access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

How do we look at, and respond to, work by Black contemporary artists? In this episode, we sat down with Tina Campt, Visiting Professor in Art & Archaeology and the Lewis Center for the Arts at Princeton. We trace the arc of Prof. Campt's career, from her earlier research on family photography in the African diaspora and how one can “listen to images,” all the way to her current writing and recent trip to this year's Venice Biennale. Along the way, we discuss concepts that elucidate the aesthetic, political, and experiential dynamics of work by artists like Jennifer Packer, Cameron Rowland, Stan Douglas, and Simone Leigh. Deep Dive: How to “listen” to a photograph Tina M. Campt, Listening to Images (Duke University Press, 2017). Tina M. Campt, A Black Gaze: Artists Changing How We See (MIT Press, 2021). The Breakdown - Guest Info (Photo credit: barnard.edu) Tina M. Campt (https://artandarchaeology.princeton.edu/people/tina-m-campt)  Professor Campt taught a multidisciplinary seminar called “Radical Composition” as a Visiting Professor at Princeton for the Spring 2022 semester. She is the Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University, and heads the Black Visualities Initiative at Brown's Cogut Institute for Humanities. In addition to the five books she has authored and edited, such as Listening to Images and A Black Gaze, Professor Campt is the lead convener of the Practicing Refusal Collective and the Sojourner Project.  See, Hear, Do “Radical Composition” course materials: Saidiya Hartman, "Venus in Two Acts." Small Axe 12, no. 2 (2008): 1-14.  Flying Lotus, “Until the Quiet Comes,” dir. Kahlil Joseph (2012).  Carrie Mae Weems, “People of a Darker Hue” (2016). Jay-Z, “4:44,” dir.  Arthur Jafa (2017).  Roy DeCarava and Langston Hughes, The Sweet Flypaper of Life (First Print Press, 2018). Practicing Refusal Collective, The Sojourner Project (ongoing). Whitney Museum of American Art, “Ask a Curator: Jennifer Packer: The Eye Is Not Satisfied With Seeing” (2022). Taylor DaFoe, “How Curators David Breslin and Adrienne Edwards Tackled the 2022 Whitney Biennial to Show ‘What America Really Looks Like',” artnet news (March 29, 2022). Simone Leigh, Sovereignty, Official U.S. Presentation, 59th International Art Exhibition, La Biennale di Venezia, April 23–November 27, 2022. National Gallery of Art, Afro-Atlantic Histories, April 10–July 17, 2022. Tina M. Campt, fourth lecture in the series Image Complex: Art, Visuality & Power, University of Sydney (online lecture, October 19th, 2022, register here).

*TW/CW - Talks of Racism, Sexual Assault and Suicide*0:00 - Intro & Summary2:00 - Movie Discussion46:49 - Cast & Crew54:14 - Awards54:56 - Pop Culture/TV1:09:20 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Inland Empire + Family: Visions of a Shared Humanity To belatedly celebrate the release of another exciting book by our heroes at Fireflies press we are reviewing one of our all time favourite films David Lynch and Laura Dern's Inland Empire and Melissa Anderson's monograph about the film. We also spotlight the generous video art curation on offer at AGNSW Family: Visions of a Shared Humanity featuring work by John Akomfrah, Garrett Bradley, Stan Douglas, Theaster Gates, Arthur Jafa, Kahlil Joseph, Isaac Julien, Steve McQueen and Carrie Mae Weems. It's so fun being back in the studio getting corrected on our botched (Łódź) Polish pronunciation by Maia. Do widzenia i dziękuję! See omnystudio.com/listener for privacy information.

Episode 89 features Antwaun Sargent. He is a writer, curator, art critic and director at Gagosian Gallery in New York City. He is the author of “The New Black Vanguard: Photography between Art and Fashion” (Aperture 2019) and the editor of “Young, Gifted and Black: A New Generation of Artists” (DAP 2020). Mr. Sargent was the guest editor of “Art In America” magazine's, New Talent Issue, May/June 2021. His writing has appeared in the New York Times, The New Yorker, and in museum and gallery publications for artists Mickalene Thomas, Arthur Jafa, Meleko Mokgosi, Nick Cave, Yinka Shonibare and Ed Clark, among many others. In mid-2021, Gagosian New York City, presented Social Works I, a group exhibition curated by Antwaun with participating artists David Adjaye, Zalika Azim, Allana Clarke, Kenturah Davis, Theaster Gates, Linda Goode Bryant, Lauren Halsey, Titus Kaphar, Rick Lowe, Christie Neptune, Alexandria Smith, and Carrie Mae Weems. In late 2021, Antwaun curated the sequel, Social Works II, Gagosian located in Grosvenor Hill, London. “The New Black Vanguard” and “Young, Gifted and Black” are currently on view. Photo credit: Chase Hall Gagosian https://gagosian.com/exhibitions/2021/social-works-curated-by-antwaun-sargent/ Gagosian Quarterly https://gagosian.com/quarterly/2021/06/25/interview-social-works-rick-lowe-and-walter-hood/ Vulture https://www.vulture.com/2020/08/young-gifted-and-black-artists-book.html New York Times https://www.nytimes.com/2021/06/23/arts/design/gagosian-antwaun-sargent-social-works.html Culture Type https://www.culturetype.com/2021/09/05/on-view-social-works-curated-by-antwaun-sargent-at-gagosian-in-new-york-exhibition-will-have-a-sequel-in-london-in-october/ Forbes https://www.forbes.com/sites/chaddscott/2020/10/18/antwuan-sargent-curated-just-pictures-exhibition-proves-to-be-much-more/?sh=e2e8b1d15b3c ARTnews https://www.artnews.com/art-news/news/antwaun-sargent-artnews-live-interview-1234579985/ Projects+Gallery http://www.projects-gallery.com/just-pictures-antwaun-sargent i-D https://i-d.vice.com/en_uk/article/5dmwdd/antwaun-sargent-bernard-lumpkin-young-gifted-black-davey-adesida Fad Magazine https://fadmagazine.com/2021/10/05/social-works-ii-curated-by-antwaun-sargent/ DAZED https://www.dazeddigital.com/art-photography/article/48097/1/antwaun-sargent-bernard-lumpkin-on-curating-for-the-black-community

Franklin Sirmans is the curator of Family: Visions of a Shared Humanity, an exhibition of video works by renowned Black American, British and Canadian artists, including Arthur Jafa and Garrett Bradley. Plus, 'hyper-surreal' sculpture made with fake food. And enter the studio of Darwin plein air painter Max Bowden  as she works through the Top End's Build Up season.  

Franklin Sirmans is the curator of Family: Visions of a Shared Humanity, an exhibition of video works by renowned Black American, British and Canadian artists, including Arthur Jafa and Garrett Bradley. Plus, 'hyper-surreal' sculpture made with fake food. And enter the studio of Darwin plein air painter Max Bowden  as she works through the Top End's Build Up season.  

Franklin Sirmans is the curator of Family: Visions of a Shared Humanity, an exhibition of video works by renowned Black American, British and Canadian artists, including Arthur Jafa and Garrett Bradley. Plus, 'hyper-surreal' sculpture made with fake food. And enter the studio of Darwin plein air painter Max Bowden  as she works through the Top End's Build Up season.  

Franklin Sirmans is the curator of Family: Visions of a Shared Humanity, an exhibition of video works by renowned Black American, British and Canadian artists, including Arthur Jafa and Garrett Bradley.Plus, 'hyper-surreal' sculpture made with fake food.And enter the studio of Darwin plein air painter Max Bowden  as she works through the Top End's Build Up season.  

Visual art holds the extraordinary power to connect the dots between ideas or emotions, the person thinking or feeling them, and the outside viewer; but how might the viewer go beyond simply looking to experiencing art, in all its joys and especially in its challenges and discomforts? In the 114th episode of Town Hall's In the Moment podcast, Elisheba Johnson interviews Tina Campt about her latest book, A Black Gaze. In the book, Campt explores the work of eight contemporary Black artists who are shifting the nature of visual interactions with art and demanding that Blackness be seen anew. She considers, “Rather than looking at Black people, rather than simply multiplying the representation of Black folks, what would it mean to see oneself through the complex positionality that is Blackness — and work through its implications on and for oneself?” The featured artists' work includes the portraiture of Deana Lawson, the video of Arthur Jafa, the film of Khalil Joseph, the photography of Dawoud Bey, and the multimedia practices of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson. Through their work, Campt discusses how seeing — especially seeing Blackness — cannot be the passive act of simply looking; it must be actively felt with, through, and alongside the experiences of the Black artist. Tina M. Campt, a Black feminist theorist of visual culture and contemporary art, is Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University and a Research Associate at the VIAD (Visual Identities in Art and Design Research Centre) at the University of Johannesburg. She is the author of Image Matters: Archive, Photography, and the African Diaspora in Europe, Listening to Images, and other books. Elisheba Johnson Elisheba Johnson is a multimedia artist, curator, and organizer based in Seattle. Along with her father, Charles Johnson, she created the young adult science-fiction series, The Adventures of Emery Jones, Boy Science Wonder. She is also one of the co-founders of Wa Na Wari a Black arts center in Seattle's Central District that uses art to fight displacement. Buy the Book: https://mitpress.mit.edu/books/black-gaze  Presented by Town Hall Seattle. To become a member or make a donation click here. 

Visual art holds the extraordinary power to connect the dots between ideas or emotions, the person thinking or feeling them, and the outside viewer; but how might the viewer go beyond simply looking to experiencing art, in all its joys and especially in its challenges and discomforts? In the 114th episode of Town Hall's In the Moment podcast, Elisheba Johnson interviews Tina Campt about her latest book, A Black Gaze. In the book, Campt explores the work of eight contemporary Black artists who are shifting the nature of visual interactions with art and demanding that Blackness be seen anew. She considers, “Rather than looking at Black people, rather than simply multiplying the representation of Black folks, what would it mean to see oneself through the complex positionality that is Blackness — and work through its implications on and for oneself?” The featured artists' work includes the portraiture of Deana Lawson, the video of Arthur Jafa, the film of Khalil Joseph, the photography of Dawoud Bey, and the multimedia practices of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson. Through their work, Campt discusses how seeing — especially seeing Blackness — cannot be the passive act of simply looking; it must be actively felt with, through, and alongside the experiences of the Black artist. Tina M. Campt, a Black feminist theorist of visual culture and contemporary art, is Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University and a Research Associate at the VIAD (Visual Identities in Art and Design Research Centre) at the University of Johannesburg. She is the author of Image Matters: Archive, Photography, and the African Diaspora in Europe, Listening to Images, and other books. Elisheba Johnson Elisheba Johnson is a multimedia artist, curator, and organizer based in Seattle. Along with her father, Charles Johnson, she created the young adult science-fiction series, The Adventures of Emery Jones, Boy Science Wonder. She is also one of the co-founders of Wa Na Wari a Black arts center in Seattle's Central District that uses art to fight displacement. Buy the Book: https://mitpress.mit.edu/books/black-gaze  Presented by Town Hall Seattle. To become a member or make a donation click here. 

This full episode serves to explore, discuss, and develop actionable practices to deconstruct syllabus and alternative forms of pedagogy, by looking at intersections between music jams and a classroom. How can we "jazz-up" our syllabus? In the second part of episode 3, our team explore decolonial practices around syllabus deconstruction and explores new pedagogies inspired by artists, jam sessions and other ways to work together that gives room to each player, but also improves our listening and our way to tune in. Building on lived experiences we also highlight some of the best classroom experiences that push the limits of student agency and create a new learning environment. Some of these explorations could potentially evolve the social dynamics, to become undisciplined and flatten awkward power dynamics in the classroom towards horizontality. DPP Members hosting: Jamilah Dei-Sharpe, Chesline Pierre-Paul, Albane Gaudissart Best Concordia Producer: Kris Millet Editor: Connie Phung Guests: Matthias Mushinski: Matthias is a PhD student in Film and Moving Image Studies at Concordia. His doctoral research is, above all else, a rigorous celebration of another way of being together that is offered in the social aesthetics of free jazz and its improvisatory protocols. In April 2022 he will begin a residency at the Institute of Contemporary Art in Philadelphia where he will study under the direction of Linda Goode Bryant, Thomas Lax, Greg Tate and Arthur Jafa. An avid record collector and olfactory cosmonaut, Matthias spends his days meditating on themes such as beauty, (non)relationality, and the distinction--or lack thereof--between montage and ensemble. He is part of a listening collective that hosts a monthly radio show on n10.as titled Out From Outside.

This full episode serves to explore, discuss, and develop actionable practices to deconstruct syllabus and alternative forms of pedagogy, by looking at intersections between music jams and a classroom. How can we "jazz-up" our syllabus? In this first part, our team explore decolonial practices around syllabus deconstruction and explores new pedagogies inspired by artists, jam sessions and other ways to work together that gives room to each player, but also improves our listening and our way to tune in. Building on lived experiences we also highlight some of the best classroom experiences that push the limits of student agency and create a new learning environment. Some of these explorations could potentially evolve the social dynamics, to become undisciplined and flatten awkward power dynamics in the classroom towards horizontality. DPP Members hosting: Jamilah Dei-Sharpe, Chesline Pierre-Paul, Albane Gaudissart Best Concordia Producer: Kris Millet Editor: Connie Phung Guests: Matthias Mushinski: Matthias is a PhD student in Film and Moving Image Studies at Concordia. His doctoral research is, above all else, a rigorous celebration of another way of being together that is offered in the social aesthetics of free jazz and its improvisatory protocols. In April 2022 he will begin a residency at the Institute of Contemporary Art in Philadelphia where he will study under the direction of Linda Goode Bryant, Thomas Lax, Greg Tate and Arthur Jafa. An avid record collector and olfactory cosmonaut, Matthias spends his days meditating on themes such as beauty, (non)relationality, and the distinction--or lack thereof--between montage and ensemble. He is part of a listening collective that hosts a monthly radio show on n10.as titled Out From Outside.

Din ugentlige kulturelle anbefalings-buffet. Værter på Poptillægget Lucia Odoom og Eva Eistrup anbefaler og linker løs til alt, hvad de læser, ser og lytter til og samler desuden både gæster og lytternes bedste anbefalinger af tv, film, musik, podcast og tidstypisk internetstøj i en stor, fråderen bunke.  Eva Eistrup anbefaler:To bonus-podcasts til dem der er besatte af NXIVM-kulten: Uncover: Escaping NXIVM og NXIVM on trial Bogen ‘I Like to Watch’ af The New Yorker-journalisten Emily Nussbaum. Tv-serien 'Buffy the Vampire Slayer og Emily Nussbaums fremragede essay om serien.  Lucia Odoom anbefaler: Den svenske Netflixserie ‘Snabba Cash’ Sangerinden Erika de Casier og hendes klaptelefon-R’n’B Politikens kunstkritiker Mathias Kryger anbefaler: Arthur Jafa på kunstmuseet Louisiana Løber fra den 21. april til 31. oktober 2021. Toyin Ojih Odutola – Modvægtens teori På museet Kunsten i Aalborg: 21. april til 30. maj 2021 This is not Africa - Unlearn what you have learned Aaiún Nin, Athi-Patra Ruga, Barthélémy Toguo, Bernard Akoi-Jacson, Billie Zangewa, Bolatito Aderemi-Ibitola, Bronwyn Katz, Candice Breitz, Dan Halter, Euridice Getulio Kala, Grada Kilomba, Jeanette Ehlers & La Vaughn Belle, Kapwani Kiwanga, Kelvin Haizel, Meschac Gaba, Moffat Takadiwa, Nástio Mosquito, Njideka Akunyili Crosby, Molan Oswald Dennis, Robel Temesgen, Sammy Baloji, Sethembile Msezane, Tabitha Rezaire, Tracy Naa Koshie Thompson og Zanele Muholi. Løber fra 21. april til 24. oktober 2021   

Klara Kristalova är en internationellt uppmärksammad konstnär. På torsdagen öppnar hennes utställning Sången om allt på Carl Eldhs ateljémuseum i Stockholm. Följ med in i en egensinnig bildvärld. KLARA KRISTALOVA STÄLLER UT Klara Kristalovas keramikskulpturer har en förmåga att fastna i minnet. Glaserade sagoväsen i keramik, många kvinnor, och de är inte gulliga. Framförallt tar de plats med självklarhet och balanserar på gränsen till det banala. Framgångarna har också varit stora. Klara Kristalova är en efterfrågad konstnär både i Sverige och utomlands. Under torsdagen öppnar en sommarutställning på Carl Eldhs ateljémuseum. HYTTSTÄDERSKAN LIIS HAR HUVUDROLLEN I ANNA FOCKS NYA ROMAN Estnisk punk, ensamma vandringar i Tallinn och korsord - välkommen till författaren Anna Focks nya romanvärld. "Kustobservationer" heter boken, och vår reporter Jonathan Eklund har träffat henne under Älvsborgsbron i Göteborg för att prata om romanen och lösa lite kordord. - HITTAR DU RYTMEN, DÅ KAN DU SÄGA VAD DU VILL OCH NÅ EN PUBLIK. Det säger den hyllade amerikanske konstnären Arthur Jafa, just nu aktuell med en stor utställning på Louisiana. Hör Cecilia Blombergs möte med Jafa från 2019, en intervju det svänger om. HÖR EUROVISIONSSCHLAGER OCH POLITIK IHOP? Kl 19 på onsdagskvällen är det digital direktsändning av paneldiskussionen Eurovision musik och politik. Samtalet sänds live på både Sveriges Radios egen hemsida och på SR:s Facebooksida. Hör P1 Kulturs Fredrik Wadström om en europeiskt projekt för att skapa en icke-politisk arena men som aldrig riktigt lyckats. DAGENS OBS-ESSÄ När litteraturkritikern Anina Rabe läser gotisk litteratur gungar hennes inre och kalla kårar smyger längs ryggraden. Den gotiska är en genre med plågade hjältinnor, övernaturliga inslag och ett högtravande språk. Vad är det som lockar så många kvinnor till berättelserna?

Daughters of the Dust, set in 1902, is a languid look at the Gullah culture of the sea islands off the coast of South Carolina and Georgia where African folk-ways were maintained well into the 20th Century and was one of the last bastions of these mores in America. Some interesting facts about Daughters of the DustThis independent film, premiered in 1991 and was written, produced and directed by Julie Dash.In 2004, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant".In 2016, it was restored and re-released by Cohen Media Group.Some things that surprised Livia & Zainab about Daughters of the DustLivia: The film was elegant, beautiful and non-confrontational with a poetic narrative, while depicting a significant and shattering time in the history of the Gullah community.Zainab:  The film seemed to portray an authentic depiction of the Gullah community while using a poetic narrative with themes of hyperfeminism. It was very evident that the director was  thoughtful, intimate and intentional with the story every step of the way.Follow along as Livia & Zainab review Daughters of the Dust and discuss how history and culture influence our sense of self and identity. They also rate the film by critically reviewing four key elements of filmmaking: Storytelling, Cinematography, Character Development and Overall Message. Music CreditTheme Song: The Way by  KAR33MMusic: Purple Planet Music

Può un proiettile cambiare la storia dell'arte? Sì, se se lo becca Andy Warhol. Dopo aver rischiato di morire per mano della scrittrice Valerie Solanas, infatti, Warhol cambia completamente stile, nell'arte e nella vita. Non si circonda più di artisti derelitti, ma di gente di successo e il tema della morte sparisce dalle sue opere. Ma la morte può essere sinonimo di denuncia, come nel caso di Black Lives Matter e delle opere di artisti com Arthur Jafa e Teresa Margolles. O aprire varchi su altri mondi, come nell'arte di Apichatpong “Joe” Weerasethakul. Infine, Costantino e Francesco ci spiegano perché una vespa può essere molto più letale di uno squalo.In questa puntata si parla di Andrej Tarkovskij, Andy Warhol, Valerie Solanas, Richard Nixon, Mao Tse-Tung, Ronald Reagan, Jean-Michel Basquiat, Francesco Clemente, Jed Johnson, Candy Darling, James Dean, Salvador Dalí, Dorothy Pobder, Matteo Salvini, Alexandre Iolas, Leonardo da Vinci, Arthur Jafa, Steve McQueen, Santiago Sierra, Achille Mbembe, Michel Foucault, Teresa Margolles, Laszlo Thot, Michelangelo Buonarroti, Paolo Bonolis, Damien Hirst, Maurizio Cattelan, Marlene Dumas, Francisco Goya, Agnolo Bronzino, Mohammed Bouyeri, Theo van Gogh, Apichatpong “Joe” Weerasethakul e Tacita Dean.

On this episode host Jian DeLeon speaks with stylist, director, and entrepreneur Beth Birkett. She's worn a lot of hats during her decades-long career in street culture, working in music at Def Jam, styling for fellow directors like Kahlil Joseph, and is also the co-owner of UNION, the New York-born boutique that now has outposts in Los Angeles and Tokyo. Last year, she founded Bephies Beauty Supply, a lifestyle label influenced by beauty salon culture in the Black community, and a marketplace empowering entrepreneurs from underrepresented communities. Beth discusses how she got her start, the importance of fostering community, and her longtime relationships with artists like Arthur Jafa, Karon Davis, and Shaniqwa Jarvis.

Sarah Story interviews the Governor’s Arts Awards recipient for Excellence in Media Arts, Arthur Jafa. An acclaimed artist, film maker and cinematographer, Jafa has worked to address African American identity through contemporary imagery for the past three decades. The two discuss Jafa’s early years in Clarksdale and Tupelo, films and comic books that influenced him, his time at Howard University as well as upcoming film projects, some of which may take place in Mississippi. Photograph by Robert Hamacher. Image courtesy of the artist and Gavin Brown’s enterprise, New York / Rome. See acast.com/privacy for privacy and opt-out information.

Filmmaker and artist Arthur Jafa joins Maori to discuss freedom, collective action as counter culture, the Black cinematic trajectory, and the importance of geography in forming our pictorial and musical traditions.

Artist Arthur Jafa, winner of the Golden Lion at the 2019 Venice Biennale, connects with painter - and winner of the 2020 Rome Prize - Jennifer Packer. The conversation was led by Hans Ulrich Obrist, curator and Artistic Director of the Serpentine Galleries in London. They talk about what makes a work of art successful, the social, political and historical ways their work can be viewed, public and private mourning, and much more.

Artist Arthur Jafa, winner of the Golden Lion at the 2019 Venice Biennale, connects with painter - and winner of the 2020 Rome Prize - Jennifer Packer. The conversation was led by Hans Ulrich Obrist, curator and Artistic Director of the Serpentine Galleries in London. They talk about what makes a work of art successful, the social, political and historical ways their work can be viewed, public and private mourning, and much more.

A sneak peek at Season 1 of Many Lumens, a new podcast by BlackStar, hosted by Maori Karmael Holmes.

In this episode of MEN TALK we are fortunate to have one of the most important artists of our time, Arthur Jafa. His work spans over thirty years in cinematography, scholarship and now visual arts. He's done hundreds of interviews but this over 2 hours of reminiscing and introspective is the most unique ones to date.

New Talk Art! Russell & Robert meet Aindrea Emelife, art critic, independent curator, advisor and arts presenter.We discuss her recent powerful mission statement written for The Independent newspaper investigating how the art world can step up for Black Lives Matter. Aindrea spoke to leading figures for their perspectives including Jasmine Wahi, the Holly Block Social Justice Curator at the Bronx Museum in New York, Eva Langret, artistic director of Frieze London, Osei Bonsu, curator of international art at Tate Modern and Courtney J Martin, director of Yale Centre for British Art in Connecticut.We explore her admiration for Studio Museum associate curator Legacy Russell and director/chief curator Thelma Golden, Chisenhale's director Zoé Whitley, the challenges with online art fairs in lockdown, Arthur Jafa's film 'Love is The Message', her passion for emerging artists artist Jade Fadojutimi and Hannah Quinlan & Rosie Hastings, and Russ & Rob's recent discovery of Sola Olulode paintings part of a recent Stephen Lawrence Trust fundraiser.We hear about Aindrea's first column for the Financial Times (published when she was aged 20 years old), studying History of Art at The Courtauld Institute of Art, her commitment to philanthropic efforts including being a patron at Matt's Gallery and her joint founding the Plop Residency with artist Oli Epp, which gives three artists a month a residency space that includes tutorials from industry professionals, mentorship, studio space in Central London and exposure to the London art scene.Thanks for listening!! Follow Aindrea on Instagram @AindreaLondon. Learn more at her website http://aindrea.com/ or visit the Plop Residency at www.plop-residency.com. Read Aindrea's article at The Independent (click here).For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Eine Kooperation zweier Riesen: Politisch mögen der Musiker Kanyé West und der Videokünstler Arthur Jafa nicht harmonieren. Wie ihnen mit "Wash Us in the Blood" künstlerisch Bahnbrechendes gelungen ist, erklärt Kulturpublizistin Ann Mbuti. Ann Mbuti im Gespräch mit Max Oppel www.deutschlandfunkkultur.de, Kompressor Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

In light of the Black Lives Matter movement and protests against police brutality worldwide, Ruby and Lara discuss pervasive issues of racism in the fashion industry and provide some resources for positive change. Please note that this is just the beginning of a conversation that will evolve for weeks, months, and years to come, so feel free to reach out if there is anything you’d like to hear discussed in future episodes. — ‘We Need to Rethink Our “Pics Or It Didn’t Happen” Approach to Activism’ by Yomi Adegoke, British Vogue: https://www.vogue.co.uk/arts-and-lifestyle/article/performative-grief-online ‘Afua Hirsch On The Crucial Black History Lessons All Schools Should Be Teaching’ by Afua Hirsch, British Vogue: https://www.vogue.co.uk/arts-and-lifestyle/article/black-history-education Adwoa Aboah in conversation with Janaya Future Khan, British Vogue: https://www.vogue.co.uk/news/article/adwoa-aboah-janaya-khan-black-lives-matter The TikTok ‘Vogue Challenge,’ as shared by Edward Enniful: https://www.instagram.com/p/CBYItj3lYTM/?utm_source=ig_web_copy_link ‘The System Isn’t Broken, It Was Built This Way’ by Afua Hirsch, SHOWstudio: https://www.showstudio.com/projects/afua-hirsch Love Is The Message, The Message Is Death by Arthur Jafa: https://www.moca.org/exhibition/arthur-jafa-love-is-the-message-the-message-is-death The CFDA’s initiatives for Black creatives: https://www.instagram.com/p/CBA9QJ_B3d8/?utm_source=ig_web_copy_link Aurora James’s #15PercentPledge: https://www.instagram.com/p/CAyttttJRSE/?utm_source=ig_web_button_share_sheet 500+ Black-owned brands compiled by Elizabeth Tamkin: https://docs.google.com/spreadsheets/d/1k3gNGUpFIhkX9TMWsRpzuPZi_zfyZrJBb2ij6M9CjVE/edit#gid=0 Bianca Saunders’s zine with Joshua Woods ‘We Are One Of The Same’: https://www.biancasaunders.com/bianca-saunders-x-joshua-woods-zine/bianca-saunders-x-joshua-woods-zine Dr. Rebecca Arnold, @documenting_fashion: https://www.instagram.com/documenting_fashion/ Betty Davis in Rags Magazine via @laurakitty: https://www.instagram.com/p/CBY8zdIhlX7/?utm_source=ig_web_copy_link — Thank you so much for tuning in to this week's episode! If you enjoyed it, please consider liking, subscribing, and sharing it with anyone else who might want to get dressed with us too. We'll be back next Friday with a brand new episode for you. In the meantime, follow our daily musings on Instagram @rubyredstone & @laraletticejw, or get in touch via e-mail at rubyandlaragetdressed@gmail.com

This week we're taking you through some more quarantine recommendations for everyone stuck at home. One of the video series on The One minutes curated by Shana Moulton; Jupiter Artland being made in Minecraft; Arthur Jafa, Rachel Rose, and Carsten Höller on the Louisiana Channel; Emily Pope and Robyn Nichol via the Don't Worry I'm Sick and Poor lecture series organised by Babeworld (Georgina Tyson & Ashleigh Williams) and Ellie Harman-Taylor; Tim Foxon, whos____who, and Low Cost Cosplay on Instagram; And some YouTube cooking show including Binging with Babish, You Suck at Cooking, Bon Appétit's Gourmet Makes, and Dead Dad's Kitchen by Irene Walton. The One minutes website - www.theoneminutes.org The One minutes Instagram - www.instagram.com/theoneminutes_ Anja Masling, Healed by YouTube - www.instagram.com/p/B_EjnG6FFbi/ Gilsuk Ko, Comfort distance - www.instagram.com/p/B-jK5hCFmrS/ Sarah Milanowski, Hidden - www.instagram.com/p/B-q6YCvlYrC/ Jupiter Artland in Minecraft - www.jupiterartland.org/digital/minecraftproject Louisiana Channel - www.channel.louisiana.dk Arthur Jafa - www.channel.louisiana.dk/video/arthur-jafa-not-all-good-not-all-bad Arthur Jafa, Love is the message, the message is Death - www.youtube.com/watch?v=D1McJ8cci3Y Rachel Rose 01 - www.channel.louisiana.dk/video/rachel-rose-a-space-travel-into-mortality Rachel Rose 02 - www.channel.louisiana.dk/video/rachel-rose-between-living-and-non-living Carsten Höller - www.channel.louisiana.dk/video/carsten-holler-the-luxury-of-doubt Babeworld - www.sites.google.com/prod/view/babeworld Ashleigh Williams - www.instagram.com/ashywillsflatearther/ Georgina Tyson - www.instagram.com/godsleastfavourite.sim/ Ellie Harman-Taylor - www.ellieharmantaylor2.wixsite.com/website Emily Pope on Don't Worry I'm Sick and Poor - www.youtube.com/watch?v=6XePewHvnig Emily Pope Webiste - www.emilypope.co.uk/ Emily Pope, The Sitcom Show - www.vimeo.com/emilypope90 Robyn Nichol on Don't Worry I'm Sick and Poor - www.youtube.com/watch?v=iUPetr4WH0s Robyn Nichol Website - www.robynnichol.com/ Robyn Nichol Instagram - www.instagram.com/robynnichol/?hl=en BUY A T-SHIRT www.everpress.com/billy-bear www.everpress.com/space-raiders-rn www.everpress.com/babeworld-for-swarm Not Another Prompt - www.instagram.com/p/B_e0Gdll4xg/ Tim Foxon - www.instagram.com/tim_foxon/?hl=en Who's Who - www.instagram.com/whos____who/?hl=en Low Cost Cos Play - www.instagram.com/lowcostcosplayth/?hl=en Binging with Babish - www.youtube.com/channel/UCJHA_jMfCvEnv-3kRjTCQXw You Suck at Cooking - www.youtube.com/channel/UCekQr9znsk2vWxBo3YiLq2w Bon Appetit Gourmet Makes - www.youtube.com/playlist?list=PLKtIunYVkv_RwB_yx1SZrZC-ddhxyXanh Irene Walton, Dead Dad's Kitchen - www.youtube.com/watch?v=pb12US0M3Q0&list=PL8T26iE17puJ1kaLr8MAjfvFE0s2ihEli

Vi samlar tre kritiker i studion för att diskutera mästerverk, kontroverser och katastrofer. Dessutom en krönika om decenniet när den samiska kulturen tog plats. Plus ett farväl till Luke Skywalker. Det är Kulturredaktionens Cecilia Blomberg, Mårten Arndtzén och Karsten Thurfjell som tittar i backspegeln.  Ur diskussionen: Årets viktigaste utställningar internationellt och i landet. Mårten Arndtzén: Venedigbiennalen förstås. Jag vill lyfta fram den franska paviljongen p g a dess sätt att behandla klimattemat. Och kan jämföra med utställningar på samma tema runt om landet (Malmö, Uppsala och Umeå) under året. Cecilia Blomberg: Jag måste nog också säga Venedigbiennalen. Svårt att gå runt en av de viktigaste och återkommande konsttillställningarna. Två av vinnarna av Guldlejonen är också särskilt intressanta. Arthur Jafa bästa konstnär och Litauiska paviljongen som bästa paviljong. Dessutom Pipilotti Rist på Louisiana. Karsten Thurfjell: Två gamla godingar som publikdragare:först Rembrandt i våras och nu Leonardo. På hemmaplan fler tillbakablickar: 1989 på Nationalmuseum i Stockholm, inte minst en tidskapsel av konsten från de åren, liksom att Greta Knutson Tzara plockades fram ur konsthistorien i Norrköping och Mjällby. Även charmtrollen Gilbert & George på Moderna Museet i Stockholm var en bit konsthistoria. Att små institutioner som Rikstolvan utanför Simrishamn kan visa Laurie Anderson och Kummelholmen i Stockholms-förorten visa William Kentridge. Och att OpenArt i Örebro fortsätter som Nordens största utomhusbiennal. Årets viktigaste händelser och debatter på konstområdet: Mårten Arndtzén: Accelerator, ny konsthall i Stockholm. Viktig händelse internationellt: de framgångsrika protesterna mot mecenater och ledamöter i museistyrelser (Sackler, Kanders). Cecilia Blomberg: Jag tycker också Sackler är enormt intressant. Jag har även läst Jonas Cullbergs bok som går rakt in i Opioidkrisen och tar upp Nan Goldins proteströrelse mot Sackler. Jag gick också förbi Notre Dame när jag var i Paris nyligen och brandens omfattning blir så påtaglig. Och det är ju faktiskt nästan besynnerligt att det fantastiska rosettfönstret klarade sig när man ser skadorna. Och när det handlar om Venedig och konsthistoriska arvet där går det ju också hand i hand med klimatkrisen. Politiseringsdebatten. Jag ogillar ren dumhet som de väldigt vinklade informationsskyltarna på Nationalmuseum. Däremot tycker jag inte att Moderna Museet har hamnat där de nu gjort om hängningen av samlingarna. Att tro att konsthistorien är neutral och bara fortsätta som förut tycker jag däremot inte heller är en framkomlig väg. Jag skulle gärna lyfta fram nya James Simon Gallery i Berlin som binder ihop alla muséerna på Museum Insel. En lyckad tillbyggnad tycker jag av David Chipperfield.  Och en av invigningsutställningarna där 200 år av gipser skulle jag gärna prata om som ett av de mest lyckade försök jag sett att ha en modern ingång till hur man visar en samling med en samtida ingång. Decenniets viktigaste utställningar, debatter och konstnärliga tendenser Mårten Arndtzén: Ursprungsbefolkningar är "det nya svarta" i konstvärlden. Ex: Documenta 14, år 2017. Som också demonstrerade decenniets tråkigaste utveckling: politiseringen. Olu Oguibes flyktingmonument i Kassel. Hemmavid: Modernautställningen 2018. Också en fråga om institutionernas självförståelse: förslaget till ny museidefinition som inte gick igenom under året (men som svenska museer stod bakom). Galleriernas nya betydelse som andningshål. Cecilia Blomberg: Då vill jag lyfta fram ett antal viktiga solopresentationer av viktiga kvinnliga konstnärskap som tidigare befunnit sig i skuggan. Ett av de största namnen där Louise Bourgeois har också gått bort under decenniet. Men det är som om det nu tillkommer ett nytt sätt att närma sig hennes verk, vilket syntes på Moderna-utställningen 2018. Andra viktiga kvinnliga konstnärskap som fått plats i stora separatutställningar under decenniet och som tidigare varit lite mer i periferin är också Hilma af Klint, Lee Lozano, Yayoi Kusama, Atsuko Tanaka, Paula Modersohn-Becker, Gabriele Münter, Judith Chicago, Adrien Piper, Lygia Pape. Både det samtida och det konsthistoriska blir på det här sättet mer balanserat. Karsten Thurfjell: Trots ständiga nedskärningar av kulturbudgetar och några snöpta museer och konsthallar, så fortsätter ändå nya utställningslokaler att öppna. Flera etablerade konsthallar och konstmuseer trummar också på med nya, ofta egenproducerade utställningar, från Havremagasinet i Boden till Ystad konstmuseum i söder. Tips på utställningar att se just nu, i Sverige: Mårten Arndtzén: Michael Rakowitz på Malmö konsthall + Vejen till Palmyra på Glyptoteket, Köpenhamn (över sundet). Cecilia Blomberg: Jag tycker inte att man ska missa Meta Isaeus-Berlins utställning på Waldemarsudde i Stockholm och då kan man ju också passa på att se Edward Burne-Jones och Prerafaeliterna. Karsten Thurfjell: Och det finns fortfarande möjlighet att frysa med William Kentridge på Kummelholmens konsthall i Stockholm. Helene Alm har gjort krönikan om den samiska kulturens intåg på riksscenen. Mer ur P1 Kultur: Joakim Silverdal har sett Star Wars-filmen som avslutar sviten som påbörjades 1977. Dagens OBS är den andra av två essäer om Drottning Kristina och är gjord av latinforskaren Anna Blennow. Programledare: Gunnar Bolin. Producent: Mattias Berg.

Sound Of The Soul: Saw this Arthur Jafa video on NYT that inspired me to dig into a rabbit hole of soul-ballad-gospel videos. And this is me doing a sort of commentary, while just using this as an excuse to share this with y’all. 0:00-6:00 “Nothing But The Blood” - Thomas Whitfield & Lateria Wooten 6:00-12:32 Kanye West Sunday Service

We're back! Talk Art Season 3!! Robert & Russell meet one of the world's most celebrated & iconic curators Hans-Ulrich Obrist. Best known for his groundbreaking work as Artistic Director of Serpentine Galleries, London, Obrist has curated shows by many of our favourite artists as wide-ranging as Rebecca Warren, Faith Ringgold, Lynette Yiadom-Boakye, Wolfgang Tillmans, Etel Adnan, Phyllida Barlow, Marina Abramović, Yoko Ono and many, many more. We discuss his childhood passion of reading books, an early exploration of curating and collecting art postcards, the impact of meeting Alighiero E Boetti in his mid teens and his first group exhibition (curated in his kitchen) with artists including Christian Boltanski and Fishli & Weiss. We discuss memory in art, the importance of listening, an ongoing exhibition ‘Do It’ started in 1993 that has since been realised in more than 160 museums across the world as well as the more recent 'It's Urgent' billboard international art poster project. We learn how he has been addressing the challenge of bringing art to as many people as possible (including a notable recent collaboration with Arthur Jafa) as well as his early interest of bringing together art & science, the legacy of curator Lucy Lippard, of caring for the environment and the importance of taking ecology to the centre stage. See acast.com/privacy for privacy and opt-out information.

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Fans are not happy with the Game of Thrones finale so what happens when fans turn and go full stan? ABC Indigenous' Margaret Ross on creating their deadly social media content and their mission to Indigenise cyberspace plus video artist Arthur Jafa on his short film Love is the Message, the Message is Death.

Fans are not happy with the Game of Thrones finale so what happens when fans turn and go full stan? ABC Indigenous' Margaret Ross on creating their deadly social media content and their mission to Indigenise cyberspace plus video artist Arthur Jafa on his short film Love is the Message, the Message is Death.

Fans are not happy with the Game of Thrones finale so what happens when fans turn and go full stan? ABC Indigenous' Margaret Ross on creating their deadly social media content and their mission to Indigenise cyberspace plus video artist Arthur Jafa on his short film Love is the Message, the Message is Death.

I was at the opening week of the Venice Biennale and met up with Anna Lowe and Charlie Levine while I was there. We got together to talk about our favourite pavilions, artists, installations and everything else. In this episode we talk about Swinguerra at the Brazil Pavilion, the group show at the Ghana Pavilion, Arthur Jafa's film White Noise, Giudecca Art District as an emerging art destination and various other artists and exhibitions which caught our attention. See the show notes with images here Follow me on Instagram @thegitajoshi Follow Anna on Instagram @_smartify Charlie's website https://www.charlielevine.org/

The artist talks about his groundbreaking short film, plus the importance of music.

Hamza Walker and Arthur Jafa play Name That Tune

This episode we're joined by Billy Sassi to discuss the new exhibition by Lisson Gallery at 180 The Strand called 'EVERYTHING AT ONCE' and the two new Vinyl Factory commissions by Royji Ikeda and Arthur Jafa. http://www.lissongallery.com/exhibitions/everything-at-once https://thevinylfactory.com/store-x-the-vinyl-factory/store-x-ryoji-ikeda-arthur-jafa-jeremy-shaw-everything-at-once/ https://www.billysassi.com/

Set in the legendary Sea Islands off the South Carolina/Georgia coast in 1902, Julie Dash’s DAUGHTERS OF THE DUST (1991) follows a Gullah family (descendants of West African slaves) on the eve of its migration to the North. Led by a group of women who carry with them ancient African traditions, the extended family readies itself to leave behind friends, loved ones and their insulated way of life. Can these women hold fast to their sacred religious beliefs and customs, or will their world be swept away in the course of a new century? This richly costumed drama, structured in tableaux to reflect the art and icons of African tradition, testifies movingly to the secret celebrations and packed-away sorrows of African-American women. These vital images were introduced to a new generation on a massive scale earlier this year, when the film was heavily referenced in Beyoncé’s visual album, Lemonade. DAUGHTERS OF THE DUST became the first film by an African-American woman ever to receive widespread theatrical release. Enriched by John Barnes’s eclectic score and Arthur Jafa’s Sundance Film Festival-prize-winning cinematography, listed in the National Film Registry DAUGHTERS OF THE DUST was hailed as one of the most visually and sonically ravishing in American independent cinema. Director Julie Dash joins us for a conversation on her sweeping, absorbing and poetic homage to African culture. For news and updates go to: daughters-of-the-dust