Podcast appearances and mentions of William Shakespeare

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Pete and Joseph get sad together this week as they review another Best Picture nominee, Hamnet (2025). Chloe Zhao's follow up to Marvel's Eternals shows that she did not fall completely into the studio system, as she brings the viewer on a tale of how William Shakespeare may have written Hamlet. What points in his life led him to pen his classic play? Tune in, then watch for yourselfVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/DR93uBACh0khttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

CADENA 100 acompaña el camino al fin de semana con Maldita Nerea, Melendi y Efecto Pasillo. Se debate la costumbre de despedirse en fiestas por ahorrar tiempo. Este sábado, seis planetas se alinean, un evento visible hasta 2040. En 'Mateo & Andrea', se comenta la curiosa similitud entre el marido de Anne Hathaway y William Shakespeare, cuya esposa también se llamaba Anne Hathaway. Natalia de Gijón relata su asombro al adivinar el nombre "Godofredo" y que este sea el real. CADENA 100 celebra "La Noche de Cadena 100" el 28 de marzo en Madrid con Antonio Orozco, David Bisbal, Melendi y más, para Manos Unidas. Mónica de Huesca narra una coincidencia en Venecia: su pareja de baile enmascarada es su jefe. Aitana confiesa en CADENA 100 su depresión y la valentía de su exposición pública, aunque no se ve en Eurovisión. 'Mateo & Andrea' anima la tarde con éxitos de Billie Eilish, Taylor Swift y nacionales como Leire Martínez y Onil Moliner.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Esta vez viajamos a los años 90 para sumergirnos en una de las adaptaciones más rompedoras del cine moderno: Romeo + Juliet de Baz Luhrmann. Un programa donde analizamos a fondo: La arriesgada producción que transformó el clásico de William Shakespeare en una experiencia pop, violenta y operística. Los secretos detrás de su creación y esa mirada moderna que dividió a crítica y público. Cómo se conformó el reparto definitivo con Leonardo DiCaprio y Claire Danes, y qué otros nombres pudieron protagonizarla… pero no fueron. Las anécdotas del rodaje y el estilo visual que marcó a toda una generación. Una banda sonora icónica que definió los 90. Y el éxito arrollador que convirtió la película en fenómeno cultural. Por supuesto, repasamos toda la trama escena por escena, analizando cada símbolo, cada decisión estética y cada detalle que hace única a esta versión. Con la participación de Pablito Terrores y Salva Vargas, en un episodio cargado de pasión, contexto y mirada crítica. Pistolas, versos, neón y tragedia. El amor eterno… pero con MTV de fondo. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, Olgafies, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Miguel Ángel, People Truelove Tellers, Sergio, Cristina AR, Danilo, Arnau VF, Bichodiablo. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de ChaplinEscucha este episodio completo y accede a todo el contenido exclusivo de Criterio Cero Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1355645

When you visit a new city, one of your first stops might be a museum. It turns out that public art galleries are largely an 18th-century invention. In London in 1789, publisher John Boydell helped shape that new cultural experience with an ambitious project in Pall Mall: a gallery devoted entirely to scenes from Shakespeare. Boydell commissioned leading British artists to paint pivotal moments from the plays, then sold engraved reproductions for museum-goers to take home with them. The gallery quickly became a sensation and was visited by everyone who was anyone, from Jane Austen to the Prince of Wales. It also played a powerful role in transforming William Shakespeare from a popular playwright into a national icon. The venture ultimately failed due to the economic turmoil of the Napoleonic Wars, and the many life-size paintings were cut into smaller canvases and all sold at auction. Yet its influence endured, shaping exhibition culture, influencing a British school of art, and inspiring the visual mythology of The Joining us to explore the rise and fall of the Boydell Shakespeare Gallery are Rosie Dias, Professor of Art History at the University of Warwick, and Michael Dobson, Director of the Shakespeare Institute at the University of Birmingham. From the Shakespeare Unlimited podcast. Published February 23, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had technical help from Mike Rucinski of Boutique Recording in Great Malvern, and Voice Trax West in Studio City, California. Our web producer is Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services were provided by Clean Cuts at Three Seas, Inc.

Professor Ronan Hatfull literally wrote the book on the Reduced Shakespeare Company. His new book from Bloomsbury/Arden – Shakespeare in the Theatre: Reduced Shakespeare Company – is the very first full-length study to be published about the RSC. Focusing specifically on our Shakespearean reduction and adaptation, Ronan's book examines the origins and evolution of the company through the creation of The Complete Works of William Shakespeare (abridged), The Reduced Shakespeare Radio Show, William Shakespeare's Long Lost First Play (abridged), and The Comedy of Hamlet! (a prequel). Ronan shares his methodology; how he wanted to make his book accessible to the general reader; how he learned that the RSC carries on the 17th-century tradition of “drolls”; how the RSC injected a bit of danger and the unexpected into Shakespeare and influenced various folks like the Q Brothers and Potted Potter creator Daniel Clarkson; and how for a limited time, Arden Shakespeare is offering to RSC fans a 35% discount on the hardcover edition of the book! (Length 24:54) The post Reduced Shakespeare Book appeared first on Reduced Shakespeare Company.

TUESDAY HR 2 Explaining to Angelique that it's a compliment. RRR Trivia - 3 network shows that started 1st and ended 1st. William Shakespeare's wifes name and this actress. See omnystudio.com/listener for privacy information.

El escritor y filósofo Javier Gomá ha reflexionado sobre William Shakespeare y sus obras.

It was recently announced that Jamie Lloyd's acclaimed production of William Shakespeare's MUCH ADO ABOUT NOTHING will transfer to Broadway in the next season later this year.The production, which will once again star Tom Hiddleston and Hayley Atwell, will play at an as yet unannounced theatre, and is rumoured to be a precursor to the much talked about Broadway transfer of Evita starring Rachel Zegler.Check out Mickey-Jo's thoughts about each of these productions as well as all of the rumoured details he's heard so far...•00:00 | introduction03:03 | Much Ado about Nothing09:45 | further details16:51 | Evita transfer?25:01 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

In live su YouTube torna BLOW-UP IN SALA, la rubrica del podcast dedicata alle nuove uscite. Questa settimana vi parliamo di:- (00:42) Cime tempestose (Wuthering Heights), di Emerald Fennell, l'adattamento dell'omonimo romanzo di Emily Brontë, interpretato da Margot Robbie e Jacob Elordi;- (49:10) Hamnet - Nel nome del figlio, di Chloé Zhao, il pluricandidato ai prossimi premi Oscar, con Jessie Buckley e Paul Mescal, nei panni di Agnes e William Shakespeare;- (01:29:54) Il filo del ricatto - Dead Man's Wire, di Gus Van Sant, presentato fuori concorso al Festival di Venezia;- (01:53:20) L'agente segreto (O agente secreto), di Kleber Mendonça Filho, vincitore a Cannes del premio alla miglior regia e alla miglior interpretazione maschile per Wagner Moura.

Birds have always been a source of inspiration for writers. Edgar Allen Poe, Maya Angelou, and William Shakespeare, to name a few, have all written about birds. But what is it about them that so captures our literary imagination? Words in Flight is an hour-long celebration of contemporary poetry about birds, and what they teach us about ourselves and our world.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** A writer describes the backstory of “Cymbeline” to her companion: King Cymbeline became the protector of Posthumus, the orphaned son of a valiant soldier. Cymbeline also had two sons of his own, Guiderius and Arviragus, and a daughter named Imogen. His two sons were kidnapped when they were young and have never been found. Cymbeline's wife died and he married a new queen, who had a son named Cloten. He wants Imogen to marry Cloten but she defies him by marrying Posthumus instead. The couple secretly exchange a ring and bracelet before Cymbeline banishes Posthumus in fury. Cloten tries to pick a fight with Posthumus but Posthumus avoids the conflict, choosing to go to his father's old friend Philario in Rome, and leaving his servant, Pisanio, behind with Imogen. Cloten boasts of his bravery as his servant ridicules him under his breath. Once in Rome, Posthumus meets a nobleman named Iachimo and a Frenchman who recalls Posthumus describing Imogen as fairer than the fairest ladies in France. Iachimo scoffs at this and wagers with Posthumus that he can seduce Imogen, betting against the ring that Imogen gave her husband. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY'S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Beau chats all about the life and career of William Shakespeare. Who was he, really? How much do we really know about him?

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Det är världens kändaste drama. Hamlet, av William Shakespeare – skriven kring sekelskiftet 1600 – är en pjäs som i över fyrahundra år har lästs, tolkats och framförts på världens scener. Gäst i dagens avsnitt är teaterregissören Staffan Valdemar Holm, som har satt upp Hamlet fyra gånger och skrivit förordet till en samlingsvolym med nyöversättningar av sex av Shakespeares tragedier. Vi samtalar om varför Hamlet är ett sådant enastående mästerverk, om hur historien kan tolkas, vad som krävs av skådespelaren som gestaltar Hamlet, om den berömda monologen som börjar med orden ”Att vara eller inte vara”, och slutligen om Hamlet som spegel för vår egen tid.För att höra hela avsnittet bli medlem på https://www.patreon.com/bildningskomplexet för 37 kr/mån. OBS! Du som har iPhone se till att köpa medlemskapet direkt på Patreons hemsida och inte i deras app eftersom Apple då tar en extra avgift.Instagram: https://www.instagram.com/bildningskomplexet/ Facebook: https://www.facebook.com/BildningskomplexetE-post: benjaminelfors@gmail.comMusikproduktion: Ivar EddingOmslag: Emma Westin/Matthew Sundin Hosted on Acast. See acast.com/privacy for more information.

"Wenn jemand eine Reise tut..."Khit ist endlich wieder da! Nach geschätzt einem halben Jahr in Neuseeland ist er wieder im Lande und er, Fabi und Marco haben sich nach einer gefühlten Ewigkeit mal wieder zu einer regulären Folge getroffen.Klar, dass es da zuerst den Reisebericht gibt. Aber auch Fabi war mal wieder unterwegs und Marco ist am Planen. Haben einfach alle zu viel Urlaub.Wer nicht zu viel Urlaub sind Millie Calloway, William Shakespeare, Lucy Mason und Fabian Kurtz.Wer das alles ist? Na die Protagonistinnen und Protagonisten der brandneuen Filme, die heute besprochen werden.Viel Spaß beim Zuhören!

The phenomenom of Juicy, Uncisms, and uncomfortable conversations. This episode of our non-sports edition to the show had it ALL. It started with a simple concept of Different or not, whatever the definition is of "different" to you, and if you get two yesses you're in! In the end, Kem and Saxby have good conversation about culture and attacking the White/Black media narrative. Make sure you like, subscribe, leave some feedback, sit back and relax with us! We have a lot on the way if you've been keeping up. ADifferentConversation.net00:00:00- Introduction, "Juicy Booty" and "Uncisms" 00:09:30- Adin Ross and new streamers 00:18:40- Is Blood really thicker than water? 00:23:35- Different or not, William Shakespeare 00:26:25- Different or not, Charles Darwin 00:29:00- Different or not, Plato 00:30:13- Different or not, Alexander Hamilton (Beginning to Cultural conversation) 00:34:02- Different or not, 50 Cent00:35:35- Different or not, Imhotep00:40:11- Different or not, Charlemagne the God 00:41:15- Different or not, Johnny Depp 00:43:06- Different or not, Confucius 00:43:53- Different or not, Elvis Presley (Continuation to cultural conversation) 01:00:40- Different or not, Tommy Dreamer01:03:23- Different or not, Red Ranger 01:06:13- Different or not, Dale Earnhardt Sr. to conclusion #Comedy #Conversation #Different #DAle #Nascar #NBA #50cent #unc #Funny #Hilarious

William Shakespeare on tällä hetkellä suomalaisten teatterinäyttämöjen suosituin näytelmäkirjailija. Mikä tekee Shakespearesta niin ajankohtaisen? Shakespearesta ovat keskustelemassa Paavo Westerberg, jonka ohjaama Romeo ja Julia pyörii Tampereen teatterissa, sekä Erik Söderblom, jonka ohjaama Myrsky on nähtävillä teatteri Jurkassa Helsingissä. Keskustelemassa on myös yliopistolehtori Nely Keinänen, joka kävi katsomassa Chloé Zhaon ohjaaman Hamnet-elokuvan ja tuntee Shakespearen kuin omat taskunsa. Juontajana on Pietari Kylmälä.

Say hello to the newest UK incarnation of the Reduced Shakespeare Company! Efé Agwele, Woogie Jung, Kiran Raywilliams, and Tom Pavey join director and RSC founder Adam Long to discuss our brand-new tour of The Complete Works of William Shakespeare (abridged) that's hitting at least 29 cities across the UK in this first half of 2026. The gang talks about how they were cast; their origins both humble and impressive; incorporating micro Shakespeare moments; experience with something called the Jesus College Shakespeare Project; our first live conversation from the back of the bus to Oxford University; and the key importance for touring actors to be "pre-loved-up"! (Length 27:44) (PICTURED, above l-r: Kiran Raywilliams, Efé Agwele, Tom Pavey (seated), and Woogie Jung. Photo by Michael Wharley.) The post New RSCUK Actors appeared first on Reduced Shakespeare Company.

Howard Linskey chats to Paul about is new novel Muse Of Fire, love of Shakespeare, Heydrich, the SOE, the Globe, London - population 200,000! Picking up a theatre and moving it across the river. Muse of Fire: William Shakespeare is moving up in the world, his name respected both at court and the theatre. Accepted by Queen Elizabeth, he is trusted to write plays for her, so long as she likes them...When one of the queen's ladies-in-waiting is found dead, almost everyone suspects murder. But who stood to gain? And are the rumours that she was with child true?Sir Robert Cecil, Elizabeth's spymaster, senses an opportunity to finally rid himself of his bitter rival, the Earl of Essex, who was seen with the girl before she died, and tasks Will to uncover the truth.But Shakespeare knows that the Earl of Southampton, his patron, is allied to the Earl of Essex. Will is caught between powerful foes. But this time, he must choose a side if he is to survive.The Bard turns sleuth once more in this fascinating second instalment in the investigations of William Shakespeare.Howard Linskey is a former journalist whose works include crime series and standalones set in the north-east, including the DC Ian Bradshaw series published by Penguin, and two espionage novels. He also writes historical fiction and non-fiction. His books have been published in nine countries. Originally from County Durham, he lives in Herts with his wife and daughter.Recommended: Stan Barstow. Trevor Wood,, Mari Hannah, Robert Scragg, The Chrysalids John Wymdham.Paul Burke is the editor of Crime Time FM and Aspects of Crime, his first book Eyes Only: Spy Films from Silent to Streaming will be published in September, 2026.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

With its bold stylization, pop soundtrack, and provocative sensibility, Emerald Fennell's new Wuthering Heights appeals to a contemporary audience so openly it can't help but call to mind Baz Luhrmann's 1996 adaptation of another literary classic about doomed lovers, William Shakespeare's Romeo + Juliet. Fennell citing it as a reference point for her film prompted us to revisit what made Lurhmann's approach so enticing and/or annoying at the time, and consider how its maximalist mix of reverence and irreverence toward the source material — not to mention an ascendant Leonardo DiCaprio in peak heartthrob mode — has turned it into a generation's formative Romeo and Juliet.  Please share your thoughts about William Shakespeare's Romeo + Juliet, Wuthering Heights, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare's poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Further reading in the LRB: Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01 Barbara Everett on the sonnets: https://lrb.me/npshakespeare02

Pra muitos, o único que divide o pódio de maior da literatura com Homero. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a vida e o trabalho de William Shakespeare.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- BLOOM, Harold. Shakespeare: A invenção do humano. Rio de Janeiro: Objetiva, 2001.- DOBSON, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon Press, 1992.- GREENBLATT, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton, 2004.- NOGUEIRA, Milton. Shakespeare: Vida e obra. São Paulo: Perspectiva, 2014.- SHAKESPEARE, William. Hamlet; Macbeth; Rei Lear; Otelo. Diversas edições. Tradução de Barbara Heliodora. São Paulo: Nova Fronteira, 2011- WELLS, Stanley; TAYLOR, Gary (orgs.). William Shakespeare: The Complete Works. Oxford: Oxford University Press, 2005.

6 Questions That Will Kill Your Overthinking Forever (William Shakespeare's The Tragedy of Hamlet). In this podcast we will be talking about How to Stop Overthinking from the philosophy of William Shakespeare's The Tragedy of Hamlet.Hamlet is one of William Shakespeare's finest and most famous masterpieces. On the surface, it is a classic revenge tragedy. The King of Denmark is murdered, and his son, Prince Hamlet, must kill the murderer to reclaim the throne. In any other play, the hero would grab a sword and the story would be over but Hamlet isn't like other heroes. He is a philosopher, a student, and a man cursed with a brilliant, hyper-active mind. We return to Hamlet because he shows a common human problem: the more we think, the less we act. He represents the kind of paralysis where we believe we are being careful, but are actually doing nothing. Shakespeare describes this state as the “pale cast of thought,” the moment when too much thinking drains the energy and urgency from an idea that once had the power to change a life. So if you feel stuck in your own head, constantly weighing options but never actually making a move it could be because you are suffering from that same "pale cast of thought." which is why we're going to take a look at the 6 questions we can extract from Hamlet's tragedy that, if answered correctly, might just put an end to your overthinking for good.So here are 6 Questions That Will Kill Your Overthinking Forever from the philosophy of William Shakespeare's The Tragedy of Hamlet.Question 1: Is This a "Ghost" or a Reality?Question 2: Am I "Thinking Too Precisely on the Event"?Question 3: Am I Solving the Problem or Just Watching Myself Think?Question 4: Am I Waiting for the "Perfect" Kill?Question 5: Is This "The Ready" or "The Rest"?Question 6: To Be, or To Seem?I hope you enjoyed listening to these 6 Questions That Will Kill Your Overthinking Forever from the philosophy of William Shakespeare's The Tragedy of Hamlet.Narration/Audio Editing: Dan Mellins-Cohen https://www.dmcvoiceovers.comSubscribe To Philosophies for Life https://www.youtube.com/channel/UCp1mRTkVlqDnxz_9S0YD9YQMusic used: The Travelling Symphony by Savfk - www.youtube.com/@SavfkMusic

In this episode, we review the 2025 historical tragedy film Hamnet, directed by Chloé Zhao, who co-wrote the screenplay with Maggie O’Farrell. The film is based on O’Farrell’s 2020 novel and stars Jessie Buckley, Paul Mescal, and Emily Watson. We discuss whether this origin story for one of William Shakespeare’s famous plays was entertaining. We also debate whether the film should be nominated for Best Picture at this year’s Academy Awards.See omnystudio.com/listener for privacy information.

[School of Everything Else 2026] It's not often we talk about audiodramas on here, the last one I recall that wasn't made by me was the phenomenal World War Z in 2011. THESE three were what I needed in order to care about Star Wars again. Scholar Ian Doescher published the first three (of what would expand to nine and beyond) in lovely hardback book form between 2013 and 2014 envisioning how The Star Wars Original Trilogy would have sounded had it been written by William Shakespeare. But the audio versions we had not listened to until recently, and we absolutely love them. On this show you will be transported to a galaxy far, far away, one dimension over from the version we're all familiar with, where Rebels and Imperials alike speak in iambic pentameter and soliloquise their innermost thoughts and motivations. It's funny as hell, often rather disarmingly touching and helps garner a fresh perspective on these immortal tales.

The man who would come to be known as The Bard, was born in April 1564 in Stratford-upon-Avon, United Kingdom. One of, if not the greatest playwright in human history, William Shakespeare is responsible for 38 plays, 154 Sonnets, and credited with the invention of over 600 words in the English language. We still use phrases he invented on a daily basis. The man lived the theater and had a gift for capturing the complicated nature of people, creating complex but relatable characters and doing so with a masterful use of language. The man was also an entrepreneur, owning a share of his theater company and theater itself. Performing for royalty became common place for Shakespeare as he established himself as the premier playwright in London while never forgoting his roots in Stratford-upon-Avon where his family resided. Join us today as we explore the life and works of William Shakespeare. Support the show

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The timeless and action-packed love story of Romeo & Juliet by OKC Ballet will grace the stage at Oklahoma City's Civic Center Music Hall February 20-22, making tickets a great gift to surprise that special someone on Valentine's Day. With music from Sergei Prokofiev and choreography from Devon Carney, this production brings the classic play from William Shakespeare into vibrant kinetic life. OKC Ballet Director of Communications and Development Whitney Cross tells Ben all about this production and what else is in store for the ballet company in 2026. Also on this week's show, the editors give their best date night tips for this Valentine's Week, and podvents gives us all sorts of ideas for where Cupid might make an appearance. You won't want to miss it!

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA MENORES 2026“HEROES Y VILLANOS”Narrado por: Tatania DanielaDesde: Juliaca, PerúUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church10 de FebreroEl héroe mecenas«Ahora, hermanos, queremos contarles cómo se ha mostrado la bondad de Dios en las iglesias de Macedonia. A pesar de las pruebas por las que han tenido que pasar, son muy felices; y a pesar de ser muy pobres, sus ofrendas han sido tan generosas como si fueran ricos» (2 Corintios 8: 1-2).Algunas especialidades, como el arte, estarían muertas de no ser por el generoso apoyo de otros. Históricamente, ese rol se lo debemos a Gayo Cilnio Mecenas (70 a. C. a 8 a. C.), un político y consejero del emperador Augusto en la antigua Roma.Mecenas desempeñó un papel importante en la política romana, actuando como consejero de Augusto y ayudando mantener la estabilidad del régimen. Fue también un hábil diplomático y negociador, y se le atribuye haber contribuido a la expansión del imperio romano a través de acuerdos políticos y alianzas. Mecenas es recordado como uno de los personajes más influyentes y emblemáticos de la época de Augusto, y su nombre se ha convertido en sinónimo de mecenazgo cultural y apoyo a las artes en la historia de Roma.Mecenas llegó a ser conocido por su generosidad y por ser un patrocinador de las artes y la literatura. Patrocinó a numerosos escritores, poetas y artistas de la época, entre ellos Virgilio, Horacio, Ovidio y Propercio, contribuyendo así al florecimiento cultural y artístico de Roma.Gracias a Mecenas, se creó un rol en la sociedad que se conoce precisamente por el nombre de este caballero: ser un mecenas. Un mecenas es una persona que brinda apoyo financiero y estímulo a diversos campos. La palabra mecenas ha llegado a significar «patrocinio» o «filantropía».Lorenzo de' Medici fue un influyente mecenas del Renacimiento italiano, conocido por su apoyo a artistas como Leonardo da Vinci, Miguel Ángel y Botticelli. La reina Isabel I de Inglaterra apoyó a artistas del campo de la literatura y del teatro, y a escritores como William Shakespeare y Christopher Marlowe. Johann Sebastian Bach contó con el apoyo del príncipe Leopold de Anhalt-Köthen y Wolfgang Amadeus Mozart tuvo apoyo del emperador José II de Austria y el barón Gottfried van Swieten.Cuando alguna causa digna requiere apoyo, los que tienen recursos e influencia pueden venir al rescate. Gracias a personas como ellas, otros han podido preservar su arte o sus ideas para beneficio de muchos. Aunque deseable, no necesitamos invertir recursos financieros cuando se trate de apoyar causas dignas. Será notable que haya proyectos u organizaciones cuyas metas son buenas y se verían ayudadas con lo que podamos dar o hacer. Si miramos a nuestro alrededor, no tardaremos mucho en hallar alguna de esas dignas causas. 

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Hamnet - Nel nome del figlio la regista Chloé Zhao racconta, attraverso un episodio della vita di William Shakespeare, il dolore per la perdita di un figlio. Metafisica / Metafisiche, al palazzo reale di Milano, ricostruisce la persistente influenza che la pittura di de Chirico, Savinio, Carrà e De Pisis ha sulle arti contemporanee. Linguaggi della verità è una raccolta di saggi recenti dello scrittore indiano naturalizzato britannico Salman Rushdie che esplora la forza dell'immaginazione nella letteratura di oggi. L'amore tra due giocatori di hockey su ghiaccio è il perno intorno a cui ruota la serie tv canadese Heated rivalry che ha fatto soprattutto discutere per le sue scene di sesso gay esplicito. CONLucia Magi, corrispondente da Los AngelesRoberto Dulio, storico dell'architettura al Politecnico di Milano Alberto Riva, giornalista e scrittore che collabora con InternazionaleClaudio Rossi Marcelli, giornalista di InternazionaleSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Ci piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Steven welcomes writer and historian David Kruh to this episode to discuss the famous Trial of William Shakespeare that took place in a Chicago courtroom in 1916. Learn details about the trial, what the court ruled, and how it all played out. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Frank Lawler, Garrett Jackson, Heidi, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

Is Chloé Zhao's adaptation of Maggie O'Farrell's historical novel on the life of Agnes Hathoway, William Shakespeare, and their child Hamnet an example of one of the best kinds of adaptations possible in film? In episode 370, join Luke Elliott & James Bailey as they marvel at the performance Jessie Buckley delivers, debate the ethics of mining personal tragedy for artistic expression, weigh the inclusion of a beloved if often-used piece of music, embrace emotional storytelling at it's finest, and join in a moment of shared catharsis. They finish by casting their votes on which is ultimately better, the book or the movie! Join our Discord channel! https://discord.gg/yQpgu9jYB2 Pickup Hamnet or any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/Outro Music "No Winners" by Ross Bugden  https://www.youtube.com/watch?v=9qk-vZ1qicI References Maggie O'Farrell didn't want to write 'Hamnet's' script.  Vanity Fair Notes on a Scene https://www.youtube.com/watch?v=QfTiQzQ-DoM Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Queue the Oscar music, it's time for Hamnet! We're recording this before the Oscars are annouced so we hope it's the correct choice. Hamnet is an attempt to tell the story of how William Shakespeare's son inspired the famous play Hamlet. Mostly, though, it focuses on Will's wife, Agnes, and her story. Mike explains the story of Hamlet from the perspective of The Lion King, since that's the only thing Ethan has ever seen.Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hello and welcome to The Craft Room Podcast. I'm so glad you're joining me today, as we are talking about the benefits of swatching. Yes, I am on a swatching kick right now and it all started thanks to my friend Sally. I went to visit her last month and she showed me her beautifully organised craft supplies, but more importantly she showed me her ink pad swatches. I knew the second I saw it that this was the solution I had been looking for for years. It's not like I've never swatched before. My Copic markers are swatched out on a hex chart, I've swatched some pencils and a watercolour palette. But I didn't have what I have always wanted … a swatch folder with all the colours in one place. Until I saw Sally's I didn't know why I was baulking at it, and the reality is … I wanted more swatches to a page. It's not like a plastic sleeve with pockets is a revolutionary product, but I'd never seen coin collecting sleeves used for swatching before. I will link to the ones I used below. Benefit 1 - Accurate Colors Benefit 2 - Know What you Have Benefit 3 - Quick Choices while Crafting Benefit 4 - Making Educated Decisions Benefit 5 - Reducing Decision Fatigue Benefit 6 - Viewing Variations Benefit 7 - Get more use from your Supplies Let's consider the age old conundrum … 'To swatch or not to swatch?', which is a really good question, and thank you William Shakespeare for asking that. Sometimes you benefit from swatching, and sometimes you don't, and swatching requires a significant time investment. The swatches that I've already made took up the majority of my time for 3 days, so in order to answer the first question, we must ask another. Do the benefits of making these swatches outweigh the time investment? How you decide if you are going to swatch your craft supplies depends heavily on how you use them, and how you store them. As much as I would love to go into loads of details right now, telling you how I did the swatching, and why I swatched that way, it's a very visual explanation, and podcasts aren't exactly a visual thing. So here's what I'm going to do instead. I have scheduled a livestream on my YouTube channel on Friday 20th February 2026 at 8:30pm Sydney time. Remember that I am in Australia, and right now we're in daylight savings time, so that's AEDT (I'll link to a timezone converter so you can figure out when that will be in your local time). I will also link to the scheduled live on YouTube. There's a button you can click to be notified at the scheduled start time, but it's helpful to note that notification will be sent as an email, so you might prefer to pop a reminder into your calendar with the link.  We are also talking a lot about swatching and choosing colours over in the Craft with Dawn Lewis Facebook group. If, however, Facebook is not your cup of tea, then you don't have to miss out. I'll be showcasing more of my swatching adventures on other socials … Instagram, TikTok, YouTube, Pinterest. And if you would like it all distilled down into one juicy bite, you can subscribe to my email newsletter, where I'll be sending just 2 emails per month. This year we are using our craft supplies, we're not being Pinterest perfect about it, and all of my content will be centred around that. So, until we meet again, happy crafting, happy swatching, and I hope to see you on my YouTube livestream … until I see you next time. LINKS Episode #43 blog post Website Sign up for newsletter Craft with Dawn Lewis Facebook Group Coin Collecting Sleeves (Amazon Australia) Coin Collecting Sleeves (Amazon USA) YouTube Live Timezone Converter Aradiya Toys Hobbii 8/4 yarn Sandy Alnock Hex Charts Note: As an Amazon Associate I earn from qualifying purchases

We told you what movies to skip last week. This week, we'll let you know which movies to promote this Valentine's Day. Intro/opening conversation on regional accents (0:00) Game Club Pod promo (8:10) Romantic movies we love (9:09) Baz Luhrmann's William Shakespeare's Romeo + Juliet (10:48) Moulin Rouge (17:48) Romancing the Stone (29:13) Unconventional Recs (35:20) Double feature rec: George of the Jungle & The Mummy (1999) (35:39) The Mask of Zorro (38:02) Spy Kids (40:07) Son-in-Law (41:16) Your Name (42:13) Cultworthy Episode featuring Your Name Howl's Moving Castle (43:48) Something's Gotta Give (47:57) Honorable mention: Atonement (54:16) About Time (58:07) Cultworthy episode About Time Honorable mention: A Walk to Remember (1:08:31) 10 Things I Hate About You (1:10:31) Goodbyes and social media plugs (1:19:38) Please remember to check out the Game Club Pod podcast, join our Discord

It's the most prestigious time of the year! We're kicking off Mackenzie's annual Oscars Run here on We Drink & We Watch Things, where we dedicate the entire month to the films leading the pack for the 98th Academy Awards. To start us off, we're stepping into the sun-dappled forests of Stratford-upon-Avon to discuss Chloé Zhao's sweeping, heart-wrenching adaptation of Hamnet. Make our cocktail of the week - Sleep No More - to toast this deeply sensory exploration of love, loss, and the birth of a masterpiece.This week, we celebrate the staggering lead performances of Jessie Buckley as the mystical Agnes Hathaway and Paul Mescal as a young, restless William Shakespeare. We examine how Zhao brings her signature "Nomadland" intimacy to the 16th century, trading wide-open plains for the visceral, muddy reality of domestic life and the crushing weight of the bubonic plague. We unpack the film's central, moving thesis: that one of the greatest plays in history, Hamlet, was actually a father's desperate, creative attempt to give his deceased son the life he never got to finish. We also marvel at the breathtaking final act at the Globe Theatre, where the boundary between art and reality finally dissolves in a flood of cathartic tears.If you love lush period dramas, powerful meditations on grief, or are just following along with Mackenzie's quest to predict the Best Picture winner, this is an essential start to the month. We're mixing our awe for the film's technical beauty with our usual banter, ensuring our first stop on the road to the Oscars is a truly memorable one.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

To record an episode about Hamnet, the new film from Chloe Zhao, or not to record an episode about Hamnet? That was the question – and a question I answered in a heartbeat when Chloe's team reached out late last year about chatting with the Nomadland writer-director. The historical drama, starring Jesse Buckley and Paul Mescal, takes viewers inside the anguish of William Shakespeare and his wife, Agnes Hathaway, after the death of one of their children in 1596. In the movie, Shakespeare throws himself into his work as part of his mourning process, resulting in one of the best-loved and most influential plays of all time. In doing so, though, Agnes is left alone with just ghosts, grief and her remaining children – themselves angry and confused at Hamnet's death – for company. Adapted from an acclaimed novel by Irish author Maggie O'Farrell, who joined Chloe and I for our conversation, the film is as emotionally bruising as they come. It's a tale about parenthood, personhood, how storytellers process pain through their art and what it means to witness that. The film ends with this remarkable final scene shot at London's historic Globe Theatre in which Shakespeare has transmuted his pain into a play that both pours salt into the deepest imaginable wound for Agnes, and seemingly offers her some closure. In the spoiler conversation you're about to hear, the three of us get into the evolution of that moment, and other key scenes from a film that won Best Drama and Best Actress for Buckley at the Golden Globes and is expected to be in the mix at this year's Oscars. Maggie talks about the connections between this story and her other work, such as I Am, I Am, I Am – which also dealt with mortality. And Chloe reveals how she uses colour as a storytelling weapon in Hamnet – with red representing Agnes and inky blues representing the Bard himself.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

There are many men who lived alongside William Shakespeare in turn of the 17th century England, but today's featured contemporary is a man who served as King James' ambassador to Venice in the 1600s. This man was named Henry Wotton. At grammar school, he received the same humanist education as Shakespeare, but unlike Shakespeare, Henry went on to university, studying at Oxford where he was tutored by Alberico Gentili, the man who was just then publishing the first handbook on international diplomacy. After graduation, Wotton spent five years travelling across Europe, stacking up experience that gained him employment, after which he returned to England to serve as personal secretary Robert Devereux, Earl of Essex. That life abruptly ended when Wotton fled England after the 'Essex Rebellion' that cost Devereux his life. But a chance encounter brought Wotton to the attention of the man who, within months, would claim the English throne. King James recalled Wotton from exile -- and immediately sent him ambassador to Venice.   Here today to share the remarkable story of Sir Henry Wotton—a man whose real-life adventures in diplomacy were unfolding even as Shakespeare was staging ambassadors on the London stage and setting his plays amid the politics of Venice—is our guest, Professor Carol Chillington Rutter, author of Lying abroad: Henry Wotton and the invention of diplomacy. In her book, Dr. Rutter explores the extraordinary life of the man King James I called his "honest dissembler"—a maverick diplomat who fled England in disgrace, only to return and redefine the very art of diplomacy in ways that still influence international relations today. 

Merriam-Webster's Word of the Day for February 1, 2026 is: gargantuan • gahr-GAN-chuh-wun • adjective Gargantuan describes something that is very large in size or amount; something gargantuan is, in other words, gigantic. // Bigfoot is said to be a creature of gargantuan proportions. See the entry > Examples: “By the late 1870s, he was asked to take part in the gargantuan task of evaluating and cataloguing the results of the five-year Challenger expedition—an ambitious British global research voyage, the first ever dedicated purely to science. [Ernst] Haeckel's contribution to the final 50-volume Report of the Voyage of H.M.S. Challenger took a decade to complete and spanned three volumes, 2,750 pages, and 130 plates.” — Michael Benson, Nanocosmos: Journeys in Electron Space, 2025 Did you know? Gargantua is the name of a giant king in François Rabelais's 16th-century satiric novel Gargantua, the second part of a five-volume series about the giant and his son Pantagruel. All of the details of Gargantua's life befit a giant. He rides a colossal mare whose tail switches so violently that it fells the entire forest of Orleans. He has an enormous appetite, such that in one incident he inadvertently swallows five pilgrims while eating a salad. The scale of everything connected with Gargantua led to the adjective gargantuan, which since William Shakespeare's time has been used for anything of tremendous size or volume.

On the 1st of Janurary, 1604, Hampton Court Palace hosted a performance by William Shakespeare's acting troupe, The King's Men. They were booked to perform for the new King of England, James VI of Scotland, and one of the plays that they chose was 'A Midsummer Night's Dream'.  What did it mean to be part of 'The King's Men'? How did Shakespeare's relationship with James VI and I shape his life and his plays? In this episode, Curator Brett Dolman welcomes Dr Will Tosh to the Great Hall at Hampton Court, one of few surviving places where we can tread in Shakespeare's footsteps, to discuss the nature and impact of royal patronage on Jacobean theatre.  Read more about Shakespeare at Hampton Court Palace on our website.  Dive into the history of Shakespeare's 'Macbeth' and 'A Midsummer Night's Dream' with blogs from The Globe.  Buy Will Tosh's book 'Straight Acting: The Many Queer Lives of William Shakespeare' here.     

Shuffling under the mortal coil this week (aka hosting the Gabfest), it's our OG players Steve, Dana, and Julia. Like a morose Danish prince contemplating a human skull, they gaze upon the Oscar nominated Hamnet, based on the novel by Maggie O'Farrell inspired by William Shakespeare's life. Directed by Chloé Zhao and starring Jessie Buckley and Paul Mescal, Hamnet has brought some critics to tears and left others cold. Our hosts share where they landed.Next, they boot up the Netflix content machine to view The Rip, a new cop caper reuniting Matt Damon and Ben Affleck. Do the boys from Boston (illogically playing Miami cops) make good again? Finally, they welcome New Yorker writer Clare Malone to discuss her recent profile of the deeply polarizing, newly-appointed head of CBS News Bari Weiss. In a special add-on, Isaac Butler leaves a voice memo to share his vituperative take on Hamnet—as outlined in a recent Slate piece. The Hamnet discourse continues in a bonus episode exclusively for Slate Plus subscribers wherein the gang unpacks the film's ending. Is the play indeed the thing?EndorsementsDana: The book Hamnet by Maggie O'Farrell especially the audiobook version read by Jessie Buckley.Julia: The hilarious video of Matt Damon and Ben Affleck with Jimmy Fallon naming all the towns in Massachusetts on The Tonight Show, the sober, intelligent New York Times opinion round table between Lydia Polgreen, David French, and Michelle Goldberg about ICE raids in Minneapolis and the killing of Alex Pretti, and the still deeply timely film I'm Still Here.Steve: The film Sentimental Value and the double album Sing the Children Over & Sand In My Shoe by the singer/songwriter Kath Bloom as well as the Kath Bloom cover “Come Here” by the band The Concretes.--Email us your thoughts at culturefest@slate.com. Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Incogni advertisement“Use code [YOUR-UNIQUE-CODE] at the linkbelow to get an exclusive 60% off an annualIncogni plan: https://incog-ni.com/your-unique-code”  Your URL is: https://incogni.com/earthancientsDestiny: Ronnie Pontiac, The Rosicrucian Counterculture (show notes)A cultural exploration of the esoteric movement and its historical impact and legacy• Examines the Rosicrucian involvement of figures like Rene Descartes, Robert Fludd, John Dee, Elias Ashmole, and the alchemist pirate Prince Rupert of the Rhine• Traces the saga of Rudolf II, Holy Roman Emperor, and his countercultural successors Frederick and Elizabeth, who triggered the Thirty Years' War• Shows how Rosicrucianism inspired the English Revolution and explores the Rosicrucianism of John Winthrop the Younger, Connecticut's founderSince the appearance of Rosicrucian manuscripts in 17th-century Germany, historians have questioned the authorship, intent, and significance of this esoteric movement. In this book, Ronnie Pontiac shows how Rosicrucianism's underground influence in the early-modern period continues to the present, providing the important historical context of this invisible society.Pontiac looks at the esoteric culture around Holy Roman Emperor Rudolf II and his court, including figures like John Dee, Tycho Brahe, and Rabbi Loew, the legendary creator of the Golem of Prague. Despite occultists' fascination with Rudolf 's successors, Frederick and Elizabeth, at the start of the Thirty Years' War—and Rosicrucian efforts to make Frederick the first Protestant Holy Roman Emperor—the esoteric renaissance in Bohemia was short-lived. However, this wasn't the end of Rosicrucianism.Pontiac explores the movement's impact on Oliver Cromwell and the English Revolution as well as individuals such as Robert Fludd, René Descartes, Elias Ashmole, Moritz the Learned, Paracelsus, and William Shakespeare. He then details the movement's arrival in the New World, including the Rosicrucian activities of Connecticut's alchemist governor, John Winthrop the Younger. Looking to the present, Pontiac shows how both pop culture and the modern psychedelic counterculture are informed by Rosicrucian ideas, showing the enduring legacy of this esoteric movement.Ronnie Pontiac worked as Manly P. Hall's research assistant for seven years. A producer of award-winning documentaries, he is the author of American Metaphysical Religion and coauthor with Tamra Lucid of The Magic of the Orphic Hymns and the 10-part YouTube video series The Unobstructed Way.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Shuffling under the mortal coil this week (aka hosting the Gabfest), it's our OG players Steve, Dana, and Julia. Like a morose Danish prince contemplating a human skull, they gaze upon the Oscar nominated Hamnet, based on the novel by Maggie O'Farrell inspired by William Shakespeare's life. Directed by Chloé Zhao and starring Jessie Buckley and Paul Mescal, Hamnet has brought some critics to tears and left others cold. Our hosts share where they landed.Next, they boot up the Netflix content machine to view The Rip, a new cop caper reuniting Matt Damon and Ben Affleck. Do the boys from Boston (illogically playing Miami cops) make good again? Finally, they welcome New Yorker writer Clare Malone to discuss her recent profile of the deeply polarizing, newly-appointed head of CBS News Bari Weiss. In a special add-on, Isaac Butler leaves a voice memo to share his vituperative take on Hamnet—as outlined in a recent Slate piece. The Hamnet discourse continues in a bonus episode exclusively for Slate Plus subscribers wherein the gang unpacks the film's ending. Is the play indeed the thing?EndorsementsDana: The book Hamnet by Maggie O'Farrell especially the audiobook version read by Jessie Buckley.Julia: The hilarious video of Matt Damon and Ben Affleck with Jimmy Fallon naming all the towns in Massachusetts on The Tonight Show, the sober, intelligent New York Times opinion round table between Lydia Polgreen, David French, and Michelle Goldberg about ICE raids in Minneapolis and the killing of Alex Pretti, and the still deeply timely film I'm Still Here.Steve: The film Sentimental Value and the double album Sing the Children Over & Sand In My Shoe by the singer/songwriter Kath Bloom as well as the Kath Bloom cover “Come Here” by the band The Concretes.--Email us your thoughts at culturefest@slate.com. Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

MUSICMaynard James Keenan, the lead vocalist of Tool, A Perfect Circle, and Puscifer, expressed on Steve-O's podcast that he now considers the song "4°" from Tool's 1993 album "Undertow" to be "stupid" due to its lyrics. https://loudwire.com/maynard-james-keenan-tool-song-stupid/ The Eagles' album "Their Greatest Hits 1971-1975" has become the first to achieve quadruple diamond certification from the RIAA, indicating over 40 million units sold. https://www.the-independent.com/arts-entertainment/music/news/the-eagles-greatest-hits-album-b2905358.html Metallica have teamed up with Dr. Martens for a new line of shoes. The 1460 boot uses artwork from the band's 1988 Damaged Justice tour and the 1461 shoe features artwork from the 1986 Damage Inc. tour. Both go on sale January 29th. TVFormer Real Housewife Bethenny Frankel has stage 2 kidney disease. According to Page Six, https://pagesix.com/2026/01/22/celebrity-news/bethenny-frankel-announces-stage-2-kidney-disease-diagnosis/ Gwyneth Paltrow recently shared her strategies for managing anxiety during an Instagram AMA (Ask Me Anything). https://people.com/gwyneth-paltrow-gives-her-advice-for-managing-anxiety-shouting-at-the-bushes-it-helps-11890157 AND FINALLYNominations for the 98th Academy Awards are out!Actors Danielle Brooks and Lewis Pullman revealed the nominees. Sinners received 16 nominations; a record-breaking nomination count for the most in Academy Awards history. The supernatural thriller received nominations for best picture; director (Ryan Coogler); actor (Michael B. Jordan); supporting actress (Wunmi Mosaku); actor in a supporting role (Delroy Lindo); and original screenplay. Timothée Chalamet is 30 years and 26 days old, Chalamet just became the youngest male actor to receive three Oscar nominations since Marlon Brando, who achieved this feat at age 29 in 1954. Steven Spielberg has broken his own record for the most Oscar nominations as a producer, bringing his total to 14 with the nomination for Best Picture for the film "Hamnet." One Battle After Another received 13 nods, including Best Picture.The Snubs:The Cold Shoulder: The Biggest Snubs of the 2026 Oscar NominationsThe Wicked Witch of the West... Gone?The biggest shocker of the morning has to be the complete erasure of Wicked: For Good. Just last year, the first installment picked up 10 nominations. This year? Zero. Zilch.Ariana Grande and Cynthia Erivo, who were both nominated for the first film, were completely shut out of the acting categories. Even the music branch turned its back on the franchise, ignoring the two new songs written specifically for the film. It seems the magic ran out for the sequel.Paul Mescal's Shakespearean TragedyIf you were betting on Paul Mescal picking up a nomination for playing William Shakespeare in Hamnet, you lost money today. While the film itself did well—and his co-star Jessie Buckley secured a nomination—Mescal was noticeably absent from the list. It's a tough break for an actor who has been a darling of the awards circuit lately.The Strange Case of Chase InfinitiHere is a genuine head-scratcher: One Battle After Another is a massive favorite, racking up 13 nominations. Yet, its breakout lead actress, Chase Infiniti, didn't make the cut. Some insiders think her limited screen time (she's in the movie for about 30 minutes) might have hurt her chances, but considering she's the heart of the film, her absence in the Best Actress category is glaring.Guillermo del Toro Gets the "Argo" TreatmentThe Academy clearly loved Netflix's Frankenstein—it scored nine nominations, including Best Picture. But they apparently didn't love Guillermo del Toro quite enough to give him a Best Director nod. The Directors branch is notoriously finicky, and this year, they left the beloved filmmaker off the list.Blockbuster FatigueAvatar: Fire and Ash failed to secure a Best Picture nomination, a category the previous two films sailed into easily. It seems voters might finally be feeling some Pandora fatigue.Star Power Didn't Save ThemBeing an A-lister didn't help anyone this morning.George Clooney & Adam Sandler: Their film Jay Kelly was completely shut out. Usually, a Noah Baumbach movie is catnip for voters, but this one came up empty.Dwayne "The Rock" Johnson: Despite a serious campaign for his dramatic turn in The Smashing Machine, he couldn't crack the lineup.Jennifer Lawrence: She gave a ferocious performance in Die My Love, but the film was likely too gritty and indie for the broader voting body.The show, hosted by Conan O'Brien, airs live on ABC on March 15th. Here are the nominees:Best PictureBugoniaF1FrankensteinHamnetMarty SupremeOne Battle After AnotherThe Secret AgentSentimental ValueSinnersTrain DreamsBest DirectorChloé Zhao - HamnetJosh Safdie - Marty SupremePaul Thomas Anderson - One Battle After AnotherJoachim Trier - Sentimental ValueRyan Coogler - SinnersBest ActorTimothée Chalamet - Marty SupremeLeonardo DiCaprio - One Battle After AnotherEthan Hawke - Blue MoonMichael B. Jordan - SinnersWagner Moura - The Secret AgentBest ActressJessie Buckley - HamnetRose Byrne - If I Had Legs I'd Kick YouKate Hudson - Song Sung BlueRenate Reinsve - Sentimental ValueEmma Stone - BugoniaBest Supporting ActorBenicio del Toro - One Battle After AnotherJacob Elordi - FrankensteinDelroy Lindo - SinnersSean Penn - One Battle After AnotherStellan Skarsgård - Sentimental ValueBest Supporting ActressElle Fanning - Sentimental ValueInga Ibsdotter Lilleaas - Sentimental ValueAmy Madigan - WeaponsWunmi Mosaku - SinnersTeyana Taylor - One Battle After AnotherAND THAT IS YOUR CRAP ON CELEBRITIES!