Podcast appearances and mentions of William Shakespeare

C'est l'homme aux multiples visages : William Shakespeare, le citoyen discret de Stratford-upon-Avon, laisse derrière lui une œuvre magistrale... mais une identité floue. Était-il un comédien de province ou bien un érudit caché ? Qui se dissimule vraiment derrière le masque de Shakespeare ? Une chose est sûre : ce personnage a su écrire sa propre légende. Percez l'énigme de celui qui, sur la scène du théâtre élisabéthain, a tenu son plus beau rôle. Crédits : Lorànt Deutsch, Ayrton Morice Kerneven. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of Chronicles, Luca continues his discussion of William Shakespeare's Romeo and Juliet. He examines the play's many classic characters and the choices that lead them to tragedy.

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4 women got busted in Japan for smuggling $670,000 worth of gold powder in their underwear...and a man accidentally crashed his car into a historic house that once belonged to the family of William Shakespeare!

Episode 104: Twelfth Night by William Shakespeare Host: Douglas Schatz Guest: Will Tosh Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. William Shakespeare's romantic comedy, Twelfth Night, or What You Will is one of Shakespeare's most popular comedies, renowned for its clever cross-dressing plot and festive hi-jinks, but also for its elusive tone, fluctuating between the comic and a darker cruelty. The play is also infused with desire, both declared and suppressed, even subversive, as the characters search for love, status and identity. As we record this episode a new production of the play is playing at Shakespeare's Globe theatre in London, and I'm delighted to welcome to the podcast the Globe's Director of Education, Dr Will Tosh.

William Shakespeare is one of history's most famous names – but how much do we really know about the man himself? And how did his family, education and marriage shape his works and influence his worldview? Speaking to Emily Briffett, Dr Paul Edmondson charts Shakespeare's story, from humble beginnings to global cultural afterlife. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The young Prince Edward arrives at The Temple Beautiful and complains to Richard about his uncles imprisonment. Richard tells him his uncles Rivers and Dorset were dangerous. Edward protests but is interrupted by the arrival of the Mayor of London who greets him with flattery. Edward asks about the whereabouts of his mother and brother, the Duke of York. Hastings arrives and tells Edward his mother and brother are in sanctuary. Buckingham orders Hastings to bring York to them by force. The Cardinal protests but Buckingham convinces him there's no need for sanctuary under these circumstances. Alone with his uncle Richard, Edward asks where he and his brother will be staying before their coronation. Richard tells him they're to stay in the Tower. Edward protests but is interrupted by the arrival of his younger brother. Little York teases Richard until he learns they're going to the Tower. He starts to argue but Edward tells him not to fear. They're taken away. Richard and Buckingham call in Catesby to test Hastings' loyalty. Once alone, Richard promises Buckingham the Earldom of Hereford. Later that night, a messenger from Stanley arrives at Barrington Hall to warn Hastings that Richard is going to kill him. Hastings reassures him that Richard won't harm him. Catesby arrives and hears from Hastings that he won't support Richard taking the throne, even though he had his enemies (Rivers and Dorset) killed. Stanley rolls up and warns Hastings not to trust Richard. Buckingham saunters out to meet them and takes them to the Tower for the coronation. Elsewhere, in a warehouse basement in Pomfret, Rivers begs for his life as Ratcliffe drowns him. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Chronicles, Luca discusses William Shakespeare's Romeo and Juliet. He examines the ancient grudge between the Montagues and Capulets and the celestial love shared by the titular couple.

"Art is the lie that enables us to realize the truth." - Pablo Picasso said and then painted Guerica in response to the 1937 bombing of the Basque town of Guernica by Nazi and Fascist forces. “The artist's role is not to look away.” - Akira Kurosawa, Japanese filmmaker once said and then directed High and Low, a film about the moral dilemmas of a capitalist society and the consequences. “Art holds up the mirror to nature.” - William Shakespeare, Hamlet (Act 3, Scene 2) a sentiment similar to Aristotle, who once said "Art imitates life." The duty and role of an artist in society is not always to simply entertain. For more information about the No Kings protest, please visit https://www.nokings.orgAmong the Thorns will be here July 14th - Preorder available following this link herePreorder MAGIC REBORN hereSTRANGE FAMILIAR is liveJoin my Patreon and Discord for mentoringYou can always buy print copies of my books from my local indie, Beastly Books!Sign up for my newsletter! Support the show! Buy LoveLitCon tickets here using LOVE8368 for $10 OFF!Signed bookplates available hereThe posture correcting sports bra I love almost more than life itself can be found hereAs always, thank you for watching and let me know what you think ~ Jeffe KennedySupport the showSocials Join my Patreon and Discord for mentoring Sign up for my newsletter! Support the show! Find me on Threads Visit my website Follow me on Amazon Follow me on BookBub Find me on Instagram and TikTok! @jeffekennedy2016 @jeffe_kennedy The posture correcting sports bra I love almost more than life itself can be found here Thank you for watching or listening! See you all soon.

This week on Required Reading, we dust off our middle school readers and learn about high schoolers in love. We read Romeo and Juliet by William Shakespeare, the passionate and mature love of a 13 and 15 year old. It's basically Elizabethan Degrassi.  Co-Hosts: Dr. Nic Hoffmann, Mike Burns, Mike Carroll   "n Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers." From the Folger Edition back cover. 

Jason discusses various economic and cultural trends impacting real estate investment. The core argument revolves around the decline in household size due to factors like lower marriage and fertility rates, the rise of feminism, and government policies like welfare programs, which consequently increases demand for housing units. Jason connects these societal changes to the desire of consumer product companies and taxing authorities to encourage single-person households and divorce to boost sales and tax revenue, respectively. Finally, he strongly advocates for direct investment in real estate over investing in syndications or funds, warning of potential fraud, incompetence, and excessive fees associated with those investment vehicles, citing a recent criminal indictment as an example, and arguing that when correctly calculated, real estate offers superior leveraged returns compared to the stock market or gold. Reach out to our investment counselors at 1-800-Hartman ext. 2 NOW! Check out our properties at https://www.jasonhartman.com/properties/  Analyze properties NOW. Get a FREE account at https://propertytracker.com/ today. https://fred.stlouisfed.org/  #HousingDemand #DecliningHouseholdSize #FewerPeoplePerHouse #FertilityDisaster #MarriageRateDecline #SecondWaveFeminism #BirthControlGamechanger #MediaFrenzy #EncouragingDivorce #ConsumerProducts #SellingMoreToasters #BrainwashingInstitutions #PublicSchools #NonFamilyHouseholds #LivingAlone #FatherlessHomes #AidToFamiliesWithDependentChildren #GreatSociety #RealEstateOpportunity #DirectInvestor #MaintainControl #CommandmentNumberThree Key Takeaways: 1:29 Changes in household size 7:17 Percentage of households by type 8:39 LBJ and "The Great Society" 10:20 The rise of living alone and the steady decline in household size 12:23 Median sale price year over year 13:06 Commandment #3 18:02 Current "guru" indicted 21:12 Asset price inflation since 2015 27:04 William Shakespeare and investing in income property today   Follow Jason on TWITTER, INSTAGRAM & LINKEDIN Twitter.com/JasonHartmanROI Instagram.com/jasonhartman1/ Linkedin.com/in/jasonhartmaninvestor/ Call our Investment Counselors at: 1-800-HARTMAN (US) or visit: https://www.jasonhartman.com/ Free Class:  Easily get up to $250,000 in funding for real estate, business or anything else: http://JasonHartman.com/Fund CYA Protect Your Assets, Save Taxes & Estate Planning: http://JasonHartman.com/Protect Get wholesale real estate deals for investment or build a great business – Free Course: https://www.jasonhartman.com/deals Special Offer from Ron LeGrand: https://JasonHartman.com/Ron Free Mini-Book on Pandemic Investing: https://www.PandemicInvesting.com

Jacobean Era (1603-25) theater plays were performed by The King's Men, an acting company to which William Shakespeare (1564-1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth, they came to be the King's Men in 1603 when King James ascended the throne and became the company's patron, during a period that greatly influenced the early settlement and culture of North America. E166.See omnystudio.com/listener for privacy information.

This episode is kid-friendly, and recorded by kids! Wyatt, Samuel, and Isabell share two poems and a short spooky story to bring you some Halloween fun! In this episode:“The Witches' Song,” from Macbeth by William Shakespeare - read by Wyatt (6)“Jack-o'-Lantern Song,” from The Topaz Story Book: Stories and Legends of Autumn, Hallowe'en, and Thanksgiving - read by Samuel (6)“Golden-Rod and Purple Aster,” by Flora J. Cooke (adapted), read by Isabell (10)We're in the midst of our “Year of Faust”: Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. (Links to books & products are affiliate links.)Cover art by Sarah Lilienthal

Host Joe Moravchik speaks with Professor Emeritus D.E. Green from Augsburg University about one of the great writers and playwrights in all of history William Shakespeare, as well as some of Green’s own poetry and the inspiration for it, and much more. 

For this new series, John and Allen invite five guests over five weeks to complete the following statement: “I just don't understand how people can survive without...” Sam Eldredge kicks off the opening episode with a surprising response. Sam is a licensed therapist, the director of Noble Workshops, and John's oldest son. You'll be intrigued by his insights into the human condition and the one thing he believes we most need to make it through the day.Show Notes: To find out more about Noble Workshops and upcoming events, visit nobleworkshops.com. The movie John references is Sing Sing. Sam's media recommendations include Gustav Holst's The Planets, “Jupiter”; Jensen McRae's song “My Ego Dies at the End”; William Shakespeare's The Tempest; the movie Arrival; the book The Anxious Generation, by Jonathan Haidt; the quote from Simone Weil (“There are only two things that pierce the human heart. One is beauty. The other is affliction.“); and the poem “The Peace of Wild Things,” by Wendell Berry._______________________________________________There is more.Got a question you want answered on the podcast? Ask us at Questions@WildatHeart.orgSupport the mission or find more on our website: WildAtHeart.org  or on our app.Apple: Wild At Heart AppAndroid: Wild At Heart AppWatch on YouTubeThe stock music used in the Wild at Heart podcast is titled “When Laid to Rest” by Patrick Rundblad and available here.More pauses available in the One Minute Pause app for Apple iOS and Android.Apple: One Minute Pause AppAndroid: One Minute Pause App

Inside the Tower, Clarence begs for his life. Later, at the Gilman DIY Music Venue, King Edward secures a reluctant peace between his family's rival factions, but collapses in grief when Richard arrives with news of Clarence's death. In the ensuing chaos, Richard secures the alliance of Buckingham and Ratcliffe. That night, Elizabeth and the Duchess grieve the deaths of Edward and Clarence. Richard enters to offer his condolences and Buckingham suggests a quiet coronation for the young prince Edward in order to avoid civil unrest. Meanwhile, Dorset and Rivers rush to secure the safety of Prince Edward in Ludlow. At Rasputin Records, citizens fret over being ruled by a child King with Richard as his Protector. At home with her younger son, the Prince of York, Elizabeth gets a tattoo as she ruminates with the Duchess over their horrible state of affairs. A messenger arrives with the news that Dorset and Rivers have been imprisoned in Pomfret by Richard and Buckingham. Elizabeth grabs York and withdraws in despair to sanctuary, leaving the Duchess behind. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:06:48 - Comment mettre Shakespeare en musique en 2025 - par : Sofia Anastasio - Alors que l'œuvre de William Shakespeare a inspiré de nombreux compositeurs au fil des siècles, les pièces et les sonnets du dramaturge anglais continuent d'être au cœur de spectacles musicaux, comme au Théâtre du Châtelet, où est présentée une adaptation d'Hamlet signée Kirill Serebrennikov. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Roll on another month and another Three Ravens Live Show release - and of not just one but two performances recorded at Gloucester History Festival at the end of September 2025!As we explain in the episode, first comes our Forgotten Melodies Live show, performed on Sunday 21st September in the Great Hall at Gloucester's Blackfriars as part of Witch Night, followed by a retelling of Martin's Gloucester story first heard in Series 3 Episode 2 about Gloucestershire, "The Torbarrow Guardian" as recorded that afternoon in the Scriptorium Buttery.We really hope you enjoy both recordings, speak to you tomorrow for an all-new episode of Three Ravens Haunting Season, and if you would like details of the Forgotten Melodies Live set list then it's as follows:The Earth, The Air, The Fire, The Water (Trad)On Matthew Hopkins by Samuel Butler (c.1663)Ring Down Below (Trad)Hecate's Speech from Macbeth by William Shakespeare (c.1606)Old Pendle (Trad)Very Wicked People (spoken word)Witches Reel (Trad)Witch Burning by Sylvia Plath (1959)Sovay (Trad)The White Witch by James Weldon Johnson (1915)Hare Spell (Trad)Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

The last poem in the collection to address William Shakespeare's mistress directly, Sonnet 152 conclusively answers some questions, while leaving many old and several new ones open for us to ponder into posterity. It asserts again that his Dark Lady is indeed 'dark', both in appearance and in character, and here makes a stronger than ever point of how he as the poet is perjuring himself by repeatedly, even continuously, saying things about her that are simply untrue; these things, notably, not being slanderous lies but favourable compliments. The sonnet thus epitomises the form that Shakespeare with his highly unusual series either deliberately or accidentally creates: that of the anti-love poem to someone he just can't resist, even though he knows that in this he presents as deep a character flaw in himself as the ones he perceives in the person or people he professes to love or desire.

Hockeyn har sin Wayne Gretzsky, basketen har sin Michael Jordan och världslitteraturen har sin William Shakespeare. Han är störst.Sonen till en handskmakare från en liten engelsk skitstad blev på något vänster hela världens bard. Hur är det möjligt? Är det ens möjligt? Kan det verkligen stämma? I 200 år var det ingen som ställde den frågan. Men under det tidiga 1800-talet kom en ny generation Shakespeare-kännare som inte fick mannen och texten att gå ihop. De som anser att handelsmannen Will Shakespeare var en front för en eller flera egentliga upphovsmän kallas anti-stratfordianer. De har lanserat en uppsjö olika kandidater.Konspirationsteorierna om Shakespeare är en finkulturens Q-anon. Oförarglig, men lika benfast övertygad om att hemliga koder gömmer sig ibland stavelser och rim. Vi ger oss ut på en vild jakt som tar oss till drottning Elisabeths privata kammare, små hålor i Ohio samt till de svenska kultursidornas debatter anno 2006.Ett kul avsnitt, tycker vi.----Varför in prenumerera på podden? historiepodden.supertcast.com——Läslista:Bergsten, Staffan, ”Kärt besvär förgäves”, Uppsala Nya Tidning, 2006-10-20Bryson, Bill, På spaning efter William Shakespeare: en kortfattad historik, Forum, Stockholm, 2008Burman, Carina, ”Att vara eller att inte vara Shakespeare”, Svenska Dagbladet, 2006-10-22Ekerwald, Carl-Göran, Shakespeare: liv och tänkesätt, Norstedt, Stockholm, 1998Friberg, Gösta & Brodin, Helena, Täcknamn Shakespeare: Edward de Veres hemliga liv, Stockholm: Bonnier, 2006Hägglund, Kent, William Shakespeare: en man för alla tider, Ordfront, Stockholm, 2006Johansson, Ulf & Bomba, Andreas (red.), Vad hände egentligen?: nytt ljus över historiens mysterier!, Det bästa [Reader's Digest], Stockholm, 1992 Hosted on Acast. See acast.com/privacy for more information.

The phrase 'the whole world is a stage was coined by William Shakespeare.. but did he even exist...and what does it really mean?

Queen Elizabeth replays a tape of her husband King Edward's band as she obsesses over his failing health. Her brother, Lord Rivers, tries to comfort her, as do her two sons from a previous marriage, Gray and Dorset. She tells them that the sons she conceived with Edward are still too young to rule, and that if her husband dies, the throne will go to Richard until the oldest son comes of age, putting her safety in jeopardy. Buckingham and Derby arrive to report that King Edward's health is improving and that he wants to make peace between Richard and Elizabeth's clans. Richard barges in with Hastings at his side, railing that he's being disrespected and that people are telling lies about him. Elizabeth does her best to defend herself against his accusation that she put Clarence in jail and that she is vying for the throne. As they argue, the old Queen Margaret arrives unseen and listens to them from outside the house, commenting bitterly to herself about how quickly power is lost. She finally confronts the group and berates Richard for the murders of her family before cursing everyone in the room, one by one. After she departs, Catesby enters to say that King Edward wants to talk to his family. Richard, left alone, celebrates his mischief, then hires two murderers to kill his brother Clarence in the Tower. There, Clarence tells Brackenbury (the jailer) about a nightmare he had in which he drowned trying to rescue Richard and was dragged down to hell. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Linlithgow Palace, set between Edinburgh and Stirling, was one of the great royal residences of the Scottish crown. It was the birthplace of Mary Queen of Scots and a favored court for the Stuart monarchs long before the Union of the Crowns in 1603. When her son, James VI of Scotland, ascended the English throne as James I—the very monarch under whom William Shakespeare's company became the King's Men—the cultural and political world of Linlithgow directly fed into the world Shakespeare inhabited and wrote for. While Shakespeare likely never visited Linlithgow himself, the palace remained symbolically important in his lifetime. In fact, when part of the palace collapsed in 1607, a formal report was sent to James—now James I of England—detailing the damage and requesting royal attention. That connection between a crumbling Scottish stronghold and an English king who patronized Shakespeare makes for a compelling link between the palace and the playwright. Admittedly, exploring Linlithgow as part of Shakespeare's world requires a slight chronological and geographical stretch—but it's a leap well worth taking. The palace was a cultural and ceremonial stage for the Scottish monarchy, and its chapel in particular would have resonated with sacred music and royal spectacle that shaped the theatricality of early modern power on both sides of the border. Today's guest, James Cook, is a scholar and musician who led a remarkable project to recreate the sound of choral music as it might have been heard at Linlithgow Palace in that very year—1512. Using a blend of historical research, vocal performance, and virtual reality technology, James and his team brought this long-lost acoustic experience back to life. In our conversation today, we'll explore Linlithgow Palace itself—its significance in the lives of Mary Queen of Scots, James VI, and Anne of Denmark—and how music played a role in shaping royal image, religious devotion, and political theater. We'll also talk with James about the recreation of the 1512 performance, how virtual reality is reshaping historical interpretation, and what it might have sounded like if you were a member of the royal household, listening to sacred music in that chapel over 500 years ago. Hosted on Acast. See acast.com/privacy for more information.

We Love You, Bunny by Mona Awad is the long-awaited return to the world of the sickeningly sweet (and maniacally maddening) clique in Bunny. Mona joined us live at B&N Union Square to talk about revisiting the Bunnies, Frankenstein, writing delusional characters, hyperfemininity, the myth of the outsider, surrealism and more with host Miwa Messer.  This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): We Love You, Bunny by Mona Awad Bunny by Mona Awad Rouge by Mona Awad Frankenstein by Mary Shelley All's Well by Mona Awad 13 Ways of Looking at a Fat Girl by Mona Awad A Clockwork Orange by Anthony Burgess Jane Eyre by Charlotte Brontë Wide Sargasso Sea by Jean Rhys Lady Oracle by Margaret Atwood The Edible Woman by Margaret Atwood The Bloody Chamber by Angela Carter The Picture of Dorian Gray by Oscar Wilde Twelfth Night by William Shakespeare  

Episode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.

RSC artistic directors Reed Martin and Austin Tichenor are directing college productions of their comedies William Shakespeare's Long Lost First Play (abridged) and The Comedy of Hamlet! (a prequel), and they discuss the differences they discover in their scripts when other actors are performing them. Reed and Austin share how different actors bring different energies; the difference between a vaudeville and a play; how directing these young actors is like looking in a mirror; and how certain things just aren't necessary when you cast more than three actors. (Length 19:37) The post Directing Our Scripts appeared first on Reduced Shakespeare Company.

We Review: One Battle After Another, Titanic, Once Upon a Time in Hollywood, Revolutionary Road, The Man in the Iron Mask, The Wolf of Wall Street, Romeo + JulietDirector Paul Thomas Anderson has teamed up with one of the biggest movie stars in the world. We review the highly anticipated new film One Battle After Another starring Leonardo DiCaprio, and then take a look at our favorite films starring Leo. Subscribe on YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@moviesshapedpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/moviesshapedpod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapters:00:00:00 Intro00:01:09 Leonardo DiCaprio Thoughts00:11:29 One Battle After Another00:55:36 Titanic01:13:28 William Shakespeare's Romeo + Juliet01:26:08 Once Upon a Time in Hollywood01:42:20 The Wolf of Wall Street01:57:08 Revolutionary Road02:06:38 The Man in the Iron Mask02:15:00 What Should He Do Next?02:18:25 Next Episode Preview & Outro

The Halloween Jack-o'-lantern, made from pumpkins in the US and originally turnips in the UK, began its existence as a wisp of glowing marsh gas or "spooklight." We begin our episode with a montage of modern American spooklights including that of Oklahoma's "Spooklight Road," North Carolina's Brown Mountain, and the flying saucers sighted in Michigan in 1966, famously identified by investigator Allen Hynek  as "swamp gas." "Jack-o'-lantern"  was just another name given to what's more widely known now as a Will-o'-the-wisp -- a wavering, bobbing light seen in marshy places, understood as mischievous spirit intent on leading travelers off course and into their doom in muck and mire.  Flaming methane produced by rotting vegetation in such environments, is said to the the cause of the phenomenon, though the mode of ignition is still largely a matter of debate. The Latin name for such lights, ignis fatuus  (ool's fire), was also applied to phenomena having nothing to do with swamps, as it's been used interchangeably with "St. Elmo's Fire" to describe electrical discharges seen on ships; masts and other rodlike protrusions when atmospheric conditions are right. We hear a dramatic first-person account from 1847, in which St. Elmo's Fire (identified by antiquarian Henry Duncan as ignis fatuus) appears on a coachman's whip during a storm. A mirage in a marsh. Coloured wood engraving by C Whymper. Gas. Contributors: Charles H Whymper (1853–1941). We then hear what scientists of the 16th and 17th century made of ignis fatuus, often relating it  unexpectedly to meteors or luminous insects, while mocking "the superstitions" who imagined it as wandering spirits alight with the flames of Purgatory. Along with marsh spirits exlusively dedicated to misleading travelers, ignis fatuus could also be a temporary  form  taken by shapeshifting fairy folk like Puck or Robin Goodfellow.  We hear an example of this from  the 1628 pamphlet, Robin Goodfellow, his Mad Pranks and Merry Jests. We also see the term appearing in literature of the 16th and 17th century as a metaphor for treachery or deception, in works by John Milton and William Shakespeare. We run through the variety of colorful regional names by which Will-o-the-Wisps were known: Bob-a-longs, Pinkets, Spunkies, Merry Dancers, Nimble men, Hinkypunks, and Flibberdigibbets, as well as some female variants including Peg-a-lantern and Kitty with the Candlestick. In Wales, these mysterious lights could be omens of death, also known as "corpse candles," or "death lights." Appearing around the home of the dying or at the deathbed, they were also called "fetch lights," as they would arrive when required to fetch the soul to the other side. In Cornwall, fool's fire is associated with the piskies, in particular Joan the Wad and her partner Jack-o'-the-Lantern, the former having acquired a mostly positive reputation in the 20th century as a luck-bringer. Mrs. Karswell also reads  some tales of ignis fatuus in the western counties, where the lights are called "hobby lanterns" (from hobgoblin) or  "lantern men." We then shift gears to discuss the pumpkin form of Jack-o'-lantern, beginning with a well-circulated Irish origin story. A quick summary: the light carried in a hollowed vegetable (a pumpkin in the New World or turnip in the Old) represents the spirit of a notorious sinner, "Jack," or "Stingy Jack," who upon death finds he is too wicked for Heaven and too troublesome for Hell. Consquently, he is condemned to wander the earth till Judgement Day, given the peculiar lantern to light his way. This, at least, is the most recent version of the tale, but when it first appeared in print, in a 1936 edition of the Dublin Penny Journal, there's no mention of any hollowed vegetable, much less of Halloween -- meaning this "ancient legend" actually evolved as Halloween folklore in the second half of the 20th century. We then do a bit more myth-busting on the other side of the Atlantic...

When gentle Hero meets the shy Claudio in this comedy by William Shakespeare, there is alas quite a bit of spice in the gumbo with Beatrice, aka Lady Tongue, and the blunt Benedick as they banter to beat the bands. Don Pedro and company arrive at Messina and go to the home of the governor, Hero's father and Beatrice's uncle, Leonata. The unsavory half-brother of Don Pedro, Don John, is, as Kate said, a contaminant and sets out to destroy happiness wherever it crops up.Notable Quotes:Beatrice: I'd rather hear my dog bark at a crow than a man swear he loves me.Claudio: Bait the hook well: this fish will bite.Benedict: That a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks; all women shall pardon me…I will live a bachelor.Friar: That what we have we prize not to the worth whiles we enjoy it; but being Jack'd and lost, why, then we rack the value…Much can be gleaned from this short play! Trust plays a part in all relationships. One's inner circle must be made up of trusted people. Don Pedro's had an unsavory character. Impulsiveness is an issue for Claudio, who believes without giving Hero a chance to defend herself. Don John knows that people tend to believe the worst, especially with a set-up visual. He stacks up the dominoes and waits for the drama to fall.Join in on the fun recapping this climactic, chaotic comedy from the Wiley Wordsmith! May blessings come to you, listeners so dear, We hope you enjoy another classic from Shakespeare!https://recapbookchat.com/

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you tap into your hidden intelligence and transform your life? The Army might be able to show you how. If you've ever wondered where such visionary creatives and decision-makers such as Steve Jobs, Vincent van Gogh, Abraham Lincoln, Maya Angelou, Nikola Tesla, Marie Curie, Albert Einstein, Warren Buffett, and William Shakespeare get their extraordinary mental abilities, join us for an intriguing talk with Angus Fletcher, professor at The Ohio State University. Researchers at Ohio State's Project Narrative in 2021 said they have an answer: primal intelligence—something that cannot be found in computers but is in humans and can be strengthened. In response, U.S. Army Special Operations incorporated primal training for its most classified units; according to Fletcher, they saw the future faster, healed more quickly from trauma, and chose more wisely in life-and-death situations. The Army then authorized trials on civilians—entrepreneurs, doctors, engineers, managers, coaches, teachers, investors, and NFL players. Their leadership and innovation reportedly improved significantly; they coped better with change and uncertainty, and they experienced less anger and anxiety. Then the Army provided primal training to college and K–12 classrooms, where it is said to have produced substantial effects in students as young as eight. Fletcher has brought this training to a wider audience in his new book Primal Intelligence: You Are Smarter Than You Know. Join us as he shares what he learned about this approach to using your brain—you just might end up thinking more like Jobs, Lincoln and Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen Coyne and Cormac McQuinn join Hugh Linehan to look back on the week in politics: · Catherine Connolly, Heather Humphreys and Jim Gavin got their campaigns into full swing this week as they got out and about to meet voters and give their pitch ahead of voting day on October 25th. And while Connolly made headlines this week when she told a fireside chat with the UCD Politics Society that she believed Germany's rearmament was like the 1930s, it will be next Monday's televised debate that will give voters a better idea of each candidate. · While the presidential election takes all the attention, it can be easy to forget that Budget 2026 is less than two weeks away. Perhaps Paschal Donohoe and Jack Chambers are enjoying the lack of scrutiny?· And Minister for Justice Jim O'Callaghan has not ruled out Ireland using deportation hubs outside EU borders, something that would have been very controversial in the not-too-distant pastPlus, the panel picks their favourite Irish Times pieces of the week:· The bizarre political karaoke of the Lib Dems party conference, the central importance of William Shakespeare's work to a proper education, and the influence of Kermit the Frog on Patrick Freyne's journalism career. Hosted on Acast. See acast.com/privacy for more information.

New portrait discoveries are always exciting, and when its a controversial figure from the reign of queen Elizabeth I and moreover one that may have been the gay lover of William Shakespeare, that's even more exciting! I am speaking of the recent discovery of a miniature by Nicholas Hilliard of Henry Wriothesley, Earl of Southampton. Today I am thrilled to welcome back art historians Emma Rutherford and Elizabeth Golding onto the podcast to discuss this miniature with me, from its highly androgynous appearance to the fact that it was deliberately defaced! Carry on listening to find out how and why!

Professor Suzannah Lipscomb engages in a captivating conversation with award-winning dramatist Liz Duffy Adams about the new Royal Shakespeare production of her play Born With Teeth, which imagines a thrilling collaboration between William Shakespeare and Christopher Marlowe. Suzannah and Liz delve into the fiery dynamics of the two men's relationship and the influence of politics on their works.Shakespeare and Marlowe existed under a time of oppressive royal censorship, when displeasing the crown would mean a trip to the Tower, or worse. How did they balance this struggle for truth and creativity amid the palpable danger?Extracts from Born With Teeth by Liz Duffy Adams, performed by Ncuti Gatwa and Edward Bluemel, courtesy of Royal Shakespeare CompanyMORE:Murder of Christopher MarloweShakespeare's Son Hamnet with Maggie O'FarrellPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Christopher Marlowe and William Shakespeare were both born in 1564, rising from working-class origins finding success in the new world of the theater. But before Shakespeare transformed English drama, Marlowe had already done so—with Tamburlaine the Great and the introduction of blank verse to the stage. As Stephen Greenblatt argues in his new biography, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, virtually everything in the Elizabethan theater can be seen as “pre- and post-Tamburlaine.” Shakespeare learned from Marlowe, borrowed from him, and even tried to outdo him. Beyond his theatrical innovation, Marlowe was a poet, provocateur, and likely spy whose turbulent life was cut tragically short. In this episode, Greenblatt explores Marlowe's audacious works, his entanglements with power and secrecy, and his lasting influence on Shakespeare and the stage. From the Shakespeare Unlimited podcast. Published September 23, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist.

Before Romeo + Juliet... Before Moulin Rouge!... Before Elvis... One Baz Luhrmann film started it all by being his FIRST... And that film is titled Strictly Ballroom. It's a charming and delightful ballroom dancing competition underdog finding yourself and falling in love kind of movie. Join us as we talk about it, and how it came to be! Plus, we get X-Files spooky again in the Mouthgarf Report and we play another round of I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Credit Card

After establishing in the previous two sonnets that he is possessed of a 'fever' that makes him 'mad' and that distorts his vision, William Shakespeare uses Sonnet 149 to further describe the effect this love for his mistress is having on him. So much is he in her thrall that no-one whom she hates he can love, no-one she admires he may disdain. Just a glance of her eyes, and he will obey. And yet, in spite of all this, she loves him not but pursues other lovers who are not so blinded by love as he.

Gdy w 1603 roku szkocki król Jakub VI przejął tron Anglii, zmieniło się życie wielu ludzi. William Shakespeare zyskał potężnego mecenasa, dzięki któremu rozkwitła sława dramaturga. Setki kobiet uznanych za czarownice zyskały zajadłego wroga, a Szkoci decyzją swojego króla zrobili pierwszy krok ku utracie własnej państwowości. Dzisiaj Szkocja coraz częściej przypomina, że w ramach Zjednoczonego Królestwa jest osobnym bytem i - kto wie - może kiedyś sięgnie o niepodległość, o czym rozmawiam z dr Patrycją Kupiec, autorką książki “Szkocja. Wędrówka przez krainę mitów i mgły” (Wydawnictwo Poznańskie).(00:00:00) Powitanie(00:00:54) Rozmowa(00:53:31) PodziękowaniaWszystkie głosy, które usłyszycie w tym odcinku należą do fizycznych, rzeczywiście istniejących osób i nie zostały wygenerowane maszynowo przez algorytmy.Audycja powstała we współpracy z Wydawnictwem Poznańskim.✅ Wspieraj Brzmienie Świata na Patronite:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patronite.pl/brzmienie-swiata⁠⁠⁠⁠FB: ⁠⁠⁠⁠⁠⁠https://www.facebook.com/brzmienieswiata⁠⁠⁠⁠IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/brzmienieswiata⁠⁠⁠⁠

“Hamnet,” Chloé Zhao’s drama about William Shakespeare’s marriage and the death of their 11-year-old son, won the People’s Choice Award at the Toronto International Film Festival on Sunday, putting it on an enviable track to Academy Awards contention. This might’ve been the biggest headline for the festival, which celebrated its 50th anniversary this year. Joining us this morning to help round up the festivities is Claudia Puig, film critic for LAist and program director for the Santa Barbara International Film Festival, and Peter Rainer, film critic for LAist and the Christian Science Monitor. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

For our season 6 finale, we have a very special episode. Tammy Takaishi originally hosted and recorded this conversation on William Shakespeare with our own Elizabeth MacDuffie, and Jack Canfora and Amrita Sen.And it has become a collaborative release between Tammy's Creative Peacemeal podcast and ours!A fun and engaging discussion on the bard. Grab a snack and a beverage and enjoy!Be sure to check out Creative Peacemeal!https://www.creativepeacemeal.com/

Joana Marques traz-nos a actriz brasileira Susana Vieira e os seus companheiros Bob Dylan, William Shakespeare e Stéphanie do Monaco.

William Shakespeare is undoubtedly one of the greatest literary geniuses of all time. Author of over 30 plays and over 150 poems, he masterfully knit together over 20,000 English words, all out inventing some 1,700 of them, to beautifully capture full ranges of complex emotions and subtle nuances of human nature that still capture audiences over 400 years later. Pretty impressive for a 16th century man from a modest family with only a grammar school education, illiterate parents, illiterate children, who never left the country, didn't seem to own any books, and has no surviving handwritten letters or documents of any kind today. So impressive, in fact, it actually raises some pretty big questions. How exactly did a man like William Shakespeare write such an impressive collection of literary masterpieces? Or didn't he? Let's fix that. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: poets.org "About William Shakespeare"Shakespeare Birthplace Trust "William Shakespeare Biography"shakespeareauthorship.com "How Do We Know That Shakespeare Wrote Shakespeare?"History Extra "The Globe Theatre Fire of 1613"Book Brunch "The British and Reading: a Short History"Shakespeare Birthplace Trust "Shakespeare's Words"History.com "10 Things You Didn't Know About William Shakespeare"Encyclopedia Britannica "William Shakespeare"biography.com "Was Shakespeare the Real Author of His Plays?"EBSCO "Shakespeare Authorship Question"Shakespeare Oxford Fellowship "How Wrote Shakespeare? Shakespeare Authorship 101"Shoot me a message!

Paul Mescal joins Backstage's In the Envelope: The Actor's Podcast to offer a rare, candid look inside his acting process. Mescal also discusses his chemistry with Josh O'Connor in "The History of Sound," playing William Shakespeare in Chloé Zhao's "Hamnet," and what it's been like during camera tests and rehearsals for Sam Mendes' four Beatles biopics, in which he'll play Paul McCartney alongside Harris Dickinson's John Lennon, Joseph Quinn's George Harrison, and Barry Keoghan's Ringo Starr. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

How does literature enrich our understanding of ourselves and of others, in ways that STEM fields and other forms of knowledge cannot? What is contained within the language of reading that you don't encounter with other art forms like painting or film?Arnold Weinstein is a Professor Emeritus of Comparative Literature at Brown University and the author of several books. His latest two publications are The Lives of Literature: Reading, Teaching, Knowing and Morning, Noon, and Night: Finding the Meaning of Life's Stages Through Books.Greg and Arnold discuss how literature offers unique and invaluable insights into the human experience, bridging historical and cultural divides. Their conversation examines the connections between literature and self-discovery, the challenges of teaching literature in a contemporary academic setting, and the enduring relevance of classic works from authors like William Faulkner, William Shakespeare, and Mark Twain. *unSILOed Podcast is produced by University FM.*Episode Quotes:Life doesn't come in disciplines01:02:54: Literature helps you see history. That philosophy, et cetera, needs a good dosage of literature, which is why we created that course and let the disciplines—not the people, the disciplines themselves—do battle with each other. And there's no obvious answer here. There's no winner or loser. But the students were confused. They wanted to get what's the right take on this. Well, has anybody ever offered the right take on reality? Universities come packaged in disciplines. Life doesn't. It doesn't. All of our major problems cannot be solved with any single discipline, including economics and, you know, and coding.Literature makes us more human09:25: It's a good workout to read literature. It makes us more generous, as being able to award the notion of humanity to other people. Because I do not think you can kill them. You cannot stamp them out if you do not think back.Why great books leave you uneasy30:13: We are supposed to exit literature course, not exactly being more confused, but more embattled in a sense to see that other ways of being, as well as other ways, other values that people might have, is a kind of absolutely basic "meat-and-potatoes" element of human life. You cannot just live in your own silo, in your own scheme, even though you are locked in it. That's the point. We cannot exit ourselves.History isn't a fairy tale40:51: If we read the books, it only tells us what we want to know, which is what we are headed towards in this society today with the current political scene. Any text that is critical of American history is considered broke and therefore removed. And I'm worried that we are going to get a generation of people who think that American history is a fairy tale, which it is not, and no amount of rhetoric can change that. That we can police and prohibit these certain kinds of texts can take over the Kennedy Center, but we cannot, in fact, change what all of that is about, which is that we are still paying the bill for the history of racism and slavery in this country. It is not solved. We can just try to put it under the rug, but it is not solved by any means. So it is in that sense that the discomfort is required. If it simply massages us, say, "oh, this is terrific," then I think we are reading the wrong book.Show Links:Recommended Resources:Harold BloomFranz KafkaThe MetamorphosisSøren KierkegaardWilliam FaulknerMark TwainAdventures of Huckleberry FinnJamesBenito CerenoBlaise PascalWilliam ShakespeareKing LearHamletOthelloIagoToni MorrisonNaked LunchGuest Profile:Profile at Brown UniversityWikipedia PageProfile at Roundtable.orgGuest Work:Amazon Author PageThe Lives of Literature: Reading, Teaching, KnowingMorning, Noon, and Night: Finding the Meaning of Life's Stages Through BooksNorthern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanA Scream Goes Through the House: What Literature Teaches Us About LifeRecovering Your Story: Proust, Joyce, Woolf, Faulkner, MorrisonNobody's Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLilloThe Great Courses - Classic Novels: Meeting the Challenge of Great Literature

The CMA nominations came out yesterday. Bobby gives his predictions on who he thinks will win based on data. Bobby shares the list of the Top 5 haunted crime scenes in the US and the origins behind them. Bobby shares why he thinks Hellen Keller’s story may have been exaggerated. Bobby asks his assistant why people think William Shakespeare wasn’t real. A listener called in to give us his own Tuesday Reviewsday and another listener tries to convince Bobby to come to the Ole Miss / Arkansas game this weekend. Carolina Roy calls in and needs to ask Bobby for a birthday favor.See omnystudio.com/listener for privacy information.

In tonight's soothing sleep hypnosis with Jessica, we're diving into the life and time's of one of the worlds' greatest poets and writers - William Shakespeare. This episode is designed to help you drift off to sleep, all whilst learning about what made William, "The Bard Of Avon". As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis. Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe 

You may know Al Letson as a journalist—he's the host of the popular investigative podcast Reveal. Before that, he created and hosted the public radio show State of the Re:Union. But Letson is also an actor, writer, playwright, and poet. His play Julius X: A Re-envisioning of The Tragedy of Julius Caesar by William Shakespeare kicks off Folger Theatre's 2025-26 season. Julius X isn't an adaptation of Julius Caesar — it's a new play that borrows from Shakespeare's language, characters, and plot to tell a different story. In Letson's play, Julius X is a fictionalized version of Malcolm X. The play mixes lines from Shakespeare with Letson's original poetry and songs. It expands the roles of Shakespeare's female characters, as well as that of Cinna the poet. Letson discusses the origin story of Julius X - a hint: it involves an audition, his lifelong love for Malcolm X, and the lessons he learned as an artist from Bill Moyers' series, The Language of Life: A Festival of Poets. From the Shakespeare Unlimited podcast. Published September 9, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Al Letson is the Peabody Award-winning host of Reveal. Born in New Jersey, he moved to Jacksonville, Florida, at age 11 and, as a teenager, began rapping and producing hip-hop records. By the early 1990s, he had fallen in love with the theater, becoming a local actor and playwright, and soon discovered slam poetry. In 2000, Letson placed third in the National Poetry Slam and performed on Russell Simmons' Def Poetry Jam, which led him to write and perform one-man shows. In Letson's travels around the country, he realized that the America he was seeing on the news was far different from the one he was experiencing up close. In 2007, he competed in the Public Radio Talent Quest, where he pitched a show called State of the Re:Union that reflected the conversations he was having throughout the US. The show ran for five seasons and won a Peabody Award in 2014. In 2015, Letson helped create and launch Reveal, the nation's first weekly investigative radio show, which has won two duPont Awards and three Peabody Awards and been a finalist for the Pulitzer Prize twice. He has also hosted the podcast Errthang; written and developed several TV shows with major networks, including AMC+'s Moonhaven and Apple TV+'s Monarch; and DC Comics recently released his series Mister Terrific: Year One.

Tonight's sleep story is Romeo and Juliet retold by Edith Nesbit. You know the story of the ill-fated lovers Romeo and Juliet, originally written by William Shakespeare. This adaptation by Edith Nesbit condenses and simplifies the story but the end remains the same. If you're still awake, the second story is Much Ado About Nothing. A story you might not be as familiar with. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Voetberg Music Academy 2025 Fall Competition Tue, Oct. 21, 2025 12:00 PM - Wed, Oct. 22, 2025 3:30 PM Join us this fall for a music competition that includes: Guitar | Fiddle | Piano | Mandolin | Ukulele Entry to the fall competition is free for VMA students. If you are not enrolled Voetberg Music Academy then we would love to have you! You can either sign up for one of our signature courses or pay a one-time $20 entry fee. Learn more information here - https://www.voetbergmusicacademy.com/2025-fall-competition - Mentioned during podcast: Mythology books - “A Severe Mercy” by Sheldon Vanauken - https://amzn.to/4g8TQtg "D'Aulaires' Book of Greek Myths" by Ingri d'Aulaire & Edgar Parin d'Aulaire - https://amzn.to/3VuvDDW Shakespeare books -"Green Tiger's Illustrated Stories from Shakespeare" by William Shakespeare - https://amzn.to/3HFIjEZ "Leon Garfield's Shakespeare Stories" by Leon Garfield - https://amzn.to/4p7Enha “Tragedies” by William Shakespeare “How to Teach Your Children Shakespeare” by Ken Ludwig - https://amzn.to/4lZ75xU

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: overflowing bookshelves + a fun way to count your finished reads Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we are bossing some more TBRs The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  .  2:29 - Ad For Ourselves 6:45 - Our Bookish Moments Of The Week 9:55 - Meredith's Floor Lamp 10:46 - “The Number of Books I've Read This Year” desktop counter from Etsy 13:06 - Our Current Reads 13:32 - A Duke Never Tells by Suzanne Enoch (Kaytee) 16:18 - Much Ado About Nothing by William Shakespeare 17:16 - The Man Made of Smoke by Alex North (Meredith)  18:32 - The Whisper Man by Alex North 22:05 - Ordinary Time by Annie B. Jones (Kaytee) 24:48 - Annie B. Jones on Instagram 25:25 - The Dark One (Vicious Lost Boys, 2) by St. Crow (Meredith)  26:13 - Peter Pan by J.M. Barrie 26:36 - The Never King (Vicious Lost Boys, 1) by Nikki St. Crow 30:07 - Shutter by Ramona Emerson (Kaytee) 34:19 - Withered Hill by David Barnett (Meredith) 37:28 - Slewfoot by Brom 38:28 - The Night Gardener by Jonathan Auxier 38:34 - Boss My TBR From Catherine Bridgewater 40:19 - Blood Sisters by Vanessa Lillie 40:21 - North Woods by Daniel Mason 40:24 - After the Crash by Michel Bussi 40:27 - What Alice Forgot by Liane Moriarty 40:29 - The Shell Seekers by Rosamund Pilcher 40:42 - Great Big Beautiful Life by Emily Henry 40:43 - Killers of the Flower Moon by David Grann From Lisa Stone 44:05 - Broken Country by Claire Leslie Hall 44:08 - My Friends by Fredrik Backman  44:10 - Run for the Hills by Kevin Wilson 44:13 - Wild Dark Shore by Charlotte McConaughy 44:17 - The Unseen World by Liz Moore 44:25 - Today Tonight Forever by Madeline Kay Sneed 44:37 - Happy Place by Emily Henry 49:36 - Meet Us At The Fountain 49:40 - I wish to become (or really, have already been) a correspondent. (Kaytee) 49:52 - The Correspondent by Virginia Evans 51:56 - I wish that for every book it had a perfume-type scent to transport you back to that particular experience of reading it. (Meredith) 52:06 - Ffern | Organic Eau de Parfum 53:40 - The Scent Keeper by Erica Bauermeister 56:35 - Chrissie on Instagram and at Sarah's Bookshelves Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. September's IPL comes to us from: Words Matter in Pitman, NJ. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!