Podcast appearances and mentions of William Shakespeare

We Love You, Bunny by Mona Awad is the long-awaited return to the world of the sickeningly sweet (and maniacally maddening) clique in Bunny. Mona joined us live at B&N Union Square to talk about revisiting the Bunnies, Frankenstein, writing delusional characters, hyperfemininity, the myth of the outsider, surrealism and more with host Miwa Messer.  This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): We Love You, Bunny by Mona Awad Bunny by Mona Awad Rouge by Mona Awad Frankenstein by Mary Shelley All's Well by Mona Awad 13 Ways of Looking at a Fat Girl by Mona Awad A Clockwork Orange by Anthony Burgess Jane Eyre by Charlotte Brontë Wide Sargasso Sea by Jean Rhys Lady Oracle by Margaret Atwood The Edible Woman by Margaret Atwood The Bloody Chamber by Angela Carter The Picture of Dorian Gray by Oscar Wilde Twelfth Night by William Shakespeare  

Episode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.

RSC artistic directors Reed Martin and Austin Tichenor are directing college productions of their comedies William Shakespeare's Long Lost First Play (abridged) and The Comedy of Hamlet! (a prequel), and they discuss the differences they discover in their scripts when other actors are performing them. Reed and Austin share how different actors bring different energies; the difference between a vaudeville and a play; how directing these young actors is like looking in a mirror; and how certain things just aren't necessary when you cast more than three actors. (Length 19:37) The post Directing Our Scripts appeared first on Reduced Shakespeare Company.

We Review: One Battle After Another, Titanic, Once Upon a Time in Hollywood, Revolutionary Road, The Man in the Iron Mask, The Wolf of Wall Street, Romeo + JulietDirector Paul Thomas Anderson has teamed up with one of the biggest movie stars in the world. We review the highly anticipated new film One Battle After Another starring Leonardo DiCaprio, and then take a look at our favorite films starring Leo. Subscribe on YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@moviesshapedpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/moviesshapedpod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapters:00:00:00 Intro00:01:09 Leonardo DiCaprio Thoughts00:11:29 One Battle After Another00:55:36 Titanic01:13:28 William Shakespeare's Romeo + Juliet01:26:08 Once Upon a Time in Hollywood01:42:20 The Wolf of Wall Street01:57:08 Revolutionary Road02:06:38 The Man in the Iron Mask02:15:00 What Should He Do Next?02:18:25 Next Episode Preview & Outro

The Halloween Jack-o'-lantern, made from pumpkins in the US and originally turnips in the UK, began its existence as a wisp of glowing marsh gas or "spooklight." We begin our episode with a montage of modern American spooklights including that of Oklahoma's "Spooklight Road," North Carolina's Brown Mountain, and the flying saucers sighted in Michigan in 1966, famously identified by investigator Allen Hynek  as "swamp gas." "Jack-o'-lantern"  was just another name given to what's more widely known now as a Will-o'-the-wisp -- a wavering, bobbing light seen in marshy places, understood as mischievous spirit intent on leading travelers off course and into their doom in muck and mire.  Flaming methane produced by rotting vegetation in such environments, is said to the the cause of the phenomenon, though the mode of ignition is still largely a matter of debate. The Latin name for such lights, ignis fatuus  (ool's fire), was also applied to phenomena having nothing to do with swamps, as it's been used interchangeably with "St. Elmo's Fire" to describe electrical discharges seen on ships; masts and other rodlike protrusions when atmospheric conditions are right. We hear a dramatic first-person account from 1847, in which St. Elmo's Fire (identified by antiquarian Henry Duncan as ignis fatuus) appears on a coachman's whip during a storm. A mirage in a marsh. Coloured wood engraving by C Whymper. Gas. Contributors: Charles H Whymper (1853–1941). We then hear what scientists of the 16th and 17th century made of ignis fatuus, often relating it  unexpectedly to meteors or luminous insects, while mocking "the superstitions" who imagined it as wandering spirits alight with the flames of Purgatory. Along with marsh spirits exlusively dedicated to misleading travelers, ignis fatuus could also be a temporary  form  taken by shapeshifting fairy folk like Puck or Robin Goodfellow.  We hear an example of this from  the 1628 pamphlet, Robin Goodfellow, his Mad Pranks and Merry Jests. We also see the term appearing in literature of the 16th and 17th century as a metaphor for treachery or deception, in works by John Milton and William Shakespeare. We run through the variety of colorful regional names by which Will-o-the-Wisps were known: Bob-a-longs, Pinkets, Spunkies, Merry Dancers, Nimble men, Hinkypunks, and Flibberdigibbets, as well as some female variants including Peg-a-lantern and Kitty with the Candlestick. In Wales, these mysterious lights could be omens of death, also known as "corpse candles," or "death lights." Appearing around the home of the dying or at the deathbed, they were also called "fetch lights," as they would arrive when required to fetch the soul to the other side. In Cornwall, fool's fire is associated with the piskies, in particular Joan the Wad and her partner Jack-o'-the-Lantern, the former having acquired a mostly positive reputation in the 20th century as a luck-bringer. Mrs. Karswell also reads  some tales of ignis fatuus in the western counties, where the lights are called "hobby lanterns" (from hobgoblin) or  "lantern men." We then shift gears to discuss the pumpkin form of Jack-o'-lantern, beginning with a well-circulated Irish origin story. A quick summary: the light carried in a hollowed vegetable (a pumpkin in the New World or turnip in the Old) represents the spirit of a notorious sinner, "Jack," or "Stingy Jack," who upon death finds he is too wicked for Heaven and too troublesome for Hell. Consquently, he is condemned to wander the earth till Judgement Day, given the peculiar lantern to light his way. This, at least, is the most recent version of the tale, but when it first appeared in print, in a 1936 edition of the Dublin Penny Journal, there's no mention of any hollowed vegetable, much less of Halloween -- meaning this "ancient legend" actually evolved as Halloween folklore in the second half of the 20th century. We then do a bit more myth-busting on the other side of the Atlantic...

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you tap into your hidden intelligence and transform your life? The Army might be able to show you how. If you've ever wondered where such visionary creatives and decision-makers such as Steve Jobs, Vincent van Gogh, Abraham Lincoln, Maya Angelou, Nikola Tesla, Marie Curie, Albert Einstein, Warren Buffett, and William Shakespeare get their extraordinary mental abilities, join us for an intriguing talk with Angus Fletcher, professor at The Ohio State University. Researchers at Ohio State's Project Narrative in 2021 said they have an answer: primal intelligence—something that cannot be found in computers but is in humans and can be strengthened. In response, U.S. Army Special Operations incorporated primal training for its most classified units; according to Fletcher, they saw the future faster, healed more quickly from trauma, and chose more wisely in life-and-death situations. The Army then authorized trials on civilians—entrepreneurs, doctors, engineers, managers, coaches, teachers, investors, and NFL players. Their leadership and innovation reportedly improved significantly; they coped better with change and uncertainty, and they experienced less anger and anxiety. Then the Army provided primal training to college and K–12 classrooms, where it is said to have produced substantial effects in students as young as eight. Fletcher has brought this training to a wider audience in his new book Primal Intelligence: You Are Smarter Than You Know. Join us as he shares what he learned about this approach to using your brain—you just might end up thinking more like Jobs, Lincoln and Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen Coyne and Cormac McQuinn join Hugh Linehan to look back on the week in politics: · Catherine Connolly, Heather Humphreys and Jim Gavin got their campaigns into full swing this week as they got out and about to meet voters and give their pitch ahead of voting day on October 25th. And while Connolly made headlines this week when she told a fireside chat with the UCD Politics Society that she believed Germany's rearmament was like the 1930s, it will be next Monday's televised debate that will give voters a better idea of each candidate. · While the presidential election takes all the attention, it can be easy to forget that Budget 2026 is less than two weeks away. Perhaps Paschal Donohoe and Jack Chambers are enjoying the lack of scrutiny?· And Minister for Justice Jim O'Callaghan has not ruled out Ireland using deportation hubs outside EU borders, something that would have been very controversial in the not-too-distant pastPlus, the panel picks their favourite Irish Times pieces of the week:· The bizarre political karaoke of the Lib Dems party conference, the central importance of William Shakespeare's work to a proper education, and the influence of Kermit the Frog on Patrick Freyne's journalism career. Hosted on Acast. See acast.com/privacy for more information.

New portrait discoveries are always exciting, and when its a controversial figure from the reign of queen Elizabeth I and moreover one that may have been the gay lover of William Shakespeare, that's even more exciting! I am speaking of the recent discovery of a miniature by Nicholas Hilliard of Henry Wriothesley, Earl of Southampton. Today I am thrilled to welcome back art historians Emma Rutherford and Elizabeth Golding onto the podcast to discuss this miniature with me, from its highly androgynous appearance to the fact that it was deliberately defaced! Carry on listening to find out how and why!

Professor Suzannah Lipscomb engages in a captivating conversation with award-winning dramatist Liz Duffy Adams about the new Royal Shakespeare production of her play Born With Teeth, which imagines a thrilling collaboration between William Shakespeare and Christopher Marlowe. Suzannah and Liz delve into the fiery dynamics of the two men's relationship and the influence of politics on their works.Shakespeare and Marlowe existed under a time of oppressive royal censorship, when displeasing the crown would mean a trip to the Tower, or worse. How did they balance this struggle for truth and creativity amid the palpable danger?Extracts from Born With Teeth by Liz Duffy Adams, performed by Ncuti Gatwa and Edward Bluemel, courtesy of Royal Shakespeare CompanyMORE:Murder of Christopher MarloweShakespeare's Son Hamnet with Maggie O'FarrellPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Trechos do livro “A Voz do Mestre”, de Khalil Gibran.Khalil Gibran (1883-1931) foi um escritor, poeta e artista libanês, conhecido por suas obras espirituais e filosóficas.Nascido na cidade de Bsharri, no Líbano, em uma família maronita cristã, Gibran emigrou com sua mãe para os Estados Unidos aos 12 anos. Lá, viveu em Boston, onde começou a explorar sua vocação artística e literária. Após estudar arte em Paris, ele combinou influências ocidentais e orientais para criar um estilo único.Gibran abordava temas universais como amor, liberdade, espiritualidade e a interconexão da humanidade. Seus textos, frequentemente escritos em linguagem poética, celebram a beleza da vida, a busca interior e a harmonia com o divino. Em O Profeta (1923), ele compartilha reflexões profundas por meio de um personagem sábio que oferece conselhos sobre aspectos da vida cotidiana, como amizade, trabalho e morte, incentivando os leitores a viver com autenticidade e propósito.Considerado o terceiro maior poeta em vendas de todos os tempos (atrás somente de Lao-Tsé e William Shakespeare), Gibran foi creditado como o responsável pelo renascimento da literatura árabe. Sua mensagem universal de amor e unidade transcendem barreiras culturais e religiosas, consolidando-o como uma voz atemporal da literatura espiritual e filosófica.

Christopher Marlowe and William Shakespeare were both born in 1564, rising from working-class origins finding success in the new world of the theater. But before Shakespeare transformed English drama, Marlowe had already done so—with Tamburlaine the Great and the introduction of blank verse to the stage. As Stephen Greenblatt argues in his new biography, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, virtually everything in the Elizabethan theater can be seen as “pre- and post-Tamburlaine.” Shakespeare learned from Marlowe, borrowed from him, and even tried to outdo him. Beyond his theatrical innovation, Marlowe was a poet, provocateur, and likely spy whose turbulent life was cut tragically short. In this episode, Greenblatt explores Marlowe's audacious works, his entanglements with power and secrecy, and his lasting influence on Shakespeare and the stage. From the Shakespeare Unlimited podcast. Published September 23, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist.

Minister for Education Helen McEntee wants works by William Shakespeare to remain compulsory for Leaving Cert English.Policymakers had proposed that it be optional for higher level students…What do you think, should it stay the way it is, or should students have a choice?Joining Andrea to discuss is Conor Murphy, English teacher in Skibbereen Community School, Dr. Ellen Howley, Assistant Professor at DCU's School of English and listeners.

Before Romeo + Juliet... Before Moulin Rouge!... Before Elvis... One Baz Luhrmann film started it all by being his FIRST... And that film is titled Strictly Ballroom. It's a charming and delightful ballroom dancing competition underdog finding yourself and falling in love kind of movie. Join us as we talk about it, and how it came to be! Plus, we get X-Files spooky again in the Mouthgarf Report and we play another round of I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Credit Card

Chocolate Yoddah reads Sonnet XXXVI.Follow Me On TikTokhttps://www.tiktok.com/@chocolate.yoddahMore at Spotifyhttps://open.spotify.com/show/0vbZEWPxCkPDV8wGJJi9Tb?si=6fb4777b363b43e9Get Uncensored Content On Patreonhttps://www.patreon.com/ThePersistentRumorFacebookhttps://www.facebook.com/ThePersistentRumorInstagramhttps://www.instagram.com/ThePersistentRumorTwitterhttps://twitter.com/PersistentRumorOriginal theme music written, produced, and performed by Chocolate Yoddah

After establishing in the previous two sonnets that he is possessed of a 'fever' that makes him 'mad' and that distorts his vision, William Shakespeare uses Sonnet 149 to further describe the effect this love for his mistress is having on him. So much is he in her thrall that no-one whom she hates he can love, no-one she admires he may disdain. Just a glance of her eyes, and he will obey. And yet, in spite of all this, she loves him not but pursues other lovers who are not so blinded by love as he.

Gdy w 1603 roku szkocki król Jakub VI przejął tron Anglii, zmieniło się życie wielu ludzi. William Shakespeare zyskał potężnego mecenasa, dzięki któremu rozkwitła sława dramaturga. Setki kobiet uznanych za czarownice zyskały zajadłego wroga, a Szkoci decyzją swojego króla zrobili pierwszy krok ku utracie własnej państwowości. Dzisiaj Szkocja coraz częściej przypomina, że w ramach Zjednoczonego Królestwa jest osobnym bytem i - kto wie - może kiedyś sięgnie o niepodległość, o czym rozmawiam z dr Patrycją Kupiec, autorką książki “Szkocja. Wędrówka przez krainę mitów i mgły” (Wydawnictwo Poznańskie).(00:00:00) Powitanie(00:00:54) Rozmowa(00:53:31) PodziękowaniaWszystkie głosy, które usłyszycie w tym odcinku należą do fizycznych, rzeczywiście istniejących osób i nie zostały wygenerowane maszynowo przez algorytmy.Audycja powstała we współpracy z Wydawnictwem Poznańskim.✅ Wspieraj Brzmienie Świata na Patronite:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patronite.pl/brzmienie-swiata⁠⁠⁠⁠FB: ⁠⁠⁠⁠⁠⁠https://www.facebook.com/brzmienieswiata⁠⁠⁠⁠IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/brzmienieswiata⁠⁠⁠⁠

“Hamnet,” Chloé Zhao’s drama about William Shakespeare’s marriage and the death of their 11-year-old son, won the People’s Choice Award at the Toronto International Film Festival on Sunday, putting it on an enviable track to Academy Awards contention. This might’ve been the biggest headline for the festival, which celebrated its 50th anniversary this year. Joining us this morning to help round up the festivities is Claudia Puig, film critic for LAist and program director for the Santa Barbara International Film Festival, and Peter Rainer, film critic for LAist and the Christian Science Monitor. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

For our season 6 finale, we have a very special episode. Tammy Takaishi originally hosted and recorded this conversation on William Shakespeare with our own Elizabeth MacDuffie, and Jack Canfora and Amrita Sen.And it has become a collaborative release between Tammy's Creative Peacemeal podcast and ours!A fun and engaging discussion on the bard. Grab a snack and a beverage and enjoy!Be sure to check out Creative Peacemeal!https://www.creativepeacemeal.com/

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Prof. Stephen Greenblatt:  Christopher Marlowe, Shakespeare's Greatest Rival Stephen Greenblatt, in conversation with Richard Wolinsky about his book Dark Renaissance: The Dangerous Times and Fatal Genius o Shakespeare's Greatest Rival, recorded September 11, 2025. Stephen Greenblatt is a literary historian and an expert on Shakespeare and the Elizabethan era. Among his other books are  Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Hamlet in Purgatory, Shakespeare's Freedom, and most recently Tyrant: Shakespeare in Politics. He is Cogan University Professor of the Humanities at Harvard University. In this interview, recorded the day after Charlie Kirk's assassination and the day before the capture of his murderer, when the American right wing had declared war on Democrats and “the left,” Stephen Greenblatt discusses political violence in Elizabethan times and today, along with his op-ed in the New York Times, “We Are Watching a Scientific Superpower Destroy Itself.” Guest Link The focus of the interview, though, is on the life and work of Christopher Marlowe (1564-1593), the playwright (Doctor Faustus, The Jew of Malta, Edward II), intellectual and spy, whose work influenced William Shakespeare and who could be called the Bard's “rival.”   Review of the national touring production of  “Shucked”  at the Curran Theatre through October 5, 2025. . The post September 18, 2025: Stephen Greenblatt: “Dark Renaissance,” the life and times of Christopher Marlowe appeared first on KPFA.

Joana Marques traz-nos a actriz brasileira Susana Vieira e os seus companheiros Bob Dylan, William Shakespeare e Stéphanie do Monaco.

William Shakespeare is undoubtedly one of the greatest literary geniuses of all time. Author of over 30 plays and over 150 poems, he masterfully knit together over 20,000 English words, all out inventing some 1,700 of them, to beautifully capture full ranges of complex emotions and subtle nuances of human nature that still capture audiences over 400 years later. Pretty impressive for a 16th century man from a modest family with only a grammar school education, illiterate parents, illiterate children, who never left the country, didn't seem to own any books, and has no surviving handwritten letters or documents of any kind today. So impressive, in fact, it actually raises some pretty big questions. How exactly did a man like William Shakespeare write such an impressive collection of literary masterpieces? Or didn't he? Let's fix that. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: poets.org "About William Shakespeare"Shakespeare Birthplace Trust "William Shakespeare Biography"shakespeareauthorship.com "How Do We Know That Shakespeare Wrote Shakespeare?"History Extra "The Globe Theatre Fire of 1613"Book Brunch "The British and Reading: a Short History"Shakespeare Birthplace Trust "Shakespeare's Words"History.com "10 Things You Didn't Know About William Shakespeare"Encyclopedia Britannica "William Shakespeare"biography.com "Was Shakespeare the Real Author of His Plays?"EBSCO "Shakespeare Authorship Question"Shakespeare Oxford Fellowship "How Wrote Shakespeare? Shakespeare Authorship 101"Shoot me a message!

In Sonnet 148, William Shakespeare develops the themes revisited with Sonnet 147 and further elaborates on his realisation that reason has abandoned him and he is therefore incapable of judging properly what he sees. Either that, or his eyes themselves are faulty, since they seem to distort what they are looking at. The conclusion he comes to, much in line with the previous sonnet, is that his defective vision stems from his love for his mistress, but he here adds the almost 'technical' but for this not at all inconsequential detail that his eyes couldn't possibly be expected to deliver a true picture to the brain of what they see, since their vision is blurred by tears, suggesting therefore that this love he feels for his mistress is tinged with sadness, sorrow, or pain.

Stephen Greenblatt, in conversation with Richard Wolinsky about his book Dark Renaissance: The Dangerous Times and Fatal Genius o Shakespeare's Greatest Rival, recorded September 11, 2025. Stephen Greenblatt is a literary historian and an expert on Shakespeare and the Elizabethan era. Among his other books are  Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Hamlet in Purgatory, Shakespeare's Freedom, and most recently Tyrant: Shakespeare in Politics. He is Cogan University Professor of the Humanities at Harvard University. In this interview, recorded the day after Charlie Kirk's assassination and the day before the capture of his murderer, when the American right wing had declared war on Democrats and “the left,” Stephen Greenblatt discusses political violence in Elizabethan times and today, along with his op-ed in the New York Times, “We Are Watching a Scientific Superpower Destroy Itself.” Guest Link The focus of the interview, though, is on the life and work of Christopher Marlowe (1564-1593), the playwright (Doctor Faustus, The Jew of Malta, Edward II), intellectual and spy, whose work influenced William Shakespeare and who could be called the Bard's “rival.” The post Stephen Greenblatt: “Dark Renaissance,” the life and times of Christopher Marlowe appeared first on KPFA.

'Macbeth' es una de las tragedias más oscuras y poderosas de William Shakespeare, sumergiendo al espectador en un mundo de ambición, brujería, locura y traición. La obra se centra en Macbeth, un valiente guerrero escocés, y su esposa Lady Macbeth, quienes, consumidos por la ambición y las profecías de tres brujas, trazan un plan para asesinar al rey Duncan y tomar el trono de Escocia. La trama se desenreda en un espiral de violencia y paranoia, con Macbeth asesinando a aquellos que sospecha que amenazan su poder, incluyendo a su amigo Banquo y la familia de su rival Macduff. A medida que el derramamiento de sangre aumenta, Macbeth se ve acosado por la culpa y las visiones, mientras que Lady Macbeth, igualmente atormentada, desciende a la locura. WILLIAM SHAKESPEARE (Stratford-upon-Avon, Warwickshire, Reino de Inglaterra, 23 de abril de 1564 - ib., 23 de abril/3 de mayo de 1616) ha sido considerado unánimemente el escritor más importante de la literatura universal. Se mantiene que nació el 23 de abril de 1564 y que fue bautizado, al día siguiente, en Stratford-upon-Avon, Warwickshire. Su llegada a Londres se ha fechado hacia 1588. Cuatro años después de su llegada a la metrópoli, ya había logrado un notable éxito como dramaturgo y actor teatral, éxito que pronto le valió el mecenazgo de Henry Wriothesley, tercer conde de Southampton. Con solo haberse dedicado a la poesía, Shakespeare ya habría pasado a la historia por poemas como Venus y Adonis, La violación de Lucrecia o los sonetos. Sin embargo, si hay un campo en el que Shakespeare realizó grandes y trascendentales logros fue en el teatro; no en vano es el responsable principal del florecimiento del teatro isabelino, uno de los mascarones de proa de la incipiente hegemonía mundial de Inglaterra. A lo largo de su carrera escribió, modificó o colaboró en decenas de obras teatrales, de las cuales podemos atribuirle plenamente treinta y ocho, que perviven en nuestros días gracias a su genio y su talento. Cuento extraído de Tragedias de Shakespeare, de 451Editores, autorizado por el autor Andrés Barba para su publicación en Historias para ser leídas. Andrés Barba, Licenciado en Filología Hispánica, es autor de la novelas 'La hermana de Katia', finalista del premio Herralde de Novela, 'Ahora tocad música del baile' y 'Versiones de Teresa', premio Torrente Ballester, así como el libro de relatos 'La recta intención'. Coautor junto a Javier Montes de 'La ceremonia del porno', premio Anagrama de ensayo, ha publicado la novela infantil 'Historia de nadas', y el poemario en prosa 'Libro de las caídas'. Ilustración by Scott McKowen Narración y sonido Olga Paraíso https://instabio.cc/Hleidas Apertura Las tres brujas La Tragedia de Shakespeare, ACTO 1. Música Epidemic Sound con licencia premium para este podcast Cierre opera Verdi, Eva Rydén swedish soprano sing "Ambizioso spirto...Vienni t´affretta" from the opera Macbeth - Verdi. Hay nombres que no conviene pronunciar en voz alta. Nombres que cargan con siglos de sombras y supersticiones. Entre ellos, uno en particular: Macbeth. Shakespeare escribió esta tragedia hacia 1606, y con ella puso en escena no solo la ambición y la sangre de un noble escocés, sino también los susurros de tres brujas que, dicen, hablaban con un lenguaje demasiado verdadero. Hechizos reales, robados a quienes no perdonan la profanación. Desde entonces, la obra arrastra un halo maldito. Se cuenta que cada vez que alguien osa pronunciar su título dentro de un teatro, la desgracia acecha. Para evitarlo, existe un ritual: salir, girar tres veces sobre sí mismo, escupir al suelo, lanzar una blasfemia y pedir permiso para volver a entrar. ¿Exageración? Quizá. Pero en los pasillos oscuros del teatro, donde la ficción y la realidad se rozan, más de un actor prefiere no tentar al destino. Y ahora, abramos el telón de esta tragedia… ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!!🚀 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Tap into your hidden intelligence and transform your lifeHow are some people so much smarter than the rest of us? Where do visionary creatives and savvy decision-makers like Vincent van Gogh, Steve Jobs, Abraham Lincoln, Maya Angelou, Nikola Tesla, Marie Curie, Albert Einstein, Wayne Gretzky, Warren Buffett, and William Shakespeare get their extraordinary mental abilities?In 2021, researchers at Ohio State's Project Narrative, renowned for collaborations with NASA, Hollywood, and Silicon Valley, announced they had the answer. They named it Primal Intelligence. And they published scientific proof that Primal Intelligence was impossible for computers—but could be strengthened in humans.Intrigued, U.S. Army Special Operations developed Primal training for its most classified units. The training succeeded. The Operators saw the future faster. They healed quicker from trauma. In life-and-death situations, they chose wiser.The Army then authorized trials on civilian entrepreneurs, doctors, engineers, managers, salesforces, coaches, teachers, investors, and NFL players. Their leadership and innovation improved significantly. They coped better with change and uncertainty. They experienced less anger and anxiety. Finally, the Army provided Primal training to college and K-12 classrooms. It produced substantial effects in students as young as eight.That revolutionary training is now available for the first time in this book. It's not an optimization hack or a cheat code. It's a different way of using your brain. It offers a new neuroscientific approach to intuition, imagination, emotion, and commonsense, helping you think more like van Gogh and Jobs, Lincoln and Shakespeare.It's your edge over AI. Your human genius. Your Primal Intelligence.Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peculiarbookclub.com/⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://eepurl.com/ixJJ2Y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/PeculiarBookClub/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PeculiarBookClub/streams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peculiarbookclub.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/peculiarbooksclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepeculiarbookclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Dan loges delivers the latest entertainment news on:- New film starring Leonardo DiCaprio called one of the greatest films of the decade.- Mark David Chapman denied parole for a 14th time.- Paul mescal addresses great art coming from tragedy in his new film focusing on William Shakespeare's life.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025 This week we are celebrating 20 years of Stage Experience the Youth Theatre Company at the Alexandra Theatre in Birmingham with their production of ‘West Side Story' through the talents of the young performers with description by Professional Audio describer Remy Lloyd. About Stage Experience and their production of ‘West Side Story'. Stage Experience, the Youth Theatre Company based at the Alexandra Theatre in Birmingham celebrate their 20th anniversary with the iconic musical, West Side Story. Inspired by William Shakespeare's Romeo & Juliet, West Side Story is not only one of the greatest love stories of all time, but it also features a stirring score by Leonard Bernstein and Stephen Sondheim including Tonight, I Feel Pretty, Maria and America. Tony and Maria are two star crossed lovers, caught between warring street gangs. Will their love conquer the bitter Sharks and Jets rivalry or will it all end in tragedy? With dazzling dance, mesmerising music and a sizzling storyline, get ready to see the stars of the future shine on stage. Based on a conception of Jerome Robbins. Book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim. Entire original production directed and choreographed by Jerome Robbins. Originally produced on Broadway by Robert E. Griffith and Harold S. Prince, by arrangement with Roger L. Stevens. This amateur production is presented by arrangement with Music Theatre International.  You will find more about Stage Experience at the Alexandra Theatre on their Facebook page which can be found on the following link or by searching for them on Facebook - https://www.facebook.com/alexandrastageex?locale=en_GB  (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Paul Mescal joins Backstage's In the Envelope: The Actor's Podcast to offer a rare, candid look inside his acting process. Mescal also discusses his chemistry with Josh O'Connor in "The History of Sound," playing William Shakespeare in Chloé Zhao's "Hamnet," and what it's been like during camera tests and rehearsals for Sam Mendes' four Beatles biopics, in which he'll play Paul McCartney alongside Harris Dickinson's John Lennon, Joseph Quinn's George Harrison, and Barry Keoghan's Ringo Starr. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

How does literature enrich our understanding of ourselves and of others, in ways that STEM fields and other forms of knowledge cannot? What is contained within the language of reading that you don't encounter with other art forms like painting or film?Arnold Weinstein is a Professor Emeritus of Comparative Literature at Brown University and the author of several books. His latest two publications are The Lives of Literature: Reading, Teaching, Knowing and Morning, Noon, and Night: Finding the Meaning of Life's Stages Through Books.Greg and Arnold discuss how literature offers unique and invaluable insights into the human experience, bridging historical and cultural divides. Their conversation examines the connections between literature and self-discovery, the challenges of teaching literature in a contemporary academic setting, and the enduring relevance of classic works from authors like William Faulkner, William Shakespeare, and Mark Twain. *unSILOed Podcast is produced by University FM.*Episode Quotes:Life doesn't come in disciplines01:02:54: Literature helps you see history. That philosophy, et cetera, needs a good dosage of literature, which is why we created that course and let the disciplines—not the people, the disciplines themselves—do battle with each other. And there's no obvious answer here. There's no winner or loser. But the students were confused. They wanted to get what's the right take on this. Well, has anybody ever offered the right take on reality? Universities come packaged in disciplines. Life doesn't. It doesn't. All of our major problems cannot be solved with any single discipline, including economics and, you know, and coding.Literature makes us more human09:25: It's a good workout to read literature. It makes us more generous, as being able to award the notion of humanity to other people. Because I do not think you can kill them. You cannot stamp them out if you do not think back.Why great books leave you uneasy30:13: We are supposed to exit literature course, not exactly being more confused, but more embattled in a sense to see that other ways of being, as well as other ways, other values that people might have, is a kind of absolutely basic "meat-and-potatoes" element of human life. You cannot just live in your own silo, in your own scheme, even though you are locked in it. That's the point. We cannot exit ourselves.History isn't a fairy tale40:51: If we read the books, it only tells us what we want to know, which is what we are headed towards in this society today with the current political scene. Any text that is critical of American history is considered broke and therefore removed. And I'm worried that we are going to get a generation of people who think that American history is a fairy tale, which it is not, and no amount of rhetoric can change that. That we can police and prohibit these certain kinds of texts can take over the Kennedy Center, but we cannot, in fact, change what all of that is about, which is that we are still paying the bill for the history of racism and slavery in this country. It is not solved. We can just try to put it under the rug, but it is not solved by any means. So it is in that sense that the discomfort is required. If it simply massages us, say, "oh, this is terrific," then I think we are reading the wrong book.Show Links:Recommended Resources:Harold BloomFranz KafkaThe MetamorphosisSøren KierkegaardWilliam FaulknerMark TwainAdventures of Huckleberry FinnJamesBenito CerenoBlaise PascalWilliam ShakespeareKing LearHamletOthelloIagoToni MorrisonNaked LunchGuest Profile:Profile at Brown UniversityWikipedia PageProfile at Roundtable.orgGuest Work:Amazon Author PageThe Lives of Literature: Reading, Teaching, KnowingMorning, Noon, and Night: Finding the Meaning of Life's Stages Through BooksNorthern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanA Scream Goes Through the House: What Literature Teaches Us About LifeRecovering Your Story: Proust, Joyce, Woolf, Faulkner, MorrisonNobody's Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLilloThe Great Courses - Classic Novels: Meeting the Challenge of Great Literature

Send us a text The Greatest of Them All - Part 1Now when I first decided to have a series of podcast episodes dealing with what I believe are the 25 most influential writers, it seemed easiest and most effective to have one episode for each writer. But I soon found that William Shakespeare easily deserved several episodes - so I'm going to devote two episodes to Shakespeare because of his importance to the English language and creativity -still fully realizing that's not enough.Anyway, If you visit Stratford-upon-Avon today, the first thing you'll hear is that William Shakespeare was born in 1564. We don't actually know the exact day, but we do know he was baptized on April 26th at Holy Trinity Church. Since baptisms usually happened a few days after birth, tradition has settled on April 23rd — St. George's Day — as Shakespeare's birthday. A fitting coincidence, since St. George is England's patron saint and Shakespeare would become its greatest poet.He was the son of John Shakespeare, a glove maker and part-time wool dealer who rose to become an alderman in the town, and Mary Arden, who came from a well-off farming family. That gave young Will a household connected both to trade and to old Warwickshire landowners.Like many boys of his station, he probably attended the King's New School in Stratford. The curriculum would have been heavy on Latin, rhetoric, and the classics. Day after day, he would have been drilled in the works of Ovid, Seneca, and Plautus. Later, echoes of those schoolroom authors would resurface in his plays — Pyramus and Thisbe in A Midsummer Night's Dream, the Roman senators in Julius Caesar.Support the showThank you for experiencing Celebrate Creativity.

The CMA nominations came out yesterday. Bobby gives his predictions on who he thinks will win based on data. Bobby shares the list of the Top 5 haunted crime scenes in the US and the origins behind them. Bobby shares why he thinks Hellen Keller’s story may have been exaggerated. Bobby asks his assistant why people think William Shakespeare wasn’t real. A listener called in to give us his own Tuesday Reviewsday and another listener tries to convince Bobby to come to the Ole Miss / Arkansas game this weekend. Carolina Roy calls in and needs to ask Bobby for a birthday favor.See omnystudio.com/listener for privacy information.

In tonight's soothing sleep hypnosis with Jessica, we're diving into the life and time's of one of the worlds' greatest poets and writers - William Shakespeare. This episode is designed to help you drift off to sleep, all whilst learning about what made William, "The Bard Of Avon". As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis. Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe 

The CMA nominations came out yesterday. Bobby gives his predictions on who he thinks will win based on data. Bobby shares the list of the Top 5 haunted crime scenes in the US and the origins behind them. Bobby shares why he thinks Hellen Keller’s story may have been exaggerated. Bobby asks his assistant why people think William Shakespeare wasn’t real. A listener called in to give us his own Tuesday Reviewsday and another listener tries to convince Bobby to come to the Ole Miss / Arkansas game this weekend. Carolina Roy calls in and needs to ask Bobby for a birthday favor.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

You may know Al Letson as a journalist—he's the host of the popular investigative podcast Reveal. Before that, he created and hosted the public radio show State of the Re:Union. But Letson is also an actor, writer, playwright, and poet. His play Julius X: A Re-envisioning of The Tragedy of Julius Caesar by William Shakespeare kicks off Folger Theatre's 2025-26 season. Julius X isn't an adaptation of Julius Caesar — it's a new play that borrows from Shakespeare's language, characters, and plot to tell a different story. In Letson's play, Julius X is a fictionalized version of Malcolm X. The play mixes lines from Shakespeare with Letson's original poetry and songs. It expands the roles of Shakespeare's female characters, as well as that of Cinna the poet. Letson discusses the origin story of Julius X - a hint: it involves an audition, his lifelong love for Malcolm X, and the lessons he learned as an artist from Bill Moyers' series, The Language of Life: A Festival of Poets. From the Shakespeare Unlimited podcast. Published September 9, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Al Letson is the Peabody Award-winning host of Reveal. Born in New Jersey, he moved to Jacksonville, Florida, at age 11 and, as a teenager, began rapping and producing hip-hop records. By the early 1990s, he had fallen in love with the theater, becoming a local actor and playwright, and soon discovered slam poetry. In 2000, Letson placed third in the National Poetry Slam and performed on Russell Simmons' Def Poetry Jam, which led him to write and perform one-man shows. In Letson's travels around the country, he realized that the America he was seeing on the news was far different from the one he was experiencing up close. In 2007, he competed in the Public Radio Talent Quest, where he pitched a show called State of the Re:Union that reflected the conversations he was having throughout the US. The show ran for five seasons and won a Peabody Award in 2014. In 2015, Letson helped create and launch Reveal, the nation's first weekly investigative radio show, which has won two duPont Awards and three Peabody Awards and been a finalist for the Pulitzer Prize twice. He has also hosted the podcast Errthang; written and developed several TV shows with major networks, including AMC+'s Moonhaven and Apple TV+'s Monarch; and DC Comics recently released his series Mister Terrific: Year One.

This week, we explore the legacy of Shakespeare's wife, Anne Hathaway, through the only epitaph in the Shakespeare family plot that's written in Latin and engraved on brass. Our guest, Katherine Scheil, walks us through the historical significance of Anne's burial placement, the meaning behind the poetic language of her epitaph, and what these choices tell us about Anne's relationship with her daughters, with William Shakespeare, and with the 17th-century culture of commemoration. Hosted on Acast. See acast.com/privacy for more information.

Episode 185:For today's guest episode it's a warm welcome to the podcast for Christine and Jonathan Hainsworth, co-authors of the recently published book ‘The Shakespeare Ladies Club'.Their book explores the lives of four ladies who were crucial in ensuring the original work of Shakespeare was not forgotten in the 18th Century and beyond. In 1736, these three ladies of quality, two from the aristocracy and one a writer who ran a stationery shop, formed the ‘Shakespeare Ladies Club'. All three were so enraptured by the plays of William Shakespeare that they met to read and discuss his them and his genius. Not content with this, they used their power and influence to campaign for a statue of their literary idol to be placed in Westminster Abbey. They were successful in that endeavour, but their role in these achievements has never been properly recognised. Along with other scholars Christine and Johnathn's book is part of the process of putting that right. It is a very entertaining and informative read that I thoroughly enjoyed as I hope you will our conversation with just a taster of some of the details Christine and Jonathan have revealed.Christine and Jonathan Hainsworth live in Adelaide, South Australia and have a passion for historical investigation and challenging the 'conventional wisdom' regarding famous historical subjects.Christine spent several decades working for the Australian government in social services. Her work on a program to re-connect lone parents with training, education and employment opportunities gave her a unique insight into family and societal challenges.Jonathan was educated in Britain and Australia and has over thirty years of experience as a high school teacher of Modern and Ancient History, and English Literature. He is a graduate of The University of Adelaide and the University of South Australia.Link to Christine and Jonathan's website: https://hainsworthwardagius.comLink to The Shakespeare Ladies Club on Amberley Publishing: https://www.amberley-books.comLink to The Shakespeare Ladies Club on Amazon UK: https://www.amazon.co.uk/Shakespeare-Ladies-Club-Forgotten-Rescued/dp/1398127442/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

In Sonnet 147, William Shakespeare brings together two themes that have agitated him before: firstly the at the time fairly commonplace notion of love – and, more to the point, desire – as a disease that weakens the mind to the point of an irrational madness and afflicts the body in a similarly stark fashion, and secondly the ways in which his mistress deviates from the ordinarily praised ideal of beauty. The sonnet therefore returns the series firmly and identifiably to the 'Dark Lady' and the effect she is having on our poet in an unequivocally physical manner, leaving behind the reflections on the soul of the previous sonnet and concerning itself once more with his lust for someone he knows – or at the very least declares – to be neither traditionally beautiful nor morally sound.

Tonight's sleep story is Romeo and Juliet retold by Edith Nesbit. You know the story of the ill-fated lovers Romeo and Juliet, originally written by William Shakespeare. This adaptation by Edith Nesbit condenses and simplifies the story but the end remains the same. If you're still awake, the second story is Much Ado About Nothing. A story you might not be as familiar with. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Richard III is an early history play probably written and performed around 1592-93. It is the culmination of Shakespeare's earlier three plays about Henry VI, and chronicles the bloody career of Richard, Duke of Gloucester. As the play opens, the Wars of the Roses are over, King Edward IV (Richard's brother) is on the throne, and all is ostensibly well. But Richard wants to be king - and he'll stop at nothing to realize his ambition. This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Richard III is an early history play probably written and performed around 1592-93. It is the culmination of Shakespeare's earlier three plays about Henry VI, and chronicles the bloody career of Richard, Duke of Gloucester. As the play opens, the Wars of the Roses are over, King Edward IV (Richard's brother) is on the throne, and all is ostensibly well. But Richard wants to be king - and he'll stop at nothing to realize his ambition. This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Richard III is an early history play probably written and performed around 1592-93. It is the culmination of Shakespeare's earlier three plays about Henry VI, and chronicles the bloody career of Richard, Duke of Gloucester. As the play opens, the Wars of the Roses are over, King Edward IV (Richard's brother) is on the throne, and all is ostensibly well. But Richard wants to be king - and he'll stop at nothing to realize his ambition. This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

To be (in this movie) or not to be (in this movie)... that is the question Robin Williams must ask himself as he joins back up with Kenneth Branagh for a short and quick role in his 1996 epic cinematic adaptation of William Shakespeare's Hamlet.

As PMQs kick off today after the summer recess, Deputy Prime Minister Angela Rayner has admitted that she did not pay enough tax when buying her new flat and has referred herself for investigation. She said she received incorrect legal advice that led to her paying less stamp duty. In other news, Chancellor Rachel Reeves announced when this year's autumn budget will happen - and is under pressure to improve public finances. The Standard's Chief Political Correspondent Rachael Burford joins us with the latest. And in part two, The Standard's Theatre Critic Nick Curtis reviews Born with Teeth, a sizzling new chamber play from the Royal Shakespeare Company, which is currently showing at London's Wyndham Theatre, featuring Ncuti Gatwa and Edward Bluemal, as Elizabethan playwrights Kit Marlowe and William Shakespeare. Hosted on Acast. See acast.com/privacy for more information.

Voetberg Music Academy 2025 Fall Competition Tue, Oct. 21, 2025 12:00 PM - Wed, Oct. 22, 2025 3:30 PM Join us this fall for a music competition that includes: Guitar | Fiddle | Piano | Mandolin | Ukulele Entry to the fall competition is free for VMA students. If you are not enrolled Voetberg Music Academy then we would love to have you! You can either sign up for one of our signature courses or pay a one-time $20 entry fee. Learn more information here - https://www.voetbergmusicacademy.com/2025-fall-competition - Mentioned during podcast: Mythology books - “A Severe Mercy” by Sheldon Vanauken - https://amzn.to/4g8TQtg "D'Aulaires' Book of Greek Myths" by Ingri d'Aulaire & Edgar Parin d'Aulaire - https://amzn.to/3VuvDDW Shakespeare books -"Green Tiger's Illustrated Stories from Shakespeare" by William Shakespeare - https://amzn.to/3HFIjEZ "Leon Garfield's Shakespeare Stories" by Leon Garfield - https://amzn.to/4p7Enha “Tragedies” by William Shakespeare “How to Teach Your Children Shakespeare” by Ken Ludwig - https://amzn.to/4lZ75xU

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: overflowing bookshelves + a fun way to count your finished reads Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we are bossing some more TBRs The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  .  2:29 - Ad For Ourselves 6:45 - Our Bookish Moments Of The Week 9:55 - Meredith's Floor Lamp 10:46 - “The Number of Books I've Read This Year” desktop counter from Etsy 13:06 - Our Current Reads 13:32 - A Duke Never Tells by Suzanne Enoch (Kaytee) 16:18 - Much Ado About Nothing by William Shakespeare 17:16 - The Man Made of Smoke by Alex North (Meredith)  18:32 - The Whisper Man by Alex North 22:05 - Ordinary Time by Annie B. Jones (Kaytee) 24:48 - Annie B. Jones on Instagram 25:25 - The Dark One (Vicious Lost Boys, 2) by St. Crow (Meredith)  26:13 - Peter Pan by J.M. Barrie 26:36 - The Never King (Vicious Lost Boys, 1) by Nikki St. Crow 30:07 - Shutter by Ramona Emerson (Kaytee) 34:19 - Withered Hill by David Barnett (Meredith) 37:28 - Slewfoot by Brom 38:28 - The Night Gardener by Jonathan Auxier 38:34 - Boss My TBR From Catherine Bridgewater 40:19 - Blood Sisters by Vanessa Lillie 40:21 - North Woods by Daniel Mason 40:24 - After the Crash by Michel Bussi 40:27 - What Alice Forgot by Liane Moriarty 40:29 - The Shell Seekers by Rosamund Pilcher 40:42 - Great Big Beautiful Life by Emily Henry 40:43 - Killers of the Flower Moon by David Grann From Lisa Stone 44:05 - Broken Country by Claire Leslie Hall 44:08 - My Friends by Fredrik Backman  44:10 - Run for the Hills by Kevin Wilson 44:13 - Wild Dark Shore by Charlotte McConaughy 44:17 - The Unseen World by Liz Moore 44:25 - Today Tonight Forever by Madeline Kay Sneed 44:37 - Happy Place by Emily Henry 49:36 - Meet Us At The Fountain 49:40 - I wish to become (or really, have already been) a correspondent. (Kaytee) 49:52 - The Correspondent by Virginia Evans 51:56 - I wish that for every book it had a perfume-type scent to transport you back to that particular experience of reading it. (Meredith) 52:06 - Ffern | Organic Eau de Parfum 53:40 - The Scent Keeper by Erica Bauermeister 56:35 - Chrissie on Instagram and at Sarah's Bookshelves Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. September's IPL comes to us from: Words Matter in Pitman, NJ. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Next Chapter Podcasts presents the complete Play On Podcast series, Timon of Athens, in its entirety. The PLAY ON PODCAST SERIES, “TIMON OF ATHENS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. All episodes were directed by ANDY WOLK.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   ANTHONY COCHRANE  as                TIMON POOYA MOHSENI           as                FLAVIA KEVIN KILNER                 as                ALCIBIADES JASON KRAVITS             as                APEMANTUS ABIGAIL ONWUNALI      as                VENTIDIA, TIMANDRA and SENATOR 1 MICHAEL LUWOYE         as                OLD ATHENIAN, CAPHIS, and SENATOR 2 BARZIN AKHAVAN         as                THE PAINTER and LUCULLUS NADINA HASSAN            as                THE POET and LUCRETIA HASSIEM MUHAMMAD  as                MERCHANT, ISIDORE, and THIEF #1 GREGG MOZGALA         as                LUCILIUS, SEMPRONIUS, and THIEF #2 DORCAS LEUNG             as                JEWELER, CUPID, VARRO and PHRYNIA   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition by LAWRENCE SHRAGGE. Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “TIMON OF ATHENS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The rich are never satisfied.” Learn more about your ad choices. Visit megaphone.fm/adchoices

With his solemn, near pious, Sonnet 146, William Shakespeare for the first and only time speaks directly to his soul and entreats it to look after itself; to stop expending its energy on the pursuit of outward, physical adornments which are all doomed to swift decay – effectively starving and weakening itself whilst feeding and strengthening the gluttonous body that is only meant to house it and that will soon succumb to death – and to instead let go of material riches and with the 'return' from 'selling' them, 'purchase' something infinitely more valuable: eternal life in concord with, and on the terms ordained by, God.The poem makes no mention, nor does it allude to or reference indirectly, any lover, mistress, or wife, nor love itself, or sex. This, too, makes it unique in the collection. As does its close alignment with a Christian notion of redemption through spiritual nurture at the expense of, and in preference to, physical or material gratification. 

The Senators arrive at Timon's cave to beg forgiveness in exchange for funds. Flavia implores her master to let her serve him. Timon writes his epitaph. Alcibiades storms Athens gates and negotiates terms for the city's surrender. The PLAY ON PODCAST SERIES, “TIMON OF ATHENS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. All episodes were directed by ANDY WOLK.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   ANTHONY COCHRANE  as                TIMON POOYA MOHSENI           as                FLAVIA KEVIN KILNER                 as                ALCIBIADES JASON KRAVITS             as                APEMANTUS ABIGAIL ONWUNALI      as                VENTIDIA, TIMANDRA and SENATOR 1 MICHAEL LUWOYE         as                OLD ATHENIAN, CAPHIS, and SENATOR 2 BARZIN AKHAVAN         as                THE PAINTER and LUCULLUS NADINA HASSAN            as                THE POET and LUCRETIA HASSIEM MUHAMMAD  as                MERCHANT, ISIDORE, and THIEF #1 GREGG MOZGALA         as                LUCILIUS, SEMPRONIUS, and THIEF #2 DORCAS LEUNG             as                JEWELER, CUPID, VARRO and PHRYNIA   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition by LAWRENCE SHRAGGE. Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “TIMON OF ATHENS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The rich are never satisfied.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dean's List with Host Dean Bowen – National Council of Teachers of English believe that if parents would stop censoring their book choices, they could finally get rid of all literature written by old white men. The organization is upset because the list of the most frequently used literature books hasn't changed in the past 35 years. According to the survey, William Shakespeare's Romeo and Juliet is the most...