Podcast appearances and mentions of Don Newton

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Andy and Mike are back and this time they are looking at stories from two different decades but written by the same writer. Doug Moench had two distinct runs on Batman. In the eighties he followed Gerry Conway on Dark Knight writing duties and continued the "Triangle Era before the Triangle Era and without triangles" storytelling style by working on both Batman and Detective Comics. He left the book after Batman #400, but came back to the Batman title in the early nineties just before Knightfall. He would stay on that title until No Mans Land and is one of the rare Bat writers to leave the character and then return. First up on the docket is Batman #367 and Detective Comics #534, which has a pre-Crisis and even pre-Robin Jason Todd dressed in a fancy costume helping the Batman as he battles Poison Ivy. It's a standard Ivy plot for the time, but this doesn't stop these issues from being entertaining. The guys talk about how skimpy Poison Ivy's outfit is, the very seventies television/Hammer Horror feel to the story, the subplots, and the differences between Don Newton and Gene Colan's art. Then they jump forward to 1995 and talk about Batman #525, which was an Underworld Unleased crossover issue. Not that you would be able to tell that as it has nearly nothing to do with the larger event going on. The story focuses on Mister Freeze and his Underworld Unleashed upgrade, but the bulk of the commentary is about Kelly Jones's art. Mike was not the biggest fan of Kelly's style back in 1995, but that has changed in a big way over the past three decades. It may not seem like it, but Andy and Mike do like feedback even if they are crap at getting to it. The most direct way to do this is to email them, which you can do by directing your thoughts to overlookeddarkknight@gmail.com. You can also leave a comment over on their Facebook page. You can also leave a comment at the new web home of the show, The Bailey Planet. Next Time: Andy and Mike jump back to the early nineties and talk about Venom. Not the Spider-Man villain, but a storyline fromBatman: Legends of the Dark Knight that would later become important to the Knightfall storyline.

Join us as we catch up with all the latest happenings with the Phantom from around the world in the month of October 2024. This podcast is truly international as we fly around dissecting Phantom related news from Sweden, Germany, Finland, Italy and Ukraine then review the latest Daily and Sunday newspaper stories and review comics from Australia, Sweden, Germany and USA.We love comments and feedback from the Phantom phans from around the world. At the bottom of the article, we list some talking points we would love to have your input on.Below is a timeline of what we discussedDaily & Sunday Newspaper story progressDaily 266 "The Avarice has Landed": 6 Mins, 30 SecsSunday 195 "The Princess of Songhai": 19 Mins, 30 SecsTony DePaul's blog post about the start of this adventurePhantom comicsFrew Comics (Australia)"The Mystery of the Mali Ibex" (Frew #1980): 30 Mins, 30 Secs"The Coast of Chains" (Frew #1981): 40 Mins, 30 Secs"Operation Domino: Silent Running Chapter Four" and "Operation Domino: The Irregulars Chapter Five"  (Frew 1981): 50 Mins, 45 SecsMad Cave Studios (USA)Defenders of the Earth #2: 1 Hour, 30 SecsEgmont (Sweden)Fantomen 20-2024: 1 Hour, 6 Mins, 30 SecsFantomen 21-2024: 1 Hour, 10 Mins, 30 SecsWick & Zauberstern (German)Wick #8: 1 Hour, 14 MinsZauberstern #14: 1 HourPhantom news Zack Edition release Phantom series (link): 1 Hour, 22 MinsEditoriale Cosmo Italian book out: 1 Hour, 24 MinsFantomet 2024 Album out 8th Nov (link): 1 Hour, 25 MinsArki Design merch now out for sale (link): 1 Hour, 28 MinsSwedish Fantomen Subscription towel (link): 1 Hour, 34 MinsPhantom playset by ElastoWit (link): 1 Hour, 37 MinsWe would love to have your input on the following topics:What would you like to see us do for our 300th episode?Are you enjoying the AI subject with the current daily story "The Avarice has Landed"?Do you think the humanoid looks like the real life Elon Musk?Do you like your Phantom stories featuring current and future technology?Do you agree that it is best for Frew not to print black and white versions of Don Newton stories?Do you see this Operation Domino storyline happening before the Phantom Goes to War Lee Falk story if it was happening in chronological order?Do you like the idea of these publishers from around the world creating books featuring their local countrymen stories?Will you be purchasing any of the Finnish products? Would you like to see Frew and or PhantomsVault sell them?Would you buy a Fantomen subscription just for the freebie of the beach towel?Make sure you stay with us and do not forget to subscribe and leave a review on our podcast.Support the show

Crónicas Superheroicas #2.13 SHAZAM!: LA FAMILIA MARVEL LLEGA A DC Con Patricio López Tobares En 1973, DC trajo de vuelta a uno de los superhéroes más queridos de todos los tiempos: el Capitán Marvel. Después de una pausa de publicación de veinte años, el popular héroe de la Edad de Oro (apodado "El Gran Queso Rojo" por su archienemigo el Dr. Sivana) regresó con fuerza para una serie de aventuras completamente nuevas. DC le dio vuelo a su nueva franquicia con autores como Denny O'Neil, Elliot S! Maggin, E.Nelson Bridwell, Kurt Schaffenberger, Don Newton y el regreso de su dibujante original: C.C. Beck. Con una mágica palabra...Shazam! Pueden leer todas las Crónicas Superheroicas en ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ o ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.

Welcome back to The Overlooked Dark Knight, the podcast that shines a light on Batman stories hardly anyone talks about! This time out Andy and Mike cover two comics that have been released as facsimile editions over the past few years because the guys really love them. After a brief introduction where Andy and Mike blame each other for life decisions they dig into Batman #181, which was the first appearance of Poison Ivy. Then, after some podcast promos and vintage commercials and PSAs, they look at Batman #357, which was not only the first appearance of Killer Croc but also had a blink and you'll miss it first appearance of Jason Todd. Seriously. He's in like one panel. It's barely an appearance. Along the way the guys talk about why they love facsimile editions so much, Doctor Who, whether Robin is old enough to fancy a woman, the logistics of jumping out of a helicopter with a parachute, the brilliance of Don Newton and Alfredo Alcala's artwork, and much, much more! Shows promoted in this episode include... The Bat-Pod, hosted by Bill Bere and J. David Weter Batman Family Reunion, hosted by Paul Klein and Shawn M. Meyers Andy and Mike want your feedback on this episode so they can read it on an upcoming show!  You even have options in how you leave your feedback.  The most direct way is to leave a comment right here on the site.  You can also send all questions, concerns, fears and trepidations to overlookeddarkknight@gmail.com.  Then there' the Facebook page, where you can also leave a Batman related question for Andy and Mike to answer at the beginning of the show.  If you talk about this show on the social medias please include a #overlookeddk so the guys know where to find it. The opening and closing theme for the show is Superhero Intro by Stringer Bell and taken from the royalty free site Pixma Bay. Next Time: Something involving Batman!

The complete version of this episode is available to Patrons who support us at the $4/month level at patreon.com/marvelbythemonth — join today to hear us cover all of these issues:"Games Godlings Play!" - Giant-Size Defenders #3, written by Steve Gerber, Jim Starlin, and Len Wein, art by Jim Starlin, Dan Adkins, Don Netwon, and Jim Mooney, letters by Charlotte Jetter, colors by Glynis Wein, ©1974 Marvel Comics"Mind Tap!" - Daredevil #117, written by Chris Claremont and Steve Gerber, art by Bob Brown and Vince Colletta, letters by Dave Hunt, colors by Petra Goldberg, ©1974 Marvel Comics"A Spectre From the Past!" - Thor #231, written by Gerry Conway, art by John Buscema and Dick Giordano, letters by John Costanza, colors by Petra Goldberg, ©1974 Marvel Comics"Batroc and Other Assassins" - Marvel Premiere #20, written by Tony Isabella, art by Arvell Jones and Dan Green, letters by Ray Holloway, colors by John Drake, ©1974 Marvel Comics"... And One Will Fall!" - Amazing Spider-Man #140, written by Gerry Conway, art by Ross Andru, Frank Giacoia, and Dave Hunt, letters by Artie Simek, colors by Petra Goldberg, ©1974 Marvel Comics"Fury at 50,000 Volts!" - Incredible Hulk #183, written by Len Wein, art by Herb Trimpe, letters by Glynis Wein, colors by Charlotte Jetter, ©1974 Marvel Comics"A Quiet Half-Hour In Saigon!" - Avengers #131, written by Steve Englehart, art by Sal Buscema and Joe Staton, letters by Tom Orzechowski, colors by Phil Rachelson, ©1974 Marvel Comics"The Mark of Madness!" - Captain America #181, written by Steve Englehart, art by Sal Buscema and Vince Colletta, letters by Artie Simek, colors by Linda Lessmann, ©1974 Marvel Comics"The Man In the Mystery Mask!" - Fantastic Four #154, written by Stan Lee and Len Wein, art by Dick Ayers, Bob Brown, Paul Reinman, Frank Giacoia, and Mike Esposito, letters by Artie Simek, colors by Glynis Wein, ©1974 Marvel Comics"The God Killer" - Jungle Action #13, written by Don McGregor, art by Billy Graham and Craig Russell, letters by Joe Rosen, colors by Tom Palmer, ©1974 Marvel Comics"Revenge of the River Gods!" - Ka-Zar #7, written by Gerry Conway, art by John Buscema and Bob McLeod, letters by Dave Hunt, colors by Bill Mantlo, ©1974 Marvel Comics"Beware the Coming of... Infinitus!" or "How Can You Stop the Reincarnated Man?" - Marvel Team-Up #29, written by Gerry Conway, art by Jim Mooney and Vince Colletta,letters by John Costanza, colors by Janice Cohen, ©1974 Marvel Comics"Name That Doom!" - Marvel Two-In-One #7, written by Steve Gerber, art by Sal Buscema and Mike Esposito, letters by Joe Rosen, colors by Bill Mantlo, ©1974 Marvel Comics"Deathgame!" - Creatures on the Loose #33, written by David Kraft with Tony Isabella, art by George Perez and Klaus Janson, letters by Tom Orzechowski, colors by Petra Goldberg, ©1974 Marvel Comics"Fury of the Night-Creature!" - Frankenstein #14, written by Doug Moench, art by Val Mayerik and Dan Green, letters by Artie Simek, colors by Petra Goldberg, ©1974 Marvel Comics"Castle Curse!" - Giant-Size Werewolf #3, written by Doug Moench, art by Don Perlin and Sal Trapani, letters by Jean Simek, colors by Linda Lessmann, ©1974 Marvel Comics"Red Sails at 40,000 Feet!" - Man-Thing #13, written by Steve Gerber, art by John Buscema and Tom Sutton, letters by John Costanza, colors by Petra Goldberg, ©1974 Marvel Comics"Madness In the Mind!" - Tomb of Dracula #28, written by Marv Wolfman, art by Gene Colan and Tom Palmer, letters by Ray Holloway, colors by Petra Goldberg, ©1974 Marvel Comics"An Eclipse of Evil!" - Werewolf by Night #25, written by Doug Moench, art by Don Perlin, letters by Dave Hunt, colors by Linda Lessmann, ©1974 Marvel Comics"Marvel by the Month" theme v. 3.0 written and performed by Robb Milne and sung by Barb Allen. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Instagram at @marvelbythemonth and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Bat-Cousin Martin Gray flies over the Atlantic to join Paul and Shawn at this month's Reunion! He is rewarded with “odd” tales of Batman trapped in a watertight apartment, Robin visiting Germany, and Batgirl forgetting about her re-election campaign! Throw in Roy Raymond and The Odd Man, and you have quite a buffet!  Settle in for some mince pie and enjoy the stories and conversation! This month's Bat Family History links for Don Newton (also check out our Gallery for photos of Don dressed as Captain Marvel): https://en.wikipedia.org/wiki/Don_Newton http://www.mikesamazingworld.com/_main/features/creator.php?creatorid=523 https://www.amazon.com/Tales-Batman-Don-Newton-Various/dp/1401232949 https://www.lambiek.net/artists/n/newton_don.htm Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it? E-MAIL: batmanfamilyreunion@gmail.com Follow Batman Family Reunion on Twitter: @batfamreunion This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

Bat-Cousin Martin Gray flies over the Atlantic to join Paul and Shawn at this month's Reunion! He is rewarded with “odd” tales of Batman trapped in a watertight apartment, Robin visiting Germany, and Batgirl forgetting about her re-election campaign! Throw in Roy Raymond and The Odd Man, and you have quite a buffet!  Settle in for some mince pie and enjoy the stories and conversation! This month's Bat Family History links for Don Newton (also check out our Gallery for photos of Don dressed as Captain Marvel): https://en.wikipedia.org/wiki/Don_Newton http://www.mikesamazingworld.com/_main/features/creator.php?creatorid=523 https://www.amazon.com/Tales-Batman-Don-Newton-Various/dp/1401232949 https://www.lambiek.net/artists/n/newton_don.htm Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it? E-MAIL: batmanfamilyreunion@gmail.com Follow Batman Family Reunion on Twitter: @batfamreunion This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

This month, join Shawn, Paul, and special guest Chris Franklin at the revamped Wayne Family Gardens!  We move over to Detective Comics and share some corned beef on rye and carrot cake as we get Marshall Rogers, Jim Starlin, and Don Newton (twice!) on art in this issue. The PI firm of Bard and Langstrom gets off the ground, and Babs visits China!  Robin battles the Raven (no, not that one!) as Batman rides the rails (literally) and then comes face to face with a nemesis from his father's past! You won't want to miss this one! This month's Bat Family History links for Dan Adkins: http://www.mikesamazingworld.com/mikes/features/creator.php?creatorid=525 https://en.wikipedia.org/wiki/Dan_Adkins https://twomorrows.com/comicbookartist/articles/07adkins.html https://www.tcj.com/dan-adkins-march-15-1937-may-8-2013/ https://inkwellawards.com/dan-adkins/ https://www.facebook.com/groups/ArtofDanAdkins/ Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it? E-MAIL: batmanfamilyreunion@gmail.com Follow Batman Family Reunion on Twitter: @batfamreunion This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

This month, join Shawn, Paul, and special guest Chris Franklin at the revamped Wayne Family Gardens!  We move over to Detective Comics and share some corned beef on rye and carrot cake as we get Marshall Rogers, Jim Starlin, and Don Newton (twice!) on art in this issue. The PI firm of Bard and Langstrom gets off the ground, and Babs visits China!  Robin battles the Raven (no, not that one!) as Batman rides the rails (literally) and then comes face to face with a nemesis from his father's past! You won't want to miss this one! This month's Bat Family History links for Dan Adkins: http://www.mikesamazingworld.com/mikes/features/creator.php?creatorid=525 https://en.wikipedia.org/wiki/Dan_Adkins https://twomorrows.com/comicbookartist/articles/07adkins.html https://www.tcj.com/dan-adkins-march-15-1937-may-8-2013/ https://inkwellawards.com/dan-adkins/ https://www.facebook.com/groups/ArtofDanAdkins/ Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it? E-MAIL: batmanfamilyreunion@gmail.com Follow Batman Family Reunion on Twitter: @batfamreunion This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

Rob welcomes Terry O'Malley to the cabin to discuss BATMAN #365 by Doug Moench, Don Newton, and Alfredo Alcala! Check out images from this comic by clicking here! E-MAIL - firewaterpodcast@comcast.net Follow Mountain Comics on Twitter - https://twitter.com/FWPMountainCom Subscribe to FW PRESENTS on Apple Podcasts: https://itunes.apple.com/us/podcast/fw-presents/id1207382042 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

We all know how hot it has been this July in North America. The Comic Book Bears are here to help you cool down a bit with some talk about cool comic books! After rapidly changing subjects at the outset of the episode (going off on tangents from birthdays to a really intense take on Lex Luthor to ... the heat), the spinner rack gets spun! Steve talks up X-Cellent (Marvel) and the surprising Void Rivals (Image); Caleb takes a look into this year's Hulk and Scarlet Witch annuals; Billy Z examines the Dawn of DC version of Green Arrow and a classic run on New Gods by Gerry Conway and Don Newton. All this plus woofs and gets and much more!

It's just Darrell & Hassan for this episode where they recap some recent Batman related news coming out of this years San Diego Comic Con before discussing the Flash film so beware of spoilers. They also review a classic issue Detective Comics 503 by Gerry Conway & Don Newton.  The TaylorNetwork now has a patreon that has episodes from all the podcasts on the network along with bonus episodes which you can have access to by supporting with a dollar a month. 

EOC All-Timers: PLOP! #4 by Sergio Aragones, Frank Robbins, Steve Skeates, Nick Cardy, and company, Thor #337 by Walt Simonson and George Roussos/Steve Oliff, and Detective Comics #526 by Gerry Conway, Don Newton, Alfredo Alcala, and Adrienne Roy, plus a whole mess more!

This time out Andy and Mike continue to stick to their mandate by looking at a truly overlooked Batman comic! BATMAN #362 features a fantastic Riddler story, but it also features art by Don Newton. Andy is very keen on Don Newton's artwork and that's why he chose this particular book. That's it. That's the episode description.

This time out Andy and Mike continue to stick to their mandate by looking at a truly overlooked Batman comic! BATMAN #362 features a fantastic Riddler story, but it also features art by Don Newton. Andy is very keen on Don Newton's artwork and that's why he chose this particular book. That's it. That's the episode description.

With very few choices left to him, Clark makes a difficult decision. Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists.Clark Kent, Jonathan Kent, and Lex Luthor were created by Jerry Siegel and Joe Schuster. Batman was created by Bill Finger and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton. Dr. Fate was created by Gardner Fox and Howard Sherman. J'Onn J‘Onzz was created by Joseph Samachson and Joe Certa. Jason Blood was created by Jack Kirby. The Joker was created by Jerry Robinson, Bill Finger, and Bob Kane. Vandal Savage was created by Alfred Bester & Martin Nodell. Wonder Woman was created by William Moulton Marston and Harry G. Peter. John Stewart was created by Dennis O'Neil and Neal Adams. Vixen was created by Gerry Conway and Bob Oksner. Arthur Curry was created by Mort Weisinger and Paul Norris. Barry Allen was created by Robert Kanigher and Carmine Infantino. Wally West was created by John Broome and Carmine Infantino. Mr. Terrific was created by John Ostrander and Tom Mandrake. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. John Constantine was created by Alan Moore and Steve Bissette. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Etta Candy was created by William Moulton Marston and Harry G. Peter. Deadshot was created by David Vern Reed and Lew Sayre Schwartz. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Bloodsport was created by John Byrne. Captain Atom was created by Joe Gill and Steve Ditko. Katana was created by Mike W. Barr and Jim Aparo.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Time Passing I by David Hilowitz, Headlights/Mountain Road by Blue Dot Sessions, Highway to the Stars by Kai Engel, Devil in the Details by David Hilowitz, Calm and Collected by Blue Dot Sessions, Dutiligi by Mello C, Taut by Chad Crouch, Sequence by Borrtex, Good Ideas Poorly Executed by Steve Combs, Hunter by Scott Holmes, Pep by Kirk Osamayo, Eclipse by Kirk Osamayo, Tarnish by Podington Bear, Emu in the Bass by Gorowski, Morning Mist by Podington Bear, No Good (Start the Dance by Ergo Phizmiz, Neogrotesque by Tortue Super Sonic, Maceonectar (Johnny Ripper Mix) by Saxsyndrum, Fog In a Dawn by Masato Abe, Slough by Podington Bear, There Is Always a Reason by Borrtex, Enhance Your Days (Johnny Ripper Mix) by Children of Kids.

Clark enters an inescapable conflict. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent and Lex Luthor were created by Jerry Siegel and Joe Schuster. Batman was created by Bill Finger and Bob Kane. J'Onn J‘Onzz was created by Joseph Samachson and Joe Certa. John Stewart was created by Dennis O'Neil and Neal Adams. Barry Allen was created by Robert Kanigher and Carmine Infantino. Mr. Terrific was created by John Ostrander and Tom Mandrake. Wonder Woman was created by William Moulton Marston and Harry G. Peter. Vixen was created by Gerry Conway and Bob Oksner. Arthur Curry was created by Mort Weisinger and Paul Norris. Wally West was created by John Broome and Carmine Infantino. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Oliver Queen was created by Mort Weisinger and George Papp. Vandal Savage was created by Alfred Bester & Martin Nodell. Roy Harper was created by Mort Weisinger and George Papp. Black Canary was created by Dennis O'Neil and Dick Dillon. Richard Grayson was created by Bill Finger and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton. Dr. Fate was created by Gardner Fox and Howard Sherman. The Joker was created by Jerry Robinson, Bill Finger, and Bob Kane.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Itasca by Blue Dot Sessions, Fly a Kite by Spectacular Sound Productions, Maceonectar (Johnny Ripper Mix) by Saxsyndrum, Spring Cleaning by Blue Dot Sessions, Touching Down by Scott Nice, Ginger by Chad Crouch, I Have a Plan by Borrtex, Moon by Borrtex,Loaming Pulse by Podington Bear, Flatlands 3rd by Blue Dot Sessions, Outside (Luzalove Mix) by Luxalove, Animals by Borrtex, Shadow by Evan Shaeffer, The Undertake by Borrtex, There is Always a Reason by Borrtex, Time Passing I by David Hilowitz, Unto the Coven by Plasticine Cowboy.

Clark retreats to introspect. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Jor-El, Martha Kent, and Lex Luthor were created by Jerry Siegel and Joe Schuster. Mr. Terrific was created by John Ostrander and Tom Mandrake. Kara Zor-El was created by Otto Binder and Al Plastino. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. The Phantom Zone Projector was Robert Bernstein and George Papp. Vandal Savage was created by Alfred Bester & Martin Nodell. Ra's Al Ghul was created by Dennis O'Neil, Neal Adams, and Julius Schwartz. J'Onn J‘Onzz was created by Joseph Samachson and Joe Certa. Arthur Curry was created by Mort Weisinger and Paul Norris. Wonder Woman was created by William Moulton Marston and Harry G. Peter. Batman was created by Bill Finger and Bob Kane. Richard Grayson was created by Bill Finger and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Etta Candy was created by William Moulton Marston and Harry G. Peter. Barry Allen was created by Robert Kanigher and Carmine Infantino. Wally West was created by John Broome and Carmine Infantino. Roy Harper was created by Mort Weisinger and George Papp. Green Arrow was created by Mort Weisinger and George Papp. Black Canary was created by Dennis O'Neil and Dick Dillon. Sandra Wusan was created by Dennis O'Neal and Ric Estrada.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Feather On the Crest by Blue Dot Sessions, Unialus by Jari Pitkanen, Discovery by Kirk Osamayo, One Little Triumph by Blue Dot Sessions, Above the Clouds by Frequeny Decree, Floatation by Bio Unit, Solitary by Bio Unit, Lady Marie by Blue Dot Sessions, Brotherhood by Monplaisir, An Empire For Your Heart by Eletrólise, Touch Your Breath by Masato Abe, Wave of the Synth by Uncan.

Clark and the league find themselves on the wrong side of the law. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent and Lex Luthor were created by Jerry Siegel and Joe Schuster. Kara Zor-El was created by Otto Binder and Al Plastino. Batman was created by Bill Finger and Bob Kane. Task Force X was created by Robert Kanigher and Ross Andru. Wonder Woman was created by William Moulton Marston and Harry G. Peter. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Barry Allen was created by Robert Kanigher and Carmine Infantino. Green Arrow was created by Mort Weisinger and George Papp. Martian Manhunter was created by Joseph Samachson and Joe Certa. John Stewart was created by Dennis O'Neil and Neal Adams. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Mr. Terrific was created by John Ostrander and Tom Mandrake. Vixen was created by Gerry Conway and Bob Oksner. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Arthur Curry was created by Mort Weisinger and Paul Norris. Black Canary was created by Dennis O'Neil and Dick Dillon. Roy Harper was created by Mort Weisinger and George Papp. Richard Grayson was created by Bill Finger and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Flashing Runner by Blue Dot Sessions, Going Forward Looking Back by Podington Bear, Rythn by Podington Bear, Ice Where Your Parent's Love Should Be by Kyle Preston, Euphoric by Podington Bear, Part VIII by Jahzzar, Friction Model by Blue Dot Sessions, Animals by Borrtex, Picnic March by Blue Dot Sessions, Look Deep Into Your Eyes by Till Pardiso.

Clark deals with precarious youth. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Jimmy Olsen, Lois Lane, Martha Kent, and Lex Luthor were created by Jerry Siegel and Joe Schuster. Martian Manhunter was created by Joseph Samachson and Joe Certa. John Stewart was created by Dennis O'Neil and Neal Adams. Barry Allen was created by Robert Kanigher and Carmine Infantino. Wally West was created by John Broome and Carmine Infantino. Mister Mxyzptlk was created by Jerry Siegel and Ira Yarbrough. Kara Zor-El was created by Otto Binder and Al Plastino. Batman was created by Bill Finger and Bob Kane. Two-Face was created by Bill Finger and Bob Kane. Alfred Pennyworth by Don Cameron and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Ra's Al Ghul was created by Dennis O'Neil, Neal Adams, and Julius Schwartz.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Process by Borrtex, New Cresente by Blue Dot Sessions, Unialus by Jair Pitkanen, Twinkletoes by Podington Bear, Tar and Spackle by Blue Dot Sessions, We Collect Shiny Things by Blue Dot Sessions, Calm and Collected by Blue Dot Sessions, Ode to the World by Kai Engel, Izeah by Blue Dot Sessions, Micolai by Blue Dot Sessions, Donnalee by Blue Dot Sessions, Sneeuwland by Oskar Schuster, Trundle by Podington Bear, Tropical Pleasure by Serge Quadrado, Endless Story About the Sun and Moon by Kai Engel, Greyleaf Willow by Blue Dot Sessions, Synthewave by Ryan Anderson.

Clark attempts to broker peace. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Martha Kent, Lois Lane and Lex Luthor were created by Jerry Siegel and Joe Schuster. Vandal Savage was created by Alfred Bester & Martin Nodell. Batman was created by Bill Finger and Bob Kane. Richard White was created by Michael Dougherty and Dan Harris. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Etta Candy was created by William Moulton Marston and Harry G. Peter. Task Force X was created by Robert Kanigher and Ross Andru. Green Arrow was created by Mort Weisinger and George Papp. Wonder Woman was created by William Moulton Marston and Harry G. Peter. John Stewart was created by Dennis O'Neil and Neal Adams. Arthur Curry was created by Mort Weisinger and Paul Norris. The Flash was created by Robert Kanigher and Carmine Infantino. Martian Manhunter was created by Joseph Samachson and Joe Certa. Jason Todd was created by Gerry Conway and Don Newton. Colonel Vox was created by Martin Pasko, Joe Staton, and Dwayne McDuffie. Franklin Rock was created by Robert Kaniger and Joe Kubert. Emelia Harcourt was created by Rob Williams and Jim LeeManuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Capering by Blue Dot Sessions, Rythme Leger by Bauchamp, Sprout Jam by Podington Bear, Low Coal Camper by Blue Dot Sessions, Tedukedo by Mello C, Calm and Collected by Blue Dot Sessions, Frog Dream (Instrumental) by Chad Crouch, Tropical Pleasure by Serge Quadrado, Donnalee by Blue Dot Sessions, Industrial 1 by Soulaflair, Lakers by Mello C, Bright White by Podington Bear, Devil in the Details by David Hilowitz, Balkana by 4bstr4ck3r. 

This month at the Wayne Family Gardens, Shawn and Paul welcome 2 guests - Tim Price and Dan Greenfield - to discuss Batman Family #13.  It takes this Quirky Quartet to discuss the 4 fabulous chapters of this epic story! Just like Robin, we all bare our souls and declare our love for Batgirl (as well as the art of Don Newton and Marshall Rogers), while enjoying Tim's Seven-Layer Jello!  Hopefully all our listeners aren't asleep, like Babs… This month's Bat Family History links for Marshall Rogers: https://en.wikipedia.org/wiki/Marshall_Rogers http://www.mikesamazingworld.com/mikes/features/creator.php?creatorid=178 https://13thdimension.com/thank-you-god-steve-englehart-recalls-first-seeing-marshall-rogers-batman-art/ Back Issue 51 and 135 digital copies can be purchased here: https://twomorrows.com/index.php?main_page=product_info&cPath=98_54&products_id=976 https://twomorrows.com/index.php?main_page=product_info&cPath=98_54&products_id=1654 Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it? E-MAIL: batmanfamilyreunion@gmail.com Follow Batman Family Reunion on Twitter: @batfamreunion This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts

Clark begins to understand what he is up against. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent and Lex Luthor were created by Jerry Siegel and Joe Schuster. Batman, Harvey Dent, The Penguin, Salvatore Maroni, Jim Gordon, Hugo Strange, Selina Kyle, and Dick Grayson were created by Bill Finger and Bob Kane. Ra's Al Ghul was created by Dennis O'Neil, Neal Adams, and Julius Schwartz. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Carmine Falcone was created by Frank Miller and Dave Mazzucchelli. Riddler was created by Bill Finger and Dick Sprang. Felix Faust was created by Gardner Fox and Mike Sekowsky. Jason Blood was created by Jack Kirby. Matt Hagen was created by Bill Finger and Sheldon Moldoff. Victor Friez was created by Dave Wood and Sheldon Moldoff. The Joker was created by Jerry Robinson, Bill Finger, and Bob Kane. Harley Quinzel was created by Paul Dini and Bruce Timm. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Green Arrow was created by Mort Weisinger and George Papp. Black Canary was created by Dennis O'Neil and Dick Dillon. Martian Manhunter was created by Joseph Samachson and Joe Certa. Jason Todd was created by Gerry Conway and Don Newton. Sandra Wusan was created by Dennis O'Neal and Ric Estrada. Vandal Savage was created by Alfred Bester & Martin Nodell. Talia Al Ghul was created by Dennis O'Neil and Bob Brown.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Staggering by Chad Crouch, Great is the Contessa by Blue Dot Sessions, Lost City II. by Crowander, Pxl Htra by Blue Dot Sessions, Sunset by Kai Engel, The Bridge (Horror I) by David Hilowitz, Feather on the Crest by Blue Dot Sessions, Matamoscas by Blue Dot Sessions, Conclusion by Scott Holmes, Idiophone by Bio Unit, Ancora Dolcemente by Jari Pitkanen, The Dweller on the Threshold by Nihilore, Frog Dream (Instrumental) by Chad Crouch, Ginger by Chad Crouch, Night Vision by Podington Bear, Idea by Kai Engel, Rise by Igor Khabarov, Morning Mist by Podington Bear, Waves by Serge Quadrado, Bogan by Audiorezout.

Geraldine Harper Blakeney, age 91 of Thomasville, died December 9, 2022 at her home. She was born February 23, 1931 in Thomasville to Ivy Floyd and Mattie Lou Harper. She was a member of Pineview Baptist Church. She is survived by her son, Ronnie Dean Ross (Vickie); two sisters, Ruby Harper Bline and Linda Harper Vogel (Mike); and two grandsons, Thomas Cecil Ross (Erin) and David Hamer Ross. Graveside funeral services were held at Evergreen Memorial Gardens on Tuesday, December 13, 2022 at 2:00 p.m. Rev. Don Newton officiated. Active pallbearers were Thomas Ross, David Ross, Tyler Blakeney, Hunter Vick,...Article Link

Clark's world is complicated by a new kind of villainy.Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Lois Lane, and Jimmy Olsen were created by Jerry Siegel and Joe Shuster. Green Arrow was created by Mort Weisinger and George Papp. Black Canary was created by Dennis O'Neil and Dick Dillon. Clock King was created by Ed Herron and Lee Elias. The Flash was created by Robert Kanigher and Carmine Infantino. Heat Wave was created by John Broome and Carmine Infantino. Captain Cold was created by John Broome and Carmine Infantino. Captain Boomerang was created by John Broome and Carmine Infantino. King Shark was created by Karl Kesel. Batman was created by Bill Finger and Bob Kane. Man-Bat was created by Frank Robbins, Neal Adams and Julius Schwartz. Killer Croc was created by Gerry Conway, Gene Colan and Don Newton. Riddler was created by Bill Finger and Dick Sprang. Scarecrow was created by Bill Finger and Bob Kane. Vixen was created by Gerry Conway and Bob Oksner. Martian Manhunter was created by Joseph Samachson and Joe Certa. Rudy Jones was created by John Ostrander and Joe Brozowski. John Corben was created by Robert Bernstein and Al Plastino. Arthur Curry was created by Mort Weisinger and Paul Norris. Dr. Emil Hamilton was created by Marv Wolfman and Jerry Ordway.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Base Encryption by David Hilowitz, Lost City II by Crowander, One Little Triumph by Blue Dot Sessions, The Dweller On the Threshold by Nihilore, You Make My Heart Sing So Loud by Will Bangs, Below the Surface by Kyle Preston, Lemon and Melon by Blue Dot Sessions, Western Shores by Philipp Weigl, No Good (Start the Dance) by Ergo Phizmiz, Greyleaf Willow by Blue Dot Sessions, Here, by Blear Moon, Parallel by Dilating Times, Coming Home by Borrtex, Sea of Mars by Jahzzar.

Happy New Year, All-Stars! Herm and Billy are back with another Star-Rocket fueled episode chronicling one host's favorite INFINITY INC issue - the classic Don Newton pencilled lucky #13! We gush over the magnificent art... and then we gush some more. Listen in and travel with us to the lush tropical paradise isle of Tashmi where the Infinitors go skinny dipping before facing off against an old FLASH foe. It's epic stuff! Our feedback segment include some insightful comments from Mart Grey, Randy Khoo, and The DC Multiverse Historian. If YOU would like to send in some thoughts you can do so by e-mailing us at starrocketradio@gmail.com, or by interacting with us on Twitter @starrocketradio, @billyd_licious, or @IntoWeird. Shine brightly during 2022, All-Stars. Thanks for making 2021 a great year for Star-Rocket Radio.

Quarter-Bin Podcast #177 World's Finest Comics 277, DC Comics, cover-dated March 1982."Beasts of Plague," by Cary Burkett, with art by Don Heck & Romeo Tanghal."Green Arrow Sought for Questioning in Murder," by  Mike W. Barr, with art by Trevor von Eeden & Rodin Rodriguez."Doppleganger," by Paul Kupperberg, with art by Dan Spiegle."I Have my Wings and I Must Fly," by Bob Rozakis, with art by Alex Saviuk and Rodin Rodriguez."The Menace! of the Moon-Tree!" by E. Nelson Bridwell, with art by Don Newton & Frank Chiramonte. What happens when Professor Alan bows to the will of the (Twitter) people and reviews an issue from the Dollar Comics era ... an issue with FIVE (5!) stories in it? Does he survive the effort?Listen to the episode and find out!Click on the player below to listen to the episode:  Right-click to download episode directly You may also subscribe to the podcast through iTunes or the RSS Feed. Promo: Star Rocket RadioPromo: Coffee & ComicsNext Episode: Eternity Smith #3, Hero Comics, cover-dated November 1987, for #SciFiComicsMonth Send e-mail feedback to relativelygeeky@gmail.com "Like" us on Facebook at https://www.facebook.com/relativelygeekyYou can follow the network on Twitter @Relatively_Geek and the host @ProfessorAlanSource:Akron Comic Con

Dan Fraser  and Jermayn Parker are joined by Moonstone and Frew cover and story artist Lou Manna. It was a great phun podcast as we chatted about his 15+ year career with The Phantom which started off with stories and covers for Moonstone and then a decade later a two part story for Frew that was originally created for Moonstone.For fans you will be greatly excited about a couple of other stories awaiting to be published including one by two phans Peter Steven and Jaime Diaz. Some of the other various topics we discussed are:His careerHow Tom Tyler and George Wilson helped made Lou as a phanHis love for the phans from around the worldWe go through Lou's four stories and hear some stories about printing and colouring issues plus more musings. The Tom Tyler famous pose making its way into a Phantom comic.His interactions with DC and Marvel greats like Bob Kane, Rich Buckler, Dick Giordano, Jack Adler, Joel Orlando and many others.His Chronicle Chamber Bushfire Phundraiser piece. (link to learn more about the phundraiser)His love for Don Newton's Phantom artwork for Charlton.We would love to hear from you on what you think of what we discussed in the podcast and we hope you have a great time listening to the podcast. If you would like to buy art from Lou Manna you can either contact him by his website, Facebook or eBay account.You can email us at chroniclechamber@gmail.com or chat with us via our social media profiles with your feedback at Facebook, Twitter and or Instagram. Make sure you stay with us and do not forget to subscribe and leave a review on our podcast and or our YouTube Channel. Support the show (https://www.patreon.com/chroniclechamber)

MOUNTAIN COMICS #32 - BATMAN #353Mountain Comics returns for a special one-off episode with Rob welcoming back Chris Franklin to the cabin to discuss BATMAN #353 by Gerry Conway, Jose Luis Garcia Lopez (PBHN), Dan Adkins, Mike W. Barr, and Don Newton!Check out images from this comic by clicking here! E-MAIL - firewaterpodcast@comcast.net Follow Mountain Comics on Twitter - https://twitter.com/FWPMountainComSubscribe to FW PRESENTS on Apple Podcasts: https://itunes.apple.com/us/podcast/fw-presents/id1207382042This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcastsThanks for listening!

FW PRESENTS: MOUNTAIN COMICS #32 - BATMAN #353 Mountain Comics returns for a special one-off episode with Rob welcoming back Chris Franklin to the cabin to discuss BATMAN #353 by Gerry Conway, Jose Luis Garcia Lopez (PBHN), Dan Adkins, Mike W. Barr, and Don Newton! Check out images from this comic by clicking here! E-MAIL - firewaterpodcast@comcast.net Follow Mountain Comics on Twitter - https://twitter.com/FWPMountainCom Subscribe to FW PRESENTS on Apple Podcasts: https://itunes.apple.com/us/podcast/fw-presents/id1207382042 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

With the team at Chronicle Chamber releasing other topical podcasts it meant the normal practice of a comics and news podcast once a month did not happen. Here we present a review of the comics from May and June.We also discuss the latest happenings with the Sunday and Daily newspaper stories. If you only want to listen to specific reviews of the comics and or stories, we have included a timeline for you to follow. Enjoy!Frew PublicationsFrew 1892 (4 Minutes 30 Seconds)"Diana and the Heartbreaker Gang" by Matt Kyme and Shane FoleyFrew 1893 (11 Minutes 30 Seconds)"Triumph of Evil" by Joe Gill and Don Newton  "Forever" by Andrew Constant and Massimo GamberiFrew 1894 (34 Minutes)"The Rhodian Column" by Tony DePaul and Mike ManleyFrew 1895 (47 Minutes 30 Seconds)"The Drummer of Timpenni" by Lee Falk and Sy Barry"Revenge of the Drummer" by Norman Worker and Knut Westad"Revolt in the Jungle" by José Menezes, Walmir Amaral, and Wanderley Mayhé"Legacy of the Drummer" by Andrew Constant and Angelo TodaroGiant Size 17 (1 Hour 9 Minutes)"The Game" by Lee Falk, Bill Harris, and Bill Lignante Daily / Sunday Stories Sunday: "The Visitor" (1 Hour 20 Minutes)Daily: "Hello to the Himalayas" (1 Hour 25 Minutes 30 Seconds)Daily: "To Wrack and Ruin at Gravelines" 1 Hour 34 Minutes)Fantomen (1 Hour 42 Minutes)Fantomen 10-11/2021"Kolonnen från Rhodia" ("The Rhodian Column") by Tony dePaul and Mike Manley"Oavslutade affärer" ("Unfinished Business") by Tony dePaul and Mike Manley"Den galna elefanten" ("The Rogue Elephant") by Lee Falk and Sy BarryFantomen 12/2021"Requiem" ("Requiem") by Pidde Andersson and Wendell Cavalcanti"Diamantmysteriet" ("The Diamond Mystery") by Lee Falk and Özcan EralpFantomen 13/2021"Legenden om Djungelpatrullen" ("The Founding of the Jungle Patrol") by Lee Falk and Sy Barry"Elefantkyrkogården" ("The Elephant's Graveyard") by Özcan EralpFantomen 14-15/2021"Det odödliga lejonet" ("The Phantom Lion") Tony DePaul and Paul Ryan"Förbannelsen" ("The Curse") by Dai Darell and Özcan Eralp"Diana i Djungelpatrullen" ("Diana in the Jungle Patrol") by Magnus Knutsson and Jaime VallvéMake sure you stay with us and do not forget to subscribe and leave a review on our podcast and or our YouTube Channel. We would love to hear from you on what you think of this podcast episode and our reviews and opinions. You can email us at chroniclechamebr@gmail.com or chat with us via our social media profiles: Facebook, Twitter and or Instagram. Support the show (https://www.patreon.com/chroniclechamber)

Robin & Batgirl are The Dynamite Duo!! We travel back into the Bronze Age to explore the early flirtations between Batman's most magnificent sidekicks. Was it love at first sight? Were Dick Grayson & Barbara Gordon destined to end up together? We answer these questions by exploring four specific issues within the mondo bizarro anthology series "Batman Family." We certainly could not make heads or tails out of this romance without the help of Dr. Roberta M. Gilbert and her self-help guide, "Extraordinary Relationships: A New Way of Thinking About Human Interactions." We all need to recognize the hot emotions bubbling beneath our surfaces, but maybe none more so than the Boy Wonder - scratch that - the Teen Wonder. Issues covered in this episode: "Batman Family" #1, #11, #13, & #15. These comics were published between 1975 - 1978 and were written by Elliot S. Maggin & Bob Rozakis, penciled by Mike Grell, Don Newton, Marshall Rogers, & Lee Elias, and inked by Bob Wiacek & Joe Giella. Be sure to follow the podcast on Instagram and Twitter @CBCCPodcast, and you can follow the hosts @MouthDork & @sidewalksiren.

On this episode Tony sits down with returning guest and comics artist Russell Mark Olson. They dissect the first seven issues of the eighties iteration of the Vigilante by Marv Wolfman, Keith Pollard, Dick Giodarno, Don Newton, Chuck Patton and more. Was this a Punisher rip which lost it's nerve by issue two or something more? Have a listen and find out. You can find more by Russell at his store here and follow him on Twitter right here. Grab some great art and some amazing comics! Many thanks for listening.

Two extra galactic beings have designed everything that you experience, there program is Human Data File 365. There research and conclusion is captivating and detrimental to our very existence. This is the season finally, season two will arrive after the fall. Thank You To the #writing community on Twitter also to Tiffany C Lewis, Gord Lanyon, Don Newton, Support If you like this show please buy me a coffee, at buymeacoffee/poeticearthlings members will receive access to the Mothership, the behind the curtains show about the creative process. Contact Twitter @Poeticearthling Poeticearthlings.com

Cody's homeland is ravished by a faceless silent intruder, who moves in slow motion. The death toll rises almost undetected, unreported until now.     Life Flashes is written by Don Newton please visit his  Website and check out his novels in Amazon Pers...

Howl at the House of Franklin-Stein! The Super Mates discuss 1994's Wolf, starring Jack Nicholson, Michelle Pfeiffer, and James Spader. Is it a monster movie, or an examination of one man's mid-life crisis in the corporate world? Or is it both? Then, Batman has a return bout with Anthony Lupus under the “Werewolf Moon” by Gerry Conway, Don Newton and Dan Adkins, from Detective Comics #505. Subscribe via iTunes. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Follow us on TWITTER - https://twitter.com/FWPodcasts & https://twitter.com/supermatespod Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: Wolf (1994) directed by Mike Nichols, music by Ennio Moricone “The House of Franklinstein” by Terry O'Malley “Batman, Wolfman, Frankenstein and Dracula” by The Diamonds Music from Batman: The Animated Series by Shirley Walker “Little Red Riding Hood” by The Meteors

There might only be four Frew and three Egmont comic books for us to review since our last Comics and News podcast, but there's also a surprising amount of news for us to talk about!Perhaps the biggest Phantom event of the last few years leads the discussion as the phellas reflect on the successful Treasures of Drakon Kickstarter campaign.We also chat about: our Don Newton competition, Mythos in Brazil, what we know about Supanova 2019, and the additions to the Phantom's outfit in the current newspaper story.We're also excited to announce the winner of the Fumo di China Magazine Competition!Enjoy and as always, Happy Phantoming!Support the show (https://www.patreon.com/chroniclechamber)

Alex Grand , Bill Field and special guest host, Comic Book Ph.D, Peter Coogan discuss 1984 as the year of Marvel and DC shifting toward corporate multimedia cross pollination with Secret Wars and Super Powers. Zot! by Scott McCloud and TMNT by Eastman and Laird and the larger independent 80s comic books markets as a trend toward recognition of creator rights, the 1960s Marvel co-creators getting their original art back, as well as four notable deaths in the industry, Pacific Comics, Sol Brodsky, Don Newton and Phil Seuling. CBH Podcast ©Comic Book Historians. TMNT ©Eastman, Zot! ©McCloud, Secret Wars ©Marvel, Super Powers ©DC Comics, Continuity ©Adams, Photos ©Their Copyright holders. Support us at https://www.patreon.com/comicbookhistorians Podcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

It's the final trip to the House of Franklin-Stein for 2017, and the first part of a Fire and Water Crossover! Chris and Cindy celebrate with their first film coverage starring horror legend Vincent Price, The Abominable Dr. Phibes! They wrap up the Halloween season by discussing Batman #460, “When Slays the Savage Skull” by Doug Moench and Don Newton! Follow the crossover to Film and Water: Turn it Off with Tracy, where Rob and Darling Tracy will also watch and discuss Dr. Phibes! Subscribe via iTunes. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts & https://twitter.com/supermatespod Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Dr. Gangrene's YouTube channel: https://www.youtube.com/user/drgangrene Clip credits: The Abominable Dr. Phibes directed by Robert Fuest; music by Basil Kirchin Opening wedding march by Marc Shaiman from Addams Family Values Music from Batman: The Animated Series, “Two-Face”, Parts 1 & 2 by Shirley Walker “Thriller” by Michael Jackson, featuring Vincent Price

Welcome to episode 27 of Gotham by Geeks. Join co-hosts Darrell, Russ, Mike, and Chris as they discuss the world of Batman comic books. In this episode Martin Ferretti from the podcast I am Gotham joins us while Russ goes on an important mission for Batman. The rest of the gang catch up on the most recent Batman and batman family of books: Batman #7 , All Star Batman #2 , Birds of Prey #2 , Detective comics #939-940 , Nightwing #5 , Red Hood and the outlaws #2 and Trinity #1 before covering our usual picks which are: Martin- Batman:Legends of the Dark Knight #94 writer/artist : Michael T Gilbert Darrell/Mike - Batman Vol 1 358-359 Detective Comics Vol 1 525-526 writers: Gerry Conway artists: Don Newton, Dan Jurgens , Curt Swan Chris- Batman vol 1 #211 writer: Frank Robbins, artist: Irv Novick We want to hear from you on suggestions for future stories to read or feedback for past episodes so send us your emails to gothambygeeks@gmail.com and we’ll read it on the show. You can also Follow us on Twitter at @ByGotham or check out our Facebook page.

Welcome to episode 27 of Gotham by Geeks. Join co-hosts Darrell, Russ, Mike, and Chris as they discuss the world of Batman comic books. In this episode Martin Ferretti from the podcast I am Gotham joins us while Russ goes on an important mission for Batman. The rest of the gang catch up on the most recent Batman and batman family of books: Batman #7 , All Star Batman #2 , Birds of Prey #2 , Detective comics #939-940 , Nightwing #5 , Red Hood and the outlaws #2 and Trinity #1 before covering our usual picks which are: Martin- Batman:Legends of the Dark Knight #94 writer/artist : Michael T Gilbert Darrell/Mike - Batman Vol 1 358-359 Detective Comics Vol 1 525-526 writers: Gerry Conway artists: Don Newton, Dan Jurgens , Curt Swan Chris- Batman vol 1 #211 writer: Frank Robbins, artist: Irv Novick We want to hear from you on suggestions for future stories to read or feedback for past episodes so send us your emails to gothambygeeks@gmail.com and we’ll read it on the show. You can also Follow us on Twitter at @ByGotham or check out our Facebook page.

Welcome to episode 19 of Gotham by Geeks. Join co-hosts Darrell, Russ, Mike, and Chris as they discuss the world of Batman comic books. In this episode we cover the Ultimate edition of Batman v Superman and our individual picks of the week. Chris - Batman 363, Detective 529-30 Doug Moench, Don Newton , Gene Colan Mike- Robin 106 , Jon Lewis, Pete Woods Russ - Batman Beyond 1 , Hilary J Bader, Rick burchett Darrell- Batman and the Outsiders 11-12 Mike W. Barr, Jim Aparo Plus our Top 5 non Batman family heroes in Gotham We want to hear from you on suggestions for future stories to read or feedback for past episodes so send us your emails to gothambygeeks@gmail.com and we’ll read it on the show. You can also Follow us on Twitter at @ByGotham or check out our Facebook page.

Welcome to episode 19 of Gotham by Geeks. Join co-hosts Darrell, Russ, Mike, and Chris as they discuss the world of Batman comic books. In this episode we cover the Ultimate edition of Batman v Superman and our individual picks of the week. Chris - Batman 363, Detective 529-30 Doug Moench, Don Newton , Gene Colan Mike- Robin 106 , Jon Lewis, Pete Woods Russ - Batman Beyond 1 , Hilary J Bader, Rick burchett Darrell- Batman and the Outsiders 11-12 Mike W. Barr, Jim Aparo Plus our Top 5 non Batman family heroes in Gotham We want to hear from you on suggestions for future stories to read or feedback for past episodes so send us your emails to gothambygeeks@gmail.com and we’ll read it on the show. You can also Follow us on Twitter at @ByGotham or check out our Facebook page.

"Tales" is back -- and this time we brought damn near the entire DC Comics creative team (circa 1984) with us!! This episode, the burning question of "why haven't you guys been addressing listener feedback?!" is discussed. Are they too busy? Are they too lazy? Maybe they can't read? Fear Not! All Will Be Revealed!Then, it is on to the Main Event!! All-Star Squadron Annual #3! Didja ever wonder how all these heroes of World War II stayed so seemingly young and spry well into the 1980s and beyond? Well, Mike and Scott break down that story for you into convenient, bite-sized pieces. And, in the process, have lots and lots to say about the multitude of talent on this book. Writer Roy Thomas is joined by some of the top DC super-stars of the day for the handling of the art chores -- Jerry Ordway, Rick Hoberg, Richard Howell, Keith Giffen, Rich Buckler, Wayne Boring, Carmine Infantino, Don Newton, and George Perez -- just to name a few!! (Incidentally, this is the Irredeemable Shag's favorite comic book story ever!) ________________________________________________________________ Next Episode: All-Star Squadron #36 -- Earth-Two's Greatest Heroes versus The Power of Shazam!Feedback for this show can be sent to: talesofthejsa@gmail.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ Also, Tales of the Justice Society of America now has its own Facebook Group!! -- https://www.facebook.com/groups/655940671134092/ THANK YOU for listening to Two True Freaks!!

"Tales" is back -- and this time we brought damn near the entire DC Comics creative team (circa 1984) with us!! This episode, the burning question of "why haven't you guys been addressing listener feedback?!" is discussed. Are they too busy? Are they too lazy? Maybe they can't read? Fear Not! All Will Be Revealed!Then, it is on to the Main Event!! All-Star Squadron Annual #3! Didja ever wonder how all these heroes of World War II stayed so seemingly young and spry well into the 1980s and beyond? Well, Mike and Scott break down that story for you into convenient, bite-sized pieces. And, in the process, have lots and lots to say about the multitude of talent on this book. Writer Roy Thomas is joined by some of the top DC super-stars of the day for the handling of the art chores -- Jerry Ordway, Rick Hoberg, Richard Howell, Keith Giffen, Rich Buckler, Wayne Boring, Carmine Infantino, Don Newton, and George Perez -- just to name a few!! (Incidentally, this is the Irredeemable Shag's favorite comic book story ever!) ________________________________________________________________ Next Episode: All-Star Squadron #36 -- Earth-Two's Greatest Heroes versus The Power of Shazam!Feedback for this show can be sent to: talesofthejsa@gmail.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ Also, Tales of the Justice Society of America now has its own Facebook Group!! -- https://www.facebook.com/groups/655940671134092/ THANK YOU for listening to Two True Freaks!!

Collected editions are up first in the episode as Billy Z, Justin and Bryan are joined by former DC Comics collected editions editor Bob Joy! Bob offers up his insights into collected editions and discusses his experiences editing various books during his tenure at DC. Then we shift over to news of DC's move to Burbank and the passing of Nick Cardy.  From there we go into current comic talk, discussing Battle of the Atom, Infinity and Amazing X-Men from Marvel, Sex Criminals and Velvet from Image and DC's Forever Evil. At various points in the cast you will also hear us discuss tranny Jimmy Olsen, Spooky Bear in Provincetown, the Skip Ender's Game events, Greg Rucka, DC Showcase Presents releases, Supergirl as a teen model, the late 70's New Gods revival by Gerry Conway and Don Newton, The Adventures of Superman radio show, Ed McGuinness, Afterlife with Archie and a helluva lot more. In the mood to play a drinking game as you listen? Then take a shot every time Billy Z says "esoteric".

A short email starts off the show. Then Professor Alan e-mails in and it stops being short! After that, Micheal & Andrew continue to delve into the Bat-Catalogue to come up with their all-time favourite Batman stories in this EPIC LENGTH!!! episode. By which I mean Andrew DOESN'T SHUP UP about his stories and this episode runs far, far too long. What you gonna do? Then, Andrew gets even lazier than usual by using the same picture to promote the show. I'm going to go out on a limb and say this may be The Best Episode Yet!Feedback for this show can be sent to: heykidscomics@virginmedia.comHey Kids, Comics! is a proud member of the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/) but also the TWO TRUE FREAKS Internet Radio network!! You can now "Friend" either Micheal or Andrew on Facebook or on Twitter. THANK YOU for listening to Hey Kids, Comics!!! A part of the TWO TRUE FREAKS Internet Radio Network!

A short email starts off the show. Then Professor Alan e-mails in and it stops being short! After that, Micheal & Andrew continue to delve into the Bat-Catalogue to come up with their all-time favourite Batman stories in this EPIC LENGTH!!! episode. By which I mean Andrew DOESN'T SHUP UP about his stories and this episode runs far, far too long. What you gonna do? Then, Andrew gets even lazier than usual by using the same picture to promote the show. I'm going to go out on a limb and say this may be The Best Episode Yet!Feedback for this show can be sent to: heykidscomics@virginmedia.comHey Kids, Comics! is a proud member of the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/) but also the TWO TRUE FREAKS Internet Radio network!! You can now "Friend" either Micheal or Andrew on Facebook or on Twitter. THANK YOU for listening to Hey Kids, Comics!!! A part of the TWO TRUE FREAKS Internet Radio Network!