Podcast appearances and mentions of Molly Crabapple

 In The Age of Insecurity, Astra Taylor traces the historical roots of capitalism's reliance on fear and debt, arguing that insecurity is not a flaw but a feature of the system. Drawing on history, myth, and activism, she reveals how confronting our vulnerabilities can become a collective source of power.Stay informed and engaged! Don't miss out on our captivating weekly episodes that dive deep into the heart of our economy, culture, and politics from the past to the present. Please hit the podcast subscribe button if you've yet to subscribe.[Original Release Date:  December 18, 2023] Description:  Can we turn our insecurity into power? Consumer debt stands at $17.29 trillion and many Americans are drowning in debt, with the average household owning over $100 thousand. The climate crisis, threats to democracy, and global wars add more worry to our already stressful lives. In her new book out from House of Anansi Press, “The Age of Insecurity: Coming Together as Things Fall Apart”, writer, filmmaker, organizer, and the 2023 Canadian Broadcasting Corporation Massey Lecturer, Astra Taylor uses mythology. psychology and the history of capitalism to break down the different kinds of insecurities we face, and explore how our insecurities help capitalism flourish. Without it, the system would cease to function, she says. In her years of work as Co-Founder of the Debt Collective, which emerged from Occupy Wall Street, Taylor has used debt as a tool for bringing people together and organizing. She is the author of The Age of Insecurity: Coming Together as Things Fall Apart, Democracy May Not Exist But We'll Miss It When It is Gone, and The People's Platform (winner of the American Book Award), and the director of What Is Democracy?, among other books and films. In this wide-ranging discussion, Astra Taylor and Laura Flanders discuss the history of capitalism, the rights of debtors, and what we can do to lessen insecurity and expand security both as individuals and as a society. All that, plus a commentary from Laura about language and disruption..“There is a debate here about motivation and what motivates us, and we are constantly being told that if people are too secure, that society's going to collapse and that we can't afford to invest in other folks. And I really want to challenge that idea.” - Astra Taylor“. . . When you start talking about [debt] with others, you realize you're actually in the same boat and you start coming together to demand change, to demand debt cancellation, to demand the provision of these public goods. Debt actually can become a source of power.” - Astra TaylorGuest:  Astra Taylor, Co-Founder of the Debt Collective & Author, The Age of Insecurity*(*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.) This show is made possible by you!  To become a sustaining member go to LauraFlanders.org/donate RESOURCES: Related Laura Flanders Show Episodes:  •  Watch this episode•. Listen to the full uncut conversation or search in this podcast feed 'Astra Taylor, Age of Insecurity'•  Naomi Klein & Astra Taylor: Are We Entering “End Times Fascism”?  Episode and/or Full Uncut•  Peter Linebaugh on International Workers' "May Day" Origins. Plus, Commentary: 19th Century Anarchist Lucy Parsons,  REWIND•. Catastrophic Capitalism: Marjorie Kelly & Edgar Villanueva on “Wealth Supremacy”  Watch / Download Podcast  Download Full Conversation•  Stimulus Checks Every Month?  Watch / Download Podcast Research Articles:•  “Your Debt is Someone Else's Asset” with Astra Taylor illustrated by Molly Crabapple, The Intercept, Watch Here•  “Freedom Dreams:  black Women and the Student Debt Crisis by The Intercept with support by the, Economic Hardship Reporting Project,   Watch Here Full Episode Notes are available HERE. Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Gina Kim, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

For episode 189 of The Fire These Times, Elia Ayoub is joined by friend of the pod Molly Crabapple to talk about the Jewish Labor Bund and how their concept of Doikayt (‘Hereness') can help us build a better world than the hellscape being proposed by techno-dystopianism and end-time fascism. Molly's upcoming book is called “here where we live is our country: the story of the jewish labor bund.” Speaking of end-time fascism, Naomi Klein and Astra Taylor will be joining Elia and Dana El Kurd on TFTT to talk about their essay “The rise of end times fascism.” To get early access to that episode as well as other perks (monthly hangout, movie club, exclusive content and so on) you can join our patreon on Patreon.com/fromtheperiphery The Fire These Times is a proud member of⁠ ⁠From The Periphery (FTP) Media Collective⁠⁠. Check out other projects in our media ecosystem: From The Periphery Podcast, The Mutual Aid Podcast⁠, ⁠Politically Depressed⁠, ⁠Obscuristan⁠, and ⁠Antidote Zine⁠.For more:Elia Ayoub is on ⁠⁠Bluesky⁠⁠, ⁠Mastodon⁠, ⁠⁠Instagram⁠⁠ and blogs at ⁠Hauntologies.net⁠ Molly has a website and newsletterThe Fire These Times is on Bluesky,⁠ IG⁠ and⁠ YouTube⁠ and has a⁠ ⁠website⁠⁠ ⁠⁠⁠From The Periphery is on⁠ ⁠Patreon⁠⁠, ⁠Bluesky⁠, ⁠⁠YouTube⁠⁠,⁠ Instagram⁠, and has a⁠ website⁠⁠Transcriptions: Transcriptions are done by⁠ Antidote Zine⁠ and will be published on⁠ The Fire These Times' transcript archive⁠.Credits:Elia Ayoub (host, producer, sound editor, episode design), ⁠⁠Rap and Revenge⁠⁠⁠⁠⁠⁠ (Music), ⁠⁠Wenyi Geng⁠⁠⁠⁠⁠⁠ (TFTT theme design), ⁠⁠Hisham Rifai⁠⁠⁠⁠ (FTP theme design) and ⁠⁠Molly Crabapple⁠⁠⁠⁠⁠⁠⁠ (FTP team profile pics). Molly's portrait on the cover photo is also done by her.

Artist and writer Molly Crabapple helps us retrieve the purpose of the artist - particularly in hard times.About Molly Crabapple:Molly Crabapple is an artist and writer whose inspirations include Toulouse Lautrec, Diego Rivera and Goya's ‘The Disasters of War.' She is the co-author of Brothers of the Gun, an illustrated collaboration with Syrian war journalist Marwan Hisham, which was a NY Times Notable Book and long-listed for the 2018 National Book Award. Her memoir, Drawing Blood, received global praise and attention. Her animated films have been nominated for three Emmys and won an Edward R. Murrow Award.Team Human is made possible thanks to the generous support of our listeners on Patreon. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Artist/writer/general badass Molly Crabapple (@MollyCrabapple) joins the program to talk Luigi, generative AI, and the place of art and beauty in radical movements. Plus: how Jamie and Molly's shared background in the naked girl business helped them along on their political journeys. Check out Molly's many projects and buy her art at MollyCrabapple.com Sign up as a supporter at Patreon.com/partygirls to get access to our Discord, a shout out on the pod, and all bonus content. Follow us on ALL the Socials: Instagram: @party.girls.pod YouTube: @partygirlspod TikTok: @party.girls.pod Leave us a nice review on Apple podcasts if you feel so inclined :)

Not many people today know about the radical history of the Jewish Labor Bund, the Jewish socialist party founded within the Russian Empire in 1897—but they should. Understanding the Bund is essential for understanding the long and critically relevant tradition of Jewish anti-Zionism. “From the Bund's very earliest days,” artist and author Molly Crabapple says, members “saw that if there was an attempt to create a Jewish ethno-state in Palestine, it would mean a state of eternal war with both the neighboring countries [and] the Palestinians… inside that country.”In this episode of The Marc Steiner Show, Marc speaks with Crabapple about what the history of the Bund can teach us today in the midst of Israel's genocidal war on Palestine, and about how anti-Zionist Jews, including Crabapple herself, continue to fight for a socialist alternative to Zionism.Studio Production: David HebdenAudio Post-Production: Alina NehlichHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterLike us on FacebookFollow us on TwitterDonate to support this podcast

Not many people today know about the radical history of the Jewish Labor Bund, the Jewish socialist party founded within the Russian Empire in 1897—but they should. Understanding the Bund is essential for understanding the long and critically relevant tradition of Jewish anti-Zionism. “From the Bund's very earliest days,” artist and author Molly Crabapple says, members “saw that if there was an attempt to create a Jewish ethno-state in Palestine, it would mean a state of eternal war with both the neighboring countries [and] the Palestinians… inside that country.”In this episode of The Marc Steiner Show, Marc speaks with Crabapple about what the history of the Bund can teach us today in the midst of Israel's genocidal war on Palestine, and about how anti-Zionist Jews, including Crabapple herself, continue to fight for a socialist alternative to Zionism.Studio Production: David HebdenAudio Post-Production: Alina NehlichHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterLike us on FacebookFollow us on TwitterDonate to support this podcast

Margaret finishes telling Molly Crabapple a story about the legends and reality of pirate utopia in Madagascar.See omnystudio.com/listener for privacy information.

Margaret tells Molly Crabapple a story about the legends and reality of pirate utopia in MadagascarSee omnystudio.com/listener for privacy information.

Join us as we talk to Leora Fridman (she/her). Leora is a Jewish writer whose work is concerned with issues of identity, care, ability, and embodiment. Leora is the author of upcoming book “Bound Up: On Kink, Power, and Belonging” which is “an autotheoretical journey through bondage, domination, and intimacy, [in which she] uncovers how Jewish historical trauma can be challenged and explored in embodied relations.” “Bound Up” comes out TOMORROW and you can pre-order it here! If you're based in NYC, check out ⁠Leora's New York launch event for Bound Up: October 10, 2024⁠. If you're outside of NY, you can still see Leora on her book tour! Leora is an absolute trove of knowledge and links to the various things she mentions can be found below: Dispossession, Diasporas, & Doikayt: Shellyne Rodriguez, Molly Crabapple, and Andreas Petrossiants in conversation at PPOW Gallery Is Holocaust Education Making Anti-Semitism Worse? By Dara Horn Sins Invalid's 10 Principles of Disability Justice You Barely Even Work Here: On Higher Education and the Myths of Neutrality by Leora Fridman The Anti-Racist Writing Workshop by Felicia Rose Chavez Unthinking Mastery by Julietta Singh  Jo Kent Katz: Transcending Jewish Trauma Dori Midnight Kruim Yachad (Torn Together): Diasporist Grief Work for the Long Haul Understanding Antimsemitism: An Offering to Our Movement - A Resource from Jews for Racial & Economic Justice New Jewish Culture Fellowship Kaddish for an Unborn Avant-Garde by Maia Ipp How To Tell When We Will Die: On Pain, Disability and Doom by Johanna Hedva Studies in Hysteria by Sigmund Freud and Joseph Breuer Cruising Utopia by José Esteban Muñoz Another Freedom: The Alternative History of An Idea by Svetlana Boym A Birth of One's Own: On Inheritance, Curation, and Production by Leora Fridman Static Palace by Leora Fridman Huge thank you to Leora for joining us for this episode, Jessie for editing the podcast, and Nate for our podcast music. If you are interested in supporting our work, you can do so here. --- Support this podcast: https://podcasters.spotify.com/pod/show/makingmensches/support

Molly Crabapple is an American illustrator, writer, and activist known for her detailed and intricate artwork that often focuses on social justice issues; making her a prominent figure in contemporary art and activism. For this and other artwork we discuss, please visit https://www.darwindarko.com/ekphrastic …its where you can find all this stuff catalogued for your viewing pleasure.  

En este tredécimo episodio del ¡Bipartidismo Strikes Back! (una producción del #PodcastLaTrinchera), Christian Sobrino y Luis Balbino discuten sus carreras prestigiosas y poder nivel Mago de Oz, la vista argumentativa en el Tribunal Supremo del caso de las descalificaciones del MVC, el lanzamiento y los detalles del "Programa para Garantizar el Derecho Fundamental a la Salud" publicado por Juan Dalmau y el PIP y el impacto sobre el MVC de las acusaciones de acoso laboral en el SPT.Este episodio de La Trinchera es presentado a ustedes por La Tigre,  el primer destino en Puerto Rico para encontrar una progresiva selección de moda Italiana, orientada a una nueva generación de profesionales que reconocen que una imagen bien curada puede aportar a nuestro progreso profesional. Detrás de La Tigre, se encuentra un selecto grupo de expertos en moda y estilo personal, que te ayudarán a elaborar una imagen con opciones de ropa a la medida y al detal de origen Italiano para él, y colecciones europeas para ella. Visiten la boutique de La Tigre ubicada en Ciudadela en Santurce o síganlos en Instagram en @shoplatigre.Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovichThreads: @zobrinovichBluesky Social: zobrinovich.bsky.socialYouTube: @PodcastLaTrinchera

En este undécimo episodio del ¡Bipartidismo Strikes Back! (una producción del #PodcastLaTrinchera), Christian Sobrino y Luis Balbino discuten la llegada de Molly Crabapple al Tribunal Supremo en el caso de las descalificaciones del MVC, de las comparecencias en el foro económico de la Cámara de Comercio para los candidatos a la gobernación, de la batalla de los jefes de agencia versus la Comisionada Residente, de la liberación de Hermes Ávila y del intento de usar a la Secretaria de Corrección como chivo expiatorio.Este episodio de La Trinchera es presentado a ustedes por La Tigre,  el primer destino en Puerto Rico para encontrar una progresiva selección de moda Italiana, orientada a una nueva generación de profesionales que reconocen que una imagen bien curada puede aportar a nuestro progreso profesional. Detrás de La Tigre, se encuentra un selecto grupo de expertos en moda y estilo personal, que te ayudarán a elaborar una imagen con opciones de ropa a la medida y al detal de origen Italiano para él, y colecciones europeas para ella. Visiten la boutique de La Tigre ubicada en Ciudadela en Santurce o síganlos en Instagram en @shoplatigre.Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovichThreads: @zobrinovichBluesky Social: zobrinovich.bsky.socialYouTube: @PodcastLaTrinchera

En este décimo episodio del ¡Bipartidismo Strikes Back! (una producción del #PodcastLaTrinchera), Christian Sobrino y Luis Balbino discuten el fallo del Tribunal Apelativo a favor del Movimiento Victoria Ciudadana en el caso de las descalificaciones (la venganza de Molly Crabapple), la columna del Dr. Edwin Irizarry Mora titulada "El impuesto mínimo global y la propuesta de Dalmau", los anuncios de primaria del Gobernador y la Comisionada Residente, el debate primarista del PPD en Telemundo y lo último del Ruben-Sánchez-gate y la ola de protestas universitarias en Estados Unidos por el conflicto de Israel / Hamas / Gaza.Este episodio de La Trinchera es presentado a ustedes por:- Vitola Caribe, auspiciadora del movimiento #ViernesGuayabera y donde pueden comprar guayaberas finas y elegante hechas con telas de alta calidad. Las guayaberas de Vitola Caribe son perfectas para portar el estandarte de la elegancia y potencia caribeña.- La Tigre,  el primer destino en Puerto Rico para encontrar una progresiva selección de moda Italiana, orientada a una nueva generación de profesionales que reconocen el buen gusto y la calidad y que disfruta de vivir experiencias genuinas y únicas. Recientemente, La Tigre inauguró su primera colección para mujeres llamada Ciao Bella!  Visiten la boutique de La Tigre ubicada en Ciudadela en Santurce o síganlos en Instagram en @shoplatigre.Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovichThreads: @zobrinovichBluesky Social: zobrinovich.bsky.socialYouTube: @PodcastLaTrinchera

Episode Summary This week on Live Like the World is Dying, Margaret and Dean continue to talk about the ways that mutual aid helps communities prepare for disasters that are already here and disasters that have yet to come. They talk about what things like hope and success can look like even as the world crumbles around us. Guest Info Dean Spade is an American lawyer, writer, trans activist, and associate professor of law at Seattle University School of Law. You can find Dean's work at Deanspade.net, and you can read the article that Margaret and Dean talk about, "Climate Disaster is Here--And the State Will Never Save Us" on inthesetimes.com. You can also find Dean on Twitter @deanspade or on IG @spade.dean. Host Info Margaret (she/they) can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Dean Spade on Mutual Aid as Preparedness pt. II **Margaret ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host, Margaret Killjoy, and this is part two of a conversation with Dean Spade. So I should probably listen to part one, but I'm not your boss. This podcast is a proud member of the Channel Zero Network of anarchist podcasts, and here's a jingle from another show on the network. **Margaret ** 00:42 Okay, I have a kind of final-ish question, I think. And it can be "ish" on the final part. But at the beginning of this, you said that your politics have been moving towards anti-statism, or, you know, possibly anarchism, or whatever. And I'm wondering if you want to talk about that. In some ways, I feel like you've implied a lot of maybe what has drawn you more towards those politics, but I'm really curious about the kind of route you took--not like where you've landed, and what labels you want to throw on things--but what has led you towards those politics? **Dean ** 01:56 I just talked with somebody yesterday who I know from the anti-Zionist Jewish world who was talking about the. . . about how he feels like people haven't thought. . . that he hasn't thought a lot about anti-State or anarchist politics, and he was like, "Why do you think some people haven't and some people haven't?" and I was like, "Oh, I think people just come to our politics. Like, we just kind of stumble into them." It's like, if somebody stumbled into a punk scene in 1999, they probably found anarchism sooner than me. I stumbled into all this queer, anti-police stuff, and we were doing a lot of identity-based work, and people weren't talking about political tendencies in the same way--in part also, because it had been really divisive, at certain points, in our movements where people had gotten so obsessed with their ideology that they'd been able to work together and got really insular. So there was a lot of, I think, push away for some people from that. I think, also, we have lived in times for the last, at least 100 years, that are so deeply reactive anti-anarchist, in particular, because of the history of anarchism in the US and elsewhere. There's a really great piece by William C. Anderson that came out a while--like not that long ago--after the Atlanta indictment about how policing in the United States itself developed through policing anarchism, that I highly recommend. But anyway, I think a lot of us also just haven't gotten. . . Like, it's like you were told, "Anarchists are just people who want chaos and who are dirty white people," or whatever. There's a lot of things that erase the contributions of anti-colonial anarchists and anarchists who aren't white in all these things. Anyway, Or, anti-State tendencies that aren't anarchism in the European sense. But for me, I think what happened is that I've been in movements that have been benefiting from a range of genealogies, including women of color feminism--specifically Black feminism--and other political knowledges and methods that have been anti-institutional, in really great ways have had critiques of the borders and the cops and the military have also had a focus on practices of collectivity and horizontality with us, you know, inside our movements, which are very. . . You know, that really parallel with a lot of anarchist methodologies like "Let's not have a boss in this group," you know? And so all of those things really dovetail with anarchism, but I wasn't ever studying anarchism itself. Some people who were in groups I was in maybe identified as anarchists, but it didn't seem like an essential thing for me to study for a number of years. And I didn't think a lot about whether or not that was my position, because also I just had the same caricatures in my mind that other people did. And I also was like, "Do anarchists think that people shouldn't get welfare?" I don't know. I had some of my own, you know. As somebody who grew up on welfare, I had some questions about that, that I didn't have resolutions to. And then over time, especially doing abolitionist work, it just was so clear to me more and more not only that everything I was already doing dovetailed with anarchism: my interest in mutual aid, my interest in horizontal tactics inside our groups, and building group culture where we learned how to share with each other, and not boss each other around, and all that stuff. But also, the ways in which, I think, abolitionist frameworks are just. . . like, they're so deeply anti-State. It's like, 'Yeah, don't build a better cop. Don't build a better jail. Don't build a better prison. Don't build a better social services framework that's actually still a cop," or you know. And, that you can't have a country without cops, borders, and military. That's what a country is made of, you know? You can't have a Capitalist economy without a boot on everybody's neck making us participate in it. So I just came to realize like, I'm not only--I always knew I was against the United States settler colonial slavery project--but I was like, "Oh, my God, I'm against countries. I'm against that." And then I did start actually reading about this stuff and I was like, "Oh, my God, they're a recent invention. They don't need to be able to organize themselves. That's not how people have always organized themselves." And I also started to see how it actually makes a difference in our tactics about what we're going to do today, if we know this about ourselves, right? Like how we're going to get basically co-opted by projects of "Oh, let's let's do a let's do a million local elections and try to take over a city council 'thing.'" A lot of that work steals the oxygen out of local movements really intensely. And I'm not gonna say it should never ever be done, but I just feel like so much of it actually has a lack of a conversation about what can happen in those spaces behind it and then is incredibly resource intensive and doesn't lead to the things I think people hope it will lead to, like, "Oh, we're gonna have an abolitionist prosecutor and abolitionist city council person or mayor and it's gonna change everything," right? And then not seeing that happen. I think we've seen that it's played out. Or the, you know, I think this is even sharpened for me with the period of the "Defund [the police]" work--which I care a lot about, trying to defund the police--and seeing the fights inside city councils and how deeply impenetrable--like even when you supposedly, in 2020, get the whole city council saying we want to defund the police and there's so much effort on that side--it's like our cities are run by real estate developers, chambers of commerce, and police departments. And the entire apparatus of the city councils--which is in some ways more accessible than any other level of government, of course--is still unmovable. Like you can't. . . you can be right all day long. You can do every kind of research. You can show you can turn up with all the people every single time. And as soon as they can turn around and reestablish their nonstop march to constantly increase the police budget, that's what they'll do. And that is what they have done since 2020 after all this amazing work by so many people. So I think I'm just continually evaluating "Wow, where are there still parts of my own approach to politics that are assuming we can convince governments of things?"--even while I want to get rid of those kinds of governments--and why do I ever think they will voluntarily put down their weapons? And why do I think about getting any different people inside there, inside that machine? I don't believe that about the military. I'm not like, "Well, maybe if Margaret Killjoy was the general, it would all be fine." I know, that's not true. So why do I, and where have I still. . . And I, you know, I forgive myself and all of us. We're all just trying shit our whole lives. And there's so many things I've been involved in that I think were not that generative, but you know, we couldn't have known that. Or, where there was a backlash so that the thing that was generative for a while stopped or, you know, was turned on us in a way that undermined our hopes. But I think that for me it's just an ongoing deepening with different anti-State frameworks, an ongoing deepening of reading history, and understanding why different revolutionary projects that then took on State forms became authoritarian, trying to understand what this kind of insight--which is very hard, because it's about letting go of a lot of hope and a lot of tactics that people are putting a lot of effort into--like, what it directs us to do to most immediately support people's well being, and take down the apparatuses that are hurting us that are, honestly, just like continuing to grow. Like they're all. . . Like the level of surveillance we are under right now compared to five years ago. Like, the capacity for political repression that the State has right now compared to five years ago. I don't know if you saw this, but like-- maybe it was this week--Georgia is going to outlaw bail funds, is going to criminalize bail funds. Tennessee's trying to do the same thing. Like, tiny things we have in our movements to try to support people facing repression, even those they are directly going after. So, yeah, it's really hard to face these conditions. And also, I see a lot of people working really hard on the ground blaming themselves for the effects of the conditions like "Oh, why can't we? Why can't we do a better job stopping these homeless sweeps in our city?" It's like it's not because you're not doing a really good job trying to. There are a lot of really bad conditions. And I think that it goes back to this humility, like, "Okay, wow, things are so dire. What if I let myself know this so that I could talk with my friends about what's possible--given how things actually are--and let go of some of the fantasies?" I think I talked to you briefly before we started the podcast but I recently rewatched those two videos that Naomi Klein and Molly Crabapple--both of whom I really, really respect--made a few years back. They're both videos about what the world could be like after the Green New Deal and after many wonderful uprisings. And they feel so, so misleading to me, watching them right now. Like they imagine a world in which people just protest a lot. And then everyone has things that are better. And also, we still have countries and jobs. It very weirdly doesn't get rid of Capitalism or the nation state. But it's like, there's a kind of like. . . I think that it's very dangerous, those fantasies, that we can do certain kinds of tactics and our opponents will just turn over. And I think those are inside a lot of people's--a lot of very wise people's--messages. And I just increasingly, when I encounter them, feel much more concerned about what they teach us and how they mislead us. **Margaret ** 11:00 I just think that we have to always look clear-headedly at what our actual threats are, at what's actually happening, and then make our decisions based on how to actually address that, rather than being like, "I want to become just like this person I read about in history, so I'm going to do whatever they did." And this could be true of, "I want to be a principled pacifist and get arrested just like Gandhi," or whatever, right? You know, it could also be, "I want to be just like the following anarchist in the 1880s who decided it was time to start shooting people," you know? We just need to actually look at what's happening and make our decisions based on that. And it's hard, because what we're facing is different from what anyone else has ever faced in history. Not necessarily worse--although the overall ecosystem is worse than anything minus whenever all the. . . you know, before humans evolved, and various other mass die offs that have happened or whatever. But it's different and it's bad. And we just need to look at it and then come up with solutions. Or even some of this is, "How do we solve this problem?" And some of it is like, "How do we live with this?" Not accept it but accept that it's going to have consequences on us and that fighting it isn't going to be easy and we might not win. But what are the best tools by which we can fight it, and/or what are the best tools that we can use to live meaningful lives in the process? You know, so that when we inevitably die, at 103 or 33, we can be proud of who we were. You know, and obviously, there's theological or metaphysical considerations into exactly what that process looks like that'll be different for different people. But, you know, I think that that's what to do. **Dean ** 13:06 It's also about not trying to feel better. I think there's just something so intense about how people are like, you know, "If you talk about collapse, it makes me feel bad." And there's an assumption that that will demobilize me. And it's like, actually, Capitalism is like, either feel bad or feel good, you know? And that's not how life is. Life is like, fuck. . . For example, you have a terrible loss and you live with grief. And you also still enjoy this beautiful meal. And you're still grieving. And you're in pain. And being willing. . . or--I see a lot of my students--they're like, "Oh, my God, the things I'm learning in your class, I'm so worried about these terrible things in the world that I didn't know we're going on. This is so awful." And they want to instantly know what to do to feel better. And I'm like, I can't make. . . I don't want you to do things feel better. I want you to do things to try to be part of something and you'll never know if they worked or not. Because that's the nature of it. You don't know what our opposition's next countermove is or whether we'll regret some parts of it, but it's the trying stuff, it's the listening to feedback about what didn't go well or how it hurts somebody else. The goal is connection and belonging with each other and experimentation. And, you know, it doesn't always feel good to receive negative feedback, but often it's like incredibly growthful. It's like feeling good can't be the goal. Feeling, Yes. And sometimes feeling good. And pursuing pleasure, absolutely. But not like, "I want to have a pat" happiness where I don't have to worry or be concerned or be critical. Like of course nobody who sees themselves as radical should be wanting that, but I still think that craving--when it comes to conversations about collapse--where it's like I want the one thing that will make me feel better. Or, people feel that about Gaza. Like, "Oh my God, I just found about about this horrible genocide that's happening. I've not known about this before. I want to be able to go to one action and feel I did something and to then be better and post it on Instagram. And it's like, A) love them for waking up to what's happening in Gaza. I love, love any moment where people become more interested in the wellbeing of all people and stopping violence, and we have to be willing to take in how overwhelming this is, how unmovable the war machine feels, and still take action against it, but not because we're guaranteed that what we did today works, or something. You know what I mean? Like that feels--that simplicity--really cheats us of the really complex position we're actually in, that if we can let ourselves be in it, might allow discernment towards better action, hopefully, you know? **Margaret ** 15:30 No, and I like how you tie that to the way that capitalism makes us think that happiness is the goal. Like, I like happiness. But my goal in life is not specifically to lead a happy life; it's to have a meaningful life and to have as complete of a life as--I mean, every life is complete. And, you know, when you look at. . . Anyone who's ever known a child who's died has had to come to terms with the fact that every life is complete, you know, is a thing that I've been dealing with because of some stuff. And, you know. . . Yeah, the idea that you're just supposed to be happy is some fucking McDonald's shit. You know? And don't get me wrong, seek happiness. Do it. It's great. You know? But yeah, sometimes you just need to accept. . . Like, I want to live a beautiful life and I think that is a different thing, you know? And maybe because I'm like a goth, or whatever, I find a lot of different things beautiful than some other people. But. . . No, I. . . I like that. And it does. It helps get people beyond the like, "Oh, good, I can sleep at night because I went to one protest," you know? And instead, like learning to sit with the discomfort of all these things happening and understanding where we do and don't have agency and. . . Imean, don't get me wrong, people should be going to these protests. You know, if nothing else that are good ways to find the other people who care. **Dean ** 17:04 Yeah, meet other people and try stuff. I mean, I want to live in reality. I want to know that. . . I want to. . . If I've been working on a strategy for 10 years and it has actually not been helping, it's been hurting people, I want to know. I don't want to keep doing it just because my ego is attached to it, or my paycheck. I've seen that a lot in the dilemmas with the [uninterpretable] movements, you know, where I want to. . . Yeah, absolutely, I'm like, be promiscuous about the stuff you try. Go to all the protests. Go to anything. Try anything. But it's that willingness to keep open the possibility that I'm going to get feedback or learn that. . . learn the impacts, or learn my position on the world, or learn how the clothes I'm wearing impact people who made them, or what. . . I just like, I just want to be in reality, and that includes the reality of how unbearably beautiful being alive is, how the entire... how my entire body was structured to receive pleasure from this incredible landscape. That reality too, which is Capitalism also shuts down and tells me to only be entertained by video games and chips, or whatever. You know, I want to live fully in the reality of how beautiful and abundant and gorgeous this life is and how heartbreaking and devastating these systems are, and how little control I have over them. And then, the moments when I do feel a connection, or am of service to something in my community, like how that is--like all of that, you know? But not through the filter of liberalism, that's just like, "I need to find out that I'm a good person. TM [trademarked]," you know? **Dean ** 17:04 Okay, so in that vein, to bring it back to kind of some of the preparedness stuff that you've been writing more about and engaging with more, I was wondering if you want to talk about, like, what do you what is preparedness looking like for you right now? Or, you know, how is it affecting you as much as you feel like talking about anything personal? Like, how is it affecting the kind of decisions that you're making about how you want to live or how you prepare? **Dean ** 18:55 That's such a good question. I mean, in general, my study of collapse is affecting a lot of things for me. I'm thinking a lot about the ethics of the fact that I travel on planes and how to reduce that or eliminate it. And also I don't want to get stuck somewhere really far away from my people when things are bad. So I've been thinking a lot about shifting and changes around that. I've been thinking a lot about how much I want to work a job. What are the other options here? You know what I mean? Just like when will I know that I don't want to do that? Or whatever. I've been writing a book for 10 years that's kind of like a relationships self-help book for radicals, you know, kind of thing, because I've spent so much time in our movements watching people, you know, tear each other in our groups apart with our own unexamined relational patterns that are very, you know, the pattern across the culture. So, I've been writing a book about that. And part of me is like, "At this point, I just need to recognize I'm writing this for pleasure. Like, I don't know that there's time for this to be of any use to anyone," you know what I mean? That's an interesting move to shift from thinking the, you know, probably totally ridiculous fantasy any of us have when we write anything, that people will read this and it will help them do something, and be like, "Or not?" Or I'm just really working on a book for 10 years, just for me...because that's what I did with those 10 years of my life. Okay. Like, that's an interesting move to let go of outcomes even more than ever. And I don't think I ever thought that I would have been terribly impacted by even the little hope of that. **Dean ** 18:55 Yeah, I think just to. . .just to gas you up really quick. I've seen your cultural impact for years now, and it's always been positive. So I appreciate it. But please continue. **Dean ** 20:44 I mean, I think about whether I want to live in the country, whether the cities will be the hardest places to be. And I have friends who have moved to rural places and like really cultivated deep relationships with people, even across political differences in the places they're living. And I'm like, "Huh." And then I think about some really, some really, you know, detailed specific things. Like, if I'm going to live in the country, in the Pacific Northwest where I live, how can I live less near all of the scariest...you know, right-wing neo-Nazis and closer instead to some of the rural people who are a little more like fruits and nuts, you know? So I asked myself that question. I think about what that would look like, you know, off grid? You know, I'm not somebody who can like buy a vacation house or something. So like what kind of off-grid small sort of thing can I do with anybody I know who already has a land project. I think about that. I think about. . .I think I've been thinking a lot about--I think maybe I mentioned this to you--of thinking a lot about doing something like go bag parties even in subcultural scenes in my own town. Like doing things to get more people to talk about disaster and collapse, you know? And if they want to think about it as an earthquake go bag, awesome. That's a danger in Seattle for sure. If they want to think about it like that. You know, like, having people just, I was thinking about, like, how do you make those parties fun? Like, you know, having there be giveaways, having there be like. . . having people bring. . . You know, is it also a clothing exchange? Like, is it a sex toy exchange? Like, I've been just imagining different, you know, what would that look like for my queer-er friends versus what will it look like for people on my block, versus what would it look like with my students? Like, just kind of what would be different. . . what would help different people try it and then also think they could put one on, you know? Like, just how to really--especially because I feel like this podcast is very user-friendly in that way, so I've been really inspired by some of your episodes to think about what are the ways I could take what I love about mutual aid organizing, how I love meeting people, and I love making an event happen, making it welcoming, having people make new friends, and how can that be oriented towards people thinking about preparedness? And how much--some of the questions I've asked myself are--how much would there be any talking and programming at such an event or how much would it just be like, "come and grab this stuff. And here's some printouts of things you could have in your go bag. And here's a pile of bags. And there's a pile of, you know, emergency blankets. And here's a pile of whatever," right? So I've had those kinds of questions about how to do. . . I think that's what's next for me is to actually try on some of that organizing with some people that are actually interested in that. **Margaret ** 23:10 When you do that, can you come back on and talk about how it went? I feel like people will learn from that a lot. **Dean ** 23:15 Yeah, and I'd love to, if other people have tried it--I'm curious--please reach out to me. Curious to hear their experiences. **Margaret ** 23:21 Me and one of my friends who does this kind of work too, we put on a day of preparedness. We did a, you know, where you get. . . There were a bunch of different talks by different people who lived in that area who came and they talked about the projects they're working on. There was someone who was like, "Oh, I'm really into mesh networks." And someone else is like, "Oh, I'm doing things like water collection and rainwater and things like that." And there were multiple. . . There were, I think, a total of maybe about six events at. . . So you could pick between two at any given point, like the way that conferences work, or whatever. And it was, you know, a local food. . . a local food distro did lunch that was free for everyone. But then dinner was a giant potluck. And I've actually never seen a giant potluck work so well as the one that I went to. It was cool. And then there was a big talk that was everyone and it was more in the evening. Some people only came for that. And it was, you know, we used me as sort of a keynote-ish person but then it was. . . Immediately from there. It was a facilitated roundtable of the people who live in that town talking about their needs and how to meet them. And I'm now thinking maybe I talked about this before on the show. I have no idea. And then at the very end, we made a long term food bucket. You know, a mylar bag, rice, and beans thing, which is way easier to do if you buy it all in bulk. And then it was kind of fun. And it was. . . My favorite part about it was that theoretically I was organizing it. And I know how to make the bucket. But I don't know how to necessarily make the 15 people figure out how to make sure that all the food goes evenly to these different buckets or whatever. And people were like, "How do we do that?" and I was like, "Figure it out. I don't know." And then everyone's self organized it and it worked perfectly fine. And then like everyone felt more invested, because they were...everyone was in charge and figuring things out together. And it was like a nice little microcosm of those, those nice moments in so many ways. And, you know, and then it was. . . I would say a good third of the people didn't have any money--and so didn't pay for their buckets--and a good third of the people were like, "I can easily pay twice as much as what this bucket cost," you know, because those buckets, if you make your own are only like 20 bucks. If you buy them at a prepper store--if you buy them at a reasonable prepper store, they're 50 bucks--if you buy them from Alex Jones and all that shit, then they're not very good and they're way more than that. And so that worked, that model works really well. And we're hoping to replicate it. And so, but I really like the way that you're talking about it. I really like the idea of like, yeah, how would it be different? How would the go bag party be different for your block versus your students versus your queer friend group, but I'm fascinated. I want to hear how it goes. **Dean ** 26:07 Yeah, I love what you said about people having to figure things out. I noticed this a lot when we had that police free zone in Seattle during the 2020 uprising, how many people who showed up who'd never done anything political in their life. they've never, ever, ever, and they like to come to it. Like they're coming to the movement. And they arrived at the field, at Cal Anderson Park, and they wanted something to do, you know? They wanted to do part of an art build, or they. . . Like people don't want to just sit and watch, you know? And then once you are a part of doing something, you're helping move a barricade--whatever--then you're like, it's like a transformative. Like, "I was there and I was part of it. And I was important to it." It lets you have it be your...it's your identity, instead of "I went and watched the movement," you know? Whatever it is, I just thought that moment, when you said--"agency" is the word you use earlier--I feel like that you can. . . that can happen anywhere. But part of the way it happens is not like overly babying, you know, everybody. You know, yes, making things accessible and trying to make it really welcoming, but also putting people to work if they're up for it helping coordinate, you know? **Margaret ** 27:11 This actually goes full circle to something we were talking about at the beginning. We were talking about how we talk about disasters with people, right? And the note, the words that I wrote down in my notes that I take while I'm interviewing people, is I wrote down "disaster fatigue," because that's the. . . like the way that I think about it, you know, the. . . The way that I. . . A long time ago, I did forest defense and I would go sit in trees and fight against clearcutting and stuff like that. But I, I actually avoided going to West Virginia and fighting mountaintop removal for a long time, even though I knew it was happening, because it was too much of a problem. A clearcut is something that is a horrible crisis. And you can wrap your head around it even as people kill ancient trees. The Appalachians are like older than air, or something. I don't even know. They're old as shit. They are some of the oldest mountains in the world, right? And, the fact that people were clearcutting the mountain, like blowing up the mountain, was just too much. I couldn't wrap my head around it. And so I just didn't think about it. And I think that overall, that's what people do with climate change. There's big, major things that are happening, that are really big. And I'm not trying to say that other crises that are happening aren't really big. Climate change is the mother of all crises. You know? It is the most existential threat to all life on Earth that has existed since there was sentient life. And I'm not just including humans in that, you know? And, so people don't want to think about it. And I think that makes sense. And I think that the people who put in the work to be like, "Hey, come to Mountain Justice Summer Camp, or Spring Break Camp or whatever, and made these spaces where people could show up and learn about what was happening and get engaged. I think that maybe climate change. . . Yeah, it's the. . . Have people show up and give them something to do or tell them that work needs doing and that they can figure out what to do, you know? But we kind of, as a movement, a little bit too much are like, "I don't know, just figure it out." Because then the current people who like making. . . There's actually some people doing amazing work. There's a lot of people fighting pipelines and there's people fighting extraction. And I'm not even like mad at the people who like throw food at paintings or whatever, but it's not something that invites a lot of people in--from my perspective. I'm not. . . Honestly, I try not to talk shit on tactics. I try to be like...I try to do the "more stuff" model of critique where instead of talking shit on their tactic, I should do a different tactic. And what am I doing? I mean, whenever. I'm running around trying to help people get prepared. I actually think I'm doing a lot. But anyway. I just got excited about what you were saying. **Dean ** 30:11 Yeah, that thing. I mean, it's like. . . I think a lot about how the Young Lords said--you know, who are. . . they're fighting Puerto Rican liberation in the 1970s and modeled themselves after the Black Panthers. And they said in their early texts, you know, that they believed that their own people seeing their people fight in the streets with the cops would radicalize people. So that like having escalated tactics--and this is similar to the Ireland story you told--escalated tactics, confrontational tactics, liberals will tell us we're going to alienate people. . . What did you say? **Margaret ** 30:44 Setting fire to trash on the streets. I really like the Young Lords. **Dean ** 30:47 Yeah, like, escalated tactics don't alienate people, they bring a lot of people in. And the people who think they're alienated from them might feel scared of them and stuff, but the cultural shift and change that they produce still brings people along. In the end, they're like, "Oh, no, no, I'm not racist," or whatever, you know? It's like it moves everyone. It moves the needle. And so I think we need escalated tactics and we need invitations and inroads. And for a long time, I've said I think mutual aid is one of the best on ramps, and historically has been one the best onramps for movements. **Margaret ** 31:16 Absolutely. **Dean ** 31:17 Most people get involved in movements through trying to immediately help somebody, you know, because that's what. . . when you're fired up, that's what you want, or because they got help through a mutual aid project of some kind and that's what politicized them. They're like, "Who are these people who are giving away this thing that I need that I can't get anywhere else," you know, "Who are not mean to me and who tell me it's not my fault, and that, actually, the system's fucked, huh? What are they saying? And they're right," you know? So that, I believe deeply in the mutual aid onramp. And I also think that moments like riots and stuff can be an onramp when people are like, "I'm joining in. And now I'm burning a cop car," and that feeling that kind of power. And then, "I want to learn more about who these people were, who I met in the streets," or whatever. And for some people, the on ramp is that they first encounter. . . I mean, I have a friend who's a really incredible anarchist organizer who does really massive mutual aid projects, and is just so brilliant, and told me that they're. . . they first were like. . . they joined the Bernie campaign. And then we're really involved in the Bernie Sanders campaign and then we're like, "Wait, I don't know if this is really working," you know? But like, everyone comes in somehow, you know? And so part of it too, is that we should be in all those places trying to encourage people to learn more about movement history or horizontal tactics or bold tactics that are. . . I just went to an amazing event at an anarchist space in Seattle called Pipsqueak. The event was surrounding. . . they had collected all these accounts of kind of sabotage and vandalisms and shut-down types of actions related to opposing the genocide in Gaza. So many stories I hadn't heard, you know? They collected this huge amount. They had this really wonderful hour of like, you could come and read this zine they'd printed out with all this stuff and think it through, and then a really, really well facilitated discussion for an hour and a half. And I was like, that's like. . . Like, making sure people can find out about the rad stuff that's happening, that's not going to be reported in the news. That's so cool. And also then people got to discuss all their dilemmas about tactics. Like, "Oh, my gosh, I've been going to all these kind of more, you know, media spectacle events about Gaza. I thought these things about that. What's it like to learn about these other things people are doing?" You know, people get to have those juicy conversations about what they think about the tactics they're using. **Margaret ** 33:28 I love it. And we talked about twice as long as we thought we were going to and now this is two episodes. So you all listening had to wait an extra week to hear the other half of the conversation. Do you have any kind of last thoughts on preparedness, mutual aid, how your thinking has shifted, all the topics that we've been talking about today? **Dean ** 33:50 Well, the thing that's spurred us having this conversation was that I wrote that piece for In These Times that was about my experience of reading two sci-fi--cli-fi novels--one is "Ministry of the Future," and one was "The Deluge." And I encourage people to read that piece if you want to hear my thoughts on those books. But one of the things that happened from reading those books and then writing about what I thought was a failure of different aspects of those books was how now--I did think about this because you are an amazing fiction writer--like how part of what happens to me now when I read almost any speculative book, any book, that's fiction that takes place somewhat in the future, is I am like, it feels instantly conservative because it never includes collapse, right? Because inevitably they've got us 50 years ahead and there's some AI. Or there's been some disruption from climate stuff. Like, it's never as bad as it actually is. And that is fascinating to me, you know? And they always have all this intense tech development in such books in ways that I like--I really recommend people actually listen to Kelly Hayes podcast episodes about AI. Really useful for me in trying to understand the hubris of the tech sector, and the way they talk about AI and the way they're making people afraid of or hopeful about AI, and how off base it is, and kind of what the deal really is. But anyway, I just want to say that I have historically found speculative fiction to be a vital place for trying to help myself think about crisis and collapse and also now I feel so strongly because I--I think I may have mentioned this to you, once--I've been very moved by this person Jem Bendell, who's like this. . . in many ways, he does not share all of our values. And it's coming from a very different place. But he's this academic kind of whistleblower about how bad climate stuff really is. And he. . . I find myself often like, I find myself going into my own denial about what's happening and retreating from what I know and then I listened to the introduction to his book, "Breaking Together," again to remind myself about the stakes of what I'm living through. And I feel like in some ways I used to use--and I still somewhat use speculative fiction in that way--but I'm just increasingly like. . . even most speculative fiction is telling us the wrong message about how long the systems we live under are going to last and how much they're going to flourish with the technologies that I just don't think is real. **Margaret ** 36:12 You know, what's funny, some of this--a little bit of it--is baked into a problem of writing fiction where if you. . . I've actually gotten--not in trouble with--but I've had editors take out dates in my writing before, right? Because I'll write a short story about a sort of collapse-y world or whatever and I'll be like, "After 2022, when the. . ." because I wrote this in like 2018, or whatever, because I was trying to write on a realistic timeline where I was like, "Oh, the world's not gonna be the same in 2022." And I feel like I was pretty accurate about that, right? But they have to future proof their magazine, right? And so, you know, you don't want to make certain types of claims about the next three years because you want your story to be...to have a shelf life of that long. And so some of it is baked in as a problem in publishing and in science fiction writing. And that said, I think most people. . . Did you ever read that book "Desert," the green nihilist book. . . **Dean ** 37:12 Yeah, I've read like half of it. **Margaret ** 37:15 I haven't read it in a long time. I remember reading it and being like, "Well, this is naively optimistic." [Laughing] **Dean ** 37:23 That's the one where they're like, "7/8ths of people are gonna die." **Margaret ** 37:27 Yeah, I can't even remember exactly. **Margaret ** 37:28 But yeah, it was like climate change isn't going to be stopped, and we have to re-address how things work on a fundamental level. And because where I've been at. . . I don' t know. I guess what I'm trying to say is I'm with you on. . . like, when I read stuff about the future, where it's like, "And then it'll all work." I actually still really like "Ministry for the Future," and maybe actually should have you on just specifically to talk about "Ministry of the Future" at a different point. But it. . . you know, because it's a complicated. . . It's a caveated, "I like this book," you know? **Dean ** 37:28 It's intense. **Dean ** 38:02 That's how I feel about "The Deluge." It's like, I like "Deluge" even though I think it also has the same problem. **Margaret ** 38:06 I haven't read "Deluge" yet. **Margaret ** 38:08 Oh, there's no character development in "Ministry." **Dean ** 38:08 I think it's really worth reading. I think it's way better character development than "Ministry." It's way better. **Dean ** 38:14 Oh god, yeah. "Ministry" is so dry. **Margaret ** 38:17 Kim Stanley Robinson does not write people. Kim Stanley Robinson writes ecosystems. **Dean ** 38:21 Yeah, and "Deluge" really ropes in a lot more of rise in fascism with climate crisis and has characters that are more different class, race, gender than "Ministry" and is just like. . . it's way more compelling, unfolding, even though in the end it still imagined that states will turn around and like fix things. **Margaret ** 38:47 Well, I think there's plenty more we could talk about. And I hope we get to talk about it soon at some point. But in the meantime, how can people find you or your work? Or what would you like people to. . . or if you want to shout out any specific projects that you want to draw attention towards whether they're yours or other people's. **Dean ** 39:07 Mostly everything I do I put on--I mean, I'm kind of bad at it--but I'll put a lot of things at deanspade.net, which is my website where I collect the things I write and the videos and the many things. So that's a pretty good source for the backlog. **Margaret ** 39:23 If people want to read the specific article that we've been talking about, if you just. . . it's called "Climate Disaster is Here and the State Will Never Save Us." But also if you type in--the way I found it just now while we're...when I was trying to come up with the title--I just typed in "Dean Spade, Kim Stanley Robinson," personally, and it came up, you know. But, okay. Anything else? **Dean ** 39:47 Thanks for having me. **Margaret ** 39:48 Thank you. **Margaret ** 39:54 Thank you so much for listening. If you enjoyed this episode, then you should run around screaming that the sky is. . . No, don't do that. You should make bug out bags for your friends or do whatever you want. You should think about. . . Whatever we already told you what we think. But you can also support this show. And if you want to support the show, you can do so by telling people about it. And you can support the show by supporting us financially on Patreon. Do not feel obliged to do it. This is a free show. However, we're incredibly grateful because people's donations are how we manage to pay our transcriptionist, which is very important to us the show is transcribed, and then also our audio engineer. And one day--I keep promising this but we don't know when this day will come--one day, it'll pay the hosts or the guests. But for now it doesn't. And that's okay because, you know, the world works the way it works. You can support us on Patreon by supporting our publisher, which is Strangers in a Tangled Wilderness at patreon.com/strangersinatangledwilderness. And in particular, we would like to thank Ephemeral. Oh, there's new names on here. That's really exciting. Ephemeral. Appalachian Liberal Liberation Library. And they wanted to specifically point--I would never make this--but they specifically pointed out it's Appalachian [App-a-latch-un], not Appalachian [App-a-lay-shun]. That's in the description of how we're going to read this. Portland's Hedron Hackerspace. Boldfield, E, Patoli, Eric, Buck, Julia, Catgut, Marm, Carson, Lord Harken, Trixter, Princess Miranda, BenBen, Anonymous, Funder, Janice & O'dell, Aly, paparouna, Milica, Boise Mutual Aid, theo, Hunter, S. J., Paige, Nicole, David, Dana, Chelsea Staro, Jenipher, Kirk, Chris, Mic Aiah, and, as always, the immortal, Hoss the dog. And when you support Strangers in a Tangled Wilderness, you're supporting this show and you're also supporting a show called The Spectacle. We renamed Anarcho Geek Power Hour to The Spectacle. And you're also supporting the podcast called Strangers in a Tangled Wilderness and a whole bunch of other projects. So that's that thing where I do the outro and I hope you all are doing as well as you can, and we'll talk to you soon. Find out more at https://live-like-the-world-is-dying.pinecast.co

In this special collab episode between Obscuristan and The Fire These Times, Karena Avedissian and Anna are joined by Daniel Voskoboynik to discuss the life of Russian opposition leader Alexei Navalny and what his death means for those of us not quite at the heart of the Russian empire. Plus, Anna and Karena announce that they're joining the wider TFTT collective!  Obscuristan is available wherever you listen to podcasts. About: Join political scientist Karena and total civilian Anna on a trip to Obscuristan. Each week, Karena and Anna dive into a truly bizarre story from Eurasia in its full political, social, and imperialist context. Join us, and you'll find out why Obscuristan isn't so strange at all when you consider the sh*t it's been through. The best way to support The Fire These Times is to: ⁠⁠⁠⁠⁠Become a member of our Patreon at Patreon.com/firethesetimes⁠⁠. With a monthly or yearly subscription, you get perks including early access, exclusive videos, monthly hangouts, access to the video and book clubs, merch and more. Leave a review wherever you listen to podcasts. This allows us to show up on these platforms in the first place. Tell your friends and enemies about it. Episode Credits: Hosts: Karena Avedissian and Anna Producer: Anna Guest: Daniel Voskoboynik Music: ⁠Sarven Yapar⁠ Sound editor: Anna Episode designer: Elia J. Ayoub Team profile pics: Molly Crabapple

It can write emails, essays and even songs. It has created award-winning pieces of art, and it can take simple text prompts and generate eerily life-like videos. That's right—we're talking about artificial intelligence. Generative AI programs such as ChatGPT, Sora and Midjourney are getting smarter and more powerful by the day—just this week, Nvidia, one of the world's leading AI companies, announced a powerful new chip that could supercharge AI's already rapid growth. This technology is already worrying artists of all kinds about the future of art. Is AI coming for artists' jobs and livelihood, or is it a helpful tool pushing art to a new horizon? Jason Allen used generative AI to create his work “Théâtre d'Opéra Spatial,” which won the Colorado State Fair's annual fine art competition in 2022, making news headlines. He says artists should be excited and more open to working with AI as a new artistic medium that can help break down barriers and democratize art for everyone. On the other side, Molly Crabapple, award-winning artist and writer, says artists—and everyone—should be concerned about generative AI, arguing that these programs are not only stealing from, but “sucking the lifeblood,” from living artists. Additionally, she contends that the limited creativity of AI art programs will ultimately impoverish human culture. Listen to Doha Debates Podcast as our guests debate the controversy surrounding AI art, the economics of artificial intelligence and the future of art around the world. Doha Debates Podcast is a production of Doha Debates and FP Studios. This episode is hosted by Joshua Johnson. Thoughts on this conversation? Let us know! Follow us everywhere @DohaDebates and join the post-episode discussion in our YouTube comments.

In episode 74 of the Podcast for Social Research, BISR faculty Ajay Singh Chaudhary sits down with writer and artist Molly Crabapple to discuss his new book, The Exhausted of the Earth: Politics in a Burning World (Repeater). Live-recorded at P&T Knitwear in New York City, the conversation encompasses, among other things: the ubiquity of exhaustion (and how feelings of exhaustion might form the basis for new international solidarities); right-wing approaches to climate mitigation (and why, in the realm of climate policy, the Right has a "leg up"); "growth," "degrowth," and how the status quo actually thwarts abundance; the limits (or, illusions) of climate technocracy (and the kinds of climate technologies that can work); and international social movement responses climate catastrophe—and the lessons they might provide for U.S. activists.

In a time of turmoil, what happens when art and politics collide? From prisons, refugee camps and war zones, artist and journalist Molly Crabapple has documented the astounding courage of people living in the worst possible circumstances.   Crabapple wonders whether art is sharp enough to cut through razor wires. Is it time to move art out of galleries and use it as a real agent for change? Molly Crabapple is an artist and writer who has been published in the New York Times, The Paris Review, Vanity Far, The Guardian, The New Yorker and Rolling Stone. She became a journalist sketching the frontlines of Occupy Wall Street, before covering, with words and art, the Russian invasion of Ukraine, Lebanese snipers, Guantanamo Bay, the US-Mexican border, Pennsylvania prisoners, New York cabbies, Greek refugee camps, and the ravages of hurricane Maria in Puerto Rico.

It can write emails, essays and even songs. It has created award-winning pieces of art, and it's one reason that Hollywood is on strike. That's right—today's podcast episode is about artificial intelligence. Generative AI programs such as ChatGPT, DALL-E and Midjourney are worrying artists of all kinds about the future of art. Is AI coming for artists' jobs and livelihood, or is it a helpful tool pushing art to a new horizon? Jason Allen used generative AI to create his work “Théâtre d'Opéra Spatial,” which won the Colorado State Fair's annual fine art competition in 2022, making news headlines. He says artists should be excited and more open to working with AI as a new artistic medium that can help break down barriers and democratize art for everyone. On the other side, Molly Crabapple, award-winning artist and writer, says artists—and everyone—should be concerned about generative AI, arguing that these programs are not only stealing from, but “sucking the lifeblood,” from living artists. Additionally, she contends that the limited creativity of AI art programs will ultimately impoverish human culture. Listen to the Doha Debates Podcast as our guests debate the controversy surrounding AI art, the economics of artificial intelligence and the future of art around the world. Doha Debates Podcast is a production of Doha Debates and FP Studios. This episode is hosted by Joshua Johnson. Thoughts on this conversation? Let us know! Follow us everywhere @DohaDebates and join the post-episode discussion in our YouTube comments.

Paris Marx is joined by Molly Crabapple to discuss why AI image generation tools are a threat to illustrators and why we need to refuse the idea that Silicon Valley's visions of technology are inevitable. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun with Marwan Hisham. Follow Molly on Twitter at @mollycrabapple.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Follow the podcast (@techwontsaveus) and host Paris Marx (@parismarx) on Twitter, and support the show on Patreon.The podcast is produced by Eric Wickham and part of the Harbinger Media Network.Also mentioned in this episode:Molly wrote an op-ed for the LA Times about the threat of AI-generated tools for artists, and co-wrote an open letter about restricting AI illustration for the Center for Artistic Inquiry and Reporting.Karla Ortiz wrote about how teaching an AI to copy an artist's style isn't democratization; it's theft.Corridor Digital claimed they were “democratizing” animation by using AI trained on Vampire Hunter D to generate their own animated video.Rest of World reported on how AI was being used to take video game illustrators' jobs in China.AI is already being used to justify laying off journalists.In February, Creative Commons published an article arguing that using copyrighted works to train generative AI should be considered fair use.Stable Diffusion and Midjourney were hit with a copyright lawsuit, and Getty Images launched its own suit against Stable Diffusion.The US Copyright Office says AI generated images are not eligible for copyright protection.Support the show

Publishers of books, magazines and their digital incarnations have long hired artists to contribute unique visuals to their storytelling. It’s the kind of work Molly Crabapple cut her teeth on. Her illustrated journalism has been published by outlets like Vice, Rolling Stone and The New York Times. But she fears the format faces an existential threat from artificial intelligence image generators like DALL-E and Stable Diffusion. Crabapple recently wrote an open letter about her concerns in collaboration with the Center for Artistic Inquiry and Reporting. She talked about it with host Meghan McCarty Carino.

Publishers of books, magazines and their digital incarnations have long hired artists to contribute unique visuals to their storytelling. It’s the kind of work Molly Crabapple cut her teeth on. Her illustrated journalism has been published by outlets like Vice, Rolling Stone and The New York Times. But she fears the format faces an existential threat from artificial intelligence image generators like DALL-E and Stable Diffusion. Crabapple recently wrote an open letter about her concerns in collaboration with the Center for Artistic Inquiry and Reporting. She talked about it with host Meghan McCarty Carino.

"My Brother's A Basehead” is a true story. Posdnous from De La Soul had an older brother who had a crack addiction and it was very damaging for the whole family. For Pos and his parents, crack was literally in the house just as it was in many houses and many families during the crack era. Crack decimated many families and De La Soul made one of the most powerful songs about all that. In this episode we talk about how crack destroyed families and what went into the making of "My Brother's A Basehead.” We talk to Prince Paul, De La Soul's producer who's sometimes called the 4th member of the group. We also talk about a very different song about crack users, Public Enemy's Night of the Living Baseheads, which looked down on people who used crack while one of the members of PE was a crack addict. PE's producer Hank Shocklee joins us for that.     Guests: Prince Paul, Producer - De La Soul is Dead Hank Shocklee, Producer - Public Enemy Credits: De La Soul - My Brothers a Basehead Writer: Posdnuos, Trugoy the Dove, Prince Paul, Maseo, Clint Ballard Jr. & Robby Krieger Label: Tommy Boy Records Publisher: Tee Girl Music, MCA Music, Shapiro Bernstein & Doors Music Co. Grandmaster Flash and the Furious 5 - The Message  Writer: Clifton ‘'Jiggs'' Chase, Sylvia Robinson, Duke Bootee & Grandmaster Melle Mel Label: Sugar Hill Records Publisher: Sugar Hill Records   De La Soul - Me Myself and I Writer: Posdnuos, Trugoy the Dove, Prince Paul, Maseo, George Clinton & Philippe Wynne  Label: Tommy Boy Records Publisher: Birdsong Edwin Music Pub, Bridgeport Music Inc, Daisy Age Music, Warner-Tamerlane Publishing Co   De La Soul - Potholes on My Lawn Writer: P. Huston, K. Mercer, D. Jolicoeur, V. Mason Label: Tommy Boy Records Publisher: Tommy Boy Music   Public Enemy - Night of the Living Baseheads Writer: Chuck D, Eric Sadler & Hank Shocklee Label: Def Jam Recordings Publisher: Def American Songs Inc, Reach Global Songs, Shocklee Music, Songs Of Reach Music, Terrordome Music Publishing Llc, Your Mother S Music Inc Crack User in the 80's epic interview, EurointheCut What is the Drug War? With Jay-Z & Molly Crabapple, Drug Policy Alliance Lawn Order, 99 Percent Invisible Toure: Why I Quit, Touré Speaking Freely: Chuck D, Freedom Forum Malcolm X's Fiery Speech Addressing Police Brutality, Smithsonian Channel  See omnystudio.com/listener for privacy information.

For this latest roundup of OLD NEWS stories, we're joined by a very special guest, to talk about: The MASS MoCA union; the new monument to the Central Park 5; the debate about bringing attention to the climate crisis by throwing food and attaching body parts to famous artworks in museum, as analyzed by Jerry Saltz in his piece ‘MASHED POTATOES MEET MONET,' as well as through our own lenses on the phenomenon; how a stolen painting was turned into a popular throw pillow (which you can purchase online for $18.40 plus shipping); the struggles of Pace Gallery's Superblue, and the history of Pace through the Glimcher family, including a botched diversity hiring of Marc Glimcher's daughter; Guy Richards Smit's cartoon, “WHAT DO YOU SAY TO SOMEONE AFTER A VERY BAD STUDIO VISIT?”;  a consideration of big tech's plundering of art and illustration for its generative AI projects, as poetically analyzed through Molly Crabapple's LA Times Op-Ed, “BEWARE A WORLD WHERE ARTISTS ARE REPLACED BY ROBOTS;” why the director of Florence's Uffizi Gallery is demanding employees follow strict guidelines for email etiquette; and what our respective OLD NEWS favorites for the week were.

Angela gets the background on how Alissa Quart's admiration for and work with Barbara Ehrenreich sparked their work with the Economic Hardship Reporting Project.  Listen to learn how Alissa passionately continues the work to give marginalized people a voice. Follow Alissa's work here: http://www.alissaquart.com/ Instagram:  https://www.instagram.com/alissaquart/ Twitter: https://twitter.com/lisquart EHRP: https://economichardship.org/ EHRP Twitter: https://twitter.com/econhardship EHRP Facebook: https://www.facebook.com/EconomicHardshipReporting EHRP Instagram: https://www.instagram.com/economichardship/ The Village Voice: https://www.villagevoice.com/ Barbara Ehrenreich: https://www.barbaraehrenreich.com/landing-page/barbara-ehrenreich-about/ Gary Rivlin: https://garyrivlin.com/ Maisie Crow/The Last Clinic: http://maisiecrow.com/ Erie, PA: https://economichardship.org/2022/03/homelessness-in-erie-pa-a-single-mothers-struggles-and-where-she-turned-for-help/ Against “Poor” Reporting: https://www.cjr.org/criticism/unskilled-worker-journalism-class-bias.php Going for Broke (podcast): https://economichardship.org/2022/11/going-for-broke-can-work-be-love/ Remembering Barbara:  https://time.com/6211712/remembering-barbara-ehrenreich/ Hispanic Reporters https://nahj.org/ Molly Crabapple: https://mollycrabapple.com/ Brush with homelessness poem: https://economichardship.org/2021/11/jen-fitzgerald-a-poet-without-a-home/ EHRP Funders: https://economichardship.org/funders/ Meltwater: https://www.meltwater.com/en Utah Rentals: https://economichardship.org/tag/utah/ USA News Nursing Home: https://economichardship.org/tag/nursing-homes/ Squeezed: https://www.amazon.com/Squeezed-Families-Cant-Afford-America/dp/0062412256 Bootstrapped: https://www.harpercollins.com/products/bootstrapped-alissa-quart?variant=40517189599266 Thank you for listening!  Please take a moment to rate, review and subscribe to the Media in Minutes podcast here or anywhere you get your podcasts: https://podcasts.apple.com/us/podcast/media-in-minutes/id1555710662  

Freie, unabhängige Medien und eine vielfältige Medienlandschaft sind die Basis einer demokratischen Gesellschaft. Doch die Medienfreiheit gerät auch in Europa zusehends unter Druck: unter anderem in Ungarn, Polen, Malta. Auch deshalb widmete die Heinrich-Böll-Stiftung ihre „European Democracy Conference“ in diesem Jahr dem Thema "Presse- und Medienfreiheit in Europa“. Wie zeigt sich die Bedrohung von Journalist*innen in der EU? Was kann europäische Politik dagegen unternehmen? Welche alternativen Medienformen und Finanzierungssysteme haben sich bereits entwickelt? Darum ging es bei der Konferenz – und darum geht in diesem Podcast. Ein Podcast mit: • Eszter Neuberger, Journalistin und Fact-Checkerin, LAKMUSZ, Budapest  • Agata Kasprolewicz, Radiojournalistin, Raport o stanie świata, Warschau • Matthew Caruana Galizia, Daphne Caruana Galizia Foundation, Malta • Anya Schiffrin, Direktorin Abteilung Technology, Media and Communications, Columbia University, New York  • Christian Mihr, Geschäftsführer „Reporter ohne Grenzen“, Berlin Shownotes: Mitschnitt der Konferenz in der Heinrich-Böll-Stiftung:https://www.youtube.com/watch?v=krjFFADuWOs Ranking der Medienfreiheit bei „Reporter ohne Grenzen“:https://www.reporter-ohne-grenzen.de/rangliste/rangliste-2022 „In absoluter Einsamkeit“ - Essay des griechischen Journalisten Tasos Telloglou:https://www.boell.de/de/2022/11/01/absoluter-einsamkeit Das geplante „Medienfreiheitsgesetz“ der EU:https://ec.europa.eu/commission/presscorner/detail/de/ip_22_5504 Infos zur Anti-Slapp-Initiative beim European Centre for Press and Media Freedom:https://www.ecpmf.eu/slapp-the-background-of-strategic-lawsuits-against-public-participation/ Bild: Molly Crabapple. All rights reserved. Molly Crabapple. All rights reserved.

Freie, unabhängige Medien und eine vielfältige Medienlandschaft sind die Basis einer demokratischen Gesellschaft. Doch die Medienfreiheit gerät auch in Europa zusehends unter Druck: unter anderem in Ungarn, Polen, Malta. Auch deshalb widmete die Heinrich-Böll-Stiftung ihre „European Democracy Conference“ in diesem Jahr dem Thema "Presse- und Medienfreiheit in Europa“. Wie zeigt sich die Bedrohung von Journalist*innen in der EU? Was kann europäische Politik dagegen unternehmen? Welche alternativen Medienformen und Finanzierungssysteme haben sich bereits entwickelt? Darum ging es bei der Konferenz – und darum geht in diesem Podcast. Ein Podcast mit: • Eszter Neuberger, Journalistin und Fact-Checkerin, LAKMUSZ, Budapest  • Agata Kasprolewicz, Radiojournalistin, Raport o stanie świata, Warschau • Matthew Caruana Galizia, Daphne Caruana Galizia Foundation, Malta • Anya Schiffrin, Direktorin Abteilung Technology, Media and Communications, Columbia University, New York  • Christian Mihr, Geschäftsführer „Reporter ohne Grenzen“, Berlin Shownotes: Mitschnitt der Konferenz in der Heinrich-Böll-Stiftung: https://www.youtube.com/watch?v=krjFFADuWOs Ranking der Medienfreiheit bei „Reporter ohne Grenzen“: https://www.reporter-ohne-grenzen.de/rangliste/rangliste-2022 „In absoluter Einsamkeit“ - Essay des griechischen Journalisten Tasos Telloglou: https://www.boell.de/de/2022/11/01/absoluter-einsamkeit Das geplante „Medienfreiheitsgesetz“ der EU: https://ec.europa.eu/commission/presscorner/detail/de/ip_22_5504 Infos zur Anti-Slapp-Initiative beim European Centre for Press and Media Freedom: https://www.ecpmf.eu/slapp-the-background-of-strategic-lawsuits-against-public-participation/ Bild: Molly Crabapple. All rights reserved. Molly Crabapple. All rights reserved.

From 1897 to 1921, the General Jewish Labour Bund operated as a Jewish socialist party in Russia, Lithuania, and Poland. Composed primarily of Yiddish-speaking, secular Jews, the Bund struggled on two fronts: for the construction of socialism to liberate the working class, and for national cultural autonomy to protect the rights of Eastern European Jews to their own institutions. The history of the Bund is filled with twists and turns, and complicated entanglements with the Russian Social Democratic Party, the Bolsheviks, and the Soviet Union. Although it was dissolved in 1921, the legacy of the Bund stretched far into the 20th century. In Poland, former Bundists organized resistance against antisemitism and played a key role in the Warsaw Ghetto Uprising after the invasion of the Nazis. In the United States, Bundists created new socialist organizations and played pivotal roles in labor struggles, utopian movements, and more. Artist and writer Molly Crabapple joins Art for the End Times to discuss her upcoming book on the Bund, her personal history with Yiddish, and what struggles today can learn from the historical example of the Bundists.Post-Production: Dwayne GladdenHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

When Augustine Tang's father passed away, Augustine decided to inherit his taxi medallion – the license that had allowed his father to drive a yellow taxi cab in New York City for decades. But the medallion came with a $530,000 debt trap and years of struggling to escape it. Augustine's friend Kenny, a fellow taxi cab driver, committed suicide. So did several other drivers who were crushed under the weight of these impossible debts. In hopes of preventing another death, Tang joined a push by the local taxi drivers' union, to campaign for debt relief. And eventually, city resistance to worker demands culminated in a 15-day hunger strike to convince City Hall that immigrant taxi drivers deserved a fair deal. The drivers' struggles for livable working conditions showed how political power doesn't just come down to votes. It's a reminder how strong collective will can be, especially for those often silenced and ignored by our imperfect democracy. Resources and Reading After listening, please take our survey about this story — to help us fund more stories like this one! This show mentions instances of suicide. We understand this topic may be difficult for some listeners. The National Suicide Prevention Lifeline is a hotline for individuals in crisis or for those looking to help someone else. To speak with a certified listener, call 1-800-273-8255 WATCH: “Cheated, Desperate, Financially Ruined NYC Taxi Drivers Go on Hunger Strike” by Maximillian Alvarez of the Real News Network WATCH: “New York Taxi Drivers Hunger Strike for Debt Relief” by More Perfect Union READ: “‘They Were Conned': How Reckless Loans Devastated a Generation of Taxi Drivers” by Brian Rosenthal for the New York Times READ: “How the Taxi Workers Won” by Molly Crabapple for the Economic Hardship Reporting Project READ: “Distressed Drivers: Solving the the New York City Taxi Medallion Debt Crisis” by Aaron Jacobs for Columbia Human Rights Law Review Special Thanks To Augustine Tang, Jaslin Kaur, John Duda, Kader Guerrab, Kuber Sancho-Persad, Maria Santana, Maximillian Alvarez, Michelle Faust Raghavan and Alec Saleens, and the New York Taxi Workers Alliance Media Team Credits: Produced by Self Evident Media Reported by Sahil Nisha, with help from Alina Panek and Janrey Serapio Interview recordings by Sahil Nisha, Stacey Wong, and James Boo Public protest and demonstration recordings by NYTWA, Augustine Tang, CM Zohran Mamdani, and Former CM Brad Lander Edited by James Boo and Julia Shu Fact checked by Harsha Nahata and Tiffany Bui Sound mix by Timothy Lou Ly Music by Epidemic Sound At the Moment theme music by Satoru Ohno Our Executive Producer is Ken Ikeda This episode was made with support from the Solutions Journalism Network's Advancing Democracy program

When Augustine Tang's father passed away, Augustine decided to inherit his taxi medallion – the license that had allowed his father to drive a yellow taxi cab in New York City for decades. But the medallion came with a $530,000 debt trap and years of struggling to escape it.Augustine's friend Kenny, a fellow taxi cab driver, committed suicide. So did several other drivers who were crushed under the weight of these impossible debts. In hopes of preventing another death, Tang joined a push by the local taxi drivers' union, to campaign for debt relief. And eventually, city resistance to worker demands culminated in a 15-day hunger strike to convince City Hall that immigrant taxi drivers deserved a fair deal.The drivers' struggles for livable working conditions showed how political power doesn't just come down to votes. It's a reminder how strong collective will can be, especially for those often silenced and ignored by our imperfect democracy.Resources and ReadingAfter listening, please take our survey about this story — to help us fund more stories like this one!This show mentions instances of suicide. We understand this topic may be difficult for some listeners. The National Suicide Prevention Lifeline is a hotline for individuals in crisis or for those looking to help someone else. To speak with a certified listener, call 1-800-273-8255WATCH: “Cheated, Desperate, Financially Ruined NYC Taxi Drivers Go on Hunger Strike” by Maximillian Alvarez of the Real News NetworkWATCH: “New York Taxi Drivers Hunger Strike for Debt Relief” by More Perfect UnionREAD: “‘They Were Conned': How Reckless Loans Devastated a Generation of Taxi Drivers” by Brian Rosenthal for the New York TimesREAD: “How the Taxi Workers Won” by Molly Crabapple for the Economic Hardship Reporting ProjectREAD: “Distressed DriverSP: Solving the the New York City Taxi Medallion Debt Crisis” by Aaron Jacobs for Columbia Human Rights Law ReviewCreditsProduced by Self Evident MediaReported by Sahil Nisha, with help from Alina Panek and Janrey SerapioInterview recordings by Sahil Nisha, Stacey Wong, and James BooEdited by James Boo and Julia ShuFact checked by Harsha Nahata and Tiffany BuiSound mix by Timothy Lou LyMusic by Epidemic SoundAt the Moment Theme by Satoru OhnoCover Art by Susu SchwaberThis episode was made with support from the Solutions Journalism Network's Advancing Democracy programSpecial thanks to: Cynthia Liu, Alice Liu, Sabeen Shalwani, Augustine Tang, John Duda, Kuber Sancho-Persad, Jaslin Kaur, Maria Santana, Maximillian Alvarez, Michelle Faust Raghavan and Alec Saleens, and the New York Taxi Workers Alliance Media Team Support AZI MediaSupport our work on Ko-FiInstagram (@azi.media)Twitter (@azidotmedia)AZI Media's Code of ConductSubscribe to our mailing listMeet the AZI team

This collection of 75 evocative paintings and colorful anecdotes invites you into the heart and soul of every community: the local bookshop, each with its own quirks, charms, and legendary stories. The book features an incredible roster of great bookstores from across the globe and stories from writers, thinkers and artists of our time, including David Bowie, Tom Wolfe, Jonathan Lethem, Roz Chast, Deepak Chopra, Bob Odenkirk, Philip Glass, Jonathan Ames, Terry Gross, Mark Maron, Neil Gaiman, Ann Patchett, Chris Ware, Molly Crabapple, Amitav Ghosh, Alice Munro, Dave Eggers, and many more. Page by page, Eckstein perfectly captures our lifelong love affair with books, bookstores, and book-sellers that is at once heartfelt, bittersweet, and cheerfully confessional.

Today's episode is a recording of a webinar I did recently with Kris Bakke at Nasco Education. I talk all about social emotional learning, it's importance, and how we accomplish that in the art room through working with works of art. In the process, I use a Molly Crabapple portrait as part of an exercise for the webinar group and give an overview of the new curriculum, Art Curator Class Perspectives (in partnership with Nasco). 4:58​ - What I'm aiming to accomplish in this webinar 13:11 - Ways in which education isn't focused on learning to be an effective adult 16:46 - What social emotional learning looks like in the classroom 23:48 - CASEL (Collaborative for Academic, Social, and Emotional Learning) and the 5 competencies 34:24 - Attendees and I engage in the Reflect Connect worksheet activity for Crabapple's artwork 45:09 - Ensuring the inclusion of artwork diversity and artist representation in the curriculum 48:29 - An overview of the Perspectives curriculum Transcript at https://artclasscurator.com/64

The violence of Israeli occupation and apartheid has been happening for many years with unceasing support from the U.S. government. This is why many are rightly skeptical that anything will fundamentally change, even with the recent international outcry over Israeli forces' attack on worshippers at Al-Aqsa Mosque, renewed airstrikes on Gaza, and the forced removal of Palestinian residents from their homes in the Sheikh Jarrah neighborhood in East Jerusalem. However, Palestinian resistance in Israel and the occupied territories, coupled with a growing international wave of resistance to the occupation, and solidarity with the people of Palestine, is reaching unprecedented levels, prompting many to wonder if the tide may actually be turning.In this urgent episode of “The Marc Steiner Show,” we bring you on-the-ground reports from Palestine and from the U.S. and Canada, where Jewish and Palestinian-American activists are fighting to end the occupation. In the first segment, Marc speaks with Palestine correspondent for Mondoweiss Yumna Patel, who's been reporting on the ground in the West Bank for five years, about what she's been seeing and reporting on these past two weeks. Then, we discuss the efforts of Palestinian-Americans in the U.S. to resist the occupation with Sammy Alqasem, Palestinian-American organizer with the Palestinian Youth Movement in North America, and Laura Albast, Palestinian-American journalist, translator, digital content editor, and organizer with the Palestinian Youth Movement in North America.Lastly, we kick off our ongoing series “Not in Our Name,” which will highlight the diverse voices of Jewish activists, artists, intellectuals, and others who are speaking out against the Israeli occupation. In the first installment of this series, Marc chats with Israeli-Canadian journalist, documentary filmmaker, and former TRNN Israel/Palestine correspondent Lia Tarachansky, as well as artist, author, and author of “Drawing Blood” and "Brothers of the Gun" (co-authored with Marwan Hisham), Molly Crabapple. Tune in for new episodes of The Marc Steiner Show every Tuesday on TRNN.

The violence of Israeli occupation and apartheid has been happening for many years with unceasing support from the U.S. government. This is why many are rightly skeptical that anything will fundamentally change, even with the recent international outcry over Israeli forces' attack on worshippers at Al-Aqsa Mosque, renewed airstrikes on Gaza, and the forced removal of Palestinian residents from their homes in the Sheikh Jarrah neighborhood in East Jerusalem. However, Palestinian resistance in Israel and the occupied territories, coupled with a growing international wave of resistance to the occupation, and solidarity with the people of Palestine, is reaching unprecedented levels, prompting many to wonder if the tide may actually be turning.In this urgent episode of “The Marc Steiner Show,” we bring you on-the-ground reports from Palestine and from the U.S. and Canada, where Jewish and Palestinian-American activists are fighting to end the occupation. In the first segment, Marc speaks with Palestine correspondent for Mondoweiss Yumna Patel, who's been reporting on the ground in the West Bank for five years, about what she's been seeing and reporting on these past two weeks. Then, we discuss the efforts of Palestinian-Americans in the U.S. to resist the occupation with Sammy Alqasem, Palestinian-American organizer with the Palestinian Youth Movement in North America, and Laura Albast, Palestinian-American journalist, translator, digital content editor, and organizer with the Palestinian Youth Movement in North America.Lastly, we kick off our ongoing series “Not in Our Name,” which will highlight the diverse voices of Jewish activists, artists, intellectuals, and others who are speaking out against the Israeli occupation. In the first installment of this series, Marc chats with Israeli-Canadian journalist, documentary filmmaker, and former TRNN Israel/Palestine correspondent Lia Tarachansky, as well as artist, author, and author of “Drawing Blood” and "Brothers of the Gun" (co-authored with Marwan Hisham), Molly Crabapple. Tune in for new episodes of The Marc Steiner Show every Tuesday on TRNN.

Three years after Hurricane Maria hit, Puerto Ricans are still reeling from its effects and aftereffects. We bring you a Haymarket Books talk by Marisol LeBrón, Yarimar Bonilla, and Molly Crabapple, on a collection of essays called “Aftershocks of Disaster: Puerto Rico Before and After the Storm” which discusses the legacy of Maria, and also community organizing in the face of government abandonment. This piece includes clips from the Short Film : "Aftershocks of Disaster," directed by Juan C. Dávila, and produced by Yarimar Bonilla.

Three years after Hurricane Maria hit, Puerto Ricans are still reeling from its effects and aftereffects. We bring you a Haymarket Books talk by Marisol LeBrón, Yarimar Bonilla, and Molly Crabapple, on a collection of essays called “Aftershocks of Disaster: Puerto Rico Before and After the Storm” which discusses the legacy of Maria, and also community organizing in the face of government abandonment. This piece includes clips from the Short Film : "Aftershocks of Disaster," directed by Juan C. Dávila, and produced by Yarimar Bonilla.

Molly Crabapple, joins FTT podcast with more bang for your buck than you can handle! An illustrator, a writer/journalist, and a friggin Entrepreneur! From reporting and illustrating the Arab Spring, to her personal experiences and memories in New York City, Molly pretty much does it all and does it well, and still has a place on her floor for Jason when he visits!   Molly Crabapple is an artist and writer in New York. She is the author of two books, Drawing Blood and Brothers of the Gun, (with Marwan Hisham), which was long-listed for a National Book Award in 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker and elsewhere. Her art is in the permanent collections of the Museum of Modern Art. Her animated short “A Message from the Future with Alexandria Ocasio-Cortez” has been nominated for an Emmy award in the category of Outstanding News Analysis: Editorial and Opinion.   Please enjoy and remember to smash that like and subscribe button! Check out Molly's links here: Instagram @mollycrabapple https://mollycrabapple.com/​   https://www.jasonseiler.com/​​​​​​​​ INSTAGRAM-seilerpaints #facethetruthpodcast​​​​​​​​ #mollycrabapple​​​​​​​​ #jasonseiler​​​​​​​​ ​          

Today we'll be talking to Anne Kretzschmar. She's a coordinator with the Stay Grounded network which works on a global level to reduce air traffic and build a climate-just transport system. They recently published a paper entitled ‘A Rapid and Just Transition of Aviation: Shifting towards climate-just mobility‘ which was a big part of our conversation. Topics discussed: Social and environmental costs of airport projects The problem behind ‘carbon offsetting' Looking for just alternatives Tackling tax exemption for aviation How flying is already unjust The problem of frequent flyers Implementing actual limits (frequent flyer levee) Europe's lack of international booking for trains Trains can also be a problem (example of Maya Train project in Mexico) Wider question of asking what kind of mobility do we need and wand and how can we distribute it in a just way Taking the topic of jobs and labor seriously Impact of COVID-19 on aviation and what might come next Degrowth Change by Design or by Disaster Green New Deal for Gatwick How ‘bailouts' rarely actually support those most impacted by industry losses Alternative tourisms The importance of internationality and the centrality of environmental justice Supporting critical aviator workers Airport-related Injustice and Resistance map Recommended Books: Vision on Fire: Emma Goldman on the Spanish Revolution Re:Imagining Change: How to Use Story-based Strategy to Win Campaigns, Build Movements, and Change the World by Patrick Reinsborough and Doyle Canning A Message From the Future II: The Years of Repair by Naomi Klein video by Molly Crabapple, Opal Tometi, Avi Lewis

Molly Crabapple and I have been chatting about this topic for a long time so this was a really fun episode to do. Although it was (roughly) my MA thesis in 2016, Molly has a much more personal connection to the Jewish Labor Bund and Bundism as her great-grandfather, Sam Rothbort, was a Bundist. She wrote a moving piece about this for the New York Review of Books which you can read here. She's now writing a book about the Bund. So who are these Bundists? How does Molly view the legacy of Bundism? What can we learn from the concept of 'Doikayt' (here-ness) that they believed in? This is what this conversation is about. I also tried to - and, hopefully, succesfully - to convey why I, as someone of Lebanese and Palestinian origins with no direct ties to Judaism or the Yiddish language, was so interested in this movement. You can follow the podcast on Twitter @FireTheseTimes and Instagram @thefirethesetimes. If you like what I do, please consider supporting this project with only 1$ a month on Patreon or on BuyMeACoffee.com. You can also do so directly on PayPal if you prefer. Patreon is for monthly, PayPal is for one-offs and BuyMeACoffee has both options.

Friend of the show Molly Crabapple (@mollycrabapple) joins us to talk about getting arrested with a bunch of her fellow Jews at last week's Amazon/ICE protest, the Punisher logo, and the importance of antifascism. She then gives us an overview of the protests in Puerto Rico that exploded when now-former governor Ricardo Rosselló's ghoulish frat boy chat logs were leaked to the press. Asambleas! Flags! The nationalism of the colonial subject! Ricky Martin! Read Molly's illustrated report here: https://www.nybooks.com/daily/2019/08/09/a-peoples-cry-of-indignation-a-dispatch-from-puerto-rico/ Support our Puerto Rican comrades: Colectiva Feminista en Construction https://www.facebook.com/Colectiva.Feminista.PR/ Taller Salud https://www.tallersalud.com/ Centro de Apoyo Mutuo Caguas https://www.facebook.com/Centro-de-Apoyo-Mutuo-2033558466880656/ Jornada: Se Acabaron Las Promesas (anti austerity protest group) https://www.facebook.com/seacabaronlaspromesas/ Casa Pueblo http://casapueblo.org/ And for NYC folks: https://twitter.com/AsambleaNyc Outro music -- Residente, iLe and Bad Bunny, 'Afilando los Cuchillos'

This week journalist and artist Molly Crabapple (@mollycrabapple) drops by to talk Puerto Rico, SESTA/FOSTA, and much more. Highlights: Jamie and Molly's shared past as members of anarcha-feminist workers' cooperative SuicideGirls.com - haha. Another in the ongoing series 'This Week In Musk'. Sex workers as a rising voice within the political sphere. (Big shout out to www.lysistratamccf.org, www.blacksexworkercollective.org, https://survivorsagainstsesta.org and sex workers everywhere fighting for safety and dignity!) Deep dive into the legacy of colonialism, debt, crisis and austerity in Puerto Rico. What lessons can the mainland/international left take from Hurricane Maria and its aftermath? Will the island's future be austerity and privatization... or mutual aid and resistance? Reports on PR by Molly: www.nybooks.com/daily/2018/04/26/the-fatal-conscience-julia-de-burgos-puerto-ricos-greatest-poet, www.nybooks.com/daily/2017/11/17/puerto-ricos-diy-disaster-relief, and www.theparisreview.org/blog/2017/12/11/puerto-rico-sketchbook-anarchist-bikers-came-help/ Books by Molly: Brothers of the Gun: a Memoir of the Syrian War (www.penguinrandomhouse.com/books/550211/brothers-of-the-gun-by-marwan-hisham-and-molly-crabapple/9780399590627) Drawing Blood (www.harpercollins.com/9780062797223/drawing-blood) Donate to disaster relief in PR: www.RedApoyoMutuo.org Support IWW NYC's labor campaigns at Wobfest (www.eventbrite.com/e/wob-fest-union-fundraiser-for-the-industrial-workers-of-the-world-tickets-49188287492) October 6, or donate at www.WobblyCity.org/Donate Support our show and get bonus content at www.patreon.com/theantifada Art: Molly Crabapple Outro music: Conflict -- They Said That

Atheer and Layla sat down with world famous New York artist, Molly Crabapple (@MollyCrabapple) this week, and talked about everything from ICE to ISIS. Plus, Molly gives us some behind-the-scenes insight into the making of her most recent book, Brothers of the Gun, which is on shelves now! Follow us on literally everything: @NoFlyListPod Shoot us a five star rating and we'll return the favor! --- Support this podcast: https://anchor.fm/the-no-fly-list/support

On Episode 4 of The Activist Files, CCR Advocacy Program Manager Aliya Hussain sits down Molly Crabapple, a writer, artist, and activist whose work defies any traditional label. “I've never been so good at staying in boxes,” she starts out the interview. We talk about the intersection of art and activism, collaborations she's undertaken in support of movements and communities impacted by war and government abuses, and what keeps her grounded, despite the online haters. Molly also shares her experience co-writing her new book, Brothers of the Gun: a Memoir of the Syrian War, with Syrian war journalist Marwan Hisham. WARNING: contains explicit language.

In this episode, we go into the archives to bring you one of our favorite VICE interviews.Molly Crabapple is a relentlessly prolific artist, writer and activist. Her murals adorn the walls of famous night clubs in New York and London, and her writing has been published in Vanity Fair, the Paris Review, VICE and the New York Times. Through illustration, Molly has documented some of the most pivotal political moments of the last decade, from the 2008 recession to Occupy Wall Street, to life inside Guantanamo Bay, the Syria's civil war. Molly also published a memoir, “Drawing Blood,” that tells the story of her eclectic life and career. In this episode, we hear from Molly about her art, practice and career. See acast.com/privacy for privacy and opt-out information.

Unlike last month's episode that focused on the future of tech, our March issue is objectively themeless. However, in the process of creating this podcast… we found a few through lines. In many ways, this episode is about identity. From the frog on our cover, to a rapper dealing with his perception in our media landscape, to the refugee crisis in Greece, this episode deals with people striving to break the molds that have been forced upon them. Here is our table of contents: Photo-editor Elizabeth Renstrom explains how the cover of our March issue might make you do a double take. Infographic virtuoso Haisam Hussein hits the jackpot with a set of facts about global lotteries. Author, illustrator, and activist, Molly Crabapple reveals to senior editor Chris Carroll that Greece's anarchists might be taking better care of refugees than the government. Our own Erika Allen interviews Noisey's Kyle Kramer about his time in the studio interviewing rapper Vince Staples. Finally, Chloe Campion, a producer at VICE, shares a story about an item she picked up while hiking in Nepal. Here's your chance to take a guess at what it is. Hosted on Acast. See acast.com/privacy for more information.

Molly Crabapple is an American artist and journalist, known for her work for The New York Times, VICE, the Wall Street Journal, the Royal Society of Arts, Red Bull, Marvel Comics, DC Comics and CNN. Her new book "Drawing Blood" is available now on Amazon -- http://amzn.to/1QqNp5m

About Molly Crabapple Molly Crabapple is an artist and writer in New York. Called “An emblem of the way art can break out of the gilded gallery” by the New Republic, she has drawn in Guantanamo Bay, Abu Dhabi's migrant labor camps, and with rebels in Syria. Crabapple is a columnist for VICE, and has written for... The post EP 80 – Artist Molly Crabapple appeared first on Greed for Ilm.

Molly Crabapple is an American artist and journalist, known for her work for The New York Times, the Wall Street Journal, the Royal Society of Arts, Red Bull, Marvel Comics, DC Comics and CNN.

Richard Coles and Suzy Klein with poet Owen Sheers, Guantanamo artist Molly Crabapple, South Seas travellers Rosemary and Douglas Hadfield, 17 year old Lauren who found herself without a home, Elisa Berry who found herself looking after JFK's nieces on the day he was assassinated, and actor Mat Horne's Inheritance Tracks.Producer: Dixi Stewart.

Holy mackerel! This may very well be our most fun live show yet! On January 8th, we were joined by Erika Forster and Annie Hart from one of our favorite bands Au Revoir Simone, one of our favorite performers Josh Patten (performer at UCB and a writer on SNL Weekend Update), and one of our favorite artists Molly Crabapple (the founder of Dr. Sketchy's Anti-Art School). We laughed, we loved, we heard about their earliest creative memories. And even did a little demo work for a PR firm that paid us big buck$ to poll our audience! Subscribe on iTunes and follow Andy and Mark on Twitter! See us live in February at UCB East! (probably!)