Podcasts about Pitchfork

Charles and Alex talk RXKNephew, Neil Young, Nathen Mazri, and the Pitchfork paywall. Subscribe to Fortune Kit on Patreon: https://www.patreon.com/fortunekit Join the Discord: discord.gg/HabqgJf Listen to Charles' new show Trouble in River City: https://www.patreon.com/TroubleInRiverCity

In a week so busy that Nick had to start making notes, he and Annie sit down to attempt to discuss some of the most important music stories, like the return of Arctic Monkeys, Victoria Beckham's somewhat inappropriate chart success, and Robbie Williams beating a record previously held by the Beatles. In other news, Harry Styles fans are freaking out over Aperture – but what do Annie and Nick make of his new sound? And should we be worried about his feet? Plus, Pitchfork are opening the reviewing floor to the public, Brandi Carlile is obsessed with CMAT, and music industry insiders are declaring the album dead. Get in touch with Annie and Nick! If you're over 16, WhatsApp on 07970082700 or email sidetracked@bbc.co.uk More information on the HELP(2) album here: https://www.bbc.co.uk/news/articles/cy4qqdy29d2o New Yorker Article about the changing relevance of the album drop here: https://www.newyorker.com/culture/infinite-scroll/why-albums-drop-and-movies-launch HOMEWORK: Watch Geese on SNL and listen to Robbie Williams' album Brit Pop. SONGS James Blake – Death of Love James Blake – Limit To Your Love Arctic Monkeys – Opening Night Harry Styles – Aperture Victoria Beckham – Not Such An Innocent Girl Spice Girls – Viva Forever Cruz Beckham – LICK THE TOAD Madonna – Nobody Knows Me ALBUMS James Blake - CMYK Various Artists for War Child Records - HELP(2) Robbie Williams – BRITPOP Tyler, The Creator – CHROMAKOPIA Djo -The Crux Bad Bunny - Debí Tirar Más Fotos Perfume Genius – Glory Wet Leg - moisturizer Rosalía - LUX FKA twigs – Eusexua Madonna – American Life

Axios media reporter Kerry Flynn joins Megan Lynch with a look at 'Pitchfork Magazine', celebrating 30 years. They're introducing new interactive ways for readers connect to their content.

The SKATCAST Network presents:The Dipsh*t Files #171 - "The Pitchfork Witch"Today's Story:Mrs. Script Keeper tells us a creepy tale that blends true crime, local folklore and a famous dude with a cool name. Also, witches and possibly a werewolf. Fun!Thank you for listening!!! Happy Wednesday!!!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/XKxhHYwu9zFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Hosted on Acast. See acast.com/privacy for more information.

This Week/Tonight! We sat down with Mike Huguenor of Hard Girls, Shinobu and Death Rosenstock, who walks us through his love for Slow Gherkin's classic record, Shed Some Skin.Also up for discussion: We grill Mike about every single aspect of his life and career including his recent record and upcoming book "Elvis Is Dead, I'm Still Alive: The Story of Asian Man Records", Pitchfork goes premium, and the Arctic Monkeys turn old enough to vote plus 2 years depending on your municipal government's laws. Hosted on Acast. See acast.com/privacy for more information.

Dan picks a fight with the Girl Scouts of America, then we wade into music territory to talk about two incredibly similar things: Pitchfork and NOFX. 

In this edition of Zeitos… The Trendmaker, Miles and special guest co-host Blake Wexler discuss the Oscar noms, more on Trump's Davos appearance and Board of Peace, the death of Pitchfork and much more!See omnystudio.com/listener for privacy information.

We kick things off this week with a News with Nick. Pitchfork puts up a paywall, Bandcamp bans AI, and rock music gets the ‘most improved' award for music streaming in 2025.Song: Moses Yoofee Trio - “Ridgewalk”Greg has three tidbits to share on a Three for Thursday. We get another round of “There I Ruined It,” some Kurt Rosenwinkel magic, and Vulfpeck returns to the stage at Madison Square Garden.Songs: Landslide But It's About Landslides (There I Ruined It IG)Kurt Rosenwinkel Beato InteviewVulfpeck MSG II - “Dean Town”Jay also has some tracks to share on his own Three for Thursday. We hear the great Ralph Towner, who passed away this week, some new stuff from The Black Crowes, and another track from Keith Grasso's cover project.Songs:Ralph Towner - “Nardis (Live in Korea)”The Black Crowes - “Profane Prophecy”Cross County - “Stage (Live Cover)”

Larry Fitzmaurice is a music writer and great Twitter user. We spoke with him from his home in Brooklyn about Brooklyn Beckham's trauma, and a Summer House split, the slow rise of Threads, black mold, rent destabilization, rats eating the timing belt of his Ford Fiesta, Pitchfork's new paywall, Skete Davidson's non-union talk show, the new Harry Styles record, Doechii and Gotye, the new Bruno Mars, and Larry's thoughs on Geese. twitter.com/donetodeath twitter.com/themjeans howlonggone.com x.com/lfitzmaurice Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠The latest Notorious Mass Effect segment examines Zach Bryan's bold sixth studio album, With Heaven on Top, released January 9, 2026, via Belting Bronco/Warner Records. Hosted by Analytic Dreamz, this in-depth review covers the 25-track project (runtime ~78 minutes), entirely written and produced by Bryan in Tulsa-area Oklahoma homes, blending raw Americana, folk, and outlaw country with themes of sobriety, recovery, marriage, past relationships, loss, addiction, fatherhood doubts, and American identity tensions.Just three days later, on January 12, Bryan dropped a 24-track acoustic version—raw, one-take recordings with intentional imperfections—to counter overproduction critiques, preserving his authentic roots. Standout tracks include "Skin" (addressing his 2023–2024 breakup with Brianna “Chickenfry” LaPaglia, tattoos, and sobriety), "Plastic Cigarettes" (emotional depth), "Runny Eggs" and "Camper" (softer nods to his New Year's Eve 2025 marriage to Samantha Leonard in Spain), and the controversial "Bad News" (politically charged ICE references and fading American dream).Critical reception praises Bryan's vulnerability and storytelling—Rolling Stone calls it his "most considered and accomplished," Pitchfork notes his growth on a "larger canvas" (7.0 rating), while others highlight emotional power amid excessive length causing fatigue. The album reinforces Bryan's status as a generation-defining force in Americana, post-Navy service (honorably discharged 2021), with massive catalog success (~$350M sale in 2025), billions in streams, and a 2026 stadium tour featuring MJ Lenderman, Dijon, and Alabama Shakes.Analytic Dreamz breaks down personal reflections, buzz tracks, controversies, and why With Heaven on Top delivers an unflinching portrait of flux in modern life, solidifying Bryan's raw honesty despite debates over sprawl.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ In this segment of Notorious Mass Effect, Analytic Dreamz offers a focused, data-driven breakdown of Zach Bryan's introspective album track “Plastic Cigarette” from his new project With Heaven On Top, released January 9–10, 2026, via Warner Records / Belting Bronco Records.Born 1996 in Oologah, Oklahoma, Zach Bryan rose from raw, self-uploaded songs during his 7–8 years in the U.S. Navy (honorable discharge 2021) to major-label success with American Heartbreak (2022, No. 1 Top Country Albums), the self-titled Zach Bryan (2023), and a Grammy win for “I Remember Everything” (with Kacey Musgraves). His signature style—introspective, emotionally raw Americana, folk, outlaw country—prioritizes authenticity over polish.“Plastic Cigarette” (track 15) debuted live in Dublin, Ireland (summer 2025) and quickly became a fan favorite. The understated, reflective song explores emotional longing, regret, artificial coping mechanisms, and the metaphor of a “plastic cigarette” as a substitute for genuine connection. Critics praise its use of space, warmth, minimalism, and atmospheric restraint over hook-driven structure (noted by Pitchfork, Stereogum, Holler.country, StayFreeRadioIP).As a non-lead single, it lacks immediate chart entries (no Hot 100, Hot Country Songs, or UK Singles peaks as of January 13, 2026), but benefits from album-wide streaming surges, fan playlist placement (~1.7K saves on one reported list), strong Reddit/social engagement, and organic discovery. No significant radio push or media syncs yet.Bryan reinforces his unfiltered ethos with a full acoustic version of With Heaven On Top—recorded solo, one-take per song, no overdubs—dropping just three days post-album to preempt overproduction critiques. The project was recorded across three Oklahoma houses in winter, emphasizing live takes, minimal polish, emotional immediacy, and collaboration with close friends as a return to spiritual, less commercial roots.Analytic Dreamz examines how “Plastic Cigarette” aligns with Bryan's pattern: slow-burn traction for non-singles, growth via live teases, fan-driven long-tail streaming, and tour amplification. The upcoming With Heaven On Tour (March–October 2026) hits stadiums across the U.S. (Raymond James, Bank of America, Gillette, Empower Field, multiple nights at Tottenham Hotspur), UK (Anfield), Ireland, and Europe (Spain, Germany, Norway, Denmark, Netherlands), setting the stage for sustained catalog and album momentum.Join Analytic Dreamz for this no-fluff analysis of a deeply resonant, authenticity-first track poised for organic growth in 2026. Stream “Plastic Cigarette” and With Heaven On Top now—stay locked in for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rick Fröberg was an accomplished artist and musician born in Southern California who spent most of his early creative years in San Diego before moving to New York, and then back to San Diego toward the end of his life. While juggling both of his creative outlets, he established a meaningful, urgent, vital, and powerful platform. Plenty for All: The Art of Rick Fröberg (Akashic Books, 2026) represents the many chapters and layers of his visual art practice. All of the different bodies of work he made are examined in detail—presenting the viewer with a well-rounded survey of his life's work, mostly in chronological order. One of the most compelling and fascinating aspects of this volume is the physical progression of Fröberg's line work and brushstroke, and his eventual adaptation to digital means. His artwork was often featured on the record covers of his own bands, as well as other groups he met on the road, and much of his early work also appeared on posters, flyers, ads, skateboard graphics, logos, and T-shirt designs, before eventually progressing to illustrations in magazines, books, and newspapers. Fröberg's paintings, drawings, etchings, and prints were also shown at art exhibitions throughout his career. Plenty for All is the first look at his visual artwork in book form. It will be of great interest across the globe to his many fans (he played in a range of popular bands, including Pitchfork, Drive like Jehu, Hot Snakes, and Obits). Fröberg's work has become very influential, and an inspiration to quite a large group of people in both the art and music worlds. He is sadly missed and mourned, but this volume will no doubt further his creative legacy. It includes short essays by curator Rich Jacobs and musician/artist Sohrab Habibion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!My guest this week is New York journalist and author, Thomas Golianopoulos. We spoke about watching movies on cable, the virtues of the movie theater experience, a handful of moments from his career as a journalist for outlets like Complex, Pitchfork, and Grantland, all things John Singleton—from his films to his personal life and as much as we could fit into this conversation—and the creative process behind Golianopoulos's debut book, The Life of Singleton: From Boyz N The Hood to Snowfall, out now via AndScape Books and Penguin House Publishing. Come fuck with us.My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green.  Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms.    Support the show

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect hosted by Analytic Dreamz, we dive deep into Pooh Shiesty's triumphant comeback. The 26-year-old Memphis trap star, known for his raw street storytelling and aggressive beats, was released from federal prison on October 6, 2025, after serving three years of a 63-month sentence. During incarceration, Pooh Shiesty focused on personal growth—building a workout routine, daily reading for sharper focus, temper control, emotional maturity, and a deeper spiritual connection. Now sober and grounded, he views this as his "second chance" with clearer vision.His post-release single "FDO" (First Day Out), dropped December 12, 2025, produced by longtime collaborator TP808s, celebrates freedom and perseverance. The introspective yet confident track blends classic Shiesty aggression with matured lyricism, earning praise from XXL and Pitchfork as a fiery, authentic return. With "Back in Blood" ft. Lil Durk now 8× Platinum and surging streams (over 6M monthly Spotify listeners), Pooh Shiesty confirmed an upcoming album in a recent Apple Music interview with Ebro Darden—expected soon, channeling prison lessons, faith, and real-life experiences under Gucci Mane's mentorship. Analytic Dreamz breaks down why this redemption arc makes Pooh Shiesty one of hip-hop's most watched stories into 2026.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Greg has been traveling a lot and the year is wrapping up. He catches us up on his 93rd show of the year in a Tales From the Concert.Song: Mk.Gee - “Are You Looking Up?”Next, we get a delicious serving of Jay's Jambalaya. The Rolling Stones calls off its European tour, Howard Stern signs on for 3 more years on SiriusXM, and the Feds bully small independent AM radio stations.Song: Ugly - “Gallowine”Nick was reading through Pitchfork's Best 50 Albums of 2025 (link) list and thought he'd share some of what he found in a Three For Thursday.Songs:YHWH Nailgun - “Pain Fountain”Los Thuthanaka - ‘Parrandita “Sariri Tunupa”'Alex G - “Is It Still You In There?”

The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, ‘Moon Safari,' which was an international hit. Then they made the music for the film ‘The Virgin Suicides,‘ which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola's first film. An album version of Air's score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits called “Playground Love.” That song featured Sofia Coppola's future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn't even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, the music supervisor of the film.For more info, visit songexploder.net/air.

Merriam-Webster's Word of the Day for December 17, 2025 is: espouse • ih-SPOWZ • verb To espouse an ideology, belief, etc., is to take it up and support it as a cause. Espouse is usually encountered in formal speech and writing. // The article explores some of the lesser-known viewpoints espoused by the charismatic leader. See the entry > Examples: “Crammed into a tiny apartment in Greenwich Village, they [Yoko Ono and John Lennon] immersed themselves in the city's counterculture, absorbing progressive politics whenever they weren't glued to the television set. Lennon's celebrity secured the duo a large platform to espouse these ideas ...” — Stephen Thomas Erlewine, Pitchfork, 11 Oct. 2025 Did you know? As you might guess, the words espouse and spouse are hitched, both coming from the Latin verb spondēre, meaning “to promise” or “to betroth.” In fact, the two were once completely interchangeable, with each serving as a noun meaning “a newly married person” or “a partner in marriage” and also as a verb meaning “to marry.” Their semantic separation began when the noun espouse fell out of use. Nowadays, espouse is almost exclusively encountered as a verb used in the figuratively extended sense “to commit to and support as a cause.”

This week on [edit] radio! Tom Crook, Ben Smith and Paul Whitty head to Belgium for a Christmas outside broadcast, joined by Steve “The Beast” East and Adam “The Wheels” Griffiths. Expect frites (heavy on the mayo), lovely Belgian beers, and football of varying quality: Valenciennes v Flery 91, plus Racing Mechelen v Racing Hades.... The post Podcast 801 | Featuring Julia Jacklin, Elliott Smith & Nobue Kawana appeared first on .

Season 10 commences with a turning of the tables. Friend of the pod Grace Robins-Somerville returns to present listener-submitted questions that I answer on the spot. We also discuss our favorite records of 2025, Grammy® predictions, the astronomical rise of Geese, and niche internet music topics like the infamous Pitchfork Kid A review. ✨ MORE ABOUT GRACE ROBINS-SOMERVILLE ✨Grace Robins-Somerville is a writer and music critic from NYC known for her work in Pitchfork, Stereogum, Paste Magazine, and more. Additionally, she co-hosts The Endless Scroll podcast and shares her thoughts regularly on her brilliant Substack page Our Band Could Be Your Wife. ✨ READ GRACE'S WORK ✨Pitchfork: pitchfork.com/staff/grace-robins-somerville/Stereogum: https://stereogum.com/author/grace_rosoPaste: pastemagazine.com/author/grace-robins-somervilleOur Band Could Be Your Wife: ourbandcouldbeyourwife.substack.com✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

This week on [edit] radio! We reach 800 episodes, Ben Marwood shares that his favourite song of 2025 is from 2024 (and he’s not sorry about it AT ALL) and he tries to break the record for the longest song to ever be played on the podcast. [edit] radio podcast 800 – Right Click and... The post Podcast 800 | Featuring Madge, Case Oats & Rosie Tucker. appeared first on .

T. Kyle and Brad discuss Sabrina Carpenter ratio-ing the White House and making them delete a disgusting video using her song “Juno,” Taylor Swift catching strays from Pitchfork, Addison Rae getting a lot of end-of-year list love with ‘Addison' and “Headphones On,” Hilary Duff heading to Las Vegas, Lady Gaga performing “1000 Doves” down under, as well as “Brooklyn Nights,” High Fashion Editorial! featuring Serena Williams possibly making a comeback in 2026, trailers for ‘Mother Mary' and ‘Ready or Not 2: Here I Home,' Miley Cyrus' engagement and Jimmy Kimmel look, Madonna in pink for MINISO UK shopping with the kids, YouTube's 2025 recap, new music from Ice Spice, Tokischa, Freya Skye, Kylie Minogue and JADE. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, Steph delivers a fiery hot take that's been brewing all year: the dangerous trend of "pitchfork marketing" and how it's keeping brilliant women small, scared, and self-doubting.If you've ever seen successful coaches torn apart online, called "scammers" or "predatory" simply for charging premium prices, this episode will hit home. Steph breaks down how this anti-coach rhetoric has become an attention strategy that ironically does more harm than the "predators" it claims to expose.This conversation is a must-listen if you've ever thought:"Am I charging too much? What if people think I'm a scam?" "Maybe I should lower my prices so I don't upset anyone." "I don't want to end up getting canceled."Steph shares her own costly experience of shrinking back from a $80K job because she fell for this narrative, and why 2026 needs to be the year we stop telling women to stay small.______________________ Year on the Wall 2026 Traininghttp://yearonthewall.com/Free Sales Training: 3 Simple Steps to Make a Sale in 24 hours https://stephcrowder.com/sdsclass Join the Sold Out Group Programs Mastermind Waitlist https://stephcrowder.com/sogp Connect with Steph Instagram: @heystephcrowder

Merriam-Webster's Word of the Day for December 6, 2025 is: sensibility • sen-suh-BIL-uh-tee • noun Sensibility is a formal word often used in its plural form to refer someone's personal or cultural approach to what they encounter, as in “the speaker made sure to tailor his speech to the sensibilities of his audience.” Sensibility can also be used for the kind of feelings a person tends to have in general, as well as for the ability to feel and understand emotions. // Many older cartoons feel out of line with modern sensibilities. // She brought an artistic sensibility to every facet of her life, not just her celebrated painting. See the entry > Examples: “[Lady] Gaga's absurdist sensibilities have long been an underrated facet of her work—probably because she's so good at delivering them with a straight face.” — Rich Juzwiak, Pitchfork, 10 Mar. 2025 Did you know? The meanings of sensibility run the gamut from mere sensation to excessive sentimentality, but we're here to help you make sense of it all. In between is a capacity for delicate appreciation, a sense often pluralized. In Jane Austen's books, sensibility is mostly an admirable quality she attributes to, or finds lacking in, her characters: “He had ... a sensibility to what was amiable and lovely” (of Mr. Elliot in Persuasion). In Sense and Sensibility, however, Austen starts out by ascribing to Marianne sensibleness, on the one hand, but an “excess of sensibility” on the other: “Her sorrows, her joys, could have no moderation ... she was everything but prudent.”

In this episode of Shoving Wilco, Todd sits down with returning guest Saby Reyes-Kulkarni (PopMatters, Pitchfork, SPIN, Billboard) to unpack the artistic surge happening around Jeff Tweedy's new triple album and unexpectedly expansive solo tour. What began as a side project now feels like a fully realized creative chapter — one defined by intimacy, vulnerability, sharper storytelling, and a renewed spark onstage.If Jeff's recent work has felt different to you — deeper, looser, funnier, more immediate — this episode gives language to that feeling.Have a topic idea for the show? Email the show at shovingwilco@gmail.com

On this week’s episode, Jenessa Williams and Kev Lawson share their last set of fresh new music tracks for 2025, talk about end-of-year ‘best of’ lists, artists taking big musical swings, live music in San Francisco, and about another year of podcast here at edit radio. Artist “Track” [Album] [edit] radio podcast 799 – Right... The post Podcast 799 | Featuring Robyn, FKA Twigs & Snocaps appeared first on .

Listen to a special episode celebrating National Native American Heritage Month. Learn how Native American musicians are reinventing traditional culture in the 21st Century, featuring interviews with the experimental pow wow group Medicine Singers, and the hip-hop artist Supaman.  Medicine Singers is a Native American musical collective that blends traditional Indigenous music with modern experimental genres like electronic, ambient, and psychedelic rock. Their self-titled debut album, released in 2022, was met with critical acclaim for its innovative approach to preserving and revitalizing Indigenous music. Pitchfork described Medicine Singers as “a storm rolling through, alerting the senses and picking up speed,” and The New Yorker praised Medicine Singers for “detonating cultural walls."  Supaman is a Native American rapper, dancer, and activist known for blending hip-hop with traditional Indigenous music and culture. Born in the Crow Nation in Montana, Supaman uses his platform to raise awareness about Native American issues. Supaman's work blends activism with art, using his music as a vehicle for social change and to honor his heritage.

This week, Barry Dolan (AKA Non Canon & Oxygen Thief) hosts our final podcast of November by sharing a collection of his favourite new tracks and some songs from his own new releases. Artist “Track” [Album] [edit] radio podcast 798 – Right Click and Save As to Download The post Podcast 798 | Featuring The Barbarians of California, Non Canon & B.Dolan appeared first on .

Q is back, and the guys break down their perfect pod day from the moment they wake up to the moment the mics go off, revealing routines, dream guests, and the kind of chaos they'd allow in the studio. They map out their ideal recording setups (2:51), and debate live audiences, surprise athlete pull-ups, Kendrick Lamar drop-ins, and whether baddies or bagels make for better ambiance (9:46). The conversation shifts into how each of them consumes music—relatability vs. believability vs. pure enjoyment (15:33)—before they go album-by-album through Pitchfork's "Top 25 Rap Albums" list and rebuild it from scratch (24:18). From Yeezus being thrown off the board to the absence of Pac, DMX, Nicki, and Wayne (33:13), they examine generational bias, regional representation, and why MF DOOM has a cult following (35:28). The episode closes with a deep dive on Kendrick's rise, whether "the machine" helped him, and what separates his career arc from his peers (54:52). Subscribe to our Patreon for EARLY & EXCLUSIVE access to ad-free episode visuals with music included, exclusive episodes each and every Tuesday, and much more! - www.patreon.com/NeedToKnowPodcast Book your next podcast recording at Need to Know Studios TODAY - https://needtoknowstudios.com/ Join our Twitter/X Community to chop it up with us about all things Need to Know - https://twitter.com/i/communities/1777442897001910433 The Need To Know Podcast Social Handles https://www.instagram.com/needtoknowpod/ https://twitter.com/NeedToKnowPod https://www.tiktok.com/needtoknowpod SaVon https://www.instagram.com/savonslvter/ https://twitter.com/SavonSlvter Alex https://www.instagram.com/balltillwefall/ https://twitter.com/balltillwefall

On this week's Talkhouse Podcast we've got two Canadian songwriter/performers with similar outlooks but pretty different results—both great. It's Ada Lea and No Joy. Though it used to be more of a band, No Joy has become the solo province of Jasamine White-Gluz in recent years. She just released the first No Joy record in five years, Bugland, and it's a whiplash-inducing delight. There's an undercurrent of classic shoegaze, but no limits on where else things can go. So one minute you've got nods to ‘90s bands like Curve or even Garbage, the next minute the guitars are grunting and crunching. Bugland, which recently got the Best New Music nod from Pitchfork, was created with help from Chicago producer/musician Fire-Toolz, and the collaboration was fruitful. It's funny, because it doesn't sound at all like music that would be made by somebody who recently moved to a positively rural area—they chat about that move in this episode. Check out the title track from Bugland right here. The other half of today's chat is Alexandra Levy, who records more spare songs than her friend under the name Ada Lea. Where No Joy takes a more kitchen-sink approach, Ada Lea leaves more breathing room, sometimes adding just touches of acoustic color to her voice. The third Ada Lea album, When I Paint My Masterpiece, also came out earlier this year, and its unfussy, live-in-a-room approach makes it feel engagingly up-close and personal, not to mention beautiful. Check out “Baby Blue Frigidaire Mini Fridge” right here. In this engaging chat, Levy and White-Gluz talk about living largely off the grid, the various mini-scenes that populate their home country, and a little bit of astrology. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Jasamine White-Gluz of No Joy and Alexandra Levy of Ada Lea for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

On this episode of Combo's Court, battle rap legend Cortez stops by for a wild crossover of hoops, hip hop, and controversy. Combo kicks things off by confronting Cortez over his IG comments comments directed at Combo — sparking a Cade Cunningham vs. Jalen Brunson debate and a full breakdown of the East's elite guards. The conversation jumps into Wemby's leap, from dunking on Draymond to bullying defenders with a whole new level of confidence. Combo and Cortez talk about what's changed in his game, why he's playing through contact, and whether this version of Wemby could make the Spurs a surprise contender — or even land him in the MVP race. From there, the two dive into the Pitchfork Top 100 Hip-Hop Albums list, breaking down the biggest snubs, battle rap truths, and who really belongs in hip-hop's album all-time rankings.

Rye Coalition came out of Jersey City in the early nineties and quickly built a reputation as one of the most fearless and inventive bands in the post-hardcore world. They toured with heavyweights like Queens of the Stone Age, Foo Fighters, and The (International) Noise Conspiracy, earned praise from outlets including Spin, Pitchfork, and The Village Voice, and worked with legendary producers Steve Albini and Dave Grohl. Their documentary "Rye Coalition: The Story of the Hard Luck 5" became a cult favorite, cementing their status as one of the most underrated but widely respected bands of their era. Loud, chaotic, swagger-filled, and always a little dangerous, they were the group other musicians whispered about as a secret influence. If you know, you know. I got Ralph on the Zoom and this is what we chatted about: John Hiltz Gern Blandsten Records What bands inspired their live show Did their music stand for anything? Recording with Steve Albini recording with Dave Grohl What did signing to Dreamworks do for the band And a ton more Be on the lookout for some old music of theirs to release in 2026 and follow their instagram. Click here for Herbs GofundMe    

Hey EIChihuahuas, happy Friday! To celebrate, we gift you a brand new episode, kisses.This week on the podcast it's just Oenone & Beth steering the content ship through the choppy waters of: The Real Housewives of London, the biblical new release from Rosalía, & a controversial new celebrity skincare line.First... Real housewives of London premiered this summer, with many curious as to how this beloved show would fare across the Atlantic. The series follows eight women navigating London's ultra-wealthy social circles, balancing old money, new money, & country piles. There's glamorous events, designer drama, & class tensions with the expected Housewives mix of alliances, gossip, & fallouts. The series sees the women get into blows over some dubious dentistry aka teeth-gate, renting outfits, not picking up the bill & the definition of ‘best friend'. We share our thoughts on the series & the explosive two-parter reunion.Next up, on November 6 Pretty Little Liars star Shay Mitchell launched a new line of sheet masks for children. Everyone's writing about it from Glamour, to Marie Claire, The New York post & The Metro, & not an insignificant number of you guys in our DMs, too. So is this a dystopian nightmare, or just a bit of harmless fun that's been blown out of proportion?And last but by no means least, an album hotly anticipated globally, but also very much on this podcast, & that is LUX, the fourth record by Spanish singer and songwriter Rosalía. According to Pitchfork it's “a heartfelt offering of avant-garde classical pop that roars through genre, romance, and religion”. The BBC called it “radical and riveting” & NME said it's “an arresting album of astonishing scope and ambition”. The 33 year old, who is a trained Flamenco singer, sings in 13 different languages on the album, including Japanese, Arabic, Portuguese, Latin and Sicilian, and worked for a year writing the lyrics and working with professional translators to make sure they were just right. It is receiving an avalanche of five star reviews for artistry, composition, narrative, lyrics. The album is now out, we've both listened to it... We're by no means musical experts, but we give our thoughts.Thank you so much to Cue podcasts for the edit.Beth's been loving: Shirley Valentine, The Missing KayakerOenone's been loving: Loren Ipsum, Andrew GallixReal Housewives Of LondonShay Mitchell statement on RiniWhat Dermatologists Really Think About Sheet Masks for Toddlers - Rosalía Has Biggest Streaming Debut of Any Female Spanish-Language Artist on Spotify love ya O, R, B xx Hosted on Acast. See acast.com/privacy for more information.

The Bad Speakers are back with another raw, funny, and unfiltered conversation on everything happening in the culture!

The latest episode from the JBP kicks off with the crew sharing their thoughts on the 2026 Grammy Nominations (22:00) before moving on to Kanye West's apology with a New York City rabbi (55:34). Ice and Joe then take Marc Lamont Hill to Homie Court (1:22:43), Antonio Brown has been extradited to the U.S. (1:40:39), and Pitchfork readers voted on the top-100 Rap albums of all-time (2:04:34). Also, new music (2:14:04), Zohran Mamdani is mayor elect of NYC (2:33:03), there's a canceled list featuring Sydney Sweeney and Kayla Nicole (3:04:15), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden 

Molly Lambert is a writer and podcast host.Molly is known for her writing on GQ, i'D Magazine, Pitchfork and Grantland. Molly is the host of the iHeartRadio podcast Heidiworld, the Heidi Fleiss Story and now JennaWorld, Jenna Jameson, Vivid Video, & The Valley.Molly wrote Double Acts In Pop: An Incomplete Survey, the first comprehensive type specimen by Commercial Type from cofounders Paul Barnes and Christian Schwartz.Molly has appeared on Bandsplain and has produced John Mulaney Presents: Everybody's in L.A. and Everybody's Live with John Mulaney.Friend and guest of the show Helen Holmes did a write up on JennaWorld. Crossovers everywhere. Welcome to Wear Many Hats World.Please welcome Molly Lambert to Wear Many Hats.⁠instagram.com/molly_lambert⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!My guests this week are New York-via-DC rapper billy woods and Queens rapper-producer E L U C I D, otherwise known as Armand Hammer. In their Take Two episode, we spoke about One Battle After Another, the relationship between Hollywood and the state, the Zambian dark comedy On Becoming A Guinea Fowl, the Anthony Hopkins-starring Magic, their recent LA release show, and the creative process behind their latest album Mercy. Come fuck with us. Mercy will be available wherever music is sold, streamed, or stolen on Friday, November 7. Pre-order the album via Bandcamp or the Backwoodz Studioz website now. Follow Armand Hammer on Instagram and Twitter: @ArmandHammerNYC. Follow E L U C I D on Instagram (@cobratoof) and Twitter (@elucidwho). Follow woods on Instagram (@backwoodzstudioz) and Twitter (@BackwoodzHipHop).Read my profile of Backwoodz, How billy woods's Backwoodz Studioz Became New York's Best Underground Rap Label, via Pitchfork.My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Support the show

Lily Allen's viral new album, West End Girl, digs deep. It catalogs the unraveling of her marriage and the deeper pain that lives between the lines of her lyrical prose. This isn't tabloid fodder—it's what Pitchfork called her most “brutally candid” work, a rare space where a woman can hold an abuser, a system, and her own art in the same frame.While Allen insists the record is “fictionalized,” it's unmistakably laced with real life—even with the unavoidable layer of my own parasocial projection. The title track name-drops the couple's designer—“Found ourselves a good mortgage / Billy Cotton got sorted”—a pointed nod to their now-infamous Architectural Digest home tour, which, in hindsight, aged about as gracefully as Harbour's opening “bit,” greeting the camera crew like a mistress at the door. (Iconic, for all the wrong reasons…and very worth the watch. Psst. All relevant links are down at the bottom!)With almost no pre-launch marketing, the album shot up the charts, hailed by Variety, The New Yorker, and countless fans as her best work yet. (Personally, I've been devoted since her early-2000s protest anthem “Fuck You,” written about George W. Bush.) Still, West End Girl took over my social feed overnight. Yours too, maybe? This is because it touches something deeper than celebrity gossip or divorce voyeurism.Those of us who have spent years minimizing our needs, over-explaining our emotions in an attempt to have them recognized, or trying to contort ourselves into palatable versions of dominant cultural scripts feel a shock of recognition in every song. Allen articulates the quiet grief of being gas-lit into gratitude for crumbs.West End Girl isn't just about Lily Allen and David Harbour—it's about the way patriarchy teaches women to negotiate with our own erasure to serve the agenda of systems of oppression. She's writing from the same ache that so many of us have been metabolizing privately for generations: the manipulation, the gaslighting, the subtle minimizations that we stomach under the guise of love in an attempt to find it/have it/keep it.And that's exactly what the cultural moment is naming out loud. As Vogue recently asked in its viral essay, “Is It Embarrassing to Have Boyfriends Now?”, there's a growing recognition that heterosexual love has long demanded women trade dignity for proximity. Asa Serasin even coined a word for this in 2019—heterofatalism, or the idea that heterosexual relationships are doomed to fail, because women are too often expected to shrink our brilliance, temper our boundaries, and laugh off harm to keep men comfortable.Enter Left Standing: The PodcastI actually recorded the first episode of my new podcast, Left Standing, before West End Girl dropped—but they're part of the same conversation, and I knew I had to discuss them as such.The show is about the reclamation of our narratives: the language, myths, and cultural scripts that have been rewritten and manipulated to serve the false ideals of systems of oppression. In episode one we will trace the etymology of words like gossip (originally meaning “god-sib,” a woman who stands by you in difficult times), and hysteria (from hystera, the womb). We will also discuss the way in which patriarchy rewrites myth, starting with my favorite goddess, the true, often-erased story of Medusa—a survivor punished for being violated.The first episode unpacks these histories and the lineage of tone-policing that still shapes how we hear women like Lily Allen: as “dramatic,” “unladylike,” or “sharing too much.” In it, I quote Melissa' Febos' book Body Work: The Radical Power of Personal Narrative. She writes:Listen to me: It is not gauche to write about trauma. It is subversive. The stigma of victimhood is a timeworn tool of oppressive powers to gaslight the people they subjugate into believing that by naming their disempowerment they are being dramatic, whining, attention-grabbing, or else beating a dead horse. By convincing us to police our own and one another's stories, they have enlisted us in the project of our own continued disempowerment.Because when survivors tell the truth, someone will call it embarrassing, dramatic, attention-grabbing, unnecessary, not lady-like, or a lie.And every time we tell it anyway, we reclaims our power—and gives others permission to do the same.As this is our first episode, your shares, comments, likes and subscribes mean OH SO much to me!Details and resources below!Thank you Jacquline Burtney for designing this! If you want to know why we went in this direction—listen to the episode for the feminist story of the iconic Medusa!Housekeeping Notes:* What happened to Business Witch? Well…a random woman who said she owned the trademark for “The Business Witch” demanded I rebrand. In lieu of litigating over the matter, I did. And I like this title way better…what about you? That being said, our old episodes have been archived and are available on this platform for paid subscribers only. Additionally, I'll be releasing a mini business lesson in the form of a podcast once per month. To access this content, you also must be a paid subscriber. As a thank you for subscribing, if you join at the annual level you'll get access to my upcoming nervous system regulation class, Regulate To Rise happening on November 18. If you subscribe as “A Real Witch” you'll be entered to win free birth chart readings with me 2x a year PLUS all other paid subscriber benefits. This community space is subscriber-supported. To get access to archived content and exclusive business lessons, upgrade your subscription.* What does this mean for Business Witch: The Course? It will henceforth be known as The Feminist Business Framework. It relaunches in early 2026 and will be getting a make over! I'll be updating all course material, adding a module on Launching, and generally making the entire thing even better. When you Subscribe to this space, not only will you get access to old and archived episodes, you'll get first access to the re-launch and the ability to apply the cost of your Substack subscription to your course enrollment fee. Join the waitlist here.Resources mentioned in this episode:Melissa Febos' Body Work: The Radical Power of Personal NarrativeThe Feminist Origins of Gossip by Ashley D'ArcyThe History of Hysteria by Ada McVeanDemetra George's Mysteries of the Dark MoonVogue Is Having A Boyfriend Embarrassing NowLily Allen's AD Home TourLily Allen's West End GirlNew York Magazine: The Trouble With Wanting MenGo deeper with me…I have a few spots left for birth chart readings for the year. If you want to see where Medusa, or other such goddesses live in your chart, grab a spot before they sell out!I'll be running a special on intensives for coaching for Black Friday—there are limited spots…if you want to grab one before they go live, message me.I am so curious if you have a personal goddess of resonance…let me know if a story has spoken to/through you!What is your favorite track on West End Girl? Comment and let me know! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit carakovacs.substack.com/subscribe

Rochelle Jordan is a Canadian singer whose new record, “Through The Wall,” was recently named one of the best new albums by Pitchfork. It explores the roadblocks she's dealt with in her career after years of self-doubt and insecurity. Rochelle joins Tom Power to talk about bouncing back from that, fighting as a Black artist to make pop music, and how her new album pays tribute to her brother.

Subscribe to Throwing Fits on Patreon. On our new weekly mini ep, we're fucking around and getting silly with the GD MFing Boyz, recapping and breaking down this week's guest pod and touching on a variety of things we might have missed or simply must know more about, including but not limited to: Is getting acupuncture before recording a podcast a good idea, we're switching things up a bit here at TF so let's talk about it, and the role of Pitchfork in 2025.

{Rina Sawayama voice} Um, do you want to explain why you think that's funny? Seriously, we'll all wait. I'd love to hear what you think is so funny about that. No just explain the joke. Like what's so funny? IT'S A BEAUTIFUL SATURDAY TO LISTEN TO THOT TOPICS!!! Wouldn't you agree? Whatever your answer is we're coming to ratatat on those little eardrums one way or another you dirty, dirty girl! This week, the girls unpack the etymology of "TREATLER" and attempt to self-diagnose. We are medical professionals after all. But then it's down to biz! We talk about Rina Sawayama's cultural appropriation allegations against Sabrina Carpenter. Who left their WHORE shoes on in my beautiful Japanese home??? Then, we pull out our dark crystals (you don't want to know where from) and SCRY the night away, into the future of MUSIC JOURNALISM: specifically, is Pitchfork making a huge mistake allowing user ratings? Will the STAN kill the CRITIC, or have they already? It's a serious investigation luv... Follow the girls on Twitter @VLRTUALBOY and @YOURE2BASIC, and the official pod Insta @th0tstarsxo. Take your shoes off at the door on Patreon. And in the spirit of this week's topic, why not leave us a review? :P

The era of the AI browser is here, and OpenAI is finally in the game. Nilay, Jake, and Hayden sit down to chat about what it means to have ChatGPT in your browser and able to control your cursor and surf the web for you. Also this week: Nilay's warning about using old surge protectors, the devastating and inevitable outcome of the Warner Bros. Discovery acquisition, and Samsung's Galaxy XR headset, which looks a lot like a Vision Pro. Finally, Brendan Carr Is A Dummy makes its triumphant return. And we wrap it all up with the Lightning Round, talking about the the Friend protest, GM's decision to ditch CarPlay, the AWS outage, the future of the Xbox, and more. Help us improve The Verge: Take our quick survey at theverge.com/survey. Further reading: OpenAI's AI-powered browser, ChatGPT Atlas, is here The ChatGPT Atlas browser still feels like Googling with extra steps OpenAI teases a string of updates for its AI-powered browser, ChatGPT Atlas Opera's Neon shows just how confusing AI browsers still are Perplexity's Comet browser is now available to everyone for free Google is expanding Gemini in Chrome and letting it do stuff for you Reddit sues Perplexity for allegedly ripping its content to feed AI The Dia browser is a big bet on the web — and an even bigger bet on AI OpenAI's latest legal request is raising eyebrows Meta is axing 600 roles across its AI division | The Verge Warner Bros. Discovery is ready for a sale WBD already rejected three offers from Paramount Skydance,  Netflix, Amazon, and Apple are reportedly interested in buying Warner Bros. HBO Max is raising prices for the third year in a row Hulu with Live TV now costs $90 monthly but you can lock in $65 for three months Apple TV will be the only place to watch F1 in the US, starting next year Samsung Galaxy XR hands-on: It's like a cheaper Apple Vision Pro and launches today The future I saw through the Meta Ray-Ban Display amazes and terrifies me These Oakley smart glasses are perfect for weekend warriors and T-ball coaches The Friend AI pendant's creator publicized a ‘Friend protest' in NYC These nonprofits lobbied to regulate OpenAI — then the subpoenas came Why GM will give you Gemini — but not CarPlay Did Microsoft just tease that the next Xbox is a PC and console? Major AWS outage took down Fortnite, Alexa, Snapchat, and more Pitchfork is beta testing user reviews and comments as it approaches 30 Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Named one of the Top 20 Guitarists of All Time by Rolling Stone, Richard Thompson is one of the world's most critically acclaimed and prolific songwriters. In addition to his beloved catalog and in addition to many other honors - Thompson has received Lifetime Achievement Awards for Songwriting on both sides of the Atlantic.He'll be in the WAMC region early next month, playing The Bardavon in Poughkeepsie, New York on November 7 and Stone Church in Brattleboro, Vermont on November 8.Will Hermes is a regular contributor to NPR, The New York Times, Rolling Stone, and Pitchfork. He's the author of “Love Goes to Buildings on Fire” and “Lou Reed: The King of New York.” His substack of music writing is at newmusicoldmusic.substack.com.Hermes spoke with Richard Thompson for WAMC.

Jay takes us back to the fateful Lynyrd Skynyrd plane crash of Oct 20, 1977. Song: Lynyrd Skynyrd - “(I Got The) Same Old Blues”Kevin Parker has released a new Tame Impala album, Deadbeat, and it's quite different than previous releases. The guys have thoughts, but so does Pitchfork. It's time for another Review the Review.Song: Tame Impala - “Afterthought”Greg brings up to speed on the latest news with a Heard It Through the GREGvine.Songs: Johnny Greenwood - “One Battle After Another (Score)”Limb Bizkit - “Rearranged”Kiss - “She”Sam Rivers - “Beatrice”

Today we talking Rolling Stone's Top 30(?) Hip Hop Songs of the 21st Century, Pitchfork's Top 100 Rap Albums Ever and a bunch of Halloween Topics. Join the fun!

We're live reacting to Pitchfork's Top 100 Rap Albums list and breaking down how they ranked some of the biggest projects in hip hop history. From classics that deserve their spot to albums that probably shouldn't have made the cut, we're going through the full list and seeing where we agree, where we don't, and what they might've missed. Join the conversation in the chat and let us know which albums you think were ranked too high, too low, or left out completely.

We're live reacting to Pitchfork's Top 100 Rap Albums list and breaking down how they ranked some of the biggest projects in hip hop history. From classics that deserve their spot to albums that probably shouldn't have made the cut, we're going through the full list and seeing where we agree, where we don't, and what they might've missed. Join the conversation in the chat and let us know which albums you think were ranked too high, too low, or left out completely.

Fresh on the heels of our discussion on Pitchfork's top 100 rap albums of all time the gang digs into one of the albums that was a blind spot to all of us, the 2005 Young Jeezy album Let's Get It: Thug Motivation 101.If you want to hear full episodes it is $1 a month at our patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠You can also upgrade to a higher tier to get exclusive content and video⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find our music here:Zilla Rocca: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠ ⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Alaska: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/⁠

Subscribe to Throwing Fits on Patreon. One podcast after another. This week, Jimmy and Larry are flipping the script (and studio and backdrop which we forgot to talk about but you probably noticed if you watch the video) on our new Margin Shirts—dropping today at 12pm EST—which are our best Throwing Fits cut & sew yet, both of our new favorite pairs of dainty shoes for fall, the pod has seen One Battle After Another so let's review everything about what some people are calling the movie of the decade from the various formats it's being shown in and where it ranks amongst Paul Thoms Anderson's filmography to our favorite performances and Teyana Taylor storytime, one of us is hating their closet because they are hating themselves while the other is particularly inspired and shopping accordingly so let's get way too personal as always and dig too deep into it, slump buster shopping, is Theo Von okay, what the Ryder Cup insanity can teach us about America and the sport of golf, the current moment of bro (de)evolution, Pitchfork's 100 best rap albums of all time, we're finally ready to talk about going to Australia in 10 days and much more.