Podcasts about close encounters

The podcast is entirely independent media with zero corporate backing. To support the show and unlock the full, uncut Weekender episodes, head over to patreon.com/muckrakepodcast. Co-hosts Jared Yates Sexton and Nick Hauselman kick off the weekend edition of the podcast with a look at shocking election results and the intersection of entertainment and modern politics. The discussion covers progressive primary surges, intense establishment pushback, and a bizarre new theory regarding the death of nu metal. The New York Shift: Leftist candidates backed by New York City Mayor Zohran Mamdani secure surprising victories in the New York primaries, including Brad Lander unseating incumbent Dan Goldman. Nick and Jared break down the significance of these primary wins and how a promise to address material conditions is changing the progressive landscape. Establishment Meltdown: The primary results trigger a wave of panic and overreaction from both the right wing and centrist Democrats like Hakeem Jeffries and Jamie Harrison. The discussion outlines an impending stress test for the future principles of the Democratic Party. Trump's Legislative Hostage Situation: Attention turns to the Trump administration as the president blocks a bipartisan housing bill. Jared details how corporate carve-outs allowed the bill to pass, while Trump holds it hostage in a bid to force an end to the filibuster for an anti-voting law. Reflecting Pool Retaliation: Meanwhile, security cracks down at the Lincoln Memorial Reflecting Pool. Surveillance and out-of-state law enforcement are being deployed to manufacture "Antifa culprits" for the peeling paint and algae caused by the administration's own rush job. Tucker's Tweener Turn: Former Fox News host Tucker Carlson makes the rounds claiming he can no longer support the Republican Party. Jared analyzes this shift as a calculated, mercenary move to position himself for a future political comeback. The Woodstock '99 Nu Metal Conspiracy: A viral right-wing theory claims that the elites intentionally killed off nu metal and bands like Limp Bizkit to prevent an angry white male revolution. Nick and Jared debunk this framing, demonstrating how the death of rock was actually driven by corporate monopolies and streaming shifts rather than a cultural Marxist plot. Weekend Reviews & Brain Rot: To wrap up, Nick gives a scathing review of Steven Spielberg's overlong new film Disclosure Day, prompting a trip down memory lane comparing it to Close Encounters of the Third Kind and Arrival. Plus, Jared shares his ongoing psychological torment over a legendary Black Eyed Peas earworm.

Welcome back to Not A Bomb! — the podcast where we resurrect cinema's most infamous box office disasters and ask the burning question: is it a bomb?This week, the guys march into the chaos of Steven Spielberg's 1979 war comedy 1941. Fresh off the unprecedented successes of Jaws and Close Encounters of the Third Kind, Spielberg was handed the ultimate Hollywood blank check to make whatever he wanted. The result was an enormous, effects-driven comedy about panic erupting across Southern California in the days following Pearl Harbor. While 1941 wasn't a full-blown box office bomb, it fell well short of the massive expectations surrounding Spielberg's first comedy, becoming one of the earliest examples of how even Hollywood's hottest director wasn't immune to a stumble.But was the film unfairly judged, or is 1941 simply too loud, too chaotic, and too overstuffed for its own good? Troy and Brad break down the film's incredible cast, jaw-dropping practical effects, and the fascinating production that saw Spielberg pushing his filmmaking ambitions to new heights. The hosts also discuss how the film's reputation has evolved over the decades, why it has developed a passionate cult following, and how its perceived failure may have helped shape Spielberg's remarkable run of classics that followed.Sound the air raid sirens, keep an eye on the Ferris wheel, and join Not A Bomb as they revisit one of Hollywood's most fascinating near-misses, proving that sometimes even a box office disappointment can become an unforgettable piece of blockbuster history.Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Disclosure Day is not Steven Spielberg’s first film about the confirmation of alien life, nor is it the first such Spielberg film we’ve discussed on this podcast — that would be Close Encounters of the Third Kind, which we covered a decade ago. But Spielberg’s latest is specifically concerned with whether humanity possesses the empathy to process such a revelation, a question that led us directly to his 1982 classic E.T. the Extra-Terrestrial, about the empathetic link between a 10-year-old boy and an orphaned alien that crash-lands in the forest outside his suburban home. So this week we’re revisiting E.T. to consider how Spielberg, with a crucial assist from Melissa Mathison’s screenplay, navigates the sentimentality of a story that’s all about feelings. Then in Feedback, our recent episode on Babe: Pig in the City prompted a listener to share their own recommendation for an unusually dark kids’ movie. (#529) Please share your thoughts about E.T. the Extra-Terrestrial, Disclosure Day, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

The guys disclose their thoughts on Steven Spielberg's latest alien entree Disclosure Day, said to be a spiritual sequel to his 70's sci-fi classic Close Encounters of the Third Kind – then ruminate over whether 1997's Contact is a better “but if they made themselves known” movie exploration. WATCH: https://youtu.be/ipt5BfB6_J4 Follow Cinereelists: Facebook – Twitter – Instagram – TikTok Follow James: Letterboxd – BlueSky Follow Zach: Letterboxd – Twitter Follow Kyle: Letterboxd Support the show on Patreon. Subscribe: iTunes / RSS Have a film suggestion you think we've never seen and want us to discuss on the show? Send your...

Hector Perez shares about being struck by a car and his family's reaction.

Welcome to the message, "The Nicodemus Encounter" in our "Close Encounters" message series! In this message, pastor Clint discusses Nicodemus' encounter with Jesus, how it changed him, and what we can learn from it.Click the link below to watch the message on YouTube!https://youtu.be/WpYcEiR_vmw

Welp, Steven Spielberg went and released Disclosure Day, a spiritual sequel to 1977's Close Encounters of the Third Kind, which updates the alien myth for a new generation...but will it BLEND? Join Alex, Jesse, and Mathas as they discuss its ups and downs.https://www.disclosuredaymovie.com/ CHILLUMINATI is a weekly comedy podcast hosted by Mike Martin, Jesse Cox and Alex Faciane. Hold on to your tin-foil hats and traverse the realms of the mysterious, supernatural, spooky and sometimes truly horrible - and your third eye will never be the same!Subscribe to our Patreon to support us and for extra content like full video episodes, weekly Minisodes, exclusive art, and more at http://patreon.com/CHILLUMINATIPODThank you to our sponsors:Stop putting off those doctors appointments and go to zocdoc.com/chill to find and instantly book a doctor you love today.Mike Martin - http://www.youtube.com/@themoleculemindset Jesse Cox - http://www.youtube.com/jessecox Alex Faciane - https://www.youtube.com/@StarWarsOldCanonBookClub/Editor: DeanCutty Producer: Hilde @ https://bsky.app/profile/heksen.bsky.social Show Art: Studio Melectro @ http://www.instagram.com/studio_melectro Logo Design: Shawn JPB @ https://twitter.com/JetpackBraggin

"Close Encounters With Jesus" - David Miller - 6/21/2026 by Orchard Audio Ministry

by UFO History Buff & Author, Charles Lear Ted Bloecher, who passed away not too long ago at the age of 94, was a researcher/investigator who started out in the days of flying saucers as a founding member of Civilian Saucer Intelligence of New York and was active until the mid-1980s. He was an early researcher of humanoid reports starting in 1955, just after the 1954 French humanoid wave and the 1955 Kelly-Hopkinsville incident, and was the author of numerous publications on the subject. Tucked away in the United Kingdom file of the downloads section of the Archives for the Unexplained website is a report he wrote titled Close Encounters of the Third Kind that was published in 1977 by the British UFO Research Association. According to the introduction, the paper was prepared for a talk he gave at the BUFORA National UFO Conference at the Centre Hotel in Birmingham, England, in November 1976. The subtitle describes the paper as “The preliminary presentation of extensive study into UFO cases involving the reported sightings of humanoids and other alien beings.” In this blog, we'll look at some of the highlights. Read more →CONTACT AND SUPPORT

Jamie, Jimmy and Bob know that this means something, this is important when discussing the script to Steven Spielberg's 1977 Sci-Fi masterpiece Close Encounters of the Third Kind.

STARDATE: Your Mother.SYSTEM STATUS: CORRUPTED / DELAYED / POSSIBLY HAUNTED ⚠️ RECOVERED FRAGMENTS

The road to hell is paved with good aliens.

In this episode, I sit down with Paul Hynek — entrepreneur, futurist, Wharton MBA, and Adjunct Professor of Finance at Pepperdine University. Paul is the son of legendary astronomer and UFO researcher Dr. J. Allen Hynek, creator of the Close Encounter classification system and the real figure behind History Channel's Project Blue Book. Paul has built a remarkable career of his own at the cutting edge of technology, cryptocurrency, virtual production, and startups — including playing a key role in the sale of Giant Studios to James Cameron for Avatar, launching the world's first children's online service with Bill Gates, and creating EZ Numbers, the financial projections software that has raised over $1 billion for thousands of startups. A frequent speaker at South by Southwest, Harvard, and Wharton, Paul is also a pioneering longevity researcher — one of the first people in the world to regrow his thymus gland in an FDA-approved life extension trial. Woven through all of it is a lifelong fascination with UFOs, DMT, consciousness, and the nature of reality — a path that led him, in his own words, to believe that disclosure won't come from a government podium, but from direct experience itself. If this conversation resonates, like, comment, and subscribe. Support the show: Patreon - https://www.patreon.com/dangothoughts Code of Reality (COR) - https://codeofreality.org/ Connect with Danny Goler: Website - https://dannygoler.com/ TikTok - https://www.tiktok.com/@dannygoler Instagram - https://www.instagram.com/dannygoler/ X - https://x.com/golerdanny?s=21&t=Gjcrl3ekQAHfVmhYl1OXzA Substack - https://dannygoler.substack.com/ Facebook - https://www.facebook.com/danny.goler/ Facebook COR Professional page - https://www.facebook.com/profile.php?id=61586952941889 COR Website - https://codeofreality.org/ YouTube Link - https://youtu.be/ZZWGbdli8ZU Connect with Paul Hynek: X - @paulhynek #UFO #Disclosure #DMT #AIsingularity #Consciousness #ProjectBlueBook #Psychedelics #Bitcoin Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Josh review Steven Spielberg’s Disclosure Day, praising star Emily Blunt and the impeccably staged action while questioning whether Spielberg and screenwriter David Koepp’s spiritual sequel to Close Encounters of the Third Kind captures the same sense of wonder. Then, Adam (finally) reviews the hit live-action/CGI hybrid The Sheep Detectives, plus Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:50) Disclosure Day (00:01:51-00:45:09) Filmspotting Family (00:45:10-00:51:34) The Sheep Detectives (00:51:35-00:57:35) Notes (00:57:36-00:59:40) Massacre Theatre (00:59:41-01:03:32) Credits / Releases (01:03:33-01:05:53) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Jim Hill and Eric Hersey return with a packed Epic Universal Podcast covering the newest Halloween Horror Nights reveal, fresh Epic Universe developments, and more chatter from Universal Orlando and Hollywood. Eric shares impressions from his Helios Grand Hotel stay, while Jim digs into the latest Universal news from Stranger Things to the United Kingdom resort. Then Jim uses Steven Spielberg's new UFO movie Disclosure Day as a launchpad for the strange story of Night Skies, the terrifying alien film that nearly became E.T. NEWS • Stranger Things returns to Halloween Horror Nights with a new house tied to the final season of the Netflix series. • Jim and Eric weigh whether Stranger Things or Sinners will be the marquee Halloween Horror Nights draw this year. • Epic Universe prepares to debut Universal's Celestial Goodnight, a nighttime spectacular with fireworks, fountains, and music. • A major new Dark Universe permit points to a 71,000 square foot structure, fueling speculation about Universal Monsters expansion. • The hosts discuss Universal United Kingdom Resort rumors, including possible James Bond, Back to the Future, Paddington, and Lord of the Rings connections. FEATURE • Jim traces the road from Close Encounters of the Third Kind to the abandoned Night Skies project. • The feature explores the real 1955 Hopkinsville, Kentucky UFO incident that inspired Spielberg's scarier alien concept. • Jim explains how Melissa Matheson helped transform Night Skies into E.T. while Spielberg was filming Raiders of the Lost Ark. • The story also covers Rick Baker's unused alien designs, Columbia's rejection of E.T., and why Disney passed on the project. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Eric Hersey - X/Twitter: @erichersey, Instagram: @erichersey, Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a trip to Universal Orlando or Walt Disney World? Visit UnlockedMagic.com to save up to 12% on theme park tickets, with Express Pass options now available for even more savings. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Roy Neary (Oscar-winner Richard Dreyfuss) was just a mild-mannered Indiana family man working for the power company.  Until one evening while out on the job.....he had an encounter with an unfamiliar being blasting brilliant light into the night sky.  What results for Roy is an increasingly bizarre descent into madness as he not only feels drawn towards seking out these otherworldy beings but also begins to alienate his wife (Teri Garr) and family in the process.  And he's not the only one: there's also Jillian Guiler (Oscar nominee Melinda Dillon) who is also drawn towards seeking out these strange, new visitors.  Both of their journeys eventually lead them Devil's Tower in Wyoming where these "visitors" might be headed.  Also eventually heading this way are two curious scientists (Francois Truffaut, Bob Balaban) who have been trying to figure out the best way to communicate with these extra terrestrials.  It all adds up to a transcendant experience and one of THE greatest films from one of our greatest living directors, Two-time Oscar-winner Steven Spielberg (Schindler's List, Raiders of the Lost Ark, ET) as his direct follow-up to the singular phenomenon which was Jaws. See below for a link to an extended sequence added to the 1980 "Special Edition" of this film, referred to within this review:https://www.youtube.com/watch?v=gqiSIaia-k4&t=197sHost & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Steven Spielberg has release his latest movie, which is his most recent take on the idea that Aliens have visited Earth…Disclosure Day. Anytime Spielberg releases a movie, it's a big deal, but when it's a Sci-Fi film, you know that the Regulars Joes will have opinions. This week, to celebrate the release of Disclosure Day, Dave and Barry decided to do a rewatch of Spielbergs first "Alien" movie, Close Encounters of the Third Kind. The guys share their thoughts on both movies, one brand new and one thats almost 50 years old…to see how Spielbergs movies have evolved and how Sci-Fi movies in general have evolved since 1977. There's also the usual Random Topics including discussion of the YouTube video featuring a look inside Spielberg archives, and a round of What's in the Box featuring an item signed by Spielbergs Best Friend for over 50 years. Dont forget to check out this weeks sponsors, Fanboy Collectibles, Danger Island Models and From Dave's Workshop, links in the description below. As always, thanks for watching and listening! Links: Fanboy Collectibles - https://www.fanboycollectibles.com Danger Island Models - https://dangerislandmodels.com From Dave's Workshop - https://www.fromdavesworkshop.com Land the Galileo Store - https://land-the-shuttlecraft-galileo.backerkit.com/hosted_preorders Reach Out: e-mail: podcast@regularjoes.com Voice Message: 413-475-1650 Text Message: 413-422-0004 Leave us a review on iTunes or Spotify

Spielberg, aliens, and a CGI fox that should be tried for war crimes. Welcome to Disclosure Day.Cupcake and Mike review Steven Spielberg's Disclosure Day, starring Emily Blunt, Josh O'Connor, Colin Firth, Colman Domingo, and Eve Hewson — a North by Northwest-meets-Close Encounters conspiracy thriller about what happens when the government finally admits aliens are real. Written by David Koepp, scored by John Williams, shot by Janusz Kaminski — this is about as classic-Spielberg a creative team as it gets. So why does this conversation get so heated? Is Spielberg "too old for this"? Why are Mike and Jose deeply split on Emily Blunt and Josh O'Connor performances? Is the third act really the humanity unifying resolution or did a legendary filmmaker shit the bed? Spoiler free for your pleasure! - - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.comBe kind. Be open. Be vulnerable. That's where the art is───────────────────────────────SOCIAL MEDIA: FB: https://www.facebook.com/watchskippluspodIG: https://www.instagram.com/watchskipplus/X: https://twitter.com/watchskipplusCHECK OUT THESE PODCASTS! 

To celebrate the release of "Disclosure Day," the Boys look back at the filmography of Steven Spielberg the only way they know how: by ranking all of his movie titles from worst to best. Along the way, they discuss some of his classics ("Close Encounters of the Third Kind," "Raiders of the Lost Ark"), his lesser known movies ("Always") and whatever "Disclosure Day" was. Pop, pop!

Spielberg is back in the world of UFOs and alien conspiracies with his newest blockbuster Disclosure Day. How does it compare to Close Encounters of the Third Kind? What real life UFO lore inspired the film? Jen is back with us this episode to discuss!

Paul and Amy look to the skies with Close Encounters of the Third Kind, Steven Spielberg's awe-inspiring follow-up to Jaws and one of cinema's most influential visions of alien contact. They unpack the film's ambitious production, from Spielberg's growing creative confidence, Douglas Trumbull's groundbreaking effects work and the casting. Along the way, they explore the movie's themes of obsession, faith, communication, and government secrecy, and why its sense of wonder still feels so powerful nearly fifty years later. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”Read, watch, and listen with the critics:“Jaws” (1975)“Disclosure Day” (2026)“Minority Report” (2002)“Oscar Wars,” by Michael Schulman“What Went Wrong” 's episode about “Jaws”“Close Encounters of the Third Kind” (1977)“Jurassic Park” (1993)“E.T.” (1982)“Alf” (1986-90)“Schindler's List” (1993)“One Battle After Another” (2025)“American Journal,” by Robert Hayden“Heart of the Beast” (2026)“Sinners” (2025)“Nope” (2022)“Barbie” (2023)“Obsession” (2026)“Backrooms” (2026)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

SHOW NOTES: Steven Spielberg created Jaws and Close Encounters. He used technology for the shark and the spaceship. But he used talent for the creation. Pablo Picasso famously relied on Ripolin, a quick-drying, glossy commercial house paint, instead of traditional artist oils. For tools, he used oversized, long-handled bristle brushes, and stiff palette knives for impasto textures. But the painting Guernica was the result of his talent. Bach created the Brandenburg concertos and the musical advancements that most helped him were the rise of flexible "well-temperament" tuning and the rapid development of the Italian concerto style. Together, these innovations allowed him to achieve his legendary harmonic complexity and contrapuntal mastery. But the talent was already there. Houdini created incredible illusions and escapes using hidden keys, sleight of hand, mirrors, and secret hatched. But the design and the implementation were due to his talent. Focus on your talent, not technology. A microphone can enhance volume but won't help you to naturally sing on key. Superb skis and advance waxes can help your skiing speed and control, but are no replacement for quick reflexes and physical stamina. Technology, whether AI or a remote control, can enhance your abilities and success, but they can't replace your judgment and native talent, unless you try to allow them to, which will only atrophy your unique abilities.

Mostly FilmThis week, Jonathan and J.P. continue their Spielberg Series by exploring two films separated by more than four decades but connected by a lifelong fascination with the unknown: E.T. the Extra-Terrestrial (1982) and Disclosure Day (2026). From one of the most beloved family films ever made to Spielberg's latest return to extraterrestrial storytelling, we're examining how the director's perspective on aliens, humanity, and wonder has evolved over nearly fifty years.We dive into the deeply personal heart of E.T., discussing childhood loneliness, empathy, friendship, and why the film remains one of the most emotionally resonant blockbusters ever created. Then we turn to Disclosure Day, a modern sci-fi epic that tackles truth, secrecy, first contact, and humanity's place in a much larger universe. Along the way, we compare Spielberg's approach to fear and wonder across generations, rank his alien films, and ask whether Disclosure Day serves as the final chapter in a story Spielberg has been telling since Close Encounters of the Third Kind.From bicycles flying across the moon to a world forced to confront the impossible, this episode is all about Spielberg's enduring belief that understanding begins when we're willing to reach out—and listen.

On Today's Show Vince will Rate and Review:   Close Encounters of the Third Kind (1977),  E.T. the Extra-Terrestrial (1982),  War of the Worlds (2005),  Disclosure Day (2026) TimeCodes: Close Encounters of the Third Kind:  6:39 E.T. the Extra-Terrestrial:  31:23 War of the Worlds:  47:00 Producer Thanks:  1:16:27 Disclosure Day: 1:22:35 Executive Producer: - Matt D.   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!  

Disclosure Day This week we are participating in riding the hype train for the new Steven Spielberg cultural touchstone “Disclosure Day“. Following on from his classic alien encounter stories of Close Encounters of the Third Kind, E.T. and War of the Worlds this new film asks a different question entirely. And guess what? It’s or turn to disclose something to all of our lovely listeners… We really didn’t like it. AT ALL. Quinny and Jill are the lucky buggers who saw it in the cinema and they are giving the spoiler filled low-down on what went right, what went wrong and what exactly are we disclosing to whom. Synopsis A cybersecurity whistleblower, Daniel Kellner (Josh O’Connor), and a Kansas City TV weathercaster, Margaret Fairchild (Emily Blunt), racing to broadcast classified evidence of extraterrestrial life. They are pursued by the Wardex Corporation, a secret military-industrial government arm headed by Noah Scanlon (Colin Firth), while the world teeters on the brink of World War III. https://youtu.be/miuNQja0c8o A huge shout-out to the greys, reptilians, talls and body-less mass aliens who buzz by to join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to be to be generous to us stupid humans and drop your anal probe findings into our data recepticles (we assume thats how you pay for stuff). Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You are all our octopus teachers… If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you!  Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://www.youtube.com/watch?v=icDuEHSxE-w&pp=ygUWRGlzY2xvc3VyZSBkYXkgdHJhaWxlcg%3D%3D WE WANT TO HEAR FROM YOU! Send in recordings, videos, voicemails, emails hell smoke signals… with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/  

Forrest, Kristina Oakes, and Conan Neutron talk about the new Steven Spielberg summer blockbuster Disclosure Day!!! Starring Collin Firth, Emily Blunt, Colman Domingo, Eve Hewson, and McKenna Bridger.Two weeks ago, we did an episode on Close Encounters of the Third Kind. Now, we are reviewing Spielberg's latest Summer Blockbuster about aliens inspired by the NYT investigative report from 2017 and the subsequent UAP hearings. #disclosureday #spielberg #scifi #sciencefiction #aliens #alien #stevenspielberg #disclosure #extraterrestrial #et #closeencountersofthethirdkind #colmandomingo #moviereview #reviews #livestream #livestreaming #movie #moviepodcast #filmpodcast #summerblockbuster #emilyblunt

The humble potato: an unlikely movie star. Chef, author, and culinary extraordinaire Courtney McBroom joins Dave and Chris at the table in the clubhouse as they dig into the iconic potato scenes in 'Close Encounters of the Third Kind,' 'The Martian,' and 'White Man's Burden.' With Vrbo, what you book is what you get. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 2020, Adam and Josh used the 45th anniversary of Jaws to Power Rank the Spielberg Decades — from the Close Encounters ’70s to the Lincoln 2010s. With the release of Disclosure Day, the question now is whether it’s already time to do it again and include the 2020s.See omnystudio.com/listener for privacy information.

In this edition of Somewhere in the Skies Classics, we revisit our fascinating conversation with Paul Hynek, son of legendary astronomer and UFO researcher Dr. J. Allen Hynek. As the UAP conversation continues to expand in 2026 through congressional hearings, military testimony, and renewed scientific inquiry, Hynek's work remains more relevant than ever. Known for his work on Project Blue Book, creating the Close Encounters classification system, and consulting with Steven Spielberg on Close Encounters of the Third Kind, J. Allen Hynek helped bring UFOs into both the scientific and cultural mainstream. Paul offers a rare, personal look at his father's investigations, his evolving views on the phenomenon, the real stories behind Project Blue Book, and why Hynek's commitment to evidence-based inquiry continues to influence today's UAP debate. Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Livestream music by Punch Deck: https://www.youtube.com/@PunchDeck Copyright © 2026 Ryan Sprague. All rights reserved. #Spielberg #DiscloseDay #Disclosure #UFOs #UFO #CloseEncounters #UAP #ProjectBlueBook #Hynek #Aliens Learn more about your ad choices. Visit megaphone.fm/adchoices

Spoilers for Disclosure Day. Jason and Rachel review Disclosure Day, Steven Spielberg's new alien movie starring Emily Blunt, Josh O'Connor, Colman Domingo, Colin Firth, and Wyatt Russell. There are things to like here: Emily Blunt is great, Colman Domingo remains a human weighted blanket, and a few sequences feel like vintage Spielberg. But the movie's big alien reveal, TV station climax, confusing character logic, and “world peace / just listen” ending left us deeply frustrated. We talk Close Encounters comparisons, little green men, thumb drives, World War III, invisible fire trucks, AI-era skepticism, David Koepp, Spielberg nostalgia, and why Disclosure Day ends up as a disappointed thumbs down. Available on YouTube, Apple Podcasts & Spotify Support the show on Patreon for ad-free episodes & bonus content : http://bit.ly/44Mo8xU Like & Subscribe Leave a 5-star review if you're enjoying Thumb War Email us: ThumbWarPod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patrick Smith joins us once again for Shades Cinema! On this episode we dive in to the 1977 Sci-Fi classic Close Encounters Of The Third Kind directed by Steven Spielberg! JM's Album Of The Week: John Williams - Disclosure Day (OST) Bradford's Book Club (Patrick's Pick): A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits - Star Wars, Carrie, Ferris Bueller's Day Off, Mission: Impossible, and More by Paul Hirsch

My guest for this episode is psychologist and psychotherapist Michael Wilson, who joined me to discuss his recent book, Portals into Deep Imagination: Celtic Mythology, Nature's Year, and the Quest for Soul. The book is an anthology of weekly contemplations and practices for spirituality through the lens of psychology, inspired by the culture and mythology of the Celts in Britain and Ireland and their connection with nature. Following the course of the Celtic year (beginning at Samhain), each weekly chapter offers tales and folklore from Celtic mythology, followed by a suggested practice of meditation and contemplation. It explores the metaphor and symbolism contained in these myths and legends and shows how those themes can be used to examine the nature of the human mind and imagination and the relationship between them. In the interview I begin by talking with Mike about his background and how the idea for the book came about. We discuss the structuring of the book around a yearly cycle and then our conversation broadens a little, exploring the importance of connecting with nature and the relationship between folklore, myth, the imagination, dreams and altered states. You can find out more about Mike and his writing at https://www.michaelwilson.uk.com/. Portals into Deep Imagination: Celtic Mythology, Nature's Year, and the Quest for Soul can be purchased from Aeon Books. If you enjoy what I do with Some Other Sphere and would like to support its upkeep, you can make a donation via Ko-fi. To buy the podcast a coffee go to https://ko-fi.com/someotherspherepodcast. Thank you!   The podcast theme music is by The Night Monitor, from his album, ‘Close Encounters of the Pennine Kind'. You can find out more about The Night Monitor's music at https://thenightmonitor.bandcamp.com/.  

Steven Spielberg returns after a four-year break with Disclosure Day, a sci-fi mystery filled with strange encounters, government secrets, thrilling chases, and a stellar cast. we're breaking down the performances, the mystery, the aliens, and answering the question that matters most: is Disclosure Day worth a trip to the theater, or should you stay in your pajamas and wait for streaming? we're split. Sarah says save your money and watch from the couch, while I say, grab some popcorn and see it on the big screen.Agree with Sarah or Team Cassie all the way?Drop your hot takes on TikTok and Instagram @PopcornPaparazziPodcast or email popcornpaparazzipodcast@gmail.com.

Legendary Oscar-winning director Steven Spielberg (Schindler's List, Saving Private Ryan, ET: The Extra Terrestrial, Close Encounters of the Third Kind) returns to the science fiction genre for the first time in almost twenty years with this mystery thriller focusing on a group of scientists (Josh O'Connor, Oscar-nominee Colman Domingo) who are attempting to find and release classified information from the United States government about the existence of alien life and its presence on our planet.  Standing in their way is a shadowy organization lead by Oscar-winner Colin Firth (The King's Speech, Kingsman, A Single Man) and the key towards revealing the truth MIGHT lie with a Kansas City meterologist (Oscar-nominee Emily Blunt) who begins to communicate with others around her in unexpected ways.  Will the truth be revealed?? Let's find out....Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

In this episode of Tinfoil Tales, Brandon sits down with Ernie, who shares one of the most detailed and unsettling Sasquatch encounters ever discussed on the show. What began as a routine hunting trip in a remote mountain area turned into a face-to-face encounter with a massive, intelligent being unlike anything he had ever experienced.Ernie describes how he unknowingly walked into what appeared to be a coordinated hunting scenario involving multiple creatures. As the situation unfolded, he came within just a few feet of one of them—close enough to observe its physical features, behavior, and what he believes were intentional communication attempts through gestures and body language.Rather than acting aggressively, the being appeared curious and deliberate, using movements that Ernie later came to interpret as a form of communication. The encounter challenges common assumptions about these creatures, suggesting a level of intelligence, strategy, and awareness that goes far beyond what most people believe. The conversation also explores broader topics, including:The possibility of Sasquatch using coordinated hunting tacticsReports of vocalizations, whistling, and non-verbal communicationWhy many witnesses wait decades before coming forwardThe role of mindset and environment in close encountersThe idea that these beings may be far more human-like than expectedErnie also discusses the challenges of sharing experiences like this publicly, the skepticism surrounding the topic, and why so much potential evidence is dismissed or ignored. This is not just a story about seeing something in the woods. It's a detailed account of an encounter that raises serious questions about intelligence, communication, and what may still exist just outside our understanding.Become a supporter of this podcast: https://www.spreaker.com/podcast/tinfoil-tales--6147818/support. Want to be a Guest? If you have a paranormal encounter, conspiracy theory, or unexplained story to share, we'd love to hear from you! Reach out to us at tinfoiltalespodcast@gmail.com or use the contact button on our website. http://www.tinfoiltales.com Let's schedule you for a future episode and dive into the mysteries together! Got Weird Stuff?Have some strange physical evidence you want to share?  Mail it to:Tinfoil TalesP.O. Box 302Peru, IN 46970

This is our Disclosure Day review. Spoiler free followed by spoilers. Is Steven Spielberg's latest alien movie worth the trip to the theater? Will it have you questioning your belief in God? Is it a sequel to Close Encounters of the Third Kind? Does it even make sense? Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Movies #DisclosureDay #Spielberg #Podcast #Commentary #News #Reaction #Gaming #Comedy #Entertainment #Hollywood #PopCulture #Tech #Anime #FYP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg returns to one of the defining obsessions of his career with Disclosure Day, a science-fiction thriller inspired by modern UFO disclosure debates and decades of speculation about extraterrestrial life. Written by longtime Spielberg collaborator David Koepp from a story Spielberg reportedly carried with him for years, the film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo in a story about government secrecy, hidden truths, and humanity's first official reckoning with the reality of alien contact.Released on June 12, 2026, Disclosure Day has been praised by critics for its ambition, performances, and Spielberg's trademark sense of wonder, while generating a far more divided reaction among audiences. Is the confirmation that aliens exist still the earth-shattering revelation it once was, or has popular culture spent the last eighty years preparing us for that moment? In this episode, we discuss whether Spielberg's latest film is a hopeful meditation on truth and humanity's place in the universe, or a story built around a revelation that no longer carries the dramatic weight it did in the era of Close Encounters of the Third Kind. Join us as we break down the film, its themes, its cultural relevance, and whether Disclosure Day arrived at exactly the wrong moment in history.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Steven Spielberg is seventy-nine years old, and he just made the movie where the government finally stops lying about aliens. Disclosure Day caps the loose trilogy he started with Close Encounters and E.T. — private awe, then childhood friendship, and now a global broadcast that yanks the curtain back on all of it. This month the Film Board gathers to toss about whether the old master still has the magic.Full spoilers, of course. The panel digs into Emily Blunt and Josh O'Connor as the searching heart of the thing, Colin Firth's body-hopping menace, the cosmic-FaceTime dinner table, a train sequence that actually pays off its punchline, and a panic attack they call of the most accurate they've ever seen on screen. They argue the device nobody understands (Duraflame theory included), the news-station climax, and a big-swing ending that stops cold at the moment of disclosure and whispers a single word.Then the larger brawl: whether a 79-year-old's plea for empathy and transparency lands in a cultural moment where the same disclosure could just as easily become a hunting license.The Film Board is a monthly deep-dive on new releases, part of The Next Reel family of film podcasts.Want to hear more? Over on Make Me A Nerd…Disclosure Day is the back half of a Spielberg conversation Steve already started. Over on Make Me a Nerd, Mandy hands him the mic for Close Encounters of the Third Kind — one of his top five films of all time — and gets the full package: curiosity, obsession, government lies, blinking lights, and questionable parenting. It's the hunger for connection that Disclosure Day spends fifty years catching up to. Mandy arrives late to the party, but by the end she understands exactly why this movie meant — and still means — so much. If you want the origin point of every instinct this new one is paying off, that's the room.Make Me A Nerd • Close Encounters with Steve SarmentoOver on The Next Reel…Pete Wright and Andy Nelson took Close Encounters apart for the Next Reel's Original Sci-Fi series — the three existing cuts of the film, what's different, why the changes were made, and which to watch — plus an older-and-wiser reckoning with how the parenting of both Roy and Gillian now feels incredibly poor. The private-awe-versus-government-stonewall DNA that Disclosure Day scales up to a global broadcast starts right here. The Next Reel • Close Encounters of the Third Kind

Ryan is joined by Hollywood insiders, screenwriters, and Sound, Light & Frequency podcast hosts Bryce Zabel and Brent Friedman for an in-depth, spoiler-filled review of Disclosure Day, the latest from legendary filmmaker Steven Spielberg. Having both worked with Spielberg and spent years exploring the intersection of Hollywood, science fiction, and the UFO phenomenon, Bryce and Brent bring unique insider perspectives to one of the year's most talked-about films. Together, they break down the film's themes, performances, visual storytelling, and its handling of UFO disclosure, government secrecy, and extraterrestrial contact. The discussion explores how Disclosure Day compares to Spielberg's iconic alien films, including Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, and War of the Worlds, while examining the real-life UFO cases, historical references, and hidden easter eggs woven throughout the movie. Where does Disclosure Day rank among Spielberg's greatest science-fiction films? Does it succeed as a UFO disclosure movie? And how accurately does it reflect decades of UFO history and research? Join us for a passionate, honest, and detailed conversation as we unpack every major moment, reveal our favorite scenes, debate its biggest surprises, and determine where Spielberg's newest alien outing stands in the pantheon of UFO cinema. Subscribe to Sound, Light & Frequency: https://soundlightfrequency.com/ Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Follow Suzanne on X: https://x.com/csuzannelanders Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Copyright © 2026 Ryan Sprague. All rights reserved. ⁠#DisclosureDay⁠ ⁠#StevenSpielberg⁠ ⁠#Aliens ⁠⁠#UAP⁠ ⁠#AlienMovies⁠ ⁠#CloseEncounters⁠ ⁠#MovieReview⁠ ⁠#BryceZabel⁠ ⁠#BrentFriedman⁠ ⁠#SciFiMovies⁠ ⁠#FilmAnalysis⁠ ⁠#MoviePodcast⁠ ⁠#Disclosure⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Spielberg is officially back in the sci-fi sandbox with Disclosure Day, and you already know we had to break it all down. This week, we're diving deep into his 37th feature film to see if this original alien conspiracy thriller lives up to the massive legacy of Close Encounters and E.T.—or if it gets lost in its own sentimentality.​We're talking about that stellar cast (Emily Blunt, Josh O'Connor, Colman Domingo, and Colin Firth), the incredible car chases, that bizarre clicky alien language, and whether the movie's big message about humanity and empathy actually lands. Is this a certified summer blockbuster classic or is Spielberg just playing the hits? Tap in and find out!

Monica Reza and Gen. Neil McCasland are missing. Melissa Casias disappeared June 26, 2025.Monica Reza disappeared June 22, 2025.General Neil McCasland disappeared February 27, 2026.Casias worked for Los Alamos.Reza helped develop materials designed to survive one of the harshest environments in engineering: rocket engines.Neil McCasland oversaw the U.S. Air Force's top research laboratory, the AFRL, which connected them all.All vanished.Now, people are noticing possible connections to other missing or deceased scientists and military personnel.Episode Links: Watch the full video on YouTube: https://youtu.be/v7a2bFVpSqMSubscribe to PHARRAOH on YouTube: https://www.youtube.com/@PHARRAOHSearching for missing hiker Monica Reza video by  @PHARRAOH     https://www.youtube.com/watch?v=jyYsHmsAJ_ULASD Missing Persons Policy https://pars.lasd.org/Viewer/Manuals/10008/Content/12336Crescenta Valley Weekly https://www.crescentavalleyweekly.com/news/07/03/2025/update-on-efforts-to-locate-missing-hiker-monica-reza/The SentinelNet on Reddit post https://www.reddit.com/r/UnsolvedMysteries/comments/1s1jhs2/update_monica_jacinto_reza_disappearance_lasd/?solution=82e4c0967d1cdecf82e4c0967d1cdecf&js_challenge=1&token=7afd7253fec22262ff1c52b1703fe9ecbc8f1e74bd6820864f295ff3495ce1b7&jsc_orig_r=&solution=80275b8905cc6f5580275b8905cc6f55&js_challenge=1&token=7afd7253fec22262ff1c52b1703fe9ec2061dc8c33c2992a31add99a5fc67a47&jsc_orig_r=&share_id=qQVk0_yfCtXmnmB8QUmgK&utm_content=1&utm_medium=ios_app&utm_name=ioscss&utm_source=share&utm_term=4Solve the Case Monica Reza file https://www.solvethecase.org/case/2025-56/monica-rezaMissing North Carolina woman found https://abc7ny.com/post/michelle-hundely-smith-found-rockingham-county-woman-missing-2001-alive-north-carolina-deputies-say/18639377/Missing scientist and general playlist: https://www.youtube.com/playlist?list=PLUBNCmjIGgJj34s02zqwIvv_hCASUdo9_Subscribe (free) to ATU on YouTube: https://youtube.com/@allthingsunexplained Shop: https://all-things-unexplained-shop.fourthwall.com Website/support: https://allthingsunexplained.com Guest list: https://allthingsunexplained.transistor.fm/people Watch Dr. Mounce in Episode 0 of Beast Games by ⁨@MrBeast⁩:  https://youtu.be/gs8qfL9PNac?si=whD290YawP8WBSTH Watch Larry as #76 on ⁨@MrBeast⁩ : https://youtu.be/9WEQts7b8Pw?si=yVDRYlUcirHi-Pmx _______________________Hosted by Dr. Tim Mounce—best-selling author, Audible narrator, and Beast Games (by @MrBeast ) Season 1 contestant #718—alongside occasional cohosts The Unexplained CJ and Smitty._______________________Featured in Patricia Cornwell's New York Times Bestselling Novel Identity Unknown:“Earth was plan B. It's where the Martians escaped thousands of years ago when their own planet was about to be destroyed,” Marino replies as if it's commonly known.No doubt he learned this and more from All Things Unexplained, Ancient Aliens or one of his other favorite podcasts and TV shows. He and my sister both tune in religiously, and it makes for lively dinner conversations when all of us are together.— Identity Unknown, p. 164_______________________Ranked #9 Alien Podcast, #8 Bigfoot Podcast, and top 40 UFO Podcast by MillionPodcasts.Top 15 Science & Society Podcast.People's Choice Podcast Award Nominee._______________________Follow All Things Unexplained:   YouTube https://youtube.com/@allthingsunexplained     X https://x.com/@ATUnexplained    IG https://instagram.com/allthingsunexplainedpodcast    TikTok https://tiktok.com/@allthingsunexplained     FB https://facebook.com/allthingsunexplainedpodcast    Apple Podcasts https://podcasts.apple.com/us/podcast/all-things-unexplained/id1518410497 Email us: allthingsunexplained@yahoo.com Music Credits sourced via YouTube Audio Library.Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100394Artist: http://incompetech.com/ ★ Support this podcast ★

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we're alone in the universe, and what it might mean if we're not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.   On Today's Episode Steven Spielberg, director of “Disclosure Day.”   Background Reading ‘Disclosure Day' Review: Spielberg Plays His Greatest Cosmic Hits What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human   Photo credit: Paolo Pellegrin/Magnum, for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is Disclosure Day the New Close Encounters? | Radio Labyrinth Podcast | S11-Ep23This week on Radio Labyrinth, we ask if Spielberg's Disclosure Day is the spiritual sequel to Close Encounters of the Third Kind. Is Spielberg back to alien wonder, or just remixing his own UFO magic?Plus: Obsession's indie film pay controversy, Netflix's real-dog Scooby-Doo, Whalefall, Gail Daughtry and the Celebrity Sex Pass, Dungeon Crawler Carl Book 8, Rush, Trailer Trash, Views or Snooze, and Staff Picks.Keep it Canon.▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀Hosts: Tim Andrews, Jeff Leiboff, Dustin Lollar and Lizzie Bruce JonesAudio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Steven Spielberg's DISCLOSURE DAY is now in theaters, and the MovieFilm boys have plenty of thoughts in this super-sized discussion of the aliens-among-us pic from the CLOSE ENCOUNTERS director. Plus: MASTERS OF THE UNIVERSE box office! OBSESSION! SCARY MOVIE! The JUMP STREET franchise making a comeback and much more!Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

Stephen Spielberg brings aliens back to the big screen in Disclosure Day. But how does his new blockbuster compare to his alien classics like E.T. and Close Encounters of The Third Kind? Our heroes Emily Blunt and Josh O'Connor are compelled by something they don't understand, and there are authority figures trying to keep a huge secret from the public. If you need more summer blockbusters, check out: ‘Jaws' is still stuck in our teeth, 50 years laterThe summer blockbusters we finally watchedConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

In this SITS classic from 2017, we speak with Mark O'Connell. With UFOs once again dominating headlines through government hearings, whistleblower claims, and renewed public interest, we're revisiting this conversation with O'Connell about his book,The Close Encounters Man: How One Man Made the World Believe in UFOs, chronicling the life of legendary astronomer Dr. J. Allen Hynek. Originally hired by the Air Force to debunk UFO sightings, Hynek's years investigating unexplained cases led him to a startling conclusion: UFOs deserved serious scientific attention. Through unprecedented access to Hynek's personal and professional files, including his time working with Steven Spielberg, O'Connell paints a compelling portrait of the man who transformed from skeptic to pioneer in UFO research. At a time when many of the same questions Hynek raised decades ago are resurfacing today, this episode remains more relevant than ever. Buy the book: https://amzn.eu/d/05vp8xtW Use promo code: SOMEWHERE15 for 15% OFF Anomalous Cards: https://www.letsgetanomalous.com/ Send us a voicemail with questions, comments, or topic suggestions: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Follow Suzanne on X: https://x.com/csuzannelanders Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Copyright © 2026 Ryan Sprague. All rights reserved. #DisclosureDay #UFO #UAP #SomewhereInTheSkies #JAllenHynek #UFOPodcast #AlienLife #Disclosure #ParanormalPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Congressional hearings, whistleblower allegations, and the release of new government records in recent weeks have continued to fuel public questions of whether long-hidden information about UFOs may finally be coming to light. And part of that fascination also extends to Hollywood, with the forthcoming release of Steven Spielberg's film Disclosure Day, which early reviews have called one of the Close Encounters of the Third Kind director's best films in decades. This week on The Micah Hanks Program, we look at the possibility of a real-life "Disclosure Day," and how a scientific committee long involved in the serious search for evidence of intelligent life on other worlds is working on establishing new protocols for how final proof of alien life should be revealed to the public if we find them. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: BRAZIL UAP: Everything we know about the UFO  Sighting in Brazil on May 31, 2026 DISCLOSURE DAY: Director Steven Spielberg on aliens: "I absolutely think that they have been here" CONSPIRACY: Steven Spielberg rejects Disclosure Day alien conspiracy theories SETI: Position Paper on Declaration of Principles Concerning the Conduct of the SETI ALIEN TECH: SETI Institute Looks for Signs of Technology in Interstellar Visitor 3I/ATLAS BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

We have an eerie one for you tonight! Strange lights in the sky, unsettling experiences in the woods, a goblin in the city and much more. Keep it spooky and enjoy!Season 21 Episode 8 of Monsters Among Us Podcast, true paranormal stories of ghosts, cryptids, UFOs and more, told by the witnesses themselves.SHOW NOTES:Support the show! Get ad-free, extended & bonus episodes (and more) on Patreon - https://www.patreon.com/monstersamonguspodcastTonight's Sponsor -  Zazzle - Create your own custom gifts, personalized business supplies, invitations and more. Save 25% on your first order at Zazzle.comMAU Merch Shop - https://www.monstersamonguspodcast.com/shopMAU Discord - https://discord.gg/ybjc9KUagYWatch FREE - Shadows in the Desert: High Strangeness in the Borrego Triangle  - https://www.borregotriangle.com/Monsters Among Us Junior on Apple Podcasts  - https://podcasts.apple.com/us/podcast/monsters-among-us-junior/id1764989478Monsters Among Us Junior on Spotify -https://open.spotify.com/show/1bh5mWa4lDSqeMMX1mYxDZ?si=9ec6f4f74d61498bLight as a Feather - https://www.youtube.com/watch?v=vydP2cAnA40Marvel Toad character - https://marvel-movies.fandom.com/wiki/Toad?file=Toad.jpgBaltimore Goblin mentioned on Reddit - https://www.reddit.com/r/cryptids/comments/c4uhuj/baltimore_md_something_i_cant_explain/Ghost Hunters Investigate the Senath Lights - https://www.kait8.com/story/5611718/ghost-hunters-investigate-the-senath-lights/Farrenburg Lights. - https://files.shsmo.org/research/oralhistory/artandheritage.pdfThe Spooklight - https://en.wikipedia.org/wiki/The_SpooklightDocumentary brings UFOs to a CLOSE ENCOUNTER - https://shorturl.at/8pZ8mMinot Launch Control Center ‘Saucer' Cited As One Indication of Outer Space - https://shorturl.at/ioIKoMinot UFOs Return - https://shorturl.at/qdvd4 Music from tonight's episode:Music by Iron Cthulhu Apocalypse - https://www.youtube.com/c/IronCthulhuApocalypseCO.AG Music - https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvAMusic By Karl Casey @ White Bat Audio - https://www.youtube.com/@WhiteBatAudioWhite Bat Audio Songs:Midnight RunDeath CertificateAngel HeartLuminous